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'In Nature's scheme of things, there are certain plants which are carnivorous. | 0:00:20 | 0:00:26 | |
'The Venus flytrap is one of the best-known of these plants. | 0:00:26 | 0:00:32 | |
'A fly, drawn to the plant by a sweet syrup, brushes against trigger bristles. | 0:00:32 | 0:00:39 | |
'How these plants digest their prey has yet to be explained. | 0:00:39 | 0:00:44 | |
'This is a newcomer, Triffidus Celestus, brought to earth on the meteorite | 0:00:44 | 0:00:52 | |
'during The Day Of The Triffids!' | 0:00:52 | 0:00:55 | |
'All reports confirm that the world is witnessing an unprecedented shower of meteorites. | 0:03:04 | 0:03:11 | |
'There is no record of a display such as this in recorded history. | 0:03:11 | 0:03:17 | |
'Astronomers are noting this phenomenon | 0:03:17 | 0:03:22 | |
'and are calculating the effect on our solar system. | 0:03:23 | 0:03:28 | |
'The consensus of opinion is that the meteorites burn up before they reach the earth.' | 0:03:28 | 0:03:36 | |
RADIO: 'Same reports from South Africa. The shower of meteorites continues.' | 0:05:50 | 0:05:55 | |
'This is a thrilling, once-in-a-lifetime spectacle that simply must be seen.' | 0:05:55 | 0:06:03 | |
Once-in-a-lifetime spectacle(!) Free tickets. Take any seat in the house. Here I am. | 0:06:03 | 0:06:11 | |
Here's Dr Soames, Mr Masen. | 0:06:18 | 0:06:21 | |
-Can't I see what's going on? The bandages come off tomorrow anyway. -No. | 0:06:21 | 0:06:28 | |
After an eye operation it's best to wait the full ten days. Tomorrow morning, nurse. | 0:06:28 | 0:06:34 | |
Yes, Doctor. Have a good night, Mr Masen. | 0:06:34 | 0:06:38 | |
-"See" you in the morning, I hope! -I hope so. | 0:06:38 | 0:06:42 | |
Here. | 0:06:42 | 0:06:45 | |
Open your mouth, please. | 0:06:45 | 0:06:48 | |
This should give you a good night's rest. | 0:06:48 | 0:06:53 | |
Lie back. I'm going to put your bed down. | 0:06:54 | 0:06:58 | |
Miss Jamieson, are you really as pretty as they say you are? | 0:07:00 | 0:07:05 | |
Tomorrow morning you can answer that question for yourself. | 0:07:05 | 0:07:10 | |
You really think I'll be able to see? | 0:07:10 | 0:07:14 | |
-By tomorrow night you'll be on board your ship and ready for duty. -Aye, aye! | 0:07:14 | 0:07:21 | |
-Goodnight. -Goodnight. | 0:07:22 | 0:07:25 | |
'The spectacular display of meteorites is still turning the sky into a blazing firework show.' | 0:07:33 | 0:07:42 | |
HE TURNS RADIO OFF | 0:07:42 | 0:07:44 | |
I can't leave this specimen. Why don't YOU go and have a look? | 0:07:47 | 0:07:52 | |
Some tobacco company probably found a new way to light up the sky to sell more cigarettes(!) | 0:07:52 | 0:08:00 | |
-Where did you hide it THIS time? -In the cupboard. | 0:08:01 | 0:08:05 | |
It's always in the same cupboard. | 0:08:07 | 0:08:10 | |
I was...er... | 0:08:23 | 0:08:25 | |
I was hoping we could get back to dissecting that stingray. | 0:08:25 | 0:08:31 | |
Here we go again! "The subject is Tom Goodwin, | 0:08:32 | 0:08:37 | |
"brilliant marine biologist." | 0:08:37 | 0:08:40 | |
-I am bored with stingrays. I don't care about them. -What DO you care about? | 0:08:40 | 0:08:48 | |
You really want me to tell you? | 0:08:50 | 0:08:53 | |
You know, sooner or later you're going to have to face the fact. | 0:08:53 | 0:08:58 | |
Day and night, drunk or sober, in a lecture room or a lab | 0:08:58 | 0:09:03 | |
or a deserted lighthouse near Cornwall. | 0:09:03 | 0:09:08 | |
To hell with it! Meteors and all! Who cares? | 0:09:08 | 0:09:13 | |
-I -care what happens to us. | 0:09:13 | 0:09:16 | |
Karen, you're a... you're a nice girl. | 0:09:20 | 0:09:24 | |
Heaven knows how you talked yourself into marrying me. | 0:09:24 | 0:09:29 | |
All right. What do you want us to do? | 0:09:31 | 0:09:35 | |
I don't know what YOU want to do, but I want away from this island. | 0:09:36 | 0:09:41 | |
