Browse content similar to The Man without a Face. Check below for episodes and series from the same categories and more!
Line | From | To | |
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MILITARY BAND | 0:00:03 | 0:00:05 | |
This film contains some strong language. | 0:00:11 | 0:00:16 | |
CHEERING | 0:00:18 | 0:00:21 | |
'It was a good dream - my best one.' | 0:00:27 | 0:00:32 | |
'Everything was perfect.' | 0:00:32 | 0:00:36 | |
'My mother was proud of her son's wings.' | 0:00:48 | 0:00:52 | |
'My half-sister, Meg, lost her braces.' | 0:00:56 | 0:01:00 | |
'My other half-sister, Gloria, had realised my intellectual superiority' | 0:01:04 | 0:01:11 | |
SHE GROWLS | 0:01:11 | 0:01:12 | |
..And was quietly respectful to me.' | 0:01:12 | 0:01:14 | |
BOOING | 0:01:29 | 0:01:31 | |
'My step-fathers were slaves, captured in battle.' | 0:01:31 | 0:01:37 | |
'And, there was a Wac by my side.' | 0:01:45 | 0:01:49 | |
'Not too bright, not too loud. Hugely attractive.' | 0:01:49 | 0:01:54 | |
'It's a good dream.' | 0:01:54 | 0:01:56 | |
'A John Wayne meets Hugh Hefner philosophy... | 0:01:56 | 0:02:00 | |
..if you consider Hef a philosopher, or John Wayne.' | 0:02:00 | 0:02:06 | |
'But whatever the dream, there's always a face that I can't see... | 0:02:07 | 0:02:14 | |
..that I keep missing, out there beyond the edge of the crowd.' | 0:02:14 | 0:02:22 | |
BAND STOPS PLAYING AND WIND HOWLS | 0:02:22 | 0:02:25 | |
-RADIO: -"This is WJB Boston." | 0:02:46 | 0:02:48 | |
"It's 70 degrees on the first day of summer, 1968... | 0:02:48 | 0:02:53 | |
..a good day to be born a woman..." | 0:02:53 | 0:02:57 | |
"# If you are born a woman..." | 0:02:55 | 0:02:57 | |
Turn it up, I love this song! | 0:02:57 | 0:03:03 | |
It's too loud already. | 0:02:58 | 0:03:03 | |
Turn it up! | 0:02:59 | 0:03:03 | |
Turn it down, Meg. | 0:03:00 | 0:03:03 | |
I like this song, Gloria. | 0:03:03 | 0:03:07 | |
White-trash music. | 0:03:04 | 0:03:07 | |
It's good! | 0:03:05 | 0:03:07 | |
Mother, will you reason with her? | 0:03:08 | 0:03:13 | |
MUSIC STOPS | 0:03:10 | 0:03:13 | |
Mother, I was listening to that! | 0:03:10 | 0:03:13 | |
Don't whine. It's so unattractive. | 0:03:13 | 0:03:16 | |
It was wearing down the battery. | 0:03:16 | 0:03:20 | |
No, it wasn't. Batteries can run for hours like that. | 0:03:20 | 0:03:24 | |
Thank you, Charles. | 0:03:24 | 0:03:29 | |
What an engineer(!) I thought airplanes were your forte. | 0:03:25 | 0:03:29 | |
Was I talking to you? | 0:03:29 | 0:03:33 | |
This is our pilot, Charles Norstadt. | 0:03:30 | 0:03:33 | |
< Yeah, was he talking to you? Come on, Gloria, spare us. | 0:03:33 | 0:03:38 | |
'It was a good dream.' | 0:03:38 | 0:03:40 | |
THEY ALL ARGUE | 0:03:41 | 0:03:43 | |
Did you see that? They ate right out of my hand! | 0:03:56 | 0:04:01 | |
Chuck? Wake up! | 0:04:01 | 0:04:03 | |
What? | 0:04:02 | 0:04:03 | |
You're doing that thing again. | 0:04:03 | 0:04:09 | |
What thing? | 0:04:05 | 0:04:09 | |
You get that look on your face. | 0:04:06 | 0:04:09 | |
Where do you go when you do that? He came this close to my eyes. | 0:04:09 | 0:04:14 | |
Hi. | 0:04:21 | 0:04:24 | |
It's a beautiful day, isn't it? | 0:04:24 | 0:04:27 | |
Are you married? | 0:04:29 | 0:04:31 | |
He's really shy. | 0:04:33 | 0:04:39 | |
You're nuts. | 0:04:34 | 0:04:39 | |
I'm just trying to help Mother. | 0:04:35 | 0:04:39 | |
She doesn't need help. | 0:04:37 | 0:04:39 | |
Marriage is her hobby, like bridge or dog-breeding. | 0:04:39 | 0:04:43 | |
I wanna be sure the next guy's nice. More like my dad than Gloria's. | 0:04:43 | 0:04:48 | |
Or mine. | 0:04:48 | 0:04:52 | |
I didn't say that. | 0:04:50 | 0:04:52 | |
Doesn't matter. I won't be here much longer. | 0:04:52 | 0:04:58 | |
How? You flunked. | 0:04:55 | 0:04:58 | |
I can take the exam again. | 0:04:58 | 0:05:00 | |
What's so funny? | 0:05:01 | 0:05:07 | |
I didn't say anything. Anyway, she'll never let you go. | 0:05:02 | 0:05:07 | |
Look. | 0:05:15 | 0:05:16 | |
Mother, I'm trying to read. | 0:05:16 | 0:05:20 | |
Oh, come on! | 0:05:17 | 0:05:20 | |
Oh! | 0:05:23 | 0:05:27 | |
Isn't it clever? | 0:05:24 | 0:05:27 | |
What is this? | 0:05:25 | 0:05:27 | |
Mom? | 0:05:27 | 0:05:29 | |
Mother? | 0:05:29 | 0:05:30 | |
What is it, Charles? | 0:05:30 | 0:05:33 | |
I wanna retake the exam. | 0:05:33 | 0:05:36 | |
You've had your chance, Charles. | 0:05:36 | 0:05:38 | |
I can retake it at the end of August. | 0:05:38 | 0:05:41 | |
I don't want you at boarding school. | 0:05:41 | 0:05:44 | |
It's my dad's school. | 0:05:44 | 0:05:47 | |
That'll convince her(!) | 0:05:47 | 0:05:48 | |
Shut up! | 0:05:48 | 0:05:49 | |
I don't want you at a military academy. | 0:05:49 | 0:05:52 | |
They're fascist and unnatural. | 0:05:52 | 0:05:53 | |
Well, there's no risk letting him take the exam. | 0:05:53 | 0:05:56 | |
Can you see him cramming Latin and geometry at the cottage? | 0:05:56 | 0:06:00 | |
Look, I'm already studying! Mother? | 0:06:00 | 0:06:03 | |
All right, Charles. | 0:06:03 | 0:06:04 | |
If you wanna give up your whole vacation, you can try again. | 0:06:04 | 0:06:08 | |
No, not the whole summer. | 0:06:08 | 0:06:09 | |
You know it takes you longer than other children. | 0:06:09 | 0:06:13 | |
GLORIA LAUGHS | 0:06:13 | 0:06:14 | |
It's nothing to be ashamed of. | 0:06:14 | 0:06:17 | |
You're stupid, you're stupid, you're stupid! | 0:06:22 | 0:06:26 | |
Now you're slow! | 0:06:27 | 0:06:30 | |
You know you're Goober Pyle! | 0:06:30 | 0:06:32 | |
TYRE HISSES | 0:06:33 | 0:06:35 | |
DIL! | 0:07:02 | 0:07:04 | |
Down, boy! Lie down! | 0:07:04 | 0:07:06 | |
I'm, er... | 0:07:10 | 0:07:12 | |
I'm so...sorry. | 0:07:12 | 0:07:14 | |
This tyre's been vandalised. | 0:07:17 | 0:07:20 | |
What? | 0:07:20 | 0:07:22 | |
Yeah. Look. | 0:07:20 | 0:07:22 | |
Half a dozen deliberate punctures. | 0:07:22 | 0:07:25 | |
Oh, my God! Who would do something like that? That's crazy! | 0:07:26 | 0:07:31 | |
Oh! My God! Come here! | 0:07:31 | 0:07:34 | |
What? | 0:07:33 | 0:07:34 | |
Isn't that Hamburger-Head? You know, McLeod? | 0:07:34 | 0:07:39 | |
I thought he never left his dungeon. | 0:07:39 | 0:07:42 | |
Don't stare. We're not at a circus. | 0:07:42 | 0:07:46 | |
'"Will I actually commit the crime? That is for the coin to decide."' | 0:07:52 | 0:07:57 | |
< "Which face will it show? The whole, or the ruined?" | 0:07:57 | 0:08:02 | |
"The coin has decided. And so, Two-Face must strike... | 0:08:02 | 0:08:08 | |
"as the bells of Gotham City ring out into the murky night." | 0:08:08 | 0:08:12 | |
Charles! Lunch! > | 0:08:12 | 0:08:18 | |
Oh, no! Here she comes. Better get you out of here, Mac. | 0:08:13 | 0:08:18 | |
Shut up. | 0:08:18 | 0:08:21 | |
Charles, what are you doing? | 0:08:21 | 0:08:23 | |
I'm studying. | 0:08:24 | 0:08:26 | |
You're not gonna get lunch in bed. Come on! | 0:08:26 | 0:08:29 | |
SHE SNEEZES | 0:08:29 | 0:08:30 | |
Charles! | 0:08:42 | 0:08:43 | |
What? | 0:08:43 | 0:08:44 | |
I told you I don't want that rabid beast in the house. | 0:08:44 | 0:08:48 | |
I keep Mac outside. | 0:08:48 | 0:08:51 | |
I am in earnest, young man. | 0:08:51 | 0:08:53 | |
That cat is so disgusting. | 0:08:53 | 0:08:56 | |
< That's enough, Gloria. | 0:08:56 | 0:08:59 | |
-Where are you going? -I'm going to study. | 0:09:02 | 0:09:05 | |
If you need any help... | 0:09:05 | 0:09:07 | |
Hey, Chad! What's that kid's...? Chuck! Have you seen Gloria? | 0:09:16 | 0:09:22 | |
Er, yeah. She went off with some guy in a Mustang. | 0:09:22 | 0:09:26 | |
What guy? | 0:09:27 | 0:09:30 | |
I don't know. > | 0:09:29 | 0:09:30 | |
Who's the guy? | 0:09:30 | 0:09:31 | |
I dunno. Just...some guy. | 0:09:31 | 0:09:33 | |
When? | 0:09:34 | 0:09:37 | |
Just now. | 0:09:35 | 0:09:37 | |
< Chuck! Wait up! | 0:09:41 | 0:09:45 | |
Jeez! | 0:09:42 | 0:09:45 | |
Chuck, I said wait up! | 0:09:46 | 0:09:49 | |
What are you, my shadow? | 0:09:49 | 0:09:52 | |
Don't compensate by using me as an emotional punching bag. | 0:09:52 | 0:09:55 | |
You're too young to talk like that. | 0:09:55 | 0:09:59 | |
Gloria's right. You'll never pass it on your own. | 0:09:59 | 0:10:03 | |
-Shut up! -Why don't you let me tutor you? | 0:10:03 | 0:10:05 | |
-You're ten years old! -So? You know I'm smart enough. | 0:10:05 | 0:10:10 | |
You're a genius. A fender-face genius! | 0:10:10 | 0:10:14 | |
And you're a jerk! I hope you fail and have to live with us forever! | 0:10:14 | 0:10:20 | |
What are you gonna do, ask Gloria for help? | 0:10:20 | 0:10:25 | |
Don't be such a boy! | 0:10:25 | 0:10:28 | |
Hey, Norstadt! | 0:10:39 | 0:10:41 | |
You're still a virgin! | 0:10:41 | 0:10:44 | |
Catching up on a little reading? | 0:10:46 | 0:10:48 | |
School's over, you know, wing-nut. | 0:10:48 | 0:10:51 | |
Thanks for the newsflash, brillo-head. | 0:10:51 | 0:10:54 | |
Shut up! | 0:10:54 | 0:10:59 | |
What's goin' on, guys? | 0:10:55 | 0:10:59 | |
Pearson's got his old man's boat. | 0:10:56 | 0:10:59 | |
-Where are you gonna swim? -Freak beach. You want in? | 0:10:59 | 0:11:02 | |
-You up to it? -Let's go. -Sure. | 0:11:02 | 0:11:06 | |
-What are you waitin' for? -Come on. | 0:11:06 | 0:11:08 | |
Can I come? | 0:11:08 | 0:11:10 | |
No flat chicks allowed! | 0:11:10 | 0:11:13 | |
Shut up, you sexist pig! | 0:11:13 | 0:11:15 | |
-Whoa, bra-burner! -Trainer bra-burner! | 0:11:15 | 0:11:18 | |
The only bra you'll ever see is your momma's! | 0:11:18 | 0:11:23 | |
What a stupid world. | 0:11:26 | 0:11:30 | |
We could divide all chickdom into Ginger and Mary-Anne... | 0:11:30 | 0:11:34 | |
but why not let visitors onto this island paradise? | 0:11:34 | 0:11:39 | |
