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This film contains some strong language. | 0:00:45 | 0:00:49 | |
Dearest, I feel certain that I am going mad again. | 0:01:26 | 0:01:31 | |
I feel we can't go through another of these terrible times | 0:01:31 | 0:01:34 | |
and I...shan't recover this time. | 0:01:34 | 0:01:38 | |
I begin to hear voices and can't concentrate. | 0:01:40 | 0:01:44 | |
So I am doing what seems to be the best thing to do. | 0:01:48 | 0:01:51 | |
You have given me the greatest possible happiness. | 0:02:07 | 0:02:11 | |
You have been, in every way, | 0:02:11 | 0:02:14 | |
all that anyone could be. | 0:02:14 | 0:02:16 | |
I know that I am spoiling your life, and without me you could work. | 0:02:19 | 0:02:25 | |
And you will. | 0:02:25 | 0:02:27 | |
I know. | 0:02:27 | 0:02:29 | |
You see, I can't even write this properly. | 0:02:32 | 0:02:34 | |
What I want to say is that I owe all the happiness of my life to you. | 0:02:38 | 0:02:43 | |
You have been entirely patient with me... | 0:02:43 | 0:02:46 | |
..and incredibly good. | 0:02:47 | 0:02:50 | |
Everything has gone from me | 0:02:52 | 0:02:54 | |
but the certainty of your goodness. | 0:02:54 | 0:02:58 | |
I can't go on spoiling your life any longer. | 0:02:58 | 0:03:01 | |
I don't think two people could have been happier | 0:03:03 | 0:03:07 | |
than we have been. Virginia. | 0:03:07 | 0:03:11 | |
-Good morning, Doctor. -Mr Woolf. | 0:05:02 | 0:05:05 | |
No worse, I think. | 0:05:05 | 0:05:07 | |
I see. | 0:05:07 | 0:05:09 | |
The main thing is to keep her where she is. | 0:05:09 | 0:05:12 | |
Keep her calm. | 0:05:12 | 0:05:14 | |
Friday, then? | 0:05:15 | 0:05:17 | |
BIRDS SINGING | 0:05:17 | 0:05:19 | |
TRAIN RUMBLING | 0:05:37 | 0:05:39 | |
ALARM CLOCK RINGS | 0:06:22 | 0:06:25 | |
CLOCK STRIKES | 0:06:27 | 0:06:29 | |
ALARM BEEPS | 0:06:32 | 0:06:34 | |
WATER RUNS | 0:06:55 | 0:06:57 | |
CUPBOARD DOORS BANG | 0:07:30 | 0:07:32 | |
DOOR CLOSES | 0:08:31 | 0:08:32 | |
-Good morning, Leonard. -Morning, Virginia. | 0:08:38 | 0:08:41 | |
-How was your sleep? -Uneventful. | 0:08:41 | 0:08:44 | |
-The headaches? -No. No headaches. | 0:08:44 | 0:08:47 | |
The doctor seemed pleased. | 0:08:49 | 0:08:51 | |
-That's all from this morning? -Yes. | 0:08:51 | 0:08:53 | |
This young man has submitted his manuscript. | 0:08:53 | 0:08:56 | |
I found three errors of fact and two spelling mistakes | 0:08:56 | 0:08:59 | |
and I'm not yet on page four. | 0:08:59 | 0:09:02 | |
Have you had breakfast? | 0:09:03 | 0:09:04 | |
-Yes. -Liar. | 0:09:04 | 0:09:06 | |
Virginia, it's not my insistence, it's your own doctor's. | 0:09:06 | 0:09:10 | |
I'm going to send Nelly up with some fruit and a bun. | 0:09:12 | 0:09:16 | |
Right, lunch, then. | 0:09:16 | 0:09:18 | |
Proper lunch, husband and wife sitting down together. | 0:09:18 | 0:09:22 | |
Soup, pudding and all. By force, if necessary. | 0:09:22 | 0:09:26 | |
Leonard, I believe I may have a first sentence. | 0:09:28 | 0:09:31 | |
HE SIGHS | 0:09:34 | 0:09:35 | |
Work, then. | 0:09:38 | 0:09:39 | |
Then you must eat. | 0:09:45 | 0:09:47 | |
DOOR CLOSES | 0:09:49 | 0:09:51 | |
BIRDS SINGING | 0:10:36 | 0:10:38 | |
"Mrs Dalloway said she would buy the flowers... | 0:10:43 | 0:10:48 | |
"..herself." | 0:10:50 | 0:10:52 | |
"Mrs Dalloway said she would buy the flowers herself." | 0:10:52 | 0:10:55 | |
Sally, I think I'll buy the flowers myself. | 0:10:58 | 0:11:01 | |
What? | 0:11:01 | 0:11:02 | |
What flowers? | 0:11:03 | 0:11:05 | |
Shit! | 0:11:06 | 0:11:08 | |
You'll never be a big boy if you don't eat your breakfast. | 0:11:09 | 0:11:12 | |
You'll be the big brother. It's an important job. | 0:11:12 | 0:11:15 | |
Happy birthday. | 0:11:15 | 0:11:16 | |
-Morning, honey. -Oh, Dan. | 0:11:16 | 0:11:18 | |
Roses on your own birthday. You're too much, really. | 0:11:19 | 0:11:22 | |
He'll eat it now that you're here. | 0:11:22 | 0:11:24 | |
You shouldn't buy me flowers on your birthday. | 0:11:26 | 0:11:28 | |
-Well, you were still sleeping. -So? | 0:11:28 | 0:11:31 | |
We decided it would be better if we let you sleep in a little. | 0:11:31 | 0:11:35 | |
Morning, bug. | 0:11:35 | 0:11:37 | |
You need to rest, Laura. | 0:11:40 | 0:11:42 | |
-You're only four months away. -Dan, don't. | 0:11:42 | 0:11:45 | |
I'm fine. I'm just tired. | 0:11:45 | 0:11:47 | |
I've been telling him he's got to eat his breakfast. | 0:11:47 | 0:11:51 | |
-That's true. -So, it's a beautiful day. | 0:11:51 | 0:11:54 | |
What are you two going to be doing with it? | 0:11:54 | 0:11:57 | |
-We've got our plans, don't we? -What plans? | 0:11:57 | 0:12:01 | |
It wouldn't be much of a party if I told you every detail in advance. | 0:12:02 | 0:12:07 | |
I'd better stop asking questions then, huh? | 0:12:07 | 0:12:09 | |
That the time? | 0:12:10 | 0:12:12 | |
-I'd better get going. -Have a good day. | 0:12:12 | 0:12:14 | |
You, too. | 0:12:14 | 0:12:16 | |
-Dan, happy birthday. -Thank you. | 0:12:18 | 0:12:21 | |
You need to finish your breakfast. | 0:12:54 | 0:12:57 | |
I'm gonna make a cake. | 0:13:21 | 0:13:22 | |
That's what I'm gonna do. | 0:13:25 | 0:13:27 | |
I'm gonna make the cake for Daddy's birthday. | 0:13:27 | 0:13:30 | |
Mommy, can I help? Can I help make the cake? | 0:13:30 | 0:13:33 | |
Of course you can, sweet pea. I'm not gonna do anything without you. | 0:13:34 | 0:13:40 | |
No, of course! You have to come. | 0:13:40 | 0:13:43 | |
Of course! | 0:13:43 | 0:13:45 | |
I always wanted you and everybody involved in the ceremony. | 0:13:46 | 0:13:50 | |
I don't know. Around 60. | 0:13:50 | 0:13:52 | |
Well, it will. It'll mean so much... The whole occasion. | 0:13:52 | 0:13:56 | |
It's the least I can do to have a nice dinner and thank everybody. | 0:13:56 | 0:14:01 | |
You've done so much for him. I take that as a yes. | 0:14:01 | 0:14:05 | |
-He'll be thrilled. -Oh, my God. | 0:14:05 | 0:14:07 | |
That's great. I'm thrilled. | 0:14:07 | 0:14:09 | |
-What if nobody comes? -'This is Clarissa Vaughan.' | 0:14:09 | 0:14:14 | |
I am just confirming that you're sending the car to pick me up first. | 0:14:14 | 0:14:19 | |
-Hi, Clarissa. -Hi. Can't talk. | 0:14:19 | 0:14:21 | |
Then going over to 679 Hudson, which is at 9th and 14th. | 0:14:21 | 0:14:26 | |
Then you will take me uptown and you will wait for us. | 0:14:26 | 0:14:29 | |
I'll be over at seven. | 0:14:29 | 0:14:31 | |
BELL JANGLES | 0:14:33 | 0:14:35 | |
SHE SIGHS | 0:14:37 | 0:14:38 | |
Flowers! | 0:14:38 | 0:14:40 | |
What a beautiful morning. | 0:14:40 | 0:14:42 | |
Hi, Clarissa. How are you? | 0:14:42 | 0:14:45 | |
I'm having a party. | 0:14:45 | 0:14:47 | |
My friend Richard's won the Carrouthers. | 0:14:47 | 0:14:50 | |
Well, that's just terrific... if I knew what it was. | 0:14:50 | 0:14:53 | |
It's a poetry prize, for a life's work. | 0:14:54 | 0:14:57 | |
It's the most prestigious. For a poet, it's the best you can do. | 0:14:57 | 0:15:02 | |
Oh, very good. | 0:15:02 | 0:15:04 | |
So, what would you like? The lilies are perfect. | 0:15:04 | 0:15:07 | |
No. Too morbid. Hydrangeas, I think. | 0:15:07 | 0:15:11 | |
And, erm... Oh, oh... | 0:15:11 | 0:15:14 | |
Let's just have buckets of roses. | 0:15:14 | 0:15:17 | |
And... I think I'm going to take these with me. | 0:15:17 | 0:15:22 | |
-Rodney? -Thank you. | 0:15:22 | 0:15:25 | |
I actually tried to read Richard's novel. | 0:15:27 | 0:15:31 | |
You did? Oh... | 0:15:31 | 0:15:34 | |
I know. It's not easy. I know. | 0:15:34 | 0:15:37 | |
It did take him ten years to write. | 0:15:37 | 0:15:40 | |
Maybe it just takes another ten to read. | 0:15:40 | 0:15:43 | |
-It's you, isn't it? -What is? | 0:15:45 | 0:15:47 | |
In the novel. Isn't it meant to be you? | 0:15:47 | 0:15:49 | |
Oh, I see. | 0:15:49 | 0:15:51 | |
Yeah. | 0:15:52 | 0:15:54 | |
Sort of. | 0:15:54 | 0:15:55 | |
I mean, in a way. | 0:15:55 | 0:15:57 | |
Richard's a writer. He uses things which actually happen. | 0:15:57 | 0:16:00 | |
Yeah. | 0:16:00 | 0:16:02 | |
And, years ago, he and I were students, that's true. | 0:16:02 | 0:16:06 | |
But then he changes things. | 0:16:06 | 0:16:08 | |
-Oh, sure. -I don't mean in a bad way. | 0:16:08 | 0:16:11 | |
It's more like... he makes them his own. | 0:16:14 | 0:16:17 | |
'A woman's whole life | 0:16:26 | 0:16:29 | |
