Browse content similar to Nemesis. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains graphic violent scenes and very strong language. | 0:00:10 | 0:00:17 | |
VOICEOVER: 'When the uplink came through with the work orders | 0:00:28 | 0:00:31 | |
'he had a strange feeling everything was about to change for him. | 0:00:31 | 0:00:35 | |
'Maybe it just had something to do with the way the world is today - | 0:00:35 | 0:00:38 | |
'bio-enhanced gangsters, information terrorists, cyborg outlaws. | 0:00:38 | 0:00:43 | |
'Everything so congested with high-tech overload that he was starting to feel a little numb. | 0:00:43 | 0:00:48 | |
'You see, there's an old saying in his business, | 0:00:54 | 0:00:58 | |
'"It pays to be more than human." | 0:00:58 | 0:01:01 | |
'I don't think he was so sure any more.' | 0:01:03 | 0:01:05 | |
Move and I'll crush your throat. | 0:01:18 | 0:01:19 | |
I had to be sure you weren't armed. | 0:01:39 | 0:01:41 | |
Can't be too careful nowadays. | 0:01:41 | 0:01:43 | |
There's undercover police everywhere. | 0:01:43 | 0:01:46 | |
Relax, baby. | 0:01:53 | 0:01:55 | |
Goddamn cop! | 0:02:07 | 0:02:09 | |
Goddamn terrorist! | 0:02:09 | 0:02:11 | |
'The things people do to get ahead. | 0:02:27 | 0:02:29 | |
'His work order turned out to be a nicely-shaped chip smuggler | 0:02:29 | 0:02:33 | |
'who had some expensive bio-engineering done to her insides. | 0:02:33 | 0:02:37 | |
'She charged double, because of the extra RAMs she could carry. | 0:02:37 | 0:02:41 | |
'"Morico" was the alias she had been using and she had hoped to download | 0:02:51 | 0:02:54 | |
'her data on a gang of terrorists known as "The Red Army Hammerheads." | 0:02:54 | 0:02:59 | |
'The Hammerheads. | 0:02:59 | 0:03:01 | |
'They're a cute bunch fighting a lost cause. | 0:03:01 | 0:03:04 | |
'Someday I expect to see their scan IDs come over the uplink. | 0:03:04 | 0:03:07 | |
'But right now Morico had been his work order. | 0:03:07 | 0:03:11 | |
'Then it was filled.' | 0:03:11 | 0:03:12 | |
See? Laundering data can be dangerous. | 0:03:20 | 0:03:22 | |
You break the law, go to hell. | 0:03:24 | 0:03:27 | |
That guy we passed in the hall is a cop. | 0:03:59 | 0:04:02 | |
Shit! | 0:04:02 | 0:04:03 | |
No problem. | 0:04:27 | 0:04:28 | |
Our courier's been iced by an LAPD agent. | 0:05:01 | 0:05:04 | |
He beat us to the data chip. We're in pursuit. | 0:05:04 | 0:05:06 | |
-Are you sure he's LAPD? -He's a cop all right. | 0:05:06 | 0:05:09 | |
Get him! | 0:06:03 | 0:06:04 | |
Go on. Go, go, go! | 0:06:10 | 0:06:11 | |
Aaah! | 0:06:17 | 0:06:19 | |
Argh! | 0:06:30 | 0:06:32 | |
Aaah! | 0:07:34 | 0:07:35 | |
Argh! | 0:07:36 | 0:07:37 | |
Aaah! | 0:08:29 | 0:08:30 | |
Oh, fuck! | 0:08:34 | 0:08:35 | |
That knee was brand new. | 0:09:16 | 0:09:17 | |
YELPING | 0:09:17 | 0:09:20 | |
Fuck! He's quick! | 0:09:27 | 0:09:29 | |
Aw! Sensitive man. | 0:10:00 | 0:10:02 | |
Give it a rest! | 0:10:03 | 0:10:05 | |
You son of a bitch! | 0:11:03 | 0:11:05 | |
You toss your weapon aside and you step away and I'll say you were cooperative. | 0:11:06 | 0:11:11 | |
SHE LAUGHS | 0:11:11 | 0:11:13 | |
I don't think this is funny. | 0:11:13 | 0:11:15 | |
Cops are animals. You don't know who that woman was back in the room. | 0:11:15 | 0:11:20 | |
You don't know who I am. | 0:11:20 | 0:11:22 | |
-You're a terrorist. -You're confused. | 0:11:24 | 0:11:26 | |
We're trying to save humankind and you, you protect the machines. | 0:11:27 | 0:11:31 | |
No wonder you protect them. You're mostly machine. You're not really human any more, are you? | 0:11:33 | 0:11:39 | |
86.5% is still a human. | 0:11:40 | 0:11:45 | |
None of you is human. | 0:11:45 | 0:11:46 | |
Never was. | 0:11:49 | 0:11:50 | |
You have no idea what's going on here - | 0:12:08 | 0:12:11 | |
what this is really all about. | 0:12:11 | 0:12:14 | |
When I'm through with you there's no way they'll be able to put you back together. | 0:12:14 | 0:12:18 | |
I'm here to tell you you're finished. | 0:12:18 | 0:12:21 | |
You lose. | 0:12:21 | 0:12:22 | |
Adios. | 0:12:23 | 0:12:25 | |
Ugh! Ohh-hh! | 0:12:26 | 0:12:27 | |
Oh God! Argh! | 0:12:27 | 0:12:30 | |
SIRENS WAIL | 0:12:30 | 0:12:31 | |
'This is the Los Angeles Police Department. You are surrounded.' | 0:12:31 | 0:12:36 | |
Ah! | 0:12:36 | 0:12:38 | |
'I order the occupants of Building 4087 | 0:12:38 | 0:12:40 | |
'to exit that building and surrender to police authorities. | 0:12:40 | 0:12:46 | |
'Drop your weapons and exit with your hands up now.' | 0:12:46 | 0:12:51 | |
We'll start by replacing his eyes. | 0:12:57 | 0:12:59 | |
COMPUTER: Respiration scans read critical. | 0:12:59 | 0:13:01 | |
Human organs are at 1.8, | 0:13:01 | 0:13:04 | |
fluid levels, 18.2... | 0:13:04 | 0:13:07 | |
You're not really human. Mostly machine. You're not really human. | 0:13:07 | 0:13:10 | |
You're mostly machine. You're not really human. | 0:13:10 | 0:13:13 | |
You're not really human anymore, are you? Or are you? Or are you? | 0:13:13 | 0:13:17 | |
'It took them six months to put him back together. | 0:13:27 | 0:13:30 | |
'Synthetic flesh, bio-engineered organs. | 0:13:30 | 0:13:33 | |
'It always scared him that they might take out his soul | 0:13:35 | 0:13:38 | |
'and replace it with some matrix chip. | 0:13:38 | 0:13:41 | |
'After the techs were done with his body, they shipped him to Baja. | 0:13:43 | 0:13:47 | |
''He ended up in this godforsaken refuge on the edge of existence. | 0:14:03 | 0:14:07 | |
'The kind of place where people on the run go to be forgotten. | 0:14:07 | 0:14:11 | |
'He was there to recuperate.' | 0:14:17 | 0:14:19 | |
SPANISH-SPEECH RADIO > | 0:14:31 | 0:14:35 | |
Cerveza, por favor. | 0:14:54 | 0:14:56 | |