Guest stars. Top of the list, Agent 99. | 0:11:39 | 0:11:42 | |
-Agent 99 sucks. -Bewitched would be good. -Bewitched is married. | 0:11:42 | 0:11:46 | |
-So? -He'd probably do it with Mrs Howell. | 0:11:46 | 0:11:49 | |
THEY LAUGH | 0:11:49 | 0:11:53 | |
-You guys ever seen the Freak? -McLeod? He won't let you see him. | 0:11:53 | 0:11:58 | |
-I saw him. -Oh, screw you! | 0:11:58 | 0:12:01 | |
I saw him on the ferry! | 0:12:01 | 0:12:03 | |
Why would Hamburger-Head go on the boat? | 0:12:03 | 0:12:05 | |
He travelled below. The Hound from Hell was with him. | 0:12:05 | 0:12:11 | |
His wolf? | 0:12:11 | 0:12:13 | |
The Freak was this close to me. | 0:12:13 | 0:12:14 | |
Why would the Freak go to Boston? | 0:12:14 | 0:12:21 | |
Mafia meeting, probably. | 0:12:16 | 0:12:21 | |
Porno. He writes porno books. | 0:12:18 | 0:12:21 | |
Get outta here! | 0:12:21 | 0:12:22 | |
He gets parcels from porn publishers. | 0:12:22 | 0:12:26 | |
How's a freak gonna write porno? | 0:12:26 | 0:12:28 | |
What would he write about? | 0:12:28 | 0:12:29 | |
I don't know. Maybe his dog! | 0:12:29 | 0:12:33 | |
Wait. Did you hear that? | 0:12:33 | 0:12:38 | |
What? | 0:12:38 | 0:12:42 | |
Listen... What was that? | 0:12:39 | 0:12:42 | |
(I'm scared.) | 0:12:44 | 0:12:49 | |
(Shut up, don't let him see you.) | 0:12:45 | 0:12:49 | |
Ow, my finger! | 0:12:46 | 0:12:49 | |
(Shut up, man!) | 0:12:47 | 0:12:49 | |
-Wait up, guys! -Come on! | 0:12:55 | 0:12:58 | |
Start the motor! Come on! | 0:12:58 | 0:13:00 | |
Boy, was that close! Jeez! Was that a wolf? | 0:13:13 | 0:13:17 | |
Did you see the Freak up there, man? | 0:13:17 | 0:13:24 | |
He was scared of the wolf. He was pissin' in his pants! | 0:13:19 | 0:13:24 | |
We gotta go back! | 0:13:25 | 0:13:27 | |
I left my books there! Come on! I left my books! | 0:13:27 | 0:13:31 | |
We gotta go back! | 0:13:31 | 0:13:34 | |
Tell the school the dog ate 'em. > | 0:13:32 | 0:13:34 | |
What subject was it, Latin? Screw-us you-us! > | 0:13:35 | 0:13:41 | |
< See ya later, pizza-head! | 0:13:41 | 0:13:43 | |
If he's a cannibal, I'll just tell him I have bone cancer. | 0:14:29 | 0:14:34 | |
'I don't know what to do when he gets that stupid look on his face.' | 0:14:57 | 0:15:04 | |
'What do you see in the ink blot, Charles?' | 0:15:04 | 0:15:07 | |
'What do you think I mean by "passive aggressive"?' | 0:15:07 | 0:15:11 | |
'He's his father's son all right.' | 0:15:11 | 0:15:13 | |
'Eric was my third husband and my one real mistake.' | 0:15:13 | 0:15:18 | |
'That's very funny, Charles. What do you really see?' | 0:15:18 | 0:15:21 | |
'You don't care about anybody but yourself.' | 0:15:23 | 0:15:27 | |
'What do you see in the ink blot, Charles?' | 0:15:27 | 0:15:30 | |
John Wayne. | 0:15:30 | 0:15:33 | |
< What are you doing here? | 0:15:36 | 0:15:39 | |
What's wrong with you? You got any idea how long you been here? | 0:15:44 | 0:15:48 | |
SPRING TWANGS | 0:16:35 | 0:16:36 | |
HE GASPS | 0:16:36 | 0:16:38 | |
CLOCK CHIMES | 0:16:38 | 0:16:40 | |
S...sorry. | 0:16:48 | 0:16:51 | |
It just went off. It's a funny clock. | 0:16:51 | 0:16:53 | |
Funny "ha-ha", funny strange? | 0:16:56 | 0:16:58 | |
Not sure. | 0:17:00 | 0:17:02 | |
Says you taught at, erm, Barrett Academy. | 0:17:02 | 0:17:07 | |
Is that a good school? | 0:17:07 | 0:17:09 | |
What do you teach? | 0:17:11 | 0:17:13 | |
-What's your name? -Erm, Chuck. Chuck Norstadt. | 0:17:13 | 0:17:17 | |
Well, Chuck Chuck Norstadt, where do you live? | 0:17:17 | 0:17:22 | |
Just the other side of the harbour. | 0:17:22 | 0:17:25 | |
Then you'd better drink this and go. | 0:17:27 | 0:17:30 | |
Oh, great. Thanks. | 0:17:30 | 0:17:33 | |
Come on, Mickey. Heel. | 0:17:33 | 0:17:36 | |
Mickey really doesn't seem the right name for your dog. | 0:17:41 | 0:17:46 | |
It's like naming Godzilla "Bambi". | 0:17:46 | 0:17:49 | |
You name him after Mickey Metal or Mickey Mouse? | 0:17:50 | 0:17:55 | |
How's your mother's front tyre? | 0:17:55 | 0:17:57 | |
Fine. | 0:17:59 | 0:18:00 | |
It's a bright night. You should be able to find your way home. | 0:18:02 | 0:18:06 | |
Yeah. | 0:18:06 | 0:18:08 | |
You found your way here, didn't you? | 0:18:08 | 0:18:10 | |
Mm-hm. | 0:18:10 | 0:18:12 | |
It's my bike. | 0:18:18 | 0:18:21 | |
Hey, you still do any teaching? | 0:18:23 | 0:18:26 | |
Reason I ask is... | 0:18:27 | 0:18:29 | |
This may sound crazy, but I could really use some help on an exam. | 0:18:29 | 0:18:35 | |
-Why does that sound crazy? -I don't know, | 0:18:35 | 0:18:38 | |
I just never thought of you as a teacher. | 0:18:38 | 0:18:43 | |
Nobody does. Not that I know anything about you or anything. | 0:18:43 | 0:18:46 | |
It won't take long. It's just to get into this second-rate boarding school | 0:18:46 | 0:18:52 | |
Misunderstood, are we? | 0:18:52 | 0:18:55 | |
I'm just sick of living with three females, all brilliant, and being the family retard. | 0:18:55 | 0:19:03 | |
I see. Nothing at all to do with pre-pubescent angst, then? | 0:19:03 | 0:19:08 | |
It was the school my father went to. | 0:19:08 | 0:19:12 | |
He was in Korea, then he died in a jet crash. | 0:19:12 | 0:19:18 | |
Some kind of experimental spy plane. | 0:19:18 | 0:19:23 | |
-If it's a matter of money, I can pay you. -No, I don't think you can. | 0:19:23 | 0:19:27 | |
Nice to have met you, Mr McLeod. | 0:19:29 | 0:19:34 | |
Bucket-head. | 0:19:34 | 0:19:36 | |
There's Great Grandfather MacNeil. He built the cottage. | 0:19:36 | 0:19:41 | |
Far out. | 0:19:41 | 0:19:43 | |
Oh, look at those Presbyterian eyes. | 0:19:43 | 0:19:46 | |
Ooh, terrifying! | 0:19:46 | 0:19:49 | |
I can't believe you're interested in all this ancient history. | 0:19:49 | 0:19:53 | |
I am, it's all research. | 0:19:53 | 0:19:55 | |
All for my book on the Robber Baringer mine shaft. | 0:19:55 | 0:19:59 | |
That is such an important topic. | 0:19:59 | 0:20:03 | |
It looks like Mark Hughes is writing the foreword. | 0:20:03 | 0:20:06 | |
Mark Hughes? | 0:20:06 | 0:20:10 | |
Charles? Come here, dear. | 0:20:10 | 0:20:13 | |
Hi, man. | 0:20:13 | 0:20:15 | |
I want you to meet Professor Hartley of Yale. This is my son, Charles. | 0:20:15 | 0:20:20 | |
Just call me Carl. | 0:20:20 | 0:20:21 | |
I don't need any of that imperialistic authoritarian crap. | 0:20:21 | 0:20:27 | |
Hi... Carl. | 0:20:28 | 0:20:30 | |
THINKS: She hasn't caught a fish, she's vacuumed up a hairball! | 0:20:31 | 0:20:36 | |
Hi, Chuck. | 0:20:36 | 0:20:39 | |
Go put some dry clothes on. | 0:20:40 | 0:20:42 | |
Good night. | 0:20:45 | 0:20:47 | |
OPERA PLAYS | 0:20:47 | 0:20:50 | |
< "Arms, I sing. I am the man... | 0:21:05 | 0:21:10 | |
< "who first from the shores of Troy came." | 0:21:10 | 0:21:13 | |
"Fate exiled to Italy and her Lovinian strand..." | 0:21:14 | 0:21:19 | |
"..much buffeted he, on flood and field, by constraint of heaven... | 0:21:23 | 0:21:30 | |
"and Juno's unslumbering wrath." | 0:21:30 | 0:21:32 | |
MUSIC ENDS | 0:22:06 | 0:22:07 | |
Hi, Mickey. Aren't you the ugliest son of a bitch? | 0:22:33 | 0:22:37 | |
If I had a dog like you, I'd put a bag over its head. | 0:22:37 | 0:22:42 | |
Yes, I would, you flea-infested sack of worms... | 0:22:42 | 0:22:46 | |
TAPS SPANNER | 0:22:46 | 0:22:47 | |
How you doin'? | 0:22:49 | 0:22:51 | |
Beautiful day, isn't it? | 0:22:54 | 0:22:57 | |
Um... | 0:23:07 | 0:23:09 | |
I'm here. | 0:23:09 | 0:23:11 | |
I know you're pressed for time and everything... | 0:23:14 | 0:23:18 | |
but I was wondering, | 0:23:18 | 0:23:21 | |
maybe you'd be interested in some Latin exercises... | 0:23:21 | 0:23:27 | |
just to look over 'em. | 0:23:27 | 0:23:30 | |
I realise you're busy, Mr McLeod... | 0:23:37 | 0:23:40 | |
but how much work is a couple of Latin passages? | 0:23:40 | 0:23:44 | |
Maybe a little geometry? | 0:23:44 | 0:23:47 | |
I'd like a hole. | 0:23:55 | 0:23:57 | |
I don't understand. | 0:23:58 | 0:24:03 | |
Three feet, cubed. Right here. | 0:24:00 | 0:24:03 | |
Stay. | 0:24:04 | 0:24:06 | |
Listen, I said I could pay you, didn't I? | 0:24:10 | 0:24:13 | |
Three feet cubed. | 0:24:15 | 0:24:17 | |
Hello! | 0:24:24 | 0:24:26 | |
CLOCK CHIMES | 0:24:29 | 0:24:32 | |
Mr McLeod? | 0:24:36 | 0:24:38 | |
You can sit here. | 0:24:38 | 0:24:40 | |
Now, I'd like you to write an essay. | 0:24:50 | 0:24:54 | |
Any topic you'd like. | 0:24:54 | 0:24:55 | |
Why? It's not on the exam. | 0:24:55 | 0:24:57 | |
Why did you come here? | 0:24:59 | 0:25:01 | |
Quickly! Don't think, just answer. | 0:25:02 | 0:25:04 | |
For some help. You know. | 0:25:04 | 0:25:06 | |
No. Do you want help or not? | 0:25:06 | 0:25:09 | |
I guess so, if you're a teacher. | 0:25:09 | 0:25:11 | |
I guess so...sir. | 0:25:11 | 0:25:14 | |
I guess so, sir. | 0:25:14 | 0:25:16 | |
Good. | 0:25:17 | 0:25:19 | |
This is the way it works - adisca alt disceda. Learn or leave. | 0:25:19 | 0:25:24 | |
It's of no consequence to me one way or the other. Understood? | 0:25:24 | 0:25:28 | |
Yeah. | 0:25:28 | 0:25:30 | |
Except the bit about digging shithouse holes and writing bullshit. | 0:25:30 | 0:25:35 | |
I haven't got a lot of pity. | 0:25:37 | 0:25:40 | |
You can go now. | 0:25:40 | 0:25:42 | |
Pity yourself, freak! Stupid freak! | 0:25:49 | 0:25:52 | |
# Moon river... | 0:25:57 | 0:26:00 | |
LIVELY CHATTER | 0:26:02 | 0:26:04 | |
Want one? | 0:26:11 | 0:26:13 | |
No, thanks. | 0:26:13 | 0:26:15 | |
According to my sources, he was a mad professor like Carl. "Dr McLeod" | 0:26:15 | 0:26:21 | |
Must be a Harvard man. | 0:26:21 | 0:26:23 | |
< No doubt. | 0:26:23 | 0:26:26 | |
Martini? | 0:26:23 | 0:26:26 | |
Thank you. | 0:26:24 | 0:26:26 | |
< It was a classic murder-suicide. | 0:26:26 | 0:26:31 | |
