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This film contains some strong language | 0:00:02 | 0:00:07 | |
HEAVY BREATHING | 0:00:37 | 0:00:39 | |
'You are safe here with me.' | 0:00:50 | 0:00:53 | |
RADIO: "..decision been reached on how far the country is willing to go | 0:01:36 | 0:01:40 | |
"in helping an anti-Castro uprising or invasion in Cuba?" | 0:01:40 | 0:01:45 | |
JFK: "First I want to say that there will not be, under any conditions, | 0:01:45 | 0:01:49 | |
"an intervention in Cuba by United States Armed Forces. | 0:01:49 | 0:01:52 | |
"This government will do everything it possibly can, | 0:01:52 | 0:01:55 | |
and I think it can meet it's responsibilities, | 0:01:55 | 0:01:58 | |
"to make sure no Americans involved in any actions inside Cuba." | 0:01:58 | 0:02:04 | |
WOMAN SPEAKS RUSSIAN | 0:02:32 | 0:02:35 | |
Excuse me, sir. Do you have change for a dollar? | 0:02:44 | 0:02:47 | |
-Thank you, sir. -You're welcome. | 0:02:54 | 0:02:56 | |
From our friends on Wall Street. | 0:03:29 | 0:03:30 | |
-Miami? -Right away. | 0:03:30 | 0:03:33 | |
Cardinal's interested. | 0:03:45 | 0:03:47 | |
So the weatherman says Sunday is the perfect day for a trip to the beach. | 0:03:56 | 0:04:02 | |
I hope you can still dance, Edward. | 0:04:02 | 0:04:04 | |
In a few days we'll be doing the cha-cha in El Comandante's bedroom. | 0:04:04 | 0:04:08 | |
I'll try to remember to bring my dancing shoes, Richard. | 0:04:08 | 0:04:12 | |
-Good morning, Ray. -Mr Hayes. | 0:04:12 | 0:04:14 | |
Miami. And our Op Centre off Guatemala. | 0:04:18 | 0:04:22 | |
Pack a bathing suit, Mr Brocco. We're going for a swim. | 0:04:22 | 0:04:26 | |
What do you make of our chances for success? | 0:04:26 | 0:04:29 | |
If we get the support that we've been promised, | 0:04:30 | 0:04:33 | |
I'd say it's fairly certain. | 0:04:33 | 0:04:36 | |
If there are any doubts, I can still put out the fire. | 0:04:36 | 0:04:39 | |
It's gone beyond that. | 0:04:39 | 0:04:41 | |
Rocking chair is still smiling. | 0:04:41 | 0:04:43 | |
KNOCK AT DOOR | 0:04:43 | 0:04:46 | |
It's the White House. | 0:04:46 | 0:04:48 | |
Everybody is waiting for the good news. | 0:04:48 | 0:04:50 | |
Godspeed. | 0:04:50 | 0:04:52 | |
When you're back, come up to the mountains. We'll go fishing. | 0:04:54 | 0:04:57 | |
Yes, sir. | 0:05:02 | 0:05:04 | |
He's been put on notice. | 0:05:04 | 0:05:06 | |
"In Cuba, sometime before dawn, | 0:05:07 | 0:05:10 | |
"The invading forces' B-26 bombers give air cover to men | 0:05:10 | 0:05:15 | |
"landing on the beach. | 0:05:15 | 0:05:17 | |
"As the sun rises, there's a surprise attack from Castro's air force. | 0:05:18 | 0:05:23 | |
"The B-26s are shot down. | 0:05:23 | 0:05:26 | |
"Without air cover, the anti-Castro forces' ships are attacked | 0:05:26 | 0:05:30 | |
"and the men are cut off from their supplies." | 0:05:30 | 0:05:32 | |
"The situation looks dire." | 0:05:32 | 0:05:34 | |
-MAN SPEAKS SPANISH TRANSLATOR: -Where's the air support? | 0:05:34 | 0:05:37 | |
-MAN SPEAKS SPANISH -Where the hell is the Navy? | 0:05:37 | 0:05:41 | |
-TRANSLATED: -Would you throw something into this | 0:05:41 | 0:05:44 | |
vital point in the battle? | 0:05:44 | 0:05:46 | |
MAN SPEAKS SPANISH | 0:05:46 | 0:05:48 | |
Enemy in red trucks coming from red beach | 0:05:48 | 0:05:51 | |
are right now 1km from blue beach. | 0:05:51 | 0:05:55 | |
Two thousand militia attacking blue beach | 0:05:55 | 0:05:59 | |
from east to west. | 0:05:59 | 0:06:01 | |
We need... | 0:06:01 | 0:06:03 | |
close air support immediately. | 0:06:03 | 0:06:06 | |
Well, I am destroying all my equipment and communications. | 0:06:06 | 0:06:10 | |
I have nothing with which to fight. I'm going to the woods. | 0:06:10 | 0:06:13 | |
I cannot wait for you. I'm going to the woods. | 0:06:13 | 0:06:16 | |
FIDEL CASTRO GIVES SPEECH OVER RADIO | 0:06:29 | 0:06:32 | |
They knew where to find us. | 0:06:52 | 0:06:55 | |
There's a stranger in our house, sir. | 0:07:00 | 0:07:03 | |
HEAVY BREATHING | 0:07:45 | 0:07:47 | |
WOMAN: "I love you." | 0:07:47 | 0:07:49 | |
"People who really love each other don't have secrets." | 0:07:49 | 0:07:53 | |
"You are safe here with me." | 0:07:53 | 0:07:56 | |
"I love you." | 0:08:06 | 0:08:08 | |
"People who really love each other don't have secrets." | 0:08:08 | 0:08:12 | |
"You are safe here with me." HEAVY BREATHING | 0:08:12 | 0:08:16 | |
MUFFLED DIALOGUE | 0:08:16 | 0:08:19 | |
"I love you." | 0:08:27 | 0:08:30 | |
"People who really love each other don't have secrets." | 0:08:30 | 0:08:33 | |
HEAVY BREATHING | 0:08:33 | 0:08:35 | |
"You are safe here with me." | 0:08:37 | 0:08:40 | |
'The president's saying he'll break the CIA into a thousand pieces.' | 0:08:46 | 0:08:51 | |
'Somebody on your desk gave away the store.' | 0:08:52 | 0:08:55 | |
Told the Soviets where to find you at the Bay of Pigs. | 0:08:56 | 0:08:59 | |
You've got a big problem very close to home. | 0:08:59 | 0:09:02 | |
There will be an extensive house cleaning on your side of the street. | 0:09:03 | 0:09:08 | |
SIGHS | 0:09:09 | 0:09:11 | |
Fucking cigarette. | 0:09:11 | 0:09:14 | |
My ring doesn't even fit me any more. | 0:09:14 | 0:09:18 | |
They didn't get it all. | 0:09:21 | 0:09:23 | |
I'm sorry. | 0:09:23 | 0:09:25 | |
Be careful. | 0:09:25 | 0:09:27 | |
Your name is on a must-worry list. | 0:09:28 | 0:09:31 | |
Right at the very top. | 0:09:31 | 0:09:33 | |
You forgot your hat. | 0:09:44 | 0:09:46 | |
Somebody left a package on my doorstep last night. | 0:10:08 | 0:10:12 | |
Have Tech wash them right away. | 0:10:12 | 0:10:14 | |
I've been trying to reach you. | 0:10:21 | 0:10:23 | |
"I haven't been at the Embassy compound. I'm doing outside work." | 0:10:23 | 0:10:26 | |
I heard there was a setback. | 0:10:26 | 0:10:29 | |
Sometimes the best laid plans of mice and men... | 0:10:29 | 0:10:33 | |
"Be very careful." | 0:10:33 | 0:10:35 | |
I'll be fine. You worry too much. | 0:10:35 | 0:10:38 | |
-Just please be careful. -"Everything is fine." | 0:10:38 | 0:10:42 | |
Goodbye, son. | 0:10:42 | 0:10:44 | |
Goodbye, Father. | 0:10:44 | 0:10:46 | |
KETTLE DRUMS BANG | 0:11:58 | 0:12:01 | |
# ..We sail the ocean blue... # | 0:12:01 | 0:12:06 | |
APPLAUSE | 0:12:06 | 0:12:09 | |
BAND PLAYS | 0:12:09 | 0:12:12 | |
CHEERING | 0:12:16 | 0:12:18 | |
# I'm called Little Buttercup | 0:12:18 | 0:12:21 | |
# Dear Little Buttercup | 0:12:21 | 0:12:24 | |
# Though I could never tell why | 0:12:24 | 0:12:27 | |
# But still I'm called Buttercup Poor Little Buttercup | 0:12:27 | 0:12:32 | |
# Sweet Little Buttercup, I | 0:12:32 | 0:12:36 | |
# I've treacle and toffee, I've tea and I've coffee... | 0:12:36 | 0:12:41 | |
FALSETTO VOICE: But, hark ye, my merry friend, | 0:12:41 | 0:12:43 | |
hast ever thought that beneath this | 0:12:43 | 0:12:45 | |
gay and frivolousssss... | 0:12:45 | 0:12:49 | |
..sss exterior,... ALL LAUGH | 0:12:49 | 0:12:52 | |
..there may lurk a... | 0:12:52 | 0:12:55 | |
NORMAL VOICE: ..cankerworm? | 0:12:55 | 0:12:58 | |
MUSIC PLAYS GENERAL CHATTER | 0:12:58 | 0:13:01 | |
Ms Buttercup. Skull and Bones. | 0:13:07 | 0:13:10 | |
Accept or reject? | 0:13:10 | 0:13:13 | |
Accept. | 0:13:13 | 0:13:15 | |
Not a word to anyone. | 0:13:16 | 0:13:18 | |
-How does it feel being a woman? -Why do you wanna know? | 0:13:20 | 0:13:25 | |
Gentlemen... | 0:13:25 | 0:13:27 | |
I will remind you you have all taken an oath of secrecy. | 0:13:27 | 0:13:31 | |
You've been chosen to become members of America's most secret society. | 0:13:31 | 0:13:37 | |
For over 100 years, | 0:13:38 | 0:13:41 | |
Skull and Bones members have included a president, | 0:13:41 | 0:13:44 | |
vice presidents, Supreme Court justices, | 0:13:44 | 0:13:48 | |
congressmen and senators, captains of science and industry. | 0:13:48 | 0:13:52 | |
The very best of America. | 0:13:52 | 0:13:55 | |
ALL: Wer war der Thor, wer weiser, | 0:13:55 | 0:13:58 | |
wer Bettler oder Kaiser. | 0:13:58 | 0:14:01 | |
Ob arm ob Reich, im code gleitch. CHEERING OVERLAPS | 0:14:01 | 0:14:05 | |
CHEERING GRUNTING | 0:14:05 | 0:14:08 | |
Come on! | 0:14:14 | 0:14:16 | |
BOOING | 0:14:17 | 0:14:20 | |
-I don't think this is for me. -You can't take it personally. | 0:14:20 | 0:14:23 | |
Getting pissed on is personal, Mr Russell. I take it very personally. | 0:14:23 | 0:14:27 | |
Edward. We're all in this together. | 0:14:27 | 0:14:30 | |
Come back inside. | 0:14:30 | 0:14:33 | |
We're brothers for life. | 0:14:33 | 0:14:36 | |
Tell us, Mr Wilson, brother to brother, | 0:14:41 | 0:14:44 | |
something you've never told anyone before. | 0:14:44 | 0:14:47 | |
Your most guarded secret. | 0:14:47 | 0:14:50 | |
Something... you will need to trust us with. | 0:14:50 | 0:14:54 | |
It was the 4th of July, 1925. | 0:14:56 | 0:15:00 | |
I was six. | 0:15:01 | 0:15:03 | |
'I was playing tag with a friend of mine.' | 0:15:05 | 0:15:08 | |
Edward, careful. | 0:15:08 | 0:15:10 | |
'And I tried to get away from him so I ran up to my parents' room.' | 0:15:10 | 0:15:14 | |
'And I hid in the closet.' | 0:15:15 | 0:15:17 | |
I looked at my father's clothes | 0:15:20 | 0:15:21 | |
and hanging there was his Admiral's jacket. | 0:15:21 | 0:15:25 | |
And then I heard a sound. And I saw my father. | 0:15:26 | 0:15:31 | |
'I must have made a noise because he turned and came into the closet | 0:15:31 | 0:15:35 | |
'and opened the door.' | 0:15:35 | 0:15:38 | |
Have you ever made up a story, Edward? | 0:15:38 | 0:15:41 | |
Told your friends something that wasn't true? | 0:15:41 | 0:15:43 | |
And you know that if they found out | 0:15:43 | 0:15:46 | |
they wouldn't like you any more. | 0:15:46 | 0:15:48 | |
'Why? Because you lied to them.' | 0:15:48 | 0:15:51 | |
Do you understand? | 0:15:51 | 0:15:53 | |
'And he asked me if I knew what trust was.' | 0:15:55 | 0:15:57 | |
And I said trust is when you feel safe with someone. | 0:15:57 | 0:16:00 | |
Like with my friends. Like with you and mother. | 0:16:00 | 0:16:03 | |
And then he said,... "Don't ever lie." | 0:16:03 | 0:16:07 | |
'"If you lie to your friends they won't trust you."' | 0:16:07 | 0:16:12 | |
"And you will have nothing." | 0:16:12 | 0:16:15 | |
"And you'll never be safe." | 0:16:17 | 0:16:19 | |
'He told me to go and watch the fireworks.' | 0:16:21 | 0:16:24 | |
'Because they'd started.' | 0:16:24 | 0:16:27 | |
And then he shut the door. | 0:16:30 | 0:16:33 | |
The sound of the gunshot was very different | 0:16:38 | 0:16:40 | |
from the sound of the fireworks. | 0:16:40 | 0:16:42 | |
And even at six years old I knew there was a big difference. | 0:16:42 | 0:16:46 | |
'There was a lot of blood.' Father? | 0:16:48 | 0:16:52 | |
'And in his left hand he held a note that was sealed.' | 0:16:53 | 0:16:58 | |
'I don't know why, buy I took it and I put it in my pocket.' | 0:16:58 | 0:17:03 | |
-'I always said it was an accident.' -It was an accident, wasn't it? | 0:17:04 | 0:17:08 | |
It wasn't an accident. My father killed himself. | 0:17:08 | 0:17:11 | |
# ..to the place where Louie dwells | 0:17:11 | 0:17:13 | |
# To the dear old temple bar we love so well | 0:17:13 | 0:17:19 | |
# Sing the Whiffenpoofs assembled | 0:17:19 | 0:17:22 | |
# With their glasses raised on high | 0:17:22 | 0:17:24 | |
-# And the magic of their singing... # -Congratulations, Mr Wilson. | 0:17:24 | 0:17:27 | |
I'm Richard Hayes. Master of secrets and orders. | 0:17:27 | 0:17:31 | |
# Yes, the magic of their singing of the songs we loved so well... # | 0:17:31 | 0:17:35 | |
-What did the note say? -I told you I never read the note. | 0:17:35 | 0:17:38 | |
You didn't read the note? | 0:17:38 | 0:17:41 | |
No. # We will serenade our Louie | 0:17:41 | 0:17:44 | |
# While life and voice shall last... # | 0:17:44 | 0:17:48 | |
My father said your father | 0:17:48 | 0:17:50 | |
was going to be appointed Secretary of the Navy, | 0:17:50 | 0:17:54 | |
until his loyalty | 0:17:54 | 0:17:56 | |
was brought under question. | 0:17:56 | 0:17:58 | |
# ..we're poor little lambs who have lost our way... # | 0:17:58 | 0:18:02 | |
We're not going to have a problem with your loyalty, are we? | 0:18:02 | 0:18:06 | |
# We're little black sheep who have gone astray... # | 0:18:06 | 0:18:10 | |
"And yet, a certain word, a glance, a guise, | 0:18:10 | 0:18:14 | |
"will mirror never show, | 0:18:14 | 0:18:16 | |
"reflecting not my gaze | 0:18:16 | 0:18:18 | |
"but my uncertain question caught | 0:18:18 | 0:18:21 | |
"inside a shadow of our shifting eyes." | 0:18:21 | 0:18:24 | |
That really is quite elegant, Mr Wilson. | 0:18:27 | 0:18:30 | |
Good order. Very precise. | 0:18:30 | 0:18:33 | |
Feeling of the unknown. | 0:18:33 | 0:18:35 | |
Fine poetry is the music of mathematics. | 0:18:35 | 0:18:40 | |
Numbers... Singing... | 0:18:40 | 0:18:42 | |
You have to look behind the words | 0:18:42 | 0:18:45 | |
to understand their meaning. | 0:18:45 | 0:18:47 | |
Hmm... | 0:18:47 | 0:18:49 | |
Right, well, good night, gentlemen. | 0:18:49 | 0:18:52 | |
Mr Wilson... | 0:18:52 | 0:18:55 | |
May I see you in my office for a few words? | 0:18:55 | 0:18:58 | |
I am recommending you as editor of our poetry magazine, The Poeticus. | 0:18:59 | 0:19:04 | |
I'm honoured. Thank you. I appreciate your faith in me. | 0:19:04 | 0:19:08 | |
Never be ashamed of your abilities, Edward. | 0:19:08 | 0:19:11 | |
Wasn't there a picture that used to | 0:19:25 | 0:19:27 | |
sit on the mantel there? It was a...group of soldiers? | 0:19:27 | 0:19:31 | |
