Browse content similar to An Education. Check below for episodes and series from the same categories and more!
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Come on, girls! | 0:02:28 | 0:02:29 | |
Anybody? | 0:02:30 | 0:02:32 | |
Anybody else? | 0:02:33 | 0:02:35 | |
-Jenny, again. -Isn't it because Mr Rochester's blind? | 0:02:35 | 0:02:40 | |
(TIREDLY) Yes, Jenny. | 0:02:40 | 0:02:42 | |
-I've got an English essay to do by tomorrow morning. -Right! | 0:02:44 | 0:02:48 | |
So the only sound I want to hear coming through the ceiling | 0:02:48 | 0:02:51 | |
-is sweat dripping onto textbooks. -Cello? -Nn-nn. No cello. | 0:02:51 | 0:02:55 | |
I thought we agreed cello was my interest or hobby. | 0:02:55 | 0:02:58 | |
It already is your interest or hobby. | 0:02:58 | 0:03:00 | |
So when they ask, at the Oxford interview, | 0:03:00 | 0:03:03 | |
"What is your interest or hobby?" you can say the cello. | 0:03:03 | 0:03:06 | |
You don't have to practise a hobby. A hobby is a hobby. | 0:03:06 | 0:03:10 | |
-Can I stop going to the youth orchestra, then? -No! | 0:03:10 | 0:03:14 | |
The youth orchestra's a good thing. That shows you're a joiner-inner. | 0:03:14 | 0:03:18 | |
Ah! Yes. But...I've already joined in. | 0:03:18 | 0:03:21 | |
So now I can stop. | 0:03:21 | 0:03:23 | |
No! | 0:03:23 | 0:03:25 | |
That just shows the opposite. Don't you see? | 0:03:25 | 0:03:29 | |
-That shows you're a rebel. They don't want that at Oxford. -No. | 0:03:29 | 0:03:33 | |
-They don't want people who think for themselves. -Of course not. | 0:03:33 | 0:03:36 | |
(BUZZ OF CONVERSATION) (ALL TUNE UP) | 0:03:38 | 0:03:42 | |
(BOTH GIGGLE) | 0:03:53 | 0:03:55 | |
-(TAPS ON MUSIC STAND) -(ALL FALL SILENT) | 0:03:59 | 0:04:02 | |
(ALL STRIKE UP SLOW-PACED CLASSICAL PIECE) | 0:04:03 | 0:04:06 | |
(ALL CHATTER) | 0:04:16 | 0:04:19 | |
Jenny! Should I wear, like, er, Sunday best? | 0:04:20 | 0:04:24 | |
You'd better, I'm afraid. | 0:04:24 | 0:04:27 | |
Just to show my father you're un jeune homme serieux, | 0:04:27 | 0:04:30 | |
-not a teddy boy. -Oh, God... Right. | 0:04:30 | 0:04:33 | |
(THUNDER RUMBLES) | 0:04:33 | 0:04:35 | |
I'm gonna go. It's gonna bucket down in a minute. | 0:04:35 | 0:04:38 | |
-Oh, OK. Right. -See you at the weekend. | 0:04:38 | 0:04:41 | |
-Bye, then. -Bye. | 0:04:41 | 0:04:44 | |
-S-Sorry! -Sorry. | 0:04:44 | 0:04:46 | |
-(BOYS GIGGLE) -"Goodbye, my love"! | 0:04:46 | 0:04:49 | |
Come on! Come on! | 0:04:54 | 0:04:57 | |
Stop it, now! That's enough. | 0:04:57 | 0:05:00 | |
Oh, now, look what you've done! | 0:05:00 | 0:05:02 | |
Come here. The nice man's waiting for us! | 0:05:04 | 0:05:07 | |
-It fell off! -No, it didn't. You kicked it off. | 0:05:07 | 0:05:10 | |
My sock's all wet! | 0:05:10 | 0:05:13 | |
Hello! Look, if you had any sense, | 0:05:22 | 0:05:25 | |
you wouldn't take a lift from a strange man, but I'm a music lover, | 0:05:25 | 0:05:29 | |
and I'm worried about your cello. So I propose you put it in my car | 0:05:29 | 0:05:32 | |
and walk alongside me. | 0:05:32 | 0:05:35 | |
How do I know you won't drive off with it? | 0:05:37 | 0:05:39 | |
Good point. Um... | 0:05:40 | 0:05:43 | |
How much does a new cello cost? £10, £15? I dunno. | 0:05:44 | 0:05:47 | |
Let's say... 15. | 0:05:47 | 0:05:50 | |
-(LAUGHS) -No? All right. | 0:05:50 | 0:05:52 | |
Up to you. | 0:05:54 | 0:05:56 | |
(THUNDER RUMBLES) | 0:06:01 | 0:06:04 | |
-And that. -Right. | 0:06:05 | 0:06:07 | |
-I'm David, by the way. -Jenny. -Very good. | 0:06:11 | 0:06:14 | |
(LAUGHS) | 0:06:15 | 0:06:17 | |
-How did the concert go? -It was a rehearsal. | 0:06:24 | 0:06:27 | |
-Concert's next Thursday. -What are you playing? | 0:06:27 | 0:06:30 | |
-Elgar. -Ah! | 0:06:30 | 0:06:33 | |
It's a shame he spent so much time in Worcester. | 0:06:33 | 0:06:36 | |
It's too near Birmingham. You can hear that in the music. | 0:06:36 | 0:06:39 | |
There's a terrible Brummie in there, if you listen hard enough. | 0:06:39 | 0:06:43 | |
(CHUCKLES) Anyway, Elgar and the Jews don't mix very well. | 0:06:43 | 0:06:47 | |
-I'm not a Jew. -No. I am. | 0:06:47 | 0:06:51 | |
-Oh! -I wasn't accusing you. | 0:06:51 | 0:06:54 | |
(THUNDER BOOMS) Can I sit in the car with my cello? | 0:06:55 | 0:06:59 | |
Jump in. | 0:06:59 | 0:07:01 | |
I've never seen a car like this before. C'est tres chic. | 0:07:12 | 0:07:15 | |
It's a Bristol. Not many of 'em made. | 0:07:15 | 0:07:19 | |
-Where to, madam? -I only live round the corner. | 0:07:20 | 0:07:23 | |
-Worse luck. -I'll see what I can do. | 0:07:23 | 0:07:26 | |
(HORN BEEPS) | 0:07:34 | 0:07:36 | |
(LAUGHS) | 0:07:39 | 0:07:41 | |
-I suppose a cellist must go to a lot of concerts. -I don't go to any. | 0:07:43 | 0:07:47 | |
-We don't believe in them. -Oh, they're real. | 0:07:47 | 0:07:50 | |
(LAUGHS) So people say. | 0:07:50 | 0:07:53 | |
-Smoke? -I'd better not. | 0:07:53 | 0:07:56 | |
I live just up there. | 0:07:56 | 0:07:58 | |
-Why don't we believe in them? -He'd say there's no point to them. | 0:08:02 | 0:08:06 | |
-Your father, this is? -Oh, yes. | 0:08:06 | 0:08:08 | |
They're just for fun - apart from school concerts, | 0:08:08 | 0:08:11 | |
which are no fun at all, so we go to those! | 0:08:11 | 0:08:14 | |
They don't help you get on. | 0:08:14 | 0:08:16 | |
Which is what's so wonderful about them. | 0:08:16 | 0:08:19 | |
-Anyway, you'll go one day. -I know. I will. | 0:08:19 | 0:08:23 | |
If I go to university, I'm going to read what I want, | 0:08:23 | 0:08:27 | |
and listen to what I want, | 0:08:27 | 0:08:29 | |
and I'm going to look at paintings and watch French films, | 0:08:29 | 0:08:33 | |
and I'm going to talk to people who know lots about lots. | 0:08:33 | 0:08:36 | |
-Good for you. -(LAUGHS) Yes. | 0:08:36 | 0:08:39 | |
Which university? | 0:08:39 | 0:08:41 | |
Oxford, if I'm lucky. | 0:08:41 | 0:08:44 | |
