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CHEERING | 0:01:19 | 0:01:21 | |
MUSIC: "The Blue Danube" by Johann Strauss Jnr | 0:01:37 | 0:01:41 | |
Come on, 100! | 0:02:05 | 0:02:06 | |
Scott won most of the trophies here. | 0:02:23 | 0:02:27 | |
The tragedy was he was a champion. | 0:02:27 | 0:02:30 | |
'Welcome to the Southern Districts Waratah Championships. | 0:02:32 | 0:02:37 | |
'You're going to see some of the top dancers in the Southern Districts.' | 0:02:37 | 0:02:44 | |
We thought he was over the silliness, | 0:02:44 | 0:02:48 | |
never that he'd do it in front of... | 0:02:48 | 0:02:52 | |
Federation President Barry Fife. CHEERING | 0:02:52 | 0:02:55 | |
'Don't forget, the official Federation video...' | 0:02:55 | 0:03:00 | |
Wonderful to see you, Barry! | 0:03:00 | 0:03:02 | |
Barry Fife's Dance To Win is on sale here tonight! Yeah. | 0:03:02 | 0:03:08 | |
There was no doubt in anyone's mind | 0:03:08 | 0:03:11 | |
that Scott and Liz would be the next Pan-Pacific Grand Prix Amateur Five Dance Latin American champions. | 0:03:11 | 0:03:18 | |
And then came that... | 0:03:18 | 0:03:21 | |
Samba! | 0:03:21 | 0:03:23 | |
MUSIC: "Sinful Samba" | 0:03:23 | 0:03:25 | |
CRIES OF ENCOURAGEMENT | 0:03:29 | 0:03:32 | |
< Come on, 54! | 0:03:36 | 0:03:38 | |
< Come on, 69! | 0:03:39 | 0:03:42 | |
CHEERING | 0:03:42 | 0:03:45 | |
Ken Railings and Pam Short were dancing there that night. | 0:03:55 | 0:03:59 | |
Ken's always been a wonderful ambassador for ballroom dancing. | 0:04:05 | 0:04:08 | |
But I know that everyone there really thought it was Scott's turn. | 0:04:15 | 0:04:19 | |
Come on, number 100! | 0:04:22 | 0:04:26 | |
Come on, number 100! | 0:04:26 | 0:04:28 | |
CROWD GASPS | 0:04:33 | 0:04:34 | |
True, Scott and Liz became boxed in. | 0:04:44 | 0:04:49 | |
Piss off! | 0:04:56 | 0:04:58 | |
It was no excuse for what Scott did. | 0:04:58 | 0:05:00 | |
What the hell's going on? | 0:05:09 | 0:05:11 | |
He resorted to his own, flashy, crowd-pleasing steps. | 0:05:13 | 0:05:16 | |
Come on. Come on. | 0:05:21 | 0:05:23 | |
He forced me. The lady must follow. | 0:05:23 | 0:05:27 | |
Bet you never saw that before! | 0:05:35 | 0:05:37 | |
I keep asking myself, "Why?" | 0:05:37 | 0:05:39 | |
Did I do something wrong? | 0:05:42 | 0:05:44 | |
Did I fail him as a mother? | 0:05:46 | 0:05:48 | |
In front of Barry Fife! | 0:05:50 | 0:05:52 | |
I'll cut the music. Don't be bloody stupid! | 0:06:04 | 0:06:06 | |
To pick what was wrong with the steps, you must be a professional | 0:06:40 | 0:06:45 | |
like myself or Federation President Barry Fife. | 0:06:45 | 0:06:50 | |
Barry Fife! | 0:06:50 | 0:06:51 | |
You can dance any steps you like. | 0:06:51 | 0:06:57 | |
That doesn't mean you'll...WIN. | 0:06:57 | 0:07:01 | |
The winner is couple number 69, Ken Railings and Pam Short. | 0:07:01 | 0:07:05 | |
Ken and Pam are Southern Star Inter-regional titleholders, | 0:07:05 | 0:07:10 | |
and Putting on the Ritz, City and Country, and Round Robin champions, | 0:07:10 | 0:07:18 | |
and former three-times Pan-Pacific Grand Prix Amateur | 0:07:18 | 0:07:22 | |
Five Dance Latin American champions. Yes! | 0:07:22 | 0:07:24 | |
I've been dancing for two years. | 0:07:30 | 0:07:32 | |
I haven't got a partner yet. | 0:07:32 | 0:07:34 | |
It was great. They should've won. | 0:07:34 | 0:07:38 | |
Hi, Liz, I thought you should have won... | 0:07:38 | 0:07:40 | |
Sorry. ..Liz! | 0:07:43 | 0:07:45 | |
-Piss off! -Liz... | 0:07:45 | 0:07:47 | |
Get away from me! I'm not dancing with you, all right? | 0:07:47 | 0:07:49 | |
I'm not dancing with you till you dance like you're supposed to! | 0:07:49 | 0:07:53 | |
# Let's do it | 0:08:01 | 0:08:02 | |
# Happy feet | 0:08:02 | 0:08:03 | |
# I've got those happy feet... # | 0:08:03 | 0:08:07 | |
One, two, three, four. Partner up. | 0:08:07 | 0:08:10 | |
# I've got those tappy-toes... # | 0:08:10 | 0:08:13 | |
Happy as Larry last night, they were. | 0:08:13 | 0:08:17 | |
I'm just asking you. What did you think of the steps? | 0:08:17 | 0:08:20 | |
I don't think! I don't give a shit about them - we lost! | 0:08:20 | 0:08:23 | |
Don't you worry about Barry. ..Spinning the girl out. | 0:08:23 | 0:08:29 | |
-Fran, you out of that apricot scrub? -Nearly. -I'll bring it AND toner. It's a special this week. -Thanks. | 0:08:29 | 0:08:36 | |
Roll her in. | 0:08:36 | 0:08:39 | |
-I don't want us to end up like that drunk, Ken. -Ken Railings is a ballroom king! | 0:08:39 | 0:08:45 | |
Good, Clarry! ..I've smoothed it over. When Les Kendall talks, Barry Fife listens. | 0:08:45 | 0:08:52 | |
I've got my happy face on today, Les. | 0:08:52 | 0:08:56 | |
AAAAAAAAHHHHHHHHH! | 0:08:56 | 0:09:00 | |
-Oh, my God! -Oh, my God! -Sorry, Mrs Hastings. I've tried! | 0:09:00 | 0:09:06 | |
But your son isn't even interested in winning at the Pan-Pacifics. | 0:09:06 | 0:09:11 | |
He and I are no longer partners. | 0:09:11 | 0:09:14 | |
-Hi, Liz. -Aaaaaaah! | 0:09:15 | 0:09:19 | |
Vanessa! | 0:09:24 | 0:09:25 | |
Tango, please. | 0:09:25 | 0:09:27 | |
Oh, Vanessa! | 0:09:27 | 0:09:29 | |
Oh... | 0:09:29 | 0:09:32 | |
-Come on. -The stupid idiot! The nightmare! | 0:09:32 | 0:09:37 | |
Ahhhh! | 0:09:37 | 0:09:39 | |
-Oh, my God, Shirley. -Stay calm, Les. Stay calm. | 0:09:39 | 0:09:43 | |
Here he comes. ..Doug. Doug. | 0:09:43 | 0:09:47 | |
-Son, can I bend your ear for a tick? -Not now, Dad. | 0:09:47 | 0:09:51 | |
Don't you speak to your father like that. He's trying to talk to you. ..Talk, Doug. | 0:09:51 | 0:09:57 | |
-Are we going to do that bogo pogo? -Did you like how I danced? -What? | 0:10:08 | 0:10:15 | |
-Did you like the way I danced? -You didn't win. -But did you like it? -I dunno. Ready? -What? | 0:10:15 | 0:10:22 | |
-To help us with the bogo pogo. -How did I dance?! | 0:10:22 | 0:10:27 | |
I DON'T know. | 0:10:27 | 0:10:30 | |
Jesus, Wayne! | 0:10:30 | 0:10:32 | |
Hm-hm. | 0:10:37 | 0:10:38 | |
We had an agreement. ..Arms, Clarry. | 0:10:38 | 0:10:41 | |
-I'm sick of dancing somebody else's steps. -The people who passed on those steps know more than you do! | 0:10:41 | 0:10:50 | |
-The audience didn't think so. -The audience(!) | 0:10:50 | 0:10:53 | |
Forward on the heel, Fran. ..What do they know? Flashy choreography, | 0:10:53 | 0:10:59 | |
but where was your floorcraft? ..Arms, Clarry. | 0:10:59 | 0:11:02 | |
No energy directed into the floor, untidy feet... | 0:11:02 | 0:11:07 | |
Arms, Clarry! That won't win you the Pan-Pacific! | 0:11:07 | 0:11:11 | |
