Browse content similar to No Way Out. Check below for episodes and series from the same categories and more!
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This film contains very strong language. | 0:00:04 | 0:00:12 | |
No more. | 0:03:35 | 0:03:37 | |
Is that supposed to scare me? | 0:03:48 | 0:03:50 | |
-Don't be a wise-ass. -Just take it easy. | 0:03:50 | 0:03:53 | |
Commander Farrell is trying to lay it out for us. | 0:03:53 | 0:03:56 | |
Why don't you two guys just knock it off? | 0:03:56 | 0:03:58 | |
How did you actually meet the Secretary of Defense? | 0:03:58 | 0:04:01 | |
I was introduced to him by Pritchard. | 0:04:05 | 0:04:08 | |
I met him when I was in college. | 0:04:08 | 0:04:10 | |
-Pritchard? -Yeah, Scott Pritchard. | 0:04:10 | 0:04:12 | |
Jesus... | 0:04:12 | 0:04:14 | |
General Counsel for the Secretary of Defense. You got it? | 0:04:14 | 0:04:17 | |
You know this already. | 0:04:17 | 0:04:19 | |
When's he going to come out from behind here? | 0:04:30 | 0:04:33 | |
Good evening, sir. | 0:04:41 | 0:04:42 | |
Hi... | 0:04:46 | 0:04:48 | |
Thank you. | 0:04:59 | 0:05:00 | |
Lucky it's not a bullshit detector, else none of us would get in. | 0:05:08 | 0:05:11 | |
-How are you, Scott? -Hi, Tom. How are you? | 0:05:27 | 0:05:30 | |
-Fine. -You look great. -Thank you and thank you | 0:05:30 | 0:05:32 | |
for the invitation, I'm not used to hanging out in places like this. | 0:05:32 | 0:05:36 | |
But I suspect you'd like to? | 0:05:36 | 0:05:38 | |
I take it you'd like to join our staff? | 0:05:38 | 0:05:40 | |
That was the purpose of the note, wasn't it? | 0:05:40 | 0:05:43 | |
Well, it wasn't a note, it was a Christmas card and as I recall, the message was "Merry Christmas". | 0:05:43 | 0:05:48 | |
Yes. Thank you very much. | 0:05:48 | 0:05:50 | |
David, Scott is here. | 0:05:50 | 0:05:52 | |
Come on, I want to introduce you to someone. | 0:05:52 | 0:05:55 | |
Scott, how nice to see you. | 0:05:57 | 0:05:59 | |
Nice to see you. | 0:05:59 | 0:06:01 | |
-Scott, how are you? -Hello. | 0:06:01 | 0:06:03 | |
Secretary Brice, this is Commander Farrell... the officer I mentioned. | 0:06:03 | 0:06:07 | |
If you recall, he's had experience on the joint staff and naval intelligence. | 0:06:07 | 0:06:10 | |
Pleased to meet you, sir. Everyone I know is looking forward to serving under you for another term. | 0:06:10 | 0:06:14 | |
You must have a very limited acquaintanceship. | 0:06:14 | 0:06:16 | |
-Tom and I were at college together. -Good. | 0:06:16 | 0:06:19 | |
He has great warmth! | 0:06:21 | 0:06:23 | |
-He's a genius. -Oh? | 0:06:23 | 0:06:25 | |
The normal rules don't apply. | 0:06:25 | 0:06:28 | |
You know, some people think you're really the brains. | 0:06:28 | 0:06:32 | |
Do they? | 0:06:32 | 0:06:35 | |
Is that supposed to flatter me? | 0:06:35 | 0:06:37 | |
He's the most extraordinary person I've ever met in my life. | 0:06:37 | 0:06:40 | |
If it came to it, I'd lay down my life for him. | 0:06:40 | 0:06:43 | |
Is that a job requirement? | 0:06:43 | 0:06:45 | |
FANFARE PLAYS | 0:06:46 | 0:06:48 | |
BAND PLAYS "Hail To The Chief" | 0:06:51 | 0:06:55 | |
Ladies and gentlemen, it certainly was fantastic having the President here this evening. | 0:07:11 | 0:07:15 | |
I'm sure you'll all agree that we can look forward to a fine four years. | 0:07:15 | 0:07:19 | |
So let's continue to keep our inaugural hair down with some more music. Let's do it right now. | 0:07:19 | 0:07:23 | |
All right? Come on, yes! | 0:07:23 | 0:07:26 | |
All right! | 0:07:26 | 0:07:27 | |
# They're twistin' in Washington... # | 0:07:31 | 0:07:34 | |
Excuse me, do you have a light? | 0:07:52 | 0:07:54 | |
If you want to look down my dress, you should grow a few inches. | 0:07:57 | 0:08:01 | |
-Want to dance? -The twist? | 0:08:04 | 0:08:07 | |
No, thank you. | 0:08:07 | 0:08:09 | |
Well, we don't have to twist. | 0:08:09 | 0:08:11 | |
"No" meant "no". | 0:08:11 | 0:08:13 | |
-"No" wasn't a figure of speech? -No. | 0:08:13 | 0:08:16 | |
You're pretty impressed with me. | 0:08:17 | 0:08:19 | |
No. | 0:08:19 | 0:08:21 | |
Yes, you are. | 0:08:21 | 0:08:23 | |
Stoli, straight up. | 0:08:28 | 0:08:30 | |
-HE LAUGHS -So I was impressed. | 0:08:34 | 0:08:36 | |
-Yeah? Want a drink? -Same. | 0:08:36 | 0:08:39 | |
Make it two. | 0:08:39 | 0:08:40 | |
Are you one of them? | 0:08:40 | 0:08:43 | |
-One of who? -These hypocrites, all fat and shiny, | 0:08:43 | 0:08:47 | |
-gearing up for another four years of ramming it to the rest of us. Are you one of them? -No. | 0:08:47 | 0:08:52 | |
I'll bet you are. | 0:08:52 | 0:08:53 | |
You're pretty cynical. | 0:08:56 | 0:08:58 | |
Adequate to the occasion. | 0:08:58 | 0:09:00 | |
# She's acting shy looking for the answer... # | 0:09:02 | 0:09:05 | |
Oh... We have a potential nausea situation building here. | 0:09:05 | 0:09:09 | |
Let's get outta here. | 0:09:13 | 0:09:14 | |
My date's not going to like that much. | 0:09:14 | 0:09:18 | |
But what the hell? | 0:09:18 | 0:09:20 | |
His wife'll be delighted. | 0:09:20 | 0:09:22 | |
Is this something we should talk about? | 0:09:24 | 0:09:27 | |
Nope. | 0:09:27 | 0:09:28 | |
-Where would you like to go? -Show us the monuments. | 0:09:34 | 0:09:37 | |
# When I looked in your eyes | 0:09:47 | 0:09:50 | |
# I could see us together... | 0:09:52 | 0:09:55 | |
# Now I find myself here | 0:09:59 | 0:10:03 | |
# Just wondering whether... | 0:10:03 | 0:10:08 | |
# I should turn back and admit that this is wrong | 0:10:11 | 0:10:19 | |
# And go back where I belong... | 0:10:19 | 0:10:25 | |
# But there's no way out | 0:10:28 | 0:10:32 | |
# When I'm with you alone, we keep from revealing... # | 0:10:35 | 0:10:43 | |
-What's your name? -Bill. | 0:10:44 | 0:10:48 | |
How you doin', Bill? | 0:10:48 | 0:10:49 | |
You want to shut the slide? | 0:10:49 | 0:10:51 | |
-Ah, sure. -Sorry, Bill. | 0:10:51 | 0:10:54 | |
# But we're just fooling ourselves and we can't hold on to love... | 0:10:58 | 0:11:07 | |
# Any choice we had is gone... | 0:11:09 | 0:11:14 | |
# Plus there's no way out | 0:11:17 | 0:11:20 | |
-# We're just fooling ourselves -and we can't hold out too long | 0:11:42 | 0:11:49 | |
# Any chance we had is gone... | 0:11:51 | 0:11:57 | |
# Cos there's no way out... # | 0:11:58 | 0:12:02 | |
My name's Tom. | 0:12:09 | 0:12:10 | |
I'm Susan. | 0:12:15 | 0:12:17 | |
SHE LAUGHS | 0:12:18 | 0:12:20 | |
We're here. | 0:12:21 | 0:12:23 | |
-Is this your apartment? -No, I have a key to my apartment. | 0:12:27 | 0:12:31 | |
-It better be good. -We need your bed. | 0:12:31 | 0:12:33 | |
Nina, Tom. Tom, Nina. | 0:12:33 | 0:12:36 | |
There's a limousine downstairs, OK? | 0:12:36 | 0:12:38 | |
There's booze in my pantry, the refrigerator's full of food... | 0:12:38 | 0:12:41 | |
Susan, why don't you go to your own place? | 0:12:41 | 0:12:43 | |
Because it's... just one of those things, OK? | 0:12:43 | 0:12:46 | |
Be a friend. If anybody calls, then just tell them that I died or that I'm asleep or... | 0:12:46 | 0:12:52 | |
He won't call. I'll think of something. | 0:12:52 | 0:12:54 | |
-Here are the keys to my apartment. -I got to change into some clothes. | 0:12:54 | 0:12:56 | |
Everything you need is in back seat of the car, OK? | 0:12:56 | 0:12:58 | |
-You didn't do it?! -Hey! | 0:12:58 | 0:13:00 | |
You'd better beat it before I get arrested. | 0:13:00 | 0:13:03 | |
-Bye, Nina. -Nice meeting you, Tom. | 0:13:03 | 0:13:08 | |
Nice to meet you, Nina. | 0:13:09 | 0:13:11 | |
Move it. | 0:13:11 | 0:13:12 | |
-Get it out of here. -OK, asshole. | 0:13:16 | 0:13:18 | |
Hey, come on, folks. Break it up, OK? I got to make a living. Can we move it along? | 0:13:18 | 0:13:23 | |
The white zone is for loading and unloading passengers only. No parking. | 0:13:23 | 0:13:27 | |
Take care of yourself. | 0:13:40 | 0:13:43 | |
Send postcards from exotic ports of call. | 0:13:43 | 0:13:46 | |
That's what you call 'em, isn't it? Exotic ports of call? | 0:13:46 | 0:13:49 | |
A port's a port... You're exotic. | 0:13:49 | 0:13:53 | |
Bye... | 0:13:58 | 0:14:00 | |
Morning, Tommy. | 0:14:31 | 0:14:32 | |
A little bit early to be relieving me. | 0:14:32 | 0:14:34 | |
Well, I felt our motion change. | 0:14:34 | 0:14:36 | |
Have you set a forward lookout in this? | 0:14:38 | 0:14:40 | |
Yeah. Standing orders. | 0:14:40 | 0:14:41 | |
-Maybe you should inform the captain we're shipping water. -Right! | 0:14:43 | 0:14:47 | |
You want to be the one to wake him up? | 0:14:47 | 0:14:49 | |
We got a Russian sub out there. | 0:14:49 | 0:14:50 | |
We're supposed to catch up and stay with it. | 0:14:50 | 0:14:54 | |
Great. | 0:14:54 | 0:14:56 | |
-Give us a chance to try out the depth charges. -That'll be the day. | 0:14:56 | 0:15:00 | |
Uh-huh. The last one. | 0:15:00 | 0:15:01 | |
Forward watch is down. Forward watch is down, sir. | 0:15:01 | 0:15:04 | |
Forward watch is down, it's going to be swept over, sir! | 0:15:04 | 0:15:07 | |
-Put the spot on him. -Aye, sir! Where is he? -There he is. There. Hold on! | 0:15:11 | 0:15:15 | |
Has he got a safety line on? | 0:15:15 | 0:15:18 | |
-Tommy! -Send the rescue party, send the rescue party, now! | 0:15:19 | 0:15:23 | |
Help! | 0:15:25 | 0:15:28 | |
'Send the special rescue detail. | 0:15:28 | 0:15:30 | |
'Forward lookout down.' | 0:15:30 | 0:15:32 | |
Tommy, come back! Wait for the rescue party! | 0:15:32 | 0:15:34 | |
'Send the special rescue detail. Forward lookout down.' | 0:15:34 | 0:15:37 | |
-Help me! -Tommy, you don't have a safety line on! | 0:15:38 | 0:15:42 | |
-Keep the light on him. -I'm trying, sir. | 0:15:44 | 0:15:47 | |
HE CHOKES | 0:16:02 | 0:16:04 | |
Tommy! | 0:16:06 | 0:16:07 | |
Keep the light on him. | 0:16:14 | 0:16:16 | |
-It's too windy, sir. -Hold on! | 0:16:16 | 0:16:19 | |
Don't let him out of your sight. Jesus. | 0:16:19 | 0:16:22 | |
Help me... | 0:16:33 | 0:16:35 | |
All right. | 0:16:51 | 0:16:52 | |
-He's got him. -He's got him! | 0:17:00 | 0:17:03 | |
-You've seen the leak on the budget cuts. -I've read the papers. | 0:17:29 | 0:17:33 | |
-You're late. -I was caught in traffic. | 0:17:33 | 0:17:35 | |
You should allow for that, I do. | 0:17:35 | 0:17:36 | |
I've red-lined the relevant sections and my synopsis is at the end. | 0:17:36 | 0:17:40 | |