-Did you go anywhere? -I studied at what they call | 0:08:44 | 0:08:47 | |
the university of life. I didn't get a very good degree, though. | 0:08:47 | 0:08:51 | |
Well, thank you for driving me home. | 0:08:55 | 0:08:58 | |
# "Sous Le Ciel De Paris" - Juliette Greco | 0:08:58 | 0:09:01 | |
-You all right? You got it? -Yes, it's fine. | 0:09:05 | 0:09:07 | |
-Thank you! -My pleasure. | 0:09:10 | 0:09:12 | |
(SINGS ALONG WITH RECORD) # ..dans le coeur d'un garcon... # | 0:09:12 | 0:09:16 | |
(LIVELY ACCORDION MUSIC) | 0:09:16 | 0:09:18 | |
# Sous le ciel de Paris marchent des amoureux | 0:09:18 | 0:09:23 | |
# Hmm, hmm... # | 0:09:23 | 0:09:24 | |
(CONTINUES OVER RECORD WITH LA-LA REFRAIN) | 0:09:25 | 0:09:30 | |
# Sur le pont de Bercy | 0:09:32 | 0:09:35 | |
(SINGS ALONG) # Un philosophe assis | 0:09:35 | 0:09:39 | |
# Deux musiciens, quelque badauds | 0:09:39 | 0:09:42 | |
# Puis les gens par milliers... # | 0:09:42 | 0:09:44 | |
(BANGING ON CEILING FROM FLOOR BELOW) | 0:09:45 | 0:09:48 | |
'I don't wanna hear any French singing!' | 0:09:48 | 0:09:51 | |
'French singing wasn't on the syllabus last time I looked!' | 0:09:51 | 0:09:55 | |
Battenberg? | 0:09:55 | 0:09:57 | |
Thank you. Er, I like the crust. | 0:09:57 | 0:10:02 | |
-So, where are you applying, Graham? -I'm not sure yet. | 0:10:03 | 0:10:06 | |
Well, when will you be sure? | 0:10:06 | 0:10:09 | |
You can't let the grass grow under your feet. | 0:10:09 | 0:10:12 | |
-I might take a year off. -(LAUGHS) What for? | 0:10:12 | 0:10:15 | |
I don't know yet. Maybe do some travelling, | 0:10:15 | 0:10:18 | |
that sort of thing. | 0:10:18 | 0:10:21 | |
Travelling? | 0:10:21 | 0:10:23 | |
What are you - a teddy boy? | 0:10:25 | 0:10:28 | |
You know she's going to Oxford, don't you, | 0:10:28 | 0:10:31 | |
if we get her Latin up to scratch? So while she's studying English | 0:10:31 | 0:10:35 | |
at Oxford, you'll be the wandering Jew. | 0:10:35 | 0:10:38 | |
(LAUGHS UNEASILY) Mr Mellor, I'm not a teddy boy. | 0:10:38 | 0:10:42 | |
I'm... I'm an... un homme serieux jeune. | 0:10:44 | 0:10:48 | |
Er... No. Yes. | 0:10:48 | 0:10:51 | |
I'm a homme jeune serieux. Un h-homme... | 0:10:51 | 0:10:55 | |
-They're for me. -Who are they from? | 0:11:06 | 0:11:09 | |
-Gosh! Him! -What's this?! | 0:11:13 | 0:11:16 | |
-I'm afraid Jenny's been sent some flowers from a chap. -What kind? | 0:11:16 | 0:11:20 | |
-He's wishing me luck for tonight. -Is that all he's wishing you? | 0:11:20 | 0:11:24 | |
-Where'd he get the money? -Earns it, I expect. | 0:11:24 | 0:11:26 | |
-Why isn't he at school? -Can we go? Or the good-luck flowers will mean | 0:11:26 | 0:11:30 | |
I miss the concert. Which would be ironic, n'est-ce pas? | 0:11:30 | 0:11:34 | |
(GIGGLES) | 0:11:34 | 0:11:36 | |
-I... I don't like it. -Objection noted. | 0:11:38 | 0:11:40 | |
-Jenny? -Noted. | 0:11:40 | 0:11:42 | |
Well, there's got to be ten bob's worth of luck here! | 0:11:42 | 0:11:46 | |
That's a bit much for a schoolgirl. We can't leave it here! | 0:11:46 | 0:11:49 | |
Even I'd burgle a house with flowers left outside. | 0:11:49 | 0:11:52 | |
They'll think we're made of money. Thank you, Marjorie. | 0:11:52 | 0:11:55 | |
-'Camus doesn't -want -you to like him. Feeling is bourgeois.' | 0:11:56 | 0:12:00 | |
'Being engagedrgeois.' | 0:12:00 | 0:12:02 | |
He kills someone, and he doesn't feel anything. | 0:12:03 | 0:12:06 | |
His mother dies, and he doesn't feel anything. | 0:12:06 | 0:12:10 | |
I wouldn't feel anything if my mother died. | 0:12:10 | 0:12:12 | |
-Does that make me an existentialist? -No. That makes you a cow. | 0:12:12 | 0:12:16 | |
-Une vache! -(ALL LAUGH) | 0:12:16 | 0:12:18 | |
-Well, after I've been to university, I'm going to -be -French. | 0:12:19 | 0:12:22 | |
And I'm going to Paris, | 0:12:22 | 0:12:25 | |
and I'm going to smoke, | 0:12:25 | 0:12:27 | |
and wear black, and listen to Jacques Brel, | 0:12:27 | 0:12:30 | |
and I won't speak. Ever. C'est plus chic comme ca! | 0:12:30 | 0:12:34 | |
-(LAUGHS) -Oh, crikey! | 0:12:34 | 0:12:36 | |
What? | 0:12:36 | 0:12:38 | |
Wait here. | 0:12:40 | 0:12:42 | |
Hello! | 0:12:42 | 0:12:45 | |
Hello! | 0:12:46 | 0:12:48 | |
Er, hello. Um... | 0:12:50 | 0:12:52 | |
Thank you! | 0:12:52 | 0:12:54 | |
-How did it go? -Er...fine, | 0:12:54 | 0:12:57 | |
I think. I didn't mess my bit up. | 0:12:57 | 0:13:00 | |
Nobody got thrown out of the orchestra afterwards. | 0:13:00 | 0:13:03 | |
Always the mark of a cultural triumph. | 0:13:03 | 0:13:06 | |
-What are you doing on Friday? -Going to school. | 0:13:06 | 0:13:09 | |
-I meant in the evening! -Of course! | 0:13:09 | 0:13:13 | |
-Nothing. -I'm going to listen to some Ravel in St John's, Smith Square. | 0:13:13 | 0:13:17 | |
My friends Danny and Helen are coming, too, | 0:13:17 | 0:13:20 | |
so it wouldn't be, um... I tell you what. | 0:13:20 | 0:13:24 | |
I'll come and pick you up. And if your parents disapprove, | 0:13:24 | 0:13:27 | |
-have the tickets and go with one of them. All right? -Thank you. | 0:13:27 | 0:13:31 | |
-And... I'd like to go with you. -Seven. | 0:13:31 | 0:13:35 | |
And, um... probably go for a spot of supper afterwards. | 0:13:38 | 0:13:42 | |
-Supper... -Mm. If you want to. | 0:13:42 | 0:13:45 | |
Well, the thing is, is... we'll probably have eaten. | 0:13:46 | 0:13:50 | |
Well, if you'd like supper, | 0:13:50 | 0:13:53 | |
then, perhaps, on Friday, you could, er...not eat. | 0:13:53 | 0:13:58 | |
Yes! (LAUGHS) Of course. | 0:13:58 | 0:14:01 | |
-(GASPS) "A spot of supper"?! -You've heard of supper. | 0:14:10 | 0:14:13 | |
-Yes, but we've never eaten it. -You have to tell us everything, | 0:14:13 | 0:14:17 | |
otherwise it's not fair. | 0:14:17 | 0:14:20 | |
-I won't allow it! -Fine! He's happy for you to take me. | 0:14:20 | 0:14:23 | |
-Fine. I will. -Good! -Where is it? | 0:14:23 | 0:14:26 | |
-Smith Square. -Where's that? -I don't know. | 0:14:26 | 0:14:28 | |
