Browse content similar to Taken in Broad Daylight. Check below for episodes and series from the same categories and more!
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Come on, it's Friday, let's go! | 0:00:04 | 0:00:07 | |
Just one more. | 0:00:09 | 0:00:10 | |
One more. | 0:00:13 | 0:00:15 | |
-Where's the rest of the track team? -Gone home. | 0:00:17 | 0:00:19 | |
-SHOUTS: -Come on, Anne. | 0:00:20 | 0:00:22 | |
Anne, I got you something. | 0:00:28 | 0:00:30 | |
What? What? | 0:00:30 | 0:00:33 | |
Close your eyes. | 0:00:33 | 0:00:34 | |
-Come on. -Close your eyes. | 0:00:35 | 0:00:36 | |
-OK. -Hold out your hand. | 0:00:36 | 0:00:38 | |
-What's this? -Happy three month anniversary. | 0:00:41 | 0:00:44 | |
What am I, like, six years old? | 0:00:44 | 0:00:45 | |
You've got a whole pile of stuffed animals in your room. | 0:00:45 | 0:00:49 | |
So, who's getting the movie tonight? | 0:00:49 | 0:00:51 | |
-Who usually gets it? -Just not Charlie's Angels again. | 0:00:51 | 0:00:55 | |
Come on. Drew Barrymore. | 0:00:55 | 0:00:57 | |
Gary, why don't you go and pick up that Adam Sadler movie | 0:00:57 | 0:01:00 | |
-you wanted to see. -No problem. | 0:01:00 | 0:01:01 | |
See you tonight. | 0:01:01 | 0:01:04 | |
-Oh, I'll pick up that new CD you wanted. -Cool. | 0:01:04 | 0:01:08 | |
-My house, 7.30? -Thanks for the bear, Care Bear. | 0:01:08 | 0:01:11 | |
Is that what you're looking for? | 0:01:28 | 0:01:31 | |
Tom. | 0:01:31 | 0:01:33 | |
Tom! | 0:01:33 | 0:01:36 | |
SHE LAUGHS | 0:01:36 | 0:01:37 | |
-Where's your trophy, jock? -Where's your hair?! | 0:01:39 | 0:01:42 | |
I missed you. | 0:01:45 | 0:01:47 | |
They don't feed you like that at basic. | 0:01:52 | 0:01:54 | |
More potatoes? | 0:01:54 | 0:01:56 | |
Could do. | 0:01:58 | 0:02:00 | |
Anne, go get your brother seconds. | 0:02:00 | 0:02:02 | |
Tom's old enough to get his own potatoes. | 0:02:02 | 0:02:04 | |
No, honey, I really think you should get them. | 0:02:04 | 0:02:07 | |
He's closer. | 0:02:07 | 0:02:09 | |
Potatoes. | 0:02:09 | 0:02:11 | |
OK... | 0:02:14 | 0:02:15 | |
It came. | 0:02:18 | 0:02:20 | |
Have you opened it? | 0:02:22 | 0:02:23 | |
-It was an accident. -You liar. | 0:02:24 | 0:02:26 | |
I got it. I got it! | 0:02:32 | 0:02:35 | |
I got it! | 0:02:35 | 0:02:36 | |
They say you either get beauty or brains. Now we know. | 0:02:37 | 0:02:41 | |
-Oh, my God. I've got to tell Gary and Paige. -Now? | 0:02:41 | 0:02:45 | |
Come on, Mum. Please, please, please. | 0:02:46 | 0:02:48 | |
-Your brother just got home. -Let her go. It's OK, Mom. | 0:02:48 | 0:02:51 | |
-But don't stay out too late. -Come on, I'm practically in college. | 0:02:51 | 0:02:55 | |
Midnight and not a minute later. | 0:02:55 | 0:02:58 | |
OK, Dad... | 0:02:59 | 0:03:01 | |
Thanks, there's this new CD... | 0:03:03 | 0:03:05 | |
-We are so proud of you, baby. -Thank you. | 0:03:05 | 0:03:08 | |
This rocks. | 0:03:08 | 0:03:10 | |
# It's the sound of dogs at noon When the feast is freshly brewed | 0:03:18 | 0:03:21 | |
-# It's the sound of dogs at noon... # -Sorry! | 0:03:21 | 0:03:24 | |
# It's the sound of dogs at noon When the feast is freshly brewed | 0:03:25 | 0:03:29 | |
# It's the sound of dogs at noon | 0:03:29 | 0:03:31 | |
# She was breathing like a girl Atop her wedding bed | 0:03:32 | 0:03:36 | |
# Lungs speed and lungs sped | 0:03:36 | 0:03:38 | |
# She was breathing like a girl Atop her wedding bed | 0:03:39 | 0:03:42 | |
# Lungs speed and lungs sped | 0:03:42 | 0:03:45 | |
# Ooh, oooh-ooh | 0:03:46 | 0:03:48 | |
# Ooh, ooh-ooh... # | 0:03:48 | 0:03:52 | |
Help! Please, help. | 0:03:56 | 0:03:58 | |
Help! | 0:03:58 | 0:04:01 | |
Somebody help me! | 0:04:01 | 0:04:02 | |
No. No. No. | 0:04:02 | 0:04:05 | |
No! Somebody help. | 0:04:08 | 0:04:09 | |
SHE CRIES OUT | 0:04:20 | 0:04:22 | |
The vehicle is registered to a Don Sluti. | 0:05:12 | 0:05:15 | |
Who? | 0:05:15 | 0:05:17 | |
Sluti. Don Sluti. | 0:05:17 | 0:05:19 | |
And Sluti is listed as the principle driver. | 0:05:19 | 0:05:22 | |
What? | 0:05:23 | 0:05:25 | |
Do you know him? | 0:05:25 | 0:05:27 | |
DOORBELL RINGS | 0:05:36 | 0:05:38 | |
I'll get it. | 0:05:42 | 0:05:43 | |
Mike. | 0:05:49 | 0:05:50 | |
No. No. She went to Paige's house. | 0:05:53 | 0:05:56 | |
-She left an hour or so ago. -And went to the mall. | 0:05:56 | 0:06:00 | |
-She was going to buy a CD. -Did you call Paige? | 0:06:00 | 0:06:03 | |
Elaine, witnesses saw her being forced into an SUV. | 0:06:03 | 0:06:06 | |
You shouldn't have screamed back there. | 0:06:47 | 0:06:50 | |
Why did you do that? | 0:06:51 | 0:06:54 | |
Answer me! Why did you scream? | 0:06:55 | 0:06:57 | |
Because you were hitting me. | 0:06:57 | 0:06:59 | |
Sit. | 0:07:07 | 0:07:09 | |
Go on, sit. | 0:07:13 | 0:07:14 | |
Up here. | 0:07:14 | 0:07:16 | |
LOCK CLICKS | 0:08:20 | 0:08:22 | |
LOCK CLICKS OPEN AND SHUT | 0:08:22 | 0:08:25 | |
LOCK CLICKS OPEN AND SHUT | 0:08:28 | 0:08:31 | |
Suburban. Sporty utility vehicle. | 0:08:54 | 0:08:57 | |
Two occupants, Caucasian. Female, 17 years old. | 0:08:57 | 0:09:00 | |
