
Browse content similar to Is Anybody There?. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:10 | 0:00:17 | |
GLASS CHIMES | 0:00:34 | 0:00:36 | |
I'd just like to say thank you, all, | 0:00:36 | 0:00:39 | |
for being here for our first year. | 0:00:39 | 0:00:42 | |
All of our lovely residents all looking so smart. | 0:00:42 | 0:00:45 | |
And for choosing us here at Lark Hall. | 0:00:45 | 0:00:47 | |
And for having a bit of faith in us. | 0:00:48 | 0:00:50 | |
And...merry Christmas. | 0:00:51 | 0:00:54 | |
ALL TOAST AND TALK AT ONCE | 0:00:54 | 0:00:57 | |
CRACKER BANGS LAUGHTER | 0:01:13 | 0:01:16 | |
Well... "When a man grows old and his balls grow cold | 0:01:16 | 0:01:22 | |
"and the tip of his prick turns blue | 0:01:22 | 0:01:26 | |
"When it bends in the middle like a one-stringed fiddle | 0:01:27 | 0:01:33 | |
"He can tell us a tale or two." | 0:01:33 | 0:01:35 | |
What did Father Christmas bring? | 0:01:39 | 0:01:41 | |
I don't believe in him. | 0:01:41 | 0:01:43 | |
I shan't see another Christmas. | 0:01:45 | 0:01:47 | |
Mind you, if I was like her | 0:01:48 | 0:01:51 | |
I'd shove my head in a gas oven. | 0:01:51 | 0:01:53 | |
BLOWS WHISTLE | 0:01:53 | 0:01:55 | |
INHALES DEEPLY | 0:01:59 | 0:02:02 | |
MIMICS | 0:02:04 | 0:02:07 | |
WHEEZES | 0:02:07 | 0:02:10 | |
Mummy! | 0:02:16 | 0:02:18 | |
Mum! What? | 0:02:19 | 0:02:21 | |
I'm busy. | 0:02:21 | 0:02:23 | |
URINE TRICKLES Eugh. | 0:02:24 | 0:02:26 | |
Arnold's dead. | 0:02:28 | 0:02:30 | |
Ooh! WOMAN: Try and be careful. | 0:02:39 | 0:02:41 | |
Can I have my room back now Arnold's dead? | 0:02:43 | 0:02:45 | |
Get in there. No. | 0:02:45 | 0:02:46 | |
But you're getting his sleeping bag when he's finished with it. | 0:02:46 | 0:02:49 | |
HE LAUGHS | 0:02:49 | 0:02:50 | |
Can we have a bit of respect? | 0:02:50 | 0:02:52 | |
Don't go in that room, Eddie. | 0:02:53 | 0:02:55 | |
MEN CHATTER OVER HEADPHONES | 0:03:12 | 0:03:17 | |
I'm not Daley shitting Thompson. Hey, fatty, keep your hair on. | 0:03:17 | 0:03:20 | |
Set? | 0:03:22 | 0:03:23 | |
REWINDS TAPE | 0:03:23 | 0:03:26 | |
I read it in the Daily Express. | 0:03:31 | 0:03:34 | |
90% of small businesses go down the tubes, apparently. | 0:03:34 | 0:03:38 | |
In the first year. | 0:03:38 | 0:03:40 | |
I should stop you reading that paper. | 0:03:40 | 0:03:42 | |
A bloke in Scarborough hung himself in his sporting goods shop. | 0:03:42 | 0:03:45 | |
Yeah, but people don't need sporting goods. | 0:03:45 | 0:03:48 | |
They're always going to get old, aren't they? | 0:03:49 | 0:03:52 | |
It's just teething trouble, Steve. | 0:03:52 | 0:03:54 | |
Kiss, kiss. | 0:03:56 | 0:03:57 | |
TAPE REWINDS | 0:03:57 | 0:04:01 | |
PLAYS TAPE | 0:04:02 | 0:04:03 | |
TAPE HISSES | 0:04:03 | 0:04:06 | |
BREATHES HEAVILY | 0:04:08 | 0:04:10 | |
HEAVY BREATHING ON TAPE | 0:04:10 | 0:04:13 | |
HEAVY BREATHING OVER HEADPHONES | 0:04:19 | 0:04:21 | |
TYRES SCREECH | 0:04:30 | 0:04:32 | |
What the hell do you think you're playing at? | 0:04:37 | 0:04:40 | |
I could have killed you. | 0:04:40 | 0:04:41 | |
Oi! Come here! | 0:04:42 | 0:04:45 | |
HORN HONKS IN DISTANCE | 0:04:45 | 0:04:47 | |
And on Boxing Day, we went to top of Skidby Windmill | 0:04:49 | 0:04:51 | |
and I got badge. | 0:04:51 | 0:04:53 | |
No, you got a badge. | 0:04:53 | 0:04:55 | |
Edward? | 0:04:56 | 0:04:57 | |
On Christmas Day, Arnold Doughty, 90, went blue and died. | 0:05:05 | 0:05:09 | |
So far, there has been no communication from him. | 0:05:09 | 0:05:12 | |
CHILDREN LAUGH | 0:05:14 | 0:05:17 | |
I think I've made a mistake, all right? | 0:05:26 | 0:05:28 | |
Well, just give it a day. Please. No, I'm fine, thank you. | 0:05:28 | 0:05:32 | |
But we've just moved all that in. | 0:05:32 | 0:05:34 | |
Well, I'm moving it back out again. | 0:05:34 | 0:05:36 | |
All right? It's my things, isn't it? | 0:05:36 | 0:05:39 | |
Who is he? | 0:05:39 | 0:05:40 | |
Some gaga old fart Social Services have sent. Lost his wife. | 0:05:40 | 0:05:45 | |
Lives in a camper van. Like Popeye. | 0:05:45 | 0:05:48 | |
Clarence! We can get your stuff just how you like. | 0:05:48 | 0:05:52 | |
You can take as long as you want. | 0:05:52 | 0:05:53 | |
That's not a word. Yes, it is. | 0:05:53 | 0:05:57 | |
"Taxi". You're not playing properly. | 0:05:57 | 0:05:59 | |
Remember your first day at school? It's a bit like that, innit? | 0:05:59 | 0:06:02 | |
Yeah, it IS a bit like that. | 0:06:02 | 0:06:04 | |
The first night's the worst, buddy. Oh! Oh! | 0:06:04 | 0:06:07 | |
I went as mad as her, first couple of nights. | 0:06:07 | 0:06:09 | |
Be quiet! Otherwise the war will start again! | 0:06:09 | 0:06:13 | |
A lot of jabbering simpletons rushing about, wetting themselves. | 0:06:13 | 0:06:18 | |
People you don't know telling you what to do. | 0:06:18 | 0:06:21 | |
I'm off. Hey! | 0:06:21 | 0:06:23 | |
Just give it a go. | 0:06:27 | 0:06:28 | |
This is temporary. | 0:06:33 | 0:06:34 | |
This is only temporary. | 0:06:40 | 0:06:43 | |
OK. | 0:06:44 | 0:06:45 | |
Why doesn't she let him go if he wants to go? | 0:06:45 | 0:06:48 | |
She should do. Then I can move back into my old room. | 0:06:48 | 0:06:51 | |
Oh, you can move back into your old room | 0:06:51 | 0:06:53 | |
if you can pay us 50 quid a week. | 0:06:53 | 0:06:55 | |
WOMAN ON TV: Tonight, haunted houses, ghost-hunting | 0:06:57 | 0:07:01 | |
and the search for life after death. | 0:07:01 | 0:07:03 | |
The most famous ghost hunters and their most famous cases. | 0:07:03 | 0:07:06 | |
And we are... | 0:07:06 | 0:07:08 | |
CHANNEL CHANGES | 0:07:08 | 0:07:09 | |
MOTHER: Hello. Lark Hall. Yeah, just a sec. | 0:07:09 | 0:07:12 | |
Lilian! EDDIE CHANGES CHANNEL | 0:07:14 | 0:07:16 | |
Your daughter is on the phone. Mavis? | 0:07:16 | 0:07:19 | |
Really? | 0:07:19 | 0:07:20 | |
Mavis, oh! | 0:07:20 | 0:07:22 | |
WOMAN ON TV: Did a ghost leave these chilling messages | 0:07:22 | 0:07:25 | |
asking for prayers and... | 0:07:25 | 0:07:27 | |
CLARENCE CHANGES CHANNEL | 0:07:27 | 0:07:28 | |
I wouldn't like to predict that at all, Phil. | 0:07:30 | 0:07:33 | |
What do you want ringing wastefully from Canada, Mavis, | 0:07:34 | 0:07:37 | |
when a stamp costs hardly nothing? | 0:07:37 | 0:07:39 | |
Mum! I want to watch 'Arthur C. Clarke'! Mum! | 0:07:39 | 0:07:44 | |
I've been meaning to ask what you wanted doing with those? | 0:07:44 | 0:07:46 | |
Clarence wants to watch 'One Man and His Dog'. | 0:07:46 | 0:07:48 | |
He's the one who's paying. | 0:07:48 | 0:07:50 | |
You're a naughty girl. It's about ghosts! | 0:07:50 | 0:07:53 | |
We're all naughty girls. | 0:07:53 | 0:07:54 | |
CLANGING Oh, ball bearings! | 0:07:54 | 0:07:57 | |
I wouldn't mind being alone with that one | 0:07:57 | 0:07:59 | |
in a long, dark railway tunnel. | 0:07:59 | 0:08:01 | |
Can I get my wages, Kath? Oh, sorry. Yeah. | 0:08:01 | 0:08:05 | |
Mum! It's very important. It's about recording ghosts! | 0:08:05 | 0:08:08 | |
There's a ghost hunter saying what he does when he wants to hunt them. | 0:08:08 | 0:08:11 | |
Steve! Come here! | 0:08:12 | 0:08:15 | |
Oh, no, I think what you wanted to say is, | 0:08:15 | 0:08:17 | |
"Darling, would you mind coming here if you're not too busy?" | 0:08:17 | 0:08:19 | |
That's what I said. Why can't you watch the TV upstairs? | 0:08:19 | 0:08:22 | |
No, you ordered me to come in there. | 0:08:22 | 0:08:24 | |
The TV upstairs is haunted! | 0:08:24 | 0:08:26 | |
Why don't you do it, then? Please, darling! | 0:08:26 | 0:08:31 | |
Because I came in there last time, dearest. | 0:08:31 | 0:08:32 | |
It doesn't matter. And you didn't come over here last time. | 0:08:32 | 0:08:36 | |
Yes, I did. Why don't you listen? | 0:08:36 | 0:08:38 | |
Sorry, love. Will you sort out the TV for him? | 0:08:39 | 0:08:43 | |
Ena, you've just pinched all these knives and forks again! | 0:08:43 | 0:08:46 | |
Yes, sir. | 0:08:46 | 0:08:48 | |