'in a single day. | 0:16:29 | 0:16:31 | |
'Just one day. | 0:16:34 | 0:16:36 | |
'And in that day, her whole life.' | 0:16:37 | 0:16:41 | |
This is what we need. Shortening... | 0:16:43 | 0:16:47 | |
Mrs Dalloway, it's you? | 0:17:44 | 0:17:47 | |
Yes, it's me! | 0:17:47 | 0:17:50 | |
-It's me! -Come in. | 0:17:50 | 0:17:52 | |
Richard. It's a beautiful morning. | 0:17:54 | 0:17:57 | |
How about we let in a little more light? | 0:17:57 | 0:18:00 | |
-It's still morning? -Yes, it is. | 0:18:00 | 0:18:04 | |
Have I died? | 0:18:04 | 0:18:06 | |
Good morning, my dear. | 0:18:08 | 0:18:10 | |
-Any visitors? -Yes. | 0:18:14 | 0:18:15 | |
-Are they still here? -No, they've gone. | 0:18:15 | 0:18:18 | |
Hmm. How'd they look? | 0:18:18 | 0:18:20 | |
Today? Sort of like black fire. | 0:18:20 | 0:18:24 | |
I mean, sort of light and dark at the same time. | 0:18:25 | 0:18:30 | |
There was one a bit like an electrified jellyfish. | 0:18:30 | 0:18:33 | |
They were singing. May have been Greek. | 0:18:33 | 0:18:37 | |
So the ceremony is at five. D'you remember? | 0:18:38 | 0:18:42 | |
SHE SIGHS | 0:18:44 | 0:18:46 | |
And then, the party is right after. | 0:18:48 | 0:18:52 | |
TAP RUNS | 0:18:54 | 0:18:56 | |
They did bring you breakfast? | 0:19:00 | 0:19:03 | |
-What a question. Of course. -Richard, you did eat it? | 0:19:03 | 0:19:06 | |
Well, can you see it? Is it here? | 0:19:06 | 0:19:09 | |
-Is there breakfast lying around? -No, I don't see it. | 0:19:09 | 0:19:13 | |
Then I must have eaten it, mustn't I? | 0:19:13 | 0:19:15 | |
-I suppose. -Does it matter? | 0:19:15 | 0:19:18 | |
Of course it matters. You know what the doctors say. | 0:19:20 | 0:19:24 | |
Have you been skipping pills? | 0:19:30 | 0:19:33 | |
-Clarissa, I can't take this. -Take what? | 0:19:33 | 0:19:35 | |
Having to be proud and brave in front of everybody. | 0:19:35 | 0:19:38 | |
-Honey, it's not a performance. -Of course it is. | 0:19:38 | 0:19:41 | |
-I got the prize for my performance. -That is nonsense. | 0:19:41 | 0:19:44 | |
I got the prize for having AIDS, going nuts and being brave about it. | 0:19:44 | 0:19:48 | |
I got the prize for having come through. | 0:19:48 | 0:19:50 | |
-It's not true. -For surviving. | 0:19:50 | 0:19:52 | |
That's what I got the prize for. | 0:19:52 | 0:19:53 | |
You think I'd have got it if I were healthy? | 0:19:53 | 0:19:56 | |
Yes, as a matter of fact, I do. | 0:19:56 | 0:19:58 | |
-Is it here somewhere? -What? | 0:20:05 | 0:20:08 | |
The prize. I'd like to look at it. | 0:20:08 | 0:20:10 | |
No, you haven't gotten it yet. | 0:20:13 | 0:20:16 | |
-It's tonight. -Are you sure? | 0:20:18 | 0:20:21 | |
I remember the ceremony perfectly. | 0:20:23 | 0:20:26 | |
I seem to have fallen out of time. | 0:20:26 | 0:20:30 | |
Richard? | 0:20:34 | 0:20:36 | |
Richard. | 0:20:36 | 0:20:37 | |
It's a party. It's only a party. | 0:20:37 | 0:20:41 | |
Hmm? | 0:20:42 | 0:20:43 | |
Populated entirely by people who respect and admire you. | 0:20:43 | 0:20:48 | |
Ah, a small party, is it? Select party, is it? | 0:20:48 | 0:20:51 | |
-Your friends. -I thought I lost all my friends. | 0:20:51 | 0:20:54 | |
I thought I drove my friends crazy. | 0:20:54 | 0:20:56 | |
Jesus. | 0:20:57 | 0:20:58 | |
Oh, Mrs Dalloway, | 0:20:58 | 0:21:01 | |
always giving parties to cover the silence. | 0:21:01 | 0:21:05 | |
Richard? | 0:21:18 | 0:21:19 | |
You won't need to do anything. | 0:21:21 | 0:21:23 | |
All you have to do is appear. | 0:21:23 | 0:21:25 | |
Sit on the sofa. | 0:21:25 | 0:21:28 | |
And I will be there. | 0:21:30 | 0:21:32 | |
This is a group of people | 0:21:33 | 0:21:35 | |
who want to tell you your work is going to live. | 0:21:35 | 0:21:39 | |
Is it? Is my work going to live? | 0:21:39 | 0:21:41 | |
I can't go through with it, Clarissa. | 0:21:43 | 0:21:46 | |
-Why do you say that? -I can't. | 0:21:47 | 0:21:49 | |
-Why? -Because I wanted to be a writer. | 0:21:49 | 0:21:52 | |
-So? -I wanted to write about it all. | 0:21:52 | 0:21:55 | |
Everything that happens in a moment. | 0:21:55 | 0:21:58 | |
The way the flowers looked when you carried them in your arms. | 0:21:58 | 0:22:01 | |
This towel, how it smells, how it feels. This thread. | 0:22:01 | 0:22:05 | |
All our feelings. | 0:22:05 | 0:22:07 | |
Yours and mine. The history of it, | 0:22:07 | 0:22:10 | |
who we once were. | 0:22:10 | 0:22:13 | |
Everything in the world. | 0:22:13 | 0:22:15 | |
Everything all mixed up. | 0:22:16 | 0:22:18 | |
Like it's all mixed up now. | 0:22:19 | 0:22:22 | |
And I failed at it. | 0:22:26 | 0:22:27 | |
I failed. | 0:22:33 | 0:22:35 | |
No matter what you start with, it ends up being so much less. | 0:22:36 | 0:22:40 | |
Sheer fucking pride. And stupidity. | 0:22:43 | 0:22:48 | |
We want everything, don't we? | 0:22:55 | 0:22:59 | |
I suppose we do. | 0:23:02 | 0:23:04 | |
You kissed me on a beach. | 0:23:04 | 0:23:06 | |
Yeah. | 0:23:10 | 0:23:12 | |
Do you remember... | 0:23:12 | 0:23:13 | |
Uh-huh. | 0:23:13 | 0:23:16 | |
..how many years ago? | 0:23:16 | 0:23:18 | |
-Of course, I... -What did you want...then? | 0:23:18 | 0:23:22 | |
Come closer. | 0:23:27 | 0:23:29 | |
I'm right here. | 0:23:31 | 0:23:33 | |
Come closer, would you, please? | 0:23:33 | 0:23:35 | |
Take my hand. | 0:23:41 | 0:23:43 | |
Would you be angry...? | 0:23:47 | 0:23:49 | |
Would I be angry if you didn't show up for the party? | 0:23:51 | 0:23:54 | |
Would you be angry if I died? | 0:23:54 | 0:23:56 | |
If you died? | 0:23:58 | 0:23:59 | |
Who is this party for? | 0:23:59 | 0:24:01 | |
What do you mean? What are you asking? What are you trying to say? | 0:24:01 | 0:24:06 | |
I'm not trying to say anything. | 0:24:06 | 0:24:08 | |
I'm saying... | 0:24:08 | 0:24:11 | |
I think I'm only staying alive to satisfy you. | 0:24:11 | 0:24:14 | |
Well...so? | 0:24:22 | 0:24:25 | |
That is what we do. | 0:24:25 | 0:24:27 | |
That is what people do. | 0:24:27 | 0:24:29 | |
They stay alive for each other. | 0:24:29 | 0:24:31 | |
The doctors told you, you don't need to die. | 0:24:32 | 0:24:35 | |
They told you that. | 0:24:35 | 0:24:36 | |
You can live like this for years. | 0:24:36 | 0:24:39 | |
Well, exactly. | 0:24:39 | 0:24:41 | |
I don't accept this. | 0:24:44 | 0:24:46 | |
I don't accept what you say. | 0:24:46 | 0:24:48 | |
And it's for you to decide, is it? | 0:24:49 | 0:24:51 | |
How long have you been doing that? | 0:24:52 | 0:24:55 | |
How many years, coming to the apartment? | 0:24:55 | 0:24:57 | |
What about your own life? What about Sally? | 0:24:58 | 0:25:02 | |
Just wait till I die, then you'll have to think of yourself. | 0:25:04 | 0:25:07 | |
How are you going to like that? | 0:25:08 | 0:25:10 | |
Richard... | 0:25:18 | 0:25:20 | |
..it would be great if you did come to the party, | 0:25:22 | 0:25:25 | |
if you felt well enough to come. | 0:25:25 | 0:25:28 | |
Just to let you know, I am making the crab thing. | 0:25:28 | 0:25:31 | |
Not that I imagine it makes any difference to you. | 0:25:31 | 0:25:35 | |
Of course it makes a difference. I love the crab thing. | 0:25:35 | 0:25:38 | |
SHE SIGHS | 0:25:38 | 0:25:39 | |
Clarissa! | 0:25:40 | 0:25:41 | |
Yes? | 0:25:42 | 0:25:43 | |
I'll be back at 3.30. And I'll help you get dressed. | 0:25:57 | 0:26:01 | |
Wonderful. | 0:26:01 | 0:26:03 | |
3.30! | 0:26:03 | 0:26:05 | |
Wonderful. | 0:26:17 | 0:26:19 | |
It's on this day... | 0:26:42 | 0:26:44 | |
..this day of all days... | 0:26:45 | 0:26:47 | |
..her fate becomes clear to her. | 0:26:56 | 0:26:58 | |
KNOCK ON DOOR | 0:26:58 | 0:27:00 | |
Excuse me, Mrs Woolf, | 0:27:05 | 0:27:06 | |
Mr Woolf said I was to come and speak with you. | 0:27:06 | 0:27:10 | |
I'm nearly finished, Nelly. | 0:27:10 | 0:27:12 | |
Please attend me in the kitchen. I'll be down very soon. | 0:27:12 | 0:27:15 | |
She says she wants something then it turns out she doesn't. | 0:27:23 | 0:27:27 | |
She never does, does she? | 0:27:27 | 0:27:28 | |
She never wants anything. | 0:27:28 | 0:27:30 | |
Especially when she's particularly asked for it. A sure sign. | 0:27:30 | 0:27:34 | |
-I wish I'd been there. -I wish you had, too. | 0:27:34 | 0:27:36 | |
Did you give her that look, | 0:27:36 | 0:27:38 | |
that sort of look you do? | 0:27:38 | 0:27:41 | |
I said, "Madam..." | 0:27:42 | 0:27:44 | |
