
Browse content similar to National Treasure: Book of Secrets. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
INDISTINCT CHATTER | 0:01:03 | 0:01:05 | |
MAN: He's in the other room. | 0:01:10 | 0:01:13 | |
Are you Thomas Gates? | 0:01:19 | 0:01:21 | |
Yes. | 0:01:21 | 0:01:22 | |
We got something that we'd like you to take a look at. | 0:01:22 | 0:01:26 | |
I hear you're quite good with puzzles and riddles. | 0:01:26 | 0:01:30 | |
It's a coded message. | 0:01:30 | 0:01:31 | |
It's a playfair cipher. | 0:01:32 | 0:01:34 | |
A playfair cipher? | 0:01:34 | 0:01:36 | |
Can you decode it? | 0:01:36 | 0:01:37 | |
A cipher's impossible to decode without the key. | 0:01:37 | 0:01:40 | |
What do you mean by a key? | 0:01:40 | 0:01:41 | |
A keyword or phrase. | 0:01:41 | 0:01:44 | |
I believe what you need is right there. | 0:01:44 | 0:01:46 | |
It'll take some time. | 0:01:46 | 0:01:48 | |
Go on. I'll take your diary. | 0:01:51 | 0:01:53 | |
I'll meet up with you later. | 0:01:53 | 0:01:55 | |
MAN: Calculate the distance and you're sure to hit the mark | 0:02:16 | 0:02:19 | |
in just about most things as well as shootin'. | 0:02:19 | 0:02:22 | |
LAUGHTER | 0:02:22 | 0:02:24 | |
Ready to pour out all over you like apple sass over roast pork. | 0:02:24 | 0:02:28 | |
LAUGHTER | 0:02:28 | 0:02:31 | |
WOMAN: ..Till I am quite sure of the American. | 0:02:36 | 0:02:38 | |
WOMAN: Ah, that's my own girl. | 0:02:38 | 0:02:40 | |
LAUGHTER | 0:02:40 | 0:02:43 | |
Augusta, dear, to your room. | 0:02:43 | 0:02:46 | |
MAN: To turn you inside out, old gal, | 0:02:48 | 0:02:50 | |
you sockdologising old man-trap! | 0:02:50 | 0:02:53 | |
GUNSHOT AND SCREAMING | 0:02:53 | 0:02:56 | |
AUDIENCE SHRIEKS | 0:02:58 | 0:03:00 | |
Sic semper tyrannis! | 0:03:00 | 0:03:05 | |
HORSE NEIGHS | 0:03:09 | 0:03:11 | |
Temples. | 0:03:20 | 0:03:22 | |
Gold. Cibola... | 0:03:23 | 0:03:26 | |
This is a treasure map. | 0:03:26 | 0:03:29 | |
KGC? You're Knights of the Golden Circle. | 0:03:29 | 0:03:32 | |
You're a traitor. | 0:03:32 | 0:03:34 | |
You're all traitors. | 0:03:34 | 0:03:36 | |
MAN: President Lincoln's been shot! | 0:03:37 | 0:03:39 | |
Everybody out! All of you! | 0:03:39 | 0:03:41 | |
The killer's on the loose! | 0:03:41 | 0:03:44 | |
I'd much appreciate it | 0:03:45 | 0:03:47 | |
if you'd finish deciphering that code now. | 0:03:47 | 0:03:49 | |
GLASS SHATTERS, SHOUTING | 0:03:49 | 0:03:53 | |
-Dad! -The war is over. | 0:03:55 | 0:03:57 | |
No! | 0:03:59 | 0:04:00 | |
No! | 0:04:03 | 0:04:05 | |
No! | 0:04:06 | 0:04:08 | |
You're wrong about that. | 0:04:11 | 0:04:13 | |
The war has only just begun! | 0:04:15 | 0:04:17 | |
(GASPING) Charles. The debt that all men...men pay. | 0:04:22 | 0:04:25 | |
The debt that all men p...(STAMMERS) | 0:04:25 | 0:04:28 | |
Dad! No, please! | 0:04:29 | 0:04:31 | |
(SOBBING) Come back. It's not fair. | 0:04:36 | 0:04:38 | |
Help! Somebody help, please! | 0:04:40 | 0:04:42 | |
So, recapping, | 0:04:43 | 0:04:45 | |
the Knights of the Golden Circle | 0:04:45 | 0:04:47 | |
was a southern extremist group | 0:04:47 | 0:04:49 | |
operating in the north to subvert union forces. | 0:04:49 | 0:04:53 | |
Had Thomas not burned the legendary missing pages | 0:04:53 | 0:04:55 | |
from the Booth diary, | 0:04:55 | 0:04:57 | |
the killers may have found a vast treasure of gold, | 0:04:57 | 0:04:59 | |
and the union may well have lost the civil war. | 0:04:59 | 0:05:02 | |
Thank you. | 0:05:02 | 0:05:03 | |
APPLAUSE | 0:05:03 | 0:05:06 | |
I'd like to thank Ben and Patrick Gates... | 0:05:07 | 0:05:10 | |
Thank you. Thank you very much. | 0:05:10 | 0:05:12 | |
..and say what a wonderful addition Thomas Gates is | 0:05:12 | 0:05:15 | |
-To our civilian heroes exhibit. -Thank you. | 0:05:15 | 0:05:19 | |
Thank you, Dr Nichols. | 0:05:19 | 0:05:21 | |
I only wish my grandfather had been here to see this wonderful day. | 0:05:21 | 0:05:24 | |
Excuse me. I have a question I'd like to ask. | 0:05:24 | 0:05:27 | |
What do you think ever happened to that Booth diary page | 0:05:27 | 0:05:30 | |
-that was pulled out of the fire? -We may never know. | 0:05:30 | 0:05:33 | |
Perhaps. | 0:05:33 | 0:05:34 | |
Perhaps not. | 0:05:34 | 0:05:36 | |
AUDIENCE MURMURS | 0:05:36 | 0:05:38 | |
You see, I have one of those great-great-granddaddies, just like you, | 0:05:38 | 0:05:41 | |
way up in my family tree. | 0:05:41 | 0:05:43 | |
Name of Silas Wilkinson. | 0:05:43 | 0:05:45 | |
He used to tell a story about the night Lincoln was shot. | 0:05:45 | 0:05:49 | |
As Silas tells it, | 0:05:49 | 0:05:51 | |
Booth didn't seek out Thomas Gates | 0:05:51 | 0:05:53 | |
regarding the treasure map that night. | 0:05:53 | 0:05:55 | |
It was Thomas who called the meeting. | 0:05:55 | 0:05:58 | |
A meeting to plan the assassination of Lincoln. | 0:05:58 | 0:06:00 | |
-How absurd. -That's a lie! | 0:06:00 | 0:06:03 | |
AUDIENCE MURMURS | 0:06:03 | 0:06:04 | |
Ladies and gentlemen, I present to you... | 0:06:04 | 0:06:07 | |
one of the missing pages | 0:06:07 | 0:06:10 | |
from the infamous diary of John Wilkes Booth, | 0:06:10 | 0:06:12 | |
with the name Thomas Gates written on a list | 0:06:12 | 0:06:15 | |
along with all the other killers. | 0:06:15 | 0:06:17 | |
And Latin? | 0:06:20 | 0:06:22 | |
Booth was a student of Latin. | 0:06:22 | 0:06:23 | |
He shouted, "sic semper tyrannis" after he shot Lincoln. | 0:06:23 | 0:06:26 | |
-"Thus always to..." -"Thus always to tyrants." We know. | 0:06:26 | 0:06:30 | |
"Surratt, copiae"? | 0:06:30 | 0:06:32 | |
Military supplies. | 0:06:32 | 0:06:34 | |
Mary Surratt was convicted and hanged | 0:06:34 | 0:06:37 | |
for supplying Booth with a rifle and field glasses. | 0:06:37 | 0:06:40 | |
"Thomas Gates, artifex." | 0:06:42 | 0:06:46 | |
"Designer", or "mastermind." | 0:06:46 | 0:06:49 | |
I know what it means. | 0:06:49 | 0:06:51 | |
He must have, uh, planned the assassination. | 0:06:51 | 0:06:55 | |
I see. | 0:06:55 | 0:06:56 | |
Could mean mastermind of anything. | 0:06:56 | 0:06:58 | |
You see that? Burned out right there. | 0:06:58 | 0:07:01 | |
I can only imagine how difficult this must be for you. | 0:07:01 | 0:07:05 | |
-May I, Mr... -Wilkinson. -Wilkinson. | 0:07:05 | 0:07:07 | |
I'll see if this new page matches the Booth diary. | 0:07:07 | 0:07:10 | |
This is an outrage. You're calling my grandfather a liar. | 0:07:10 | 0:07:13 | |
Well, with all due respect, sir, | 0:07:13 | 0:07:15 | |
-now you're calling my great-great-granddaddy a liar. -Yes, sir, I am. | 0:07:15 | 0:07:18 | |
This isn't some garbage from a history book. My grandfather told me this story himself. | 0:07:18 | 0:07:22 | |
I saw the truth of it in his eyes. | 0:07:22 | 0:07:24 | |
I'm sorry, sir. I truly am. | 0:07:24 | 0:07:25 | |
We'll test this thoroughly, Patrick, to authenticate it. | 0:07:37 | 0:07:41 | |
It can't be. | 0:07:41 | 0:07:43 | |
Maps to presidents' houses. | 0:07:43 | 0:07:46 | |
Keys to locks that don't exist. | 0:07:46 | 0:07:50 | |
What's the point? What am I looking for? | 0:07:50 | 0:07:54 | |
Proof, proof, proof. | 0:07:54 | 0:07:57 | |
What proof? | 0:07:57 | 0:07:59 | |
Oh, wow. Is this a book about the Templar treasure? | 0:08:19 | 0:08:23 | |
Yes, it is about the Templar treasure, | 0:08:23 | 0:08:25 | |
but it's also about other things. | 0:08:25 | 0:08:27 | |
Conspiracy theories, urban legends, | 0:08:27 | 0:08:29 | |
and other myths that are true. | 0:08:29 | 0:08:31 | |
So the author's here signing copies? | 0:08:31 | 0:08:34 | |
I'm the author. | 0:08:34 | 0:08:35 | |
You are? | 0:08:35 | 0:08:36 | |
Yeah. See, uh... | 0:08:36 | 0:08:37 | |
There's a picture of me right there. | 0:08:37 | 0:08:39 | |
Ah. | 0:08:39 | 0:08:41 | |
I think it's a pretty good picture. | 0:08:41 | 0:08:43 | |
I thought that guy Benjamin Gates | 0:08:43 | 0:08:45 | |
was the one that found the treasure. | 0:08:45 | 0:08:47 | |
Well, yes, Ben did, but I am the co-finder. | 0:08:47 | 0:08:50 | |
Oh. I've never heard of you. | 0:08:50 | 0:08:52 | |
Oh! | 0:08:52 | 0:08:53 | |
Oh, my gosh. Are you Ben Gates? | 0:08:58 | 0:09:01 | |
Yes. Yes, I am. | 0:09:01 | 0:09:04 | |
Do you own a red Ferrari? | 0:09:04 | 0:09:06 | |
Yes, I do. | 0:09:08 | 0:09:09 | |
Well, it's being towed. | 0:09:09 | 0:09:11 | |
Hmm? | 0:09:11 | 0:09:12 | |
HE CHUCKLES | 0:09:14 | 0:09:16 | |
Wait! Wait! That's my car! | 0:09:21 | 0:09:24 | |
Where's the Ferrari? | 0:09:30 | 0:09:31 | |
IRS impounded it. | 0:09:31 | 0:09:34 | |
-The IRS? -Funny story. | 0:09:34 | 0:09:37 | |
My accountant set up a corporation | 0:09:37 | 0:09:40 | |
on an island that didn't exist | 0:09:40 | 0:09:42 | |
and assured me that that's how rich people do it. | 0:09:42 | 0:09:45 | |
Then I got audited, | 0:09:45 | 0:09:47 | |
and slapped with a huge fine, plus interest! | 0:09:47 | 0:09:50 | |
You want to know what taxes are on 5 million? | 0:09:52 | 0:09:54 | |
6 million. | 0:09:54 | 0:09:56 | |
But enough about me. | 0:09:56 | 0:09:58 | |
What's new with you? | 0:09:58 | 0:10:01 | |
Well, my girlfriend kicked me out, | 0:10:01 | 0:10:04 | |
I'm living with my dad, | 0:10:04 | 0:10:05 | |
-and my family killed President Lincoln. -All right. | 0:10:05 | 0:10:09 | |
I need your help. | 0:10:10 | 0:10:12 | |
I can't believe you have to break into your own house. | 0:10:12 | 0:10:15 | |
I need to get Abigail's ID badge. | 0:10:15 | 0:10:17 | |
She has access to the Booth diary page. | 0:10:17 | 0:10:19 | |
Why don't you just ask Abigail for her help? | 0:10:19 | 0:10:21 | |
She changed the alarm code, Riley. She's not going to talk to me. | 0:10:21 | 0:10:24 | |
We have 30 seconds after the alert starts | 0:10:24 | 0:10:28 | |
to disable the alarm. | 0:10:28 | 0:10:30 | |
Go. | 0:10:30 | 0:10:31 | |
BEEPING | 0:10:31 | 0:10:33 | |
I know I'll probably regret asking this, | 0:10:34 | 0:10:38 | |
but what happened with you and Abigail? | 0:10:38 | 0:10:41 | |
I don't know, you know, I don't know. | 0:10:41 | 0:10:43 | |
-She started using the word "so" a lot. -"So"? | 0:10:43 | 0:10:46 | |
Yeah, like, "So, I guess my opinion doesn't matter." | 0:10:46 | 0:10:49 | |
"So, you seem to always know what's best." | 0:10:49 | 0:10:51 | |
"So, I guess I'm invisible." | 0:10:51 | 0:10:53 | |
And now I've moved out, and we're dividing the furniture... | 0:10:53 | 0:10:56 | |
BEEPING | 0:10:56 | 0:10:57 | |
Oh. Women. | 0:10:57 | 0:10:58 | |
Can't live with them - | 0:10:58 | 0:11:00 | |
especially if they change the alarm codes. | 0:11:00 | 0:11:02 | |
You did that in 25 seconds. | 0:11:02 | 0:11:04 | |
That's why I tell people to get a dog. | 0:11:04 | 0:11:06 | |
Got it. | 0:11:08 | 0:11:09 | |
All right, let's go. | 0:11:09 | 0:11:12 | |
CAR APPROACHING | 0:11:12 | 0:11:14 | |
That's not Abigail's car. | 0:11:18 | 0:11:20 | |
She's on a date. | 0:11:21 | 0:11:23 | |
Isn't that that guy? The White House guy. | 0:11:23 | 0:11:27 | |
So the White House Easter egg roll is next Monday. | 0:11:27 | 0:11:30 | |
-Maybe if you're not... -He's weird. | 0:11:30 | 0:11:32 | |
Abigail: What happens if kids don't find all the eggs? | 0:11:32 | 0:11:34 | |
Wow. You work in a museum and you live in one. | 0:11:34 | 0:11:37 | |
Wow, what clever repartee(!) She must really like him. | 0:11:37 | 0:11:41 | |
All right, let me give you a tour of the house. | 0:11:41 | 0:11:43 | |
OK. That's actually kind of... | 0:11:43 | 0:11:47 | |
Oh, Abigail. | 0:11:47 | 0:11:48 | |
What are you doing here? | 0:11:48 | 0:11:49 | |
I just needed to get some things. | 0:11:49 | 0:11:51 | |
Connor, good to see you again. | 0:11:51 | 0:11:54 | |
Gates. | 0:11:54 | 0:11:55 | |
How did you get in, Ben? | 0:11:55 | 0:11:57 | |
Riley! Come out here! | 0:11:59 | 0:12:03 | |
What? | 0:12:04 | 0:12:06 | |
Hey! What are you doing here? | 0:12:08 | 0:12:10 | |
I mean, it's your house, but... | 0:12:10 | 0:12:12 | |
I sent you a copy of my book. Did you get a chance... | 0:12:12 | 0:12:15 | |
No, I haven't read it yet. | 0:12:15 | 0:12:17 | |
Mm. | 0:12:17 | 0:12:18 | |
I know you. You're the White House curator. | 0:12:18 | 0:12:21 | |
I'm Riley. We met, uh, back in... | 0:12:21 | 0:12:23 | |
Oh, right. You're, uh, Ben's assistant. | 0:12:23 | 0:12:25 | |
What? | 0:12:25 | 0:12:27 | |
Um, maybe I should go. | 0:12:27 | 0:12:29 | |
Yeah, I'm really... | 0:12:29 | 0:12:31 | |
Dinner tomorrow night? | 0:12:31 | 0:12:34 | |
I...I actually already have plans for tomorrow. | 0:12:34 | 0:12:36 | |
Oh, you do? | 0:12:36 | 0:12:38 | |
Of course you do. | 0:12:39 | 0:12:40 | |
But I'm free on Friday. | 0:12:40 | 0:12:41 | |
Awkward. | 0:12:41 | 0:12:43 | |
Oh, great. | 0:12:43 | 0:12:46 | |
Good night. | 0:12:46 | 0:12:47 | |
Good night. | 0:12:47 | 0:12:48 | |
I cannot believe you broke in. | 0:12:48 | 0:12:51 | |
What did you take? | 0:12:51 | 0:12:52 | |
It's just my things. | 0:12:52 | 0:12:54 | |
Hand it over, Ben. | 0:12:55 | 0:12:56 | |
-HE SIGHS -I need to see the Booth diary page. | 0:12:56 | 0:12:58 | |
You saw the page yourself. | 0:12:58 | 0:13:00 | |
There is no treasure map on it. | 0:13:00 | 0:13:02 | |
No, it's a cipher leading to a treasure map. | 0:13:02 | 0:13:04 | |
Did anyone spectral-image the page? | 0:13:04 | 0:13:06 | |
No need to. The ink writing on the page is clearly visible. | 0:13:06 | 0:13:09 | |
It could have been erased or faded. | 0:13:09 | 0:13:11 | |
You're the director of document conservation. You know all this. | 0:13:11 | 0:13:15 | |
It's not up to me. It's not my department. | 0:13:15 | 0:13:17 | |
That department reports to your department. | 0:13:17 | 0:13:19 | |
Come on. Abigail, one look under infrared. | 0:13:19 | 0:13:22 | |
You can have the Boston tea tables. | 0:13:22 | 0:13:24 | |
Both of them? | 0:13:28 | 0:13:31 | |
BEEPING | 0:13:31 | 0:13:33 | |
We've been looking at this page for hours. | 0:13:33 | 0:13:36 | |
There's nothing there. | 0:13:36 | 0:13:38 | |
Ben, I really don't think we're going to find anything on this page. | 0:13:38 | 0:13:43 | |
Look at it this way, | 0:13:43 | 0:13:44 | |
in 100 years, no one's going to remember | 0:13:44 | 0:13:46 | |
anyone involved in the Lincoln assassination besides Booth. | 0:13:46 | 0:13:48 | |
That's not true. | 0:13:48 | 0:13:50 | |