Arnold's ghost must have got into it when he died. | 0:08:49 | 0:08:52 | |
Arnold's ghost had better things to do than hanging around in a telly. | 0:08:52 | 0:08:56 | |
There, ghosts! Are you happy? | 0:08:56 | 0:08:58 | |
MAN ON TV: Thermometers to detect sudden fluctuations in temperature. | 0:08:59 | 0:09:03 | |
And, strange as it might seem, | 0:09:03 | 0:09:05 | |
one might consider bringing a dog or a cat, | 0:09:05 | 0:09:09 | |
as animals seem to react to supernatural activity. | 0:09:09 | 0:09:13 | |
Animals also provide much-needed company. | 0:09:13 | 0:09:15 | |
MOTORBIKE IDLES OUTSIDE | 0:09:15 | 0:09:17 | |
WOMAN ON TV: Price's methods were thorough and no-nonsense. | 0:09:17 | 0:09:20 | |
Like many scientists of his generation, | 0:09:20 | 0:09:22 | |
he believed that it was only a matter of time before... | 0:09:22 | 0:09:25 | |
What do you think happens when you die, Dad? | 0:09:25 | 0:09:27 | |
Can't imagine it's all that different. | 0:09:31 | 0:09:33 | |
MAN ON TV: ..a dog or cat allowed to roam freely, | 0:09:34 | 0:09:37 | |
but most of all it's imperative for successful investigation | 0:09:37 | 0:09:40 | |
that the entire building be cleared of inhabitants | 0:09:40 | 0:09:43 | |
to allow the ghost hunter to work in controlled conditions | 0:09:43 | 0:09:46 | |
and without interruptions. | 0:09:46 | 0:09:48 | |
TAPE HISSES | 0:09:48 | 0:09:50 | |
STOPS TAPE | 0:10:01 | 0:10:03 | |
COUGHS | 0:10:09 | 0:10:10 | |
Bastards. | 0:10:39 | 0:10:41 | |
Hello, pigeon. | 0:10:53 | 0:10:54 | |
Are you a magician? | 0:11:12 | 0:11:14 | |
No. I'm a retired flasher. | 0:11:15 | 0:11:18 | |
This used to be my room until Arnold came. | 0:11:21 | 0:11:24 | |
Who's he when he's at home? | 0:11:24 | 0:11:26 | |
He's not anybody now. He's dead. He died in that bed. | 0:11:26 | 0:11:30 | |
If you see anything supernatural, do you think you can inform me? | 0:11:32 | 0:11:37 | |
Do you think you can bugger off? | 0:11:37 | 0:11:40 | |
CLATTERING MAN QUACKS | 0:11:47 | 0:11:50 | |
Quack, quack. | 0:11:50 | 0:11:52 | |
Ah! | 0:12:04 | 0:12:06 | |
Wuh...wuh-wuh-wuh... | 0:12:09 | 0:12:11 | |
What? One out! | 0:12:11 | 0:12:13 | |
Give me my ball back! | 0:12:13 | 0:12:15 | |
GLASS SMASHES | 0:12:20 | 0:12:23 | |
Wuh-wuh-wuh... | 0:12:25 | 0:12:27 | |
Come here! | 0:12:32 | 0:12:34 | |
Come here while I kick you! | 0:12:36 | 0:12:38 | |
You think they sent me here to be abused?! | 0:12:38 | 0:12:41 | |
Get stuffed! | 0:12:41 | 0:12:42 | |
This is my house! | 0:12:49 | 0:12:50 | |
HE CRIES | 0:12:58 | 0:13:02 | |
KNOCKS Big hand's at six, little hand's at eight, Eddie! | 0:13:21 | 0:13:24 | |
FIRE ALARM RINGS | 0:13:29 | 0:13:32 | |
SMOKE ALARM BEEPS | 0:13:35 | 0:13:37 | |
(Get out. Clear off.) | 0:13:40 | 0:13:42 | |
THUNDER RUMBLES | 0:13:46 | 0:13:48 | |
Come here, Ena, love! CONFUSED SHOUTING | 0:13:50 | 0:13:53 | |
Never mind making a bid for freedom! | 0:13:53 | 0:13:56 | |
CAT MIAOWS | 0:14:12 | 0:14:13 | |
MAN OVER RADIO: It's all clear. It's a false one. | 0:14:13 | 0:14:17 | |
They are real people, you know. They are not toys! | 0:14:17 | 0:14:20 | |
They were little boys and girls as well once! | 0:14:20 | 0:14:22 | |
I don't WANT to live here! | 0:14:22 | 0:14:24 | |
I want things to be like they were! | 0:14:24 | 0:14:26 | |
I want my room back! | 0:14:26 | 0:14:28 | |
LILIAN: Mark my words! | 0:14:29 | 0:14:31 | |
By the time he's 13, he'll be sniffing glue out of a plastic bag! | 0:14:31 | 0:14:35 | |
Thanks, Lilian(!) | 0:14:35 | 0:14:37 | |
What did you want to say, Edward? What do you want to say? | 0:14:37 | 0:14:40 | |
HE BLOWS RASPBERRY | 0:14:42 | 0:14:44 | |
Oh, where are you off to with a grump on? | 0:14:58 | 0:15:00 | |
Go on, get yourself off to school. | 0:15:00 | 0:15:02 | |
Tell Mr Kelly you had to go to the dentist. | 0:15:03 | 0:15:05 | |
Idiots! | 0:15:08 | 0:15:11 | |
Cow! | 0:15:11 | 0:15:12 | |
ENGINE IDLES | 0:15:14 | 0:15:16 | |
Wankerer! | 0:15:16 | 0:15:18 | |
Mummy! | 0:15:40 | 0:15:42 | |
Dad! | 0:15:42 | 0:15:44 | |
LILIAN: Easy way out. Coward's way out. | 0:15:52 | 0:15:56 | |
STEVE: Just, you know, a cry for help. That's all. Classic. | 0:15:56 | 0:16:01 | |
A what? Never mind, big ears. | 0:16:01 | 0:16:03 | |
Don't say, "That's all," Steve. | 0:16:03 | 0:16:06 | |
How could we let him get to that? Poor fella. | 0:16:06 | 0:16:09 | |
We have to cheer this place up a bit. | 0:16:09 | 0:16:11 | |
I'm very sorry for smacking you. | 0:16:36 | 0:16:38 | |
Are you all right? | 0:16:42 | 0:16:44 | |
Come here. | 0:16:52 | 0:16:53 | |
You're very fortunate, you know. | 0:17:04 | 0:17:06 | |
I never met my grandparents. | 0:17:07 | 0:17:09 | |
And my mummy and daddy are too far away for us to see them much. | 0:17:11 | 0:17:15 | |
You've got all these old people around | 0:17:17 | 0:17:19 | |
with all these amazing stories. | 0:17:19 | 0:17:22 | |
It's a privilege. | 0:17:23 | 0:17:25 | |
At least I think it is. | 0:17:26 | 0:17:28 | |
Do you? | 0:17:28 | 0:17:31 | |
Don't be scared of death, love. | 0:17:31 | 0:17:33 | |
It's all right to be sad. | 0:17:35 | 0:17:36 | |
There's no point being scared. | 0:17:38 | 0:17:40 | |
I'm not scared. I just want to know what happens. | 0:17:40 | 0:17:42 | |
WOMAN OVER PA: Dr Singh to Samuel Bailey Ward. | 0:17:44 | 0:17:46 | |
Could Dr Singh go to the Samuel Bailey Ward? | 0:17:46 | 0:17:49 | |
CUTLERY CLATTERS | 0:17:59 | 0:18:01 | |
Nurse! | 0:18:01 | 0:18:03 | |
I thought you might want your stuff. | 0:18:03 | 0:18:04 | |
Draw that curtain round. | 0:18:07 | 0:18:08 | |
And give me my left shoe. | 0:18:10 | 0:18:12 | |
Did you want one? No. | 0:18:18 | 0:18:19 | |
Ta. | 0:18:20 | 0:18:22 | |
EDDIE: Sorry for setting the fire bell off. | 0:18:31 | 0:18:34 | |
Sorry I put a lot of talcum on your floor, and that. | 0:18:34 | 0:18:36 | |
Sorry for not saying sorry when you ran me over. | 0:18:37 | 0:18:40 | |
And that time I chucked dirt on your head. | 0:18:40 | 0:18:42 | |
That's an awful lot of things to be sorry for...at such a young age. | 0:18:44 | 0:18:49 | |
Sorry. | 0:18:49 | 0:18:50 | |
Are you a magician? | 0:18:54 | 0:18:56 | |
I gave it up. Why don't you start again? | 0:18:57 | 0:19:00 | |
Do me a favour. | 0:19:01 | 0:19:03 | |
When you... | 0:19:08 | 0:19:10 | |
Did... | 0:19:10 | 0:19:12 | |
Did you see any kind of bright white light? | 0:19:16 | 0:19:19 | |
Or a tunnel with Jesus at the end? | 0:19:19 | 0:19:21 | |
As a matter of fact, I did. | 0:19:22 | 0:19:25 | |
And then this cross-eyed little Herbert turned up | 0:19:25 | 0:19:28 | |
and yanked me back out. | 0:19:28 | 0:19:30 | |
That's what you should be saying sorry for. | 0:19:30 | 0:19:32 | |
# That certain night | 0:19:35 | 0:19:39 | |
# The night we met | 0:19:39 | 0:19:42 | |
# There was magic abroad | 0:19:42 | 0:19:47 | |
# In the air | 0:19:47 | 0:19:50 | |
# There were angels dining | 0:19:50 | 0:19:54 | |
# At the Ritz | 0:19:54 | 0:19:58 | |
# And a nightingale sang | 0:19:58 | 0:20:02 | |
# In Berkeley Square... # | 0:20:03 | 0:20:07 | |
Can someone inform me what the hell you think you're playing at? | 0:20:24 | 0:20:28 | |
I'm stuck up here on my own with nothing to keep my trousers up with! | 0:20:28 | 0:20:31 | |
Welcome home. | 0:20:41 | 0:20:43 | |
You know, if I want to top myself... | 0:20:58 | 0:21:01 | |
..I can jump out the window. | 0:21:02 | 0:21:04 | |
DOOR SLAMS | 0:21:10 | 0:21:11 | |
HE MOUTHS | 0:21:25 | 0:21:28 | |
SOAP OPERA PLAYS ON TV | 0:21:31 | 0:21:34 | |
POPS BUBBLE WRAP | 0:21:34 | 0:21:35 | |
HE SNORES | 0:21:45 | 0:21:47 | |
HE SNIFFLES | 0:22:06 | 0:22:07 | |
FLOORBOARDS CREAK | 0:22:07 | 0:22:09 | |
Forget it. | 0:22:56 | 0:22:58 | |
How much did that cost? | 0:23:13 | 0:23:15 | |
You can't put a price on looking good, chucklebum. | 0:23:15 | 0:23:18 | |
How much is 'looking stupid'? | 0:23:18 | 0:23:20 | |