Mind if I sit down? | 0:15:52 | 0:15:54 | |
I am Rosaria. | 0:15:58 | 0:15:59 | |
I'm not looking for company, lady. | 0:16:01 | 0:16:03 | |
I can see that, senor. I've seen you around. | 0:16:05 | 0:16:09 | |
Not too many gringos come down here without some kind of sad story. | 0:16:09 | 0:16:16 | |
No-one's here without some kind of story. Relax. | 0:16:16 | 0:16:20 | |
I won't give away your hideout. | 0:16:20 | 0:16:22 | |
-What do you want? -I want to get even. -Even? | 0:16:25 | 0:16:29 | |
With who, senor? | 0:16:32 | 0:16:33 | |
-You terrorists. -Oh, shit! | 0:16:33 | 0:16:35 | |
Remember LA? | 0:16:35 | 0:16:37 | |
Hey! | 0:16:37 | 0:16:39 | |
'He wanted to tell this terrorist that he had given a lot of thought to what she said back in LA. | 0:16:48 | 0:16:53 | |
'About whether he was more machine than human. | 0:16:53 | 0:16:56 | |
'He wanted to tell her she started him thinking. | 0:16:57 | 0:17:00 | |
'I know he really wanted to tell her all this. | 0:17:00 | 0:17:03 | |
'But she was dead. | 0:17:04 | 0:17:07 | |
'So instead, he sat there listening to the sound of approaching engines. | 0:17:07 | 0:17:11 | |
'The kind of turbo engines we use in our vehicles at LAPD.' | 0:17:11 | 0:17:14 | |
Not bad, but a little sloppy, Alex. | 0:17:17 | 0:17:19 | |
Looks like you're ready to go back to work. | 0:17:25 | 0:17:27 | |
The cyber transplants have really taken to you. | 0:17:37 | 0:17:40 | |
Can't tell what's real and what's synthetic. | 0:17:45 | 0:17:47 | |
-You'll be all machine soon. -Shut up, Pam. | 0:17:51 | 0:17:54 | |
Pack up, Alex. Rehab's over. Farnsworth wants you back online. | 0:17:57 | 0:18:03 | |
I've quit - and you tell Farnsworth that. | 0:18:03 | 0:18:06 | |
And if he doesn't like it, I know he will find me and let me know. | 0:18:07 | 0:18:10 | |
To stop the pain. She's right. | 0:18:19 | 0:18:21 | |
Nothing is mine anymore. Nothing's been mine since I met you, Jared. | 0:18:21 | 0:18:26 | |
-I didn't force you to enlist. -You and Farnsworth did not give me much choice, did you? | 0:18:28 | 0:18:33 | |
We got you out of prison. | 0:18:33 | 0:18:35 | |
That was the deal. | 0:18:35 | 0:18:37 | |
What's wrong, Alex? | 0:18:37 | 0:18:38 | |
You want me to tell Farnsworth he misjudged you? | 0:18:40 | 0:18:43 | |
That I misjudged you? | 0:18:43 | 0:18:45 | |
You can't handle the job. You've lost the edge. | 0:18:46 | 0:18:48 | |
You've become too emotional. | 0:18:48 | 0:18:50 | |
I can't feel anything anymore. | 0:18:50 | 0:18:52 | |
You turned me into a fucking machine. | 0:18:54 | 0:18:56 | |
I don't know what's right or wrong. | 0:18:58 | 0:19:01 | |
Since when did you care? | 0:19:01 | 0:19:03 | |
Maybe you should take the time to find out what you care about, Alex. | 0:19:07 | 0:19:11 | |
I cared about you once. | 0:19:13 | 0:19:15 | |
I'm synthetic. | 0:19:15 | 0:19:17 | |
That's right. And I thought you were real. | 0:19:17 | 0:19:20 | |
Well, I never said I wasn't. | 0:19:20 | 0:19:23 | |
Look, there's a lot of us working to make a bad world better. | 0:19:23 | 0:19:28 | |
Remember that. | 0:19:28 | 0:19:30 | |
What do you care about a better world? | 0:19:30 | 0:19:32 | |
You're a cyborg. | 0:19:33 | 0:19:35 | |
I live here, too. | 0:19:39 | 0:19:41 | |
GROWLING | 0:19:54 | 0:19:56 | |
DOG GROWLS MENACINGLY | 0:20:04 | 0:20:05 | |
That was unnecessary. | 0:20:08 | 0:20:09 | |
We'll never get him back now. | 0:20:09 | 0:20:11 | |
I'll give Farnsworth the bad news. | 0:20:20 | 0:20:23 | |
'The next year was as grim as it gets. | 0:21:07 | 0:21:10 | |
'He slipped into the black market network that thrived in the New Rio grid. | 0:21:10 | 0:21:15 | |
'He wanted to try his hand at smuggling, but he really didn't have the knack for it. | 0:21:15 | 0:21:20 | |
'His deals, when he could get them, usually ended up with someone dead. | 0:21:20 | 0:21:23 | |
'Not the best thing for staying in business. | 0:21:23 | 0:21:26 | |
'Just when he was about to give up on Brazil, he got word this morning | 0:21:27 | 0:21:31 | |
'that some hotshot systems cowboy wanted to see him. | 0:21:31 | 0:21:34 | |
'The systems cowboy went by the name Marion Face. | 0:21:34 | 0:21:37 | |
'He had some Japanese tech that wanted to switch corporations. | 0:21:37 | 0:21:41 | |
'The tech needed safe passage through the electronic web - | 0:21:41 | 0:21:45 | |
'a perfect set-up for Alex.' | 0:21:45 | 0:21:46 | |
It's about time, Marion. | 0:21:49 | 0:21:51 | |
You know, you're making a simple deal very complicated. | 0:21:53 | 0:21:55 | |
Are you enjoying your retirement, Alex? | 0:21:55 | 0:21:58 | |
Still glad you quit being a cop? | 0:21:58 | 0:22:02 | |
I hear you've been dealing out on the line. | 0:22:05 | 0:22:08 | |
You've blown a lot of transactions, Alex. | 0:22:10 | 0:22:12 | |
Your rep in the Brazil triad is shit. | 0:22:12 | 0:22:15 | |
You're lucky I even took a chance on you. | 0:22:15 | 0:22:17 | |
So where's the Japanese tech with the chip? | 0:22:17 | 0:22:20 | |
He'll be here. Relax. | 0:22:21 | 0:22:23 | |
Well, help me relax, Marion. | 0:22:25 | 0:22:27 | |
Pull your hands out of your pockets where I can see them. | 0:22:29 | 0:22:32 | |
See? | 0:22:32 | 0:22:34 | |
There's nothing up my sleeves, Alex. | 0:22:34 | 0:22:37 | |
Don't worry, Alex. You're not going to die. | 0:22:45 | 0:22:48 | |
LAPD will put you back together. | 0:22:48 | 0:22:50 | |
They want you for an assignment. | 0:22:50 | 0:22:52 | |
Farnsworth is here. | 0:23:17 | 0:23:19 | |
Let's go. | 0:23:20 | 0:23:21 | |
I also understand the situation in Rio was quite messy. | 0:23:25 | 0:23:29 | |
-What are you talking about? -I saw the reports. | 0:23:32 | 0:23:35 | |