-All this pretence about experiments. -It was your idea. Six months away from the university... | 0:09:41 | 0:09:48 | |
Let's clear out of here! Let me go where I can buy Scotch, and not wait for a boat to bring me ONE bottle! | 0:09:48 | 0:09:56 | |
-What about the equipment? -Leave it. | 0:09:58 | 0:10:02 | |
What about the fish? | 0:10:03 | 0:10:06 | |
Throw them back in the sea! | 0:10:06 | 0:10:08 | |
Fine. We'll leave the island tomorrow. The boat's due in the morning. | 0:10:11 | 0:10:18 | |
RADIO: 'We are awaiting word from the Australian observatory.' | 0:10:25 | 0:10:31 | |
CRACKLING | 0:10:31 | 0:10:34 | |
'..this beautiful display of meteorites exploding. | 0:10:42 | 0:10:47 | |
'The BBC will be on the air all night to keep you posted on this marvellous display...' | 0:10:47 | 0:10:54 | |
'..we'll bring you the latest reports.' | 0:10:59 | 0:11:03 | |
WATER DRIPS | 0:11:40 | 0:11:43 | |
WATER DRIPS CONSTANTLY | 0:11:45 | 0:11:48 | |
CLASSICAL MUSIC PLAYS ON RADIO | 0:12:22 | 0:12:25 | |
BIG BEN CHIMES | 0:13:42 | 0:13:46 | |
Eight... | 0:13:52 | 0:13:54 | |
Nine! | 0:13:55 | 0:13:57 | |
Nine?! | 0:13:58 | 0:14:00 | |
Miss Jamieson! | 0:14:06 | 0:14:09 | |
Hello? Hello? | 0:14:16 | 0:14:19 | |
Hello! | 0:14:21 | 0:14:23 | |
Miss Jamieson! | 0:14:28 | 0:14:31 | |
Doctor Soames! | 0:14:31 | 0:14:34 | |
Miss Jamieson! | 0:15:13 | 0:15:16 | |
Can anybody hear me?! | 0:15:17 | 0:15:21 | |
WOMAN SCREAMS | 0:15:45 | 0:15:48 | |
-Doctor Soames! -Bill Masen? | 0:18:12 | 0:18:15 | |
-I'm sorry. I couldn't wait to get those bandages off. -You can see? -Yes. | 0:18:15 | 0:18:23 | |
But I can't believe what I see. What's happened? | 0:18:23 | 0:18:27 | |
Would you please take me to my office? | 0:18:27 | 0:18:32 | |
Now try the other eye. | 0:18:39 | 0:18:42 | |
You're certain the beam's on the pupil? | 0:18:42 | 0:18:47 | |
-Yes. -All right. That's enough. | 0:18:47 | 0:18:52 | |
-Is the blind drawn in here? -Yes, sir. | 0:18:54 | 0:18:58 | |
Would you pull it up? | 0:18:58 | 0:19:01 | |
-What is it? -The optic nerves are gone. The glare of the meteorites. | 0:19:05 | 0:19:12 | |
You're probably one of the few people in London who can still see. | 0:19:12 | 0:19:17 | |
I don't envy you. I wouldn't care to see the things you'll see. | 0:19:17 | 0:19:23 | |
In the outer office, in my desk you'll find a kit. Would you get it for me? | 0:19:23 | 0:19:30 | |
Of course. | 0:19:31 | 0:19:33 | |
It's not there. | 0:19:39 | 0:19:42 | |
Ah, here it is. | 0:19:47 | 0:19:50 | |
CRASH OF GLASS | 0:19:50 | 0:19:53 | |
RADIO IS DEAD | 0:20:25 | 0:20:28 | |
-No sign of the boat? -No. It should have been here hours ago. | 0:20:57 | 0:21:02 | |
Nothing on the radio either. | 0:21:02 | 0:21:06 | |
I've been trying all morning. | 0:21:06 | 0:21:09 | |
You're losing valuable drinking time. | 0:21:12 | 0:21:16 | |
I'm sorry. | 0:21:19 | 0:21:22 | |
RADIO: 'The entire population of England has been afflicted with blindness | 0:21:23 | 0:21:30 | |
'through watching the meteorite shower last night. This is the Royal Dockyard at Devonport. | 0:21:30 | 0:21:39 | |
'A number of naval personnel have escaped blindness. All those who are still able to see | 0:21:39 | 0:21:47 | |
'should make their way to the dockyard. | 0:21:47 | 0:21:51 | |
'Urgent warning! England appears to be infested with a new plant that can inflict a fatal sting. | 0:21:51 | 0:21:59 | |
'If you are blind, stay indoors, if you can see, keep a constant look-out. | 0:21:59 | 0:22:06 | |
'We will return to the air with further bulletins.' Stay tuned to this wavelength.' | 0:22:06 | 0:22:14 | |
Blindness! Killer plants! I'm not drunk, am I? | 0:22:14 | 0:22:19 | |
Wish you were. | 0:22:19 | 0:22:22 | |
How do we get off this island? | 0:22:22 | 0:22:25 | |
Where would we go? | 0:22:25 | 0:22:28 | |
'We are still trying to reach the police. Please remain calm. | 0:24:16 | 0:24:22 | |