It's my father's Crimean War regiment. | 0:19:31 | 0:19:33 | |
The glass broke and I... | 0:19:33 | 0:19:37 | |
I'm having it mended. | 0:19:37 | 0:19:39 | |
I remembered it because it reminded me of my father. He was in the war. | 0:19:39 | 0:19:44 | |
VEHICLE DRIVES AWAY | 0:19:44 | 0:19:47 | |
-I think we're being watched. -Watched? What do you mean? | 0:19:48 | 0:19:52 | |
There's a man in a hat. | 0:19:52 | 0:19:54 | |
I don't see anybody. | 0:20:01 | 0:20:03 | |
You know, there's so much I'd like to share with you, Edward. | 0:20:04 | 0:20:08 | |
But I hardly know anything about you at all. | 0:20:08 | 0:20:12 | |
Apart from you being a particularly bright student. | 0:20:12 | 0:20:15 | |
I feel that we have a... | 0:20:18 | 0:20:21 | |
kind of kindred spirit. | 0:20:21 | 0:20:23 | |
-I really should be going. -Oh, I've started to write something. | 0:20:25 | 0:20:29 | |
-Perhaps you'd like to hear it. -SHUFFLES PAPERS | 0:20:29 | 0:20:32 | |
"A bud has burst on the upper bough | 0:20:37 | 0:20:41 | |
"The linnet sang in my heart today. | 0:20:41 | 0:20:44 | |
"I know where the pale green grasses show. | 0:20:44 | 0:20:48 | |
'"By a tiny runnel, off the way And the earth is wet. | 0:20:48 | 0:20:53 | |
'"A cuckoo said in my brain, | 0:20:53 | 0:20:55 | |
'"Not yet, not yet."' | 0:20:55 | 0:20:59 | |
'I haven't finished it.' | 0:20:59 | 0:21:01 | |
GIRL TAPS PEN | 0:21:13 | 0:21:15 | |
Excuse me. | 0:21:24 | 0:21:26 | |
Excuse me. | 0:21:28 | 0:21:30 | |
Please. | 0:21:35 | 0:21:37 | |
I'm sorry. I can't hear. | 0:21:37 | 0:21:40 | |
What's your name? | 0:21:51 | 0:21:54 | |
Edward. | 0:21:55 | 0:21:57 | |
I'm sorry. Would you say it again? I have to read your lips. | 0:21:58 | 0:22:02 | |
Edward. | 0:22:02 | 0:22:04 | |
Hello, Edward. | 0:22:04 | 0:22:07 | |
I'm Laura. | 0:22:07 | 0:22:08 | |
I'm sorry, would you say that again? GIGGLES | 0:22:08 | 0:22:13 | |
There isn't one person in 100 who would walk by a hat on a bench | 0:22:39 | 0:22:42 | |
without giving it a second look. | 0:22:42 | 0:22:45 | |
That says a lot about you. You don't distract easily. | 0:22:45 | 0:22:49 | |
She's a very pretty girl. | 0:22:51 | 0:22:53 | |
Sam Murach. I'm with the Federal Bureau of Investigation. | 0:22:53 | 0:22:56 | |
Mind if I walk along with you? | 0:23:02 | 0:23:04 | |
I had a chance to have a talk with a fraternity brother of yours. | 0:23:05 | 0:23:09 | |
John Russell, the senator's son. | 0:23:09 | 0:23:11 | |
John said you might help us. You're friendly with Dr Fredericks? | 0:23:11 | 0:23:15 | |
He's my thesis advisor, if that's what you mean. | 0:23:15 | 0:23:18 | |
He's been recruiting faculty members and students | 0:23:18 | 0:23:20 | |
to join an organization called the American German Cultural Committee. | 0:23:20 | 0:23:23 | |
It's a Nazi front. Has he talked to you about that? | 0:23:23 | 0:23:27 | |
I'm a poetry student, Mr Murach. | 0:23:28 | 0:23:31 | |
I'm not political. | 0:23:32 | 0:23:33 | |
We're very interested in finding out the names of some of the organizers. | 0:23:33 | 0:23:38 | |
Are you asking me to spy on Dr Fredericks? | 0:23:38 | 0:23:41 | |
I'm asking you to be a good citizen. | 0:23:41 | 0:23:44 | |
You blow that thing up, it'll be fine. | 0:23:50 | 0:23:53 | |
I'll be seeing you. | 0:23:59 | 0:24:01 | |
"In Poland, Hitler watches German regiments | 0:24:02 | 0:24:05 | |
"stream across the River San. | 0:24:05 | 0:24:07 | |
"This was part of the river line which the invading army forced | 0:24:07 | 0:24:11 | |
"in its flanking drive through southern Poland. | 0:24:11 | 0:24:14 | |
"The Nazi Fuhrer makes a quick tour in the conquered nation | 0:24:14 | 0:24:17 | |
"among the soldiers in captured towns. | 0:24:17 | 0:24:20 | |
"Hitler has given the word of war, and war it is!" | 0:24:20 | 0:24:24 | |
Ladies and gentlemen, it is a great privilege | 0:24:24 | 0:24:27 | |
to have with us tonight Mr Haupt, the Fuhrer's Education Minister. | 0:24:27 | 0:24:31 | |
Mr Haupt... | 0:24:31 | 0:24:32 | |
Good evening. Thank you, Dr Fredericks, | 0:24:32 | 0:24:35 | |
members of the committee, for giving me the opportunity to come to Yale. | 0:24:35 | 0:24:40 | |
Germany has always been... | 0:24:40 | 0:24:41 | |
Yes. It's been an interesting trip so far. | 0:24:41 | 0:24:45 | |
It has been a great pleasure to discover parts of the country, | 0:24:45 | 0:24:50 | |
especially New Haven and your wonderful university. | 0:24:50 | 0:24:55 | |
I would like to continue to come back, make new acquaintances. | 0:24:55 | 0:24:59 | |
-Excuse me. -Of course. | 0:25:01 | 0:25:03 | |
KNOCKING ON DOOR | 0:25:22 | 0:25:23 | |
Someone's in here. | 0:25:23 | 0:25:26 | |
-Are you enjoying yourself, Edward? -Very much so. | 0:25:54 | 0:25:57 | |
I'd like you to meet, er, Mr Haupt. | 0:25:57 | 0:26:01 | |
-Er, Dr Manheim. -Yes, we've met. | 0:26:02 | 0:26:05 | |
I've been asked by the faculty chairman | 0:26:05 | 0:26:08 | |
to relinquish my post here at Yale. | 0:26:08 | 0:26:11 | |
Now, you'll hear many reasons for what caused my departure. | 0:26:12 | 0:26:16 | |
Suffice it to say, I'm leaving with my name intact. | 0:26:16 | 0:26:20 | |
Good luck in your endeavours. | 0:26:20 | 0:26:23 | |
-SIGHS -Now, Edward... | 0:26:27 | 0:26:31 | |
What did I do to deserve this? Have you such little regard for me | 0:26:34 | 0:26:38 | |
that you'd betray me for my political beliefs? | 0:26:38 | 0:26:41 | |
You know and I know | 0:26:41 | 0:26:44 | |
Trumbull Stickney wrote that poem in 1902. | 0:26:44 | 0:26:47 | |
You were my teacher. You betrayed me. | 0:26:47 | 0:26:52 | |
BAND PLAYS LIGHT JAZZ | 0:26:58 | 0:27:01 | |
I thought we were going to a party. | 0:27:11 | 0:27:13 | |
You want to protect me from them, don't you? | 0:27:18 | 0:27:21 | |
No. | 0:27:21 | 0:27:22 | |
-You think they'll make fun of me. -That's not it. That's not true. | 0:27:22 | 0:27:26 | |
It's OK. | 0:27:26 | 0:27:29 | |
I'm happy to be with you. | 0:27:34 | 0:27:37 | |
Would you like to dance? | 0:27:45 | 0:27:47 | |
I'm not a very good dancer. | 0:27:47 | 0:27:50 | |
That's all right. I'm not a good dancer either. | 0:27:50 | 0:27:53 | |
How does this song go? | 0:28:02 | 0:28:05 | |
# Blue skies... | 0:28:09 | 0:28:14 | |
# Smiling on me | 0:28:14 | 0:28:17 | |
# Nothing but blue skies | 0:28:20 | 0:28:24 | |
# Do I see... # | 0:28:26 | 0:28:29 | |
-TAPPING ON MIC -Excuse me, everybody, I have an announcement. | 0:28:34 | 0:28:38 | |
I've just been told England and France | 0:28:38 | 0:28:40 | |
declared war on Germany. | 0:28:40 | 0:28:43 | |
But please continue dancing and enjoying our music | 0:28:43 | 0:28:45 | |
and I'll update you as information comes in. | 0:28:45 | 0:28:47 | |
-Thank you. -VOICES MUMBLING | 0:28:47 | 0:28:50 | |
BAND RESUMES PLAYING | 0:28:52 | 0:28:54 | |
Before long, we'll be at war, too. | 0:29:03 | 0:29:06 | |
Would you like to get a room for us? | 0:29:14 | 0:29:17 | |
Erm... | 0:29:46 | 0:29:47 | |
Turn down the light. | 0:29:50 | 0:29:53 | |
I can't. I can't! | 0:30:03 | 0:30:06 | |
-Good night. -Good night. | 0:30:24 | 0:30:27 | |
Thank you, Edward. | 0:30:37 | 0:30:39 | |
For what? | 0:30:39 | 0:30:41 | |
For being so nice. | 0:30:41 | 0:30:44 | |
RAIN FALLS | 0:31:10 | 0:31:11 | |
-TV: -"In view of the fact we're taking a propaganda lambasting, | 0:31:11 | 0:31:15 | |
"why is it not useful, sir, for us to explore with you | 0:31:15 | 0:31:19 | |
"the real facts behind this, or our motivations?" | 0:31:19 | 0:31:23 | |
"There's an old saying that, er, | 0:31:23 | 0:31:25 | |
"victory has 100 fathers and defeat is an orphan. | 0:31:25 | 0:31:27 | |
"And I wouldn't be surprised if | 0:31:27 | 0:31:30 | |
"information poured in here in regard to recent activities..." | 0:31:30 | 0:31:34 | |
Hello, Edward. | 0:31:34 | 0:31:35 | |
What are you doing here? | 0:31:39 | 0:31:41 | |
There were only a handful of us until moment zero | 0:31:41 | 0:31:44 | |
who knew where we were going to land in Cuba. | 0:31:44 | 0:31:48 | |
One of us couldn't keep a secret. | 0:31:48 | 0:31:51 | |
I know it wasn't me. | 0:31:51 | 0:31:53 | |
Mr Allen asked for the Zapata list of personnel | 0:31:53 | 0:31:57 | |
who participated in the operation. | 0:31:57 | 0:32:00 | |
-I don't have one. -Tell Mr Allen I'll give him the list personally. | 0:32:00 | 0:32:03 | |
We're in the same boat together. | 0:32:03 | 0:32:06 | |
-A leaking boat. -Don't ever think we're in the same boat, Mr Hayes. | 0:32:06 | 0:32:10 | |
We're either going to sink or swim. | 0:32:10 | 0:32:12 | |
Together. | 0:32:12 | 0:32:15 | |
People like us, | 0:32:16 | 0:32:18 | |
we don't let each other drown. | 0:32:18 | 0:32:21 | |
"I have said as much as I feel can be usefully said by me | 0:32:28 | 0:32:33 | |
"in regard to the events of the past few days. | 0:32:33 | 0:32:36 | |
"Further statements, er, detailed, er, discussions, | 0:32:36 | 0:32:40 | |
"are not to, er, conceal responsibility, | 0:32:40 | 0:32:43 | |
"because I'm the responsible officer of the government... " | 0:32:43 | 0:32:45 | |
LIGHT JAZZ MUSIC FADES IN | 0:32:45 | 0:32:48 | |
Mother, Father. This is Edward Wilson. | 0:32:53 | 0:32:57 | |
-Mrs Russell. -Hello. | 0:32:57 | 0:32:58 | |
-Senator. -Yes. It's a pleasure to finally meet you. | 0:32:58 | 0:33:01 | |
-Phillip and Toddy Allen. -Hello. | 0:33:01 | 0:33:04 | |
Mr Allen was President of Bones, Class of '12. | 0:33:04 | 0:33:07 | |
-Welcome to our little clubhouse. -Thank you. | 0:33:07 | 0:33:09 | |
Where's Clover? | 0:33:09 | 0:33:11 | |
Ah, here she is. | 0:33:11 | 0:33:13 | |
..I think so, yes. | 0:33:13 | 0:33:15 | |
This is my sister, Clover. | 0:33:16 | 0:33:18 | |
-Hello, I'm Edward. -Nice to meet you. | 0:33:18 | 0:33:20 | |
Nice to meet you. | 0:33:20 | 0:33:22 | |
POUNDS CANE ON FLOOR | 0:33:22 | 0:33:24 | |
Bonesmen! | 0:33:24 | 0:33:27 | |
ALL: All here! | 0:33:27 | 0:33:29 | |
Reverend Collins will offer grace. | 0:33:29 | 0:33:31 | |
-Bonesmen first, God second. -Dear God, we thank you | 0:33:31 | 0:33:35 | |
for guiding the Evans Family Trust in the care of our beloved island, | 0:33:35 | 0:33:40 | |
so that we may come here with our families and our friends | 0:33:40 | 0:33:44 | |
in comfort and in privacy. | 0:33:44 | 0:33:47 | |
BAND PLAYS LIGHT JAZZ, MAN CROONS | 0:33:47 | 0:33:50 | |
He said he'd ask me to dance, so I'll catch up with you later. | 0:33:54 | 0:33:57 | |
-Here we go! -# My heart grows tipsy in me | 0:33:57 | 0:34:03 | |
# You and you alone | 0:34:07 | 0:34:11 | |
# Bring out the gypsy in me... # | 0:34:11 | 0:34:15 | |
-Don't you dance, Mr Wilson? -Nobody asked me. | 0:34:15 | 0:34:18 | |
Oh... | 0:34:18 | 0:34:20 | |
Well, | 0:34:21 | 0:34:24 | |
I think I'll take my chances. | 0:34:24 | 0:34:27 | |
I'm asking. | 0:34:28 | 0:34:30 | |
# Above all | 0:34:31 | 0:34:34 | |
# I want my arms | 0:34:34 | 0:34:37 | |
# about you | 0:34:37 | 0:34:41 | |
# So don't you be | 0:34:42 | 0:34:45 | |
# a naughty baby | 0:34:45 | 0:34:48 | |
-John is very fond of you. -I'm very fond of him. | 0:34:48 | 0:34:51 | |
He's talking of going off to fight with the English. | 0:34:51 | 0:34:55 | |
My father isn't particularly pleased | 0:34:55 | 0:34:57 | |
because he's one of the organizers of America First. | 0:34:57 | 0:35:01 | |
Wouldn't look very good for an isolationist's son to go off to war. | 0:35:01 | 0:35:04 | |
Your brother John is a man of great conviction. I admire him. | 0:35:04 | 0:35:08 | |
And what about you, Mr Wilson? What do you believe in? | 0:35:08 | 0:35:12 | |
Are you in school? | 0:35:13 | 0:35:15 | |
You don't say very much, do you? | 0:35:22 | 0:35:24 | |
When there's something worth saying. | 0:35:24 | 0:35:27 | |
Oh! Well... | 0:35:28 | 0:35:30 | |
I think I'm going to like you. | 0:35:30 | 0:35:33 | |
JAZZ MUSIC PLAYS FAINTLY | 0:35:33 | 0:35:36 | |
Mr Hayes. | 0:35:39 | 0:35:41 | |
Gentlemen. | 0:35:41 | 0:35:43 | |
General William Sullivan, Mr Edward Wilson. | 0:35:48 | 0:35:52 | |
It's a great honour, sir. | 0:35:52 | 0:35:53 | |
I'd get up and shake your hand, but my fucking feet are killing me. | 0:35:53 | 0:35:56 | |
Something about too much sugar in my blood and my urine. | 0:35:56 | 0:35:59 | |
So, when do you boys start your pissing contest? | 0:35:59 | 0:36:01 | |
LAUGHS | 0:36:01 | 0:36:03 | |
-CHUCKLES -I'll excuse myself. | 0:36:03 | 0:36:06 | |
Thank you, Phillip. | 0:36:08 | 0:36:10 | |
Why don't you sit down? | 0:36:13 | 0:36:15 | |
You understand that whatever we discuss doesn't leave this room. | 0:36:26 | 0:36:31 | |
Of course. | 0:36:31 | 0:36:32 | |
We'll eventually get involved in this war. | 0:36:33 | 0:36:35 | |
Not because we want to, but because we have to, and we should. | 0:36:35 | 0:36:39 | |
The President has asked me to create a Foreign Intelligence Service. | 0:36:39 | 0:36:42 | |
I'll be looking for patriotic, honourable, bright young men | 0:36:42 | 0:36:46 | |
from the right backgrounds to manage the various departments. | 0:36:46 | 0:36:49 | |
In other words, no Jews or Negroes, | 0:36:49 | 0:36:51 | |
very few Catholics, and that's only because I'm a Catholic. | 0:36:51 | 0:36:56 | |
You'd be trained and commissioned and posted overseas. | 0:36:57 | 0:36:59 | |
If you're interested, you have to be ready to leave at a moment's notice. | 0:36:59 | 0:37:04 | |
I don't want your answer now. Just think about it. | 0:37:04 | 0:37:07 | |
But this isn't a bunch of frat boys | 0:37:07 | 0:37:10 | |
sitting around playing with their pricks. | 0:37:10 | 0:37:12 | |
This is for real. For America. | 0:37:12 | 0:37:15 | |
