Perfume: The Story of a Murderer


Perfume: The Story of a Murderer

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SHOUTING IN DISTANCE

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HE SNIFFS

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DOOR UNLOCKS

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Quick. We can't hold them back much longer.

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Hurry!

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Come on!

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Quick!

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Faster!

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THEY MURMUR

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Open the doors. Come on, quickly!

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CROWD SHOUTS AND JEERS

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Just read them the sentence.

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The sentence of the court is that in two days hence,

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the perfumer journeyman Jean-Baptiste Grenouille

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shall be bound to a wooden cross

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with his face raised towards heaven...

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..and whilst still alive, be dealt 12 blows with an iron rod...

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..Breaking the joints of his arms...

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..His shoulders...

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..His hips...

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..His legs!

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He shall then be raised up to hang until dead,

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and all customary acts of mercy are expressly forbidden the executioner.

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'In 18th century France,

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'there lived a man who was one of the most gifted and notorious

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'personages of his time.

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'His name was Jean-Baptiste Grenouille.

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'And if his name has been forgotten today,

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'it is for the sole reason that his entire ambition was restricted

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'to a domain that leaves no trace in history...'

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'To the fleeting realm of scent.'

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HORSE NEIGHS

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THUNDER RUMBLES

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'In the period of which we speak,

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'there reigned in the cities a stench barely conceivable

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'to us modern men and women.

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'Naturally, the stench was foulest in Paris,

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'for Paris was the largest city in Europe.

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'And nowhere in Paris was that stench more profoundly repugnant

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'than in the city's fish market.'

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Here we are.

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I'll get another box.

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'It was here, then, on the most putrid spot in the whole kingdom,

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'that Jean-Baptiste Grenouille was born on the 17th of July 1738.'

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Aaahhh!

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SHE GROANS AND SCREAMS

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SQUELCHING

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'It was his mother's fifth birth.

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'She delivered them all here, under her fish stand.

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'And all had been stillbirths or semi-stillbirths.'

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Are you all right?

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'And by evening, the whole mess had been shovelled away

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'with the fish guts into the river.

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'It would be much the same today,

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'but then, Jean-Baptiste chose differently.'

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BABY CRIES

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What's that noise?

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-It's a baby!

-What's going on here?

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It's a newborn.

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Where's his mother?

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She was just here.

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She tried to kill it, her own child.

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She tried to kill her baby!

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There! There she is!

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-Stop!

-Stop her!

-Stop where you are!

-Murderer!

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'Thus, the first sound to escape Grenouille's lips

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'sent his mother to the gallows.'

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'And Jean-Baptiste, by official order,

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'to the orphanage of Madame Gaillard.'

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-How many today?

-Four. Well, three and a half.

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As usual, more dead than alive.

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Oh, just take the money and sign.

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Make room!

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Where?

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Move!

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Go on!

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Is it dead?

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HE SNIFFS

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That's not staying in my bed.

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Let's throw it out, then.

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What if it screams?

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Let's just kill him.

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BABY CRIES

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MUFFLED CRYING

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Harder! Push!

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What are you doing?

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'For Madame Gaillard,

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'Grenouille was a source of income just like any other.

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'The children, however, sensed at once

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'that there was something different about him.'

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'By the age of five, Jean-Baptiste still could not talk.

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'But he had been born with a talent that made him unique among mankind.'

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HE SNIFFS

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'It was not that the other children hated him.

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'They felt unnerved by him.'

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'Increasingly, he became aware that his phenomenal sense of smell

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'was a gift that had been given to him and him alone.'

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When Jean-Baptiste did finally learn to speak,

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he soon found that everyday language proved inadequate

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for all the olfactory experiences accumulating within himself.

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Wood.

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Wormwood.

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Grass.

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Wet grass.

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Stones.

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Warm stones.

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Water.

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Cold water.

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Frog.

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Wet stones.

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Big, wet, frog stones.

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Something...

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Something, something.

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'By the age of 13,

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'Madame Gaillard no longer had room for Jean-Baptiste

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'and therefore decided to sell him.'

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Come on!

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Ten francs.

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'From his first breath of the odour enveloping this man...'

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Seven. And not one sou more.

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'..Grenouille knew that his life in Grimal's tannery

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'would be worth precisely as much as the work he could accomplish.'

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'Unfortunately for Madame Gaillard...'

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'..The bargain was short-lived.'

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'Life expectancy in the tannery was a mere five years.

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'But Jean-Baptiste proved to be as tough as a resilient bacterium.

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'He adjusted to his new fate

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'and became a paragon of docility and diligence,

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'slaved 15, 16 hours a day summer and winter.'

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'Gradually, he became aware of a world beyond the tannery

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'where a utopia of unexplored smells lay in store for him.'

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Grenouille!

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Come with us.

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I'm taking you to town for delivery.

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'Jean-Baptiste Grenouille had triumphed.

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'He was alive.

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'And at last, he was in his element.'

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'He was not choosy.'

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'He did not differentiate between what are commonly considered to be good smells from bad.

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'At least, not yet.'

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'He was very greedy.'

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'The goal was to possess everything the world had to offer

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'in the way of odours.

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'His only condition being that they were new ones.'

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'Thousands upon thousands of odours formed an invisible gruel

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'which he dissected into its smallest

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'and most remote parts and pieces.'

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Grenouille!

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Come on!

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Get your arse over here.

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He wants 2,000 skins by next week. Can you do that?

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Yeah.

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What is it called?

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Amour and Psyche, madame.

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My latest creation.

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May I try it?

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If you'll allow me, mademoiselle.

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Sheer heaven.

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Monsieur Pelissier, you are truly an artiste.

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What do you want?

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Want to buy some?

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Two for a sou.

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FIREWORK EXPLODES

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Ahhhh...

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LAUGHTER

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< Come on!

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HE SNIFFS

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Next time you run off like that,

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I'll kill yer!

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'That night, he could not sleep.

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'The intoxicating power of the girl's scent

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suddenly made it clear to him

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'why he had come to his own life so tenaciously, so savagely.