Order breakfast. Most important meal of the day. | 0:17:40 | 0:17:43 | |
You should take better care of yourself. | 0:17:43 | 0:17:45 | |
Five years, two billion dollars and Gulf Maritime can't even the prototype to float. | 0:17:46 | 0:17:52 | |
The Phantom sub is a sinkhole. | 0:17:52 | 0:17:54 | |
-I'm not puttin' another dime into it. -You're right, of course, but what | 0:17:54 | 0:17:58 | |
about the Armed Services Committee? Duvall? | 0:17:58 | 0:18:00 | |
One thing I'm looking forward to in this next four years is putting that fraud Duvall in his place. | 0:18:00 | 0:18:05 | |
He's right back there. | 0:18:06 | 0:18:08 | |
I know. Let's go. | 0:18:08 | 0:18:11 | |
Mr Secretary Brice. Good morning, sir. | 0:18:17 | 0:18:19 | |
Senator, how are you? Mr Marshall. | 0:18:19 | 0:18:22 | |
We've been having a little discussion about that piece on the budget in the paper. | 0:18:22 | 0:18:26 | |
-Did you read it, sir? -No, I haven't read the papers. | 0:18:26 | 0:18:28 | |
-Scott mentioned it to me. -Ah, Mr Pritchard. | 0:18:28 | 0:18:31 | |
Where in heaven's name do they get their information? | 0:18:31 | 0:18:35 | |
And that idea about cutting back on the Phantom sub. | 0:18:35 | 0:18:38 | |
It's essentially groundless. We were just going over our options on that. | 0:18:38 | 0:18:41 | |
Talking to Mr Marshall here, he tells me those Soviets are | 0:18:41 | 0:18:44 | |
doing things with submarines that'll turn your hair white. | 0:18:44 | 0:18:47 | |
Senator, you can rest assured I have no intention of making a decision on this without consulting you first. | 0:18:47 | 0:18:52 | |
Good day. | 0:18:52 | 0:18:54 | |
Good day, Senator. | 0:18:54 | 0:18:56 | |
You believe that? | 0:19:01 | 0:19:03 | |
No. | 0:19:03 | 0:19:05 | |
The car, please. | 0:19:08 | 0:19:09 | |
That business with Marshall... He was telling us if we fight him, he'll have the CIA on his side. | 0:19:10 | 0:19:15 | |
Of course. He pushed Marshall for the directorship. | 0:19:15 | 0:19:18 | |
-Scott, I'm sorry. Sometimes I'm short with you, I apologise. -That's not necessary. | 0:19:18 | 0:19:22 | |
Several months ago you introduced me to a friend of yours, an officer... | 0:19:22 | 0:19:26 | |
-Commander Farrell? -Right. He has a background in intelligence? | 0:19:26 | 0:19:29 | |
Two tours with naval intelligence. | 0:19:29 | 0:19:31 | |
We could use a hero. Get him here, will you? | 0:19:31 | 0:19:34 | |
-His ship's in Manila. -Just do it, please. | 0:19:36 | 0:19:38 | |
-No, no, no. -Come here. Come here. | 0:19:40 | 0:19:44 | |
You want a real hero. See? Come on! | 0:19:44 | 0:19:47 | |
Gates, try to remember you're an officer. | 0:19:49 | 0:19:51 | |
-You're making it hard on me. -You're making it hard on me! You're digging up beaver all day. | 0:19:51 | 0:19:55 | |
You know what I'm talking about, man. | 0:19:55 | 0:19:56 | |
-You deserve the damn medal. -I carry? | 0:19:56 | 0:19:58 | |
If you jump me for promotion, I'll kill you, your family, your pig... | 0:19:58 | 0:20:03 | |
-I carry. -What? You carry me? | 0:20:03 | 0:20:05 | |
-No, the bag. -I speak Filipino. Beat it, kid. | 0:20:05 | 0:20:07 | |
-No. He's gotta make a living. -I carry. | 0:20:07 | 0:20:09 | |
-Don't run. -He's going to run. -If you run, I knock dog doo-doo out of you. | 0:20:09 | 0:20:13 | |
He's running! | 0:20:13 | 0:20:14 | |
THEY LAUGH | 0:20:14 | 0:20:16 | |
John, forget it. | 0:20:18 | 0:20:20 | |
No, let him go, let him go. So what? | 0:20:22 | 0:20:24 | |
He's got a toothbrush and a pair of skivvies. So what? | 0:20:24 | 0:20:28 | |
OK. So what do we do now? | 0:20:28 | 0:20:29 | |
I don't know. I thought I'd go buy some ashtrays and take in some of the local folk dancing. | 0:20:31 | 0:20:37 | |
-Folk dancing?! -Yeah! | 0:20:37 | 0:20:40 | |
Whoo! # Wild thing! You make my heart sing... # | 0:20:44 | 0:20:49 | |
No! You know, when you only pay if you talk to the person. | 0:20:49 | 0:20:53 | |
Shut up. Just shut up! ..No, not you. | 0:20:53 | 0:20:56 | |
No, I will pay, but first I have to know if she's there. | 0:20:56 | 0:21:00 | |
If I'm going to count out a million pesos, I need to know that she's there. | 0:21:04 | 0:21:09 | |
Yes! | 0:21:09 | 0:21:11 | |
Hey, that's my money. That's my money. Go get it! | 0:21:11 | 0:21:15 | |
Go get it. | 0:21:15 | 0:21:17 | |
No, I'm not joking. I'm an American. | 0:21:20 | 0:21:23 | |
PHONE RINGS | 0:21:23 | 0:21:25 | |
-Hello? -Yes! Tell her I'll take it. | 0:21:27 | 0:21:30 | |
I'm putting my money in now. | 0:21:30 | 0:21:32 | |
'Susan? | 0:21:32 | 0:21:34 | |
'Susan!' | 0:21:34 | 0:21:36 | |
Tommy! | 0:21:36 | 0:21:38 | |
Shut up. Was I just disconnected? | 0:21:38 | 0:21:40 | |
-What? -I'm going to show them... | 0:21:40 | 0:21:43 | |
I'm going to show them how an American plants the flag in a foreign fucking land. | 0:21:43 | 0:21:48 | |
Yes! | 0:21:48 | 0:21:49 | |
Can I get a beer, please? I'd like another beer. | 0:21:53 | 0:21:56 | |
Wild thing! CHEERING | 0:21:56 | 0:21:59 | |
You're beautiful. | 0:22:10 | 0:22:13 | |
-Hey, thanks. -Keep it. | 0:22:28 | 0:22:30 | |
Thank you. | 0:22:30 | 0:22:31 | |
Hello, Tom. Welcome back. | 0:22:45 | 0:22:47 | |
I've some mail for you. Come in. | 0:22:47 | 0:22:48 | |
The Philippines a romantic place, huh? I painted a new painting. | 0:22:52 | 0:22:57 | |
Christmas in New England. | 0:22:57 | 0:22:59 | |
It's beautiful. | 0:22:59 | 0:23:01 | |
You really like it? | 0:23:01 | 0:23:03 | |
Well, it's unfinished. | 0:23:03 | 0:23:05 | |
Will you be with us for a while? | 0:23:05 | 0:23:07 | |
Yes, I'll be working in the Pentagon again. Thank you. | 0:23:09 | 0:23:12 | |
Great, wonderful. It's always a pleasure to have you back. | 0:23:12 | 0:23:15 | |
BUZZER | 0:23:15 | 0:23:16 | |
Oh, my God! | 0:23:18 | 0:23:20 | |
Hello. | 0:23:20 | 0:23:23 | |
The Ancient Mariner. | 0:23:23 | 0:23:24 | |
Not so ancient. | 0:23:24 | 0:23:26 | |
I'm wasted! | 0:23:31 | 0:23:33 | |
HE LAUGHS | 0:23:33 | 0:23:36 | |
I'm so happy to see you. | 0:23:39 | 0:23:41 | |
When did you get back and why didn't you call me? | 0:23:41 | 0:23:44 | |
-I did call you. -I wrote you. | 0:23:44 | 0:23:45 | |
But I'm only like, semiliterate, so it was wastebasket time. | 0:23:45 | 0:23:49 | |
If you caught gonorrhoea, I'll kill you. | 0:23:49 | 0:23:51 | |
I'm wearing too many clothes. | 0:24:01 | 0:24:03 | |
It doesn't feel like you're wearing anything. | 0:24:03 | 0:24:05 | |
Talk about feeling like it's not wearing anything... | 0:24:05 | 0:24:08 | |
-You're going to blush. -You are a very bad girl. | 0:24:12 | 0:24:14 | |
PHONE RINGS Hold it! | 0:24:14 | 0:24:17 | |
I mean the blush. | 0:24:17 | 0:24:19 | |
God, I'm so embarrassed. | 0:24:19 | 0:24:22 | |
What are you doin'? | 0:24:22 | 0:24:24 | |
I want to get a picture of this. | 0:24:24 | 0:24:25 | |
-No! No pictures. -Naval hero blushes. Come on, Farrell, you're proud. | 0:24:25 | 0:24:29 | |
I'm not proud. I'm serious... | 0:24:29 | 0:24:32 | |
Don't take a picture of me. | 0:24:32 | 0:24:34 | |
Come on... | 0:24:34 | 0:24:36 | |
-Give me that. -You jiggled the camera. | 0:24:37 | 0:24:40 | |
You pervert. | 0:24:42 | 0:24:43 | |
SHE LAUGHS | 0:24:43 | 0:24:45 | |
I think I did this way too early. | 0:24:51 | 0:24:54 | |
Looks like a baboon in a closet at midnight. | 0:24:55 | 0:24:58 | |
Good morning, Mr Pritchard. Go right in. | 0:25:32 | 0:25:34 | |
-May I take your hat, sir? -Thank you. | 0:25:34 | 0:25:36 | |
Commander. | 0:25:42 | 0:25:45 | |
-Glad to have you with us. -Nice to be here. Thank you, sir. | 0:25:45 | 0:25:48 | |
Scott has a very high opinion of you. | 0:25:48 | 0:25:50 | |
-Are you familiar with your new duties? -No, sir. | 0:25:50 | 0:25:53 | |
Well then, this meeting is premature, isn't it? | 0:25:53 | 0:25:56 | |
Tom only arrived in Washington yesterday, sir. | 0:25:56 | 0:25:59 | |
Well, since you're here... | 0:25:59 | 0:26:01 | |
As my assistant, you'll function as liaison, under Scott's supervision, | 0:26:01 | 0:26:05 | |
between this office and the intelligence community. | 0:26:05 | 0:26:08 | |
Calling that collection of piranhas a community is ironic. | 0:26:10 | 0:26:13 | |
You'll meet regularly with a representative from each of the agencies, | 0:26:13 | 0:26:16 | |
but for now, I am primarily concerned with the CIA. | 0:26:16 | 0:26:19 | |
Sir? | 0:26:19 | 0:26:21 | |
Are you aware of the Phantom submarine? | 0:26:21 | 0:26:23 | |
-Yes, sir. -Have a seat. | 0:26:23 | 0:26:26 | |
Thank you. | 0:26:26 | 0:26:27 | |
The Phantom submarine is meant to be invisible to sonar. | 0:26:27 | 0:26:30 | |
Naturally, the builder's first instinct... | 0:26:30 | 0:26:33 | |
I should say his second instinct, | 0:26:33 | 0:26:35 | |
his first being to get his snout as deeply as possible into the public trough. | 0:26:35 | 0:26:39 | |
Anyway, they wanna build a submarine roughly the size of an aircraft carrier. | 0:26:39 | 0:26:44 | |
The Russians won't need sonar to find it, | 0:26:44 | 0:26:46 | |
they'll just see this bulge in the ocean. It's my plan to terminate this programme. | 0:26:46 | 0:26:51 | |
There'll be considerable Congressional resistance, principally from Senator Duvall. | 0:26:51 | 0:26:55 | |
-PHONE RINGS Excuse me. Scott. -What's worrying is his connection to the CIA. | 0:26:55 | 0:27:00 | |
We can expect them to feed him with inflated estimates of Soviet research in the field. | 0:27:00 | 0:27:05 | |
-To counter him, we need the same information. -Not some self-serving gloss, | 0:27:05 | 0:27:09 | |
but the raw data that they base their conclusions on. | 0:27:09 | 0:27:12 | |
-Your job is to get it. -Yes, sir. | 0:27:12 | 0:27:14 | |
But raw data from the CIA... | 0:27:14 | 0:27:16 | |
My experience at ONI... | 0:27:16 | 0:27:17 | |
They'll either give it to us or they won't. | 0:27:17 | 0:27:20 | |
If they do, it'll prove I'm correct. | 0:27:20 | 0:27:21 | |
If they do not, I will use that fact against them with the President. | 0:27:21 | 0:27:24 | |
-You realise I'm speaking in complete candour. -Yes, sir. | 0:27:24 | 0:27:28 | |
Senator Duvall... Senator Duvall is motivated by this absurd lust... Sit down. | 0:27:29 | 0:27:36 | |
This absurd lust for power. | 0:27:36 | 0:27:39 | |
