
Browse content similar to Somers Town. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
# Wake up, you sleepy fly | 0:00:21 | 0:00:24 | |
# Forget the debt you owe | 0:00:26 | 0:00:29 | |
# We'll sing the sorrow song | 0:00:32 | 0:00:35 | |
# We'll sing of all you know | 0:00:37 | 0:00:40 | |
-Hello. -Hiya. | 0:00:43 | 0:00:45 | |
You live upstairs, don't you? | 0:00:45 | 0:00:48 | |
You in a rush? | 0:00:50 | 0:00:52 | |
# Wake up, you sleepy fly | 0:01:03 | 0:01:06 | |
# You gotta raise a vein | 0:01:08 | 0:01:11 | |
# We gave you things to say | 0:01:14 | 0:01:16 | |
# Believe yourself again | 0:01:19 | 0:01:22 | |
-Excuse me, is anyone sitting there? -No, go ahead. -Thank you. | 0:01:30 | 0:01:34 | |
-So did you travel from Glasgow or... -No, I live in Nottingham. | 0:01:37 | 0:01:41 | |
-Nottingham? Cool. That's where I'm from. -Oh, is it? -Yeah. | 0:01:41 | 0:01:46 | |
-You having a day out? -Well, I'm coming to stay in London for a bit. | 0:01:46 | 0:01:50 | |
BOTH SPEAK POLISH | 0:01:52 | 0:01:54 | |
I need to rush, I need to get a tube. | 0:02:04 | 0:02:07 | |
I'm sorry, but you take care of yourself. It was nice to meet you. | 0:02:07 | 0:02:11 | |
Nice to meet you. See you again soon. | 0:02:11 | 0:02:14 | |
# There's a gem in the rock | 0:02:15 | 0:02:19 | |
# That's been thrown | 0:02:19 | 0:02:21 | |
# There's a vein of pure gold | 0:02:21 | 0:02:24 | |
# In the stone | 0:02:24 | 0:02:27 | |
# There's a vein of pure gold | 0:02:28 | 0:02:30 | |
# In the stone | 0:02:30 | 0:02:33 | |
# There's a vein of pure gold | 0:02:34 | 0:02:36 | |
# In the stone # | 0:02:36 | 0:02:39 | |
BOTH SPEAK POLISH | 0:02:39 | 0:02:42 | |
IN POLISH: | 0:03:01 | 0:03:04 | |
"Would you like Big Issues?" "How much big ones | 0:03:07 | 0:03:11 | |
"when I go Manchester for cheap time?" | 0:03:11 | 0:03:13 | |
-and, "You don't give shit about me yourself, dick." -Shit! | 0:03:13 | 0:03:18 | |
Shit, bloody, eff-all, boobs. | 0:03:29 | 0:03:32 | |
-Excuse me, will you go into the shop for us, please? -What for? -Carling. | 0:04:53 | 0:04:57 | |
-How old are you? -Eighteen. -Get it yourself then. | 0:04:57 | 0:05:00 | |
I can't, they won't believe I'm 18. I ain't got no ID. Pl... | 0:05:00 | 0:05:04 | |
-Excuse me, will you go into the shop for me, please? -Get this joker. | 0:05:10 | 0:05:14 | |
-What do you want? -Will you just get me four cans of Carling, please? | 0:05:14 | 0:05:18 | |
Give me the money. | 0:05:18 | 0:05:20 | |
-Cheers. -Is he getting you drink? For you? | 0:05:22 | 0:05:26 | |
No, they're for my dad. No. I don't drink. | 0:05:26 | 0:05:29 | |
-STRONG POLISH ACCENT: -"Dear Doris, I am seeing a lovely girl | 0:05:32 | 0:05:36 | |
and we want to take thing to the next stage | 0:05:36 | 0:05:39 | |
but I am afraid of hurting her because I'm... | 0:05:39 | 0:05:42 | |
-..too bit, too well endowed." -Endowed. | 0:05:42 | 0:05:47 | |
"I'm 24, she's 23, | 0:05:54 | 0:05:57 | |
and we've been together | 0:05:57 | 0:06:00 | |
for four months, but previous girlfriends | 0:06:00 | 0:06:04 | |
have said having sex with me | 0:06:04 | 0:06:06 | |
has made them sore afterwards." | 0:06:06 | 0:06:09 | |
"Is there anything I can do about it?" | 0:06:13 | 0:06:16 | |
Um... "I think this girl's... | 0:06:16 | 0:06:20 | |
..the one for me, and... | 0:06:20 | 0:06:23 | |
..I don't want to hurt her." Doris. | 0:06:23 | 0:06:26 | |
Hmm. Doris says, | 0:06:30 | 0:06:32 | |
"Being well endowed can be much more tricky than... | 0:06:32 | 0:06:36 | |
..than being small. Foreplay is extra important | 0:06:36 | 0:06:40 | |
but as long as you make sure | 0:06:40 | 0:06:44 | |
your girlfriend is completely aroused | 0:06:44 | 0:06:47 | |
and are skilful, you can give her pleasure without pain." | 0:06:47 | 0:06:52 | |
IN POLISH: | 0:06:52 | 0:06:55 | |
HE LAUGHS | 0:07:00 | 0:07:02 | |
KNOCK AT DOOR | 0:07:02 | 0:07:05 | |
MORE KNOCKING | 0:07:14 | 0:07:16 | |
No, no, no. Don't take pictures, son. | 0:09:13 | 0:09:16 | |
I don't want everyone to know what's in here. What's your name? | 0:09:16 | 0:09:20 | |
-Marek. -Marek. You and your dad settling in all right? | 0:09:20 | 0:09:23 | |
-You live upstairs, don't you? -Yeah. -My name's Graham. | 0:09:23 | 0:09:27 | |
Graham Cutler. I'm from a long line of Cutlers. | 0:09:27 | 0:09:30 | |
I see you've got this lovely Man United shirt on. | 0:09:30 | 0:09:33 | |
Let me tell you something, Marek, people round here, | 0:09:33 | 0:09:37 | |
they don't really appreciate Manchester United. | 0:09:37 | 0:09:39 | |
To keep you safe, Marek, | 0:09:39 | 0:09:43 | |
-I wanna give you a little present. Wait there. -OK. | 0:09:43 | 0:09:47 | |
I think you should put it on straightaway, without delay, | 0:09:52 | 0:09:55 | |
-just for safety... -For me? -..purposes. Yeah. Try it on. | 0:09:55 | 0:09:59 | |
Yeah? | 0:09:59 | 0:10:00 | |