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'The meaning and purpose of his miserable existence

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'had a higher destiny.

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'He would learn how to preserve scent

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'so that never again would he lose such sublime beauty.'

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'There were about a dozen perfumers in Paris in those days.

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'One of them, the once-celebrated Italian perfumer Giuseppe Baldini,

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'had set up shop in the centre of the bridge called the Pont au Change

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'on his arrival in Paris over 30 years ago.

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'To be sure, at one time in his youth,

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'Baldini had created several truly great perfumes,

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'to which he owed his fortune.'

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'But now Baldini was out of touch, out of fashion,

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'and spent his days waiting for customers that no longer came.'

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-Chenier! There you are!

-Monsieur Baldini.

-Put on your wig.

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Put on your wig!

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You going out?

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I wish to retire to my study for a few hours

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and do not want to be disturbed under any circumstances.

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-Will you be creating a new perfume, Monsieur Baldini?

-Correct.

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For Count Verhamont.

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He's asked for something like...

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I think he said it was called Amour and Psyche.

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That swindler in the rue Saint Andre des Arts...

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-Pelissier...

-Pelissier!

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That's him. Ha!

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Amour and Psyche!

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HE LAUGHS

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Do you know it?

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Oh, yes. You can smell it everywhere these days, monsieur.

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-Hm.

-On every street corner.

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In fact, I just purchased you a sample.

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In case you wanted to test it.

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What on earth makes you think I'd be interested in testing it?

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You're right. It's nothing special.

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Actually, it's a very common scent.

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I believe the head chord contains lime oil.

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Really?

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And the heart chord?

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Orange blossom, I believe.

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And civet in the base chord, but I cannot say for sure.

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Well, I couldn't care less what that bungler Pelissier slops into his perfumes.

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Naturally not, monsieur.

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And I am thinking of creating something for Count Verhamont

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that will cause a veritable sensation.

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I'm sure it will, Monsieur Baldini.

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Take charge of the shop, Chenier.

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And don't let anyone come near me.

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Inspiration requires peace and tranquillity.

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Vanessa! Fazzoletti.

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Ecco i fazzoletti.

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Grazie. Grazie. Grazie.

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Is there anything else you need?

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Inspiration, perhaps.

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-Ah, my Giuseppe!

-Ah.

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-You are still the great perfumer Baldini.

-Mm.

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RUMBLING

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Bellissimo.

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Wonderful.

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He did it again.

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Hm. Lime oil.

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Yes, indeed.

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Orange blossom, to be sure.

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And a hint of cloves, perhaps?

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No.

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Or could be cinnamon.

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It's gone.

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Cinnamon.

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It's not cinnamon.

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Ah!

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Cloves.

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No.

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Musk?

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No.

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Ach!

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SNORING

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KNOCK ON DOOR

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KNOCK ON DOOR

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Who's there?

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I'm from Grimal's tannery.

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I've brung the goatskins you ordered.

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Follow me.

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This way.

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There.

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Leave them there.

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Tell your master that the skins are fine.

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I'll come by in the next few days and pay for them.

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Yes, monsieur.

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You want to make this leather smell good, don't you?

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Why, of course. And so it shall.

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With Amour and Psyche by Pelissier?

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Whatever gave you the absurd idea I would use someone else's perfume?

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It's all over you.

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It's on your forehead, your nose, your hands.

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It's bad, Amour and Psyche is, master.

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There's too much rosemary in it, and too much of...

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That and that.

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Bergamot.

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And patchouli.

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P...

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Patchouli...

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Patchou...

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What else?

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That and that.

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That and that.

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Orange blossom.

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Lime.

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Musk.

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Rosemary.

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And cloves.

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And this.

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Storax?

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That's in it, too.

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-Storax.

-Storax.

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-Storax.

-Storax.

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You have, it appears, a fine nose, young man. But...

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My nose knows all the smells in the world. It's the best nose in Paris.

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-Only I don't know the names. I need to learn the names, learn them all.

-No! No! No! Basta!

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You don't interrupt me when I'm speaking.

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You're both impertinent and insolent!

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Even I don't know every scent.

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I have, of course, known for some time the ingredients of Amour and Psyche.

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But all it needs to find that out is a passably fine nose, nothing else.

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But it needs the craft of a true perfumer

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to detect the exact formula -

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which notes, which chords

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and in what precise measurements.

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Could you tell me the exact formula of Amour and Psyche? Hm?

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Best nose in Paris?

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Speak up!

0:36:050:36:06

You see, you can't, can you?

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And I'll tell you why.

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Because talent means next to nothing!

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While experience, acquired in humility,

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and hard work, means everything.

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I don't...

0:36:270:36:28

I don't know what a formula is.

0:36:280:36:30

But I can make Amour and Psyche for you now.

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Ah! And you think I'll just let you slop around in my laboratory

0:36:330:36:37

with essential oils that are worth a fortune? You!

0:36:370:36:40

Yes.

0:36:400:36:42

Now pay attention!

0:36:420:36:45

What is your name, anyway?

0:36:470:36:49

Jean-Baptiste Grenouille.

0:36:510:36:52

Mm-hm. Mm-hm, mm-hm.

0:36:520:36:55

Very well, Jean-Baptiste Grenouille...

0:36:550:36:57

You shall have the opportunity now, at this very moment, to prove your assertion.

0:36:590:37:02

Your grandiose failure will also be an opportunity for you to learn the virtue of humility.

0:37:020:37:07

How much do you want me to make?

0:37:070:37:09

How much of what?

0:37:090:37:10

-How much Amour and Psyche do you want?

-Huh?

0:37:100:37:13

Shall I fill this flask?

0:37:150:37:16

No! You shall not!

0:37:160:37:18

You may fill this one.

0:37:280:37:29

Yes, master.

0:37:290:37:30

-But, Master Baldini...

-Hm?

0:37:330:37:36

You must let me do it in my own way.

0:37:360:37:38

As you please.

0:37:380:37:41

No! Don't drop that! That's pure alcohol!

0:37:460:37:49

You want to blow up the entire building?