Now, this would be comic if it wasn't so damn dangerous. | 0:27:39 | 0:27:42 | |
Marshall at the CIA is his... | 0:27:42 | 0:27:45 | |
creature. | 0:27:45 | 0:27:47 | |
You, as a career officer, are above this political unpleasantness. | 0:27:47 | 0:27:50 | |
-That's why I chose you. -Yes, sir. | 0:27:50 | 0:27:52 | |
-Go and acquaint yourself with the background. -Yes, sir. -Let's cut the protocol. | 0:27:52 | 0:27:56 | |
In the absence of a demur, I'll assume all your responses are in the affirmative. | 0:27:56 | 0:28:01 | |
Lorraine, get my wife on the phone, please... | 0:28:03 | 0:28:06 | |
I think he likes you. | 0:28:08 | 0:28:09 | |
This is the situation room. | 0:28:12 | 0:28:15 | |
And right this way, sir, is the computer centre. | 0:28:15 | 0:28:18 | |
Did I mention, sir, that I'm very pleased to be working for you? | 0:28:20 | 0:28:24 | |
This is a Sperry 9080. | 0:28:24 | 0:28:26 | |
All the terminals in this room are for it. | 0:28:26 | 0:28:28 | |
It interfaces with the IBM 370s at NSA headquarters in Fort Meade. | 0:28:28 | 0:28:31 | |
It works programs for COM-SEC, SIGINT, personnel command, the Bureau of Alcohol and Fire... | 0:28:31 | 0:28:36 | |
I get your gist. | 0:28:36 | 0:28:37 | |
That's Dr Hesselman, the systems analyst. Let me... | 0:28:37 | 0:28:40 | |
I know who it is. Sam Hesselman. | 0:28:40 | 0:28:42 | |
Good to see you. Why didn't you call me when you got into town? | 0:28:42 | 0:28:45 | |
I don't know. Why didn't we call? | 0:28:45 | 0:28:47 | |
Sir? | 0:28:47 | 0:28:49 | |
It's good to see you, Tom. You look great. Come on in the office. | 0:28:50 | 0:28:54 | |
-Mr Fox, take a break. -Yes, sir. -Are you back here for good? | 0:28:54 | 0:28:57 | |
I don't know about for good when I'm stationed here again. | 0:28:57 | 0:29:00 | |
-How the hell are you? -Can't complain. | 0:29:00 | 0:29:03 | |
Helen and the kids ask about you. | 0:29:03 | 0:29:05 | |
-Good. -The kids loved the ashtray. | 0:29:05 | 0:29:08 | |
They didn't know a donkey could do that. | 0:29:08 | 0:29:10 | |
Tom, this is Kevin O'Brien of the CIA. | 0:29:18 | 0:29:22 | |
I've explained that you're taking over liaison. Kevin will be your contact. | 0:29:22 | 0:29:26 | |
If there's anything I can do to help you, let me know. | 0:29:26 | 0:29:28 | |
Right now I'm just getting my feet wet trying to catch up. | 0:29:28 | 0:29:32 | |
I assumed that because you didn't wanna wait until the meeting... | 0:29:32 | 0:29:35 | |
I'm certain that there are questions that Commander Farrell must have. | 0:29:35 | 0:29:39 | |
No. I'm not sufficiently prepared to ask anything. I wouldn't wanna waste your time. | 0:29:39 | 0:29:44 | |
Well, gentlemen, if you'll excuse me. | 0:29:44 | 0:29:47 | |
Maybe there is one thing, Kevin. | 0:29:47 | 0:29:49 | |
The secretary asked me to help him prepare for the NATO meeting. | 0:29:49 | 0:29:52 | |
I'd like to familiarise myself with the Russian intelligence estimates. | 0:29:52 | 0:29:56 | |
We submit a report on the first of the month. | 0:29:56 | 0:29:58 | |
It'd be a big help if you could send what you have as of now. | 0:29:58 | 0:30:02 | |
-Sure, I'll have them put something together for you. -I'd appreciate it very much. -Don't mention it. | 0:30:02 | 0:30:07 | |
That was deftly handled. | 0:30:12 | 0:30:15 | |
For a moment there I thought... | 0:30:15 | 0:30:17 | |
Just trying to be subtle. | 0:30:17 | 0:30:19 | |
It's my job, isn't it? | 0:30:19 | 0:30:21 | |
Was this a present? | 0:30:40 | 0:30:42 | |
Yeah. | 0:30:42 | 0:30:44 | |
-He gave it to me. -Oh? He has expensive taste, this guy. | 0:30:44 | 0:30:49 | |
Didn't cost anything. | 0:30:49 | 0:30:51 | |
Some foreign minister gave it to him. | 0:30:51 | 0:30:55 | |
So in other words we're dealing with a guy foreign ministers give presents to? | 0:30:55 | 0:31:00 | |
Don't start that stuff. | 0:31:00 | 0:31:02 | |
I didn't say anything. | 0:31:02 | 0:31:04 | |
You don't have to say anything. | 0:31:04 | 0:31:06 | |
You never say a word. | 0:31:06 | 0:31:08 | |
I thought I wasn't supposed to. | 0:31:10 | 0:31:12 | |
You know what I mean. | 0:31:12 | 0:31:14 | |
You get that wounded, disapproving look on your face. | 0:31:14 | 0:31:19 | |
Ask me a question and I'll answer it. | 0:31:19 | 0:31:22 | |
It's David Brice, secretary of defence. Satisfied? | 0:31:29 | 0:31:32 | |
You know I work for Brice? | 0:31:38 | 0:31:40 | |
That makes two of us. | 0:31:41 | 0:31:43 | |
-Did you take care of everything? -Yes. | 0:31:45 | 0:31:48 | |
I'm supposed to pick Miss Atwell up at eight, if she remembers. | 0:31:48 | 0:31:52 | |
You don't approve of Susan, do you? | 0:31:52 | 0:31:54 | |
Sir? | 0:31:54 | 0:31:56 | |
She's a very bright and exciting woman. Can't you understand that? | 0:31:56 | 0:31:59 | |
Not exactly, I guess. | 0:31:59 | 0:32:01 | |
All right, I'm a pain in the ass. | 0:32:03 | 0:32:05 | |
But this one can do things for me like no other woman I've ever met. | 0:32:05 | 0:32:09 | |
It's the only other thing worth living for. | 0:32:12 | 0:32:15 | |
What is the big deal about tonight? | 0:32:19 | 0:32:22 | |
He likes to see me in public. | 0:32:22 | 0:32:24 | |
So what does he get? A secret hard-on? | 0:32:24 | 0:32:27 | |
Try and understand. | 0:32:27 | 0:32:30 | |
-I'll call you later tonight. -I'll wait by the phone. | 0:32:30 | 0:32:33 | |
-Hello, Scott. -Miss Atwell. | 0:32:39 | 0:32:41 | |
APPLAUSE | 0:33:20 | 0:33:24 | |
Two white wines, please. | 0:33:25 | 0:33:27 | |
Mr Brice. | 0:33:27 | 0:33:28 | |
Mr Marshall and I have been having a little debate on government service. | 0:33:28 | 0:33:34 | |
Now, I claim that the fella with the appointed job... | 0:33:34 | 0:33:38 | |
Well, he sorta comes and he goes at the pleasure of this or that administration. | 0:33:38 | 0:33:43 | |
He sorta blows in the wind, whereas the elected official, well, he serves the people directly. | 0:33:43 | 0:33:50 | |
He has to be more responsible. | 0:33:50 | 0:33:53 | |
What do you think, Mr Secretary? | 0:33:53 | 0:33:56 | |
Senator Duvall, | 0:33:56 | 0:33:57 | |
I think it's getting very late. | 0:33:57 | 0:33:59 | |
Thank you. | 0:34:07 | 0:34:08 | |
Who's that man licking Duvall's ear? I recognise him. | 0:34:17 | 0:34:21 | |
I would hope so. That's Marshall. | 0:34:21 | 0:34:23 | |
He's the director of the CIA. | 0:34:23 | 0:34:25 | |
You would hope so. | 0:34:25 | 0:34:27 | |
No, thank you. | 0:34:36 | 0:34:38 | |
Commander. | 0:34:50 | 0:34:53 | |
-So nice you could make it. -Thank you, sir. | 0:34:53 | 0:34:55 | |
APPLAUSE | 0:35:03 | 0:35:05 | |
Ladies and gentlemen... | 0:35:05 | 0:35:06 | |
Ladies and gentlemen. | 0:35:07 | 0:35:08 | |
It's good of you to come and help us celebrate our national day. | 0:35:08 | 0:35:12 | |
After all, we're a small country, far away. | 0:35:12 | 0:35:15 | |
We've got a little entertainment for you this evening, which I'm sure you're going to enjoy. | 0:35:15 | 0:35:21 | |
APPLAUSE | 0:35:21 | 0:35:24 | |
THEY CHANT | 0:35:26 | 0:35:27 | |
I'll be right back. | 0:35:29 | 0:35:30 | |
-Hi. -Hi. | 0:36:04 | 0:36:06 | |
You're going away? | 0:36:06 | 0:36:09 | |
-Just for the weekend. -Perhaps a romantic interlude, yes? | 0:36:09 | 0:36:12 | |
-Perhaps. -If I intrude on your privacy, for this I am sorry. | 0:36:12 | 0:36:17 | |
"It's not just a job. It's an adventure." | 0:36:20 | 0:36:22 | |
# Wont you say it? | 0:36:24 | 0:36:26 | |
# Tell me that this love Will never die | 0:36:26 | 0:36:30 | |
# Won't you say it? | 0:36:32 | 0:36:34 | |
# Promise me you'll never say goodbye | 0:36:36 | 0:36:40 | |
# Wont you say it...# | 0:36:40 | 0:36:43 | |
What are you eating? You're eating bugs? | 0:36:43 | 0:36:46 | |
I gotta have another one. | 0:36:46 | 0:36:48 | |
Oh, ew! | 0:36:48 | 0:36:50 | |
There you go. | 0:36:50 | 0:36:52 | |
That is really disgusting. | 0:36:52 | 0:36:54 | |
I love Tom Farrell! | 0:36:59 | 0:37:02 | |
Yes, I do. Yes, I do. Yes, I do. | 0:37:02 | 0:37:06 | |
Hold on. Woo! | 0:37:07 | 0:37:09 | |
Thank you. | 0:37:22 | 0:37:23 | |
-Thank you very much, sir. -I want you to take care of us, OK? | 0:37:33 | 0:37:36 | |
I will. You guys newlyweds? | 0:37:36 | 0:37:38 | |
-You can go. -Thank you. | 0:37:38 | 0:37:40 | |
You're beautiful. | 0:37:42 | 0:37:44 | |
Mr and Mrs Smith? | 0:37:44 | 0:37:45 | |
A romantic gesture. | 0:37:45 | 0:37:46 | |
Very original. | 0:37:48 | 0:37:51 | |
I spelt it with a Y. | 0:37:51 | 0:37:52 | |
-Hi. -Hey there. | 0:38:03 | 0:38:06 | |
We wanna rent a boat. | 0:38:06 | 0:38:08 | |
20 bucks an hour. Take your pick. | 0:38:09 | 0:38:11 | |
That's all right, but we don't want a plastic toy. We want something like this. | 0:38:11 | 0:38:16 | |
-No, no. -Why not? | 0:38:16 | 0:38:18 | |
That's my boss's boat. It ain't for rent. | 0:38:18 | 0:38:20 | |
Well, I want it. | 0:38:20 | 0:38:22 | |
Don't do this. | 0:38:24 | 0:38:26 | |
You're bad. | 0:38:26 | 0:38:28 | |
You know what you're doin'? It's gustin' like a son of a bitch out there. | 0:38:28 | 0:38:32 | |
One more. | 0:38:32 | 0:38:33 | |
God, I wish the Navy was still like this. | 0:38:46 | 0:38:49 | |
Let's get ready. We'll come about. | 0:38:52 | 0:38:54 | |
Wooh! | 0:38:57 | 0:38:59 | |
Give me a kiss. | 0:39:00 | 0:39:01 | |
OK. We're gonna come over here. Let me get it off. | 0:39:03 | 0:39:06 | |
-Ready? -No, not yet. OK, whenever you are. -OK. I'm ready. | 0:39:06 | 0:39:11 | |
-Say, "Helm's alee". -Helm's alee! -Good. | 0:39:11 | 0:39:14 | |
-Yeah! -Yeah! | 0:39:21 | 0:39:22 | |
PHONE RINGS | 0:39:48 | 0:39:51 | |
Hello. | 0:39:59 | 0:40:00 | |
Oh, hi, Nina. | 0:40:00 | 0:40:02 | |
Tom and I just got back this minute. | 0:40:02 | 0:40:04 | |
OK. | 0:40:08 | 0:40:10 | |
Yeah. | 0:40:10 | 0:40:12 | |
Can I call you later? | 0:40:12 | 0:40:14 | |
OK. | 0:40:15 | 0:40:17 | |
Bye. | 0:40:19 | 0:40:20 | |
Well, it didn't take him long, did it? | 0:40:22 | 0:40:26 | |
-That was Nina, so don't. -Don't what? | 0:40:26 | 0:40:31 | |
Oh! | 0:40:32 | 0:40:34 | |
Oh, no. | 0:41:09 | 0:41:10 | |
Tom... David's here. Oh, my God. | 0:41:10 | 0:41:14 | |
I'm begging you. Just go now out the back door. | 0:41:16 | 0:41:19 | |
I'm sorry. Just... | 0:41:19 | 0:41:21 | |
When I go, it'll be through the front door. | 0:41:21 | 0:41:23 | |