..All alleys and backroads. He is presumed armed and dangerous. | 0:09:00 | 0:09:04 | |
In most abductions, the family is contacted | 0:09:04 | 0:09:07 | |
so we're going to set up here and be ready to trace the call. | 0:09:07 | 0:09:10 | |
Dave, I need the fax machine. | 0:09:10 | 0:09:12 | |
Is it money? A ransom? | 0:09:13 | 0:09:15 | |
We don't know yet. It's why we need to be ready, in case he calls. | 0:09:15 | 0:09:19 | |
So we just wait? | 0:09:19 | 0:09:20 | |
-You need to stay put. -And do nothing? | 0:09:21 | 0:09:24 | |
In case the kidnapper calls. | 0:09:24 | 0:09:26 | |
That's just great(!) | 0:09:26 | 0:09:27 | |
Tom, let's just let them do their job. | 0:09:27 | 0:09:30 | |
Mr S, what's going on? Where's Anne? | 0:09:32 | 0:09:35 | |
-We're going to have to ask you all some questions. -No problem. | 0:09:38 | 0:09:41 | |
You need to understand it can be intrusive. | 0:09:41 | 0:09:44 | |
FALLEN UTENSILS RATTLE ON FLOOR | 0:09:44 | 0:09:47 | |
Get out. | 0:10:21 | 0:10:23 | |
Oh, God, please. | 0:10:28 | 0:10:30 | |
-Don't... -Stay still. | 0:10:30 | 0:10:31 | |
-Stay still. -Don't hurt me! -Shh. -I won't tell anybody. | 0:10:33 | 0:10:36 | |
I promise, I'm not going to say anything. | 0:10:36 | 0:10:39 | |
Please let me go. Don't. | 0:10:43 | 0:10:45 | |
Please, don't do this. | 0:10:52 | 0:10:53 | |
I'll make you a deal. | 0:10:55 | 0:10:57 | |
If you can get the tape off, I'll let you go. | 0:10:57 | 0:11:01 | |
Ow... | 0:11:04 | 0:11:07 | |
You'll have to do better than that. | 0:11:08 | 0:11:11 | |
Time's almost up. | 0:11:56 | 0:11:58 | |
Agh... | 0:11:58 | 0:12:00 | |
You lose. | 0:12:07 | 0:12:09 | |
Could you untie my hands? I think they're still bleeding. | 0:12:35 | 0:12:39 | |
-Ow. -You've got something on... | 0:13:02 | 0:13:05 | |
Hey... | 0:13:06 | 0:13:08 | |
Stay still. | 0:13:08 | 0:13:09 | |
-Don't do that. -You've got something on your forehead. -Don't touch me. Ow. | 0:13:09 | 0:13:13 | |
-Hey. -Ow. Let go of me! | 0:13:13 | 0:13:15 | |
TYRES SCREECH | 0:13:15 | 0:13:18 | |
Are they going to make a statement? | 0:13:35 | 0:13:37 | |
At this point, we don't know what's going on. | 0:13:37 | 0:13:39 | |
There's a swarm of reporters out there. | 0:13:45 | 0:13:47 | |
The more people who see Anne's face on TV, the more tips we're going to get. | 0:13:47 | 0:13:51 | |
And the fewer places this guy's going to have to hide. | 0:13:51 | 0:13:53 | |
You've got Anne's picture. | 0:13:53 | 0:13:55 | |
What are we waiting for? | 0:13:55 | 0:13:57 | |
It might not go our way. | 0:13:59 | 0:14:00 | |
It could panic the kidnapper | 0:14:00 | 0:14:04 | |
and that's a risk you're going to have to weigh. | 0:14:04 | 0:14:09 | |
Well, the story's already out there. I mean...it's all over the news. | 0:14:09 | 0:14:14 | |
If getting Anne's picture out there will help, we should do it. | 0:14:14 | 0:14:18 | |
Tell us what to do, Mike. | 0:14:24 | 0:14:26 | |
Here he comes... | 0:14:26 | 0:14:27 | |
REPORTER'S SHOUT | 0:14:27 | 0:14:30 | |
Over here, sir... | 0:14:30 | 0:14:32 | |
Approximately five hours ago, 17-year-old Anne Sluti was abducted | 0:14:32 | 0:14:36 | |
from the Hilltop Mall by an unidentified Caucasian male. | 0:14:36 | 0:14:40 | |
Anne is 5' 7" tall, | 0:14:40 | 0:14:42 | |
She has brown hair and blue eyes and is wearing a pink hooded sweatshirt and blue jeans. | 0:14:42 | 0:14:48 | |
We're asking all of the residents of Kearney to be on the alert and to report | 0:14:48 | 0:14:53 | |
any potential sightings of Anne and her abductor to the local police. | 0:14:53 | 0:14:57 | |
When they were last seen, they were driving a dark blue suburban with Louisiana plates. | 0:14:57 | 0:15:02 | |
Detective... REPORTER'S SHOUT | 0:15:02 | 0:15:05 | |
-Katie. -Detective Timbrook, are the FBI involved in this investigation? | 0:15:05 | 0:15:09 | |
Well, if there's any indication that Anne was taken outside of Nebraska, | 0:15:09 | 0:15:13 | |
we'll certainly contact the FBI. | 0:15:13 | 0:15:15 | |
REPORTER'S SHOUT | 0:15:15 | 0:15:16 | |
Isn't it true that almost 75% of children | 0:15:16 | 0:15:19 | |
kidnapped are murdered within the first three hours of abduction? | 0:15:19 | 0:15:23 | |
That depends on a lot of different circumstances. | 0:15:23 | 0:15:26 | |
And isn't it true that after 24 hours the statistical chances of her being found alive are virtually nil? | 0:15:26 | 0:15:32 | |
Well, that's why we're asking for everybody's help and cooperation in this matter. | 0:15:32 | 0:15:36 | |
OK. That's it, folks. Thank you. | 0:15:36 | 0:15:38 | |
Is that all you've got?! I'm still here. | 0:16:04 | 0:16:07 | |
ABDUCTOR LAUGHS | 0:16:14 | 0:16:18 | |
Whoo! | 0:16:21 | 0:16:22 | |
Help. Help me! I can't move. | 0:16:27 | 0:16:34 | |
Please. Please. I can't get up. Please. | 0:16:34 | 0:16:39 | |
Come and let me out. I can't move. I could die. | 0:16:39 | 0:16:42 | |
Please... | 0:16:42 | 0:16:45 | |
My God. Oh, God. | 0:16:45 | 0:16:49 | |
Please. Please, help me. Oh, God. Oh, God. Please, help me. | 0:16:49 | 0:16:55 | |