0:37:490:37:51

You have to measure it first.

0:37:540:37:55

Stop! Stop it! That's enough!

0:38:420:38:44

Basta! You know nothing.

0:38:440:38:47

Essential oils are always to be mixed first then the alcohol added.

0:38:470:38:52

And never, ever this perfume to be shaken like that.

0:38:520:38:55

I must've been insane to listen to your asinine gibberish.

0:38:550:38:59

It's all done.

0:39:000:39:03

Mamma mia.

0:39:310:39:32

This is Amour and Psyche.

0:39:460:39:49

But it's not a good perfume, master.

0:39:490:39:51

If you let me again, master, I'll make it more better.

0:39:530:39:57

Now it's a really good perfume.

0:41:080:41:11

Hm.

0:41:110:41:13

Don't you want to smell it, master?

0:41:170:41:19

I'm not in the mood to test it now.

0:41:190:41:21

I have other things on my mind. Go now.

0:41:210:41:24

-But, master...

-Go now!

0:41:260:41:28

Can I come to work for you, master? Can I?

0:41:420:41:46

Er, let me think about it.

0:41:470:41:49

Master!

0:41:490:41:51

I have to learn how to keep smell.

0:41:510:41:54

What?

0:41:550:41:57

Can you teach me that?

0:41:570:42:00

I shall have to think about it. Now go.

0:42:010:42:03

Ahhh...

0:42:230:42:24

I love you.

0:42:470:42:48

I'll give you 50 francs for him.

0:42:550:42:58

Grenouille!

0:43:040:43:06

'Grimal's transaction had a profound effect on all three parties...'

0:43:060:43:11

Hey, watch out!

0:43:110:43:12

'Not least upon Monsieur Grimal himself.'

0:43:140:43:18

'As for Giuseppe Baldini, the acquisition of Grenouille

0:43:200:43:24

'miraculously transformed his dwindling business,

0:43:240:43:27

'even surpassing its former glory.'

0:43:270:43:29

'While at last, for Jean-Baptiste,

0:43:370:43:39

'the mysterious secrets of the perfumer's craft began to unfold.'

0:43:390:43:44

Now, pay careful attention to what I tell you.

0:43:490:43:53

Just like a musical chord, a perfume cord contains four essences,

0:43:530:43:57

or notes, carefully selected for their harmonic affinity.

0:43:570:44:01

Each perfume contains three chords, the head, the heart and the base,

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necessitating 12 notes in all.

0:44:060:44:09

The head chord contains the first impression,

0:44:090:44:13

lasting a few minutes, before giving way to the heart chord,

0:44:130:44:16

the theme of the perfume, lasting several hours.

0:44:160:44:20

Finally, the base chord, the trail of the perfume,

0:44:200:44:25

lasting several days.

0:44:250:44:27

Mind you, the Ancient Egyptians believed

0:44:310:44:33

that one can only create a truly original perfume

0:44:330:44:36

by adding an extra note,

0:44:360:44:38

one final essence that will ring out and dominate the others.

0:44:380:44:45

Legend has it that an amphora was once found in a pharaoh's tomb

0:44:460:44:51

and when it was opened,

0:44:510:44:53

a perfume was released after all those thousands of years,

0:44:530:44:58

a perfume of such subtle beauty and yet such power

0:44:580:45:02

that for one single moment,

0:45:020:45:05

every person on earth believed they were in paradise.

0:45:050:45:09

12 essences could be identified.

0:45:110:45:14

But the 13th,

0:45:140:45:16

the vital one...

0:45:160:45:18

..Could never be determined.

0:45:200:45:22

Why not?

0:45:230:45:24

"Why not?" What do you mean, "Why not?"

0:45:260:45:30

Because it's a legend, numbskull.

0:45:300:45:33

What's a legend?

0:45:330:45:35

Never mind.

0:45:370:45:39

Jean-Baptiste? Jean-Baptiste?

0:46:190:46:21

What's the matter?

0:46:270:46:29

Master, I have to learn how to capture scent.

0:46:290:46:33

What are you talking about?

0:46:350:46:37

I have to learn how to capture a scent and 'reprose' it for ever.

0:46:370:46:41

You mean 'preserve'.

0:46:410:46:43

You have to teach me that.

0:46:430:46:45

All right, calm down, my boy. Hm? Calm down.

0:46:450:46:49

We have work to do.

0:46:490:46:51

The soul of beings is their scent.

0:46:510:46:55

You said that, master.

0:46:560:46:58

Did I?

0:46:590:47:00

I will make you as many perfumes as you want.

0:47:000:47:03

But you have to teach me how to capture the smell of all things.

0:47:030:47:08

Can you do that?

0:47:080:47:10

Well, naturally.

0:47:110:47:13

Then teach me everything you know.

0:47:130:47:15

And I'll make you the best perfume in the whole world.

0:47:180:47:21

Imagine, Jean-Baptiste,

0:47:380:47:40

10,000 roses to produce one single ounce of essential oil.

0:47:400:47:47

That's the last of 'em!

0:47:470:47:49

Now, keep the air flowing, or the bottom petals will begin to stew,

0:47:490:47:54

while I set up the alembic.

0:47:540:47:56

And take care not to damage them.

0:47:560:47:58

We have to let them go to their deaths with their scent intact.

0:47:580:48:01

Perfect!

0:48:190:48:21

Now help me with the boar's head.

0:48:210:48:23

Temperature is vital.

0:48:360:48:37

When the quicksilver is here,

0:48:370:48:39

the heat is precisely correct and the oil will gradually rise.

0:48:390:48:44

Note that this mechanism is a remarkable invention

0:48:440:48:49

of my own devising.

0:48:490:48:51

You will observe how cold water is pumped through here,

0:48:510:48:56

allowing the essence to condense here,

0:48:560:49:02

until it finally...

0:49:020:49:05

appears...

0:49:050:49:06

..here.

0:49:080:49:10

Of course, out on the hillside above Grasse,

0:49:100:49:14

we had only to bellow pure fresh air.

