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HORN HONKS | 0:01:28 | 0:01:30 | |
LOUD BANG | 0:01:31 | 0:01:33 | |
TYRES SCREECH | 0:01:33 | 0:01:36 | |
I knew that tyre had to go. | 0:01:41 | 0:01:44 | |
You talk too much. | 0:01:45 | 0:01:47 | |
Please, mister, please... | 0:01:49 | 0:01:51 | |
Uh-uh. | 0:01:51 | 0:01:52 | |
Yeah. | 0:01:52 | 0:01:54 | |
SOUNDS OF PUNCHING | 0:01:58 | 0:01:59 | |
Now what? | 0:02:07 | 0:02:08 | |
Now to get to that brother of yours | 0:02:08 | 0:02:10 | |
and get that dough you got stashed away. | 0:02:10 | 0:02:12 | |
Let's go, let's go. | 0:02:12 | 0:02:13 | |
Come on. | 0:02:13 | 0:02:14 | |
Let's go, let's go, let's go. | 0:02:37 | 0:02:39 | |
It's his foot. | 0:02:39 | 0:02:40 | |
How far we got to go? 10, 15 miles. | 0:02:40 | 0:02:41 | |
You two go on. | 0:02:41 | 0:02:43 | |
You hole up in here, back of the sign. | 0:02:43 | 0:02:45 | |
One of us will come back for you tonight. | 0:02:45 | 0:02:46 | |
We'll blink the headlights on the car. | 0:02:46 | 0:02:48 | |
At least you got company. | 0:02:48 | 0:02:49 | |
Take it easy, son. | 0:02:49 | 0:02:50 | |
I'll take it easy. I got a lawyer in Tulsa to see. | 0:02:50 | 0:02:54 | |
TRAIN WHISTLE BLOWS | 0:03:01 | 0:03:05 | |
ENGINE SPLUTTERS | 0:03:46 | 0:03:49 | |
You having trouble? | 0:03:57 | 0:03:58 | |
Could be. | 0:03:58 | 0:04:00 | |
Who are you? | 0:04:02 | 0:04:04 | |
You live around here? | 0:04:05 | 0:04:07 | |
Could be. | 0:04:07 | 0:04:08 | |
You haven't had a couple of visitors lately, have you? | 0:04:08 | 0:04:12 | |
That wouldn't be a sore foot making you limp, would it? | 0:04:12 | 0:04:15 | |
Could be. | 0:04:15 | 0:04:16 | |
I got some other stuff to pick up. | 0:04:16 | 0:04:19 | |
Get in, or we'll both get pneumonia. | 0:04:19 | 0:04:21 | |
ENGINE STARTS | 0:04:23 | 0:04:26 | |
They took their own sweet time sending for me. | 0:04:35 | 0:04:38 | |
Who are you? | 0:04:38 | 0:04:40 | |
They sent this for you. Get in. | 0:04:40 | 0:04:42 | |
I'll take that stuff. You go around the shed, | 0:04:57 | 0:05:00 | |
through the trees, that cabin back there. | 0:05:00 | 0:05:03 | |
KNOCKING | 0:05:11 | 0:05:13 | |
Look who's here. | 0:05:15 | 0:05:17 | |
Hello, son. | 0:05:19 | 0:05:21 | |
MAN: You took your time getting here. | 0:05:21 | 0:05:23 | |
What have you and that gal been doing, swimming? | 0:05:23 | 0:05:25 | |
Say hello to Mobley, Chickamaw's brother. | 0:05:25 | 0:05:28 | |
I told you she'd find him. She's a weasel, | 0:05:28 | 0:05:29 | |
that daughter of mine. | 0:05:29 | 0:05:31 | |
All right? Sorry we had to keep you waiting, son. | 0:05:31 | 0:05:34 | |
Had to be that way. | 0:05:34 | 0:05:35 | |
Here, kid. This'll fit better over that bandage. | 0:05:35 | 0:05:37 | |
You're welcome. | 0:05:39 | 0:05:42 | |
1,000. That enough for a used car? | 0:05:42 | 0:05:45 | |
Could be. | 0:05:45 | 0:05:46 | |
You can't tell, though. The way things are... | 0:05:46 | 0:05:49 | |
Hear that? | 0:05:49 | 0:05:51 | |
Oh, that'd be my daughter. | 0:05:51 | 0:05:54 | |
Hello, Miss Keechie. | 0:05:54 | 0:05:55 | |
There's 500 more. That's 1,500 for the car. | 0:06:11 | 0:06:14 | |
Can't have you coming back in no rattletrap, | 0:06:14 | 0:06:16 | |
not for this trick. | 0:06:16 | 0:06:17 | |
1,500 bucks for a second-hand car? | 0:06:17 | 0:06:19 | |
That's right. | 0:06:19 | 0:06:21 | |
Whoever sells them for that...that's worse than robbing a bank. | 0:06:21 | 0:06:24 | |
They're thieves, just like us. | 0:06:24 | 0:06:27 | |
Now, don't forget the clothes. | 0:06:28 | 0:06:29 | |
And tell Mattie the first big dough | 0:06:29 | 0:06:31 | |
goes to get her man out of jail. | 0:06:31 | 0:06:33 | |
Yeah. Tell her that, or she won't come. | 0:06:33 | 0:06:35 | |
Oh, I'll tell her for sure. | 0:06:35 | 0:06:37 | |
Well, so long, fellas. I-I'll try to get | 0:06:37 | 0:06:40 | |
back here with Mattie before tomorrow night. | 0:06:40 | 0:06:42 | |
Hey, big brother, stay sober. | 0:06:42 | 0:06:44 | |
Me? Yeah, you. | 0:06:44 | 0:06:46 | |
Oh, I won't touch a drop, not a drop. | 0:06:46 | 0:06:49 | |
Of course he won't. | 0:06:49 | 0:06:50 | |
We take care of our friends, Mobley. | 0:06:50 | 0:06:52 | |
I know. I know that, T-Dub. | 0:06:52 | 0:06:55 | |
Keechie, you'll take care of the station, won't you? | 0:06:55 | 0:06:58 | |
So long. | 0:06:58 | 0:07:00 | |
"You'll take care of the station." | 0:07:01 | 0:07:03 | |
He never done a lick of work in his life, that brother of mine. | 0:07:03 | 0:07:07 | |
Did you catch that look on his face? | 0:07:08 | 0:07:11 | |
Ha ha ha! | 0:07:11 | 0:07:12 | |
He's still trying to figure out where I had that dough hid. | 0:07:12 | 0:07:15 | |
Ha ha ha! | 0:07:15 | 0:07:16 | |
CLANK | 0:07:16 | 0:07:18 | |
Can't you make that stove work? | 0:07:20 | 0:07:21 | |
He'd have grabbed it, too, wouldn't he, Keechie? | 0:07:21 | 0:07:24 | |
You show him how, Miss Keechie. | 0:07:26 | 0:07:28 | |
CHICKAMAW: That's one machine he don't know nothing about. | 0:07:28 | 0:07:31 | |
Here. | 0:07:31 | 0:07:33 | |
Thanks. | 0:07:33 | 0:07:35 | |
T-DUB: That boy is some gallant, ain't he, Miss Keechie? | 0:07:35 | 0:07:37 | |
Yeah. He's got a soft heart... | 0:07:37 | 0:07:39 | |
and a head to match. | 0:07:39 | 0:07:40 | |
His head looks all right to me. | 0:07:40 | 0:07:43 | |
That little girl don't think | 0:07:47 | 0:07:48 | |
any too much of us, I'm here to tell you. | 0:07:48 | 0:07:49 | |
Her ma was just the same way, | 0:07:49 | 0:07:51 | |
always acting like she was the queen of Romania. | 0:07:51 | 0:07:53 | |
Keechie's mom? | 0:07:53 | 0:07:54 | |
Yeah. You know what she did? She ran off with a fella, | 0:07:54 | 0:07:57 | |
and now they're running a medicine show. | 0:07:57 | 0:07:58 | |
No matter how I turn it, we're short. We need another 1,000. | 0:07:58 | 0:08:02 | |
Hey, we're in it. | 0:08:02 | 0:08:04 | |
"Prison farm break. | 0:08:04 | 0:08:05 | |
"The escape of three lifers was announced today | 0:08:05 | 0:08:07 | |
"by warden EK Lloyd of... | 0:08:07 | 0:08:09 | |
"of the state prison farm. | 0:08:09 | 0:08:11 | |
"The fugitives have kidnapped a farmer in their flight, | 0:08:11 | 0:08:13 | |
our own..." | 0:08:13 | 0:08:15 | |
"Elmo 'One-Eye' Mobley." | 0:08:16 | 0:08:19 | |
Always that "One-Eye" stuff. | 0:08:19 | 0:08:20 | |
They always got to mention that. | 0:08:20 | 0:08:22 | |
"RT Waters, farmer of Akoda, | 0:08:22 | 0:08:23 | |
"gave a description of the three men who commandeered his car | 0:08:23 | 0:08:26 | |
"at the point of a gun." | 0:08:26 | 0:08:27 | |
I should have blasted his head off with that shotgun. | 0:08:27 | 0:08:29 | |
Come here... | 0:08:29 | 0:08:32 | |
This dance hall - the Meadowbrook. You know it? | 0:08:32 | 0:08:35 | |
Sure I know it. Used to be my old stomping ground. | 0:08:35 | 0:08:37 | |
They're having themselves | 0:08:37 | 0:08:39 | |
a little dance tomorrow night. | 0:08:39 | 0:08:40 | |
Enough we could take there | 0:08:40 | 0:08:41 | |
for a small cushion for the Zelton job? | 0:08:41 | 0:08:44 | |
Sunday night. Yeah. That could... | 0:08:44 | 0:08:47 | |
that "One-Eye." | 0:08:47 | 0:08:48 | |
They didn't print a very big piece about us, either. | 0:08:48 | 0:08:51 | |
I wish it was only two lines. | 0:08:51 | 0:08:52 | |
Newspapers raise more heat than anything. | 0:08:52 | 0:08:54 | |
In a few days, they'll really have something to print about us. | 0:08:54 | 0:08:57 | |
Yeah. | 0:08:57 | 0:08:58 | |
Three boys like us, we can charge any bank in the country, | 0:08:58 | 0:09:01 | |
any bank. | 0:09:01 | 0:09:02 | |
How many you knocked over, T-Dub? | 0:09:02 | 0:09:04 | |
Enough. | 0:09:04 | 0:09:05 | |
And I've done a few myself. | 0:09:05 | 0:09:07 | |
You're a nut, kid. You're travelling with real people. | 0:09:07 | 0:09:09 | |
Takes three to charge a bank, and we're the three mosquitoes. | 0:09:09 | 0:09:13 | |
We move fast. Can you take it? | 0:09:13 | 0:09:15 | |
Me? You. | 0:09:15 | 0:09:17 | |
Sure. I can rib myself up to anything. | 0:09:17 | 0:09:19 | |
Maybe. | 0:09:19 | 0:09:21 | |
You ribbed yourself up once to killing a man, didn't you? | 0:09:21 | 0:09:24 | |
DOOR OPENS | 0:09:24 | 0:09:25 | |
Didn't you? | 0:09:27 | 0:09:29 | |
Yeah. I sure did. | 0:09:29 | 0:09:33 | |
DOOR CLOSES | 0:09:38 | 0:09:40 | |
CAR APPROACHES | 0:10:18 | 0:10:20 | |
Get in there. | 0:10:22 | 0:10:24 | |
Close the door. | 0:10:25 | 0:10:27 | |
Get down! | 0:10:27 | 0:10:29 | |
Highway patrol. This time every night. | 0:10:30 | 0:10:33 | |
HE COUNTS TO TEN | 0:10:33 | 0:10:36 | |
OK. | 0:10:36 | 0:10:37 | |
Thanks. | 0:10:45 | 0:10:46 | |
I don't guess I know much about talking to women... | 0:10:46 | 0:10:49 | |
or how to talk. I... | 0:10:49 | 0:10:51 | |
How old are you? | 0:10:51 | 0:10:52 | |
23. | 0:10:52 | 0:10:54 | |
How long were you in that prison? | 0:10:54 | 0:10:56 | |
Seven years. | 0:10:56 | 0:10:57 | |
What did that Chickamaw tell you about me? | 0:11:08 | 0:11:11 | |
CAR APPROACHES | 0:11:11 | 0:11:13 | |
The patrol back? | 0:11:13 | 0:11:15 | |
CAR CRASHES | 0:11:15 | 0:11:17 | |
WOMAN: Well, you ought to be happy now. | 0:11:17 | 0:11:20 | |
You finally hit something. | 0:11:20 | 0:11:22 | |
Shut up! | 0:11:22 | 0:11:23 | |
I thought I told you to stay sober. | 0:11:30 | 0:11:32 | |
Well, I had a tough time. | 0:11:32 | 0:11:34 | |
He had a tough time. | 0:11:34 | 0:11:36 | |
The way you was driving... | 0:11:36 | 0:11:37 | |
Aw, shut up! | 0:11:37 | 0:11:38 | |
T-DUB: Hello, Mattie. | 0:11:38 | 0:11:40 | |
Is that the best you could send? | 0:11:40 | 0:11:41 | |
Shut up! | 0:11:41 | 0:11:43 | |
I had a tough time. | 0:11:43 | 0:11:44 | |
I got everything done, though, | 0:11:44 | 0:11:45 | |
just like you told me. | 0:11:45 | 0:11:47 | |
T-DUB: Gee, it's good to see you, Mattie. | 0:11:47 | 0:11:49 | |
We got planning and figuring to do. | 0:11:51 | 0:11:52 | |
You're lucky he didn't | 0:11:52 | 0:11:54 | |
bust up something | 0:11:54 | 0:11:55 | |
before we got here. | 0:11:55 | 0:11:56 | |
The way that guy was driving, | 0:11:56 | 0:11:57 | |
I was ready to jump. | 0:11:57 | 0:11:59 | |
MOBLEY: Shut up! | 0:11:59 | 0:12:00 | |
Bowie, you better fix this tyre and check the car. | 0:12:00 | 0:12:03 | |
How's my brother? | 0:12:03 | 0:12:04 | |
He's still in there. | 0:12:04 | 0:12:06 | |
I know. Did you see him? | 0:12:06 | 0:12:08 | |
Yep. | 0:12:08 | 0:12:09 | |
Chickamaw. | 0:12:09 | 0:12:10 | |
I had a tough time. | 0:12:11 | 0:12:14 | |