Nice 'do, Stevie. | 0:23:21 | 0:23:23 | |
CLATTERING | 0:23:36 | 0:23:39 | |
You want to watch where you're going. | 0:23:39 | 0:23:41 | |
Is this your grand passion? | 0:23:49 | 0:23:50 | |
Yeah. But I'm not supposed to. | 0:23:50 | 0:23:53 | |
They're all pictures of ghosts. | 0:23:54 | 0:23:56 | |
When they took that, there was no-one there. | 0:23:56 | 0:23:59 | |
Apart from that bloke. | 0:23:59 | 0:24:01 | |
MAN SHOUTS ANGRILY | 0:24:01 | 0:24:04 | |
What's his problem? Who? | 0:24:12 | 0:24:14 | |
Flash Gordon. | 0:24:14 | 0:24:15 | |
He was in a war. Oh. | 0:24:19 | 0:24:21 | |
What about the others? | 0:24:24 | 0:24:26 | |
Lilian's a bit miserable, she trumps a lot. Reg gets drunk. | 0:24:26 | 0:24:30 | |
Elsie used to be a dancing teacher, but now she's got a plastic leg. | 0:24:30 | 0:24:33 | |
Prudence tears up toilet paper. | 0:24:33 | 0:24:35 | |
Ena thinks she's still the King's housemaid | 0:24:35 | 0:24:37 | |
and she can't stop stealing stuff. | 0:24:37 | 0:24:40 | |
Clive's had a stroke, so the only thing he can say is, "One out." | 0:24:40 | 0:24:43 | |
"Rage... | 0:24:43 | 0:24:46 | |
"Rage against the dying of the light." | 0:24:46 | 0:24:47 | |
JOLLY MUSIC PLAYS | 0:24:47 | 0:24:51 | |
# The wheels on the bus go round and round | 0:24:51 | 0:24:54 | |
# Round and round round and round | 0:24:54 | 0:24:57 | |
# The wheels on the bus go round and round | 0:24:57 | 0:25:01 | |
# All day long... # | 0:25:01 | 0:25:03 | |
WOMAN: They do go round and round, don't they? | 0:25:03 | 0:25:06 | |
WOMAN 2: Sometimes. | 0:25:06 | 0:25:07 | |
# The dogs on the bus go woof, woof, woof | 0:25:07 | 0:25:10 | |
# Woof, woof, woof woof, woof, woof | 0:25:10 | 0:25:13 | |
# The dogs on the bus go woof, woof, woof... # | 0:25:13 | 0:25:16 | |
Jesus Christ Almighty! # All day long | 0:25:16 | 0:25:19 | |
MAN: # All day long | 0:25:19 | 0:25:21 | |
# The babies on the bus go waa-waa-waa | 0:25:21 | 0:25:25 | |
# Waa-waa-waa, waa-waa-waa... # | 0:25:25 | 0:25:29 | |
I can't put the two things together. | 0:25:29 | 0:25:31 | |
Lived on my own... | 0:25:33 | 0:25:35 | |
Well, myself and the Mrs. | 0:25:35 | 0:25:38 | |
You live on your own all your life, | 0:25:38 | 0:25:40 | |
and then they think it's a great idea | 0:25:40 | 0:25:42 | |
to shove you together with a load of strangers. | 0:25:42 | 0:25:46 | |
And what do the mummies on the bus say? Anyone? | 0:25:46 | 0:25:48 | |
"Screw this," if they've got any sense. | 0:25:48 | 0:25:51 | |
Everybody all right? WOMAN: Yes, thank you. | 0:25:52 | 0:25:55 | |
Nice to see you, Clarence. | 0:25:55 | 0:25:56 | |
# The mummies on the bus say "Hush-hush-hush | 0:25:56 | 0:26:00 | |
# "Hush-hush-hush... # Oh, God. | 0:26:00 | 0:26:03 | |
I know something that would cheer you up. | 0:26:03 | 0:26:07 | |
CLARENCE: You've got to be bleeding kidding! | 0:26:07 | 0:26:09 | |
Have one of your beers. I want to show you something. | 0:26:09 | 0:26:12 | |
Are you interested in ghosts? No, not in the slightest. | 0:26:13 | 0:26:17 | |
I am. So I gathered. | 0:26:17 | 0:26:19 | |
I'm trying to catch them on tape. | 0:26:19 | 0:26:20 | |
Where are you going? There's nothing in it, you know? It's all a lot of bollocks. No, it's not. | 0:26:21 | 0:26:26 | |
It is. | 0:26:26 | 0:26:28 | |
"Samuel Peet - not dead, only sleeping." | 0:26:28 | 0:26:32 | |
He's going to be pissed off when he wakes up. | 0:26:32 | 0:26:34 | |
This is going to bring my piles down. | 0:26:38 | 0:26:39 | |
I need a coin. | 0:26:41 | 0:26:43 | |
Now you have to dance around it a hundred times. | 0:26:53 | 0:26:55 | |
Their hand comes out and you can ask it questions. Come on. | 0:26:55 | 0:26:59 | |
One... | 0:27:02 | 0:27:03 | |
..two... | 0:27:05 | 0:27:07 | |
..98... | 0:27:10 | 0:27:11 | |
What's happening? Nothing much. | 0:27:13 | 0:27:15 | |
99... | 0:27:16 | 0:27:18 | |
..100. | 0:27:22 | 0:27:23 | |
I mean, there's lots of different ways to contact them. | 0:27:31 | 0:27:34 | |
Seances and Ouija boards. | 0:27:34 | 0:27:36 | |
And, like, you can stand in front of a mirror, right, | 0:27:36 | 0:27:38 | |
and say someone's name again and again and again, | 0:27:38 | 0:27:41 | |
and then they'll appear. | 0:27:41 | 0:27:43 | |
Does this apply to anyone? | 0:27:43 | 0:27:45 | |
No, you have to be dead. | 0:27:45 | 0:27:46 | |
Is that your wife? | 0:27:59 | 0:28:00 | |
She looks like Dame Edna. | 0:28:02 | 0:28:04 | |
Shut up. | 0:28:06 | 0:28:08 | |
And now it's good night from me. | 0:28:10 | 0:28:11 | |
And it's good night from him. BOTH: Good night. | 0:28:11 | 0:28:14 | |
Good night! | 0:28:17 | 0:28:19 | |
CLARENCE: Good night, sweet ladies. | 0:28:19 | 0:28:22 | |
Thanks for the mystery tour. I'm not that bothered, in the future. | 0:28:23 | 0:28:26 | |
My name's Edward. | 0:28:28 | 0:28:30 | |
Mine's Clarence. | 0:28:32 | 0:28:34 | |
MUSIC: I'm In The Mood For Love by Vera Lynn | 0:28:38 | 0:28:42 | |
Annie. | 0:29:50 | 0:29:51 | |
Annie. | 0:29:53 | 0:29:54 | |
Annie? | 0:29:57 | 0:29:59 | |
Annie. | 0:30:02 | 0:30:03 | |
Annie! | 0:30:05 | 0:30:07 | |
Annie. | 0:30:11 | 0:30:12 | |
Annie. | 0:30:14 | 0:30:16 | |
Annie? | 0:30:20 | 0:30:22 | |
Annie. | 0:30:32 | 0:30:33 | |
Right, I'm knocking off. | 0:30:40 | 0:30:42 | |
That's a good idea. I'm off down the Ship. | 0:30:42 | 0:30:44 | |
Do you mind if I get changed in here? | 0:30:44 | 0:30:46 | |
In, uh... | 0:30:46 | 0:30:48 | |
Did you see Top of the Pops last night? | 0:31:02 | 0:31:04 | |
Oh, no, I don't watch it. | 0:31:04 | 0:31:06 | |
Who was on? | 0:31:06 | 0:31:08 | |
No, I don't watch it neither. No. | 0:31:11 | 0:31:13 | |
SHE LAUGHS | 0:31:13 | 0:31:14 | |
Are you still with Mike, or...? | 0:31:16 | 0:31:17 | |
Oh, no, I packed him in. | 0:31:17 | 0:31:20 | |
I mean, we're both going away soon, so... | 0:31:21 | 0:31:24 | |
University? That's it. | 0:31:24 | 0:31:26 | |
I wish I'd gone sometimes. | 0:31:26 | 0:31:29 | |
I failed my Geography A-level. | 0:31:29 | 0:31:31 | |
I didn't realise there was another question on the back of the page. | 0:31:31 | 0:31:34 | |
I finished half an hour before everybody else | 0:31:34 | 0:31:37 | |
and I'm sitting there, thinking, "They're bloody slow!" | 0:31:37 | 0:31:39 | |
SHE LAUGHS | 0:31:39 | 0:31:40 | |
Do you want a lift, or anything? | 0:31:42 | 0:31:44 | |
Um...yeah, if you like. | 0:31:44 | 0:31:47 | |
Great. I'll just get me jacket on. | 0:31:47 | 0:31:49 | |
DOOR OPENS | 0:32:13 | 0:32:14 | |
Ooh, you smell like a tart's window box, Steve! What have you got on? | 0:32:20 | 0:32:23 | |
Oh, uh, just something I were bought for Christmas, you know. | 0:32:23 | 0:32:27 | |
TAPE HISSES | 0:32:31 | 0:32:34 | |
This is what I've got to look forward to, is it? | 0:32:37 | 0:32:39 | |
STOPS TAPE | 0:32:39 | 0:32:40 | |
Can't you find something more constructive to do? | 0:32:40 | 0:32:43 | |
Learn a skill? | 0:32:43 | 0:32:44 | |
I only want to know what happens. | 0:32:44 | 0:32:46 | |
What happens is...is you think the last thought you're ever going to think | 0:32:47 | 0:32:53 | |
and then whatever it was that used to be you, just goes. | 0:32:53 | 0:32:59 | |
Christ, it'd be lovely! I've got lots of things I'd like to say. | 0:32:59 | 0:33:02 | |
But the curtains come down, unfortunately. | 0:33:04 | 0:33:07 | |
That's horrible! | 0:33:07 | 0:33:08 | |
It can't just be black! Don't take the piss! It can't just be black! | 0:33:08 | 0:33:14 | |
Are you waiting for someone? | 0:33:35 | 0:33:37 | |
Yes, a little lad. | 0:33:38 | 0:33:39 | |
BELL RINGS | 0:33:39 | 0:33:41 | |
Your grandson, is he? | 0:33:43 | 0:33:45 | |
No. | 0:33:46 | 0:33:48 | |
Just a little lad. | 0:33:48 | 0:33:49 | |
CHILDREN SHOUT | 0:33:49 | 0:33:51 | |
BOY: Gaylord! | 0:34:03 | 0:34:05 | |
You don't have to come and get me. | 0:34:10 | 0:34:12 | |
Don't you want a game? It's nice weather for one. | 0:34:14 | 0:34:17 | |