It's in Westminster, right next door to the abbey. | 0:14:28 | 0:14:31 | |
-How do you know that? -I had a life before we were married. | 0:14:31 | 0:14:35 | |
-You soon put a stop to that. -Well, there you are. -Where? | 0:14:35 | 0:14:38 | |
Westminster. I'm not going all the way over there. | 0:14:38 | 0:14:42 | |
-But that's where the concert is. -There must be something locally. | 0:14:42 | 0:14:45 | |
She wants to see someone who can play, | 0:14:45 | 0:14:48 | |
not Sheila Kirkham scratching away. I'll take her. | 0:14:48 | 0:14:51 | |
-How will -you -get there? RAF helicopter? | 0:14:51 | 0:14:54 | |
(DOORBELL) That's him. | 0:14:54 | 0:14:56 | |
-Oh, bloody hell! -Jack...! | 0:14:56 | 0:14:58 | |
Oh, by the way, David's a Jew - a wandering Jew. So watch yourself. | 0:14:58 | 0:15:03 | |
What does she mean? I've never said anything like that! | 0:15:04 | 0:15:07 | |
It's just an expression. I've got nothing against the Jews... | 0:15:07 | 0:15:11 | |
-Glad to hear it. Hello. -I didn't mean I've got nothing against you. | 0:15:11 | 0:15:15 | |
-I do mean that. I... -Dad! -Sorry. | 0:15:15 | 0:15:18 | |
It's just that... | 0:15:18 | 0:15:20 | |
You're not the sort of person that I would be against... | 0:15:20 | 0:15:24 | |
Well, I wouldn't, because I'm not the kind of person | 0:15:24 | 0:15:27 | |
who would be against...people. | 0:15:27 | 0:15:30 | |
I'm Jack. This is my wife Marjorie. | 0:15:31 | 0:15:34 | |
You didn't tell me you had a sister, Jenny. | 0:15:35 | 0:15:38 | |
(LAUGHS) | 0:15:38 | 0:15:40 | |
Please... | 0:15:41 | 0:15:43 | |
-You're a lucky man, Jack. -Yes. I suppose I am. | 0:15:44 | 0:15:48 | |
-This is lovely. -Thank you! | 0:15:57 | 0:16:00 | |
Oh! I'm sorry, David. Would you like a drink? | 0:16:00 | 0:16:04 | |
I'd love one, Jack, but we're running a little late. | 0:16:04 | 0:16:07 | |
Um, if Jenny's ready, perhaps we'll shoot off. | 0:16:07 | 0:16:10 | |
Actually, David, Dad has something he has to tell you. | 0:16:11 | 0:16:16 | |
Oh, no, really... Well, it was just a question. | 0:16:16 | 0:16:19 | |
A point of reference. What's the best way | 0:16:19 | 0:16:22 | |
to get to St John's, Smith Square from here? | 0:16:22 | 0:16:26 | |
It's a straight run. Hammersmith, A4 through Kensington, you're there. | 0:16:26 | 0:16:30 | |
-Simple as that? -Simple as that. | 0:16:30 | 0:16:33 | |
-Shall I book us some tickets? -No. | 0:16:33 | 0:16:35 | |
Well...have her back by ten, David. | 0:16:35 | 0:16:39 | |
I was hoping she might come for supper afterwards | 0:16:40 | 0:16:43 | |
-with my aunt Helen. -Oh, well! Er... | 0:16:43 | 0:16:47 | |
No. No, no. I... (CHUCKLES) | 0:16:47 | 0:16:50 | |
She's usually in bed by then. | 0:16:50 | 0:16:52 | |
What if I promised to have her back by 11:30? | 0:16:52 | 0:16:56 | |
Well, it's Friday night. | 0:16:57 | 0:16:59 | |
And you are going all the way to the West End. | 0:16:59 | 0:17:02 | |
Thanks, Jack. I appreciate it. | 0:17:02 | 0:17:04 | |
All right. | 0:17:04 | 0:17:06 | |
-Bye. -Bye bye. | 0:17:08 | 0:17:10 | |
Have a nice time. | 0:17:10 | 0:17:12 | |
(GIGGLES) | 0:17:14 | 0:17:16 | |
(RAIN PATTERS) (BOTH LAUGH) | 0:17:18 | 0:17:21 | |
-Hello, hello! -Ah! | 0:17:26 | 0:17:29 | |
-Are we late? -No. I thought we were going to miss the beginning, | 0:17:29 | 0:17:32 | |
and then it wouldn't be worth it, and we could go dancing. | 0:17:32 | 0:17:35 | |
-Helen is a reluctant audience. -Hello. | 0:17:35 | 0:17:38 | |
Jenny, my friends Helen and Danny. Shall we? | 0:17:38 | 0:17:41 | |
Oh... (LAUGHS) Sorry! | 0:17:49 | 0:17:51 | |
-That's all right. It's lovely, isn't it? -Beautiful. | 0:17:51 | 0:17:54 | |
-Where did you get it from? -Oh, I don't know. Chelsea. | 0:17:54 | 0:17:59 | |
Oh, yours is... Well... good for this sort of concert, isn't it? | 0:18:01 | 0:18:06 | |
Thank you. | 0:18:06 | 0:18:08 | |
We should go shopping together, you and I. | 0:18:08 | 0:18:11 | |
That would be nice. | 0:18:11 | 0:18:13 | |
But Chelsea... C'est beaucoup trop cher pour moi! | 0:18:13 | 0:18:18 | |
Sorry? | 0:18:18 | 0:18:20 | |
I just said... it's too expensive for me. | 0:18:20 | 0:18:22 | |
No. You said something completely different. | 0:18:22 | 0:18:25 | |
No. Well... I said it in French. | 0:18:25 | 0:18:28 | |
-In French? Why? -I don't know. (LAUGHS) | 0:18:28 | 0:18:34 | |
Well, Chelsea's too expensive for me, too, really, | 0:18:34 | 0:18:37 | |
but we don't have to worry about that. If you want something, | 0:18:37 | 0:18:40 | |
-get David to take you shopping. -Why would David want to do that? | 0:18:40 | 0:18:44 | |
# "Introduction Et Allegro" - Maurice Ravel | 0:18:47 | 0:18:51 | |
I booked a table at Juliette's. Will that kill the mood? | 0:19:33 | 0:19:37 | |
Oh, I hope so. God, I always think I'm going to my own funeral | 0:19:37 | 0:19:41 | |
when I listen to classical music. | 0:19:41 | 0:19:43 | |
-That was classical, wasn't it? -Yes. Very classical. | 0:19:43 | 0:19:47 | |
-As classical as it gets. -Juliette's it is! | 0:19:47 | 0:19:49 | |
Let's not spend the evening reflecting on our own mortality. | 0:19:49 | 0:19:53 | |
(MID-TEMPO JAZZ INTRO) | 0:19:53 | 0:19:56 | |
# I want a Sunday... | 0:19:59 | 0:20:02 | |
# Kind of love | 0:20:02 | 0:20:04 | |
# A love to last | 0:20:05 | 0:20:08 | |
# Past Saturday night... # | 0:20:08 | 0:20:10 | |
(BUZZ OF CONVERSATION AND LAUGHTER) | 0:20:11 | 0:20:13 | |
Extraordinary woman, Greco. Just like you, Helen. | 0:20:16 | 0:20:19 | |
What about Chante Francoise Sagan? Have you heard that one? | 0:20:19 | 0:20:24 | |
-Wonderful. -I've only got... It's just called Juliette Greco. | 0:20:24 | 0:20:28 | |
The one with the eyes on the sleeve. My French-conversation teacher | 0:20:28 | 0:20:31 | |
-brought it back for me. -You've got a French-conversation teacher? | 0:20:31 | 0:20:35 | |
-Yes. -Is that why you suddenly speak French for no reason? | 0:20:35 | 0:20:39 | |