Butchered his wife, but botched the job on himself. | 0:26:31 | 0:26:35 | |
< Ask Gus the barber. | 0:26:35 | 0:26:37 | |
That's not what Gus told me. | 0:26:37 | 0:26:42 | |
When you were getting your hair cut? | 0:26:39 | 0:26:42 | |
He said he didn't kill his wife, but his boyfriend. | 0:26:42 | 0:26:46 | |
Carl! | 0:26:46 | 0:26:48 | |
I wanna know what he thinks plastic surgery is for. | 0:26:48 | 0:26:52 | |
Unless he doesn't have the money. | 0:26:52 | 0:26:54 | |
Someone told me, and I do not believe this, that he was one of the Kennedys | 0:26:54 | 0:27:02 | |
The Kennedys? Well, he certainly resembles one. | 0:27:02 | 0:27:05 | |
-SHE LAUGHS -No, I didn't mean that. | 0:27:05 | 0:27:08 | |
I can't believe you said that. | 0:27:08 | 0:27:11 | |
Becky, how many years has McLeod been here? | 0:27:11 | 0:27:15 | |
Six - no, seven. | 0:27:15 | 0:27:17 | |
Every summer we talk about him. > | 0:27:17 | 0:27:20 | |
So? | 0:27:20 | 0:27:25 | |
One day I'll knock on his door and end all this. | 0:27:21 | 0:27:25 | |
Oh, Todd, where's the fun in that? | 0:27:25 | 0:27:28 | |
Hey, how's the scholar doin'? | 0:27:28 | 0:27:32 | |
Gonna make it to West Point yet, are we? | 0:27:32 | 0:27:34 | |
Don't remind me. | 0:27:34 | 0:27:37 | |
You know how I hate the idea | 0:27:37 | 0:27:38 | |
of him becoming one of those brush-cut fly boys. | 0:27:38 | 0:27:41 | |
Come on, Catherine, you like to fly. | 0:27:41 | 0:27:44 | |
I like to have the garbage picked up but I don't want him doing that! | 0:27:45 | 0:27:50 | |
This air force bit is something Chuck's just into for the moment. | 0:27:50 | 0:27:55 | |
Once he understands what the Pentagon is doing in Vietnam... | 0:27:55 | 0:27:59 | |
Are we having this argument again? | 0:27:59 | 0:28:01 | |
No, because I'm talking to Kitty. Besides, I'm too drunk. | 0:28:01 | 0:28:06 | |
I'm just glad he's way too young for the draft. | 0:28:06 | 0:28:10 | |
Y'know, there's nothing I'd rather do than drop napalm for a living. | 0:28:10 | 0:28:17 | |
I... Are you gonna let that...? | 0:28:25 | 0:28:29 | |
Television. | 0:28:29 | 0:28:31 | |
Mine's vodka. What's your excuse? | 0:28:44 | 0:28:47 | |
You gonna marry the hair... Er... | 0:28:48 | 0:28:51 | |
Carl? I don't know, Charles. Do you think I should? | 0:28:51 | 0:28:56 | |
Your mother's not much use to you these days, is she? | 0:29:00 | 0:29:05 | |
I'm sorry. I'm just not cut out for this mothering racket. | 0:29:05 | 0:29:09 | |
I never expected to have three children, let alone by three husbands. | 0:29:09 | 0:29:15 | |
Can I ask you something? | 0:29:15 | 0:29:17 | |
Sure. | 0:29:17 | 0:29:19 | |
You promise not to get mad? | 0:29:19 | 0:29:21 | |
Charles. | 0:29:21 | 0:29:23 | |
Why does Gloria hate me? | 0:29:24 | 0:29:26 | |
Oh, Charles, she doesn't... | 0:29:26 | 0:29:29 | |
Because you were born, baby. | 0:29:31 | 0:29:34 | |
But that wasn't my fault. | 0:29:34 | 0:29:38 | |
No, but she didn't know that. She was four years old. | 0:29:38 | 0:29:42 | |
All she knew was she had a rival for your father's affection. | 0:29:42 | 0:29:47 | |
She hated my father. She's always telling me what a jerk he was. | 0:29:47 | 0:29:52 | |
The way you do. | 0:29:52 | 0:29:54 | |
Oh, Charles, I never meant that. | 0:29:54 | 0:29:59 | |
I just didn't know how to... | 0:29:59 | 0:30:01 | |
-GLORIA YAWNS -Morning, all. | 0:30:01 | 0:30:04 | |
(Hey, we didn't always feel that way about him.) | 0:30:07 | 0:30:11 | |
About who? Who are we talking about? | 0:30:11 | 0:30:14 | |
Charles' father. | 0:30:14 | 0:30:16 | |
Oh, yes? | 0:30:16 | 0:30:18 | |
Whoa. | 0:30:52 | 0:30:53 | |
Is this what you wanted? | 0:30:57 | 0:31:00 | |
"Why the system must be changed now!" | 0:31:02 | 0:31:04 | |
Exclamation point. "By Charles E Norstadt." | 0:31:04 | 0:31:08 | |
I had no idea you pondered such weighty issues, Charles E. | 0:31:08 | 0:31:13 | |
I did what you asked. Are you gonna keep up your end? | 0:31:13 | 0:31:18 | |
All right. | 0:31:18 | 0:31:20 | |
I'd like a hole. Three feet across, three feet deep. | 0:31:20 | 0:31:25 | |
And how about a triangle? Two by two by three. Three feet deep. | 0:31:25 | 0:31:31 | |
Just near the paddock, left of the entrance. | 0:31:31 | 0:31:33 | |
If you need a hole, hire a contractor. | 0:31:33 | 0:31:36 | |
I don't need a hole. | 0:31:36 | 0:31:37 | |
I'm interested in your title. | 0:31:45 | 0:31:48 | |
I was wondering how you came to choose it. | 0:31:48 | 0:31:51 | |
Erm, it's about how... how people have to change things. | 0:31:51 | 0:31:57 | |
What kind of things? Sit down. | 0:31:57 | 0:32:00 | |
What kind of things? | 0:32:00 | 0:32:02 | |
The Government, you know. | 0:32:02 | 0:32:05 | |
What would you change about the Government? | 0:32:05 | 0:32:09 | |
Me? Erm, lots of things. | 0:32:09 | 0:32:13 | |
Such as? | 0:32:13 | 0:32:14 | |
Such as... | 0:32:14 | 0:32:16 | |
Such as how the word is spelt, for example. | 0:32:16 | 0:32:20 | |
What? | 0:32:20 | 0:32:22 | |
Judging by your essay, it seems you hope to change the spelling of "government", "democracy"... | 0:32:22 | 0:32:29 | |
and "Richard Miltown Nixon". | 0:32:29 | 0:32:32 | |
So, I'm not too good at spellings. | 0:32:32 | 0:32:34 | |
I see that, but if you're going to plagiarise, you might at least show the courtesy of... | 0:32:34 | 0:32:39 | |
-What are you talking about? -Don't! Who wrote this? Who? | 0:32:39 | 0:32:43 | |
Bill Garfield. | 0:32:44 | 0:32:46 | |
Never heard of him. | 0:32:46 | 0:32:50 | |
He's at Colombia. | 0:32:48 | 0:32:50 | |
Oh, so you're a high-class cheat. | 0:32:50 | 0:32:53 | |
I'm not a cheat... | 0:32:53 | 0:32:56 | |
You are! | 0:32:55 | 0:32:56 | |
I hate writing. It sucks! | 0:32:56 | 0:33:04 | |
< Adisca alt disceda. | 0:32:58 | 0:33:04 | |
It's a waste of time! It's like digging those shitty holes! | 0:32:59 | 0:33:04 | |
I'll write you a stinkin' essay! | 0:33:22 | 0:33:24 | |
"Why Spiderman sucks worse than the Silver Surfer!" Very good. | 0:33:56 | 0:34:02 | |
Are you happy now? Can I go? | 0:34:02 | 0:34:05 | |
You invited yourself. | 0:34:05 | 0:34:07 | |
Tonight, I want you to look up ten alternatives for the slang "to suck" | 0:34:09 | 0:34:15 | |
Shit! | 0:34:15 | 0:34:17 | |
And find me the Latin equivalent of your other favourite descriptive. | 0:34:17 | 0:34:22 | |
Mickey! | 0:34:23 | 0:34:25 | |
I gotta go. | 0:34:33 | 0:34:34 | |
< # If you're born a woman | 0:34:37 | 0:34:40 | |
< # You're born to be hurt | 0:34:40 | 0:34:45 | |
# You're born to be stepped on | 0:34:45 | 0:34:49 | |
# Lied to, cheated on and treated like dirt. # | 0:34:49 | 0:34:54 | |
I followed you this morning. | 0:35:03 | 0:35:06 | |
You tell, and you're dead. | 0:35:09 | 0:35:13 | |
I'm not gonna tell anybody. | 0:35:13 | 0:35:15 | |
I'm not gonna tell anybody IF... | 0:35:15 | 0:35:18 | |
What? If what? | 0:35:18 | 0:35:20 | |
You tell me all about him. What were you doing there? | 0:35:20 | 0:35:24 | |
You swear. Swear by Thor. | 0:35:24 | 0:35:27 | |
-I did what you said. I got a tutor. -The Freak's a teacher? Come on! | 0:35:31 | 0:35:35 | |
-I think he is. -What does he teach? | 0:35:35 | 0:35:38 | |
He makes me dig holes. | 0:35:38 | 0:35:41 | |
You liar! I'm gonna tell Mom, and she'll never let you near him again! | 0:35:41 | 0:35:47 | |
Keep your mouth shut! | 0:35:47 | 0:35:50 | |
OK! Get off, you maniac! | 0:35:50 | 0:35:52 | |
What's he like? Do you like him? Does he like you? | 0:35:52 | 0:35:56 | |
He hates everybody. I mean, look at him. | 0:35:56 | 0:36:00 | |
Sometimes I think I'm gonna be sick, just watching him. | 0:36:00 | 0:36:03 | |
Let me come with you. Please! | 0:36:03 | 0:36:06 | |
< Come on, Chuck. | 0:36:06 | 0:36:08 | |
Lunatic! | 0:36:18 | 0:36:20 | |
< Hello? | 0:36:24 | 0:36:26 | |
Mr McLeod? | 0:36:28 | 0:36:30 | |
Sir? | 0:36:33 | 0:36:35 | |
Hey, Pukehead! You home?! | 0:36:39 | 0:36:42 | |
Guess not. | 0:36:44 | 0:36:47 | |
Porno. | 0:38:14 | 0:38:16 | |
DOOR OPENS | 0:38:20 | 0:38:22 | |
Take it easy. OK. | 0:38:26 | 0:38:28 | |
MICKEY WHIMPERS | 0:38:28 | 0:38:29 | |
Lie down. | 0:38:29 | 0:38:32 | |
I'll be right back, fella. OK? | 0:38:33 | 0:38:36 | |
Hey, when did you get back? | 0:39:36 | 0:39:38 | |
I went for a walk when I finished my homework. | 0:39:38 | 0:39:42 | |
Jeez, what happened to him? | 0:39:43 | 0:39:45 | |
He encountered a porcupine. | 0:39:45 | 0:39:47 | |
Excrementum! | 0:39:47 | 0:39:48 | |
Stiltus puer. | 0:39:49 | 0:39:52 | |
What? What does that mean? | 0:39:52 | 0:39:54 | |
"The foolish boy"... digs a three-foot hole. | 0:39:54 | 0:39:59 | |
If we assume that he has dug his cube properly... | 0:39:59 | 0:40:04 | |
what will be the volume if he fills up half of it? > | 0:40:04 | 0:40:07 | |
Now, stiltus puer wants to erect a pole at the centre of his circle. | 0:40:13 | 0:40:18 | |
But how does he find that centre? | 0:40:18 | 0:40:21 | |
Think, Norstadt, reason. | 0:40:21 | 0:40:23 | |
No? Write this down. | 0:40:23 | 0:40:26 | |
Draw a circle. A,B,C. | 0:40:26 | 0:40:29 | |
Draw within it any straight line, AB. | 0:40:33 | 0:40:35 | |
Bisect AB at D and draw a straight line, DC, at right angles to AB. | 0:40:35 | 0:40:42 | |
With me, Norstadt? | 0:40:42 | 0:40:44 | |
Yes, sir. | 0:40:44 | 0:40:45 | |
OK. Any other straight line - AC. | 0:40:45 | 0:40:49 | |
Bisect AC, and you get the centre of your circle. | 0:40:49 | 0:40:52 | |
Good. | 0:40:54 | 0:40:56 | |
Euclid's Proposition 47. This is the famous one. | 0:41:04 | 0:41:09 | |
In any right-angled triangle... | 0:41:11 | 0:41:13 | |
Have a good look. Get it over with. Then we'll continue. Enough? | 0:41:16 | 0:41:24 | |
