Browse content similar to The Walker. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This film contains some strong language. | 0:00:11 | 0:00:19 | |
-WOMAN: -No, not at that time of year. | 0:00:35 | 0:00:36 | |
-WOMAN 2: -She's nice. To me, at least. | 0:00:38 | 0:00:41 | |
Well, don't let her fool you. A tiger. | 0:00:41 | 0:00:44 | |
-WOMAN 3: -She wears bite marks the way other women wear jewellery. | 0:00:44 | 0:00:47 | |
The trophy bride. | 0:00:47 | 0:00:48 | |
-MAN: She got her comeuppance. ALL: -Viagra! | 0:00:48 | 0:00:52 | |
ALL LAUGH | 0:00:52 | 0:00:54 | |
If all the pricks that have been stuck into her | 0:00:54 | 0:00:57 | |
were sticking out of her she'd be a porcupine. | 0:00:57 | 0:01:00 | |
-Ooh! -Oh, Car, what an image. | 0:01:00 | 0:01:03 | |
I saw that. That was a cheat. | 0:01:03 | 0:01:05 | |
Now, wait. Are you calling me a cheat? | 0:01:05 | 0:01:07 | |
Oh, now, come on. | 0:01:07 | 0:01:09 | |
I didn't mean the word pejoratively. | 0:01:09 | 0:01:12 | |
This is Washington, after all. | 0:01:12 | 0:01:14 | |
And I happen to be your partner. | 0:01:14 | 0:01:16 | |
-Yeah, that too. -Your turn. | 0:01:16 | 0:01:19 | |
Oh, she just said no and walked out. | 0:01:19 | 0:01:21 | |
-Well, how much did you offer her? -400 a week. | 0:01:21 | 0:01:23 | |
400. | 0:01:23 | 0:01:24 | |
The rich have such a touching faith in the efficacy of small funds. | 0:01:24 | 0:01:28 | |
Tennessee Williams said that. | 0:01:28 | 0:01:30 | |
So did I. WOMEN LAUGH | 0:01:30 | 0:01:32 | |
That's a beautiful meld you got going there. | 0:01:32 | 0:01:35 | |
What have you got over there? | 0:01:35 | 0:01:37 | |
Oh, nothing really. My hand is as bad as it gets. | 0:01:37 | 0:01:40 | |
Here, do you want to take some of these? | 0:01:40 | 0:01:42 | |
-Is that illegal? -Did you notice Candice Howard? | 0:01:42 | 0:01:46 | |
Purple is an acceptable colour, just not her colour. | 0:01:46 | 0:01:50 | |
Not in a dress, at least. | 0:01:50 | 0:01:52 | |
I told her it was a wonderful fabric | 0:01:52 | 0:01:54 | |
and she was fortunate to get so much of it. | 0:01:54 | 0:01:57 | |
WOMEN LAUGH | 0:01:57 | 0:01:59 | |
Some day her prince will come. | 0:01:59 | 0:02:01 | |
Not before she kisses a lot of frogs. | 0:02:01 | 0:02:05 | |
The city is asking, "What can they be talking about? | 0:02:07 | 0:02:11 | |
"Such different women, what do they have in common?" | 0:02:11 | 0:02:14 | |
-You, Car. -Besides that. | 0:02:14 | 0:02:17 | |
Nothing. | 0:02:17 | 0:02:18 | |
They know damn well what we're talking about - them. | 0:02:18 | 0:02:21 | |
-They wish. -Wednesday's canasta at the Hargrave. | 0:02:21 | 0:02:24 | |
ALL LAUGH | 0:02:24 | 0:02:27 | |
I don't understand these women today. | 0:02:27 | 0:02:29 | |
God forbid a man to give them anything. | 0:02:29 | 0:02:31 | |
-Have you played? -Yes. | 0:02:31 | 0:02:33 | |
Well, no, I've not thrown down. Here. | 0:02:33 | 0:02:35 | |
Yes, you're absolutely right, Natalie. | 0:02:35 | 0:02:36 | |
I mean, it's not enough to be a wife and a mother, | 0:02:36 | 0:02:39 | |
you've got to stand in a soup kitchen and wear a suit. | 0:02:39 | 0:02:41 | |
That's the former first lady. | 0:02:41 | 0:02:43 | |
No politics, girls. | 0:02:43 | 0:02:46 | |
Surrounded by a sea of special interest, we float above. | 0:02:46 | 0:02:49 | |
Car Page's crowd. | 0:02:49 | 0:02:51 | |
-Do you want that jack? -They make us sound like a coven. | 0:02:51 | 0:02:54 | |
LAUGHS Let them wonder how much we know. | 0:02:54 | 0:02:57 | |
-How much DO we know? -ALL: -Everything. | 0:02:57 | 0:03:00 | |
All the dirt dished in this great city, | 0:03:01 | 0:03:03 | |
all the human waste exuded by our friends and fellow human beings - | 0:03:03 | 0:03:08 | |
all of it sooner or later passes through these ears. | 0:03:08 | 0:03:12 | |
This here's shit central, darlings. | 0:03:12 | 0:03:14 | |
-Lovely. -Come on, Car, finish that story. | 0:03:15 | 0:03:18 | |
-Which story? -John Corring. -SHE HUMS | 0:03:18 | 0:03:20 | |
-And fair Juliette? -Yes. | 0:03:20 | 0:03:22 | |
Quiet dinner for six in the South, that's like tinder wood. | 0:03:22 | 0:03:27 | |
"John," Julie says to her husband, | 0:03:27 | 0:03:30 | |
"why is it you never fuck me anymore?" | 0:03:30 | 0:03:33 | |
-Whoa. -LAUGHS | 0:03:33 | 0:03:34 | |
Her tone changes. "Because when you do, you're so good at it." | 0:03:34 | 0:03:40 | |
The room quiets. She turns to Jessie. "Isn't he good at it?" | 0:03:40 | 0:03:45 | |
Oh, God. | 0:03:45 | 0:03:46 | |
Jessie and her husband freeze. | 0:03:48 | 0:03:51 | |
Just as the guests smell danger, Corring says, "Precious lamb, | 0:03:51 | 0:03:56 | |
"I never fuck you because ever since you went to Jenny Craig | 0:03:56 | 0:04:00 | |
"you're such a little bitty thing | 0:04:00 | 0:04:01 | |
"I can't even find you under the covers." | 0:04:01 | 0:04:03 | |
Thrilled, Juliette answers, "You really think I did some good?" | 0:04:03 | 0:04:07 | |
-Oh, my God. -LAUGHTER | 0:04:07 | 0:04:10 | |
I heard Corring throws from the other side. | 0:04:11 | 0:04:13 | |
-Really? -Mmm. | 0:04:13 | 0:04:15 | |
-He's straight, believe me. -You're pretty sure? | 0:04:15 | 0:04:17 | |
One thing I CAN tell is whether a man is a homosexual or not. | 0:04:17 | 0:04:22 | |
Oh, how? | 0:04:22 | 0:04:23 | |
I am the gay weather vane. | 0:04:23 | 0:04:26 | |
Little signals, you know - it might be his choice of words, | 0:04:26 | 0:04:30 | |
the way his tie is knotted or... | 0:04:30 | 0:04:32 | |
..how hard he gets when he hugs me. | 0:04:33 | 0:04:35 | |
WOMEN LAUGH | 0:04:35 | 0:04:38 | |
-It's your turn. -Oh, my God. Stop. | 0:04:38 | 0:04:41 | |
WOMAN: I'll never understand you, Car. | 0:04:57 | 0:04:58 | |
You luxuriate in the company of these... SHE GROANS | 0:04:59 | 0:05:03 | |
Do you know the damage those women... well, no, their husbands have done | 0:05:03 | 0:05:06 | |
to the things we care about? | 0:05:06 | 0:05:07 | |
I will fuck a congressman to stop nuclear proliferation. | 0:05:07 | 0:05:11 | |
Please, Car. | 0:05:11 | 0:05:13 | |
Mr and Mrs Stanley Heal of the State Department | 0:05:13 | 0:05:16 | |
open up the Washington Post to see their precious baby daughter | 0:05:16 | 0:05:20 | |
chained to a nuclear train | 0:05:20 | 0:05:22 | |
with who was it - Peter Bayhoon? | 0:05:22 | 0:05:25 | |
Holding up a sign that says, "I will 'F'-asterisk a congressman." | 0:05:25 | 0:05:29 | |
I'd be careful. I remember you in Jordache jeans. | 0:05:29 | 0:05:31 | |
Oh, please. OK? | 0:05:31 | 0:05:34 | |
You still on for the opera benefit Saturday? | 0:05:34 | 0:05:37 | |
I thought Larry was back. | 0:05:37 | 0:05:39 | |
My husband hates high culture. | 0:05:39 | 0:05:42 | |
He wasn't born to it. | 0:05:42 | 0:05:44 | |
-Neither was I. -Well, you transformed yourself. | 0:05:44 | 0:05:47 | |
Yeah. Mmm, yeah. | 0:05:47 | 0:05:49 | |
What about next week? | 0:05:51 | 0:05:52 | |
-Do you mean...? -Mmm. | 0:05:54 | 0:05:56 | |
You've got to watch yourself. This is a brutal political climate. | 0:05:56 | 0:06:00 | |
Whatever ruth there ever was in this town, there's less now than ever. | 0:06:00 | 0:06:05 | |
You only get to live once. What's wrong with a little...pleasure? | 0:06:05 | 0:06:08 | |
Mmm. That, my dear, is a very difficult question to answer. | 0:06:10 | 0:06:13 | |
Promise me you'll always be my friend. | 0:06:17 | 0:06:19 | |
-Mmm. -Mmm? | 0:06:19 | 0:06:21 | |
I promise. | 0:06:21 | 0:06:22 | |
ANSWERING MACHINE BEEPS | 0:06:26 | 0:06:27 | |
MAN: Hey, Car. It's Emek here once again. | 0:06:27 | 0:06:29 | |
Please call me back. I've been trying to reach you. | 0:06:29 | 0:06:31 | |
Please call me, OK? Bye-bye. MACHINE BEEPS | 0:06:31 | 0:06:33 | |
-WOMAN: -Car, are you there? Pick up, darling, it's Abi. | 0:06:33 | 0:06:36 | |
Car, are you there? If you're there, pick up. | 0:06:36 | 0:06:39 | |
MACHINE BEEPS | 0:06:40 | 0:06:42 | |
# I didn't know | 0:07:01 | 0:07:04 | |
# Which way to turn | 0:07:04 | 0:07:07 | |
# I didn't know | 0:07:10 | 0:07:12 | |
# Which way to turn | 0:07:12 | 0:07:16 | |
# Can't control my feelings if I try | 0:07:19 | 0:07:25 | |
# Right from wrong | 0:07:26 | 0:07:29 | |
# From left to right... # | 0:07:29 | 0:07:32 | |
RINGING TONE | 0:08:18 | 0:08:20 | |
-WOMAN: -Hello? -Abi, my sunflower. | 0:08:20 | 0:08:24 | |
-Car. -So, tell. | 0:08:24 | 0:08:27 | |
How was that dinner party? | 0:08:27 | 0:08:30 | |
I need a dirt fix. Was it just swell? | 0:08:30 | 0:08:33 | |
Too, too, too, too much? | 0:08:33 | 0:08:35 | |
Oh, God, I could hear my hair growing. | 0:08:35 | 0:08:38 | |
The Austrian ambassador! | 0:08:38 | 0:08:40 | |
Imagine wasting me seated next to him. | 0:08:40 | 0:08:43 | |
And the House Speaker? | 0:08:43 | 0:08:44 | |
-I mean, is he always that tedious or is it just around me? -HE LAUGHS | 0:08:44 | 0:08:49 | |
He's like one of those circus midgets. | 0:08:49 | 0:08:52 | |
They grow an inch or two and they lose their job. | 0:08:52 | 0:08:55 | |
-SHE LAUGHS -Oh, God. -Are you in bed yet? | 0:08:55 | 0:08:58 | |
-No. No. -Tuck yourself in. | 0:08:58 | 0:09:01 | |
Let me tell you a bedtime story. | 0:09:01 | 0:09:04 | |
Now, public transport for the help. | 0:09:12 | 0:09:15 | |
Yes, it's a little pricey, but what isn't these days? | 0:09:18 | 0:09:21 | |
Mm-hm. OK. Uh, I'll call you back. | 0:09:23 | 0:09:26 | |
-Sam, send this out quick as you can. -Yes, sir. | 0:09:26 | 0:09:29 | |
Good. Car, I swear, you are my most punctual employee. | 0:09:29 | 0:09:34 | |
Well, I was brought up right. | 0:09:34 | 0:09:35 | |
Besides, it's only one day a week. | 0:09:35 | 0:09:38 | |
So, what's new on the grapevine? | 0:09:38 | 0:09:41 | |
Ambassador Singh still hasn't closed on that townhouse. | 0:09:41 | 0:09:45 | |
Problem getting the Foreign Affairs Ministry to approve the allocation - | 0:09:45 | 0:09:48 | |
all that red tape. | 0:09:48 | 0:09:50 | |
He's not too smart as it is. | 0:09:50 | 0:09:51 | |