-Here, give me your camera. -OK. | 0:10:02 | 0:10:04 | |
There you go. Ta. | 0:10:04 | 0:10:07 | |
Should fit. Try it on. Put it on over the other one. | 0:10:09 | 0:10:12 | |
Yes! Much better! | 0:10:20 | 0:10:22 | |
Arsenal! Champions! | 0:10:22 | 0:10:25 | |
See that? That'll keep you safe. | 0:10:25 | 0:10:28 | |
Now, you can keep that for nothing. That's free. All you got to do | 0:10:28 | 0:10:31 | |
-is you gotta help me with a bit of unloading. Is that all right? -OK. | 0:10:31 | 0:10:36 | |
Here, look. Take these and put 'em on the left in there. | 0:10:38 | 0:10:42 | |
The left-hand side, just round there. Can you take two at a time? | 0:10:42 | 0:10:47 | |
Yeah? Got it? You're a big, strong boy, ain't you? Yeah. Good. | 0:10:47 | 0:10:51 | |
-You all right, mate? -How are you? | 0:10:58 | 0:11:01 | |
What's going on? | 0:11:01 | 0:11:03 | |
-Where are you from? Not from round here. -Midlands. | 0:11:04 | 0:11:07 | |
Oh, OK. Not bad. | 0:11:07 | 0:11:10 | |
-You got a beer? -No. -Nice hair you got. | 0:11:10 | 0:11:13 | |
-What shampoo do you use? -Head & Shoulders. | 0:11:13 | 0:11:16 | |
-Can I have some? -No. -I want some. | 0:11:16 | 0:11:19 | |
-Don't take the piss. -Oh, be a good boy. | 0:11:19 | 0:11:22 | |
-Nice? -Yeah. | 0:11:23 | 0:11:25 | |
-Taste some of that. -Save me some of that. | 0:11:25 | 0:11:28 | |
-That's buff, you should try that. -Don't mind if I have a bit? -No. | 0:11:29 | 0:11:33 | |
Better not. | 0:11:33 | 0:11:35 | |
-How's that? -That's good stuff. | 0:11:35 | 0:11:38 | |
Finish that, finish that. | 0:11:38 | 0:11:40 | |
-That's the way to do it. -That's the one. | 0:11:44 | 0:11:47 | |
-You don't mind, do you? Cool. -You ain't got another one, have you? | 0:11:47 | 0:11:51 | |
-So what brings you down here? -I'm just down here, just come down. | 0:11:51 | 0:11:56 | |
-Just come down? -What for? -Just to, I don't know, see the sights. | 0:11:56 | 0:12:00 | |
-Ain't to start trouble, is it? -No. -Good. | 0:12:00 | 0:12:04 | |
-That's a nice jacket. Where'd you get that from? -Shop. | 0:12:04 | 0:12:07 | |
-How much did it cost? -Don't know. | 0:12:07 | 0:12:10 | |
-Let me, let me try it on. -Look at these. | 0:12:10 | 0:12:13 | |
-Those trainers are nice, boy. -I gotta go. -Where you going? | 0:12:13 | 0:12:17 | |
-I gotta wait for my mates. -I thought you said you was from the Midlands? | 0:12:17 | 0:12:21 | |
-Where you going, man? -My mates are over there. | 0:12:21 | 0:12:25 | |
-My mates. -Come here, man. -We only wanna talk. | 0:12:25 | 0:12:28 | |
Come here! Hey, catch him! Catch him! | 0:12:28 | 0:12:31 | |
What you running for? I said I wanted to talk to you! | 0:12:36 | 0:12:40 | |
-Shit. -Come on, let's go! -Get the bag! -Go, go, go, go! | 0:12:52 | 0:12:56 | |
-Loser! -Wanker! | 0:12:57 | 0:12:59 | |
Jane. | 0:14:06 | 0:14:07 | |
-All right? -Tomo? | 0:14:08 | 0:14:11 | |
-What the hell happened to you? -Oh, it was three lads last night. | 0:14:11 | 0:14:15 | |
Oh, Tomo. | 0:14:15 | 0:14:18 | |
See? I told you, it's rough here. | 0:14:18 | 0:14:21 | |
-Did you get mugged? -Well, they took my bag and some of my stuff. | 0:14:21 | 0:14:26 | |
Did they take your money? | 0:14:26 | 0:14:28 | |
Oh, Tomo. Are you all right? | 0:14:28 | 0:14:31 | |
Jesus, God. Look at you. | 0:14:31 | 0:14:34 | |
-There you go, sweetheart. Cheers. -Thank you. Thanks very much. | 0:14:38 | 0:14:42 | |
-Here we are. You get that down you. -Thanks. | 0:14:49 | 0:14:52 | |
So what you gonna do? | 0:15:11 | 0:15:14 | |
I don't know. | 0:15:16 | 0:15:18 | |
I've got nowhere to go. | 0:15:22 | 0:15:24 | |
Nothing at all. No bag. | 0:15:24 | 0:15:27 | |
No money. No clothes. | 0:15:27 | 0:15:30 | |
Nothing. | 0:15:31 | 0:15:33 | |
Won't it be better going back home? | 0:15:33 | 0:15:36 | |
I hated it. I've got nothing at all. | 0:15:38 | 0:15:41 | |
-What about your pals? -I don't have real mates, just people I know. | 0:15:42 | 0:15:46 | |
Useless wastes of space, like me. | 0:15:46 | 0:15:49 | |
Don't think like that. | 0:15:49 | 0:15:51 | |
Well, it's true. | 0:15:52 | 0:15:55 | |
Can you do me a favour, please? | 0:16:00 | 0:16:02 | |
Can you lend me some money? | 0:16:04 | 0:16:07 | |
I'll buy you a train ticket. | 0:16:09 | 0:16:11 | |
What about if I pretended it was for a train ticket? | 0:16:14 | 0:16:18 | |
You've got some cheek. | 0:16:18 | 0:16:21 | |
-There's a tenner. -Thank you. | 0:16:31 | 0:16:34 | |
-OK, I've got to go. I've got a meeting. -OK. | 0:16:40 | 0:16:43 | |
-You gonna be all right? -Yeah. | 0:16:43 | 0:16:46 | |
-See you again. -You take care. | 0:16:51 | 0:16:54 | |
-Who are you? -Doesn't matter. | 0:17:32 | 0:17:34 | |
It's my photograph. | 0:17:36 | 0:17:39 | |
-Who's she? -It's not your business. | 0:17:39 | 0:17:43 | |
She's pretty fit. Is she a model? | 0:17:43 | 0:17:46 | |
-What? -I said she's quite fit. Is she a model? | 0:17:48 | 0:17:52 | |