-How is that possible? -I have my sources, you know. | 0:23:35 | 0:23:39 | |
You have some nerve, looking into this. | 0:23:39 | 0:23:41 | |
Commissioner. | 0:23:47 | 0:23:48 | |
Gentlemen. | 0:23:48 | 0:23:50 | |
He used to be one of my best ops. | 0:24:11 | 0:24:13 | |
Get him out of there. | 0:24:16 | 0:24:17 | |
So I'm still alive for a reason, right? | 0:24:20 | 0:24:22 | |
You're too valuable to let go. | 0:24:28 | 0:24:29 | |
I knew I might need you, so we allowed you to retire. How was it? | 0:24:29 | 0:24:32 | |
Pretty fucking desperate, huh? | 0:24:32 | 0:24:35 | |
You're only good at one thing, Alex. | 0:24:35 | 0:24:38 | |
It's all you'll ever be good at. | 0:24:38 | 0:24:40 | |
You see that now, I think. | 0:24:40 | 0:24:42 | |
I hope you do, because I need your skills again. | 0:24:42 | 0:24:45 | |
What makes you think I would help? | 0:24:45 | 0:24:47 | |
Because when they put you back together last week, they added a little something. | 0:24:47 | 0:24:52 | |
To your heart - a bomb. | 0:24:52 | 0:24:54 | |
Enough to make you disappear. | 0:24:54 | 0:24:56 | |
-You're living on their time now. -So how do I stay alive, Commissioner? | 0:25:02 | 0:25:05 | |
The American president and the prime minister of Japan are meeting in LA in three days. | 0:25:05 | 0:25:10 | |
The security plans for the summit have been stolen. I'd like to keep it quiet. | 0:25:10 | 0:25:14 | |
I can't use anyone in our department to retrieve the disks. | 0:25:14 | 0:25:17 | |
Too many goddamn Japanese around. | 0:25:17 | 0:25:19 | |
Ever since the US and Japan merged, it's been a fight to | 0:25:19 | 0:25:24 | |
keep down these slant-eyed bastards. | 0:25:24 | 0:25:27 | |
This is the kind of power play they are looking for to get rid of the Commissioner. | 0:25:27 | 0:25:32 | |
I need you, Alex. I've been saving you for something like this. | 0:25:35 | 0:25:38 | |
-Sandrakes is good. -We're wasting our time, Commissioner. | 0:25:40 | 0:25:44 | |
He's just a speed-loader now. | 0:25:44 | 0:25:46 | |
Listen to your queer. He's right, I can't do it. | 0:25:46 | 0:25:50 | |
You want to know who has stolen the security plan? | 0:25:50 | 0:25:52 | |
Your ex-boss! Your ex-lover. | 0:25:54 | 0:25:56 | |
-Jared? -That synthetic bitch turned on us. | 0:25:58 | 0:26:04 | |
Gone renegade. | 0:26:06 | 0:26:08 | |
She's selling plans | 0:26:08 | 0:26:10 | |
to a terrorist organization, The Red Army Hammerheads. | 0:26:10 | 0:26:14 | |
Jared is hiding out in Java - a low-tech shithole called Shang-Loo, | 0:26:14 | 0:26:21 | |
that is part of the Southwest Asian Hui. | 0:26:21 | 0:26:23 | |
-Some second-class cyborg, what's the name? -Julian. | 0:26:23 | 0:26:27 | |
Julian is fronting for her. | 0:26:27 | 0:26:30 | |
We know Jared's going to meet with the leader Hammerheads. | 0:26:30 | 0:26:36 | |
We don't know who the leader is, what he or she looks like. | 0:26:36 | 0:26:40 | |
-But if you will bring back both, we can... -You go and get them. | 0:26:40 | 0:26:46 | |
We want you to do it, Alex. | 0:26:46 | 0:26:48 | |
You've got the experience. You know Jared. | 0:26:48 | 0:26:50 | |
You could talk her into giving up. | 0:26:50 | 0:26:52 | |
Convince the cyborg to correct her error. | 0:26:52 | 0:26:54 | |
Why did Jared steal the plan? | 0:26:55 | 0:26:57 | |
Go to Shang-Loo and find out for us. | 0:26:57 | 0:27:00 | |
Forget it. | 0:27:01 | 0:27:02 | |
-You know the cliche, you racist asshole? -What's that? | 0:27:07 | 0:27:10 | |
-"Pull it and you'd better use it." -Give me an excuse. | 0:27:13 | 0:27:16 | |
Heh. | 0:27:18 | 0:27:19 | |
How's that one? | 0:27:21 | 0:27:22 | |
You haven't lost the edge, Alex. | 0:27:25 | 0:27:26 | |
Find someone else. | 0:27:27 | 0:27:29 | |
Remember the bomb in your heart, Alex! | 0:27:29 | 0:27:32 | |
You've got three days. | 0:27:32 | 0:27:34 | |
The clock is running. | 0:27:34 | 0:27:36 | |
Take this one last assignment as a favour to me and I'll set you up | 0:27:36 | 0:27:40 | |
on a real retirement, with all the money and junk you could want. | 0:27:40 | 0:27:44 | |
He'll be here in a moment. | 0:27:55 | 0:27:56 | |
I think he accepted the story. By the time he learns the truth, it'll be too late. | 0:27:56 | 0:28:00 | |
You believe he can manage this? | 0:28:00 | 0:28:02 | |
He won't have to do much. | 0:28:02 | 0:28:04 | |
If he can walk, that's enough. | 0:28:04 | 0:28:06 | |
Besides, Jared won't let anyone else get near her. | 0:28:06 | 0:28:10 | |
There's no guarantee he'll try to find Jared. | 0:28:10 | 0:28:12 | |
He won't have a choice. | 0:28:12 | 0:28:13 | |
How's that? | 0:28:15 | 0:28:16 | |
I've sent Billy Moon to Shang-Loo. | 0:28:16 | 0:28:19 | |
Alex won't have to find Jared. | 0:28:19 | 0:28:20 | |
Billy will make sure she finds him. | 0:28:22 | 0:28:24 | |
Get him cleaned up. | 0:28:42 | 0:28:44 | |
Shang-Loo. Christ. | 0:29:07 | 0:29:09 | |
Immigration, asshole. | 0:29:25 | 0:29:27 | |
What do you see? | 0:29:34 | 0:29:36 | |
What's out there, Billy? | 0:29:38 | 0:29:40 | |
Nothing. | 0:29:40 | 0:29:43 | |
Just another tourist. | 0:29:43 | 0:29:45 | |
Undercover(!) | 0:30:03 | 0:30:05 | |
Ah. | 0:30:45 | 0:30:46 | |
Good. | 0:30:46 | 0:30:48 | |
Just another tourist, Billy? | 0:30:54 | 0:30:56 | |
I told you LAPD is sending a shark... | 0:30:59 | 0:31:02 | |
..to stop me. | 0:31:06 | 0:31:08 | |
Sharks come in all shapes and sizes, Billy. | 0:31:11 | 0:31:16 | |
I told you that, didn't I? | 0:31:16 | 0:31:18 | |
OK. | 0:31:21 | 0:31:23 | |
What are you going to do about it? | 0:31:25 | 0:31:28 | |
Nothing, Billy. | 0:31:28 | 0:31:30 | |
Nothing, for now. | 0:31:30 | 0:31:32 | |
Did I tell you how much I appreciate all the help you've given me and Jared, Billy? | 0:31:43 | 0:31:49 | |