Yes, Nelly, tell me. | 0:27:49 | 0:27:52 | |
-How can I help? -It's about lunch. | 0:27:52 | 0:27:54 | |
I just had to go ahead on my own. | 0:27:56 | 0:27:58 | |
I understand. | 0:27:58 | 0:27:59 | |
-You chose a pie? -I chose a lamb pie. | 0:28:03 | 0:28:06 | |
That seems suitable. | 0:28:06 | 0:28:08 | |
You being so busy with your writing. | 0:28:08 | 0:28:11 | |
I had no instructions. | 0:28:12 | 0:28:15 | |
You do remember that my sister is coming at four with the children? | 0:28:17 | 0:28:21 | |
Yes, ma'am, I hadn't forgotten. | 0:28:21 | 0:28:24 | |
China tea, I think. | 0:28:27 | 0:28:29 | |
And ginger. | 0:28:30 | 0:28:32 | |
Ginger, madam? | 0:28:35 | 0:28:36 | |
I'd like to give the children a treat. | 0:28:39 | 0:28:42 | |
We'd have to go to London for ginger, madam. | 0:28:44 | 0:28:47 | |
I haven't finished this. | 0:28:47 | 0:28:49 | |
And there's the rest of lunch to get ready. | 0:28:49 | 0:28:53 | |
The 12.30 train will get you into London just after one. | 0:28:53 | 0:28:56 | |
If you return on the 2.30 you should be back in Richmond soon after three. | 0:28:56 | 0:29:00 | |
-Do I miscalculate? -No. | 0:29:02 | 0:29:05 | |
Is something detaining you, Nelly? | 0:29:05 | 0:29:08 | |
I can't think of anything more exhilarating than a trip to London. | 0:29:17 | 0:29:21 | |
DOOR OPENS | 0:29:22 | 0:29:24 | |
-Good morning, Mrs Woolf. -Good morning. -We shall publish no more new authors. | 0:29:26 | 0:29:31 | |
I've discovered ten errors in the first proof. | 0:29:31 | 0:29:35 | |
Lucky to have found them, then. | 0:29:35 | 0:29:37 | |
"Paschendale was a charnel house from which no min returned." | 0:29:37 | 0:29:42 | |
Do you think bad writing attracts a higher incidence of error? | 0:29:44 | 0:29:48 | |
If it's all right, I thought I might take a short walk. | 0:29:50 | 0:29:53 | |
-Not far? -No, just for air. | 0:29:55 | 0:29:57 | |
Go, then. | 0:29:59 | 0:30:01 | |
If I could walk mid-morning, I'd be a happy man. | 0:30:02 | 0:30:05 | |
She'll die. | 0:30:15 | 0:30:17 | |
She's going to die. | 0:30:19 | 0:30:21 | |
That's what's going to happen. | 0:30:23 | 0:30:25 | |
That's it. | 0:30:27 | 0:30:29 | |
She'll kill herself. | 0:30:35 | 0:30:37 | |
She'll kill herself over something which doesn't seem to matter. | 0:30:39 | 0:30:43 | |
Let's think. | 0:30:44 | 0:30:45 | |
You grease the pan, Mommy. | 0:30:45 | 0:30:47 | |
I know you grease the pan, sweet one. Even Mommy knows that. | 0:30:47 | 0:30:50 | |
This is what we're gonna do. | 0:30:53 | 0:30:55 | |
Flour, bowl... | 0:30:56 | 0:30:58 | |
..sifter. | 0:31:00 | 0:31:01 | |
-Can I do it, Mommy? -Can you sift the flour? | 0:31:01 | 0:31:04 | |
Yes, you can sift the flour, baby, if that's what makes you happy. | 0:31:06 | 0:31:10 | |
Now... | 0:31:15 | 0:31:16 | |
Isn't it beautiful? Don't you think it looks like snow? | 0:31:20 | 0:31:25 | |
OK. Now, the next thing... | 0:31:27 | 0:31:30 | |
The next thing I'm going to show you | 0:31:30 | 0:31:33 | |
is we measure out the cups. | 0:31:33 | 0:31:35 | |
Mommy, it isn't that difficult. | 0:31:35 | 0:31:38 | |
I know it isn't difficult, it's just that I... | 0:31:38 | 0:31:41 | |
I just want to do this for Daddy. | 0:31:41 | 0:31:43 | |
-Because it's his birthday? -That's right. | 0:31:43 | 0:31:46 | |
We're baking the cake to show him that we love him. | 0:31:46 | 0:31:49 | |
Otherwise he won't know we love him? | 0:31:49 | 0:31:52 | |
That's right. | 0:31:55 | 0:31:57 | |
I got all the stuff! But I'm going right out again. | 0:32:06 | 0:32:10 | |
My God, what a zoo! | 0:32:10 | 0:32:11 | |
Why do people have to talk about dry cleaning? | 0:32:11 | 0:32:14 | |
What is there to talk about? | 0:32:14 | 0:32:16 | |
I bought you some flowers. | 0:32:16 | 0:32:18 | |
-Where are you? -In here. | 0:32:20 | 0:32:23 | |
I got someone at work to cover me. I'll be with you all night. | 0:32:23 | 0:32:28 | |
Are you all right? | 0:32:34 | 0:32:36 | |
Sure. | 0:32:36 | 0:32:37 | |
-I guess you saw Richard. -That's right. | 0:32:41 | 0:32:44 | |
Well, of course. | 0:32:47 | 0:32:49 | |
I bet he said, "By the way, honey, do you mind, can I skip the party?" | 0:32:50 | 0:32:54 | |
-Don't worry, he always shows up. -Oh, sure. | 0:32:56 | 0:32:59 | |
In the end. | 0:32:59 | 0:33:01 | |
Richard miss an award, a chance to talk about his work? | 0:33:01 | 0:33:04 | |
I don't think so. He'll show up. | 0:33:04 | 0:33:06 | |
-You did the seating. -I did. | 0:33:08 | 0:33:11 | |
I don't believe it. Louis Waters? Is Louis coming? | 0:33:14 | 0:33:17 | |
-Richard's Louis? -He is. | 0:33:17 | 0:33:20 | |
You put him next to me. | 0:33:20 | 0:33:22 | |
Why do I always have to sit next to the exes? | 0:33:24 | 0:33:26 | |
Is this some kind of a hint? | 0:33:26 | 0:33:28 | |
Shouldn't the exes have a table of their own | 0:33:28 | 0:33:31 | |
where they can all ex together in ex-quisite agony? | 0:33:31 | 0:33:35 | |
LAUGHTER | 0:33:35 | 0:33:38 | |
I'm off. | 0:33:38 | 0:33:39 | |
Try not to pass out from excitement. | 0:33:41 | 0:33:43 | |
Clarissa, it's going to be beautiful. | 0:33:48 | 0:33:51 | |
SHE SNIFFS | 0:33:52 | 0:33:53 | |
-Thank you. -You're welcome. | 0:33:57 | 0:33:59 | |
-DOOR CLOSES > -Why is everything wrong? | 0:34:06 | 0:34:09 | |
It didn't work. Damn it! It didn't work. | 0:34:16 | 0:34:19 | |
-Hey, Scott. -Hi, Mrs Barlow. | 0:34:23 | 0:34:25 | |
DOORBELL CHIMES | 0:34:29 | 0:34:30 | |
Mommy, there's someone at the door! | 0:34:38 | 0:34:40 | |
DOORBELL CHIMES | 0:34:40 | 0:34:41 | |
Hello? | 0:34:48 | 0:34:50 | |
Hello? Laura? | 0:34:51 | 0:34:53 | |
-Hi, Kitty. -Hi. Am I interrupting? | 0:34:53 | 0:34:56 | |
-Of course not. Come in. -Are you all right? | 0:34:56 | 0:34:58 | |
Why, sure. | 0:34:59 | 0:35:01 | |
-Hi, Richie. -Sit down, I've got coffee on. | 0:35:01 | 0:35:04 | |
-Would you like some? -Please. | 0:35:05 | 0:35:07 | |
-Oh, look, you made a cake. -I know. | 0:35:07 | 0:35:12 | |
It didn't work. I thought it was gonna work. | 0:35:12 | 0:35:16 | |
I thought it would work better than that. | 0:35:16 | 0:35:18 | |
I don't understand why you find it so difficult. | 0:35:18 | 0:35:22 | |
-I don't know either. -Anyone can make a cake. | 0:35:22 | 0:35:24 | |
Everyone can. It's ridiculously easy. | 0:35:24 | 0:35:28 | |
-I bet you didn't grease the pan. -I greased the pan. | 0:35:28 | 0:35:31 | |
All right. But, you know, you have other virtues. | 0:35:32 | 0:35:35 | |
Dan loves you so much, he won't notice. | 0:35:35 | 0:35:38 | |
Whatever you do, he'll say it's wonderful. Well, it's true. | 0:35:38 | 0:35:42 | |
-Does Ray have a birthday? -SHE LAUGHS | 0:35:44 | 0:35:47 | |
-Sure he does. -When is it? | 0:35:47 | 0:35:50 | |
September. We go to the country club. | 0:35:50 | 0:35:52 | |
We always go to the country club. | 0:35:52 | 0:35:54 | |
We drink martinis and spend the day with 50 people. | 0:35:54 | 0:35:57 | |
-Ray's got a lot of friends. -Oh, he does. | 0:35:57 | 0:36:01 | |
You both have a lot of friends. You're good at it. | 0:36:01 | 0:36:03 | |
How is Ray? I haven't seen him in a while. | 0:36:07 | 0:36:09 | |
Ray's fine. These guys are something, aren't they? | 0:36:09 | 0:36:14 | |
You can say that again. They came home from the war. | 0:36:14 | 0:36:18 | |
They deserved it after what they'd been through. | 0:36:18 | 0:36:21 | |
What...did they deserve? | 0:36:21 | 0:36:24 | |
I don't know. Us, I guess. | 0:36:25 | 0:36:28 | |
All this. | 0:36:28 | 0:36:29 | |
Oh. | 0:36:31 | 0:36:32 | |
-You're reading a book. -Yeah. | 0:36:32 | 0:36:35 | |
What's this one about? | 0:36:36 | 0:36:38 | |
Oh, it's about this woman who's incredibly... | 0:36:38 | 0:36:42 | |
She's a hostess and she's incredibly confident, | 0:36:42 | 0:36:45 | |
and she's going to give a party. | 0:36:45 | 0:36:48 | |
Maybe because she's confident, everyone thinks she's fine. | 0:36:48 | 0:36:53 | |
But she isn't. | 0:36:53 | 0:36:54 | |
So... | 0:37:03 | 0:37:04 | |
Well... | 0:37:06 | 0:37:08 | |
Kitty, what is it? Is something wrong? | 0:37:12 | 0:37:14 | |
I, er... I have to go into the hospital for a couple of days. | 0:37:16 | 0:37:21 | |
Kitty. | 0:37:21 | 0:37:22 | |
Yeah, I have, erm, some kind of growth | 0:37:23 | 0:37:27 | |
in my uterus and they're going to go in and take a look. | 0:37:27 | 0:37:31 | |