Please God, I'm going to drown. | 0:16:55 | 0:16:57 | |
I saved your life. | 0:18:00 | 0:18:02 | |
I own you. | 0:18:05 | 0:18:06 | |
This is it. | 0:19:57 | 0:19:59 | |
-Are we ready? -What do I say? | 0:19:59 | 0:20:02 | |
Just stay calm and try and keep them on the line as long as you can. | 0:20:02 | 0:20:05 | |
All right? Ready? | 0:20:05 | 0:20:07 | |
Hello. | 0:20:09 | 0:20:11 | |
No, we're not giving any interviews. | 0:20:13 | 0:20:15 | |
They're like jackals! | 0:20:16 | 0:20:17 | |
If I hear or see one more reporter...! | 0:20:17 | 0:20:20 | |
I'll deal with it. I'll deal with it. | 0:20:20 | 0:20:22 | |
Yeah. I'm inside the house now. I'll ask them. Mrs Sluti? | 0:20:22 | 0:20:25 | |
-How did you get in here? -Get out of here right now! | 0:20:25 | 0:20:28 | |
-You're making a mistake. -Get out of my house! | 0:20:28 | 0:20:30 | |
Tom, it's OK. | 0:20:30 | 0:20:32 | |
-Nerves are a little frazzled around here right now. -I can see that. | 0:20:32 | 0:20:35 | |
This is Agent Reynolds of the FBI. | 0:20:35 | 0:20:38 | |
-FBI? -Because the car had Louisiana plates, | 0:20:38 | 0:20:40 | |
there's a likelihood that the kidnapper's taken Anne across state lines. | 0:20:40 | 0:20:44 | |
That makes it a federal investigation. | 0:20:44 | 0:20:46 | |
Then Anne could be anywhere. | 0:20:46 | 0:20:48 | |
Come on, keep up. | 0:21:01 | 0:21:02 | |
You try walking barefoot with bleeding feet. | 0:21:02 | 0:21:05 | |
Builds character. | 0:21:06 | 0:21:07 | |
-Bleeding feet? -Pain. | 0:21:09 | 0:21:12 | |
ENGINE REVS | 0:21:24 | 0:21:26 | |
BEEPING | 0:21:45 | 0:21:49 | |
INAUDIBLE SPEECH | 0:21:53 | 0:21:55 | |
DOORBELL RINGS | 0:21:58 | 0:22:00 | |
Diane Kramer, I'm a friend of the family. They're expecting me. | 0:22:04 | 0:22:07 | |
Oh, Elaine. | 0:22:09 | 0:22:11 | |
Diane. | 0:22:11 | 0:22:12 | |
ENGINE SPLUTTERS | 0:22:19 | 0:22:21 | |
< Come on. | 0:22:25 | 0:22:27 | |
< Come on. | 0:22:27 | 0:22:29 | |
That's it. | 0:22:32 | 0:22:35 | |
< Come on. Come on. | 0:22:39 | 0:22:42 | |
< There. LAUGHS | 0:22:45 | 0:22:47 | |
I really appreciate it. We've got to get her out of here. | 0:22:48 | 0:22:51 | |
I just want to help. | 0:22:51 | 0:22:53 | |
I don't feel right leaving. | 0:22:53 | 0:22:55 | |
Elaine, don't think about it. | 0:22:55 | 0:22:57 | |
You need rest. You've been up for 36 hours. | 0:22:57 | 0:23:00 | |
Even a few hours sleep at my house, away from all this, | 0:23:00 | 0:23:03 | |
will do you a world of good. OK. | 0:23:03 | 0:23:06 | |
-Thanks, Diane. -Yeah. OK. | 0:23:06 | 0:23:08 | |
-I'll look after things here. -It's OK, Mom. > | 0:23:08 | 0:23:11 | |
You hungry? | 0:23:32 | 0:23:33 | |
Yeah. | 0:23:34 | 0:23:36 | |
What's your name? | 0:23:40 | 0:23:42 | |
-Anne. -Anne. | 0:23:46 | 0:23:48 | |
Anne, you can have a cookie. | 0:23:52 | 0:23:55 | |
What's your name? | 0:24:16 | 0:24:17 | |
They call me Jack. | 0:24:22 | 0:24:24 | |
As in Jack Rabbit. | 0:24:25 | 0:24:26 | |
I'm fast, and I'm strong. | 0:24:26 | 0:24:29 | |
You must work out a lot. | 0:24:38 | 0:24:39 | |
Whatsoever thy hand findeth to do, | 0:24:42 | 0:24:44 | |
do it with thy might. | 0:24:44 | 0:24:46 | |
Ecclesiastes. | 0:24:50 | 0:24:52 | |
Very good. | 0:24:55 | 0:24:57 | |
You can have another one. | 0:25:02 | 0:25:04 | |
My grandma insisted on bible school. | 0:25:09 | 0:25:11 | |
If we confess our sins then he is faithful and just | 0:25:16 | 0:25:19 | |
and will forgive us our sins. | 0:25:19 | 0:25:22 | |
Maybe. | 0:25:37 | 0:25:38 | |
You know, there's probably a lot of people out looking for me. | 0:25:43 | 0:25:46 | |
Maybe you should tell someone I'm OK. | 0:25:51 | 0:25:53 | |
Maybe less trouble that way. | 0:25:53 | 0:25:56 | |
And do what? | 0:25:56 | 0:25:58 | |
call up your house and say, "Kiss my ass, I have your daughter?" | 0:25:58 | 0:26:01 | |
I could say it was my idea. | 0:26:06 | 0:26:08 | |
It doesn't even have to be my parents, I can just call a friend. | 0:26:08 | 0:26:12 | |
Say you were going on vacation. | 0:26:23 | 0:26:25 | |
Yeah. Sure. | 0:26:26 | 0:26:29 | |
PHONE RINGS | 0:26:40 | 0:26:42 | |
Turn that off. The sink! | 0:26:44 | 0:26:46 | |
Diane, answer it. | 0:26:47 | 0:26:50 | |
What do I say? | 0:26:50 | 0:26:52 | |
Say hello. Act natural. | 0:26:52 | 0:26:53 | |
Pick it up. Go ahead. | 0:26:53 | 0:26:55 | |
Hello. | 0:26:55 | 0:26:57 | |
-Hello. -'Hi.' | 0:26:57 | 0:27:00 | |
'Is Elaine there?' | 0:27:00 | 0:27:02 | |
SHE MOUTHS | 0:27:02 | 0:27:04 | |
No. Elaine's not here right now. | 0:27:04 | 0:27:06 | |
'Do you know who this is?' | 0:27:06 | 0:27:08 | |
-Is this Anne? -'Yes.' | 0:27:08 | 0:27:10 | |
Oh, Anne, where are you? | 0:27:11 | 0:27:13 | |
'I'm OK. I'm not hurt or anything.' | 0:27:13 | 0:27:16 | |
How do we get you home? | 0:27:16 | 0:27:17 | |
'Hopefully soon. | 0:27:17 | 0:27:21 | |
'Can you just tell Elaine I called?' | 0:27:21 | 0:27:23 | |
Are you... Anne? | 0:27:24 | 0:27:27 | |
Anne? LINE GOES DEAD | 0:27:28 | 0:27:32 | |
-Did we get the trace? -Not long enough. | 0:27:33 | 0:27:35 | |