As a favour to me, just this one time. Please. Please go. | 0:41:25 | 0:41:30 | |
I promise I'll work everything out, all right? | 0:41:30 | 0:41:33 | |
Tom, please. | 0:41:33 | 0:41:36 | |
Why don't you fucking go down and beg him not to come in? | 0:41:36 | 0:41:39 | |
You want me to say it? I'll say it. | 0:41:42 | 0:41:45 | |
Tom! | 0:41:48 | 0:41:49 | |
I'll leave him. I promise I will. | 0:41:50 | 0:41:52 | |
I'll leave him. | 0:41:52 | 0:41:54 | |
I love you. | 0:41:54 | 0:41:55 | |
You've been out of town. | 0:42:44 | 0:42:46 | |
And you have a pleasant flush. | 0:42:49 | 0:42:52 | |
-I got some sun. -Oh? How nice. | 0:42:52 | 0:42:54 | |
And with whom did you get this sun? | 0:42:54 | 0:42:56 | |
-What? -"What?" I said who were you with this weekend? | 0:42:56 | 0:43:00 | |
Nobody. | 0:43:00 | 0:43:02 | |
Well, I find that hard to believe, that you'd go away completely alone. | 0:43:04 | 0:43:08 | |
I didn't say I was completely alone. | 0:43:08 | 0:43:11 | |
You said you weren't with anybody. | 0:43:11 | 0:43:13 | |
I mean nobody you know. | 0:43:15 | 0:43:18 | |
I know a great many people. | 0:43:18 | 0:43:20 | |
How can you be certain it's somebody I don't know? | 0:43:20 | 0:43:23 | |
You want a drink? | 0:43:26 | 0:43:29 | |
He's a man I know. | 0:43:31 | 0:43:33 | |
It's of no importance. | 0:43:35 | 0:43:37 | |
I'm sure it's of no importance to you whom you sleep with, but it's of considerable importance to me. | 0:43:40 | 0:43:46 | |
Why worry? There's plenty left. | 0:43:46 | 0:43:47 | |
Get out of here, you bastard. Get out! | 0:43:49 | 0:43:51 | |
I'm calling the police. Get out! | 0:43:51 | 0:43:53 | |
I wanna know who it was. | 0:43:54 | 0:43:56 | |
Listen to me, goddamn it. | 0:43:59 | 0:44:01 | |
-I pay the rent. -Get out of here. | 0:44:01 | 0:44:04 | |
All right. Wait a minute. | 0:44:05 | 0:44:07 | |
I'm sorry I slapped you, all right? | 0:44:09 | 0:44:11 | |
Get out of here. | 0:44:11 | 0:44:14 | |
No! Dammit... | 0:44:14 | 0:44:17 | |
-Listen, you tell me who... -No. -Tell me who it is! | 0:44:17 | 0:44:20 | |
He's not a pig like you! | 0:44:20 | 0:44:22 | |
Aargh! | 0:44:24 | 0:44:26 | |
Susan! | 0:44:33 | 0:44:34 | |
KNOCKING | 0:44:42 | 0:44:44 | |
David. | 0:44:49 | 0:44:50 | |
What's the matter? | 0:44:50 | 0:44:52 | |
I think I killed Susan. | 0:44:58 | 0:45:00 | |
What happened? | 0:45:04 | 0:45:05 | |
I killed her. | 0:45:05 | 0:45:06 | |
-I just needed someone to talk to before I go to the police. -Sit down. | 0:45:11 | 0:45:15 | |
Sit down. | 0:45:15 | 0:45:16 | |
It was an accident. I didn't mean to... | 0:45:18 | 0:45:21 | |
She was with some man and I just must have gone crazy. | 0:45:21 | 0:45:24 | |
The man was there? | 0:45:26 | 0:45:28 | |
He saw you? | 0:45:28 | 0:45:29 | |
He saw me go in, yeah. | 0:45:33 | 0:45:35 | |
Who is he? | 0:45:36 | 0:45:38 | |
It was dark. | 0:45:40 | 0:45:43 | |
Then maybe he didn't see you. | 0:45:43 | 0:45:45 | |
I parked my car. I stood under the light. | 0:45:46 | 0:45:50 | |
He saw me. | 0:45:50 | 0:45:52 | |
He saw me. | 0:45:53 | 0:45:55 | |
PHONE BEEPS | 0:46:07 | 0:46:08 | |
PHONE RINGS | 0:46:37 | 0:46:43 | |
'Hi. I can't come to the phone, but when you hear the beep, tell me everything.' | 0:46:48 | 0:46:53 | |
Did she ever photograph you? | 0:47:09 | 0:47:11 | |
No. | 0:47:11 | 0:47:13 | |
This is a negative side of a Polaroid. I found it under the bed. | 0:47:16 | 0:47:19 | |
Are you absolutely certain? | 0:47:19 | 0:47:21 | |
I'm certain. I'm not that big a fool. | 0:47:21 | 0:47:25 | |
Then we have to find the man who saw you. | 0:47:25 | 0:47:27 | |
What if... | 0:47:31 | 0:47:33 | |
the search for this man was of vital national security? | 0:47:33 | 0:47:37 | |
A secret operation that we could control. | 0:47:37 | 0:47:40 | |
It won't hold up to scrutiny. | 0:47:41 | 0:47:43 | |
We'll invent an excuse that can be justified. | 0:47:43 | 0:47:45 | |
-The important thing is to abort an investigation of Susan's death before it ever gets to you. -No. | 0:47:45 | 0:47:51 | |
It's a house of cards. | 0:47:51 | 0:47:53 | |
-There is no Yuri. -It doesn't matter. | 0:47:53 | 0:47:56 | |
All the intelligence agencies believe that there's a mole in the defence department. | 0:47:56 | 0:48:01 | |
You know the theory. | 0:48:01 | 0:48:03 | |
That Yuri was sent here by the KGB while he was still in his teens, | 0:48:03 | 0:48:07 | |
and for all intents and purposes he can pass as an American. | 0:48:07 | 0:48:10 | |
They've been talking about that for four years. | 0:48:10 | 0:48:12 | |
It's the CIA's wet dream. There's never been a shred of evidence. | 0:48:12 | 0:48:16 | |
But now there is. | 0:48:16 | 0:48:18 | |
He was the man who spent the weekend with Susan. | 0:48:18 | 0:48:22 | |
He was the man who killed her. | 0:48:22 | 0:48:24 | |
Lorraine, would you ask CID to get all the material on Yuri and then bring it into the secretary | 0:48:30 | 0:48:37 | |
as soon as possible? | 0:48:37 | 0:48:38 | |
Thank you. | 0:48:38 | 0:48:40 | |
I don't think we can bring this off. | 0:48:40 | 0:48:43 | |
You can. | 0:48:43 | 0:48:44 | |
Good morning, Major. | 0:48:55 | 0:48:57 | |
-Morning. -Thank you. | 0:48:57 | 0:48:59 | |
If military intelligence can catch this KGB agent without outside assistance, | 0:49:03 | 0:49:08 | |
it will immeasurably strengthen us against the CIA. Thank you. | 0:49:08 | 0:49:11 | |
This has to move like lightning, we have to finish before anyone gets on to what we're doing. | 0:49:11 | 0:49:16 | |
Assume control of the investigation. | 0:49:16 | 0:49:19 | |
Responsibility is consonant with your office. | 0:49:19 | 0:49:21 | |
I have implicit trust in you to keep this under wraps. | 0:49:21 | 0:49:24 | |
You're to report to me or to Secretary Brice only. | 0:49:24 | 0:49:28 | |
-I will remain here around the clock. -What do the Washington police know? | 0:49:28 | 0:49:31 | |
They haven't been informed. CID has taken the body to Fort Meade. | 0:49:31 | 0:49:35 | |
-If we go looking for a Russian spy without the FBI or the CIA, it's gonna raise hell. -That's my problem. | 0:49:37 | 0:49:42 | |
Well, what do we have on the dead woman? | 0:49:47 | 0:49:49 | |
It's through Yuri's association with this woman that we'll be able to find him. | 0:49:51 | 0:49:55 | |
Here's everything we know about her for the moment. | 0:49:55 | 0:49:57 | |
It looks like he spent the weekend with her somewhere. | 0:49:59 | 0:50:02 | |
He brought her home and killed her around midnight. | 0:50:02 | 0:50:05 | |
I'm counting on it not being too hard to find out where they'd been. | 0:50:05 | 0:50:08 | |
Tom? | 0:50:16 | 0:50:18 | |
-Yeah... Yes. -I'm certain the investigation will... | 0:50:20 | 0:50:23 | |
Will you excuse me? | 0:50:23 | 0:50:24 | |
-Commander Farrell, are we boring you? -No, sir. May I? | 0:50:26 | 0:50:30 | |
We can't even convince our own people, for Christ sakes. | 0:50:49 | 0:50:52 | |
It's all right. | 0:50:52 | 0:50:54 | |
Get Donovan in here. | 0:51:26 | 0:51:27 | |
Commander, if you please. | 0:51:27 | 0:51:30 | |
Commander? | 0:51:45 | 0:51:46 | |
This is Major Donovan of the criminal investigation division. | 0:51:48 | 0:51:51 | |
-His men will conduct the investigation, subject to your orders. -Major. | 0:51:51 | 0:51:55 | |
We're set up down in the situation room, Commander. | 0:51:55 | 0:51:58 | |
We have to have a front man. | 0:52:12 | 0:52:14 | |
They're autopsying the body now. | 0:52:21 | 0:52:23 | |
-I wanna see her apartment. -I don't think that'll be necessary. | 0:52:23 | 0:52:25 | |
Maybe not, but I want to. | 0:52:25 | 0:52:28 | |
-They're autopsying the body now. -Good. | 0:52:28 | 0:52:30 | |
Scott, I wanna see her apartment first hand. | 0:52:30 | 0:52:32 | |
-Mr Pritchard... -CID will do a better job. It's important that you remain here. | 0:52:32 | 0:52:36 | |
I've got men checking for physical evidence right now. | 0:52:36 | 0:52:39 | |
-The print people are just back. -What did they find? | 0:52:39 | 0:52:42 | |
All fragments are smudged. It was clean. | 0:52:42 | 0:52:45 | |
What's going on? | 0:52:45 | 0:52:47 | |
A matter of the utmost importance. | 0:52:47 | 0:52:50 | |
-What is this? -We're checking phone calls made this week to see if the Atwell woman's number comes up. | 0:52:50 | 0:52:55 | |
There's gotta be millions. | 0:52:55 | 0:52:56 | |
We interface with the phone company's computer, we're monitoring every call made in a 50-mile radius. | 0:52:56 | 0:53:02 | |
We're checking gas station and hotel credit card receipts. | 0:53:02 | 0:53:05 | |
-Who is this bimbo anyway? -She's dead. | 0:53:05 | 0:53:08 | |
One billfold... | 0:53:10 | 0:53:13 | |
-A bracelet. -This is the evidence from her house? | 0:53:13 | 0:53:15 | |
Yes, sir. | 0:53:15 | 0:53:18 | |
One box of candy mints. | 0:53:18 | 0:53:20 | |
Got one brown hairbrush. | 0:53:23 | 0:53:25 | |
Commander Farrell is on his way in. | 0:53:32 | 0:53:34 | |
We'll have a report on the house to house pretty soon. | 0:53:34 | 0:53:37 | |
-What's this? -Polaroid negatives. | 0:53:37 | 0:53:39 | |
I can't make anything out. | 0:53:41 | 0:53:43 | |
If there's silver left on the emulsion, we may be able to bring out the picture. | 0:53:43 | 0:53:48 | |
Excuse me. Sergeant, get this right over to the photo lab. | 0:53:48 | 0:53:51 | |
-Commander. Mr O'Brien is waiting for you in your office. -That's right. | 0:53:54 | 0:53:58 | |
-We made an appointment to go over the CIA report. -Just cancel it. | 0:53:58 | 0:54:02 | |
If we do, he'll go away suspicious. | 0:54:02 | 0:54:05 | |
That's true. | 0:54:05 | 0:54:06 | |
Hello. I'll be in Commander Farrell's office. | 0:54:11 | 0:54:14 | |
'Could you call me in five minutes?' | 0:54:14 | 0:54:17 | |
Sorry it took so long. | 0:54:17 | 0:54:19 | |
This is the official estimate. | 0:54:20 | 0:54:22 | |
An advance copy. Isn't it what you wanted? | 0:54:22 | 0:54:24 | |
PHONE RINGS | 0:54:24 | 0:54:26 | |
Pritchard here. | 0:54:26 | 0:54:28 | |
Yes, of course. | 0:54:28 | 0:54:30 | |
Sorry. I'm wanted in the secretary's office. | 0:54:30 | 0:54:32 | |
I suggest that we reschedule this meeting. | 0:54:32 | 0:54:36 | |
-Perhaps Commander Farrell and I can continue. -The Commander... -That would be satisfactory. | 0:54:36 | 0:54:40 | |