-When? -This afternoon. | 0:37:31 | 0:37:34 | |
-I need you to feed the dog. -Of course. | 0:37:36 | 0:37:40 | |
Is that what you came here to ask? | 0:37:57 | 0:38:00 | |
What did the doctor say exactly? | 0:38:04 | 0:38:06 | |
Well, it's probably what the trouble's been, | 0:38:07 | 0:38:11 | |
about getting pregnant. | 0:38:11 | 0:38:13 | |
The thing is... | 0:38:13 | 0:38:15 | |
I mean, you know, I've been really happy with Ray. | 0:38:16 | 0:38:21 | |
And now, it turns out there was a reason. | 0:38:25 | 0:38:27 | |
There was a reason I couldn't conceive. | 0:38:29 | 0:38:32 | |
-SHE SIGHS -You're lucky, Laura. | 0:38:35 | 0:38:38 | |
I don't think you can call yourself a woman until you're a mother. | 0:38:38 | 0:38:42 | |
But the joke is, all my life I could do everything. | 0:38:45 | 0:38:51 | |
I mean, I could do anything, really. | 0:38:53 | 0:38:56 | |
-Except the one thing I wanted. -Yes. | 0:38:58 | 0:39:01 | |
That's all. | 0:39:03 | 0:39:04 | |
At least now, they'll be able to deal with it. | 0:39:05 | 0:39:08 | |
-That's what they're doing. -That's right. | 0:39:08 | 0:39:11 | |
I'm not worried. What would be the point of worrying? | 0:39:11 | 0:39:15 | |
-No, it's not in your hands. -Well, that's it. | 0:39:15 | 0:39:18 | |
It's in the hands of some physician I've never even met. | 0:39:18 | 0:39:23 | |
Some surgeon who probably drinks more martinis than Ray. | 0:39:23 | 0:39:27 | |
-Oh, Kitty. -Of course, I'm worried about Ray. | 0:39:27 | 0:39:30 | |
-Come here. -I'm doing fine. | 0:39:30 | 0:39:32 | |
-Really. -I know. I know you are. | 0:39:32 | 0:39:34 | |
I'm more worried about Ray. | 0:39:34 | 0:39:36 | |
-He's not good with this stuff. -Forget about Ray. | 0:39:36 | 0:39:40 | |
Just forget about Ray. | 0:39:40 | 0:39:42 | |
You're sweet. | 0:40:04 | 0:40:06 | |
You know the routine, right? | 0:40:11 | 0:40:13 | |
Half a can in the evening and check the water now and then. | 0:40:13 | 0:40:17 | |
And... Ray'll feed him in the morning. | 0:40:17 | 0:40:20 | |
Kitty, you didn't mind? | 0:40:25 | 0:40:27 | |
What? | 0:40:30 | 0:40:31 | |
I didn't mind what? | 0:40:32 | 0:40:34 | |
Do you want me to drive you? | 0:40:42 | 0:40:44 | |
I think I'll feel better if I drive myself. | 0:40:48 | 0:40:51 | |
Kitty, it's gonna be all right. | 0:40:55 | 0:40:57 | |
Of course it is. | 0:41:00 | 0:41:01 | |
Bye. | 0:41:04 | 0:41:05 | |
What? What do you want? | 0:41:26 | 0:41:28 | |
DOOR SLAMS | 0:41:32 | 0:41:33 | |
Mr Woolf, Mrs Bell has arrived. | 0:41:45 | 0:41:47 | |
Not due till four. | 0:41:50 | 0:41:52 | |
Well, I can't help that. She's here. | 0:41:52 | 0:41:55 | |
You look a perfect angel. | 0:42:00 | 0:42:03 | |
Don't let the boys make fun of you. | 0:42:03 | 0:42:05 | |
Fly away. | 0:42:05 | 0:42:07 | |
Virginia. | 0:42:10 | 0:42:11 | |
Leonard thinks it's the end of civilisation. | 0:42:13 | 0:42:16 | |
People who are invited at four and arrive at 2.30. | 0:42:16 | 0:42:19 | |
Oh, God! | 0:42:19 | 0:42:21 | |
Barbarians! | 0:42:22 | 0:42:24 | |
Well, we finished lunch sooner than we imagined. | 0:42:24 | 0:42:28 | |
I've had to send Nelly to London for sugared ginger. | 0:42:30 | 0:42:34 | |
Oh, Virginia, you're not still frightened of the servants, are you? | 0:42:35 | 0:42:39 | |
Come on. | 0:42:41 | 0:42:43 | |
And how are you, sister? | 0:42:46 | 0:42:48 | |
Frantic. It's been ridiculous in London. | 0:42:48 | 0:42:50 | |
-Ridiculous? How? -Busy. | 0:42:51 | 0:42:54 | |
Why is busy ridiculous? | 0:42:57 | 0:42:59 | |
I would've invited you to our party but I knew you wouldn't come. | 0:42:59 | 0:43:03 | |
How did you know that? | 0:43:03 | 0:43:05 | |
I thought you never came to town. | 0:43:07 | 0:43:09 | |
That's because you no longer ask me. | 0:43:10 | 0:43:13 | |
Are you not forbidden to come? | 0:43:15 | 0:43:18 | |
Do the doctors not forbid it? | 0:43:18 | 0:43:20 | |
The doctors! | 0:43:20 | 0:43:22 | |
Do you not heed your doctors? | 0:43:24 | 0:43:26 | |
Not when they're a bunch of contemptible Victorians. | 0:43:26 | 0:43:29 | |
So, what are you saying? | 0:43:29 | 0:43:32 | |
Are you feeling better? Has this vastness made you stronger? | 0:43:32 | 0:43:37 | |
I'm saying, Vanessa, that even crazy people like to be asked. | 0:43:37 | 0:43:40 | |
-BOY'S VOICE: -Nessa! Nessa! | 0:43:40 | 0:43:42 | |
-RUNNING FOOTSTEPS -Nessa! Nessa! | 0:43:42 | 0:43:45 | |
Hello, changelings. What have you got? | 0:43:45 | 0:43:48 | |
-What have you found? -We found a bird. | 0:43:48 | 0:43:51 | |
-Did you? -Yes. | 0:43:51 | 0:43:53 | |
Where did you find that? | 0:43:53 | 0:43:55 | |
I think it must've fallen from a tree. | 0:43:55 | 0:43:57 | |
Oh, my goodness. Just look at him. | 0:43:57 | 0:44:00 | |
-We might be able to save him. -Save him? | 0:44:00 | 0:44:04 | |
I think you have to be careful, Quentin. | 0:44:04 | 0:44:07 | |
There's a time to die and it may be the bird's time. | 0:44:07 | 0:44:10 | |
Come on, let's pick some grass to make a grave. | 0:44:10 | 0:44:12 | |
-Oh, Julian! -I'm just saying. | 0:44:12 | 0:44:14 | |
At least it'll be a bed for it to die on. | 0:44:14 | 0:44:17 | |
Come on, Nessa, let's make a grave! | 0:44:17 | 0:44:19 | |
-Nessa! Come on! -Oh, God. | 0:44:20 | 0:44:23 | |
Oh, very well. I'm coming. Wait for me, then. | 0:44:23 | 0:44:26 | |
Angelica, will you be all right? Stay with your aunt. | 0:44:27 | 0:44:31 | |
You're going too fast! | 0:44:31 | 0:44:33 | |
-Julian, over here! -For goodness' sake. | 0:44:33 | 0:44:36 | |
Quentin! | 0:44:36 | 0:44:37 | |
Do you think she'd like roses? | 0:44:51 | 0:44:53 | |
Is it a she? | 0:45:00 | 0:45:01 | |
Yes. The females are larger and less colourful. | 0:45:03 | 0:45:08 | |
What happens when we die? | 0:45:09 | 0:45:12 | |
What happens? | 0:45:12 | 0:45:14 | |
We return to the place that we came from. | 0:45:19 | 0:45:22 | |
-I don't remember where I came from. -Nor do I. | 0:45:22 | 0:45:26 | |
She looks very small. | 0:45:31 | 0:45:32 | |
Yes, that's one of the things that happens. | 0:45:34 | 0:45:38 | |
We look smaller. | 0:45:39 | 0:45:41 | |
But very peaceful. | 0:45:42 | 0:45:44 | |
-DISTANT VOICE: -We found you! | 0:45:44 | 0:45:46 | |
Vanessa, where were you? | 0:45:46 | 0:45:48 | |
VANESSA SHRIEKS | 0:45:48 | 0:45:50 | |
Is it done? Have you finished? | 0:45:58 | 0:46:00 | |
-Is the bird funeral complete? -Yes. | 0:46:00 | 0:46:03 | |
Very well. Are we to be denied tea altogether for coming so early? | 0:46:03 | 0:46:07 | |
-No, of course not. -Good. | 0:46:07 | 0:46:10 | |
Come on, Angelica. Come on, boys. | 0:46:10 | 0:46:14 | |
Let's have tea. | 0:46:14 | 0:46:16 | |
-Nessa, tell him to stop it! -Stop it, Julian. | 0:46:16 | 0:46:19 | |
Virginia? | 0:46:26 | 0:46:28 | |
We're going in. | 0:46:28 | 0:46:30 | |
Virginia! | 0:46:31 | 0:46:32 | |
DOOR CLOSES | 0:47:14 | 0:47:15 | |
Hey, bug. I've got this idea. | 0:47:46 | 0:47:50 | |
We're gonna make another cake. | 0:47:50 | 0:47:52 | |
We're gonna make a better one. | 0:47:53 | 0:47:55 | |
What happened to the first one? | 0:47:55 | 0:47:57 | |
And after that, | 0:48:02 | 0:48:04 | |
I think we should go out. | 0:48:04 | 0:48:06 | |
BUZZER | 0:48:06 | 0:48:08 | |
HE SIGHS | 0:48:10 | 0:48:13 | |
MUSIC: "Four Last Songs" by Richard Strauss | 0:48:13 | 0:48:16 | |
Yes? | 0:48:17 | 0:48:18 | |
Clarissa? It's Louis. | 0:48:18 | 0:48:20 | |
-Louis Waters. -Louis? | 0:48:20 | 0:48:22 | |
Oh, my God. You're early! | 0:48:23 | 0:48:26 | |
-Do you mind? Is it all right? -BUZZER | 0:48:26 | 0:48:29 | |
Why should I mind? I'm delighted! | 0:48:45 | 0:48:49 | |
Well, now. | 0:48:49 | 0:48:51 | |
-I feel like I'm interrupting. -Oh, why? | 0:48:53 | 0:48:56 | |
No. | 0:48:56 | 0:48:57 | |
I know the ceremony isn't until five but I flew in this morning. | 0:48:57 | 0:49:00 | |
Well, Richard's going to be thrilled. | 0:49:02 | 0:49:06 | |
He'll be thrilled to see you. | 0:49:06 | 0:49:08 | |
-You think so? -Of course. | 0:49:08 | 0:49:11 | |
What are we doing? We should go in. | 0:49:17 | 0:49:19 | |
MUSIC STOPS | 0:49:25 | 0:49:27 | |
Are you all right? | 0:49:27 | 0:49:28 | |
Yes. It's nothing. It's just the party. | 0:49:29 | 0:49:32 | |
Oh, right. | 0:49:32 | 0:49:33 | |
Oh, wow, It's looking beautiful. | 0:49:36 | 0:49:39 | |