Have you never heard her sing? You should see her in Paris, not here. | 0:20:40 | 0:20:44 | |
-David will take you. -(LAUGHS) | 0:20:44 | 0:20:47 | |
-I'd love to. You'd fit right in. -Better than here, really. | 0:20:47 | 0:20:51 | |
Isn't it wonderful to find a young person who wants to know things? | 0:20:51 | 0:20:55 | |
There's so much I want you to see. | 0:20:55 | 0:20:58 | |
Can you come and look at that Pembroke Villas place on Friday? | 0:21:02 | 0:21:05 | |
Oh, no, I can't. There's a Burne- Jones coming up at Christie's then. | 0:21:05 | 0:21:10 | |
-I'm desperate to get my hands on it. -You're buying a Burne-Jones?! | 0:21:10 | 0:21:13 | |
-A real one?! -I have a feeling the pre-Raphaelites are gonna take off. | 0:21:13 | 0:21:18 | |
-I love the pre-Raphaelites! -Do you? -Yes, of course! | 0:21:18 | 0:21:21 | |
Rossetti and Burne-Jones, anyway. Not Holman Hunt. He's so garish. | 0:21:21 | 0:21:25 | |
Oh, absolutely! Why don't we all go to the auction together? | 0:21:25 | 0:21:29 | |
-Auction! Gosh, how exciting! -It's Friday morning. | 0:21:29 | 0:21:33 | |
Friday... | 0:21:35 | 0:21:37 | |
-Oh! -You're busy. | 0:21:37 | 0:21:40 | |
-Well, yes. -Tant pis! | 0:21:41 | 0:21:43 | |
Quel dommage! C'est pas de probleme. | 0:21:43 | 0:21:47 | |
-(LAUGHS) -Are you sure you're busy? -No. | 0:21:47 | 0:21:50 | |
I'm sure I could rearrange. | 0:21:50 | 0:21:53 | |
That would be lovely. | 0:21:53 | 0:21:55 | |
(ALL APPLAUD) | 0:21:55 | 0:21:57 | |
(BAND STRIKES UP SLOW, ROMANTIC INTRO) | 0:21:58 | 0:22:02 | |
# You got me wrapped around... | 0:22:11 | 0:22:14 | |
-(SINGS ALONG) -# Your little finger | 0:22:14 | 0:22:19 | |
# If this is love | 0:22:19 | 0:22:22 | |
# It's everything I hoped it would be... # | 0:22:22 | 0:22:27 | |
(BOTH CHATTER AND LAUGH) | 0:22:28 | 0:22:31 | |
# When we kiss | 0:22:32 | 0:22:35 | |
# It's as if | 0:22:36 | 0:22:38 | |
# Our lips agree | 0:22:39 | 0:22:42 | |
# That we were meant to be... # | 0:22:42 | 0:22:47 | |
-What are you doing? -I can't get this casserole dish clean. | 0:23:07 | 0:23:11 | |
-It's all burned around... -It's 25 to 12. | 0:23:11 | 0:23:14 | |
-We finish tea at seven. -I know what time it is. | 0:23:17 | 0:23:20 | |
How was your evening? | 0:23:21 | 0:23:23 | |
Best night of my life. | 0:23:23 | 0:23:25 | |
Night, Mum. | 0:23:34 | 0:23:36 | |
I think there were two violins, one cello, two violas, | 0:23:41 | 0:23:45 | |
-a harp... -I don't wanna hear about Ravel! | 0:23:45 | 0:23:48 | |
-I wanna know what else was on the programme. -Nothing like that. | 0:23:48 | 0:23:52 | |
-He was a perfect gentleman. He just wants to show me things. -Things?! | 0:23:52 | 0:23:56 | |
Plural?! My God! | 0:23:56 | 0:23:58 | |
I knew that Jane Eyre would eventually work its magic on you. | 0:23:58 | 0:24:01 | |
I assume that's what you're so animated about. | 0:24:01 | 0:24:04 | |
-Jane Eyre and Jenny's new boyfriend. -He's not my boyfriend. | 0:24:04 | 0:24:08 | |
-He's more of a man friend. -He's got a sports car! It's maroon. | 0:24:08 | 0:24:12 | |
So, could we call him a Mr Rochester figure? | 0:24:12 | 0:24:15 | |
I think he must be as blind as Mr Rochester. | 0:24:15 | 0:24:18 | |
I'm trying to steer the subject away from Jenny's lurid love life | 0:24:18 | 0:24:22 | |
and into the matter in hand. It is clear from this evidence | 0:24:22 | 0:24:25 | |
that you know far too much about the former and nothing about the latter. | 0:24:25 | 0:24:30 | |
I have to admit that Jenny is an expert on both. | 0:24:30 | 0:24:32 | |
Excellent as always, Jenny. | 0:24:32 | 0:24:35 | |
-Hello. -Hello. -Hello. -Hello. | 0:24:47 | 0:24:51 | |
(CHUCKLES) | 0:24:51 | 0:24:53 | |
Any further bids? | 0:25:07 | 0:25:10 | |
-Sold, then, for 60 guineas. -(Hello.) -(You're late.) | 0:25:10 | 0:25:14 | |
We now turn to lot 41, | 0:25:15 | 0:25:19 | |
"The Tree of Forgiveness" by Sir Edward Burne-Jones. | 0:25:19 | 0:25:22 | |
This is a rare opportunity to purchase a key work | 0:25:22 | 0:25:25 | |
of the Pre-Raphaelite movement. Who will start me off at 100 guineas? | 0:25:25 | 0:25:29 | |
-(Is it that one?) -(Yes, that's the one.) | 0:25:29 | 0:25:32 | |
50 guineas? | 0:25:32 | 0:25:35 | |
20 guineas? Thank you. | 0:25:35 | 0:25:38 | |
40? | 0:25:38 | 0:25:40 | |
-Thank you. Do I hear 60? -(WHISPERS) | 0:25:40 | 0:25:44 | |
80 guineas? Thank you, sir. | 0:25:44 | 0:25:46 | |
Another one, 100 guineas? 120? | 0:25:46 | 0:25:51 | |
-No further bids? -(Your turn.) | 0:25:55 | 0:25:58 | |
-What? -Any further bids? -(Your turn.) | 0:25:58 | 0:26:01 | |
-Any more? -(Quick!) -120 guineas from the very eager new bidder. | 0:26:01 | 0:26:05 | |
140, madam? Thank you. 160? | 0:26:05 | 0:26:09 | |
180. Thank you. | 0:26:11 | 0:26:13 | |
200 guineas? | 0:26:13 | 0:26:16 | |
220? | 0:26:16 | 0:26:18 | |
Another one, madam? | 0:26:19 | 0:26:22 | |
Sold for 200 guineas. Thank you. | 0:26:27 | 0:26:32 | |
-Your name, please? -Mellor! | 0:26:32 | 0:26:35 | |
-(CHUCKLES) -Now we move on to lot 42. -Thank you very much. | 0:26:35 | 0:26:41 | |
I couldn't have bought it without you. | 0:26:41 | 0:26:43 | |
A couple of years ago, you'd pick one of them up for 50 quid. | 0:26:44 | 0:26:47 | |
-No-one was interested. -Oh, I'd have been so interested. | 0:26:47 | 0:26:50 | |
As you can see, I just love things. | 0:26:51 | 0:26:54 | |
-That's not a Lockey-Hill! -There aren't many people | 0:26:57 | 0:27:02 | |
-who come in here and say that. -Certainly not me. | 0:27:02 | 0:27:04 | |
-Oh, it's beautiful. -Thank you. -Do you play? -I used to. | 0:27:04 | 0:27:07 | |
I vowed to myself that I'd own one, and now I do, I don't touch it. | 0:27:07 | 0:27:11 | |
It's vulgar really, putting it on display. | 0:27:11 | 0:27:14 | |
-Give it to Jenny. -Huh? -I think that would be even more vulgar. | 0:27:14 | 0:27:18 | |