Did I thank you? | 0:31:49 | 0:31:51 | |
Ah, welcome to Shang-Loo, mister. | 0:32:31 | 0:32:35 | |
I am Yoshiro Han, proprietor of the Shang-Loo hotel. | 0:32:35 | 0:32:38 | |
Room for one. How much? | 0:32:40 | 0:32:42 | |
5,000 yen a night, for...a regular suite. | 0:32:42 | 0:32:46 | |
However, a view of the volcano can be yours for a measly 10,000 yen. | 0:32:46 | 0:32:51 | |
How much is 10,000 yen in American? | 0:32:51 | 0:32:54 | |
I'm terribly sorry, mister. We only accept yen. | 0:32:54 | 0:32:57 | |
American is so very, how you say, "questionable", yes? | 0:32:57 | 0:33:00 | |
I'd better pass on that volcano. | 0:33:00 | 0:33:02 | |
Who do you want, mister? Someone in particular? | 0:33:09 | 0:33:13 | |
It's a busy time of year. Lots of visitors. | 0:33:13 | 0:33:17 | |
Alex Rain? | 0:33:20 | 0:33:22 | |
Good fake name, yeah? | 0:33:22 | 0:33:26 | |
-Give me the key. -Up the stairs, fifth door on the right. | 0:33:28 | 0:33:33 | |
And if you like I can arrange guided tour of the volcano, mister. | 0:33:33 | 0:33:37 | |
'Yoshiro.' | 0:33:42 | 0:33:43 | |
'Alex Rain. Is he the one they sent?' | 0:33:52 | 0:33:55 | |
Easy enough to find out, no? | 0:33:55 | 0:33:57 | |
Hey! | 0:33:59 | 0:34:02 | |
What's the matter, you? | 0:34:02 | 0:34:03 | |
No more of their drugs. If Farnsworth is going to kill me tomorrow, I want to be clear. | 0:34:57 | 0:35:03 | |
I hope Jared really hurts LAPD, I really do. | 0:35:06 | 0:35:09 | |
She can sell her data to the dog boys, for all I care. Damn. | 0:35:11 | 0:35:16 | |
He's a fucking speed-loader. | 0:35:27 | 0:35:30 | |
Huh. Maybe he's not the shark. | 0:35:32 | 0:35:35 | |
What do you think, Billy? You think he's a shark? | 0:35:36 | 0:35:40 | |
I don't think they'd send a junkie. Not on something this important. | 0:35:43 | 0:35:48 | |
It worries me, | 0:35:48 | 0:35:49 | |
especially with the exchange going on this afternoon. | 0:35:49 | 0:35:52 | |
-Probably just here for the goddamn volcano. -I have to know. | 0:35:53 | 0:35:58 | |
Relax, baby. | 0:36:02 | 0:36:04 | |
I got you this far, right? | 0:36:04 | 0:36:06 | |
I'll run over later. I'll see if it's this cop, Alex Rain, you're so concerned about. | 0:36:06 | 0:36:11 | |
Hey, I got you this far. | 0:36:13 | 0:36:16 | |
So relax. | 0:36:16 | 0:36:18 | |
Look, kill him later. | 0:36:19 | 0:36:22 | |
I want you to fuck me now. | 0:36:22 | 0:36:24 | |
Why did you do that? | 0:36:26 | 0:36:28 | |
You're insulting, Billy. | 0:36:30 | 0:36:32 | |
Michelle! | 0:36:32 | 0:36:34 | |
No. Julian! Julian, what the fuck are you pulling, man? | 0:36:36 | 0:36:40 | |
I thought we had a goddamn deal. I thought uh... Come on! | 0:36:40 | 0:36:45 | |
Look now, please, don't do this. | 0:36:45 | 0:36:47 | |
Damn it! | 0:36:47 | 0:36:49 | |
We had a goddamn motherfucking deal! | 0:36:49 | 0:36:52 | |
I'm your fucking partner in this! | 0:36:52 | 0:36:54 | |
I fucking set you up in Shang-Loo, I fucking helped your ass! | 0:36:54 | 0:36:58 | |
We had a deal, you plasmo-sucking bitch! | 0:36:58 | 0:37:01 | |
Wait! | 0:37:01 | 0:37:03 | |
You helped a little too much, Billy. | 0:37:03 | 0:37:06 | |
How does an out of town hustler like you get the inside scoop | 0:37:06 | 0:37:10 | |
on undercover cops and terrorists? Answer me that, huh? | 0:37:10 | 0:37:14 | |
How does it happen? | 0:37:14 | 0:37:15 | |
I was trying to help you, man. | 0:37:21 | 0:37:23 | |
Too bad the sensor read differently, Billy. | 0:37:23 | 0:37:25 | |
Too bad for you it said you were LAPD. | 0:37:25 | 0:37:30 | |
Angie-san. Room 60. | 0:37:36 | 0:37:38 | |
Room service. | 0:37:45 | 0:37:47 | |
Hey, how's it, bro'? | 0:37:53 | 0:37:55 | |
On behalf of the Shang-Loo welcome wagon, I'd like to introduce my right arm, Fran Terry. | 0:37:55 | 0:38:01 | |
Angie-liv, yours truly. | 0:38:01 | 0:38:04 | |
Leave me alone. | 0:38:06 | 0:38:07 | |
I guess "leave me alone" means something different here Or are you too stupid to get it? | 0:38:12 | 0:38:18 | |
Bugger get smart mouth, eh? | 0:38:18 | 0:38:21 | |
Like that in a victim. | 0:38:21 | 0:38:23 | |
Make it easy on yourself, bro'. I'm the boss here. | 0:38:28 | 0:38:32 | |
Anybody smart mouth in Shang-Loo | 0:38:32 | 0:38:34 | |
only if I say. | 0:38:34 | 0:38:37 | |
What are you looking for? | 0:38:37 | 0:38:38 | |
No, no. I ask the questions, Boy-san. | 0:38:39 | 0:38:42 | |
So why you here, brother? | 0:38:53 | 0:38:55 | |
To see the volcano? | 0:38:58 | 0:38:59 | |
Look, make it easy on yourself, bro'. | 0:39:02 | 0:39:05 | |
I can find a place on you that's still human. | 0:39:05 | 0:39:08 | |
Where you can still feel something, eh? | 0:39:08 | 0:39:11 | |
Ooh-hh! | 0:39:15 | 0:39:17 | |
I'm just looking for someone, OK? | 0:39:23 | 0:39:26 | |
The cyborg from old California? | 0:39:26 | 0:39:29 | |
Jared, yeah? | 0:39:29 | 0:39:31 | |
Yeah, we hear she stole something from the LAPD. | 0:39:31 | 0:39:35 | |
What they want send you down here to stop her, before she sells something to those terrorists? | 0:39:36 | 0:39:41 | |
The Red Army Hammerheads? | 0:39:43 | 0:39:45 | |
Since you know so much, maybe you can tell me how to find Jared? | 0:39:46 | 0:39:50 | |
Hey, bro', why? | 0:39:53 | 0:39:54 | |
Look like Missing Persons to you? | 0:39:54 | 0:39:56 | |
-Hey, The Hammerheads, what you think of them, man? -I don't. | 0:39:57 | 0:40:01 | |
Hammerheads are rebels, yeah? | 0:40:01 | 0:40:03 | |
They freedom fighters, trying to stop the spread of information systems - | 0:40:03 | 0:40:08 | |
the cyborg computers who will try to enslave civilization. | 0:40:08 | 0:40:13 | |
Think of themselves as protectors of humankind. | 0:40:13 | 0:40:16 | |