Come on. | 0:12:14 | 0:12:15 | |
Slippery. | 0:12:15 | 0:12:17 | |
I can handle him. | 0:12:17 | 0:12:19 | |
She's my daughter. | 0:12:19 | 0:12:22 | |
MOBLEY: Keechie...Keechie... | 0:12:27 | 0:12:32 | |
Get away from my daughter... | 0:12:32 | 0:12:35 | |
Keechie... | 0:12:35 | 0:12:38 | |
You like your old man? | 0:12:38 | 0:12:41 | |
You like yours? | 0:12:41 | 0:12:43 | |
Not much. | 0:12:43 | 0:12:45 | |
Is it true your ma ran off with a guy? | 0:12:47 | 0:12:50 | |
Yes. | 0:12:50 | 0:12:51 | |
My ma took off with a guy | 0:12:51 | 0:12:53 | |
who ran a pool hall. | 0:12:53 | 0:12:54 | |
Pa used to take me there. | 0:12:54 | 0:12:56 | |
One night, he and this guy were having an argument. | 0:12:58 | 0:13:01 | |
I thought it was part of the game. | 0:13:01 | 0:13:03 | |
Never did see a pool game that didn't have an argument. | 0:13:03 | 0:13:07 | |
Pa raised his cue, and... | 0:13:09 | 0:13:12 | |
the other guy had a gun. | 0:13:12 | 0:13:15 | |
Pa turned to me like he was trying to say something. | 0:13:18 | 0:13:21 | |
I saw his face... white... | 0:13:21 | 0:13:24 | |
..like he was going to cry. | 0:13:28 | 0:13:31 | |
Had blood running into his eyes. | 0:13:31 | 0:13:34 | |
My ma went to live | 0:13:38 | 0:13:40 | |
with the guy that killed him. | 0:13:40 | 0:13:42 | |
You got a cigarette? | 0:13:43 | 0:13:45 | |
You smoke a lot. | 0:13:45 | 0:13:46 | |
I don't want one. | 0:13:46 | 0:13:48 | |
Haven't got one. | 0:13:48 | 0:13:50 | |
How's it coming? | 0:14:01 | 0:14:03 | |
BOWIE: All right. | 0:14:03 | 0:14:04 | |
I just wanted to make sure you were OK... | 0:14:04 | 0:14:07 | |
the two of you. | 0:14:07 | 0:14:08 | |
Nothing for you to worry about. | 0:14:08 | 0:14:10 | |
T-DUB: Chickamaw. | 0:14:10 | 0:14:12 | |
Better get a move on. We got some travelling to do. | 0:14:12 | 0:14:15 | |
Fine company you're running with. | 0:14:23 | 0:14:26 | |
I suppose you thought you had to get out of that prison. | 0:14:28 | 0:14:32 | |
I didn't see any use doing any more time. | 0:14:32 | 0:14:35 | |
Wasn't getting me nowhere. | 0:14:35 | 0:14:37 | |
Out here, even the air smells different. | 0:14:37 | 0:14:39 | |
Where do you think you'll get with them? | 0:14:39 | 0:14:42 | |
That Chickamaw - he lives for trouble, even if he is my uncle. | 0:14:42 | 0:14:46 | |
Oh, he's wild, all right, | 0:14:46 | 0:14:48 | |
but T-Dub's steady. | 0:14:48 | 0:14:50 | |
Maybe. | 0:14:50 | 0:14:51 | |
If I wasn't so hot, you know what I'd like? | 0:14:53 | 0:14:55 | |
What? | 0:14:55 | 0:14:57 | |
I'd like to have me a filling station. | 0:14:57 | 0:14:59 | |
A garage along with it, maybe. | 0:14:59 | 0:15:01 | |
That'd be too slow for you. | 0:15:01 | 0:15:03 | |
You want to live your life fast. | 0:15:03 | 0:15:05 | |
You don't know what you want. | 0:15:07 | 0:15:09 | |
You got me down wrong, Miss Keechie. | 0:15:09 | 0:15:12 | |
T-Dub saw it in the paper back there in the prison, see? | 0:15:12 | 0:15:16 | |
It's what the Supreme Court | 0:15:16 | 0:15:18 | |
of the United States itself said. | 0:15:18 | 0:15:20 | |
This fella it writes about... | 0:15:20 | 0:15:22 | |
he was tried, convicted of murder, and sentenced, | 0:15:22 | 0:15:24 | |
all the same day, the same as me. | 0:15:24 | 0:15:27 | |
Then the Supreme Court itself said, | 0:15:27 | 0:15:29 | |
"Let that man out. No due process of law." | 0:15:29 | 0:15:33 | |
That fella was 16, too, | 0:15:33 | 0:15:34 | |
when he done this murder, same as me. | 0:15:34 | 0:15:37 | |
How come you killed a man? | 0:15:41 | 0:15:44 | |
Some of the fellas in a carnival I was travelling with | 0:15:45 | 0:15:48 | |
said they knew how to make some money. | 0:15:48 | 0:15:50 | |
They had a safe all picked out. | 0:15:50 | 0:15:52 | |
I just sort of went along to see how it was done. | 0:15:52 | 0:15:55 | |
You were in a carnival? | 0:15:57 | 0:16:00 | |
Just roustaboutin'. | 0:16:00 | 0:16:01 | |
I should have been smart and run like the other kids. | 0:16:01 | 0:16:04 | |
You know, lawyers cost money. | 0:16:06 | 0:16:07 | |
As soon as I get enough, | 0:16:07 | 0:16:09 | |
I got a lawyer in Tulsa to see. | 0:16:09 | 0:16:12 | |
I'm going to get myself squared around. | 0:16:12 | 0:16:14 | |
I hope you're right. | 0:16:14 | 0:16:16 | |
Yeah. You bet I'm right. | 0:16:16 | 0:16:18 | |
You know what I'm going to do? | 0:16:19 | 0:16:22 | |
I'd like to go to New Orleans. Mexico, maybe. | 0:16:24 | 0:16:27 | |
The way Chickamaw talks about that Mexico, | 0:16:27 | 0:16:29 | |
that must be some country. | 0:16:29 | 0:16:30 | |
Before I'm through, I'm going to do a lot of looking around. | 0:16:30 | 0:16:34 | |
You think you're quite a man, don't you? | 0:16:34 | 0:16:36 | |
Uh-huh. | 0:16:37 | 0:16:39 | |
Fine way to get squared around, teaming with them. | 0:16:39 | 0:16:42 | |
Stealing money and robbing banks. | 0:16:42 | 0:16:43 | |
You'll get in so deep trying to get squared, | 0:16:43 | 0:16:46 | |
they'll have enough on you to keep you in prison | 0:16:46 | 0:16:48 | |
for two lifetimes. | 0:16:48 | 0:16:50 | |
INDISTINCT VOICES | 0:16:50 | 0:16:51 | |
If what that newspaper clipping says is true, | 0:16:51 | 0:16:53 | |
you can go back and tell them about it in prison. | 0:16:53 | 0:16:57 | |
They don't keep people there who don't belong there. | 0:16:57 | 0:16:59 | |
They'd never believe me. | 0:16:59 | 0:17:01 | |
Who said that- T-Dub? Chickamaw? | 0:17:01 | 0:17:03 | |
They know. | 0:17:03 | 0:17:04 | |
T-DUB: All set, Bowie? | 0:17:04 | 0:17:06 | |
Yeah. | 0:17:06 | 0:17:07 | |
Miss Keechie, will you drive Mattie here | 0:17:07 | 0:17:09 | |
down to the bus for us? | 0:17:09 | 0:17:10 | |
I suppose so. | 0:17:10 | 0:17:11 | |
It's a "cash on the barrelhead" proposition | 0:17:11 | 0:17:13 | |
for me, remember. | 0:17:13 | 0:17:14 | |
I told the boys that. After all, | 0:17:14 | 0:17:16 | |
it's my own brother that's in the pen. | 0:17:16 | 0:17:18 | |
It's my husband, and we ain't getting any younger, | 0:17:18 | 0:17:20 | |
and I want him out now. That's going to take money. | 0:17:20 | 0:17:24 | |
You do your part, Mattie. We'll get you the money. | 0:17:24 | 0:17:28 | |
I'll do my part. | 0:17:28 | 0:17:29 | |
So long, Keechie. | 0:17:31 | 0:17:33 | |
So long, Bowie. | 0:17:34 | 0:17:35 | |
CHICKAMAW: Come on. Let's go, let's go, let's go! | 0:17:35 | 0:17:39 | |
ENGINE STARTS | 0:17:41 | 0:17:43 | |
Are you interested in that? | 0:17:49 | 0:17:51 | |
What's it to you? | 0:17:51 | 0:17:52 | |
Jailbait. | 0:17:52 | 0:17:53 | |
He's just a kid. | 0:17:53 | 0:17:55 | |
Yeah. | 0:17:55 | 0:17:56 | |
That's what I said once. | 0:17:56 | 0:17:58 | |
Maybe you'll be lucky. Maybe they won't send him back to prison. | 0:17:58 | 0:18:02 | |
Maybe he'll get himself killed first. | 0:18:02 | 0:18:05 | |
I'll take you to the bus. | 0:18:05 | 0:18:08 | |
BOWIE: Now where do we go? | 0:18:11 | 0:18:12 | |
T-DUB: Zelton. We'll let you off just outside of town. | 0:18:12 | 0:18:14 | |
Some guys are just dingbats. | 0:18:14 | 0:18:16 | |
They'll charge a place with a filling station | 0:18:16 | 0:18:17 | |
across the street, a telephone office upstairs, | 0:18:17 | 0:18:18 | |
and a hardware store next door. | 0:18:18 | 0:18:20 | |
I've seen more guys killed that way. | 0:18:20 | 0:18:22 | |
The short match waits outside in the car. That's the tough job. | 0:18:22 | 0:18:25 | |
Some dingbats think the guy | 0:18:25 | 0:18:26 | |
in the car's got a snap. | 0:18:26 | 0:18:27 | |
He's the man that gets the rumble first, | 0:18:27 | 0:18:30 | |
believe me. | 0:18:30 | 0:18:31 | |
I'll go inside anytime. | 0:18:31 | 0:18:33 | |
Draw. | 0:18:33 | 0:18:34 | |
I'll stay in the car, any job we do. | 0:18:35 | 0:18:39 | |
OK? | 0:18:39 | 0:18:41 | |
OK. | 0:18:41 | 0:18:43 | |
Come on, son. Let's change. | 0:18:43 | 0:18:45 | |
CAR HORNS HONK | 0:19:10 | 0:19:12 | |
Want me to gift-wrap it? | 0:19:37 | 0:19:39 | |
No. | 0:19:39 | 0:19:40 | |
Ouch. | 0:19:46 | 0:19:48 | |
Have you anything smaller? | 0:19:48 | 0:19:50 | |
No. | 0:19:50 | 0:19:51 | |
Well, that's all right. I have to go over to the bank anyhow. | 0:19:51 | 0:19:54 | |
I'm dickering with them for a new lease on this place. | 0:19:54 | 0:19:57 | |
Do you mind stepping over to the bank with me? | 0:19:57 | 0:20:00 | |
Sure. | 0:20:00 | 0:20:01 | |
Change, please. | 0:20:12 | 0:20:14 | |
Here you are, young man, with thanks. | 0:20:25 | 0:20:27 | |
And I have a wedding ring or two if you ever... | 0:20:27 | 0:20:30 | |
Thanks. | 0:20:30 | 0:20:31 | |
On the nose. You all right, son? Sure. | 0:20:34 | 0:20:36 | |
Look around inside? | 0:20:36 | 0:20:37 | |
I can draw you a picture. | 0:20:37 | 0:20:39 | |
Save it for Chickamaw. Mattie got us the house in Gusherton all right. | 0:20:39 | 0:20:43 | |
Had to take it for six months. | 0:20:43 | 0:20:45 | |
You going to leave the car here? | 0:20:59 | 0:21:01 | |
Sure. It's OK. | 0:21:01 | 0:21:03 | |
Some shack, eh? | 0:21:03 | 0:21:05 | |
So? How do you like it? | 0:21:12 | 0:21:14 | |
Hey, Chickamaw. | 0:21:14 | 0:21:16 | |
So you got back, huh? | 0:21:16 | 0:21:18 | |
MATTIE: T-Dub? | 0:21:18 | 0:21:19 | |
Yeah. Mattie? | 0:21:19 | 0:21:22 | |
She got a real house. | 0:21:22 | 0:21:24 | |
Why not? | 0:21:24 | 0:21:25 | |
We're real people. | 0:21:25 | 0:21:27 | |
Hello, Mattie. | 0:21:27 | 0:21:29 | |
What's the matter? | 0:21:29 | 0:21:30 | |
What's been going on here? | 0:21:30 | 0:21:32 | |
Oh, I was just trying to get her to take a drink. | 0:21:32 | 0:21:35 | |
She's so dried up. | 0:21:35 | 0:21:36 | |
Maybe you're not the right man for her, Chickamaw. | 0:21:36 | 0:21:39 | |
How long does one woman wait for one man? | 0:21:39 | 0:21:42 | |
Listen, you crummy, one-eyed nut... | 0:21:42 | 0:21:44 | |
Mattie! | 0:21:46 | 0:21:48 | |
That's...that's seven years! | 0:21:49 | 0:21:52 | |
It's going to take the three of us. I want my brother out, too. | 0:21:52 | 0:21:55 | |
I got the cars for you- one here, one in Cedars. | 0:21:55 | 0:21:58 | |
Thanks, Mattie. | 0:21:58 | 0:22:00 | |
The first money's mine, remember, | 0:22:00 | 0:22:02 | |
and I want it on the line. | 0:22:02 | 0:22:04 | |
You're still a one-eyed lush, | 0:22:11 | 0:22:13 | |
and you always will be. | 0:22:13 | 0:22:15 | |
Jailbait. | 0:22:15 | 0:22:16 | |
DOOR OPENS AND CLOSES | 0:22:17 | 0:22:21 | |
I don't know what she's got against me. | 0:22:21 | 0:22:23 | |
I don't, either. | 0:22:23 | 0:22:25 | |
The Zelton trick-it's going to be tough, huh? | 0:22:25 | 0:22:29 | |