I don't like football. | 0:34:17 | 0:34:19 | |
I was wondering if you might accompany me on an expedition? | 0:34:19 | 0:34:25 | |
EDDIE FLICKS SWITCH | 0:34:36 | 0:34:38 | |
The bulb's broken. | 0:34:39 | 0:34:41 | |
Doesn't matter. The darker, the better. | 0:34:41 | 0:34:43 | |
Now, for those of you... | 0:34:52 | 0:34:54 | |
..who have never before sat in a seance, | 0:34:55 | 0:34:59 | |
there is absolutely nothing to be fearful of. | 0:34:59 | 0:35:03 | |
Ghosts are very friendly sorts. | 0:35:03 | 0:35:06 | |
They like a nice chinwag. | 0:35:06 | 0:35:09 | |
But they're very scared of loud noises | 0:35:09 | 0:35:12 | |
and sudden movements, | 0:35:12 | 0:35:14 | |
which is the reason why they're very rarely to be sighted | 0:35:14 | 0:35:18 | |
in discos and wrestling matches, for example. | 0:35:18 | 0:35:21 | |
You shouldn't joke. It'll make 'em vengeful. | 0:35:21 | 0:35:24 | |
Spirits, please accept my mortal apologies. | 0:35:24 | 0:35:29 | |
Now...who are we hoping to contact tonight? | 0:35:33 | 0:35:38 | |
Anyone. OK, we'll try for anyone. | 0:35:40 | 0:35:43 | |
Is there anybody there? | 0:35:44 | 0:35:46 | |
Is there anybody there? | 0:35:48 | 0:35:51 | |
Is there anybody there? | 0:35:53 | 0:35:54 | |
BANG | 0:35:54 | 0:35:55 | |
Is someone in here? | 0:35:55 | 0:35:57 | |
BANG | 0:35:57 | 0:35:59 | |
Who is it? Arnold? | 0:36:01 | 0:36:03 | |
BANG BANG | 0:36:03 | 0:36:04 | |
Someone else? | 0:36:06 | 0:36:08 | |
BANG Who? | 0:36:08 | 0:36:11 | |
It's "yes or no" questions only, I think. | 0:36:11 | 0:36:15 | |
Is there life after death? | 0:36:15 | 0:36:18 | |
BANG | 0:36:18 | 0:36:20 | |
What's it like? Is it nice? | 0:36:20 | 0:36:22 | |
BANG Are there any ghosts in this house? | 0:36:23 | 0:36:26 | |
SCREWS RATTLE HE GASPS | 0:36:26 | 0:36:28 | |
Are there any nice ghosts in this house that don't want to scare anyone | 0:36:28 | 0:36:33 | |
or cause any bother, or nothing? | 0:36:33 | 0:36:35 | |
BANG | 0:36:35 | 0:36:37 | |
Yeah. | 0:36:40 | 0:36:42 | |
STEVE AND KATH: # Happy birthday to you | 0:36:55 | 0:36:59 | |
# Happy birthday, dear Edward | 0:36:59 | 0:37:04 | |
# Happy birthday to you! # | 0:37:04 | 0:37:09 | |
Hey. Good morning! Good morning. | 0:37:09 | 0:37:11 | |
MOTORBIKE APPROACHES | 0:37:11 | 0:37:14 | |
Do you like it? Yeah. | 0:37:14 | 0:37:16 | |
Thanks. | 0:37:25 | 0:37:27 | |
I'm, uh...going to have a shave. | 0:37:28 | 0:37:30 | |
MOTORBIKE DRIVES OFF | 0:37:31 | 0:37:33 | |
Can I have a kiss, please? Thank you. | 0:37:33 | 0:37:36 | |
It's a special and glorious day today. | 0:37:40 | 0:37:44 | |
Yeah. Canada's a country. | 0:37:44 | 0:37:47 | |
And my big God-bothering girl Mavis | 0:37:47 | 0:37:51 | |
is coming from there to see me today! | 0:37:51 | 0:37:53 | |
With her husband who's got a plate in his head. | 0:37:54 | 0:37:57 | |
Of course, she's not a girl now, little man. | 0:37:57 | 0:37:59 | |
She's 66 years old. I'm 11! | 0:37:59 | 0:38:03 | |
Well, she's six times better than you are, isn't she? | 0:38:03 | 0:38:06 | |
COUGHS VIOLENTLY | 0:38:06 | 0:38:09 | |
THUD | 0:38:14 | 0:38:16 | |
KATH: Steve! | 0:38:19 | 0:38:21 | |
STEVE: What? Come here! | 0:38:21 | 0:38:23 | |
FOOTSTEPS APPROACH | 0:38:23 | 0:38:24 | |
Oh, fantastic(!) CAR APPROACHES | 0:38:30 | 0:38:32 | |
DOOR BELL RINGS | 0:38:39 | 0:38:42 | |
Someone answer the door! | 0:38:42 | 0:38:44 | |
MUSIC PLAYS ON HEADPHONES | 0:38:44 | 0:38:45 | |
Who do you think you are, then? | 0:38:48 | 0:38:50 | |
Lord and Lady Aggleshite? | 0:38:50 | 0:38:52 | |
Tradesman's entrance! | 0:38:52 | 0:38:53 | |
Well, shake a leg! | 0:38:53 | 0:38:56 | |
Up! I've got her. I've got her. | 0:38:56 | 0:38:58 | |
Mum! | 0:38:58 | 0:38:59 | |
Happy birthday, mate! Back to your room! Quick smart! | 0:38:59 | 0:39:02 | |
Is she dead?! No. No, she's fine. She's fine. | 0:39:02 | 0:39:04 | |
No. THUD | 0:39:06 | 0:39:08 | |
CLARENCE: What's all the fuss about? | 0:39:10 | 0:39:13 | |
She's had it. She's only just died! | 0:39:13 | 0:39:15 | |
Now stop that. Stop what you're doing! | 0:39:15 | 0:39:18 | |
AIR RUSHES | 0:39:29 | 0:39:31 | |
KATH: She's just in her room with her things. | 0:39:33 | 0:39:36 | |
It's hard to know what to say. | 0:39:40 | 0:39:42 | |
Eddie, I'm worried this is how the Yorkshire Ripper must have started. | 0:39:56 | 0:39:59 | |
Oh, Steve, he's not going to end up like the Yorkshire Ripper! | 0:39:59 | 0:40:03 | |
What's wrong with playing with your Lego? Why are you so bloody morbid? | 0:40:03 | 0:40:06 | |
Cos I live here! We are doing our best! | 0:40:06 | 0:40:08 | |
We used to go away for the day on my birthday. | 0:40:08 | 0:40:10 | |
Oh, Eddie. | 0:40:10 | 0:40:11 | |
That doesn't entitle you to do whatever you bloody like! | 0:40:11 | 0:40:14 | |
I heard Lilian's ghost. It went... HE GROANS | 0:40:29 | 0:40:33 | |
And I was too thick to turn the tape on. | 0:40:33 | 0:40:36 | |
Yeah, that's the sound it makes. | 0:40:36 | 0:40:38 | |
It's the air passing over the vocal cords as it comes out of the lungs. | 0:40:38 | 0:40:41 | |
No, it's not. | 0:40:41 | 0:40:43 | |
Can we do another seance? | 0:40:45 | 0:40:46 | |
The proper reaction is to mourn | 0:40:46 | 0:40:48 | |
and to celebrate their achievements as human beings, | 0:40:48 | 0:40:51 | |
and then try to move on, not stick a microphone up their nose! | 0:40:51 | 0:40:55 | |
I used to have a room with Paddington Bear wallpaper. | 0:40:57 | 0:41:00 | |
Yeah, well, I used to have a beautiful wife and all my own teeth. | 0:41:00 | 0:41:04 | |
Your life changes, buster. And not always for the better. | 0:41:04 | 0:41:08 | |
You accumulate regrets and they stick to you like old bruises. | 0:41:09 | 0:41:13 | |
Sorry. | 0:41:17 | 0:41:19 | |
Many happy returns of the day. | 0:41:29 | 0:41:31 | |
I'll teach you a few tricks. | 0:41:34 | 0:41:36 | |
I'll do you a magic show. | 0:41:37 | 0:41:40 | |
And you can rub out all of today. | 0:41:40 | 0:41:42 | |
And you can ask your pals. | 0:41:43 | 0:41:45 | |
I don't want a party. | 0:41:45 | 0:41:47 | |
Join hands and make contact with the living, son! | 0:41:48 | 0:41:51 | |
You've got to keep it hidden, you see? | 0:41:53 | 0:41:56 | |
Keep it in the knuckles. Go on. | 0:41:56 | 0:41:58 | |
You're lucky. You're still flexible. | 0:42:01 | 0:42:03 | |
Go on. | 0:42:04 | 0:42:06 | |
Now make it disappear. | 0:42:06 | 0:42:08 | |
Go on! | 0:42:10 | 0:42:11 | |
HE LAUGHS | 0:42:13 | 0:42:14 | |
Pick it up. | 0:42:14 | 0:42:17 | |
Start again. | 0:42:17 | 0:42:19 | |
It doesn't start until September, does it? | 0:42:19 | 0:42:24 | |
Tanya! | 0:42:24 | 0:42:25 | |
God Almighty! Poor bunch of pricks! | 0:42:26 | 0:42:30 | |
Go on, ask him. | 0:42:30 | 0:42:32 | |
Ask him about your party. | 0:42:33 | 0:42:34 | |
Good afternoon, Bob. I don't understand. | 0:42:36 | 0:42:39 | |
It doesn't take five months to pack! | 0:42:39 | 0:42:41 | |
Tragic, isn't it? | 0:42:42 | 0:42:44 | |
What were her achievements, then? | 0:42:46 | 0:42:48 | |
What was she like? | 0:42:49 | 0:42:51 | |
She was a manipulative, | 0:42:52 | 0:42:54 | |
passive-aggressive | 0:42:54 | 0:42:57 | |
unkind old asshole. | 0:42:57 | 0:42:59 | |
CLARENCE: # Wish me luck as you wave me goodbye | 0:43:11 | 0:43:17 | |
# Cheerio, here I go | 0:43:17 | 0:43:20 | |
# On my way... # | 0:43:20 | 0:43:22 | |
Tanya's resigned! | 0:43:22 | 0:43:25 | |
Can you believe that? She's what? | 0:43:25 | 0:43:27 | |
Can I have a birthday party, Mum? I know I was a prick. | 0:43:27 | 0:43:29 | |
Where did you pick up language like that? | 0:43:29 | 0:43:31 | |
Did she give any details? | 0:43:31 | 0:43:33 | |
I want a magic show. Eddie, you were a naughty boy. | 0:43:33 | 0:43:36 | |
Oh, go on. Hello? Details. Mum! | 0:43:36 | 0:43:38 | |
Eddie, will you just get off our backs for one minute?! | 0:43:38 | 0:43:41 | |
We've got this wake going on. That's enough to deal with you! | 0:43:41 | 0:43:43 | |