We're both requested at the meeting. I'm afraid we really must stop. | 0:54:40 | 0:54:44 | |
Kevin, I was wondering if you might help me in the counter-espionage... | 0:54:47 | 0:54:51 | |
Tom, we'd better get to that meeting. | 0:54:51 | 0:54:53 | |
Commander, when you get more time, you give me a call. | 0:54:57 | 0:55:01 | |
I can be reached 24 hours a day. | 0:55:01 | 0:55:04 | |
Good. | 0:55:04 | 0:55:05 | |
What was that supposed to be? | 0:55:08 | 0:55:10 | |
Thought I might get something on Yuri. | 0:55:10 | 0:55:12 | |
What we have will be quite sufficient. | 0:55:12 | 0:55:14 | |
I want you to arrange that all outgoing calls are monitored. | 0:55:16 | 0:55:19 | |
-All calls? -Don't worry, Brice's lines are safe. -I'll see to it. -Do it now. | 0:55:19 | 0:55:22 | |
-What's that? -Autopsy report. | 0:55:22 | 0:55:25 | |
She died of a broken neck. Here's a list of her stomach contents. | 0:55:25 | 0:55:29 | |
What the hell for? | 0:55:29 | 0:55:31 | |
There are chemical pollutants in food. | 0:55:31 | 0:55:34 | |
We might pin down where she ate her last day. | 0:55:34 | 0:55:37 | |
I want you to stay close to the centre of things, but do nothing until you're instructed by me. | 0:55:47 | 0:55:51 | |
-Who are these guys? -They're associated with Special Forces. | 0:55:51 | 0:55:54 | |
I don't understand. What's that mean? | 0:55:54 | 0:55:57 | |
Exactly what I said. | 0:55:57 | 0:55:58 | |
They were formerly in Special Forces, now they are associated. | 0:55:58 | 0:56:01 | |
Where? Honduras? El Salvador? | 0:56:01 | 0:56:03 | |
-Somewhere down there. -You were with the death squads? | 0:56:03 | 0:56:06 | |
-Were they with the death squads? -It's possible. -They're assassins. | 0:56:06 | 0:56:09 | |
You needn't concern yourself. They work for me now. | 0:56:09 | 0:56:11 | |
Leave us, please. | 0:56:11 | 0:56:12 | |
You haven't told me everything. | 0:56:22 | 0:56:24 | |
The Atwell woman knew Brice. | 0:56:35 | 0:56:37 | |
She was his mistress. | 0:56:39 | 0:56:41 | |
Naturally, Brice had no idea of her... | 0:56:42 | 0:56:45 | |
connection with a Soviet agent. | 0:56:45 | 0:56:47 | |
We only found out last night after the murder. | 0:56:47 | 0:56:50 | |
Brice is in an impossible situation. | 0:56:50 | 0:56:51 | |
We should call in the FBI. | 0:56:51 | 0:56:53 | |
Don't be an idiot. | 0:56:53 | 0:56:56 | |
Do you realise the magnitude of the scandal? | 0:56:56 | 0:56:59 | |
The secretary of defence and a Soviet agent sharing the favours of a murdered whore? | 0:56:59 | 0:57:05 | |
David might even be a suspect in the killing. | 0:57:05 | 0:57:08 | |
I think that's something to consider. | 0:57:08 | 0:57:09 | |
Well, it isn't speculation, Tom. | 0:57:09 | 0:57:12 | |
Brice was with me at the time of the murder. He couldn't possibly have done it. | 0:57:12 | 0:57:14 | |
Fine. | 0:57:14 | 0:57:16 | |
Then call in the FBI and let Brice take his chances. | 0:57:16 | 0:57:18 | |
That decision is not yours to make. | 0:57:18 | 0:57:20 | |
What we will do is catch this Yuri before anyone knows what's happened. | 0:57:20 | 0:57:24 | |
-After we've got him, then we'll handle the rest. -You mean the gentlemen in the next room. | 0:57:24 | 0:57:28 | |
The man is a spy and a murderer. | 0:57:28 | 0:57:31 | |
-Would anyone deny that justice had been done? -Yeah, I would. | 0:57:31 | 0:57:33 | |
We shall have that discussion at the appropriate time, but for now I expect you to follow | 0:57:33 | 0:57:37 | |
-orders and demonstrate the loyalty to which both the secretary and I have every right. -You expect a lot. | 0:57:37 | 0:57:44 | |
I depend on you. We're friends. | 0:57:44 | 0:57:46 | |
And, Tom, if it were your intention to do anything | 0:57:46 | 0:57:51 | |
to bring down David Brice, then I'd have no choice but to make sure that you didn't get away with it. | 0:57:51 | 0:57:57 | |
-Thank you for the warning. -I'm certain it's unnecessary. | 0:57:58 | 0:58:01 | |
When you calm down, you'll see we're following the only possible course. | 0:58:01 | 0:58:04 | |
I gave them the estimates. They couldn't have cared less. | 0:58:21 | 0:58:23 | |
Get me Senator Duvall. | 0:58:26 | 0:58:28 | |
What's all this top-secret business I've been hearing about over at the Pentagon? | 0:58:31 | 0:58:34 | |
Here's what we do have. | 0:58:34 | 0:58:36 | |
CID is running a phone check. | 0:58:36 | 0:58:38 | |
-They're looking for all calls placed to a Susan Atwell. -Who's she? | 0:58:38 | 0:58:42 | |
She's in the morgue at Fort Meade. She was murdered last night. | 0:58:42 | 0:58:46 | |
-Do we know anything about it? -Get ready for this. | 0:58:46 | 0:58:48 | |
We think she's either David Brice's or Scott Pritchard's mistress. | 0:58:48 | 0:58:53 | |
She was seen with both of them. | 0:58:53 | 0:58:55 | |
It didn't seem a high priority, so my people have been a little lax in following it up. | 0:58:55 | 0:58:59 | |
Well, spilt milk... | 0:58:59 | 0:59:01 | |
-And you can forget about Pritchard. He's homosexual. -I'll be damned. | 0:59:01 | 0:59:07 | |
So will he, if you believe the Old Testament. | 0:59:08 | 0:59:11 | |
-Who killed her? -We don't know. | 0:59:11 | 0:59:12 | |
They got CID believing that they're searching for Yuri. | 0:59:12 | 0:59:16 | |
Don't tell me anybody swallowed that. | 0:59:16 | 0:59:18 | |
That poor son of a bitch Brice. | 0:59:20 | 0:59:23 | |
You know, I almost feel sorry for him. | 0:59:24 | 0:59:27 | |
Who's running things at the Pentagon? | 0:59:27 | 0:59:29 | |
The new boy. Farrell. | 0:59:29 | 0:59:31 | |
So he can take the fall in case anything goes wrong. | 0:59:31 | 0:59:34 | |
This morning he looked like a man who'd like a heart to heart. | 0:59:34 | 0:59:36 | |
Senator Duvall. | 0:59:40 | 0:59:43 | |
Yeah, listen, Billy. I've been hearing some disturbing news about the Phantom sub. | 0:59:43 | 0:59:48 | |
I tried to talk to the President about NATO. | 0:59:50 | 0:59:52 | |
All he wanted to talk about was the Phantom submarine. | 0:59:54 | 0:59:56 | |
Why the crunch on that has to come now is beyond me. | 0:59:56 | 0:59:59 | |
-We'll just have to handle it. -You've got me handling a hell of a lot, haven't you? | 0:59:59 | 1:00:03 | |
PHONE BEEPS Yeah. | 1:00:03 | 1:00:06 | |
Hold. | 1:00:06 | 1:00:07 | |
Commander. Line two, the other phone. | 1:00:07 | 1:00:11 | |
I'll call you back. | 1:00:11 | 1:00:13 | |
Yeah. | 1:00:13 | 1:00:16 | |
I'll be right down. | 1:00:16 | 1:00:18 | |
They want me in the computer centre. | 1:00:18 | 1:00:20 | |
I'll go with you. | 1:00:20 | 1:00:22 | |
Oh, yeah. By all means, go with him. | 1:00:22 | 1:00:24 | |
-What is it, Sam? -Photo lab said there's no more image they can get out of this Polaroid. | 1:00:28 | 1:00:34 | |
Damn. Too much to hope for. | 1:00:34 | 1:00:36 | |
-We'll just have to forget it. -Maybe not. | 1:00:36 | 1:00:38 | |
There's something I wanna show you. | 1:00:38 | 1:00:41 | |
Now, this is as bad as your Polaroid, right? | 1:00:41 | 1:00:44 | |
Now watch. This is a training tape. I'm speeding it up. | 1:00:44 | 1:00:48 | |
The picture is broken down into pixels, | 1:00:48 | 1:00:51 | |
the smallest element on the emulsion, sort of an atom of the picture. | 1:00:51 | 1:00:54 | |
Then, and this is the good part, the computer | 1:00:54 | 1:00:57 | |
just asks itself what would be next to what if we played with the pixels. | 1:00:57 | 1:01:00 | |
That's all there is to it? | 1:01:00 | 1:01:03 | |
We have to keep on top of the computer. Computers don't think. | 1:01:03 | 1:01:06 | |
If we had programmed this to come out a car instead of a monkey, right now you'd be looking at a hairy Buick. | 1:01:06 | 1:01:12 | |
All right. Just get started on it. | 1:01:14 | 1:01:16 | |
Wait, it takes billions of calculations. | 1:01:16 | 1:01:18 | |
The whole process may take hours or it may take a week. | 1:01:18 | 1:01:21 | |
Well, that's too long. | 1:01:21 | 1:01:24 | |
Perhaps you can get what you need from the work in progress. | 1:01:24 | 1:01:27 | |
We'll watch it on this screen. | 1:01:27 | 1:01:29 | |
We've got our first phone number. | 1:01:29 | 1:01:31 | |
It's listed to a Nina Beka. | 1:01:31 | 1:01:32 | |
She called last night about the time of the murder. | 1:01:32 | 1:01:35 | |
I'd better see her. | 1:01:35 | 1:01:36 | |
I was just about to send my men. | 1:01:36 | 1:01:38 | |
KNOCKING | 1:01:49 | 1:01:51 | |
Are you Miss Nina Beka? | 1:01:53 | 1:01:56 | |
-Yes. -I'm Commander Farrell. | 1:01:57 | 1:01:59 | |
This is Mr Scott Pritchard, general counsel to the secretary of defence. | 1:01:59 | 1:02:03 | |
May we come in? | 1:02:03 | 1:02:06 | |
Please, do come in. | 1:02:06 | 1:02:10 | |
I'm afraid that we have some bad news for you. | 1:02:10 | 1:02:13 | |
A woman named Susan Atwell is dead. | 1:02:15 | 1:02:19 | |
She was a friend of yours? | 1:02:22 | 1:02:24 | |
Yes, she is. | 1:02:25 | 1:02:28 | |
In what way were you acquainted? | 1:02:28 | 1:02:29 | |
You see, I... | 1:02:37 | 1:02:39 | |
work at Shalini's boutique in the Pavilion. | 1:02:39 | 1:02:43 | |
She used to come in there sometimes. | 1:02:43 | 1:02:45 | |
We'd like you to tell us as much about her as possible. | 1:02:45 | 1:02:48 | |
We think she was killed by a man she'd been seeing. | 1:02:48 | 1:02:52 | |
Why? | 1:02:53 | 1:02:54 | |
You needn't concern yourself with why. | 1:02:54 | 1:02:56 | |
We just need the names of the men she...consorted with. | 1:02:56 | 1:02:59 | |
"Consorted with"? | 1:02:59 | 1:03:01 | |
Yes. | 1:03:01 | 1:03:04 | |
I don't know about Susan's personal life. | 1:03:04 | 1:03:06 | |
I'll ask you again. Who were the men she saw? | 1:03:06 | 1:03:08 | |
You can ask me a thousand times and the answer will be the same. | 1:03:10 | 1:03:13 | |
I don't know it. | 1:03:13 | 1:03:15 | |
You're South African. | 1:03:16 | 1:03:19 | |
-That's right. -I don't see a US visa. | 1:03:19 | 1:03:23 | |
You're an illegal alien. | 1:03:23 | 1:03:25 | |
Do you know who I am? | 1:03:29 | 1:03:30 | |
I can pick up that phone and I can have you on the first plane to Johannesburg. | 1:03:31 | 1:03:37 | |
I'm assuming that you have a reason for not wanting to be there. | 1:03:37 | 1:03:39 | |
You guessed right. | 1:03:43 | 1:03:46 | |
I know who you are. | 1:03:46 | 1:03:48 | |