Do you know the expression, "his name is mud"? | 0:13:50 | 0:13:52 | |
-Yes, of course. -You do? | 0:13:52 | 0:13:54 | |
-Do you know the origin of the expression? -Does anyone but you? | 0:13:54 | 0:13:59 | |
Dr Samuel Mudd was convicted of being a co-conspirator | 0:13:59 | 0:14:03 | |
in the Lincoln assassination. | 0:14:03 | 0:14:04 | |
The evidence was circumstantial, | 0:14:04 | 0:14:06 | |
he was later pardoned, but it didn't matter. | 0:14:06 | 0:14:09 | |
Mudd's name still lives in infamy. | 0:14:09 | 0:14:11 | |
And I will not let Thomas Gates's name be mud. | 0:14:11 | 0:14:14 | |
-Ben. -What? | 0:14:15 | 0:14:17 | |
Look at this. | 0:14:17 | 0:14:20 | |
See that? | 0:14:20 | 0:14:22 | |
Oh. | 0:14:22 | 0:14:23 | |
That's quite something, isn't it? | 0:14:23 | 0:14:25 | |
Yeah. It says "smudge." | 0:14:25 | 0:14:27 | |
It's nothing. | 0:14:28 | 0:14:30 | |
Residual ink from the facing page. Flip it. | 0:14:32 | 0:14:36 | |
The letters are backwards. | 0:14:36 | 0:14:37 | |
-It's a cipher. -Yes, it is. | 0:14:37 | 0:14:40 | |
It's a cipher. See how the letters are coupled? | 0:14:40 | 0:14:42 | |
Playfair ciphers encode letters in pairs. | 0:14:42 | 0:14:45 | |
This could prove his story. | 0:14:45 | 0:14:47 | |
Unless you decode the cipher, this does not prove a theory. | 0:14:47 | 0:14:52 | |
-That's OK. That's OK. All we need is a 5-letter keyword. -What's the keyword? | 0:14:52 | 0:14:55 | |
-I don't know yet. -All right. | 0:14:55 | 0:14:57 | |
Uh, can I get a printout of this? | 0:14:57 | 0:14:59 | |
There's a billion words in the English language. | 0:14:59 | 0:15:02 | |
Got to be a logical... Let's start from the beginning. | 0:15:02 | 0:15:05 | |
"A" - aardvark. | 0:15:05 | 0:15:06 | |
I don't want to rain on your parade here, Ben, | 0:15:06 | 0:15:08 | |
But I don't think this is going to stop | 0:15:08 | 0:15:10 | |
Dr Nichols from announcing the discovery of the page tomorrow. | 0:15:10 | 0:15:14 | |
No, now, wait. | 0:15:14 | 0:15:15 | |
Can't you ask him to wait until I prove Thomas is innocent? | 0:15:15 | 0:15:19 | |
What if he isn't innocent? | 0:15:19 | 0:15:22 | |
Sir? Looks like our old friend Ben Gates is in the news again. | 0:15:31 | 0:15:35 | |
What did he find now, Atlantis? | 0:15:35 | 0:15:37 | |
A guy came forward with a missing Booth diary page. | 0:15:37 | 0:15:40 | |
That's not even the best part. Listen to this. | 0:15:40 | 0:15:42 | |
"On the page are the names of the conspirators in the Lincoln assassination, | 0:15:42 | 0:15:46 | |
"as well as a previously unknown conspirator, Thomas Gates. | 0:15:46 | 0:15:49 | |
"Thomas Gates is said to be the great-great-grandfather | 0:15:49 | 0:15:52 | |
"of renowned treasure hunter Benjamin Franklin-Gates." | 0:15:52 | 0:15:54 | |
And I thought my relatives were bad. | 0:15:54 | 0:15:56 | |
-What do we know about this Wilkinson? -Sir? | 0:15:56 | 0:15:59 | |
Guy claims he had this page for 140 years, | 0:16:00 | 0:16:03 | |
then just suddenly comes forward with it? Why? | 0:16:03 | 0:16:08 | |
We'll find out. | 0:16:08 | 0:16:10 | |
Better. | 0:16:10 | 0:16:11 | |
Bacon. | 0:16:11 | 0:16:13 | |
-Keep going. -That's stupid. | 0:16:16 | 0:16:18 | |
How's he doing? | 0:16:23 | 0:16:24 | |
Keep working. | 0:16:24 | 0:16:26 | |
NICHOLS: 'We're extremely grateful to the Wilkinson family | 0:16:27 | 0:16:30 | |
'for coming forth with the page. | 0:16:30 | 0:16:32 | |
'On the page is a name | 0:16:32 | 0:16:33 | |
'of a previously unknown conspirator, Thomas Gates.' | 0:16:33 | 0:16:36 | |
Nichols has bought into it. You see this? | 0:16:36 | 0:16:38 | |
Dad, would you stop watching that? | 0:16:38 | 0:16:40 | |
It's on the internet. | 0:16:42 | 0:16:43 | |
No stopping it now. | 0:16:43 | 0:16:46 | |
'Gates may have been the architect...' | 0:16:46 | 0:16:48 | |
-They have no understanding. -You know the truth. | 0:16:48 | 0:16:51 | |
That's all that matters. | 0:16:51 | 0:16:52 | |
-You heard the story from Grandpa Charles. -The "story"? | 0:16:52 | 0:16:56 | |
This guy's got evidence. He's got everything. | 0:16:56 | 0:16:58 | |
We have a story. We have nothing. | 0:16:58 | 0:17:00 | |
For one brief moment, the Gates family could hold its head up. | 0:17:00 | 0:17:04 | |
Now we're a bunch of crazies. | 0:17:04 | 0:17:05 | |
But we're not liars. | 0:17:05 | 0:17:07 | |
Look, Wilkinson is saying that Thomas Gates | 0:17:08 | 0:17:10 | |
was a mastermind to one of the darkest hours | 0:17:10 | 0:17:13 | |
in US history, | 0:17:13 | 0:17:14 | |
and he burned the diary page to cover that up? | 0:17:14 | 0:17:17 | |
You and I both know he burned the page | 0:17:17 | 0:17:20 | |
to keep Booth's men from finding the treasure, | 0:17:20 | 0:17:22 | |
and that's what we're going to prove. | 0:17:22 | 0:17:24 | |
-There's only one way to prove it. -You have to find the treasure. | 0:17:24 | 0:17:28 | |
And you're going to help me find it. So come on, | 0:17:28 | 0:17:30 | |
let's hear the story again from Grandpa Charles. | 0:17:30 | 0:17:33 | |
Grandpa heard his father say, "treasure map." | 0:17:33 | 0:17:37 | |
Then there was a commotion. | 0:17:37 | 0:17:38 | |
OK, I've got all that. Was there anything after that? | 0:17:38 | 0:17:41 | |
Anything he said, something he did, anything at all? | 0:17:41 | 0:17:45 | |
Wait a minute. | 0:17:45 | 0:17:46 | |
What? | 0:17:46 | 0:17:47 | |
He took his son's hand. | 0:17:50 | 0:17:52 | |
He looked him in the eye, and he said, | 0:17:52 | 0:17:55 | |
with his dying breath, | 0:17:55 | 0:17:56 | |
"the debt that all men pay." | 0:17:56 | 0:17:59 | |
"The debt that all men pay"? | 0:17:59 | 0:18:01 | |
The debt that Thomas paid. | 0:18:01 | 0:18:03 | |
Well, that's five letters. | 0:18:03 | 0:18:05 | |
Oh! | 0:18:05 | 0:18:07 | |
Try "death." | 0:18:07 | 0:18:08 | |
-What? -It's the keycode. | 0:18:08 | 0:18:10 | |
The debt that all men pay is death. | 0:18:10 | 0:18:12 | |
All right. | 0:18:16 | 0:18:17 | |
BEEPING | 0:18:17 | 0:18:19 | |
L-A-B-O-U-L... | 0:18:19 | 0:18:23 | |
It's lab-ool... | 0:18:23 | 0:18:25 | |
Lab-ahl...la... | 0:18:25 | 0:18:26 | |
La...la... | 0:18:26 | 0:18:29 | |
It's gibberish. | 0:18:29 | 0:18:30 | |
-Laboulaye! -Laboulaye! -Laboulaye! What is that? | 0:18:30 | 0:18:34 | |
It's a who. Edouard Laboulaye. Where's the phone? | 0:18:34 | 0:18:36 | |
I can't find anything in this mess. | 0:18:36 | 0:18:38 | |
It's temporary till I find a new place. | 0:18:38 | 0:18:40 | |
Find the old one. I like her. | 0:18:40 | 0:18:42 | |
Hi. | 0:18:44 | 0:18:45 | |
Dr Chase. | 0:18:45 | 0:18:46 | |
Oh, Abigail, please. | 0:18:46 | 0:18:48 | |
-Abigail. -Nice to meet you. | 0:18:48 | 0:18:50 | |
Have a seat. | 0:18:50 | 0:18:52 | |
Thanks for agreeing to meet with me. | 0:18:54 | 0:18:56 | |
Of course. I was actually going to call you about the diary page. | 0:18:56 | 0:19:00 | |
-Any news? -Well... | 0:19:00 | 0:19:01 | |
We actually found some latent letter fragments on it. | 0:19:01 | 0:19:06 | |
Take a look. | 0:19:08 | 0:19:10 | |
Random letters. A cipher. | 0:19:11 | 0:19:13 | |
-Maybe. -Gates seen this? | 0:19:13 | 0:19:15 | |
He's actually the one that discovered it. | 0:19:15 | 0:19:17 | |
MOBILE RINGS | 0:19:17 | 0:19:18 | |
-I'm sorry. -Not a problem. | 0:19:18 | 0:19:20 | |
I need one minute. | 0:19:22 | 0:19:24 | |
Please, take your time. | 0:19:24 | 0:19:25 | |
Hey. What? | 0:19:25 | 0:19:26 | |
We cracked the cipher. It's "Laboulaye." | 0:19:26 | 0:19:29 | |
'The cipher spells "Laboulaye."' | 0:19:29 | 0:19:31 | |
So, Laboulaye was well-known in France. It could be nothing. | 0:19:31 | 0:19:34 | |
Or maybe there was a treasure map like Thomas Gates said there was, | 0:19:34 | 0:19:38 | |
And Laboulaye had it. | 0:19:38 | 0:19:40 | |
We only got a partial on the next word. | 0:19:40 | 0:19:41 | |
L-A-D, lad...ladder... | 0:19:41 | 0:19:43 | |
-L-A-D. -Aladdin! Aladdin? | 0:19:43 | 0:19:45 | |
-Lady! -Thank you, Abigail! | 0:19:45 | 0:19:48 | |
Laboulaye lady. Do you know what Laboulaye was planning | 0:19:48 | 0:19:51 | |
right around the time Lincoln was assassinated? | 0:19:51 | 0:19:54 | |
OK, Ben, I've got to go. | 0:19:54 | 0:19:56 | |
There's a map or a clue to a map on the statue... | 0:19:56 | 0:19:59 | |
-She hung up. -She took your call. That was good. | 0:19:59 | 0:20:02 | |
-Dr Gates? -Yes. | 0:20:02 | 0:20:04 | |
Sounds like he cracked the cipher. Well, I couldn't help but overhear. | 0:20:04 | 0:20:10 | |
Laboulaye? As in Edouard Laboulaye? | 0:20:10 | 0:20:13 | |
Well, he seems to believe so, yes. | 0:20:13 | 0:20:15 | |
He was the man who had the idea for the Statue of Liberty. | 0:20:15 | 0:20:18 | |
Are you saying that there's a treasure map in the Statue of Liberty? | 0:20:18 | 0:20:21 | |
Laboulaye was a Mason. They built clues into everything. | 0:20:21 | 0:20:24 | |
Did you learn that from my book? | 0:20:24 | 0:20:26 | |
-You have an interest in history? -I'm fascinated by it. | 0:20:29 | 0:20:32 | |
Civil war, especially. My family's descended from Confederate general, Albert Pike. | 0:20:32 | 0:20:37 | |
He was a remarkable man. | 0:20:37 | 0:20:38 | |
But then again, what is history but a marker | 0:20:38 | 0:20:41 | |
for the deeds of great men? | 0:20:41 | 0:20:42 | |
A man only has one lifetime, | 0:20:42 | 0:20:44 | |
but history can remember you forever. | 0:20:44 | 0:20:48 | |
So the only question is, which Statue of Liberty? | 0:20:48 | 0:20:51 | |
Exactly. | 0:20:51 | 0:20:52 | |
Is there more than one? | 0:20:52 | 0:20:55 | |
There are three, actually, Riley. | 0:20:55 | 0:20:57 | |
One is in New York, | 0:20:57 | 0:21:00 | |
one in the Luxembourg garden. | 0:21:00 | 0:21:02 | |
But he only referred to one as his "lady." | 0:21:02 | 0:21:05 | |
This is, like, impossible, what you're doing. | 0:21:21 | 0:21:24 | |
I'm glad you're enjoying it. | 0:21:24 | 0:21:25 | |
Laboulaye had to leave a clue somewhere on here. | 0:21:25 | 0:21:28 | |
Move in on the torch. | 0:21:28 | 0:21:29 | |
Let me get there. | 0:21:29 | 0:21:30 | |
It's not as easy as it looks. | 0:21:30 | 0:21:32 | |
No. Believe me, I understand. | 0:21:32 | 0:21:34 | |
Excusez-moi, monsieur. | 0:21:34 | 0:21:36 | |
Excuse me, officer. May I help you? | 0:21:37 | 0:21:40 | |
Ah, American, eh? | 0:21:40 | 0:21:42 | |
Of course, you see no problem | 0:21:42 | 0:21:44 | |
in disturbing everyone's pleasant morning | 0:21:44 | 0:21:47 | |
with your buzzing there. | 0:21:47 | 0:21:49 | |
Hey... | 0:21:49 | 0:21:50 | |
Do you know how much our constitution | 0:21:50 | 0:21:52 | |
was influenced by your man Montesquieu? | 0:21:52 | 0:21:54 | |
-You know Montesquieu? -Got it. | 0:21:54 | 0:21:56 | |
Oui, Montesquieu, yeah. | 0:21:58 | 0:22:00 | |
"A government should be set up so that... | 0:22:00 | 0:22:01 | |
BOTH: "..No man need be afraid of another." | 0:22:01 | 0:22:04 | |
-Oui. -That's very good. | 0:22:04 | 0:22:06 | |
Thank you. | 0:22:06 | 0:22:07 | |
I'm astonished. | 0:22:07 | 0:22:09 | |
I got it, I got it. | 0:22:09 | 0:22:10 | |
I hope you read French. | 0:22:10 | 0:22:12 | |
-May I? -Certainly. | 0:22:12 | 0:22:14 | |
He's a cop. | 0:22:14 | 0:22:16 | |
Um, "Across the sea these twins stand determined..." | 0:22:16 | 0:22:22 | |
Resolute. | 0:22:22 | 0:22:23 | |
"Resolute," yeah. | 0:22:23 | 0:22:24 | |
"To preserve what we are looking for. | 0:22:24 | 0:22:27 | |
Uh...Laboulaye, 1876. | 0:22:27 | 0:22:30 | |
It's a clue. | 0:22:31 | 0:22:32 | |
"These twins stand resolute." | 0:22:32 | 0:22:34 | |
Let's see. Resolute twins. | 0:22:34 | 0:22:37 | |
Resolute. | 0:22:39 | 0:22:41 | |
-Resolute. -And then twins. | 0:22:41 | 0:22:44 | |
Siamese twins? Siam? | 0:22:44 | 0:22:47 | |
Trade routes between France and Thailand? | 0:22:47 | 0:22:49 | |
That's ridiculous. | 0:22:49 | 0:22:51 | |
"HMS resolute." | 0:22:51 | 0:22:54 | |
A British ship that got lost in the Arctic in the 1800s. | 0:22:54 | 0:22:58 | |
It was salvaged by American whalers, | 0:22:58 | 0:23:00 | |
And then congress sent it back to England. | 0:23:00 | 0:23:02 | |
When the ship was finally retired, | 0:23:02 | 0:23:05 | |
Queen Victoria had two desks made from its timbers. | 0:23:05 | 0:23:10 | |
Voila. Resolute twins. | 0:23:10 | 0:23:12 | |
And where are those desks now? | 0:23:12 | 0:23:15 | |
The closest one is in London. | 0:23:15 | 0:23:16 | |
Riley, how fast can we get to Buckingham Palace? | 0:23:16 | 0:23:19 | |
I don't know. Why don't you ask your new best friend? | 0:23:19 | 0:23:21 | |
HE SPEAKS FRENCH | 0:23:21 | 0:23:24 | |
He's going to call you a cab. | 0:23:24 | 0:23:25 | |
-Merci beaucoup. -OK? | 0:23:25 | 0:23:27 | |
Nice helicopter. Is that yours? | 0:23:27 | 0:23:29 | |
-Yes, actually. It is. -OK, so you get the ticket. | 0:23:29 | 0:23:33 | |
Ha-ha! Great(!) | 0:23:33 | 0:23:34 | |
Mitch Wilkinson studied history at Virginia Military Institute. | 0:23:34 | 0:23:38 | |
Graduated 1978. He ran a private security company | 0:23:38 | 0:23:41 | |
which had contracts in Iraq during the invasion | 0:23:41 | 0:23:43 | |
and also in the Congo in the late nineties. | 0:23:43 | 0:23:46 | |
These guys are trained mercenaries, as well as being black-market antiquities dealers. | 0:23:46 | 0:23:50 | |
So why does a black market antiquities dealer | 0:23:50 | 0:23:53 | |
give up a rare civil war artefact, | 0:23:53 | 0:23:57 | |
something he could sell to a private collector | 0:23:57 | 0:23:59 | |
for a good deal of money? | 0:23:59 | 0:24:02 | |
Uhh! | 0:24:17 | 0:24:19 | |
So the Queen's office is here. | 0:25:01 | 0:25:03 | |
The elevator shaft gets you close, | 0:25:03 | 0:25:06 | |
but the only direct access is through security. | 0:25:06 | 0:25:09 | |
Well, that should be exciting. | 0:25:09 | 0:25:11 | |
Yeah, we got to get you in that room. | 0:25:11 | 0:25:13 | |
MOBILE PHONE RINGS Let's see. | 0:25:13 | 0:25:14 | |
-Hi, Dad. -'Ben.' | 0:25:14 | 0:25:16 | |
It's Patrick Gates's phone. He's calling Ben. | 0:25:16 | 0:25:18 | |
Give me that. | 0:25:18 | 0:25:20 | |
The house was broken into last night. I was attacked. | 0:25:20 | 0:25:23 | |
Call the police. I'm coming home. | 0:25:23 | 0:25:24 | |
-What happened? -What good would that do? | 0:25:24 | 0:25:26 | |