Vacation. You're supposed to say vacation. | 0:27:35 | 0:27:38 | |
-You hung up before I could say it. -You're taking too long! | 0:27:38 | 0:27:41 | |
Call someone else, another friend. | 0:27:42 | 0:27:45 | |
She's alive. Anne's alive. We have to tell Elaine and Don. | 0:27:48 | 0:27:53 | |
-Of course. -Play that back for me, will you? | 0:27:53 | 0:27:55 | |
'Hi, is Elaine there? | 0:28:01 | 0:28:03 | |
'No. Elaine's not here right now. | 0:28:05 | 0:28:07 | |
'Do you know who this is?' | 0:28:07 | 0:28:09 | |
Hear that? Sounds like a lot of highway traffic to me. | 0:28:09 | 0:28:12 | |
-Absolutely. -'Oh, Anne, where are you? | 0:28:12 | 0:28:14 | |
'I'm OK. I'm not hurt or anything.' | 0:28:14 | 0:28:16 | |
Listen to her. 'How do we get you home? | 0:28:16 | 0:28:19 | |
'Hopefully soon. | 0:28:19 | 0:28:22 | |
'Can you just tell Elaine I called?' | 0:28:22 | 0:28:24 | |
Did you hear how carefully she said Elaine? | 0:28:24 | 0:28:27 | |
Kidnapper must have been standing right there. | 0:28:27 | 0:28:29 | |
That's why she didn't ask for Mom. | 0:28:29 | 0:28:31 | |
She knew we'd be here. | 0:28:31 | 0:28:33 | |
Whatever she's been through, she's keeping her wits about her. | 0:28:33 | 0:28:37 | |
BEEPING | 0:28:40 | 0:28:43 | |
RINGING TONE | 0:28:48 | 0:28:51 | |
-'Hello.' -Paige? | 0:28:52 | 0:28:54 | |
'Oh, my God, Anne! | 0:28:54 | 0:28:56 | |
'Oh, God, you're alive. Where are you? | 0:28:56 | 0:28:58 | |
-'Are you OK?' -I'm fine. Don't worry. | 0:28:58 | 0:29:01 | |
I'm just looking for a quality vacation. | 0:29:04 | 0:29:08 | |
Good girl. | 0:29:10 | 0:29:12 | |
I guess now we can start our vacation. | 0:29:13 | 0:29:15 | |
She called? | 0:29:29 | 0:29:30 | |
-Elaine, she sounded just fine. -What did she say? | 0:29:32 | 0:29:34 | |
She also called Paige. We just got the tape. | 0:29:34 | 0:29:36 | |
-You heard her voice? -Do we know where Anne is? Can we go after her? | 0:29:36 | 0:29:39 | |
It's too brief for a trace, | 0:29:39 | 0:29:41 | |
but we know that both calls came from a highway payphone. Listen. | 0:29:41 | 0:29:46 | |
-'Hello. -Paige? -Oh, my God, Anne? | 0:29:47 | 0:29:50 | |
'Oh, God, you're alive. Where are you? Are you OK? | 0:29:50 | 0:29:54 | |
'I'm fine. Don't worry. | 0:29:54 | 0:29:56 | |
'I'm just looking for a quality vacation.' | 0:29:58 | 0:30:03 | |
Hang on. | 0:30:03 | 0:30:04 | |
Let's listen to that last thing she said again, really closely. | 0:30:04 | 0:30:09 | |
'I'm fine. Don't worry. | 0:30:11 | 0:30:13 | |
'I'm just looking for equality vacation.' | 0:30:15 | 0:30:19 | |
Anne didn't say "a quality vacation", | 0:30:19 | 0:30:23 | |
she said "equality vacation". | 0:30:23 | 0:30:24 | |
'I'm just looking for equality vacation.' | 0:30:27 | 0:30:31 | |
What does it mean? | 0:30:31 | 0:30:33 | |
Equality. | 0:30:33 | 0:30:36 | |
Wyoming is the equality state. | 0:30:36 | 0:30:38 | |
-Come on, she's that clever, under duress? -Yes, she is. | 0:30:38 | 0:30:42 | |
Alert Wyoming authorities to be on the lookout for a blue suburban. | 0:30:49 | 0:30:52 | |
It's a needle in a haystack. | 0:30:56 | 0:30:58 | |
So where shall we go on our vacation? | 0:31:08 | 0:31:10 | |
Go to Washington? | 0:31:12 | 0:31:14 | |
All those trees up there. | 0:31:15 | 0:31:17 | |
Or the desert? | 0:31:19 | 0:31:21 | |
Nevada? | 0:31:21 | 0:31:22 | |
Or the Yukon? | 0:31:25 | 0:31:27 | |
No-one'd ever find us up there. | 0:31:27 | 0:31:30 | |
I've always wanted to go to the Yukon. | 0:31:30 | 0:31:33 | |
Bunch of the boys were whopping it up in the Malamute saloon | 0:31:39 | 0:31:43 | |
The kid that handled the music box | 0:31:45 | 0:31:47 | |
was hitting a jag-time tune | 0:31:47 | 0:31:50 | |
Back of the bar in a solo game | 0:31:52 | 0:31:56 | |
sat the Dangerous Dan McGrew | 0:31:56 | 0:31:59 | |
And watching his luck | 0:32:03 | 0:32:05 | |
It was his light of love | 0:32:05 | 0:32:07 | |
A lady that's known as Lou | 0:32:07 | 0:32:09 | |
There's men that somehow | 0:32:13 | 0:32:15 | |
Just grip your eyes | 0:32:15 | 0:32:16 | |
And hold them hard, like a spell | 0:32:16 | 0:32:19 | |
Such as he and he looked at me | 0:32:21 | 0:32:25 | |
Like a man who lived in hell | 0:32:26 | 0:32:28 | |
With a face most hair | 0:32:31 | 0:32:34 | |
And a dreary stare | 0:32:34 | 0:32:36 | |
Of a dog whose day is done | 0:32:37 | 0:32:39 | |
As he watered the green stuff in his glass | 0:32:42 | 0:32:45 | |
And drops fell, one by one | 0:32:45 | 0:32:48 | |
Have you ever been out in the great alone | 0:32:53 | 0:32:55 | |
When the moon is awful clear | 0:32:55 | 0:32:58 | |
And the icy mountains hemmed you in | 0:33:00 | 0:33:03 | |
With a silence you most could hear | 0:33:04 | 0:33:06 | |
And then all of a sudden | 0:33:10 | 0:33:12 | |
The music changed | 0:33:12 | 0:33:15 | |
So soft that you scarce could hear | 0:33:15 | 0:33:17 | |
That you felt that your life had been looted clean | 0:33:18 | 0:33:21 | |
Of all that you once held near | 0:33:21 | 0:33:23 | |
That someone had stolen | 0:33:24 | 0:33:28 | |