The wheel is turning, but the hamster is dead. | 0:09:51 | 0:09:54 | |
LAUGHS | 0:09:54 | 0:09:57 | |
One thing I did hear, though - this is interesting - | 0:09:57 | 0:09:59 | |
the Detners, after the energy scandal, they overextended. | 0:09:59 | 0:10:04 | |
I can list ten buyers who'd jump at that property. | 0:10:05 | 0:10:07 | |
THEY CHATTER | 0:10:15 | 0:10:17 | |
Abi, you know what you are? | 0:10:37 | 0:10:39 | |
You are an absolutely perfect thing. | 0:10:39 | 0:10:41 | |
Mmm, darling. You keep it coming. | 0:10:41 | 0:10:43 | |
Car. | 0:10:43 | 0:10:45 | |
-I'm glad you could make it. -We must support the arts. | 0:10:46 | 0:10:49 | |
-Where's Larry? -Public policy conference. | 0:10:51 | 0:10:54 | |
-Lucky guy. -He'd rather be anywhere than here. | 0:10:54 | 0:10:56 | |
-SIGHS -She exaggerates. | 0:10:56 | 0:10:58 | |
We don't see enough of each other. Let's get together. | 0:10:58 | 0:11:01 | |
Why don't you call the office and set something up? | 0:11:01 | 0:11:04 | |
It will be my pleasure. | 0:11:04 | 0:11:06 | |
Your father was a great man. | 0:11:06 | 0:11:08 | |
He was so proud of you. | 0:11:09 | 0:11:11 | |
Yes, he was. | 0:11:11 | 0:11:13 | |
Hey, Al. | 0:11:13 | 0:11:14 | |
Fuck him. | 0:11:19 | 0:11:20 | |
He knows exactly how my father felt about me. | 0:11:20 | 0:11:23 | |
-He hates my guts. -Mine too. | 0:11:23 | 0:11:26 | |
Why people marry whom they marry I'll never understand. | 0:11:26 | 0:11:29 | |
Darling, don't let me commence. | 0:11:29 | 0:11:31 | |
US Attorney. | 0:11:31 | 0:11:33 | |
Do you know Mungo Tenant? | 0:11:33 | 0:11:35 | |
Mmm...not really. | 0:11:35 | 0:11:37 | |
I was just being polite. | 0:11:37 | 0:11:39 | |
Will you excuse me one moment? There's someone I have to see. | 0:11:46 | 0:11:48 | |
I'll be right back. | 0:11:48 | 0:11:51 | |
Carter, Lynn, how you doing? | 0:11:54 | 0:11:55 | |
Peachy. | 0:11:55 | 0:11:57 | |
-Peachy? -That's the word. | 0:11:57 | 0:12:00 | |
How are you? | 0:12:01 | 0:12:03 | |
I'm fine, Robbie. | 0:12:03 | 0:12:05 | |
How are things in the private sector? | 0:12:05 | 0:12:07 | |
Any more investment tips? | 0:12:07 | 0:12:09 | |
Car, you're not still sore about Ultimed. | 0:12:09 | 0:12:11 | |
Let's get together, maybe I can make it up to you. | 0:12:11 | 0:12:14 | |
I don't want to be scalded twice. | 0:12:14 | 0:12:16 | |
How about next week? | 0:12:18 | 0:12:20 | |
Give me a call. | 0:12:21 | 0:12:23 | |
I'll see you then. | 0:12:23 | 0:12:25 | |
If you'll excuse me, I have to get back to my seat. | 0:12:25 | 0:12:27 | |
Sorry about that, Natalie. You know how it is. | 0:12:35 | 0:12:38 | |
SPEAKS ITALIAN | 0:12:39 | 0:12:42 | |
What? | 0:12:42 | 0:12:43 | |
It's from tonight's performance, The Marriage of Figaro. | 0:12:43 | 0:12:47 | |
"How the night favours my secret plans." | 0:12:47 | 0:12:50 | |
Don't be so smart. | 0:12:50 | 0:12:52 | |
LOUD MUSIC AND VOICES | 0:13:11 | 0:13:15 | |
-Hey, Emek. -Hey, Car. | 0:13:38 | 0:13:41 | |
I tried to call you. | 0:13:41 | 0:13:43 | |
Not very hard, you didn't. | 0:13:44 | 0:13:46 | |
Don't be like that. | 0:13:46 | 0:13:48 | |
Well, how should I be? | 0:13:49 | 0:13:51 | |
-Quo vadis? -What - now? | 0:13:53 | 0:13:56 | |
Yes, now. | 0:13:56 | 0:13:58 | |
We've had this discussion, didn't we? | 0:14:00 | 0:14:02 | |
Don't be such a kid. | 0:14:02 | 0:14:04 | |
Do you want to talk? | 0:14:10 | 0:14:11 | |
I got a date. | 0:14:13 | 0:14:15 | |
With who? | 0:14:15 | 0:14:16 | |
Bunbury. | 0:14:19 | 0:14:21 | |
Don't quote Oscar Wilde to me. Anybody but Wilde. | 0:14:21 | 0:14:25 | |
Say goodnight, Car. | 0:14:28 | 0:14:29 | |
We talk tomorrow. | 0:14:33 | 0:14:34 | |
-Hi. -Hey. Sorry to keep you waiting. | 0:14:36 | 0:14:38 | |
You want another drink, or something? | 0:14:38 | 0:14:40 | |
That's OK. | 0:14:40 | 0:14:41 | |
He sees himself as quite the aesthete, | 0:15:01 | 0:15:04 | |
but when she's done with him he'll be eating red meat and women. | 0:15:04 | 0:15:08 | |
What about you? | 0:15:08 | 0:15:09 | |
You talk about everyone else, but you never talk about yourself. | 0:15:09 | 0:15:13 | |
I'm not that interesting. | 0:15:13 | 0:15:15 | |
I mean, you do have a private life. | 0:15:19 | 0:15:21 | |
I'll let you in on a little secret. | 0:15:22 | 0:15:24 | |
I've invented my own sex. | 0:15:24 | 0:15:27 | |
See how they hushed, absolutely hushed, when I leaned forward? | 0:15:32 | 0:15:35 | |
All those big ears wondering what old Car was saying. | 0:15:35 | 0:15:38 | |
You haven't always been old Car. | 0:15:40 | 0:15:43 | |
In fact, I remember a young Carter Page who once, I believe, | 0:15:43 | 0:15:49 | |
attempted to ask me out. | 0:15:49 | 0:15:51 | |
The '70s were a confusing decade. | 0:15:52 | 0:15:56 | |
A lot of things were blurred. | 0:15:56 | 0:15:57 | |
Still, it was an interesting notion. | 0:15:59 | 0:16:01 | |
You want to hear a personal story? | 0:16:04 | 0:16:06 | |
OK, I'll tell you a personal story. | 0:16:06 | 0:16:08 | |
Not about me, of course. About my grandfather, Carter Page I. | 0:16:08 | 0:16:13 | |
'Plantation' Page. | 0:16:13 | 0:16:16 | |
This is before he started dabbling in politics, | 0:16:16 | 0:16:18 | |
became governor 19 years old, Covesville, Virginia. | 0:16:18 | 0:16:23 | |
He had fallen in love with a photograph of a young woman - | 0:16:23 | 0:16:29 | |
Johanna Combs of Philadelphia. | 0:16:29 | 0:16:31 | |
For a year, they corresponded daily. | 0:16:32 | 0:16:35 | |
My grandfather looking at her picture as he wrote, | 0:16:35 | 0:16:39 | |
"I honestly hope that e'er another Christmas shall have come | 0:16:39 | 0:16:43 | |
"our longings will have been displaced by full fruition." | 0:16:43 | 0:16:48 | |
My grandfather always talked like | 0:16:48 | 0:16:50 | |
a man with a Bible half open in his head. | 0:16:50 | 0:16:53 | |
He boarded the National to Philadelphia. | 0:16:55 | 0:16:58 | |
That night they went to the opera, at intermission he got up, | 0:16:58 | 0:17:03 | |
returned home to Covesville, married my grandmother. | 0:17:03 | 0:17:07 | |
The two pen pals, Car and Johanna, never saw each other again. | 0:17:07 | 0:17:11 | |
When my grandfather and grandmother had their first child, | 0:17:13 | 0:17:16 | |
they named her Johanna. | 0:17:16 | 0:17:18 | |
And that's it? | 0:17:26 | 0:17:28 | |
-That's the story? -That's all I ever heard. | 0:17:28 | 0:17:31 | |
I'd give my right arm to know the rest of it. | 0:17:33 | 0:17:36 | |
Well. | 0:17:41 | 0:17:42 | |
-LYNN: -Don't say it. | 0:17:51 | 0:17:52 | |
I mean, is it so important? It's just sex. | 0:17:54 | 0:17:58 | |
And that stuff you're breathing is just oxygen. | 0:17:58 | 0:18:01 | |
Mmm. Must get pretty lonely up there on that pedestal. | 0:18:01 | 0:18:04 | |
I appreciate it, I really do. | 0:18:07 | 0:18:08 | |
Oh, yes. | 0:18:11 | 0:18:13 | |
-I'll bet you do. -Stop. | 0:18:13 | 0:18:16 | |
He's... | 0:19:30 | 0:19:31 | |
-SHE SIGHS -..he's dead. | 0:19:31 | 0:19:33 | |
What? | 0:19:34 | 0:19:37 | |
Oh, no. | 0:19:37 | 0:19:38 | |
He was...he was stabbed all over. | 0:19:42 | 0:19:44 | |
-Robbie is dead? -With a knife. | 0:19:45 | 0:19:47 | |
I called him this morning. I was going to see him tonight. | 0:19:51 | 0:19:54 | |
Oh, God. | 0:19:54 | 0:19:56 | |
Ooh. | 0:19:58 | 0:19:59 | |
Are you going to call the police? | 0:20:02 | 0:20:04 | |
Yeah, we should. CLEARS THROAT | 0:20:05 | 0:20:08 | |
Car... Car... | 0:20:12 | 0:20:13 | |
It would destroy everything. | 0:20:18 | 0:20:20 | |
It would destroy Larry. | 0:20:27 | 0:20:29 | |
The media... | 0:20:32 | 0:20:33 | |
It would destroy me. | 0:20:38 | 0:20:39 | |
Car... | 0:20:48 | 0:20:50 | |
What did you touch? | 0:20:53 | 0:20:55 | |
Nothing. | 0:20:55 | 0:20:56 | |
The doorknob, the door was open. | 0:20:56 | 0:20:58 | |
Is the door STILL open? | 0:20:58 | 0:21:00 | |
Let's get you home. | 0:21:05 | 0:21:06 | |
If anybody asks, just... | 0:21:06 | 0:21:09 | |
..tell them we went for a drive, talked about the old days, | 0:21:10 | 0:21:13 | |
I dropped you off. | 0:21:13 | 0:21:15 | |
STARTS ENGINE | 0:21:17 | 0:21:19 | |
Lynn... | 0:21:21 | 0:21:23 | |
is there something you're not telling me? | 0:21:23 | 0:21:26 | |
No. | 0:21:27 | 0:21:28 | |
No. Honest, Car. | 0:21:30 | 0:21:32 | |
There were no fights...not anything. | 0:21:33 | 0:21:36 | |
You must believe me. | 0:21:36 | 0:21:38 | |
I do. | 0:21:38 | 0:21:40 | |
It was all blood. | 0:21:44 | 0:21:46 | |
Thank you. | 0:22:02 | 0:22:03 | |
HE MUMBLES | 0:22:04 | 0:22:06 | |
CAT MIAOWS | 0:23:38 | 0:23:39 | |
There's been a murder. | 0:24:43 | 0:24:45 | |
Please send the police and the EMS. | 0:24:45 | 0:24:47 | |
943 25th Street North-West. | 0:24:50 | 0:24:54 | |
Carter Page III. | 0:24:56 | 0:24:57 | |
Yes, I'll be here. | 0:24:59 | 0:25:01 | |
CAMERA SHUTTER WHIRRS | 0:25:20 | 0:25:22 | |
So... | 0:25:31 | 0:25:33 | |
what did your friend do? | 0:25:33 | 0:25:35 | |
He was a lobbyist. | 0:25:37 | 0:25:39 | |
Who'll get Lancelot? | 0:25:40 | 0:25:42 | |
The cat. | 0:25:42 | 0:25:44 | |
They'll take it to a shelter. | 0:25:44 | 0:25:46 | |
No. I'd like to have him if possible. | 0:25:46 | 0:25:49 | |
How long did you know Mr Kononsberg? | 0:25:50 | 0:25:53 | |
20 years. | 0:25:53 | 0:25:55 | |
We were going to meet about some investments. | 0:25:55 | 0:25:58 | |
I got here and the door was open. | 0:25:58 | 0:26:01 | |
What do you think? | 0:26:05 | 0:26:07 | |
I don't know. Uh...a robbery perhaps. | 0:26:09 | 0:26:13 | |
Bit violent for that. | 0:26:13 | 0:26:15 | |
And who'd steal a computer tower? | 0:26:15 | 0:26:19 | |
He have a laptop as well? | 0:26:21 | 0:26:23 | |
I imagine so, yes. | 0:26:25 | 0:26:27 | |
You were close. | 0:26:31 | 0:26:32 | |
I didn't say we were close, I said I'd known him for 20 years. | 0:26:33 | 0:26:37 | |
PHONE RINGS | 0:26:38 | 0:26:40 | |
-Yes? -CARTER: Senator Lockner. | 0:26:43 | 0:26:45 | |
-Carter, you've heard. -Yes. | 0:26:45 | 0:26:48 | |