0:49:140:49:17

Ah, Grasse!

0:49:170:49:19

What a town.

0:49:190:49:21

The Rome of scents.

0:49:220:49:25

The Promised Land of perfume.

0:49:250:49:28

No man can rightly call himself a perfumer

0:49:300:49:34

unless he has proved his worth in that hallowed place.

0:49:340:49:38

RUMBLING

0:49:380:49:40

Not to worry!

0:49:400:49:42

It happens all the time.

0:49:420:49:43

To Grasse.

0:49:450:49:47

Master!

0:50:030:50:04

Look.

0:50:050:50:06

The very soul of the rose.

0:50:120:50:14

SNORING

0:50:540:50:55

CREAKING

0:50:570:50:58

EXPLOSION

0:50:590:51:01

SCREAMING

0:51:010:51:03

Jean-Baptiste!

0:51:060:51:07

What's wrong?

0:51:100:51:11

Jean-Baptiste?

0:51:130:51:15

What have you done?

0:51:170:51:19

-You lied.

-What?

0:51:190:51:21

You lied to me.

0:51:210:51:24

How dare you talk to me like that!

0:51:240:51:26

You said I could capture the scent of anything.

0:51:280:51:31

And so you can!

0:51:310:51:33

What do you smell?

0:51:370:51:39

What do you smell?

0:51:390:51:41

Nothing.

0:51:460:51:47

What were you expecting to smell?

0:51:500:51:52

Glass.

0:51:520:51:54

But glass doesn't smell.

0:51:550:51:56

Of course it does. What's this?

0:51:560:51:58

I don't smell a thing.

0:52:030:52:04

-Basta!

-It should smell like copper!

0:52:060:52:08

Enough!

0:52:080:52:09

You were trying to distil the smell of copper?

0:52:120:52:15

Iron? Glass? Copper?

0:52:150:52:18

What else did you try?

0:52:220:52:24

No?!

0:52:280:52:29

Madonna mia, have you gone completely insane?

0:52:290:52:33

You told me I had to experiment.

0:52:330:52:36

Experiment?

0:52:360:52:38

Experiment?

0:52:380:52:40

With a cat?!

0:52:400:52:41

What kind of a human being are you?

0:52:440:52:46

Don't you know anything?

0:52:460:52:49

You can no more distil the scent of a cat

0:52:490:52:51

than you can distil the scent of you or me!

0:52:510:52:53

I can't?

0:53:030:53:04

Of course not!

0:53:040:53:07

He is in stadio ultimo.

0:53:130:53:15

-What?

-He's dying.

-Is there nothing you can do?

0:53:150:53:18

I fear not.

0:53:180:53:20

No! He cannot die.

0:53:200:53:22

Well, the fee is 50 francs.

0:53:220:53:24

50 francs? You charlatan!

0:53:240:53:26

Oh, dear, Jean-Baptiste!

0:53:310:53:35

You cannot do this to me.

0:53:360:53:38

Please, don't die on me.

0:53:380:53:41

Not now, not yet!

0:53:410:53:43

Is there...

0:53:540:53:56

..any other way...

0:53:590:54:02

..to preserve smell besides distilling?

0:54:030:54:06

Jean-Baptiste!

0:54:060:54:08

Is there, master?

0:54:130:54:14

Well, yes, I... I believe there is.

0:54:150:54:18

What is it?

0:54:200:54:22

It is known as the mysterious art of enfleurage.

0:54:240:54:28

Can you teach me?

0:54:300:54:32

Not even I am intimate with its secrets.

0:54:340:54:38

But could I learn it in Grasse?

0:54:400:54:43

Ah, well...

0:54:430:54:46

Could I?

0:54:460:54:47

Where else but in Grasse?

0:54:520:54:55

'Within a week, Grenouille was well again.

0:55:010:55:04

'But in order to travel to Grasse and find a job,

0:55:040:55:07

'he needed a journeyman's papers.

0:55:070:55:09

'Baldini agreed to provide them

0:55:090:55:11

'on condition that Grenouille left him not less

0:55:110:55:14

'than 100 formulas for new perfumes.

0:55:140:55:18

'Grenouille did not mind.

0:55:180:55:20

'He could have given him a thousand.

0:55:200:55:22

'The morning of Grenouille's departure, Baldini was pleased.

0:55:270:55:32

'At last he felt rewarded for his many years of hard work.

0:55:320:55:36

'He could not remember a happier day.

0:55:360:55:39

'Deeply satisfied, he went back to sleep

0:55:390:55:43

'and awoke no more in this life.'

0:55:430:55:45

'With every step Grenouille took away from the city,

0:56:040:56:07

'the happier he felt.

0:56:070:56:09

'The air above him grew clearer, purer, cleaner.

0:56:090:56:14

'And at last he was able to breathe freely.

0:56:140:56:17

'There were two ways to reach Grasse.

0:56:200:56:22

'The first followed the winding road through the villages,

0:56:240:56:27

'while the second led straight across the hills and mountains,

0:56:270:56:31

'down into Provence.

0:56:310:56:33

'The choice was quite easy.'

0:56:330:56:35

'Thus, his nose led him ever higher, ever further from mankind,

0:56:390:56:44

'ever more towards the magnetic pole of the greatest possible solitude.'

0:56:440:56:49

'Grenouille needed a moment to believe

0:57:260:57:29

'that he had actually found a spot on earth

0:57:290:57:32

'where scent was almost absent.

0:57:320:57:34

'Spread all around lay nothing but the tranquil scent of dead stone.'

0:57:390:57:44

'There was something sacred about this place.'

0:57:460:57:49

'No longer distracted by anything external,

0:57:530:57:57

'he was finally able to bask in his own existence.

0:57:570:58:00

'And found it splendid.'

0:58:020:58:04

'After a while, he almost forgot his plans and obsessions.

0:58:120:58:17

'And indeed, might have done so altogether.'

0:58:180:58:21

Hello?

0:58:360:58:37

Hello?

0:58:400:58:41

Hello?