# Till we meet once again, you and I | 0:43:43 | 0:43:49 | |
# Wish me luck as you wave me goodbye... # | 0:43:49 | 0:43:53 | |
Maybe we should have a wee dance? | 0:43:53 | 0:43:56 | |
The dancers have all gone under the hill, my dear. | 0:43:56 | 0:44:00 | |
# With a cheer, not a tear Make it gay... # | 0:44:00 | 0:44:06 | |
Oh, go on, then. | 0:44:06 | 0:44:08 | |
It'll do you good to have some other kids around. | 0:44:08 | 0:44:10 | |
She must have said something about why. | 0:44:10 | 0:44:12 | |
I don't know what you're so upset about. It's me who'll cop for the extra work. | 0:44:14 | 0:44:18 | |
Oh, yeah...cos I do sod all around here, don't I(?` | 0:44:18 | 0:44:22 | |
You know, sometimes I wish we did go bloody bankrupt! | 0:44:22 | 0:44:25 | |
# Till we meet once again, you and I | 0:44:27 | 0:44:32 | |
# Wish me luck as you wave me goodbye. # | 0:44:32 | 0:44:38 | |
Find the Lady. 5 will get you 10, 10 will get you 20. Put your money in. | 0:44:44 | 0:44:48 | |
Where is it? | 0:44:49 | 0:44:51 | |
No. There she is. | 0:44:51 | 0:44:53 | |
HE LAUGHS | 0:44:53 | 0:44:55 | |
It's not so bad here, is it, eh? BOTH: No. | 0:44:55 | 0:44:57 | |
And the vicar says... | 0:44:57 | 0:44:59 | |
.."Madam, this is a ladies' bike, | 0:45:00 | 0:45:04 | |
"it doesn't have a crossbar." | 0:45:04 | 0:45:06 | |
He GROWLS | 0:45:08 | 0:45:09 | |
You see... | 0:45:10 | 0:45:12 | |
..she's thought she was sitting on the crossbar | 0:45:13 | 0:45:16 | |
all the way from Keighley. | 0:45:16 | 0:45:18 | |
But it was his stiffy. Yeah. | 0:45:21 | 0:45:23 | |
Everyone all right? ALL: Yeah. | 0:45:26 | 0:45:28 | |
Fucking Christians. | 0:45:33 | 0:45:36 | |
You used two panes of very polished glass for Pepper's ghost | 0:45:38 | 0:45:41 | |
at an angle like that, yeah? | 0:45:41 | 0:45:43 | |
Annie lies there. Well, your assistant. | 0:45:43 | 0:45:46 | |
You've had this. What? | 0:45:46 | 0:45:48 | |
You've already had this week's, buddy. It's only Tuesday. | 0:45:48 | 0:45:51 | |
I do not believe that I have already had this week's. | 0:45:51 | 0:45:55 | |
Don't ya? No, sunshine, I don't. | 0:45:55 | 0:45:58 | |
Ding, ding, ding, ding, ding, ding, ding. | 0:45:58 | 0:46:01 | |
Bugger off. | 0:46:01 | 0:46:02 | |
It can just be very small-scale. | 0:46:06 | 0:46:09 | |
It could just be me and you. | 0:46:09 | 0:46:10 | |
What could? My birthday party. | 0:46:10 | 0:46:13 | |
I have been trying to draw you out of yourself for a bit, | 0:46:13 | 0:46:17 | |
in case you hadn't twigged on. | 0:46:17 | 0:46:19 | |
God, what's the worst that could happen? | 0:46:19 | 0:46:21 | |
Kids eat some cake, we lift the grim bloody pallor of mortality | 0:46:21 | 0:46:27 | |
for a few glorious moments. | 0:46:27 | 0:46:29 | |
OK. This one. | 0:46:31 | 0:46:33 | |
Got. Got. | 0:46:33 | 0:46:36 | |
Need. Oi. | 0:46:36 | 0:46:38 | |
What? | 0:46:38 | 0:46:40 | |
Have we got PE? Of course we have, spastic. | 0:46:40 | 0:46:44 | |
Hey. | 0:46:48 | 0:46:50 | |
Shit! | 0:46:53 | 0:46:55 | |
CHILDREN LAUGH | 0:46:58 | 0:46:59 | |
Whoa. | 0:46:59 | 0:47:01 | |
BOY: Wicked. The light is on! | 0:47:01 | 0:47:04 | |
The light is on! | 0:47:04 | 0:47:06 | |
CLARENCE: You've got to flex it between your knuckles. | 0:47:08 | 0:47:10 | |
Don't drop it. | 0:47:10 | 0:47:12 | |
Flex it in your whatnots. | 0:47:12 | 0:47:14 | |
Bleedin' hell. | 0:47:15 | 0:47:17 | |
You've got to practise, you know. | 0:47:17 | 0:47:20 | |
Have you been prac...? | 0:47:20 | 0:47:21 | |
Give us your whatsits. | 0:47:21 | 0:47:23 | |
Doodah there. | 0:47:23 | 0:47:26 | |
You're not going to leave, are you? | 0:47:26 | 0:47:29 | |
Why do you write so much on your arms? | 0:47:30 | 0:47:33 | |
STARTS ENGINE | 0:47:33 | 0:47:35 | |
Shall we go and get some magical items for your party? | 0:47:35 | 0:47:38 | |
CLARENCE AND EDDIE: # Don't jump off the roof, Dad | 0:47:38 | 0:47:41 | |
# You'll make a big hole in the yard | 0:47:41 | 0:47:44 | |
# Mother's just planted petunias | 0:47:44 | 0:47:47 | |
# The weeding and seeding was hard | 0:47:47 | 0:47:51 | |
# If you must end it all, Dad | 0:47:51 | 0:47:54 | |
# Why don't you give us a break? | 0:47:54 | 0:47:58 | |
# Take a walk in the park, Dad | 0:47:58 | 0:48:01 | |
# And there you can jump in the lake. # | 0:48:01 | 0:48:05 | |
HORNS HONK | 0:48:05 | 0:48:07 | |
CLARENCE: Oops-a-daisy. | 0:48:07 | 0:48:09 | |
This is where we are, then. | 0:48:12 | 0:48:15 | |
Find some items to make your party go with a swing. | 0:48:15 | 0:48:17 | |
FLICKS SWITCH | 0:48:24 | 0:48:25 | |
It's funny. You spend your life accumulating stuff, | 0:48:27 | 0:48:30 | |
and then you can't find anywhere to put it. | 0:48:30 | 0:48:33 | |
Imagine that. | 0:48:38 | 0:48:40 | |
Imagine all the money I've spent. | 0:48:41 | 0:48:43 | |
All the bloody work I've done. | 0:48:44 | 0:48:45 | |
There. | 0:49:00 | 0:49:02 | |
I had a fine woman, you know. | 0:49:03 | 0:49:05 | |
She was very artistic. | 0:49:05 | 0:49:07 | |
Very gentle. | 0:49:08 | 0:49:10 | |
We were very happy. | 0:49:11 | 0:49:13 | |
What's this do? | 0:49:13 | 0:49:14 | |
Tells the time. Is it magic? | 0:49:14 | 0:49:17 | |
No, it's a grandfather clock. | 0:49:17 | 0:49:18 | |
You've got to give 'em the patter. | 0:49:20 | 0:49:23 | |
Otherwise they'll latch on to you. | 0:49:23 | 0:49:26 | |
What's patter? She was very good at that as well. | 0:49:26 | 0:49:29 | |
She used to help me write my little funny lines. | 0:49:29 | 0:49:31 | |
I met her at Euston Station. | 0:49:34 | 0:49:36 | |
Well, I saw her. | 0:49:37 | 0:49:39 | |
She passed me by, I went after her. | 0:49:40 | 0:49:44 | |
I had a 10-bob note in my pocket. | 0:49:45 | 0:49:48 | |
You don't see them any more. They were red. | 0:49:48 | 0:49:50 | |
So, I took it out and I said, "Excuse my intrusion, Miss, | 0:49:51 | 0:49:55 | |
"but I think you might have dropped this." | 0:49:55 | 0:49:58 | |
And she said, "Oh, gosh, I did. Thank you." | 0:49:58 | 0:50:02 | |
So, I took her to Lyons Corner House. | 0:50:06 | 0:50:08 | |
We had a long bun, | 0:50:09 | 0:50:12 | |
as it were. | 0:50:12 | 0:50:13 | |
And that, as they say, was that. | 0:50:14 | 0:50:17 | |
Oh, God. | 0:50:23 | 0:50:25 | |
I haven't the faintest idea why they scrapped it. | 0:50:31 | 0:50:33 | |
Tanners, florins, shillings. | 0:50:34 | 0:50:37 | |
You don't know what change you're getting nowadays. | 0:50:37 | 0:50:40 | |
And, uh... | 0:50:41 | 0:50:43 | |
..and... | 0:50:43 | 0:50:45 | |
..uh... | 0:50:45 | 0:50:46 | |
Where is this? | 0:50:46 | 0:50:48 | |
WIPERS SQUEAK | 0:50:48 | 0:50:50 | |
TYRES SCREECH, HORNS HONK Clarence! | 0:50:51 | 0:50:56 | |
TYRES SCREECH | 0:50:56 | 0:50:58 | |
Patter. What? | 0:50:59 | 0:51:01 | |
Misdirection. Clarence, you're going the wrong... | 0:51:01 | 0:51:03 | |
Clarence! TYRES SCREECH | 0:51:03 | 0:51:05 | |
HORN HONKS | 0:51:06 | 0:51:08 | |
CRASH | 0:51:09 | 0:51:11 | |
CLARENCE: Sorry, I... | 0:51:20 | 0:51:21 | |
EDDIE: # Don't jump off the roof, Dad | 0:51:21 | 0:51:25 | |
# You'll make a big hole in the yard. # | 0:51:25 | 0:51:30 | |
MAN: You shouldn't be driving, pal. | 0:51:30 | 0:51:31 | |
HE SLAMS DOOR | 0:51:31 | 0:51:33 | |
Are you OK? | 0:51:34 | 0:51:35 | |
When I was a nipper... | 0:51:53 | 0:51:55 | |
..I used to... | 0:51:55 | 0:51:58 | |
I remember looking up, lying on my back... | 0:51:58 | 0:52:02 | |
..and looking up at the stars... | 0:52:03 | 0:52:05 | |
..and thinking, "What a great, big university it is." | 0:52:06 | 0:52:09 | |
Universe. | 0:52:09 | 0:52:11 | |
And all them stars, well, yeah, now... | 0:52:11 | 0:52:16 | |
..they're very, very small. | 0:52:16 | 0:52:17 | |
It's all shut up shop, | 0:52:19 | 0:52:23 | |
and the stars, you know, they don't whatnot. | 0:52:23 | 0:52:27 | |
And the whole bloody thing... | 0:52:31 | 0:52:34 | |