'They didn't take anything. And besides, I'm fine.' | 0:25:26 | 0:25:29 | |
OK. We're in London. We're going to Buckingham Palace. | 0:25:29 | 0:25:33 | |
'We have an appointment with the curator tomorrow afternoon.' | 0:25:33 | 0:25:35 | |
-'OK, son, just be careful. Good-bye.' -Bye. | 0:25:35 | 0:25:38 | |
Someone else is after the treasure. | 0:25:38 | 0:25:40 | |
Of course someone else is after the treasure. | 0:25:40 | 0:25:42 | |
It's the axiom of treasure hunting. | 0:25:42 | 0:25:44 | |
We have to hurry and see that desk. | 0:25:44 | 0:25:46 | |
We don't want to miss that appointment. | 0:25:46 | 0:25:48 | |
Hi. Ben Gates. | 0:25:50 | 0:25:52 | |
See security. They'll let you in. | 0:25:52 | 0:25:54 | |
Wow. | 0:26:08 | 0:26:11 | |
OK, it's teatime, chaps. | 0:26:31 | 0:26:34 | |
I'm looking for the curator's office. Which way was it again? | 0:26:48 | 0:26:50 | |
You just follow the stairs round, then turn first left. | 0:26:50 | 0:26:53 | |
Oh, thank you so much. | 0:26:53 | 0:26:55 | |
Ben. | 0:26:59 | 0:27:00 | |
-Abigail. -Abigail? 'What's she doing here?' | 0:27:00 | 0:27:03 | |
-What are you doing here? -Your dad called me. | 0:27:03 | 0:27:05 | |
Said your next clue was here. | 0:27:05 | 0:27:07 | |
'She's really there?' Look, Ben... | 0:27:07 | 0:27:09 | |
-'Drop her. Lose her.' -I want to help. | 0:27:09 | 0:27:10 | |
That's very nice, but it's kind of a bad time right now. | 0:27:10 | 0:27:13 | |
"A bad time right now"? | 0:27:13 | 0:27:16 | |
-It's a bad time. -Ha! | 0:27:16 | 0:27:17 | |
OK, I just flew all the way to London to offer my help... | 0:27:17 | 0:27:21 | |
-'Ben, remember the plan.' -Now you don't need it? | 0:27:21 | 0:27:24 | |
You're the one who's making a scene right now. | 0:27:24 | 0:27:26 | |
-I'm not making a scene right now! -We want to make a scene. | 0:27:26 | 0:27:29 | |
Well then, fine! | 0:27:29 | 0:27:30 | |
If that's what you want, let's have it out right now! | 0:27:30 | 0:27:33 | |
-'Ah, so subtle.' -Ben. -Oh, let me guess! It's the wrong time! | 0:27:33 | 0:27:36 | |
It's the wrong place! I'm wrong again! | 0:27:36 | 0:27:39 | |
Wrong about us, wrong about Thomas Gates, | 0:27:39 | 0:27:42 | |
wrong that you'd like the Queen Anne chair! | 0:27:42 | 0:27:45 | |
You're wrong to assume I'd like the chair. | 0:27:45 | 0:27:47 | |
You see? You see, everybody? Listen to this. | 0:27:47 | 0:27:49 | |
This is more interesting than that. | 0:27:49 | 0:27:51 | |
She thinks that even when I'm right, I'm wrong! | 0:27:51 | 0:27:53 | |
Isn't that right? Abigail, | 0:27:53 | 0:27:55 | |
just because I answer a question quickly, | 0:27:55 | 0:27:58 | |
doesn't make it wrong. | 0:27:58 | 0:27:59 | |
Not if the right answer is something | 0:27:59 | 0:28:01 | |
we need to figure out together as a couple. | 0:28:01 | 0:28:03 | |
-That's what couples do, Ben! -You and your missus, take it outside. | 0:28:03 | 0:28:06 | |
Oh, now look what you've done. | 0:28:06 | 0:28:08 | |
You've brought the little bobbies down on us. | 0:28:08 | 0:28:11 | |
You take the missus outside. I'm staying right here. | 0:28:11 | 0:28:13 | |
-Ben! -Whee! | 0:28:13 | 0:28:16 | |
-Good afternoon, sir. (ENGLISH ACCENT) -'ello. -Been drinking, have we? | 0:28:16 | 0:28:20 | |
Just popped down to the pub for a pint. Bit of all right. | 0:28:20 | 0:28:23 | |
Going to arrest a man for that? | 0:28:23 | 0:28:25 | |
Going to detain a Blighter for enjoying his whiskey? | 0:28:25 | 0:28:28 | |
-That's enough, sir. -Bangers and mash. | 0:28:28 | 0:28:30 | |
-Bubbles and squeak. Smoked eel pie. -Sir! -Haggis! | 0:28:30 | 0:28:32 | |
That's it! Dismount the banister! | 0:28:32 | 0:28:34 | |
# I've got a lovely bunch of coconuts | 0:28:34 | 0:28:36 | |
# Here they are, standing in a row | 0:28:36 | 0:28:38 | |
# Small ones, big ones, some as big as your head... # | 0:28:38 | 0:28:41 | |
That was brilliant. | 0:28:41 | 0:28:44 | |
What's wrong with being right? | 0:28:44 | 0:28:46 | |
Nothing. You should try it sometime, Ben. | 0:28:46 | 0:28:48 | |
Oh, you're saying that I'm never right? | 0:28:48 | 0:28:50 | |
-I did not say that. -Hoo! So I'm wrong again. | 0:28:50 | 0:28:53 | |
Ha, ha. Now, see, there you are correct. | 0:28:53 | 0:28:54 | |
Oh, capital. Topper. | 0:28:54 | 0:28:55 | |
You know what? Your mother told me about you. | 0:28:55 | 0:28:58 | |
She always said never... | 0:28:58 | 0:28:59 | |
(both talking at once) | 0:28:59 | 0:29:01 | |
In here, please. | 0:29:01 | 0:29:02 | |
Step inside, madame. | 0:29:02 | 0:29:04 | |
Why don't you just make a list | 0:29:04 | 0:29:05 | |
Of what's OK for me to say or not right for... | 0:29:05 | 0:29:08 | |
-All right! -..what is right or wrong. | 0:29:08 | 0:29:10 | |
You two lovebirds stay put, right? | 0:29:10 | 0:29:12 | |
No! No, no. Don't leave me in here! | 0:29:12 | 0:29:14 | |
(Feedback) That's great. Wow. | 0:29:14 | 0:29:17 | |
What is going on? | 0:29:17 | 0:29:19 | |
I'm sorry for getting you roped into this, | 0:29:19 | 0:29:21 | |
but you were excellent back there. | 0:29:21 | 0:29:22 | |
Thank you. So were you. | 0:29:22 | 0:29:24 | |
When did you figure out it was a fake argument? | 0:29:24 | 0:29:26 | |
When did you figure out I was really arguing | 0:29:26 | 0:29:28 | |
during the fake argument? | 0:29:28 | 0:29:30 | |
Right in the middle there. | 0:29:30 | 0:29:31 | |
The part where, "I always assume that I'm right." | 0:29:31 | 0:29:32 | |
Riley, get us out of here. | 0:29:32 | 0:29:34 | |
Which I don't get. Because if I turn out to be right | 0:29:34 | 0:29:35 | |
After I assume that I'm right, then I'm correct, yes? | 0:29:35 | 0:29:37 | |
When you get to a conclusion without asking | 0:29:37 | 0:29:39 | |
and you happen to be right, you got lucky. | 0:29:39 | 0:29:42 | |
I get lucky a lot. | 0:29:43 | 0:29:45 | |
So where does that leave me, Ben? | 0:29:45 | 0:29:47 | |
You guys are so great together. | 0:29:47 | 0:29:50 | |
-So you want to know why I'm here? -Uh-huh. | 0:29:50 | 0:29:51 | |
I think there may be a clue | 0:29:53 | 0:29:55 | |
on the resolute desk in the queen's study. | 0:29:55 | 0:29:57 | |
Does that help? | 0:29:58 | 0:30:00 | |
I just don't understand why it's so difficult for you | 0:30:00 | 0:30:02 | |
to include others in your decisions. | 0:30:02 | 0:30:04 | |
Just because you may know what my answer is going to be | 0:30:04 | 0:30:07 | |
doesn't mean you don't have to ask me. | 0:30:07 | 0:30:10 | |
'Door number one, opening.' | 0:30:10 | 0:30:12 | |
(buzzing) | 0:30:12 | 0:30:14 | |
OK, let me try this out. | 0:30:15 | 0:30:18 | |
Abigail, would you like to come with me, please? | 0:30:18 | 0:30:21 | |
Yes, thank you. | 0:30:21 | 0:30:23 | |
Ridiculous. You're staying here. It's too dangerous. | 0:30:23 | 0:30:25 | |
I am so coming. | 0:30:25 | 0:30:27 | |
-Door number 2. -Door 2 coming up. | 0:30:27 | 0:30:29 | |
-(buzzing) -You're not coming. | 0:30:29 | 0:30:31 | |
Call security. | 0:30:31 | 0:30:32 | |
'You should be near a service elevator.' | 0:30:32 | 0:30:36 | |
What are you doing? Are those for the queen? | 0:30:36 | 0:30:38 | |
Queen's not here. There's no flag flying. | 0:30:38 | 0:30:39 | |
Queen's at Windsor. | 0:30:39 | 0:30:42 | |
What are you doing, Ben? | 0:30:42 | 0:30:43 | |
I'm going to go see the desk, without you. | 0:30:43 | 0:30:44 | |
-Bye-bye. -No. | 0:30:44 | 0:30:46 | |
No, no, no. Don't let her go. | 0:30:46 | 0:30:47 | |
-Abigail... -(click) | 0:30:47 | 0:30:48 | |
All right, get in. Get in. Get in! | 0:30:49 | 0:30:51 | |
Hold this. | 0:30:53 | 0:30:55 | |
Will you give me the flowers back, please? | 0:31:00 | 0:31:01 | |
Yeah. | 0:31:01 | 0:31:03 | |
What? | 0:31:09 | 0:31:10 | |
You're wearing the perfume I bought you. | 0:31:10 | 0:31:13 | |
So? | 0:31:13 | 0:31:14 | |
So I think it smells kind of pretty. | 0:31:14 | 0:31:17 | |
It's the flowers, Ben. | 0:31:17 | 0:31:19 | |
No, it's not. | 0:31:19 | 0:31:22 | |
Let's go. | 0:31:24 | 0:31:25 | |
'OK, now turn left.' | 0:31:30 | 0:31:32 | |
Dead end. | 0:31:32 | 0:31:33 | |
'I mean right. Go right.' | 0:31:33 | 0:31:35 | |
The flowers... petals...stamens. | 0:31:41 | 0:31:42 | |
-Come on. -Good. Good. | 0:31:42 | 0:31:45 | |
Go, go. | 0:31:52 | 0:31:54 | |
That's it. | 0:31:55 | 0:31:57 | |
The resolute desk. | 0:31:59 | 0:32:01 | |
We're looking for... writing, | 0:32:02 | 0:32:05 | |
patterns in the carvings. | 0:32:05 | 0:32:08 | |
Could be anything. | 0:32:08 | 0:32:09 | |
Hey, look at this. | 0:32:12 | 0:32:14 | |
"Malcolm Gilvary, 1880." | 0:32:16 | 0:32:20 | |
Hold on one second. | 0:32:20 | 0:32:22 | |
Here we go. Malcolm Gilvary. | 0:32:22 | 0:32:24 | |
Well, he didn't make furniture. | 0:32:24 | 0:32:27 | |
He made Chinese puzzle boxes. | 0:32:27 | 0:32:30 | |
-Oh. -What? | 0:32:37 | 0:32:39 | |
I think these drawers work like tumblers in a safe. | 0:32:39 | 0:32:44 | |
OK, 4 drawers. 4-digit combination? | 0:32:44 | 0:32:48 | |
What about a year? | 0:32:48 | 0:32:50 | |
Uh, well, let me see. Queen Victoria, born 1819. | 0:32:50 | 0:32:54 | |
So you got one... | 0:32:54 | 0:32:56 | |
Eight. | 0:32:59 | 0:33:01 | |
One. | 0:33:04 | 0:33:06 | |
Nine. | 0:33:09 | 0:33:11 | |
Any luck? | 0:33:12 | 0:33:14 | |
OK, 1876 was on the inscription | 0:33:14 | 0:33:16 | |
on the statue in Paris. Let's try that. | 0:33:16 | 0:33:18 | |
One. | 0:33:18 | 0:33:19 | |
Eight. | 0:33:22 | 0:33:24 | |
Seven. | 0:33:25 | 0:33:28 | |
Six. | 0:33:32 | 0:33:33 | |
Uh-oh. | 0:33:58 | 0:34:00 | |
New rules. | 0:34:00 | 0:34:01 | |
These markings, like Incan or Aztec. | 0:34:01 | 0:34:05 | |
I have never seen any symbols like this. | 0:34:05 | 0:34:07 | |
I mean, this looks centuries older | 0:34:07 | 0:34:11 | |
than Civil War. | 0:34:11 | 0:34:13 | |
What do you think it means? | 0:34:13 | 0:34:14 | |
I doubt it has anything to do with the plot to assassinate Lincoln. | 0:34:14 | 0:34:18 | |
(beeping) | 0:34:18 | 0:34:19 | |
Uh-oh. | 0:34:20 | 0:34:21 | |
'Mayday. Mayday. Ben, get out of there.' | 0:34:21 | 0:34:24 | |
Oi! Where are my detainees? | 0:34:29 | 0:34:31 | |
OK, let's make some noise. | 0:34:31 | 0:34:33 | |
(Beeping) | 0:34:33 | 0:34:34 | |
(Alarm Wailing) | 0:34:34 | 0:34:37 | |
The fire alarm's gone off. | 0:34:37 | 0:34:39 | |
Uh-oh. God save the queen. | 0:34:39 | 0:34:41 | |
All units, go to action zebra. | 0:34:41 | 0:34:44 | |
-What's going on now? -Haven't the foggiest. | 0:34:44 | 0:34:46 | |
(Indistinct Chatter) | 0:34:46 | 0:34:48 | |
Someone or something is causing this. | 0:34:48 | 0:34:52 | |
All officers check your primary stations. | 0:34:52 | 0:34:53 | |
This doesn't make any sense. | 0:34:53 | 0:34:55 | |
Find the source terminal | 0:34:55 | 0:34:56 | |
and check public areas 4 and 8. | 0:34:56 | 0:34:58 | |
This way, ladies and gentlemen. | 0:35:13 | 0:35:15 | |
Thank you very much. Keep moving, please. | 0:35:15 | 0:35:17 | |
Keep walking until you're on the other side of the fountain. | 0:35:17 | 0:35:20 | |
(sirens) | 0:35:20 | 0:35:21 | |
Excuse me, excuse me. Coming through. | 0:35:21 | 0:35:23 | |
Got 'em. I got them. | 0:35:23 | 0:35:25 | |
They're at the main gate. | 0:35:25 | 0:35:27 | |
(Sirens) | 0:35:27 | 0:35:29 | |
(Siren) | 0:35:34 | 0:35:38 | |
Oi! Sparkle, come on. | 0:35:43 | 0:35:45 | |
Oh, oh, oh. | 0:35:45 | 0:35:46 | |
All right, I'm a little bit allergic. | 0:35:46 | 0:35:48 | |
-Riley. -Sit! | 0:35:48 | 0:35:49 | |
-Thank you. OK. See you later. -Riley! | 0:35:49 | 0:35:50 | |
-Thank you. -Sit! Sorry. | 0:35:50 | 0:35:52 | |
Thanks for waiting for me. | 0:35:54 | 0:35:55 | |
Can I see the thing? | 0:35:55 | 0:35:58 | |
Daniel, hold it. | 0:35:58 | 0:35:59 | |
What is that? | 0:36:01 | 0:36:03 | |
I went to Buckingham Palace and all I got was this old piece of wood? | 0:36:03 | 0:36:06 | |
Look at the symbols. I've never seen anything like this. | 0:36:06 | 0:36:08 | |
It's an incredible discovery. | 0:36:08 | 0:36:11 | |
Wilkinson. | 0:36:12 | 0:36:13 | |
Stop them. Go, go, go! | 0:36:13 | 0:36:15 | |
He's the one who's after the treasure. | 0:36:17 | 0:36:19 | |
OK, I'll drive. | 0:36:19 | 0:36:20 | |
We're in England. | 0:36:23 | 0:36:24 | |
It's a gun! Get down! | 0:36:31 | 0:36:32 | |
Aah! | 0:36:32 | 0:36:34 | |
We're trapped! | 0:36:35 | 0:36:36 | |
Hang on! Keep your heads down. | 0:36:36 | 0:36:39 | |
Ohh! | 0:36:42 | 0:36:43 | |
Hey, who are you? | 0:36:50 | 0:36:51 | |
Sorry. | 0:37:06 | 0:37:07 | |
Hey! | 0:37:10 | 0:37:11 | |
Oi! Ooh! | 0:37:11 | 0:37:13 | |
Ben, they're... they're getting closer. | 0:37:18 | 0:37:20 | |
What is their problem? | 0:37:20 | 0:37:21 | |
Whoa! | 0:37:24 | 0:37:26 | |
Go left! Go left! | 0:37:27 | 0:37:28 | |
Hold on. | 0:37:28 | 0:37:29 | |
Turn, turn, turn! | 0:37:35 | 0:37:37 | |
Watch out! | 0:37:38 | 0:37:39 | |
(Groans) | 0:37:42 | 0:37:43 | |
Is everybody OK? | 0:37:45 | 0:37:47 | |
Come on, come on. | 0:37:51 | 0:37:52 | |
Danny, I want them stopped. | 0:37:52 | 0:37:54 | |
Look out! | 0:37:59 | 0:38:00 | |
Aah! | 0:38:00 | 0:38:01 | |
Aah! | 0:38:10 | 0:38:11 | |
(Shouting) | 0:38:29 | 0:38:31 | |
Go. Go, go, go, go! | 0:38:32 | 0:38:35 | |
Did you see where he went? | 0:38:36 | 0:38:37 | |
(Cell phone rings) | 0:38:39 | 0:38:41 | |
-What is that? -Someone's phone. | 0:38:41 | 0:38:44 | |
It's him. | 0:38:44 | 0:38:45 | |
You have his number in your speed dial? | 0:38:45 | 0:38:46 | |
Oh, shh. | 0:38:46 | 0:38:47 | |
Mitch, this has gotta end before someone gets hurt. | 0:38:47 | 0:38:50 | |
Give me what you got at Buckingham Palace, it won't be necessary. | 0:38:50 | 0:38:53 | |
Tell that to my father. | 0:38:53 | 0:38:54 | |
(Cell phone beeps) | 0:38:54 | 0:38:56 | |
-Moron! -(Honking) | 0:38:57 | 0:39:00 | |
Why are they standing in the middle of the street? (Honking) | 0:39:00 | 0:39:02 | |
(Screaming) | 0:39:02 | 0:39:04 | |
Where are all these people going? | 0:39:04 | 0:39:06 | |
Why's everyone running? | 0:39:06 | 0:39:08 | |
(Horn honks) | 0:39:08 | 0:39:11 | |
He's right there! Go, go! | 0:39:11 | 0:39:12 | |
-Move! -(Honking) | 0:39:12 | 0:39:13 | |
-Get out of the way! -(Honking) | 0:39:15 | 0:39:18 | |
Did I just run over a man's foot? | 0:39:19 | 0:39:20 | |
Watch the people! | 0:39:20 | 0:39:22 | |
Go! Go! Faster! | 0:39:31 | 0:39:32 | |