0:58:450:58:47

'There were a thousand smells in his clothes,

0:59:040:59:06

'the smell of sand, stone, moss.

0:59:060:59:09

'Even the smell of the sausage he'd eaten weeks ago.

0:59:090:59:12

'Only one smell was not there.'

0:59:120:59:14

'His own.'

0:59:170:59:19

HE SNIFFS

0:59:440:59:46

'For the first time in his life,

0:59:550:59:56

'Grenouille realised that he had no smell of his own.'

0:59:560:59:59

'He realised that all his life he had been a nobody to everyone.'

1:00:011:00:05

'What he now felt was the fear of his own oblivion.

1:00:061:00:10

'It was as though

1:00:101:00:12

'he did not exist.'

1:00:121:00:14

'By the first light of next morning, Grenouille had a new plan.

1:00:191:00:24

'He must continue his journey to Grasse.

1:00:241:00:27

'There he would teach the world not only that he existed,

1:00:271:00:31

'that he was someone, but that he was exceptional.

1:00:311:00:35

'And with this decision,

1:00:391:00:41

'it seemed that the gods had at last begun to smile on him.'

1:00:411:00:45

Go on.

1:02:031:02:05

Laura?

1:05:011:05:03

Laura?

1:05:091:05:11

Coming, Papa.

1:05:121:05:14

Ah!

1:05:451:05:46

Haven't seen you here before.

1:05:491:05:51

It's my first season.

1:05:531:05:55

Picking together is always more fun.

1:05:561:05:58

They say you pick everything you find.

1:05:591:06:01

Idiot!

1:06:441:06:45

How many times have I told you not to cram the blossoms in

1:06:451:06:48

like you're stuffing a chicken?

1:06:481:06:50

Watch how Grenouille does it.

1:06:511:06:53

Look how skilfully he handles them.

1:06:561:06:57

The whole art of enfleurage is to allow the flowers to die slowly,

1:06:571:07:01

in their sleep, as it were.

1:07:011:07:03

Handle them as you would a lady.

1:07:031:07:06

Wouldn't you agree with me, Druot?

1:07:061:07:08

If you say so, madame.

1:07:081:07:10

You!

1:07:111:07:13

Check the jonquil blossoms.

1:07:131:07:15

They need more time.

1:07:181:07:20

Do what I say.

1:07:231:07:24

Stop it.

1:08:071:08:09

I'm not in the mood.

1:08:091:08:10

Are you sure?

1:08:101:08:11

Of course I'm sure.

1:08:131:08:14

I said...

1:08:211:08:24

No!

1:08:241:08:25

Ah!

1:08:271:08:28

Suit yourself.

1:08:361:08:37

Lucien?

1:08:411:08:43

Fetch me back the ladder!

1:08:451:08:48

Fetch it yourself!

1:08:481:08:49

CREAKING

1:08:561:08:58

Lucien?

1:09:001:09:02

Lucien!

1:09:041:09:06

CREAKING

1:09:131:09:16

Lucien?

1:09:161:09:19

Lucien?

1:09:211:09:23

Lucien?

1:09:401:09:41

Tuberoses.

1:10:371:10:38

For Madame Arnulfi.

1:10:381:10:40

She here?

1:10:401:10:41

She's busy.

1:10:441:10:45

Seems such a waste to boil 'em.

1:10:531:10:55

Or whatever you do with 'em.

1:10:561:10:58

So, what do you do with 'em?

1:11:031:11:05

Warm them in animal fat.

1:11:061:11:08

What for?

1:11:081:11:10

The fat soaks up their scent.

1:11:101:11:13

Then what?

1:11:131:11:14

Then I cool it to a pomade, and...

1:11:161:11:19

And then I filter it, before...

1:11:201:11:24

Before what?

1:11:271:11:29

Before adding alcohol and other essences to make a perfume.

1:11:291:11:33

Don't touch anything!

1:11:331:11:34

What's in there?

1:11:401:11:41

Nothing, just flowers.

1:11:421:11:43

Can I look?

1:11:431:11:46

No. Not now, I've got work to do. You must go now.

1:11:461:11:48

-Ah, come on, let me look.

-Don't touch!

1:11:481:11:51

Tuberoses. >

1:11:511:11:52

Morning, madame.

1:11:551:11:56

Morning.

1:11:561:11:57

Why have you covered the tank?

1:12:001:12:01

It's an experiment, madame,

1:12:031:12:05

to... to...

1:12:051:12:08

to protect the blossoms from daylight,

1:12:081:12:10

to preserve the scent better.

1:12:101:12:12

Mm-hm.

1:12:121:12:14

Well, if you say so.

1:12:141:12:16

Come with me. I'll settle your master's account.

1:12:171:12:20

To preserve their scent better, you say?

1:12:221:12:25

I don't smell much.

1:12:381:12:40

No.

1:12:461:12:47

Then my experiment was a failure.

1:12:471:12:50

Make sure it's your time you're wasting, not ours.

1:12:531:12:57

How much must I pay?

1:13:081:13:10

To be with you.

1:13:121:13:15

Depends what you want.

1:13:151:13:17

What's that stuff?

1:13:291:13:31

I'm creating a perfume.

1:13:341:13:36

Lie down, please.

1:13:391:13:41

Ugh!

1:13:581:13:59

It feels horrible.

1:14:001:14:02

It's only animal fat.

1:14:021:14:04

To soak up your scent.

1:14:041:14:06

Creating a perfume, eh?

1:14:071:14:09

Come on, admit it.

1:14:091:14:10

You're getting some sort of bang out of this, aren't you?

1:14:101:14:13

Aren't you?

1:14:131:14:15

I enjoy my work.

1:14:151:14:17

Hold your arm still.

1:14:181:14:20

Don't think you're going to tie me up.

1:14:281:14:31

Hold out your arm, please.

1:14:311:14:33

I've come across some strange men in my time...

1:14:391:14:42

Just...

1:14:421:14:44

relax.

1:14:441:14:45

Holy Mother! What's that?

1:14:521:14:55

-Just for scraping off the fat.

-Are you mad?