Tough enough. | 0:22:29 | 0:22:30 | |
Yeah? That's for me. | 0:22:30 | 0:22:32 | |
I want some action. | 0:22:32 | 0:22:33 | |
And I'll take steps the block long. | 0:22:33 | 0:22:36 | |
Anyone gets in my way, I'll stomp them! | 0:22:36 | 0:22:40 | |
Lay it out for us, | 0:22:41 | 0:22:43 | |
everything. | 0:22:43 | 0:22:45 | |
I still don't know what she's got against me. | 0:22:45 | 0:22:48 | |
This is... | 0:22:48 | 0:22:50 | |
this is the street... | 0:22:55 | 0:22:57 | |
the bank. | 0:22:57 | 0:22:59 | |
7.28, a freight train pulls in. | 0:22:59 | 0:23:02 | |
Here's where we are. | 0:23:04 | 0:23:05 | |
Don't forget to keep the car running. | 0:23:05 | 0:23:07 | |
TRAIN PASSES | 0:23:07 | 0:23:09 | |
The night watchman. Get ready. | 0:23:09 | 0:23:11 | |
There's the porter. | 0:23:11 | 0:23:13 | |
Over the fence, Chickamaw. | 0:23:15 | 0:23:17 | |
Morning, Mr Hagenheimer. | 0:23:57 | 0:23:59 | |
Good morning. | 0:23:59 | 0:24:00 | |
1, 2, 3, 4, 5, 6, 7... | 0:24:11 | 0:24:14 | |
Well, hello! | 0:24:14 | 0:24:15 | |
Good morning. | 0:24:15 | 0:24:16 | |
How'd the little lady like the watch? | 0:24:16 | 0:24:19 | |
You don't have to tell me. | 0:24:19 | 0:24:21 | |
My cold's all better today. | 0:24:21 | 0:24:23 | |
Coming in early. Inventory. I got- | 0:24:25 | 0:24:26 | |
Get away. | 0:24:26 | 0:24:28 | |
Did I say something? | 0:24:29 | 0:24:31 | |
Get away! | 0:24:31 | 0:24:32 | |
MUSIC PLAYS ON RADIO | 0:24:44 | 0:24:46 | |
Hold on, T-Dub. | 0:24:55 | 0:24:57 | |
STATIC ON RADIO | 0:25:45 | 0:25:46 | |
MUSIC STOPS | 0:25:46 | 0:25:48 | |
So long, T-Dub. | 0:25:54 | 0:25:55 | |
See you. | 0:25:55 | 0:25:57 | |
Take it easy. Watch your fingers. | 0:25:57 | 0:26:00 | |
What next? | 0:26:01 | 0:26:03 | |
Now we get to start strutting. | 0:26:03 | 0:26:04 | |
One thing you got to learn, kid... | 0:26:04 | 0:26:06 | |
you got to look and act like other people. | 0:26:06 | 0:26:09 | |
You go ahead, kid. I'll follow you. | 0:26:20 | 0:26:23 | |
And you better stomp it, or I'll run you down! | 0:26:23 | 0:26:26 | |
Let's go, let's go, let's go, let's go! Come on! | 0:26:27 | 0:26:31 | |
HE HONKS HORN | 0:26:31 | 0:26:33 | |
Come on, Bowie. Get a move on. | 0:26:37 | 0:26:39 | |
TYRES SCREECH | 0:26:48 | 0:26:50 | |
CRASH | 0:26:50 | 0:26:51 | |
Get in my car, kid, quickly. | 0:26:51 | 0:26:54 | |
My money... | 0:26:54 | 0:26:55 | |
Come on, kid. Come on. | 0:26:55 | 0:26:57 | |
You can't lay down here. | 0:26:57 | 0:26:58 | |
SIREN WAILS | 0:26:58 | 0:27:00 | |
Everybody and his dog is coming. | 0:27:00 | 0:27:02 | |
My gun! | 0:27:08 | 0:27:10 | |
Come on. Come on. We got plenty. | 0:27:10 | 0:27:12 | |
What's your hurry? | 0:27:12 | 0:27:14 | |
I'm taking him to a hospital, Officer. | 0:27:14 | 0:27:15 | |
He's banged up pretty bad. | 0:27:15 | 0:27:17 | |
Yeah, bad. | 0:27:17 | 0:27:18 | |
Where are you from? | 0:27:18 | 0:27:19 | |
Denver. | 0:27:19 | 0:27:21 | |
Come on to the hospital if you want to ask him any questions. | 0:27:21 | 0:27:23 | |
The way it looks, you were travelling too fast, both of you. | 0:27:23 | 0:27:25 | |
You come with me, and you, too. | 0:27:25 | 0:27:27 | |
Not this time, friend. | 0:27:27 | 0:27:28 | |
Listen here, buddy, | 0:27:28 | 0:27:29 | |
you'll get in trouble yourself before you know it. | 0:27:29 | 0:27:31 | |
Now, friend... | 0:27:31 | 0:27:33 | |
GUNSHOT | 0:27:33 | 0:27:34 | |
CROWD SCREAMS | 0:27:34 | 0:27:36 | |
That old one-lung jalopy come right out. | 0:27:38 | 0:27:42 | |
There ought to be a law. | 0:27:44 | 0:27:46 | |
I better dump you at my brother's. | 0:27:46 | 0:27:48 | |
How bad hurt are you? | 0:27:48 | 0:27:51 | |
I'm all right. Just... | 0:27:51 | 0:27:53 | |
still sick to my stomach, that's all. | 0:27:53 | 0:27:56 | |
Ha ha ha! That's nothing. I-I used to get sick | 0:27:56 | 0:28:00 | |
just from standing up when Ma was cutting my hair. | 0:28:00 | 0:28:03 | |
Cut it out. | 0:28:03 | 0:28:05 | |
Her name was Peabody then. | 0:28:05 | 0:28:07 | |
No. No. That was the first guy. | 0:28:07 | 0:28:12 | |
Then it was Feintz. Ha ha ha! | 0:28:12 | 0:28:15 | |
Cut it out, will you? | 0:28:15 | 0:28:17 | |
The guy with red hair. | 0:28:17 | 0:28:18 | |
I told you to cut it out. | 0:28:18 | 0:28:21 | |
What's the matter with you? | 0:28:21 | 0:28:22 | |
Feintz. Feintz was his name. Ha ha ha! | 0:28:22 | 0:28:26 | |
It's getting dark enough so I can be moving on. | 0:28:31 | 0:28:34 | |
Is the boy still out? | 0:28:34 | 0:28:35 | |
Yeah, pretty much. It's his back. | 0:28:35 | 0:28:38 | |
When he comes to, tell him this. Tell him when the heat cools, | 0:28:38 | 0:28:41 | |
he can go down to the Gusherton house. | 0:28:41 | 0:28:43 | |
He can hole up there. T-Dub and me will meet him there. | 0:28:43 | 0:28:46 | |
Oh, I'll tell him, Chickamaw. | 0:28:46 | 0:28:48 | |
And keep an eye on him and take care of him. | 0:28:48 | 0:28:50 | |
Well, if it wasn't that I was losing money, | 0:28:50 | 0:28:53 | |
I'd just as soon close the place up and really take care of him. | 0:28:53 | 0:28:56 | |
Don't you worry about the money. | 0:28:56 | 0:28:58 | |
I've got to worry about it, Chickamaw. | 0:28:58 | 0:29:00 | |
You. Keechie. | 0:29:00 | 0:29:02 | |
ENGINE STARTS | 0:29:23 | 0:29:27 | |
Girl, that's more money than I seen | 0:29:33 | 0:29:37 | |
since I collected on the fire we had. | 0:29:37 | 0:29:41 | |
CAR PULLS AWAY | 0:29:49 | 0:29:52 | |
WIND BLOWS | 0:29:56 | 0:29:59 | |
DOOR OPENS AND CLOSES | 0:30:03 | 0:30:07 | |
Bowie. | 0:30:15 | 0:30:17 | |
Here. Use this on your face. | 0:30:23 | 0:30:27 | |
TRUCK PULLS AWAY | 0:30:28 | 0:30:29 | |
What's that? | 0:30:29 | 0:30:31 | |
It's just a truck pulling away. | 0:30:31 | 0:30:33 | |
Where's Chickamaw? | 0:30:38 | 0:30:40 | |
He left. | 0:30:40 | 0:30:42 | |
I've been in a little trouble. | 0:30:46 | 0:30:49 | |
You look it. What happened to you? | 0:30:49 | 0:30:53 | |
Just burned my back a little. | 0:30:53 | 0:30:56 | |
Chickamaw told me that. Were you shot, too? | 0:30:56 | 0:30:58 | |
No. | 0:30:58 | 0:31:00 | |
Pull your shirt up. | 0:31:01 | 0:31:03 | |
Who's your fella, Keechie? | 0:31:17 | 0:31:20 | |
Why do you ask that? | 0:31:20 | 0:31:23 | |
None of my business. | 0:31:23 | 0:31:25 | |
Other girls have fellas. I was just asking. | 0:31:25 | 0:31:27 | |
I don't know what other girls have. | 0:31:27 | 0:31:30 | |
WIND BLOWS | 0:31:30 | 0:31:31 | |
Is that the patrol? | 0:31:31 | 0:31:33 | |
It's the wind in the telephone wires over on the highway. | 0:31:33 | 0:31:37 | |
I don't believe you like the menfolk, do you, Keechie? | 0:31:41 | 0:31:44 | |
They're as good as the women I've seen. | 0:31:44 | 0:31:47 | |
Did you ever want to leave this town, Keechie? | 0:31:47 | 0:31:51 | |
I've got a lot of money now. | 0:31:51 | 0:31:53 | |
Most girls like to go places. | 0:31:53 | 0:31:55 | |
I don't know what most girls like. | 0:31:56 | 0:32:00 | |
I didn't mean anything by that, Keechie. | 0:32:00 | 0:32:03 | |
I'd do this for a dog. | 0:32:05 | 0:32:07 | |
Keechie... | 0:32:07 | 0:32:09 | |
my coat. | 0:32:09 | 0:32:11 | |
Side pocket. | 0:32:14 | 0:32:16 | |
This? | 0:32:19 | 0:32:21 | |
I bought something for you there in Zelton. | 0:32:22 | 0:32:25 | |
It's a little old watch. | 0:32:25 | 0:32:27 | |
Do you want it? | 0:32:27 | 0:32:29 | |
Do you want to give it to me? | 0:32:29 | 0:32:32 | |
Yes. | 0:32:32 | 0:32:34 | |
Then yes... | 0:32:34 | 0:32:35 | |
I want it. | 0:32:35 | 0:32:37 | |
Is it true you never had a fella, | 0:32:53 | 0:32:55 | |
even just to go to church with or something like that? | 0:32:55 | 0:32:57 | |
Do you think I should have? | 0:32:57 | 0:32:59 | |
I was just asking. That's your own business. | 0:32:59 | 0:33:02 | |
I never saw any use of it. | 0:33:02 | 0:33:05 | |
You trying to say I should have a fella | 0:33:06 | 0:33:08 | |
and that fella ought to be you? Is that it? | 0:33:08 | 0:33:11 | |
I guess maybe it is. | 0:33:11 | 0:33:13 | |
I thought maybe that's what you were trying to say. | 0:33:13 | 0:33:16 | |
Chickamaw left this for you. | 0:33:20 | 0:33:23 | |
Keechie, I've got a lot of money in this. | 0:33:23 | 0:33:26 | |
I don't know why I said that. | 0:33:29 | 0:33:31 | |
Well, I'm glad you got it... | 0:33:31 | 0:33:33 | |
if that's what you want. | 0:33:33 | 0:33:34 | |
That wasn't what I wanted to say. | 0:33:34 | 0:33:36 | |
What I wanted to say was, now I can get that Tulsa lawyer. | 0:33:36 | 0:33:40 | |
He can square me away, like I told you. | 0:33:40 | 0:33:43 | |
Then nobody in this whole world can touch me, nobody. | 0:33:43 | 0:33:46 | |
What's the matter? | 0:33:48 | 0:33:50 | |
They found your gun in your smashed-up car | 0:33:51 | 0:33:55 | |
and your fingerprints on the gun. | 0:33:55 | 0:33:57 | |
That policeman was shot up bad. | 0:34:03 | 0:34:06 | |
I can skip that trip to the lawyer now. | 0:34:09 | 0:34:13 | |
You can't stay here. Papa's gone up to town. | 0:34:14 | 0:34:18 | |
He'll get himself sauced and shoot his mouth off. | 0:34:18 | 0:34:21 | |
Yeah. I'll get you both in a mess. | 0:34:21 | 0:34:24 | |
You'll be all right for tonight. | 0:34:24 | 0:34:27 | |
You can go tomorrow. | 0:34:27 | 0:34:28 | |
You're sure it's OK for me to stay? | 0:34:28 | 0:34:31 | |
You stay till tomorrow. Then you go. | 0:34:31 | 0:34:33 | |
I'll go with you... if you want. | 0:34:36 | 0:34:40 | |
Why? | 0:34:40 | 0:34:42 | |
What do you want to do that for? | 0:34:46 | 0:34:49 | |
Keechie... wh-what time is it? | 0:34:52 | 0:34:57 | |
I-I don't know. | 0:34:57 | 0:35:00 | |
There's no clock here to set it by. | 0:35:00 | 0:35:03 | |
It's a nice watch. | 0:35:04 | 0:35:06 | |
Well, what time do the hands say? | 0:35:06 | 0:35:09 | |
Five minutes to two. | 0:35:09 | 0:35:12 | |
That's close enough. | 0:35:13 | 0:35:16 | |
CRYING | 0:35:31 | 0:35:34 | |
Ma'am, your baby's crying. | 0:35:34 | 0:35:36 | |
I have been on this bus three days. | 0:35:36 | 0:35:39 | |
When we get to the next stop, I'll fix her a bottle. | 0:35:39 | 0:35:43 | |
Till then, I just don't care. | 0:35:43 | 0:35:45 | |
BABY CRIES LOUDER | 0:35:46 | 0:35:48 | |
Here. Come on. | 0:35:50 | 0:35:52 | |
Shh. Shh. | 0:35:59 | 0:36:02 | |
This is Fairfield, folks. | 0:36:20 | 0:36:22 | |
You'll have a ten-minute rest stop here. | 0:36:22 | 0:36:24 | |
You'll find the restrooms inside | 0:36:24 | 0:36:25 | |
to the rear of the building. | 0:36:25 | 0:36:27 | |
You also change cars here for Zelton, Cedars, | 0:36:27 | 0:36:29 | |