..has ended up on little... | 0:52:36 | 0:52:39 | |
..me. | 0:52:43 | 0:52:45 | |
You can take it to a garage. | 0:52:48 | 0:52:50 | |
What? | 0:52:51 | 0:52:53 | |
Oh. | 0:52:53 | 0:52:54 | |
ENGINE FAILS TO START | 0:52:56 | 0:52:58 | |
You see, when you die then you come back to life. | 0:53:03 | 0:53:08 | |
You know, actually, | 0:53:09 | 0:53:12 | |
you're born again | 0:53:12 | 0:53:14 | |
then you die again, | 0:53:14 | 0:53:16 | |
and afterwards you come back to life. | 0:53:16 | 0:53:18 | |
Sounds exhausting. | 0:53:22 | 0:53:24 | |
I want to come back as an animal. | 0:53:27 | 0:53:31 | |
A rabbit or a badger, or something. | 0:53:32 | 0:53:35 | |
I like badgers. What's so good about badgers? | 0:53:35 | 0:53:39 | |
Well, I like badgers because they're bad-tempered and they look good. | 0:53:39 | 0:53:43 | |
And you can make sporrans out of badgers. | 0:53:44 | 0:53:48 | |
But if you came back as a person you get a chance to put it right again. | 0:53:49 | 0:53:53 | |
Let me tell you a secret. | 0:53:53 | 0:53:55 | |
Being a person is a pain in the arse. | 0:53:56 | 0:53:59 | |
No, it's not. | 0:53:59 | 0:54:00 | |
Yes, it is. | 0:54:00 | 0:54:02 | |
Clarence. What? | 0:54:08 | 0:54:10 | |
If you die will you come back and see me? | 0:54:12 | 0:54:15 | |
Jesus wept! | 0:54:15 | 0:54:16 | |
Chuck that thing away. | 0:54:16 | 0:54:18 | |
Chuck it...chuck it away! | 0:54:18 | 0:54:19 | |
Chuck my bloody tricks away. | 0:54:19 | 0:54:22 | |
HE GROANS | 0:54:26 | 0:54:28 | |
What did you do that for? | 0:54:38 | 0:54:39 | |
Oh, I'm pissing against the wind. I'm drenching my mackintosh. | 0:54:41 | 0:54:44 | |
You don't come back, son! | 0:54:44 | 0:54:47 | |
Once they've gone you can't talk to them! | 0:54:48 | 0:54:51 | |
If I could just say to her I'm sorry... | 0:54:53 | 0:54:55 | |
If I could tell her I was bloody sorry... | 0:54:55 | 0:54:57 | |
..what a difference that would make. | 0:54:58 | 0:55:01 | |
She's dead, son! | 0:55:01 | 0:55:02 | |
She divorced me. Who? | 0:55:03 | 0:55:05 | |
Annie. | 0:55:05 | 0:55:07 | |
I-I wouldn't settle down, I couldn't keep it in my trousers, | 0:55:07 | 0:55:10 | |
you know what I mean? | 0:55:10 | 0:55:12 | |
I was a good-looking fella. | 0:55:12 | 0:55:14 | |
Then one day I came back home | 0:55:16 | 0:55:19 | |
and she'd... | 0:55:19 | 0:55:20 | |
Many years later I got a letter saying that she'd... | 0:55:25 | 0:55:28 | |
I was too late for her bloody funeral! | 0:55:33 | 0:55:35 | |
HE SOBS | 0:55:35 | 0:55:38 | |
I've never even seen her grave! | 0:55:38 | 0:55:40 | |
It's hard to get this far | 0:55:42 | 0:55:46 | |
and realise there's absolutely bloody nothing. | 0:55:46 | 0:55:48 | |
You said you were happy. | 0:55:49 | 0:55:51 | |
Who's happy? | 0:55:51 | 0:55:53 | |
We could do another seance. | 0:55:53 | 0:55:55 | |
Don't be retarded. I made it up, I did it all for your benefit. | 0:55:55 | 0:55:58 | |
What?! Oh, sod off. | 0:55:58 | 0:56:00 | |
I want to be by myself. Clear your own stuff up! | 0:56:00 | 0:56:02 | |
I will! | 0:56:02 | 0:56:04 | |
Badgers are stupid! | 0:56:05 | 0:56:07 | |
Ooh! Sorry. | 0:56:20 | 0:56:23 | |
Cooee. Are you getting your rabbit in your hat? | 0:56:23 | 0:56:27 | |
No, I'm shoving it up your bum. | 0:56:27 | 0:56:29 | |
REWINDS TAPE | 0:56:41 | 0:56:43 | |
Makes you think, doesn't it? | 0:56:49 | 0:56:50 | |
No. | 0:56:51 | 0:56:53 | |
I wasn't really thinking about anything very much. | 0:56:54 | 0:56:57 | |
I was thinking about having my dinner. | 0:56:57 | 0:56:59 | |
HE SIGHS | 0:56:59 | 0:57:02 | |
No, I mean about | 0:57:02 | 0:57:05 | |
life being too short, all that balls. | 0:57:05 | 0:57:07 | |
What's the matter, Stevie? | 0:57:10 | 0:57:11 | |
Kath and I, you know, we used to have an awful lot of fun. | 0:57:16 | 0:57:20 | |
It just seems to escape you. | 0:57:20 | 0:57:21 | |
Oh, Christ, Tanya, don't go to university. | 0:57:23 | 0:57:27 | |
Eh? Stay here, we could date. Whoa. | 0:57:27 | 0:57:29 | |
What? Do you think I'm attractive? | 0:57:29 | 0:57:30 | |
Hold your horses, Stevie. I'm 18 years old. | 0:57:30 | 0:57:33 | |
I know. It's fantastic. Yeah, and what are you? | 0:57:33 | 0:57:35 | |
Like, 45? No, I'm 39. | 0:57:35 | 0:57:37 | |
Going on bloody geriatric. | 0:57:37 | 0:57:39 | |
KNOCK AT DOOR STOPS TAPE | 0:57:41 | 0:57:43 | |
CLARENCE: Are you there? | 0:57:44 | 0:57:45 | |
I'm thinking of doing the card-finding duck. | 0:57:45 | 0:57:48 | |
Go away! | 0:57:48 | 0:57:50 | |
Well, it takes two people. | 0:57:50 | 0:57:52 | |
Tough titty! | 0:57:52 | 0:57:53 | |
I don't want any bloody magic! | 0:57:53 | 0:57:56 | |
TEACHER: Right, Ranjit - who in the previous book was called John - | 0:58:03 | 0:58:07 | |
has got six marbles. | 0:58:07 | 0:58:09 | |
Zulema - who used to be Samantha - has got 12. | 0:58:09 | 0:58:14 | |
And Keith, thank goodness, has got four. | 0:58:14 | 0:58:18 | |
What percentage of the bag does each one have? | 0:58:18 | 0:58:23 | |
Five minutes. | 0:58:24 | 0:58:26 | |
BOY: I don't want to! Now, pack it in, the both of you. | 0:58:26 | 0:58:30 | |
Have some manners. But it's an old folks' homo. | 0:58:30 | 0:58:33 | |
ELECTRIC MOTOR WHIRRS Good God, what's that smell? | 0:58:33 | 0:58:37 | |
BOY 2: Eugh, it's wee! | 0:58:37 | 0:58:39 | |
No wonder he's a complete weirdo. | 0:58:39 | 0:58:40 | |
GUESTS: # Happy birthday to you | 0:58:42 | 0:58:46 | |
# Happy birthday to you | 0:58:46 | 0:58:50 | |
# Happy birthday, dear Edward | 0:58:50 | 0:58:55 | |
# Happy birthday to you. # | 0:58:55 | 0:58:59 | |
ALL CHEER | 0:58:59 | 0:59:01 | |
Go on, make a wish. Quickly, before that senile old bat. | 0:59:01 | 0:59:06 | |
ALL LAUGH | 0:59:06 | 0:59:08 | |
MUSIC: Come On Eileen by Dexys Midnight Runners | 0:59:08 | 0:59:13 | |
HE LIP-SYNCS | 0:59:17 | 0:59:19 | |
RECORD SCRATCHES Carry on, carry on, carry on! | 0:59:19 | 0:59:22 | |
Let me do it. No, I am perfectly capable. | 0:59:22 | 0:59:25 | |
RECORD SCRATCHES AND STOPS Him! He's out! He moved! | 0:59:25 | 0:59:28 | |
I've been moving without a break since 1917. | 0:59:28 | 0:59:32 | |
I can't do anything else. | 0:59:32 | 0:59:34 | |
SONG RESUMES | 0:59:34 | 0:59:36 | |
Get up, you. | 0:59:46 | 0:59:47 | |
Reg the hare. | 0:59:48 | 0:59:50 | |
Get up. Get up! | 0:59:51 | 0:59:54 | |
Oh! | 0:59:54 | 0:59:55 | |
Now move. | 0:59:55 | 0:59:57 | |
HE LIP-SYNCS | 1:00:01 | 1:00:02 | |
HE BREATHES HEAVILY | 1:00:10 | 1:00:12 | |
Can you do your magic show? | 1:00:45 | 1:00:47 | |
What? | 1:00:47 | 1:00:48 | |
Are you sure? | 1:00:52 | 1:00:54 | |
Have you got any kids? | 1:01:14 | 1:01:16 | |
KATH: Now, then, ladies and gentlemen, | 1:01:22 | 1:01:24 | |
boys and girls, | 1:01:24 | 1:01:26 | |
please put your hands together for the Amazing Clarence! | 1:01:26 | 1:01:31 | |
CHEERS | 1:01:31 | 1:01:32 | |
Thank you. | 1:01:32 | 1:01:34 | |
I'm not the sort of magician who drags you through endless mysteries. | 1:01:39 | 1:01:43 | |
I'm pretty straightforward. | 1:01:43 | 1:01:45 | |
And I don't do card tricks. | 1:01:49 | 1:01:51 | |
AUDIENCE GROANS | 1:01:51 | 1:01:53 | |
AUDIENCE GASPS | 1:01:53 | 1:01:55 | |
Well, maybe one or two. | 1:01:58 | 1:02:00 | |
Would you take a card for me, please? | 1:02:02 | 1:02:04 | |
Any card. Any card. | 1:02:04 | 1:02:06 | |
Thank you. Look at it. | 1:02:06 | 1:02:07 | |
Don't tell me what it is. | 1:02:07 | 1:02:09 | |
No, no, no, no, no, don't tell me. Don't tell me. Don't. | 1:02:09 | 1:02:12 | |
Put it back. | 1:02:12 | 1:02:13 | |
I have a friend who will do that for me. | 1:02:13 | 1:02:15 | |
Ronald the card-finding duck. WOMAN: Duck? | 1:02:15 | 1:02:18 | |
He is going to find your card for you. | 1:02:18 | 1:02:20 | |
HE LAUGHS | 1:02:22 | 1:02:24 | |
Quack, quack. | 1:02:24 | 1:02:26 | |
Can I have another brave volunteer, please? | 1:02:28 | 1:02:31 | |
Hey. You. | 1:02:31 | 1:02:33 | |