No. | 0:17:53 | 0:17:55 | |
So you do things for magazines like pornos and... | 0:17:56 | 0:18:00 | |
-..sex magazines and that? -No. | 0:18:00 | 0:18:02 | |
I was only asking. | 0:18:04 | 0:18:06 | |
You should do. | 0:18:06 | 0:18:08 | |
She should get in them. | 0:18:08 | 0:18:11 | |
Oi! You lads, cut it out! | 0:18:13 | 0:18:15 | |
-We was only messing about, mate. We're best mates. -Just calm down. | 0:18:17 | 0:18:22 | |
Get back! Get back, cos I'll drop 'em. | 0:18:49 | 0:18:51 | |
-Give me them back. -No. I just wanted to look. | 0:18:51 | 0:18:55 | |
If you want my watch... | 0:18:55 | 0:18:58 | |
-..here you are. And bag. -I don't want your bag and watch, mate. | 0:18:58 | 0:19:02 | |
I just wanted to look. I was only messing about. | 0:19:02 | 0:19:05 | |
Here. | 0:19:06 | 0:19:08 | |
-Who is she? -She? Maria. | 0:19:13 | 0:19:16 | |
-Maria? She's pretty fit. -She is. | 0:19:16 | 0:19:20 | |
-Where's she from? -France, Paris. | 0:19:23 | 0:19:26 | |
Mint. | 0:19:28 | 0:19:29 | |
-So where are you from? -Me? -Yeah. | 0:19:33 | 0:19:36 | |
-In Poland. -Oi! What do you think you're doing? | 0:19:36 | 0:19:40 | |
-Don't you know it's private here? -Yeah, we do. -Clear off then | 0:19:40 | 0:19:44 | |
-or I'll call the police. -Shut up. -Don't tell me to shut up! | 0:19:44 | 0:19:47 | |
-Clear off! -Wait! -Go on! | 0:19:47 | 0:19:50 | |
-Wait! Oh, my God, you look big! -Hey, that's enough of that. | 0:19:50 | 0:19:54 | |
-Shut up! -I'll remember your face! -Whatever! | 0:19:54 | 0:19:57 | |
-I've got a photographic memory! -Yeah, whatever. | 0:19:57 | 0:20:00 | |
-So what happened to your face? -I got beat up last night | 0:20:02 | 0:20:06 | |
by three lads, down there. | 0:20:06 | 0:20:09 | |
Nicked my bag and everything. | 0:20:10 | 0:20:13 | |
-Where do you live? -Um, everywhere. Anywhere. | 0:20:16 | 0:20:20 | |
-Just around here. -On the streets too? | 0:20:20 | 0:20:24 | |
Mm. | 0:20:24 | 0:20:26 | |
-Where do you live? -There. With my father. | 0:20:26 | 0:20:31 | |
Which one do you live in? I'll come and call for you tomorrow. | 0:20:33 | 0:20:37 | |
I show you later. | 0:20:37 | 0:20:39 | |
What, do you want me to come with you? See your flat? Or your house? | 0:20:39 | 0:20:44 | |
I don't know. If you want. | 0:20:45 | 0:20:48 | |
Yeah? What, will... Your dad won't mind, will he? | 0:20:48 | 0:20:52 | |
-What, he will mind? Or will he let me? -I don't know. | 0:20:53 | 0:20:57 | |
-What's his name? -Dad's name? -Yeah. | 0:20:58 | 0:21:02 | |
Mariusz. | 0:21:02 | 0:21:04 | |
Cool. What's your name? | 0:21:04 | 0:21:07 | |
-Oh, I'm Marek. -Tomo. | 0:21:07 | 0:21:10 | |
-Nice to meet you, mate. -Nice to meet you. | 0:21:10 | 0:21:14 | |
-Hey, Graham. -How you doing, Marek? | 0:21:20 | 0:21:23 | |
-I am OK, thank you. -Nice to see you, mate. | 0:21:23 | 0:21:27 | |
-Who's your side-kick, then? -My friend Tomo. | 0:21:27 | 0:21:29 | |
-Tomo. all right, Tomo? -all right. -Where are you from? | 0:21:29 | 0:21:33 | |
-Um, Nottingham. -Up north, eh? -Yeah. Well, Midlands. | 0:21:33 | 0:21:37 | |
-Midlands. What bit of the Midlands is that? -East. -East. Hmm. | 0:21:37 | 0:21:41 | |
Thanks for helping. I see you're wearing the shirt. Nice one, son. | 0:21:41 | 0:21:46 | |
-What are you doing later? Do you wanna earn a fiver? -(BOTH) Yeah. | 0:21:46 | 0:21:51 | |
Well, I was asking Marek, actually, to tell you the truth. | 0:21:51 | 0:21:54 | |
Um, basically what it is, tomorrow, | 0:21:54 | 0:21:58 | |
I want you to sit down, right, on a deck chair, | 0:21:58 | 0:22:01 | |
with a big pile of deck chairs by you, | 0:22:01 | 0:22:04 | |
and when someone wants to hire a deck chair, | 0:22:04 | 0:22:06 | |
you stand up a couple of seconds, take the money and sit down again. | 0:22:06 | 0:22:11 | |
-Sound easy enough? -Yeah. | 0:22:11 | 0:22:13 | |
-Yeah? -Can I do it as well? | 0:22:13 | 0:22:16 | |
Will you vouch for him? Is he a hard worker? | 0:22:16 | 0:22:19 | |
-Yeah. -Yeah? -I think so. | 0:22:20 | 0:22:22 | |
-OK, £5 each. Is that all right? Is that a deal? -Yeah. | 0:22:22 | 0:22:26 | |
There's one little catch. See these deck chairs we got here, | 0:22:26 | 0:22:30 | |
and these ones lined up over here? We gotta sand them down today | 0:22:30 | 0:22:33 | |
so no-one gets splinters, so, um, | 0:22:33 | 0:22:36 | |
if you wanna pick up the sandpaper and get going on it, son. | 0:22:36 | 0:22:40 | |
So we get a fiver for this and a fiver for tomorrow? A tenner? | 0:22:40 | 0:22:44 | |
He's a joker. No, £5. That's it. | 0:22:44 | 0:22:47 | |
And you've got to prove yourself to me first. Understand? | 0:22:47 | 0:22:50 | |
-OK. -Yeah? All right. Go on. | 0:22:52 | 0:22:55 | |
No, no, no, no. Tomo, not that one, son. One of them over there. | 0:22:55 | 0:22:59 | |
Pick one up. | 0:22:59 | 0:23:01 | |