Good. | 0:41:25 | 0:41:27 | |
In any right-angled triangle, | 0:41:27 | 0:41:29 | |
the square on the side subtending the right angle, is equal to... what? | 0:41:29 | 0:41:36 | |
Equal to the sum of the squares on each of the two sides, sir. | 0:41:36 | 0:41:40 | |
Thank you. > | 0:41:40 | 0:41:42 | |
Take away the moustache, lighten the hair... | 0:41:43 | 0:41:47 | |
McLeod? | 0:41:47 | 0:41:48 | |
Shouldn't it mention that the man has no face? | 0:41:48 | 0:41:53 | |
You don't know what they keep back. | 0:41:53 | 0:41:55 | |
Give it a rest. Last week you thought it was Fidel Castro. | 0:41:55 | 0:42:00 | |
I said take away the beard. | 0:42:00 | 0:42:01 | |
How's that, Wayne? | 0:42:01 | 0:42:03 | |
Oh! Very nice, Gus. | 0:42:03 | 0:42:06 | |
All right, Wayne, but nobody lives like that unless they've got history. | 0:42:06 | 0:42:12 | |
Who's business is that? | 0:42:12 | 0:42:14 | |
This man has not bothered a soul since he's been here. | 0:42:14 | 0:42:19 | |
Any reason why you think he would? | 0:42:19 | 0:42:21 | |
Some other haircut. | 0:42:22 | 0:42:25 | |
"Strange fits of passion have I known | 0:42:33 | 0:42:36 | |
"and I will dare to tell but in the lover's ear alone" | 0:42:36 | 0:42:40 | |
GETTING FASTER: "What once to me befell, | 0:42:40 | 0:42:42 | |
"when she I loved looked every day fresh as a rose in June..." | 0:42:42 | 0:42:47 | |
Don't bludgeon it completely. | 0:42:47 | 0:42:51 | |
I hate poetry! | 0:42:51 | 0:42:52 | |
It's all love this, love that. | 0:42:52 | 0:42:55 | |
It's boring, snoring, smothering. | 0:42:55 | 0:42:58 | |
You don't like poetry or you don't like the word "love"? | 0:42:59 | 0:43:04 | |
Not every poem's a love sonnet. There's the "Ode to my Goldfish". | 0:43:06 | 0:43:13 | |
"Oh, wet pet". | 0:43:13 | 0:43:16 | |
That's it? | 0:43:16 | 0:43:18 | |
That's it. | 0:43:17 | 0:43:18 | |
What kind of a plane did you say your father flew? | 0:43:18 | 0:43:22 | |
U2. | 0:43:22 | 0:43:23 | |
157. Take it home and read it. | 0:43:26 | 0:43:29 | |
Take it. It's all of 20 lines. I'm sure you can manage that. | 0:43:29 | 0:43:35 | |
Hey! | 0:43:52 | 0:43:55 | |
Oh, Chuck. You know my kid brother, don't you? | 0:43:55 | 0:44:00 | |
I guessed, yes. | 0:44:00 | 0:44:01 | |
Were you on "The Flintstones"? | 0:44:01 | 0:44:03 | |
What? | 0:44:03 | 0:44:09 | |
You know - Fred, Dino. You know - yabadabadoo? | 0:44:04 | 0:44:09 | |
That's funny. Good. Funny kid. | 0:44:09 | 0:44:12 | |
Let's eat. | 0:44:14 | 0:44:18 | |
You sit down. I'll find something. | 0:44:15 | 0:44:18 | |
What have we got here? | 0:44:19 | 0:44:21 | |
What have you got in your sandwich? | 0:44:26 | 0:44:28 | |
You wanna give him my sandwich? | 0:44:28 | 0:44:30 | |
Calm down. | 0:44:30 | 0:44:32 | |
What's this, poetry? | 0:44:32 | 0:44:34 | |
You stupid brat! You did that on purpose! | 0:44:35 | 0:44:40 | |
Take it easy! | 0:44:40 | 0:44:41 | |
Shut up, Douglas! Come down, Slime! | 0:44:41 | 0:44:44 | |
What are you hiding? Idiot Charles doesn't read poetry! | 0:44:44 | 0:44:48 | |
It's just a little spilled milk. | 0:44:48 | 0:44:50 | |
'Oh, I have slipped the surly bonds of earth | 0:44:52 | 0:44:58 | |
'And danced the skies on laughter's silvered wings. | 0:44:58 | 0:45:02 | |
'Sunward I've climbed, joined the tumbling mirth of sun-split clouds | 0:45:02 | 0:45:08 | |
'And done a hundred things you have not dreamed of. | 0:45:08 | 0:45:14 | |
'Wheeled and soared and swung, | 0:45:14 | 0:45:16 | |
'and while with silent lifting mind I have trod | 0:45:16 | 0:45:20 | |
'the high, untrespassed sanctity of space, | 0:45:20 | 0:45:24 | |
'put out my hand, and touched the face of God.' | 0:45:24 | 0:45:28 | |
KNOCK AT DOOR | 0:45:32 | 0:45:34 | |
BARKING | 0:45:34 | 0:45:36 | |
That's promptness. | 0:45:43 | 0:45:45 | |
I didn't need that back today. | 0:45:47 | 0:45:49 | |
No, it was good. I just thought I should return it. | 0:45:49 | 0:45:53 | |
Why? | 0:45:53 | 0:45:55 | |
Remember I told you about Gloria? | 0:45:55 | 0:45:57 | |
-Your sister? -My half-sister. | 0:45:57 | 0:46:00 | |
What's evil half-sister done now? | 0:46:00 | 0:46:03 | |
Speak up. I've got an egg boiling. | 0:46:03 | 0:46:05 | |
She saw the book. She'll snoop around till she finds out what I'm doing. | 0:46:05 | 0:46:11 | |
I don't follow. | 0:46:11 | 0:46:13 | |
You haven't told your mother that you're coming here, have you? | 0:46:15 | 0:46:18 | |
That's it, isn't it? | 0:46:18 | 0:46:20 | |
Why the blazes not? | 0:46:21 | 0:46:23 | |
If I did, she wouldn't let me come. | 0:46:23 | 0:46:24 | |
Then you can't come. | 0:46:24 | 0:46:26 | |
No! I've got to, just for a little longer! | 0:46:26 | 0:46:29 | |
If she's letting you take the exam, | 0:46:29 | 0:46:31 | |
she's not totally opposed to the idea of a boarding school, is she? | 0:46:31 | 0:46:35 | |
She won't let me come because it's you. | 0:46:37 | 0:46:40 | |
That's why. They don't know you. People are afraid of what they don't know. | 0:46:41 | 0:46:46 | |
Thank you, Herr Doctor, I must be sure to write that down. | 0:46:46 | 0:46:50 | |
I just meant... | 0:46:50 | 0:46:54 | |
What are you playing at? | 0:46:51 | 0:46:54 | |
Nothing. Nobody has to know! | 0:46:52 | 0:46:54 | |
Do you want this exam? | 0:46:55 | 0:46:57 | |
Good. | 0:47:00 | 0:47:02 | |
Then take some responsibility for what you want. | 0:47:02 | 0:47:06 | |
Talk to her, Norstadt, convince her. | 0:47:07 | 0:47:09 | |
Convince me. | 0:47:10 | 0:47:12 | |
DOOR CLOSES | 0:47:19 | 0:47:21 | |
'Mother, I could not believe it.' | 0:47:28 | 0:47:31 | |
Attacked in my own home. | 0:47:31 | 0:47:33 | |
Oh, Gloria. | 0:47:33 | 0:47:36 | |
I'm not exaggerating. | 0:47:34 | 0:47:36 | |
Why do you baby him? That's what the psychiatrist said. | 0:47:36 | 0:47:42 | |
You know what his father... | 0:47:40 | 0:47:42 | |
Mother, I was there. | 0:47:42 | 0:47:44 | |
< Then you should be more patient. | 0:47:44 | 0:47:47 | |
He's not the only one with bad dreams. | 0:47:47 | 0:47:52 | |
It's not the same. | 0:47:49 | 0:47:52 | |
Charles, what are you doing? | 0:47:56 | 0:47:58 | |
I've just got home. | 0:47:58 | 0:47:59 | |
Is there something you wanted? | 0:48:02 | 0:48:04 | |
No. | 0:48:04 | 0:48:06 | |
Did he hear us? | 0:48:10 | 0:48:13 | |
I dunno. | 0:48:13 | 0:48:15 | |
< Hey, Mickey. Good morning. | 0:48:17 | 0:48:20 | |
What's all this? | 0:48:25 | 0:48:27 | |
My mother said I had to pay my way if I was going to keep coming here. | 0:48:27 | 0:48:32 | |
It's no trouble. I can do it every morning if you like. | 0:48:34 | 0:48:37 | |
Oh, erm... | 0:48:39 | 0:48:40 | |
What's this? | 0:48:42 | 0:48:46 | |
It's her phone number. She said to call if I was any trouble. | 0:48:43 | 0:48:46 | |
I don't have a telephone. | 0:48:46 | 0:48:51 | |
I'm no trouble. You could write her. | 0:48:47 | 0:48:51 | |
Scratch my back, I'll scratch the horse's. | 0:48:52 | 0:48:56 | |
Here, you're going the wrong way. | 0:49:00 | 0:49:03 | |
Go downward, long strokes. | 0:49:04 | 0:49:07 | |
Like this? | 0:49:08 | 0:49:10 | |
"Believe me, you are marvellously changed." | 0:49:11 | 0:49:15 | |
"I hold the world but as the world, Grat...iano, a stage." | 0:49:15 | 0:49:22 | |
It's not a cereal box you're reading | 0:49:22 | 0:49:28 | |
Why can't I read it silently? | 0:49:24 | 0:49:28 | |
Because it's a play, Norstadt. | 0:49:26 | 0:49:28 | |
You perform it. "I hold the world but as the world, Gratiano. | 0:49:28 | 0:49:32 | |
"A stage, where every man must play a part, | 0:49:32 | 0:49:36 | |
"and mine a sad one." | 0:49:37 | 0:49:40 | |
And what's his reason? | 0:49:40 | 0:49:42 | |
"I am a Jew." | 0:49:42 | 0:49:44 | |
"Hath not a Jew eyes?" | 0:49:47 | 0:49:49 | |
"Hath not a Jew hands, | 0:49:51 | 0:49:53 | |
"organs, dimensions, | 0:49:53 | 0:49:58 | |
"senses, affections, passions?" | 0:49:58 | 0:50:02 | |
"Fed with the same food? Hurt with the same weapons? | 0:50:03 | 0:50:09 | |
"Subject to the same diseases, healed by the same means? | 0:50:09 | 0:50:14 | |
"Warmed and cooled by the same winter and summer as a Christian is?" | 0:50:14 | 0:50:18 | |
"If you prick us, do we not bleed? | 0:50:18 | 0:50:22 | |
"If you tickle us, do we not laugh? | 0:50:22 | 0:50:26 | |
"If you poison us, do we not die? | 0:50:26 | 0:50:30 | |
"And if you wrong us... | 0:50:30 | 0:50:33 | |
"..shall we not revenge?" | 0:50:34 | 0:50:36 | |
"By my soul, I swear there is no power in the tongue of man to alter me. I stay upon my bond." | 0:50:39 | 0:50:45 | |
"Most heartily I do beseech the court to give their judgement." | 0:50:45 | 0:50:50 | |
"Why, then, thus it is. You must prepare your bosom for his knife." | 0:50:51 | 0:50:58 | |
"No!" | 0:50:56 | 0:50:58 | |
"Yes!" | 0:50:58 | 0:51:00 | |
"Aye, his breast. So says the bond, doth it not, noble judge?" | 0:51:00 | 0:51:04 | |
"'Nearest his heart' - those are the very words." | 0:51:04 | 0:51:08 | |
Is it my line? | 0:51:11 | 0:51:15 | |
No, it's mine, but it's late. | 0:51:12 | 0:51:15 | |
We'll finish this tomorrow. | 0:51:15 | 0:51:18 | |
No, we started. Let's finish. | 0:51:16 | 0:51:18 | |
Tomorrow... | 0:51:18 | 0:51:20 | |
..and tomorrow...and tomorrow, creeps Charles E. | 0:51:20 | 0:51:27 | |
Hello? | 0:51:32 | 0:51:35 | |
< Supper's in the oven. | 0:51:34 | 0:51:35 | |
I'm not hungry. | 0:51:35 | 0:51:38 | |
Do you know Shakespeare? | 0:51:39 | 0:51:44 | |
Know him?! I was his Ophelia at Radcliffe. | 0:51:41 | 0:51:44 | |
How does The Merchant of Venice end? | 0:51:44 | 0:51:49 | |
I don't know. Why? | 0:51:46 | 0:51:49 | |
Does the guy get his heart cut out? | 0:51:49 | 0:51:54 | |