Another volunteer. Come on. | 1:02:33 | 1:02:35 | |
Come on. Who? Who? | 1:02:35 | 1:02:38 | |
You, sir? No. No, no, no. Absolutely not. No, no. | 1:02:38 | 1:02:41 | |
APPLAUSE | 1:02:41 | 1:02:42 | |
They'd sit knitting and eating frogs... | 1:02:42 | 1:02:46 | |
..and watching people having their heads cut off. | 1:02:47 | 1:02:51 | |
AUDIENCE GASPS | 1:02:51 | 1:02:52 | |
AUDIENCE GASPS | 1:03:03 | 1:03:05 | |
Unfortunately, they found that the guillotine | 1:03:05 | 1:03:09 | |
was susceptible to the power of raspberries. | 1:03:09 | 1:03:13 | |
They found that if you got enough people to blow raspberries | 1:03:15 | 1:03:20 | |
the blade would be diverted from its fatal course. | 1:03:20 | 1:03:25 | |
Which is why...I need your help, OK? | 1:03:26 | 1:03:30 | |
Let's have a dry run. | 1:03:30 | 1:03:32 | |
All set? | 1:03:32 | 1:03:34 | |
ALL INHALE DEEPLY AND BLOW RASPBERRIES | 1:03:34 | 1:03:39 | |
OK. | 1:03:51 | 1:03:52 | |
I think we're ready. | 1:03:52 | 1:03:55 | |
Blow. | 1:03:55 | 1:03:56 | |
ALL BLOW RASPBERRIES | 1:03:56 | 1:03:58 | |
SCREAMS | 1:04:00 | 1:04:01 | |
SCREAMS HUBBUB | 1:04:01 | 1:04:04 | |
I've wrapped it in a bag of peas. MAN: Thanks. | 1:04:20 | 1:04:22 | |
Oh, oh. No, no, no, son. Come on. Let go! | 1:04:22 | 1:04:25 | |
Any other medication? Yes. | 1:04:25 | 1:04:27 | |
I'm on pills for me... | 1:04:27 | 1:04:28 | |
Well, I'll be buggered. | 1:04:32 | 1:04:33 | |
Don't put your finger in it. | 1:04:43 | 1:04:45 | |
One out. | 1:04:52 | 1:04:53 | |
WHISTLES 'PACK UP YOUR TROUBLES IN YOUR OLD KITBAG' | 1:04:57 | 1:05:01 | |
Did you have any? | 1:05:17 | 1:05:19 | |
It's gone crusty. | 1:05:19 | 1:05:20 | |
Go on. Why don't you have some, eh? | 1:05:20 | 1:05:23 | |
Get this candle lit. I don't WANT any. | 1:05:24 | 1:05:26 | |
Have some cake. | 1:05:28 | 1:05:30 | |
What's the matter? I live in an old people's home! | 1:05:39 | 1:05:41 | |
I live in an old people's home as well. It's not easy for anybody. | 1:05:41 | 1:05:44 | |
You realise this will now be where you send your elderly loved ones | 1:05:44 | 1:05:47 | |
to have bits of them chopped off? | 1:05:47 | 1:05:49 | |
It was an accident! Why do you always stick up for him? | 1:05:49 | 1:05:51 | |
He's not your granddad, Eddie. I wish he was my dad! | 1:05:51 | 1:05:54 | |
Oh, aye. Well, he's going senile. | 1:05:56 | 1:05:57 | |
Haven't you noticed? | 1:05:57 | 1:05:59 | |
So you'll just have to settle for Mr Knobhead here. | 1:06:00 | 1:06:03 | |
KATH: Why'd you have to say that? | 1:06:04 | 1:06:06 | |
He'd have found out sooner or later. Let me go! | 1:06:06 | 1:06:08 | |
Eddie... | 1:06:08 | 1:06:10 | |
..some people don't die just like that, you know, not like Lilian. | 1:06:10 | 1:06:14 | |
Some people, they take a bit longer. | 1:06:14 | 1:06:16 | |
You know, they fade. I know what "senile" is! | 1:06:16 | 1:06:19 | |
There's still Daddy and me, love. | 1:06:19 | 1:06:21 | |
We are NOT going to fade away. Yes, you are! | 1:06:21 | 1:06:23 | |
You are! Eddie, look, they're just clients. | 1:06:23 | 1:06:26 | |
You shouldn't get so involved. What about you?! | 1:06:26 | 1:06:29 | |
What? Getting involved! | 1:06:29 | 1:06:31 | |
PLAYS TAPE | 1:06:33 | 1:06:34 | |
STEVE: Oh, Christ, Tanya, don't go to university. | 1:06:34 | 1:06:38 | |
Eh? Stay here, we could date. TANYA: Whoa. | 1:06:38 | 1:06:40 | |
What? Do you think I'm attractive? | 1:06:40 | 1:06:41 | |
Hold your horses, Stevie. I'm 18 years old. | 1:06:41 | 1:06:44 | |
I know. It's fantastic. Yeah, and what are you? | 1:06:44 | 1:06:46 | |
Like, 45? No, I'm 39. | 1:06:46 | 1:06:48 | |
Going on bloody geriatric. | 1:06:48 | 1:06:51 | |
You don't want to have an affair with me, Steve. | 1:06:52 | 1:06:55 | |
I can't support my family. | 1:06:55 | 1:06:57 | |
I'm a rotten bloody father, a terrible husband, | 1:06:57 | 1:07:00 | |
and nobody but you has a single bloody second for me. | 1:07:00 | 1:07:03 | |
You're like a breath of fresh air, Tanya. | 1:07:04 | 1:07:07 | |
And I think I love ya. | 1:07:09 | 1:07:10 | |
I do. | 1:07:12 | 1:07:13 | |
EDDIE STOPS TAPE | 1:07:15 | 1:07:16 | |
KATH AND STEVE ARGUE IN DISTANCE | 1:07:30 | 1:07:33 | |
I have never been unfaithful to you. Not in 15 years! | 1:07:42 | 1:07:45 | |
You just undermine me, Steve. | 1:07:45 | 1:07:46 | |
All the time. You never do anything other than complain. | 1:07:48 | 1:07:51 | |
It's exhausting! | 1:07:51 | 1:07:54 | |
Why don't you just go? Oh, come on! | 1:07:55 | 1:07:57 | |
I'm sick of it. Go! | 1:07:57 | 1:08:00 | |
ENGINE STARTS | 1:08:14 | 1:08:17 | |
CAR DRIVES OFF | 1:08:21 | 1:08:24 | |
There. | 1:08:31 | 1:08:32 | |
Oh. | 1:08:32 | 1:08:34 | |
Oh, you look nice in that tie, Reggie. | 1:08:34 | 1:08:37 | |
Thank you. | 1:08:37 | 1:08:39 | |
But you never have it quite straight, do you? | 1:08:39 | 1:08:42 | |
No? No? | 1:08:42 | 1:08:43 | |
We've got to straighten you out a bit in general, haven't we? | 1:08:43 | 1:08:46 | |
Yes. I suppose so, yes. | 1:08:46 | 1:08:49 | |
SHE LAUGHS | 1:08:49 | 1:08:50 | |
Come along. | 1:08:50 | 1:08:52 | |
KNOCKS AT DOOR | 1:08:55 | 1:08:58 | |
It's half-eight, love. | 1:08:58 | 1:09:00 | |
Come on, get up. | 1:09:02 | 1:09:04 | |
I want to talk. | 1:09:04 | 1:09:05 | |
KNOCKS AT DOOR | 1:09:10 | 1:09:12 | |
Edward? | 1:09:21 | 1:09:22 | |
Eddie? | 1:09:26 | 1:09:27 | |
BOY: On Sunday we went to Edward's birthday party. | 1:09:35 | 1:09:38 | |
There were a wizard who cut an old man's finger off. | 1:09:38 | 1:09:41 | |
It were extremely wicked. | 1:09:41 | 1:09:42 | |
An old person and a young person, please. | 1:09:52 | 1:09:53 | |
?1.80. | 1:09:53 | 1:09:55 | |
That's a lot of ready cash. | 1:09:57 | 1:09:59 | |
He's my granddad. | 1:09:59 | 1:10:01 | |
Are you? Well, possibly. | 1:10:01 | 1:10:03 | |
There have been many women. | 1:10:04 | 1:10:06 | |
When are we going home, then? Eh? | 1:10:10 | 1:10:12 | |
Come on. | 1:10:12 | 1:10:13 | |
I want to be where my stuff is. | 1:10:15 | 1:10:16 | |
Come here! | 1:10:23 | 1:10:24 | |
Oi! Come here! | 1:10:25 | 1:10:27 | |
Come here! | 1:10:28 | 1:10:29 | |
That was a cheap bloody trick. Pull the red what-d'ye-m'-call-it. | 1:10:32 | 1:10:35 | |
Too late, we're going. | 1:10:35 | 1:10:36 | |
Pull the what-d'ye-m'-call-it. | 1:10:36 | 1:10:38 | |
I'll pull it if you tell me what it's called. | 1:10:38 | 1:10:40 | |
Well, I know it's red. | 1:10:43 | 1:10:44 | |
What's a divorce like? What? | 1:10:48 | 1:10:50 | |
A divorce. A bit tricky, I should think. | 1:10:50 | 1:10:53 | |
Come on. | 1:10:55 | 1:10:57 | |
Is it still there? | 1:10:57 | 1:10:59 | |
What? | 1:10:59 | 1:11:00 | |
Is it? What's the matter? | 1:11:00 | 1:11:02 | |
Is the, uh... is the ground still there? | 1:11:03 | 1:11:07 | |
Look, ground, sky. Ground. | 1:11:07 | 1:11:10 | |
Ow! | 1:11:10 | 1:11:12 | |
Oi! Concentrate! | 1:11:12 | 1:11:15 | |
Any danger of a cup of tea and a pork pie? | 1:11:19 | 1:11:21 | |
Did I already ask that? | 1:11:23 | 1:11:25 | |
Thank you. | 1:11:28 | 1:11:30 | |
Stay here. | 1:11:30 | 1:11:31 | |
My name is Clarence Parkinson. | 1:11:34 | 1:11:37 | |
And England is my nation. | 1:11:38 | 1:11:42 | |
My teacher's name is Mr Scott. | 1:11:43 | 1:11:47 | |
And Christ is my...salvation. | 1:11:47 | 1:11:51 | |
Clarence! | 1:11:52 | 1:11:53 | |
Come here! | 1:11:53 | 1:11:55 | |
That's the same name as my Mrs. | 1:12:04 | 1:12:07 | |
I know. | 1:12:07 | 1:12:09 | |
Oh...no. | 1:12:16 | 1:12:18 | |
Oh, God. | 1:12:21 | 1:12:23 | |
Sod off. | 1:12:28 | 1:12:31 | |
Sod off. | 1:12:32 | 1:12:33 | |
Sod off. | 1:12:35 | 1:12:36 | |
EMOTIONALLY: Oh, sod off. | 1:12:39 | 1:12:41 | |
Sod off. | 1:12:47 | 1:12:49 | |
Put them down, then. | 1:12:49 | 1:12:50 | |
Put them down. | 1:12:50 | 1:12:52 | |
Get it off your... Don't. | 1:12:52 | 1:12:54 | |
Don't. | 1:12:54 | 1:12:55 | |
You've spoilt them. | 1:12:57 | 1:12:59 | |