-Play for us, Jenny. -No, no. One day, when I'm good enough. | 0:27:18 | 0:27:21 | |
-Oh, she's good enough now. -David, you've never seen me play. | 0:27:21 | 0:27:24 | |
I can come and hear you in Oxford, when you get there. | 0:27:25 | 0:27:28 | |
We should all go and spend a weekend in Oxford. Straw boaters... | 0:27:28 | 0:27:32 | |
-..punting, cream teas, anti... -Boats? -..quarian bookshops. | 0:27:32 | 0:27:35 | |
-Bit of business, if we can find it. What about next weekend? -Hm. | 0:27:35 | 0:27:40 | |
-Yes. -I wouldn't be allowed to do that. | 0:27:40 | 0:27:44 | |
-I'll talk to them. -You're going to ask my father | 0:27:46 | 0:27:50 | |
-if you can take me away? He'd have you arrested. -We'll see. | 0:27:50 | 0:27:54 | |
-I bet you can't. -How much? -I'd be careful, if I were you, Jenny. | 0:27:55 | 0:27:59 | |
-You don't know who you're dealing with. -Half-a-crown. | 0:27:59 | 0:28:02 | |
You're on. | 0:28:03 | 0:28:05 | |
-How do you know Danny? -Oh, you know. | 0:28:07 | 0:28:10 | |
We kept bumping into each other... and we became pals. | 0:28:10 | 0:28:14 | |
We've ended up doing business together when it suits us. | 0:28:15 | 0:28:18 | |
-What kind of business? -Property. A bit of art dealing. | 0:28:18 | 0:28:21 | |
Some buying and selling, this and that. | 0:28:23 | 0:28:26 | |
-All right, just be two ticks. -OK. | 0:28:34 | 0:28:37 | |
-(CHUCKLES) -(MAN) Mr Goldman, good to see you! | 0:28:45 | 0:28:48 | |
-(CHATTER) -Jolly good. Madam. All right. | 0:28:48 | 0:28:52 | |
-(CHILD GIGGLES) -All right, I got this one. And, um... -Put me down! | 0:28:56 | 0:29:00 | |
Go on, then. | 0:29:02 | 0:29:04 | |
-Sorry about that. -(CLOSES GLOVEBOX) | 0:29:42 | 0:29:46 | |
-How do you know those Negro people? -They're clients. | 0:29:46 | 0:29:50 | |
Clients? | 0:29:50 | 0:29:52 | |
Schwarzers have to live somewhere. | 0:29:52 | 0:29:54 | |
It's not as if they can rent off their own kind, is it? | 0:29:54 | 0:29:57 | |
Test results for the Virgil translation. | 0:30:02 | 0:30:06 | |
We'll start from the bottom. Patricia. | 0:30:06 | 0:30:10 | |
Absent. Margaret. | 0:30:10 | 0:30:12 | |
48 per cent. Jenny... | 0:30:12 | 0:30:17 | |
52 per cent. | 0:30:19 | 0:30:22 | |
That would just about scrape a pass in the exam proper. | 0:30:22 | 0:30:26 | |
Not good enough for Oxford candidates. | 0:30:26 | 0:30:29 | |
(SIGHS) | 0:30:29 | 0:30:31 | |
-It's her Latin, isn't it? -Everyone's doing their best, Jack. | 0:30:34 | 0:30:38 | |
But what if everyone's best isn't good enough? What do we do then? Hm? | 0:30:39 | 0:30:43 | |
Perhaps the whole thing's been a waste of money anyway. | 0:30:43 | 0:30:46 | |
-You don't mean that. -What's she going to do with an English degree? | 0:30:46 | 0:30:49 | |
If she's going to spend three years playing that bloody cello, | 0:30:49 | 0:30:53 | |
talking in French to a bunch of beatniks, | 0:30:53 | 0:30:55 | |
I'm just throwing good money after bad. | 0:30:55 | 0:30:57 | |
She might meet a nice lawyer, but she could do that | 0:30:57 | 0:31:00 | |
-at a dinner dance tomorrow. -That's the point of an Oxford education(!) | 0:31:00 | 0:31:04 | |
It's the expensive alternative to a dinner dance. | 0:31:04 | 0:31:07 | |
-What about private tuition? -Can anybody hear me? | 0:31:07 | 0:31:12 | |
-How much this is going to cost me? -Five shillings an hour. | 0:31:12 | 0:31:15 | |
-Maybe a little more for A-level. -Five bob! | 0:31:15 | 0:31:18 | |
Five bob here, five bob there. Next thing, that's our savings gone. | 0:31:18 | 0:31:21 | |
-What else are we spending five bob on? -Oh, nothing? No, nothing! | 0:31:21 | 0:31:26 | |
All of this is free(!) This vase is free! | 0:31:26 | 0:31:29 | |
It was. It was a present from Auntie Vi. | 0:31:29 | 0:31:31 | |
That chair, this sofa, it's all free! | 0:31:31 | 0:31:33 | |
We don't have to pay for any of it. That's the beauty of life, Jenny. | 0:31:33 | 0:31:37 | |
You don't have to pay for anything. | 0:31:37 | 0:31:39 | |
There's a lovely Oxford tree growing in the garden. | 0:31:39 | 0:31:42 | |
Lucky for you, because that's Oxford taken care of. | 0:31:42 | 0:31:44 | |
And there's a whole orchard of school trees, | 0:31:44 | 0:31:47 | |
so that school is free. And I think there's even a private tuition tree. | 0:31:47 | 0:31:50 | |
-I'll go and check, shall I? -Jack? -It's all right, | 0:31:50 | 0:31:53 | |
I'll only be a second, because there's a clump of them | 0:31:53 | 0:31:56 | |
surrounding the pocket money tree! | 0:31:56 | 0:31:58 | |
I'll make sure they're all nice and safe. | 0:31:58 | 0:32:01 | |
You might be lucky. There might be a man with deep pockets | 0:32:01 | 0:32:04 | |
growing out there. Because God knows you're gonna need one! | 0:32:04 | 0:32:08 | |
(SLAMS DOOR) | 0:32:09 | 0:32:12 | |
-You can always go to secretarial college with Hattie. -Oh, thanks. | 0:32:13 | 0:32:17 | |
Charming! | 0:32:17 | 0:32:19 | |
-Oh, God, no. -Hello! | 0:32:19 | 0:32:22 | |
Hello...Graham. | 0:32:22 | 0:32:25 | |
(EXHALES) I haven't seen you in ages. | 0:32:25 | 0:32:28 | |
It went a bit wrong, didn't it? The, uh... The tea party, I mean. | 0:32:32 | 0:32:35 | |
(SNIGGERS) | 0:32:35 | 0:32:38 | |
-Was it because of the year-off thing? Because I... -No. | 0:32:40 | 0:32:43 | |
I just have so much work to do if I'm gonna get the grades I need. | 0:32:45 | 0:32:49 | |
-Yeah. She doesn't have time for boys. -(LAUGHS) | 0:32:49 | 0:32:54 | |
-Bye, Graham. -Bye. | 0:33:00 | 0:33:03 | |
(CLEARS THROAT) | 0:33:08 | 0:33:10 | |
(CHATTING / LAUGHING) | 0:33:13 | 0:33:15 | |
-Oh, you can do all the Goons. -No, my Eccles is no good. | 0:33:25 | 0:33:28 | |
-Oh, no, you've got him. -No, no. -(LAUGHTER) | 0:33:28 | 0:33:31 | |
-(IMPERSONATES CHARACTERS) -Hello? | 0:33:31 | 0:33:35 | |
Oh, Jenny... (CHUCKLES) | 0:33:35 | 0:33:37 | |
..David does the most fantastic Bluebottle. | 0:33:37 | 0:33:40 | |