I know who Brice is. | 1:03:48 | 1:03:50 | |
David Brice. | 1:03:50 | 1:03:52 | |
Is that the name you're looking for? | 1:03:52 | 1:03:53 | |
We're not interested in him. There's another man we want. | 1:03:53 | 1:03:56 | |
Well, in that case, | 1:03:56 | 1:03:59 | |
why don't we make a deal? | 1:03:59 | 1:04:02 | |
We'll talk about it. Who was the other man? | 1:04:02 | 1:04:04 | |
WHO WAS THE OTHER MAN?! | 1:04:09 | 1:04:12 | |
It was someone at the Pentagon. | 1:04:14 | 1:04:16 | |
-Does he have a name? -I suppose so, but I don't know it. | 1:04:19 | 1:04:25 | |
Listen... | 1:04:25 | 1:04:27 | |
All I know is that Susan used to see him and he reappeared. | 1:04:27 | 1:04:33 | |
-How recently? -I don't know. | 1:04:33 | 1:04:34 | |
-Three months? -I don't know! | 1:04:34 | 1:04:37 | |
A month, three weeks. Who cares? | 1:04:37 | 1:04:38 | |
I don't know it. She never discussed these things with me. | 1:04:38 | 1:04:43 | |
That'll do for now. We'll close the part of the investigation that concerns you. | 1:04:43 | 1:04:46 | |
Will that be satisfactory? | 1:04:46 | 1:04:47 | |
Tom? | 1:04:51 | 1:04:53 | |
Thank you, Miss Beka. | 1:04:53 | 1:04:55 | |
You've been very helpful. | 1:04:55 | 1:04:57 | |
Sam. | 1:05:07 | 1:05:09 | |
I want the names of all civilian and military personnel assigned to the Pentagon during the past two months. | 1:05:09 | 1:05:14 | |
-Can you do it? -It's all in the computer. | 1:05:14 | 1:05:16 | |
-I'll set up a program to find it. -Mr Pritchard? | 1:05:16 | 1:05:19 | |
Tom, I've got a suggestion. | 1:05:19 | 1:05:22 | |
We're doing this credit card search, but it's extremely unlikely that | 1:05:22 | 1:05:25 | |
anything charged over the weekend would be turned in so soon. | 1:05:25 | 1:05:27 | |
-We're wasting valuable computer time that we could use better. -I know. | 1:05:27 | 1:05:30 | |
I want you to keep on with it. | 1:05:30 | 1:05:32 | |
What's this all about, Tom? | 1:05:32 | 1:05:35 | |
-We'll talk later. What is this? -I have to see Secretary Brice. | 1:05:35 | 1:05:37 | |
Just get started on that list of new employees, would you? | 1:05:37 | 1:05:40 | |
Yeah. We isolated three pollutants in the dead girl's stomach contents. | 1:05:40 | 1:05:45 | |
They're the red, green and blue lines on the graph. | 1:05:45 | 1:05:48 | |
If we can get the overlays to match, we might pinpoint where she was. | 1:05:48 | 1:05:52 | |
So far, it looks like somewhere near Upper Chesapeake Bay. | 1:05:52 | 1:05:55 | |
-KNOCK ON DOOR -Come in. | 1:06:03 | 1:06:05 | |
-Excuse me, sir. Have you seen Major Donovan? -No. | 1:06:06 | 1:06:09 | |
It's important that I get this to him. | 1:06:09 | 1:06:12 | |
What do you have here? | 1:06:12 | 1:06:14 | |
Well, we missed it the first time round. | 1:06:14 | 1:06:16 | |
-It must have fallen under the seat of her car. -I'll take care of this. | 1:06:16 | 1:06:21 | |
Very well, sir. | 1:06:23 | 1:06:25 | |
Was this a present? | 1:06:29 | 1:06:31 | |
Yeah. He gave it to me. | 1:06:31 | 1:06:33 | |
He has expensive taste. | 1:06:33 | 1:06:36 | |
Didn't cost anything. Some foreign minister gave it to him. | 1:06:36 | 1:06:39 | |
I pride myself on being a man of forbearance and conciliation. | 1:06:41 | 1:06:46 | |
But if you fuck me on this, I'll crucify you! | 1:06:46 | 1:06:50 | |
I am not your rubber stamp. | 1:06:50 | 1:06:52 | |
You have run roughshod over this office for 20 years. That's over! | 1:06:52 | 1:06:57 | |
Sir, you may disparage your predecessors all you like, | 1:06:57 | 1:06:59 | |
but I don't recall in the past any secret investigation that required the entire department of defence, | 1:06:59 | 1:07:05 | |
circumvented CIA and the FBI and the Washington police! | 1:07:05 | 1:07:09 | |
We're not locked into any position on the Phantom sub. | 1:07:09 | 1:07:13 | |
-What are you saying? -I'm just trying to allay Senator Duvall's fears that we might act peremptorily. | 1:07:13 | 1:07:18 | |
We will act the way I decide on this matter. | 1:07:18 | 1:07:20 | |
Gentlemen, I don't see any point in squabbling like children. | 1:07:20 | 1:07:24 | |
Mr Pritchard, I am encouraged by your attitude. | 1:07:24 | 1:07:27 | |
I'm sure your investigation, whatever it is, is perfectly proper. | 1:07:27 | 1:07:32 | |
I must apologise for my unseemly outburst. | 1:07:32 | 1:07:35 | |
It's just that I've been sorely troubled. | 1:07:35 | 1:07:38 | |
It's perfectly understandable, Senator. I'm certain that we can reach an accommodation. | 1:07:38 | 1:07:43 | |
Gentlemen, I'm deeply gratified. | 1:07:43 | 1:07:46 | |
Deeply gratified, and I hope you'll forgive my imposition on such a busy day. | 1:07:46 | 1:07:53 | |
-He's got us. -This is insane. | 1:08:01 | 1:08:04 | |
It's out of control. Your cover story's not gonna hold water. | 1:08:04 | 1:08:07 | |
Yes, it will, but you have to have more moral courage. | 1:08:07 | 1:08:11 | |
Have you ever heard of a woman named Nina Beka? | 1:08:17 | 1:08:22 | |
No. | 1:08:22 | 1:08:24 | |
Well, she's heard of you. | 1:08:24 | 1:08:26 | |
Instruct the CIA to contact you at your home. | 1:08:28 | 1:08:31 | |
I want you to remain there and wait for the information. | 1:08:31 | 1:08:33 | |
You're not to call me. I'll check in with you periodically. | 1:08:33 | 1:08:36 | |
Yes, sir. | 1:08:36 | 1:08:37 | |
As quickly as possible. | 1:08:37 | 1:08:38 | |
OK. | 1:08:38 | 1:08:40 | |
Hey! You two! | 1:08:45 | 1:08:47 | |
Scott, where are they going? | 1:08:51 | 1:08:54 | |
-What's the matter? -Laurel and Hardy, where are they going? | 1:08:54 | 1:08:56 | |
-Who's that, Tom? -You know who I mean. The bookends. | 1:08:56 | 1:08:58 | |
I sent them on an errand. | 1:08:58 | 1:09:00 | |
Tom. | 1:09:04 | 1:09:04 | |
Tom! | 1:09:04 | 1:09:06 | |
-I need a car. It's an emergency. -I'm sorry. CID's got everything. | 1:09:10 | 1:09:13 | |
-This one. Bring this one down. -You can't take that. | 1:09:13 | 1:09:15 | |
-The lift just busted. It needs fixing. Come on! -Watch your toes. | 1:09:15 | 1:09:18 | |
Come on. Get out of there right now! | 1:09:18 | 1:09:20 | |
Shit. | 1:09:37 | 1:09:39 | |
HORNS HOOT | 1:09:53 | 1:09:55 | |
Shit. | 1:10:08 | 1:10:09 | |
Hi. | 1:10:09 | 1:10:10 | |
-Goddamn it, get him! -Come on, hurry up. | 1:10:21 | 1:10:23 | |
What you doin'? You crazy? | 1:10:24 | 1:10:26 | |
You OK? | 1:11:32 | 1:11:34 | |
Look out. | 1:12:24 | 1:12:25 | |
I'm gonna get you, motherfucker. | 1:12:33 | 1:12:35 | |
Nina, come with me. | 1:13:22 | 1:13:24 | |
We've gotta talk. Is there a back way out? | 1:13:24 | 1:13:26 | |
What happened to Susan? | 1:13:26 | 1:13:28 | |
-We cannot talk here. You're in danger. -What's going on? | 1:13:28 | 1:13:31 | |
It doesn't... | 1:13:31 | 1:13:33 | |
-Can I go to my place? -No. Don't go there. They'll kill you. | 1:13:33 | 1:13:36 | |
You have to get lost, and I mean really lost. Thank you for before. | 1:13:40 | 1:13:45 | |
-Go. -There he is. | 1:13:46 | 1:13:48 | |
Look out, he's got a gun! | 1:13:58 | 1:14:00 | |
I think we should go back to the Pentagon, sir. | 1:14:00 | 1:14:02 | |
That was a stupid, stupid thing you did. | 1:14:10 | 1:14:14 | |
-I think you're crazy. -I'm going to save Brice, no matter what it takes. I thought I already told you that. | 1:14:15 | 1:14:20 | |
I don't believe there is a Yuri. | 1:14:20 | 1:14:21 | |
-He's real enough. -Yeah, but he doesn't have anything to do with the murder of that girl, does he? | 1:14:21 | 1:14:24 | |
We'll find that out when we catch him. | 1:14:24 | 1:14:26 | |
-Not if those two get to him first. -Dammit! | 1:14:26 | 1:14:29 | |
I am tired of weakness. I am faced with a grave problem and I intend to resolve it quickly and cleanly. | 1:14:29 | 1:14:36 | |
You really are crazy. You're fucking cuckoo. | 1:14:36 | 1:14:39 | |
I won't be insulted by you. And you're not to attempt to interfere with this investigation again. | 1:14:39 | 1:14:43 | |
Do I make myself clear? | 1:14:43 | 1:14:45 | |
-I quit. -Your resignation is not accepted. | 1:14:46 | 1:14:48 | |
Tom, be reasonable. I'm deliberately shielding you from full knowledge. | 1:14:48 | 1:14:51 | |
Just follow your orders and everything'll be all right. | 1:14:51 | 1:14:54 | |
Let him go. | 1:14:54 | 1:14:55 | |
Will you excuse me? Please? | 1:15:02 | 1:15:04 | |
Hope you're not calling your girlfriend. | 1:15:04 | 1:15:06 | |
Remember, Big Brother's listening. | 1:15:06 | 1:15:09 | |
-I don't give a shit. -Hello? | 1:15:10 | 1:15:12 | |
-Fox. -Hello, sir. | 1:15:12 | 1:15:14 | |
The writing on the box is Arabic, but it's in the... | 1:15:14 | 1:15:17 | |
Maghrebi dialect. What they speak in Morocco. | 1:15:17 | 1:15:20 | |
What it says is kinda flowery, but it boils down to "A gift to a true friend." | 1:15:20 | 1:15:26 | |
Good boy. You can come back now. | 1:15:26 | 1:15:28 | |
The Polaroid just came on line. | 1:15:43 | 1:15:45 | |
Not much to look at, is it? | 1:15:45 | 1:15:47 | |
No, it's not. | 1:15:47 | 1:15:48 | |
Don't gifts from foreign governments have to be registered with the office of protocol? | 1:15:52 | 1:15:55 | |
-That's what they tell us. -Are their files computerised? | 1:15:55 | 1:15:58 | |
Yes. Of course, hey would be in the Department of State's computer bank. | 1:15:58 | 1:16:01 | |
Can we access those files? | 1:16:01 | 1:16:03 | |
They're closed. You'll have to get in touch with them tomorrow. | 1:16:05 | 1:16:07 | |
I can't get in touch with them. | 1:16:10 | 1:16:11 | |
-We can interface. -Can you do it now? | 1:16:23 | 1:16:26 | |
There'll be hell to pay. | 1:16:28 | 1:16:30 | |
Tom... | 1:16:32 | 1:16:33 | |
Does it matter to you that much? | 1:16:33 | 1:16:35 | |
OK. | 1:16:41 | 1:16:42 | |
Thanks. I'll be back in five minutes. | 1:16:43 | 1:16:46 | |
KNOCKING Come in. | 1:16:49 | 1:16:51 | |
What is it now? | 1:16:55 | 1:16:57 | |
I've been thinking it over and maybe you're right. | 1:17:01 | 1:17:03 | |
Yes? | 1:17:03 | 1:17:05 | |
Let's just get this whole business over with. | 1:17:05 | 1:17:07 | |
And I'm sorry I blew up at you. | 1:17:07 | 1:17:10 | |
We're all very tired. | 1:17:12 | 1:17:14 | |
Tom. | 1:17:17 | 1:17:18 | |
When this is out of the way, we can do great things here. | 1:17:18 | 1:17:24 | |
Well...first things first, huh? | 1:17:27 | 1:17:29 | |