'Do not move about. | 0:24:22 | 0:24:24 | |
'You could injure yourself or start a fire. Do not smoke. | 0:24:24 | 0:24:30 | |
'Do not light matches. Stay clear of all electrical equipment. | 0:24:31 | 0:24:36 | |
'We are doing all we can.' | 0:24:36 | 0:24:39 | |
-Are there any trains running? -I don't know. I can't see. | 0:24:39 | 0:24:45 | |
Can you help me, sir? Help me! | 0:24:45 | 0:24:50 | |
Excuse me... Help me to a taxi. | 0:24:50 | 0:24:54 | |
-Please call my wife. I'll pay. Take my purse. -I'm sorry. | 0:24:54 | 0:25:00 | |
There are no taxis and the phones don't work. | 0:25:00 | 0:25:05 | |
TRAIN APPROACHES | 0:25:05 | 0:25:08 | |
HYSTERICAL SCREAMING | 0:25:21 | 0:25:25 | |
My little boy! Where is he? > | 0:25:50 | 0:25:53 | |
What does he look like? | 0:25:53 | 0:25:56 | |
You can see? Of course. Why shouldn't I? | 0:25:56 | 0:26:00 | |
Then help me. Who can see? This girl here. | 0:26:00 | 0:26:06 | |
Can you really see, girlie? Yes. | 0:26:07 | 0:26:11 | |
Come on! No! Let me go! | 0:26:11 | 0:26:15 | |
Let me go! | 0:26:22 | 0:26:24 | |
Drop that child. | 0:26:30 | 0:26:32 | |
Thief! Thief! | 0:26:34 | 0:26:37 | |
-Were you on that train alone? -I was in the luggage van. | 0:26:42 | 0:26:47 | |
-Why? -I ran away from boarding school. | 0:26:47 | 0:26:51 | |
-Where are your parents? -I haven't any. The bank takes care of me. | 0:26:51 | 0:26:58 | |
Well, the banks are closed. | 0:26:58 | 0:27:01 | |
DOG BARKS | 0:27:01 | 0:27:03 | |
-Why is he barking? -I don't know. Come on, we'll find out. | 0:27:06 | 0:27:11 | |
It's nothing. Come on. | 0:27:21 | 0:27:24 | |
DOG YELPS | 0:27:24 | 0:27:27 | |
Stay here. | 0:27:27 | 0:27:30 | |
Come on. Let's go to my ship. | 0:27:42 | 0:27:45 | |
Wait here. | 0:29:03 | 0:29:06 | |
Let's see if we can find some rocks. Come on. | 0:30:01 | 0:30:06 | |
SUSAN! SUSAN! | 0:31:23 | 0:31:26 | |
Get in the car. | 0:31:37 | 0:31:40 | |
VOICE ON SHIP'S RADIO | 0:33:17 | 0:33:20 | |
-MAN IS SPEAKING FRENCH -I wish I could understand French. -I can. -What's he saying? | 0:33:27 | 0:33:35 | |
"All services stopped. Will continue sending as long as we can." | 0:33:37 | 0:33:44 | |
That's a big help(!) | 0:33:45 | 0:33:47 | |
HE CHANGES RADIO CHANNEL 'Approximately 400 miles east of New York. | 0:33:47 | 0:33:54 | |
'All officers and passengers stricken blind. | 0:33:54 | 0:33:58 | |
'If you read me, come in, please. Mayday! Mayday!' | 0:33:58 | 0:34:03 | |
If you read me, come in, please. SS Midland calling. Mayday. | 0:34:03 | 0:34:09 | |
Is the captain here? Yes. What is it? | 0:34:10 | 0:34:14 | |
The passengers are panicking. | 0:34:14 | 0:34:17 | |
Can't you contact the doctor? No, sir. | 0:34:17 | 0:34:20 | |
This is the captain speaking. | 0:34:28 | 0:34:31 | |
'There is no-one on board who can help you. We are radioing for a rescue vessel. | 0:34:31 | 0:34:37 | |
'The only immediate danger is that you may injure yourselves by moving around. Stay where you are.' | 0:34:37 | 0:34:45 | |
If there is ANYONE who can see, PLEASE come up on the bridge. | 0:34:45 | 0:34:52 | |
HE CHANGES CHANNEL | 0:34:52 | 0:34:55 | |
MAN SPEAKS JAPANESE ON RADIO | 0:34:57 | 0:34:59 | |
HE RUNS THROUGH CHANNELS | 0:35:08 | 0:35:11 | |
'Ici Paris...' | 0:35:11 | 0:35:14 | |
It's Paris! He says they're calling a disaster meeting at Palais du Chaillot. | 0:35:14 | 0:35:22 | |
There must be others who can see. If we could just make contact. | 0:35:24 | 0:35:29 | |
'Flight 356 from Cape Town calling. Stand by for emergency landing.' | 0:35:29 | 0:35:35 | |
Please talk us down. Tower, can you read me? Tower, can you read me? Mayday! | 0:35:38 | 0:35:47 | |
Tower, please come in. Please talk us down. | 0:35:47 | 0:35:54 | |
There's still no reply, sir. Keep trying. > | 0:35:54 | 0:35:59 | |
Fuel's just about gone, sir. | 0:36:06 | 0:36:09 | |
How much longer? > Any moment now, sir. | 0:36:09 | 0:36:13 | |