-I said relax.

1:14:571:15:01

You'll ruin everything.

1:15:011:15:03

If you're frightened, you stink, and your perfume will be spoilt.

1:15:031:15:07

I've had enough!

1:15:071:15:10

Get out!

1:15:101:15:11

Here, take your money!

1:15:111:15:13

Basting me with all this goo! What do you think I am,

1:15:131:15:16

a Christmas goose? Get out of here!

1:15:161:15:18

DOG WHINES

1:18:071:18:08

DOG BARKS

1:18:081:18:10

-Quickly, blow them out before the roses melt.

-Roses can't melt, Papa.

1:18:361:18:41

These ones can.

1:18:411:18:42

Now I'd like to propose a toast to our guest of honour,

1:18:561:19:01

His Excellency, the Marquis de Montesquieu.

1:19:011:19:03

-May our trade continue to flourish.

-< Hear, hear!

1:19:031:19:07

I thank you all, and would ask of you the honour

1:19:111:19:14

to be the first to offer my congratulations to your beautiful daughter,

1:19:141:19:18

and present her with a small token of my affection.

1:19:181:19:21

MAN: It's beautiful.

1:19:291:19:31

WOMAN: It's beautiful.

1:19:401:19:42

I am overwhelmed, your grace.

1:19:461:19:48

Your grace? I had hoped that we would be on

1:19:481:19:51

more familiar terms by now.

1:19:511:19:53

Let's have a game of hide and seek!

1:19:561:19:58

Oh, yes! But everyone must play.

1:19:581:20:01

MAN: The men catch the women.

1:20:031:20:05

Wait!

1:20:121:20:14

SHE SCREAMS Run!

1:20:451:20:47

A-A-AH!

1:21:351:21:36

Put me down, please.

1:21:401:21:42

Now there's no escape.

1:21:461:21:48

Game's over, everybody!

1:22:171:22:19

Laura!

1:22:221:22:23

Time to go in now.

1:22:231:22:26

Laura!

1:22:491:22:50

-MAN:

-Albine! Francoise!

1:23:071:23:11

Laura, have you seen the twins?

1:23:161:23:18

No, not since the game started.

1:23:181:23:21

Albine! Francoise!

1:23:231:23:25

-Albine! Francoise!

-Jacques!

1:23:351:23:39

Take this way.

1:23:401:23:41

You two, with me.

1:23:411:23:43

Your Excellency...through here.

1:23:431:23:47

Albine! Francoise! Girls, where are you?

1:23:471:23:51

Albine! Francoise!

1:23:511:23:54

I've told that cretin ten times to get these ready.

1:25:021:25:05

Don't keep picking on the boy.

1:25:051:25:07

I'll kill him, the useless little sewer rat!

1:25:071:25:11

Grenouille!

1:25:111:25:13

What are you doing?! Why aren't the enfleurage frames...?!

1:25:141:25:17

-Yes, master?

-I mean, would you be good enough

1:25:241:25:26

to prepare the enfleurage frames, Jean-Baptise?

1:25:261:25:29

Certainly, master.

1:25:331:25:34

Hey, look!

1:25:451:25:46

Sweet... There!

1:25:471:25:51

A curfew? Are you mad?

1:25:511:25:53

Jasmine can only be picked before dawn. We all know that!

1:25:531:25:57

This could mean the ruin of our trade! Yours!

1:25:571:26:01

And yours, and yours!

1:26:011:26:04

Supposing it's your daughter next time?

1:26:041:26:07

Of course, a curfew is necessary, but we also have to catch this man.

1:26:071:26:12

And the only way to do that is

1:26:121:26:13

to understand how he thinks! What he wants!

1:26:131:26:16

I should've thought that was obvious. Use your imagination!

1:26:161:26:20

And if I were to tell you all except the prostitute went to their graves

1:26:201:26:24

-with their chastity intact?

-How would you know?

1:26:241:26:27

The coroner had each girl examined. They were all found to be virgins.

1:26:271:26:31

MURMURING Supposing there isn't a next time.

1:26:311:26:35

If we introduce a curfew, we may all go bankrupt for nothing.

1:26:351:26:39

MURMURED AGREEMENT

1:26:391:26:41

So we wait until he's killed what... Six? Seven? Eight?

1:26:411:26:47

SHE GASPS

1:26:541:26:56

SCREAMING

1:27:071:27:09

Curfew! Go back to your homes.

1:27:101:27:13

-What's happening?

-It's a curfew. Back to your home.

1:27:131:27:16

Agh!

1:27:241:27:25

Gentlemen! Gentlemen!

1:27:271:27:30

We have to face the fact that our police are helpless in this matter.

1:27:301:27:35

I suggest that we ask for support from Paris.

1:27:351:27:37

-Paris won't be smarter than we are.

-Arrest every gypsy and every beggar.

1:27:371:27:41

-And every man without a wife and family.

-Listen!

1:27:411:27:44

We have to put ourselves inside the mind of this man.

1:27:461:27:51

Each of his victims had an especial beauty.

1:27:511:27:56

We know he doesn't want their virginity. It seems to me

1:27:561:27:58

it's their beauty itself that he wants.

1:27:581:28:01

It's almost as if as if he's trying to gather something.

1:28:011:28:04

As if his ambitions are those of a collector.

1:28:041:28:09

A collector? Of what?

1:28:091:28:12

Their hair?

1:28:121:28:13

Get out! Get out! You murderer!

1:28:131:28:18

THEY SHOUT ABUSE

1:28:181:28:20

Whatever it is...

1:28:201:28:22

I fear he won't stop killing until his collection is complete.

1:28:221:28:27

Here you are. Next! Quick as you can. You too!

1:28:471:28:51

-Monsieur?

-Ah!

1:28:511:28:53

'This man. This man is a demon!'

1:28:551:28:58

A phantom who cannot be fought by human means.

1:28:581:29:01

Now I insist that we call upon our bishop to excommunicate him.

1:29:011:29:06

What good would that do?

1:29:061:29:09

Have you no faith in the power of our Holy Mother Church?