and Points West. | 0:36:29 | 0:36:31 | |
WAITRESS: Sandwiches - ham salad, egg salad. | 0:36:37 | 0:36:39 | |
WOMAN: A coffee, please. | 0:36:39 | 0:36:40 | |
MAN: Give me the same. | 0:36:40 | 0:36:41 | |
Ham salad and egg salad is all we have. | 0:36:41 | 0:36:44 | |
A circus come through and cleaned us out. | 0:36:44 | 0:36:46 | |
Sandwiches, ham salad, egg salad. All we got. | 0:36:46 | 0:36:48 | |
Just some coffee, please. Two. | 0:36:48 | 0:36:50 | |
MAN: Ham salad, egg salad is all we have. | 0:36:50 | 0:36:52 | |
A circus just come through and cleaned us out. | 0:36:52 | 0:36:54 | |
DIFFERENT MAN: Do you serve beer? | 0:36:54 | 0:36:55 | |
That's the only picture of me anybody ever took. | 0:36:55 | 0:36:57 | |
Yeah? | 0:36:57 | 0:36:58 | |
I was 14. Chickamaw took it. | 0:36:58 | 0:37:01 | |
Nobody will know me, not from that picture. | 0:37:01 | 0:37:04 | |
Yeah. Well, you filled out some since. | 0:37:04 | 0:37:07 | |
WAITRESS: Two coffees. | 0:37:07 | 0:37:08 | |
MUSIC: The Wedding March by Felix Mendelssohn-Bartholdy | 0:37:08 | 0:37:12 | |
There's Hawkins' class-B wedding, organ music and everything. | 0:37:15 | 0:37:19 | |
20 bucks. | 0:37:19 | 0:37:20 | |
20 bucks. There ought to be a law. | 0:37:20 | 0:37:22 | |
The way people pop in and out of there, one, two, three...quick... | 0:37:22 | 0:37:26 | |
you'd think they were getting dog licences. | 0:37:26 | 0:37:27 | |
I don't want to get you in trouble, Keechie. | 0:37:31 | 0:37:34 | |
I tell you, I'm just a black sheep. There's no getting away from it. | 0:37:34 | 0:37:38 | |
The only thing black about you is your eyelashes. | 0:37:38 | 0:37:41 | |
Coffee was awful. | 0:37:48 | 0:37:49 | |
When a man has them laws after him, | 0:37:49 | 0:37:52 | |
they shoot first and ask questions later. | 0:37:52 | 0:37:54 | |
They're just as likely to shoot a woman down with him as not. | 0:37:54 | 0:37:57 | |
Don't you see what you got yourself mixed up with? | 0:37:57 | 0:38:00 | |
BUS DRIVER: All aboard, southbound bus. | 0:38:00 | 0:38:02 | |
Didn't that woman with the baby get off here? | 0:38:02 | 0:38:04 | |
Yeah. | 0:38:04 | 0:38:05 | |
We can sit together. | 0:38:05 | 0:38:07 | |
Let's go. | 0:38:07 | 0:38:09 | |
Do you want to sit by the window? | 0:38:16 | 0:38:18 | |
I don't care. All right. | 0:38:18 | 0:38:20 | |
Here. | 0:38:22 | 0:38:24 | |
Bowie... | 0:38:29 | 0:38:31 | |
Yeah? | 0:38:31 | 0:38:32 | |
Don't shut yourself up cold like this. | 0:38:32 | 0:38:35 | |
I don't know what to do. | 0:38:35 | 0:38:37 | |
No? | 0:38:37 | 0:38:39 | |
No, I don't. | 0:38:39 | 0:38:40 | |
You do just what you're doing now... | 0:38:40 | 0:38:42 | |
just tell me when I'm doing the wrong thing. | 0:38:42 | 0:38:45 | |
I'll snap out of it. | 0:38:45 | 0:38:47 | |
All right. | 0:38:47 | 0:38:48 | |
Look. 20 weddings. | 0:38:50 | 0:38:53 | |
What a way to get married. | 0:38:53 | 0:38:56 | |
Yeah. | 0:38:56 | 0:38:57 | |
BUS DOOR CLOSES | 0:38:57 | 0:38:59 | |
ENGINE STARTS | 0:38:59 | 0:39:01 | |
Keechie... | 0:39:02 | 0:39:04 | |
..would you marry me? | 0:39:06 | 0:39:08 | |
If you want me to. | 0:39:09 | 0:39:11 | |
I want you to. | 0:39:11 | 0:39:13 | |
Then yes, I would. | 0:39:13 | 0:39:15 | |
Hey, driver, hold it! | 0:39:15 | 0:39:17 | |
DRIVER: What's the matter? | 0:39:17 | 0:39:18 | |
We're getting off. | 0:39:18 | 0:39:19 | |
Come on, come on. | 0:39:19 | 0:39:20 | |
Wait a minute! | 0:39:22 | 0:39:23 | |
Come on, pal. I got a schedule. | 0:39:23 | 0:39:25 | |
Keechie... | 0:40:10 | 0:40:12 | |
What time is it? | 0:40:14 | 0:40:15 | |
Ten minutes to twelve. | 0:40:18 | 0:40:20 | |
DOORBELL RINGS THE WEDDING MARCH | 0:40:37 | 0:40:41 | |
Hello, hello! | 0:40:49 | 0:40:51 | |
Do you do the marrying? | 0:40:53 | 0:40:54 | |
That's my business. I have the 30 wedding, | 0:40:54 | 0:40:56 | |
which gives a complete recording | 0:40:56 | 0:40:58 | |
of the ceremony on records. | 0:40:58 | 0:40:59 | |
I have a 20 we... | 0:40:59 | 0:41:01 | |
Will you just marry us? | 0:41:01 | 0:41:02 | |
That'll be 20. Tillie, Herman. | 0:41:02 | 0:41:04 | |
Who are they? | 0:41:04 | 0:41:06 | |
My sister and her husband. Witnesses. | 0:41:06 | 0:41:08 | |
We have to have them? | 0:41:08 | 0:41:10 | |
Oh, yes. First you got to sign your names... | 0:41:10 | 0:41:14 | |
over here. | 0:41:14 | 0:41:15 | |
If you'll, er, just sign the register. | 0:41:20 | 0:41:24 | |
There. I'll rent you a ring for a dollar or sell you one for five. | 0:41:43 | 0:41:48 | |
I'll buy one. | 0:41:50 | 0:41:51 | |
Um, this one will do it. | 0:41:51 | 0:41:55 | |
DOOR CLOSES | 0:41:58 | 0:41:59 | |
HE PLAYS ONE CHORD | 0:42:10 | 0:42:13 | |
By virtue of the power vested in me, | 0:42:20 | 0:42:23 | |
I hereby perform this wedding ceremony. | 0:42:23 | 0:42:25 | |
Do you, Catherine, take this man, Arthur, | 0:42:25 | 0:42:27 | |
as your lawful wedded husband, | 0:42:27 | 0:42:28 | |
to love, honour, and cherish henceforth? | 0:42:28 | 0:42:30 | |
I do. | 0:42:30 | 0:42:32 | |
Do you, Arthur, take this woman, Catherine, | 0:42:32 | 0:42:34 | |
as your lawful wedded wife, | 0:42:34 | 0:42:35 | |
to love, honour, and cherish henceforth? | 0:42:35 | 0:42:37 | |
I do. | 0:42:37 | 0:42:38 | |
Put the ring on her finger. | 0:42:38 | 0:42:40 | |
Now, by virtue of the power vested in me, | 0:42:42 | 0:42:45 | |
I now pronounce you husband and wife. | 0:42:45 | 0:42:49 | |
Tip them each a dollar. | 0:42:52 | 0:42:55 | |
Wish you all the health, happiness, | 0:43:01 | 0:43:03 | |
and wealth in the world. | 0:43:03 | 0:43:05 | |
HAWKINS: Herman! You got a cold. | 0:43:05 | 0:43:08 | |
I'm sorry. I have. | 0:43:08 | 0:43:10 | |
HAWKINS: That'll be 20, plus five for the ring. | 0:43:10 | 0:43:14 | |
HERMAN SNEEZES | 0:43:14 | 0:43:16 | |
You don't think much of my way of marrying people, do you? | 0:43:19 | 0:43:23 | |
I sure don't. | 0:43:23 | 0:43:24 | |
Well, me, neither, but I'm giving folks what they want. | 0:43:24 | 0:43:27 | |
My way of thinking, | 0:43:27 | 0:43:28 | |
folks ought to have what they want, | 0:43:28 | 0:43:30 | |
as long as they can pay for it. | 0:43:30 | 0:43:32 | |
You folks driving? | 0:43:32 | 0:43:33 | |
No. | 0:43:33 | 0:43:35 | |
Come in on the bus? No. | 0:43:35 | 0:43:37 | |
You ain't aiming to get a hitch? | 0:43:37 | 0:43:39 | |
That's no way to start a honeymoon. | 0:43:39 | 0:43:40 | |
Have you got any ideas? | 0:43:40 | 0:43:42 | |
Well, maybe I could fix you up with a car. | 0:43:42 | 0:43:45 | |
Maybe. | 0:43:45 | 0:43:46 | |
Party I know took in a new convertible today. | 0:43:46 | 0:43:48 | |
How long will it take? | 0:43:48 | 0:43:50 | |
If it means money, this party will be over in his nightshirt. | 0:43:50 | 0:43:53 | |
Shall I? | 0:43:53 | 0:43:54 | |
All right. | 0:43:56 | 0:43:57 | |
7-0-4-7. | 0:43:59 | 0:44:02 | |
45 miles, and no messing with the speedometer. | 0:44:02 | 0:44:05 | |
Hello, James? That new convertible. | 0:44:05 | 0:44:08 | |
Yeah. Yeah. Couple of eager honeymooners. | 0:44:08 | 0:44:12 | |
How much? | 0:44:12 | 0:44:14 | |
Uh...2,700 cash. | 0:44:14 | 0:44:17 | |
All right. | 0:44:17 | 0:44:18 | |
Plus 500 cash. | 0:44:18 | 0:44:20 | |
For you? | 0:44:20 | 0:44:21 | |
For me. | 0:44:21 | 0:44:23 | |
All right. | 0:44:23 | 0:44:25 | |
Bring it over pronto, Jamesy. | 0:44:25 | 0:44:28 | |
Uh, you folks have any idea where you're going... | 0:44:30 | 0:44:33 | |
on your honeymoon, I mean? | 0:44:33 | 0:44:35 | |
Why? | 0:44:35 | 0:44:36 | |
Well, I've got some mighty attractive folders there. | 0:44:36 | 0:44:39 | |
Ever think about, er, Mexico? | 0:44:39 | 0:44:40 | |
I could fix it so you'd have a real nice time. | 0:44:40 | 0:44:44 | |
We know where we're going. | 0:44:44 | 0:44:45 | |
That's fine. Of course, I'm partial to Mexico myself. | 0:44:45 | 0:44:49 | |
I spent a good many years there once. | 0:44:49 | 0:44:51 | |
I made a lot of good friends. | 0:44:51 | 0:44:53 | |
She said we know where we're going. | 0:44:53 | 0:44:56 | |
Uh... | 0:44:56 | 0:44:57 | |
yeah. | 0:44:57 | 0:44:59 | |
Aw, them old jalopies. They make the accidents. Ought to be a law. | 0:45:16 | 0:45:21 | |
Ha ha! | 0:45:21 | 0:45:22 | |
What's so funny? | 0:45:22 | 0:45:23 | |
Oh, Bowie. | 0:45:23 | 0:45:25 | |
What'd I say funny? | 0:45:25 | 0:45:27 | |
I like you so much. | 0:45:27 | 0:45:29 | |
I don't know much about kissing. | 0:45:29 | 0:45:32 | |
You'll have to show me. | 0:45:32 | 0:45:34 | |
I don't know too much | 0:45:34 | 0:45:35 | |
about it myself. | 0:45:35 | 0:45:37 | |
We'll learn together. | 0:45:37 | 0:45:38 | |
Yeah? | 0:45:58 | 0:45:59 | |
Have you got a place for us? | 0:45:59 | 0:46:01 | |
Alvin! | 0:46:01 | 0:46:03 | |
That depends. How long do you aim to stay? | 0:46:03 | 0:46:05 | |
A month or two... | 0:46:05 | 0:46:07 | |
..maybe more. | 0:46:08 | 0:46:10 | |
Oh, you didn't have to do that. | 0:46:10 | 0:46:12 | |
Yeah. I got a couple of places. | 0:46:12 | 0:46:14 | |
Not fancy, but comfortable. | 0:46:14 | 0:46:15 | |
I just aim to keep out the fly-by-nights. | 0:46:15 | 0:46:18 | |
Uh, my name's Lambert. This is my boy Alvin. | 0:46:18 | 0:46:20 | |
I'm learning him the business. | 0:46:20 | 0:46:22 | |
What'd you say your name was? | 0:46:22 | 0:46:24 | |
The Vines. | 0:46:24 | 0:46:25 | |
Well, let's see what you and Mrs Vine like, now. | 0:46:25 | 0:46:28 | |
Uh, right up this way. | 0:46:28 | 0:46:29 | |
What's your business, son? | 0:46:29 | 0:46:31 | |
Ball player. | 0:46:31 | 0:46:32 | |
Well, now! | 0:46:32 | 0:46:33 | |
That's an honourable enough calling. | 0:46:33 | 0:46:35 | |
We got a schoolteacher, two salesmen, | 0:46:35 | 0:46:37 | |
and now we got a ball player! | 0:46:37 | 0:46:39 | |
Ha ha! Uh, er... | 0:46:39 | 0:46:41 | |
here we are. Here we are. | 0:46:41 | 0:46:43 | |
This Bella Vista cabin is one of our nicest. | 0:46:43 | 0:46:46 | |
Well, er...what is it, folks? | 0:46:47 | 0:46:49 | |
Well, don't you have a place a little away from the others? | 0:46:49 | 0:46:53 | |
Uh-huh. Just married, ain't you? | 0:46:53 | 0:46:55 | |
Yeah. | 0:46:55 | 0:46:56 | |
Learn that, Alvin. | 0:46:56 | 0:46:58 | |
Just-married people like to be alone. | 0:46:58 | 0:47:00 | |
I should think so. | 0:47:00 | 0:47:02 | |
Well, er, follow me. | 0:47:02 | 0:47:04 | |
This place I'm going to show you | 0:47:04 | 0:47:05 | |
is clean away from everything | 0:47:05 | 0:47:07 | |
but the sky and the trees. | 0:47:07 | 0:47:09 | |
Uh, did you travel far? | 0:47:09 | 0:47:10 | |