Right over there. | 0:39:44 | 0:39:45 | |
All right, all right, I got them. | 0:39:45 | 0:39:47 | |
-They're still behind us. -This phone have a camera in it? | 0:39:47 | 0:39:50 | |
No. No, it's broken. | 0:39:50 | 0:39:52 | |
All right. Give me the plank. | 0:39:52 | 0:39:53 | |
Hang on, we're going to run a red light. | 0:39:57 | 0:39:59 | |
(Honking) | 0:39:59 | 0:40:01 | |
Ah! Ah! | 0:40:01 | 0:40:02 | |
Hack into the London police database | 0:40:10 | 0:40:11 | |
and get a copy of the picture from that traffic cam. | 0:40:11 | 0:40:13 | |
Okey-dokey. | 0:40:13 | 0:40:15 | |
-You can't do it? -No, I can do it. | 0:40:15 | 0:40:17 | |
I just don't like that you assume that I can do it. | 0:40:17 | 0:40:19 | |
-(Laughs) -Why, thank you, Riley. | 0:40:19 | 0:40:21 | |
Get it! | 0:40:43 | 0:40:45 | |
Stop! Stop! | 0:40:48 | 0:40:49 | |
(Tires squealing) | 0:40:49 | 0:40:50 | |
He's got it. | 0:41:09 | 0:41:10 | |
What is it? | 0:41:10 | 0:41:11 | |
I don't know, but it's ours. Let's go. | 0:41:11 | 0:41:14 | |
(Birds chirping) | 0:41:19 | 0:41:21 | |
Abigail! | 0:41:21 | 0:41:22 | |
Hey, Patrick. | 0:41:22 | 0:41:25 | |
Nice to see you two together again. | 0:41:25 | 0:41:27 | |
Yeah, well, we're not. | 0:41:27 | 0:41:29 | |
Oh, I was hoping to get some of these boxes out of the house. | 0:41:29 | 0:41:33 | |
I can't read the whole thing, | 0:41:40 | 0:41:44 | |
but I can tell you that | 0:41:44 | 0:41:45 | |
these are definitely pre-colonial native American markings. | 0:41:45 | 0:41:49 | |
It's easily 500 years old. | 0:41:49 | 0:41:50 | |
Easily. | 0:41:50 | 0:41:52 | |
I can identify one symbol. | 0:41:56 | 0:41:58 | |
Look at this. Do you know what that is? | 0:41:58 | 0:42:01 | |
Sacred calendrical? I don't know. | 0:42:01 | 0:42:03 | |
That symbol is Cibola. | 0:42:03 | 0:42:06 | |
That's Cibola. | 0:42:06 | 0:42:08 | |
The City of Gold. | 0:42:10 | 0:42:11 | |
The City of Gold. | 0:42:11 | 0:42:13 | |
"In 1527, a Spanish ship wrecked on the Florida coast. | 0:42:16 | 0:42:20 | |
"There were only 4 survivors. | 0:42:20 | 0:42:22 | |
"One was a slave named Esteban | 0:42:22 | 0:42:25 | |
"who saved the local tribe's dying chief. | 0:42:25 | 0:42:27 | |
"As a reward, he was taken to their sacred city, | 0:42:27 | 0:42:30 | |
"a city built from solid gold." | 0:42:30 | 0:42:31 | |
"Later, when Esteban tried to find the city again, | 0:42:33 | 0:42:36 | |
"he never could, | 0:42:36 | 0:42:37 | |
"but the legend grew, | 0:42:37 | 0:42:39 | |
"and every explorer came to the new world in search of it. | 0:42:39 | 0:42:43 | |
"When General Custer's search for gold ended | 0:42:43 | 0:42:46 | |
"with his last stand at Little Bighorn, | 0:42:46 | 0:42:48 | |
"it became clear none would ever find it." | 0:42:48 | 0:42:52 | |
Ben, can you imagine | 0:42:57 | 0:42:58 | |
if the Confederates got their hands | 0:42:58 | 0:43:00 | |
on the City of Gold? | 0:43:00 | 0:43:02 | |
My God. | 0:43:03 | 0:43:05 | |
I'm going to go talk to her. | 0:43:05 | 0:43:07 | |
-You're coming with me. -No! | 0:43:10 | 0:43:12 | |
Hey. No-one else can translate it. | 0:43:12 | 0:43:15 | |
There are others. There are several others. | 0:43:15 | 0:43:17 | |
For ancient Native American? | 0:43:17 | 0:43:19 | |
There's no-one better. | 0:43:19 | 0:43:20 | |
Who? | 0:43:20 | 0:43:22 | |
Look, Ben, I can't go with you. | 0:43:22 | 0:43:23 | |
It's been, what? 25 years. | 0:43:23 | 0:43:25 | |
-32. -That long? | 0:43:25 | 0:43:29 | |
There's a reason why we haven't spoken | 0:43:29 | 0:43:32 | |
in 32 years. | 0:43:32 | 0:43:33 | |
We have nothing in common. | 0:43:33 | 0:43:35 | |
-Me? -Oh, yes, of course. | 0:43:35 | 0:43:37 | |
And I'm sure she's just as proud of you as I am. | 0:43:37 | 0:43:39 | |
Who? | 0:43:39 | 0:43:41 | |
His mom. | 0:43:41 | 0:43:42 | |
Will you relax. It's gonna be fine. | 0:43:45 | 0:43:47 | |
Sure. I should look at the bright side. | 0:43:47 | 0:43:49 | |
It's been a long time, | 0:43:49 | 0:43:50 | |
maybe she lost her memory and she won't recognise me. | 0:43:50 | 0:43:53 | |
I hate her! | 0:43:54 | 0:43:55 | |
We're in the right place. | 0:43:57 | 0:43:59 | |
I'm gonna go ahead and take myself | 0:44:02 | 0:44:03 | |
out of the line of fire for this one, guys. | 0:44:03 | 0:44:05 | |
-Hi, Mom. -Benjamin! | 0:44:05 | 0:44:06 | |
Abigail! What a surprise! | 0:44:06 | 0:44:08 | |
-Emily. -Hello, sweetheart. | 0:44:08 | 0:44:10 | |
Oh. | 0:44:12 | 0:44:13 | |
You see? One syllable, a knife in the heart. | 0:44:14 | 0:44:18 | |
-Oh, no. No, no. -She can do that. | 0:44:18 | 0:44:19 | |
Yes, and I can also track | 0:44:19 | 0:44:21 | |
the whereabouts of my toothbrush. | 0:44:21 | 0:44:22 | |
I was not the one that left the toothbrushes in Marrakech. | 0:44:22 | 0:44:25 | |
I stowed them both in the travel case, as instructed. | 0:44:25 | 0:44:29 | |
Yes, and you also... you also insisted on loading the luggage into the taxi. | 0:44:29 | 0:44:32 | |
I didn't insist. I loaded the luggage. | 0:44:32 | 0:44:34 | |
Yes, but not the travel case. | 0:44:34 | 0:44:35 | |
The travel case is not luggage. | 0:44:35 | 0:44:37 | |
The travel case goes into the luggage. | 0:44:37 | 0:44:39 | |
Who was in charge of packing the luggage? | 0:44:39 | 0:44:40 | |
I could not get the travel case into the luggage | 0:44:40 | 0:44:42 | |
because it was full with that stupid rug you bought. | 0:44:42 | 0:44:45 | |
You thought it had some kind of secret stitching. | 0:44:45 | 0:44:47 | |
It did have secret stitching. | 0:44:47 | 0:44:48 | |
-Mom. -Stupid... -6 phony green leather suitcases... | 0:44:48 | 0:44:51 | |
-(Both talking at once) -Mom. | 0:44:51 | 0:44:52 | |
-Trinkets... -My... | 0:44:52 | 0:44:54 | |
I need you to take a look at this. | 0:44:54 | 0:44:57 | |
What is that a picture of? | 0:44:58 | 0:44:59 | |
It's very interesting. We think it might be Olmec. | 0:44:59 | 0:45:02 | |
It is. | 0:45:02 | 0:45:03 | |
Yes, yes, definitely proto-zoquean. | 0:45:03 | 0:45:06 | |
We were hoping that you could translate it. | 0:45:06 | 0:45:09 | |
Yes, of course you were. | 0:45:09 | 0:45:12 | |
Oh, this doesn't involve another treasure hunt, does it? | 0:45:14 | 0:45:17 | |
Mom, this is actually very important. | 0:45:17 | 0:45:20 | |
All right. What have we got here? | 0:45:22 | 0:45:25 | |
This...this glyph here, that means "bird." And that means... | 0:45:25 | 0:45:30 | |
Uh, "noble bird." | 0:45:35 | 0:45:36 | |
"Find the noble bird, let him take you by the hand | 0:45:36 | 0:45:40 | |
"and give you passage to the sacred temple." | 0:45:40 | 0:45:43 | |
(Chuckles) | 0:45:46 | 0:45:49 | |
Oh, you think this is a treasure map for Cibola, don't you? | 0:45:49 | 0:45:52 | |
Well, that is exactly what it is. | 0:45:52 | 0:45:54 | |
No, Patrick. This glyph doesn't mean Cibola. | 0:45:54 | 0:45:57 | |
It means, "the centre of the world." | 0:45:57 | 0:45:59 | |
You know, you used to like it. | 0:45:59 | 0:46:00 | |
She fell in love with me on a treasure hunt. | 0:46:00 | 0:46:02 | |
That was not love. That was excitement, | 0:46:02 | 0:46:04 | |
-adrenaline, and tequila. -Mom... | 0:46:04 | 0:46:06 | |
And I was trying to get course credit. | 0:46:06 | 0:46:08 | |
Well, the treasure hunting paid off, | 0:46:08 | 0:46:10 | |
in case you haven't read the papers lately. | 0:46:10 | 0:46:12 | |
It had nothing to do with you. That was Ben. | 0:46:12 | 0:46:14 | |
Ben found the treasure. You did nothing. | 0:46:14 | 0:46:16 | |
Patrick, Emily, please. | 0:46:16 | 0:46:17 | |
Can we just figure out what's on the page? | 0:46:17 | 0:46:21 | |
Well, that's it, I'm afraid. | 0:46:24 | 0:46:25 | |
These glyphs are only partials. | 0:46:25 | 0:46:27 | |
So you only have half a treasure map. | 0:46:27 | 0:46:29 | |
I'm sorry. | 0:46:30 | 0:46:32 | |
Not that I'm surprised. | 0:46:32 | 0:46:34 | |
At least we know where the rest of the map is. | 0:46:36 | 0:46:38 | |
What? | 0:46:38 | 0:46:40 | |
You know where it is? Why didn't you tell me? | 0:46:40 | 0:46:43 | |
Because obviously you have a tendency to overreact! | 0:46:43 | 0:46:45 | |
I'm sorry. | 0:46:49 | 0:46:50 | |
So am I. | 0:46:50 | 0:46:52 | |
So where is it? | 0:46:52 | 0:46:53 | |
The inscription on the statue in Paris said, | 0:46:53 | 0:46:55 | |
"These twins stand resolute." | 0:46:55 | 0:46:58 | |
We think the map's divided | 0:46:58 | 0:47:00 | |
between the two resolute desks. | 0:47:00 | 0:47:01 | |
The resolute desk. The resolute desk? | 0:47:01 | 0:47:05 | |
President's desk. | 0:47:05 | 0:47:07 | |
The president? What president? | 0:47:07 | 0:47:08 | |
Our president? | 0:47:08 | 0:47:10 | |
Unfortunately, yes. | 0:47:10 | 0:47:12 | |
But that means... | 0:47:12 | 0:47:13 | |
Wait, so we have to... | 0:47:13 | 0:47:15 | |
(Sighs) The White House? | 0:47:15 | 0:47:17 | |
The oval office... | 0:47:17 | 0:47:20 | |
to be exact. | 0:47:20 | 0:47:22 | |
Why would I overreact to that? | 0:47:24 | 0:47:26 | |
That's not what I signed on for. | 0:47:30 | 0:47:32 | |
Could we please focus on the issue at hand? | 0:47:32 | 0:47:35 | |
Thank you. | 0:47:35 | 0:47:37 | |
It's early. Pre-Columbian. | 0:47:40 | 0:47:42 | |
Can you translate it? | 0:47:42 | 0:47:44 | |
Are you kidding? | 0:47:44 | 0:47:45 | |
This is an extinct, exceedingly rare language. | 0:47:45 | 0:47:48 | |
There's only a handful of people who study these languages anymore. | 0:47:48 | 0:47:51 | |
And where are we to find them? | 0:47:51 | 0:47:52 | |
Universities, I suppose. | 0:47:52 | 0:47:55 | |
-But you don't even have the whole thing. -What do you mean? | 0:47:55 | 0:47:58 | |
These glyphs here... they're cut off. | 0:47:58 | 0:48:01 | |
There's more to the map? | 0:48:01 | 0:48:02 | |
Well, how are we going to find that? | 0:48:02 | 0:48:04 | |
Well, we won't have to. | 0:48:04 | 0:48:06 | |
Gates will get it somehow. | 0:48:06 | 0:48:07 | |
The resolute desk is near the south wall | 0:48:07 | 0:48:10 | |
in the oval office. Look at this. Look. | 0:48:10 | 0:48:14 | |
Small door on the front of the desk. | 0:48:14 | 0:48:16 | |
FDR had that put in so that guests couldn't see his wheelchair, but... | 0:48:16 | 0:48:20 | |
Guys, take a look at this. | 0:48:20 | 0:48:22 | |
This could work. | 0:48:24 | 0:48:26 | |
Why, Abigail, I do believe it's time | 0:48:26 | 0:48:27 | |
for you to make a date with your new boyfriend. | 0:48:27 | 0:48:29 | |
I think you're right. | 0:48:30 | 0:48:33 | |
(Indistinct Chatter) | 0:48:33 | 0:48:35 | |
'We hope you're enjoying the White House Easter egg roll. | 0:48:35 | 0:48:38 | |
'Face painting continues at 2:00 near the south fountain.' | 0:48:38 | 0:48:42 | |
Is that Connor in the bunny suit? | 0:48:42 | 0:48:45 | |
Aw, thank you. | 0:48:45 | 0:48:46 | |
You know, I've never been to an Easter egg roll before. | 0:48:46 | 0:48:49 | |
-It's sweet. -Yeah, I love it. | 0:48:49 | 0:48:51 | |
Hey, I know you. | 0:48:53 | 0:48:54 | |
Your great-great-grandfather | 0:48:54 | 0:48:55 | |
killed president Lincoln. | 0:48:55 | 0:48:57 | |
No, that would be John Wilkes Booth. | 0:48:57 | 0:48:59 | |
Eisenschiml says that Booth was a tool | 0:48:59 | 0:49:01 | |
in a greater conspiracy that involved men in Lincoln's own cabinet. | 0:49:01 | 0:49:05 | |
Absurd. Eisenschiml's book is filled | 0:49:05 | 0:49:07 | |
with spotty research and false assumptions. | 0:49:07 | 0:49:09 | |
-Oh, yeah? -Yeah. | 0:49:09 | 0:49:10 | |
How do you explain why Lincoln's bodyguard | 0:49:10 | 0:49:12 | |
left his post that night? | 0:49:12 | 0:49:13 | |
Because president Lincoln | 0:49:13 | 0:49:14 | |
was never accompanied by guards when attending the theatre. | 0:49:14 | 0:49:17 | |
Are you listening? Especially on Good Friday. | 0:49:17 | 0:49:20 | |
How do you explain why all the bridges out of Washington | 0:49:20 | 0:49:21 | |
were closed except one, | 0:49:21 | 0:49:24 | |
the one Booth needed to escape? | 0:49:24 | 0:49:26 | |
Ok, run along now, you impossible child. Run along. | 0:49:26 | 0:49:29 | |
What is going on with the education in America? | 0:49:30 | 0:49:33 | |
Abby! Hey! | 0:49:33 | 0:49:34 | |
-Connor! -I'm so glad you decided to come. | 0:49:34 | 0:49:38 | |
With Gates. | 0:49:38 | 0:49:39 | |
Connor. | 0:49:39 | 0:49:40 | |
-We just ran into each other. -Oh. | 0:49:40 | 0:49:42 | |
Well, aren't you going to ask him? | 0:49:46 | 0:49:48 | |
-Ask me what? -Nothing. | 0:49:48 | 0:49:49 | |
No, really, what? | 0:49:49 | 0:49:50 | |
I really wouldn't want to impose. | 0:49:50 | 0:49:52 | |
-Well, what she means is she doesn't think you can. -Ben. | 0:49:52 | 0:49:58 | |
-Doesn't think I can what? -She wants to see the Oval Office. | 0:49:58 | 0:50:00 | |
No. I know that is way too much to ask. | 0:50:00 | 0:50:03 | |
No, it's, uh... | 0:50:03 | 0:50:05 | |
-I can do that. -Really? -Yeah. | 0:50:05 | 0:50:07 | |
-You see? -You can? | 0:50:07 | 0:50:09 | |
-Yeah. -(Laughs) | 0:50:09 | 0:50:10 | |
That is so cool, Connor. | 0:50:10 | 0:50:12 | |
I have always wanted to see the Oval Office. | 0:50:12 | 0:50:14 | |
Connor rocks. | 0:50:14 | 0:50:16 | |
Well...here we are. | 0:50:16 | 0:50:20 | |
Mm. | 0:50:20 | 0:50:21 | |
Wow. | 0:50:21 | 0:50:22 | |
Empire furnishings | 0:50:22 | 0:50:24 | |
and crenellated moulding. Love it. | 0:50:24 | 0:50:26 | |
Hmm. | 0:50:26 | 0:50:28 | |
Amazing feeling, isn't it, standing in here? | 0:50:28 | 0:50:31 | |
Yes. Amazing, huh? | 0:50:31 | 0:50:33 | |
Oh, could... | 0:50:33 | 0:50:34 | |
Oh, sorry. | 0:50:34 | 0:50:35 | |
Oh, that's, uh... the resolute desk. | 0:50:38 | 0:50:42 | |
You might recognise it from the famous photo of young JFK Jr | 0:50:42 | 0:50:45 | |
playing underneath while his father was working. | 0:50:45 | 0:50:47 | |
-Wonderful. -Yeah. | 0:50:47 | 0:50:49 | |
But...many people don't know | 0:50:49 | 0:50:52 | |
that this desk has a twin that sits in Buckingham Palace. | 0:50:52 | 0:50:55 | |
Isn't that something? | 0:50:55 | 0:50:57 | |
Who knew? | 0:50:57 | 0:50:58 | |
Every president since Rutherford B Hayes | 0:50:58 | 0:51:00 | |
has used that desk, except, uh, Johnson and Nixon. | 0:51:00 | 0:51:03 | |
Oh, and Ford, of course. | 0:51:03 | 0:51:04 | |
Uh, no. | 0:51:04 | 0:51:05 | |
Uh, yes. | 0:51:05 | 0:51:07 | |