Not here! Not in front of your sister! | 0:37:17 | 0:37:20 | |
Let's go. | 0:37:20 | 0:37:21 | |
-Have fun. -And behave yourselves. | 0:37:24 | 0:37:27 | |
SHE SIGHS WISTFULLY | 0:37:30 | 0:37:32 | |
I'm supposed to be looking for the perfect husband. | 0:37:32 | 0:37:35 | |
Are you the perfect husband, Mr Wilson? | 0:37:35 | 0:37:38 | |
Perfect in every way. MAN CROONS IN DISTANCE | 0:37:38 | 0:37:41 | |
Then, is there some reason that you won't | 0:37:45 | 0:37:48 | |
put your arm around me? | 0:37:48 | 0:37:51 | |
# Day and night | 0:37:52 | 0:37:55 | |
# Night and day... | 0:37:56 | 0:37:58 | |
Umm... | 0:37:58 | 0:38:01 | |
# You are the one | 0:38:01 | 0:38:04 | |
I like this. Very smart. | 0:38:04 | 0:38:07 | |
# You beneath the moon | 0:38:07 | 0:38:10 | |
# And under the sun | 0:38:10 | 0:38:14 | |
# Whether near to me... | 0:38:16 | 0:38:18 | |
# Or far... | 0:38:18 | 0:38:20 | |
Do you have a problem with women, Mr Bones? | 0:38:20 | 0:38:23 | |
Do you love me? | 0:38:56 | 0:38:58 | |
-What? -Tell me you love me. | 0:38:58 | 0:39:00 | |
I love you. | 0:39:00 | 0:39:02 | |
-Do you love me? -I do. I love you. -I still don't believe you. | 0:39:02 | 0:39:05 | |
-I love you. -Say it. Say it. | 0:39:05 | 0:39:08 | |
-I think I love you... -Look at me. Stop. Stop. | 0:39:08 | 0:39:11 | |
-Tell me! -I love you! I think I love you. | 0:39:11 | 0:39:15 | |
As soon as the world comes to its senses, I'm going to travel. | 0:39:28 | 0:39:31 | |
London, Paris, Rome... | 0:39:32 | 0:39:37 | |
You can come with me. | 0:39:38 | 0:39:41 | |
Is everything all right? | 0:39:48 | 0:39:50 | |
Fine. | 0:39:54 | 0:39:56 | |
We're worlds apart. | 0:39:58 | 0:40:00 | |
What do you mean? | 0:40:02 | 0:40:04 | |
I feel like I'm just a curiosity to you. | 0:40:04 | 0:40:07 | |
What...? That is not... That's not true. | 0:40:07 | 0:40:10 | |
I feel like I'm not real to you... | 0:40:10 | 0:40:12 | |
That is not true. | 0:40:12 | 0:40:14 | |
-Edward... -That is not how I feel about you. | 0:40:14 | 0:40:17 | |
Edward? | 0:40:25 | 0:40:27 | |
John. | 0:40:43 | 0:40:45 | |
I've been looking everywhere for you. | 0:40:45 | 0:40:48 | |
My sister... She's pregnant. | 0:40:53 | 0:40:56 | |
I know you'll do what's expected of you. | 0:41:05 | 0:41:08 | |
'Do you, Edward Bell Wilson, take Margaret Ann Russell | 0:41:16 | 0:41:21 | |
to be your lawfully wedded wife?' | 0:41:21 | 0:41:24 | |
'To love, honour and cherish, | 0:41:24 | 0:41:28 | |
'in sickness and in health in good times and in bad times, | 0:41:28 | 0:41:33 | |
'until death do you part?' | 0:41:33 | 0:41:36 | |
'I do.' | 0:41:36 | 0:41:37 | |
-'I now pronounce you man and wife.' -GUESTS CHEER | 0:41:37 | 0:41:40 | |
JAZZ MUSIC PLAYS | 0:41:41 | 0:41:43 | |
GUESTS CHATTER | 0:41:46 | 0:41:48 | |
A man in uniform wants to see you. | 0:41:54 | 0:41:57 | |
-Excuse me, Mother. -Oh, by the way, darling, | 0:41:57 | 0:41:59 | |
did your mother and I ever tell you where we took our honeymoon? | 0:41:59 | 0:42:03 | |
Asheville! | 0:42:03 | 0:42:04 | |
Mr Edward Wilson? | 0:42:04 | 0:42:06 | |
If we could speak alone, sir. | 0:42:06 | 0:42:08 | |
-Would you like to sit down? -No, thank you, sir. | 0:42:09 | 0:42:12 | |
General Sullivan sends his regards. I'm to ask you, | 0:42:12 | 0:42:15 | |
if you're still interested in seeing the rest of the world. | 0:42:15 | 0:42:17 | |
Yes, I-I certainly would be. | 0:42:17 | 0:42:20 | |
-Good afternoon, sir. -Thank you. | 0:42:23 | 0:42:25 | |
My orders came through. I'll be going overseas. | 0:42:42 | 0:42:46 | |
When? | 0:42:47 | 0:42:50 | |
In one week. | 0:42:50 | 0:42:52 | |
What are you going to do, Edward? | 0:42:52 | 0:42:54 | |
Save the world? | 0:42:54 | 0:42:56 | |
'You are safe here with me.' | 0:43:10 | 0:43:13 | |
The photograph is particularly dark. | 0:43:18 | 0:43:20 | |
As we can see, there is a Caucasian man and a Negro woman. | 0:43:20 | 0:43:24 | |
The resolution breaks down pretty quickly. | 0:43:24 | 0:43:27 | |
The film stock is definitely Russian, low grade. | 0:43:27 | 0:43:31 | |
One of the areas we've been focusing on is the mosquito netting. | 0:43:32 | 0:43:36 | |
Mosquito netting is predominantly in Africa, Southeast Asia, | 0:43:36 | 0:43:40 | |
any tropical climate. | 0:43:40 | 0:43:41 | |
The window curtains here have a distinctive pattern on them | 0:43:41 | 0:43:45 | |
of baobab trees, also seen in Africa. | 0:43:45 | 0:43:48 | |
Next to the curtains, we can see the building's balustrade. | 0:43:48 | 0:43:52 | |
There's a pigeon here. It's kind of hard to make out. | 0:43:52 | 0:43:55 | |
Pigeons are mostly found in urban areas, town squares. | 0:43:55 | 0:43:58 | |
If you listen closely, you'll hear an airplane. | 0:43:58 | 0:44:01 | |
We've washed it out. | 0:44:01 | 0:44:04 | |
ENGINE ROARS | 0:44:04 | 0:44:07 | |
By the sound of the engines, we determined that it's taking off, | 0:44:07 | 0:44:10 | |
more than 1,000 feet off the ground, which suggests a large urban area. | 0:44:10 | 0:44:15 | |
When you clear out background noise, you can hear a female voice. | 0:44:15 | 0:44:19 | |
WOMAN WHISPERS: "I love you." | 0:44:19 | 0:44:21 | |
"People who really love each other don't have secrets." | 0:44:21 | 0:44:25 | |
Assuming it's the same woman, linguists say her accent is French. | 0:44:25 | 0:44:30 | |
MUFFLED SPEECH ON TAPE | 0:44:30 | 0:44:31 | |
-There's one word we can't make out. -TAPE WHINES | 0:44:31 | 0:44:34 | |
There's an unidentifiable noise washing her out. | 0:44:34 | 0:44:38 | |
-HIGH-PITCHED WAILING -It plays at a high frequency, | 0:44:38 | 0:44:42 | |
suggesting an air-raid siren of some sort. | 0:44:42 | 0:44:45 | |
-We're gonna keep playing with it. -TAPE WHINES | 0:44:45 | 0:44:48 | |
WHINING TAPE TURNS TO GENUINE AIR-RAID SIREN | 0:44:48 | 0:44:51 | |
CHURCHILL: 'This is a time for everyone to stand together... | 0:44:51 | 0:44:54 | |
'and hold firm as they are doing. | 0:44:54 | 0:44:57 | |
'I express my admiration for the exemplary manner | 0:44:57 | 0:45:01 | |
'in which all the air-raid precaution services of London | 0:45:01 | 0:45:04 | |
'are being discharged.' | 0:45:04 | 0:45:06 | |
-May I help you? -I'm here to see the tailor about a fitting for a suit. | 0:45:06 | 0:45:10 | |
What kind of suit would you be interested in? | 0:45:10 | 0:45:12 | |
A tweed or worsted? A nice gabardine? | 0:45:12 | 0:45:15 | |
Perhaps a worsted and a tweed. | 0:45:15 | 0:45:17 | |
-Both single-breasted? -Yes. | 0:45:17 | 0:45:19 | |
Two or three buttons, sir? | 0:45:19 | 0:45:21 | |
Three buttons. | 0:45:21 | 0:45:23 | |
If you might come this way, please, sir. | 0:45:24 | 0:45:27 | |
EASY LISTENING MUSIC ON RADIO | 0:45:27 | 0:45:30 | |
-Please. Our senior tailor will be right with you, sir. -Thank you. | 0:45:35 | 0:45:39 | |
Welcome to London. | 0:45:48 | 0:45:50 | |
You're going to have to learn as quickly and thoroughly as possible | 0:45:51 | 0:45:55 | |
the English system of intelligence. The black arts. | 0:45:55 | 0:45:59 | |
Particularly counterintelligence. | 0:45:59 | 0:46:01 | |
The uses of information, disinformation, | 0:46:01 | 0:46:04 | |
and how their use is, ultimately, power. | 0:46:04 | 0:46:09 | |
They've agreed to open their operations to us. | 0:46:13 | 0:46:17 | |
They can't win the war without us, but they don't really want us here. | 0:46:17 | 0:46:21 | |
Intelligence is their mother's milk and they don't like sharing | 0:46:21 | 0:46:24 | |
the royal tit with people who don't have titles. | 0:46:24 | 0:46:27 | |
Your London tutor is waiting to meet you. | 0:46:27 | 0:46:30 | |
This way, sir. | 0:46:30 | 0:46:32 | |
OVERLAPPING SPEECH IN ENGLISH AND GERMAN | 0:46:36 | 0:46:39 | |
I should have known better than to use Stickney. | 0:46:56 | 0:46:59 | |
Job well done, Mr Wilson. You blew a two-year operation for me. | 0:46:59 | 0:47:04 | |
I told General Sullivan to keep an eye on you. | 0:47:04 | 0:47:07 | |
Just as well, really. | 0:47:07 | 0:47:09 | |
I was beginning to long for the bone-chilling cold of home. | 0:47:09 | 0:47:14 | |
It isn't personal. | 0:47:16 | 0:47:19 | |
Mr Carlson? Is this the American Trade Bureau? | 0:47:23 | 0:47:26 | |
Which product? | 0:47:26 | 0:47:28 | |
Dry goods. | 0:47:30 | 0:47:32 | |
-You're late. -Yeah. | 0:47:32 | 0:47:33 | |
That's what my mother said. | 0:47:33 | 0:47:36 | |
"Raymond Duca Brocco, born May 8, 1907, New York City." | 0:47:37 | 0:47:41 | |
"St Ignatius High School, Fordham University." | 0:47:41 | 0:47:44 | |
-"Married Anita Delvecchio, two children..." -Stephanie and David. | 0:47:44 | 0:47:48 | |
"Six-foot-two, 182 pounds, black hair, brown eyes." | 0:47:52 | 0:47:55 | |
"Military record, five years Intelligence." | 0:47:55 | 0:47:58 | |
Anything to add? | 0:47:58 | 0:47:59 | |
Do you wanna look up my ass, too? | 0:47:59 | 0:48:02 | |
-You're working for me - -I'm working for the US government - | 0:48:02 | 0:48:05 | |
In this office, I am the US government. | 0:48:05 | 0:48:07 | |
You're pretty sure of yourself for somebody who just began. | 0:48:07 | 0:48:10 | |
-They wouldn't say your name. -How do you know you're in the right place? | 0:48:10 | 0:48:13 | |
They said you were a serious SOB without a sense of humour. | 0:48:13 | 0:48:16 | |
There can't be two of you. | 0:48:16 | 0:48:18 | |
PHONE RINGS | 0:48:18 | 0:48:20 | |
PHONE RINGS | 0:48:22 | 0:48:25 | |
Are you going to answer it? | 0:48:26 | 0:48:28 | |
Depends if I'm working for you. | 0:48:28 | 0:48:30 | |
One of your jobs, Sergeant, is answering the telephone. | 0:48:30 | 0:48:33 | |
-Yes, sir. -RINGING CONTINUES | 0:48:34 | 0:48:36 | |
Use your tradecraft well, | 0:48:39 | 0:48:41 | |
particularly the use of black propaganda, | 0:48:41 | 0:48:43 | |
and the ingredient known as playback, | 0:48:43 | 0:48:46 | |
Understanding how your own disinformation works on the enemy. | 0:48:46 | 0:48:50 | |
-It's almost four. -How do you spell syphilis? One "L" or two? | 0:48:52 | 0:48:55 | |
Syphilis... One, I think. | 0:48:55 | 0:48:58 | |
I never had it. | 0:48:58 | 0:48:59 | |
It's vital to penetrate the enemy's intelligence services. | 0:48:59 | 0:49:03 | |
Push them into an unreal world. | 0:49:03 | 0:49:05 | |
RADIO: "Doctors in England today announced that medical records taken | 0:49:05 | 0:49:08 | |
"from Adolf Hitler's personal physician, Dr Theodore Morrell, | 0:49:08 | 0:49:11 | |
"revealed that Mr Hitler had contracted syphilis | 0:49:11 | 0:49:14 | |
"while serving in the German Armed Forces during WW1." | 0:49:14 | 0:49:16 | |
'The very qualities that make a good intelligence officer, | 0:49:16 | 0:49:20 | |
a suspicious mind, a love of complexity and detail, | 0:49:20 | 0:49:25 | |
are the very qualities of someone you'll be observing.' | 0:49:25 | 0:49:28 | |
CAR TYRES SCREECH | 0:49:28 | 0:49:31 | |
Good evening, Lord Cooper. | 0:49:39 | 0:49:40 | |
I have some information that might be of interest to you. | 0:49:40 | 0:49:43 | |
The mental facility to detect conspiracies and betrayal | 0:49:43 | 0:49:46 | |
are the same qualities most likely to corrode natural judgment. | 0:49:46 | 0:49:51 | |
Everything that seems clear is bent. | 0:49:51 | 0:49:54 | |
And everything that seems bent is clear. | 0:49:54 | 0:49:56 | |
You must learn to recognize when a lie masquerades as the truth, | 0:49:56 | 0:50:01 | |
and then deal with it efficiently, dispassionately. | 0:50:01 | 0:50:04 | |
We know you're passing information to the German High Command. | 0:50:04 | 0:50:07 | |
Never give anyone time to think. | 0:50:07 | 0:50:09 | |
I'll offer you one of two choices. | 0:50:09 | 0:50:11 | |
You set the tone of the discussion and quickly come to the point. | 0:50:11 | 0:50:15 | |
You can be executed for treason, or continue to spy for the enemy | 0:50:15 | 0:50:19 | |
and provide them with information we provide you with. | 0:50:19 | 0:50:21 | |
Pass this on to your German friends or there won't be a second chance. | 0:50:21 | 0:50:25 | |
You'll simply be hanged as a spy. Do we understand each other? | 0:50:25 | 0:50:28 | |
-How do we know he won't be working for two masters? -Precisely. | 0:50:28 | 0:50:32 | |
We don't. | 0:50:32 | 0:50:33 | |
How do I know if I can even trust you? | 0:50:33 | 0:50:35 | |
You won't. | 0:50:35 | 0:50:37 | |
I mean, I hope you're lucky enough to meet someone you trust. | 0:50:37 | 0:50:41 | |
I regret to say | 0:50:41 | 0:50:43 | |
I haven't. | 0:50:43 | 0:50:46 | |
You must be young Edward. | 0:50:49 | 0:50:51 | |
Dr Fredericks has told me so much about you. | 0:50:51 | 0:50:54 | |
-Arch Cummings. -Nice to meet you. -Nice to meet you. | 0:50:54 | 0:50:56 | |
I understand we're of a like mind on many things. | 0:50:56 | 0:50:59 | |
Good schoolboys, Yale, Cambridge. | 0:50:59 | 0:51:02 | |
Dreamers. | 0:51:02 | 0:51:04 | |
They say to be an exceptional intelligence officer, | 0:51:04 | 0:51:08 | |
you have to have a steady mind, | 0:51:08 | 0:51:10 | |
an unwavering sense of belief in what you're doing, | 0:51:10 | 0:51:14 | |
and to be a hopeless romantic. | 0:51:14 | 0:51:17 | |
PHONES RINGS | 0:51:17 | 0:51:19 | |
American Trade Bureau. | 0:51:20 | 0:51:23 | |
It's overseas. A Senator Russell for you. | 0:51:23 | 0:51:27 | |
SIREN WAILS Hello? | 0:51:31 | 0:51:34 | |
Yes. Yeah. Yes, I can hear you. | 0:51:36 | 0:51:39 | |
Thank you for telling me. | 0:51:43 | 0:51:45 | |
Goodbye. SIREN CONTINUES TO WAIL | 0:51:45 | 0:51:48 | |
Erm, we had a boy. | 0:51:50 | 0:51:53 | |