Pretty far. | 0:47:10 | 0:47:11 | |
Well, how'd you happen to come here? | 0:47:11 | 0:47:13 | |
Friends told us about it. | 0:47:13 | 0:47:14 | |
You see, Alvin? A satisfied customer | 0:47:14 | 0:47:16 | |
is your best advertisement. | 0:47:16 | 0:47:17 | |
Oh, this is it. Turn right in here. | 0:47:17 | 0:47:19 | |
Well, here we are. | 0:47:30 | 0:47:32 | |
Uh, mind the second step. | 0:47:33 | 0:47:37 | |
Not fancy, but comfortable. | 0:47:39 | 0:47:42 | |
Uh, we've got a lot of blankets. | 0:47:42 | 0:47:44 | |
It gets kind of chilly up here. | 0:47:44 | 0:47:46 | |
It freezes, but it never snows. | 0:47:46 | 0:47:48 | |
How much is it? | 0:47:48 | 0:47:50 | |
It's 35 a week, in advance. | 0:47:50 | 0:47:51 | |
The light and water's included. | 0:47:51 | 0:47:53 | |
Think that'll bust us? | 0:47:53 | 0:47:55 | |
Oh, thanks. Uh, hope you folks enjoy yourselves. | 0:47:55 | 0:47:58 | |
If there's anything I can do for you, | 0:47:58 | 0:48:02 | |
just give me a holler. | 0:48:02 | 0:48:04 | |
Uh, come on, Alvin. | 0:48:04 | 0:48:05 | |
See, everybody has their own language. | 0:48:05 | 0:48:08 | |
DOOR CLOSES | 0:48:08 | 0:48:09 | |
I remembered everything all different. | 0:48:23 | 0:48:25 | |
It seemed like such a nice place. | 0:48:25 | 0:48:29 | |
We'll manage, honey. | 0:48:29 | 0:48:31 | |
Bowie... | 0:48:31 | 0:48:33 | |
Keechie, this is our honeymoon. | 0:48:33 | 0:48:35 | |
It doesn't make any difference where we are. | 0:48:35 | 0:48:38 | |
We'll get some paint. | 0:48:40 | 0:48:42 | |
Keechie, what kind of paint do people use in homes? | 0:48:42 | 0:48:46 | |
I'll get some things in town tomorrow. | 0:48:46 | 0:48:48 | |
As soon as the heat cools, | 0:48:48 | 0:48:50 | |
I'll take you to all the fine places. | 0:48:50 | 0:48:51 | |
We'll have a real honeymoon. | 0:48:51 | 0:48:52 | |
I'll buy you everything you want. | 0:48:52 | 0:48:54 | |
What do you want, Keechie? What can I buy you? | 0:48:54 | 0:48:56 | |
It's all for you. Just tell me what you want. | 0:48:56 | 0:48:58 | |
DOOR OPENS | 0:48:58 | 0:49:00 | |
If there's anything I can do for you, just give me a holler. | 0:49:01 | 0:49:06 | |
Let's get the things from the car. | 0:49:11 | 0:49:13 | |
Is anything wrong? | 0:49:13 | 0:49:15 | |
No. | 0:49:15 | 0:49:16 | |
Are you mad? | 0:49:16 | 0:49:17 | |
No. | 0:49:17 | 0:49:19 | |
Bowie, hold me. | 0:49:19 | 0:49:23 | |
Hold me tight. | 0:49:34 | 0:49:36 | |
After it was in every paper in the state, then you remember. | 0:49:39 | 0:49:44 | |
Well, try remembering a little more. | 0:49:44 | 0:49:46 | |
I tell you, I just saw the boy once. | 0:49:46 | 0:49:48 | |
You sure of that? | 0:49:48 | 0:49:50 | |
I saw him the first time. I didn't see him the second time, | 0:49:50 | 0:49:53 | |
but I just knew that he was there. | 0:49:53 | 0:49:55 | |
Can the girl handle a gun? | 0:49:55 | 0:49:56 | |
Look here, mister, this man of yours don't understand me. | 0:49:56 | 0:49:59 | |
I wouldn't try to cover up for that boy, | 0:49:59 | 0:50:02 | |
not after what he did to me- taking my daughter. | 0:50:02 | 0:50:05 | |
That boy belongs in the electric chair. | 0:50:05 | 0:50:07 | |
That's where I'd like to see him. | 0:50:07 | 0:50:09 | |
Yes, and I'd like to be the one to pull the switch. | 0:50:09 | 0:50:12 | |
I tell you, if I could get my hands on that boy... | 0:50:12 | 0:50:16 | |
All right, Mobley. That's all. | 0:50:16 | 0:50:17 | |
I'd wring his neck like a chicken! | 0:50:17 | 0:50:19 | |
Goodbye, Mobley. Yes, sir. I'd wring his neck... | 0:50:19 | 0:50:21 | |
Like a chicken. We know. | 0:50:21 | 0:50:23 | |
Yes. | 0:50:23 | 0:50:24 | |
Just want to say I'm proud to help you, | 0:50:27 | 0:50:30 | |
anyway I can. | 0:50:30 | 0:50:31 | |
Just call me anytime, and I'll-I'll, er... | 0:50:31 | 0:50:34 | |
Between him and a chicken, I'd bet on the chicken. | 0:50:36 | 0:50:39 | |
Yes, sir. Want to put somebody else on the case, sir? | 0:50:39 | 0:50:42 | |
Relax. Remember what Bowers and the girl are going through. | 0:50:42 | 0:50:45 | |
140 million people around them. | 0:50:45 | 0:50:47 | |
Anyone of them might trip them up. | 0:50:47 | 0:50:50 | |
Money to spend, and no chance to spend it. | 0:50:50 | 0:50:54 | |
All the time knowing one thing... | 0:50:54 | 0:50:57 | |
sooner or later, they'll be caught. | 0:50:57 | 0:50:59 | |
Every time they hear... | 0:50:59 | 0:51:01 | |
on the door... | 0:51:01 | 0:51:03 | |
their hearts jump a foot. | 0:51:03 | 0:51:05 | |
A heart can take just so much. | 0:51:05 | 0:51:08 | |
What would you do if something came up and I had to leave you? | 0:51:10 | 0:51:14 | |
Maybe we wouldn't be able to see each other again. | 0:51:14 | 0:51:17 | |
Didn't you hear me? | 0:51:20 | 0:51:21 | |
There wouldn't be anything for me if you were gone. | 0:51:21 | 0:51:25 | |
There's no use thinking about it. | 0:51:25 | 0:51:27 | |
What about those other women I was talking about? | 0:51:27 | 0:51:30 | |
KNOCK ON DOOR | 0:51:32 | 0:51:34 | |
ALVIN: Pop just got back and with some packages. | 0:51:34 | 0:51:36 | |
Packages? | 0:51:36 | 0:51:37 | |
I'll be right down. | 0:51:37 | 0:51:39 | |
I'll go. | 0:51:39 | 0:51:40 | |
Uh-uh. | 0:51:40 | 0:51:41 | |
What about those women who don't wait for their men? | 0:51:43 | 0:51:46 | |
Those women don't love. A woman only loves once. | 0:51:46 | 0:51:48 | |
I guess a woman is sort of like a dog. | 0:51:48 | 0:51:51 | |
A bad dog will take things from anybody, | 0:51:51 | 0:51:54 | |
but you just take a good dog... | 0:51:54 | 0:51:56 | |
his master dies, he won't take food from anybody. | 0:51:56 | 0:51:59 | |
He'll bite anybody that tries to pet him. | 0:51:59 | 0:52:02 | |
There was a man back up home, | 0:52:02 | 0:52:05 | |
and after he died, his dog wouldn't eat or drink... | 0:52:05 | 0:52:10 | |
and he just died, too. | 0:52:10 | 0:52:12 | |
Just goes to show you, don't it? | 0:52:12 | 0:52:13 | |
I guess it does. | 0:52:13 | 0:52:15 | |
We better start finishing the tree. | 0:52:19 | 0:52:22 | |
I wish we could go in town and take a chance | 0:52:22 | 0:52:25 | |
on seeing a movie together. | 0:52:25 | 0:52:26 | |
I've always wanted to hold hands | 0:52:26 | 0:52:28 | |
with a girl in a movie. | 0:52:28 | 0:52:30 | |
We will someday. | 0:52:32 | 0:52:34 | |
DOOR CLOSES | 0:52:38 | 0:52:39 | |
FOOTSTEPS | 0:52:50 | 0:52:52 | |
Keechie? | 0:52:52 | 0:52:54 | |
CHICKAMAW: How's the headline kid? | 0:52:54 | 0:52:55 | |
Chickamaw! | 0:52:55 | 0:52:57 | |
Are you alone? | 0:52:57 | 0:52:59 | |
I'm alone, all right. | 0:52:59 | 0:53:01 | |
Ain't you shacked up nice and cosy, huh? | 0:53:01 | 0:53:05 | |
Got a drink, kid? | 0:53:06 | 0:53:07 | |
Uh, no. I'm sorry. | 0:53:07 | 0:53:09 | |
Got some candy? | 0:53:09 | 0:53:10 | |
Sure. Here. | 0:53:10 | 0:53:12 | |
Man, you're doing all right for yourself. | 0:53:13 | 0:53:16 | |
You can't pick up a paper without seeing you | 0:53:16 | 0:53:18 | |
plastered all over it. | 0:53:18 | 0:53:20 | |
Every time some dingbat robs a filling station, | 0:53:21 | 0:53:24 | |
they say it's Bowie the Kid, the Zelton Bandit. | 0:53:24 | 0:53:27 | |
You'd have to have wings to be every place they say you been. | 0:53:27 | 0:53:31 | |
Where's the girl? | 0:53:33 | 0:53:35 | |
Keechie? | 0:53:35 | 0:53:36 | |
How many of them you got? | 0:53:36 | 0:53:39 | |
Ha ha ha! Just one. | 0:53:39 | 0:53:41 | |
Yeah. I kind of figured | 0:53:41 | 0:53:43 | |
she'd head back for these old hills. | 0:53:43 | 0:53:45 | |
We're married. | 0:53:47 | 0:53:49 | |
Hey. Hey, we should have learnt you the facts of life. | 0:53:50 | 0:53:54 | |
You went and married each other. How do you like that? | 0:53:54 | 0:53:58 | |
Hey, you ready to go back to work? | 0:54:00 | 0:54:02 | |
No time like the present. | 0:54:02 | 0:54:04 | |
Between them aces and kings I didn't draw | 0:54:04 | 0:54:05 | |
and the Denver queens I did draw, | 0:54:05 | 0:54:08 | |
I got no money left. | 0:54:08 | 0:54:10 | |
No drink, huh? | 0:54:10 | 0:54:12 | |
Well, what about T-Dub? What happened to his? | 0:54:12 | 0:54:15 | |
He didn't get Mattie's man out of jail. The parole board said no. | 0:54:15 | 0:54:19 | |
That T-Dub - he's crazy. You know what he did? | 0:54:19 | 0:54:22 | |
No. | 0:54:22 | 0:54:23 | |
He bought both of them a tourist cabin in McMasters... | 0:54:23 | 0:54:26 | |
for when his brother gets out of jail. | 0:54:26 | 0:54:29 | |
He's in Gusherton now. He's waiting for us. | 0:54:29 | 0:54:32 | |
Sure there's nothing to drink here, huh? | 0:54:33 | 0:54:35 | |
Mm-mm. | 0:54:35 | 0:54:37 | |
Kid... | 0:54:38 | 0:54:40 | |
we got us a little bank in Cedars just itching to be charged. | 0:54:40 | 0:54:43 | |
It's all cased proper. | 0:54:43 | 0:54:44 | |
It's just itching, I tell you. | 0:54:44 | 0:54:46 | |
Count me out, Chickamaw. | 0:54:46 | 0:54:48 | |
I still got most of my Zelton money. | 0:54:48 | 0:54:50 | |
You and T-Dub can have half of that. | 0:54:50 | 0:54:52 | |
Do you know, that's real friendly. | 0:54:54 | 0:54:56 | |
Real friendly. | 0:54:56 | 0:54:58 | |
Yeah. I'll split with you and old T-Dub. | 0:54:58 | 0:55:00 | |
You ain't going to be handing me out two bits at a time | 0:55:00 | 0:55:03 | |
for ice-cream cones. That dough you got- | 0:55:03 | 0:55:05 | |
where'd you get it, working in a shoe store? | 0:55:05 | 0:55:09 | |
It takes three to pull a trick, | 0:55:09 | 0:55:11 | |
and you're number three... | 0:55:11 | 0:55:13 | |
even if the papers do say you're number one. | 0:55:13 | 0:55:17 | |
T-Dub said you'd come. | 0:55:17 | 0:55:19 | |
When I read about you and the girl, | 0:55:19 | 0:55:22 | |
I figured maybe yes, maybe no. That bank's got real dough. | 0:55:22 | 0:55:26 | |
I said count me out. | 0:55:26 | 0:55:27 | |
That's a bad curve that girl's making you. | 0:55:27 | 0:55:30 | |
Cut it out, Chickamaw! | 0:55:30 | 0:55:31 | |
You better get rid of her. When's she coming back? | 0:55:34 | 0:55:37 | |
Right away, and I don't want her to see you. | 0:55:37 | 0:55:40 | |
OK. I'll wait outside. | 0:55:40 | 0:55:41 | |
I'll wait in the car for you a half-hour. | 0:55:41 | 0:55:44 | |
Then I'm coming back. | 0:55:44 | 0:55:46 | |
DOOR CLOSES | 0:55:51 | 0:55:53 | |
FOOTSTEPS | 0:55:59 | 0:56:01 | |
DOOR CLOSES | 0:56:03 | 0:56:05 | |
Hey, come help me. | 0:56:12 | 0:56:14 | |
Bring some wrapping paper. I got a sweater for Alvin, | 0:56:16 | 0:56:20 | |
and I got a... | 0:56:20 | 0:56:21 | |
Chickamaw's been here. What'd he want? | 0:56:24 | 0:56:28 | |