Well, probably. Somebody dies. | 0:51:51 | 0:51:54 | |
Somebody always dies at the end of Shakespeare. | 0:51:54 | 0:51:57 | |
I thought you said you knew it. | 0:51:57 | 0:52:00 | |
I studied those plays years ago. Why's it so important? | 0:52:00 | 0:52:04 | |
It's not! | 0:52:04 | 0:52:06 | |
Is he doing drugs? | 0:52:10 | 0:52:12 | |
HE SINGS LOUDLY | 0:52:12 | 0:52:15 | |
Hey, Norstadt! Forget the horse! | 0:52:18 | 0:52:21 | |
Let's see if the guy gets his heart cut out! | 0:52:22 | 0:52:25 | |
"Do you confess the bond?" | 0:52:29 | 0:52:31 | |
"I do." | 0:52:30 | 0:52:31 | |
"Then must the Jew be merciful." | 0:52:31 | 0:52:36 | |
"On what compulsion must I? Tell me that." | 0:52:34 | 0:52:36 | |
"The quality of mercy is not strained. | 0:52:36 | 0:52:40 | |
"It droppeth as the gentle rain from heaven upon the place beneath. | 0:52:40 | 0:52:45 | |
"It is twice blessed. It blesseth him that gives, and him that takes. | 0:52:45 | 0:52:52 | |
"It is enthron-ed in the hearts of kings. | 0:52:52 | 0:52:56 | |
"It is an attribute to God himself, | 0:52:56 | 0:53:00 | |
"and earthly power doth then show likest God's | 0:53:00 | 0:53:05 | |
"when mercy seasons justice." | 0:53:05 | 0:53:09 | |
What did she say she wanted? | 0:53:22 | 0:53:26 | |
Um, cookies and rice. | 0:53:23 | 0:53:26 | |
They're over there. | 0:53:26 | 0:53:28 | |
Which one... Which type? > | 0:53:34 | 0:53:37 | |
How many types are there? | 0:53:37 | 0:53:39 | |
THEY CHAT | 0:53:39 | 0:53:43 | |
I need suntan lotion. Hi, Chuck. | 0:53:57 | 0:54:03 | |
I'm sorry. | 0:53:59 | 0:54:03 | |
Sorry? For what? | 0:54:01 | 0:54:03 | |
Oh, nothing. | 0:54:03 | 0:54:05 | |
THEY GIGGLE | 0:54:05 | 0:54:08 | |
Sir? | 0:54:13 | 0:54:17 | |
Yeah? | 0:54:15 | 0:54:17 | |
Did you ever wonder...why men and women are attracted to each other? | 0:54:19 | 0:54:25 | |
It's called sex, Norstadt, and it's not on your exam. | 0:54:28 | 0:54:33 | |
I don't mean like that. | 0:54:34 | 0:54:36 | |
I mean, why is it so difficult? | 0:54:38 | 0:54:41 | |
Why can't they stay together, stay attracted? | 0:54:41 | 0:54:45 | |
You know I never did consider myself a source of advice for the lovelorn. | 0:54:47 | 0:54:53 | |
Why, weren't you married? | 0:54:55 | 0:54:57 | |
Yes, I was. | 0:54:57 | 0:54:59 | |
A long time ago. | 0:54:59 | 0:55:01 | |
Still, that hardly qualifies me for any reasonable answer to that question. | 0:55:01 | 0:55:07 | |
All right. Do you want the short answer or the long one? | 0:55:15 | 0:55:19 | |
Short, I guess. | 0:55:22 | 0:55:25 | |
Good. | 0:55:24 | 0:55:25 | |
The problem is one of water. | 0:55:25 | 0:55:28 | |
Water? | 0:55:28 | 0:55:31 | |
Water. | 0:55:30 | 0:55:31 | |
Women have about 5% more of it than men, | 0:55:31 | 0:55:36 | |
making them subject to different forces of gravity. | 0:55:36 | 0:55:39 | |
Don't take my word for it, you can look it up in Newton. | 0:55:39 | 0:55:42 | |
It's there. | 0:55:42 | 0:55:44 | |
Can they be drained? | 0:55:44 | 0:55:47 | |
I'm serious! | 0:55:48 | 0:55:50 | |
Well, I believe they're waiting for us to drink more fluids. | 0:55:52 | 0:55:56 | |
What now? | 0:56:07 | 0:56:09 | |
I was wondering if... | 0:56:12 | 0:56:14 | |
..you really...write pornography? | 0:56:16 | 0:56:20 | |
HE LAUGHS | 0:56:27 | 0:56:31 | |
Is that the latest rumour? | 0:56:35 | 0:56:38 | |
Come here. I'll show you what I do for a living. | 0:56:38 | 0:56:41 | |
Here. | 0:56:46 | 0:56:48 | |
Tutoring doesn't pay what it used to. | 0:56:51 | 0:56:53 | |
Here's a few you might have seen. | 0:57:07 | 0:57:10 | |
-You did these? -Yeah. | 0:57:15 | 0:57:17 | |
Wow. Yeah, I've seen this one. | 0:57:19 | 0:57:21 | |
Well, what do you know? | 0:57:21 | 0:57:23 | |
Well, we don't get a lot of live specimens at the castle, do we? | 0:57:34 | 0:57:40 | |
Come on, back to Caesar's Gaul. | 0:57:50 | 0:57:52 | |
How did it happen? | 0:57:52 | 0:57:55 | |
Was it in the war? | 0:57:55 | 0:57:58 | |
I'm sorry. I shouldn't have asked. | 0:58:01 | 0:58:03 | |
That's all right. Everyone does, sooner or later. | 0:58:03 | 0:58:09 | |
It was in a car crash. | 0:58:09 | 0:58:11 | |
-I'm sorry. -So am I. | 0:58:11 | 0:58:15 | |
Not just for this, but... | 0:58:15 | 0:58:18 | |
There was a boy killed in that car crash and he burned to death. | 0:58:18 | 0:58:22 | |
Let's pick up the slack tomorrow, huh? | 0:58:28 | 0:58:31 | |
8.30, sharp. | 0:58:31 | 0:58:33 | |
Double sixes! Big Julie is dead! | 0:58:41 | 0:58:45 | |
He gets the hook, new King of the Mountain. | 0:58:45 | 0:58:51 | |
I won! I won! | 0:58:51 | 0:58:53 | |
Just don't forget, Norstadt, that on the exam Caesar wins, OK? | 0:58:53 | 0:58:57 | |
Wiseacre. | 0:58:58 | 0:59:00 | |
Do you want to be Romans or Gauls this time? | 0:59:01 | 0:59:04 | |
Sir? | 0:59:04 | 0:59:07 | |
It was a lousy thing to happen. | 0:59:09 | 0:59:11 | |
-What? -Lots of people die in accidents. | 0:59:13 | 0:59:17 | |
It wasn't your fault. | 0:59:17 | 0:59:19 | |
Norstadt... | 0:59:20 | 0:59:24 | |
No, look. | 0:59:22 | 0:59:24 | |
Even if it was, it doesn't matter. | 0:59:25 | 0:59:28 | |
It doesn't matter to me. | 0:59:28 | 0:59:32 | |
Norstadt! | 0:59:30 | 0:59:32 | |
Hey, look who it is! | 0:59:47 | 0:59:50 | |
Who is it, bat boy? | 0:59:50 | 0:59:52 | |
Hey, Norstadt! | 0:59:54 | 0:59:56 | |
Hi, Chuck. | 0:59:59 | 1:00:01 | |
Come on, you're hoggin' it. Over here. | 1:00:04 | 1:00:06 | |
How's the scholar doin'? | 1:00:10 | 1:00:13 | |
How's your freaky friend? | 1:00:13 | 1:00:15 | |
He's all right... for a Hamburger-Head. | 1:00:15 | 1:00:19 | |
How d'you know? | 1:00:21 | 1:00:23 | |
I gave your sister a pink belly till she squealed like a pig! | 1:00:23 | 1:00:28 | |
Jerks. | 1:00:26 | 1:00:28 | |
Just don't tell anyone, all right? | 1:00:28 | 1:00:35 | |
Why not? | 1:00:31 | 1:00:35 | |
Just don't. Not till I take the exam. | 1:00:32 | 1:00:35 | |
You're gonna hate that army school. | 1:00:35 | 1:00:37 | |
I don't care. I just want out. | 1:00:37 | 1:00:40 | |
Do you know how he hurt his face? | 1:00:40 | 1:00:43 | |
Yeah, how'd the Hamburger get burnt? | 1:00:41 | 1:00:43 | |
Car crash. | 1:00:46 | 1:00:48 | |
He got burnt and a kid got killed. | 1:00:48 | 1:00:51 | |
The Freak killed a kid? No shit! | 1:00:51 | 1:00:54 | |
Listen, guys, don't say anything about McLeod. All right? | 1:00:54 | 1:00:59 | |
Who would we tell? My friends hate me and I don't know anybody else. | 1:00:59 | 1:01:03 | |
LAUGHTER | 1:01:03 | 1:01:06 | |
What? It's true. > | 1:01:06 | 1:01:09 | |
-SLURRED: -Hello, Charles. | 1:01:20 | 1:01:22 | |
Would you come down here, please? | 1:01:28 | 1:01:30 | |
What's the matter, can't you hear me? I said come down here! | 1:01:30 | 1:01:35 | |
Who you been talkin' to, you little bastard? | 1:01:35 | 1:01:39 | |
-Huh? -BARKKING | 1:01:39 | 1:01:41 | |
Who did you tell? | 1:01:41 | 1:01:43 | |
GLASS SMASHES | 1:01:43 | 1:01:45 | |
Come down here, I said! Or are you deaf as well as stupid? | 1:01:45 | 1:01:50 | |
Who's there? Who's that?! | 1:01:51 | 1:01:53 | |
Get down here! Or do I have to come up and get you? | 1:01:53 | 1:01:56 | |
It's three in the morning! > | 1:01:56 | 1:01:58 | |
Who you been talkin' to, you little bastard? | 1:01:58 | 1:02:01 | |
Do you realise what you've done to me?! | 1:02:01 | 1:02:03 | |
SOBS | 1:02:18 | 1:02:21 | |
Help yourself! | 1:02:45 | 1:02:47 | |
Morning, Chuck. What's happening, man? | 1:02:49 | 1:02:51 | |
-Charles... -We have some big news. | 1:02:54 | 1:02:55 | |
Go ahead, tell him. | 1:02:56 | 1:02:57 | |
Your mom and I are going to be married. | 1:02:59 | 1:03:01 | |
Charles... Is there something you want to say? | 1:03:04 | 1:03:06 | |
You may be tall but you're stupid. | 1:03:07 | 1:03:09 | |
Gloria! You're practically naked! | 1:03:09 | 1:03:11 | |
So what? It's my house! | 1:03:11 | 1:03:12 | |
Heard the news? | 1:03:12 | 1:03:14 | |
I heard it yesterday. | 1:03:14 | 1:03:15 | |
Don't freak with delight(!) It might go to my head. | 1:03:15 | 1:03:18 | |
-Congratulations, Carl. -Watch out, she bites. | 1:03:18 | 1:03:21 | |
-You bite! -Butt out! | 1:03:21 | 1:03:23 | |
-Shut up, Gloria! -Be quiet, and... | 1:03:23 | 1:03:26 | |
..Think happy thoughts. | 1:03:26 | 1:03:27 | |
Are we going to live with you in Connecticut? | 1:03:27 | 1:03:29 | |
Sure. Your mom and I are going looking for a new home, and you're coming with us. | 1:03:29 | 1:03:35 | |
You want to come along too, man? | 1:03:35 | 1:03:37 | |
What about me? I don't get a say in where we live? | 1:03:37 | 1:03:40 | |
Of course you do, come along, then. | 1:03:40 | 1:03:42 | |
-I can't, because I'm going to Dad's, remember? I told you, Mother! -How convenient(!) | 1:03:42 | 1:03:46 | |
I can't go. I've got to study and take care of my cats! | 1:03:46 | 1:03:50 | |
Oh, Charles! | 1:03:50 | 1:03:54 | |
-I don't take milk. -Oh, you don't take milk... | 1:03:51 | 1:03:54 | |
-Your cat brother has developed a fetish for my underwear! -No accounting for taste! | 1:03:54 | 1:03:58 | |
I think we should put it to sleep. | 1:03:58 | 1:04:05 | |
I think we should put you to sleep. | 1:04:00 | 1:04:05 | |
You touch Mac and you're dead! | 1:04:02 | 1:04:05 | |
-What are you... -I'm trying to eat! | 1:04:05 | 1:04:09 | |
THEY ALL ARGUE | 1:04:07 | 1:04:09 | |
Don't hit your sister! | 1:04:10 | 1:04:13 | |
What about his background? | 1:04:11 | 1:04:13 | |
That's enough, Gloria! | 1:04:13 | 1:04:19 | |
He started it! | 1:04:15 | 1:04:19 | |
That's enough! | 1:04:17 | 1:04:19 | |
It's OK, it's OK. | 1:04:31 | 1:04:34 | |
Morning. | 1:04:37 | 1:04:38 | |
Sorry to be late. | 1:04:38 | 1:04:40 | |
That's all right. | 1:04:40 | 1:04:42 | |