-Does he really think that'll win? -He said what we dance is crap! -What? -And then he ripped her dress. | 0:11:11 | 0:11:20 | |
And you won't win without a partner. | 0:11:20 | 0:11:24 | |
Scott and Liz are still fighting. I'm not bothering. Happy face on today. | 0:11:24 | 0:11:30 | |
-Fran, you managed to upset Lizzie. -I'd better go and apologise. | 0:11:30 | 0:11:35 | |
Go and beg forgiveness. You're nothing without her. | 0:11:38 | 0:11:43 | |
Remember, it takes two to tango. | 0:11:43 | 0:11:45 | |
You've a light in you. Let it shine. | 0:11:45 | 0:11:49 | |
Ah! | 0:11:49 | 0:11:51 | |
Right. | 0:12:19 | 0:12:21 | |
You've come to your senses. | 0:12:39 | 0:12:41 | |
NO! I don't want this. I don't want this! | 0:12:43 | 0:12:48 | |
-What DO you want? -I'll tell you! I want Ken Railings to walk in and say, | 0:12:48 | 0:12:55 | |
"Pam broke both her legs. I want to dance with YOU!" | 0:12:55 | 0:12:59 | |
HORN BLARES AHHH! | 0:12:59 | 0:13:02 | |
Pam broke both her legs. I wanna dance with YOU. | 0:13:12 | 0:13:16 | |
That was unexpected! | 0:13:16 | 0:13:19 | |
MUSIC: "The Blue Danube" by Johann Strauss Jnr | 0:13:19 | 0:13:22 | |
Thank you very much. Time to go. | 0:13:34 | 0:13:37 | |
Chairs, please, Clarry. Broom, Natalie. | 0:13:37 | 0:13:41 | |
LIZZIE: Ken's got his own spa bath. | 0:13:41 | 0:13:44 | |
KEN: It's great for aching muscles. | 0:13:44 | 0:13:46 | |
Clarry, chairs! | 0:13:50 | 0:13:52 | |
Ken owns Spa-Arama. | 0:13:52 | 0:13:56 | |
-Wayne and I hope to do well. -Oh? | 0:13:59 | 0:14:02 | |
Fran! | 0:14:02 | 0:14:04 | |
Wayne, come and meet Ken. | 0:14:04 | 0:14:06 | |
Kylie, feed the fish! | 0:14:06 | 0:14:09 | |
Doug, are you coming? | 0:14:12 | 0:14:14 | |
-He's my partner. -Fiance. G'day. | 0:14:14 | 0:14:18 | |
Doug! Doug! Doug! | 0:14:18 | 0:14:24 | |
Doug! Doug, will you hurry up, please?! | 0:14:24 | 0:14:28 | |
Doug! | 0:14:28 | 0:14:29 | |
SHIRLEY CRIES | 0:14:29 | 0:14:32 | |
There, there, there. Where's that happy face? There, there. | 0:14:35 | 0:14:41 | |
SHIRLEY CARRIES ON CRYING NOISILY | 0:14:42 | 0:14:47 | |
(Let's go.) | 0:14:51 | 0:14:54 | |
Come on, Wayne. | 0:14:54 | 0:14:57 | |
-Don't worry, we're not going to give up yet. -We'll find Scott a new partner. | 0:14:57 | 0:15:02 | |
-Oh, Les, he's my only son. -I know. I know. Now, don't worry, love. Don't worry. | 0:15:04 | 0:15:11 | |
We'll start try-outs tomorrow. | 0:15:11 | 0:15:14 | |
Now here's Doug. He'll take you home. | 0:15:16 | 0:15:18 | |
Come on, Shirley. | 0:15:20 | 0:15:22 | |
< Good night, fishes. | 0:15:22 | 0:15:23 | |
-Good night, Uncle Les. -Night-night. | 0:15:23 | 0:15:26 | |
Sleep tight. Off we go. Off we go. | 0:15:26 | 0:15:29 | |
Good... | 0:15:29 | 0:15:33 | |
Happy face! | 0:15:33 | 0:15:34 | |
Scottie, I... Scott! | 0:15:40 | 0:15:45 | |
You're still our number one. Now, we've got three weeks. | 0:15:45 | 0:15:50 | |
We'll start try-outs tomorrow. | 0:15:50 | 0:15:53 | |
We'll find you a new partner. | 0:15:53 | 0:15:55 | |
Yeah. | 0:15:55 | 0:15:58 | |
'To pick what was wrong with the steps, you'd have to be a professional, like myself.' | 0:16:44 | 0:16:49 | |
-That's good. -What are you doing? -I... -How long have you been here? | 0:18:19 | 0:18:25 | |
Two years. Er...I was just looking for someone. | 0:18:25 | 0:18:30 | |
-Everyone's gone home. -Yeah, I know. | 0:18:30 | 0:18:32 | |
It's just I've got this idea. Like... I mean... It's, er... | 0:18:34 | 0:18:41 | |
It's, er... What I'm trying to, er... | 0:18:41 | 0:18:47 | |
I want to dance with you. | 0:18:50 | 0:18:52 | |
What? | 0:18:52 | 0:18:54 | |
I want to dance with you. I want to dance with you YOUR way at the Pan-Pacifics. | 0:18:54 | 0:19:01 | |
At the Pan-Pacifics? | 0:19:04 | 0:19:07 | |
Dance my way at the Pan-Pacifics? | 0:19:07 | 0:19:09 | |
Yeah. | 0:19:09 | 0:19:13 | |
-You can't dance my way - you don't win. -It's because you're overdoing it. | 0:19:16 | 0:19:23 | |
-If you kept it simpler and dance from the heart... -What? -..and had the right partner. -I see. | 0:19:23 | 0:19:30 | |
-That's you, is it(?) -When you dance your steps I understand how you feel, cos I make up my own steps. | 0:19:30 | 0:19:38 | |
-You make up your own steps? -Yeah, and I'VE no partner. -What are you carrying on about? | 0:19:38 | 0:19:44 | |
-You've been dancing with a girl for two years, haven't you? -Yeah. -Yeah. | 0:19:44 | 0:19:52 | |
-But... -You come up and say you want to dance non-Federation | 0:19:52 | 0:19:57 | |
-AND convince the judges, with only three weeks to train? -Yeah. | 0:19:57 | 0:20:04 | |
-I don't think so. -Just try me out. | 0:20:04 | 0:20:07 | |
-Go home. -One hour! -Don't! -Just a chance! | 0:20:07 | 0:20:11 | |
You'll feel like an idiot tomorrow. | 0:20:11 | 0:20:14 | |
-Do you want to dance your own steps or not? -It's none of your business. -Do you? | 0:20:14 | 0:20:20 | |
Look. A beginner has no right to approach an Open amateur. | 0:20:20 | 0:20:26 | |
An Open amateur has no right | 0:20:26 | 0:20:27 | |
-to dance non-Federation steps, but you did. -That's different. | 0:20:27 | 0:20:32 | |
How?! | 0:20:32 | 0:20:33 | |
You're the same as the rest! You're scared to give someone new a go. | 0:20:33 | 0:20:39 | |
They might be better than you are! | 0:20:39 | 0:20:43 | |
You're pathetic and gutless! | 0:20:43 | 0:20:45 | |
Vivir con miedo es como vivir a medias! | 0:20:45 | 0:20:47 | |
What's your name again? | 0:20:59 | 0:21:01 | |
-Fran. -Yeah, Fran what? | 0:21:01 | 0:21:07 | |
Just Fran. | 0:21:09 | 0:21:11 | |
All right, then "just Fran", don't push me - rumba. | 0:21:15 | 0:21:22 | |
-Great(!) You can't even do a basic... -You said one hour. -One, TWO, three, four. | 0:21:24 | 0:21:28 | |
One, hold, TWO. One, hold, two, three. One, two, three. | 0:21:28 | 0:21:35 | |
..Three, four. One, two, three... | 0:21:35 | 0:21:40 | |
We're telling a story. The rumba's the dance of love. Look like you're in love. | 0:21:40 | 0:21:46 | |
That's it. Good. | 0:21:46 | 0:21:48 | |
Turn, two, three, four. One, two, three, four. | 0:21:50 | 0:21:55 | |
Good. That's it. | 0:21:55 | 0:21:56 | |
We'll do one basic, then a spin, then lunge. | 0:21:59 | 0:22:02 | |
And one, two and one, turn and... Oh. | 0:22:05 | 0:22:08 | |
One, turn and lunge. | 0:22:08 | 0:22:11 | |
One, turn and lunge. | 0:22:11 | 0:22:13 | |
OK. | 0:22:13 | 0:22:14 | |
Lunge, drag, hold, drag. One, two... | 0:22:16 | 0:22:21 | |