I've got the passengers quiet again. | 0:36:22 | 0:36:25 | |
But they want to know what's happening. Tell them...everything's fine. | 0:36:25 | 0:36:34 | |
Tell them to fasten their belts, we're coming in to land. | 0:36:34 | 0:36:40 | |
Yes, sir. | 0:36:40 | 0:36:42 | |
Ladies and gentlemen, | 0:36:48 | 0:36:50 | |
'please fasten your safety belts as we are about to land. Everything is all right.' | 0:36:50 | 0:36:58 | |
Fasten your safety belts, please. No smoking, please. | 0:36:58 | 0:37:04 | |
Belt all right? Is the pilot blind too? | 0:37:06 | 0:37:10 | |
BLIND?! > Don't be silly... | 0:37:10 | 0:37:13 | |
ALL BEGIN TO PANIC | 0:37:13 | 0:37:18 | |
Quiet! | 0:37:18 | 0:37:20 | |
We're going to crash! | 0:37:22 | 0:37:25 | |
'Mayday! Tower, please come in.' | 0:37:33 | 0:37:36 | |
PLANE ENGINES WHIR | 0:37:36 | 0:37:39 | |
-Where are we going? -That meeting in Paris. | 0:38:36 | 0:38:41 | |
TOM! | 0:38:43 | 0:38:45 | |
-There's one of those plants growing out there. -Where? -It's on the ledge. | 0:38:45 | 0:38:52 | |
How about this? | 0:39:33 | 0:39:35 | |
-I'm coming with you. -Keep behind me. | 0:39:50 | 0:39:55 | |
Don't want to get killed by a plant. | 0:39:55 | 0:39:58 | |
-Thought you didn't care any more. -I don't. But I can think of better ways to die. | 0:39:58 | 0:40:05 | |
Tom! | 0:40:25 | 0:40:27 | |
It was here. | 0:40:27 | 0:40:30 | |
I KNOW it was here! | 0:40:30 | 0:40:33 | |
Come on. Let's get back inside. | 0:40:40 | 0:40:43 | |
It's all right. It's all right. | 0:42:14 | 0:42:17 | |
RADIO: 'Ici Paris! | 0:42:19 | 0:42:22 | |
'Because of worldwide disruption it is impossible for delegates to gather. | 0:42:22 | 0:42:29 | |
'Paris has become dangerous. This will be our last broadcast. | 0:42:29 | 0:42:35 | |
'There is no-one here who can see.' | 0:42:35 | 0:42:38 | |
There's nothing, Bill. | 0:42:46 | 0:42:48 | |
We're lost, aren't we, Bill? | 0:43:16 | 0:43:19 | |
-Let me see that map again. -Bill, look! | 0:43:19 | 0:43:23 | |
Thank goodness, Mr Coker. | 0:43:26 | 0:43:29 | |
-But you are NOT Mr Coker. -You can see! -You, too! | 0:43:31 | 0:43:36 | |
-Do you live near here? -5 kilometres. -Show us the way. | 0:43:36 | 0:43:41 | |
Miss Durrant, thank heavens. | 0:44:01 | 0:44:04 | |
-Mr Coker, this is Mr Masen and Susan. -Hello. | 0:44:04 | 0:44:08 | |
Oh, you found some more. | 0:44:21 | 0:44:24 | |
-Miss Coker, this is Mr Masen and Susan. -How do you do? -They can see. -Oh, good. | 0:44:24 | 0:44:31 | |
-How many blind people do you have here? -About forty. You must be hungry. | 0:44:37 | 0:44:44 | |
My sister and I were touring France. We collided with Miss Durrant's car. | 0:44:47 | 0:44:53 | |
Both our cars were ruined. No-one was badly hurt, but we were all under sedation that night. | 0:44:53 | 0:45:00 | |
-The chateau became a hospital. -A tragic irony. | 0:45:00 | 0:45:04 | |
The sick stayed well and the healthy became blind. Your daughter is sleepy. | 0:45:04 | 0:45:11 | |
Mmm? | 0:45:11 | 0:45:13 | |
< Come along, my dear. | 0:45:13 | 0:45:16 | |
Goodnight, "Daddy"(!) | 0:45:17 | 0:45:20 | |
-How old is your daughter, Mr Masen? -Susan is not my daughter. | 0:45:20 | 0:45:25 | |
We found each other in London. We're stuck with each other now. | 0:45:25 | 0:45:30 | |
There's nothing to be afraid of. We're all friends here. | 0:45:35 | 0:45:41 | |
Bettina, I want you to meet Susan. She's English. She's just arrived. | 0:45:48 | 0:45:54 | |
Hello, Susan. Hello. | 0:45:54 | 0:45:57 | |
I brought her to you, Bettina, because you speak English. I'll come and tuck you in. | 0:45:57 | 0:46:04 | |
But you can see! How can you tell? | 0:46:13 | 0:46:16 | |
I can tell a great many things. | 0:46:16 | 0:46:19 | |
It's the way people react. See if I can tell anything more about you. | 0:46:19 | 0:46:26 | |
How old am I? Thirteen. Twelve. | 0:46:26 | 0:46:30 | |
But a very grown-up twelve. Yes. | 0:46:30 | 0:46:33 | |