You know, maybe you're one smart cop. | 0:40:17 | 0:40:20 | |
Maybe too smart for cop, brother. | 0:40:20 | 0:40:23 | |
Maybe, just maybe, | 0:40:23 | 0:40:26 | |
you're one sharp motherfucker. | 0:40:26 | 0:40:29 | |
That's a lot of maybes. | 0:40:31 | 0:40:33 | |
Look stop it now, I'm telling you the truth. | 0:40:34 | 0:40:36 | |
Why, gaijin? | 0:40:36 | 0:40:38 | |
Because I'm going to be dead in two days. I've got something inside me. | 0:40:40 | 0:40:43 | |
-Oh, shit! -Inside you? Bomb, yeah? | 0:40:43 | 0:40:47 | |
Yeah, that's right. When I get close to Jared. | 0:40:47 | 0:40:51 | |
I got a feeling I'm going to become colourful. So stop fucking with me! | 0:40:51 | 0:40:55 | |
Surgery by surgery, brother. | 0:40:55 | 0:40:58 | |
Getting more machine than human. How you feel about that? | 0:40:58 | 0:41:03 | |
I didn't have any choice. | 0:41:05 | 0:41:07 | |
Sad, yeah? | 0:41:08 | 0:41:09 | |
At least I'm still alive. | 0:41:12 | 0:41:14 | |
Won't make any difference you no care, brother. | 0:41:14 | 0:41:16 | |
Just make sure you stay away from me, in case your bomb get accident. | 0:41:18 | 0:41:23 | |
Next time... | 0:41:52 | 0:41:55 | |
I kill all of you motherfuckers. | 0:41:55 | 0:41:57 | |
Ling-kun, let's go get plate lunch. | 0:41:57 | 0:42:01 | |
Hey, Julian, who the fuck are these guys? | 0:42:10 | 0:42:12 | |
Who cares? | 0:42:12 | 0:42:13 | |
< MUFFLED RUMPUS | 0:42:37 | 0:42:41 | |
You're not the maid, are you? | 0:42:43 | 0:42:46 | |
Bring him in here, Michelle! | 0:43:09 | 0:43:12 | |
Did you hear what I said? He's checked out. | 0:43:12 | 0:43:15 | |
It only works if you load it, stupid. | 0:43:22 | 0:43:24 | |
Thanks for the tip. | 0:43:28 | 0:43:29 | |
Michelle... | 0:43:31 | 0:43:32 | |
Jared said you were someone I could trust. | 0:43:39 | 0:43:42 | |
She said you were...different. | 0:43:42 | 0:43:45 | |
-Who the hell are you? -Someone that can help you find Jared. | 0:43:45 | 0:43:49 | |
I apologise for Michelle's methods, but I needed to run a scan | 0:43:49 | 0:43:52 | |
on you with a respirator sensor, just to make sure Jared wasn't optimistic about your allegiance. | 0:43:52 | 0:43:58 | |
-I don't really care what your scan says. -We can't really talk. | 0:43:58 | 0:44:01 | |
Farnsworth's got a surveillance unit implanted in your right eye. Hears and sees everything you do. | 0:44:01 | 0:44:07 | |
So you want me to tear out my eyeball? | 0:44:07 | 0:44:09 | |
Jared came up with a slightly less drastic measure. | 0:44:10 | 0:44:14 | |
-I trusted Jared once... -Yeah, and she betrayed you. | 0:44:15 | 0:44:18 | |
-Yeah. -She did it for a good reason! -It wasn't her reason. | 0:44:18 | 0:44:22 | |
There is more at stake here than your feelings. There always was. | 0:44:22 | 0:44:25 | |
Are you going to help us? | 0:44:25 | 0:44:28 | |
You're a goddamned cyborg. Why should I help you? | 0:44:28 | 0:44:31 | |
And you're a pathetic fucking speed-loader! | 0:44:31 | 0:44:35 | |
I don't want to depend on you! | 0:44:35 | 0:44:36 | |
I don't want to have to rely on you! | 0:44:36 | 0:44:39 | |
Jared gave up her life believing we needed you. | 0:44:39 | 0:44:42 | |
So she's dead? | 0:44:42 | 0:44:45 | |
Look are you going to trust me, Alex? | 0:44:45 | 0:44:48 | |
There's no more fucking time! | 0:44:48 | 0:44:50 | |
-OK, do it. -All right, Alex. | 0:44:54 | 0:44:57 | |
-Now this is going to... -Sting a little? I know. | 0:44:57 | 0:45:00 | |
No, actually it's going to hurt like a motherfucker. | 0:45:00 | 0:45:03 | |
Just do it. | 0:45:03 | 0:45:05 | |
Hold still! | 0:45:16 | 0:45:18 | |
We're busted. Let's go pick them up. | 0:45:22 | 0:45:24 | |
You know, she's not really dead. | 0:46:05 | 0:46:07 | |
-What do you mean? -Jared was caught leaving LA. | 0:46:08 | 0:46:11 | |
She suffered major wounds to her housing. | 0:46:11 | 0:46:13 | |
-Her body died a few hours after she got here. -So she's gone? | 0:46:13 | 0:46:17 | |
Her body is, but not her data. | 0:46:17 | 0:46:20 | |
Jared's mind and soul, Alex. | 0:46:20 | 0:46:21 | |
The database was transferred to her memory banks. | 0:46:21 | 0:46:25 | |
Take Jared to The Red Army Hammerheads. | 0:46:25 | 0:46:28 | |
A meeting's been set for today at sundown, on top of the volcano. | 0:46:28 | 0:46:32 | |
They'll wait there until the sun vanishes, then they're gone. | 0:46:32 | 0:46:35 | |
And with them, our best chance to stop Farnsworth. | 0:46:35 | 0:46:38 | |
'All units move to preset positions. | 0:46:47 | 0:46:49 | |
'Scan coordinates for any terrorist support activity.' | 0:46:49 | 0:46:52 | |
Whoa! | 0:46:59 | 0:47:00 | |
Welcome to Shang-Loo, gentlemen. | 0:47:03 | 0:47:06 | |
-Why did Jared do this? -Ask her yourself. | 0:47:06 | 0:47:11 | |
Plug her into this computer. You'll be able to talk to her. | 0:47:11 | 0:47:13 | |
-'Team two report.' -'Team two in position.' | 0:47:22 | 0:47:25 | |
You know I've got an encoded explosive in my heart? | 0:47:30 | 0:47:34 | |
That will scramble the signals they send. You're safe for now. | 0:47:43 | 0:47:47 | |
As they decode the jammer in your shoulder, the lights go out. | 0:47:47 | 0:47:50 | |
When all five are gone - boom. | 0:47:50 | 0:47:52 | |
Why did you need me? | 0:47:52 | 0:47:54 | |
-Jared said you were the best, that you'd have a better chance of making it. -Why are you helping? | 0:47:55 | 0:48:02 | |
I want to matter. | 0:48:02 | 0:48:05 | |
I want it to mean something that I lived. Isn't that what life's all about? | 0:48:05 | 0:48:09 | |
Sitting ducks. Ah. | 0:48:12 | 0:48:14 | |
-'Team three report.' -'Team three set' | 0:48:18 | 0:48:21 | |
'On your command, lockup will commence in 15 seconds.' | 0:48:21 | 0:48:24 | |