-Thanks. -Are you still with... | 0:49:39 | 0:49:41 | |
Yes, I am. Still with her. Ten years. | 0:49:41 | 0:49:44 | |
-It's crazy. -Why is it crazy? | 0:49:45 | 0:49:48 | |
No reason. Would you like something to drink? | 0:49:48 | 0:49:51 | |
-Some water. -OK. | 0:49:52 | 0:49:54 | |
-And you're still an editor? -Oh, sure. | 0:50:09 | 0:50:13 | |
With the same publisher? | 0:50:13 | 0:50:15 | |
Hm-hmm. | 0:50:16 | 0:50:17 | |
How's San Francisco? | 0:50:17 | 0:50:19 | |
Oh, it's one of those cities people tell you to like. | 0:50:19 | 0:50:23 | |
Richard said he thought you were happy out there. | 0:50:37 | 0:50:40 | |
Oh, great. So now the illness makes him psychic. | 0:50:40 | 0:50:44 | |
You have to prepare yourself, Louis. He's very changed. | 0:50:45 | 0:50:50 | |
I read the book. | 0:50:52 | 0:50:54 | |
-Oh, God! -Exactly. | 0:50:54 | 0:50:57 | |
I thought you were meant to do more than just change people's names. | 0:50:57 | 0:51:01 | |
-Well... -Isn't it meant to be fiction? | 0:51:01 | 0:51:04 | |
He even had you living on 10th Street. | 0:51:04 | 0:51:07 | |
-It isn't me. -Isn't it? | 0:51:07 | 0:51:09 | |
You know how Richard is. It's a fantasy. | 0:51:09 | 0:51:13 | |
A whole chapter on should she buy some nail Polish? | 0:51:13 | 0:51:16 | |
And then, guess what? After 50 pages, she doesn't. | 0:51:16 | 0:51:19 | |
The whole thing seems to go on for eternity. | 0:51:19 | 0:51:23 | |
Nothing happens and then, wham! For no reason, she kills herself. | 0:51:23 | 0:51:27 | |
-His mother kills herself. -Sure, but still for no reason. | 0:51:27 | 0:51:32 | |
-Well, I... -Out of the blue. | 0:51:32 | 0:51:34 | |
I know the book is tough, but I liked it. | 0:51:36 | 0:51:39 | |
I know. | 0:51:39 | 0:51:40 | |
-Only one thing upset me. -What's that? What upset you? | 0:51:42 | 0:51:45 | |
Well, that there wasn't more about you. | 0:51:47 | 0:51:51 | |
That's kind. | 0:51:57 | 0:51:58 | |
I went back to Wellfleet. | 0:52:01 | 0:52:02 | |
-You did? -One day. | 0:52:05 | 0:52:08 | |
I didn't tell you? | 0:52:08 | 0:52:10 | |
No. But then, I never see you. | 0:52:11 | 0:52:14 | |
You remember the house? It's still there. | 0:52:17 | 0:52:20 | |
-I think you're courageous. -Courageous? Why? | 0:52:20 | 0:52:24 | |
To dare go visit. What I mean is, | 0:52:24 | 0:52:28 | |
to face the fact that we have lost those feelings for ever. | 0:52:28 | 0:52:33 | |
-Shit! -Clarissa? | 0:52:38 | 0:52:40 | |
I don't know what's happening. I'm sorry. | 0:52:42 | 0:52:45 | |
I seem to be in some strange sort of mood. | 0:52:45 | 0:52:48 | |
I'm sorry. It's very rude of me. | 0:52:48 | 0:52:51 | |
SHE EXHALES | 0:52:53 | 0:52:54 | |
I seem to be unravelling. | 0:52:54 | 0:52:56 | |
-I shouldn't have come. -No, it's not you. | 0:52:56 | 0:52:59 | |
It's more like having a presentiment. | 0:52:59 | 0:53:02 | |
Do you know what I'm saying? | 0:53:02 | 0:53:04 | |
Oh, God, it's probably just nerves about the party. | 0:53:05 | 0:53:09 | |
-You know, bad hostess. -SHE SOBS | 0:53:09 | 0:53:12 | |
Clarissa, what's happening? | 0:53:12 | 0:53:15 | |
Jesus! | 0:53:15 | 0:53:16 | |
What is it? | 0:53:16 | 0:53:18 | |
SOBS UNCONTROLLABLY: Oh, God! | 0:53:18 | 0:53:21 | |
-Do you want me to go? -No! Don't go. Don't... | 0:53:24 | 0:53:27 | |
Don't go. Explain to me why this is happening. | 0:53:29 | 0:53:33 | |
Don't... | 0:53:34 | 0:53:36 | |
Don't touch me. Jesus. | 0:53:36 | 0:53:38 | |
It's better if you don't. | 0:53:38 | 0:53:40 | |
It's just too much. | 0:53:43 | 0:53:46 | |
You fly in from San Francisco | 0:53:46 | 0:53:49 | |
and I've been nursing Richard for years. | 0:53:49 | 0:53:52 | |
All that time, I've held myself together, no problem. | 0:53:52 | 0:53:56 | |
I know. | 0:53:56 | 0:53:57 | |
-One morning...in Wellfleet... | 0:54:00 | 0:54:03 | |
..you were there, we were all there. | 0:54:04 | 0:54:08 | |
I'd been sleeping with him and I was out on the back porch. | 0:54:08 | 0:54:11 | |
He came out behind me, and he put his hand on my shoulder. | 0:54:14 | 0:54:19 | |
"Good morning, Mrs Dalloway." | 0:54:22 | 0:54:24 | |
That's... | 0:54:28 | 0:54:30 | |
That's when... | 0:54:31 | 0:54:33 | |
From then on, I've been stuck. | 0:54:33 | 0:54:36 | |
-Stuck? -Yeah. | 0:54:37 | 0:54:38 | |
Yeah. With the name, I mean. | 0:54:41 | 0:54:44 | |
SHE SIGHS | 0:54:46 | 0:54:48 | |
And now you walk in. | 0:54:49 | 0:54:51 | |
To see you walk in. | 0:54:52 | 0:54:56 | |
Because I never see you. Look at you. | 0:54:56 | 0:54:59 | |
Anyway, it doesn't matter. | 0:55:01 | 0:55:05 | |
It was you he stayed with, it was you he lived with. | 0:55:05 | 0:55:09 | |
I had one summer. | 0:55:10 | 0:55:12 | |
The day I left him, | 0:55:23 | 0:55:25 | |
I got on a train and made my way across Europe. | 0:55:25 | 0:55:29 | |
I felt free for the first time in years. | 0:55:32 | 0:55:36 | |
So, tell me about San Francisco. | 0:55:51 | 0:55:53 | |
What's to tell? I still teach drama to idiots. Mostly. | 0:55:55 | 0:56:00 | |
They can't all be idiots. | 0:56:00 | 0:56:01 | |
No. No. | 0:56:01 | 0:56:03 | |
In fact, I shouldn't tell you this. I've fallen in love. | 0:56:03 | 0:56:08 | |
-Really? -Yes. | 0:56:09 | 0:56:10 | |
-With a student. -With a student. | 0:56:11 | 0:56:15 | |
Exactly. | 0:56:15 | 0:56:17 | |
I know. | 0:56:17 | 0:56:19 | |
You think, "Am I still up for this?" All this intensity, | 0:56:19 | 0:56:22 | |
all those arguments, doors being slammed. | 0:56:22 | 0:56:25 | |
Well, you know what it's like. | 0:56:25 | 0:56:28 | |
-Are you feeling better? -SHE SIGHS: -A little. | 0:56:29 | 0:56:34 | |
Thank you. | 0:56:35 | 0:56:37 | |
You think I'm ridiculous? | 0:56:40 | 0:56:41 | |
Ridiculous. | 0:56:44 | 0:56:46 | |
Fortunate, too. | 0:56:46 | 0:56:48 | |
I'm gonna leave you at Mrs Latch's. I have to do something. | 0:57:18 | 0:57:22 | |
Mommy, I don't wanna go. | 0:57:33 | 0:57:35 | |
You have to. I'm sorry. | 0:57:35 | 0:57:36 | |
I have something to do before Daddy gets home. | 0:57:36 | 0:57:39 | |
-Hello. -Hi, Mrs Latch. | 0:58:26 | 0:58:29 | |
My boy's not very happy. | 0:58:29 | 0:58:31 | |
Mommy, I don't want to do this. | 0:58:31 | 0:58:33 | |
I have to go, honey. | 0:58:34 | 0:58:36 | |
Your mommy has things she has to do. Come in, I got cookies. | 0:58:37 | 0:58:41 | |
OK, baby? | 0:58:41 | 0:58:43 | |
You have to be brave now. | 0:58:44 | 0:58:46 | |
Don't worry. He's gonna be fine. | 0:58:47 | 0:58:50 | |
Honey! | 0:59:08 | 0:59:10 | |
Come on. Come on, darling. | 0:59:28 | 0:59:30 | |
Mommy! | 0:59:35 | 0:59:37 | |
-Stop it. -No! Mommy! | 0:59:37 | 0:59:40 | |
Mommy! | 0:59:40 | 0:59:41 | |
Mommy! Mommy! | 0:59:41 | 0:59:45 | |
Mommy! | 0:59:45 | 0:59:47 | |
Come on. | 0:59:47 | 0:59:48 | |
Mommy! | 0:59:48 | 0:59:49 | |
Mommy! | 0:59:51 | 0:59:52 | |
HE SCREAMS: No! | 0:59:54 | 0:59:56 | |
TYRES SCREECH | 1:01:11 | 1:01:12 | |
Breakfast is served between seven and eleven in the Regency Room. | 1:01:27 | 1:01:31 | |
Room service is available 24 hours. | 1:01:31 | 1:01:33 | |
Thank you, ma'am. | 1:01:36 | 1:01:37 | |
Is there anything else you need? | 1:01:38 | 1:01:41 | |
Yes, erm... | 1:01:41 | 1:01:42 | |
No. Not to be disturbed. | 1:01:43 | 1:01:46 | |
CLOCK TICKING | 1:01:52 | 1:01:54 | |
VIRGINIA: Did it matter then, she asked herself, | 1:02:58 | 1:03:01 | |
walking toward Bond Street, | 1:03:01 | 1:03:03 | |
did it matter that she must inevitably cease completely? | 1:03:03 | 1:03:08 | |
All this must go on without her. | 1:03:09 | 1:03:12 | |
'Did she resent it? | 1:03:13 | 1:03:15 | |
'Or did it not become consoling | 1:03:16 | 1:03:18 | |
'to believe that death ended absolutely?' | 1:03:18 | 1:03:22 | |
It is possible to die. | 1:03:24 | 1:03:26 | |
It is possible to die. | 1:03:28 | 1:03:32 | |
There was a lovely coat for Angelica at Harrods, | 1:03:35 | 1:03:38 | |
then nothing for the boys. It seemed so unfair. | 1:03:38 | 1:03:41 | |
Why should Angelica be favoured? | 1:03:41 | 1:03:43 | |
Virginia? | 1:03:46 | 1:03:47 | |
Virginia? | 1:03:50 | 1:03:51 | |
Virginia! | 1:03:51 | 1:03:52 | |
What are you thinking about? | 1:03:55 | 1:03:56 | |
Are you still with us? | 1:04:09 | 1:04:11 | |
Your aunt's a very lucky woman, Angelica... | 1:04:21 | 1:04:24 | |
..because she has two lives. | 1:04:25 | 1:04:28 | |