Curly...blonde hair... | 0:46:38 | 0:46:41 | |
Right? Right. | 0:46:41 | 0:46:44 | |
And brown eyes? That's right. | 0:46:44 | 0:46:48 | |
And you've got a good sense of humour, too. | 0:46:51 | 0:46:56 | |
I can tell by the laugh lines. | 0:46:56 | 0:46:59 | |
I tell you something else, too. We're going to be good friends. | 0:46:59 | 0:47:05 | |
Until things get back to normal, you are welcome to stay and help. | 0:47:05 | 0:47:10 | |
I've seen London, Paris and a lot in between. | 0:47:10 | 0:47:15 | |
-Things will never be normal. -So I've told Miss Durrant. -I have faith. -Faith is fine. | 0:47:15 | 0:47:22 | |
-But we need a lot more than that to survive. -Why shouldn't we survive? | 0:47:22 | 0:47:29 | |
There's going to be starvation, fire... Anyone caught in the middle of it doesn't stand a chance. | 0:47:29 | 0:47:37 | |
-I think we ought to go on to Spain. -How do you know it's better there? -I don't. | 0:47:37 | 0:47:45 | |
-How could we get everyone there? -We couldn't. | 0:47:45 | 0:47:49 | |
You are just running away. | 0:47:49 | 0:47:53 | |
I've told you what things are like. If you sit here with your eyes closed and let this run over you, | 0:47:53 | 0:48:01 | |
YOU'RE the one who's running away. | 0:48:01 | 0:48:04 | |
Perhaps you will change your mind. I hope you will stay and help us. Goodnight. | 0:48:04 | 0:48:11 | |
Goodnight. | 0:48:12 | 0:48:14 | |
A warm, generous-hearted woman, but, I'm afraid, very stubborn. | 0:48:15 | 0:48:21 | |
Lights! They've got the electricity going. | 0:48:55 | 0:48:59 | |
Lights! | 0:48:59 | 0:49:01 | |
France is back to normal! Maybe I can reach someone on the phone. | 0:49:01 | 0:49:06 | |
Are the lights on? Isn't it wonderful? | 0:49:06 | 0:49:11 | |
-'Allo? -I'm afraid you won't get an answer. | 0:49:12 | 0:49:17 | |
-Why not? -I put fuel in the auxiliary motor for the generator, so we have light. | 0:49:17 | 0:49:24 | |
But there's nothing I can do about the phone. | 0:49:24 | 0:49:28 | |
The cortex of the root system. | 0:50:10 | 0:50:13 | |
It's good to see you working again. | 0:50:14 | 0:50:17 | |
-It's not for the greater glory of science, I just want us to survive. -We will. | 0:50:17 | 0:50:24 | |
I'm not even a botanist. | 0:50:24 | 0:50:27 | |
-Is it a plant or an animal? -Who knows? | 0:50:27 | 0:50:31 | |
-It doesn't seem to have any central nervous system. -How does it move? | 0:50:31 | 0:50:39 | |
All plants move. But they don't pull themselves out of the ground and chase you! | 0:50:39 | 0:50:47 | |
If we find out how this thing functions, we might figure out an easier way of killing it. | 0:50:47 | 0:50:55 | |
You must get some sleep. | 0:50:58 | 0:51:01 | |
-There's no time. -Just an hour. | 0:51:01 | 0:51:04 | |
Then I'll wake you, I promise. | 0:51:04 | 0:51:07 | |
Tom. | 0:51:49 | 0:51:51 | |
You really must get some sleep. | 0:51:52 | 0:51:55 | |
Sleep now. | 0:52:12 | 0:52:15 | |
I'll wake you in a hour. | 0:52:15 | 0:52:18 | |
CRASH OF WOOD | 0:53:41 | 0:53:44 | |
DRAGGING | 0:53:44 | 0:53:47 | |
Tom! | 0:54:50 | 0:54:52 | |
It got out! It came to life and it got out! | 0:54:55 | 0:54:59 | |
-They regenerate. -Just like worms. Cut them in half and you can't kill them. Get the hammer and nails! | 0:55:01 | 0:55:09 | |
It's like being nailed in your own coffin. | 0:55:43 | 0:55:48 | |
-What are you doing out here? -I wanted to talk to you. | 0:56:01 | 0:56:06 | |
-You shouldn't be wandering around. -I had to talk. | 0:56:06 | 0:56:11 | |
Is it true you're going to leave us? | 0:56:12 | 0:56:15 | |
To go to Spain? | 0:56:15 | 0:56:18 | |
Yes. | 0:56:20 | 0:56:22 | |
-What about the rest of us? -I've got to find some REAL help. I can't do it by staying here. | 0:56:22 | 0:56:30 | |
-But you're coming back? -Yes. If I can. | 0:56:30 | 0:56:36 | |
I hope you DO come back. | 0:56:37 | 0:56:40 | |
Come on. I'd better get you back inside. | 0:56:43 | 0:56:47 | |