Yeah. | 1:12:59 | 1:13:01 | |
I've spoilt...all these nice... flowers, haven't I? | 1:13:01 | 1:13:05 | |
It's all right. | 1:13:06 | 1:13:08 | |
You know what they're going to say on my gravestone. | 1:13:17 | 1:13:20 | |
"Here lies Clarence B. Parkinson. | 1:13:21 | 1:13:25 | |
"He was born, he effed it up, and then he died." | 1:13:25 | 1:13:29 | |
What's your name? | 1:13:32 | 1:13:33 | |
Eh? Edward. | 1:13:35 | 1:13:38 | |
Edward...things aren't exactly... | 1:13:38 | 1:13:41 | |
..as they ought to be. | 1:13:43 | 1:13:44 | |
Have you any idea what it is? | 1:13:48 | 1:13:49 | |
There's something the matter. | 1:13:53 | 1:13:55 | |
The name on that gravestone... | 1:14:02 | 1:14:05 | |
..is the same name as my wife. | 1:14:05 | 1:14:08 | |
Leave it. I'm going to go call my mum. | 1:14:17 | 1:14:20 | |
STEVE: You know, today's the first time | 1:14:27 | 1:14:29 | |
we've spent more than half an hour with each other | 1:14:29 | 1:14:31 | |
without a bloody fogey or shitty arse | 1:14:31 | 1:14:33 | |
or liquidised bloody carrots getting in the way... | 1:14:33 | 1:14:36 | |
..for a year. | 1:14:36 | 1:14:38 | |
Because our kid's run off | 1:14:39 | 1:14:41 | |
because he hates us so much because of what we do. | 1:14:41 | 1:14:43 | |
That isn't... | 1:14:43 | 1:14:45 | |
What we do is good. | 1:14:45 | 1:14:47 | |
We didn't go to university, Steve. | 1:14:49 | 1:14:51 | |
You asked me to marry you. | 1:14:51 | 1:14:53 | |
We had a baby. | 1:14:53 | 1:14:54 | |
Do you remember how much we... | 1:14:56 | 1:14:58 | |
Do you remember how hard we tried for him? | 1:15:00 | 1:15:04 | |
Yeah. | 1:15:04 | 1:15:06 | |
That was the journey we decided to make. | 1:15:08 | 1:15:11 | |
And there might be a few less dates... | 1:15:11 | 1:15:14 | |
..and I might end up looking like my mother, but... | 1:15:14 | 1:15:17 | |
I'm sorry. | 1:15:17 | 1:15:18 | |
It's not that way, love. What? | 1:15:24 | 1:15:26 | |
It's just over here. Come on. I thought I was outside. | 1:15:26 | 1:15:28 | |
You come with me. That's it. | 1:15:28 | 1:15:30 | |
I mean, you argue with your mates sometimes, right? | 1:15:34 | 1:15:37 | |
And obviously your mum and me sometimes... | 1:15:39 | 1:15:42 | |
HE SIGHS | 1:15:44 | 1:15:46 | |
I can be a grumpy bum. | 1:15:46 | 1:15:48 | |
It's no fault of yours, love. | 1:15:48 | 1:15:50 | |
It's just... | 1:15:50 | 1:15:51 | |
Are you not going to live at home? | 1:15:57 | 1:15:59 | |
I don't know. | 1:16:01 | 1:16:03 | |
Hey, but you must never think, ever... | 1:16:05 | 1:16:09 | |
..that you're not absolutely the most important thing in the world | 1:16:09 | 1:16:12 | |
to your mum and me. | 1:16:12 | 1:16:13 | |
Do you understand? | 1:16:17 | 1:16:19 | |
When's he going to die? | 1:16:28 | 1:16:29 | |
We'll look after him. | 1:16:33 | 1:16:36 | |
Just like we look after everybody. | 1:16:36 | 1:16:38 | |
I'm a little bit bored with you men and your problems at the moment, Edward. | 1:16:40 | 1:16:44 | |
Sometimes you just have to learn to let things go. | 1:16:46 | 1:16:48 | |
I know. | 1:16:50 | 1:16:51 | |
Hmm! | 1:16:55 | 1:16:57 | |
There you are. | 1:16:59 | 1:17:01 | |
Where have you been? Go back to sleep. | 1:17:02 | 1:17:03 | |
I've been looking for you all over the damn place. | 1:17:03 | 1:17:06 | |
Oh, God, help us. There's another one here. | 1:17:06 | 1:17:08 | |
Another wild and woolly one who can't cope with himself. | 1:17:08 | 1:17:10 | |
Annie... | 1:17:10 | 1:17:14 | |
..I'm sorry, pigeon. | 1:17:14 | 1:17:15 | |
That's all I wanted to say. Just tell you that I'm sorry. | 1:17:18 | 1:17:21 | |
I got distracted. | 1:17:21 | 1:17:23 | |
If I had my time over again... | 1:17:24 | 1:17:26 | |
If I had it again... Shh. Shh. Shh. Shh. Shh. | 1:17:27 | 1:17:30 | |
Annie... I forgive you. | 1:17:30 | 1:17:32 | |
I forgive you. | 1:17:34 | 1:17:36 | |
Marty, I'm going to be very sad to see you go. | 1:18:15 | 1:18:18 | |
You've really made a difference in my life. | 1:18:18 | 1:18:20 | |
You've given me something to shoot for. | 1:18:20 | 1:18:22 | |
Just knowing that I'm going to be around to see 1985. | 1:18:22 | 1:18:25 | |
That I'm going to succeed in this. | 1:18:25 | 1:18:27 | |
That I'm going to have a chance to travel through time. | 1:18:27 | 1:18:30 | |
It's going to be really hard waiting 30 years | 1:18:35 | 1:18:37 | |
before I can talk to you about everything that's happened in the past few days. | 1:18:37 | 1:18:41 | |
I'm really going to miss you, Marty. | 1:18:41 | 1:18:43 | |
MARTY: I'm really going to miss you. | 1:18:44 | 1:18:46 | |
Ace one, wasn't it? | 1:18:48 | 1:18:50 | |
That one was magic. Hey, did you like the bit with the skateboard? | 1:18:50 | 1:18:53 | |
I was there too. | 1:18:53 | 1:18:55 | |
Oh, no. Are you sure? | 1:18:55 | 1:18:57 | |
Yep. Are you coming in? | 1:18:57 | 1:19:00 | |
Oh, a couple of minutes can't hurt. | 1:19:00 | 1:19:01 | |
Hey, but you did like it, though, didn't you? | 1:19:03 | 1:19:05 | |
It was good, Dad! | 1:19:05 | 1:19:07 | |
Can I have a word? Most assuredly. | 1:19:07 | 1:19:10 | |
With him. | 1:19:14 | 1:19:16 | |
CLARENCE: Getting to be spring outside again, innit? | 1:20:29 | 1:20:31 | |
EDDIE: It's October. | 1:20:31 | 1:20:33 | |
The leaves are looking very nice on the, uh...uh... | 1:20:34 | 1:20:37 | |
..the large plants you get in the garden. | 1:20:37 | 1:20:39 | |
Trees. | 1:20:39 | 1:20:42 | |
You're not doing that trick right. | 1:20:42 | 1:20:43 | |
You've got to give it some patter. Words. | 1:20:43 | 1:20:47 | |
Why don't you just... | 1:20:47 | 1:20:48 | |
What do you call a man with a paper bag on his head? Russell. | 1:20:48 | 1:20:51 | |
What do you call a man with a licence plate on his head? Reg. | 1:20:51 | 1:20:54 | |
And a man with a car on his head? Seatbelt? | 1:20:54 | 1:20:57 | |
Good lad. | 1:20:59 | 1:21:01 | |
Can I have my fiver now? Your what? | 1:21:01 | 1:21:04 | |
You said you'd give me a fiver if I got it right. | 1:21:04 | 1:21:07 | |
What a load of bollocks. | 1:21:07 | 1:21:09 | |
KNOCK AT DOOR Come in. | 1:21:09 | 1:21:12 | |
Ready for me offing? Where are we going? | 1:21:14 | 1:21:17 | |
Pictures. | 1:21:17 | 1:21:18 | |
Ta-ta for now. | 1:21:19 | 1:21:22 | |
DOOR CLOSES | 1:21:28 | 1:21:30 | |
HE STOPS TAPE | 1:21:50 | 1:21:51 | |
I was wondering whether you wanted to move back into your old room. | 1:21:57 | 1:22:01 | |
I'm OK where I am. | 1:22:02 | 1:22:03 | |
He was some magician, wasn't he? | 1:22:06 | 1:22:08 | |
Oh. | 1:22:14 | 1:22:16 | |
BOY: Beckenbauer. | 1:22:37 | 1:22:40 | |
BOYS LAUGH | 1:22:40 | 1:22:41 | |
Oh, yeah? He shoots, he scores! | 1:22:45 | 1:22:47 | |
Come on, then! Pass it. | 1:22:51 | 1:22:53 | |
One out! HE LAUGHS | 1:23:02 | 1:23:05 | |
Keegan! | 1:23:05 | 1:23:07 | |
Beckenbauer! | 1:23:08 | 1:23:09 | |
Throw it in! | 1:23:17 | 1:23:18 | |
HE GRUNTS | 1:23:18 | 1:23:20 | |
Nice one, old man. | 1:23:20 | 1:23:22 | |
BADGER GROWLS | 1:23:38 | 1:23:39 | |
Come on. One out! | 1:23:43 | 1:23:46 | |
Oh, look! | 1:23:59 | 1:24:01 | |
Abracadabra. | 1:24:02 | 1:24:04 | |
Ooh. | 1:24:06 | 1:24:08 | |
EDDIE: Where are you going? | 1:24:14 | 1:24:16 | |
Out. | 1:24:22 | 1:24:24 | |
That's all. | 1:24:24 | 1:24:26 | |
You never go out. | 1:24:26 | 1:24:28 | |
Well...things are different now, aren't they? | 1:24:28 | 1:24:32 | |
Why do you have to put make-up on? | 1:24:33 | 1:24:35 | |
Because... | 1:24:35 | 1:24:37 | |
Oh, I don't know. | 1:24:39 | 1:24:41 | |
It makes you feel a bit more human. | 1:24:41 | 1:24:43 | |
SPRAYS PERFUME You look like a vampire. | 1:24:43 | 1:24:47 | |
DOOR BELL RINGS | 1:24:47 | 1:24:49 | |
Cheers, big ears. | 1:24:51 | 1:24:53 | |
You look nice! | 1:25:02 | 1:25:04 | |
Hiya. Are you ready? | 1:25:16 | 1:25:18 | |
Yeah. | 1:25:18 | 1:25:19 | |
ELECTRIC MOTOR WHIRRS | 1:25:34 | 1:25:37 | |
Subtitles by Red Bee Media Ltd | 1:27:32 | 1:27:35 |