No. | 0:51:07 | 0:51:08 | |
Yes. | 0:51:08 | 0:51:09 | |
Abigail! Did you lose an earring? | 0:51:09 | 0:51:11 | |
Oh! I...I did, yes. | 0:51:11 | 0:51:15 | |
Connor, these were given to me by my grandmother. | 0:51:15 | 0:51:18 | |
Well, I suppose we should look for it. | 0:51:18 | 0:51:20 | |
You wouldn't want anyone finding an earring | 0:51:20 | 0:51:22 | |
that doesn't belong to the first lady in the Oval Office. | 0:51:22 | 0:51:25 | |
-Yes. -Excellent point, | 0:51:25 | 0:51:26 | |
considering we're not supposed to be in here. | 0:51:26 | 0:51:28 | |
Yeah. | 0:51:28 | 0:51:30 | |
Why don't we, um, go over here | 0:51:30 | 0:51:31 | |
and check it out? | 0:51:31 | 0:51:33 | |
I'll check over here. | 0:51:35 | 0:51:36 | |
Do you think it fell down here? | 0:51:45 | 0:51:46 | |
Yes. | 0:51:46 | 0:51:48 | |
Maybe here. | 0:51:53 | 0:51:55 | |
Probably. | 0:51:55 | 0:51:58 | |
Oh, no. | 0:52:05 | 0:52:06 | |
You did sit on the sofa. | 0:52:11 | 0:52:13 | |
Oh, the bunnies. | 0:52:13 | 0:52:15 | |
Connor! | 0:52:20 | 0:52:22 | |
You found it. | 0:52:22 | 0:52:23 | |
I did. | 0:52:25 | 0:52:26 | |
Thank you so much! | 0:52:35 | 0:52:37 | |
Uh... | 0:52:39 | 0:52:40 | |
You're just the best. Mm. | 0:52:40 | 0:52:43 | |
Mmm! | 0:52:47 | 0:52:48 | |
Mmm! | 0:52:53 | 0:52:54 | |
Mmm! | 0:52:54 | 0:52:56 | |
Ahem! | 0:52:57 | 0:52:59 | |
Mmm... | 0:52:59 | 0:53:00 | |
Oh... Thank you. | 0:53:00 | 0:53:02 | |
OK. | 0:53:05 | 0:53:06 | |
It was empty. | 0:53:08 | 0:53:09 | |
Someone must have taken it. | 0:53:09 | 0:53:11 | |
The brightest men in our country | 0:53:11 | 0:53:12 | |
sat at that desk for over 100 years. | 0:53:12 | 0:53:14 | |
Take a look at this. | 0:53:14 | 0:53:15 | |
Of course one of them found the map. | 0:53:15 | 0:53:16 | |
There's a symbol stamped into the wood. | 0:53:16 | 0:53:18 | |
The presidential seal. | 0:53:18 | 0:53:20 | |
It's not the presidential seal. | 0:53:20 | 0:53:21 | |
See, the eagle's holding a scroll instead of olive branches. | 0:53:21 | 0:53:25 | |
I'm not sure what this is. | 0:53:25 | 0:53:27 | |
So what do we do now? | 0:53:27 | 0:53:28 | |
Did none of you read my book? | 0:53:28 | 0:53:30 | |
The eagle clutching the scroll. | 0:53:31 | 0:53:33 | |
-Do you know what it means? -Yeah. | 0:53:33 | 0:53:36 | |
But it's not something that I could tell you. | 0:53:36 | 0:53:38 | |
It's something I have to show you. | 0:53:38 | 0:53:41 | |
In my book. | 0:53:41 | 0:53:43 | |
You didn't even open it? | 0:53:48 | 0:53:51 | |
I was moving. | 0:53:51 | 0:53:53 | |
Chapter 13. | 0:53:53 | 0:53:54 | |
"The President's Secret Book"? | 0:53:58 | 0:54:00 | |
"The President's Secret Book." | 0:54:00 | 0:54:03 | |
It happens to be a collection of documents | 0:54:03 | 0:54:05 | |
for presidents by presidents, | 0:54:05 | 0:54:08 | |
and for presidents' eyes only. | 0:54:08 | 0:54:10 | |
And I'm not just talking about JFK here, guys. | 0:54:10 | 0:54:13 | |
The 18 and a half missing minutes of the Watergate tapes. | 0:54:13 | 0:54:17 | |
Did the "Apollo" really land on the moon? | 0:54:17 | 0:54:20 | |
Did it? Did it? | 0:54:20 | 0:54:23 | |
And the coup de grace... | 0:54:23 | 0:54:25 | |
Area 51. | 0:54:25 | 0:54:26 | |
Oh, come on, Riley. | 0:54:26 | 0:54:28 | |
That's... that's urban legend. | 0:54:28 | 0:54:30 | |
Is it, Abigail? Is it? | 0:54:30 | 0:54:33 | |
It's just totally... | 0:54:33 | 0:54:34 | |
-Crazy? -Yeah. | 0:54:34 | 0:54:36 | |
Hmm. 'Cos last time I checked, | 0:54:36 | 0:54:37 | |
we pretty much make our living on crazy. | 0:54:37 | 0:54:40 | |
He's got a point. | 0:54:40 | 0:54:42 | |
I guess so. | 0:54:42 | 0:54:43 | |
Same symbol. | 0:54:45 | 0:54:46 | |
It was released in '66 | 0:54:46 | 0:54:47 | |
under the freedom of information act. | 0:54:47 | 0:54:49 | |
The eagle and the scroll, | 0:54:49 | 0:54:51 | |
the secret symbol in the President's Book. | 0:54:51 | 0:54:55 | |
So you're saying that whatever was on that plank | 0:54:55 | 0:54:58 | |
is now in the president's secret book. | 0:54:58 | 0:55:00 | |
Ben. | 0:55:02 | 0:55:05 | |
If it was you trying to convince me, | 0:55:05 | 0:55:07 | |
you'd have less evidence, | 0:55:07 | 0:55:09 | |
and I would already believe you by now. | 0:55:09 | 0:55:11 | |
The eagle with the scroll. | 0:55:15 | 0:55:18 | |
Conspiracy theorists like to believe | 0:55:20 | 0:55:22 | |
that it's the symbol for the president's secret book. | 0:55:22 | 0:55:25 | |
You bought Riley's book. | 0:55:25 | 0:55:26 | |
(Laughs) Your friend writes a book about government conspiracies, | 0:55:26 | 0:55:29 | |
and you don't think we know about it? | 0:55:29 | 0:55:31 | |
But is it true? | 0:55:31 | 0:55:32 | |
Does the president have a secret book? | 0:55:32 | 0:55:35 | |
Do you like ducks? | 0:55:41 | 0:55:42 | |
(Quacking) | 0:55:44 | 0:55:45 | |
There is a book. | 0:55:45 | 0:55:48 | |
Why are you telling me out here? | 0:55:48 | 0:55:51 | |
Because inside, I'm a federal agent. | 0:55:51 | 0:55:53 | |
Out here, I'm talking to you as a friend, Ben. | 0:55:53 | 0:55:56 | |
Where's the president's book kept? | 0:55:56 | 0:55:58 | |
Only the current president knows. | 0:55:58 | 0:56:01 | |
The book is passed from president to president, | 0:56:01 | 0:56:03 | |
and each one chooses his own hiding place. | 0:56:03 | 0:56:05 | |
You're the FBI. Can't you get it for me? | 0:56:05 | 0:56:07 | |
The only way you'll ever see that book is if you get elected president. | 0:56:07 | 0:56:10 | |
Well, you never know. | 0:56:10 | 0:56:14 | |
All I need is a few minutes with him. | 0:56:14 | 0:56:17 | |
A few minutes? Really? | 0:56:17 | 0:56:20 | |
Ben, even if you were married to the president, | 0:56:20 | 0:56:22 | |
you wouldn't be able to get a few minutes with him. | 0:56:22 | 0:56:24 | |
Not when he's surrounded by his handlers, | 0:56:24 | 0:56:25 | |
but if I can get him alone. | 0:56:25 | 0:56:27 | |
How do you expect to get the president alone? | 0:56:27 | 0:56:29 | |
Before the Civil War, the states were all separate. | 0:56:29 | 0:56:32 | |
People used to say, "The United States are." | 0:56:32 | 0:56:36 | |
It wasn't until the war ended | 0:56:36 | 0:56:38 | |
people started saying, "The United States is." | 0:56:38 | 0:56:41 | |
Under Lincoln, | 0:56:41 | 0:56:43 | |
we became one nation. | 0:56:43 | 0:56:47 | |
And Lincoln paid for it with his life. | 0:56:47 | 0:56:49 | |
So did Thomas Gates. | 0:56:49 | 0:56:50 | |
Right. | 0:56:50 | 0:56:51 | |
With his life. | 0:56:51 | 0:56:54 | |
So, how am I going to get him alone? | 0:56:55 | 0:56:59 | |
I'm going to kidnap him. | 0:57:02 | 0:57:05 | |
I'm gonna kidnap the President of the United States. | 0:57:05 | 0:57:08 | |
(LAUGHS) That's not funny. | 0:57:10 | 0:57:12 | |
I'm your father. | 0:57:12 | 0:57:13 | |
How do you expect me to respond to this? | 0:57:13 | 0:57:15 | |
I can't let you ruin your life. | 0:57:15 | 0:57:16 | |
Are you out of your mind? | 0:57:16 | 0:57:18 | |
All you have to do is read my book... | 0:57:18 | 0:57:20 | |
And you'd know you can't get to that book. | 0:57:20 | 0:57:22 | |
Exactly how do you plan on doing this? | 0:57:22 | 0:57:24 | |
I was thinking Mount Vernon. | 0:57:25 | 0:57:27 | |
Oh. | 0:57:27 | 0:57:29 | |
-What?! -I'm in. | 0:57:29 | 0:57:31 | |
MAN: Sir, we're gonna have to move | 0:57:31 | 0:57:32 | |
the president's birthday party. | 0:57:32 | 0:57:34 | |
Some historian is claiming the Spencer Landmark Hotel | 0:57:34 | 0:57:36 | |
was used for regular Klan meetings in the late 1800s. | 0:57:36 | 0:57:38 | |
Does anyone know if this is true? | 0:57:38 | 0:57:40 | |
Sir, I've got the Washington Gazette. | 0:57:40 | 0:57:43 | |
They want a quote on, | 0:57:43 | 0:57:44 | |
"Is the president being insensitive to minority issues?" | 0:57:44 | 0:57:46 | |
-Doesn't matter if it's true. -Get me a list of the approved alternates. | 0:57:46 | 0:57:49 | |
Patty, what do you have? | 0:57:49 | 0:57:50 | |
Yeah, I know it's short notice. | 0:57:50 | 0:57:52 | |
The pipe burst in the hotel that we previously booked. | 0:57:52 | 0:57:55 | |
I...there is water everywhere. | 0:57:55 | 0:57:58 | |
A retirement party for 200 people. | 0:57:58 | 0:58:00 | |
Gunston Hall. | 0:58:00 | 0:58:02 | |
Monticello is booked. | 0:58:02 | 0:58:03 | |
So is Gunston Hall and Tudor Place. | 0:58:03 | 0:58:05 | |
Looks like The Denbe Hotel is available, and so is Mount Vernon. | 0:58:05 | 0:58:09 | |
Oh, wow. You are a lifesaver. | 0:58:09 | 0:58:11 | |
-The Denbe is great. -Denbe will work. | 0:58:11 | 0:58:13 | |
Strike that. The Denbe Hotel was just booked. | 0:58:13 | 0:58:15 | |
Mount Vernon's all we got. | 0:58:15 | 0:58:16 | |
Book it, before someone else does. | 0:58:16 | 0:58:18 | |
CHEERING AND APPLAUSE | 0:58:18 | 0:58:22 | |
And let me say what an honour it is to be here | 0:58:22 | 0:58:25 | |
and add my happy birthday to you, Mr President. | 0:58:25 | 0:58:27 | |
# I'm getting out of this high-rise penthouse suite | 0:58:33 | 0:58:38 | |
# Where we pretend life's rosy and sweet... # | 0:58:38 | 0:58:42 | |
SIREN WAILS | 0:58:49 | 0:58:51 | |
Good evening, sir. | 0:58:56 | 0:58:57 | |
Good evening. | 0:58:57 | 0:58:58 | |
Are you aware that you are in a restricted area? | 0:58:58 | 0:59:01 | |
Yeah, but this is where the fish are, son. | 0:59:01 | 0:59:03 | |
That may be, but I'm gonna need to have you move upriver. | 0:59:03 | 0:59:07 | |
Are you aware that according to article one, section 25 | 0:59:11 | 0:59:15 | |
of the Maryland Constitution, | 0:59:15 | 0:59:17 | |
I'm allowed to fish in public water? | 0:59:17 | 0:59:18 | |
Are you aware, sir, that I have the right to detain you | 0:59:18 | 0:59:21 | |
for the next 48 hours without cause? | 0:59:21 | 0:59:23 | |
I am going to go back where I came from | 0:59:23 | 0:59:26 | |
just as fast as possible. | 0:59:26 | 0:59:28 | |
Maybe one day I'll wear this thing to a party | 0:59:35 | 0:59:37 | |
I was actually invited to. | 0:59:37 | 0:59:39 | |
# Is it still over? Are we still through? | 0:59:39 | 0:59:42 | |
# Since my phone still ain't ringing | 0:59:42 | 0:59:45 | |
# I assume it still ain't you... # | 0:59:45 | 0:59:48 | |
20:00 time check. Station 11. | 0:59:48 | 0:59:50 | |
MAN: All clear. Perimeter's secured. | 0:59:50 | 0:59:52 | |
Hey. | 0:59:52 | 0:59:54 | |
You didn't happen to see kind of a cute brunette | 0:59:54 | 0:59:55 | |
wandering around here? | 0:59:55 | 0:59:57 | |
Went to get her a drink and she disappeared. | 0:59:57 | 0:59:59 | |
No, sir. | 0:59:59 | 1:00:00 | |
I've got no game tonight! | 1:00:00 | 1:00:02 | |
Good evening, Your Excellency. | 1:00:08 | 1:00:11 | |
Hello. | 1:00:11 | 1:00:13 | |
Prime Minister, it's a delight to have you back in the States. | 1:00:13 | 1:00:16 | |
Spread the word that campaign contribution limits | 1:00:16 | 1:00:18 | |
are not enforced on the president's birth... | 1:00:18 | 1:00:19 | |
Happy birthday, Mr President. | 1:00:19 | 1:00:21 | |
-Oh, thank you. -Ben Gates. | 1:00:21 | 1:00:22 | |
The Templar treasure? | 1:00:22 | 1:00:23 | |
Oh, right, Ben Gates, yeah. | 1:00:23 | 1:00:25 | |
We won't keep you, Mr President. | 1:00:25 | 1:00:26 | |
Thanks so much. Always a pleasure. | 1:00:26 | 1:00:29 | |
I can't tell you what a thrill it is | 1:00:29 | 1:00:30 | |
for me to be invited here tonight, sir. | 1:00:30 | 1:00:32 | |
Yeah, you must have the Secret Service hopping about now. | 1:00:32 | 1:00:35 | |
Sir? | 1:00:35 | 1:00:38 | |
Considering your newly-discovered lineage. | 1:00:38 | 1:00:40 | |
Oh, yeah. Oh, that. | 1:00:40 | 1:00:41 | |
Carry on. | 1:00:41 | 1:00:42 | |
I beg your pardon, sir, | 1:00:42 | 1:00:44 | |
but I know what a huge admirer you are of George Washington. | 1:00:44 | 1:00:46 | |
I thought you might want to take a look at this. | 1:00:46 | 1:00:49 | |
Have a look at that. | 1:00:49 | 1:00:51 | |
This is a map of Mount Vernon | 1:00:51 | 1:00:53 | |
drawn by George Washington himself. | 1:00:53 | 1:00:55 | |
Mr. President, that is exactly what it is. | 1:00:55 | 1:00:57 | |
I was an architectural history major at Yale. | 1:00:57 | 1:00:59 | |
-I did not know that. -You didn't? -No. | 1:00:59 | 1:01:01 | |
It belonged to my great-uncle. | 1:01:01 | 1:01:03 | |
He got it from the granddaughter of a slave named Charlotte... | 1:01:03 | 1:01:05 | |
Happy birthday, Mr President. | 1:01:05 | 1:01:06 | |
Oh, Frank, always a pleasure to see you. | 1:01:06 | 1:01:07 | |
Thank you so much. | 1:01:07 | 1:01:08 | |
..Charlotte, who lived here and worked here at Mount Vernon. | 1:01:08 | 1:01:11 | |
Yeah. | 1:01:11 | 1:01:12 | |
And we're standing right here, sir. | 1:01:12 | 1:01:15 | |
This line is an underground tunnel, | 1:01:15 | 1:01:17 | |
an escape route that was never found. | 1:01:17 | 1:01:19 | |
I wonder...I wonder if it's still there. | 1:01:19 | 1:01:23 | |
Well... | 1:01:23 | 1:01:24 | |
(LAUGHS) | 1:01:24 | 1:01:26 | |
Only one way to find out, sir. | 1:01:26 | 1:01:28 | |
Well, maybe we should take a look. | 1:01:28 | 1:01:29 | |
Are we allowed to do that? | 1:01:29 | 1:01:32 | |
No, I mean, I know you're allowed to do that. | 1:01:32 | 1:01:34 | |
You're the president. Can I come with you? | 1:01:34 | 1:01:36 | |
-You guys are just everywhere! -Yes, sir. | 1:01:37 | 1:01:39 | |
Give my friend your flashlight, would you, please? | 1:01:39 | 1:01:42 | |
-Yes, sir. -Thank you. | 1:01:42 | 1:01:43 | |
Well, according to this map, it should be... | 1:01:43 | 1:01:47 | |
It's one...two. In here. | 1:01:48 | 1:01:51 | |
Yeah, should be in here. | 1:01:51 | 1:01:54 | |
May I? | 1:01:54 | 1:01:55 | |
-Absolutely. -All right. | 1:01:55 | 1:01:57 | |
You know, Craig, I appreciate you're doing your job, | 1:02:00 | 1:02:04 | |
but I have no enemies down here, | 1:02:04 | 1:02:06 | |
in the cellar. | 1:02:06 | 1:02:08 | |
In this tiny little room. | 1:02:08 | 1:02:10 | |
I'll just wait here, then. | 1:02:10 | 1:02:13 | |
Over here. | 1:02:22 | 1:02:25 | |
That's the mark of George Washington. | 1:02:28 | 1:02:30 | |
Only it's slightly different. | 1:02:30 | 1:02:31 | |
How? | 1:02:31 | 1:02:33 | |
These axes, the angle's off. | 1:02:33 | 1:02:35 | |
For it to correspond with the ones on the map, | 1:02:35 | 1:02:38 | |