I wanted to talk to you, about what happened yesterday. | 1:04:44 | 1:04:47 | |
Seems I'm not so good with people anymore. | 1:04:47 | 1:04:52 | |
I've forgotten how to be with them, I guess. Can you understand that? | 1:04:54 | 1:04:59 | |
Doesn't matter. | 1:04:59 | 1:05:02 | |
Doesn't it? | 1:05:00 | 1:05:02 | |
Why should it? | 1:05:02 | 1:05:05 | |
So, can we start? | 1:05:07 | 1:05:10 | |
All right. | 1:05:11 | 1:05:12 | |
Your turn, Dougie. | 1:05:15 | 1:05:18 | |
B-E-D. Bed. | 1:05:19 | 1:05:24 | |
Six. Very good, Doug. Excellent. | 1:05:24 | 1:05:25 | |
Triple word score, double letter on the F. 48 points. | 1:05:25 | 1:05:33 | |
Have you heard the latest on the F-R-E-A-K? | 1:05:33 | 1:05:37 | |
Gloria, don't call him that. | 1:05:37 | 1:05:42 | |
Sorry. The reclusive deformed warpo. | 1:05:39 | 1:05:42 | |
He killed a kid when he got that face. | 1:05:42 | 1:05:46 | |
So Rob's mother said. | 1:05:46 | 1:05:48 | |
She thinks he's JFK... | 1:05:48 | 1:05:55 | |
Mom, I think you should know that... | 1:05:50 | 1:05:55 | |
Erm, who's winning? | 1:05:51 | 1:05:55 | |
Um...I think I am. | 1:05:55 | 1:05:59 | |
Charles, I can't send you to the Lansings' with a carton of beans. | 1:06:04 | 1:06:09 | |
What about this? You like this. | 1:06:09 | 1:06:14 | |
No, I like beans. | 1:06:11 | 1:06:14 | |
Sorry, Mrs Camlin. | 1:06:16 | 1:06:18 | |
Take your time. We always stay late on Thursdays for Mr McLeod. | 1:06:18 | 1:06:23 | |
Oh, that's nice of you. | 1:06:23 | 1:06:24 | |
Ah! | 1:06:29 | 1:06:30 | |
What? | 1:06:32 | 1:06:36 | |
I... I have to go to the bathroom. | 1:06:33 | 1:06:36 | |
Wait until we get home. | 1:06:37 | 1:06:39 | |
Mom, I have to pee so bad I'm gonna wiz out my ear! | 1:06:39 | 1:06:45 | |
Downstairs to the left. | 1:06:42 | 1:06:45 | |
Good evening. | 1:06:58 | 1:07:02 | |
It's almost ready, Mr McLeod. | 1:06:59 | 1:07:02 | |
Thank you. | 1:07:02 | 1:07:04 | |
Er... | 1:07:07 | 1:07:09 | |
There you are. That does it. Thank you. | 1:07:12 | 1:07:17 | |
Thank you. | 1:07:17 | 1:07:19 | |
Bye, honey. | 1:07:26 | 1:07:29 | |
Bye, Carl. | 1:07:27 | 1:07:29 | |
Call us when you get there! | 1:07:29 | 1:07:31 | |
Bye-bye! | 1:07:33 | 1:07:36 | |
Want a beer? | 1:07:40 | 1:07:43 | |
Yeah. Want a beer? | 1:07:41 | 1:07:43 | |
Yeah. | 1:07:45 | 1:07:47 | |
Quidem magistri discipulos tanta | 1:07:49 | 1:07:54 | |
cumata dulcebant ut ipsi discipulis. | 1:07:54 | 1:07:58 | |
Now... | 1:07:58 | 1:07:59 | |
Right. "Some teachers used to teach their pupils so well..." | 1:07:59 | 1:08:05 | |
With such great art. | 1:08:03 | 1:08:05 | |
Erm... .."that..." | 1:08:06 | 1:08:08 | |
This is Latin, not Swahili. | 1:08:08 | 1:08:11 | |
You had this a week ago. What's the matter with you? | 1:08:11 | 1:08:15 | |
Good afternoon. | 1:08:19 | 1:08:22 | |
Afternoon. | 1:08:20 | 1:08:22 | |
Good hunting? | 1:08:22 | 1:08:25 | |
Can't complain. | 1:08:23 | 1:08:25 | |
All right. Quidem magistri discipulos, tanta cumata... | 1:08:28 | 1:08:33 | |
What are you lookin' at? | 1:08:34 | 1:08:36 | |
I said what are you lookin' at? | 1:08:36 | 1:08:40 | |
Norstadt, come here! | 1:08:37 | 1:08:40 | |
Assholes! | 1:08:42 | 1:08:44 | |
Better bring it up, Norstadt, whatever it is. | 1:08:59 | 1:09:03 | |
I told how you got hurt, and how the kid died. | 1:09:08 | 1:09:14 | |
Now everybody knows. | 1:09:15 | 1:09:17 | |
And why did you do that? | 1:09:17 | 1:09:18 | |
It was... I got... | 1:09:18 | 1:09:22 | |
I... I was really angry. | 1:09:22 | 1:09:25 | |
You're a hard marker, aren't you? | 1:09:28 | 1:09:31 | |
People are either in or they're out. Strictly pass or fail. | 1:09:31 | 1:09:37 | |
I'm sorry. I betrayed you. | 1:09:34 | 1:09:37 | |
I stabbed you in the back, and I don't even know why. | 1:09:37 | 1:09:42 | |
Come on, we're not doin' Julius Caesar now. | 1:09:42 | 1:09:46 | |
What? | 1:09:46 | 1:09:47 | |
Et tu, Chuckus? It's all right, I'll live. | 1:09:47 | 1:09:52 | |
You mean you don't hate my guts? | 1:09:53 | 1:10:01 | |
No, I don't hate your guts. Come on. | 1:09:54 | 1:10:01 | |
Do you think I'm crazy? | 1:10:02 | 1:10:04 | |
One of those kids who offs himself and writes a letter blaming Ed Sullivan. | 1:10:07 | 1:10:13 | |
Why? | 1:10:13 | 1:10:18 | |
The shrinks at school thought I was twisted. | 1:10:14 | 1:10:18 | |
Probably because you're interesting. | 1:10:18 | 1:10:24 | |
Sometimes I blank out, and I feel bad... | 1:10:20 | 1:10:24 | |
I think about the past - my mother, my father. I don't really know how he died. | 1:10:24 | 1:10:31 | |
My parents split up when I was four. | 1:10:31 | 1:10:34 | |
The stuff about spy planes and pilots - I made it all up to impress you. | 1:10:34 | 1:10:40 | |
To make me tutor you. | 1:10:41 | 1:10:44 | |
Yeah. | 1:10:42 | 1:10:44 | |
You needn't worry, Norstadt, you're not crazy. You're shrewd. | 1:10:45 | 1:10:50 | |
People spend too much time thinking about the past. | 1:10:54 | 1:10:56 | |
Whatever else it is, it's gone. | 1:10:58 | 1:11:01 | |
You know, everybody else would be all over me with questions. | 1:11:01 | 1:11:05 | |
"What do you mean you're crazy? Is your brain hot?" You never do that. | 1:11:05 | 1:11:10 | |
-It's just habit. I like privacy. -What about living alone? Do you like that? | 1:11:10 | 1:11:17 | |
-It likes me. -What do you mean? | 1:11:19 | 1:11:20 | |
I've become a proper fairy-tale troll here, Norstadt. | 1:11:20 | 1:11:25 | |
Tourist Board ought to pay me. | 1:11:28 | 1:11:30 | |
You're not a troll. | 1:11:30 | 1:11:32 | |
I'm a troll. | 1:11:31 | 1:11:32 | |
That's my job, Norstadt. My part. You want this? | 1:11:34 | 1:11:38 | |
No, you keep it. | 1:11:38 | 1:11:41 | |
By the way, I'm setting you a practice exam tomorrow. | 1:11:44 | 1:11:48 | |
But I haven't studied! | 1:11:48 | 1:11:50 | |
"Then I'll make ya. | 1:11:50 | 1:11:51 | |
"You're soft. | 1:11:59 | 1:12:00 | |
"Won't anything make a man of you? | 1:12:05 | 1:12:07 | |
"For 14 years I've been scared but it's gonna be all right!" | 1:12:17 | 1:12:19 | |
Time's up. | 1:12:50 | 1:12:51 | |
Pens down, time's up. Come on, Norstadt. Come on! | 1:12:53 | 1:12:56 | |
Good. | 1:12:57 | 1:12:58 | |
-Can you mark it now? -No, tonight. You're too excited. | 1:13:00 | 1:13:04 | |
I didn't get the third one because we didn't do reciprocal proportions. | 1:13:04 | 1:13:08 | |
-Go home, Norstadt. -No! | 1:13:08 | 1:13:10 | |
Patience. | 1:13:11 | 1:13:13 | |
Thank you. | 1:13:17 | 1:13:18 | |
I'll try some of this tonight. | 1:13:29 | 1:13:32 | |
< Good. | 1:13:31 | 1:13:32 | |
Say, Chuck, were you out hiking lately? | 1:13:38 | 1:13:44 | |
Er, no, not me. | 1:13:42 | 1:13:44 | |
Up north, Mr McLeod's place? | 1:13:44 | 1:13:46 | |
No, not me. I'm in a real hurry here. | 1:13:49 | 1:13:51 | |
I don't know. | 1:13:54 | 1:13:56 | |
Well? | 1:14:14 | 1:14:17 | |
Well? | 1:14:15 | 1:14:17 | |
Are you going to tell me? | 1:14:17 | 1:14:23 | |
Get in. | 1:14:19 | 1:14:23 | |
Tell me! Or do I have to kill you? | 1:14:20 | 1:14:23 | |
84 per cent. | 1:14:23 | 1:14:26 | |
84 per cent? No way, that is great! 84 per cent! | 1:14:26 | 1:14:30 | |
I'm a genius! I am a genius now! | 1:14:30 | 1:14:33 | |
I am one of the geniuses! | 1:14:33 | 1:14:35 | |
All right, it's only a practice exam. Get in. | 1:14:35 | 1:14:39 | |
I'm brilliant! I am a regular Einstein! | 1:14:39 | 1:14:44 | |
Norstadt! | 1:14:43 | 1:14:44 | |
OK, how come we're not studying if I'm so stupid? | 1:14:44 | 1:14:49 | |
Because it's carrot day. | 1:14:46 | 1:14:49 | |
Put your belt on. | 1:14:50 | 1:14:52 | |
Wow, look at the seaplane! | 1:15:04 | 1:15:08 | |
It's not a seaplane, it's a carrot. | 1:15:05 | 1:15:08 | |
You're kidding? | 1:15:08 | 1:15:15 | |
What are you waiting for? Take off. Go on. | 1:15:10 | 1:15:15 | |
Now you can tell him you've flown. | 1:15:48 | 1:15:51 | |
Think you can handle this yourself? | 1:16:08 | 1:16:12 | |
Really? | 1:16:10 | 1:16:12 | |
-Did you see us dive up there? -Yes. | 1:16:35 | 1:16:37 | |
How fast do you think we're going? 100? 125? | 1:16:37 | 1:16:38 | |
'I don't know. About... | 1:16:38 | 1:16:41 | |
No. 165 miles an hour. | 1:16:41 | 1:16:43 | |
John says we get great wind. John says it's not like a passenger plane. | 1:16:43 | 1:16:49 | |
John flew a Starfighter once. | 1:16:49 | 1:16:52 | |
As a matter of fact, I did. | 1:16:52 | 1:16:53 | |
He flew a Starfighter. | 1:16:53 | 1:16:54 | |
Can you imagine the G-force on something like that? | 1:16:54 | 1:16:58 | |
And the instruments... You should have seen the dials on this. | 1:16:58 | 1:17:04 | |
On the jet, it had to be ten times as many, at least. | 1:17:04 | 1:17:07 | |
What, you thought it was Brigitte Bardot driving? | 1:17:13 | 1:17:18 | |
No. | 1:17:16 | 1:17:18 | |
No, I was just thinking, it's weird. | 1:17:18 | 1:17:21 | |
What? | 1:17:21 | 1:17:25 | |
I can't see your scars anymore. | 1:17:22 | 1:17:25 | |
I can hardly even tell they're there. | 1:17:25 | 1:17:28 | |
What about you? | 1:17:28 | 1:17:34 | |
It's different for me. | 1:17:30 | 1:17:34 | |
Yeah. | 1:17:32 | 1:17:34 | |
Did you ever try to have it fixed? | 1:17:34 | 1:17:37 | |
No. I thought about it, but it just never seemed right. | 1:17:37 | 1:17:42 | |
My sister wanted to know if maybe you'd be interested in our mother. | 1:17:42 | 1:17:48 | |
She could keep me in the attic. Can she cook? | 1:17:48 | 1:17:56 | |
Hello, no, but she's gorgeous. | 1:17:51 | 1:17:56 | |
You could save us from the hairball. | 1:17:56 | 1:17:57 | |
-He's number five? -Yeah. | 1:17:57 | 1:17:59 | |
-He can't be that bad. -What?! | 1:18:00 | 1:18:02 | |