She has the life she's leading | 1:04:28 | 1:04:31 | |
and also the book she's writing. | 1:04:31 | 1:04:33 | |
This makes her very fortunate indeed. | 1:04:33 | 1:04:36 | |
What were you thinking about? | 1:04:37 | 1:04:40 | |
I was going to kill my heroine. | 1:05:05 | 1:05:08 | |
But I've changed my mind. | 1:05:10 | 1:05:13 | |
SHE GASPS | 1:05:13 | 1:05:15 | |
I can't. | 1:05:15 | 1:05:17 | |
CLOCK TICKING | 1:05:17 | 1:05:19 | |
SHE SOBS | 1:05:27 | 1:05:30 | |
I fear I may have to kill someone else instead. | 1:05:30 | 1:05:33 | |
QUENTIN SNIGGERS | 1:05:34 | 1:05:37 | |
Oh, Quentin! I'm dropping them! | 1:05:41 | 1:05:43 | |
We're ready! | 1:05:43 | 1:05:45 | |
-Mind the shopping! -Fascinating visit. | 1:05:45 | 1:05:48 | |
And they enjoyed it thoroughly. | 1:05:48 | 1:05:51 | |
Do you have to go already? | 1:05:51 | 1:05:53 | |
-I do wish you wouldn't go. -Virginia. | 1:05:55 | 1:05:57 | |
The last thing you want is our noisiness. | 1:05:57 | 1:06:00 | |
My hopeless, clumsy boys. Say goodbye, boys. | 1:06:00 | 1:06:05 | |
-Goodbye! -Bye! | 1:06:05 | 1:06:08 | |
-And you'll return to what? -Tonight? | 1:06:10 | 1:06:13 | |
Oh, just some insufferable dinner | 1:06:13 | 1:06:18 | |
that not even you could envy, Virginia. | 1:06:18 | 1:06:21 | |
But I do. | 1:06:21 | 1:06:22 | |
CLOCK TICKING | 1:06:24 | 1:06:26 | |
Say something, Nessa. Didn't you think I seemed better? | 1:06:57 | 1:07:01 | |
STIFLED SOB | 1:07:01 | 1:07:02 | |
Yes, Virginia, you seem better. | 1:07:02 | 1:07:05 | |
You think... | 1:07:20 | 1:07:21 | |
You think I may, one day, escape? | 1:07:23 | 1:07:25 | |
One day. One... | 1:07:26 | 1:07:28 | |
Nessa. | 1:07:30 | 1:07:31 | |
-JULIAN: -Nessa! -QUENTIN: -Come on, Nessa! | 1:07:33 | 1:07:36 | |
-Come, Angelica, we must go. -QUENTIN: -Come on! | 1:07:36 | 1:07:40 | |
Goodbye. | 1:07:41 | 1:07:42 | |
Goodbye, little girl. | 1:07:42 | 1:07:44 | |
Angelica, the train! | 1:07:46 | 1:07:48 | |
We're gonna miss the train! | 1:07:50 | 1:07:53 | |
Come on. Hurry. Big step. | 1:07:54 | 1:07:55 | |
Come on, come on! | 1:08:00 | 1:08:02 | |
I want to go home. | 1:08:02 | 1:08:04 | |
We stayed too long. We've missed the train. | 1:08:04 | 1:08:07 | |
Stay close. | 1:08:07 | 1:08:09 | |
DOOR SHUTS | 1:08:20 | 1:08:21 | |
SHE SIGHS | 1:08:54 | 1:08:56 | |
CLOCK CHIMES | 1:09:00 | 1:09:02 | |
I'm sorry. I know. | 1:09:29 | 1:09:31 | |
I tried to get here earlier. I tried, OK? Don't start. | 1:09:31 | 1:09:35 | |
It's just incredibly important because it's your party. | 1:09:35 | 1:09:39 | |
-Julia. How have you been doing? -I'm fine. | 1:09:40 | 1:09:44 | |
Come here. What have you been doing? | 1:09:44 | 1:09:48 | |
Well, studying, Mom. | 1:09:48 | 1:09:50 | |
Erm... | 1:09:54 | 1:09:56 | |
So, what should I do? Chairs? | 1:09:56 | 1:09:58 | |
No, let's clear off the desk first. | 1:09:58 | 1:10:00 | |
We can take it into the bedroom. | 1:10:00 | 1:10:02 | |
I bumped into Louis Waters. | 1:10:03 | 1:10:05 | |
-Oh, you did? Where? -In the street. | 1:10:05 | 1:10:09 | |
They're all here, aren't they? All the ghosts. | 1:10:11 | 1:10:15 | |
All the ghosts are assembling for the party. | 1:10:15 | 1:10:18 | |
He is so weird. | 1:10:19 | 1:10:21 | |
What? You can't see that? | 1:10:23 | 1:10:24 | |
You can't see that Louis Waters is weird? | 1:10:24 | 1:10:27 | |
I can see that he's sad. | 1:10:30 | 1:10:31 | |
Well, all your friends are sad. | 1:10:32 | 1:10:36 | |
You've been crying. What's happening? | 1:10:38 | 1:10:41 | |
All it is, I looked around this room and I thought, | 1:10:44 | 1:10:47 | |
"I'm giving a party. All I want to do is give a party." | 1:10:47 | 1:10:51 | |
And? | 1:10:52 | 1:10:53 | |
I know why he does it, he does it deliberately. | 1:10:53 | 1:10:56 | |
-Oh, is this Richard? -Of course. | 1:10:56 | 1:10:59 | |
He did it this morning. He gives me that look. | 1:10:59 | 1:11:03 | |
What look? | 1:11:03 | 1:11:05 | |
To say... "Your life is trivial." | 1:11:06 | 1:11:11 | |
"You are so trivial." | 1:11:13 | 1:11:16 | |
Just...daily stuff, you know? Schedules and parties and details. | 1:11:17 | 1:11:22 | |
That's what he means by it. That is what he's saying. | 1:11:22 | 1:11:26 | |
It only matters if you think it's true. | 1:11:26 | 1:11:29 | |
Well? Do you? Tell me. | 1:11:30 | 1:11:33 | |
When I'm with him, I feel... | 1:11:36 | 1:11:39 | |
..yes, I am living. | 1:11:43 | 1:11:45 | |
And when I'm not with him... | 1:11:46 | 1:11:49 | |
..yes, everything does seem sort of...silly. | 1:11:50 | 1:11:54 | |
I don't mean with you. I... | 1:12:00 | 1:12:02 | |
God. Jesus. | 1:12:02 | 1:12:04 | |
SHE SIGHS | 1:12:05 | 1:12:06 | |
Never with you. It's all the rest of it. | 1:12:06 | 1:12:09 | |
Sally? | 1:12:14 | 1:12:16 | |
The rest of it. | 1:12:18 | 1:12:20 | |
-False comfort. -Because? | 1:12:24 | 1:12:27 | |
-SHE SIGHS: -If you say to me, "When were you happiest?" | 1:12:27 | 1:12:30 | |
-Mom... -"Tell me the moment you were happiest." | 1:12:30 | 1:12:34 | |
I know. I know. It was years ago. | 1:12:34 | 1:12:38 | |
Yeah. | 1:12:38 | 1:12:40 | |
All you're saying is you were once young. | 1:12:40 | 1:12:44 | |
SHE CHUCKLES | 1:12:45 | 1:12:46 | |
-SHE SIGHS: -I remember, one morning, getting up at dawn... | 1:12:49 | 1:12:55 | |
..there was such a sense of possibility. | 1:12:56 | 1:12:59 | |
You know? That feeling? | 1:12:59 | 1:13:02 | |
And I remember thinking to myself, | 1:13:02 | 1:13:04 | |
"So this is the beginning of happiness, | 1:13:04 | 1:13:08 | |
"this is where it starts, and, of course, there'll always be more." | 1:13:08 | 1:13:12 | |
SHE LAUGHS | 1:13:12 | 1:13:14 | |
It never occurred to me | 1:13:16 | 1:13:19 | |
it wasn't the beginning, it was happiness. | 1:13:19 | 1:13:25 | |
It was the moment. | 1:13:26 | 1:13:28 | |
Right then. | 1:13:31 | 1:13:33 | |
DOOR BUZZER | 1:13:41 | 1:13:42 | |
DOOR BUZZER | 1:13:50 | 1:13:51 | |
DOOR BUZZER | 1:13:53 | 1:13:55 | |
DOG BARKS | 1:14:23 | 1:14:24 | |
Nelly. I was wondering if you'd seen Mrs Woolf. | 1:14:54 | 1:14:57 | |
I thought you knew, sir. Mrs Woolf has gone out. | 1:14:58 | 1:15:01 | |
Excuse me. Excuse me. | 1:15:36 | 1:15:38 | |
TRAIN WHISTLE | 1:15:41 | 1:15:43 | |
Mr Woolf, what an unexpected pleasure. | 1:16:04 | 1:16:07 | |
Perhaps you could tell me what you think you're doing? | 1:16:07 | 1:16:10 | |
What I was doing? | 1:16:10 | 1:16:11 | |
-I went to look for you. -I didn't wish to disturb you. | 1:16:11 | 1:16:15 | |
-You disturb me when you disappear. -I didn't disappear! | 1:16:15 | 1:16:19 | |
-I went for a walk. -A walk? Is that all? | 1:16:20 | 1:16:22 | |
-Just a walk? -SHE SIGHS | 1:16:22 | 1:16:25 | |
Virginia, we must go home now. Nelly's cooking dinner. | 1:16:25 | 1:16:29 | |
It's our obligation to eat Nelly's dinner. | 1:16:29 | 1:16:32 | |
There is no such obligation. | 1:16:32 | 1:16:34 | |
No such obligation exists. | 1:16:34 | 1:16:37 | |
You have an obligation to your own sanity. | 1:16:37 | 1:16:39 | |
I've endured this custody! I've endured this imprisonment. | 1:16:39 | 1:16:44 | |
Oh, Virginia. | 1:16:44 | 1:16:45 | |
I am attended by doctors, everywhere. | 1:16:45 | 1:16:48 | |
I am attended by doctors who inform me of my own interests. | 1:16:48 | 1:16:52 | |
-They know your interests. -They do not! | 1:16:52 | 1:16:54 | |
They do not speak for my interests. | 1:16:54 | 1:16:57 | |
I can see that it must be hard for a woman of your... | 1:16:57 | 1:17:00 | |
Of what? Of my what? | 1:17:00 | 1:17:02 | |
..talents to see that she may not be the best judge of her own condition! | 1:17:02 | 1:17:06 | |
-Who, then, is a better judge? -You have a history! | 1:17:06 | 1:17:09 | |
You have a history of confinement. We brought you to Richmond | 1:17:11 | 1:17:14 | |
because you've a history of fits, moods, blackouts, | 1:17:14 | 1:17:17 | |
hearing voices. We brought you here | 1:17:17 | 1:17:20 | |
to save you from the irrevocable damage you intended upon yourself. | 1:17:20 | 1:17:24 | |
You've tried to kill yourself twice! | 1:17:25 | 1:17:28 | |
I live daily with that threat. | 1:17:31 | 1:17:33 | |
I set up... We set up the printing press not just for itself, | 1:17:33 | 1:17:37 | |
not purely for itself, but so that you might have a ready source | 1:17:37 | 1:17:41 | |
of absorption and of remedy. | 1:17:41 | 1:17:43 | |