You gotta start your own chair. Go on, get a spurt on. | 0:23:01 | 0:23:04 | |
-Have we gotta do 'em all? -Yeah, all of 'em. There ain't that many. | 0:23:04 | 0:23:08 | |
The sooner you get a start on it, the sooner we'll do it. | 0:23:10 | 0:23:13 | |
I know that he's a hard worker. | 0:23:13 | 0:23:16 | |
There you go. | 0:23:18 | 0:23:20 | |
Tomo. | 0:23:29 | 0:23:31 | |
-Come on, wake up. -Maria. | 0:23:31 | 0:23:35 | |
Your food. | 0:23:37 | 0:23:39 | |
There isn't a lot there, mate. | 0:23:40 | 0:23:43 | |
-There's only a little bit. -I can't give you more. | 0:23:44 | 0:23:48 | |
Rest is for my dad. | 0:23:48 | 0:23:51 | |
How much is your dad having? | 0:23:51 | 0:23:53 | |
Eat. | 0:23:54 | 0:23:56 | |
Oh, and why have you got so many pictures of Maria? | 0:23:56 | 0:24:01 | |
-Is she your girlfriend or something? -Yeah, she is. | 0:24:01 | 0:24:04 | |
So...have you had sex with her? | 0:24:05 | 0:24:08 | |
No. | 0:24:11 | 0:24:12 | |
Have you felt her bazookas? | 0:24:13 | 0:24:16 | |
No. | 0:24:16 | 0:24:18 | |
Well, obviously, her being your girlfriend, you've kissed her, yeah? | 0:24:19 | 0:24:23 | |
Not yet. | 0:24:23 | 0:24:26 | |
Look, mate, in England it's sort of like a... | 0:24:26 | 0:24:29 | |
..a tradition for, like, a... | 0:24:29 | 0:24:32 | |
..a girlfriend to kiss her boyfriend, so it sounds to me like | 0:24:32 | 0:24:36 | |
you're not actually with her, you just like her. | 0:24:36 | 0:24:39 | |
In Poland, we mustn't kiss to be together. | 0:24:40 | 0:24:43 | |
And do you think only about one thing? | 0:24:43 | 0:24:46 | |
But mate, we're not in Poland. This is England | 0:24:46 | 0:24:49 | |
and so it sounds to me like she's not your girlfriend. | 0:24:49 | 0:24:53 | |
So...I'm gonna try and get with her. | 0:24:53 | 0:24:56 | |
So, when I get with her, I'm not gonna be comfortable with | 0:24:56 | 0:25:00 | |
you having pictures of my girlfriend, so if you wanna give me them. | 0:25:00 | 0:25:03 | |
No, door closed. You must go and find another girl. | 0:25:03 | 0:25:07 | |
She's my girlfriend. And east fast, I must meet my dad. | 0:25:07 | 0:25:11 | |
-Why can't I stay here? -You can't stay, you must eat and go out. | 0:25:13 | 0:25:18 | |
-Where am I gonna go, mate? -I don't know. | 0:25:18 | 0:25:21 | |
So you're just gonna let me out on the streets again? | 0:25:21 | 0:25:24 | |
Please. I'm not gonna nick owt. | 0:25:28 | 0:25:30 | |
(Tomo, it's me. Wake up. | 0:27:11 | 0:27:14 | |
(Are you hungry? Eat.) | 0:27:18 | 0:27:21 | |
-What's that? -Sausage. Polish. Kielbasa. | 0:27:22 | 0:27:26 | |
Mate, I can't eat no more foreign food. | 0:27:26 | 0:27:30 | |
I've... My insides are burning. I need a poo really bad. | 0:27:30 | 0:27:34 | |
It's all the spiciness. I need the toilet. | 0:27:34 | 0:27:37 | |
No, you can't go to the toilet. | 0:27:38 | 0:27:41 | |
-My father is drunk. He will kill you. -Mate, it's important. -Wait. | 0:27:41 | 0:27:45 | |
I've got idea. Wait! | 0:27:45 | 0:27:48 | |
I give you plastic bag from kitchen. | 0:27:48 | 0:27:52 | |
You do it in, then we throw it in the window. | 0:27:52 | 0:27:56 | |
-What, here? -What? -Here? -Yeah. | 0:27:56 | 0:28:00 | |
-Is there no way I can go to the toilet, please? -No. | 0:28:03 | 0:28:06 | |
-What about toilet roll? -Only plastic bag. | 0:28:06 | 0:28:10 | |
-What about what can I wipe my bum with? Please, mate. -No. | 0:28:10 | 0:28:15 | |
-Will you get me some toilet roll? -Wait, I give you plastic bag. Wait. | 0:28:15 | 0:28:19 | |
-Don't forget toilet roll, please. -Wait. | 0:28:19 | 0:28:22 | |
-OK. -Please. Hurry up. | 0:28:22 | 0:28:25 | |
-Don't forget toilet roll. -OK. | 0:28:25 | 0:28:28 | |
FRENCH VOICES | 0:28:30 | 0:28:33 | |
She is so fit. She's loads better than she looks in the pictures. | 0:28:39 | 0:28:45 | |
What do you think she's talking about now? | 0:28:47 | 0:28:51 | |
-Oi... Oi! -What? | 0:28:51 | 0:28:54 | |
-I said what do you think she's talking about? -Probably France. | 0:28:54 | 0:28:59 | |
I'd just love to take her out for a meal and... | 0:29:00 | 0:29:04 | |
..just be with her and hold her and just eat together and... | 0:29:04 | 0:29:08 | |
..maybe she'll feed me and she'll be saying at the end of the night, | 0:29:08 | 0:29:12 | |
"Oh, Tomsy, I love you so much. I want to feed you | 0:29:12 | 0:29:17 | |
-grapes and feed you bread and cheese and olives..." -Shut up! | 0:29:17 | 0:29:21 | |
Hello. How are you today? | 0:29:21 | 0:29:24 | |
-What happened to your face? -I just got into a fight with three lads. | 0:29:25 | 0:29:29 | |
-Really? -Yeah, yeah. -Does it hurt, sweetie? | 0:29:29 | 0:29:33 | |
-Nah. -Sure? -Yeah. If you think that's bad, you should see them. | 0:29:34 | 0:29:38 | |
-Dominated all three of 'em. -Just be careful. | 0:29:38 | 0:29:42 | |
-How are you, Marek? -Fine. | 0:29:42 | 0:29:45 | |
-Thank you. And you? -I'm fine, thank you. | 0:29:45 | 0:29:47 | |