When it comes to crime, nothing in this city shocks me. | 0:26:48 | 0:26:51 | |
Lynn said that he was at the benefit Saturday. | 0:26:53 | 0:26:56 | |
Would you like to speak with her? | 0:26:56 | 0:26:57 | |
Please. | 0:26:57 | 0:26:59 | |
Car? | 0:27:04 | 0:27:05 | |
How are you holding up? | 0:27:05 | 0:27:07 | |
Fine. | 0:27:08 | 0:27:10 | |
-Can you talk? -Not really. | 0:27:10 | 0:27:12 | |
I just called to say everything's under control. | 0:27:13 | 0:27:16 | |
It's an ongoing investigation, of course. | 0:27:16 | 0:27:19 | |
-Car... -I know. | 0:27:20 | 0:27:22 | |
Don't worry. | 0:27:23 | 0:27:25 | |
LAUGHTER | 0:27:26 | 0:27:29 | |
-ABIGAIL: -Darling, you kill me. | 0:27:31 | 0:27:34 | |
Well, it's true, the way it is with the stars of human sexuality. | 0:27:34 | 0:27:38 | |
I like this. | 0:27:40 | 0:27:42 | |
And I bet it's a hell of a lot less expensive | 0:27:42 | 0:27:44 | |
than Estrella or Mannheim & Fies. | 0:27:44 | 0:27:47 | |
Mrs Delorean, Mr Page. How nice to see you again. | 0:27:47 | 0:27:50 | |
I like this. Made in the US of A. | 0:27:50 | 0:27:53 | |
Oh, yeah, I've sworn off Europeans altogether. | 0:27:53 | 0:27:56 | |
It's only Americans for me. | 0:27:56 | 0:27:58 | |
I know what you mean, sir. | 0:27:58 | 0:28:00 | |
If you have any questions I'll be right over here. | 0:28:01 | 0:28:04 | |
-Oh. -Oh, look. | 0:28:05 | 0:28:08 | |
This is the material that Louise de Vilmorin had on her famous chaise. | 0:28:08 | 0:28:13 | |
I hope it's made of stronger stuff. | 0:28:13 | 0:28:15 | |
-Louise's couldn't have lasted long given the wear she gave it. -SHE CHUCKLES | 0:28:15 | 0:28:19 | |
Oh, my God, if there is a more handsome man, I want to meet him. | 0:28:19 | 0:28:24 | |
-Carter, you... -LAUGHS | 0:28:24 | 0:28:26 | |
..you are outrageous. | 0:28:26 | 0:28:28 | |
-But you are gorgeous. -Oh, thank you. | 0:28:28 | 0:28:31 | |
I didn't know Robbie Kononsberg very well. I didn't know you were close. | 0:28:33 | 0:28:37 | |
Yes, that was quite a shock. | 0:28:41 | 0:28:43 | |
Jack knew him. Of course, Jack knows everyone. | 0:28:46 | 0:28:48 | |
-He hates me. -No, he doesn't. Nobody hates you. | 0:28:49 | 0:28:53 | |
One day everything is fine, | 0:28:54 | 0:28:55 | |
the next you're in an episode of Murder, She Wrote. | 0:28:55 | 0:28:57 | |
Who's the woman? | 0:28:59 | 0:29:01 | |
What? | 0:29:02 | 0:29:04 | |
Isn't there a woman in every murder mystery? | 0:29:04 | 0:29:07 | |
Are you going to get this fabric? | 0:29:11 | 0:29:13 | |
It'll make the carpet read without competing. I think it's a real find. | 0:29:13 | 0:29:17 | |
Car, you're absolutely right. | 0:29:18 | 0:29:20 | |
Write this up. | 0:29:20 | 0:29:21 | |
What would I do without you? | 0:29:23 | 0:29:25 | |
That we won't even contemplate. | 0:29:25 | 0:29:28 | |
We could deliver in Georgetown or, if you like, | 0:29:28 | 0:29:30 | |
we could send everything to your Middleburg residence. | 0:29:30 | 0:29:32 | |
Get around all that nasty sales tax. | 0:29:32 | 0:29:34 | |
Please. | 0:29:34 | 0:29:36 | |
God, he makes obsequiousness an art form. | 0:29:37 | 0:29:40 | |
Detective Dixon. | 0:29:42 | 0:29:44 | |
What a coincidence. | 0:29:44 | 0:29:46 | |
Oh, I was told you might be here. | 0:29:46 | 0:29:48 | |
Uh, Detective Dixon, Abigail Delorean. | 0:29:50 | 0:29:52 | |
How do you do? | 0:29:52 | 0:29:55 | |
I need to speak with Mr Page. | 0:29:55 | 0:29:57 | |
-Shall I wait? -No, no, no, you go on. | 0:29:57 | 0:29:59 | |
I'll take a taxi. | 0:29:59 | 0:30:02 | |
Step into my office. | 0:30:02 | 0:30:03 | |
So, what - you're an interior decorator now? | 0:30:06 | 0:30:08 | |
Any progress in the investigation? | 0:30:08 | 0:30:10 | |
Why did you go to the apartment? | 0:30:12 | 0:30:15 | |
We've been over this. We had an appointment. | 0:30:15 | 0:30:17 | |
-And the door was open? -Yes, that's what made me suspicious. | 0:30:17 | 0:30:21 | |
-Have you contacted your lawyer? -Should I? | 0:30:23 | 0:30:25 | |
We'll need a DNA swab. | 0:30:26 | 0:30:28 | |
And Mungo Tenant wants to talk to you. | 0:30:28 | 0:30:30 | |
Why would the US Attorney's Office be involved? | 0:30:32 | 0:30:34 | |
He's made it his business. | 0:30:34 | 0:30:36 | |
MAN SPEAKS LATIN | 0:30:38 | 0:30:40 | |
"From the possible to the real." | 0:30:40 | 0:30:43 | |
That's the motto of Woodberry Forest, | 0:30:43 | 0:30:45 | |
the prep school Carter attended, Mr Withal. | 0:30:45 | 0:30:48 | |
I looked that up. | 0:30:48 | 0:30:50 | |
One of Woodberry's less illustrious alumni. | 0:30:50 | 0:30:53 | |
Myself, I went to Cumberland. It was good, but not...Woodberry. | 0:30:53 | 0:30:58 | |
No, Woodberry was for the sons of the well-connected. | 0:30:58 | 0:31:01 | |
-I didn't fit in. -No, I don't imagine you did. | 0:31:01 | 0:31:05 | |
Mungo, Carter has answered all your questions. What's the point? | 0:31:05 | 0:31:08 | |
What was the relationship between the deceased and Senator Lockner's wife? | 0:31:11 | 0:31:16 | |
-Acquaintances. -HE CLEARS THROAT | 0:31:16 | 0:31:19 | |
Uh, in fact, the last time I saw Robbie | 0:31:19 | 0:31:22 | |
I was with Lynn at the opera benefit. | 0:31:22 | 0:31:25 | |
That was the extent of their relationship? | 0:31:25 | 0:31:27 | |
To my knowledge. Have you asked Lynn? | 0:31:27 | 0:31:30 | |
What if we found evidence of Lynn's presence at Kononsberg's condo? | 0:31:30 | 0:31:35 | |
Wouldn't surprise me. | 0:31:35 | 0:31:37 | |
Robbie did a lot of entertaining. | 0:31:37 | 0:31:39 | |
You had a business relationship? | 0:31:39 | 0:31:41 | |
He advised me to purchase Ultimed stock. | 0:31:41 | 0:31:44 | |
I...made money for a while | 0:31:44 | 0:31:47 | |
and then I lost money. | 0:31:47 | 0:31:48 | |
-A lot. -Considerable. | 0:31:48 | 0:31:51 | |
Because of Robbie. | 0:31:51 | 0:31:53 | |
I have only myself to blame. | 0:31:53 | 0:31:55 | |
If you're holding anything back about Kononsberg | 0:31:59 | 0:32:02 | |
or Lynn Lockner's relationship... | 0:32:02 | 0:32:03 | |
If you are going to press charges, do so, | 0:32:03 | 0:32:06 | |
otherwise we're leaving. | 0:32:06 | 0:32:07 | |
LAUGHS | 0:32:09 | 0:32:11 | |
Carter... | 0:32:11 | 0:32:12 | |
..every year your father would come to Cumberland | 0:32:14 | 0:32:16 | |
to speak at a civics or an American history class. | 0:32:16 | 0:32:20 | |
He was an inspiration. | 0:32:22 | 0:32:23 | |
A great American. | 0:32:24 | 0:32:27 | |
Like his father before him. | 0:32:27 | 0:32:29 | |
It was because of him I decided to enter public service. | 0:32:30 | 0:32:33 | |
When I heard him at the Watergate hearings | 0:32:34 | 0:32:36 | |
I was proud to say I was a Virginian. | 0:32:36 | 0:32:39 | |
What are you? | 0:32:41 | 0:32:44 | |
What have you contributed to your father's memory? | 0:32:44 | 0:32:47 | |
Is there a name for what you are? | 0:32:48 | 0:32:50 | |
I believe he's called a walker, sir. | 0:32:54 | 0:32:58 | |
He walks rich women from place to place. | 0:33:00 | 0:33:02 | |
Car, is there anything you're not telling me? | 0:33:09 | 0:33:12 | |
Tell me now, I can't be responsible later. | 0:33:12 | 0:33:15 | |
And don't fuck with the Feds. | 0:33:17 | 0:33:20 | |
After 9/11 they took the leash off. | 0:33:20 | 0:33:22 | |
They do whatever they want. | 0:33:22 | 0:33:24 | |
-Do you want something? -No. | 0:33:24 | 0:33:26 | |
It'll all work out. | 0:33:28 | 0:33:30 | |
-Don't be naive. -I'm not naive. | 0:33:32 | 0:33:35 | |
I'm superficial. | 0:33:36 | 0:33:38 | |
CARTER: Mungo Tenant knows the right questions. | 0:33:41 | 0:33:43 | |
Somebody's leaking information about Lynn's connection to Robbie. | 0:33:44 | 0:33:48 | |
And how did you get involved in this? | 0:33:48 | 0:33:49 | |
RAP MUSIC PLAYS ON COMPUTER | 0:33:49 | 0:33:53 | |
You ever listen to real music? STOPS MUSIC | 0:33:53 | 0:33:54 | |
-This is real music. -STARTS MUSIC | 0:33:54 | 0:33:56 | |
STOPS MUSIC | 0:33:56 | 0:33:57 | |
If Lynn finds the body, all hell breaks loose. | 0:34:00 | 0:34:04 | |
I find the body, awkward, but I didn't think it was such a big deal. | 0:34:04 | 0:34:08 | |
So, what - now it is? | 0:34:08 | 0:34:10 | |
This is a mean crowd, this administration. | 0:34:10 | 0:34:14 | |
I ain't never seen anything like it. | 0:34:14 | 0:34:16 | |
It's a culture of revenge. | 0:34:18 | 0:34:20 | |
They want to revenge you, what - for your father? | 0:34:20 | 0:34:22 | |
No, that's just coincidence. | 0:34:24 | 0:34:26 | |
Lynn almost got pulled in, instead it's me. | 0:34:26 | 0:34:29 | |
Robbie's death is being exploited for political reasons. | 0:34:30 | 0:34:34 | |
Oh, can I, er...can I mention this to my editor? | 0:34:34 | 0:34:37 | |
Can you put down that crack pipe? | 0:34:37 | 0:34:39 | |
-LAUGHS -Just kidding. | 0:34:39 | 0:34:42 | |
I just don't know how much longer I can stand to shoot photo ops. | 0:34:42 | 0:34:45 | |
"Scarlett, Scarlett, look this way." | 0:34:45 | 0:34:46 | |
Uh...is this, um... | 0:34:49 | 0:34:51 | |
..is this a new suit? | 0:34:52 | 0:34:54 | |
This old thing? You like it? | 0:34:54 | 0:34:57 | |
It looks a little bit like a... medieval suit of armour. | 0:35:04 | 0:35:08 | |
-Thank you. -You're welcome. | 0:35:09 | 0:35:11 | |
I've got to figure out who tipped Tenant. | 0:35:14 | 0:35:17 | |
Hey, DC and Salt Lake... | 0:35:17 | 0:35:20 | |
it's the last two cities | 0:35:20 | 0:35:22 | |
where homosexuality is a ground for extortion. | 0:35:22 | 0:35:24 | |
Huh? | 0:35:24 | 0:35:26 | |
Lots of hypocrites. | 0:35:26 | 0:35:28 | |
Good American family man... | 0:35:28 | 0:35:30 | |
..you can squeeze him. | 0:35:31 | 0:35:33 | |
That's crazy. | 0:35:35 | 0:35:37 | |
You'd do that for me? | 0:35:37 | 0:35:38 | |
Yeah. | 0:35:39 | 0:35:41 | |
Why? | 0:35:41 | 0:35:43 | |
L-O-V-E. Love. | 0:35:44 | 0:35:47 | |
It's normal. | 0:35:49 | 0:35:51 | |
My first spelling lesson. | 0:35:55 | 0:35:57 | |
-Would you like some more? -NATALIE: -No, thanks. | 0:35:59 | 0:36:02 | |