-Like needlework? -It was done for you! | 1:17:43 | 1:17:48 | |
It was done for your betterment! | 1:17:48 | 1:17:50 | |
It was done out of love! | 1:17:50 | 1:17:52 | |
If I didn't know you better, I'd call this ingratitude. | 1:17:54 | 1:17:58 | |
I am ungrateful? | 1:17:58 | 1:18:00 | |
You call me ungrateful? | 1:18:01 | 1:18:04 | |
My life has been stolen from me. | 1:18:05 | 1:18:08 | |
I'm living in a town I have no wish to live in. | 1:18:11 | 1:18:14 | |
I'm living a life I have no wish to live. | 1:18:14 | 1:18:18 | |
How did this happen? | 1:18:23 | 1:18:25 | |
It is time for us to move back to London. | 1:18:37 | 1:18:40 | |
I miss London. | 1:18:45 | 1:18:47 | |
I miss London life. | 1:18:49 | 1:18:51 | |
This is not you speaking, this is an aspect of your illness. | 1:18:53 | 1:18:57 | |
-It is me. -It's not you. | 1:18:57 | 1:18:58 | |
-It is my voice. It's mine. -It is the voice that you hear. | 1:18:58 | 1:19:03 | |
It is not! It is mine! I'm dying in this town! | 1:19:03 | 1:19:07 | |
If you were thinking clearly, | 1:19:11 | 1:19:13 | |
you'd recall it was London that brought you low. | 1:19:13 | 1:19:16 | |
If I were thinking clearly... | 1:19:16 | 1:19:19 | |
If I were thinking clearly... | 1:19:21 | 1:19:23 | |
We brought you to Richmond to give you peace. | 1:19:23 | 1:19:25 | |
If I were thinking clearly, Leonard, | 1:19:25 | 1:19:28 | |
I would tell you that I wrestle alone in the dark, | 1:19:28 | 1:19:32 | |
in the deep dark, and that only I can know, | 1:19:32 | 1:19:35 | |
only I can understand my own condition. | 1:19:35 | 1:19:38 | |
You tell me that you live with the threat of my extinction. | 1:19:39 | 1:19:44 | |
Leonard, I live with it, too. | 1:19:45 | 1:19:48 | |
This is my right. | 1:19:51 | 1:19:54 | |
It is the right of every human being. | 1:19:54 | 1:19:56 | |
I choose not the suffocating anaesthetic of the suburbs | 1:19:56 | 1:19:59 | |
but the violent jolt of the capital. | 1:19:59 | 1:20:02 | |
That is my choice. | 1:20:02 | 1:20:04 | |
The meanest patient, yes, even the very lowest, | 1:20:04 | 1:20:07 | |
is allowed some say in the matter of her own prescription - | 1:20:07 | 1:20:11 | |
thereby she defines her humanity. | 1:20:11 | 1:20:14 | |
I wish, for your sake, Leonard, I could be happy in this quietness. | 1:20:23 | 1:20:28 | |
But if it is a choice between Richmond and death, | 1:20:31 | 1:20:35 | |
I choose death. | 1:20:35 | 1:20:37 | |
SHE SIGHS | 1:20:44 | 1:20:46 | |
Very well. London, then. | 1:20:48 | 1:20:49 | |
We'll go back to London. | 1:20:51 | 1:20:53 | |
Are you hungry? | 1:21:27 | 1:21:28 | |
I'm a little hungry myself. | 1:21:34 | 1:21:36 | |
Come along. | 1:21:55 | 1:21:57 | |
London train on platform one. | 1:21:58 | 1:22:01 | |
This is the London train, terminating at Vauxhall. | 1:22:01 | 1:22:04 | |
You cannot find peace by avoiding life, Leonard. | 1:22:09 | 1:22:12 | |
This is the London train. | 1:22:21 | 1:22:23 | |
London train on platform one. | 1:22:24 | 1:22:26 | |
Mommy! | 1:22:42 | 1:22:44 | |
Mommy! | 1:22:45 | 1:22:47 | |
Hey. Hey, there, bug. Hey, what's wrong? | 1:22:56 | 1:23:00 | |
Hi, Mrs Latch. | 1:23:00 | 1:23:02 | |
-Sorry I'm late. -He's fine. | 1:23:02 | 1:23:04 | |
He's been fine. He's just happy to see you. | 1:23:04 | 1:23:07 | |
Couldn't have been that bad. | 1:23:07 | 1:23:09 | |
-So, you got it cut, then? -Oh, yes. No problem. | 1:23:09 | 1:23:12 | |
-Looks great. -They didn't have to do much. | 1:23:12 | 1:23:15 | |
Well, we had a fine time together. | 1:23:15 | 1:23:18 | |
Thank you, very much. | 1:23:19 | 1:23:21 | |
So, that wasn't too bad, was it? | 1:23:25 | 1:23:28 | |
I wasn't gone too long. | 1:23:28 | 1:23:30 | |
-No, you weren't long. -That's right. | 1:23:31 | 1:23:34 | |
At one point... | 1:23:37 | 1:23:38 | |
I don't know. | 1:23:39 | 1:23:41 | |
There was a moment where I thought I might be longer. | 1:23:44 | 1:23:47 | |
But I changed my mind. | 1:23:48 | 1:23:50 | |
-What is it, honey? -Mommy, I love you. | 1:23:58 | 1:24:01 | |
I love you, too, baby. | 1:24:04 | 1:24:06 | |
What's wrong? | 1:24:15 | 1:24:16 | |
What? | 1:24:20 | 1:24:21 | |
Don't worry, honey. Everything's fine. | 1:24:28 | 1:24:31 | |
We're gonna have a wonderful party. | 1:24:31 | 1:24:34 | |
And we've made your daddy such a nice cake. | 1:24:34 | 1:24:37 | |
I love you, sweetheart. | 1:24:41 | 1:24:43 | |
You're my guy. | 1:24:45 | 1:24:47 | |
CAR HORNS BEEPING | 1:24:58 | 1:25:00 | |
POLICE SIRENS | 1:25:09 | 1:25:10 | |
HORN BLARES | 1:25:15 | 1:25:17 | |
Mommy! | 1:25:22 | 1:25:24 | |
Mommy! | 1:25:24 | 1:25:27 | |
HORN BLARES | 1:25:30 | 1:25:32 | |
SIRENS | 1:25:35 | 1:25:37 | |
SIRENS | 1:25:46 | 1:25:49 | |
Richard, it's me! I'm early. | 1:26:21 | 1:26:24 | |
CLATTERING | 1:26:25 | 1:26:26 | |
What the hell is going on? | 1:26:29 | 1:26:31 | |
Richard? | 1:26:31 | 1:26:32 | |
What are you doing here? You're early. | 1:26:35 | 1:26:37 | |
What is going on here? What are you doing? | 1:26:37 | 1:26:41 | |
I had this wonderful idea. I needed some light. | 1:26:41 | 1:26:44 | |
-I needed to let in some light! -What are you doing? | 1:26:44 | 1:26:49 | |
I had this fantastic notion. | 1:26:49 | 1:26:50 | |
I took the Xanax and the Ritalin together. | 1:26:50 | 1:26:53 | |
It had never occurred to me. | 1:26:53 | 1:26:55 | |
-Richard! -Don't come near me! | 1:26:55 | 1:26:56 | |
It seemed to me I needed to let in some light. | 1:27:02 | 1:27:06 | |
What do you think? I cleared away all the windows. | 1:27:09 | 1:27:12 | |
All right, Richard, do me one simple favour. Come sit. | 1:27:12 | 1:27:16 | |
I don't think I can make it to the party. | 1:27:16 | 1:27:19 | |
You don't have to go to the party. | 1:27:19 | 1:27:21 | |
You don't have to do anything. You can do as you like. | 1:27:21 | 1:27:24 | |
But I still have to face the hours, don't I? | 1:27:24 | 1:27:27 | |
I mean, the hours after the party. | 1:27:27 | 1:27:30 | |
And the hours after that. | 1:27:30 | 1:27:32 | |
You do have good days still, you know you do. | 1:27:33 | 1:27:36 | |
Not really. I mean, it's kind of you to say so, | 1:27:36 | 1:27:41 | |
but it's not really true. | 1:27:41 | 1:27:43 | |
-Are they here? -Who? | 1:27:52 | 1:27:54 | |
-The voices. -Oh, the voices are always here. | 1:27:54 | 1:27:57 | |
And it's the voices that you're hearing now, isn't it? | 1:27:57 | 1:28:01 | |
No, no, no, no. | 1:28:01 | 1:28:03 | |
Mrs Dalloway, it's you. | 1:28:03 | 1:28:06 | |
I've stayed alive for you. | 1:28:11 | 1:28:13 | |
But now you have to let me go. | 1:28:14 | 1:28:16 | |
-Richard, I... -No. Wait, wait, wait. | 1:28:18 | 1:28:21 | |
Wait. | 1:28:21 | 1:28:22 | |
-Tell me a story. -What about? | 1:28:25 | 1:28:28 | |
Tell me a story from your day. | 1:28:28 | 1:28:31 | |
I, erm... | 1:28:32 | 1:28:33 | |
-I got up. -Yes? | 1:28:33 | 1:28:36 | |
And... I went out. | 1:28:36 | 1:28:39 | |
And... I went to buy flowers, like Mrs Dalloway in the book. | 1:28:39 | 1:28:45 | |
-You know? -Yes. | 1:28:45 | 1:28:46 | |
-And it was a beautiful morning. -Was it? | 1:28:46 | 1:28:49 | |
Yes, it was so beautiful. It was so fresh. | 1:28:49 | 1:28:52 | |
-Oh, fresh, was it? -Yes. | 1:28:52 | 1:28:55 | |
Like a... Like a morning on the beach? | 1:28:58 | 1:29:02 | |
-SHE GASPS: -Yes. | 1:29:02 | 1:29:03 | |
-Like that? -Yes. | 1:29:03 | 1:29:06 | |
Like that morning when you walked out of that old house | 1:29:06 | 1:29:10 | |
and you were 18 and maybe I was 19. | 1:29:10 | 1:29:13 | |
Yes. | 1:29:13 | 1:29:15 | |
I was 19 years old, | 1:29:16 | 1:29:18 | |
and I'd never seen anything so beautiful. | 1:29:18 | 1:29:21 | |
You, coming out of a glass door in the early morning still sleepy. | 1:29:23 | 1:29:28 | |
Isn't it strange? | 1:29:30 | 1:29:31 | |
The most ordinary morning in anybody's life. | 1:29:32 | 1:29:35 | |
I'm afraid I can't make it to the party, Clarissa. | 1:29:40 | 1:29:43 | |
The party...doesn't matter. | 1:29:43 | 1:29:47 | |
You've been so good to me, Mrs Dalloway. | 1:29:47 | 1:29:51 | |
I love you. | 1:29:53 | 1:29:55 | |
I don't think two people could've been happier than we've been. | 1:30:00 | 1:30:04 | |
-SHE GASPS: -Oh, God, no! | 1:30:11 | 1:30:13 | |
Happy birthday! Happy birthday, Dan. | 1:30:21 | 1:30:24 | |