-How are we doing, Sam? -I'm into the State Department computer. | 1:17:39 | 1:17:42 | |
-It was easy. -Can you print that out for me? | 1:17:42 | 1:17:44 | |
You got it. | 1:17:44 | 1:17:46 | |
A lot of paper. | 1:17:46 | 1:17:47 | |
Oh, and you were right about the credit card receipts. | 1:17:47 | 1:17:50 | |
We found one from a gas station in Annapolis. | 1:17:50 | 1:17:52 | |
Great. | 1:17:54 | 1:17:55 | |
-These the new people at the Pentagon? -Yeah. | 1:17:58 | 1:17:59 | |
There are 4,700 possibles so far. But we've had a real break. | 1:17:59 | 1:18:03 | |
The CID has pinned down your man's blood type. | 1:18:03 | 1:18:07 | |
-How'd they get that? -Autopsy specimen. | 1:18:07 | 1:18:10 | |
There was a residue of semen in the woman's body. | 1:18:10 | 1:18:13 | |
Blood type is A positive. | 1:18:13 | 1:18:14 | |
That's pretty common, but it'll help narrow the list. | 1:18:14 | 1:18:16 | |
You're a genius, Sam. | 1:18:20 | 1:18:21 | |
I am, I am, I am. | 1:18:23 | 1:18:26 | |
You should get some sleep. You must be exhausted. | 1:18:42 | 1:18:45 | |
I know if I'm exhausted or not. | 1:18:45 | 1:18:48 | |
As you say. | 1:18:48 | 1:18:51 | |
You look like you just stepped out of a bandbox. | 1:18:51 | 1:18:53 | |
You're actually enjoying this, aren't you? | 1:18:55 | 1:18:57 | |
I'm just trying to do my job. | 1:18:57 | 1:18:59 | |
It would be a lot easier if you'd stop attacking me. | 1:18:59 | 1:19:01 | |
I'm sorry. I'm just tired. | 1:19:05 | 1:19:07 | |
I've got a lot on my mind. | 1:19:07 | 1:19:09 | |
If it doesn't keep moving towards a coherent image, we adjust the program. | 1:19:13 | 1:19:18 | |
You mean you could stop it and make it go in another direction? | 1:19:19 | 1:19:23 | |
We've been doing that all along. | 1:19:23 | 1:19:25 | |
It looks like it's doing fine now. | 1:19:25 | 1:19:27 | |
I'm not so sure. | 1:19:32 | 1:19:34 | |
I think it's time we had a talk. | 1:19:58 | 1:20:00 | |
I'm the one in the picture, Sam. | 1:20:12 | 1:20:13 | |
You? | 1:20:13 | 1:20:17 | |
Susan Atwell... | 1:20:21 | 1:20:23 | |
was the woman I'd been seeing. | 1:20:23 | 1:20:25 | |
I had nothing to do with her death. | 1:20:25 | 1:20:27 | |
I was in love with her. | 1:20:29 | 1:20:30 | |
Jesus. You must feel terrible. | 1:20:33 | 1:20:35 | |
You're the only one I can tell that this spy-hunt thing is a phoney. | 1:20:38 | 1:20:41 | |
Yuri has nothing to do with the murder? | 1:20:42 | 1:20:44 | |
Nothing. This is a cover-up. | 1:20:44 | 1:20:48 | |
That's all I can tell you. | 1:20:48 | 1:20:51 | |
-Come on! -Goddamn it, Sam. | 1:20:51 | 1:20:52 | |
This is for your own protection, all right? | 1:20:54 | 1:20:58 | |
These people have already tried to kill one person who knew. | 1:20:58 | 1:21:01 | |
-What do you want me to do? -Can you slow up the resolution on that picture? | 1:21:03 | 1:21:07 | |
I need more time, Sam. I need more time to get this straightened out. | 1:21:07 | 1:21:09 | |
That's what I need. | 1:21:21 | 1:21:23 | |
I'm not satisfied with the way this is coming up. The eigenvalue is off. | 1:21:39 | 1:21:43 | |
Looks all right to me. | 1:21:43 | 1:21:45 | |
We're pulling away from our reference information. | 1:21:45 | 1:21:46 | |
Advise them to program a Fourier transform. | 1:21:46 | 1:21:51 | |
That seems like a waste of time. | 1:21:51 | 1:21:52 | |
Just do what I want, OK? | 1:21:52 | 1:21:54 | |
Take it easy, Sam. We're all working the same amount of time. | 1:21:54 | 1:21:57 | |
I'm sorry, David. Just do it, please. | 1:21:57 | 1:22:00 | |
What are you looking for? | 1:22:17 | 1:22:19 | |
Fuck off. | 1:22:19 | 1:22:20 | |
Where are you going? | 1:22:35 | 1:22:37 | |
I'd rather do this myself. | 1:22:45 | 1:22:48 | |
You can listen if you want to. | 1:22:48 | 1:22:50 | |
Just wear that badge. | 1:23:01 | 1:23:02 | |
-This goes here? -Yeah. | 1:23:04 | 1:23:06 | |
-Where are we goin'? -We're going to go down to Major Donovan's office. | 1:23:06 | 1:23:09 | |
You can give a full description of this guy to him. | 1:23:09 | 1:23:11 | |
Who the hell's Donovan? | 1:23:11 | 1:23:13 | |
Our commanding officer. | 1:23:13 | 1:23:14 | |
Hello. You know who this is? | 1:24:05 | 1:24:08 | |
I have to talk to you, but I can't leave here now. | 1:24:10 | 1:24:13 | |
I'm on the damn payphone now! It's probably not even safe. | 1:24:15 | 1:24:18 | |
All right. I'll come there as soon as I can get away. | 1:24:23 | 1:24:25 | |
-I'll be damned. That's him! The son of a bitch who rented the boat. -Where? | 1:24:40 | 1:24:43 | |
He just went around that corner! | 1:24:43 | 1:24:45 | |
Can you see him? | 1:24:52 | 1:24:54 | |
He's gone. | 1:24:55 | 1:24:56 | |
I'll get back to you. | 1:24:58 | 1:24:59 | |
Where have you been? Yuri's in the building. | 1:24:59 | 1:25:01 | |
-Buzz the secretary please. -They had a witness and... | 1:25:01 | 1:25:03 | |
I know. | 1:25:03 | 1:25:05 | |
-Can I go in? -Go right in. -Well, what are my orders...sir? | 1:25:05 | 1:25:09 | |
Close all the exits, Major. | 1:25:09 | 1:25:11 | |
Hold your witness while we decide what to do. | 1:25:11 | 1:25:13 | |
Yes, sir. | 1:25:13 | 1:25:14 | |
-Is Yuri in the building? -So it would seem. -This is splendid work, Tom. | 1:25:18 | 1:25:21 | |
I've had all the exits closed. | 1:25:21 | 1:25:22 | |
Well, why don't we empty the building and have everybody file past this man? | 1:25:24 | 1:25:29 | |
In five minutes the place would be swarming with TV cameramen. | 1:25:29 | 1:25:32 | |
We just have to take the witness through the building room by room. | 1:25:32 | 1:25:34 | |
It's the largest building in the world. | 1:25:34 | 1:25:36 | |
But it's the only way we'll get any privacy. | 1:25:36 | 1:25:39 | |
-I'll see to it. -Major Donovan. | 1:25:39 | 1:25:42 | |
-Sir? -I suggest that all officers carry side arms. | 1:25:42 | 1:25:47 | |
The man we're after has killed at least one person already. | 1:25:47 | 1:25:50 | |
Don't worry, Tom. I don't expect you to carry one. | 1:25:50 | 1:25:54 | |
Tall or short? Thin or fat? Light or dark? | 1:26:11 | 1:26:14 | |
That's right. | 1:26:14 | 1:26:16 | |
You think this is some kind of joke? | 1:26:16 | 1:26:18 | |
What I'm trying to tell you, the son of a bitch is average. | 1:26:18 | 1:26:20 | |
All right. Let's go find this average son of a bitch. | 1:26:22 | 1:26:25 | |
Oh, yeah. I'm positive I remember this guy. | 1:26:26 | 1:26:29 | |
I always remember the good tippers. | 1:26:29 | 1:26:31 | |
CID has brought in another witness. | 1:26:38 | 1:26:40 | |
A bellboy from a hotel in Annapolis. | 1:26:40 | 1:26:44 | |
Now you can have two search parties. | 1:26:44 | 1:26:46 | |
That's great news. We can move twice as fast. | 1:26:48 | 1:26:51 | |
I'll see to it. | 1:26:51 | 1:26:54 | |
You see, David? It's all coming together. | 1:27:02 | 1:27:05 | |
Dear God, I hope you're right. | 1:27:05 | 1:27:06 | |
All right. Down this corridor. Make it quick. | 1:27:30 | 1:27:33 | |
Let's go. | 1:27:33 | 1:27:35 | |
No, it ain't him. I just rented the guy a boat. Give me a break. | 1:28:05 | 1:28:07 | |
I'm sick of this shit. | 1:28:07 | 1:28:09 | |
-How much longer? -Scott, it's impossible to search this entire building. It would take all night. | 1:28:23 | 1:28:28 | |
We have a shift finishing at five and one at six. | 1:28:28 | 1:28:30 | |
-What do you suggest we do then? -Let them out through the mall entrance. | 1:28:30 | 1:28:33 | |
We'll have both witnesses there. | 1:28:33 | 1:28:35 | |
What do you think? | 1:28:35 | 1:28:36 | |
-Television. -We haven't been allowed in, | 1:28:38 | 1:28:41 | |
but we're told there's a bottleneck of hundreds, perhaps thousands of people, waiting to go home. | 1:28:41 | 1:28:46 | |
Those who have been allowed to leave say they were first were cleared by members of the CID, | 1:28:46 | 1:28:50 | |
the Criminal Investigation Division of Army Intelligence. | 1:28:50 | 1:28:54 | |
Apparently, there's a search on for a person who may be a spy, | 1:28:54 | 1:28:57 | |
trapped right now inside the Pentagon itself. | 1:28:57 | 1:29:01 | |
We're going to stay here, follow events, | 1:29:01 | 1:29:03 | |
and we'll get back to you with updates as the story continues. | 1:29:03 | 1:29:06 | |
Melissa Donaldson, WCDM, at the Pentagon. | 1:29:06 | 1:29:10 | |
He must have gotten out past us. | 1:29:10 | 1:29:12 | |
No way. He's hiding somewhere in the building. | 1:29:12 | 1:29:16 | |
We'll have to go back to the room to room. | 1:29:16 | 1:29:18 | |
We'll go down to the basement level, search the situation room, computer complex. | 1:29:18 | 1:29:22 | |
We'll start at the bottom and work our way up. Let's do it. | 1:29:22 | 1:29:25 | |
-You're to initial this, sir. -What? | 1:29:30 | 1:29:32 | |
-You're to initial this. -What is it? | 1:29:32 | 1:29:34 | |
Authorisation to release the Atwell woman's body for burial. | 1:29:34 | 1:29:37 | |
-We're down to about 50 persons with A positive blood. -How many are men? | 1:29:44 | 1:29:48 | |
Come on. Nobody told me I had to sort 'em out by sex. | 1:29:48 | 1:29:50 | |
I got to take a break, man. | 1:29:50 | 1:29:52 | |
Sam, I need to talk to you. | 1:29:52 | 1:29:54 | |
-I have to have your help. -I slowed it up as much as I could. | 1:30:05 | 1:30:07 | |
-But they'll recognise this picture soon. -There's nothing more I can do. | 1:30:07 | 1:30:10 | |
They mean to kill me, Sam. | 1:30:10 | 1:30:12 | |
-Tom, you haven't slept for two days. -I'm telling you the truth, I don't stand a chance in hell. | 1:30:12 | 1:30:16 | |
For God's sakes, why? lf you didn't have anything to do with the murder, why? | 1:30:16 | 1:30:20 | |
Brice killed her. | 1:30:20 | 1:30:21 | |
-Brice? -She was his mistress. -I thought she was your... | 1:30:21 | 1:30:24 | |
This... | 1:30:24 | 1:30:26 | |
-Antique gold box... -A present to Brice from the Moroccan government. | 1:30:29 | 1:30:32 | |
He gave it to Susan. It's the only way I can prove he knew her. | 1:30:32 | 1:30:35 | |
He'll call off the search, Sam. I know he will. | 1:30:35 | 1:30:38 | |
-I see. -Do you believe me? | 1:30:40 | 1:30:43 | |
Well, then, can you insert that into the State Department's computer? | 1:30:43 | 1:30:47 | |
-I could do that. -I know you can, Sam, but... | 1:30:48 | 1:30:51 | |