-You came to see my parents? -Oh, why is that so hard to imagine? | 0:33:40 | 0:33:43 | |
Why are you drinking? It's not Christmas. | 0:33:43 | 0:33:47 | |
There's a lot you don't know about us. | 0:33:47 | 0:33:49 | |
-We had a life before you came along. -That's true. | 0:33:49 | 0:33:51 | |
I'm only going on what I've seen for the last 16 years. | 0:33:51 | 0:33:54 | |
I'm trying to think what you missed. Nothing much comes to mind. | 0:33:54 | 0:33:58 | |
(ALL LAUGH) | 0:33:58 | 0:34:00 | |
Um, anyway, I've got a huge pile of Latin translation to do. | 0:34:01 | 0:34:05 | |
You didn't tell us David went to Oxford. | 0:34:05 | 0:34:08 | |
No...I didn't. | 0:34:08 | 0:34:11 | |
-For all the good it did me. -Isn't that funny? | 0:34:11 | 0:34:14 | |
Extraordinary! | 0:34:14 | 0:34:16 | |
I was just telling Jack that I'm going back next weekend. | 0:34:16 | 0:34:19 | |
I visit my old English professor every now and again. | 0:34:19 | 0:34:21 | |
See, that's what you need, Jenny. Someone on the inside track. | 0:34:21 | 0:34:25 | |
-It's not always what you know, is it, David? -Too true. | 0:34:25 | 0:34:28 | |
Have you ever come across Clive Lewis? | 0:34:28 | 0:34:30 | |
Dad's never come across anyone. | 0:34:30 | 0:34:32 | |
He wrote a children's book called, The Lion, The Witch And The Wardrobe | 0:34:32 | 0:34:37 | |
that did very well, I believe. | 0:34:37 | 0:34:39 | |
-CS Lewis? -To us he was a codger who taught Medieval Literature, | 0:34:39 | 0:34:42 | |
but I came to know him very well. | 0:34:42 | 0:34:45 | |
We just...got along. | 0:34:45 | 0:34:48 | |
-Jenny used to devour those books. -I'd love to meet him. | 0:34:48 | 0:34:53 | |
I'm sorry. Am I being slow on the uptake? | 0:34:58 | 0:35:01 | |
Would Jenny like to come at the weekend? | 0:35:01 | 0:35:04 | |
Oh, not this weekend, but sometime, perhaps. Yes. | 0:35:04 | 0:35:08 | |
How often do you see him? | 0:35:08 | 0:35:11 | |
Not very often. Every couple of years. | 0:35:11 | 0:35:14 | |
-Maybe next time. -Oh. | 0:35:15 | 0:35:18 | |
Well, I suppose... | 0:35:18 | 0:35:21 | |
Would she have to stay the night? | 0:35:22 | 0:35:24 | |
I wouldn't recommend driving home after one of those Oxford dinners! | 0:35:24 | 0:35:29 | |
-(CHUCKLES) -Clive could get her a room at the college. | 0:35:29 | 0:35:32 | |
That's easy enough. | 0:35:32 | 0:35:34 | |
Seems like too good an opportunity to pass up. | 0:35:35 | 0:35:39 | |
It wouldn't be a bother, would it, David? | 0:35:40 | 0:35:43 | |
(GRAMOPHONE) # We walk along hand in hand... | 0:35:44 | 0:35:47 | |
-Come on! -Just putting a few things in a bag! Don't worry! | 0:35:47 | 0:35:51 | |
# Yeah, we both understand | 0:35:51 | 0:35:55 | |
# Mmmm, sweet nothings... # | 0:35:55 | 0:35:58 | |
-Come on! -We're nearly ready! | 0:36:00 | 0:36:03 | |
-Be there in two ticks! -(GIGGLES) | 0:36:03 | 0:36:06 | |
How can they only be nearly ready? | 0:36:06 | 0:36:08 | |
I wouldn't be surprised if three of them came out of there. | 0:36:08 | 0:36:11 | |
That's the only explanation, they're making themselves a friend. | 0:36:11 | 0:36:15 | |
Ladies, come on, let's go! | 0:36:15 | 0:36:17 | |
There. Have a look in the corner. Open the door. | 0:36:17 | 0:36:20 | |
You should keep that one if you want it. | 0:36:20 | 0:36:23 | |
-Well, I can only wear so many in one day. -Thank you. | 0:36:24 | 0:36:28 | |
What about tonight? Have you got a pretty enough nightie? | 0:36:28 | 0:36:32 | |
Won't I be sharing a room with you? | 0:36:33 | 0:36:35 | |
Oh, you haven't slept with him? | 0:36:35 | 0:36:38 | |
-No. -Good for you. -Really? Do you think so? | 0:36:38 | 0:36:42 | |
-Yes. You're only 16. You don't want to get preggers, do you? -No. | 0:36:42 | 0:36:46 | |
No, I wouldn't... I wouldn't let that happen. | 0:36:46 | 0:36:48 | |
-I want to wait till I'm 17. On my 17th birthday, hopefully. -With David? | 0:36:48 | 0:36:53 | |
-Oh, golly, it will be with David, won't it? -If that's what you want. | 0:36:53 | 0:36:57 | |
Anyway, I'll find you a nightie. | 0:36:57 | 0:37:00 | |
Ta-da! | 0:37:05 | 0:37:07 | |
(GIGGLES) | 0:37:13 | 0:37:15 | |
Should we make a move? | 0:37:15 | 0:37:18 | |
(ALL) # You got me wrapped around | 0:37:18 | 0:37:21 | |
# Your little finger | 0:37:21 | 0:37:25 | |
# If this is love | 0:37:25 | 0:37:28 | |
# It's everything I hoped it would be... # | 0:37:28 | 0:37:33 | |
-Can't we get out and have a look around? -Later. If we have time. | 0:37:42 | 0:37:47 | |
-Imagine spending three years here. -(SHUDDERS) I know! | 0:37:47 | 0:37:51 | |
(HUBBUB OF VOICES) | 0:37:55 | 0:37:57 | |
Why are university girls so strange looking? | 0:37:58 | 0:38:01 | |
Most girls aren't born ugly, but most girl students seems to be, | 0:38:01 | 0:38:06 | |
so there must be something about these places that make you fat, | 0:38:06 | 0:38:09 | |
-or spotty, or...short-sighted. -Well, when you look at it like that, | 0:38:09 | 0:38:13 | |
that's proper scientific analysis. Can't argue with science. | 0:38:13 | 0:38:17 | |
(LAUGHS) I still don't quite understand | 0:38:17 | 0:38:19 | |
-what you want to do when you get here. -I want to read English. | 0:38:19 | 0:38:23 | |
-Books? -Sorry? | 0:38:23 | 0:38:25 | |
You want to read English books? | 0:38:25 | 0:38:28 | |
Reading English is just another way of saying... | 0:38:28 | 0:38:31 | |
You're wasting your breath. | 0:38:31 | 0:38:34 | |
-Tomorrow we'll get more of a feel for the place. -Absolutely. | 0:38:34 | 0:38:37 | |
This place would be good for a business. | 0:38:37 | 0:38:39 | |
-All those old ladies wandering around. -Old ladies? | 0:38:39 | 0:38:42 | |
-Bet the place is rife with stats. -Please explain what stats are. | 0:38:42 | 0:38:46 | |
-You're always going on about them. -It isn't very interesting. | 0:38:46 | 0:38:49 | |
-But you two are interested. -Because we are not very interesting. | 0:38:49 | 0:38:52 | |