-I know... -No, no, no, we'll go - one and two and... | 0:22:21 | 0:22:27 | |
-We could... -Wait, wait. | 0:22:27 | 0:22:30 | |
Where did that come from? | 0:22:41 | 0:22:43 | |
It's a step I've been working on at home. | 0:22:45 | 0:22:49 | |
Show me. | 0:22:54 | 0:22:57 | |
Well... | 0:22:57 | 0:23:00 | |
She's got no body flight. | 0:23:18 | 0:23:21 | |
Good. | 0:23:24 | 0:23:25 | |
Stronger. | 0:23:28 | 0:23:29 | |
A bit of musicality, please! | 0:23:42 | 0:23:46 | |
Good. Good. Yeah. | 0:23:50 | 0:23:53 | |
She's terrible! | 0:24:08 | 0:24:11 | |
They're either too tall, too short or too tubby - you know, fat. | 0:24:11 | 0:24:15 | |
It's as if he doesn't want to find anyone who's compatible. | 0:24:15 | 0:24:18 | |
Now, this one's Island Fantasy. That's 11.95. | 0:24:21 | 0:24:26 | |
Now, see, that's YOU. | 0:24:26 | 0:24:29 | |
He was to help me and Vanessa with a bogo pogo step but didn't show up! | 0:24:29 | 0:24:35 | |
With a guy like Scott it could be anything - sexuality, drugs. | 0:24:35 | 0:24:40 | |
He's obviously lost it, sweetie. He's all washed up. | 0:24:40 | 0:24:43 | |
-No. -Sorry. | 0:24:58 | 0:25:00 | |
Take a break. | 0:25:00 | 0:25:02 | |
How are the try-outs going? | 0:25:08 | 0:25:10 | |
-Good. Really good. -Mm. | 0:25:13 | 0:25:17 | |
-Your mum and Les were really great dancers, weren't they? -Yeah. | 0:25:19 | 0:25:24 | |
-They don't talk about it very much. -No. It's because of Dad. | 0:25:35 | 0:25:40 | |
Look, Fran... | 0:25:45 | 0:25:48 | |
DOOR SLAMS | 0:25:50 | 0:25:53 | |
HE MOUTHS | 0:26:01 | 0:26:04 | |
HE HUMS | 0:26:09 | 0:26:11 | |
-What's he doing? -Oh, he's always hiding away doing something. | 0:26:37 | 0:26:40 | |
RUMBA MUSIC | 0:26:42 | 0:26:46 | |
Can you dance without those? | 0:26:52 | 0:26:54 | |
Might help. | 0:26:59 | 0:27:00 | |
Come on, we've got work to do. | 0:27:01 | 0:27:05 | |
# Lying in my bed I hear the clock tick | 0:27:13 | 0:27:18 | |
# And think of you | 0:27:18 | 0:27:20 | |
# Caught up in circles Confusion is nothing new | 0:27:20 | 0:27:27 | |
# Flashback, warm nights Almost left behind | 0:27:27 | 0:27:35 | |
# Suitcase of memories Time after... | 0:27:35 | 0:27:40 | |
# Sometimes you picture me I'm walking too far ahead | 0:27:40 | 0:27:48 | |
# You're calling to me I can't hear what you've said | 0:27:48 | 0:27:55 | |
TOGETHER: # Then you say, "Go slow" I fall behind | 0:27:55 | 0:28:03 | |
# The second hand unwinds... # | 0:28:03 | 0:28:06 | |
CHA-CHA MUSIC | 0:28:06 | 0:28:10 | |
# ..If you're lost you can look and you will find me | 0:28:32 | 0:28:37 | |
# Time after time | 0:28:37 | 0:28:40 | |
# If you fall, I will catch you I'll be waiting | 0:28:40 | 0:28:44 | |
# Time after time. # | 0:28:44 | 0:28:48 | |
Again. | 0:28:48 | 0:28:50 | |
It was his year! It was his year! It was his year! It was his year! It was his YEAR! | 0:29:05 | 0:29:12 | |
It was Scott's year, Luke. He threw it all away. You wouldn't, Lukey? No. | 0:29:12 | 0:29:19 | |
- Les'll find a partner. - There's no time, Doug! | 0:29:19 | 0:29:24 | |
She'd have to be a champion without a partner(!) > | 0:29:24 | 0:29:29 | |
Why don't you and Mrs Hastings go in the Over-35s? | 0:29:29 | 0:29:34 | |
I don't like competitions. He doesn't. Have a go! | 0:29:34 | 0:29:39 | |
SHIRLEY: Doug, stop that! Stop shuffling, you stupid man! | 0:29:39 | 0:29:46 | |
I can't bear it. | 0:29:49 | 0:29:51 | |
I just can't bear it. Don't cry, Mum. Scott'll find a new partner. | 0:29:51 | 0:29:57 | |
He will. | 0:29:59 | 0:30:01 | |
# If you're lost You can look and you will find me | 0:30:01 | 0:30:05 | |
# Time after time | 0:30:05 | 0:30:08 | |
# If you fall, I will catch you I'll be waiting | 0:30:08 | 0:30:13 | |
# Time after time | 0:30:13 | 0:30:16 | |
# If you fall, I will catch you I will be waiting | 0:30:16 | 0:30:21 | |
# Time after time... # | 0:30:21 | 0:30:23 | |
-You're ready. -What for? -I want you and me to try out for Les tomorrow night. | 0:30:25 | 0:30:29 | |
For the State? | 0:30:29 | 0:30:32 | |
-Really? -Yep. | 0:30:32 | 0:30:35 | |
# Time after time | 0:30:35 | 0:30:37 | |
# Time after time | 0:30:37 | 0:30:40 | |
# Time after time | 0:30:43 | 0:30:46 | |
# Time after time. # | 0:30:46 | 0:30:48 | |
-Vivir com miedo es como vivir a... -..vivir a medias. | 0:31:00 | 0:31:08 | |
-Vivir con miedo es como vivir a medias. -Yeah. | 0:31:08 | 0:31:13 | |
To live with fear is like to half-live. I mean, is a life half lived. | 0:31:14 | 0:31:20 | |
-Oh, yeah. Like a proverb. -Yeah, sort of. | 0:31:20 | 0:31:25 | |
A life half lived. | 0:31:25 | 0:31:27 | |
I like it. | 0:31:29 | 0:31:30 | |
TRAIN WHISTLE IN BACKGROUND | 0:31:30 | 0:31:34 | |
-See you at the State tomorrow. -Should we do the rumba? -Les'll love it. | 0:31:36 | 0:31:42 | |
I do too. The rumba, I mean. | 0:31:42 | 0:31:47 | |
Fran, you know what I said about the rumba being, you know, | 0:31:50 | 0:31:55 | |
-the dance of love? -Yeah. | 0:31:55 | 0:31:59 | |
-Well... -Yeah? -It's pretend. | 0:31:59 | 0:32:02 | |
-You just pretend to be in love. It's not real. -Oh, no. I didn't... | 0:32:02 | 0:32:07 | |
-SOUND OF BREAKING GLASS -Are you all right? -You'd better go. See you tomorrow. -OK. | 0:32:07 | 0:32:14 | |
GLASS CLINKS | 0:32:23 | 0:32:25 | |
TRANSLATION FROM SPANISH: | 0:32:29 | 0:32:32 | |
'The State Championships, featuring the magical Mr Nathan Starkey and Miss Tina Sparkle!' | 0:32:53 | 0:33:00 | |
BARRY FIFE: I want Tina to be Scott's new partner, Les. | 0:33:00 | 0:33:05 | |
Tina Sparkle?! | 0:33:05 | 0:33:08 | |
That's right. Bloody Nathan's going to announce his retirement tonight. | 0:33:08 | 0:33:14 | |
Both are without partners. They should be seen together. | 0:33:14 | 0:33:19 | |
But Scott's caused chat down our way! | 0:33:19 | 0:33:23 | |
That's why he needs the right partner! | 0:33:23 | 0:33:27 | |
That's right, Merv. | 0:33:27 | 0:33:30 | |
-Let's not chuck the babies out with the bathtub. -I'm 100% behind it. | 0:33:30 | 0:33:36 | |
Francisca! | 0:33:44 | 0:33:46 | |
Well, gentlemen, let's make this a bloody good festival. | 0:33:51 | 0:33:56 | |
Oh, er, Les, just a tick. | 0:33:58 | 0:34:01 | |
This is just wonderful, Barry. | 0:34:01 | 0:34:03 | |
He doesn't deserve it, Les. | 0:34:03 | 0:34:06 | |
-I've been fielding phone calls all week about the steps Scott danced at the festival. -He's changed. | 0:34:06 | 0:34:14 | |
We both know where he was heading, foolish boy. But Scott's got his second chance. | 0:34:14 | 0:34:21 | |