it should form a perfect V. | 1:02:38 | 1:02:41 | |
CLANK | 1:02:42 | 1:02:45 | |
OK, what else? | 1:02:47 | 1:02:49 | |
The arrowhead... | 1:02:49 | 1:02:52 | |
..is sideways. | 1:02:53 | 1:02:56 | |
RUMBLING | 1:03:00 | 1:03:01 | |
(GASPS) | 1:03:01 | 1:03:03 | |
We're all right. Don't worry. | 1:03:03 | 1:03:05 | |
Come on. | 1:03:11 | 1:03:13 | |
-THUMP -Mr. President? | 1:03:17 | 1:03:21 | |
We have a breach in zone 9! There's... | 1:03:21 | 1:03:24 | |
Inform Fairfax, Sectac channel one! | 1:03:26 | 1:03:28 | |
Perimeter detail, lock down all exits! | 1:03:28 | 1:03:30 | |
Gates, what are you doing? | 1:03:30 | 1:03:32 | |
I'm sorry, Mr President. | 1:03:32 | 1:03:34 | |
I need to ask you a question, | 1:03:34 | 1:03:35 | |
which I know you can't answer unless we're alone. | 1:03:35 | 1:03:38 | |
Two coming in! | 1:03:38 | 1:03:41 | |
I want a sledgehammer, I want a crowbar, I want a jackhammer, now! | 1:03:41 | 1:03:44 | |
Tom, alert the vice-president. | 1:03:45 | 1:03:48 | |
Mr. President, sometime between 1880, | 1:03:48 | 1:03:51 | |
when the resolute desk was placed in the Oval Office, | 1:03:51 | 1:03:54 | |
and now, one of our presidents | 1:03:54 | 1:03:56 | |
found a secret compartment in the desk. | 1:03:56 | 1:03:59 | |
Hidden inside was a plank | 1:03:59 | 1:04:00 | |
with Native American writing on it. | 1:04:00 | 1:04:02 | |
A treasure map to Cibola, the legendary City of Gold, sir. | 1:04:02 | 1:04:07 | |
You did all this just to ask me about a treasure map? | 1:04:07 | 1:04:09 | |
That map is a possible key to proving Thomas Gates' innocence. | 1:04:09 | 1:04:12 | |
Now, I know for a fact | 1:04:12 | 1:04:14 | |
that the plank is no longer in the resolute desk... | 1:04:14 | 1:04:16 | |
You've been in my desk, too?! | 1:04:16 | 1:04:18 | |
..but I believe the whereabouts of that plank is now hidden | 1:04:18 | 1:04:21 | |
in the President's Book, sir. | 1:04:21 | 1:04:24 | |
The book known only to our presidents. | 1:04:26 | 1:04:29 | |
It contains all of our nation's secrets. | 1:04:29 | 1:04:33 | |
(LAUGHS) | 1:04:33 | 1:04:36 | |
That's the most ridiculous thing I've ever heard. | 1:04:36 | 1:04:39 | |
I saw the seal in the desk, sir. | 1:04:39 | 1:04:43 | |
I know the map exists. | 1:04:43 | 1:04:45 | |
And you're not going to tell me how to get out of here | 1:04:45 | 1:04:49 | |
unless you get what you want. | 1:04:49 | 1:04:50 | |
The way out is that direction, and I'll show you. | 1:04:50 | 1:04:54 | |
You don't negotiate very well, do you? | 1:04:54 | 1:04:56 | |
No, sir. | 1:04:56 | 1:04:59 | |
Mr. President! | 1:04:59 | 1:05:00 | |
Where are my sledgehammers?! | 1:05:00 | 1:05:02 | |
I don't get you, Gates. | 1:05:07 | 1:05:09 | |
You do all this, you're willing to go to prison, | 1:05:09 | 1:05:11 | |
just to clear your ancestor's name. | 1:05:11 | 1:05:14 | |
The way out is just down those stairs. | 1:05:14 | 1:05:17 | |
Everything I am is because of my ancestors, sir. | 1:05:17 | 1:05:20 | |
Thomas Gates gave his last full measure of devotion | 1:05:20 | 1:05:24 | |
to his country to stop the KGC. | 1:05:24 | 1:05:26 | |
When someone dies for their country, | 1:05:26 | 1:05:29 | |
I believe they should be honoured. | 1:05:29 | 1:05:30 | |
"Last full measure of devotion". | 1:05:30 | 1:05:32 | |
Lincoln is my favourite president, sir. | 1:05:32 | 1:05:34 | |
No offence. | 1:05:34 | 1:05:36 | |
None taken. | 1:05:36 | 1:05:38 | |
He's my favourite, too. | 1:05:38 | 1:05:40 | |
Sir, I know the book exists, and my question is, | 1:05:41 | 1:05:45 | |
will you agree to let me see it? | 1:05:45 | 1:05:48 | |
Even if something like that really did exist, | 1:05:48 | 1:05:51 | |
why do you think I would actually just give it to you? | 1:05:51 | 1:05:54 | |
Because it will probably lead us to the discovery | 1:05:54 | 1:05:57 | |
of the greatest Native American treasure of all time. | 1:05:57 | 1:06:00 | |
A huge piece of culture lost. | 1:06:00 | 1:06:03 | |
You can give that history back to its descendants. | 1:06:03 | 1:06:07 | |
And because you're the President of the United States, sir, | 1:06:07 | 1:06:11 | |
whether by innate character | 1:06:11 | 1:06:13 | |
or the oath you took to defend the constitution | 1:06:13 | 1:06:16 | |
or the weight of history that falls upon you, | 1:06:16 | 1:06:19 | |
I believe you to be an honourable man, sir. | 1:06:19 | 1:06:22 | |
Gates, people don't believe that stuff anymore. | 1:06:23 | 1:06:27 | |
They want to believe it. | 1:06:27 | 1:06:30 | |
GRUNTING | 1:06:33 | 1:06:35 | |
Nearest highway is that direction. | 1:06:50 | 1:06:52 | |
You'll understand if we part ways here. | 1:06:52 | 1:06:56 | |
Gates. | 1:06:59 | 1:07:01 | |
Sir? | 1:07:01 | 1:07:02 | |
The following conversation never happened. | 1:07:02 | 1:07:06 | |
The book exists. | 1:07:06 | 1:07:09 | |
Where is it? | 1:07:09 | 1:07:10 | |
Well, where else do you keep a book? | 1:07:10 | 1:07:12 | |
In the Library of Congress. | 1:07:12 | 1:07:14 | |
X-Y-2-3-4-7-8-6. | 1:07:14 | 1:07:19 | |
Thank you, sir. | 1:07:19 | 1:07:20 | |
You'll also need to know 3-7-9-4. | 1:07:20 | 1:07:26 | |
Got it. | 1:07:26 | 1:07:27 | |
And, Gates... | 1:07:27 | 1:07:30 | |
Sir? | 1:07:30 | 1:07:32 | |
200 people know you held me against my will. | 1:07:32 | 1:07:35 | |
I can't tell them why. | 1:07:35 | 1:07:37 | |
Unless you find what you're looking for, | 1:07:37 | 1:07:39 | |
you'll be charged with kidnapping the president. | 1:07:39 | 1:07:41 | |
You know what that means. | 1:07:41 | 1:07:43 | |
Yes, sir. Very much so, sir. | 1:07:43 | 1:07:47 | |
Gates, I want you to do something for me. | 1:07:49 | 1:07:52 | |
It would be a privilege, sir. | 1:07:52 | 1:07:53 | |
Page 47. | 1:07:53 | 1:07:57 | |
Just have a look at that. | 1:07:57 | 1:07:59 | |
MOBILE PHONE DIALLING TONE | 1:07:59 | 1:08:01 | |
Riley, meet me at the Library of Congress in 20 minutes. | 1:08:01 | 1:08:04 | |
OK. | 1:08:07 | 1:08:08 | |
MOBILE RINGS | 1:08:11 | 1:08:14 | |
Sadusky. | 1:08:14 | 1:08:16 | |
The president's been what?! | 1:08:18 | 1:08:21 | |
Gates. | 1:08:23 | 1:08:24 | |
X-Y-2-3-4-7-8-6. | 1:08:29 | 1:08:31 | |
X-Y-2-3-4-7-8-6. | 1:08:31 | 1:08:34 | |
X-Y-2-3-4-7-8-6. | 1:08:34 | 1:08:36 | |
-Hey. -Hey. | 1:08:36 | 1:08:38 | |
We're close. | 1:08:38 | 1:08:39 | |
Where do we start? | 1:08:48 | 1:08:50 | |
XY is the book classification code. | 1:08:50 | 1:08:52 | |
Stands for special collections, | 1:08:52 | 1:08:53 | |
which means very, very special books. | 1:08:53 | 1:08:55 | |
Where are they? | 1:08:55 | 1:08:57 | |
This way. We'll have to sneak in. | 1:08:57 | 1:08:59 | |
This will be good. | 1:09:20 | 1:09:21 | |
Here we go. XA...XM... | 1:09:24 | 1:09:26 | |
Look. Do you have a code? | 1:09:31 | 1:09:34 | |
3-7-9-4. | 1:09:34 | 1:09:37 | |
What did the president say the number was? | 1:09:44 | 1:09:46 | |
2-3-4-7-8-6. | 1:09:46 | 1:09:48 | |
2-3-6-7... | 1:09:56 | 1:09:58 | |
X-Y-2-3-4-7-8-6. Here. | 1:09:58 | 1:10:01 | |
2-3-4-7-9-1... | 1:10:01 | 1:10:03 | |
2-3-4-7-9... | 1:10:03 | 1:10:04 | |
76, 78... | 1:10:04 | 1:10:05 | |
It's not there. | 1:10:05 | 1:10:06 | |
Maybe someone checked it out. | 1:10:09 | 1:10:10 | |
Why would he send us here if there's no book? | 1:10:13 | 1:10:15 | |
He probably wanted us to get caught. | 1:10:15 | 1:10:17 | |
SIREN WAILS | 1:10:17 | 1:10:20 | |
TYRES SQUEAL | 1:10:20 | 1:10:23 | |
Here. | 1:10:26 | 1:10:27 | |
What is that? | 1:10:43 | 1:10:44 | |
It's a 6-dial combination lock. | 1:10:44 | 1:10:46 | |
The location is the combination. | 1:10:48 | 1:10:50 | |
The location is the combination. | 1:10:51 | 1:10:53 | |
Heh... | 1:11:03 | 1:11:05 | |
I was right. | 1:11:10 | 1:11:11 | |
Well done, Mr Poole. | 1:11:11 | 1:11:13 | |
Eagle and the scroll! | 1:11:20 | 1:11:23 | |
Area 51. There... | 1:11:33 | 1:11:34 | |
Shh! | 1:11:34 | 1:11:36 | |
It's the Kennedy assassination. | 1:11:39 | 1:11:40 | |
Shh! We don't have time. | 1:11:40 | 1:11:41 | |
Yeah, it's true. (CLEARS THROAT) | 1:11:41 | 1:11:43 | |
SIRENS WAIL | 1:11:43 | 1:11:44 | |
Here. | 1:11:46 | 1:11:49 | |
"April 1865. Queen Victoria sends Pike two coded missives. | 1:11:49 | 1:11:53 | |
"The first is received. Contains information regarding | 1:11:53 | 1:11:56 | |
"New World treasure. | 1:11:56 | 1:11:58 | |
"The City of Gold." | 1:11:58 | 1:12:00 | |
Wait, the Queen wanted to help the Confederacy? | 1:12:00 | 1:12:04 | |
A divided America would have been weaker. | 1:12:04 | 1:12:06 | |
And they needed cotton from the South. | 1:12:06 | 1:12:07 | |
"The second missive was thought to contain a playfair cipher | 1:12:07 | 1:12:10 | |
"suggesting contact with Laboulaye, | 1:12:10 | 1:12:12 | |
"who will hide clues before his death." | 1:12:12 | 1:12:14 | |
That's the cipher that was written into the Booth diary page | 1:12:14 | 1:12:17 | |
that Thomas tried to burn. | 1:12:17 | 1:12:18 | |
-The one we have. -Exactly. | 1:12:18 | 1:12:19 | |
"1880. Resolute desk arrives in Washington, | 1:12:19 | 1:12:23 | |
"sent by Queen to President Hayes." | 1:12:23 | 1:12:25 | |
Look at that. | 1:12:27 | 1:12:28 | |
The missing plank from the White House. | 1:12:29 | 1:12:32 | |
Wow. | 1:12:32 | 1:12:34 | |
Here's the final entry by President Coolidge. | 1:12:34 | 1:12:37 | |
"1924. I found a plank in secret desk compartment. | 1:12:37 | 1:12:41 | |
"Plank photographed and then destroyed. | 1:12:41 | 1:12:45 | |
"Borglum commissioned to destroy landmarks | 1:12:45 | 1:12:47 | |
"in sacred Black Hills mountains." | 1:12:47 | 1:12:50 | |
Borglum? | 1:12:52 | 1:12:54 | |
Mount Rushmore? | 1:12:54 | 1:12:56 | |
He carved Mount Rushmore | 1:12:56 | 1:12:58 | |
to erase the map's landmarks | 1:12:58 | 1:13:01 | |
in order to protect the City of Gold. | 1:13:01 | 1:13:04 | |
Mount Rushmore was a cover-up. | 1:13:04 | 1:13:07 | |
SIREN WAILS | 1:13:07 | 1:13:09 | |
What is it? | 1:13:09 | 1:13:10 | |
Oh, there's my tax dollars at work, | 1:13:11 | 1:13:13 | |
coming to arrest me. | 1:13:13 | 1:13:15 | |
They're not coming for you, Riley, they're coming for me. | 1:13:15 | 1:13:16 | |
-Go to the car. -No, Ben! | 1:13:16 | 1:13:18 | |
Go! I'll meet up with you. | 1:13:18 | 1:13:20 | |
This way! | 1:13:20 | 1:13:21 | |
CLICK | 1:13:22 | 1:13:23 | |
HELICOPTER BLADES WHIR | 1:13:26 | 1:13:29 | |
So Gates abducts the president, lets him go, | 1:13:29 | 1:13:31 | |
And then heads to the Library of Congress? | 1:13:31 | 1:13:33 | |
Why? | 1:13:33 | 1:13:34 | |
Maybe he wants to check out a book. | 1:13:34 | 1:13:36 | |
CLICK | 1:13:38 | 1:13:39 | |
You two on the left. Let's go! | 1:13:40 | 1:13:41 | |
SHOUTING | 1:13:52 | 1:13:54 | |
This way! | 1:13:54 | 1:13:56 | |
..these stairwells! | 1:14:03 | 1:14:05 | |
SHOUTING AND CHATTER | 1:14:08 | 1:14:10 | |
POLICE RADIO CHATTER | 1:14:11 | 1:14:13 | |
MAN ON RADIO: All agents, all agents... | 1:14:16 | 1:14:19 | |
MOBILE PHONE DIALLING TONE | 1:14:23 | 1:14:26 | |
Dad. | 1:14:30 | 1:14:31 | |
Ben, you got to get out of there. | 1:14:31 | 1:14:33 | |
I had to move the car. | 1:14:33 | 1:14:35 | |
There's FBI, Secret Service all over the place. | 1:14:35 | 1:14:37 | |
Calm down. I sent a picture of the plank to your cellphone. | 1:14:37 | 1:14:40 | |
You can do that? | 1:14:40 | 1:14:41 | |
Yes, I can do that. Did you get it? | 1:14:41 | 1:14:43 | |
I got it. | 1:14:43 | 1:14:45 | |
Look. | 1:14:45 | 1:14:46 | |
Take it to mom for translation. | 1:14:46 | 1:14:49 | |
Why me? | 1:14:49 | 1:14:51 | |
Did he say his mom could translate the plank? | 1:14:51 | 1:14:53 | |
Find out who she is. | 1:14:53 | 1:14:55 | |
POLICE RADIO CHATTER | 1:14:55 | 1:14:57 | |
How are we going to find Ben? | 1:15:06 | 1:15:07 | |
I don't know. | 1:15:07 | 1:15:08 | |
Hold it! Who are you? | 1:15:08 | 1:15:09 | |
-We work here. -IDs. | 1:15:09 | 1:15:11 | |
Here. We were told to evacuate. | 1:15:11 | 1:15:12 | |
I don't know what's going on in there. | 1:15:12 | 1:15:14 | |
My car is parked... | 1:15:14 | 1:15:16 | |
One second I'm reading | 1:15:16 | 1:15:17 | |
-a special section for... -..then we're rushed out... | 1:15:17 | 1:15:19 | |
-Go ahead. -OK, thank you. | 1:15:19 | 1:15:21 | |
Be ready to show your IDs when you exit the premises. | 1:15:21 | 1:15:23 | |
Best of luck. | 1:15:23 | 1:15:25 | |
ALARM BEEPS | 1:15:25 | 1:15:27 | |
Have a good night. | 1:15:27 | 1:15:29 | |
Man: Hey, go to the northeast sectors. | 1:15:33 | 1:15:34 | |
Start the car. | 1:15:38 | 1:15:39 | |
ENGINE STARTS | 1:15:39 | 1:15:42 | |
Put it in gear. | 1:15:42 | 1:15:44 | |
Uh-oh. | 1:15:45 | 1:15:46 | |
What's the problem? | 1:15:46 | 1:15:47 | |
It's clear. Let's go! | 1:15:47 | 1:15:48 | |
We're going to jail. | 1:15:48 | 1:15:50 | |
I want to run a check... | 1:15:52 | 1:15:54 | |
(GRUNTS) | 1:15:55 | 1:15:56 | |
Get in! Hang on! | 1:15:57 | 1:15:58 | |
It's a Mercedes SUV... | 1:16:00 | 1:16:01 | |
He's in! Go! | 1:16:01 | 1:16:02 | |
Hang on! | 1:16:02 | 1:16:04 | |
Whoa! | 1:16:04 | 1:16:05 | |
BANG | 1:16:05 | 1:16:06 | |
OK, we can do this. | 1:16:06 | 1:16:07 | |
Close the barricade! Close the barricade! Lock it down! | 1:16:12 | 1:16:14 | |
Lock it down! | 1:16:14 | 1:16:16 | |
BUZZING | 1:16:16 | 1:16:17 | |
-Drive, drive, drive! -OK. | 1:16:18 | 1:16:20 | |
I don't think so! | 1:16:22 | 1:16:24 | |
Whoa, whoa, whoa! | 1:16:24 | 1:16:26 | |
POLICEMAN: Go, go, go, go, go! | 1:16:30 | 1:16:32 | |
POLICEMAN: Let's go! Let's go! | 1:16:32 | 1:16:34 | |
That did not turn out the way it was supposed to. | 1:16:37 | 1:16:39 | |
How'd they find us so quick? | 1:16:39 | 1:16:40 | |
I'll tell you how. | 1:16:40 | 1:16:41 | |
The President is a tattletale. | 1:16:41 | 1:16:43 | |
Sadusky. He was there. | 1:16:43 | 1:16:45 | |
And he knows more about the book | 1:16:45 | 1:16:46 | |
than I originally thought. | 1:16:46 | 1:16:48 | |
How'd the president feel about being kidnapped? | 1:16:48 | 1:16:51 | |
He was OK. | 1:16:51 | 1:16:52 | |
DOOR OPENS | 1:16:56 | 1:16:58 | |
Dr. Appleton. | 1:16:58 | 1:16:59 | |
No, this office is closed. I'm sorry. | 1:16:59 | 1:17:01 | |
Well, I do apologise for the lateness of the hour. | 1:17:01 | 1:17:05 | |
My name is Mitch Wilkinson. | 1:17:05 | 1:17:07 | |