-How did your pictures go? -Very good. | 0:29:47 | 0:29:50 | |
You have to show them to me some time. | 0:29:50 | 0:29:53 | |
So, er, do you like photography, arts and writing and things? | 0:29:53 | 0:29:57 | |
-Yeah, I do, actually. -Cool. I mean, I am actually a painter myself. | 0:29:57 | 0:30:01 | |
-Really? -Yeah, I do everything. I do... | 0:30:01 | 0:30:04 | |
..glasses, wine bottles... | 0:30:05 | 0:30:08 | |
-Anything. -Really? | 0:30:08 | 0:30:11 | |
-You name something, I'll tell you if I've done it. -Um, a flower. | 0:30:11 | 0:30:14 | |
Yeah, I've done flowers. I've done fruit, cakes. Yeah. | 0:30:14 | 0:30:18 | |
So I do women sometimes. | 0:30:18 | 0:30:21 | |
I actually did, like, a... It weren't awesome | 0:30:21 | 0:30:24 | |
-but it was an OK drawing of the Eiffel Tower. -The Eiffel Tower? | 0:30:24 | 0:30:28 | |
-Yeah. -Show it to me. -Course I will, yeah. | 0:30:28 | 0:30:30 | |
Maybe I should do you some time. | 0:30:30 | 0:30:33 | |
Maybe. | 0:30:34 | 0:30:36 | |
-Definitely. -Do you want something to drink? -Lemonade, please. | 0:30:36 | 0:30:40 | |
-Lemonade? And you? -I'm gonna stay off the fizzies, I reckon. | 0:30:40 | 0:30:44 | |
Can I just have a... a still water, please? | 0:30:44 | 0:30:47 | |
-No ice. -OK. -Cheers. | 0:30:47 | 0:30:50 | |
-You're not a painter. -She's so fit. I am. | 0:30:51 | 0:30:54 | |
-Yeah, I am. -No. | 0:30:54 | 0:30:57 | |
-I've got loads of paintings, loads. -Show me one. | 0:30:57 | 0:31:00 | |
-I haven't got my bag, have I? -Mm-hm. -Hm. -Course. | 0:31:00 | 0:31:03 | |
Oh, come on. Someone sit down. | 0:31:12 | 0:31:16 | |
We've been sat down for four-and-a-half hours. | 0:31:16 | 0:31:19 | |
-Oh, come on, it's getting cold now. -No, it's not. | 0:31:23 | 0:31:27 | |
-Can we not just call it a day? -No. -Tomo, shut up, please. | 0:31:28 | 0:31:32 | |
You shut up. | 0:31:32 | 0:31:34 | |
Right, so you're saying the guy who dropped it off has gone? | 0:31:55 | 0:31:58 | |
-He's not here? -Yeah. | 0:31:58 | 0:32:01 | |
Right, so which way did he go? | 0:32:01 | 0:32:03 | |
-That way. -Right, so he went that way, | 0:32:04 | 0:32:07 | |
-we'll go that way, yeah? -OK. -I'm just gonna go in, | 0:32:07 | 0:32:11 | |
cool, natural, just be myself and I'll just pick it up | 0:32:11 | 0:32:14 | |
and... Just watch and learn. Learn from the master. Don't worry, | 0:32:14 | 0:32:18 | |
-I'll pull it off. -Shall I go with you, master? | 0:32:18 | 0:32:22 | |
What for? | 0:32:22 | 0:32:25 | |
I can fake heart attack or something like this. | 0:32:25 | 0:32:28 | |
What do you wanna fake a heart attack for? | 0:32:28 | 0:32:32 | |
If you just do it the way I'm gonna do it, | 0:32:32 | 0:32:35 | |
then it'll, it'll, it'll happen. It's me, I can do everything. | 0:32:35 | 0:32:40 | |
So just stay there a second. One minute. I'll be back. Don't move. | 0:32:40 | 0:32:44 | |
Just gonna... | 0:32:45 | 0:32:47 | |
..just get these for... | 0:32:47 | 0:32:50 | |
..Uncle Ian. Ian'll get these. These'll get to Ian. | 0:32:50 | 0:32:54 | |
Ian. Come on, hurry up. | 0:32:55 | 0:32:58 | |
Come on! | 0:32:58 | 0:33:00 | |
Tada! | 0:33:11 | 0:33:13 | |
What's that, grandma's raincoat? | 0:33:13 | 0:33:17 | |
What else is in there? | 0:33:17 | 0:33:19 | |
A girl's blouse? No. What else is in there? | 0:33:21 | 0:33:24 | |
Trousers. | 0:33:24 | 0:33:26 | |
Rupert Bear trousers?! No! | 0:33:27 | 0:33:30 | |
What else is in there? Pull out something decent. | 0:33:30 | 0:33:33 | |
That's cool. | 0:33:34 | 0:33:36 | |
-Like businessman. -Mate, you're not a businessman! | 0:33:41 | 0:33:45 | |
Take it off, it's not a fashion show! | 0:33:45 | 0:33:48 | |
I thought you said the person looked like me? | 0:33:48 | 0:33:50 | |
Maybe he wash it for his grandparents, I don't know. | 0:33:50 | 0:33:55 | |
That's nice, retro trousers. | 0:33:55 | 0:33:57 | |
They're not retro, they're ridiculous! | 0:33:58 | 0:34:02 | |
Mate, just get me my tracksuit, please. | 0:34:02 | 0:34:04 | |
I'm gonna be stuck in that tracksuit for the rest of my life. | 0:34:08 | 0:34:11 | |
-Is it dry? -Yeah. | 0:34:14 | 0:34:17 | |
No, it's not, it's soaked! | 0:34:17 | 0:34:20 | |
What the flippin' heck's that?! What you done to it?! | 0:34:22 | 0:34:26 | |
-I don't know. It's not me. -You've wrecked my clothes! | 0:34:26 | 0:34:29 | |
My only bits of clothes! | 0:34:29 | 0:34:31 | |
Pen! | 0:34:41 | 0:34:43 | |
God's sake! | 0:34:46 | 0:34:48 | |
-Maybe this one? -Mate, it's a dress! | 0:34:49 | 0:34:52 | |
-Put it in your trousers. -Why are you being stupid?! | 0:34:53 | 0:34:57 | |
Why are you finding this funny?! I've got no clothes! | 0:34:57 | 0:35:00 | |
-God's sake, grow up! -Don't be baby! | 0:35:00 | 0:35:04 | |
Come back! Tomo! | 0:35:05 | 0:35:07 | |
-Marek... Oi! -What? | 0:35:21 | 0:35:25 | |
-I've chosen some clothes out the bag. -Show me. | 0:35:25 | 0:35:30 | |