Let's not forget that a Pan-Pacific champion becomes a hero, | 0:34:24 | 0:34:30 | |
a guiding light to all dancers, someone who'll set the right example. | 0:34:30 | 0:34:35 | |
You've been drinking! | 0:34:37 | 0:34:39 | |
-Bullshit! -You bloody have! | 0:34:39 | 0:34:42 | |
I love dancing. And I'm not going to let what we've fought for all these years be destroyed. | 0:34:42 | 0:34:50 | |
Oh, look at that. Go, 71! | 0:34:50 | 0:34:53 | |
Go, 71! | 0:34:53 | 0:34:54 | |
-You're drunk! -Bullshit. -You bloody are! | 0:34:54 | 0:34:58 | |
Ken, come on! | 0:34:58 | 0:35:02 | |
Get your head up! | 0:35:02 | 0:35:05 | |
< Kennie! Come on, 54! > < Go for it, 69! Kennie, you old bum. | 0:35:06 | 0:35:12 | |
Do you two know anything about this girl Scott's trying out with? | 0:35:15 | 0:35:18 | |
Who is it, Mum? | 0:35:18 | 0:35:19 | |
I'd be the last to know! Scott says we'll never guess. | 0:35:19 | 0:35:23 | |
-Clarry, have you seen Fran? -No, maybe she got a lift with Natalie. It's our first big comp tonight. | 0:35:25 | 0:35:32 | |
-Do YOU know anything about her? -News travels fast! | 0:35:33 | 0:35:37 | |
-Who is it? -Sourpusses, look. | 0:35:37 | 0:35:41 | |
"Three times Pan-Pacific champion Tina Sparkle is hunting for a new partner. | 0:35:41 | 0:35:47 | |
"Nathan Starkey will be retiring. | 0:35:47 | 0:35:50 | |
"Their farewell exhibition will be at this weekend's State Finals. | 0:35:50 | 0:35:55 | |
-"Who will snaffle Tina?" -Scott Hastings, that's who! | 0:35:55 | 0:36:00 | |
Oh, my God, Tina Sparkle! Yes! | 0:36:00 | 0:36:04 | |
-Will she dance with him? -Right after her exhibition, she'll hop into the social dance with him. | 0:36:04 | 0:36:11 | |
'The next event will be the Mother and Son Gypsy Dance.' | 0:36:12 | 0:36:16 | |
It's an answer to our prayers. And she photographs well. | 0:36:16 | 0:36:21 | |
Oh, Frannie, isn't it exciting?! | 0:36:21 | 0:36:24 | |
-A partner! Everything's turned out wonderfully! -Do you think so? | 0:36:24 | 0:36:29 | |
Les and I are beside ourselves! | 0:36:29 | 0:36:33 | |
-Well, I'm very happy too. -Of course you are, luvvy. | 0:36:33 | 0:36:38 | |
(You've been using that Buf-Puf.) | 0:36:38 | 0:36:40 | |
-If he doesn't hurry up, I might jump in myself. -Mr Kendall! -Ah. | 0:36:40 | 0:36:46 | |
-Oh, Mum, I was going to tell you... -Very funny, you little devil. | 0:36:46 | 0:36:50 | |
Well, we know all about it. Fantastic, mate. | 0:36:50 | 0:36:54 | |
-You shoulda told us. -I was first! | 0:36:54 | 0:36:58 | |
-You haven't even seen us dance. -You two were made for each other! | 0:36:58 | 0:37:02 | |
I find it difficult to get the films now. It's all video, video, video. | 0:37:06 | 0:37:11 | |
For goodness' sake, Doug, she's not interested. She's beside herself. | 0:37:11 | 0:37:16 | |
Who would have thought it, eh? Our Scott dancing with someone like Tina Sparkle. | 0:37:16 | 0:37:22 | |
'Yes! The fairy princess of the dancefloor, Miss Tina Sparkle...' | 0:37:22 | 0:37:29 | |
-Tina Sparkle. -Fran, I... | 0:37:29 | 0:37:32 | |
'..and Mr Nathan Starkey!' | 0:37:32 | 0:37:35 | |
Oh, isn't Tina beautiful?! | 0:37:35 | 0:37:38 | |
'Ladies and gentlemen, this evening, dancing for the last time, | 0:37:38 | 0:37:43 | |
'Mr Nathan Starkey and Miss Tina Sparkle. What a great partnership... | 0:37:43 | 0:37:50 | |
'and what a shame! - as they dance for you the Fruity Rumba.' | 0:37:50 | 0:37:57 | |
-She's a funny girl. -Be back in a minute. | 0:37:59 | 0:38:03 | |
'The beginning of a lovely shuffle. | 0:38:03 | 0:38:07 | |
'Yes, give them some applause. Welcome them.' | 0:38:07 | 0:38:11 | |
Watch it, Fran-gipani! I'm the one driving the engine! | 0:38:14 | 0:38:18 | |
Well, what's that in the Thermos? | 0:38:18 | 0:38:21 | |
-Hi, Scott. -Have you seen Fran? -Fran who? | 0:38:21 | 0:38:27 | |
Cheers(!) | 0:38:30 | 0:38:32 | |
'It's a double...! Oh, into a quick whip split. Beaut! | 0:38:32 | 0:38:37 | |
'Ah, yes, that'll go down a treat with the judges at the Pan-Pacific this year.' | 0:38:40 | 0:38:48 | |
BOTH: Do you know where Scott went? | 0:38:48 | 0:38:52 | |
-Excuse me. Excuse me. Excuse me. -Excuse me. -Excuse me. | 0:38:52 | 0:38:58 | |
'All these steps can be found in Barry Fife's brilliant video Dance To Win, priced at 29.95. | 0:39:00 | 0:39:08 | |
'The president, Mr Barry Fife, will be signing copies of his brilliant video tonight in the foyer... | 0:39:08 | 0:39:15 | |
'Oh, a classic twilight lift. | 0:39:21 | 0:39:24 | |
'Oh, look at this!' | 0:39:28 | 0:39:32 | |
Fran, I didn't know anything about that. | 0:39:36 | 0:39:39 | |
Are you going to dance with Tina? | 0:39:39 | 0:39:43 | |
I... | 0:39:44 | 0:39:47 | |
She's the champion. | 0:39:48 | 0:39:50 | |
I think you should. | 0:39:51 | 0:39:53 | |
She's your style. You really suit each other. | 0:39:53 | 0:39:56 | |
I've been working towards winning the Pan-Pacific since I was six years old. | 0:39:56 | 0:40:00 | |
'Beautiful...' | 0:40:02 | 0:40:06 | |
I'm sure you'll win. | 0:40:16 | 0:40:17 | |
I could never do that. | 0:40:25 | 0:40:28 | |
'Flowing into the reverse whip split.' | 0:40:28 | 0:40:32 | |
MUSIC: "Perhaps, Perhaps, Perhaps" by Doris Day | 0:40:34 | 0:40:38 | |
# You won't admit you love me | 0:40:41 | 0:40:44 | |
# And so how am I ever to know? | 0:40:44 | 0:40:51 | |
# You always tell me | 0:40:51 | 0:40:53 | |
# "Perhaps, perhaps, perhaps" | 0:40:53 | 0:40:56 | |
# A million times I've asked you | 0:40:59 | 0:41:02 | |
# And then I ask you over again | 0:41:02 | 0:41:08 | |
# You only answer "Perhaps, perhaps, perhaps" | 0:41:08 | 0:41:15 | |
# If you can't make your mind up We'll never get started | 0:41:17 | 0:41:24 | |
# And I don't want to wind up | 0:41:26 | 0:41:29 | |
# Being parted, broken-hearted | 0:41:29 | 0:41:34 | |
# So if you really love me Say yes | 0:41:34 | 0:41:40 | |
# But if you don't, dear, confess | 0:41:40 | 0:41:45 | |
# And please don't tell me | 0:41:45 | 0:41:48 | |
# "Perhaps, perhaps, perhaps" | 0:41:48 | 0:41:52 | |
# "Perhaps, perhaps, perhaps" | 0:42:06 | 0:42:10 | |
# If you can't make your mind up we'll never get started | 0:42:12 | 0:42:20 | |
# And I don't want to wind up... # | 0:42:20 | 0:42:23 | |
It's the inconceivable sight of Scott dancing with Fran. | 0:42:23 | 0:42:28 | |
Hm. | 0:42:28 | 0:42:31 | |
(Check it out.) | 0:42:31 | 0:42:33 | |
# If you really love me, say yes | 0:42:33 | 0:42:35 | |
# But if you don't, dear, confess | 0:42:35 | 0:42:39 | |
# And please don't tell me "Perhaps, perhaps, perhaps." # | 0:42:39 | 0:42:46 | |
You're kidding! | 0:42:49 | 0:42:52 | |