LINE CRACKLES Would you mind if we called him Edward? | 0:51:54 | 0:51:57 | |
-If we called him Edward Junior? -CLOVER "I love it. It's perfect." | 0:51:57 | 0:52:01 | |
-"Fit for a king." -That's what I was thinking. Fit for a king. | 0:52:01 | 0:52:05 | |
-TO BABY -"You like Edward? Aw! I think he likes it. | 0:52:05 | 0:52:11 | |
"So, how are you? Are you... | 0:52:11 | 0:52:13 | |
"saving the world and keeping us safe?" | 0:52:13 | 0:52:16 | |
Sometimes. | 0:52:16 | 0:52:18 | |
What colour are his eyes? | 0:52:18 | 0:52:20 | |
LINE CRACKLES | 0:52:20 | 0:52:23 | |
Hello? Hello? | 0:52:23 | 0:52:26 | |
'When he's old enough, you can read it to him.' | 0:52:33 | 0:52:35 | |
It's a first edition. | 0:52:35 | 0:52:37 | |
Charles Dickens' A Christmas Carol. It was my father's. | 0:52:37 | 0:52:41 | |
He would read it to me when I was a boy. | 0:52:41 | 0:52:43 | |
Thank you. | 0:52:43 | 0:52:44 | |
I had an unfortunate discovery today. | 0:52:46 | 0:52:50 | |
A man that works for me, sat just outside my door, | 0:52:50 | 0:52:52 | |
I found out he had given a rose to a woman, with a small note. | 0:52:52 | 0:52:56 | |
The rose was quite lovely, an Abyssinian rose, | 0:52:56 | 0:52:59 | |
its stem neatly wrapped in silk paper. | 0:52:59 | 0:53:01 | |
All quite beautiful and touching, save for the fact | 0:53:01 | 0:53:05 | |
that the paper had secret writing for her German friends | 0:53:05 | 0:53:07 | |
detailing changes to the American order of battle here. | 0:53:07 | 0:53:11 | |
Ahem. Excuse me, sir. | 0:53:11 | 0:53:14 | |
-Thank you. -Thank you, sir. | 0:53:15 | 0:53:18 | |
How did the Irish poet say it? Hmm? | 0:53:18 | 0:53:21 | |
"Aye, a friend for today is tomorrow's heartbreak." | 0:53:21 | 0:53:26 | |
Do you know what my deepest fear is? That I will end up... | 0:53:26 | 0:53:30 | |
friendless. | 0:53:30 | 0:53:31 | |
Completely alone. | 0:53:31 | 0:53:33 | |
I think you two know each other. | 0:53:35 | 0:53:38 | |
-Richard. I didn't expect to see you. -Hello, Edward. | 0:53:38 | 0:53:41 | |
Mr Hayes has come to work with us in Special Operations. | 0:53:41 | 0:53:44 | |
I hope you don't mind, | 0:53:44 | 0:53:46 | |
I've invited him to join our conversation. | 0:53:46 | 0:53:49 | |
Hmm... | 0:53:51 | 0:53:52 | |
Our dear English teacher has a bad habit of making easy friendships. | 0:53:57 | 0:54:02 | |
You know, of course, about his particular sexual tastes. | 0:54:04 | 0:54:08 | |
I... | 0:54:11 | 0:54:12 | |
I'm afraid he's not been very discriminating in his partners. | 0:54:12 | 0:54:16 | |
Some people are extremely worried about his exposure. | 0:54:16 | 0:54:20 | |
I hope you two can help sort this rather delicate matter out for us. | 0:54:23 | 0:54:27 | |
This seems to me to be a problem for the British. | 0:54:41 | 0:54:44 | |
Why are we involved? | 0:54:44 | 0:54:46 | |
The British are a civilized people. | 0:54:47 | 0:54:50 | |
They don't eat their own. They have somebody do it for them. | 0:54:50 | 0:54:54 | |
So, why are you telling me? | 0:54:55 | 0:54:57 | |
I'm giving you an opportunity to handle it. | 0:54:57 | 0:55:00 | |
Or somebody else will. | 0:55:00 | 0:55:03 | |
I'm sorry you've been brought into this. | 0:55:18 | 0:55:20 | |
If the headmaster won't listen to reason, | 0:55:22 | 0:55:24 | |
you might want to tie your shoe. | 0:55:24 | 0:55:26 | |
I'm sorry it has to be this way. | 0:55:27 | 0:55:30 | |
It's not something I'm happy about having to be doing. | 0:55:30 | 0:55:34 | |
Have you thought at all about... | 0:55:45 | 0:55:47 | |
maybe going back to teaching again full-time? | 0:55:47 | 0:55:50 | |
They're concerned about my personal associations, aren't they? | 0:55:50 | 0:55:54 | |
Cambridge boys stick together like glue. | 0:55:54 | 0:55:58 | |
I'm far too democratic in my tastes for them. | 0:55:58 | 0:56:02 | |
They like pressed trousers and proper buttons. | 0:56:02 | 0:56:05 | |
No. I've done all the teaching I intend to do. | 0:56:05 | 0:56:11 | |
I am who I am. | 0:56:11 | 0:56:13 | |
I'll suffer that. | 0:56:14 | 0:56:16 | |
Please. You've given all the service that you can. | 0:56:20 | 0:56:23 | |
It's time to retire. | 0:56:24 | 0:56:27 | |
The good schoolboy will be close by. | 0:56:29 | 0:56:32 | |
He'll want to know my response. | 0:56:32 | 0:56:35 | |
I understand if you want to tie your shoe. | 0:56:37 | 0:56:42 | |
It's a dirty business, Edward. | 0:56:43 | 0:56:45 | |
I've been part of it for far too long. | 0:56:45 | 0:56:49 | |
BELL TOLLS | 0:56:55 | 0:56:57 | |
You might want to think about getting a new pair of shoes. | 0:57:07 | 0:57:11 | |
There's a wonderful shop in St James. | 0:57:12 | 0:57:15 | |
Mr Pettibone's. | 0:57:15 | 0:57:18 | |
He's bootmaker to the King. | 0:57:18 | 0:57:20 | |
But then, I suppose we all are in our own way, aren't we? | 0:57:20 | 0:57:24 | |
Bootmakers to kings. | 0:57:24 | 0:57:27 | |
Get out while you still can. | 0:57:30 | 0:57:33 | |
While you still believe. | 0:57:33 | 0:57:35 | |
While you still have a soul. | 0:57:36 | 0:57:39 | |
Hello there. Any of you chaps got a light? | 0:58:16 | 0:58:19 | |
VICIOUS SHOUTING | 0:58:46 | 0:58:49 | |
SCREAMS | 0:58:49 | 0:58:52 | |
SCREAMING | 0:58:56 | 0:58:59 | |
HIGH-PITCHED SCREAMS, THUMPING | 0:59:00 | 0:59:04 | |
I'm sorry. | 0:59:20 | 0:59:22 | |
He knew too much. | 0:59:29 | 0:59:32 | |
You understand. | 0:59:35 | 0:59:37 | |
"People who really love each other don't have secrets." | 0:59:58 | 1:00:02 | |
"You are safe here with me." | 1:00:02 | 1:00:03 | |
It appears the word we couldn't make out had its sound wave clipped | 1:00:03 | 1:00:07 | |
by whoever made this tape. We restored it by amplifying | 1:00:07 | 1:00:09 | |
-specific frequencies seen on the oscilloscope. -"Cochinos..." | 1:00:09 | 1:00:12 | |
Cochinos is Spanish for "pigs." | 1:00:12 | 1:00:14 | |
Let me hear it again. MACHINE WHIRRS | 1:00:14 | 1:00:18 | |
WOMAN: "Cochinos..." | 1:00:21 | 1:00:22 | |
The siren noise we couldn't pinpoint before were hiding church bells. | 1:00:22 | 1:00:27 | |
BELLS TOLL | 1:00:27 | 1:00:29 | |
For some reason, other noises were added to distort the bells. | 1:00:29 | 1:00:32 | |
In the mirror, you can make out the reflection of a church steeple, | 1:00:32 | 1:00:37 | |
whose three belfries correspond with the bells you hear. | 1:00:37 | 1:00:40 | |
The volume indicates that the church is across the street, | 1:00:42 | 1:00:44 | |
again, possibly a town square. | 1:00:44 | 1:00:47 | |
On the nightstand, we can see a clock radio. | 1:00:47 | 1:00:51 | |
It reads almost 10 o'clock, | 1:00:52 | 1:00:53 | |
which would correspond with the church bells. | 1:00:53 | 1:00:56 | |
I also have audio of a ceiling fan. | 1:00:56 | 1:00:59 | |
It's a four-blade, standard ceiling fan. We don't know where it's from. | 1:00:59 | 1:01:04 | |
There is something here. | 1:01:04 | 1:01:06 | |
It could be nothing significant, maybe a candle, a paperweight. | 1:01:06 | 1:01:10 | |
Or it may be something personal that we could identify them with. | 1:01:10 | 1:01:13 | |
We're going to wash it again, maybe see what's there. | 1:01:13 | 1:01:17 | |
How long until there's some... | 1:01:17 | 1:01:20 | |
definition as to exactly where we are? | 1:01:20 | 1:01:23 | |
We're going as quickly as we can, sir. | 1:01:23 | 1:01:25 | |
ANNOUNCER SPEAKS GERMAN | 1:01:25 | 1:01:28 | |
-How are Clover and your little boy? -Good, thank you. | 1:01:35 | 1:01:38 | |
You know, he's almost five. | 1:01:38 | 1:01:40 | |
You made quite a name for yourself in London. | 1:01:40 | 1:01:43 | |
The World War is over. | 1:01:43 | 1:01:45 | |
But in every liberated country there will be a battle | 1:01:45 | 1:01:48 | |
between us and the Russians for their hearts and minds. | 1:01:48 | 1:01:53 | |
Since we dropped the bomb, they feel short between the legs. | 1:01:53 | 1:01:57 | |
The Russians still live in the 19th century. Beets and potatoes. | 1:01:57 | 1:02:01 | |
That will change. Right now, they're gobbling up territory, | 1:02:01 | 1:02:05 | |
taking home every scientist they can steal. | 1:02:05 | 1:02:07 | |
In 10 years, they'll have the bomb. | 1:02:07 | 1:02:09 | |
We have to get anyone that can be useful to us out of Berlin | 1:02:09 | 1:02:12 | |
before they do. | 1:02:12 | 1:02:14 | |
Churchill was right. | 1:02:19 | 1:02:21 | |
We shouldn't have stopped marching until we reached Moscow. | 1:02:21 | 1:02:25 | |
They're from Switzerland. | 1:02:26 | 1:02:28 | |
I had them sent with the pouch to Berlin. | 1:02:28 | 1:02:32 | |
When I was a child, my mother would always reward me with a chocolate. | 1:02:32 | 1:02:37 | |
It's a dreadful habit. | 1:02:39 | 1:02:40 | |
Chocolates or seeking approval? | 1:02:40 | 1:02:44 | |
Both. | 1:02:44 | 1:02:46 | |
SPEAKS GERMAN | 1:02:46 | 1:02:48 | |
He was an officer in the Abwehr, German Military Intelligence. | 1:02:48 | 1:02:51 | |
He says he knows the location of certain Nazi V-2 rocket scientists. | 1:02:54 | 1:02:58 | |
Ask him where he wants to go. INTERPRETER TRANSLATES | 1:02:58 | 1:03:02 | |
He wants to go to Chicago. He has relatives there. | 1:03:03 | 1:03:05 | |
If he provides us with names and locations of the scientists, | 1:03:05 | 1:03:09 | |
I'll arrange an exit visa for him. | 1:03:09 | 1:03:11 | |
(As soon as he's served his purpose, turn him over to the Nazi catchers.) | 1:03:11 | 1:03:16 | |
An ex-Waffen-SS Group Commander | 1:03:24 | 1:03:27 | |
would like to speak with you about asylum. | 1:03:27 | 1:03:30 | |
-It's very ugly, isn't it? -It isn't meant to be jewellery. | 1:03:34 | 1:03:38 | |
I lost the sound in one ear altogether. | 1:03:39 | 1:03:42 | |
I can hear with the help of the apparatus out of this ear, | 1:03:42 | 1:03:45 | |
-but they say in one year or so... -You hardly notice it's there. | 1:03:45 | 1:03:49 | |
(The Russians are interested in making a prisoner swap. ) | 1:03:55 | 1:03:59 | |
We are prepared to offer you | 1:04:22 | 1:04:24 | |
some Jewish scientists liberated in the East | 1:04:24 | 1:04:27 | |
for some Nazi scientists you have here in Berlin. | 1:04:27 | 1:04:31 | |
These are the names we're willing to discuss. | 1:04:38 | 1:04:43 | |
I understand your cryptonym for me is Ulysses. | 1:05:15 | 1:05:19 | |
Is that for the James Joyce book or the Greek myth? | 1:05:19 | 1:05:23 | |
Do you know what our code name is for you? | 1:05:29 | 1:05:32 | |
Mother. | 1:05:35 | 1:05:37 | |
I took the first hot bath yesterday I've taken in three years, | 1:05:40 | 1:05:45 | |
since the siege of Stalingrad. | 1:05:45 | 1:05:47 | |
I sat for hours, | 1:05:48 | 1:05:51 | |
looking out the window, | 1:05:51 | 1:05:54 | |
soaking... | 1:05:54 | 1:05:56 | |
INHALES DEEPLY | 1:06:07 | 1:06:09 | |
When I was a soldier, my fingers were frostbitten. | 1:06:09 | 1:06:13 | |
Since then, when I get cold, | 1:06:13 | 1:06:16 | |
there is a pain. | 1:06:16 | 1:06:18 | |
Maybe you shouldn't live in Russia. | 1:06:20 | 1:06:23 | |
-CHUCKLES SOFTLY -We all have our weaknesses. | 1:06:23 | 1:06:27 | |
What is yours? | 1:06:29 | 1:06:31 | |
I had heard you were silent. | 1:06:33 | 1:06:36 | |
"Made of stone," they said. | 1:06:37 | 1:06:40 | |
What is the expression? | 1:06:40 | 1:06:43 | |
"The silence is deafening." | 1:06:43 | 1:06:46 | |
You are going to be a formidable... | 1:06:48 | 1:06:52 | |
adversary, Mother. | 1:06:52 | 1:06:54 | |
I look forward to our association. | 1:07:02 | 1:07:05 | |
I hope it lasts for a long time. | 1:07:06 | 1:07:10 | |
TAPE PLAYS BACKWARDS | 1:07:18 | 1:07:21 | |
"I love you." BELLS TOLL | 1:07:24 | 1:07:27 | |
"People who really love each other don't have secrets." | 1:07:27 | 1:07:30 | |
"You are safe here with me." | 1:07:30 | 1:07:32 | |
We've made out the brand of the fan. It's called a Froid. It's Belgian. | 1:07:32 | 1:07:37 | |
The object on the nightstand, | 1:07:37 | 1:07:39 | |
we're still trying to find out what this is. | 1:07:39 | 1:07:43 | |
We just can't get any more definition out of it. | 1:07:43 | 1:07:46 | |
-BOY: -"Who is this?" | 1:07:50 | 1:07:52 | |
Who's this? | 1:07:53 | 1:07:55 | |
"Hello, Father." | 1:07:55 | 1:07:57 | |
You have a birthday coming up. | 1:07:57 | 1:07:59 | |
"I'm going to be five soon." | 1:07:59 | 1:08:01 | |
Well, y-you're a big boy. | 1:08:01 | 1:08:04 | |
"I'm bigger than Andrew, and he's six." | 1:08:04 | 1:08:07 | |
CHUCKLES SOFTLY | 1:08:07 | 1:08:09 | |
-Is your mother there? -"What? I can't hear you." | 1:08:10 | 1:08:14 | |
LINE CRACKLES | 1:08:14 | 1:08:16 | |
Is your mother there? | 1:08:16 | 1:08:18 | |
"She's getting dressed to go out with her friend. | 1:08:18 | 1:08:21 | |
"He has a new car. He let me drive with him." | 1:08:21 | 1:08:24 | |
"Hello, Mr Wilson. This is Edna." | 1:08:26 | 1:08:28 | |
"Mrs Wilson is upstairs. She's getting ready for dinner." | 1:08:28 | 1:08:31 | |
"I'll tell her you're on the phone." | 1:08:31 | 1:08:33 | |
I'll call back. | 1:08:35 | 1:08:37 | |
TAP AT DOOR | 1:08:40 | 1:08:43 | |
Pardon me. | 1:08:43 | 1:08:45 | |
-Do you need me for anything else? -No, thank you. | 1:08:46 | 1:08:50 | |
-Gute Nacht. -Gute Nacht. | 1:08:50 | 1:08:52 | |
Do you ever eat, Mr Carlson? | 1:08:58 | 1:09:01 | |
I like to cook. Would you like a home-cooked meal? | 1:09:01 | 1:09:04 | |
Have you ever read Ovid Metamorphoses in the original Latin? | 1:09:12 | 1:09:16 | |
It's quite beautiful. | 1:09:16 | 1:09:19 | |
"I grabbed a pile of dust and, holding it up, | 1:09:21 | 1:09:25 | |
"foolishly asked for as many birthdays as the grains of dust. | 1:09:25 | 1:09:29 | |