-They're not. -That's why we need you here, to save us from ourselves. | 0:38:52 | 0:38:56 | |
-(GIGGLES) -To put some intelligence and culture into our lives. | 0:38:56 | 0:39:00 | |
-Sing to us! Sing to us! -Please don't make me sing to you. | 0:39:00 | 0:39:04 | |
Please don't make us talk about work. | 0:39:04 | 0:39:07 | |
So...now, | 0:39:08 | 0:39:10 | |
-is he Clive, do you think, or CS? -I'm confused now. | 0:39:10 | 0:39:14 | |
-I thought you'd made him up. -No, we... | 0:39:14 | 0:39:18 | |
Never mind. | 0:39:18 | 0:39:20 | |
(GIGGLES) "To dear Jenny. With the pleasure of meeting you." | 0:39:20 | 0:39:24 | |
"Come and see me again soon. Clive." | 0:39:24 | 0:39:26 | |
-(CHUCKLES) -Dirty old man. | 0:39:26 | 0:39:29 | |
-Well? -Mm. | 0:39:29 | 0:39:31 | |
We've got these exact same curtains at home. | 0:39:44 | 0:39:48 | |
Let's not talk about curtains. | 0:39:48 | 0:39:50 | |
You look...beautiful. | 0:39:50 | 0:39:54 | |
-David. -Hm? | 0:39:55 | 0:39:58 | |
There's something you should know. | 0:39:59 | 0:40:01 | |
I'm a virgin. | 0:40:04 | 0:40:07 | |
And I want to stay that way until I'm 17. | 0:40:07 | 0:40:09 | |
I think that's good. | 0:40:10 | 0:40:13 | |
I think that's right. | 0:40:13 | 0:40:15 | |
We can still be romantic, though, can't we? | 0:40:21 | 0:40:25 | |
Yes, of course. | 0:40:27 | 0:40:29 | |
-As long as it's not actually... -Minnie. | 0:40:30 | 0:40:33 | |
Is that me? | 0:40:33 | 0:40:36 | |
Yes. Er, you're my Minnie Mouse... | 0:40:37 | 0:40:41 | |
..and I'm your bubbalub. | 0:40:43 | 0:40:46 | |
OK... (CHUCKLES) ..if that's what you want to do. | 0:40:48 | 0:40:52 | |
-Minnie. -Yes, David? | 0:40:53 | 0:40:55 | |
Bubbalub. | 0:40:55 | 0:40:58 | |
Bub-lub. | 0:40:58 | 0:41:01 | |
(CHUCKLES) | 0:41:01 | 0:41:03 | |
May I have a look? | 0:41:08 | 0:41:10 | |
Just a peek. | 0:41:11 | 0:41:13 | |
You just want to see them? | 0:41:15 | 0:41:17 | |
Thank you. | 0:41:55 | 0:41:57 | |
(BIRDSONG) | 0:42:10 | 0:42:12 | |
-I think there's a house for sale around here. -Really? | 0:42:14 | 0:42:17 | |
-Might be worth a look. -Mm-hm. | 0:42:21 | 0:42:24 | |
Here you are. | 0:42:26 | 0:42:28 | |
Jenny! | 0:42:32 | 0:42:34 | |
-Aren't you coming? -We don't go in. -What are you talking about? | 0:42:34 | 0:42:38 | |
Go and get a cup of tea somewhere. Helen will look after you. | 0:42:38 | 0:42:42 | |
I don't need looking after. David! | 0:42:42 | 0:42:45 | |
I'm not gonna tell you a second time. Run along. | 0:42:45 | 0:42:48 | |
(BELL TOLLS) | 0:42:56 | 0:42:58 | |
-Oh, they won't be long, either way. -Either way? | 0:42:58 | 0:43:01 | |
Well, sometimes they find something and sometimes they don't. | 0:43:01 | 0:43:04 | |
When they do find something we often have to leave quite quickly. | 0:43:04 | 0:43:08 | |
They can be quite naughty sometimes. | 0:43:08 | 0:43:11 | |
-Thank you. -Cheerio. | 0:43:12 | 0:43:14 | |
Careful, careful, careful. | 0:43:14 | 0:43:18 | |
Come on. | 0:43:18 | 0:43:20 | |
-Helen. -Pass it back. | 0:43:20 | 0:43:22 | |
Good! | 0:43:22 | 0:43:24 | |
-Jenny! -What? | 0:43:24 | 0:43:27 | |
You can stand there if you like, but I wouldn't recommend it. | 0:43:27 | 0:43:31 | |
(ENGINE STARTS / REVS) | 0:43:31 | 0:43:34 | |
Cooee! Jenny. | 0:43:45 | 0:43:48 | |
Sorry about being a little brisk back there, Jenny. | 0:43:50 | 0:43:54 | |
It's just the way we do things. Silly, really. | 0:43:54 | 0:43:57 | |
Here, don't forget your case. | 0:44:12 | 0:44:14 | |
-Who's coming up for a drink? -Me. | 0:44:15 | 0:44:17 | |
No...you go. I'll make my own way home. | 0:44:17 | 0:44:20 | |
-Jenny. -(HORN TOOTS) | 0:44:23 | 0:44:25 | |
Jenny! | 0:44:30 | 0:44:32 | |
It's an old map. A Speed. | 0:44:44 | 0:44:47 | |
Poor dear didn't even know what it was. | 0:44:47 | 0:44:50 | |
What a waste. It shouldn't spend its life on a wall | 0:44:50 | 0:44:53 | |
in...wherever the hell we were. | 0:44:53 | 0:44:56 | |
It should be with us. We know how to look after it properly. | 0:44:56 | 0:44:59 | |
-We...liberated it. -Liberated? -Yeah. -That's one word for it. | 0:44:59 | 0:45:03 | |
Don't be bourgeois. You're better than that. | 0:45:03 | 0:45:06 | |
You drink everything I put in front of you down in one, | 0:45:07 | 0:45:11 | |
then you slam your glass down and ask for more. It's wonderful. | 0:45:11 | 0:45:16 | |
We're not clever like you, so we have to be clever in other ways | 0:45:17 | 0:45:21 | |
because if we weren't, there would be...no...fun. | 0:45:21 | 0:45:25 | |
We have to be clever with maps and... and... | 0:45:25 | 0:45:29 | |
You want to know what stats are? Stats are old ladies | 0:45:29 | 0:45:33 | |
who are scared of Coloured people. So we move the Coloureds in | 0:45:33 | 0:45:36 | |
and the old ladies move out and I buy their flats cheap. | 0:45:36 | 0:45:39 | |
That's what I do. So now you know. | 0:45:39 | 0:45:42 | |
And...if you don't like it... | 0:45:43 | 0:45:47 | |
..I'll understand, and you can go back to Twickenham | 0:45:48 | 0:45:51 | |
and listen to the Home Service... | 0:45:51 | 0:45:54 | |
..and do your Latin homework. (CHUCKLES) | 0:45:54 | 0:45:58 | |
But these weekends, the restaurants and the concerts, | 0:45:58 | 0:46:01 | |
they don't grow on trees. | 0:46:01 | 0:46:04 | |
This is who we are, Jenny. | 0:46:07 | 0:46:09 | |
(CHUCKLES) | 0:46:23 | 0:46:25 | |
-Oh! -(GIGGLES) -That's better. | 0:46:29 | 0:46:31 | |
(GIGGLES) | 0:46:43 | 0:46:45 | |
-Come on, you two! -Come on up! | 0:46:47 | 0:46:50 | |
-(GIGGLES) -You can have my olive! | 0:46:50 | 0:46:52 | |
Come on. | 0:46:55 | 0:46:56 | |
I suppose you have homework to do. | 0:47:11 | 0:47:13 | |
You have no idea how boring everything was before I met you. | 0:47:21 | 0:47:25 | |
"Action is character," our English teacher says. | 0:47:27 | 0:47:31 | |
I think it means that if we never did anything, we wouldn't be anybody. | 0:47:31 | 0:47:36 | |