-Promise you won't laugh? -I won't. | 0:35:30 | 0:35:34 | |
-Come on, mate. You promised you wouldn't laugh. -Sorry. | 0:35:41 | 0:35:45 | |
-You look great. -I think I look like a female golfer. | 0:35:45 | 0:35:49 | |
No! | 0:35:49 | 0:35:51 | |
No. | 0:35:52 | 0:35:53 | |
Honestly, you look fine. | 0:36:00 | 0:36:02 | |
-What's that? -What? | 0:36:09 | 0:36:12 | |
-What? -That. | 0:36:12 | 0:36:14 | |
-Yeah. -It's a wheelchair. -Yeah, it is. | 0:36:14 | 0:36:18 | |
-Whose do you reckon that is? -I don't know. | 0:36:18 | 0:36:22 | |
Don't look like anyone's. | 0:36:22 | 0:36:24 | |
-Shall we go get it? -OK. -I'll race you down. | 0:36:25 | 0:36:29 | |
Come on, quick! | 0:36:29 | 0:36:31 | |
-So do you think she'll like it? -Of course, it's flowers, | 0:36:34 | 0:36:37 | |
umbrella and bell, everything. Don't worry. | 0:36:37 | 0:36:41 | |
-I just don't want to serve him. -all right, I'll say something, | 0:36:41 | 0:36:45 | |
-but just accept the fact he's a bloody idiot. -BELL RINGS | 0:36:45 | 0:36:49 | |
Oh, God. Talking of idiots. Go on. | 0:36:50 | 0:36:53 | |
Let me go see what they want. | 0:36:53 | 0:36:55 | |
-Hi! -I'll see you tomorrow. -See you. Let me change the sign. | 0:36:55 | 0:36:59 | |
Thanks. | 0:36:59 | 0:37:01 | |
-Hello. -I had a car crash. -No, you haven't. | 0:37:01 | 0:37:04 | |
-No, you're right, I haven't. -What's this? | 0:37:04 | 0:37:07 | |
-Special taxi for you. -No. Really? | 0:37:07 | 0:37:11 | |
-Yeah, door-to-door service. -But I live far away. | 0:37:11 | 0:37:15 | |
-It doesn't matter. -We don't care. Come on, get in. | 0:37:15 | 0:37:19 | |
Thank you very much, my darlings. I feel very honoured. | 0:37:20 | 0:37:24 | |
-So which way? -This way. -OK. | 0:37:24 | 0:37:26 | |
-Let's go. -Go, go, go! | 0:37:29 | 0:37:31 | |
# Are you a gambler? | 0:37:48 | 0:37:50 | |
# You gonna take a chance on this life? | 0:37:53 | 0:37:56 | |
# Are you a strangler? | 0:37:58 | 0:38:01 | |
# Are you gonna kill it all? | 0:38:04 | 0:38:06 | |
# Are your friends and your lovers | 0:38:09 | 0:38:12 | |
# Your God-fearing brothers all gone? | 0:38:12 | 0:38:15 | |
# Is this is this all you got left | 0:38:19 | 0:38:22 | |
# But you don't see it lasting that long? | 0:38:22 | 0:38:25 | |
# Are you a whirlwind? | 0:38:35 | 0:38:37 | |
# Do you suck in everything around you? | 0:38:39 | 0:38:43 | |
# Are you a monster? | 0:38:45 | 0:38:47 | |
# Do you destroy it all? | 0:38:51 | 0:38:53 | |
# Are your friends and your lovers | 0:38:56 | 0:38:59 | |
# Your God-fearing brothers all gone? | 0:38:59 | 0:39:02 | |
# Is this all you got left | 0:39:06 | 0:39:09 | |
# But you don't see it lasting that long? | 0:39:09 | 0:39:12 | |
# Low, low, low | 0:39:22 | 0:39:25 | |
# Low is the man So hard are the blows | 0:39:27 | 0:39:32 | |
# Low, low, low | 0:39:32 | 0:39:35 | |
# Low...are the punches | 0:39:37 | 0:39:41 | |
# For you. # | 0:39:45 | 0:39:46 | |
This is where I live. | 0:39:46 | 0:39:48 | |
-Do you? Which one? -With the flowers. | 0:39:48 | 0:39:50 | |
Oh, cool. They're pretty. | 0:39:50 | 0:39:53 | |
Thank you so much for taking me home, boys. | 0:39:58 | 0:40:01 | |
-Thank you. -Thank you. -This has been the best day. | 0:40:01 | 0:40:05 | |
-It was our pleasure. -And I love the way you decorated my chair. | 0:40:05 | 0:40:09 | |
Can I have a kiss now, please? | 0:40:10 | 0:40:13 | |
And remember, I love you both the same. | 0:40:25 | 0:40:28 | |
-Bye. -Yeah! | 0:40:28 | 0:40:30 | |
See you later. | 0:40:30 | 0:40:32 | |
-See you later. -Bye! | 0:40:37 | 0:40:39 | |
-Tomo, hurry up! -What? | 0:40:48 | 0:40:51 | |
-We have no time. -What do you want? | 0:40:51 | 0:40:54 | |
-Hurry up. -Why? | 0:40:56 | 0:40:58 | |
-My dad will be back soon. -Why? Your dad's just gone to work. | 0:40:58 | 0:41:03 | |
-He only gone to the shop. -Two minutes. -He will catch you. | 0:41:03 | 0:41:07 | |
-Just two minutes. -No, I am coming. | 0:41:07 | 0:41:10 | |
Oh! | 0:41:10 | 0:41:12 | |
Tomo! What are you doing? | 0:41:12 | 0:41:15 | |
I'm lonely. | 0:41:15 | 0:41:17 | |
Ow! | 0:41:23 | 0:41:26 | |
KNOCKS AT DOOR | 0:41:42 | 0:41:43 | |
Hurry up! | 0:41:47 | 0:41:49 | |
-Who is it? -It's Tomo and Marek. | 0:41:50 | 0:41:54 | |
-Who? -Tomo and Marek! | 0:41:54 | 0:41:56 | |
Hurry up! | 0:41:56 | 0:41:58 | |
Oh. What's wrong, boys? | 0:42:01 | 0:42:04 | |
What? | 0:42:04 | 0:42:06 | |
You know what time it is?! It's seven in the morning! | 0:42:06 | 0:42:09 | |
-So? -What do you mean, so? | 0:42:09 | 0:42:12 | |
-This is the middle of the night for me! -We've brought you some stuff. | 0:42:12 | 0:42:16 | |
-Here, what about that? Brought you some clothes. -I don't want none! | 0:42:16 | 0:42:20 | |
You woke me up at seven in the morning to bring me this rubbish! | 0:42:20 | 0:42:25 | |
-Are you mad?! -We've brought you some clothes. Do you wanna buy 'em? | 0:42:25 | 0:42:29 | |