"I forgot to ask that they be years of youth." | 1:09:29 | 1:09:32 | |
Bravo. | 1:09:34 | 1:09:36 | |
I should be going. | 1:09:48 | 1:09:50 | |
Would you like to stay? | 1:09:57 | 1:10:00 | |
Would you like me to? | 1:10:02 | 1:10:04 | |
I would like you to very much. | 1:10:05 | 1:10:08 | |
Maybe we could go somewhere together? | 1:10:16 | 1:10:19 | |
The lakes in Bavaria are still beautiful. | 1:10:19 | 1:10:22 | |
There was an inn there before the war | 1:10:22 | 1:10:24 | |
where they served breakfast in bed all day. | 1:10:24 | 1:10:27 | |
SHE HUMS TO HERSELF | 1:10:28 | 1:10:31 | |
Hanna. | 1:10:50 | 1:10:52 | |
I hope you never go home. | 1:10:54 | 1:10:57 | |
Bavaria is really a beautiful place. | 1:10:58 | 1:11:01 | |
I was born there. My grandmother... | 1:11:01 | 1:11:05 | |
..lived there. | 1:11:05 | 1:11:07 | |
I really miss her. | 1:11:07 | 1:11:09 | |
Why don't we go? Hmm? | 1:11:10 | 1:11:13 | |
I let a stranger into our house. | 1:11:26 | 1:11:29 | |
BANGING ON DOOR | 1:11:30 | 1:11:32 | |
Wer, danke? | 1:11:36 | 1:11:37 | |
Danke schoen. | 1:11:38 | 1:11:40 | |
CHILDREN CHATTER | 1:12:23 | 1:12:25 | |
Mother! Father's here! Mother... | 1:12:36 | 1:12:40 | |
Hello, Edward. | 1:12:46 | 1:12:49 | |
Hello, Clover. | 1:12:49 | 1:12:52 | |
I, erm... | 1:12:53 | 1:12:56 | |
I like to be called Margaret now. | 1:12:57 | 1:13:00 | |
It's very nice to see you. | 1:13:02 | 1:13:05 | |
It's good to see you, too. | 1:13:06 | 1:13:09 | |
I made something for you. | 1:13:11 | 1:13:14 | |
See? It's a ship. | 1:13:16 | 1:13:20 | |
But it's got the flag of England. | 1:13:21 | 1:13:24 | |
And then I put a pirate flag there. | 1:13:25 | 1:13:28 | |
And if you like, you can count... | 1:13:28 | 1:13:31 | |
how many sails there are. | 1:13:31 | 1:13:34 | |
You wanna try that? | 1:13:34 | 1:13:37 | |
-15. -That's right. | 1:13:41 | 1:13:44 | |
15. | 1:13:44 | 1:13:46 | |
No, no, it's yours. I made it for you. | 1:13:47 | 1:13:50 | |
If it's all right with you, I thought... | 1:14:04 | 1:14:07 | |
maybe we could sleep in separate beds, | 1:14:07 | 1:14:09 | |
just until we get to know each other again. | 1:14:09 | 1:14:12 | |
I made up the spare room. | 1:14:13 | 1:14:15 | |
All right. | 1:14:16 | 1:14:18 | |
What do you hear from your brother John? | 1:14:25 | 1:14:28 | |
I thought you knew he was killed in Burma. In 1944. | 1:14:31 | 1:14:35 | |
You never mentioned it in your letters. | 1:14:36 | 1:14:39 | |
There wasn't very much to say. | 1:14:41 | 1:14:44 | |
Six years is a long time. | 1:14:51 | 1:14:54 | |
I was lonely | 1:14:57 | 1:14:59 | |
and I was with a man once. | 1:14:59 | 1:15:01 | |
He wasn't very interesting. | 1:15:03 | 1:15:06 | |
Were you with anyone? | 1:15:09 | 1:15:11 | |
It was a mistake. | 1:15:13 | 1:15:15 | |
Thank you for the ship you made... for me. | 1:15:31 | 1:15:34 | |
You're welcome. | 1:15:37 | 1:15:39 | |
I'm glad you like it. | 1:15:39 | 1:15:41 | |
Mother said you were in the war. | 1:15:42 | 1:15:45 | |
Did you fight? Did you kill anybody? | 1:15:45 | 1:15:49 | |
No. | 1:15:51 | 1:15:53 | |
-Good night. -Good night. | 1:15:56 | 1:15:59 | |
CHILDREN SQUEAL No! You're it! | 1:16:15 | 1:16:18 | |
-Hello, Father. -Hello, Edward. Hello. | 1:16:18 | 1:16:22 | |
-Hello, dear. -There's somebody waiting for you in the den. | 1:16:22 | 1:16:25 | |
General. | 1:16:27 | 1:16:29 | |
Edward. | 1:16:30 | 1:16:32 | |
I'm sorry to barge in on you. Your wife helped me to a drink. | 1:16:32 | 1:16:36 | |
-Uh-huh. -My feet...! | 1:16:36 | 1:16:39 | |
They keep cutting off pieces of them. | 1:16:39 | 1:16:41 | |
It's not dignified for men to have to die from the feet up. | 1:16:41 | 1:16:46 | |
Well, while everybody's been feeling good about themselves, | 1:16:50 | 1:16:53 | |
the Soviets, without firing a shot, have taken over half the world. | 1:16:53 | 1:16:56 | |
They're breathing down our necks. They'll be in our backyard soon. | 1:16:56 | 1:17:00 | |
I told the President about the need for a new Intelligence Service, | 1:17:00 | 1:17:04 | |
one that would do in peacetime what OSS did during the war. | 1:17:04 | 1:17:08 | |
Philip Allen will head the agency. Richard Hayes'll be his exec. | 1:17:08 | 1:17:11 | |
You'll take Division C, Special Ops that report only to the director. | 1:17:11 | 1:17:15 | |
It would be limited to overseas, obviously. | 1:17:15 | 1:17:18 | |
Subversive operations, intelligence gathering and analysis. | 1:17:18 | 1:17:21 | |
And I'd be interested in your thoughts about this, | 1:17:21 | 1:17:25 | |
particularly in your area of expertise, counterintelligence. | 1:17:25 | 1:17:29 | |
I'll be glad to help in any way I can. | 1:17:29 | 1:17:31 | |
-That's all right. -Edward...go outside. | 1:17:31 | 1:17:35 | |
Excuse me, sir. Margaret! | 1:17:35 | 1:17:38 | |
Come on, Edward. Come, let's go outside. Daddy's busy. | 1:17:40 | 1:17:44 | |
All right? | 1:17:44 | 1:17:47 | |
Thank you. | 1:17:47 | 1:17:49 | |
I have to tell you, I have some real problems with this whole thing, | 1:17:57 | 1:18:01 | |
despite how much we need it. | 1:18:01 | 1:18:03 | |
I'm concerned that too much power will end up in the hands of too few. | 1:18:03 | 1:18:07 | |
It's always in somebody's interest to promote enemies, real or not. | 1:18:07 | 1:18:10 | |
I see this as America's eyes and ears. | 1:18:10 | 1:18:13 | |
I don't want it to become its heart and soul. | 1:18:13 | 1:18:16 | |
I told the President for this to work | 1:18:17 | 1:18:19 | |
there'll have to be some kind of civilian oversight. | 1:18:19 | 1:18:22 | |
Oversight? You can't have a covert organization | 1:18:22 | 1:18:25 | |
with people looking over your shoulder. | 1:18:25 | 1:18:28 | |
You know who gave Hitler his power? The clerks and the bookkeepers. | 1:18:28 | 1:18:32 | |
The civil servants. | 1:18:32 | 1:18:34 | |
I have this one weakness. | 1:18:34 | 1:18:37 | |
I believe in a just God. | 1:18:37 | 1:18:39 | |
I always seem to err on the side of democracy. | 1:18:39 | 1:18:43 | |
CHILDREN LAUGHING AND CHATTERING | 1:18:44 | 1:18:47 | |
This must be a nice place to raise a family. | 1:18:48 | 1:18:51 | |
I never made the time. | 1:18:51 | 1:18:53 | |
I'll be dead in less than a year. | 1:18:53 | 1:18:56 | |
I love this country. | 1:18:59 | 1:19:01 | |
We all do, sir. We all do. | 1:19:01 | 1:19:04 | |
No matter what anyone tells you, there's no-one you can really trust. | 1:19:13 | 1:19:17 | |
I'm afraid when all's said and done we're all just clerks, too. | 1:19:20 | 1:19:24 | |
I was under the impression that Dr Ibanez supported a democracy. | 1:19:43 | 1:19:47 | |
I'm afraid he's changed his mind. | 1:19:47 | 1:19:49 | |
He started to believe his own propaganda. | 1:19:49 | 1:19:52 | |
I mean, you dream this guy up, Edward, help get him elected... | 1:19:52 | 1:19:54 | |
Those are International Department of Central Committee members, | 1:19:54 | 1:19:58 | |
Trubnikov and Kushelnikov, | 1:19:58 | 1:20:00 | |
who have become overly interested in their natural resources, | 1:20:00 | 1:20:03 | |
particularly coffee. | 1:20:03 | 1:20:05 | |
Our economic interests are being compromised. | 1:20:06 | 1:20:09 | |
To say nothing of the dangers of a Soviet presence so close to home. | 1:20:09 | 1:20:14 | |
For security, we must establish our own presence there. | 1:20:14 | 1:20:19 | |
Wait. Stop! Can you go back? | 1:20:19 | 1:20:21 | |
Go... Go back a little bit. | 1:20:21 | 1:20:24 | |
Run it from there. | 1:20:26 | 1:20:29 | |
I just thought I saw something. | 1:20:42 | 1:20:44 | |
Put your heads together on this. | 1:20:44 | 1:20:47 | |
Michael will be going down there as an agricultural specialist | 1:20:47 | 1:20:50 | |
with the Mayan Coffee Company, non-official. | 1:20:50 | 1:20:54 | |
He'll be our eyes and ears. | 1:20:54 | 1:20:56 | |
-Congratulations. -Thank you, sir. | 1:20:56 | 1:20:58 | |
-Good luck. -Thank you. | 1:20:58 | 1:21:01 | |
I wouldn't wear my class ring down there. | 1:21:01 | 1:21:03 | |
Yes, sir. Of course. | 1:21:03 | 1:21:04 | |
I want all intelligence on this sent directly to me and no-one else. | 1:21:04 | 1:21:10 | |
I believe that's what you're looking for. | 1:21:12 | 1:21:15 | |
That'll do it. | 1:21:16 | 1:21:18 | |
TRANSLATED FROM SPANISH | 1:21:19 | 1:21:21 | |
ANXIOUS SHOUTING | 1:21:58 | 1:22:01 | |
Mr Wilson. This came for you through the Carlson cover address. | 1:22:08 | 1:22:13 | |
There was no card. | 1:22:13 | 1:22:15 | |
There's been a potential compromise down south. | 1:23:06 | 1:23:08 | |
Ulysses. | 1:23:08 | 1:23:10 | |
We can't wait another 24 hours. | 1:23:10 | 1:23:12 | |
If you can guarantee that all assets are in place | 1:23:12 | 1:23:15 | |
and prepare to move on my order, I'm prepared to move, as well. | 1:23:15 | 1:23:18 | |
Come back to bed. | 1:23:22 | 1:23:24 | |
-What were you talking about? -It's grown-up talk. | 1:23:24 | 1:23:28 | |
-I had a nightmare. -Everything's fine. | 1:23:29 | 1:23:34 | |
Could you stay with me another minute? | 1:23:35 | 1:23:39 | |
Try to get some sleep. | 1:23:42 | 1:23:44 | |
Yes. We haven't got time to be sure of this. | 1:23:46 | 1:23:50 | |
This whole thing hinges on support. If we don't have the support, | 1:23:50 | 1:23:53 | |
I can't guarantee the outcome. Can you guarantee the support? | 1:23:53 | 1:23:57 | |
That's not a guarantee. That's not an answer. | 1:23:58 | 1:24:01 | |
Well, do what you have to do. These men aren't ideological. | 1:24:01 | 1:24:05 | |
Put a little more in their Christmas stockings and they'll fall into line. | 1:24:06 | 1:24:09 | |
Call the station chief. I don't care if he's sleeping, get him out of bed. | 1:24:09 | 1:24:13 | |
Margaret tells us that you work for the CIA. | 1:24:13 | 1:24:17 | |
Well, my wife has a vivid imagination. | 1:24:17 | 1:24:21 | |
I'm a trade advisor. Civil servant. | 1:24:21 | 1:24:24 | |
-Good night. -Good night. | 1:24:33 | 1:24:35 | |
-How dare you... -You are never to tell anybody what I do. | 1:24:42 | 1:24:45 | |
-Those people are my friends. -You are never to tell anyone | 1:24:45 | 1:24:48 | |
-what I do... -I don't have a lot of friends! | 1:24:48 | 1:24:49 | |
-Never. -What you do! I don't know what you do! | 1:24:49 | 1:24:53 | |
You leave at five, you get home at 10, seven days a week! | 1:24:53 | 1:24:57 | |
-I live with a ghost. I don't know what you do! -PHONE RINGS | 1:24:57 | 1:25:01 | |
Call back. | 1:25:07 | 1:25:09 | |
They're ready. Launch the operation. | 1:25:15 | 1:25:18 | |
Say something. | 1:25:19 | 1:25:20 | |
-Say something. -I have to go now. | 1:25:20 | 1:25:23 | |
Say... Say something. | 1:25:23 | 1:25:24 | |
Talk to me! Say something. Look at me. Say something. | 1:25:24 | 1:25:28 | |
OFFICER SHOUTS IN SPANISH Vamos! Silencio! | 1:25:33 | 1:25:37 | |
Come on. | 1:25:52 | 1:25:54 | |
Remember what I said. Don't touch anything. All right? | 1:25:54 | 1:25:58 | |
-Merry Christmas, Margaret. Edward. -BOTH: Merry Christmas. | 1:26:00 | 1:26:03 | |
Is this young Edward? Would you like to come inside | 1:26:03 | 1:26:06 | |
and meet a very special guest? | 1:26:06 | 1:26:08 | |
We particularly enjoy having young ones around. | 1:26:08 | 1:26:12 | |
Oh. Santa Claus! | 1:26:12 | 1:26:14 | |
Would you like to meet Santa? Come along. | 1:26:14 | 1:26:17 | |
-Toddy is wonderful with children. -Yes. She is. | 1:26:17 | 1:26:21 | |
Come and meet Santa. | 1:26:21 | 1:26:24 | |
-Would you like a drink, Edward? -Thank you. | 1:26:24 | 1:26:28 | |
I believe congratulations are in order. | 1:26:28 | 1:26:32 | |
-The doctor has no more patients. -The cost of malpractice. | 1:26:32 | 1:26:36 | |
-Gentlemen. -Edward. | 1:26:38 | 1:26:40 | |
-Philip. -Bill. | 1:26:43 | 1:26:46 | |
Gentlemen. | 1:26:46 | 1:26:48 | |
You can all be very proud of what you've started. | 1:26:48 | 1:26:52 | |
-Merry Christmas. -Merry Christmas, Bill. | 1:26:55 | 1:26:58 | |
-SANTA: -Christmas is always full of surprises. | 1:27:06 | 1:27:10 | |
Do you like surprises under the tree? | 1:27:10 | 1:27:13 | |
We'll make sure you have lots of surprises | 1:27:13 | 1:27:16 | |
and things like that, OK? | 1:27:16 | 1:27:19 | |
I'm sure Mom and Dad agree that that would be a good idea. | 1:27:19 | 1:27:22 | |
Surprises are the best part of Christmas. Don't you think? | 1:27:22 | 1:27:25 | |
How about, er, games? | 1:27:25 | 1:27:29 | |
How about, er, ball games? | 1:27:29 | 1:27:32 | |
LADY GASPS | 1:27:32 | 1:27:36 | |
-Can I get you a towel? -I'm so sorry. -Are you all right? | 1:27:36 | 1:27:38 | |
-It's all right. -I couldn't help it. | 1:27:38 | 1:27:41 | |
-I think we should go home. -Lower your voice. | 1:27:41 | 1:27:44 | |
-You can use our bathroom. -Thank you. | 1:27:44 | 1:27:47 | |
Come with me, Edward. It's all right. Come with me. | 1:27:47 | 1:27:49 | |
Can I help you up, Mrs Wilson? | 1:27:49 | 1:27:52 | |
ALL SING "JINGLE BELLS" | 1:28:04 | 1:28:07 | |
# 'Tis the season to be jolly | 1:28:19 | 1:28:21 | |
# Fa-la-la-la-la, la-la-la-la | 1:28:21 | 1:28:23 | |
# Down we now our gay apparel | 1:28:23 | 1:28:26 | |
# Fa-la-la, la-la-la, la, la, la | 1:28:26 | 1:28:29 | |
# Troll the ancient yuletide carol | 1:28:29 | 1:28:32 | |
# Fa-la-la-la-la, la, la, la, la | 1:28:32 | 1:28:34 | |
# See the blazing Yule before us | 1:28:34 | 1:28:37 | |
# Fa-la-la-la-la, la-la-la-la | 1:28:37 | 1:28:40 | |
# Strike the harp and join the chorus Fa-la-la-la-la, la-la-la-la | 1:28:40 | 1:28:45 | |
# Sing we joyous, all together | 1:28:45 | 1:28:47 | |
# Fa-la-la, la-la-la, la, la, la... # | 1:28:47 | 1:28:50 | |
Did you know that Philip is going to be on the Mayan Coffee Company's board of directors? | 1:28:50 | 1:28:55 | |