(Fran.) | 0:42:53 | 0:42:55 | |
-'Give them a big hand...' -Quick, Tina's coming. | 0:42:55 | 0:43:00 | |
Give her a hand. | 0:43:00 | 0:43:03 | |
-I'm not going... -I don't want to hear it! | 0:43:03 | 0:43:07 | |
'Tina'll be dancing with a brand-new partner.' | 0:43:07 | 0:43:13 | |
Tina, wonderful, wonderful... the fruit, everything. | 0:43:13 | 0:43:18 | |
Les, Fife wants Scott at the servery NOW. | 0:43:18 | 0:43:22 | |
What's going on? A silly accident. | 0:43:22 | 0:43:26 | |
-Mum... -Scott, Tina's here now. | 0:43:26 | 0:43:29 | |
-Tina. ..Mum... -You need to have a chat with President Fife. | 0:43:29 | 0:43:34 | |
Don't keep him waiting. We'll be back for the Social. Take your time getting changed. Come on, Scott. | 0:43:34 | 0:43:42 | |
Tough routine, Teens. Ugh. | 0:43:42 | 0:43:45 | |
I thought that was good. | 0:43:47 | 0:43:50 | |
-Come on. -Mrs Hastings... -What did you think you were doing? | 0:43:50 | 0:43:55 | |
There's obviously been things going on, but we'll fix that nasty bruise. | 0:43:55 | 0:44:01 | |
-Then it would be best if you went home. -But... | 0:44:01 | 0:44:05 | |
You're a beginner. What were you doing? | 0:44:05 | 0:44:10 | |
-And you're clumsy. -Scott wanted... | 0:44:10 | 0:44:13 | |
Well, of course Scott would SAY that. | 0:44:13 | 0:44:16 | |
But you don't want to ruin his chances, do you? | 0:44:19 | 0:44:22 | |
..Do you? | 0:44:23 | 0:44:26 | |
You can see it would be best if you just went home | 0:44:26 | 0:44:31 | |
and forgot about this... | 0:44:31 | 0:44:34 | |
can't you, Frannie? | 0:44:34 | 0:44:36 | |
Can't you? | 0:44:36 | 0:44:38 | |
Yes, Mrs Hastings. | 0:44:38 | 0:44:41 | |
Les's lined you up with Tina. Don't blow it or there won't be a mark low enough at the Pan-Pacific. | 0:44:43 | 0:44:51 | |
-Comprendez? -Barry's thinking of your wellbeing. | 0:44:51 | 0:44:55 | |
-If everybody made up their own steps... -You'd be out of a job! -H-He's excited at dancing with Tina. | 0:44:55 | 0:45:03 | |
He doesn't know what he's saying. ..Scott! | 0:45:03 | 0:45:07 | |
We can't expect Tina to wait all night. I know. | 0:45:07 | 0:45:12 | |
-You look terrific. -What was that about? | 0:45:14 | 0:45:18 | |
-With Fran? -Fran? Fran? Fran. | 0:45:18 | 0:45:24 | |
Fran. Wasn't she that girl that...? | 0:45:24 | 0:45:25 | |
-Well, here we all are. -Where is she? -Who? -Fran. | 0:45:25 | 0:45:29 | |
-SHIRLEY: Who? -The girl that fell. | 0:45:29 | 0:45:32 | |
-She went home. Don't worry. -What?! | 0:45:32 | 0:45:35 | |
-She went shopping. -No, to make a phone call. -You're pathetic! | 0:45:35 | 0:45:40 | |
-What's wrong with you? -I've been trying to find out. | 0:45:40 | 0:45:44 | |
What IS so wrong with the way I dance?! | 0:45:44 | 0:45:47 | |
Come on now, Scott! Tina's waiting. | 0:45:53 | 0:45:56 | |
You're all so scared! | 0:45:56 | 0:45:59 | |
Is he dancing with Tina or not? | 0:45:59 | 0:46:02 | |
-Sorry, Tina. -No, Scott! ..Wayne. -Scott...! | 0:46:02 | 0:46:07 | |
What's going on?! | 0:46:07 | 0:46:09 | |
Care for a dance, Teens? | 0:46:21 | 0:46:22 | |
You danced impressively today! Do you think so? But try a bogo pogo in your samba. | 0:46:27 | 0:46:34 | |
It's terrific coming out of a twist. Actually... | 0:46:34 | 0:46:38 | |
It's in me video. You got one? Er... Take this one. | 0:46:38 | 0:46:43 | |
Thanks, Mr Fife. Scott's not the only one with a future...Wayne? | 0:46:43 | 0:46:50 | |
Yeah, Wayne. I've seen his bad influence before. | 0:46:50 | 0:46:54 | |
One bad egg could rot the whole barrel. | 0:46:54 | 0:46:58 | |
Know what I mean? Mm? | 0:47:00 | 0:47:02 | |
HE KNOCKS | 0:47:09 | 0:47:10 | |
(Fran.) | 0:47:25 | 0:47:27 | |
-Fran. -What are you doing here? | 0:47:27 | 0:47:31 | |
-I want to dance with you. -Go away. I'll get in trouble. | 0:47:31 | 0:47:35 | |
-What happened to a life lived in fear and all that? -It's no use. | 0:47:38 | 0:47:43 | |
You were right. I'm a beginner. | 0:47:43 | 0:47:46 | |
-I'll never be like them. -I don't want you to be. You're BETTER. | 0:47:48 | 0:47:53 | |
Fran, I want to dance with you at the Pan-Pacifics. | 0:47:53 | 0:47:58 | |
We won't win. | 0:47:58 | 0:48:02 | |
I just want to dance our steps. | 0:48:02 | 0:48:05 | |
Francisca! | 0:48:08 | 0:48:11 | |
-Quien es este? -Es mi... my dancing partner. -You go now! | 0:48:14 | 0:48:20 | |
-Go! Go! -No! -Go now! | 0:48:20 | 0:48:23 | |
Sacate! Sacate! Fuera de agui! Fuera. | 0:48:23 | 0:48:27 | |
We just danced together, that's ALL. | 0:48:27 | 0:48:30 | |
What sort of dance do you dance so late at night? | 0:48:30 | 0:48:34 | |
Paso Doble. | 0:48:38 | 0:48:40 | |
-Paso Doble? Tu bailas Pasa Doble? -What? | 0:48:40 | 0:48:46 | |
-You dance the Paso Doble? -..Yeah. | 0:48:46 | 0:48:50 | |
Show. Show. | 0:48:50 | 0:48:54 | |
Yes, we want to see this Paso Doble. | 0:48:56 | 0:48:59 | |
Queremos ver este Paso Doble, verdad? MUSICIANS: Si, vamos! | 0:49:02 | 0:49:07 | |
Ven. Ensename. | 0:49:11 | 0:49:13 | |
Come on. Show us your Paso Doble. | 0:49:13 | 0:49:17 | |
SHOW me your Paso Doble. | 0:49:17 | 0:49:20 | |
Venga! Venga! Venga! | 0:49:23 | 0:49:26 | |
Venga! | 0:49:36 | 0:49:38 | |
Hey, it's all right. | 0:49:41 | 0:49:43 | |
-Just try and keep up. -A ver. > | 0:49:43 | 0:49:47 | |
Intro, please. | 0:49:52 | 0:49:53 | |
PASO DOBLE MUSIC | 0:49:56 | 0:50:01 | |
GENERAL LAUGHTER | 0:50:04 | 0:50:07 | |
What?! | 0:50:16 | 0:50:18 | |
What's so funny? | 0:50:18 | 0:50:21 | |
Paso Doble - huh! | 0:50:35 | 0:50:39 | |
Paso Doble. | 0:50:39 | 0:50:41 | |
A las copas! | 0:51:09 | 0:51:12 | |
HEELS DRUM LOUDLY | 0:51:26 | 0:51:28 | |
CHEERS | 0:51:50 | 0:51:52 | |
Grandma would like to teach us. | 0:52:09 | 0:52:11 | |
Vamos a ver, donde sientes tu el ritmo? | 0:52:23 | 0:52:27 | |
Where do you feel the rhythm? | 0:52:27 | 0:52:30 | |
No, no, no. Aqui y aqui. Mira. | 0:52:40 | 0:52:46 | |
TAN-te-re-RAN de-re-TAN-TAN-TAN. | 0:52:50 | 0:52:55 | |
TAN-te-re-RAN-de-re-TAN-TAN-TAN. | 0:52:55 | 0:52:58 | |
Listen to the rhythm. Don't be scared. | 0:53:01 | 0:53:06 | |
-Acompaname! -Follow. | 0:53:09 | 0:53:11 | |
Hey! | 0:53:30 | 0:53:32 | |
Muy bien. Muy bien, chico. | 0:54:19 | 0:54:23 | |
Have you eaten? There's chops in the fridge. | 0:54:32 | 0:54:36 | |
-No, I'm fine. -How could you?! | 0:54:36 | 0:54:39 | |
How could you do that to Tina? She's a Pan-Pacific champion! | 0:54:40 | 0:54:46 | |
-Mum... -You apologise! -I won't be dancing with her. | 0:54:46 | 0:54:51 | |