Oh, I think I'll sit this one out. Chrissie, it's your turn. | 0:36:02 | 0:36:04 | |
Ooh. | 0:36:04 | 0:36:06 | |
-Ma'am. -I'm thinking about going on a diet. | 0:36:06 | 0:36:09 | |
It's been proven thinking about it doesn't work. | 0:36:09 | 0:36:12 | |
LAUGHS | 0:36:12 | 0:36:14 | |
To dear departed friends. | 0:36:14 | 0:36:16 | |
Hear, hear. | 0:36:16 | 0:36:18 | |
All right, girls...theories. | 0:36:22 | 0:36:25 | |
Well, one word - Ultimed. | 0:36:26 | 0:36:28 | |
Kononsberg plumped for them all over town - both sides of the aisle. | 0:36:28 | 0:36:32 | |
Everybody took donations. | 0:36:32 | 0:36:34 | |
-Mm-hm. -Even Larry. | 0:36:34 | 0:36:35 | |
Now he's investigating. | 0:36:35 | 0:36:37 | |
Gong! The whole thing collapses. | 0:36:37 | 0:36:40 | |
Biggest scandal since Teapot Dome. | 0:36:40 | 0:36:43 | |
-And nobody cares. -It's a lack of moral values. | 0:36:43 | 0:36:46 | |
-No, it's Iraq. -No. | 0:36:46 | 0:36:48 | |
-Iraq blurs everything. -No war talk, please. | 0:36:48 | 0:36:51 | |
Wasn't Robbie supposed to testify in front of Larry's committee? | 0:36:51 | 0:36:55 | |
I don't think so. I think he was just a messenger. | 0:36:55 | 0:36:57 | |
-Bagman. -Yeah, cherchez la femme. | 0:36:57 | 0:37:00 | |
Abi thinks there was a woman involved. | 0:37:01 | 0:37:03 | |
-Isn't there always? -It could be just a robbery. | 0:37:03 | 0:37:05 | |
-No. -Well, how about you, Car? | 0:37:05 | 0:37:08 | |
It's uncharacteristic of you to, er...be so reticent | 0:37:08 | 0:37:12 | |
about a subject so sensational. | 0:37:12 | 0:37:14 | |
Well, a friend is murdered and I'm told not to comment | 0:37:14 | 0:37:17 | |
because perhaps, perhaps, I am a suspect. | 0:37:17 | 0:37:20 | |
Well, who thinks that? | 0:37:20 | 0:37:22 | |
-Mungo Tenant. -How could anyone suspect you? | 0:37:22 | 0:37:26 | |
They go with what they have, and I'm what they have. | 0:37:26 | 0:37:29 | |
Tenant's an absolute badger. | 0:37:29 | 0:37:31 | |
He's ambitious - he wants to be a star. | 0:37:31 | 0:37:34 | |
I heard that Robbie was in trouble. | 0:37:34 | 0:37:37 | |
Define. | 0:37:37 | 0:37:39 | |
Overextended, as in... | 0:37:39 | 0:37:41 | |
his financial means couldn't accommodate his lifestyle. | 0:37:41 | 0:37:44 | |
Where'd you hear that? | 0:37:45 | 0:37:47 | |
Where do you ever hear such things? | 0:37:47 | 0:37:48 | |
Robbie would never let himself get into such a situation, | 0:37:48 | 0:37:51 | |
not where he'd die over money. | 0:37:51 | 0:37:53 | |
It's always about money. | 0:37:53 | 0:37:55 | |
People say it's sex, but it's money. | 0:37:55 | 0:37:59 | |
That's very simplistic of you, Natalie. | 0:38:00 | 0:38:03 | |
SHE LAUGHS MIRTHLESSLY Speaking of...money. | 0:38:03 | 0:38:07 | |
Did you know that Josh Milleford wrote a campaign song | 0:38:07 | 0:38:10 | |
for the presidential race Al Smith versus Herbert Hoover, 1928? | 0:38:10 | 0:38:15 | |
# You've seen good days With Hoover | 0:38:18 | 0:38:21 | |
# Better days are on the way... # LAUGHS | 0:38:21 | 0:38:24 | |
# ..Money will fall from blue skies | 0:38:24 | 0:38:26 | |
-# Prosperity's here to stay... # -Oh, darling. | 0:38:26 | 0:38:30 | |
# ..So say goodbye to Herbert | 0:38:30 | 0:38:33 | |
# And say hello to Al | 0:38:33 | 0:38:35 | |
# Say goodbye to Herbert | 0:38:35 | 0:38:38 | |
# And say hello to Al. # | 0:38:38 | 0:38:41 | |
-Hello, Al. -ALL LAUGH | 0:38:41 | 0:38:43 | |
A year later the market crashed. | 0:38:44 | 0:38:46 | |
-I remember. -ALL LAUGH | 0:38:46 | 0:38:49 | |
But you were just a young slip of a girl then, | 0:38:50 | 0:38:53 | |
not the beautiful woman you are now. | 0:38:53 | 0:38:55 | |
-Oh, doll. -Cut the shit. | 0:38:55 | 0:38:59 | |
Oh, cut the cards. | 0:38:59 | 0:39:01 | |
Thank you, sir. Ma'am. | 0:39:16 | 0:39:18 | |
ENGINE STARTS | 0:39:26 | 0:39:28 | |
ENGINE STOPS | 0:39:38 | 0:39:40 | |
Tenant called you. | 0:39:54 | 0:39:55 | |
-Yeah. -What did you say? | 0:39:58 | 0:40:01 | |
Last time I saw Robbie was at the National with you. | 0:40:01 | 0:40:03 | |
There's an informant. | 0:40:07 | 0:40:09 | |
Somebody is telling Tenant that you were having an affair with Robbie. | 0:40:09 | 0:40:13 | |
What did you tell Larry? | 0:40:18 | 0:40:19 | |
Same thing I told Tenant - we were acquaintances, end of story. | 0:40:20 | 0:40:23 | |
What would he do if you were connected to the murder? | 0:40:27 | 0:40:30 | |
He'd resign. | 0:40:30 | 0:40:31 | |
I could end this. | 0:40:35 | 0:40:36 | |
Is that what you're thinking about? | 0:40:38 | 0:40:40 | |
No, I...I was thinking about you. | 0:40:42 | 0:40:44 | |
Tenant is a baby sleaze who wants to be a big sleaze. | 0:40:48 | 0:40:52 | |
Nail a star, become a star. | 0:40:52 | 0:40:55 | |
It's how these justice boys think. | 0:40:55 | 0:40:57 | |
-A liberal star. -TWO liberal stars - even better. | 0:40:58 | 0:41:02 | |
I don't just play cards, you know. | 0:41:02 | 0:41:03 | |
Sorry. | 0:41:04 | 0:41:07 | |
How come you're always so polite? | 0:41:07 | 0:41:08 | |
It was my mother's answer to chaos, | 0:41:11 | 0:41:15 | |
now it's mine. | 0:41:15 | 0:41:16 | |
We had a fight - Robbie and me - an argument. | 0:41:20 | 0:41:23 | |
Somebody could have heard something. | 0:41:26 | 0:41:27 | |
He had a lot of anger in him. | 0:41:31 | 0:41:33 | |
He said people had been treating him like shit too long, | 0:41:33 | 0:41:38 | |
he wasn't going to take it. | 0:41:38 | 0:41:40 | |
Why didn't you tell me this before? | 0:41:40 | 0:41:42 | |
I didn't think it was important. I'm telling you now. | 0:41:43 | 0:41:46 | |
And you saw him again after this? | 0:41:49 | 0:41:51 | |
I have been such a fool. | 0:41:56 | 0:41:58 | |
You do care for me, don't you? | 0:42:05 | 0:42:07 | |
Yes. | 0:42:13 | 0:42:15 | |
I always have. | 0:42:15 | 0:42:16 | |
There's something I've always wanted to ask you. | 0:42:29 | 0:42:32 | |
What? | 0:42:33 | 0:42:34 | |
How do you survive all those long political dinners? | 0:42:34 | 0:42:39 | |
-SHE LAUGHS -Oh, I think about redecorating the room. | 0:42:39 | 0:42:43 | |
That, dear, is the most practical thing you've ever said. | 0:42:45 | 0:42:48 | |
MAN: Kononsberg was near busted in Ultimed, | 0:43:00 | 0:43:03 | |
then, two weeks later, he opened two offshore accounts. | 0:43:03 | 0:43:05 | |
No, he had money. | 0:43:05 | 0:43:08 | |
A few hundred thousand dollars were deposited in these accounts. | 0:43:08 | 0:43:11 | |
Well, if you could have found this out, | 0:43:13 | 0:43:15 | |
then the US Attorney could have also. | 0:43:15 | 0:43:18 | |
I would imagine so. | 0:43:18 | 0:43:19 | |
Car... | 0:43:25 | 0:43:26 | |
..you asked me to look into this and I did. | 0:43:27 | 0:43:30 | |
-Now I want to ask you a favour. -Of course. | 0:43:30 | 0:43:32 | |
Don't drag me any deeper into this, OK? | 0:43:34 | 0:43:37 | |
Ooh. Well, I guess if it isn't offensive, it isn't art. | 0:44:06 | 0:44:10 | |
Look. | 0:44:13 | 0:44:15 | |
These are Robbie Kononsberg's phone calls for the past six months. | 0:44:15 | 0:44:19 | |
-How'd you get these? -Well, I know people too, you know. | 0:44:19 | 0:44:23 | |
There is this guy who used to work for the DA's office. | 0:44:23 | 0:44:25 | |
-You got these from him? -Nah. | 0:44:25 | 0:44:27 | |
No, no, no, that was someone else. | 0:44:27 | 0:44:28 | |
But the DA guy, he said the night after the murder | 0:44:28 | 0:44:33 | |
Tenant's at this dinner, he gets a phone call, all right? | 0:44:33 | 0:44:35 | |
He's up and he's gone, he doesn't say a word. | 0:44:35 | 0:44:38 | |
The next Monday he comes up with this theory about Kononsberg and Lynn. | 0:44:38 | 0:44:41 | |
-Who'd he talk to? -I'm working on it. | 0:44:42 | 0:44:44 | |
But, look, one number starts popping up the last two months. | 0:44:44 | 0:44:47 | |
Actually, it's two numbers - one is for Jack Delorean's office | 0:44:47 | 0:44:50 | |
and the other one is for his cell phone. | 0:44:50 | 0:44:52 | |
-Abi's husband. -The old lion. | 0:44:55 | 0:44:57 | |
You know what they say about him - | 0:44:59 | 0:45:02 | |
he never ran for office cos he'd have to give up too much power. | 0:45:02 | 0:45:05 | |
Oh, God! | 0:45:10 | 0:45:12 | |
Hey, the...the other thing, er... | 0:45:20 | 0:45:22 | |
..have you thought about it? | 0:45:23 | 0:45:24 | |
Is this really the right time to discuss this? | 0:45:26 | 0:45:29 | |
I think it's a perfect time. I have your full attention. | 0:45:29 | 0:45:31 | |
You want me to help you get a gallery show, I understand. | 0:45:31 | 0:45:34 | |
-I have discreetly inquired. -Yeah, discreetly. | 0:45:34 | 0:45:37 | |
That's exactly the word I would like to talk to you about. | 0:45:37 | 0:45:39 | |
Be realistic. Look at this stuff. | 0:45:39 | 0:45:43 | |
It's not exactly subtle. It's agitprop, it's incendiary. | 0:45:43 | 0:45:48 | |
I guess that means you haven't. | 0:45:52 | 0:45:54 | |
I just don't want to feel used. | 0:45:54 | 0:45:56 | |
If you don't want to feel used... | 0:45:59 | 0:46:00 | |
..why are you in a relationship? | 0:46:03 | 0:46:04 | |
Oh. | 0:46:15 | 0:46:17 | |
This embassy used to be a society graveyard. | 0:46:19 | 0:46:22 | |
Supporting us in Iraq is the only smart thing Colombia ever did. | 0:46:23 | 0:46:27 | |
HE CHUCKLES | 0:46:27 | 0:46:29 | |
-Natalie. -Why, Jack. | 0:46:29 | 0:46:32 | |
Oh. Lovely. Thank you. SHE LAUGHS | 0:46:33 | 0:46:36 | |
-Car. -Hi, Jack. | 0:46:37 | 0:46:39 | |
Yeah, nice to meet you. | 0:46:40 | 0:46:42 | |
Oh, look at her. | 0:46:42 | 0:46:44 | |
Who? | 0:46:45 | 0:46:47 | |
People think marrying for money is easy. | 0:46:47 | 0:46:50 | |
Not true. I'm living proof. | 0:46:51 | 0:46:54 | |
Marrying for money is the hardest fucking job there is. | 0:46:55 | 0:46:59 | |
You don't get the money, you just get to look at it. | 0:46:59 | 0:47:02 | |
She's just discovering that. | 0:47:03 | 0:47:04 | |
Have you heard from Lynn? | 0:47:06 | 0:47:08 | |
No. | 0:47:08 | 0:47:10 | |
I haven't been able to reach her. | 0:47:10 | 0:47:12 | |