-Birds' dresses? I don't want that! What for? -You can sell 'em! | 0:42:29 | 0:42:34 | |
You can sell it all. | 0:42:34 | 0:42:37 | |
-You can sell it all. -Retro trousers. | 0:42:37 | 0:42:40 | |
You can sell 'em all. | 0:42:42 | 0:42:45 | |
-I'll give you a fiver for the suit. -We're selling it together. | 0:42:46 | 0:42:49 | |
-What? -You must pay all. -I don't want all of it, all I want is this! | 0:42:49 | 0:42:53 | |
-Well you can re-sell it on the market. -So how much do you want? | 0:42:53 | 0:42:58 | |
-25, 20 quid. -25 quid! | 0:42:58 | 0:43:01 | |
Why is it... Urgh! | 0:43:05 | 0:43:08 | |
Now piss off, and let me get back to bed, you. | 0:43:08 | 0:43:12 | |
Seven o'clock in the morning. I don't know what you... | 0:43:12 | 0:43:15 | |
Mint! Come on! | 0:43:17 | 0:43:20 | |
We've got everything? Bread, wine, | 0:43:26 | 0:43:29 | |
-grapes, cheese, onions. -Yeah. | 0:43:29 | 0:43:31 | |
Things to sit on. It's gonna be ace. Just let me do all the talking | 0:43:31 | 0:43:35 | |
-cos I'm better than you at it. -OK. | 0:43:35 | 0:43:38 | |
-Hello. -Hello, lads. -Where is Maria? -I'm afraid she ain't in today. | 0:43:38 | 0:43:42 | |
-She told us she was gonna be in. -No, she had to go home. | 0:43:42 | 0:43:46 | |
-One of her family's sick or something. -No problem, we find her. | 0:43:46 | 0:43:49 | |
No, no, lads. Not here home, Paris home. | 0:43:49 | 0:43:53 | |
-Where? -France. | 0:43:53 | 0:43:56 | |
-Well she didn't tell us. When did she go? -This morning. | 0:43:56 | 0:43:59 | |
Don't worry, there'll be another little bird here next week. | 0:43:59 | 0:44:03 | |
Not like Maria. | 0:44:10 | 0:44:12 | |
What about all these things for her? | 0:44:13 | 0:44:16 | |
I don't know, I don't care. | 0:44:17 | 0:44:20 | |
Just do what you want with it. | 0:44:21 | 0:44:24 | |
IN FRENCH ACCENT: "And remember, I love you both the same." | 0:44:48 | 0:44:51 | |
Yeah, right. What a crock. | 0:44:51 | 0:44:54 | |
It's really annoying that we spent a lot on this food and that. | 0:44:59 | 0:45:03 | |
And the cheese... and bread, and grapes. | 0:45:03 | 0:45:07 | |
She didn't even have the decency to tell us she was going. | 0:45:12 | 0:45:15 | |
OK, give me a bottle. | 0:45:17 | 0:45:20 | |
-You've had loads. -Please. | 0:45:21 | 0:45:23 | |
-There's only half left. I've only had like two swigs. -Please. | 0:45:25 | 0:45:29 | |
-Well, don't have loads then. -Thank you. | 0:45:29 | 0:45:32 | |
By the way, have you ever drunk be... | 0:45:32 | 0:45:35 | |
-Have you ever drunk before? -No. | 0:45:35 | 0:45:38 | |
You've had like two swigs and you're all over the shop. | 0:45:38 | 0:45:42 | |
You don't even know what you're saying. Look at you. | 0:45:42 | 0:45:45 | |
What you staring at? | 0:45:47 | 0:45:50 | |
You're out your head. | 0:45:51 | 0:45:53 | |
Why does anything good never happen to me? | 0:45:55 | 0:45:58 | |
Oh, stop crying, and don't be big baby. | 0:45:58 | 0:46:02 | |
I'm not crying and I'm not a big baby, am I? It's called love, son. | 0:46:02 | 0:46:06 | |
-You don't love her more than me. -Well obviously I do. | 0:46:06 | 0:46:09 | |
You've got long hair and a stupid accent. | 0:46:09 | 0:46:12 | |
-You've got stupid clothes. -So? -So? | 0:46:14 | 0:46:17 | |
I could just go nick some from a shop. You can't change | 0:46:17 | 0:46:20 | |
the way you speak. | 0:46:20 | 0:46:23 | |
Anyway, let's not fall out over a girl. | 0:46:23 | 0:46:26 | |
How much money have we got? | 0:46:31 | 0:46:33 | |
I don't know, ten pounds. | 0:46:33 | 0:46:36 | |
That's all. | 0:46:36 | 0:46:38 | |
Just a tenner? | 0:46:39 | 0:46:41 | |
OK. | 0:46:41 | 0:46:44 | |
Right, then. Let's forget about Maria. | 0:46:44 | 0:46:47 | |
Get wasted. | 0:46:51 | 0:46:53 | |
DANCE MUSIC PLAYS | 0:46:56 | 0:46:58 | |
No! No more! | 0:46:58 | 0:46:59 | |
You look like a German! | 0:46:59 | 0:47:01 | |
Mine! | 0:47:02 | 0:47:05 | |
Yeah! | 0:47:10 | 0:47:12 | |
Turn this up a bit. Where's the volume? | 0:47:17 | 0:47:20 | |
Woo! | 0:47:21 | 0:47:23 | |
Ooh! | 0:47:27 | 0:47:28 | |
Three, | 0:47:33 | 0:47:35 | |
two, one, go! | 0:47:35 | 0:47:38 | |
Disco rave again! Disco! You've got a big... | 0:48:13 | 0:48:16 | |
No! Ah! | 0:48:16 | 0:48:18 | |
MUSIC STOPS He's turned the music off. | 0:48:38 | 0:48:41 | |
Tomo. | 0:48:41 | 0:48:43 | |
-Is this your dad? -I think so. | 0:48:43 | 0:48:46 | |
All right, mate? | 0:48:50 | 0:48:52 | |
What? | 0:48:57 | 0:48:59 | |
What? Can you trans... transvariclate that for me? | 0:49:01 | 0:49:05 | |
What? | 0:49:30 | 0:49:31 | |
What? | 0:49:44 | 0:49:46 | |
-I don't know who are you but... -I'm Tomo. -..but... -Please. | 0:49:53 | 0:49:57 | |
..I want put on your clothes and leave. | 0:49:57 | 0:50:02 | |
-Yeah, mate. -At once. | 0:50:02 | 0:50:05 | |
-I'm... I'll take myself out! -Hey! Out! | 0:50:08 | 0:50:11 | |