The woman you love | 0:33:28 | 0:33:30 | |
That her love was a devil's lie | 0:33:30 | 0:33:33 | |
That your guts were gone | 0:33:35 | 0:33:37 | |
And the best thing for you | 0:33:37 | 0:33:39 | |
Was to crawl away and die | 0:33:39 | 0:33:41 | |
It was a crowning cry of a heart's despair | 0:33:46 | 0:33:50 | |
And it thrilled you through and through | 0:33:50 | 0:33:52 | |
I guess I'll make it a spread misere | 0:33:55 | 0:33:58 | |
Said the dangerous Dan McGrew. | 0:33:58 | 0:34:01 | |
I don't even own a black dress. | 0:34:09 | 0:34:12 | |
Get up. | 0:35:00 | 0:35:02 | |
And don't slam the door. | 0:35:02 | 0:35:04 | |
CRASH | 0:35:28 | 0:35:29 | |
Perfect. | 0:35:43 | 0:35:44 | |
I've got it all figured out. | 0:36:09 | 0:36:12 | |
I'm going to go live in the mountains. | 0:36:12 | 0:36:14 | |
Live off the land. | 0:36:15 | 0:36:18 | |
-It sounds far. -It is far. | 0:36:21 | 0:36:24 | |
It's the best part about it. | 0:36:25 | 0:36:28 | |
You're not eating your food. | 0:36:29 | 0:36:31 | |
Eat it. | 0:36:33 | 0:36:34 | |
Eat it! | 0:36:35 | 0:36:37 | |
My grandma always said... | 0:36:40 | 0:36:41 | |
"Tony, eat everything on your plate or you're not going to eat again." | 0:36:43 | 0:36:47 | |
-This crap is better than what they serve inside, that's for sure. -Prison? | 0:36:52 | 0:36:57 | |
Yeah. | 0:36:58 | 0:36:59 | |
What were you in for? | 0:36:59 | 0:37:02 | |
I'm not so bad. | 0:37:06 | 0:37:08 | |
You'll see. | 0:37:12 | 0:37:13 | |
Thank you for dinner. | 0:37:18 | 0:37:19 | |
Yeah. | 0:37:25 | 0:37:27 | |
So, I got you a present. | 0:38:08 | 0:38:10 | |
Shall I put it on you? | 0:38:22 | 0:38:24 | |
No. | 0:38:25 | 0:38:27 | |
No. | 0:38:33 | 0:38:34 | |
Put it on the other finger. | 0:38:44 | 0:38:47 | |
It goes on the other finger. | 0:38:47 | 0:38:49 | |
Yeah. | 0:38:53 | 0:38:55 | |
Yeah. | 0:38:58 | 0:38:59 | |
Beautiful. | 0:39:01 | 0:39:03 | |
I've got to take a piss. | 0:39:09 | 0:39:11 | |
'911. Emergency.' | 0:41:02 | 0:41:03 | |
Are we in Montana? | 0:41:03 | 0:41:06 | |
'Yes.' | 0:41:06 | 0:41:07 | |
I need help. | 0:41:09 | 0:41:10 | |
I've been kidnapped. | 0:41:10 | 0:41:12 | |
-What's your name? -Anne Sluti. | 0:41:12 | 0:41:14 | |
He says his name is Tony. | 0:41:16 | 0:41:17 | |
I don't know his last name. | 0:41:17 | 0:41:19 | |
-'Is he your boyfriend?' -No. No. I don't know him. | 0:41:19 | 0:41:22 | |
I never met him before. | 0:41:22 | 0:41:24 | |
He kidnapped me from a mall parking lot in Kearney, Nebraska. | 0:41:24 | 0:41:27 | |
Yes. | 0:41:30 | 0:41:32 | |
Guns and knives. | 0:41:32 | 0:41:33 | |
-'Do you know where you are?' -At some cabin in the woods. | 0:41:36 | 0:41:39 | |
'Where is he now?' | 0:41:39 | 0:41:41 | |
We've got a trace! It's a cabin in Livingston, Montana. | 0:41:45 | 0:41:49 | |
Yes. Yes! | 0:41:49 | 0:41:50 | |
Search the database for Tony or Anthony, | 0:42:01 | 0:42:03 | |
and then cross reference those with a description of our suspect. | 0:42:03 | 0:42:06 | |
How long until we have somebody at the cabin? | 0:42:06 | 0:42:08 | |
We're already there. The squad team has the place surrounded. | 0:42:08 | 0:42:11 | |
Apparently they hear voices coming from inside. | 0:42:11 | 0:42:15 | |
They're going in, aren't they? | 0:42:15 | 0:42:17 | |
Yes. Yes, they are. | 0:42:17 | 0:42:19 | |
You have to save her. | 0:42:20 | 0:42:23 | |
We'll do our best, ma'am. | 0:42:23 | 0:42:25 | |
RADIO PLAYS | 0:43:02 | 0:43:04 | |
She left a note. | 0:43:43 | 0:43:45 | |
-What do you mean, they're not there? -What? What did you say? | 0:43:48 | 0:43:51 | |
-They're not there. -But you said... | 0:43:51 | 0:43:54 | |
-Yes. I'm sorry. They were there. -You're sorry? You promised. | 0:43:54 | 0:43:56 | |
-Elaine. -Where did they go? | 0:43:56 | 0:43:57 | |
-You promised me you'd get her back. -I'm sorry. | 0:43:57 | 0:44:00 | |
But you guys heard voices and you said that she was there. | 0:44:00 | 0:44:03 | |
She was there. She left a note saying they were heading north. | 0:44:03 | 0:44:07 | |
-She's in Livingston, we know that, right? -Tom, calm down. | 0:44:07 | 0:44:09 | |
It's not that simple. | 0:44:09 | 0:44:11 | |
I don't understand that, but it is that simple. You heard what she said. We head north. | 0:44:11 | 0:44:14 | |
-Wait a minute. -You're taking too long. I can't wait for you to figure it out... | 0:44:14 | 0:44:18 | |
-Tom. -No. I'm not screwing around any more, Dad. | 0:44:18 | 0:44:20 | |
-I'm going to go and do it myself. -Tom. | 0:44:20 | 0:44:22 | |
Mike. | 0:44:22 | 0:44:24 | |
Tom. | 0:44:27 | 0:44:28 | |
What are we doing here? | 0:44:28 | 0:44:30 | |
We're just waiting for a phone call and Anne is out there. | 0:44:30 | 0:44:33 | |
She's in Livingston and we know she's out there. | 0:44:33 | 0:44:36 | |
-We're waiting around and I'm going to get her back myself. -Tom, you need to calm down. | 0:44:36 | 0:44:40 | |
Calm down? We've been sitting here for days. This is crazy. | 0:44:40 | 0:44:42 | |
-We need to go and get her. -What are you doing? | 0:44:42 | 0:44:45 | |