I've got something I want you to take a look at. | 1:17:07 | 1:17:10 | |
Just take a minute. | 1:17:10 | 1:17:11 | |
MOBILE BEEPS | 1:17:12 | 1:17:14 | |
You're a treasure hunter. | 1:17:17 | 1:17:19 | |
No, ma'am. | 1:17:19 | 1:17:20 | |
I'm just a man trying to make his mark on history. | 1:17:20 | 1:17:23 | |
Can you help me? | 1:17:23 | 1:17:26 | |
Um... | 1:17:26 | 1:17:27 | |
No, I don't know that language. | 1:17:27 | 1:17:28 | |
I'm sorry. I can't help you. | 1:17:28 | 1:17:30 | |
MOBILE RINGS | 1:17:30 | 1:17:31 | |
Oh, excuse me. | 1:17:31 | 1:17:33 | |
Yes? | 1:17:35 | 1:17:37 | |
Got it. | 1:17:37 | 1:17:39 | |
Your ex-husband's on his way up. | 1:17:40 | 1:17:42 | |
He wants the translation. | 1:17:42 | 1:17:44 | |
Tell him anything but the truth. | 1:17:44 | 1:17:47 | |
Get rid of him. | 1:17:47 | 1:17:49 | |
His life depends on it. | 1:17:49 | 1:17:50 | |
Emily? | 1:17:59 | 1:18:01 | |
I know I'm the last person that you want to see, | 1:18:13 | 1:18:15 | |
and I'm not comfortable either, | 1:18:15 | 1:18:18 | |
but, uh, we need you to translate something. | 1:18:18 | 1:18:21 | |
Ben sent me. He needs your help. | 1:18:21 | 1:18:24 | |
Yes, of course. | 1:18:24 | 1:18:26 | |
If it's for Ben, of course. | 1:18:26 | 1:18:28 | |
What is it? | 1:18:28 | 1:18:29 | |
Oh. | 1:18:29 | 1:18:31 | |
Uh... | 1:18:31 | 1:18:32 | |
It's in the cellphone. | 1:18:32 | 1:18:34 | |
-I'm not sure how to... -Oh, give it to me. | 1:18:34 | 1:18:36 | |
..bring it out. | 1:18:36 | 1:18:38 | |
BEEPING | 1:18:40 | 1:18:42 | |
We know it leads to Mount Rushmore. | 1:18:45 | 1:18:47 | |
Yes. "Islands... | 1:18:50 | 1:18:52 | |
"Islands of stone in a sea of grass." | 1:18:52 | 1:18:54 | |
That's what the Lakota used to call the Black Hills | 1:18:54 | 1:18:56 | |
in South Dakota. | 1:18:56 | 1:18:59 | |
Right. | 1:18:59 | 1:19:00 | |
"Find where the moon touches the Earth | 1:19:03 | 1:19:05 | |
"And release the hummingbird." | 1:19:05 | 1:19:10 | |
That's it? | 1:19:11 | 1:19:12 | |
Did it ever occur to you... | 1:19:19 | 1:19:22 | |
I can't believe I'm saying this. | 1:19:22 | 1:19:25 | |
Did it ever occur to you that I did the things I did to impress you? | 1:19:25 | 1:19:30 | |
No, you didn't. You did it because you wanted to, | 1:19:31 | 1:19:34 | |
and I would have done the same thing, | 1:19:34 | 1:19:36 | |
except one of us had to grow up and stay home and look after Ben. | 1:19:36 | 1:19:39 | |
It certainly wasn't going to be you. | 1:19:39 | 1:19:41 | |
Did it ever occur to you that I made sacrifices for us that you never did? | 1:19:41 | 1:19:46 | |
No, of course not. | 1:19:48 | 1:19:50 | |
So just go away. | 1:19:50 | 1:19:53 | |
Lousy tequila. | 1:20:05 | 1:20:08 | |
FOOTSTEPS | 1:20:08 | 1:20:10 | |
Don't feel bad. You did good. | 1:20:12 | 1:20:14 | |
Patrick believed every word you said. And besides, | 1:20:14 | 1:20:17 | |
your son would have never found the treasure anyway. | 1:20:17 | 1:20:19 | |
You don't know Benjamin. | 1:20:19 | 1:20:21 | |
Perhaps not. But then again, | 1:20:21 | 1:20:23 | |
I have this. | 1:20:23 | 1:20:25 | |
A letter from Queen Victoria | 1:20:28 | 1:20:30 | |
to the Confederate general Albert Pike? | 1:20:30 | 1:20:33 | |
Seems the dear old Queen was partial | 1:20:33 | 1:20:35 | |
to the Confederate cause. | 1:20:35 | 1:20:37 | |
This has been handed down by my family for 140 years. | 1:20:37 | 1:20:40 | |
It contains a vital piece of information. | 1:20:40 | 1:20:43 | |
The final clue, as it were. | 1:20:43 | 1:20:45 | |
Of course, this piece of information is worthless | 1:20:45 | 1:20:49 | |
without your translation of the planks. | 1:20:49 | 1:20:52 | |
It's ironic, isn't it? | 1:20:52 | 1:20:54 | |
This all began with the burning of pages, | 1:20:54 | 1:20:56 | |
And now it ends with the burning of this... | 1:20:56 | 1:20:59 | |
Ohh! | 1:20:59 | 1:21:01 | |
..the final clue. | 1:21:01 | 1:21:02 | |
Making me the only one | 1:21:02 | 1:21:06 | |
who can find Cibola. | 1:21:06 | 1:21:07 | |
Get your coat. | 1:21:09 | 1:21:11 | |
Her translation on the second half of the plank says | 1:21:23 | 1:21:25 | |
we need to find an island of stone. | 1:21:25 | 1:21:27 | |
Benjamin would have found it by now. | 1:21:27 | 1:21:29 | |
I don't think so. | 1:21:29 | 1:21:31 | |
IMITATES A BIRD CALL | 1:21:36 | 1:21:38 | |
How do I get to, um, this... | 1:21:38 | 1:21:40 | |
Hello, Mitch. | 1:21:41 | 1:21:43 | |
-Mom... -Wait for me! | 1:21:45 | 1:21:46 | |
No way! You're too slow! | 1:21:46 | 1:21:48 | |
I knew you'd figure out the message I gave your father! | 1:21:48 | 1:21:52 | |
The hummingbird was good. | 1:21:52 | 1:21:53 | |
Let her go, Mitch. | 1:21:53 | 1:21:55 | |
We're the ones with the firepower, | 1:21:55 | 1:21:57 | |
and you're giving me orders? | 1:21:57 | 1:21:59 | |
I kidnapped the president. | 1:21:59 | 1:22:00 | |
The FBI is on their way here right now to arrest me, | 1:22:00 | 1:22:02 | |
and I'm sure they'll love to meet you, too. | 1:22:02 | 1:22:05 | |
They'll find us both and arrest us both. | 1:22:05 | 1:22:06 | |
And that path doesn't lead to the City of Gold, does it? | 1:22:06 | 1:22:10 | |
Ben, this man has information you need. He's got a letter. | 1:22:10 | 1:22:13 | |
Sent from Queen Victoria to General Albert Pike. | 1:22:13 | 1:22:14 | |
How do you know that? | 1:22:14 | 1:22:16 | |
I read about it, in a book. | 1:22:16 | 1:22:19 | |
BUZZING | 1:22:19 | 1:22:21 | |
I'm afraid he's burned it. | 1:22:21 | 1:22:22 | |
All right. | 1:22:24 | 1:22:26 | |
You've had me do all the work so far. Why stop now? | 1:22:26 | 1:22:30 | |
You tell me what you know, | 1:22:30 | 1:22:31 | |
I'll find the City of Gold, | 1:22:31 | 1:22:34 | |
prove Thomas Gates' innocence, you can have all the treasure. | 1:22:34 | 1:22:37 | |
-What? -I'm going with you. | 1:22:37 | 1:22:39 | |
But if anyone's gonna be credited | 1:22:39 | 1:22:41 | |
for discovering the City of Gold, it's going to be me. | 1:22:41 | 1:22:43 | |
But your partners stay here, | 1:22:43 | 1:22:45 | |
and all the guns. | 1:22:45 | 1:22:47 | |
What makes you think I'd agree to that? | 1:22:47 | 1:22:49 | |
Because you need that treasure. | 1:22:49 | 1:22:51 | |
Believe me, I know. | 1:22:51 | 1:22:53 | |
All right, Gates, we'll do it your way. | 1:22:57 | 1:23:00 | |
But believe me, | 1:23:03 | 1:23:04 | |
I don't need the guns. | 1:23:04 | 1:23:07 | |
Which president? THE president? | 1:23:11 | 1:23:13 | |
I thought it best not to tell you. | 1:23:13 | 1:23:14 | |
ABIGAIL: I still don't see anything | 1:23:28 | 1:23:29 | |
that looks like a noble bird. | 1:23:29 | 1:23:31 | |
(GRUNTS) | 1:23:31 | 1:23:33 | |
All right, Mitch. Let's have it. | 1:23:33 | 1:23:35 | |
What did the letter say? | 1:23:35 | 1:23:37 | |
What's the clue from Queen Victoria's letter? | 1:23:37 | 1:23:39 | |
"The entrance shall only be revealed | 1:23:39 | 1:23:43 | |
"under a cloudless rain." | 1:23:43 | 1:23:44 | |
Figure that one out. | 1:23:44 | 1:23:46 | |
So...we come back when it's raining? | 1:23:46 | 1:23:50 | |
Cloudless... | 1:23:51 | 1:23:53 | |
could simply mean the sun. | 1:23:53 | 1:23:55 | |
You need a sunny day... and rain. | 1:23:55 | 1:23:59 | |
We need water. | 1:23:59 | 1:24:02 | |
Water. | 1:24:02 | 1:24:03 | |
Abigail. | 1:24:13 | 1:24:15 | |
Everybody, the water makes the rocks darker. | 1:24:15 | 1:24:18 | |
-Use the water. -Em? | 1:24:18 | 1:24:19 | |
Water? | 1:24:19 | 1:24:20 | |
What's this in my hand? Are you blind? | 1:24:20 | 1:24:22 | |
Good, good, good. | 1:24:22 | 1:24:24 | |
OK. | 1:24:25 | 1:24:26 | |
This is ridiculous. | 1:24:35 | 1:24:36 | |
Are we going to water the whole thing? | 1:24:36 | 1:24:39 | |
(GASPS) | 1:24:44 | 1:24:47 | |
That's it. | 1:24:47 | 1:24:49 | |
Oh! That's it. I found it! | 1:24:49 | 1:24:51 | |
Over here! Found it! | 1:24:51 | 1:24:52 | |
Over here! | 1:24:52 | 1:24:53 | |
Look at this! | 1:24:55 | 1:24:57 | |
It's an eagle. | 1:24:58 | 1:24:59 | |
Look at that. There it is. | 1:25:01 | 1:25:02 | |
It's an eagle. | 1:25:02 | 1:25:03 | |
"The noble bird... | 1:25:03 | 1:25:05 | |
"..will give you passage." | 1:25:05 | 1:25:07 | |
Uh-huh. Now what? | 1:25:07 | 1:25:08 | |
I think we need to join hands, | 1:25:08 | 1:25:10 | |
and in a noble manner, | 1:25:10 | 1:25:12 | |
pass over the bird. | 1:25:12 | 1:25:15 | |
PATRICK: Maybe it indicates direction... | 1:25:15 | 1:25:17 | |
RILEY: Then, somehow, that bird | 1:25:17 | 1:25:19 | |
will rise from the rock... | 1:25:19 | 1:25:21 | |
PATRICK: You've seen every glyph from ancient rocks(!) | 1:25:21 | 1:25:22 | |
-EMILY: One doesn't need to... -RILEY CAWS | 1:25:22 | 1:25:24 | |
You can stand around here guessing for a while, | 1:25:24 | 1:25:26 | |
or I can give you the next clue. | 1:25:26 | 1:25:28 | |
"Surrender your hand to the heart of the warrior." | 1:25:28 | 1:25:32 | |
And the eagle is a symbol of the warrior. | 1:25:32 | 1:25:35 | |
Ben, no. Wait, wait! No. | 1:25:40 | 1:25:42 | |
That's probably a horrible trap. Tell him! | 1:25:42 | 1:25:44 | |
It's a horrible trap. | 1:25:44 | 1:25:46 | |
It would be a pity to come this far | 1:25:46 | 1:25:48 | |
and not even try, now, wouldn't it? | 1:25:48 | 1:25:51 | |
I'll do it, Ben. | 1:25:51 | 1:25:53 | |
It's OK. | 1:25:53 | 1:25:54 | |
Surrender your hand... | 1:25:59 | 1:26:00 | |
OK. | 1:26:02 | 1:26:04 | |
Aah! | 1:26:12 | 1:26:13 | |
-Aah! -(GASPING) | 1:26:13 | 1:26:14 | |
(LAUGHS) | 1:26:14 | 1:26:16 | |
I am sorry. | 1:26:16 | 1:26:18 | |
I-I couldn't resist. | 1:26:18 | 1:26:19 | |
-You! -(CHUCKLES) | 1:26:19 | 1:26:21 | |
It, uh... | 1:26:21 | 1:26:23 | |
feels like a latch. | 1:26:23 | 1:26:25 | |
(GRUNTS) | 1:26:27 | 1:26:28 | |
(CRACKING AND RUMBLING) | 1:26:28 | 1:26:31 | |
Look at this. | 1:26:33 | 1:26:35 | |
All right, good. | 1:26:46 | 1:26:48 | |
EMILY: Oh! | 1:27:08 | 1:27:10 | |
Ben, look at this! | 1:27:14 | 1:27:15 | |
Oh, that's beautiful! | 1:27:16 | 1:27:19 | |
Patrick. Patrick! | 1:27:22 | 1:27:24 | |
ABIGAIL: Ben, what is that? | 1:27:24 | 1:27:26 | |
It appears to be a counterweight to hold the door open. | 1:27:26 | 1:27:28 | |
RILEY: What is that sound? | 1:27:28 | 1:27:30 | |
-CREAKING -ABIGAIL: Fascinating. | 1:27:30 | 1:27:32 | |
SNAPPING Oh! Ohh! Oh! | 1:27:32 | 1:27:35 | |
Oh! | 1:27:35 | 1:27:36 | |
Ben! | 1:27:36 | 1:27:38 | |
No! | 1:27:41 | 1:27:43 | |
RILEY: Sorry. | 1:27:49 | 1:27:50 | |
-You OK? -No. | 1:27:50 | 1:27:52 | |
It's locked. | 1:27:55 | 1:27:56 | |
Patrick, what have you done? | 1:27:56 | 1:27:57 | |
It's some kind of a bolt. I didn't do it. | 1:27:57 | 1:28:00 | |
Only one way out of here now. | 1:28:00 | 1:28:02 | |
Forward. | 1:28:04 | 1:28:05 | |
(EMILY SIGHS) Oh! | 1:28:10 | 1:28:13 | |
Oh, I've never seen so many relics. | 1:28:16 | 1:28:19 | |
So beautifully preserved. | 1:28:19 | 1:28:22 | |
Looks like we're going to be moving some rocks, people. | 1:28:24 | 1:28:27 | |
There's a tunnel back in through here. | 1:28:27 | 1:28:30 | |
Guys, look at this. | 1:28:30 | 1:28:32 | |
It's a little golden man. | 1:28:33 | 1:28:36 | |
Look. It's got like a tiny little torso. | 1:28:38 | 1:28:40 | |
Look at that. | 1:28:40 | 1:28:41 | |
It looks like... | 1:28:41 | 1:28:43 | |
THEY YELL | 1:28:43 | 1:28:45 | |
-Ben! -Ben! | 1:28:55 | 1:28:57 | |
Move back! Move back! All of you! Other side! | 1:29:02 | 1:29:05 | |
Back up! Back up! | 1:29:08 | 1:29:10 | |
Ah! | 1:29:10 | 1:29:11 | |
Riley, move forward! Move forward! | 1:29:15 | 1:29:18 | |
No, back up, back up. | 1:29:18 | 1:29:20 | |
Oh! | 1:29:20 | 1:29:21 | |
What do you want me to do?! | 1:29:21 | 1:29:23 | |
Stop! Stop! | 1:29:23 | 1:29:24 | |
We have to balance our weight | 1:29:27 | 1:29:30 | |
to even this thing out. | 1:29:30 | 1:29:31 | |
-We'll find 'em. -What are we gonna do? | 1:29:34 | 1:29:35 | |
I'll figure something out. | 1:29:35 | 1:29:36 | |
I'll tell you what we're going to do... | 1:29:36 | 1:29:37 | |
No, no, no, I'll tell you what we're going to do. | 1:29:37 | 1:29:39 | |
No, you don't... I'll tell you! | 1:29:39 | 1:29:40 | |
No, I'll tell you! | 1:29:40 | 1:29:41 | |
Look, there's that passageway. Look, | 1:29:41 | 1:29:44 | |
You go down there, you pull those stones out, | 1:29:44 | 1:29:45 | |
because that's gotta lead somewhere. | 1:29:45 | 1:29:47 | |
That...is a good idea. | 1:29:47 | 1:29:50 | |
MITCH: There's nothing. | 1:29:53 | 1:29:55 | |
Just a big old black hole. | 1:29:55 | 1:29:56 | |
ABIGAIL: Ben, look at this! | 1:29:59 | 1:30:01 | |
There's a ladder. | 1:30:01 | 1:30:02 | |
I mean, what's left of a ladder. | 1:30:02 | 1:30:05 | |
Toss me the light. | 1:30:05 | 1:30:07 | |
Riley. | 1:30:08 | 1:30:10 | |
Move slowly to that corner. | 1:30:10 | 1:30:11 | |
No! Wait. Just... | 1:30:11 | 1:30:13 | |
as I move to this corner. | 1:30:13 | 1:30:15 | |
OK. | 1:30:15 | 1:30:16 | |
One step at a time. Good. | 1:30:18 | 1:30:20 | |
If we can raise this corner, | 1:30:23 | 1:30:25 | |
I think I'll reach it. | 1:30:25 | 1:30:26 | |
-Hey! Hey! -Stop! Red light! -You're not helping! | 1:30:28 | 1:30:32 | |
I can get up there just as easy as you. | 1:30:32 | 1:30:34 | |
Ah! Hey! | 1:30:34 | 1:30:36 | |
Just stop. | 1:30:36 | 1:30:37 | |
Guys! | 1:30:38 | 1:30:39 | |
It's three against one here. | 1:30:39 | 1:30:41 | |
I ain't going last, and if I'm not going last, | 1:30:41 | 1:30:43 | |
I might as well go first. | 1:30:43 | 1:30:45 | |
Look! | 1:30:45 | 1:30:47 | |
What's it gonna be? | 1:30:49 | 1:30:51 | |
We'll do this your way. | 1:30:59 | 1:31:02 | |
CREAKING AND RUMBLING | 1:31:02 | 1:31:04 | |
The rest of us, on my count of three, | 1:31:14 | 1:31:17 | |
all move together, | 1:31:17 | 1:31:19 | |
one step at a time. | 1:31:19 | 1:31:20 | |
One...two...three. | 1:31:20 | 1:31:24 | |
You ready? | 1:31:42 | 1:31:43 | |
Go. | 1:31:43 | 1:31:45 | |
THEY GRUNT | 1:31:46 | 1:31:48 | |
Aah! | 1:31:50 | 1:31:52 | |
SNAPPING | 1:31:55 | 1:31:57 | |
(GROANS) | 1:32:07 | 1:32:08 | |
Mitch, what do you see? | 1:32:16 | 1:32:18 | |
Is there a way out? | 1:32:18 | 1:32:20 | |
RILEY: What's up there, Mitch? | 1:32:22 | 1:32:24 | |
Oh... | 1:32:31 | 1:32:32 | |
Em? | 1:32:35 | 1:32:37 | |
Are you all right? | 1:32:37 | 1:32:38 | |
Just... | 1:32:38 | 1:32:39 | |