I can wait for you if you like and then drop you off at the Lansings'. | 1:18:13 | 1:18:19 | |
It's OK. I've got to feed the cat. | 1:18:14 | 1:18:19 | |
All right. | 1:18:21 | 1:18:22 | |
Thanks a lot. | 1:18:25 | 1:18:26 | |
Hey, Mac, you hungry? | 1:18:28 | 1:18:29 | |
Sorry I'm late, buddy. | 1:18:29 | 1:18:32 | |
No, get down. Come on, come on. | 1:18:34 | 1:18:36 | |
I guess you were hungry. | 1:18:41 | 1:18:43 | |
CLATTERING | 1:18:44 | 1:18:46 | |
What are you doin'? | 1:19:13 | 1:19:19 | |
Get out! | 1:19:14 | 1:19:19 | |
You heard her. Get out! | 1:19:15 | 1:19:19 | |
What a day! | 1:19:16 | 1:19:19 | |
What a perfect day! | 1:19:19 | 1:19:22 | |
-What a day... -Doug, do something! > | 1:19:22 | 1:19:24 | |
-Come here! -Uh-uh. | 1:19:24 | 1:19:26 | |
Come here! You going to keep quiet? | 1:19:28 | 1:19:31 | |
Flintstone, you could kill me, and I'd die happy telling Mother. | 1:19:31 | 1:19:35 | |
You keep your mouth shut, you hear? | 1:19:37 | 1:19:40 | |
-You hear me? -Forget it! | 1:19:40 | 1:19:43 | |
NO! MAC! | 1:19:46 | 1:19:48 | |
Bastard! | 1:19:52 | 1:19:53 | |
Let me go! He's hurt! | 1:19:53 | 1:19:56 | |
Calm down, kid, you're crazy! | 1:19:56 | 1:19:58 | |
His father was a psychotic maniac! | 1:19:58 | 1:20:00 | |
Shut up, you stupid cow! | 1:20:00 | 1:20:02 | |
-Gloria? -He should know. | 1:20:02 | 1:20:04 | |
Your father was an abusive drunk who killed himself in a mental hospital. And you will too. | 1:20:04 | 1:20:10 | |
Liar! I'm gonna smash your lyin' face! | 1:20:10 | 1:20:13 | |
You don't believe me? Bottom drawer of Mother's dresser. | 1:20:13 | 1:20:18 | |
Liar! You're dead! | 1:20:15 | 1:20:18 | |
You're going to be good? I'll let you up if you're good. | 1:20:18 | 1:20:22 | |
Don't listen to her, man, she's just tryin' to get you goin'. | 1:20:22 | 1:20:27 | |
BARKING | 1:20:56 | 1:21:01 | |
MCLEOD! | 1:21:01 | 1:21:02 | |
MR MCLEOD, SIR! | 1:21:06 | 1:21:08 | |
Charles? What's the matter? | 1:21:09 | 1:21:11 | |
Charles? What's wrong? | 1:21:12 | 1:21:14 | |
Charles? | 1:21:19 | 1:21:20 | |
They were in bed... He hurt Mac... She said... | 1:21:31 | 1:21:37 | |
Take it easy. Go slow. | 1:21:37 | 1:21:39 | |
She said... | 1:21:39 | 1:21:40 | |
I don't have a father...cos he walked out on me to be a drunk. | 1:21:42 | 1:21:48 | |
To be a crazy fucking drunk! | 1:21:49 | 1:21:51 | |
He killed himself in a mental institution. | 1:21:53 | 1:21:55 | |
Here, sit down. | 1:22:00 | 1:22:02 | |
Morning, Mr McLeod. | 1:22:21 | 1:22:22 | |
Good morning, Chief...? | 1:22:22 | 1:22:24 | |
-Stark. -Chief Stark. | 1:22:24 | 1:22:26 | |
-Can I come in? -Oh, please. Come in. | 1:22:26 | 1:22:28 | |
-I'm looking for the Norstadt boy. Is he here? -He is, yes. -He is? Oh, that's a relief. | 1:22:29 | 1:22:36 | |
The Lansings are in quite a state. They had a family melodrama there. | 1:22:36 | 1:22:42 | |
He was very upset when he arrived. I'm sorry I don't have a telephone. I would have called. | 1:22:42 | 1:22:48 | |
-I hear you're tutoring Chuck. -Yes, that's correct. | 1:22:48 | 1:22:53 | |
-Fine. Can I see him? -He's asleep. I'll... | 1:22:53 | 1:22:57 | |
-Where would that be? -Upstairs. | 1:22:57 | 1:22:58 | |
It's all right. I'll just take a peek, see if he's all right... | 1:22:58 | 1:23:03 | |
What's goin' on? | 1:23:03 | 1:23:04 | |
-It's time for you to go home, son. -It's all right. Nothing to worry about. | 1:23:07 | 1:23:12 | |
-You've given a lot of people a fright. -I don't wanna go. I'm staying here. -Charles. | 1:23:12 | 1:23:18 | |
Your mother's worried. She's on her way back. | 1:23:18 | 1:23:21 | |
I don't care. I'm staying here! | 1:23:21 | 1:23:24 | |
-Why don't you get your clothes and let's go. -No! | 1:23:24 | 1:23:27 | |
Charles... I want you to get dressed and go with Chief Stark. | 1:23:27 | 1:23:34 | |
What? | 1:23:34 | 1:23:38 | |
You have to. It'll be all right. | 1:23:35 | 1:23:38 | |
Why d'you lie to me the other day? | 1:23:48 | 1:23:51 | |
I don't know. | 1:23:52 | 1:23:54 | |
You like your teacher, don't you? | 1:23:55 | 1:23:58 | |
He's my best friend. | 1:23:58 | 1:24:00 | |
Charles... | 1:24:24 | 1:24:26 | |
I'm sorry. | 1:24:26 | 1:24:29 | |
I'm sorry. | 1:24:31 | 1:24:33 | |
Is that why you divorced him? | 1:24:37 | 1:24:39 | |
Cos he was psycho? | 1:24:40 | 1:24:42 | |
That was wicked of Gloria. | 1:24:44 | 1:24:45 | |
Charles, it was just wicked. | 1:24:46 | 1:24:48 | |
Your father wasn't... | 1:24:51 | 1:24:53 | |
Your father was a wonderful man. | 1:24:54 | 1:24:56 | |
But he had problems, and when he drank... | 1:24:57 | 1:24:59 | |
..we just couldn't handle it. | 1:25:01 | 1:25:02 | |
He hurt us, didn't he? | 1:25:04 | 1:25:06 | |
Oh, my poor boy. | 1:25:07 | 1:25:08 | |
My poor Chuck. Oh, what a time you've had. | 1:25:10 | 1:25:15 | |
Y'know, I always blamed you. | 1:25:18 | 1:25:20 | |
I know, baby, I know. | 1:25:20 | 1:25:22 | |
It's all right. | 1:25:23 | 1:25:26 | |
Charles, why didn't you tell me you were going to see Mr McLeod? | 1:25:29 | 1:25:35 | |
I wanted to, but I didn't think you'd let me go. | 1:25:35 | 1:25:39 | |
You're mad, aren't you? | 1:25:40 | 1:25:42 | |
No, Charles. | 1:25:43 | 1:25:45 | |
See, he's my tutor, but he's also my friend. | 1:25:45 | 1:25:49 | |
I can tell him anything. | 1:25:50 | 1:25:53 | |
Last night, did he... or at any other time... | 1:25:55 | 1:26:00 | |
..did he...touch you? | 1:26:00 | 1:26:03 | |
Yeah, sure. | 1:26:04 | 1:26:05 | |
How did he touch you? | 1:26:07 | 1:26:13 | |
Why are you asking me this? I told you he's my friend. | 1:26:09 | 1:26:13 | |
Just tell me. | 1:26:15 | 1:26:17 | |
Chief Stark told me something about your friend. | 1:26:18 | 1:26:22 | |
A boy was killed in a driving accident. | 1:26:22 | 1:26:25 | |
I know, he told me. So what? | 1:26:25 | 1:26:27 | |
He went to prison for three years. | 1:26:27 | 1:26:31 | |
The boy that was killed was a pupil of his. | 1:26:32 | 1:26:36 | |
He was in the car with McLeod and they were having... | 1:26:36 | 1:26:40 | |
He was abusing the boy, Charles. Do you understand what that means? | 1:26:44 | 1:26:48 | |
No. | 1:26:51 | 1:26:53 | |
No. You don't want me to love anyone else, so you hate him. You hate him. | 1:26:53 | 1:27:00 | |
Charles! | 1:27:00 | 1:27:02 | |
-Charles, please! Listen to me! I'm only trying to protect you! -You're a liar! Leave me alone! | 1:27:02 | 1:27:09 | |
Get out of my sight! | 1:27:20 | 1:27:22 | |
Sorry. | 1:27:22 | 1:27:23 | |
Hello, Mrs Palin. My name is... | 1:27:42 | 1:27:44 | |
I know who you are. What do you want here? | 1:27:44 | 1:27:48 | |
I came to see Charles and I wanted to explain... | 1:27:48 | 1:27:53 | |
What you've been doing to my son? | 1:27:50 | 1:27:53 | |
I haven't done anything to your son. | 1:27:53 | 1:27:55 | |
What? You expect me to believe that? | 1:27:55 | 1:27:58 | |
How do they let people like you walk around? | 1:27:58 | 1:28:03 | |
You're being irrational. Let me... | 1:28:00 | 1:28:03 | |
What?! You want to see irrational? I'll show you irrational! Get out! | 1:28:03 | 1:28:08 | |
Get out! | 1:28:08 | 1:28:10 | |
Ah, Doctor. | 1:28:46 | 1:28:48 | |
Mrs Palin, this is Dr Talbot. He's come all the way from Bangor to see us. | 1:28:49 | 1:28:54 | |
Hello, Charles. Just call me Lionel. | 1:28:54 | 1:28:58 | |
John Wayne. | 1:29:02 | 1:29:03 | |
-And how do you feel about that? -What do you mean? | 1:29:05 | 1:29:07 | |
Do you feel good about seeing John Wayne, or does it make you uneasy? | 1:29:09 | 1:29:14 | |
I don't know. Why do I have to feel anything? | 1:29:14 | 1:29:18 | |
You don't. But you don't want to keep things hidden that could hurt you. | 1:29:18 | 1:29:23 | |
There's no right or wrong answer here...OK, Chuck? | 1:29:26 | 1:29:30 | |
Let's try another. | 1:29:32 | 1:29:35 | |
-It's a very sensitive issue, Mr McLeod. The mother's concerned. -Have you talked to Charles or not? | 1:29:41 | 1:29:46 | |
-Yes, we have. -Then what do you need a meeting for? What did he say? | 1:29:46 | 1:29:51 | |
I can't discuss that. We just want a little meeting. | 1:29:51 | 1:29:56 | |
You mean a trial. | 1:29:56 | 1:29:58 | |
It's just an informal get-together to get the facts straight. | 1:29:59 | 1:30:04 | |
You don't even need a lawyer. | 1:30:04 | 1:30:07 | |
Mr McLeod, I would appreciate it if you didn't try to see the boy now. | 1:30:07 | 1:30:12 | |
Not till after the meeting. | 1:30:12 | 1:30:15 | |
I'd appreciate it. | 1:30:15 | 1:30:17 | |
I came here to get away from your meetings and... | 1:30:19 | 1:30:24 | |
Seven years I've lived here... alone in this house, and in peace. | 1:30:26 | 1:30:32 | |
Maybe it would have been best all around if that's the way things had stayed. | 1:30:32 | 1:30:38 | |
-You promised me! -How can I possibly let you take that exam after everything that's happened? | 1:30:44 | 1:30:50 | |
Nothing's happened! Nothing! Why won't you believe me? | 1:30:50 | 1:30:54 | |
It's out of my hands. The authorities will decide if there's anything to decide. | 1:30:54 | 1:30:59 | |
Oh, my gosh, I cannot live here! I can't live here! | 1:30:59 | 1:31:04 | |
-There's perfectly good schools in Connecticut. -I'll run! I will run! | 1:31:04 | 1:31:09 | |
OK, Charles. OK, Charles. Charles, I'll talk to Gloria. | 1:31:09 | 1:31:14 | |
It's not Gloria I can't live with. | 1:31:14 | 1:31:18 | |
I'm sorry. | 1:31:23 | 1:31:27 | |
Do whatever you want, all right? | 1:31:24 | 1:31:27 | |
Mr McLeod, I'm afraid we're getting too old to stay open so late. | 1:31:55 | 1:32:02 | |
You'll just have to come back at our regular hours. Sorry for your trouble. | 1:32:04 | 1:32:09 | |
HORN BLARES | 1:32:46 | 1:32:48 | |