He and T-Dub are broke. They ain't got two quarters to cling together. | 0:56:28 | 0:56:32 | |
They want me in Gusherton. | 0:56:32 | 0:56:34 | |
I'm going with you. | 0:56:34 | 0:56:35 | |
No, you're not. | 0:56:35 | 0:56:37 | |
You don't belong with them kind of people. | 0:56:37 | 0:56:39 | |
I said you weren't going! | 0:56:41 | 0:56:42 | |
I heard you. | 0:56:42 | 0:56:44 | |
Then quit running around | 0:56:44 | 0:56:45 | |
when I'm talking to you! | 0:56:45 | 0:56:47 | |
All right. | 0:56:47 | 0:56:48 | |
I thought maybe we'd be lucky, | 0:56:54 | 0:56:56 | |
they wouldn't find us, and after a while, | 0:56:56 | 0:56:58 | |
we'd go away and live like other people. | 0:56:58 | 0:57:00 | |
We will. You'll see. | 0:57:00 | 0:57:01 | |
And live that way maybe nine or ten years. | 0:57:01 | 0:57:03 | |
It's happened to other men who escaped. | 0:57:03 | 0:57:04 | |
After a while, they go back and tell the police, | 0:57:04 | 0:57:06 | |
and they let them go free | 0:57:06 | 0:57:07 | |
because they proved they can live right like other people. | 0:57:07 | 0:57:09 | |
It could be. It sure could be. | 0:57:09 | 0:57:11 | |
You're my little old girl. | 0:57:11 | 0:57:12 | |
Not if you go back to them. | 0:57:12 | 0:57:14 | |
Keechie, I'll tell Chickamaw and old T-Dub, | 0:57:14 | 0:57:15 | |
"Boys, I'll do this because you're broke," I'll say. | 0:57:15 | 0:57:17 | |
"But after that, you can mark me absent because I'll be absent." | 0:57:17 | 0:57:19 | |
That's what I'll tell them. | 0:57:19 | 0:57:21 | |
They'll say, "Sure, Bowie." And then one day I'll come home | 0:57:21 | 0:57:23 | |
and find out Chickamaw has been here. | 0:57:23 | 0:57:25 | |
Me and those two fellas, we spent years together. | 0:57:25 | 0:57:27 | |
Most of the time, we made signs at each other. | 0:57:27 | 0:57:29 | |
We couldn't even talk. They helped me get free. Now they need me. | 0:57:29 | 0:57:32 | |
Banks aren't fools. | 0:57:32 | 0:57:33 | |
They'll be ready and waiting. | 0:57:33 | 0:57:35 | |
I don't want to pick up a newspaper | 0:57:35 | 0:57:37 | |
and read "the Zelton Bandits killed." | 0:57:37 | 0:57:39 | |
You think you're so smart. | 0:57:57 | 0:57:59 | |
That little package on the mantel, | 0:58:13 | 0:58:15 | |
that's your Christmas present. | 0:58:15 | 0:58:17 | |
You saved for it out of the house money, didn't you? | 0:58:24 | 0:58:28 | |
Yes. | 0:58:28 | 0:58:29 | |
No point in talking to Chickamaw. He's a stomping fool. | 0:58:33 | 0:58:36 | |
But maybe when I see old T-Dub, | 0:58:36 | 0:58:38 | |
if I tell him just what you told me... | 0:58:38 | 0:58:40 | |
Just promise me one thing, Bowie. | 0:58:40 | 0:58:41 | |
No matter what he says, you won't rob that bank. | 0:58:41 | 0:58:44 | |
Just tell me that, | 0:58:44 | 0:58:45 | |
and you can go see him, and I'll wait for you. | 0:58:45 | 0:58:48 | |
What time does your watch say? | 0:58:57 | 0:58:58 | |
I want to set this one of mine. | 0:58:58 | 0:59:01 | |
What difference does it make? | 0:59:02 | 0:59:05 | |
I'll be back. | 0:59:05 | 0:59:07 | |
Bowie... | 0:59:11 | 0:59:12 | |
it's ten minutes to 12. | 0:59:14 | 0:59:16 | |
ENGINE STARTS | 0:59:16 | 0:59:18 | |
Oh, Bowie... | 0:59:20 | 0:59:22 | |
That Keechie is a level-headed girl, ain't she? | 0:59:23 | 0:59:26 | |
I knew you'd say that, T-Dub. | 0:59:26 | 0:59:28 | |
And don't think I wouldn't like to pull out. | 0:59:28 | 0:59:30 | |
If I could find the right woman, | 0:59:30 | 0:59:31 | |
I'd rear back in them Missouri hills. | 0:59:31 | 0:59:33 | |
I know, T-Dub. You told me that. | 0:59:33 | 0:59:35 | |
This is business, son. | 0:59:37 | 0:59:38 | |
You said yourself I had the right idea. | 0:59:38 | 0:59:40 | |
The way things are, we got to keep right on going. | 0:59:40 | 0:59:43 | |
Not me. | 0:59:43 | 0:59:44 | |
You can just mark me absent. | 0:59:44 | 0:59:46 | |
Listen, you. We took you out of that prison camp | 0:59:46 | 0:59:49 | |
when there was plenty others we could have took. | 0:59:49 | 0:59:52 | |
Right, Chickamaw? Right. | 0:59:52 | 0:59:53 | |
So to speak, you're an investment, | 0:59:53 | 0:59:55 | |
and you're going to pay off. | 0:59:55 | 0:59:56 | |
You hear me? | 0:59:56 | 0:59:57 | |
Don't do that, T-Dub. | 0:59:57 | 0:59:59 | |
You hear me? | 0:59:59 | 1:00:02 | |
Do you hear me?! | 1:00:03 | 1:00:05 | |
Yeah, I hear you. | 1:00:05 | 1:00:06 | |
RADIO: 'Back to the news. The luck of the Zelton Bandits | 1:00:09 | 1:00:12 | |
'began running out today in Cedars, Texas, | 1:00:12 | 1:00:14 | |
'when they attempted one of the most daring bank robberies | 1:00:14 | 1:00:16 | |
'in the history of the Southwest. | 1:00:16 | 1:00:18 | |
'But this time, it did not come off. | 1:00:18 | 1:00:19 | |
'Local police closed in on...' | 1:00:19 | 1:00:21 | |
STATIC | 1:00:21 | 1:00:23 | |
'..Current wave of robberies. | 1:00:25 | 1:00:27 | |
'In a desperate attempt to reach the getaway car, | 1:00:27 | 1:00:29 | |
'the eldest of the trio, Henry "T-Dub" Mansfield, was shot and killed. | 1:00:29 | 1:00:32 | |
'It is believed that at least one other was wounded. | 1:00:32 | 1:00:34 | |
'The leader, Bowie "the Kid" Bowers, a fast-trigger killer, | 1:00:34 | 1:00:37 | |
'has so far...' | 1:00:37 | 1:00:38 | |
Get in the back. | 1:00:38 | 1:00:40 | |
Bowie "the Kid." | 1:00:40 | 1:00:41 | |
And stay down on the floor. | 1:00:41 | 1:00:42 | |
They're looking for two together, not one. | 1:00:42 | 1:00:44 | |
Don't you tell me what to do. | 1:00:44 | 1:00:45 | |
You ask me if I want to do it. | 1:00:45 | 1:00:47 | |
"The leader"! | 1:00:49 | 1:00:51 | |
It rips my guts out. | 1:00:51 | 1:00:53 | |
What are you talking about? | 1:00:53 | 1:00:55 | |
Bowie "the Kid," you. | 1:00:55 | 1:00:57 | |
All the newspapers print about is you, | 1:00:57 | 1:01:00 | |
you and that two-bit girl of yours. | 1:01:00 | 1:01:03 | |
It makes me look like | 1:01:03 | 1:01:04 | |
a penny in a slot machine. | 1:01:04 | 1:01:06 | |
Where's that bottle? | 1:01:07 | 1:01:09 | |
You finished it. Stay down. | 1:01:09 | 1:01:10 | |
Boy, don't keep telling me what to do. | 1:01:10 | 1:01:13 | |
Just because you covered for me in Cedars, | 1:01:13 | 1:01:16 | |
you think I owe you something. | 1:01:16 | 1:01:18 | |
You think you can shove me around. | 1:01:18 | 1:01:20 | |
I want that drink. | 1:01:20 | 1:01:22 | |
I want that drink, | 1:01:22 | 1:01:23 | |
and I'm going to get it. | 1:01:23 | 1:01:25 | |
Bowie, stop. | 1:01:25 | 1:01:26 | |
Keep your head down. | 1:01:26 | 1:01:27 | |
Bowie, stop! | 1:01:27 | 1:01:28 | |
TYRES SCREECH | 1:01:28 | 1:01:30 | |
Get out. Get out, I tell you. | 1:01:30 | 1:01:33 | |
I can't miss this close. | 1:01:33 | 1:01:35 | |
Sure, I'll get out. | 1:01:39 | 1:01:41 | |
I don't need you. | 1:01:43 | 1:01:45 | |
I can crack any bank in this country alone. | 1:01:45 | 1:01:48 | |
I'm better off alone... | 1:01:53 | 1:01:55 | |
..and I always was. | 1:01:57 | 1:01:59 | |
RADIO: 'And that is the only available identification | 1:02:25 | 1:02:28 | |
'of the youthful Zelton Bandit. | 1:02:28 | 1:02:29 | |
'We continue with our Christmas programme | 1:02:29 | 1:02:31 | |
'of music to sing with.' | 1:02:31 | 1:02:33 | |
Well, what's happened here? | 1:02:33 | 1:02:35 | |
The pipes bust. | 1:02:35 | 1:02:37 | |
Lambert is getting a plumber. | 1:02:37 | 1:02:40 | |
How did you let it get so flooded? | 1:02:45 | 1:02:47 | |
I was away when it happened, so were you. | 1:02:47 | 1:02:50 | |
Oh, it doesn't matter. | 1:02:50 | 1:02:51 | |
We'll buy some new things. | 1:02:51 | 1:02:53 | |
It doesn't make any difference. | 1:02:53 | 1:02:55 | |
I guess you heard over the radio. | 1:02:57 | 1:02:59 | |
I heard. | 1:02:59 | 1:03:00 | |
About T-Dub? | 1:03:00 | 1:03:02 | |
And Chickamaw. | 1:03:02 | 1:03:03 | |
What happened to him? | 1:03:03 | 1:03:04 | |
He was killed last night | 1:03:04 | 1:03:06 | |
breaking into a liquor store. | 1:03:06 | 1:03:08 | |
They say it runs in threes. | 1:03:09 | 1:03:12 | |
Honey, I didn't mean to get you mixed up in this. | 1:03:12 | 1:03:15 | |
I can take care of myself. | 1:03:15 | 1:03:17 | |
Anyway, they can't pin nothing on you, nothing in this world. | 1:03:17 | 1:03:19 | |
When did you start thinking about me? | 1:03:19 | 1:03:21 | |
You sure didn't think about me when you were gone. | 1:03:21 | 1:03:24 | |
Don't you touch me. | 1:03:24 | 1:03:25 | |
It was me or them, and you took them, didn't you? | 1:03:25 | 1:03:27 | |
I don't like to talk about them boys. | 1:03:27 | 1:03:29 | |
Where are you going? | 1:03:31 | 1:03:32 | |
What's it to you? | 1:03:32 | 1:03:33 | |
I told you not to touch me. | 1:03:33 | 1:03:36 | |
Don't leave this place sore like this. | 1:03:36 | 1:03:38 | |
Look, if anybody leaves, it's me. | 1:03:38 | 1:03:41 | |
I'm not staying. | 1:03:41 | 1:03:43 | |
I'll go outside for a while. | 1:03:43 | 1:03:44 | |
If nothing will do you but going, you take the car. | 1:03:44 | 1:03:48 | |
You know where the money is. | 1:03:48 | 1:03:50 | |
LAMBERT: Hiya, Mr Vine. | 1:03:51 | 1:03:53 | |
Sorry we had a little trouble here while you were gone. | 1:03:56 | 1:03:58 | |
Did you have a good trip? | 1:03:58 | 1:04:00 | |
I got you Rudy here. He'll fix you up in no time. | 1:04:00 | 1:04:02 | |
In there, Rudy. | 1:04:02 | 1:04:03 | |
Busted pipes, eh? | 1:04:03 | 1:04:05 | |
First it freezes, then it thaws. | 1:04:05 | 1:04:06 | |
I should be used to it by this time. | 1:04:06 | 1:04:08 | |
He's the best plumber around. | 1:04:08 | 1:04:10 | |
The only plumber around. | 1:04:10 | 1:04:12 | |
Yeah, that's right. | 1:04:12 | 1:04:13 | |
Say, you don't happen to have a cigarette, do you? | 1:04:13 | 1:04:15 | |
Somebody cleaned out the office machine with slugs. Thanks. | 1:04:15 | 1:04:19 | |
You know what we always say? | 1:04:19 | 1:04:21 | |
When pigs go around with sticks in their mouths, | 1:04:21 | 1:04:23 | |
they'll be a blue norther in Texas. | 1:04:23 | 1:04:25 | |
I heard a peafowl howling. That means rain. | 1:04:25 | 1:04:27 | |
Yeah. | 1:04:27 | 1:04:28 | |
Sure busted one of the pipes. | 1:04:28 | 1:04:32 | |
Well, merry Christmas. | 1:04:32 | 1:04:34 | |
Come on, Alvin. | 1:04:34 | 1:04:35 | |
I've got to change my shoes. | 1:04:35 | 1:04:37 | |
Me, too? | 1:04:37 | 1:04:38 | |
Yeah. Come on. | 1:04:38 | 1:04:40 | |
Merry Christmas. | 1:04:43 | 1:04:44 | |
You said you weren't here when the pipes bust? | 1:04:49 | 1:04:51 | |
Where were you? | 1:04:51 | 1:04:53 | |