-I'm going to get my sister. -We have police for that. | 0:44:45 | 0:44:47 | |
They're not doing a good enough job, are they? | 0:44:47 | 0:44:49 | |
Please, let me go. | 0:44:49 | 0:44:50 | |
-This isn't helping your family. -This isn't helping Anne. | 0:44:51 | 0:44:53 | |
-You need to be here for your parents. -Get out of my way. | 0:44:53 | 0:44:58 | |
-I don't know what's going on? -I know. | 0:45:17 | 0:45:21 | |
I know. | 0:45:24 | 0:45:25 | |
Why did you do that? Huh? Why?! | 0:45:27 | 0:45:30 | |
Why did you call the cops? | 0:45:30 | 0:45:32 | |
That's it. It's over for you. | 0:45:34 | 0:45:36 | |
It's over. I may as well put a bullet in your head now. | 0:45:36 | 0:45:39 | |
His name is Anthony Steven Wright, also known as Tony Zappa. | 0:45:50 | 0:45:55 | |
Arrested 20 times before the age of 18... | 0:45:55 | 0:45:59 | |
and there are outstanding warrants for his arrest on charges | 0:45:59 | 0:46:04 | |
of assault and battery, B&E and grand theft auto. | 0:46:04 | 0:46:07 | |
Do you remember that incident last month at the mall in America? | 0:46:07 | 0:46:11 | |
-They shut it down. -Yes, for a manhunt. | 0:46:11 | 0:46:14 | |
We'd been tracking this guy for two months. | 0:46:14 | 0:46:17 | |
We finally cornered him at the mall. | 0:46:17 | 0:46:19 | |
Had every exit and road in and out of the place totally blocked, and still he escaped. | 0:46:19 | 0:46:25 | |
OK. That's Tony Zappa, that's who we're dealing with. | 0:46:25 | 0:46:28 | |
He was raised by his grandmother in St Paul, Minnesota. | 0:46:28 | 0:46:31 | |
I'm sending someone to talk to her. | 0:46:31 | 0:46:33 | |
In the meantime, I am going to fly to Montana tonight. | 0:46:33 | 0:46:37 | |
-I am coming with you. -No. I think it's best if you stay here. | 0:46:37 | 0:46:41 | |
-He's got to go. -We want Mike there. | 0:46:41 | 0:46:44 | |
I know this girl. I know how she thinks. | 0:46:44 | 0:46:47 | |
I can help you. | 0:46:47 | 0:46:48 | |
I need to be there. | 0:46:51 | 0:46:52 | |
All right. Jet leaves in half an hour. | 0:46:57 | 0:47:00 | |
Please don't be late. | 0:47:00 | 0:47:02 | |
Are you Tony Zappa's grandmother? | 0:47:36 | 0:47:39 | |
Who wants to know? | 0:47:39 | 0:47:40 | |
We need to ask you some questions about Tony. | 0:47:42 | 0:47:45 | |
Not deep enough. | 0:48:03 | 0:48:04 | |
Please, don't kill me like this. | 0:48:06 | 0:48:09 | |
How do you want to die? | 0:48:09 | 0:48:10 | |
Please don't. | 0:48:12 | 0:48:14 | |
Keep digging. | 0:48:14 | 0:48:16 | |
-You don't have to do this. -Yes, I do. -Why? -Cos you lied to me. | 0:48:47 | 0:48:51 | |
-No, I didn't. -Yes, you did. You said we were going north together. -We are. | 0:48:51 | 0:48:54 | |
I trusted you. | 0:48:54 | 0:48:56 | |
So dig. | 0:49:00 | 0:49:01 | |
-Do it yourself! -You pick that up. | 0:49:01 | 0:49:03 | |
Why? You're going to kill me anyway! | 0:49:03 | 0:49:05 | |
I'm the one giving the orders. Pick it up! | 0:49:05 | 0:49:07 | |
Yeah. I brought him up. | 0:49:10 | 0:49:12 | |
His daddy just kept beating him. | 0:49:12 | 0:49:15 | |
I'm not going to ask again. | 0:49:18 | 0:49:22 | |
So just get it over with. | 0:49:24 | 0:49:27 | |
Get up. Get out of the hole. | 0:49:53 | 0:49:55 | |
Tony, please don't kill me. | 0:49:58 | 0:50:00 | |
I'm not going to kill you. | 0:50:05 | 0:50:07 | |
He loves his grandma. | 0:50:19 | 0:50:21 | |
He's a good Christian boy. | 0:50:22 | 0:50:25 | |
Don't. Tony, please. | 0:50:27 | 0:50:28 | |
Get off me. Don't! | 0:50:28 | 0:50:31 | |
Please. | 0:50:31 | 0:50:33 | |
No. Get off me, please, Tony. Please. | 0:50:33 | 0:50:35 | |
-Don't. -Shh, stay still. | 0:50:36 | 0:50:39 | |
Please. Please. Please. | 0:50:39 | 0:50:41 | |
Don't do it. Please. Don't do it. | 0:50:47 | 0:50:50 | |
-CLOTHING TEARS -Please. | 0:50:50 | 0:50:51 | |
SHE GASPS | 0:50:51 | 0:50:54 | |
Please, Tony, stop! | 0:50:54 | 0:50:55 | |
Please, God... | 0:51:03 | 0:51:06 | |
..keep our baby safe. | 0:51:07 | 0:51:08 | |
SHE SOBS GENTLY | 0:51:23 | 0:51:25 | |
Get out. | 0:52:44 | 0:52:46 | |
Go wash yourself up. | 0:52:58 | 0:52:59 | |
Go. | 0:53:03 | 0:53:04 | |
Go wash yourself up. | 0:53:07 | 0:53:09 | |
Hey! | 0:55:47 | 0:55:48 | |
Get changed. | 0:55:55 | 0:55:57 | |
SHE SOBS | 0:56:16 | 0:56:18 | |
You look nice. | 0:58:04 | 0:58:06 | |
I'll be right back. | 0:58:12 | 0:58:14 | |
Stay there. | 0:58:15 | 0:58:17 | |
SWITCHES TV ON | 0:58:26 | 0:58:29 | |
SWITCHES THROUGH CHANNELS | 0:58:29 | 0:58:31 | |
'..Man hunt for fugitive Anthony Stephen Wright, aka Tony Zappa.' | 0:58:31 | 0:58:35 | |
Authorities are fanning out across Montana | 0:58:35 | 0:58:38 | |
searching for the Kearney Nebraska honour roll student who disappeared last Friday. | 0:58:38 | 0:58:42 | |
The Slutis appeared in public for the first time today to address the kidnapper. | 0:58:42 | 0:58:46 | |
Whoever you are, | 0:58:47 | 0:58:49 | |
we will do anything we can to bring Anne home. | 0:58:49 | 0:58:53 | |
Please, let her go. | 0:58:55 | 0:58:57 | |
Anne, I love you. | 0:58:59 | 0:59:01 | |