Well, perhaps that's best. | 0:47:12 | 0:47:13 | |
Oh! | 0:47:14 | 0:47:16 | |
Here I am! | 0:47:17 | 0:47:18 | |
Seating can make or break a party. | 0:47:19 | 0:47:22 | |
It's probably not a good time to get involved in Lynn's problems. | 0:47:24 | 0:47:29 | |
Which problems? | 0:47:29 | 0:47:31 | |
Oh, Car. | 0:47:31 | 0:47:33 | |
Let me give you a piece of Washington wisdom. | 0:47:33 | 0:47:38 | |
Never stand between your friend and a firing squad. | 0:47:38 | 0:47:41 | |
And there you are. | 0:47:42 | 0:47:44 | |
And between us... | 0:47:47 | 0:47:48 | |
..the sub head of the task force on terrorism. | 0:47:50 | 0:47:52 | |
The man couldn't find the ground if he fell on it. | 0:47:53 | 0:47:57 | |
Natalie, I need to ask you a little favour. | 0:47:57 | 0:47:59 | |
Oh? What might that be? | 0:47:59 | 0:48:02 | |
Do you know why Robbie Kononsberg and Jack Delorean | 0:48:02 | 0:48:06 | |
were in close contact the last month and a half? | 0:48:06 | 0:48:08 | |
Car... I believe you've mistaken me for a private investigator. | 0:48:09 | 0:48:14 | |
Natalie Van Miter, PI. | 0:48:14 | 0:48:17 | |
LOUD MUSIC | 0:48:19 | 0:48:21 | |
-MAN: -On your own tonight? | 0:48:23 | 0:48:25 | |
Do you follow basketball? | 0:48:52 | 0:48:53 | |
Yeah. So? | 0:48:56 | 0:48:58 | |
What - are you a Michael Jordan fan? | 0:48:58 | 0:49:00 | |
Mmm. But I liked the team better before they changed the name. | 0:49:00 | 0:49:03 | |
Let's go over here. There's a room. | 0:49:06 | 0:49:08 | |
We can talk. | 0:49:08 | 0:49:09 | |
So, who did you work for? | 0:49:11 | 0:49:13 | |
You know, some asshole in the State Department. | 0:49:13 | 0:49:15 | |
-You live by your eyes, don't ya? -Stop and you won't be in trouble. | 0:49:23 | 0:49:26 | |
Who are you going to tell - Barney Frank? | 0:49:27 | 0:49:29 | |
What do you want? | 0:49:29 | 0:49:30 | |
Stop playing a detective or you'll be working with a white cane. | 0:49:30 | 0:49:34 | |
Tell your friend that too. Tell him to do the right thing. | 0:49:34 | 0:49:37 | |
-You got it, sand nigger? -Yeah. | 0:49:37 | 0:49:39 | |
Do you know Mark Hobern? | 0:50:04 | 0:50:06 | |
Of Grenville, Klein and Hobern. | 0:50:06 | 0:50:07 | |
He's Lockner's lawyer. | 0:50:07 | 0:50:09 | |
He came to see me. Our firms have a fee-sharing arrangement. | 0:50:10 | 0:50:13 | |
Hobern's firm has offered to cover any legal expenses you incur. | 0:50:15 | 0:50:19 | |
Why would they do that? | 0:50:20 | 0:50:22 | |
I didn't ask. | 0:50:22 | 0:50:24 | |
"Loyalty need not be dictated by financial concerns." | 0:50:24 | 0:50:27 | |
Those were Hobern's words. | 0:50:27 | 0:50:28 | |
Do you remember Susan McDougal? PHONE RINGS | 0:50:31 | 0:50:33 | |
Two years in jail because she wouldn't rat out Clinton. | 0:50:33 | 0:50:36 | |
-Seems like another era. -It was. | 0:50:37 | 0:50:40 | |
Oh, excuse me for one second. | 0:50:41 | 0:50:43 | |
Yes? | 0:50:47 | 0:50:48 | |
What happened? | 0:50:50 | 0:50:52 | |
Where are you? | 0:50:57 | 0:50:59 | |
-INTERCOM BUZZES MAN: -Who is it? | 0:51:08 | 0:51:10 | |
Carter Page, a friend of Emek's. | 0:51:10 | 0:51:14 | |
Step forward. Look into the camera. | 0:51:14 | 0:51:16 | |
BUZZ | 0:51:17 | 0:51:18 | |
Bradley's from the gym. He's a physical therapist, you know. | 0:51:22 | 0:51:25 | |
Thank you. | 0:51:25 | 0:51:26 | |
-How is he? -I'm fine. | 0:51:27 | 0:51:29 | |
He needs a couple of stitches | 0:51:29 | 0:51:31 | |
and should have an X-ray, just to be safe. | 0:51:31 | 0:51:34 | |
-He can stay here? -No, I'm fine to go home. | 0:51:34 | 0:51:37 | |
You've got to stop this. | 0:51:37 | 0:51:38 | |
Putting yourself in danger. | 0:51:40 | 0:51:42 | |
EMEK LAUGHS | 0:51:45 | 0:51:48 | |
Or else what? | 0:51:48 | 0:51:49 | |
Huh? You're not going to help me get a gallery show? | 0:51:49 | 0:51:52 | |
This is not a joke. | 0:51:54 | 0:51:56 | |
HE GROANS Listen, he said to tell you to stop. | 0:51:56 | 0:52:00 | |
"Do the right thing." | 0:52:00 | 0:52:01 | |
Would you recognise him? | 0:52:05 | 0:52:07 | |
Yeah, I would recognise him. | 0:52:09 | 0:52:10 | |
Who were you talking to? | 0:52:14 | 0:52:16 | |
INHALES SHARPLY | 0:52:16 | 0:52:18 | |
Sorry. | 0:52:19 | 0:52:21 | |
What were you trying to find out? | 0:52:22 | 0:52:23 | |
Robbie's connection to Delorean. | 0:52:26 | 0:52:29 | |
Now, this guy was supposed to be an unhappy employee, right? | 0:52:29 | 0:52:33 | |
And he would tell me things that would make my ears ring. | 0:52:33 | 0:52:36 | |
LAUGHS | 0:52:37 | 0:52:39 | |
That part was right. | 0:52:39 | 0:52:41 | |
So, what did Lynn say about the phone calls? | 0:52:42 | 0:52:44 | |
Huh? | 0:52:48 | 0:52:50 | |
Did you ask her? | 0:52:50 | 0:52:52 | |
I didn't have the chance. | 0:52:52 | 0:52:54 | |
What do you mean you didn't have the chance? | 0:52:54 | 0:52:56 | |
What has she done for you, huh? | 0:52:58 | 0:53:00 | |
Why are you trying to protect her?! | 0:53:00 | 0:53:02 | |
It's not that simple. | 0:53:02 | 0:53:03 | |
That's all right, Officer. It's his apartment. | 0:53:32 | 0:53:35 | |
-What's going on? -We have a court-issued warrant. | 0:53:45 | 0:53:48 | |
-Am I under arrest? -Not if you come in voluntarily. | 0:53:50 | 0:53:54 | |
Nice apartment. | 0:53:55 | 0:53:57 | |
Don't touch that. | 0:54:04 | 0:54:06 | |
It's 'Detective', Mr Page. | 0:54:06 | 0:54:08 | |
Do you recognise these? | 0:54:10 | 0:54:12 | |
No. | 0:54:12 | 0:54:13 | |
Is this Kononsberg's handwriting? | 0:54:14 | 0:54:16 | |
Kononsberg has no money... | 0:54:18 | 0:54:20 | |
..then suddenly he has money, then he's dead. | 0:54:21 | 0:54:24 | |
Doesn't that seem like a legitimate avenue for a murder investigation? | 0:54:24 | 0:54:29 | |
More relevant than, say, | 0:54:29 | 0:54:31 | |
Lynn Lockner's relationship to the victim? | 0:54:31 | 0:54:33 | |
You'll have to ask Attorney Tenant about that. | 0:54:33 | 0:54:35 | |
I thought this was your investigation. | 0:54:35 | 0:54:37 | |
It is. | 0:54:37 | 0:54:39 | |
Things aren't always what they seem. | 0:54:39 | 0:54:41 | |
You have the right to remain silent. | 0:54:42 | 0:54:45 | |
Anything you say can and will be used... | 0:54:45 | 0:54:47 | |
Mungo, you've kept my client waiting all night. | 0:54:47 | 0:54:50 | |
I'm not sure you understand the seriousness of your situation. | 0:54:50 | 0:54:54 | |
-Possession of stolen property... -Who told you it was stolen? | 0:54:54 | 0:54:57 | |
The same person who told you where to find it? | 0:54:57 | 0:54:59 | |
You're saying he gave you his watch? | 0:54:59 | 0:55:01 | |
I have no idea how it came to be in my apartment. | 0:55:01 | 0:55:03 | |
-There's no crime here. -TAPPING ON WINDOW | 0:55:03 | 0:55:05 | |
I believe you're lying about the circumstances | 0:55:07 | 0:55:10 | |
under which the body was found. | 0:55:10 | 0:55:11 | |
TAPPING ON WINDOW | 0:55:11 | 0:55:13 | |
I want to know why you're lying, why we found a zip disk | 0:55:22 | 0:55:25 | |
from Kononsberg's computer in your apartment. | 0:55:25 | 0:55:27 | |
My computer doesn't even have a zip drive. | 0:55:27 | 0:55:30 | |
Zips are 20th-century. | 0:55:30 | 0:55:32 | |
We know Lynn Lockner visited Kononsberg. | 0:55:32 | 0:55:35 | |
So bring her in. | 0:55:36 | 0:55:38 | |
She's not available. She left town. | 0:55:38 | 0:55:40 | |
-Where'd she go? -Palm Beach. | 0:55:42 | 0:55:44 | |
Her mother's sick. Don't you think that's convenient? | 0:55:44 | 0:55:48 | |
For you, yes. | 0:55:48 | 0:55:49 | |
If you brought her in, a minority leader's wife, | 0:55:49 | 0:55:52 | |
it might backfire. | 0:55:52 | 0:55:54 | |
I assume you are thinking of higher office. | 0:55:54 | 0:55:57 | |
GRUNTS AND LAUGHS | 0:55:57 | 0:56:00 | |
Carter Page. | 0:56:00 | 0:56:02 | |
Carter Page the 'turd'. | 0:56:03 | 0:56:05 | |
Mr Withal, you should make it clear to your client | 0:56:07 | 0:56:10 | |
he is on extremely thin ice. | 0:56:10 | 0:56:12 | |
I believe he is aware of that. | 0:56:14 | 0:56:16 | |
Ethan and I spoke earlier. | 0:56:17 | 0:56:19 | |
Out of respect for your father, | 0:56:21 | 0:56:22 | |
I'm going to recommend that you be released on your own recognisance. | 0:56:22 | 0:56:26 | |
That will give you time to give the matter some thought. | 0:56:26 | 0:56:28 | |
In my experience, | 0:56:30 | 0:56:32 | |
it's perjury that catches people out who think they're above the law. | 0:56:32 | 0:56:37 | |
Not so much the deed itself but the lying about it. | 0:56:37 | 0:56:40 | |
If you decide to cooperate | 0:56:42 | 0:56:44 | |
there's certain things that can be overlooked. | 0:56:44 | 0:56:46 | |
You contact Ethan. | 0:56:47 | 0:56:49 | |
And since you invoked my father's memory, | 0:56:49 | 0:56:51 | |
there's something I'd like to say on his behalf. | 0:56:51 | 0:56:54 | |
If alive, he would regret ever inspiring a person | 0:56:54 | 0:56:58 | |
such as yourself to enter public service. | 0:56:58 | 0:57:02 | |
Car...shut up. | 0:57:02 | 0:57:05 | |
Essentially, he's given you a three-day pass. | 0:57:09 | 0:57:12 | |
There was nothing on that disk. | 0:57:12 | 0:57:14 | |
Does Mungo just hate me, is it all homosexuals, | 0:57:15 | 0:57:19 | |
or is he determined to bring down Lockner, | 0:57:19 | 0:57:21 | |
or is it just plain old-fashioned ambition? | 0:57:21 | 0:57:25 | |
Perhaps it's a convergence of all four. | 0:57:25 | 0:57:27 | |
Did you know about Lynn? | 0:57:29 | 0:57:31 | |
I tried to reach her. | 0:57:31 | 0:57:33 | |
-And? -Unavailable. | 0:57:33 | 0:57:35 | |
They've started a whispering campaign, | 0:57:36 | 0:57:39 | |
the bright-eyed, little errand boys from Justice. | 0:57:39 | 0:57:41 | |
Lynn and Robbie having an affair | 0:57:43 | 0:57:45 | |
or Lynn having something to do with his death, | 0:57:45 | 0:57:47 | |
and Lockner knowing about it. | 0:57:47 | 0:57:50 | |
The press isn't going to buy that. | 0:57:50 | 0:57:52 | |
At a certain point it doesn't matter, | 0:57:52 | 0:57:54 | |
the whispering campaign itself becomes the story. | 0:57:54 | 0:57:56 | |