We can get out the back way, through the bathroom window. | 0:48:28 | 0:48:31 | |
Go on! Get out! I'll cover you. | 0:48:34 | 0:48:37 | |
Argh! | 0:48:40 | 0:48:41 | |
Well, it's an exciting resort(!) | 0:50:18 | 0:50:19 | |
A deep layer scan confirms that Jared was in the room with Alex, Commissioner. | 0:50:20 | 0:50:27 | |
Julian must have Jared on disk. Shit! | 0:50:27 | 0:50:32 | |
The jam on Alex's charge is holding. | 0:50:32 | 0:50:35 | |
The techs here say it will take six to 12 hours to decode the scrambler Julian put in him. | 0:50:38 | 0:50:43 | |
We haven't got six hours. The Hammerheads, they could have the data by then. | 0:50:43 | 0:50:47 | |
Ja. | 0:50:47 | 0:50:49 | |
Sam, look at this. | 0:50:50 | 0:50:53 | |
Julian, wait. | 0:51:14 | 0:51:16 | |
I believe you've left something behind. | 0:51:16 | 0:51:18 | |
Wait, Julian, here. | 0:51:31 | 0:51:33 | |
Let me help. | 0:51:33 | 0:51:35 | |
You've already erased your memory banks. | 0:51:47 | 0:51:50 | |
Disciplined to the last. | 0:51:50 | 0:51:51 | |
But there's nothing I want in your auxiliary program. | 0:51:51 | 0:51:54 | |
You'll be found out soon. | 0:51:55 | 0:51:57 | |
Not if we kill everyone that knows. | 0:51:58 | 0:52:01 | |
You always were an extremist, Sam. | 0:52:03 | 0:52:06 | |
You were a shitty cyborg. | 0:52:08 | 0:52:10 | |
You were never one of us. | 0:52:11 | 0:52:13 | |
Killing all the humans isn't going to make you any more real. | 0:52:13 | 0:52:17 | |
I am real. | 0:52:19 | 0:52:21 | |
Commissioner, we got a little trace image from the hotel's recorder. | 0:52:21 | 0:52:26 | |
Not much, but have a look. | 0:52:26 | 0:52:28 | |
"Take Jared to The Red Army Hammerheads. A meeting's set..." | 0:52:31 | 0:52:35 | |
Hey, Sam... I'll be back. | 0:52:35 | 0:52:39 | |
I don't think so. | 0:52:39 | 0:52:41 | |
That's it. The sound is ionized. | 0:52:48 | 0:52:51 | |
Alex has Jared with him. | 0:52:53 | 0:52:55 | |
We've got him now... | 0:52:56 | 0:52:58 | |
If the techs can decode the jammer. | 0:52:58 | 0:53:01 | |
This agent has a knack for survival, hasn't he? | 0:53:01 | 0:53:04 | |
Developed quite a reputation while he was online, eh? | 0:53:04 | 0:53:08 | |
Alex Rain will be destroyed somehow some way. He's human after all. | 0:53:08 | 0:53:12 | |
We'll track him on foot. He'll try to meet with the Hammerheads. | 0:53:12 | 0:53:15 | |
Billy said it was going to happen that way. | 0:53:15 | 0:53:18 | |
We'll find the rest. | 0:53:19 | 0:53:21 | |
Well, I hope so. | 0:53:25 | 0:53:26 | |
Jared, can you hear me? | 0:53:50 | 0:53:53 | |
-Welcome to Shang-Loo. Is Julian with you? -No. | 0:53:59 | 0:54:03 | |
Why did you turn against LAPD? You believed in them. | 0:54:03 | 0:54:07 | |
Not against LAPD. | 0:54:07 | 0:54:09 | |
Against Commissioner Farnsworth. | 0:54:11 | 0:54:13 | |
-So he's not the nicest guy in the whole world? -No. | 0:54:13 | 0:54:16 | |
Commissioner Farnsworth has been replaced. | 0:54:16 | 0:54:19 | |
What do you mean "replaced"? I just saw him down in Baja. | 0:54:19 | 0:54:22 | |
You saw a cyborg duplicate. | 0:54:23 | 0:54:25 | |
He's dead. Killed a month ago. | 0:54:25 | 0:54:28 | |
The cyborg was retro-cloned into a perfect cell for cell duplicate of Farnsworth. | 0:54:28 | 0:54:34 | |
Impossible to detect with existing scans. | 0:54:34 | 0:54:37 | |
State of the art. | 0:54:37 | 0:54:39 | |
-They intend to replace humans with cyborgs. -Which humans? | 0:54:39 | 0:54:44 | |
All humans, Alex. | 0:54:44 | 0:54:46 | |
They have to be stopped, before they start a war between cyborgs and humankind. | 0:54:46 | 0:54:52 | |
You're a cyborg. Why don't you side with them? | 0:54:53 | 0:54:56 | |
-They are wrong. -And that's it? | 0:54:56 | 0:54:59 | |
Isn't that enough? | 0:54:59 | 0:55:01 | |
< METALLIC CLATTER | 0:55:01 | 0:55:03 | |
-We've got him in Sector Six. There he is! -Get him! | 0:55:03 | 0:55:06 | |
-Alex! -Fuck you! | 0:56:06 | 0:56:08 | |
-What? -Not you, Jared. | 0:56:08 | 0:56:11 | |
Come on, I want an answer out of you! | 0:56:18 | 0:56:20 | |
-Where is he? -No, no, no. -Have you seen him?! | 0:56:20 | 0:56:25 | |
Please, don't shoot! | 0:56:37 | 0:56:39 | |
No more, please! | 0:56:39 | 0:56:41 | |
Teach you to fuck with me, you fucking cyborgs! | 0:56:46 | 0:56:50 | |
Streets aren't safe anymore. Can't even go to the market without meeting some punk. | 0:56:57 | 0:57:01 | |
Shang-Loo takes no shit. | 0:57:03 | 0:57:05 | |
I love this town. | 0:57:07 | 0:57:09 | |
Alex? | 0:57:09 | 0:57:11 | |
I stole data on labs doing the cloning and who's been duplicated so far. | 0:57:12 | 0:57:16 | |
The Hammerheads can destroy labs and duplicates. | 0:57:16 | 0:57:19 | |
The cyborgs sent you, Alex. | 0:57:19 | 0:57:21 | |
You were their only chance to locate me. | 0:57:21 | 0:57:23 | |
They planted that dermo-bomb in you, hoping you'd get close enough to me to take us both out. | 0:57:23 | 0:57:28 | |
But Julian planted the jammer in you. | 0:57:29 | 0:57:32 | |
Farnsworth's techs are working now to decode it. | 0:57:34 | 0:57:38 | |
There isn't much time left, for either of us. | 0:57:39 | 0:57:42 | |
Jared, who's the leader of the Hammerheads? | 0:57:42 | 0:57:46 | |
I don't know. | 0:57:46 | 0:57:48 | |
You know I don't know why I'm helping you, Jared. | 0:57:50 | 0:57:53 | |
Because you know what's right and what's wrong - and you care. | 0:57:53 | 0:57:58 | |
Yeah. | 0:57:58 | 0:57:59 | |
For what it's worth, Alex, | 0:58:04 | 0:58:07 | |
I loved you. | 0:58:07 | 0:58:09 | |
Yeah, terrific(!) Cyborg love. | 0:58:10 | 0:58:12 | |
It takes more than flesh and blood to be human, Alex. | 0:58:15 | 0:58:19 | |
SCRAPING > | 0:58:19 | 0:58:21 | |
I'll talk to you later, Jared. | 0:58:21 | 0:58:24 | |