-I miss you. -Mom! | 0:59:01 | 0:59:04 | |
You be strong. | 0:59:05 | 0:59:07 | |
-'We won't give up.' -SWITCHES TV OFF | 0:59:09 | 0:59:12 | |
What was that? | 0:59:14 | 0:59:16 | |
What? | 0:59:16 | 0:59:17 | |
I heard something. | 0:59:21 | 0:59:23 | |
'Zappa is known to the FBI as the "Jack Rabbit" | 0:59:28 | 0:59:31 | |
'for his uncanny ability to escape a series of police drag nets' | 0:59:31 | 0:59:34 | |
set up across the central United States. | 0:59:34 | 0:59:36 | |
Zappa allegedly kidnapped Sluti from the Hilltop Mall parking lot... | 0:59:36 | 0:59:40 | |
Did you see it? I'm the Jack Rabbit. | 0:59:40 | 0:59:42 | |
..He was last seen driving a stolen blue suburban SUV with Louisiana licence plates. | 0:59:42 | 0:59:46 | |
We need a new car. | 0:59:55 | 0:59:57 | |
Let's go. | 1:00:14 | 1:00:16 | |
-Why? -We need another car. Come on! | 1:00:18 | 1:00:21 | |
No. I mean, why did you take me? | 1:00:24 | 1:00:27 | |
I get tired of being alone. | 1:00:31 | 1:00:33 | |
Pack up that bag. | 1:00:57 | 1:00:59 | |
Bring it with us. | 1:00:59 | 1:01:00 | |
LOCK CLICKS | 1:01:17 | 1:01:18 | |
CAR ENGINE TURNS OVER | 1:01:56 | 1:01:58 | |
-We've got a positive on the Suburban. -Where? | 1:02:28 | 1:02:31 | |
All right. So the Suburban was stolen in Louisiana | 1:02:53 | 1:02:56 | |
from a Frank Bartlett. | 1:02:56 | 1:02:58 | |
The guy was 80 years old and an ex cop. | 1:02:58 | 1:03:00 | |
Zappa beat him up when he stole the car. | 1:03:00 | 1:03:02 | |
Frank died two days later. | 1:03:02 | 1:03:04 | |
Geez! | 1:03:04 | 1:03:06 | |
Take a look at this. | 1:03:07 | 1:03:09 | |
We're not far behind. | 1:03:13 | 1:03:16 | |
METALLIC CLATTERING | 1:04:57 | 1:04:59 | |
HE DROPS VIAL Dammit! | 1:06:30 | 1:06:33 | |
Not now... | 1:06:33 | 1:06:34 | |
Not now. Not now. | 1:06:35 | 1:06:37 | |
HE SHOUTS IN FRUSTRATION Come on! | 1:06:38 | 1:06:41 | |
Get over here. | 1:07:18 | 1:07:19 | |
Get over here. | 1:07:20 | 1:07:22 | |
Get over here! Now. Get down. Get down. | 1:07:22 | 1:07:24 | |
Look out there. Do you see anything? | 1:07:29 | 1:07:32 | |
-Do...you...see anything? -No, it's too dark. | 1:07:35 | 1:07:38 | |
-You're lying to me! -No. | 1:07:38 | 1:07:41 | |
Don't lie to me... | 1:07:41 | 1:07:43 | |
Delta team in position. Secure the perimeter. | 1:07:56 | 1:07:59 | |
Location secured. Over. | 1:07:59 | 1:08:01 | |
-OFFICER: -'Tony Zappa, this is the FBI. | 1:08:02 | 1:08:04 | |
'You are surrounded. Come out with your hands up now.' | 1:08:04 | 1:08:08 | |
Oh, God... | 1:08:08 | 1:08:10 | |
Hold your fire. It's the girl. | 1:08:11 | 1:08:13 | |
This is all your fault! | 1:08:13 | 1:08:15 | |
This is all your fault. If you hadn't called... | 1:08:15 | 1:08:18 | |
I do not have a clean shot. | 1:08:19 | 1:08:21 | |
Repeat. No shot. | 1:08:21 | 1:08:24 | |
Let's just call 911 and talk to them. | 1:08:24 | 1:08:27 | |
No. They don't want to talk. They want to kill me. | 1:08:27 | 1:08:29 | |
No. It's all right, they want us alive. | 1:08:29 | 1:08:31 | |
-'Lay down your weapons...' -It's going to be OK. | 1:08:31 | 1:08:34 | |
'You have five minutes to comply. You are surrounded.' | 1:08:36 | 1:08:40 | |
He's got the girl at gunpoint. | 1:08:40 | 1:08:41 | |
-How much separation between them? -'About three feet.' | 1:08:41 | 1:08:44 | |
Have you tied into the phone yet? | 1:08:44 | 1:08:46 | |
Yeah. Calls from the cabin will come directly here. | 1:08:46 | 1:08:49 | |
I'm not going back to prison. | 1:08:49 | 1:08:52 | |
No... No, no, I'm going to tell them that. | 1:08:52 | 1:08:54 | |
I'm going to tell them. | 1:08:55 | 1:08:57 | |
'You have five minutes to comply. | 1:08:58 | 1:09:01 | |
'You are surrounded...' | 1:09:01 | 1:09:03 | |
-OK... I'm going to make it all right. OK, Tony? -OK. | 1:09:07 | 1:09:10 | |
-PHONE RINGS -Bingo. | 1:09:12 | 1:09:14 | |
Be careful what you say. | 1:09:15 | 1:09:16 | |
'Tony Zappa?' | 1:09:17 | 1:09:19 | |
No. It's me. | 1:09:19 | 1:09:21 | |
It's not Zappa. It's Anne. She's the one making the call. | 1:09:21 | 1:09:25 | |
-What? -I know. This is a new one - the hostage making the call. | 1:09:25 | 1:09:28 | |
-Let me talk to her. -Mike, this is an FBI case. | 1:09:28 | 1:09:31 | |
I know her. It's why you brought me here, right? | 1:09:31 | 1:09:34 | |
OK. | 1:09:34 | 1:09:36 | |
Careful not to reveal you know her in case Zappa is listening in. OK? | 1:09:40 | 1:09:44 | |
'This is Mike Timbrook. | 1:09:48 | 1:09:50 | |
'I'm here with the police.' | 1:09:50 | 1:09:51 | |
Hi. This is Anne. | 1:09:53 | 1:09:55 | |
Anne, are you OK? | 1:09:56 | 1:09:58 | |
'Yes. I'm fine.' | 1:09:59 | 1:10:00 | |
'Does Tony want to talk to me?' | 1:10:00 | 1:10:03 | |
I'm not sure. | 1:10:04 | 1:10:06 | |
He wants to speak to you. | 1:10:06 | 1:10:07 | |
I don't want to talk to him. | 1:10:07 | 1:10:08 | |
They want to get me in front of a window so they can shoot me. | 1:10:08 | 1:10:11 | |
'You come in here, I'll kill her, I swear!' | 1:10:11 | 1:10:13 | |
Anne? | 1:10:15 | 1:10:17 | |
Anne? | 1:10:18 | 1:10:19 | |