will you? | 1:30:51 | 1:30:53 | |
I'll do whatever I have to do to help you. | 1:30:53 | 1:30:55 | |
Then let's do it. | 1:30:55 | 1:30:57 | |
I'm standing there. There's nothing there. | 1:31:32 | 1:31:34 | |
If you want a piece of paper, you can type it yourself. | 1:31:34 | 1:31:36 | |
-Can't we just print? -The computer is searching. | 1:31:36 | 1:31:38 | |
The protocol is to find the right place to insert it and then it'll print out! | 1:31:38 | 1:31:42 | |
-All right. How long? -Soon. | 1:31:42 | 1:31:44 | |
First two on the right, second two on the left, last man in the doorway. | 1:31:44 | 1:31:48 | |
Nobody in or out. | 1:31:48 | 1:31:50 | |
What's going on here? | 1:31:50 | 1:31:52 | |
-We're searching in here. -I can see that. Who told you to bring them in here? | 1:31:52 | 1:31:55 | |
Nobody. This is the only area that hasn't been covered. | 1:31:55 | 1:31:59 | |
All right, ladies and gentlemen, we'll be conducting a search in here, and I ask you all, please... | 1:32:01 | 1:32:06 | |
-Sir, wait... -Oh, Jesus. | 1:32:06 | 1:32:08 | |
-I have to change. -OK. Let's get going. | 1:32:11 | 1:32:16 | |
Don't let anyone pass. | 1:32:16 | 1:32:18 | |
Sam Hesselman. | 1:32:41 | 1:32:43 | |
Look, I'm sorry to bother you, | 1:32:44 | 1:32:47 | |
but this is over my head. | 1:32:47 | 1:32:49 | |
It's about Commander Farrell. | 1:32:49 | 1:32:51 | |
I'm not sure... | 1:32:53 | 1:32:55 | |
I'm not sure he knows what he's doing. | 1:32:57 | 1:32:59 | |
All right, I'll meet you. Please don't mention this to anybody else. | 1:33:02 | 1:33:05 | |
The reason I called you was because I know you're his friend. | 1:33:05 | 1:33:09 | |
You did the right thing. | 1:33:09 | 1:33:11 | |
This door is locked. Anybody have a master key? | 1:33:16 | 1:33:18 | |
Isn't this Commander Farrell's office? | 1:33:22 | 1:33:24 | |
We'd better have a look anyway. | 1:33:24 | 1:33:26 | |
There we go. Maybe this one's better. | 1:33:40 | 1:33:42 | |
Nobody here. | 1:34:05 | 1:34:07 | |
Let's get on up the hall and see what else we can come up with. | 1:34:07 | 1:34:09 | |
Hi. | 1:34:27 | 1:34:29 | |
What's this all about, Dr Hesselman? | 1:34:31 | 1:34:33 | |
Promise me that what I tell you won't go any further. | 1:34:35 | 1:34:38 | |
-I feel disloyal enough as it is. -Of course. | 1:34:38 | 1:34:42 | |
You understand that Tom is under great strain. | 1:34:44 | 1:34:47 | |
Yes. | 1:34:47 | 1:34:49 | |
He knew the girl who was murdered. | 1:34:49 | 1:34:51 | |
They were... | 1:34:51 | 1:34:54 | |
very close. | 1:34:54 | 1:34:57 | |
And he thinks that Secretary Brice killed her. | 1:34:57 | 1:34:59 | |
Look, I know him. He's much more high-strung than he appears. | 1:35:01 | 1:35:05 | |
And this girl... | 1:35:05 | 1:35:07 | |
I guess he was in love with her. | 1:35:09 | 1:35:11 | |
Now he thinks that somebody wants to kill him. | 1:35:13 | 1:35:15 | |
He asked me to reprogram the computers and I did it. | 1:35:15 | 1:35:18 | |
But now... | 1:35:20 | 1:35:22 | |
I don't know. I just don't know. | 1:35:22 | 1:35:25 | |
I see. Where is Commander Farrell now? | 1:35:25 | 1:35:28 | |
I suppose he's in his office or in the computer room. | 1:35:28 | 1:35:32 | |
Thank you. | 1:35:32 | 1:35:34 | |
Son of a bitch. | 1:36:43 | 1:36:46 | |
ALARM RINGS | 1:36:52 | 1:36:54 | |
-Hold it right there! Hold it! -I am your superior officer. | 1:37:51 | 1:37:56 | |
-I'm giving you an order to arrest this man! -I have my orders from Mr Pritchard. -Do it! | 1:37:56 | 1:38:00 | |
-I have my orders... -Shut up. | 1:38:00 | 1:38:03 | |
If he resists, shoot him! | 1:38:05 | 1:38:06 | |
Where are you going, Commander? | 1:38:06 | 1:38:08 | |
You can't go in there. I said you can't go in there! | 1:38:08 | 1:38:12 | |
-Commander, by what right do you have to come in? -Call off the search. | 1:38:12 | 1:38:16 | |
You're not looking for a Russian spy, but somebody who knows Susan Atwell was your mistress. | 1:38:16 | 1:38:20 | |
-What? -You gave her a gold box that a Moroccan foreign minister gave you. | 1:38:20 | 1:38:23 | |
-I don't know what you're talking about. -You declared it to the office of protocol. | 1:38:23 | 1:38:27 | |
-I never declared anything. -You tell it to the State's computer. | 1:38:27 | 1:38:30 | |
-What? -You tell it to the State Department. | 1:38:30 | 1:38:33 | |
Pick up the phone and call off the search now! | 1:38:33 | 1:38:35 | |
-Do it, or I swear to God I'll nail you to the wall. -Calm down. -KNOCK ON DOOR | 1:38:35 | 1:38:39 | |
I'll get Scott in... Come in for God's sake! | 1:38:39 | 1:38:42 | |
I'm sorry, Mr Secretary. I had to make sure you were all right. Yuri must be close. | 1:38:44 | 1:38:48 | |
There's been a murder. | 1:38:48 | 1:38:51 | |
-He shot Dr Hesselman. -Goddamn it. | 1:38:51 | 1:38:54 | |
-What's happened, Major? -I think Yuri's cornered. | 1:38:54 | 1:38:57 | |
-He's between here, communications and the officers' gymnasium. -Very good, Major. | 1:38:57 | 1:39:01 | |
Just continue the search. | 1:39:01 | 1:39:03 | |
-You had those apes kill him, didn't you? -No. | 1:39:13 | 1:39:17 | |
You lying sack of shit. | 1:39:18 | 1:39:20 | |
Tom is the man who saw you at Susan's. | 1:39:22 | 1:39:25 | |
He's known about you all along. Isn't that right? | 1:39:25 | 1:39:29 | |
You know what that means, David. | 1:39:29 | 1:39:32 | |
If Commander Farrell is the man who was with Miss Atwell, | 1:39:32 | 1:39:34 | |
then Commander Farrell is the man who killed Miss Atwell. | 1:39:34 | 1:39:38 | |
And we know that the man who killed Miss Atwell is Yuri, therefore Commander Farrell is Yuri. | 1:39:38 | 1:39:45 | |
Quod erat demonstrandum. | 1:39:45 | 1:39:47 | |
You murdered Sam, didn't you? You're a fucking asshole. | 1:39:47 | 1:39:50 | |
You have no idea what men of power can do. | 1:39:56 | 1:40:01 | |
Wait a second. | 1:40:01 | 1:40:02 | |
Scott has been a loyal and valuable friend. | 1:40:02 | 1:40:06 | |
I let that friendship cloud my judgement. | 1:40:06 | 1:40:08 | |
My actions have been inexcusable. | 1:40:08 | 1:40:11 | |
Scott. Scott! Give me the gun. | 1:40:11 | 1:40:17 | |
This is the hardest thing I've ever had to do in my life, | 1:40:17 | 1:40:21 | |
but I swear I'll do everything I can to help you out. Everything. | 1:40:21 | 1:40:25 | |
I'll get you the best lawyers. | 1:40:25 | 1:40:26 | |
David, he doesn't have a shred of proof. | 1:40:30 | 1:40:34 | |
Wait. | 1:40:35 | 1:40:37 | |
He was fiercely jealous of Susan. | 1:40:37 | 1:40:39 | |
A man like that... Do you understand? | 1:40:39 | 1:40:41 | |
Suppose we had planned on working late Sunday night. | 1:40:41 | 1:40:45 | |
I didn't arrive. He assumed I was with Susan. | 1:40:45 | 1:40:47 | |
-David? -Don't touch me. | 1:40:47 | 1:40:49 | |
He went there looking for me. | 1:40:49 | 1:40:51 | |
They argued... You can assume the rest. | 1:40:51 | 1:40:53 | |
-Save your breath. -Help me out on this. Help me out. | 1:40:53 | 1:40:57 | |
Listen, I'll give you anything you want. | 1:40:59 | 1:41:01 | |
I swear, I'll give you anything you want. Listen to me. Help me out. | 1:41:03 | 1:41:07 | |
I will give you anything you want. | 1:41:07 | 1:41:09 | |
You can have anything you want. | 1:41:09 | 1:41:11 | |
If you go against me on this, it'll be your word against mine, and I'll win. | 1:41:11 | 1:41:15 | |
David! | 1:41:15 | 1:41:16 | |
-Stop! -No! | 1:41:17 | 1:41:19 | |
-BANGING -What's going on in there? | 1:41:28 | 1:41:30 | |
Stand back. | 1:41:30 | 1:41:31 | |
Oh, my God. How horrible! | 1:41:35 | 1:41:37 | |
Felson. | 1:41:37 | 1:41:39 | |
Your search is over, Major. | 1:41:44 | 1:41:45 | |
-Is this...? -He shot himself. | 1:41:50 | 1:41:53 | |
Anderson. | 1:41:57 | 1:41:59 | |
Commander, do I have your answer? | 1:42:07 | 1:42:09 | |
Commander, sir. Are you all right, sir? | 1:42:10 | 1:42:14 | |
-Give me your pen, Ensign. -Sir? | 1:42:14 | 1:42:16 | |
-You got a pen? -Oh, yes, sir. -Well, give it to me! | 1:42:16 | 1:42:18 | |
I want you to deliver this. | 1:42:22 | 1:42:24 | |
And I want you to wake him up if you have to. | 1:42:24 | 1:42:27 | |
Aye aye, sir. | 1:42:29 | 1:42:31 | |
Go! | 1:42:31 | 1:42:32 | |
Charlie, come look at this. | 1:42:46 | 1:42:49 | |
Somebody get Donovan down here. | 1:42:49 | 1:42:50 | |
It's Commander Farrell! | 1:42:50 | 1:42:53 | |
A lot of people are looking for you. | 1:43:33 | 1:43:35 | |
Then aren't you the clever ones? | 1:43:38 | 1:43:40 | |
When's he comin' out from behind there? | 1:43:53 | 1:43:54 | |
Perhaps when you've made certain things clear. | 1:43:54 | 1:43:56 | |
-Then let's just get to the point. -We want to know why did we only just hear about this? | 1:43:56 | 1:44:00 | |
You would've known before! | 1:44:00 | 1:44:02 | |
I told you when I called that I could not get out of the Pentagon! | 1:44:04 | 1:44:06 | |
All right. But at least you'll admit your relationship with the woman was poorly handled! | 1:44:06 | 1:44:10 | |
-I did what I was told. You wanted me to be her lover. I was her lover. -I see no point in going on. | 1:44:10 | 1:44:14 | |
Yeah, well, neither do I! | 1:44:14 | 1:44:15 | |
It's been very long for me. | 1:44:30 | 1:44:31 | |
Yevgeny Alexeyevich. Wouldn't you love to hear Russian again? | 1:44:35 | 1:44:39 | |
Imagine Pushkin, Lermontov, Tolstoy. | 1:44:39 | 1:44:43 | |
-Solzhenitsyn, Aksenov. -Even them. | 1:44:43 | 1:44:47 | |
Always the sense of humour. | 1:44:47 | 1:44:49 | |
In the Philippines when you passed a bag of underwear Moscow wasn't amused. | 1:44:49 | 1:44:54 | |
I should have acted then. | 1:44:54 | 1:44:55 | |
In any case, it's not possible for you to remain United States. | 1:44:55 | 1:45:00 | |
This bizarre incident has given them their Yuri. | 1:45:00 | 1:45:02 | |
Yevgeny, think. Think! | 1:45:02 | 1:45:07 | |
You're a hero of the Soviet Union. | 1:45:07 | 1:45:08 | |
-I'm not a hero. -Be that as it may, you must return. | 1:45:08 | 1:45:11 | |
I came here. I thought I owed you that. | 1:45:11 | 1:45:13 | |
But you can't make me go back. | 1:45:14 | 1:45:17 | |
No. | 1:45:22 | 1:45:24 | |
Let him go. | 1:45:24 | 1:45:26 | |
He will return. Where else does he have to go? | 1:45:33 | 1:45:36 | |
Subtitles by Red Bee Media Ltd | 1:46:10 | 1:46:13 | |
E-mail [email protected] | 1:46:13 | 1:46:16 |