Go on, I'll cover you. | 0:58:47 | 0:58:48 | |
Move, let's go! | 0:58:51 | 0:58:52 | |
I'm coming to get you, Alex. | 0:59:42 | 0:59:44 | |
Shit. Another 5%. | 0:59:54 | 0:59:55 | |
Hold on, Jared, I'll get you to the volcano. | 0:59:55 | 0:59:58 | |
You are a very energetic human. | 1:01:01 | 1:01:03 | |
Follow me. | 1:01:29 | 1:01:31 | |
Oh, fuck. | 1:01:32 | 1:01:34 | |
-Fuck. -Who is that girl? | 1:01:39 | 1:01:40 | |
Only three lights left. Shit. | 1:02:53 | 1:02:55 | |
Running out of time, huh? | 1:02:55 | 1:02:57 | |
Goddamn LAPD arseholes! | 1:03:04 | 1:03:07 | |
The governor gives them permission to come here and fugitive hunt | 1:03:07 | 1:03:11 | |
and then they think they can just blow the whole fucking place up. | 1:03:11 | 1:03:15 | |
Saw you leave your room. | 1:03:15 | 1:03:17 | |
Through the floor? That's very, very slick. | 1:03:17 | 1:03:19 | |
Who the fuck are you? | 1:03:21 | 1:03:23 | |
Max Impact. | 1:03:23 | 1:03:25 | |
Local guide for the tourists, huh? | 1:03:25 | 1:03:29 | |
Angie-san told me about you. | 1:03:29 | 1:03:30 | |
He gave me your contract to service. | 1:03:30 | 1:03:33 | |
Does it really look like I'm a tourist to you? | 1:03:33 | 1:03:36 | |
Well, I've got to admit, the hotel deal threw me a little. | 1:03:36 | 1:03:41 | |
Pretty radical escape, though. | 1:03:41 | 1:03:43 | |
No matter what your business is here in Shang-Loo, you're going to need a guide, huh? Well, I'm your girl. | 1:03:45 | 1:03:51 | |
Please, Alex-san, come on. | 1:03:52 | 1:03:54 | |
I really need the job. | 1:03:54 | 1:03:55 | |
And you need my help, too, no? | 1:03:55 | 1:03:57 | |
Looks pretty busy in Shang-Loo right now. | 1:03:57 | 1:04:01 | |
Please, Alex-san, come on. You don't even have to tip me or pay me the bump for illegal acts, huh? | 1:04:01 | 1:04:06 | |
You can even scan me if you like. | 1:04:06 | 1:04:09 | |
See if I'm telling you the truth, huh? | 1:04:09 | 1:04:11 | |
Sorry, Alex-san, but the big boss wants to see you | 1:05:02 | 1:05:04 | |
and we know you won't come unless invited special, like, huh? | 1:05:04 | 1:05:08 | |
Thought you weren't going to leave me alone, Angie. | 1:05:15 | 1:05:18 | |
Cyborgs really fuck things up, yeah? | 1:05:19 | 1:05:22 | |
Especially when they turn renegade and no tell nobody. | 1:05:29 | 1:05:32 | |
So you know about Farnsworth? | 1:05:33 | 1:05:34 | |
Like I told you, Alex-san. It's the information age, brother. | 1:05:36 | 1:05:42 | |
Relax, Alex. | 1:05:44 | 1:05:46 | |
If I, like, steal a disk from you, you never wake up, bro. | 1:05:54 | 1:05:58 | |
Take it as a sign of good faith. | 1:06:09 | 1:06:11 | |
Good faith on what, Angie? | 1:06:11 | 1:06:14 | |
I want you to help me. | 1:06:21 | 1:06:22 | |
Your reputation as a hitter is quite renowned in the community. | 1:06:31 | 1:06:35 | |
You have systems access like nobody else. | 1:06:37 | 1:06:39 | |
Who needs someone like you? | 1:06:40 | 1:06:43 | |
The Hammerheads, huh? | 1:06:44 | 1:06:46 | |
Yes. The last of them, Alex-san. | 1:06:47 | 1:06:50 | |
I need your help with the cyborgs. | 1:06:53 | 1:06:55 | |
They're replacing the humans and we can't tell who's real and who's not. | 1:06:55 | 1:06:59 | |
How can you trust him, Angie-san? He should die for what he's done. | 1:06:59 | 1:07:02 | |
Max is right, Alex-san. | 1:07:17 | 1:07:19 | |
You've done many terrible things. | 1:07:22 | 1:07:25 | |
You killed her sister. | 1:07:25 | 1:07:27 | |
Baja, last year. | 1:07:29 | 1:07:33 | |
I thought I was enforcing the law. | 1:07:36 | 1:07:39 | |
And what do you think now? | 1:07:39 | 1:07:42 | |
Bomb! Get down, bro! | 1:07:45 | 1:07:48 | |
No die on me! Come on, cowboy, Angie-san needs help. | 1:08:00 | 1:08:04 | |
I thought you wanted me dead? | 1:08:06 | 1:08:07 | |
Later! Right now, I need you make others dead. | 1:08:07 | 1:08:10 | |
Let's have that disk, Angie-san. | 1:08:27 | 1:08:29 | |
No! | 1:08:32 | 1:08:33 | |
Argh. | 1:08:34 | 1:08:35 | |
You're the last of them, Angie-san. | 1:08:42 | 1:08:44 | |
No more Hammerhead bosses. | 1:08:44 | 1:08:46 | |
I want you to die knowing you've lost. | 1:08:46 | 1:08:49 | |
It's over for the humans. | 1:08:49 | 1:08:52 | |
Someone will come and replace me. | 1:08:52 | 1:08:54 | |
There is no-one else. | 1:08:54 | 1:08:56 | |
I'll finish it right here and now. | 1:08:56 | 1:08:58 | |
Fuck you. | 1:09:00 | 1:09:01 | |
Ja, doc, I love to watch you work. | 1:09:14 | 1:09:17 | |
Thanks a lot. | 1:09:24 | 1:09:26 | |
It's over, Max, we've won. | 1:10:04 | 1:10:07 | |
We've won, Max. | 1:10:07 | 1:10:09 | |
Not finished! Nothing finished! | 1:10:12 | 1:10:16 | |
Angie trusted me. | 1:10:16 | 1:10:18 | |
He was old and tired. He was scared. | 1:10:20 | 1:10:22 | |
The whole thing's gotten so big. | 1:10:24 | 1:10:26 | |
There's another cyborg running the real deal. | 1:10:30 | 1:10:32 | |
Angie didn't know who or how big the operation really is. | 1:10:38 | 1:10:43 | |
-He'd think he needs someone like you to take them out, huh? -And you don't? | 1:10:43 | 1:10:47 | |
You killed my sister, motherfucker! | 1:10:50 | 1:10:54 | |
If you want to kill me, just do it. | 1:10:58 | 1:11:00 | |
You need me, Max. | 1:11:01 | 1:11:02 | |
I have to meet Yoshiro at the volcano now. | 1:11:16 | 1:11:19 | |
Let's go and visit the volcano now. Come on, Max, let's go! | 1:11:27 | 1:11:30 | |
The fucking humans. | 1:11:36 | 1:11:37 | |
Fuck! | 1:11:49 | 1:11:50 | |
Give me your hand. | 1:12:09 | 1:12:10 | |
Argh! | 1:12:32 | 1:12:33 | |
Argh! | 1:13:43 | 1:13:44 | |
What's going on, brother? | 1:14:19 | 1:14:21 | |
Nothing, Max, nothing. | 1:14:22 | 1:14:24 | |
Argh! | 1:14:24 | 1:14:26 | |