Remember what I said to you about friends? | 1:28:56 | 1:29:00 | |
TODDY LAUGHS I couldn't manage at that pace! > | 1:29:00 | 1:29:03 | |
-WOMAN: -Cheers! -Oh, you want to sing that? | 1:29:03 | 1:29:06 | |
-MURACH: -You look good, Edward. | 1:29:12 | 1:29:15 | |
How long has it been? Seven, eight years? | 1:29:15 | 1:29:18 | |
A lot of water under the bridge. | 1:29:18 | 1:29:21 | |
Carolina and I, we just bought our first house. | 1:29:22 | 1:29:26 | |
And everything is already broken and I spend my weekends fixing things. | 1:29:26 | 1:29:29 | |
By the time I get it fixed, it'll be time to sell the fucking house. | 1:29:29 | 1:29:34 | |
Maybe you can give me a heads up on somebody. | 1:29:35 | 1:29:39 | |
You're asking me to give you FBI files on an American citizen? | 1:29:43 | 1:29:46 | |
You know I can't do that. It's against the law to spy on citizens. | 1:29:46 | 1:29:50 | |
Keep it. | 1:29:51 | 1:29:52 | |
Maybe someday you'll change your mind. | 1:29:52 | 1:29:55 | |
TAP AT DOOR | 1:30:19 | 1:30:21 | |
May I come in? | 1:30:21 | 1:30:23 | |
You know, I've never been in your office. | 1:30:36 | 1:30:40 | |
How was the fishing? | 1:30:40 | 1:30:42 | |
It was a bad year. | 1:30:42 | 1:30:44 | |
The water is too high. | 1:30:44 | 1:30:46 | |
I understand you wanted to personally give me | 1:30:46 | 1:30:49 | |
the Operation Zapata list yourself. | 1:30:49 | 1:30:51 | |
There isn't one, is there? | 1:30:55 | 1:30:58 | |
-You know it was a silent operation. -It wasn't silent enough. | 1:31:01 | 1:31:06 | |
I've been asked by the President to suggest who we no longer need. | 1:31:09 | 1:31:14 | |
Who would you recommend, Edward? | 1:31:17 | 1:31:19 | |
I serve at the pleasure of the director, sir. | 1:31:19 | 1:31:23 | |
I'm just a gatekeeper. | 1:31:23 | 1:31:25 | |
Why is it that people like us choose to serve... | 1:31:26 | 1:31:30 | |
for nickels a day | 1:31:30 | 1:31:32 | |
in a profession that makes us constantly look over our shoulder | 1:31:32 | 1:31:35 | |
to see who is watching us? | 1:31:35 | 1:31:37 | |
When will you make your decision? | 1:31:37 | 1:31:39 | |
Decision? | 1:31:42 | 1:31:44 | |
I serve at the discretion of the President of the United States. | 1:31:46 | 1:31:51 | |
I will do what I think is best for the country. | 1:31:51 | 1:31:55 | |
It's important that we find out who's responsible. | 1:32:01 | 1:32:05 | |
-Good night. -Good night. | 1:32:08 | 1:32:10 | |
At 22.42 call received on Berlin base chief's operational line. | 1:32:21 | 1:32:26 | |
Man says he is senior officer KGB. Would not give name. | 1:32:26 | 1:32:31 | |
Open up. Thanks. | 1:32:31 | 1:32:33 | |
KGB officer asked when Mr Edward Wilson is coming. | 1:32:38 | 1:32:41 | |
He wants to know Mr Edward Wilson's response. | 1:32:41 | 1:32:44 | |
Tell him Mr Edward Wilson is here | 1:32:44 | 1:32:46 | |
and would like to know what he intends to provide us with in return. | 1:32:46 | 1:32:49 | |
He says, "In return for safe journey | 1:32:55 | 1:32:57 | |
"he will provide Mr Wilson with clear understanding | 1:32:57 | 1:33:00 | |
"of last three losses in Moscow, | 1:33:00 | 1:33:04 | |
"and identities of Soviet agents in your country, | 1:33:04 | 1:33:08 | |
"penetrations of Moscow's station. | 1:33:08 | 1:33:12 | |
"Will also speak personally with Mr Edward Wilson about... | 1:33:12 | 1:33:16 | |
"Ulysses. Things only he knows of Ulysses. | 1:33:16 | 1:33:20 | |
"How he thinks, what he plans to do, | 1:33:20 | 1:33:24 | |
"and what he wants Mr Edward Wilson to think he is doing. | 1:33:24 | 1:33:28 | |
"To establish bona fides, he will carry with him... | 1:33:28 | 1:33:32 | |
"KGB surveillance photographs of all CIA officers in Moscow... | 1:33:32 | 1:33:37 | |
"..and will be more than happy to take... | 1:33:39 | 1:33:43 | |
"polygraph." | 1:33:43 | 1:33:45 | |
Ulysses. | 1:33:52 | 1:33:55 | |
Ask him what his weakness is. | 1:33:57 | 1:34:00 | |
"The cold." | 1:34:13 | 1:34:15 | |
Let's get him over here. | 1:34:17 | 1:34:19 | |
My name is Valentin Gregorievich Mironov. | 1:34:19 | 1:34:23 | |
My children's names are Anatoly and Sergei. | 1:34:23 | 1:34:26 | |
My father played the cello. I play the violin. | 1:34:26 | 1:34:29 | |
But you know this. I risk my life to come all the way to tell you this. | 1:34:29 | 1:34:34 | |
-To confirm what you already know... -You failed the polygraph. | 1:34:34 | 1:34:37 | |
Every Russian fails polygraph. | 1:34:37 | 1:34:40 | |
Your polygraph doesn't understand the Russian soul. | 1:34:40 | 1:34:43 | |
What more do you want? | 1:34:47 | 1:34:49 | |
I've given you my bona fides, the names of agents... | 1:34:49 | 1:34:52 | |
"who has been compromised, who you need to know about..." | 1:34:52 | 1:34:57 | |
"I wanted to speak to Mr Edward Wilson." | 1:34:57 | 1:35:00 | |
We were told Mironov was with these men the day the photo was taken. | 1:35:00 | 1:35:04 | |
We're not even sure that any of the circled men are him. | 1:35:04 | 1:35:06 | |
"I told you three times already. Sergei Budanov." | 1:35:06 | 1:35:09 | |
"I want to speak to Mr Edward Wilson." | 1:35:09 | 1:35:13 | |
I would like some tea. | 1:35:15 | 1:35:17 | |
-There isn't any. -I get thirsty when I say too much. | 1:35:21 | 1:35:25 | |
Are you going to keep up this inane questioning for much longer? | 1:35:25 | 1:35:29 | |
There is nothing you've told us we don't know, Mr Mironov. | 1:35:29 | 1:35:33 | |
I think you better try a little harder. | 1:35:33 | 1:35:35 | |
I didn't come here to deal with children, Mr Edison. | 1:35:35 | 1:35:39 | |
Or is it Mr Brocco? | 1:35:39 | 1:35:42 | |
We do our homework, too. | 1:35:43 | 1:35:45 | |
FOOTSTEPS | 1:35:45 | 1:35:48 | |
Hello, Mr Mironov. I'm Mr Wilson. | 1:35:55 | 1:35:58 | |
Hello, Mother. | 1:36:03 | 1:36:05 | |
Ulysses is obsessed with you. Night and day. | 1:36:06 | 1:36:10 | |
You are always on his mind. | 1:36:10 | 1:36:13 | |
He trusts nobody. | 1:36:13 | 1:36:15 | |
The only one whom he lets close is his aide. Sasha. | 1:36:15 | 1:36:19 | |
He is methodical. He plans things years in advance. | 1:36:19 | 1:36:23 | |
For instance, you should know he has developed a friendship | 1:36:23 | 1:36:26 | |
with a certain neighbour of yours. Fidel Castro. | 1:36:26 | 1:36:30 | |
A young man. He has high hopes for him. | 1:36:30 | 1:36:33 | |
I understand you had a most interesting fish swim your way. | 1:36:33 | 1:36:37 | |
Mr Allen thought it might be possible for me to speak with him. | 1:36:37 | 1:36:40 | |
With you as the chaperone, of course. | 1:36:40 | 1:36:43 | |
-I brought him a little gift... -Send Mironov immediately. | 1:36:43 | 1:36:47 | |
It'll be nice to be closely working with you again. | 1:36:47 | 1:36:50 | |
I expect you to show me Washington. We can paint the town red together. | 1:36:50 | 1:36:54 | |
Valentin Mironov. Arch Cummings. | 1:36:56 | 1:36:58 | |
-It is a great pleasure to meet you. -My pleasure. | 1:36:58 | 1:37:01 | |
-Sit down. -Nice to have someone like you on our side of the street. | 1:37:01 | 1:37:06 | |
I...I thought you may enjoy this. | 1:37:06 | 1:37:09 | |
It's something you might appreciate. I hope you haven't read it. | 1:37:09 | 1:37:12 | |
-CHUCKLES -Very clever. | 1:37:12 | 1:37:15 | |
Thank you. | 1:37:16 | 1:37:18 | |
All Russian is our orchard. | 1:37:20 | 1:37:23 | |
The land is great and beautiful. | 1:37:23 | 1:37:26 | |
There are many wonderful places in it. | 1:37:26 | 1:37:29 | |
Think, Anya. | 1:37:29 | 1:37:30 | |
Your grandfather, your great grandfather... | 1:37:30 | 1:37:33 | |
This is very bad translation. It is much funnier in Russian. | 1:37:33 | 1:37:38 | |
..Doesn't something human look at you from every cherry in the orchard? | 1:37:40 | 1:37:44 | |
From every leaf of every stalk? | 1:37:44 | 1:37:46 | |
Don't you hear their voices? | 1:37:46 | 1:37:50 | |
It's awful. Your orchard is terrible! | 1:37:50 | 1:37:53 | |
And when in the evening or at night you walk through the orchard | 1:37:53 | 1:37:56 | |
and the old bark glows with a dim light, | 1:37:56 | 1:37:59 | |
and the old cherry trees seem to be dreaming of all that was | 1:37:59 | 1:38:02 | |
100, 200 years ago... | 1:38:02 | 1:38:04 | |
I'm due at a meeting. | 1:38:04 | 1:38:05 | |
We've left those 200 years behind us, | 1:38:05 | 1:38:08 | |
but so far we've gained nothing at all. We don't know what the past is to be to us. | 1:38:08 | 1:38:12 | |
We only philosophise. We complain that we are dull | 1:38:12 | 1:38:16 | |
while we drink vodka. | 1:38:16 | 1:38:18 | |
For it's so clear that in order to begin to live in the present, | 1:38:18 | 1:38:21 | |
we must first redeem the past. | 1:38:21 | 1:38:23 | |
-Are you Laura? -What? | 1:38:29 | 1:38:32 | |
Are you Laura? I'm supposed to offer you a ride. | 1:38:32 | 1:38:35 | |
MUSIC PLAYS CHATTERING | 1:38:35 | 1:38:37 | |
Hello, Edward. | 1:38:58 | 1:39:01 | |
Hello, Laura. | 1:39:01 | 1:39:03 | |
Why all the mystery? | 1:39:03 | 1:39:06 | |
Do you have children? | 1:39:08 | 1:39:11 | |
I have a boy. | 1:39:11 | 1:39:13 | |
Edward Jr. CHUCKLES SOFTLY | 1:39:13 | 1:39:16 | |
Do you have anybody? | 1:39:19 | 1:39:21 | |
-A cat. -BOTH CHUCKLE | 1:39:24 | 1:39:27 | |
I've often imagined what my life would've been like with you. | 1:39:30 | 1:39:35 | |
And what did you imagine? | 1:39:35 | 1:39:39 | |
I thought you might teach. | 1:39:39 | 1:39:41 | |
Probably poetry. | 1:39:41 | 1:39:44 | |
I saw us living in a small college town. | 1:39:44 | 1:39:49 | |
You once said to me you were afraid your life was already planned out. | 1:40:02 | 1:40:08 | |
Are you doing what you want to do? | 1:40:11 | 1:40:14 | |
Life has been full of surprises. | 1:40:15 | 1:40:18 | |
You owe me a day at the beach. | 1:40:43 | 1:40:46 | |
HEAVY BREATHING | 1:41:04 | 1:41:06 | |
-How long do you think you'll be? -As long as it takes. | 1:41:27 | 1:41:31 | |
-I think maybe I'll go ahead. -All right. | 1:41:35 | 1:41:39 | |
# Nothing else is built the same | 1:41:42 | 1:41:45 | |
# Nothing in the world | 1:41:45 | 1:41:48 | |
# Has the soft and wavy frame... # | 1:41:48 | 1:41:51 | |
-KNOCK AT DOOR -Mother? | 1:41:52 | 1:41:54 | |
There was an envelope for you on the desk. | 1:41:56 | 1:41:59 | |
-Hey, you look lovely. -Thank you. | 1:42:00 | 1:42:04 | |
# ..like a dame! # | 1:42:37 | 1:42:40 | |
PIANO REFRAIN | 1:42:46 | 1:42:49 | |
It's not enough that you ignore me our whole life! | 1:42:49 | 1:42:52 | |
-You have to humiliate me? -Margaret... -You disgust me. | 1:42:52 | 1:42:55 | |
You're disgusting. | 1:42:55 | 1:42:58 | |
Let's start from the last chorus. | 1:43:21 | 1:43:25 | |
# So suppose that dame and bride Are completely free from flaws... # | 1:43:26 | 1:43:29 | |
Mother forgot some of her things. | 1:43:55 | 1:43:57 | |
I'll see you at home. | 1:44:08 | 1:44:10 | |
Are you Laura? | 1:45:07 | 1:45:09 | |
Yes. | 1:45:09 | 1:45:11 | |
I was asked to give you this. | 1:45:11 | 1:45:14 | |
RADIO: In an unprecedented effort to improve US-Soviet ties, | 1:45:25 | 1:45:29 | |
Premier Khrushchev began his 10-day tour of the US today. | 1:45:29 | 1:45:32 | |
The visit will start with a tour by President Eisenhower... | 1:45:32 | 1:45:36 | |
LAUGHS | 1:45:36 | 1:45:38 | |
All right. Now set it down. | 1:45:38 | 1:45:41 | |
..the Premier will travel to more casual destinations, | 1:45:41 | 1:45:45 | |
including America's mighty steel mills, wheat farms, and Disneyland. | 1:45:45 | 1:45:50 | |
President Eisenhower greeted Mr Khrushchev this morning... | 1:45:50 | 1:45:55 | |
It's perfect. | 1:45:55 | 1:45:57 | |
Our glee club's been chosen to compete in the national competition. | 1:45:58 | 1:46:03 | |
Would you come with me? | 1:46:03 | 1:46:06 | |
Would you like me to? | 1:46:06 | 1:46:08 | |
Very much. | 1:46:08 | 1:46:10 | |
I'll get your things. | 1:46:43 | 1:46:45 | |
It's good to have you home. | 1:46:47 | 1:46:50 | |
# ..I long to hear you | 1:46:55 | 1:46:59 | |
# Bound away | 1:46:59 | 1:47:03 | |
# You rolling river | 1:47:03 | 1:47:07 | |
# Oh, Shenandoah | 1:47:07 | 1:47:10 | |
# I long to hear... # | 1:47:10 | 1:47:14 | |
How was your trip? | 1:47:14 | 1:47:16 | |
As smooth as silk. | 1:47:16 | 1:47:18 | |
My FBI escort made the trip here very pleasant. | 1:47:18 | 1:47:22 | |
# We're bound away | 1:47:22 | 1:47:26 | |
# Cross the wide | 1:47:26 | 1:47:30 | |
# Missouri... # | 1:47:30 | 1:47:35 | |
Which one is your son? | 1:47:35 | 1:47:38 | |
Top row. Third from the right. | 1:47:38 | 1:47:41 | |
He's a handsome young man. My congratulations. | 1:47:42 | 1:47:46 | |
We're particularly concerned about Cuba. | 1:47:46 | 1:47:50 | |
Your friend, | 1:47:51 | 1:47:53 | |
he's too close to home. | 1:47:53 | 1:47:55 | |
You don't appreciate him breathing down your neck. | 1:47:55 | 1:47:59 | |
If we continue down this road, | 1:48:00 | 1:48:02 | |
there will be a third World War. | 1:48:02 | 1:48:05 | |
I don't think either of us wants a real war. | 1:48:05 | 1:48:07 | |
What would you do for a living then? | 1:48:07 | 1:48:11 | |
If he keeps calling attention to himself, | 1:48:12 | 1:48:15 | |
at some point, we may be forced to send him a surprise. | 1:48:15 | 1:48:20 | |
I don't want that to come as a surprise to your people. | 1:48:20 | 1:48:23 | |
He is very important to us. | 1:48:23 | 1:48:25 | |
We would not like to be surprised. | 1:48:26 | 1:48:30 | |