-I need to see Lockner. -What makes you think he'll see you? | 0:57:56 | 0:58:00 | |
Just contact him discreetly, see how he responds. | 0:58:01 | 0:58:05 | |
It's the wrong direction to take this. | 0:58:05 | 0:58:07 | |
What do you suggest? | 0:58:07 | 0:58:09 | |
Look to yourself, Car. | 0:58:10 | 0:58:12 | |
You may think you got friends in this situation, but you don't. | 0:58:12 | 0:58:16 | |
Decide what's in your best interest and then act upon it. | 0:58:16 | 0:58:20 | |
-Car... -I know. | 0:58:36 | 0:58:39 | |
I'm just picking up some of my things. | 0:58:39 | 0:58:41 | |
How do you know what I'm going to say? | 0:58:41 | 0:58:44 | |
Oh, you were going to tell me that because of market uncertainties | 0:58:44 | 0:58:48 | |
your accountant suggested scaling back | 0:58:48 | 0:58:50 | |
and that I should take, what, leave? | 0:58:50 | 0:58:54 | |
Well, yeah, something like that. | 0:58:55 | 0:58:57 | |
I don't blame you, John. | 0:58:57 | 0:58:59 | |
I won't be but a moment. | 0:59:00 | 0:59:01 | |
-ABIGAIL: -Hello? -Sunflower. | 0:59:52 | 0:59:55 | |
Car, is that you? | 0:59:55 | 0:59:57 | |
No, it's a ravishing young teenager pretending to be me. | 0:59:57 | 1:00:01 | |
How are you, Abigail? | 1:00:01 | 1:00:03 | |
How are you? Isn't it terrible? | 1:00:03 | 1:00:06 | |
-What? -What they're trying to do to Lynn. | 1:00:06 | 1:00:09 | |
What who's trying to do to Lynn? | 1:00:09 | 1:00:11 | |
You know who - the whisperers, the cave-dwellers. | 1:00:11 | 1:00:14 | |
They're trying to ruin her reputation. | 1:00:14 | 1:00:16 | |
These are cruel times. | 1:00:16 | 1:00:19 | |
In former days, men caught lying would have their testicles tied. | 1:00:19 | 1:00:24 | |
Today, they get a TV show. | 1:00:24 | 1:00:26 | |
ABIGAIL LAUGHS | 1:00:26 | 1:00:27 | |
Did you just make that up or were you saving it? | 1:00:27 | 1:00:30 | |
I was saving it for you. | 1:00:30 | 1:00:32 | |
Let's have lunch. We need a laugh. | 1:00:33 | 1:00:36 | |
-SHE SIGHS -Jack is meeting with the Vice-President. | 1:00:36 | 1:00:39 | |
His relatives are here. It's keeping me busy. | 1:00:39 | 1:00:42 | |
I understand. I'll see you at the Hargrave, then. | 1:00:42 | 1:00:46 | |
-OK. -OK. Bye-bye, then. | 1:00:46 | 1:00:49 | |
CALL DISCONNECTS | 1:00:50 | 1:00:51 | |
Hear that, Lancelot? | 1:00:55 | 1:00:57 | |
That's the sound of doors closing all over town. | 1:00:58 | 1:01:01 | |
PURRS | 1:01:02 | 1:01:04 | |
Carter, hop in. | 1:01:32 | 1:01:34 | |
-Senator Lockner. -Larry. | 1:01:39 | 1:01:41 | |
Thanks for the offer - the legal expenses. | 1:01:42 | 1:01:45 | |
What are you talking about? | 1:01:45 | 1:01:47 | |
-How's Lynn? -She's fine. | 1:01:49 | 1:01:51 | |
She went to visit her mother. Her mother's health is failing. | 1:01:52 | 1:01:56 | |
How much do you know? | 1:01:58 | 1:02:00 | |
About Lynn, Robbie Kononsberg's death. | 1:02:02 | 1:02:05 | |
I just know what Lynn told me. | 1:02:05 | 1:02:07 | |
She and Robbie were good friends, nothing more. | 1:02:08 | 1:02:12 | |
But Kononsberg was a lobbyist for Ultimed. | 1:02:15 | 1:02:19 | |
-Your committee is investigating... -Were. | 1:02:19 | 1:02:21 | |
We WERE investigating. Now we're just pretending to investigate. | 1:02:21 | 1:02:26 | |
It's not my committee anymore. | 1:02:26 | 1:02:28 | |
But you would have liked to talk to him. | 1:02:28 | 1:02:30 | |
Yes, but I wouldn't mind talking to the Vice-President either. | 1:02:30 | 1:02:33 | |
The VP? Why? | 1:02:33 | 1:02:36 | |
Just to see him lie. | 1:02:37 | 1:02:39 | |
Lynn is afraid you'll resign | 1:02:42 | 1:02:44 | |
if she's somehow implicated in all this. | 1:02:44 | 1:02:46 | |
I'm sure you must have heard the rumours. | 1:02:46 | 1:02:48 | |
No, that's not going to happen, I'm not going to step down. | 1:02:48 | 1:02:51 | |
How do the rich get the poor to give them more money? They scare them. | 1:02:52 | 1:02:55 | |
Under no circumstances am I stepping down. | 1:02:57 | 1:02:59 | |
But Lynn... | 1:02:59 | 1:03:01 | |
Lynn has an exaggerated notion | 1:03:01 | 1:03:03 | |
of her importance in the larger scheme of things. | 1:03:03 | 1:03:05 | |
Why are we meeting? | 1:03:14 | 1:03:16 | |
I'm trying to decide what to do. | 1:03:17 | 1:03:19 | |
On the one hand, I'm disloyal, on the other, dishonest. | 1:03:20 | 1:03:26 | |
It's never easy. | 1:03:28 | 1:03:29 | |
Look at the big picture. | 1:03:31 | 1:03:33 | |
DOOR UNLOCKS AND OPENS | 1:03:37 | 1:03:41 | |
Hey, listen to this. | 1:03:44 | 1:03:45 | |
"Mungo Tenant, William & Mary School of Law, Class of '86. | 1:03:46 | 1:03:51 | |
"First intern, then partner in Colin, McKiln and Klein, | 1:03:51 | 1:03:55 | |
"a firm originally founded by Jack Delorean and senior partner | 1:03:55 | 1:04:00 | |
"the Vice-President." | 1:04:00 | 1:04:02 | |
-What are you doing? -What? | 1:04:02 | 1:04:06 | |
Are you still playing private investigator? | 1:04:06 | 1:04:08 | |
Only a little, but just in cyberspace. | 1:04:09 | 1:04:11 | |
Just stop. | 1:04:11 | 1:04:13 | |
I'm trying to help you. | 1:04:14 | 1:04:16 | |
I don't want your help. | 1:04:16 | 1:04:18 | |
Don't you see what's going on? | 1:04:25 | 1:04:26 | |
They got you on a railroad... | 1:04:27 | 1:04:30 | |
..and they're going to railroad you, and you just... | 1:04:30 | 1:04:32 | |
..you just let it happen to you, you don't confront them. | 1:04:33 | 1:04:36 | |
You're going to end up in jail. | 1:04:37 | 1:04:38 | |
I can take care of myself. | 1:04:40 | 1:04:41 | |
No, you can't. | 1:04:42 | 1:04:44 | |
Any time anything unpleasant happens you just...you just smile | 1:04:44 | 1:04:47 | |
and tell a joke to your friends. | 1:04:47 | 1:04:49 | |
You know what? | 1:04:51 | 1:04:52 | |
You should be more like your father. | 1:04:53 | 1:04:55 | |
He stood up. | 1:05:02 | 1:05:04 | |
He wasn't afraid of scandals. | 1:05:04 | 1:05:07 | |
He wasn't even afraid to take on the president. | 1:05:07 | 1:05:10 | |
You're a paparazzi. | 1:05:10 | 1:05:12 | |
You make your money off of scandal. | 1:05:12 | 1:05:14 | |
You have no idea what a scandal really means, | 1:05:14 | 1:05:18 | |
how it destroys people. | 1:05:18 | 1:05:21 | |
And then what comes after? | 1:05:22 | 1:05:25 | |
We move to New York, buy a brownstone, | 1:05:25 | 1:05:29 | |
adopt a brown baby, walk arm in arm around the village | 1:05:29 | 1:05:33 | |
for the tourists to point at? | 1:05:33 | 1:05:35 | |
-Why fucking not? -It's ridiculous. | 1:05:37 | 1:05:40 | |
-It's normal. -WE'RE ridiculous. | 1:05:40 | 1:05:43 | |
(OK.) | 1:05:50 | 1:05:52 | |
OK. | 1:05:53 | 1:05:56 | |
You know, I've... | 1:05:56 | 1:05:58 | |
..I've stayed here only for you. | 1:05:58 | 1:06:00 | |
I don't know why. I should have left six months ago. | 1:06:02 | 1:06:04 | |
I don't want to lose you. | 1:06:11 | 1:06:12 | |
God, I always thought "wringing one's hands" was a figure of speech. | 1:06:17 | 1:06:22 | |
I thought you could change, but you can't. | 1:06:26 | 1:06:29 | |
Carter Page III. | 1:06:31 | 1:06:33 | |
You'll never be like your father. | 1:06:37 | 1:06:39 | |
They said I bend over. | 1:07:22 | 1:07:24 | |
You should have seen my father. | 1:07:26 | 1:07:27 | |
Well, there was a man who bent over. | 1:07:28 | 1:07:30 | |
Carter Page II, the legendary Car Page. | 1:07:31 | 1:07:35 | |
The Watergate hearings, his great moment. | 1:07:36 | 1:07:39 | |
Every day someone comes up and says, "Your father was a great man." | 1:07:41 | 1:07:45 | |
And I smile and say, "Oh, yes, he was." | 1:07:45 | 1:07:48 | |
He left Congress 20 times wealthier than when he entered. | 1:07:51 | 1:07:55 | |
What does that tell ya? | 1:07:55 | 1:07:57 | |
He was a crook and a fraud. | 1:07:57 | 1:08:00 | |
He was deeply ashamed of me. | 1:08:03 | 1:08:05 | |
But he's dead now. | 1:08:09 | 1:08:10 | |
Don't judge the dead. | 1:08:12 | 1:08:14 | |
Why not? | 1:08:14 | 1:08:16 | |
They judge us. | 1:08:17 | 1:08:18 | |
Each and every day. | 1:08:18 | 1:08:20 | |
Well, well, well. | 1:09:48 | 1:09:51 | |
I was wondering if you'd have the guts to show up. | 1:09:52 | 1:09:55 | |
It's Wednesday, isn't it? | 1:09:55 | 1:09:58 | |
And you're ready to play? | 1:09:58 | 1:10:00 | |
Yes. | 1:10:00 | 1:10:01 | |
Looks like it's just the two of us. | 1:10:02 | 1:10:05 | |
Canasta is not ideally a 2-handed game. | 1:10:05 | 1:10:08 | |
Car...I love your nerve. | 1:10:11 | 1:10:15 | |
How about a drink, then? | 1:10:16 | 1:10:18 | |
Why not? | 1:10:19 | 1:10:21 | |
-You look wonderful, Nat. -Why, thank you. | 1:10:22 | 1:10:25 | |
-Henry, I'll have a sea breeze. -A vodka and tonic, please. | 1:10:27 | 1:10:30 | |
Certainly, ma'am. | 1:10:30 | 1:10:32 | |
We'll drink to the good memories. | 1:10:32 | 1:10:35 | |
Oh, don't talk to me about memory. | 1:10:35 | 1:10:37 | |
Memory is a very unreliable organ. | 1:10:37 | 1:10:40 | |
Trust me, Car. It's right up there with the penis. | 1:10:40 | 1:10:45 | |
HE LAUGHS | 1:10:45 | 1:10:47 | |
Oh, there's something I've been meaning to ask you. | 1:10:47 | 1:10:50 | |
I thought of it last night and I can't get it out of my head. | 1:10:50 | 1:10:54 | |
Which actor portrayed the most US presidents in movies? | 1:10:56 | 1:11:00 | |
Oh, you. | 1:11:02 | 1:11:04 | |
Um...Henry Fonda? | 1:11:04 | 1:11:06 | |
No, actual presidents. | 1:11:06 | 1:11:08 | |
He played Lincoln, but in Fail Safe he was a fictional president. | 1:11:08 | 1:11:12 | |
Oh. I don't know. | 1:11:12 | 1:11:15 | |
-Charlton Heston. -Close, but only two. | 1:11:16 | 1:11:19 | |
-No. It was Rip Torn. -Oh. | 1:11:19 | 1:11:23 | |
He played Grant, Lyndon Johnson and Richard Nixon. | 1:11:23 | 1:11:27 | |
LBJ and Nixon - amazing. | 1:11:27 | 1:11:30 | |
-Your drinks, Mr Page. -Thank you, Henry. | 1:11:30 | 1:11:32 | |
Don't let them get you down. | 1:11:41 | 1:11:42 | |
Ha! | 1:11:46 | 1:11:48 | |
Well...I have had some illusions shattered. | 1:11:48 | 1:11:52 | |
We all have. | 1:11:52 | 1:11:54 | |