-Please! -Out! -Please! | 0:50:11 | 0:50:13 | |
Hello? | 0:51:45 | 0:51:46 | |
Hello? | 0:51:47 | 0:51:49 | |
Hello? | 0:51:52 | 0:51:53 | |
Hello. | 0:51:53 | 0:51:55 | |
-Where am I? -Barbados. | 0:51:59 | 0:52:01 | |
Cup of tea there. | 0:52:01 | 0:52:04 | |
Do you remember what happened last night? | 0:52:06 | 0:52:10 | |
-It's nice, this. Great cooking. -Good. | 0:52:43 | 0:52:46 | |
Blinding headache. | 0:52:49 | 0:52:51 | |
Look, why don't you just go home, son? | 0:52:51 | 0:52:54 | |
You're gonna get yourself into all sorts of trouble if you stay here. | 0:52:56 | 0:53:01 | |
Yeah, well I can't go home. I like it here. | 0:53:01 | 0:53:04 | |
What do you mean? If it's money, I'll lend you the money to get home. | 0:53:04 | 0:53:09 | |
It's not money, I've just got nothing to go home to. | 0:53:09 | 0:53:13 | |
-What, no home? -No. | 0:53:13 | 0:53:15 | |
-No relatives or nothing? -No. | 0:53:15 | 0:53:19 | |
Well, look, you can stay here for a bit but you're gonna have to help. | 0:53:19 | 0:53:24 | |
I mean, when I say, "Jump", you're gonna say, "How high?" | 0:53:24 | 0:53:29 | |
Yeah? | 0:53:29 | 0:53:30 | |
Help me out, do whatever I say, whatever I tell you to do. | 0:53:30 | 0:53:34 | |
-Yeah? -Well, what, in like a sexual way or something? | 0:53:37 | 0:53:40 | |
Sex? No! Sexual way? | 0:53:40 | 0:53:43 | |
What are you talking about? No, not a sexual way. | 0:53:43 | 0:53:46 | |
OK. | 0:57:41 | 0:57:43 | |
-Lovely day, ain't it? -Yeah. | 0:59:26 | 0:59:29 | |
Sun is shining. | 0:59:31 | 0:59:33 | |
Look at that station. It's amazing. | 0:59:37 | 0:59:40 | |
-Very huge. -Massive. | 0:59:42 | 0:59:45 | |
Maybe, like, one weekend we could save up some money, | 0:59:48 | 0:59:52 | |
go... Obviously, because we're not even two minutes from the station. | 0:59:52 | 0:59:58 | |
Just get on a train and just go for a weekend. | 0:59:58 | 1:00:02 | |
Can you imagine that? Just us two. | 1:00:05 | 1:00:07 | |
OK. If you want, I can ask my dad | 1:00:07 | 1:00:11 | |
to get us cheaper tickets. | 1:00:11 | 1:00:14 | |
-He works there. -Really? | 1:00:14 | 1:00:17 | |
Cool. Definitely. I mean, it'd be fun, just be like | 1:00:19 | 1:00:22 | |
a bit of a road trip between me and you. | 1:00:22 | 1:00:25 | |
Like, just best mates going to Paris. | 1:00:26 | 1:00:30 | |
See the Eiffel Tower, eat croissants, | 1:00:30 | 1:00:34 | |
drink red wine, cheese, bread. | 1:00:34 | 1:00:37 | |
It'd be good. | 1:00:39 | 1:00:41 | |
And just see Maria and just have a laugh with her, | 1:00:43 | 1:00:47 | |
like we did the other day. | 1:00:47 | 1:00:50 | |
I mean, it wouldn't be hard to find her. She's a beautiful girl. | 1:00:52 | 1:00:56 | |
-Yeah, she is. -Yeah. | 1:00:56 | 1:00:59 | |
She must be popular in Paris. | 1:00:59 | 1:01:02 | |
I just hope she hasn't got a boyfriend. | 1:01:04 | 1:01:07 | |
Anyway... | 1:01:13 | 1:01:15 | |
..I'm gonna get back to the, er, polishing. | 1:01:15 | 1:01:18 | |
-Polishing. -The good old Brasso. | 1:01:18 | 1:01:22 | |
-So, yeah. What you gonna do? -I am staying here. | 1:01:23 | 1:01:27 | |
You're gonna stay here. All right then, mate, | 1:01:27 | 1:01:31 | |
-I'll maybe come down in a bit, we'll go the park. -OK. | 1:01:31 | 1:01:34 | |
-Just go out for a bit, yeah? All right, see you in a bit. -See you later. | 1:01:34 | 1:01:38 | |
See you later. | 1:01:38 | 1:01:40 | |
# They said the hand of God delivered the blow | 1:01:48 | 1:01:53 | |
# But all that I know | 1:01:54 | 1:01:57 | |
# It wasn't him that nearly killed you | 1:01:57 | 1:02:00 | |
# I let you down I never carried you home | 1:02:03 | 1:02:07 | |
# I left you alone | 1:02:09 | 1:02:12 | |
# To fend there for yourself | 1:02:12 | 1:02:15 | |
# I see you out sometimes enjoying the square | 1:02:47 | 1:02:51 | |
# The mademoiselles | 1:02:53 | 1:02:55 | |
# With faces filled with sadness | 1:02:55 | 1:02:59 | |
# For all that you gained you still remember me | 1:03:01 | 1:03:05 | |
# When I speak | 1:03:07 | 1:03:10 | |
# I'll remember where I'm from | 1:03:10 | 1:03:13 | |
# Well, it's a long way back | 1:03:15 | 1:03:18 | |
# To the Medway | 1:03:18 | 1:03:21 | |
# It's a long way back | 1:03:22 | 1:03:26 | |
# To the school | 1:03:26 | 1:03:28 | |
# It's a long way back | 1:03:30 | 1:03:33 | |
# To the Coliseum | 1:03:33 | 1:03:36 | |
# When we had | 1:03:37 | 1:03:39 | |
# Faces too | 1:03:39 | 1:03:42 | |
# When we had | 1:03:44 | 1:03:47 | |
# Faces too | 1:03:47 | 1:03:49 | |
# Sometimes I go back but I never stay | 1:04:21 | 1:04:26 | |
# It's wasting away | 1:04:27 | 1:04:30 | |
# The world that we grew up in | 1:04:30 | 1:04:33 | |
# One day you will see me down on the Strand | 1:04:36 | 1:04:40 | |
# And when you hear me speak | 1:04:42 | 1:04:44 | |
# You'll remember where you're from. # | 1:04:44 | 1:04:48 | |
E-mail [email protected] | 1:05:33 | 1:05:36 |