Be well. | 1:48:34 | 1:48:35 | |
Be well. | 1:48:38 | 1:48:40 | |
# 'Tis seven long years | 1:48:43 | 1:48:46 | |
# Since last I saw you | 1:48:46 | 1:48:52 | |
# Away... # | 1:48:52 | 1:48:55 | |
JFK: I am today announcing my candidacy | 1:48:55 | 1:48:58 | |
for the presidency of the United States. | 1:48:58 | 1:49:01 | |
The presidency is the most powerful office in the free world. | 1:49:01 | 1:49:05 | |
Through its leadership can come a more vital life | 1:49:05 | 1:49:08 | |
for all of our people. | 1:49:08 | 1:49:10 | |
In it are centred the hopes of the globe around us | 1:49:10 | 1:49:13 | |
for freedom and a more secure life. | 1:49:13 | 1:49:16 | |
Senator Kennedy, if you don't win the presidential nomination, | 1:49:16 | 1:49:18 | |
will you accept vice presidency? | 1:49:18 | 1:49:20 | |
I shall not, under any condition, be a candidate for vice president. | 1:49:20 | 1:49:24 | |
If I fail in this endeavour, I shall return and serve, er, | 1:49:24 | 1:49:28 | |
in the United States Senate. | 1:49:28 | 1:49:30 | |
We have a secure circuit with Stockholm Station. | 1:49:30 | 1:49:32 | |
Station reports they have a colonel, directorate K, counter intelligence. | 1:49:32 | 1:49:35 | |
Do we have a name? | 1:49:35 | 1:49:37 | |
RECORDING: May I help you, sir? | 1:49:37 | 1:49:38 | |
I'm a colonel with KGB. I'm requesting asylum. | 1:49:38 | 1:49:41 | |
What is your name? | 1:49:41 | 1:49:43 | |
My name is Valentin Gregorievich Mironov. | 1:49:43 | 1:49:46 | |
'My name is Valentin Gregorievich Mironov!' | 1:49:54 | 1:49:58 | |
. | 2:59:50 | 2:59:57 | |
This other man who says he is Valentin Mironov | 3:00:00 | 3:00:02 | |
is not who he pretends to be. | 3:00:02 | 3:00:04 | |
Right? His real name is Yuri Modin. | 3:00:04 | 3:00:07 | |
'He was Ulysses' right hand, he was Ulysses' mole. | 3:00:06 | 3:00:10 | |
'Just tell me your real name.' | 3:00:10 | 3:00:12 | |
It is just Ulysses trying to discredit me. | 3:00:12 | 3:00:15 | |
'Just tell me your real name.' | 3:00:15 | 3:00:17 | |
My real name is Valentin Gregorievich Mironov. | 3:00:17 | 3:00:24 | |
I was born in Bobrujsk in 1924. | 3:00:24 | 3:00:26 | |
Attended the State Institute of International Relations. | 3:00:26 | 3:00:29 | |
Served for three years in naval intelligence. | 3:00:29 | 3:00:31 | |
My wife's name is Tamara Markovska. | 3:00:31 | 3:00:33 | |
My children's names are Anatoly and Sergei. | 3:00:33 | 3:00:36 | |
'My father is a cellist. I play the violin.' | 3:00:36 | 3:00:41 | |
All I want is my freedom. | 3:00:42 | 3:00:45 | |
'Pick him up. | 3:00:50 | 3:00:52 | |
'Are you alright?' | 3:00:52 | 3:00:53 | |
I'm sorry. You see what you made me do? | 3:00:53 | 3:00:57 | |
Now just... tell me the truth. | 3:00:57 | 3:01:01 | |
Because, we're gonna be here... as long as it takes. | 3:01:03 | 3:01:07 | |
-I told you the truth... -I want to know the truth. | 3:01:07 | 3:01:09 | |
-Tell me your real name. -You know my name. | 3:01:09 | 3:01:11 | |
Mister, please, I'm not lying. | 3:01:11 | 3:01:13 | |
I'd like to believe you, but I don't believe you. | 3:01:13 | 3:01:16 | |
-Now tell me your name. -My name is Mironov. | 3:01:16 | 3:01:19 | |
Valentin Gregorievich Mironov. | 3:01:19 | 3:01:21 | |
-Is that your name? -Yeah. -Your real name. -Yes. | 3:01:21 | 3:01:24 | |
-Tell me your name. -I told you my name 100 times! | 3:01:24 | 3:01:28 | |
Because we're not going anywhere. We are not going anywhere. | 3:01:28 | 3:01:31 | |
Today, tomorrow, next week, next month. | 3:01:31 | 3:01:34 | |
Yuri Modin is your mole - | 3:01:34 | 3:01:36 | |
-I'll be right in front of you. -This is my name. | 3:01:36 | 3:01:39 | |
-What is your name? -Valentin Gregorievich Mironov. | 3:01:39 | 3:01:42 | |
Tell me your name. | 3:01:42 | 3:01:44 | |
-I don't have different name. -Tell it. -I don't have it. -Tell it. | 3:01:44 | 3:01:47 | |
-Tell it to me. -This is my name. -Tell it to me again. -Valentin - | 3:01:47 | 3:01:50 | |
-Tell me your fucking name! -Valentin Gregorievich Mironov! | 3:01:50 | 3:01:54 | |
-We are gonna be here a long time! -Valentin - | 3:01:54 | 3:01:57 | |
'That is my name! It's Valentin Gregorievich Mironov!' | 3:01:57 | 3:02:01 | |
-Shut up! Shut up! -I don't have a different - | 3:02:01 | 3:02:03 | |
Tell me your name. | 3:02:03 | 3:02:05 | |
Tell me your name. | 3:02:05 | 3:02:06 | |
Tell me... | 3:02:06 | 3:02:08 | |
..your fucking | 3:02:08 | 3:02:10 | |
name. | 3:02:10 | 3:02:11 | |
'Tell me your name. Tell me your name.' | 3:02:11 | 3:02:15 | |
Come on. Tear it off. Get it off. | 3:02:15 | 3:02:18 | |
Set him down. | 3:02:20 | 3:02:23 | |
'Tell me your name.' | 3:02:29 | 3:02:32 | |
-'What's your name?' -HE SCREAMS | 3:02:33 | 3:02:36 | |
-Tell me your name. -HE SCREAMS | 3:02:37 | 3:02:40 | |
What is... your name? | 3:02:51 | 3:02:54 | |
Sir, this is lysergic acid diethylamide. | 3:02:54 | 3:02:58 | |
It's called LSD. | 3:02:57 | 3:03:00 | |
We've had some very favourable results as a truth serum. | 3:03:01 | 3:03:04 | |
-SINGS IN RUSSIAN: -# Poost vsegda boodyet nyebo | 3:03:12 | 3:03:16 | |
# Poost vsedga boodyet papa. # | 3:03:16 | 3:03:21 | |
Shto-to, papa. | 3:03:26 | 3:03:29 | |
'No, pomniu, papa, no ya pomniu. | 3:03:29 | 3:03:31 | |
'Mnye vce stidno! Pomniu, pomniu ya. | 3:03:31 | 3:03:34 | |
'Pomniui poproisk. Er... | 3:03:34 | 3:03:38 | |
'..ya slabii.' | 3:03:37 | 3:03:40 | |
-STAMMERS EXCITEDLY: -Papa! | 3:03:41 | 3:03:44 | |
Look, it's him. Papa! | 3:03:44 | 3:03:46 | |
Sliuzhiu Sovetskomu Soiuzu. | 3:03:49 | 3:03:52 | |
Urrrah! Urrrah! Urrrah! | 3:03:52 | 3:03:56 | |
# Eto est... | 3:03:57 | 3:04:00 | |
# nash poslednii | 3:04:00 | 3:04:02 | |
# Ee reshitelnii boi... | 3:04:02 | 3:04:08 | |
# ..S internat... # | 3:04:08 | 3:04:11 | |
(Soviet power is a myth.) | 3:04:22 | 3:04:25 | |
(A great show.) | 3:04:28 | 3:04:30 | |
(There are no spare parts. Nothing is working.) | 3:04:29 | 3:04:33 | |
It's nothing... but painted rust. | 3:04:33 | 3:04:36 | |
SNIFFS AND SWALLOWS | 3:04:36 | 3:04:38 | |
But you... | 3:04:40 | 3:04:42 | |
'You need to keep the Russian myth alive | 3:04:44 | 3:04:46 | |
'to maintain your military industrial complex." | 3:04:46 | 3:04:50 | |
'Your system depends on Russia being perceived as a mortal threat.' | 3:04:50 | 3:04:55 | |
It's not a threat. | 3:04:56 | 3:04:58 | |
It was never a threat. It will never be... | 3:04:59 | 3:05:02 | |
a threat. | 3:05:02 | 3:05:05 | |
It is | 3:05:05 | 3:05:08 | |
a rotted | 3:05:07 | 3:05:10 | |
bloated | 3:05:09 | 3:05:12 | |
cow. | 3:05:12 | 3:05:14 | |
'I am | 3:05:24 | 3:05:26 | |
'Valentin Gregoreivich Mironov. | 3:05:26 | 3:05:29 | |
'And I am free.' | 3:05:30 | 3:05:34 | |
'Shit. Shit!' | 3:05:38 | 3:05:41 | |
If you would like, | 3:05:54 | 3:05:57 | |
I'd be willing to take the truth serum, Edward. | 3:05:57 | 3:06:00 | |
I've nothing to hide. | 3:06:02 | 3:06:05 | |
I am who I say I am. | 3:06:06 | 3:06:09 | |
I know. | 3:06:15 | 3:06:17 | |
We send those who are leaving us to go into the world, | 3:06:32 | 3:06:35 | |
with the knowledge, wherever they go, whatever they do, | 3:06:35 | 3:06:40 | |
they will never be alone. | 3:06:40 | 3:06:42 | |
They will always be one of us. | 3:06:42 | 3:06:44 | |
-And we say Bonesmen, all here. -ALL: All here. | 3:06:44 | 3:06:49 | |
# To the tables down at Mory's To the place where Louie dwells | 3:06:49 | 3:06:55 | |
# To the dear old temple bar we love so well... # | 3:06:55 | 3:06:59 | |
I didn't know you smoked. | 3:06:59 | 3:07:02 | |
There are a few things you don't know about me. | 3:07:02 | 3:07:04 | |
# ..glasses raised on high | 3:07:04 | 3:07:06 | |
# And the magic of their singing | 3:07:06 | 3:07:09 | |
# Casts its spell... # | 3:07:09 | 3:07:12 | |
I've spoken to a recruiter here. | 3:07:12 | 3:07:15 | |
I would like very much to join CIA. | 3:07:15 | 3:07:19 | |
There a lot of things you can do, Edward. | 3:07:19 | 3:07:22 | |
-I'd like you to think about this very carefully. -I have. | 3:07:22 | 3:07:26 | |
It's what I wanna do. I want to join the agency. | 3:07:26 | 3:07:29 | |
-I wanna make you proud of me. -I am proud of you. | 3:07:30 | 3:07:33 | |
Well, I've made up my mind, Father. | 3:07:33 | 3:07:37 | |
You can stop him. | 3:07:38 | 3:07:40 | |
He doesn't understand what he's getting into. | 3:07:40 | 3:07:43 | |
-I can't tell him what to do. -Yes, you can. -No - | 3:07:43 | 3:07:46 | |
Yes, you can because he is doing it for you. | 3:07:46 | 3:07:49 | |
He wants you to be proud of him and he wants to feel closer to you. | 3:07:49 | 3:07:52 | |
-Have them reject him. -I won't do that to him. | 3:07:52 | 3:07:55 | |
You won't do anything for anyone but yourself. | 3:07:55 | 3:07:57 | |
-That is unfair. -Unfair! | 3:07:57 | 3:07:59 | |
-That is unfair. -You abandon people when they need you the most. | 3:07:59 | 3:08:02 | |
-You abandon people! -I do not abandon people. -It's true. | 3:08:02 | 3:08:05 | |
-I've stood by you for 22 years! -Stood by me? | 3:08:05 | 3:08:07 | |
-You don't what that is. -I've stood by you | 3:08:07 | 3:08:10 | |
-and him. -You ignored him. | 3:08:10 | 3:08:12 | |
-I've done everything to be a good father. -You have done no such thing. | 3:08:12 | 3:08:15 | |
I married you because of him! | 3:08:15 | 3:08:17 | |
I know you don't love me, | 3:08:41 | 3:08:44 | |
but you love him, | 3:08:43 | 3:08:45 | |
and no matter what, you should stand by him | 3:08:45 | 3:08:48 | |
-and you should protect him. -I don't need you to tell me that. | 3:08:48 | 3:08:51 | |
Promise me that you'll protect him. | 3:08:51 | 3:08:54 | |
I'll protect him. | 3:08:56 | 3:08:59 | |
'In Havana, Castro expelled high- profile crime figures from Cuba. | 3:09:03 | 3:09:07 | |
'He's taking control of their hotels and casinos, | 3:09:07 | 3:09:10 | |
'popular vacation destinations for many Americans. | 3:09:10 | 3:09:12 | |
'He's nationalized over a billion dollars from US businesses, | 3:09:12 | 3:09:16 | |
'and there is no telling...' | 3:09:16 | 3:09:18 | |
I want to see a man about a hat. | 3:09:18 | 3:09:20 | |
'He had 3 casinos down there until Castro sent them home. | 3:09:20 | 3:09:24 | |
'These people know how to be discreet. | 3:09:24 | 3:09:27 | |
'With the right encouragement, he could help. He's very patriotic.' | 3:09:27 | 3:09:32 | |
Jimmy. Mr Carlson. | 3:09:32 | 3:09:35 | |
Tina. The kids. | 3:09:36 | 3:09:37 | |
Alright. C'mon, kids. We'll go to the beach. | 3:09:37 | 3:09:40 | |
-Let's go. -Mom, please... | 3:09:40 | 3:09:44 | |
Sit down. Some water, some coffee, whatever? | 3:09:44 | 3:09:47 | |
Is there someplace else we could go? | 3:09:48 | 3:09:51 | |
All right, Daddy. We're going down to the beach. | 3:09:52 | 3:09:55 | |
Don't let them go into the water unless somebody's watching. | 3:09:55 | 3:09:58 | |
I'm gonna let them drown(!) | 3:09:58 | 3:10:00 | |
Make sure they put their shoes on. They'll burn their feet! | 3:10:00 | 3:10:03 | |
Yeah, we're getting their shoes. All right, c'mon. Let's go. | 3:10:03 | 3:10:08 | |
What do you wanna talk to me about? | 3:10:10 | 3:10:12 | |
The government's about to deport you for certain activities. | 3:10:12 | 3:10:15 | |
I've been in this country since I'm two months old. | 3:10:15 | 3:10:18 | |
What's that make me, Italian? | 3:10:18 | 3:10:20 | |
I'm American. And they are trying to send me back? | 3:10:20 | 3:10:24 | |
They can have the deportation order reviewed. | 3:10:24 | 3:10:28 | |
Have you classified as highly sensitive for national security. | 3:10:28 | 3:10:31 | |
I can take the government off your back if you can help us. | 3:10:31 | 3:10:34 | |
You are the guys that scare me. You're the ones that make big wars. | 3:10:34 | 3:10:39 | |
No. We make sure the wars are small ones, Mr Palmi. | 3:10:39 | 3:10:43 | |
Let me ask you something. | 3:10:43 | 3:10:46 | |
We Italians, we got our families and we got the church. | 3:10:46 | 3:10:50 | |
The Irish, they have the homeland. | 3:10:50 | 3:10:53 | |
The Jews, their tradition. | 3:10:53 | 3:10:55 | |
Even the niggers, they got their music. | 3:10:55 | 3:10:59 | |
What about you people, Mr Carlson? | 3:11:00 | 3:11:03 | |
What do you have? | 3:11:03 | 3:11:05 | |
The United States of America. | 3:11:05 | 3:11:07 | |
The rest of you are just visiting. | 3:11:07 | 3:11:10 | |
The President wants the noise level on the operation turned down. | 3:11:16 | 3:11:20 | |
How many men are involved? | 3:11:22 | 3:11:25 | |
Fifteen hundred. | 3:11:25 | 3:11:27 | |
Tell them we are going instead to Bahia de Cochinos. | 3:11:29 | 3:11:31 | |
Noise level will be way down. | 3:11:31 | 3:11:34 | |
WATER SWISHES | 3:11:35 | 3:11:37 | |
See you inside. | 3:11:42 | 3:11:45 | |
Could you hear us? | 3:12:03 | 3:12:05 | |
No. I didn't hear anything. | 3:12:05 | 3:12:08 | |
If something was heard, | 3:12:09 | 3:12:12 | |
it has to stay in this room. | 3:12:11 | 3:12:14 | |
Oh, I know that, Father. | 3:12:14 | 3:12:16 | |
All right. | 3:12:19 | 3:12:20 | |
BANGS CANE | 3:12:33 | 3:12:36 | |
Bonesmen. | 3:12:37 | 3:12:39 | |
MEN: All here. | 3:12:39 | 3:12:41 | |
Reverend Christiansen will offer grace. | 3:12:43 | 3:12:46 | |
Agency first. God second. | 3:12:47 | 3:12:50 | |
Thank you, Lord, for bringing us here safely here | 3:12:50 | 3:12:52 | |
to be with our brothers and loved ones again. | 3:12:52 | 3:12:55 | |
Our prayers are with our brothers whom God has seen fit | 3:12:55 | 3:12:59 | |
to take into his gentle arms this year. | 3:12:59 | 3:13:02 | |