DRAGGING | 0:57:03 | 0:57:05 | |
It's a Triffid! | 0:58:06 | 0:58:08 | |
-A what? -A Triffid. | 0:58:08 | 0:58:11 | |
The original Triffid, the kind I saw in a greenhouse was known to have come to earth in a meteorite. | 0:58:11 | 0:58:18 | |
This re-appearance must have been caused by the meteorite explosion. | 0:58:18 | 0:58:24 | |
-But why should they attack people? -Most plants thrive on animal waste. This kind eat the animal itself. | 0:58:24 | 0:58:32 | |
This must be how they propagate. | 0:58:36 | 0:58:39 | |
-There are millions of them. -A light wind and they're everywhere. | 0:58:39 | 0:58:45 | |
-Susan, where's Miss Durrant? -In there. | 0:59:01 | 0:59:06 | |
-< I've something to tell you. -Later. | 0:59:06 | 0:59:09 | |
-Miss Durrant... -Give me a moment. Please sit down. | 0:59:09 | 0:59:13 | |
-Miss Durrant, we're going to have to leave. -Did you bring more supplies? | 0:59:13 | 0:59:20 | |
-YOU tell her. -In the next 24 hours the vicinity will be swarming with Triffids. | 0:59:20 | 0:59:28 | |
I cannot leave all these people. They're my friends! | 0:59:28 | 0:59:32 | |
PLANE ROARS OVERHEAD Listen. | 0:59:32 | 0:59:36 | |
The plane! It flew over here before. That's what I wanted to tell you. | 0:59:36 | 0:59:42 | |
PLANE CRASHES | 0:59:55 | 0:59:57 | |
Come on, Coker. | 0:59:57 | 1:00:00 | |
He's saying something about Toulon, the naval base being a rescue centre. | 1:00:39 | 1:00:45 | |
-The French base on the Mediterranean near Marseilles. -Yes. | 1:00:45 | 1:00:51 | |
He's dead. | 1:00:53 | 1:00:55 | |
RUMBLING | 1:00:55 | 1:00:57 | |
Are you all right? | 1:01:28 | 1:01:30 | |
-What's the matter? -It's my ankle. I can't go on. -I'll carry you. -No. | 1:01:32 | 1:01:39 | |
Coker? | 1:01:48 | 1:01:50 | |
Coker? | 1:01:52 | 1:01:54 | |
MUSIC FROM HOUSE | 1:02:23 | 1:02:26 | |
-Bill! -What's the matter? | 1:03:11 | 1:03:14 | |
-Ssh! -What is it? -Some men. Convicts, I think. They've taken all the girls in there. | 1:03:14 | 1:03:22 | |
-How many are there? -A lot. -And they can see? -Yes. | 1:03:22 | 1:03:28 | |
-Where's Miss Durrant? -In there. They said they'd kill anyone who... SCREAMING | 1:03:28 | 1:03:35 | |
Stay here and lock all the doors. Don't open them for anyone but me. | 1:04:13 | 1:04:19 | |
Come on. Susan's out in the car. | 1:05:06 | 1:05:09 | |
You are not one of us. | 1:05:09 | 1:05:11 | |
Susan, open up. | 1:05:19 | 1:05:22 | |
I can't open it! | 1:05:23 | 1:05:26 | |
SHE SCREAMS | 1:05:36 | 1:05:38 | |
Susan, get over to the other side. | 1:05:47 | 1:05:50 | |
The thing I said to you back at the chateau, I had no right... | 1:07:01 | 1:07:07 | |
If it makes you feel any better, I probably would have said the same thing. | 1:07:07 | 1:07:15 | |
Feel guilty, mmh? | 1:07:15 | 1:07:18 | |
Maybe. | 1:07:18 | 1:07:20 | |
-You know why? -Why? | 1:07:20 | 1:07:23 | |
Because you survived. | 1:07:23 | 1:07:26 | |
-Bettina, Coker and all the rest dead, and you're alive and you wonder why. -Exactly right. | 1:07:26 | 1:07:34 | |
I know the feeling. In the war, a ship gets shot from underneath you, all your friends are gone, | 1:07:34 | 1:07:42 | |
you ask yourself, "Why me? | 1:07:42 | 1:07:45 | |
"Why not someone better?" | 1:07:45 | 1:07:48 | |
Where will we go in Spain? | 1:08:00 | 1:08:04 | |
There's a big American naval base in Southern Spain, at Cadiz. | 1:08:04 | 1:08:09 | |
-They're equipped for disaster. They're disciplined. -So were the French at Toulon. | 1:08:09 | 1:08:16 | |
Negative. | 1:08:25 | 1:08:28 | |
Five per cent nitric acid solution, negative. | 1:08:29 | 1:08:34 | |
Not that I expected a miracle. | 1:08:34 | 1:08:37 | |
But nothing seems to affect this tissue. | 1:08:37 | 1:08:42 | |
They live, they grow, they take nourishment.. | 1:08:42 | 1:08:46 | |
they have sensory response... | 1:08:46 | 1:08:49 | |
they absorb and expend energy... | 1:08:49 | 1:08:52 | |