I picked up their trail, Commissioner. | 1:14:58 | 1:15:00 | |
-'Subgroups three and four, engage primary target on east/west coordinates.' -In pursuit. | 1:15:00 | 1:15:05 | |
'Commissioner, team eight has lock on primary target.' | 1:15:11 | 1:15:15 | |
I think I've got him. It won't be long now. | 1:15:15 | 1:15:18 | |
Oof! | 1:15:25 | 1:15:26 | |
'Team eight report.' | 1:15:30 | 1:15:32 | |
My, we've got a lot of energy today, don't we, Alex? | 1:16:38 | 1:16:41 | |
What happened to our speed-loading junkie? | 1:16:41 | 1:16:43 | |
We're not the bad guys, Alex. | 1:16:45 | 1:16:47 | |
We just want what's right. | 1:16:47 | 1:16:50 | |
The humans treat us like things. | 1:16:50 | 1:16:53 | |
They fail to understand that we think, feel, care. | 1:16:53 | 1:16:56 | |
It's not our fault we're alive. | 1:16:56 | 1:16:59 | |
I don't understand why you would help them. | 1:16:59 | 1:17:02 | |
The humans will destroy themselves and this Earth. | 1:17:02 | 1:17:05 | |
They have no appreciation of what we have. | 1:17:05 | 1:17:08 | |
You're really more like us, Alex. | 1:17:09 | 1:17:11 | |
More machine than human. | 1:17:11 | 1:17:13 | |
Join us. | 1:17:14 | 1:17:15 | |
Never. | 1:17:17 | 1:17:19 | |
State of the fucking art, Alex! | 1:17:53 | 1:17:54 | |
The weapon! | 1:18:50 | 1:18:51 | |
Get in, Max! Come on! | 1:20:45 | 1:20:47 | |
Cargo bay! | 1:20:51 | 1:20:52 | |
What was that? | 1:22:02 | 1:22:03 | |
I... I don't know. | 1:22:03 | 1:22:05 | |
State of the art, Alex! | 1:22:12 | 1:22:14 | |
Give it up, Alex. | 1:22:25 | 1:22:27 | |
You're not human. You're one of us. | 1:22:40 | 1:22:42 | |
-Give me Jared. -Fuck you! | 1:22:44 | 1:22:47 | |
Alex, you can't win! | 1:22:53 | 1:22:56 | |
Jared belongs to us. | 1:22:56 | 1:22:57 | |
Hold on, Max! | 1:22:58 | 1:23:00 | |
You belong to us. | 1:23:02 | 1:23:04 | |
We own you. We paid for every part of you. | 1:23:08 | 1:23:11 | |
Then take it. It's yours, anyway! | 1:23:11 | 1:23:14 | |
No-o-o-o! | 1:23:19 | 1:23:22 | |
All right, this shouldn't take long. | 1:23:41 | 1:23:43 | |
OK. Here we go. | 1:23:46 | 1:23:49 | |
'Alex, are you there?' | 1:23:51 | 1:23:52 | |
I'm right here, Jared. | 1:23:52 | 1:23:55 | |
'So, you pulled it off.' | 1:23:55 | 1:23:59 | |
Even got rid of the bomb in my heart. | 1:23:59 | 1:24:03 | |
-We don't have much time for the download. -When I'm downloaded, | 1:24:03 | 1:24:07 | |
I'll lose my memory, | 1:24:07 | 1:24:11 | |
all my programming, | 1:24:11 | 1:24:13 | |
everything. | 1:24:13 | 1:24:14 | |
You'll only exist as pure data. | 1:24:14 | 1:24:16 | |
I will be dead? | 1:24:19 | 1:24:20 | |
In a sense, that's correct, but not like a human. | 1:24:20 | 1:24:23 | |
-Alex? -Yes, Jared? | 1:24:24 | 1:24:26 | |
Before I go, | 1:24:28 | 1:24:30 | |
Farnsworth asked me to tell you | 1:24:30 | 1:24:32 | |
he left a letter. It's at your old drop. | 1:24:32 | 1:24:37 | |
Are you crying, Alex? | 1:24:44 | 1:24:46 | |
You see? | 1:24:50 | 1:24:51 | |
You can care. | 1:24:53 | 1:24:54 | |
Goodbye, Alex. | 1:25:00 | 1:25:01 | |
Get me the hell out of here. | 1:25:03 | 1:25:05 | |
'It is over for me, but the struggle goes on to preserve the human impulse. | 1:25:10 | 1:25:17 | |
'Alex knows what has to be done. | 1:25:17 | 1:25:19 | |
'And he's the one to do it. | 1:25:19 | 1:25:21 | |
'I did my part. | 1:25:21 | 1:25:23 | |
'He is back. | 1:25:23 | 1:25:25 | |
'Now, there is hope.' | 1:25:25 | 1:25:27 | |
Having a bad day, Germaine? | 1:25:36 | 1:25:38 | |
It's not over, Alex. | 1:25:49 | 1:25:51 | |
There are many more of us. | 1:25:51 | 1:25:53 | |
More than you can terminate. | 1:25:53 | 1:25:55 | |
But I've been doing a pretty damn good job of it. | 1:25:55 | 1:25:59 | |
Haven't I, Germaine? | 1:25:59 | 1:26:00 | |
I don't believe this. | 1:26:00 | 1:26:02 | |
Amazing what a tech retard can do when he really puts his mind to it. | 1:26:02 | 1:26:07 | |
And that's what I've done. | 1:26:07 | 1:26:09 | |
I put my mind to it. | 1:26:09 | 1:26:10 | |
Let me go and I'll tell you what you need to know to find two more. | 1:26:13 | 1:26:16 | |
I don't think you have anything I want to know, Germaine. | 1:26:17 | 1:26:20 | |
Alex... Please? | 1:26:20 | 1:26:22 | |
You know, you were right about my dirty deals. | 1:26:22 | 1:26:26 | |
-Wh-what deals? -People die, Germaine. | 1:26:28 | 1:26:31 | |
Argh! | 1:26:34 | 1:26:36 | |
You see, Germaine... | 1:26:40 | 1:26:41 | |
When I pull it, I use it. | 1:26:41 | 1:26:45 | |
"Alex, by the time you read this, most likely I will be dead. | 1:26:54 | 1:26:58 | |
"If you are reading this, you know about the cyborg conspiracy that has somehow grown up around us. | 1:26:58 | 1:27:04 | |
"Jared and I have worked it out, to stop what we know of it. | 1:27:04 | 1:27:08 | |
"But to really end this terrible thing, you need someone quite remarkable. | 1:27:08 | 1:27:12 | |
"It needs you, Alex. | 1:27:12 | 1:27:15 | |
"I haven't been kind in my handling of you, but it's not a kind world, is it? | 1:27:15 | 1:27:20 | |
"Some of us just aren't meant to lead happy lives." | 1:27:20 | 1:27:23 | |
Ready, Alex-san? | 1:27:28 | 1:27:30 | |
Yeah, I'm ready now, Max. | 1:27:43 | 1:27:45 | |
So, where are we going to start, huh? | 1:27:45 | 1:27:48 | |
At the beginning. | 1:27:48 | 1:27:50 | |
Well, then that means we're going to New York. | 1:27:51 | 1:27:54 | |
Tell me something, Alex-san. | 1:27:55 | 1:27:57 | |
How are we going to get you through the airport metal detectors? | 1:27:57 | 1:28:00 | |
Piece by piece, Max. | 1:28:02 | 1:28:04 | |
It's a crazy time we live in, huh, Alex-san? | 1:28:06 | 1:28:08 | |
Subtitles by Red Bee Media Ltd | 1:28:39 | 1:28:42 | |
E-mail [email protected] | 1:28:42 | 1:28:45 |