The honourable Senator John Russell Senior. | 3:13:01 | 3:13:05 | |
Mr Stephen Lummis Evans. | 3:13:05 | 3:13:08 | |
Mr Laughlin Morrison... | 3:13:08 | 3:13:10 | |
# I'm gonna love you | 3:13:10 | 3:13:13 | |
# Like nobody's loved you | 3:13:13 | 3:13:16 | |
# Come rain or come shine | 3:13:16 | 3:13:20 | |
# High as a mountain | 3:13:22 | 3:13:24 | |
# And deep as a river | 3:13:24 | 3:13:27 | |
# Come rain or come shine | 3:13:27 | 3:13:31 | |
# I guess when you met me... # | 3:13:34 | 3:13:38 | |
Would you like to dance, Clover? | 3:13:38 | 3:13:41 | |
I haven't been Clover for a long time. | 3:13:43 | 3:13:46 | |
# You're gonna love me like nobody's loved me | 3:13:54 | 3:14:00 | |
# Come rain or come shine | 3:14:00 | 3:14:06 | |
# Happy together | 3:14:05 | 3:14:08 | |
# Unhappy together | 3:14:08 | 3:14:11 | |
# And won't it be fine? | 3:14:11 | 3:14:17 | |
# Days may be cloudy... # | 3:14:16 | 3:14:18 | |
I'm going to Phoenix to live with my mother. | 3:14:18 | 3:14:21 | |
Based on the ringing of the church bells, | 3:14:29 | 3:14:31 | |
we assume the recording was made at the same time the photo was taken. | 3:14:31 | 3:14:35 | |
We've check for flights leaving major airports | 3:14:35 | 3:14:38 | |
at or around 10 o'clock at night for a two week period. | 3:14:38 | 3:14:41 | |
There were flights leaving nine cities. | 3:14:41 | 3:14:44 | |
Six would also potentially have a fan made in Belgium. | 3:14:44 | 3:14:48 | |
Five were also either tropical or in their summer seasons. | 3:14:48 | 3:14:52 | |
Three of those were places where French is spoken. | 3:14:52 | 3:14:55 | |
We think the tape was made in either Dakar, Abidjan or Congo-Leo. | 3:14:55 | 3:15:02 | |
GENERAL CHATTER, BUSTLE | 3:15:02 | 3:15:05 | |
BELL TOLLS | 3:15:07 | 3:15:10 | |
BELL TOLLS LOUDLY | 3:15:45 | 3:15:48 | |
It is all gone. | 3:17:48 | 3:17:50 | |
Hello, Mother. | 3:17:55 | 3:17:57 | |
Let me show you. | 3:17:58 | 3:18:00 | |
As you see, no cameras, no tape recorders. | 3:18:06 | 3:18:10 | |
There is nothing else to know. | 3:18:12 | 3:18:15 | |
CHILDREN SHOUT OUTSIDE | 3:18:15 | 3:18:17 | |
Can I play something for you? | 3:18:18 | 3:18:20 | |
-EDWARD JR: -'Everything's a secret.' | 3:18:25 | 3:18:28 | |
WOMAN: 'You were brought up on secrets. | 3:18:29 | 3:18:31 | |
'What was such a big secret that his own son couldn't know?' | 3:18:31 | 3:18:35 | |
'He was standing outside talking. | 3:18:37 | 3:18:40 | |
'I heard something I wasn't supposed to, and he knew I'd listened. | 3:18:40 | 3:18:45 | |
'I heard him say something in Spanish. | 3:18:46 | 3:18:50 | |
'Bahia de Cochinos.' | 3:18:50 | 3:18:52 | |
'Bahia de Cochinos.' | 3:18:52 | 3:18:55 | |
'I'm afraid of him.' | 3:18:55 | 3:18:57 | |
'You're are safe here with me. | 3:18:59 | 3:19:01 | |
'People who really love each other don't have secrets. | 3:19:02 | 3:19:06 | |
'I have something to tell you.' | 3:19:07 | 3:19:11 | |
INDISTINCT WHISPERING | 3:19:11 | 3:19:14 | |
'I love you so much. | 3:19:18 | 3:19:21 | |
'I love you so much.' | 3:19:21 | 3:19:23 | |
She's been an active asset of ours for some time. | 3:19:29 | 3:19:34 | |
Until now. | 3:19:36 | 3:19:38 | |
She loves your son. | 3:19:39 | 3:19:41 | |
Sometimes even spies fall in love. | 3:19:45 | 3:19:49 | |
We can protect him. | 3:19:52 | 3:19:54 | |
Make him safe. | 3:19:54 | 3:19:56 | |
Nobody would know. Not even him. | 3:19:56 | 3:19:58 | |
All it would require is for you... | 3:20:01 | 3:20:05 | |
..to help us... | 3:20:06 | 3:20:08 | |
when your help is needed. | 3:20:08 | 3:20:11 | |
I thought you would like to see this. | 3:20:25 | 3:20:28 | |
She is a very pretty girl. | 3:20:31 | 3:20:34 | |
It is easy to see why he fell for her. | 3:20:34 | 3:20:37 | |
I know it is an extremely difficult situation for you. | 3:20:51 | 3:20:56 | |
But I am afraid I'm going to need your answer very soon. | 3:20:59 | 3:21:03 | |
You must decide... | 3:21:05 | 3:21:08 | |
what is of more importance to you... | 3:21:08 | 3:21:11 | |
Your country or... | 3:21:12 | 3:21:14 | |
..or your son. | 3:21:18 | 3:21:20 | |
She is not who you think she is. | 3:21:48 | 3:21:52 | |
She's not a friendly, Edward. | 3:21:52 | 3:21:55 | |
I don't believe you. | 3:21:55 | 3:21:57 | |
Why... Why should I believe you? | 3:21:57 | 3:22:00 | |
You told me yourself not to trust anybody. | 3:22:00 | 3:22:03 | |
You're the master of creating the truth. | 3:22:03 | 3:22:07 | |
I love her. | 3:22:08 | 3:22:10 | |
I've asked her to marry me. | 3:22:10 | 3:22:12 | |
I will not let you take that away from me. | 3:22:12 | 3:22:14 | |
I can't protect you. I can't keep you safe. | 3:22:14 | 3:22:16 | |
Safe? | 3:22:16 | 3:22:18 | |
Safe?! I never felt safe. | 3:22:20 | 3:22:22 | |
I always lived in fear that something awful would happen to you! | 3:22:22 | 3:22:26 | |
Or if not, to mother or me. | 3:22:26 | 3:22:28 | |
I was always afraid because everything was a secret. | 3:22:28 | 3:22:32 | |
BELLS TOLL | 3:22:42 | 3:22:44 | |
-Edward. -Hello. May I come in. | 3:23:47 | 3:23:49 | |
Yes, of course. Is everything all right? | 3:23:49 | 3:23:52 | |
I was on my way home from work | 3:23:53 | 3:23:55 | |
and I had an overwhelming desire to hear you play the violin. | 3:23:55 | 3:23:58 | |
Play the violin? | 3:23:58 | 3:24:00 | |
Edward, I am so tired. Can't this way until tomorrow? | 3:24:01 | 3:24:04 | |
I'd appreciate it if you play it now. | 3:24:04 | 3:24:06 | |
Now. | 3:24:07 | 3:24:10 | |
PLAYS SOMBRE PIECE BEAUTIFULLY | 3:25:59 | 3:26:02 | |
I just wanted to hear something from you that was true. | 3:27:14 | 3:27:18 | |
-ARCH: -'He was careless.' | 3:27:27 | 3:27:29 | |
FBI. You're under arrest. Stand up. | 3:27:29 | 3:27:32 | |
Didn't learn how to hide in plain sight. | 3:27:33 | 3:27:36 | |
Where are they taking me? I can't go home. | 3:27:36 | 3:27:39 | |
They can't trust me anymore. You know what they will do to me? | 3:27:39 | 3:27:43 | |
Sorry, Edward. | 3:27:43 | 3:27:45 | |
'I truly... did like you. | 3:27:45 | 3:27:49 | |
'In another world we actually would've been quite good friends.' | 3:27:49 | 3:27:54 | |
Are you still there, Mother? | 3:27:56 | 3:27:58 | |
Your worst fear has come true. | 3:27:58 | 3:28:01 | |
'Alone and friendless. | 3:28:05 | 3:28:07 | |
'Without a country of your own.' | 3:28:08 | 3:28:11 | |
CHILDREN SING # He's got the ocean and the seas | 3:28:37 | 3:28:40 | |
# In his hands | 3:28:40 | 3:28:42 | |
# He's got you and me | 3:28:42 | 3:28:46 | |
# In his hands | 3:28:46 | 3:28:48 | |
# He's got the whole world in his hands | 3:28:48 | 3:28:53 | |
# He's got everybody here | 3:28:53 | 3:28:57 | |
# In his hands | 3:28:57 | 3:28:58 | |
# He's got everybody here | 3:28:58 | 3:29:02 | |
# In his hands | 3:29:02 | 3:29:04 | |
# He's got the whole wide world | 3:29:04 | 3:29:07 | |
# In his hands | 3:29:07 | 3:29:10 | |
# He's got the whole world | 3:29:10 | 3:29:13 | |
# in his | 3:29:13 | 3:29:16 | |
# hands! # APPLAUSE | 3:29:15 | 3:29:19 | |
< Bravo. | 3:29:19 | 3:29:20 | |
We have a whole new place to fight over. | 3:29:20 | 3:29:23 | |
The stars... | 3:29:25 | 3:29:27 | |
Your offer... # Michael, row the boat | 3:29:31 | 3:29:35 | |
# ashore... # I have to decline. | 3:29:35 | 3:29:37 | |
# Hallelu...jah | 3:29:37 | 3:29:42 | |
# Michael, row the boat ashore... # | 3:29:42 | 3:29:48 | |
You've succeeded in stopping us from taking back Cuba. | 3:29:48 | 3:29:52 | |
The damage is done. | 3:29:55 | 3:29:56 | |
There's no need for you to hurt my son. | 3:30:00 | 3:30:02 | |
Let's just leave it between you and me. | 3:30:08 | 3:30:11 | |
Very well. | 3:30:14 | 3:30:17 | |
I will wait. | 3:30:18 | 3:30:20 | |
But there will come a time... | 3:30:21 | 3:30:24 | |
..when I will ask you to help me with a problem | 3:30:25 | 3:30:29 | |
that wouldn't cost you much but be of some value to me. | 3:30:29 | 3:30:34 | |
You never know what the future will bring. | 3:30:36 | 3:30:39 | |
Friends can be enemies and enemies, friends. | 3:30:41 | 3:30:45 | |
# Chills the body | 3:30:48 | 3:30:50 | |
# But buoys the soul | 3:30:50 | 3:30:53 | |
# Hallelu... | 3:30:53 | 3:30:57 | |
# ..jah... # APPLAUSE | 3:30:57 | 3:31:00 | |
This girl... | 3:31:00 | 3:31:02 | |
Neither of us can be sure about her. | 3:31:04 | 3:31:07 | |
But she's about to be a part of your family. | 3:31:10 | 3:31:13 | |
I believe in family. | 3:31:15 | 3:31:18 | |
You want her to be a part of your family. | 3:31:22 | 3:31:25 | |
Don't you? | 3:31:26 | 3:31:28 | |
It was good to see you. | 3:31:52 | 3:31:54 | |
We will talk again. | 3:31:56 | 3:31:58 | |
My dear friend... | 3:31:58 | 3:32:00 | |
HE SPEAKS RUSSIAN | 3:32:01 | 3:32:04 | |
Sorry to bother. I want to buy | 3:32:07 | 3:32:10 | |
a little souvenir to my daughter. They have no change. | 3:32:10 | 3:32:12 | |
SPEAKS RUSSIAN What does it cost? | 3:32:12 | 3:32:15 | |
It costs a dollar. | 3:32:15 | 3:32:17 | |
Here. It's a gift. Regards from the United States government. | 3:32:18 | 3:32:22 | |
It's a cardinal rule to be generous in a democracy. | 3:32:22 | 3:32:26 | |
Thank you. | 3:32:31 | 3:32:32 | |
SPEAKS RUSSIAN | 3:32:44 | 3:32:46 | |
-'So, where is she? -'We'll meet her at the church.' | 3:33:23 | 3:33:27 | |
-I can't wait to meet her. -You'll love her, Mother. | 3:33:27 | 3:33:30 | |
KNOCK AT DOOR | 3:33:30 | 3:33:33 | |
Yes. That's good. | 3:33:33 | 3:33:35 | |
Come on in. | 3:33:49 | 3:33:51 | |
Hello, Margaret. | 3:33:59 | 3:34:01 | |
Well, let's celebrate. I'll get some champagne. | 3:34:05 | 3:34:08 | |
How was the flight? | 3:34:14 | 3:34:17 | |
It was long. | 3:34:19 | 3:34:20 | |
How do you like living in Phoenix? | 3:34:29 | 3:34:32 | |
It's the first time I've slept in years. | 3:34:35 | 3:34:38 | |
CLINKING GLASSES | 3:34:38 | 3:34:41 | |
Here we go. | 3:34:42 | 3:34:43 | |
To your happiness. | 3:35:07 | 3:35:09 | |
To your happiness. | 3:35:09 | 3:35:10 | |
CHURCH BELLS TOLL | 3:35:41 | 3:35:44 | |
SERVICE HELD IN LINGALA INDOORS | 3:35:58 | 3:36:01 | |
CONGREGATION SING IN LINGALA | 3:36:24 | 3:36:27 | |
Your wife... | 3:36:53 | 3:36:55 | |
What have you done? | 3:36:55 | 3:36:58 | |
Will you go inside, Mother? | 3:36:59 | 3:37:02 | |
You can go inside, Mother. | 3:37:02 | 3:37:05 | |
Please, just go in the church. | 3:37:05 | 3:37:08 | |
Sh-She's pregnant. | 3:37:17 | 3:37:19 | |
SOBS | 3:37:19 | 3:37:23 | |
No, you couldn't... You couldn't have. It's... | 3:37:37 | 3:37:40 | |
-You... -No. | 3:37:40 | 3:37:43 | |
I love you. | 3:37:43 | 3:37:44 | |
I love you so much. | 3:37:44 | 3:37:47 | |
SERVICE RESUMES | 3:37:47 | 3:37:49 | |
-Mr Wilson. -Mr Hayes. | 3:38:10 | 3:38:13 | |
-Have you been here before, Mother? -No, I haven't. | 3:38:13 | 3:38:16 | |
Who's idea was that? | 3:38:16 | 3:38:18 | |
It's classified. | 3:38:18 | 3:38:21 | |
Mr Allen has notified the President he'll resign. | 3:38:23 | 3:38:27 | |
Something about Swiss bank accounts. | 3:38:27 | 3:38:31 | |
-Where did these come from? -They were in the car. | 3:38:32 | 3:38:35 | |
I thought you had them sent down, sir. | 3:38:35 | 3:38:37 | |
'Seems the greedy bastard has been hiding money away for years. | 3:38:37 | 3:38:41 | |
'Whoever had the statements | 3:38:41 | 3:38:42 | |
'sent them in a box of Swiss chocolates.' | 3:38:42 | 3:38:46 | |
Wasn't you, was it? | 3:38:47 | 3:38:49 | |
The President's asked me to become director | 3:38:52 | 3:38:54 | |
and do a complete housecleaning at my discretion. | 3:38:54 | 3:38:57 | |
I need someone I can trust. After all, we're still brothers. | 3:38:57 | 3:39:02 | |
This building doesn't get built without you. | 3:39:03 | 3:39:05 | |
You're CIA's heart and soul. | 3:39:05 | 3:39:08 | |
Who knows, | 3:39:08 | 3:39:09 | |
you might have a secret about me in that safe of yours. | 3:39:09 | 3:39:13 | |
This whole wing | 3:39:13 | 3:39:16 | |
will be your part of the world. Counter intelligence. | 3:39:16 | 3:39:19 | |
Take a look around. I've got an oversight meeting. | 3:39:19 | 3:39:22 | |
Can you imagine? They think they can look into our closet. | 3:39:22 | 3:39:26 | |
As if we'll let them. | 3:39:26 | 3:39:28 | |
I remember a senator once asked me, | 3:39:30 | 3:39:34 | |
when we talk about CIA, why we never use the work THE in front of it. | 3:39:34 | 3:39:39 | |
I asked him, "Do you put the word THE in front of God?" | 3:39:38 | 3:39:42 | |
"They are right what they said about me. | 3:40:29 | 3:40:32 | |
"I was weak. | 3:40:32 | 3:40:34 | |
"A coward. | 3:40:34 | 3:40:36 | |
"I compromised myself | 3:40:38 | 3:40:41 | |
"my honour, my family. | 3:40:41 | 3:40:43 | |
"My country. | 3:40:43 | 3:40:45 | |
"I am ashamed of myself. | 3:40:47 | 3:40:50 | |
"To my wife... | 3:40:51 | 3:40:53 | |
"I'm sorry I've done this to you. | 3:40:53 | 3:40:56 | |
"To my son... | 3:40:57 | 3:40:59 | |
"I hope you will grow to be a courageous man, | 3:40:59 | 3:41:03 | |
"a good husband, a good father. | 3:41:03 | 3:41:06 | |
"I hope whatever you decide to do, you lead a good, full life. | 3:41:12 | 3:41:16 | |
"I hope whatever your dreams may be come true. | 3:41:21 | 3:41:25 | |
"Your loving husband and father." | 3:41:28 | 3:41:31 | |
FEMALE SOPRANO: # Then buy of your Buttercup | 3:42:35 | 3:42:38 | |
# Dear little Buttercup | 3:42:37 | 3:42:40 | |
# Sailors should never be shy | 3:42:40 | 3:42:44 | |
# So, buy of your Buttercup | 3:42:43 | 3:42:47 | |
# Poor little Buttercup | 3:42:47 | 3:42:49 | |
# Come, of your Buttercup | 3:42:49 | 3:42:54 | |
# Buy! # | 3:42:54 | 3:42:57 | |
IMS Subtitles | 3:43:02 | 3:43:06 |