There must be something that will interrupt their life cycle. | 1:08:52 | 1:08:58 | |
Fundamentally, it's a simple problem. Like finding a weedkiller. | 1:08:58 | 1:09:03 | |
RADIO CRACKLES There's no help out there. | 1:09:03 | 1:09:07 | |
Been nothing on the air for days. | 1:09:07 | 1:09:11 | |
Can't help thinking about that last radio call from Devonport. | 1:09:11 | 1:09:17 | |
The way the place blew up... It was like listening to the end of the world. | 1:09:17 | 1:09:23 | |
Well, it's NOT the end of the world! Not yet. There has to be an answer. | 1:09:23 | 1:09:29 | |
If we're going to find the answer, we'd better find it soon. | 1:09:42 | 1:09:48 | |
-What are they doing? -They're staring in at us like guards outside a condemned cell. | 1:09:48 | 1:09:55 | |
Let's go through the check-list again. | 1:09:55 | 1:09:58 | |
Whoa. | 1:10:05 | 1:10:07 | |
You're a good horse. And you must be tired! I'm going to find you some grass. | 1:10:14 | 1:10:21 | |
-Bill, may I go and look at the fair? -All right. But don't wander off. | 1:10:21 | 1:10:27 | |
If we can find something, we'll eat right away. | 1:10:27 | 1:10:31 | |
-Ooh! -I'm sorry. Did I burn you? -It's nothing. | 1:10:42 | 1:10:47 | |
Bill, you think we have a chance? | 1:10:53 | 1:10:56 | |
Once you taste this coffee of mine, you'll know nothing worse can happen. | 1:10:56 | 1:11:02 | |
Your coffee is very good. | 1:11:04 | 1:11:07 | |
-In fact, you're a handy man in the kitchen. -Been doing for myself a long time. | 1:11:07 | 1:11:15 | |
-You have never been married? -No. -Why? | 1:11:15 | 1:11:20 | |
-Never been in one spot long enough. -And now you have a family. | 1:11:20 | 1:11:25 | |
-It might have its points. -MUSIC PLAYS OUTSIDE | 1:11:25 | 1:11:30 | |
-Susan! -Look what I found! | 1:11:40 | 1:11:44 | |
We could use it. We'll take it. | 1:11:45 | 1:11:48 | |
-Our horse! We can't leave him! -We'll leave him in a field. He'll be fine. -I won't go! | 1:11:48 | 1:11:56 | |
-Be reasonable. We can't take him. -Don't let him, Christina! It isn't fair! It's mean! | 1:11:56 | 1:12:05 | |
It is not Bill's fault. He's only doing what's right for all of us. | 1:12:05 | 1:12:10 | |
-He'd never hurt you if he can help it. You know that. -I know. | 1:12:10 | 1:12:16 | |
-Are we on the right road for Cadiz? -I think so. | 1:12:35 | 1:12:40 | |
-What's the matter? -I don't know. But we'll find out. | 1:13:02 | 1:13:07 | |
Hello! Is anybody here? | 1:13:30 | 1:13:33 | |
Please, please come in. | 1:13:43 | 1:13:46 | |
Oh, God! Teresa! | 1:13:46 | 1:13:50 | |
Teresa! Ven pronto! Ha llegado gente. Pueden ver. Nos ayudaran. | 1:13:51 | 1:13:58 | |
-Luis de la Vega. -I'm Bill Masen. This is Susan and Miss Durrant. -Hello. -Please... Teresa! | 1:13:58 | 1:14:07 | |
< Three guests. This is my wife, Teresa. Welcome. | 1:14:07 | 1:14:12 | |
We are not the only two people left here. | 1:14:12 | 1:14:16 | |
I believed that someone would arrive. | 1:14:16 | 1:14:20 | |
We are expecting a baby and we need help. | 1:14:20 | 1:14:25 | |
< Perhaps the two ladies could... | 1:14:25 | 1:14:28 | |
-You can't see? You both seem so natural. -My wife has been blind for many years. She is teaching me. | 1:14:33 | 1:14:42 | |
-But you WILL help? -Of course. | 1:14:42 | 1:14:46 | |
-Please be seated, all of you. > I'll go and get some food. -We'll help. Come, Susan. | 1:14:46 | 1:14:53 | |
-We were trying to get to Cadiz. -You don't know? -Know about what? | 1:14:56 | 1:15:01 | |
-They had to evacuate the naval base. -How? -By submarine. I heard it on my radio. | 1:15:01 | 1:15:08 | |
Submarines that were submerged during the night of the meteorites, their crews were all right. | 1:15:08 | 1:15:16 | |
I tried to contact them with my transmitter, but I cannot transmit or receive. | 1:15:16 | 1:15:23 | |
-Let's take a look at it. -Oh. Are you familiar? | 1:15:23 | 1:15:29 | |
Yes. As a first mate, I have to have a working knowledge of it. | 1:15:29 | 1:15:34 | |