-What?! -I'm dancing with Fran. -FRAN! | 0:54:51 | 0:54:54 | |
Doug, he won't dance with Tina! | 0:54:54 | 0:54:57 | |
- I heard. - Do something, you silly man! | 0:54:57 | 0:55:02 | |
-Why do you pick on Dad? -How dare you?! | 0:55:02 | 0:55:05 | |
-The sacrifices we've made for you - the money, the time... -Shut up! | 0:55:05 | 0:55:11 | |
What about Les? He's taught you everything! | 0:55:11 | 0:55:15 | |
-I'm bored with that. -I don't believe this! | 0:55:15 | 0:55:19 | |
I have been with your father for 25 years. Do I get bored? Of course! | 0:55:19 | 0:55:25 | |
-Stick with your roles and they bring their rewards. -What? | 0:55:25 | 0:55:30 | |
-Winning the Pan-Pacific! -I don't care about that! | 0:55:30 | 0:55:34 | |
Oh! > | 0:55:34 | 0:55:35 | |
-He doesn't care about winning it? -That's what he said. | 0:55:37 | 0:55:41 | |
He just wants to dance his steps. That's great for the studio(!) | 0:55:41 | 0:55:46 | |
Don't let your imagination run away with this. It's true, Mrs H! | 0:55:46 | 0:55:50 | |
Like President Fife says, one bad egg can rot the barrel. You're over-reacting! | 0:55:50 | 0:55:57 | |
Nothing terrible is going to happen! | 0:55:57 | 0:55:59 | |
Agggghhh! | 0:55:59 | 0:56:02 | |
What? | 0:56:02 | 0:56:05 | |
Ken dropped me. | 0:56:09 | 0:56:12 | |
Oh! | 0:56:12 | 0:56:14 | |
People will laugh at me. | 0:56:24 | 0:56:25 | |
-No. -Yes. You've just got not to be scared. | 0:56:36 | 0:56:43 | |
All right? | 0:56:50 | 0:56:52 | |
You remind me of your mother, you know? I'm very proud of you. | 0:56:56 | 0:57:01 | |
And if your mum was here... | 0:57:01 | 0:57:05 | |
..she will be very proud too. | 0:57:08 | 0:57:10 | |
Francisca. Fran, ven aqui. | 0:57:14 | 0:57:16 | |
It's too jazzy. Don't throw away your energy. | 0:57:17 | 0:57:22 | |
See. Keep the focus between you. | 0:57:22 | 0:57:24 | |
The face - strong. | 0:57:28 | 0:57:30 | |
Uno, dos, tres. Bien. | 0:57:36 | 0:57:38 | |
Bien! | 0:57:39 | 0:57:41 | |
Bien! | 0:57:41 | 0:57:42 | |
Muy bien, Fran. Very good. | 0:57:46 | 0:57:49 | |
Vamos a bailar. Los dos. | 0:57:49 | 0:57:51 | |
Uno, dos y tres. | 0:57:52 | 0:57:54 | |
Uno, dos, tres. | 0:57:55 | 0:57:57 | |
New steps! New steps! New steps! New steps! | 0:58:10 | 0:58:15 | |
New steps! New steps! New steps! New steps! New steps! New steps! | 0:58:15 | 0:58:21 | |
New steps! New steps! New steps! | 0:58:21 | 0:58:24 | |
There are NO new steps! | 0:58:24 | 0:58:26 | |
I unequivocally state, | 0:58:30 | 0:58:32 | |
there are no new steps for the Pan-Pacific Grand Prix! Comprendez? | 0:58:32 | 0:58:36 | |
This is getting out of hand. | 0:58:38 | 0:58:40 | |
(GROANS) | 0:58:40 | 0:58:41 | |
Stop it! | 0:58:41 | 0:58:43 | |
I've gotta think. | 0:58:43 | 0:58:45 | |
Something's got to be done about this. | 0:58:48 | 0:58:50 | |
< If you can't dance a step, you can't teach it. | 0:58:55 | 0:58:58 | |
If you can't teach it, then we might as well pack up and go home. | 0:58:58 | 0:59:01 | |
With young Liz available again you've a chance to get your status quo vadis back. | 0:59:01 | 0:59:06 | |
-We've tried everything. -Except the truth. | 0:59:06 | 0:59:10 | |
What do you mean? | 0:59:10 | 0:59:12 | |
We go back too far to beat about the bush. I know we agreed that the past should be left in the past. | 0:59:14 | 0:59:21 | |
But it's about time that lad learned some home truths about where this kind of thing can lead. | 0:59:21 | 0:59:25 | |
I'd better fill the drinks machine. | 0:59:32 | 0:59:35 | |
MUSIC: "Rhumba de Burros" sung by Ignatius Jones | 0:59:38 | 0:59:43 | |
Una vuelta. | 1:00:06 | 1:00:08 | |
Asi. Sigueme, sigueme. | 1:00:08 | 1:00:09 | |
Ole! | 1:00:11 | 1:00:13 | |
Ole! | 1:00:24 | 1:00:25 | |
You are ready, kids! You are ready! Yes, they are ready. | 1:01:13 | 1:01:19 | |
MELANCHOLY WALTZ MUSIC | 1:01:19 | 1:01:21 | |
SHIRLEY: We tried everything. BARRY: Except the truth. | 1:01:46 | 1:01:50 | |
-Are you nervous about tomorrow? -Yeah. Are you? | 1:02:00 | 1:02:05 | |
I never thought we'd make it. | 1:02:05 | 1:02:07 | |
Me neither. | 1:02:07 | 1:02:09 | |
-Fran... -Yeah? | 1:02:09 | 1:02:12 | |
..you know what I said about the rumba and it being pretend? | 1:02:16 | 1:02:21 | |
Yeah. | 1:02:21 | 1:02:23 | |
-Well... -What? | 1:02:23 | 1:02:25 | |
..I think I made a mistake. | 1:02:28 | 1:02:31 | |
-Oh, no! -What? | 1:02:40 | 1:02:42 | |
-I promised Wayne I'd help him with his... -..bogo pogo. | 1:02:42 | 1:02:48 | |
You'd better not keep him waiting. | 1:02:48 | 1:02:51 | |
Hey, vivir con miedo es como vivir a medias. | 1:02:51 | 1:02:54 | |
Wayne! | 1:03:06 | 1:03:07 | |
Wayne! | 1:03:09 | 1:03:10 | |
Wayne's not here. | 1:03:15 | 1:03:17 | |
I hope you don't mind. | 1:03:18 | 1:03:19 | |
We know we can't win, but we're going to dance anyway. | 1:03:21 | 1:03:25 | |
So let's not waste each other's time. | 1:03:25 | 1:03:27 | |
-He was the most beautiful dancer I'd ever seen. -What? | 1:03:32 | 1:03:36 | |
He could've been the greatest champion of them all, but like you he threw it all away. | 1:03:36 | 1:03:43 | |
-Who? -The man in this photograph. | 1:03:43 | 1:03:46 | |
What are you talking about? | 1:03:48 | 1:03:49 | |
I'm talking about the man who was potentially the greatest ballroom dancer this country's ever seen. | 1:03:51 | 1:03:58 | |
I'm talking about your father - Doug Hastings. | 1:03:58 | 1:04:03 | |
Come on. Dad doesn't even dance! | 1:04:03 | 1:04:07 | |
You think it's funny, do you? Do you? | 1:04:07 | 1:04:09 | |
I worshipped that man. We all did. He was an inspiration to us all. | 1:04:09 | 1:04:15 | |
But that's Les. LES was Mum's partner. | 1:04:22 | 1:04:24 | |
No, Scott. That's Doug. | 1:04:26 | 1:04:29 | |
I know to look at him today it's hard to believe, but once...once... | 1:04:31 | 1:04:35 | |
Ah, once... | 1:04:43 | 1:04:44 | |
Doug and Shirley Hastings were the best bloody couple this country had ever seen. | 1:04:48 | 1:04:54 | |
DISTANT CHEERS AND COMMENTARY | 1:04:54 | 1:04:56 | |
Couple number 100. | 1:05:07 | 1:05:08 | |
You know, Scott, your dad, he had it all - | 1:05:10 | 1:05:14 | |
looks, charm, confidence. He had everything. EVERYTHING. | 1:05:14 | 1:05:17 | |
My God, he was MAGNIFICENT! | 1:05:22 | 1:05:24 | |
Grrrrrr. | 1:05:24 | 1:05:27 | |
SAMBA MUSIC | 1:05:27 | 1:05:30 | |
Samba, cha-cha, rumba, jive - he could do anything. | 1:05:30 | 1:05:35 | |
Brilliant! | 1:05:35 | 1:05:38 | |
All the girls loved him. | 1:05:38 | 1:05:39 | |