I asked you where you were. | 1:04:53 | 1:04:54 | |
Seeing a doctor. | 1:04:54 | 1:04:56 | |
About what? | 1:04:56 | 1:04:57 | |
The baby we're going to have. | 1:04:57 | 1:04:59 | |
That's just fine. That's all I need. | 1:04:59 | 1:05:02 | |
You don't see me knitting anything, do you? | 1:05:02 | 1:05:05 | |
I-I need my other tools. | 1:05:06 | 1:05:09 | |
Look. | 1:05:29 | 1:05:30 | |
TRUCK STARTS | 1:05:30 | 1:05:32 | |
Get your coat quick. | 1:05:38 | 1:05:40 | |
Ah, leave everything else. | 1:05:51 | 1:05:53 | |
Bowie. | 1:06:09 | 1:06:10 | |
Yeah? | 1:06:10 | 1:06:11 | |
You wouldn't have let me go, would you? | 1:06:11 | 1:06:14 | |
You'd have made me stay, wouldn't you? | 1:06:14 | 1:06:16 | |
I'm good for you. | 1:06:17 | 1:06:18 | |
I do help you a whole lot, don't I? | 1:06:18 | 1:06:23 | |
Bowie, no matter what, | 1:06:23 | 1:06:25 | |
you want me with you. | 1:06:25 | 1:06:27 | |
If you want to. | 1:06:27 | 1:06:29 | |
I want to. | 1:06:29 | 1:06:30 | |
I'd like to get in a big city. | 1:06:36 | 1:06:39 | |
Chickamaw was always talking about them cities. | 1:06:39 | 1:06:42 | |
He said people don't big-eye you so much. | 1:06:42 | 1:06:44 | |
I guess Alvin won't get his sweater for Christmas. | 1:06:47 | 1:06:50 | |
I left it on the radio. | 1:06:50 | 1:06:52 | |
He'll find it. | 1:06:52 | 1:06:54 | |
Bowie... | 1:06:57 | 1:06:59 | |
I'm going to have our baby. | 1:06:59 | 1:07:02 | |
No matter what, I'm going to have it. | 1:07:02 | 1:07:05 | |
That's right. | 1:07:05 | 1:07:06 | |
He'll just have to take his chances, | 1:07:06 | 1:07:09 | |
the same as us. | 1:07:09 | 1:07:10 | |
Bowie... | 1:07:36 | 1:07:38 | |
What, honey? | 1:07:39 | 1:07:41 | |
Try and sleep. | 1:07:41 | 1:07:43 | |
Sure, sure. | 1:07:43 | 1:07:45 | |
TRAIN CHUGS | 1:08:03 | 1:08:05 | |
Take it easy. | 1:08:05 | 1:08:07 | |
Honey. | 1:08:18 | 1:08:20 | |
What's that? What's wrong? | 1:08:20 | 1:08:21 | |
Look. | 1:08:21 | 1:08:23 | |
What is it? | 1:08:23 | 1:08:24 | |
It's the Mississippi. | 1:08:24 | 1:08:26 | |
We're almost there. | 1:08:26 | 1:08:27 | |
It's a big river, | 1:08:27 | 1:08:29 | |
isn't it? | 1:08:29 | 1:08:30 | |
It's the biggest. | 1:08:30 | 1:08:31 | |
Someday, I'd like to see some of this country | 1:08:31 | 1:08:35 | |
we've been travelling through. | 1:08:35 | 1:08:36 | |
By daylight, you mean? | 1:08:36 | 1:08:38 | |
That'd be nice. | 1:08:38 | 1:08:40 | |
Won't be long now. | 1:08:40 | 1:08:41 | |
You want me to drive? | 1:08:43 | 1:08:45 | |
Nah. You go back to sleep. | 1:08:45 | 1:08:47 | |
It's good to wake up | 1:08:59 | 1:09:01 | |
and see the sun for a change. | 1:09:01 | 1:09:03 | |
Good morning, darling. | 1:09:03 | 1:09:05 | |
I like opening my eyes and seeing you. | 1:09:14 | 1:09:16 | |
How do you feel? | 1:09:16 | 1:09:18 | |
Every time I wake up, I feel just like a cat. | 1:09:18 | 1:09:21 | |
You're like a little kitten... | 1:09:21 | 1:09:23 | |
Mm-hmm. | 1:09:23 | 1:09:24 | |
So warm. | 1:09:24 | 1:09:27 | |
And you purr, too. | 1:09:31 | 1:09:32 | |
Do I? | 1:09:32 | 1:09:34 | |
You don't mean snore, do you? | 1:09:35 | 1:09:37 | |
KNOCK ON DOOR | 1:09:37 | 1:09:38 | |
Yes? | 1:09:38 | 1:09:40 | |
It's me - Mrs Havilland. | 1:09:40 | 1:09:42 | |
Just a second. | 1:09:42 | 1:09:44 | |
I thought you might like some breakfast. | 1:09:50 | 1:09:52 | |
I made some sweet potato pie. | 1:09:52 | 1:09:54 | |
I know you'd mostly rather sleep than breakfast. | 1:09:54 | 1:09:57 | |
I'm glad you thought of us. | 1:09:57 | 1:09:59 | |
Then I'm glad, too. | 1:09:59 | 1:10:00 | |
Thank you. | 1:10:00 | 1:10:01 | |
Say, honey, you're sure getting chubby. | 1:10:05 | 1:10:07 | |
Don't you like it? | 1:10:07 | 1:10:09 | |
You could get as big as the side of a barn, | 1:10:09 | 1:10:11 | |
and I'd like it. | 1:10:11 | 1:10:13 | |
Sweet potato pie? | 1:10:13 | 1:10:14 | |
Yeah. | 1:10:14 | 1:10:15 | |
How would you like to get out | 1:10:28 | 1:10:30 | |
and really make a day of it, eat someplace fine? | 1:10:30 | 1:10:33 | |
With music and all that, just like other people? | 1:10:33 | 1:10:35 | |
Mm-hmm. | 1:10:35 | 1:10:36 | |
Bowie, that's just what I would like. | 1:10:36 | 1:10:38 | |
I'll wear my grey flannel suit. | 1:10:38 | 1:10:40 | |
I'll strut out my double-breasted. | 1:10:40 | 1:10:43 | |
So start strutting. | 1:10:49 | 1:10:51 | |
Ain't that some way to ride, | 1:11:11 | 1:11:13 | |
bobbing your bottom up and down like that? | 1:11:13 | 1:11:15 | |
Uh-huh. | 1:11:15 | 1:11:16 | |
Why do they do it? They're not going anyplace. | 1:11:16 | 1:11:18 | |
I guess they got nothing else to do. | 1:11:18 | 1:11:20 | |
As far as I'm concerned, it's a waste of time. | 1:11:20 | 1:11:22 | |
These trees are so old, they're growing whiskers. | 1:11:22 | 1:11:25 | |
That's something else I never could figure, | 1:11:27 | 1:11:29 | |
how anybody could get interested | 1:11:29 | 1:11:30 | |
in patting a little ball around. | 1:11:30 | 1:11:32 | |
If they stood on their heads, it wouldn't bother me, | 1:11:32 | 1:11:35 | |
if they were having a good time. | 1:11:35 | 1:11:37 | |
People sure do act funny, though. | 1:11:37 | 1:11:39 | |
HE CHUCKLES | 1:11:39 | 1:11:40 | |
Are you having a good time? | 1:11:40 | 1:11:42 | |
Such a good time, Bowie. | 1:11:42 | 1:11:44 | |
SWING MUSIC PLAYS | 1:11:44 | 1:11:46 | |
I don't see anything to that dancing out there, do you? | 1:11:49 | 1:11:52 | |
I never did care much for dancing. | 1:11:52 | 1:11:55 | |
Look at them. I think it's silly | 1:12:00 | 1:12:03 | |
switching around like that, getting all het up. | 1:12:03 | 1:12:04 | |
You didn't think it was so silly | 1:12:04 | 1:12:07 | |
when that Mexican girl was dancing. | 1:12:07 | 1:12:08 | |
Me? What did I do? | 1:12:08 | 1:12:10 | |
You didn't even find time to light my cigarette. | 1:12:10 | 1:12:13 | |
Oh, I don't remember that. | 1:12:13 | 1:12:14 | |
Want to try something a little stronger? | 1:12:14 | 1:12:16 | |
No. Are you having a good time? | 1:12:16 | 1:12:19 | |
Wonderful. You? | 1:12:19 | 1:12:22 | |
# Your business is your red wagon | 1:12:22 | 1:12:26 | |
# What's in it is all your own | 1:12:26 | 1:12:31 | |
# So don't load it up with troubles | 1:12:31 | 1:12:35 | |
# Cos you're dragging it all alone | 1:12:35 | 1:12:39 | |
# If you stick your nose | 1:12:39 | 1:12:41 | |
# Someplace it don't belong | 1:12:41 | 1:12:44 | |
# Don't you come to me | 1:12:44 | 1:12:46 | |
# If things go wrong | 1:12:46 | 1:12:48 | |
# That's your red wagon | 1:12:48 | 1:12:52 | |
# That's your red wagon | 1:12:52 | 1:12:56 | |
# So just keep draggin' | 1:12:56 | 1:12:59 | |
# Your red wagon along | 1:12:59 | 1:13:02 | |
# If you want to play horses and blow your dough | 1:13:04 | 1:13:08 | |
# Don't you run to me... # | 1:13:08 | 1:13:09 | |
You know, the more I think about Mexico... | 1:13:09 | 1:13:12 | |
And those Mexican girls? | 1:13:12 | 1:13:14 | |
The more I think of Mexico, the more I like it. | 1:13:14 | 1:13:16 | |
Remember the gent who married us? | 1:13:16 | 1:13:18 | |
I remember. It wasn't that long ago. | 1:13:18 | 1:13:20 | |
There was another one who was that way about Mexico. | 1:13:20 | 1:13:23 | |
You and me, honey, with what we got solid away, | 1:13:23 | 1:13:25 | |
we can live down there like a couple of real people. | 1:13:25 | 1:13:27 | |
Maybe in a little while, I could get lined up | 1:13:27 | 1:13:30 | |
with one of the big mining companies, | 1:13:30 | 1:13:31 | |
and maybe we... | 1:13:31 | 1:13:33 | |
# ..that you'll get burned | 1:13:33 | 1:13:34 | |
# When you play with fire | 1:13:34 | 1:13:37 | |
# Don't come running to me | 1:13:37 | 1:13:41 | |
# You can't use me for your spare tyre | 1:13:41 | 1:13:45 | |
# If you didn't have love songs | 1:13:45 | 1:13:48 | |
# To fit my key, baby | 1:13:48 | 1:13:50 | |
# Please don't sing those blues to me | 1:13:50 | 1:13:53 | |
# That's your red wagon | 1:13:53 | 1:13:56 | |
# That's your red wagon | 1:13:57 | 1:14:01 | |
# So just keep draggin'... # | 1:14:01 | 1:14:05 | |
KEECHIE: No trouble, Bowie. Come on! | 1:14:05 | 1:14:07 | |
Come on! | 1:14:07 | 1:14:09 | |
Are you all right? Are you hurt? | 1:14:10 | 1:14:11 | |
We shouldn't have come out. | 1:14:11 | 1:14:13 | |
I'm all right. Cigarette? | 1:14:13 | 1:14:14 | |
I'll get some. | 1:14:14 | 1:14:15 | |
I'll be in the car, out in the air. | 1:14:15 | 1:14:18 | |
Any cigarettes? | 1:14:22 | 1:14:24 | |
We got some in the foyer in there, sir. | 1:14:24 | 1:14:26 | |
Just cigarettes. | 1:14:32 | 1:14:34 | |
Yes, sir. | 1:14:34 | 1:14:35 | |
Bowie "the Kid"? | 1:14:46 | 1:14:48 | |
Don't be corny, Bowers. | 1:14:51 | 1:14:53 | |
The papers say you carry a .45. | 1:14:55 | 1:14:57 | |
They say a lot of things. | 1:14:57 | 1:14:59 | |
Yeah, I know. | 1:14:59 | 1:15:01 | |
Using this would be a bad idea. | 1:15:01 | 1:15:02 | |
These things make a lot of noise. | 1:15:02 | 1:15:05 | |
What are your plans, Bowers? | 1:15:06 | 1:15:08 | |
I'll tell you what your plans are. | 1:15:08 | 1:15:10 | |
You're leaving town tonight. | 1:15:10 | 1:15:12 | |
Nothing against you, you understand? | 1:15:12 | 1:15:14 | |
We don't want a lot of trigger-happy hillbillies | 1:15:14 | 1:15:16 | |
around here. | 1:15:16 | 1:15:18 | |
This is a nice cool town. Business is good. | 1:15:18 | 1:15:20 | |
We don't want it heated up. | 1:15:20 | 1:15:22 | |
You're hot. | 1:15:22 | 1:15:23 | |
I'd say you got about an hour, maybe less, | 1:15:25 | 1:15:29 | |
to get out of town. | 1:15:29 | 1:15:31 | |
Here. | 1:15:37 | 1:15:39 | |
# Just keep draggin' | 1:15:46 | 1:15:50 | |
# Do bop ba ba zo | 1:15:50 | 1:15:52 | |
# Ba ba bo bo be do day | 1:15:52 | 1:15:55 | |
# Bo bo day bo day. # | 1:15:55 | 1:15:58 | |
Keechie. | 1:15:58 | 1:15:59 | |
What is it? | 1:15:59 | 1:16:01 | |
A detour. | 1:16:01 | 1:16:03 | |
I don't know. It might be a roadblock. | 1:16:03 | 1:16:05 | |
Better not take a chance. | 1:16:05 | 1:16:07 | |
All right. | 1:16:07 | 1:16:08 | |
Are you all right? | 1:16:16 | 1:16:18 | |
I'll be all right in a minute. | 1:16:18 | 1:16:20 | |
Hello, Mattie. | 1:17:10 | 1:17:12 | |
How did you get here? | 1:17:12 | 1:17:15 | |
T-Dub told me about you having this place. | 1:17:15 | 1:17:18 | |
Keechie is sick. | 1:17:18 | 1:17:20 | |
I'm sorry about your man not getting out. | 1:17:20 | 1:17:22 | |
If you're looking to stay here, I got no room. | 1:17:22 | 1:17:24 | |
Your sign says "vacancy." We got to stay. | 1:17:24 | 1:17:27 | |
I got no room. | 1:17:27 | 1:17:28 | |