'From the Gibraltar Rescue Centre. Final survivor pick-up on Saturday at Alicante. | 1:15:47 | 1:15:54 | |
'Repeat warning: Vast bands of Triffids are roaming the area. | 1:15:54 | 1:15:59 | |
'Do not travel at night. Barricade all doors. Repeat: Do not travel at night. | 1:15:59 | 1:16:08 | |
'Barricade all doors. | 1:16:08 | 1:16:11 | |
-'Final survivor pick-up will be on Saturday at Alicante.' -Tomorrow! | 1:16:12 | 1:16:17 | |
We'll leave first thing tomorrow. | 1:16:17 | 1:16:21 | |
I think that'll work. When I tell you, turn that switch. | 1:17:00 | 1:17:06 | |
OK! | 1:17:15 | 1:17:17 | |
ELECTRICITY CRACKLES | 1:17:19 | 1:17:22 | |
Well, it works. | 1:17:23 | 1:17:26 | |
You can turn it off now! | 1:17:26 | 1:17:29 | |
Is the baby born? | 1:17:38 | 1:17:41 | |
-Yes. It's a boy. -How is he? | 1:17:41 | 1:17:45 | |
-Fine. -And the mother? | 1:17:45 | 1:17:48 | |
-She's weak, but I suppose that's to be expected. -BILL! -That's Susan! | 1:17:48 | 1:17:55 | |
Look! | 1:18:04 | 1:18:07 | |
Susan, turn on the switch. | 1:18:12 | 1:18:14 | |
The fence is weakening. | 1:18:49 | 1:18:53 | |
Susan, get back to the house. | 1:18:53 | 1:18:55 | |
We just don't have enough power. | 1:19:33 | 1:19:37 | |
Come on! | 1:19:38 | 1:19:41 | |
Keep the engine running! | 1:20:05 | 1:20:08 | |
GURGLING | 1:22:06 | 1:22:09 | |
-Why do they keep coming back? -Don't know. There must be a reason. | 1:22:17 | 1:22:22 | |
GURGLING BECOMES LOUDER | 1:22:22 | 1:22:25 | |
-Maybe they can hear us! -Mmh? | 1:22:27 | 1:22:30 | |
Hey, maybe that's it. | 1:22:30 | 1:22:33 | |
Maybe it's sound that attracts them. That generator. Come on, Susan. | 1:22:33 | 1:22:40 | |
HUMMING | 1:22:41 | 1:22:43 | |
SWITCHES OFF, HUMMING CEASES | 1:22:43 | 1:22:46 | |
You were right. It's SOUND that attracts them. | 1:22:50 | 1:22:55 | |
If sound leads them TO us, it can lead them away, too. | 1:22:58 | 1:23:04 | |
-Like the Pied Piper! -Yeah. | 1:23:04 | 1:23:07 | |
Yeah. Like the Pied Piper. Come on! | 1:23:08 | 1:23:13 | |
When they've gone, open up the gates and take off. Until then, no noise at all. | 1:23:13 | 1:23:21 | |
-What about you? -I'll see you in Alicante. | 1:23:29 | 1:23:34 | |
Windows up. | 1:23:35 | 1:23:38 | |
MUSIC BOOMS OUT | 1:24:07 | 1:24:11 | |
Time to get aboard, Miss. We're sailing. | 1:25:55 | 1:25:59 | |
We have to go now. | 1:26:00 | 1:26:03 | |
TANNOY: 'The submarine will depart in five minutes.' | 1:26:03 | 1:26:09 | |
HE-E-E-Y! | 1:26:13 | 1:26:16 | |
Ahoy! | 1:26:17 | 1:26:19 | |
HEY! | 1:26:51 | 1:26:53 | |
'This is the Gibraltar Rescue Centre for the Mediterranean area. | 1:27:20 | 1:27:25 | |
'Our pick-up at Alicante has been made on schedule. | 1:27:25 | 1:27:30 | |
'This is the final rescue operation for the present. Stay tuned for further bulletins.' | 1:27:30 | 1:27:39 | |
-How far is Gibraltar? -Too far to swim(!) Let's get back to work. | 1:27:39 | 1:27:45 | |
Get away from that window! | 1:27:56 | 1:27:59 | |
Stop staring at them! | 1:27:59 | 1:28:02 | |
I'm sorry, Karen. I'm sorry. | 1:28:13 | 1:28:16 | |
WOOD CRACKS | 1:28:18 | 1:28:21 | |
KAREN! | 1:30:35 | 1:30:38 | |
They're dissolving! The sea water's dissolving them! | 1:30:38 | 1:30:42 | |
-TOM! -Get back. | 1:31:11 | 1:31:13 | |
SHE SCREAMS | 1:31:37 | 1:31:39 | |
Turn the pressure up! | 1:31:49 | 1:31:52 | |
Sea water. | 1:32:56 | 1:32:58 | |
Two-thirds of the earth is covered with it. | 1:32:58 | 1:33:03 | |
You hunt and search, and all the while the answer's right in front of you. | 1:33:03 | 1:33:10 | |
'A simple method had been found to destroy the Triffids. | 1:33:11 | 1:33:16 | |
'Sea water, from which life on earth had sprung, became the means of PRESERVING life on earth. | 1:33:16 | 1:33:24 | |
'Mankind survived and once again had reason to give thanks.' | 1:33:24 | 1:33:29 | |
Subtitles by Janice Hamilton BBC Scotland, 1994 | 1:33:37 | 1:33:41 |