My goodness, he showed those chickies a thing or two. | 1:05:39 | 1:05:43 | |
I was your dad's best mate in those days. | 1:05:47 | 1:05:51 | |
We used to scruff it together. You know, screw it around. | 1:05:51 | 1:05:56 | |
Les would come along, of course. The three of us together - the old gang. | 1:05:56 | 1:06:02 | |
We were a bunch of old funsters. We all wanted to win, of course. | 1:06:02 | 1:06:09 | |
But with your mum as your dad's partner, we had no chance. | 1:06:09 | 1:06:13 | |
They were magnificent! | 1:06:15 | 1:06:18 | |
# Take a look at me I'm yesterday's hero | 1:06:19 | 1:06:23 | |
# Yesterday's hero | 1:06:23 | 1:06:25 | |
# That's all I be-e-e-e-e. # | 1:06:25 | 1:06:29 | |
They had it all before them - a perfect career. | 1:06:30 | 1:06:34 | |
And then... | 1:06:34 | 1:06:35 | |
..EVERYTHING changed. | 1:06:37 | 1:06:39 | |
Your dad became - I don't know - | 1:06:41 | 1:06:43 | |
self-obsessed, focused on himself. A selfish dancer. | 1:06:43 | 1:06:49 | |
I didn't know what to make of it. He started doing his own thing. | 1:06:49 | 1:06:55 | |
Crazy, wild, crowd-pleasing steps. | 1:06:55 | 1:06:57 | |
A bit like yourself, Scott, but always... | 1:07:01 | 1:07:04 | |
strictly ballroom. | 1:07:04 | 1:07:07 | |
Shirley put up with it for as long as she bloody well could. | 1:07:08 | 1:07:12 | |
But it was only a matter of time before she eventually cracked. | 1:07:16 | 1:07:20 | |
I tried to warn him, but no, he wouldn't listen. | 1:07:20 | 1:07:24 | |
He'd lost touch with reality. | 1:07:27 | 1:07:30 | |
He thought they could win the Pan-Pacific dancing his own steps. | 1:07:30 | 1:07:34 | |
Of course, they lost. | 1:07:36 | 1:07:38 | |
I was lucky enough to win that year. The shock sent Doug crazy. | 1:07:38 | 1:07:43 | |
He vowed he'd never dance again. | 1:07:43 | 1:07:46 | |
For a while there we didn't think he'd pull through. | 1:07:46 | 1:07:49 | |
Slowly, little by little, day by day, | 1:07:49 | 1:07:52 | |
he managed to crawl back from that dark pit of despair | 1:07:52 | 1:07:56 | |
and tack together some semblance of a life. | 1:07:56 | 1:08:00 | |
When you were born, Doug found a reason to live. | 1:08:08 | 1:08:11 | |
He vowed that one day, you'd win the trophy that he could never win. | 1:08:13 | 1:08:19 | |
That's why I've been so hard on you, Scott. | 1:08:19 | 1:08:21 | |
For Doug to see you so close and go the same way he went would be too much for him to bear. | 1:08:21 | 1:08:28 | |
I think that'd kill him. | 1:08:28 | 1:08:30 | |
I managed to save this as a souvenir. | 1:08:32 | 1:08:36 | |
Doug got rid of everything else. | 1:08:39 | 1:08:42 | |
Don't tell anybody I've got it. | 1:08:42 | 1:08:44 | |
Why...didn't anyone tell me? | 1:08:50 | 1:08:52 | |
Doug destroyed your mother's career, | 1:08:54 | 1:08:57 | |
made her keep it from you. | 1:08:57 | 1:09:00 | |
Your father's a proud man. | 1:09:00 | 1:09:02 | |
He wouldn't want me to do this, but I'm begging you - | 1:09:02 | 1:09:07 | |
dance with Liz and win the Pan-Pacific once, just once for Doug. | 1:09:07 | 1:09:10 | |
He's suffered enough, Scott. | 1:09:12 | 1:09:14 | |
Don't you think he deserves a little happiness? | 1:09:14 | 1:09:18 | |
Of course, it's up to you. You do what you think's best. | 1:09:18 | 1:09:23 | |
You'll make the right decision. | 1:09:31 | 1:09:32 | |
'Dance with Liz and win the Pan-Pacific once, just once for Doug. | 1:10:24 | 1:10:29 | |
'He's suffered enough, Scott.' | 1:10:29 | 1:10:32 | |
'The Pan-Pacific Grand Prix!' | 1:10:52 | 1:10:55 | |
MUSIC: "The Blue Danube" | 1:10:55 | 1:11:00 | |
Come on! | 1:11:08 | 1:11:09 | |
CRIES OF ENCOURAGEMENT | 1:11:10 | 1:11:12 | |
'Put your hands together, ladies and gentlemen. | 1:11:21 | 1:11:25 | |
'What a magnificent old-time waltz! | 1:11:25 | 1:11:28 | |
'Thank you, couples. You may leave the floor.' | 1:11:28 | 1:11:31 | |
RAPTUROUS APPLAUSE | 1:11:31 | 1:11:33 | |
-Very good, darling. Very good. -Straight down the line. Couldn't fault it. Well done. Well done. | 1:11:38 | 1:11:45 | |
Jesus, Ken! I only had one drink! | 1:11:45 | 1:11:48 | |
Poor Tina. Like dancing in a brewery. | 1:11:48 | 1:11:51 | |
'..For the Beginners' Final...' | 1:11:52 | 1:11:55 | |
It's Fran! | 1:11:55 | 1:11:57 | |
She belongs in Beginners. And she stole my partner. | 1:12:00 | 1:12:05 | |
WAYNE: You made the right decision, mate. | 1:12:05 | 1:12:09 | |
I know at times it's been confusing for you, Scott. | 1:12:25 | 1:12:28 | |
I speak for the studio when I say by putting trust in the Federation you're doing the right thing. | 1:12:28 | 1:12:35 | |
I think that'll be reflected in the results of the big one yet to come - the Open Latin Final. | 1:12:35 | 1:12:43 | |
We're right behind you, boy. | 1:12:43 | 1:12:45 | |
- Can I bend your ear for a tick? - Doug!! He has to get ready! | 1:13:00 | 1:13:05 | |
I must get to the scrutineers' table. Go for it, boy! | 1:13:05 | 1:13:08 | |
Que bonita esta. Si encuentro ese cabron, lo mato. | 1:13:15 | 1:13:19 | |
-No, it's a quick a one, a two, a three, a four. -You go back to the ball point! | 1:13:36 | 1:13:44 | |
- Mr Fife! - Son? | 1:13:44 | 1:13:48 | |
It's the bogo pogo you suggested. | 1:13:46 | 1:13:49 | |
- Did I? - You were to show it to us. | 1:13:49 | 1:13:54 | |
- Bit of a hurry. - Know my partner? | 1:13:54 | 1:13:59 | |
Wow! Hello, sweetie. | 1:13:59 | 1:14:02 | |
Having a bit of trouble with the old bogo pogo? Go down one heel ball. | 1:14:02 | 1:14:08 | |
Pull the weight up into the chest, puffing it out proud, then a quick syncopating two and three and four. | 1:14:08 | 1:14:16 | |
- Comprendez? - Thanks, Mr Fife. | 1:14:16 | 1:14:19 | |
Got to run. Good luck for tonight, kids. | 1:14:19 | 1:14:23 | |
-Son, can I bend...? -Not now, Dad. | 1:14:23 | 1:14:25 | |
-What happened to "a life lived in fear"? -Fran! | 1:14:51 | 1:14:55 | |
You really are a gutless wonder! | 1:14:55 | 1:14:57 | |
-The reason... -I don't want to hear. | 1:14:57 | 1:15:01 | |
-Listen! -No! -It's hard for me too. -Hard! | 1:15:01 | 1:15:05 | |
Think how hard it's been for ME to get you to dance with me in the first place. | 1:15:08 | 1:15:15 | |
Fran-gipani della squeegee mop. | 1:15:16 | 1:15:19 | |
"Wash the coffee cups, Fran. How's your skin, Fran?" Hard?! | 1:15:19 | 1:15:24 | |
-You don't understand. -I understand. | 1:15:24 | 1:15:27 | |
You've got your Pan-Pacifics to win and I'm back in Beginners. | 1:15:27 | 1:15:32 | |
Fran! | 1:15:34 | 1:15:36 | |