I thought we weren't an aggressor nation. | 1:11:55 | 1:11:57 | |
I thought there was a separation between Church and state. | 1:11:57 | 1:12:01 | |
Hell, I even thought that the people elected the president. | 1:12:01 | 1:12:05 | |
SHE LAUGHS | 1:12:05 | 1:12:07 | |
You know, Car, you've always intrigued me. | 1:12:08 | 1:12:11 | |
You think you're a black sheep. | 1:12:12 | 1:12:13 | |
You're not a black sheep at all. | 1:12:13 | 1:12:16 | |
Do you remember the question you asked me | 1:12:17 | 1:12:19 | |
about Robbie and Jack Delorean? | 1:12:19 | 1:12:22 | |
Yeah. I apologise, I was out of line. | 1:12:22 | 1:12:25 | |
Your friend Robbie was up to something. | 1:12:26 | 1:12:29 | |
"Always follow the money." | 1:12:29 | 1:12:32 | |
Sometimes it's oil, sometimes it's pharmaceuticals. | 1:12:32 | 1:12:35 | |
I think it's time you and Lynn had a talk about that. | 1:12:36 | 1:12:39 | |
Well, I tried to reach her, she left town. | 1:12:39 | 1:12:42 | |
I tried her mother's, to no avail. | 1:12:42 | 1:12:45 | |
Uh, do you have a pencil and paper? | 1:12:45 | 1:12:47 | |
Oh. | 1:12:48 | 1:12:50 | |
Or a pen - even better. | 1:12:52 | 1:12:53 | |
You can be so naive. | 1:12:55 | 1:12:57 | |
Now, you can reach her here. | 1:13:02 | 1:13:04 | |
And don't be so...goddamn polite. | 1:13:05 | 1:13:09 | |
Now, um...what were we talking about? | 1:13:11 | 1:13:14 | |
Rip Torn. | 1:13:16 | 1:13:18 | |
No, we were talking about your wanting to be a black sheep. | 1:13:18 | 1:13:21 | |
In the end, all you have is your breeding. | 1:13:24 | 1:13:27 | |
It's all that separates them from us. | 1:13:28 | 1:13:30 | |
-Breeding. -Mmm. | 1:13:30 | 1:13:33 | |
My great-grandfather got rich off slavery, | 1:13:34 | 1:13:38 | |
and when the Yankees took that away | 1:13:38 | 1:13:40 | |
my grandfather made his money raising tobacco. | 1:13:40 | 1:13:43 | |
I don't have any breeding. | 1:13:44 | 1:13:46 | |
If your great-grandfather were alive today, he'd fit right in. | 1:13:48 | 1:13:53 | |
THEY LAUGH | 1:13:53 | 1:13:55 | |
# I didn't know which way to turn | 1:14:00 | 1:14:05 | |
# I didn't know which way to turn | 1:14:07 | 1:14:13 | |
# Can't control my feelings if I try... # | 1:14:16 | 1:14:22 | |
-Who is it? -FedEx package. | 1:14:32 | 1:14:35 | |
I'm not expecting any FedEx. | 1:14:35 | 1:14:37 | |
Lynn, it's Car. Open up. | 1:14:37 | 1:14:39 | |
FedEx. That was lame. | 1:14:46 | 1:14:49 | |
Jesus. What's going on? | 1:14:52 | 1:14:55 | |
How did you find me? | 1:14:56 | 1:14:58 | |
I did some checking. | 1:14:58 | 1:15:00 | |
Oh, your friend from the newspaper. | 1:15:01 | 1:15:03 | |
Maybe I should move. | 1:15:04 | 1:15:05 | |
Who are you afraid of? | 1:15:05 | 1:15:07 | |
May I sit? | 1:15:10 | 1:15:12 | |
Forgive me. Would you like some water? | 1:15:12 | 1:15:15 | |
Please. | 1:15:15 | 1:15:17 | |
I left Larry. | 1:15:28 | 1:15:29 | |
-Does he know where you are? -No. | 1:15:32 | 1:15:34 | |
Palm Beach? | 1:15:36 | 1:15:37 | |
My mother has always been helpful. | 1:15:40 | 1:15:42 | |
Out with it. | 1:15:42 | 1:15:44 | |
I've been getting a lot of advice lately. | 1:15:46 | 1:15:47 | |
Let me give you some advice. Tell me what the fuck is going on. | 1:15:47 | 1:15:51 | |
Are you threatening me? | 1:15:53 | 1:15:55 | |
Yes. | 1:15:55 | 1:15:56 | |
Now, what was the deal with Robbie? | 1:15:59 | 1:16:01 | |
You don't know what it's like. | 1:16:05 | 1:16:06 | |
You think you do. | 1:16:08 | 1:16:10 | |
You act as if it's all some... | 1:16:10 | 1:16:12 | |
I hate it. | 1:16:14 | 1:16:16 | |
I'm not special. I just want what other women want. | 1:16:17 | 1:16:21 | |
Is that so terrible? | 1:16:21 | 1:16:22 | |
A husband, a marriage, a family, to be loved. | 1:16:22 | 1:16:25 | |
There is no such thing in this environment. | 1:16:27 | 1:16:30 | |
They talk about it - oh, they talk - but there isn't. | 1:16:30 | 1:16:32 | |
They don't need women, they fuck each other. | 1:16:32 | 1:16:34 | |
And Robbie was different. | 1:16:36 | 1:16:37 | |
SHE SNIFFLES | 1:16:42 | 1:16:43 | |
I was going to leave Larry, I'd made up my mind. | 1:16:45 | 1:16:47 | |
Robbie was making all the arrangements. | 1:16:49 | 1:16:51 | |
Abi said he was broke. That was not true. | 1:16:51 | 1:16:53 | |
He had money coming in. | 1:16:54 | 1:16:56 | |
Now, let's go real slow. | 1:17:01 | 1:17:02 | |
He was going to testify before Larry's committee on Ultimed. | 1:17:05 | 1:17:09 | |
-But he backed out. -Why? | 1:17:10 | 1:17:13 | |
He said, "Why give away something valuable for free?" | 1:17:13 | 1:17:15 | |
I said he was crazy, he was playing with fire, but... | 1:17:17 | 1:17:19 | |
SHE SIGHS ..I was crazy too - we both were. | 1:17:20 | 1:17:23 | |
Now go back to when you found him. | 1:17:24 | 1:17:28 | |
What did you see when you came into the apartment? | 1:17:28 | 1:17:31 | |
What did Robbie know? | 1:17:33 | 1:17:35 | |
He was expecting someone to get a payment? | 1:17:36 | 1:17:39 | |
'What did he have that was so valuable? | 1:17:42 | 1:17:45 | |
'A computer disk?' | 1:17:45 | 1:17:46 | |
What was Robbie thinking? | 1:17:52 | 1:17:54 | |
What was he doing with Jack Delorean? | 1:17:56 | 1:17:59 | |
'He was dead when I came in.' | 1:18:04 | 1:18:06 | |
'Well, the crotch came after the first stabbing. | 1:18:08 | 1:18:11 | |
'It was an afterthought.' | 1:18:12 | 1:18:13 | |
'He took something.' | 1:18:15 | 1:18:16 | |
'What do you mean?' | 1:18:18 | 1:18:19 | |
'The killer took something off Robbie. It was a photo of him and me. | 1:18:19 | 1:18:22 | |
'It wasn't explicit, but it was... | 1:18:24 | 1:18:26 | |
'..affectionate.' | 1:18:28 | 1:18:30 | |
That's it, isn't it? | 1:18:33 | 1:18:35 | |
That's how I got pulled into this. | 1:18:38 | 1:18:40 | |
Oh, Robbie. | 1:18:43 | 1:18:46 | |
Robbie, you fool. | 1:18:46 | 1:18:47 | |
LYNN SOBS | 1:18:50 | 1:18:51 | |
I loved him. | 1:18:52 | 1:18:54 | |
What am I going to do? | 1:18:55 | 1:18:57 | |
-ABIGAIL: -Hello? -CARTER: Abi. | 1:19:04 | 1:19:06 | |
-Car, is that you? -Missed you at the Hargrave today. | 1:19:06 | 1:19:10 | |
It was like Christmas without a tree. | 1:19:10 | 1:19:13 | |
There was something I had to do. | 1:19:14 | 1:19:17 | |
Robbie's murder. | 1:19:17 | 1:19:18 | |
I was just going over it in my head and I think I know what he was up to. | 1:19:18 | 1:19:23 | |
He was blackmailing the Vice-President. | 1:19:23 | 1:19:25 | |
That's crazy. | 1:19:25 | 1:19:27 | |
Think about it. | 1:19:27 | 1:19:29 | |
Robbie being tight for money, his involvement with the VP in Ultimed, | 1:19:29 | 1:19:35 | |
his resentment. | 1:19:35 | 1:19:37 | |
On the phone he said something about making a sale. | 1:19:37 | 1:19:39 | |
Said things were finally coming around his way. | 1:19:39 | 1:19:42 | |
He couldn't be that stupid. | 1:19:42 | 1:19:44 | |
Mmm. I think he was. | 1:19:44 | 1:19:47 | |
-Carter. -What? | 1:19:47 | 1:19:50 | |
Elvis is dead. | 1:19:50 | 1:19:52 | |
Yeah, it is a bit far-fetched. | 1:19:52 | 1:19:55 | |
Did the fabric arrive yet? | 1:19:55 | 1:19:57 | |
-Yesterday. -How does it look? | 1:19:57 | 1:20:00 | |
We'll get together. I'll call you next week. | 1:20:00 | 1:20:03 | |
It's a date. | 1:20:03 | 1:20:05 | |
'Night, then. I've got to run. | 1:20:05 | 1:20:07 | |
'Night, sunflower. | 1:20:07 | 1:20:09 | |
Well, Lancelot, let's see what comes of that. | 1:20:14 | 1:20:18 | |
What's it called? | 1:20:51 | 1:20:52 | |
The Kiss. | 1:20:52 | 1:20:54 | |
Appropriate. | 1:20:54 | 1:20:55 | |
Well, I'm going back to my place, get some clothes. | 1:20:57 | 1:21:00 | |
-I'll be back. -I should come along. | 1:21:00 | 1:21:01 | |
-Don't you have that movie opening? -Premiere. | 1:21:03 | 1:21:06 | |
-Uh-huh. -And it's a good story. | 1:21:06 | 1:21:07 | |
You know, the daughter of a liberal black congressman | 1:21:07 | 1:21:11 | |
falls in love with the son of a right-wing senator, | 1:21:11 | 1:21:14 | |
and they run off and their parents join forces to find 'em. | 1:21:14 | 1:21:17 | |
It all ends up in Disney World, where, after much hilarity, | 1:21:19 | 1:21:23 | |
they all understand the meaning of tolerance. | 1:21:23 | 1:21:25 | |
That sounds terrific. | 1:21:27 | 1:21:28 | |
-I'll see you later. -Take care. | 1:21:29 | 1:21:31 | |
Hey! | 1:21:57 | 1:21:59 | |
Hey! | 1:22:03 | 1:22:05 | |
Mr Page. | 1:22:10 | 1:22:12 | |
I just want to talk. | 1:22:12 | 1:22:14 | |
Hey, it was only a warning. | 1:22:18 | 1:22:20 | |
MEN SHOUT | 1:22:47 | 1:22:50 | |
-EMEK: -Hey, motherfucker! | 1:23:05 | 1:23:07 | |
Come on! | 1:23:28 | 1:23:29 | |
-He came out of nowhere. -Let's go. | 1:23:31 | 1:23:32 | |
-I couldn't stop. -Do you have a phone? | 1:23:32 | 1:23:34 | |
-Yeah. -Call 911. | 1:23:34 | 1:23:35 | |
Come on. Come on, let's go. | 1:23:37 | 1:23:39 | |
Wait. | 1:23:39 | 1:23:41 | |
There's been an accident. | 1:23:41 | 1:23:43 | |
-He's badly injured. -Let's go. | 1:23:43 | 1:23:46 | |
-Let's go. -Sick to death. | 1:23:51 | 1:23:53 | |
Come on. | 1:23:54 | 1:23:55 | |
Is that his ID? | 1:23:57 | 1:23:58 | |
It took some humungous testes. | 1:24:04 | 1:24:07 | |
Kononsberg I mean. | 1:24:07 | 1:24:09 | |
To blackmail the Vice-President. | 1:24:09 | 1:24:11 | |
Desperate men do desperate things. | 1:24:12 | 1:24:16 | |
Stupid men do stupid things. | 1:24:16 | 1:24:18 | |
That's, er...that's it right there. | 1:24:20 | 1:24:22 | |
-Right here? -Turn left here. | 1:24:22 | 1:24:24 | |
CARTER KNOCKS ON DOOR | 1:24:54 | 1:24:56 | |
-What are you doing here, Carter? -Abigail, my sunflower. | 1:25:04 | 1:25:08 | |
I need to see Jack. | 1:25:08 | 1:25:10 | |
-Is he expecting you? -Mmm, no. | 1:25:10 | 1:25:13 | |
What's going on? | 1:25:13 | 1:25:14 | |
Is Jack in his office? | 1:25:14 | 1:25:16 | |
He does not like to be disturbed, Carter. You know that. | 1:25:16 | 1:25:18 | |
Well, I'm going to speak with him, Abi. This is my friend Emek. | 1:25:18 | 1:25:21 | |
He needs something to drink. Coffee, Diet Coke? | 1:25:21 | 1:25:23 | |