1:29:091:29:14

This is not a matter of faith. There's a murderer out there!

1:29:141:29:18

And we must catch him by using our God-given wits.

1:29:181:29:21

I say, until we submit to Mother Church,

1:29:211:29:25

these killings will not cease.

1:29:251:29:28

Oh... Ah! Agh!

1:29:281:29:31

Citizens of Grasse, we hereby declare that this murderer,

1:29:431:29:48

this demon in our midst,

1:29:481:29:51

has incurred the sentence of excommunication!

1:29:511:29:55

Not only has this depraved monster robbed us of our daughters,

1:29:571:30:03

the young and fair blossom of the city, and by his wanton acts,

1:30:031:30:08

has brought our trade, our livelihood,

1:30:081:30:12

our very existence to the brink of eternal darkness!

1:30:121:30:18

We therefore declare

1:30:191:30:21

that this vile viper,

1:30:211:30:24

this ignominious carbuncle,

1:30:241:30:27

this extricable evil in our midsts,

1:30:271:30:30

shall henceforth be solemnly banned from our Holy Presence,

1:30:301:30:36

rejected from the Communion of Holy Mother Church as a disciple of Satan!

1:30:361:30:43

Slayer of souls...

1:30:431:30:45

Stand clear! Stand clear!

1:30:451:30:47

..defected... outsider of the faith.

1:30:471:30:51

A necromancer, a diabolist, a sorcerer,

1:30:511:30:56

and a damned heretic!

1:30:561:30:59

Oh, God,

1:30:591:31:01

in thy most merciful spirit,

1:31:011:31:04

bring down thunderbolts upon his head!

1:31:041:31:08

And may the Devil make stope of his bones. Amen!

1:31:081:31:12

My Lord! My Lord! It's a miracle.

1:31:121:31:16

He's been caught! He's been caught!

1:31:161:31:19

My Lord, the fiend has been caught.

1:31:211:31:24

In the city of Grenoble. He's confessed to everything.

1:31:241:31:28

He's confessed to everything!

1:31:281:31:30

Hallelujah! HALLELUJAH!

1:31:321:31:35

-CONGREGATION CHEERS

-Thanks be to God.

1:31:351:31:39

And we thank him for listening to our prayers and answering them.

1:31:391:31:44

Amen!

1:31:441:31:48

ALL: Amen! Amen!

1:31:481:31:52

Just read the report. This cannot possibly be the same man.

1:32:051:32:09

He confessed to everything, including the murders in Grasse.

1:32:121:32:16

Yes, under torture.

1:32:161:32:20

Look, here!

1:32:201:32:22

He admits to strangling his victims. Pulling out their hair and ravaging them.

1:32:221:32:27

The girls of Grasse were killed by a single blow

1:32:271:32:29

to the back of their heads. Their hair was carefully cropped

1:32:291:32:33

-and not one of them was violated.

-Antoine...

1:32:331:32:36

we're all happy it's over.

1:32:361:32:38

Let it go.

1:32:391:32:41

MUSIC PLAYS

1:32:431:32:46

-Papa, what's the matter?

-We're going home, now!

1:33:261:33:29

But why? I'm enjoying myself!

1:33:291:33:31

-Don't argue with me.

-Stop it! I'm grown-up...

1:33:311:33:33

Laura!

1:33:401:33:42

Laura!

1:33:431:33:45

Out of my way!

1:33:471:33:49

Laura!

1:33:491:33:51

-Laura!

-Papa!

1:34:451:34:48

I'm so sorry.

1:34:541:34:56

I know you must think me a very foolish man,

1:35:081:35:12

but try to understand.

1:35:121:35:15

-You're all I have left.

-You don't need to explain, Papa.

1:35:151:35:19

-If anything would happen to you...

-I know.

1:35:191:35:22

But you must stop worrying about me all the time.

1:35:221:35:25

Sweet dreams, my love.

1:35:451:35:47

Sweet dreams, Papa.

1:35:501:35:53

Ah...

1:36:461:36:47

Laura!

1:36:501:36:51

Papa, what's the matter?

1:37:011:37:04

Did you open the window?

1:37:081:37:10

No. Why?

1:37:111:37:14

Have this letter dispatched to the Marquis de Montesquieu immediately.

1:37:161:37:21

Marie, quickly!

1:37:211:37:23

HE SNIFFS

1:37:471:37:49

Stay on the road north, into the mountains.

1:38:071:38:11

-Did Monsieur Richis leave?

-He did.

1:38:281:38:30

-Which way?

-North.

1:38:301:38:33

You sure it wasn't south?

1:38:391:38:42

I saw them with my own eyes! Why do you want to know?

1:38:421:38:45

I said north, north!

1:38:471:38:50

Grenouille?

1:38:521:38:53

Grenouille!

1:38:551:38:57

Grenouille!

1:38:591:39:01

Grenouille!

1:39:101:39:11

DOG SNARLS

1:39:111:39:14

Good God!

1:39:261:39:28

Good afternoon, monsieur.

1:40:231:40:24

Good afternoon. Do you have anyone else staying here?

1:40:241:40:28

-No, monsieur.

-Then I would like to take all your rooms for the night.

1:40:281:40:31

It will be our pleasure, monsieur.

1:40:311:40:34

And tomorrow, at first light, we wish to be ferried to the Iles de Lerins.

1:40:341:40:39

-It's deserted except for a few monks.

-I'm aware of that.

1:40:391:40:42

Very well, monsieur.

1:40:421:40:45

Our finest room, mademoiselle.

1:40:491:40:51

With a superb view of the sea.

1:40:541:40:55

One moment.

1:40:551:40:57

Very well.

1:41:031:41:06

Do you have a room next to this?

1:41:061:41:08

Yes, but the view cannot be compared to...

1:41:081:41:10

I have no interest in the view.

1:41:101:41:12

Oh, my God!

1:41:291:41:32

Monsieur.

1:41:551:41:56

Papa, will you please tell me now what's happening?

1:42:031:42:07

You haven't said a word all day.