-Can I bend your ear for a tick? -Not now. -Yes, NOW, Scott! | 1:15:38 | 1:15:42 | |
And now, ladies and gentlemen, the main event, | 1:15:46 | 1:15:51 | |
the Pan-Pacific Grand Prix Amateur Five Dance Latin FINAL! | 1:15:51 | 1:15:55 | |
BARRY WHISTLES Mr Fife! | 1:15:57 | 1:16:01 | |
-..But you ball change on the one. -Wayne, it doesn't matter. -Come on! | 1:16:01 | 1:16:08 | |
I'm dancing with Liz. | 1:16:08 | 1:16:10 | |
-There's something you must know. -I know. | 1:16:10 | 1:16:14 | |
Mr Fife. | 1:16:14 | 1:16:16 | |
-TINA: This is a farce. > -Wayne! | 1:16:16 | 1:16:18 | |
You can hardly stand up! > | 1:16:18 | 1:16:21 | |
BARRY: I've fixed it. You'll win! > | 1:16:21 | 1:16:23 | |
I can't go out there! Pull yourself together! | 1:16:25 | 1:16:29 | |
-I have always regretted... -..dancing your own steps at the Pan-Pacific. I KNOW. | 1:16:29 | 1:16:36 | |
I'm not going to make that mistake. | 1:16:36 | 1:16:38 | |
I never danced at the Pan-Pacific Grand Prix. | 1:16:38 | 1:16:43 | |
-Barry told me you lost it dancing your own steps. -Barry?! | 1:16:43 | 1:16:48 | |
Your year, Ken. Just get on the floor, go through the motions and it's in the bag. | 1:16:48 | 1:16:54 | |
Hastings' credibility will be shot. | 1:16:54 | 1:16:58 | |
I'll just go and polish the trophy. Thanks, Mr Fife. | 1:16:58 | 1:17:04 | |
-Barry convinced her. -Who? | 1:17:04 | 1:17:07 | |
'Couple 100 - Scott Hastings and Liz Holt.' | 1:17:07 | 1:17:11 | |
Your mother. | 1:17:11 | 1:17:14 | |
He's been called, you silly man! | 1:17:14 | 1:17:16 | |
Wayne, we're being called. It's none of our business. | 1:17:16 | 1:17:23 | |
'Couple number 176 - Jonathan French and Emily Waters.' (Les!) | 1:17:23 | 1:17:28 | |
Here, use this. | 1:17:28 | 1:17:30 | |
Pssst! | 1:17:33 | 1:17:35 | |
-Could I have your number? -Spud out, nerd! | 1:17:38 | 1:17:42 | |
Couple number 69 - Ken Railings and Tina Sparkle! | 1:17:42 | 1:17:47 | |
-What? -I never danced here. Shut up! | 1:17:47 | 1:17:52 | |
-Barry convinced your mother to dance with LES. -What?! | 1:17:52 | 1:17:56 | |
-Don't listen! -Why didn't you dance with Dad? -His steps! We'd have lost. | 1:17:56 | 1:18:01 | |
You lost anyway. You should have stuck by me. | 1:18:01 | 1:18:06 | |
I did it for you. It cost us our dream. | 1:18:06 | 1:18:09 | |
Barry convinced me our dancing career was on the line. | 1:18:09 | 1:18:14 | |
We'd never have been able to teach. | 1:18:14 | 1:18:16 | |
I couldn't throw that away on a dream! We had to survive. | 1:18:16 | 1:18:21 | |
'..Scott Hastings and Liz Holt.' SCOTT! | 1:18:21 | 1:18:26 | |
Scott...! Scott! | 1:18:29 | 1:18:33 | |
This is the final call for couple number 100 - Scott Hastings and Elizabeth Holt. | 1:18:36 | 1:18:43 | |
Don't listen to him, Scott. Get on that floor. You can win. | 1:18:43 | 1:18:47 | |
Win. | 1:18:47 | 1:18:49 | |
It was the dancing that mattered. SHIRLEY: Don't listen. It's YOUR day. | 1:18:49 | 1:18:55 | |
We should have put that first! | 1:18:55 | 1:18:59 | |
We were scared. We walked away. We lived our lives in fear! | 1:18:59 | 1:19:02 | |
No! | 1:19:25 | 1:19:26 | |
No, Scott, no! | 1:19:28 | 1:19:30 | |
No! | 1:19:30 | 1:19:33 | |
Agghhhh! | 1:19:35 | 1:19:37 | |
PASO DOBLE MUSIC | 1:19:40 | 1:19:43 | |
Break out the Bollinger, sweet chops. | 1:19:45 | 1:19:49 | |
-Are you sure? -We heard him. | 1:19:57 | 1:20:00 | |
Fran! | 1:20:07 | 1:20:08 | |
-Why aren't you...? -There's no time. | 1:20:08 | 1:20:11 | |
Do you still want to dance with me? | 1:20:11 | 1:20:13 | |
-I brought this just in case. -Come on. | 1:20:18 | 1:20:20 | |
Que tonto es! A que estamos esperando? | 1:20:20 | 1:20:25 | |
I want a word. | 1:20:27 | 1:20:28 | |
Pull yourself together. It's not my fault the boy chickened out. | 1:20:28 | 1:20:31 | |
-It wouldn't have made any difference. -Out the back. | 1:20:31 | 1:20:34 | |
I know what's going on! | 1:20:36 | 1:20:39 | |
You betrayed his father. | 1:20:39 | 1:20:41 | |
-You told me Doug wanted me to dance with her. -You wanted to hear it. | 1:20:41 | 1:20:46 | |
Go, Ken! | 1:20:46 | 1:20:47 | |
-You won't get away with this! -Hear that? | 1:20:50 | 1:20:54 | |
That's the future of dance. No-one, but no-one's going to change that! | 1:20:54 | 1:20:59 | |
What the...? | 1:21:04 | 1:21:05 | |
CHEERING | 1:21:09 | 1:21:11 | |
PASO DOBLE MUSIC | 1:21:15 | 1:21:19 | |
Nina! | 1:21:32 | 1:21:34 | |
Gimme that bloody thing! | 1:21:47 | 1:21:49 | |
Oh, no, you don't! | 1:21:53 | 1:21:56 | |
Cut the music! Cut the music! | 1:21:58 | 1:22:02 | |
He's going to cut the music! | 1:22:02 | 1:22:04 | |
Lock it! | 1:22:11 | 1:22:12 | |
MUSIC STOPS | 1:23:07 | 1:23:09 | |
It's not working! | 1:23:14 | 1:23:16 | |
ELECTRONIC HUM | 1:23:21 | 1:23:25 | |
We have a disqualification. | 1:23:32 | 1:23:36 | |
This is Barry Fife speaking. | 1:23:38 | 1:23:39 | |
Scott Hastings and partner are suspended until further notice. | 1:23:42 | 1:23:48 | |
Will Scott Hastings and partner please leave the floor. | 1:23:49 | 1:23:54 | |
This is the final warning for Scott Hastings and partner | 1:23:58 | 1:24:03 | |
to PLEASE leave the floor. | 1:24:03 | 1:24:05 | |
CLAPS CONTINUE | 1:24:39 | 1:24:41 | |
'Listen to the rhythm. | 1:25:08 | 1:25:11 | |
'Don't be scared.' | 1:25:11 | 1:25:13 | |
No, you don't! Shame on you, Miss Leachman. | 1:26:35 | 1:26:39 | |
MUSIC STARTS UP AGAIN | 1:26:51 | 1:26:53 | |
Shall we dance? | 1:28:14 | 1:28:17 | |
# Love is in the air | 1:28:17 | 1:28:19 | |
# Everywhere I look around | 1:28:19 | 1:28:22 | |
# Love is in the air | 1:28:24 | 1:28:27 | |
# Every sight and every sound | 1:28:27 | 1:28:31 | |
# And I don't know if I'm being foolish | 1:28:32 | 1:28:36 | |
# Don't know if I'm being wise | 1:28:36 | 1:28:40 | |
# But it's something that I must believe in | 1:28:40 | 1:28:44 | |
# And it's there when I look in your eyes | 1:28:44 | 1:28:48 | |
# Love is in the air In the whisper of the trees | 1:28:48 | 1:28:53 | |
# Love is in the air | 1:28:56 | 1:28:59 | |
# In the thunder of the sea | 1:28:59 | 1:29:01 | |
# And I don't know if I'm just dreaming | 1:29:04 | 1:29:08 | |
# Don't know if I feel safe | 1:29:08 | 1:29:12 | |
# But it's something that I must believe in | 1:29:12 | 1:29:15 | |
# And it's there when you call out my name | 1:29:15 | 1:29:19 | |
# Love is in the air | 1:29:28 | 1:29:30 | |
# Love is in the air | 1:29:32 | 1:29:35 | |
# Oh-h-h-h-h, oh, oh Oh, oh-h-h-h-h-oh | 1:29:36 | 1:29:41 | |
# Oh, love is in the air! # | 1:29:47 | 1:29:51 |