'I'm here.' | 1:10:19 | 1:10:21 | |
We're here to find a solution that works for everybody. | 1:10:22 | 1:10:25 | |
'Tell Tony that nobody's going to shoot anybody | 1:10:25 | 1:10:28 | |
'as long as he cooperates.' | 1:10:28 | 1:10:30 | |
'OK... | 1:10:31 | 1:10:33 | |
'I'll try. Hold on. | 1:10:33 | 1:10:35 | |
'They want you to cooperate. | 1:10:35 | 1:10:37 | |
'I will NOT cooperate! That's what my Grandma said.' | 1:10:37 | 1:10:40 | |
"Tony, do what you're told, do what you're told, Tony..." | 1:10:40 | 1:10:44 | |
What do you think your grandma would say to you right now? | 1:10:46 | 1:10:50 | |
Anne, are you there? | 1:10:53 | 1:10:55 | |
'Tony wants to call his grandma.' | 1:10:58 | 1:11:00 | |
OK. Give us a minute, and we'll put the call through. | 1:11:03 | 1:11:07 | |
What do you think you're doing? | 1:11:07 | 1:11:08 | |
This is not FBI procedure. | 1:11:09 | 1:11:11 | |
Every minute that boy is on the phone, | 1:11:11 | 1:11:13 | |
Anne's still alive. | 1:11:13 | 1:11:16 | |
PHONE RINGS OUT | 1:11:34 | 1:11:35 | |
'Hello?' | 1:11:46 | 1:11:48 | |
Grandma? | 1:11:49 | 1:11:51 | |
'Grandma, it's me. | 1:11:52 | 1:11:54 | |
'Tony? | 1:11:54 | 1:11:56 | |
'Yeah. | 1:11:56 | 1:11:57 | |
'Is it true what they're saying on TV about you and that girl? | 1:11:57 | 1:12:01 | |
'I'm scared, Grandma. | 1:12:03 | 1:12:05 | |
'You can't be scared with Jesus, Tony. | 1:12:07 | 1:12:09 | |
I'm going to kill her, | 1:12:15 | 1:12:17 | |
and then I'm going to shoot myself. | 1:12:17 | 1:12:19 | |
I'm going to put the gun on my chest... | 1:12:19 | 1:12:21 | |
'..and then - | 1:12:22 | 1:12:24 | |
'then I'm going to kill myself. | 1:12:24 | 1:12:26 | |
'Don't talk nonsense. I won't listen to this.' | 1:12:26 | 1:12:28 | |
Assault teams go to ready condition. | 1:12:28 | 1:12:31 | |
'I'm going to pray for you. | 1:12:32 | 1:12:33 | |
'Ask Jesus for forgiveness. | 1:12:33 | 1:12:35 | |
'In the name of Jesus Christ, our God and Lord, | 1:12:36 | 1:12:41 | |
'pray the God of Peace to crush Satan beneath our feet. | 1:12:41 | 1:12:45 | |
'Take hold of the dragon, the serpent... | 1:12:46 | 1:12:50 | |
LINE GOES DEAD | 1:12:50 | 1:12:52 | |
There's trouble... | 1:12:58 | 1:13:00 | |
Prepare to fire. Repeat, take a shot when available. | 1:13:00 | 1:13:03 | |
First you... | 1:13:05 | 1:13:07 | |
then me. | 1:13:07 | 1:13:08 | |
That's the only way. | 1:13:11 | 1:13:13 | |
SHE SOBS | 1:13:13 | 1:13:14 | |
The only way... | 1:13:20 | 1:13:22 | |
What are you doing? | 1:13:22 | 1:13:23 | |
-We're coming out now. -No...! | 1:13:25 | 1:13:27 | |
-No... -Promise me you're not going to hurt him. | 1:13:27 | 1:13:30 | |
If they shoot... they've got to shoot both of us. | 1:13:32 | 1:13:36 | |
(It's OK.) | 1:13:50 | 1:13:51 | |
Tony Zappa! | 1:13:51 | 1:13:53 | |
'You have 30 seconds to release the girl and surrender.' | 1:13:53 | 1:13:58 | |
Tony! | 1:13:58 | 1:14:00 | |
Tony, you two need to come out of there now! | 1:14:00 | 1:14:02 | |
It's OK... | 1:14:09 | 1:14:11 | |
Put your guns down! | 1:14:12 | 1:14:14 | |
Tony! | 1:14:16 | 1:14:17 | |
Listen to me. I promise you, | 1:14:17 | 1:14:19 | |
nobody's going to shoot you, but you've got about 20 seconds before | 1:14:19 | 1:14:22 | |
the FBI comes in there hard, and I'm not going to be able to stop 'em. | 1:14:22 | 1:14:26 | |
OK... | 1:14:26 | 1:14:27 | |
If I come out there, you're going to shoot me. | 1:14:27 | 1:14:29 | |
(No, they won't.) | 1:14:29 | 1:14:31 | |
Tony, nobody's going to shoot you! | 1:14:31 | 1:14:33 | |
Put your guns down! | 1:14:38 | 1:14:40 | |
You need to toss away that gun, and lie down on the ground. | 1:14:41 | 1:14:45 | |
(It's all right. It's OK...) | 1:14:49 | 1:14:52 | |
DIALOGUE INAUDIBLE UNDER MUSIC | 1:14:52 | 1:14:54 | |
SHE WHISPERS FAINTLY | 1:15:06 | 1:15:08 | |
Just let it go. | 1:15:10 | 1:15:12 | |
I'm putting my gun down! Don't shoot me. | 1:15:12 | 1:15:14 | |
-Just put your hands up. -Don't shoot me! -Just like that. | 1:15:14 | 1:15:18 | |
Anne...! | 1:15:22 | 1:15:24 | |
Don't shoot me! Don't shoot me! | 1:15:46 | 1:15:50 | |
Don't shoot me... Don't shoot me. | 1:15:51 | 1:15:53 | |
Tell 'em we were on vacation! | 1:16:04 | 1:16:06 | |
We...we were on vacation! | 1:16:12 | 1:16:14 | |
Let me look at you... | 1:16:16 | 1:16:17 | |
Don't you look fantastic? | 1:16:17 | 1:16:19 | |
Oh... Thank God... | 1:16:22 | 1:16:24 | |
Hey. Hey... I er... | 1:16:25 | 1:16:26 | |
Hey, I have something of yours. | 1:16:27 | 1:16:29 | |
Did you er... | 1:16:29 | 1:16:30 | |
you leave this someplace, kiddo? | 1:16:30 | 1:16:32 | |
Thank you! | 1:16:34 | 1:16:36 | |
Come on. Let's go home, huh? Yeah? | 1:16:40 | 1:16:43 | |
Yeah. | 1:16:43 | 1:16:45 | |
ZAPPA SHOUTS FROM POLICE CAR | 1:16:51 | 1:16:54 | |
(Anne...!) | 1:16:57 | 1:16:59 | |
(Anne...!) | 1:17:02 | 1:17:04 | |
DIALOGUE INAUDIBLE UNDER MUSIC | 1:17:47 | 1:17:49 | |
DIALOGUE INAUDIBLE UNDER MUSIC | 1:18:34 | 1:18:36 | |
Subtitles by Red Bee Media Ltd | 1:19:21 | 1:19:23 | |
E-mail [email protected] | 1:19:23 | 1:19:26 |