This is perfect. This is just perfect. | 1:30:24 | 1:30:28 | |
Do you think so? | 1:30:28 | 1:30:30 | |
-Do you really think so? -Why, sure. | 1:30:30 | 1:30:32 | |
-You must've been working all day. -That's what we were doing. | 1:30:32 | 1:30:35 | |
Weren't we, bug? We were working all day. | 1:30:35 | 1:30:38 | |
This is just fantastic. It's what I've always wanted. | 1:30:38 | 1:30:42 | |
Oh, Dan. | 1:30:42 | 1:30:43 | |
One day, Richie, I'll tell you how it all happened. | 1:30:43 | 1:30:47 | |
-Don't. -I want to. | 1:30:47 | 1:30:50 | |
I want to tell him the story. What happened... | 1:30:50 | 1:30:53 | |
When I was in the war, | 1:30:54 | 1:30:56 | |
I found myself thinking about this girl that I'd seen. | 1:30:56 | 1:31:00 | |
I'd never met her at high school. | 1:31:00 | 1:31:02 | |
This strange, fragile-looking girl named Laura McGrath. | 1:31:02 | 1:31:09 | |
Yeah. | 1:31:11 | 1:31:12 | |
And she was shy and she was interesting. | 1:31:12 | 1:31:17 | |
And your mother won't mind if I tell you this, | 1:31:17 | 1:31:20 | |
she was the sort of girl that you see sitting mostly on her own. | 1:31:20 | 1:31:24 | |
I tell you, sometimes, when I was in the South Pacific, | 1:31:24 | 1:31:27 | |
the fact is, that I used to think about this girl. | 1:31:27 | 1:31:32 | |
Dan. | 1:31:32 | 1:31:33 | |
I used to think about bringing her to a house, to a life... | 1:31:34 | 1:31:38 | |
..pretty much like this. | 1:31:39 | 1:31:41 | |
And it was the thought of the happiness... | 1:31:43 | 1:31:45 | |
..the thought of this woman, | 1:31:47 | 1:31:50 | |
the thought of this life, that's what kept me going. | 1:31:50 | 1:31:53 | |
I had an idea of our happiness. | 1:31:54 | 1:31:57 | |
-LEONARD: -Why does someone have to die? | 1:32:24 | 1:32:26 | |
FIRE CRACKLES | 1:32:26 | 1:32:28 | |
Leonard? | 1:32:30 | 1:32:31 | |
In your book. You said someone had to die. | 1:32:31 | 1:32:33 | |
-Hm. -Why? | 1:32:33 | 1:32:36 | |
-Is that a stupid question? -No. | 1:32:38 | 1:32:42 | |
I imagine my question is stupid. | 1:32:42 | 1:32:44 | |
Not at all. | 1:32:45 | 1:32:47 | |
Well? | 1:32:48 | 1:32:49 | |
Someone has to die | 1:32:53 | 1:32:54 | |
in order that the rest of us should value life more. | 1:32:54 | 1:32:57 | |
-It's contrast. -And who will die? | 1:32:59 | 1:33:02 | |
Tell me. | 1:33:04 | 1:33:06 | |
The poet will die. | 1:33:08 | 1:33:10 | |
The visionary. | 1:33:11 | 1:33:13 | |
CLOCK TICKING | 1:33:14 | 1:33:16 | |
What are you doing? | 1:33:27 | 1:33:29 | |
I'm brushing my teeth. | 1:33:29 | 1:33:31 | |
Are you coming to bed? | 1:33:35 | 1:33:37 | |
Yeah, in a minute. | 1:33:38 | 1:33:39 | |
-MELODICALLY: -Come to bed, Laura Brown. | 1:33:41 | 1:33:44 | |
I ran into Ray. He said Kitty had to go to the hospital. | 1:33:49 | 1:33:53 | |
I know. | 1:33:53 | 1:33:55 | |
Nothing serious, he said. Just a checkup. | 1:33:55 | 1:33:58 | |
-I'm terrified. -Why? | 1:34:00 | 1:34:03 | |
-SOFTLY: -Oh, the idea she could disappear. | 1:34:06 | 1:34:09 | |
Maybe you could go see her in the morning. | 1:34:10 | 1:34:13 | |
I was going to. I was gonna stop by. | 1:34:21 | 1:34:24 | |
I've had a wonderful day. | 1:34:25 | 1:34:27 | |
And I have you to thank. | 1:34:29 | 1:34:31 | |
Come to bed, honey. | 1:34:37 | 1:34:39 | |
I'm coming. | 1:34:40 | 1:34:42 | |
Are you coming? | 1:34:50 | 1:34:52 | |
Yes. | 1:34:53 | 1:34:55 | |
HE SIGHS | 1:34:59 | 1:35:02 | |
What? | 1:35:13 | 1:35:14 | |
I was hoping you were going to bed. | 1:35:17 | 1:35:19 | |
I am. I am going to bed. | 1:35:20 | 1:35:23 | |
What, then? | 1:35:26 | 1:35:28 | |
All else is clear. The outline of the story is planned. | 1:35:31 | 1:35:35 | |
Now one thing only. | 1:35:35 | 1:35:37 | |
Mrs Dalloway's destiny must be resolved. | 1:35:37 | 1:35:40 | |
DOOR BUZZER | 1:36:03 | 1:36:05 | |
You're Laura Brown? | 1:36:20 | 1:36:23 | |
Yes, I'm Richard's mother. | 1:36:24 | 1:36:26 | |
Of course. | 1:36:30 | 1:36:31 | |
I'm Clarissa Vaughan. Please, come in. | 1:36:33 | 1:36:37 | |
My friend Sally is in the kitchen. | 1:36:45 | 1:36:48 | |
And my daughter. I'll take this. | 1:36:48 | 1:36:51 | |
We were having a party. | 1:36:52 | 1:36:55 | |
We were going to have a party. | 1:36:56 | 1:36:58 | |
I was lucky, I got the last plane from Toronto. | 1:36:58 | 1:37:03 | |
So that's the monster? | 1:37:03 | 1:37:04 | |
Hope I did the right thing. | 1:37:06 | 1:37:08 | |
I found your number in his phone book. | 1:37:08 | 1:37:11 | |
Yes, he had it. | 1:37:11 | 1:37:13 | |
We didn't speak often. | 1:37:14 | 1:37:16 | |
It's a terrible thing, Ms Vaughan, to outlive your whole family. | 1:37:28 | 1:37:33 | |
-Richard's father died. -Yes. | 1:37:36 | 1:37:39 | |
He died of cancer quite young. | 1:37:39 | 1:37:41 | |
And Richard's sister is dead. | 1:37:42 | 1:37:45 | |
Obviously, you feel unworthy. | 1:37:50 | 1:37:52 | |
It gives you feelings of unworthiness. | 1:37:53 | 1:37:56 | |
You survive and they don't. | 1:37:57 | 1:38:00 | |
-Have you read the poems? -Oh, yes. Oh... | 1:38:05 | 1:38:09 | |
I also read the novel. | 1:38:11 | 1:38:13 | |
You see, people say the novel's difficult. | 1:38:20 | 1:38:26 | |
-I know. -They say that. | 1:38:28 | 1:38:30 | |
I know. | 1:38:35 | 1:38:37 | |
He had me die in the novel. | 1:38:40 | 1:38:42 | |
And I know why he did that. | 1:38:43 | 1:38:45 | |
It hurt, of course. I can't pretend it didn't hurt, | 1:38:49 | 1:38:52 | |
but I... I know why he did it. | 1:38:52 | 1:38:55 | |
You left Richard when he was a child. | 1:38:59 | 1:39:02 | |
I left both my children. | 1:39:05 | 1:39:07 | |
I abandoned them. | 1:39:09 | 1:39:11 | |
They say it's the worst thing a mother can do. | 1:39:17 | 1:39:20 | |
You have a daughter? | 1:39:34 | 1:39:35 | |
SHE SIGHS | 1:39:35 | 1:39:37 | |
Yes. | 1:39:38 | 1:39:40 | |
But I never met Julia's father. | 1:39:41 | 1:39:44 | |
You so wanted a child? | 1:39:44 | 1:39:46 | |
That's right. | 1:39:47 | 1:39:49 | |
You're a lucky woman. | 1:39:51 | 1:39:53 | |
There are times when you don't belong | 1:40:02 | 1:40:05 | |
and you think you're going to kill yourself. | 1:40:05 | 1:40:07 | |
Once, I went to a hotel. | 1:40:14 | 1:40:16 | |
Later that night, I made a plan. | 1:40:19 | 1:40:22 | |
The plan was to leave my family when my second child was born. | 1:40:23 | 1:40:28 | |
And that's what I did. | 1:40:29 | 1:40:32 | |
I got up one morning, made breakfast... | 1:40:33 | 1:40:37 | |
..went to the bus stop, got on a bus. | 1:40:38 | 1:40:43 | |
I'd left a note. | 1:40:45 | 1:40:47 | |
I got a job in a library in Canada. | 1:40:52 | 1:40:55 | |
It would... | 1:41:02 | 1:41:04 | |
..be wonderful to say you regretted it. | 1:41:06 | 1:41:10 | |
It would be easy. | 1:41:10 | 1:41:11 | |
But what does it mean? | 1:41:16 | 1:41:18 | |
What does it mean to regret... when you have no choice? | 1:41:20 | 1:41:25 | |
It's what you can bear. | 1:41:36 | 1:41:38 | |
There it is. | 1:41:44 | 1:41:46 | |
No-one's going to forgive me. | 1:41:46 | 1:41:48 | |
It was death. | 1:41:54 | 1:41:56 | |
I chose life. | 1:41:58 | 1:42:00 | |
Do you want to take your coat off? | 1:42:58 | 1:43:01 | |
SHE SIGHS | 1:43:10 | 1:43:12 | |
I thought you might like a cup of tea. | 1:43:42 | 1:43:44 | |
Oh, my goodness. Thank you, dear. | 1:43:44 | 1:43:47 | |
I feel like I'm stealing your room. | 1:43:48 | 1:43:51 | |
We put the food away, so if you're at all hungry in the night, | 1:43:51 | 1:43:55 | |
-just help yourself. -I will. | 1:43:55 | 1:43:57 | |
-Where will you sleep? -The sofa. | 1:43:57 | 1:44:00 | |
Oh. Oh, I'm sorry. | 1:44:00 | 1:44:03 | |
-Goodnight, sweetheart. -Goodnight. | 1:44:11 | 1:44:14 | |
Dear Leonard... | 1:44:35 | 1:44:36 | |
..to look life in the face... | 1:44:38 | 1:44:40 | |
..always to look life in the face... | 1:44:42 | 1:44:46 | |
..and to know it for what it is. | 1:44:48 | 1:44:51 | |
At last...to know it... | 1:44:53 | 1:44:56 | |
..to love it for what it is, and then... | 1:44:59 | 1:45:03 | |
..to put it away. | 1:45:06 | 1:45:08 | |
Leonard... | 1:45:12 | 1:45:13 | |
..always the years between us. | 1:45:15 | 1:45:17 | |
Always the years. | 1:45:20 | 1:45:22 | |
Always...the love. | 1:45:23 | 1:45:27 | |
Always...the hours. | 1:45:28 | 1:45:33 | |
E-mail: [email protected] | 1:46:02 | 1:46:04 |