Charles, would you please take this out to the car and give it to Carl? | 1:33:24 | 1:33:28 | |
Good luck in the exam. | 1:34:02 | 1:34:04 | |
Thanks. | 1:34:07 | 1:34:08 | |
Oh, oh. I got it. | 1:34:17 | 1:34:19 | |
Here. Careful, it's fragile. | 1:34:20 | 1:34:23 | |
I got it. | 1:34:24 | 1:34:25 | |
Put Gloria's in first. Mum's too. Put mine in last for easy access. > | 1:34:29 | 1:34:33 | |
Mom! | 1:34:45 | 1:34:46 | |
Asshole! | 1:35:05 | 1:35:06 | |
MR MCLEOD! | 1:35:21 | 1:35:23 | |
MR MCLEOD! | 1:35:24 | 1:35:26 | |
I'm not allowed to talk to you, Norstadt. You have to go. | 1:35:30 | 1:35:35 | |
No! No! | 1:35:35 | 1:35:37 | |
-I want to know! -You always want to know! | 1:35:39 | 1:35:42 | |
I want to know the truth! | 1:35:42 | 1:35:47 | |
About what? Life? Religion? | 1:35:43 | 1:35:47 | |
Why did you go to prison? | 1:35:47 | 1:35:50 | |
I was convicted of involuntary manslaughter. You can look it up. | 1:35:50 | 1:35:55 | |
Did you? The boy in the car, the boy that died. Did you molest him? | 1:35:55 | 1:36:01 | |
What do you think, Norstadt? | 1:36:03 | 1:36:06 | |
Stop playing the teacher. Tell me! | 1:36:03 | 1:36:06 | |
I think you've already made your mind up, haven't you? | 1:36:06 | 1:36:10 | |
Looks like I've fallen off that pedestal you put people on. Strictly pass or fail, isn't it? | 1:36:10 | 1:36:15 | |
I don't know what to think! | 1:36:15 | 1:36:23 | |
You're just lazy! I couldn't teach you a thing! | 1:36:17 | 1:36:23 | |
-Just tell me! -Did I ever abuse you? | 1:36:23 | 1:36:25 | |
Did I ever lay a hand of anything but friendship on you? Think, Norstadt, reason. | 1:36:25 | 1:36:33 | |
Did I? Can you imagine me ever doing so? | 1:36:33 | 1:36:38 | |
Then what about the past? What do you see? | 1:36:44 | 1:36:46 | |
-Tell me you didn't. I'll believe you. -No! No, sir! | 1:36:46 | 1:36:51 | |
I didn't spend all summer so you could cheat on this question. | 1:36:51 | 1:36:55 | |
I'm sorry. | 1:37:05 | 1:37:06 | |
I didn't know what to think. I'm sorry. | 1:37:06 | 1:37:08 | |
It's all right, Charles. It's not your fault. | 1:37:12 | 1:37:15 | |
You're a good student, Charles. | 1:37:20 | 1:37:22 | |
You're a very good student. | 1:37:25 | 1:37:26 | |
You better go. | 1:37:39 | 1:37:41 | |
Goodbye. | 1:37:47 | 1:37:49 | |
Sequari deum. | 1:37:51 | 1:37:53 | |
Gentlemen, we're ready. | 1:38:16 | 1:38:18 | |
Good luck. | 1:38:19 | 1:38:21 | |
You have five minutes left in section A. Five minutes. | 1:38:45 | 1:38:50 | |
Pencils down. | 1:38:58 | 1:39:00 | |
In section B, you will translate the passage from Cicero, | 1:39:00 | 1:39:05 | |
on the value and nature of friendship. | 1:39:05 | 1:39:09 | |
Pencils ready.... Begin. | 1:39:09 | 1:39:13 | |
Mr McLeod, I'd like to introduce Miss Fletcher from Children's Aid, | 1:39:26 | 1:39:30 | |
Dr Talbot, Judge Sinclair, Mr McDowell from the DA's office. | 1:39:30 | 1:39:37 | |
Is your legal counsel not with you? | 1:39:38 | 1:39:41 | |
-I was told that this was an informal meeting. Isn't that right? -Oh, no, that's correct. | 1:39:45 | 1:39:49 | |
William, why don't you begin? | 1:39:49 | 1:39:51 | |
Why didn't you go to the mother and make sure that Charles had told her about the tutoring? | 1:39:55 | 1:39:59 | |
Because I... | 1:39:59 | 1:40:02 | |
-You've never taught, have you? -Taught? No. | 1:40:02 | 1:40:06 | |
-You can't teach a thing without giving away your trust. -I don't follow. | 1:40:09 | 1:40:13 | |
Let's say I was teaching you, as a lawyer, to be honest. | 1:40:13 | 1:40:19 | |
I couldn't trust you to tell the truth, then run round the courts to see whether you were lying. | 1:40:19 | 1:40:27 | |
Not unless I was absolutely sure that you were lying. | 1:40:28 | 1:40:31 | |
Perhaps you should tell us about Patrick Scott. | 1:40:37 | 1:40:39 | |
What would you like to know? | 1:40:41 | 1:40:42 | |
Whatever you feel is relevant? | 1:40:42 | 1:40:44 | |
Nothing. | 1:40:46 | 1:40:48 | |
Please, humour me. | 1:40:48 | 1:40:50 | |
Patrick was an outstanding student. He could have done anything. | 1:40:53 | 1:40:58 | |
He was also very troubled. | 1:40:58 | 1:41:00 | |
He was from a broken home, full of guilt and violent fantasies. | 1:41:03 | 1:41:07 | |
Not unlike the profile of Charles. | 1:41:07 | 1:41:08 | |
No, not unlike it. He too had a hard time with authority. | 1:41:08 | 1:41:13 | |
I was one of the few, if not the only one, that he connected with. | 1:41:13 | 1:41:17 | |
He developed a fixation with me that I didn't know how to deal with. | 1:41:17 | 1:41:23 | |
I was 26. I didn't know a thing. | 1:41:24 | 1:41:26 | |
When I did confront him with it, on the way back from Boston, I was too frank, too hard. | 1:41:28 | 1:41:34 | |
-He became enraged, tried to step from the vehicle into the highway. -That's not what the jury found. | 1:41:36 | 1:41:42 | |
-You asked me what I knew of Patrick Scott, not what the jury thought it found. -But you lost your job? | 1:41:42 | 1:41:49 | |
Yes, I lost my position. | 1:41:49 | 1:41:52 | |
Then why, ten years later, would you pick a strange boy as a pupil? | 1:41:52 | 1:41:56 | |
Second chance. | 1:41:58 | 1:42:00 | |
Charles needed my help. I guess I needed his too. | 1:42:00 | 1:42:05 | |
How would you define "needed"? | 1:42:07 | 1:42:09 | |
I'm a teacher, Dr Talbot. I make my living otherwise, but I'm a teacher. | 1:42:09 | 1:42:14 | |
Afraid I don't follow. You were expelled from the profession. | 1:42:14 | 1:42:19 | |
I'm not talking about a piece of paper. | 1:42:19 | 1:42:23 | |
I'm talking about a moment of grace. | 1:42:23 | 1:42:27 | |
A moment to prove that I could do it well and true. | 1:42:28 | 1:42:32 | |
And did you? | 1:42:32 | 1:42:38 | |
Yes. Charles is a good student. | 1:42:34 | 1:42:38 | |
You're very fond of him. | 1:42:38 | 1:42:41 | |
Yes, I'm very fond of him. | 1:42:42 | 1:42:45 | |
-As fond of you were of Patrick Scott? -No, much closer. Is that my crime? | 1:42:45 | 1:42:52 | |
-Is that what I'm accused of? -We're simply interested in finding out the truth. | 1:42:52 | 1:42:58 | |
-I wish you were! -I beg your pardon? | 1:42:58 | 1:43:01 | |
You're interested in the appearance of the truth. | 1:43:01 | 1:43:04 | |
You haven't the slightest comprehension what bond of friendship I have with Charles. | 1:43:04 | 1:43:11 | |
-Perhaps you could enlighten us? -I don't think I can. | 1:43:11 | 1:43:14 | |
The tragedy of that is, I don't know why I can't. | 1:43:14 | 1:43:18 | |
Is it this? Is this what you see? | 1:43:18 | 1:43:23 | |
I assure you, it is human. | 1:43:23 | 1:43:27 | |
If that's all you see, then you don't see me. You can't see me. | 1:43:29 | 1:43:35 | |
-Perhaps we all need a short recess. -When you charge me, what will happen to Charles? | 1:43:42 | 1:43:47 | |
Mr McLeod, no-one has.... | 1:43:47 | 1:43:49 | |
Will he have to testify? | 1:43:49 | 1:43:54 | |
This panel.... | 1:43:50 | 1:43:54 | |
Will he be examined, probed? | 1:43:51 | 1:43:54 | |
That's enough! | 1:43:54 | 1:43:56 | |
Obviously the boy will be involved. That goes without saying. | 1:43:56 | 1:44:01 | |
Your implication that this is some sort of violation is offensive in the extreme! Do I make myself clear? | 1:44:02 | 1:44:09 | |
I apologise. | 1:44:10 | 1:44:13 | |
And I will cooperate with any course you feel necessary to resolve the problem with fairness, discretion. | 1:44:14 | 1:44:21 | |
Thank you. | 1:44:26 | 1:44:28 | |
Walker... | 1:44:54 | 1:44:58 | |
Yes, sir? | 1:44:55 | 1:44:58 | |
I think it's from your mother. | 1:44:56 | 1:44:58 | |
Mr Smith-Baker. | 1:44:58 | 1:45:01 | |
Sir. | 1:44:59 | 1:45:01 | |
Mr Gablon. | 1:45:01 | 1:45:05 | |
Thank you, sir. | 1:45:02 | 1:45:05 | |
Mr Norstadt. | 1:45:03 | 1:45:05 | |
Check the address on that. | 1:45:05 | 1:45:07 | |
Mr Libby. | 1:45:07 | 1:45:09 | |
Hop in! | 1:45:39 | 1:45:41 | |
'Hello, Norstadt. I'm sorry, but I'm not allowed to see you. | 1:46:12 | 1:46:19 | |
'I'm not allowed to talk to you, I'm not allowed to write this letter. | 1:46:19 | 1:46:24 | |
'These are my concessions and their conditions... | 1:46:24 | 1:46:29 | |
'..or, what I hope any good teacher would call "a lesson in the tender mercies of injustice". | 1:46:29 | 1:46:36 | |
'But, strangely, this is nothing to grieve over... | 1:46:38 | 1:46:41 | |
'..because you know the truth, and I now know that you can outgrow a part, even a sad one. | 1:46:42 | 1:46:48 | |
'You taught me that. | 1:46:49 | 1:46:51 | |
'You gave me what I never expected to find again - a gift of your trust and love. | 1:46:52 | 1:46:58 | |
'And nothing can take that grace away. | 1:47:00 | 1:47:02 | |
'The best is yet to be, Norstadt, so do it well. | 1:47:04 | 1:47:08 | |
'I remain, as ever, your tutor, Justin McLeod.' | 1:47:10 | 1:47:14 | |
..Those who persevere in faith. | 1:47:20 | 1:47:22 | |
Once again, | 1:47:22 | 1:47:23 | |
congratulations on achieving the goals set out before you four years ago. | 1:47:23 | 1:47:30 | |
Class of 1972...dismiss! | 1:47:31 | 1:47:35 | |
'Everything was perfect.' | 1:47:38 | 1:47:40 | |
Charles! | 1:47:57 | 1:47:58 | |
-Darling, I am so proud of you. -Thank you, Mother. | 1:48:00 | 1:48:03 | |
Charles, your mother and I are pleased. | 1:48:03 | 1:48:07 | |
Thank you, sir. | 1:48:05 | 1:48:07 | |
We'll see you at dinner, honey! | 1:48:10 | 1:48:15 | |
See you at eight! | 1:48:12 | 1:48:15 | |
I'll see you guys later. | 1:48:15 | 1:48:17 | |
'But there's always a face before me now... | 1:49:09 | 1:49:12 | |
..somewhere beyond the edge of the crowd.' | 1:49:13 | 1:49:14 | |
Intelfax Subtitles NICK BENTLEY | 1:49:17 | 1:49:20 | |
E-mail subtitling@bbc.co.uk | 1:49:20 | 1:49:22 |