She's sick bad, I tell you. | 1:17:28 | 1:17:30 | |
If it's money you want, Mattie... | 1:17:30 | 1:17:31 | |
I don't want none of your money. | 1:17:31 | 1:17:33 | |
All I want you to do is get off this place and leave me alone. | 1:17:33 | 1:17:35 | |
I don't like you, and I don't like her, | 1:17:35 | 1:17:37 | |
and I don't like the both of you together. | 1:17:37 | 1:17:38 | |
You listen to me. | 1:17:38 | 1:17:40 | |
You're a thief, just like me. | 1:17:40 | 1:17:42 | |
And you ain't gonna go yellow on us. | 1:17:42 | 1:17:44 | |
Keechie is going to stay here. | 1:17:44 | 1:17:46 | |
And if you or anybody else don't like it, | 1:17:46 | 1:17:48 | |
it's just too bad. | 1:17:48 | 1:17:50 | |
All right. | 1:17:56 | 1:17:57 | |
The one at the end, on the left. | 1:18:07 | 1:18:09 | |
Is it open? | 1:18:09 | 1:18:11 | |
Yeah. | 1:18:11 | 1:18:12 | |
Honey. | 1:18:13 | 1:18:15 | |
Mattie, where's there a doctor? | 1:18:17 | 1:18:19 | |
Back down the road, about half a mile. | 1:18:19 | 1:18:21 | |
Will you get him for us? | 1:18:21 | 1:18:23 | |
Go get him yourself. | 1:18:23 | 1:18:24 | |
In the best interests | 1:18:38 | 1:18:39 | |
of the people of this state, | 1:18:39 | 1:18:41 | |
it is hereby agreed that | 1:18:41 | 1:18:43 | |
Robert Mansfield, husband of the informant, | 1:18:43 | 1:18:45 | |
shall be released | 1:18:45 | 1:18:46 | |
at the earliest possible opportunity. | 1:18:46 | 1:18:48 | |
It is further... | 1:18:48 | 1:18:49 | |
MATTIE: Wait a minute. | 1:18:49 | 1:18:51 | |
That could mean next to never. | 1:18:51 | 1:18:53 | |
I wrote it just how we said it. | 1:18:53 | 1:18:56 | |
"The order for Robert Mansfield's parole | 1:18:56 | 1:18:58 | |
"will be given as soon as information | 1:18:58 | 1:19:01 | |
"required for the apprehension of Bowie Bowers | 1:19:01 | 1:19:03 | |
"is proven true | 1:19:03 | 1:19:04 | |
"and results in his capture or death." | 1:19:04 | 1:19:06 | |
Have you got that, Floyd? | 1:19:06 | 1:19:08 | |
Yes, sir. | 1:19:08 | 1:19:09 | |
TYPING | 1:19:09 | 1:19:10 | |
MATTIE: They're in cabin 8. | 1:19:13 | 1:19:15 | |
I'll show you when you get there. | 1:19:15 | 1:19:17 | |
Warden. | 1:19:17 | 1:19:19 | |
Yes, sir. | 1:19:19 | 1:19:20 | |
You'll release Mansfield | 1:19:20 | 1:19:21 | |
upon receipt of word from me. | 1:19:21 | 1:19:23 | |
Yes, sir. Let's go. | 1:19:23 | 1:19:24 | |
Other people have done what you're doing. | 1:19:37 | 1:19:39 | |
Then they're sorry afterwards. | 1:19:39 | 1:19:41 | |
You needn't be. | 1:19:41 | 1:19:43 | |
Sooner or later, | 1:19:43 | 1:19:44 | |
Bowers would be committing other robberies, | 1:19:44 | 1:19:46 | |
killing maybe. | 1:19:46 | 1:19:48 | |
He'd have to. | 1:19:48 | 1:19:49 | |
It's the only way he can live. | 1:19:49 | 1:19:53 | |
Perhaps that's our fault. | 1:19:53 | 1:19:56 | |
It probably is. | 1:19:56 | 1:19:58 | |
But it's too late. | 1:20:00 | 1:20:01 | |
He hasn't got a chance. | 1:20:01 | 1:20:04 | |
You've saved a lot of people a lot of grief. | 1:20:04 | 1:20:07 | |
I don't think | 1:20:07 | 1:20:09 | |
that's going to help me sleep nights. | 1:20:09 | 1:20:11 | |
Here. Wet your lips with this. | 1:20:19 | 1:20:22 | |
I want you to remember one thing. | 1:20:35 | 1:20:38 | |
Oh, don't talk like that, honey. | 1:20:38 | 1:20:40 | |
The doctor said you'd be OK. | 1:20:40 | 1:20:43 | |
The doctor's afraid for me. | 1:20:43 | 1:20:44 | |
No... | 1:20:44 | 1:20:46 | |
I can tell. | 1:20:46 | 1:20:47 | |
Let that medicine put you to sleep. | 1:20:47 | 1:20:50 | |
You ride with it. Don't fight it. | 1:20:50 | 1:20:52 | |
Do you know, some people | 1:20:52 | 1:20:54 | |
don't have anybody | 1:20:54 | 1:20:56 | |
of their own? | 1:20:56 | 1:20:58 | |
We're lucky. | 1:20:58 | 1:21:00 | |
Honey, try and get some sleep. | 1:21:00 | 1:21:04 | |
And I'll always be around, | 1:21:04 | 1:21:06 | |
no matter what happens, | 1:21:06 | 1:21:08 | |
I'll always be your little old girl. | 1:21:08 | 1:21:11 | |
Bowie, what would you like our baby to be | 1:21:14 | 1:21:17 | |
when he grows up? | 1:21:17 | 1:21:19 | |
Just your son, | 1:21:19 | 1:21:20 | |
that's all. | 1:21:20 | 1:21:21 | |
I just want him | 1:21:21 | 1:21:23 | |
to be your son. | 1:21:23 | 1:21:24 | |
Don't go. | 1:21:29 | 1:21:31 | |
Where'd you think I was going? | 1:21:33 | 1:21:35 | |
I like us together. | 1:21:38 | 1:21:40 | |
I like us so much. | 1:21:43 | 1:21:45 | |
I'm going to get us out of here, honey. | 1:21:47 | 1:21:50 | |
It's got to be Mexico. | 1:21:52 | 1:21:55 | |
There ain't but one person in this world | 1:21:55 | 1:21:57 | |
can get us down there. | 1:21:57 | 1:21:59 | |
Just one - | 1:21:59 | 1:22:01 | |
the fella who married us. | 1:22:01 | 1:22:02 | |
He can fix anything | 1:22:02 | 1:22:04 | |
if there's money in it for him. | 1:22:04 | 1:22:07 | |
Let's say it worked, honey. | 1:22:09 | 1:22:11 | |
Say I went over there to that man now. | 1:22:11 | 1:22:15 | |
I'd be back before you woke up. | 1:22:15 | 1:22:17 | |
Then I'd like to see anybody try and stop us. | 1:22:17 | 1:22:20 | |
Two days from now, we'd be down there | 1:22:20 | 1:22:23 | |
in old Mexico for good, | 1:22:23 | 1:22:24 | |
where nobody can touch us. | 1:22:24 | 1:22:26 | |
Being a father makes a man responsible. | 1:22:28 | 1:22:31 | |
You know that, Keechie? | 1:22:31 | 1:22:33 | |
Say it didn't work. | 1:22:41 | 1:22:43 | |
Say something happened to me. | 1:22:43 | 1:22:45 | |
They can't pin a thing in this world on you. | 1:22:47 | 1:22:51 | |
The only wrong you ever did | 1:22:51 | 1:22:53 | |
was to marry me. | 1:22:53 | 1:22:55 | |
Say it didn't work. | 1:22:57 | 1:22:59 | |
The only one to get rolled over is me. | 1:22:59 | 1:23:01 | |
That's all right now. | 1:23:01 | 1:23:04 | |
You've got somebody else | 1:23:06 | 1:23:07 | |
to think about now. | 1:23:07 | 1:23:09 | |
And everybody's got to make a living. | 1:23:55 | 1:23:58 | |
Vultures...that's all we are, son. | 1:23:59 | 1:24:03 | |
I can't do it. | 1:24:05 | 1:24:06 | |
But you said before you had a lot of friends down there in Mexico. | 1:24:06 | 1:24:09 | |
Many good friends. | 1:24:09 | 1:24:11 | |
You said you could help us get across. | 1:24:11 | 1:24:12 | |
Did I? | 1:24:12 | 1:24:14 | |
Son, I'd sure like that money. | 1:24:14 | 1:24:17 | |
I'm old, | 1:24:17 | 1:24:19 | |
and money's a real comfort to an old man. | 1:24:19 | 1:24:22 | |
And maybe I did help you before, | 1:24:22 | 1:24:24 | |
but not now. | 1:24:24 | 1:24:26 | |
I believe in helping people get what they want, | 1:24:26 | 1:24:29 | |
as long as they can pay for it. | 1:24:29 | 1:24:31 | |
I've married people | 1:24:31 | 1:24:33 | |
because there's a little hope | 1:24:33 | 1:24:34 | |
that they'll be happy. | 1:24:34 | 1:24:36 | |
But I can't take this money of yours. | 1:24:36 | 1:24:39 | |
No, sir. | 1:24:39 | 1:24:40 | |
In a way, I'm a thief, | 1:24:40 | 1:24:42 | |
just the same as you are. | 1:24:42 | 1:24:44 | |
But I won't sell you hope when there ain't any. | 1:24:44 | 1:24:47 | |
No chance? | 1:24:47 | 1:24:49 | |
None at all. | 1:24:49 | 1:24:50 | |
No place for her and me. | 1:24:52 | 1:24:53 | |
I don't know of any, son. | 1:24:53 | 1:24:55 | |
DOORBELL RINGS | 1:24:55 | 1:24:57 | |
Hello! Hello! | 1:24:57 | 1:24:59 | |
MAN: We want to get married. | 1:25:06 | 1:25:08 | |
Sirree, you've come to the right place. | 1:25:08 | 1:25:10 | |
I have a 30 wedding, | 1:25:10 | 1:25:11 | |
which gives you a complete recording of the ceremony on record. | 1:25:11 | 1:25:14 | |
And I have a 20 wedding... | 1:25:14 | 1:25:15 | |
MAN: We'll take that. | 1:25:15 | 1:25:17 | |
HAWKINS: First, sign the register. | 1:25:17 | 1:25:19 | |
Tillie? Herman? | 1:25:19 | 1:25:21 | |
MUSIC: "The Wedding March" | 1:25:26 | 1:25:28 | |
How's Keechie? | 1:25:59 | 1:26:00 | |
Still asleep. | 1:26:00 | 1:26:02 | |
That's good. | 1:26:04 | 1:26:05 | |
I'm sorry I got a little rough before, Mattie. | 1:26:12 | 1:26:15 | |
Yeah. | 1:26:15 | 1:26:16 | |
I just figured people like us ought to help each other. | 1:26:17 | 1:26:21 | |
I want you to do one more thing. | 1:26:21 | 1:26:24 | |
I'm not going to see her again. | 1:26:25 | 1:26:28 | |
We've got no chance together, | 1:26:28 | 1:26:29 | |
not a single one. | 1:26:29 | 1:26:31 | |
I'm just a black sheep. | 1:26:31 | 1:26:32 | |
There's no getting around it. | 1:26:32 | 1:26:34 | |
Without me, she'll make out fine. | 1:26:34 | 1:26:36 | |
She's got money in the cabin, | 1:26:36 | 1:26:38 | |
and here's some more. | 1:26:38 | 1:26:39 | |
You take it, Mattie. | 1:26:39 | 1:26:41 | |
You make sure the doctor keeps coming to see her. | 1:26:43 | 1:26:46 | |
I'll write to you. | 1:26:46 | 1:26:47 | |
I'll let you know when and where she can come to me. | 1:26:47 | 1:26:51 | |
Aren't you going to see her just once more? | 1:26:51 | 1:26:54 | |
No. I'd have to tell her. | 1:26:54 | 1:26:56 | |
It's safer this way. | 1:26:56 | 1:26:58 | |
She's asleep. | 1:26:58 | 1:26:59 | |
You ought to see her again. | 1:26:59 | 1:27:02 | |
You won't wake her. | 1:27:02 | 1:27:03 | |
Don't you think she'll be glad to know | 1:27:03 | 1:27:05 | |
you came back and saw her just one last time? | 1:27:05 | 1:27:08 | |
I don't know if... | 1:27:08 | 1:27:09 | |
It's only a thing women would know about. | 1:27:09 | 1:27:11 | |
Maybe if I don't wake her. | 1:27:11 | 1:27:13 | |
Maybe you're right. | 1:27:15 | 1:27:17 | |
Of course I'm right. | 1:27:17 | 1:27:19 | |
You got a piece of paper, Mattie? | 1:27:23 | 1:27:25 | |
There's something I never told her. | 1:27:27 | 1:27:29 | |
That's fine. | 1:27:51 | 1:27:53 | |
She'll like that. | 1:27:53 | 1:27:54 | |
Thanks, Mattie. | 1:28:06 | 1:28:08 | |
TRAIN WHISTLE BLOWS | 1:28:46 | 1:28:48 | |
MAN: Raise them, Bowers. | 1:29:20 | 1:29:22 | |
GUNSHOTS | 1:29:25 | 1:29:27 | |
KEECHIE: Bowie! | 1:29:27 | 1:29:28 | |
KEECHIE READS: "My little old girl... | 1:30:02 | 1:30:04 | |
"I'm going to miss you. | 1:30:05 | 1:30:07 | |
"I got to do it this way. | 1:30:09 | 1:30:11 | |
"I'll send for both of you when I can. | 1:30:13 | 1:30:17 | |
"No matter how long it takes, | 1:30:17 | 1:30:20 | |
"I've got to see that kid. | 1:30:20 | 1:30:23 | |
"He's lucky... | 1:30:23 | 1:30:25 | |
"..he'll have you to keep him | 1:30:27 | 1:30:30 | |
"squared around. | 1:30:30 | 1:30:31 | |
"I love you. | 1:30:35 | 1:30:38 | |
"Bowie." | 1:30:38 | 1:30:40 | |
I love you. | 1:30:43 | 1:30:46 | |
E-mail us at [email protected] | 1:30:55 | 1:30:57 |