Just promise me he's gonna be OK. | 1:32:39 | 1:32:42 | |
All right. | 1:32:46 | 1:32:48 | |
Let's go. | 1:32:48 | 1:32:50 | |
Mitch! | 1:32:50 | 1:32:52 | |
Come on! | 1:32:52 | 1:32:54 | |
I've been doing the math here, and... | 1:32:54 | 1:32:56 | |
I know. | 1:32:56 | 1:32:57 | |
We're gonna have to leave one person behind. | 1:32:57 | 1:33:00 | |
Just promise you'll come back for me. | 1:33:00 | 1:33:02 | |
I can do the math, too. | 1:33:02 | 1:33:04 | |
That makes you next. | 1:33:04 | 1:33:06 | |
I'll go last. | 1:33:06 | 1:33:08 | |
IMITATES BEN: "No, we'll figure something else out, Riley." | 1:33:08 | 1:33:11 | |
IMITATES ABIGAIL: "No, we need you up there. Please, Riley." | 1:33:11 | 1:33:14 | |
I'm just kidding. Go. | 1:33:15 | 1:33:17 | |
OK. | 1:33:17 | 1:33:18 | |
RUMBLING AND CREAKING | 1:33:18 | 1:33:21 | |
CREAKING | 1:33:40 | 1:33:42 | |
One... | 1:33:46 | 1:33:47 | |
Two... | 1:33:47 | 1:33:49 | |
Three! | 1:33:49 | 1:33:50 | |
Go! | 1:33:50 | 1:33:51 | |
CRACKING | 1:33:54 | 1:33:55 | |
THEY YELL | 1:33:55 | 1:33:57 | |
-What are you doing? -Nothing. | 1:33:57 | 1:33:59 | |
Uh! | 1:33:59 | 1:34:01 | |
I can't get it! | 1:34:04 | 1:34:07 | |
Just go! Go now! | 1:34:12 | 1:34:13 | |
Go! | 1:34:13 | 1:34:15 | |
All right, ready? | 1:34:16 | 1:34:18 | |
-Now! -Aah! | 1:34:18 | 1:34:21 | |
Riley! Hang on! | 1:34:21 | 1:34:22 | |
OK. | 1:34:25 | 1:34:26 | |
Mitch, the idol. OK, Ben. | 1:34:26 | 1:34:28 | |
We found a gold idol here! | 1:34:28 | 1:34:30 | |
We can roll it over to offset your weight! | 1:34:30 | 1:34:32 | |
Then roll it! | 1:34:32 | 1:34:34 | |
Here it comes! | 1:34:37 | 1:34:39 | |
Come on, Ben! | 1:34:46 | 1:34:48 | |
-Aah! -Here! | 1:34:48 | 1:34:51 | |
Give me your hand! | 1:34:51 | 1:34:52 | |
Ben! | 1:34:54 | 1:34:55 | |
(GASPING) | 1:34:55 | 1:34:57 | |
Thanks, Riley. | 1:34:57 | 1:34:58 | |
Why couldn't a girl see me do that? | 1:35:01 | 1:35:03 | |
You all right? | 1:35:06 | 1:35:08 | |
You're OK. You're OK. You're OK. | 1:35:08 | 1:35:11 | |
So... | 1:35:12 | 1:35:14 | |
Forward. | 1:35:14 | 1:35:16 | |
What is this? | 1:35:18 | 1:35:19 | |
RUNNING WATER | 1:35:19 | 1:35:21 | |
Oh! Oh! Oh! | 1:35:21 | 1:35:24 | |
Oh! | 1:35:24 | 1:35:27 | |
Put your light over there. | 1:35:30 | 1:35:33 | |
What are you doing? | 1:35:36 | 1:35:37 | |
(GRUNTS) | 1:35:49 | 1:35:51 | |
LOW RUMBLING | 1:35:54 | 1:35:56 | |
RUNNING WATER | 1:35:58 | 1:36:00 | |
I can't see anything! | 1:36:01 | 1:36:03 | |
Is this it? | 1:36:03 | 1:36:04 | |
It's oil. | 1:36:09 | 1:36:11 | |
It's a dead end! | 1:36:47 | 1:36:49 | |
There's no way out! | 1:36:49 | 1:36:51 | |
We have to turn back! | 1:36:51 | 1:36:54 | |
THEY GRUNT | 1:36:56 | 1:36:58 | |
OK? | 1:37:02 | 1:37:04 | |
No. No. | 1:37:05 | 1:37:07 | |
Patrick, this is crazy. | 1:37:07 | 1:37:08 | |
OK. | 1:37:11 | 1:37:12 | |
Oh! I got it! | 1:37:17 | 1:37:18 | |
Oh! | 1:37:18 | 1:37:20 | |
I got you! I got you! I got you! | 1:37:21 | 1:37:23 | |
THEY SCREAM | 1:37:23 | 1:37:24 | |
THEY GASP | 1:37:27 | 1:37:29 | |
THEY LAUGH | 1:37:29 | 1:37:32 | |
There's no "forward"! | 1:37:51 | 1:37:53 | |
It's not forward, it's down! | 1:37:56 | 1:37:59 | |
All this water has to go out somewhere, | 1:37:59 | 1:38:01 | |
Otherwise it'd be filled up. | 1:38:01 | 1:38:03 | |
Help me turn this wheel! | 1:38:13 | 1:38:15 | |
The water's going down. | 1:38:46 | 1:38:49 | |
Here it is. Em. | 1:39:37 | 1:39:39 | |
Em, Em. | 1:39:39 | 1:39:41 | |
EMILY: Oh! | 1:39:42 | 1:39:44 | |
Ben! | 1:39:47 | 1:39:48 | |
-Hey! -Hey! | 1:39:48 | 1:39:49 | |
Dad! | 1:39:49 | 1:39:52 | |
We found it! | 1:39:52 | 1:39:53 | |
Thomas was right! | 1:39:53 | 1:39:55 | |
No, you were right! | 1:39:55 | 1:39:57 | |
Oh! | 1:39:57 | 1:39:59 | |
I'm sorry I smeared your great-great-granddaddy's good name. | 1:40:02 | 1:40:05 | |
It seemed like the only way to get you in on the hunt. | 1:40:05 | 1:40:09 | |
But this was a chance for the Wilkinson family to make its mark on history. | 1:40:09 | 1:40:12 | |
To find the City of Gold, | 1:40:12 | 1:40:15 | |
to be remembered. | 1:40:15 | 1:40:17 | |
GURGLING AND BUBBLING | 1:40:37 | 1:40:39 | |
What happened to you? Your father was worried sick about you. | 1:40:46 | 1:40:48 | |
She was frantic. | 1:40:48 | 1:40:50 | |
She was FRANTIC. | 1:40:50 | 1:40:52 | |
Dad, coming through, did you happen to see... | 1:40:52 | 1:40:56 | |
OK, stop it. Coming through, | 1:40:56 | 1:40:57 | |
did you happen to see any branches | 1:40:57 | 1:40:58 | |
that could lead out of here? | 1:40:58 | 1:40:59 | |
No, it's all blocked. You can't even | 1:40:59 | 1:41:01 | |
get back to the big round stone door. | 1:41:01 | 1:41:04 | |
Where's your mother going? | 1:41:04 | 1:41:06 | |
EMILY GASPS | 1:41:06 | 1:41:08 | |
Sweetheart. Sweetheart. | 1:41:08 | 1:41:10 | |
Have a look at this. Look. | 1:41:10 | 1:41:11 | |
-What? -Look. | 1:41:11 | 1:41:12 | |
This is going to unlock the Olmec language. | 1:41:12 | 1:41:14 | |
It's gonna give us incredible insight into | 1:41:14 | 1:41:17 | |
pre-Columbian history! Oh! (LAUGHS) | 1:41:17 | 1:41:20 | |
Em? | 1:41:20 | 1:41:21 | |
You happy? | 1:41:21 | 1:41:23 | |
Oh, yeah. | 1:41:23 | 1:41:25 | |
Ben, Ben! Look at this! Look! | 1:41:25 | 1:41:27 | |
Oh, yeah. | 1:41:27 | 1:41:28 | |
That's where they slit the throat, cut the heart out. | 1:41:28 | 1:41:32 | |
(GRUNTS) | 1:41:36 | 1:41:38 | |
(LAUGHS) | 1:41:38 | 1:41:40 | |
RUMBLING | 1:41:43 | 1:41:45 | |
What was that? | 1:41:47 | 1:41:49 | |
Listen. | 1:41:49 | 1:41:51 | |
BANGING | 1:41:51 | 1:41:53 | |
Ah! | 1:42:00 | 1:42:02 | |
Aah! Ohh! Ah! | 1:42:10 | 1:42:12 | |
I tried to find a way out. | 1:42:15 | 1:42:18 | |
All those portals are blocked off! | 1:42:18 | 1:42:19 | |
I'm telling you, all this water goes out somewhere! | 1:42:19 | 1:42:21 | |
We'll find it. | 1:42:21 | 1:42:23 | |
Ben, there's a current! | 1:42:29 | 1:42:32 | |
Follow it! | 1:42:32 | 1:42:33 | |
There's got to be a central drain! | 1:42:33 | 1:42:35 | |
It's under us, right here! | 1:42:35 | 1:42:37 | |
Come on! | 1:42:46 | 1:42:47 | |
RILEY: Let's go! Get in there! | 1:42:47 | 1:42:50 | |
The water's rising too fast! | 1:42:57 | 1:42:59 | |
Let's get that door open so we don't all drown! | 1:42:59 | 1:43:02 | |
THEY GRUNT | 1:43:15 | 1:43:16 | |
PATRICK: Ben, it slopes down! It's a drainage tunnel. | 1:43:18 | 1:43:21 | |
But it fills with water when you open the door! | 1:43:21 | 1:43:24 | |
We need to find something to stick under it to keep it open! | 1:43:24 | 1:43:27 | |
No, if it's open, this tunnel will stay flooded. | 1:43:27 | 1:43:30 | |
We've got to get to the other side and close the door! | 1:43:30 | 1:43:32 | |
RILEY: Patrick, Emily, go! | 1:43:32 | 1:43:34 | |
THEY YELL | 1:43:39 | 1:43:41 | |
ABIGAIL: No! | 1:43:41 | 1:43:43 | |
Mitch, we got to be on the other side of that door! | 1:43:43 | 1:43:45 | |
Nobody leaves unless I say so. | 1:43:45 | 1:43:48 | |
That door is not gonna stay open by itself. | 1:43:49 | 1:43:52 | |
We both know what has to happen here, Ben. | 1:43:52 | 1:43:54 | |
One of us keeps the door open and stays behind. | 1:43:54 | 1:43:58 | |
I vote Mitch. | 1:43:59 | 1:44:01 | |
This isn't a democracy. | 1:44:02 | 1:44:03 | |
GRUNTING, SHOUTING | 1:44:03 | 1:44:05 | |
ABIGAIL: No! | 1:44:05 | 1:44:06 | |
Patrick! | 1:44:06 | 1:44:08 | |
Stop! I'll stay! I'm staying. Look. | 1:44:08 | 1:44:11 | |
Look! See? I'm here. I'm right here! | 1:44:11 | 1:44:14 | |
I'm staying! | 1:44:14 | 1:44:15 | |
All right, I'll tell everybody | 1:44:15 | 1:44:16 | |
how this is going to go. | 1:44:16 | 1:44:18 | |
You and me are going to open that door. | 1:44:18 | 1:44:20 | |
Anybody tries to leave before me, I drop the door, | 1:44:20 | 1:44:22 | |
we start this all over again! | 1:44:22 | 1:44:24 | |
But you try any funny business, | 1:44:24 | 1:44:26 | |
I guarantee you people are going to get hurt! | 1:44:26 | 1:44:30 | |
I won't! You have MY word. | 1:44:30 | 1:44:32 | |
Just let her go. | 1:44:32 | 1:44:34 | |
Ben, no, we're not leaving without you! | 1:44:36 | 1:44:40 | |
Abigail. | 1:44:41 | 1:44:46 | |
You make my parents leave. | 1:44:46 | 1:44:48 | |
You make my parents leave. | 1:44:48 | 1:44:50 | |
-No! -Let's go! | 1:44:59 | 1:45:00 | |
-Let's go, please! -I'm not leaving him! | 1:45:00 | 1:45:01 | |
Patrick, Emily, he's trying to save our lives. | 1:45:01 | 1:45:04 | |
Please, come on! | 1:45:04 | 1:45:07 | |
Push, Ben! | 1:45:08 | 1:45:10 | |
The current's too strong! | 1:45:13 | 1:45:15 | |
I'm ready! | 1:45:17 | 1:45:19 | |
It's all yours! | 1:45:19 | 1:45:20 | |
(GRUNTS) | 1:45:20 | 1:45:22 | |
THEY GASP | 1:45:22 | 1:45:25 | |
Aah! | 1:45:35 | 1:45:37 | |
Mom! | 1:45:42 | 1:45:44 | |
(GROANING) | 1:45:44 | 1:45:45 | |
Hang on! | 1:45:45 | 1:45:47 | |
Hold your breath! | 1:45:48 | 1:45:50 | |
Ah! | 1:45:50 | 1:45:52 | |
Uhh! Aah! | 1:45:59 | 1:46:01 | |
We got to get Ben out of there! | 1:46:01 | 1:46:03 | |
If I'm stuck in the door, it stays open, | 1:46:06 | 1:46:10 | |
both rooms fill up and we all drown! | 1:46:10 | 1:46:13 | |
Open the door! I'll get you out! | 1:46:13 | 1:46:15 | |
The current's too strong! | 1:46:15 | 1:46:17 | |
I open the door, you'll be washed down! | 1:46:17 | 1:46:20 | |
I'll get you out! | 1:46:20 | 1:46:21 | |
I found the City of Gold! | 1:46:21 | 1:46:23 | |
I found it! | 1:46:23 | 1:46:26 | |
And no-one will ever know? | 1:46:26 | 1:46:27 | |
We can figure this out! | 1:46:27 | 1:46:29 | |
We can all get out! | 1:46:29 | 1:46:31 | |
It's not a puzzle! | 1:46:31 | 1:46:33 | |
No more puzzles, Ben! | 1:46:33 | 1:46:35 | |
We're all going to die, or it could just be me! | 1:46:35 | 1:46:37 | |
Mitch! | 1:46:37 | 1:46:39 | |
Tell them I found it! | 1:46:39 | 1:46:41 | |
Don't quit! | 1:46:41 | 1:46:42 | |
(GROANS) | 1:46:42 | 1:46:43 | |
Aah! | 1:46:43 | 1:46:45 | |
-Mitch! -Aah! | 1:46:45 | 1:46:47 | |
Aah! | 1:46:54 | 1:46:55 | |
THEY GASP | 1:46:57 | 1:47:00 | |
Thank you. | 1:47:23 | 1:47:25 | |
Yeah. | 1:47:27 | 1:47:29 | |
We haven't officially met. | 1:47:42 | 1:47:43 | |
I'm Riley. | 1:47:43 | 1:47:45 | |
EMILY: Oh, hi. | 1:47:45 | 1:47:46 | |
Sir. | 1:47:52 | 1:47:53 | |
It's for you. | 1:47:53 | 1:47:54 | |
Sadusky. | 1:47:56 | 1:47:57 | |
I have my proof. | 1:47:57 | 1:47:59 | |
Ben! | 1:47:59 | 1:48:00 | |
We were just talking about you. | 1:48:00 | 1:48:02 | |
Ready to turn yourself in? | 1:48:02 | 1:48:04 | |
Not quite. | 1:48:04 | 1:48:05 | |
We found the City of Gold. | 1:48:05 | 1:48:08 | |
It doesn't matter. You still committed a federal crime. | 1:48:08 | 1:48:11 | |
Stop. | 1:48:29 | 1:48:31 | |
(Stop it!) | 1:48:31 | 1:48:33 | |
Mr. President? | 1:48:34 | 1:48:35 | |
Craig, give us a minute. | 1:48:35 | 1:48:36 | |
Sir, for your information, | 1:48:36 | 1:48:37 | |
this is the man who kidnapped you. | 1:48:37 | 1:48:40 | |
Well, as I recall, we were exploring a hidden tunnel | 1:48:40 | 1:48:42 | |
and a door closed accidentally | 1:48:42 | 1:48:44 | |
and this man saved my life. | 1:48:44 | 1:48:46 | |
Yes, sir. | 1:48:46 | 1:48:47 | |
Gates. | 1:48:49 | 1:48:50 | |
Sir. | 1:48:50 | 1:48:52 | |
For the record, after centuries of exploration, | 1:48:52 | 1:48:55 | |
on this day, | 1:48:55 | 1:48:57 | |
you have brought honour | 1:48:57 | 1:48:58 | |
to your country and your family. | 1:48:58 | 1:49:01 | |
You've done this country a great service. | 1:49:01 | 1:49:03 | |
I thank you. | 1:49:03 | 1:49:04 | |
-Thank you. -Ha. | 1:49:04 | 1:49:06 | |
Craig. | 1:49:06 | 1:49:09 | |
I thought you might want to take a look at tomorrow's headlines. | 1:49:09 | 1:49:13 | |
RILEY: Tomorrow? | 1:49:13 | 1:49:15 | |
Thank you, sir. | 1:49:22 | 1:49:24 | |
All of you, along with Emily and Patrick Gates, | 1:49:24 | 1:49:27 | |
will get credit for this discovery. | 1:49:27 | 1:49:30 | |
And Mitch Wilkinson, sir. | 1:49:37 | 1:49:39 | |
Is that right? | 1:49:39 | 1:49:41 | |
It's true, sir. | 1:49:41 | 1:49:44 | |
Ben, I am curious about that favour I asked you. | 1:49:44 | 1:49:48 | |
Any report regarding what's on page 47? | 1:49:48 | 1:49:52 | |
I believe I can help with that, sir. | 1:49:52 | 1:49:53 | |
So it's good. | 1:49:53 | 1:49:55 | |
Life-altering, sir. | 1:49:55 | 1:49:57 | |
What's on page 47? | 1:50:01 | 1:50:02 | |
Are you talking about the book? | 1:50:02 | 1:50:04 | |
What book? | 1:50:07 | 1:50:08 | |
EMILY: Please, please, be very careful with that. | 1:50:10 | 1:50:12 | |
Is that distilled water you're using? | 1:50:12 | 1:50:14 | |
-Yes, ma'am. -Are you sure? | 1:50:14 | 1:50:15 | |
Have you catalogued all of this? | 1:50:15 | 1:50:16 | |
-No, ma'am. -You haven't? | 1:50:16 | 1:50:17 | |
Excuse me. Excuse me, sir. | 1:50:17 | 1:50:18 | |
Are you cataloguing this? | 1:50:18 | 1:50:20 | |
You should've been there when we picked out our first couch. | 1:50:20 | 1:50:23 | |
Excuse me. | 1:50:27 | 1:50:29 | |
Hey, you're that guy, the treasure hunter guy, right? | 1:50:29 | 1:50:33 | |
No, actually, the guy you're thinking of is somewhere over there. | 1:50:33 | 1:50:36 | |
No. You're him. Riley Poole. | 1:50:36 | 1:50:39 | |
I recognise you from your book. | 1:50:39 | 1:50:40 | |
Will you sign it? | 1:50:40 | 1:50:42 | |
-THUD -OK. | 1:50:42 | 1:50:44 | |
Thank you. | 1:50:52 | 1:50:55 | |
So, um, the tea tables... | 1:50:55 | 1:50:59 | |
Yes, I'm going to have the movers bring them to you next week. | 1:50:59 | 1:51:04 | |
Actually, I was going to say you could keep them. | 1:51:04 | 1:51:07 | |
And maybe you could... | 1:51:07 | 1:51:11 | |
come and move back in with me. | 1:51:11 | 1:51:13 | |
No. You used the word "so". | 1:51:13 | 1:51:15 | |
So? | 1:51:15 | 1:51:16 | |
So when you say "so", it means you're angry. | 1:51:16 | 1:51:19 | |
Sometimes. And then sometimes it doesn't. | 1:51:19 | 1:51:23 | |
It's sort of like a puzzle. | 1:51:23 | 1:51:25 | |
And you're so good at puzzles. | 1:51:26 | 1:51:29 | |
I'm sure you'll figure it out. | 1:51:29 | 1:51:31 | |
So... | 1:51:32 | 1:51:35 | |
CHEERING AND APPLAUSE | 1:51:40 | 1:51:43 | |
ENGINE STARTS, REVS | 1:52:16 | 1:52:18 | |
I love this car. | 1:52:18 | 1:52:20 | |
TYRES SCREECH | 1:52:25 | 1:52:26 | |
SMASH! | 1:52:26 | 1:52:27 |