Regular, thank you. | 1:25:23 | 1:25:24 | |
Abi will take you into the kitchen, get you a Coke. | 1:25:24 | 1:25:26 | |
While you're in there, make sure she doesn't make any phone calls. | 1:25:26 | 1:25:29 | |
-Doesn't make any phone... -Shh, shh, shh. | 1:25:29 | 1:25:30 | |
I AM going to talk to him now. This won't take long. | 1:25:30 | 1:25:33 | |
Jack does not like to be disturbed, Carter. | 1:25:33 | 1:25:35 | |
Don't worry about it, we'll be fine. It will just take a minute. Come on. | 1:25:35 | 1:25:38 | |
KNOCKS ON DOOR < What the hell is it now? | 1:25:38 | 1:25:41 | |
I'll call you right back. | 1:25:43 | 1:25:44 | |
I need to talk to you. | 1:25:45 | 1:25:47 | |
Call and make an appointment. | 1:25:48 | 1:25:50 | |
Now, will you please get out of my house? | 1:25:50 | 1:25:52 | |
His name's Edgar Kaminsky, ex-Marine Corps, ex-FBI. | 1:25:57 | 1:26:02 | |
His last known employment was head of Ultimed security. | 1:26:02 | 1:26:06 | |
He also worked for you. | 1:26:06 | 1:26:08 | |
There's no need to track him down, | 1:26:09 | 1:26:11 | |
this photo was taken about a minute later. | 1:26:11 | 1:26:12 | |
It's a criminal act to leave the scene of a crime. | 1:26:15 | 1:26:18 | |
Call the cops. | 1:26:18 | 1:26:20 | |
You know what I think? I think Kaminsky was two-timing you. | 1:26:21 | 1:26:26 | |
Worked for you, found out about Lynn and Robbie, sold it to Mungo. | 1:26:26 | 1:26:30 | |
Pretty good guess. | 1:26:32 | 1:26:34 | |
Sit. | 1:26:37 | 1:26:38 | |
What do you want? | 1:26:44 | 1:26:45 | |
Do you want to get Tenant off your back? | 1:26:46 | 1:26:48 | |
Mmm, that would be good. | 1:26:50 | 1:26:51 | |
The man's an asshole. | 1:26:53 | 1:26:54 | |
Where'd he get that name, 'Mungo'? | 1:26:55 | 1:26:58 | |
I believe it's British. | 1:26:58 | 1:26:59 | |
I'll do what I can. | 1:27:02 | 1:27:04 | |
Lynn Lockner's as well. | 1:27:04 | 1:27:06 | |
Have you talked to her husband, Larry? | 1:27:06 | 1:27:09 | |
Did he tell you that "This is a war"? | 1:27:09 | 1:27:12 | |
He likes to talk like that. | 1:27:13 | 1:27:15 | |
Well, this little war is over. | 1:27:16 | 1:27:18 | |
He lost. | 1:27:18 | 1:27:20 | |
YOU lost. | 1:27:20 | 1:27:22 | |
I wasn't a combatant. | 1:27:22 | 1:27:24 | |
Sometimes we don't have a choice. | 1:27:24 | 1:27:27 | |
Listen, Car, it's not personal. | 1:27:27 | 1:27:30 | |
I like you, I liked your father. | 1:27:30 | 1:27:32 | |
But you're on the wrong side of history. | 1:27:33 | 1:27:36 | |
People don't want your radical ideas, your agenda, your lifestyle. | 1:27:36 | 1:27:42 | |
People want...a story. | 1:27:44 | 1:27:48 | |
A good American story. | 1:27:48 | 1:27:50 | |
Yeah, maybe a murder story. | 1:27:50 | 1:27:53 | |
One that you wrote. | 1:27:53 | 1:27:55 | |
Me? | 1:27:55 | 1:27:57 | |
Of course not. | 1:27:57 | 1:27:58 | |
People think I have some kind of secret power. | 1:27:59 | 1:28:02 | |
I don't. | 1:28:03 | 1:28:05 | |
I'm not even elected. | 1:28:05 | 1:28:07 | |
I'm just an old man | 1:28:09 | 1:28:11 | |
who has a lot of old friends. | 1:28:11 | 1:28:12 | |
I'm an old man that always puts my country first. | 1:28:14 | 1:28:17 | |
And Robbie's dead. | 1:28:19 | 1:28:20 | |
The cemeteries are full of dead guys. | 1:28:22 | 1:28:24 | |
He was a criminal, he was involved in a criminal act | 1:28:25 | 1:28:28 | |
and he met criminal consequences. | 1:28:28 | 1:28:30 | |
As for the opportunists, like Attorney Tenant, | 1:28:31 | 1:28:37 | |
who tried to exploit the situation for political purposes... | 1:28:37 | 1:28:40 | |
..they were on the wrong side too. | 1:28:42 | 1:28:44 | |
And they will get their due. | 1:28:45 | 1:28:47 | |
It's time to move on. | 1:28:50 | 1:28:51 | |
For Lynn to get back to her life. | 1:28:53 | 1:28:55 | |
You did the right thing, Car. | 1:28:56 | 1:28:58 | |
So, all's forgotten. | 1:28:59 | 1:29:01 | |
Nothing to remember. | 1:29:03 | 1:29:05 | |
Whoever knows what really happens? | 1:29:05 | 1:29:07 | |
I know. | 1:29:09 | 1:29:10 | |
Well, bully for you. | 1:29:13 | 1:29:15 | |
Are we finished? | 1:29:15 | 1:29:17 | |
Good. | 1:29:19 | 1:29:20 | |
How did you get past Abi? | 1:29:29 | 1:29:32 | |
How did she ever let you in here? | 1:29:32 | 1:29:33 | |
She was more interested in her television programme - | 1:29:35 | 1:29:38 | |
Antiques Roadshow. | 1:29:38 | 1:29:40 | |
Figures. | 1:29:40 | 1:29:42 | |
Goodbye, Car. DOOR OPENS | 1:29:44 | 1:29:47 | |
-Goodbye. -DOOR CLOSES | 1:29:47 | 1:29:50 | |
MAKES PHONE CALL | 1:29:50 | 1:29:52 | |
So, do you still feel comfortable staying in my place tonight? | 1:30:01 | 1:30:04 | |
Maybe we should look for another place. | 1:30:05 | 1:30:07 | |
SIREN WAILS | 1:30:12 | 1:30:16 | |
Oh, shit. | 1:30:16 | 1:30:18 | |
-Oh! Are we speeding? -No. | 1:30:18 | 1:30:21 | |
-Put your seatbelt on. -It's broke. | 1:30:21 | 1:30:24 | |
Oh, this is broken too. | 1:30:24 | 1:30:26 | |
All right, just relax. | 1:30:29 | 1:30:31 | |
-Emek Yoglu? -Yeah. | 1:30:43 | 1:30:44 | |
Please step outside the vehicle. | 1:30:44 | 1:30:46 | |
Both of you. | 1:30:47 | 1:30:49 | |
Turn around. | 1:30:50 | 1:30:52 | |
Get your feet apart, hands on top of the vehicle. | 1:30:52 | 1:30:55 | |
Place your hands behind your backs. | 1:30:58 | 1:30:59 | |
You're under arrest for leaving the scene of an accident. | 1:31:01 | 1:31:04 | |
You said Delorean took care of it, huh? | 1:31:04 | 1:31:05 | |
I doubt he knows. Just shut up. | 1:31:05 | 1:31:08 | |
-CARTER: -Any additional charges? | 1:31:14 | 1:31:16 | |
That's what we'll find out. | 1:31:16 | 1:31:18 | |
Here. Emek, put that on. | 1:31:18 | 1:31:21 | |
Mungo's putting on a bit of a show, it's called a perp walk. | 1:31:23 | 1:31:27 | |
It's a little like a society opening - cameras, reporters - | 1:31:27 | 1:31:30 | |
but different jewellery. | 1:31:30 | 1:31:33 | |
In all the years I've known you, Ethan, | 1:31:34 | 1:31:36 | |
I never knew you had a sense of humour. | 1:31:36 | 1:31:38 | |
Here's what's going to test it. | 1:31:42 | 1:31:44 | |
REPORTERS CLAMOUR | 1:31:45 | 1:31:48 | |
-MAN: -Mr Withal, What are the charges? | 1:31:57 | 1:31:59 | |
MAN 2: Are the rumours true? | 1:31:59 | 1:32:01 | |
How are you? | 1:32:23 | 1:32:25 | |
Good, considering. | 1:32:26 | 1:32:28 | |
There's a refreshing lack of choice and a completely new social set. | 1:32:28 | 1:32:33 | |
I've spoken to your attorney. | 1:32:36 | 1:32:38 | |
We're going to keep you till the morning, | 1:32:38 | 1:32:39 | |
then you and Mr Yoglu will be released. | 1:32:39 | 1:32:41 | |
And the search for Robbie's killer? | 1:32:43 | 1:32:45 | |
That would be Mr Kaminsky, the fella hit by the SUV. | 1:32:45 | 1:32:49 | |
He left some blood at the scene. | 1:32:49 | 1:32:51 | |
We have a DNA match. | 1:32:51 | 1:32:52 | |
And Mungo Tenant? | 1:32:54 | 1:32:55 | |
Attorney Tenant has taken a leave of absence. | 1:32:59 | 1:33:03 | |
I don't think he'll be returning. | 1:33:04 | 1:33:05 | |
Sorry about the publicity and everything, a mistake was made, | 1:33:07 | 1:33:11 | |
but it's all worked out. | 1:33:11 | 1:33:14 | |
Yeah. | 1:33:14 | 1:33:15 | |
Do you remember what I was telling you | 1:33:33 | 1:33:34 | |
about that offer for the gallery show in New York? | 1:33:34 | 1:33:37 | |
It came through. | 1:33:39 | 1:33:41 | |
Notoriety has its upside, I guess. | 1:33:44 | 1:33:47 | |
Well, they'll exploit the headlines, you can't avoid that. | 1:33:47 | 1:33:49 | |
Listen... | 1:33:51 | 1:33:52 | |
..I want you to come to the opening, OK? | 1:33:54 | 1:33:56 | |
Let me think about it. | 1:33:59 | 1:34:01 | |
See you in New York. | 1:34:08 | 1:34:09 | |
-NATALIE LAUGHS -Not for long. -I wish I'd been there. | 1:34:12 | 1:34:15 | |
-He said it was on consignment. -He wasn't asking you to pay retail. | 1:34:15 | 1:34:19 | |
No, I said, "Don't start pulling on that string | 1:34:19 | 1:34:22 | |
"or the whole fabric of our world will unravel." | 1:34:22 | 1:34:25 | |
ALL LAUGH | 1:34:25 | 1:34:29 | |
HE KNOCKS | 1:34:29 | 1:34:30 | |
Knock, knock. | 1:34:30 | 1:34:32 | |
Car. | 1:34:34 | 1:34:36 | |
We're trying to play. | 1:34:38 | 1:34:40 | |
Don't worry, I'm not staying. I just have something to return to Lynn. | 1:34:43 | 1:34:47 | |
You're welcome to stay. | 1:34:47 | 1:34:49 | |
Yes, please stay. We're so happy to see you. | 1:34:51 | 1:34:55 | |
Lynn. | 1:35:09 | 1:35:10 | |
Excuse me. | 1:35:14 | 1:35:16 | |
-Congratulations. -For what? | 1:35:24 | 1:35:27 | |
I hear the happy couple Lynn and Larry Lockner are back together. | 1:35:27 | 1:35:31 | |
There's a function tonight, in fact. | 1:35:32 | 1:35:35 | |
We'll be there together, make nice, | 1:35:35 | 1:35:37 | |
consort with the enemy. | 1:35:37 | 1:35:39 | |
You have something for me? | 1:35:40 | 1:35:42 | |
I didn't want you to worry about where this might be. | 1:35:44 | 1:35:47 | |
Thank you. | 1:35:50 | 1:35:52 | |
Why did you stand by me? | 1:35:56 | 1:35:59 | |
You thought I killed Robbie, didn't you? | 1:35:59 | 1:36:01 | |
Course not. | 1:36:02 | 1:36:04 | |
Not even a little? | 1:36:05 | 1:36:06 | |
Well, maybe a little. | 1:36:08 | 1:36:10 | |
But after everything you went through, you stood by me. Why? | 1:36:11 | 1:36:15 | |
I've spent my life without any real idea of why I behaved as I did. | 1:36:16 | 1:36:21 | |
I thought Robbie's murder was a mystery. | 1:36:22 | 1:36:24 | |
That's not a mystery. | 1:36:24 | 1:36:26 | |
One's own life, that's a mystery. | 1:36:28 | 1:36:30 | |
A grown man acting on the fears of a child, | 1:36:33 | 1:36:36 | |
trying to impress a father dead ten years. | 1:36:36 | 1:36:41 | |
Now, that's a mystery. | 1:36:41 | 1:36:43 | |
Strange how things work out. | 1:36:46 | 1:36:47 | |
Bye, Lynn. | 1:36:51 | 1:36:52 | |
# I didn't know which way to turn... # | 1:38:08 | 1:38:12 | |
Supertext Captions by Red Bee Media Australia www.redbeemedia.com.au | 1:38:12 | 1:38:16 | |
E-mail us at [email protected] | 1:38:16 | 1:38:19 |