1:42:071:42:10

Why all this secrecy?

1:42:101:42:13

Last night, I dreamt you were dead.

1:42:161:42:18

Murdered like all the other girls.

1:42:181:42:22

The truth is, I'm convinced that the killer is still here somewhere.

1:42:301:42:34

All of his victims were young and beautiful,

1:42:361:42:38

and who is there more beautiful than you, Laura?

1:42:381:42:42

Whatever his insane scheme, it will surely be incomplete without you.

1:42:421:42:46

I've written to the Marquis accepting his proposal

1:42:541:42:57

of marriage on your behalf

1:42:571:42:58

and requesting that it take place as soon as possible.

1:42:581:43:02

Until then, you stay in the safety of the monastery.

1:43:021:43:06

And all this, because you had a bad dream?

1:43:071:43:10

-I've made my decision.

-But I don't know whether I even love him!

1:43:101:43:14

-I'm afraid the circumstances leave us no choice.

-Papa!

1:43:141:43:17

It's all arranged, Laura.

1:43:171:43:18

HE CRIES AND WAILS

1:48:031:48:06

On your feet! Hands in the air!

1:48:541:48:57

GUNSHOT

1:48:571:48:59

Why did you kill my daughter?

1:49:401:49:43

Why?

1:49:471:49:48

I needed her.

1:49:511:49:53

Why did you kill my daughter?

1:50:181:50:20

I just...

1:50:241:50:26

..needed her.

1:50:281:50:30

Very well.

1:50:381:50:39

But remember this...

1:50:411:50:44

I'll be looking at you...

1:50:491:50:51

..when you're laid on the cross and the 12 blows

1:50:541:50:57

are crashing down on your limbs.

1:50:571:50:59

When the crowd has finally tired of your screams and wandered home.

1:51:021:51:07

I will climb up through your blood...

1:51:091:51:13

..and sit beside you.

1:51:141:51:17

I will look deep into your eyes...

1:51:181:51:20

..and drop by drop

1:51:231:51:25

I will trickle my disgust into them...

1:51:281:51:32

..like burning acid.

1:51:331:51:38

Until...

1:51:381:51:39

..finally...

1:51:431:51:44

..you perish.

1:51:471:51:49

What do you think they'll do to him?

1:52:231:52:25

Apparently, they'll break every bone in his body with an iron bar.

1:52:251:52:29

CROWD SQUABBLE

1:52:341:52:36

Look, there he comes!

1:52:411:52:43

-CROWD ROAR

-To hell with him, where he belongs!

1:52:431:52:49

CHEERS

1:53:071:53:09

Unchain the prisoner.

1:53:441:53:46

That's enough.

1:53:571:54:00

Let him be brought to the scaffold.

1:54:001:54:02

What's that?

1:54:061:54:08

Gloria Patri, et Filio, et Spiritu Sancti, amen.

1:54:481:54:54

Is he coming? What is it?

1:55:191:55:21

This man is innocent.

1:57:061:57:09

He didn't do it. It's impossible!

1:57:121:57:14

-He's innocent!

-He's innocent!

1:57:141:57:17

CROWD GASP

1:58:061:58:09

An angel!

1:58:361:58:37

This is no man! This is an angel!

1:58:371:58:42

ALL CHEER

1:59:081:59:11

Grenouille!

2:04:282:04:30

You can't fool me!

2:04:352:04:38

Forgive me!

2:05:242:05:27

My son!

2:05:332:05:34

The people of Grasse awoke to a terrible hangover.

2:06:342:06:39

For many of them, the experience was so ghastly,

2:06:392:06:42

so completely inexplicable and incompatible with their morals,

2:06:422:06:47

that they literally erased it from their memories.

2:06:472:06:51

The town council was in session by the afternoon,

2:06:512:06:54

and an order was passed to the police lieutenant

2:06:542:06:57

to immediately begin fresh investigations into the murders.

2:06:572:07:01

The following day, Dominique Druot was arrested,

2:07:012:07:04

since it was in his backyard

2:07:042:07:06

that the clothes and hair of all the victims had been found.

2:07:062:07:10

After 14 hours of torture, Druot confessed to everything.

2:07:102:07:14

With that, the case was closed.

2:07:162:07:19

By then, Grenouille was already halfway back to Paris.

2:07:222:07:27

He still had enough perfume left

2:07:302:07:32

to enslave the whole world, if he so chose.

2:07:322:07:35

He could walk to Versailles and have the King kiss his feet.

2:07:352:07:38

He could write the Pope a perfumed letter

2:07:382:07:41

and reveal himself as a new Messiah.

2:07:412:07:43

He could do all this and more if he wanted to.

2:07:432:07:47

He possessed a power stronger than

2:07:472:07:49

the power of money, or terror, or death...

2:07:492:07:52

the invincible power to command the love of mankind.

2:07:522:07:57

There was only one thing the perfume could not do.

2:08:022:08:06

It could not turn him into a person who could love

2:08:062:08:09

and be loved like everyone else.

2:08:092:08:12

So, to hell with it, he thought.

2:08:122:08:14

To hell with the world.

2:08:142:08:16

With the perfume, with himself.

2:08:162:08:20

On 25th June, 1766, around 11 o'clock at night,

2:08:222:08:26

Grenouille entered the city through the Porte d'Orleans.

2:08:262:08:31

And like a sleepwalker,

2:08:312:08:33

his olfactory memories drew him back to the place where he was born.

2:08:332:08:37

An angel!

2:09:552:09:59

I love you.

2:10:002:10:02

Within no time, Jean-Baptiste Grenouille had disappeared

2:10:472:10:52

from the face of the earth.

2:10:522:10:54

When they had finished, they felt a virginal glow of happiness.

2:10:542:10:59

For the first time in their lives,

2:10:592:11:02

they believed that they had done something...

2:11:022:11:06

purely out of love.

2:11:062:11:08

Hey, over here! Look!

2:11:372:11:41

Let's take 'em away. You can wear them.

2:11:472:11:51

THEY LAUGH

2:11:512:11:53

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