And I never did anything before I met you. | 0:47:37 | 0:47:40 | |
And sometimes I think no-one's ever done anything | 0:47:40 | 0:47:43 | |
in this whole stupid country... apart from you. | 0:47:43 | 0:47:47 | |
(CHUCKLES) | 0:48:18 | 0:48:20 | |
-OK. -All right. | 0:48:21 | 0:48:24 | |
There you are. Good night. | 0:48:27 | 0:48:30 | |
Marjorie, look at this. | 0:48:44 | 0:48:46 | |
"Clive." | 0:48:50 | 0:48:52 | |
-Oh, lucky girl! -(CHUCKLES) Never a dull moment with David, eh? | 0:48:52 | 0:48:55 | |
Better than that young man you brought home for tea. | 0:48:55 | 0:48:58 | |
David's a lot older than Graham. | 0:48:58 | 0:49:00 | |
Graham could live to be 200, you'll never see him swanning around | 0:49:00 | 0:49:04 | |
-with famous authors. -He might become a famous author, for all you know. | 0:49:04 | 0:49:08 | |
Becoming one isn't like knowing one. That shows you're well connected. | 0:49:08 | 0:49:12 | |
Very impressive young man, David. | 0:49:12 | 0:49:14 | |
Well, I must admit, life's a little brighter with him around. | 0:49:14 | 0:49:18 | |
(WHISTLE BLOWS) Come on, girls, get a move on! | 0:49:20 | 0:49:24 | |
(GIRLS SHOUT IN DISTANCE) | 0:49:25 | 0:49:27 | |
-What the hell are those?! -Russian Sobranies. | 0:49:28 | 0:49:32 | |
-Where did they come from? -She probably bought them from the Savoy, | 0:49:32 | 0:49:36 | |
or Claridges, or the opera, or some fancy nightclub. | 0:49:36 | 0:49:40 | |
-Who knows with Jenny? -Paris. You can't buy them here. | 0:49:40 | 0:49:44 | |
-You never bought them yourself? -No, I never. | 0:49:44 | 0:49:46 | |
-Oh, shut up, you stuck-up cow! -(GIGGLES) | 0:49:46 | 0:49:50 | |
But I'll bring you some back, if you like. | 0:49:51 | 0:49:54 | |
-You are joking? -Non. | 0:49:54 | 0:49:56 | |
-He's taking you to Paris?! -Oui. -This term? | 0:49:56 | 0:49:59 | |
-Peut-etre. -(GIGGLES) | 0:49:59 | 0:50:01 | |
Wait. Isn't it your birthday next Thursday? | 0:50:01 | 0:50:06 | |
-Might be. -Oh, my God. | 0:50:06 | 0:50:09 | |
-Your birthday? -I would not like to be you. | 0:50:09 | 0:50:12 | |
All those suppers you've had off him. Ouch! | 0:50:12 | 0:50:15 | |
You've such a Victorian attitude to sex, you two. | 0:50:15 | 0:50:18 | |
-Your parents won't let you go, will they? -We haven't told them yet. | 0:50:18 | 0:50:22 | |
But David will come up with some story, he usually does. | 0:50:22 | 0:50:25 | |
Yeah, I've noticed that. | 0:50:25 | 0:50:27 | |
Chanel perfume, Chanel perfume. Chanel lipstick, Chanel lipstick. | 0:50:27 | 0:50:31 | |
Those cigarettes, Sobranies, ten packets each. | 0:50:31 | 0:50:34 | |
Er... howmuch is the Chanel perfume? | 0:50:34 | 0:50:39 | |
Are you the girl going to Paris or not? Because... | 0:50:39 | 0:50:42 | |
Tina, top button. | 0:50:47 | 0:50:49 | |
Jenny...the headmistress wants a word with you. | 0:50:50 | 0:50:54 | |
The, erm, legend of Mr Rochester | 0:50:54 | 0:50:56 | |
may have travelled further than you intended. | 0:50:56 | 0:50:59 | |
Come. | 0:50:59 | 0:51:01 | |
Ah, Miss Mellor. | 0:51:02 | 0:51:04 | |
We're all very excited about your forthcoming trip to Paris. | 0:51:07 | 0:51:11 | |
Our excitement, indeed, knows no bounds. | 0:51:11 | 0:51:15 | |
Some of us can talk of little else. | 0:51:15 | 0:51:18 | |
An older man, I understand. | 0:51:18 | 0:51:20 | |
A word of warning, Miss Mellor. | 0:51:22 | 0:51:24 | |
There may well have been the odd... sixth-form girl | 0:51:26 | 0:51:30 | |
who has lost... an important part of herself, | 0:51:30 | 0:51:34 | |
perhaps the best part, while under our supervision. | 0:51:34 | 0:51:37 | |
If, however, we are made aware of that loss, the young lady | 0:51:37 | 0:51:40 | |
would have to continue her studies elsewhere, | 0:51:40 | 0:51:43 | |
if she still has any use for A levels. Do I make myself clear? | 0:51:43 | 0:51:47 | |
-Can I go now? -If you would. | 0:51:49 | 0:51:52 | |
# (THEME FROM "A SUMMER PLACE") | 0:51:58 | 0:52:01 | |
What are you doing in there?! | 0:52:02 | 0:52:04 | |
-I imagine she's lighting the candles on my cake. -You're 17, not 250! | 0:52:04 | 0:52:09 | |
-Thanks for inviting me. -Oh, it was Marjorie's idea, not mine. | 0:52:12 | 0:52:16 | |
-Not even Jenny's, for that matter. -Dad! | 0:52:18 | 0:52:20 | |
-Ta-daaa! -Hey! | 0:52:20 | 0:52:23 | |
Well, blow them out before the house burns down. | 0:52:23 | 0:52:26 | |
-Make a wi... -(BLOWS) -OK, don't worry. | 0:52:26 | 0:52:28 | |
Bravo! (LAUGHS) | 0:52:28 | 0:52:31 | |
-Who'd like a piece? -Oh, me, please. | 0:52:34 | 0:52:36 | |
-Come on, come on, presents! -Whoops! | 0:52:36 | 0:52:39 | |
-It's a new Latin dictionary. -(SIGHS) | 0:52:44 | 0:52:47 | |
Thank you. I needed a new one. | 0:52:50 | 0:52:52 | |
Oh, dear. | 0:52:54 | 0:52:56 | |
Snap! | 0:52:56 | 0:52:58 | |
(DOORBELL RINGS) | 0:53:02 | 0:53:04 | |
-Oh, good grief! Jenny, you should see this! -It's a special day. | 0:53:10 | 0:53:14 | |
-She's a special girl. -I know it. | 0:53:14 | 0:53:17 | |
-(GASPS) -(LAUGHS) | 0:53:17 | 0:53:19 | |
-Bit of help. -Makes your dictionary look a bit feeble, eh, Graham? | 0:53:19 | 0:53:23 | |
-(GRAHAM) Gosh! -These are for you. Hello, young man. | 0:53:23 | 0:53:26 | |
-Oh, David! -Would you like a drink? | 0:53:26 | 0:53:28 | |
I'd love one. | 0:53:28 | 0:53:30 | |
I best be going cos I've got... a stack of homework to do, so... | 0:53:30 | 0:53:35 | |
-Oh. -Thank you. | 0:53:35 | 0:53:38 | |
-Bye. -Cheers. -Bye, Mr Mellor. | 0:53:38 | 0:53:41 | |
-Ah, cheerio, Graham. -Thank you. | 0:53:41 | 0:53:44 | |
Wonderful to see you, Graham. | 0:53:44 | 0:53:46 | |
-Goodbye, Jenny. -Bye, Graham. | 0:53:47 | 0:53:50 | |
-Little something warming? -You know me so well. | 0:53:52 | 0:53:55 | |
-Can I open anything yet? -Wait for me. | 0:53:55 | 0:53:57 | |
I've got a surprise. Next weekend, | 0:53:57 | 0:54:00 | |
-we're going to Cafe de Flore to celebrate Jenny's birthday. -Lovely. | 0:54:00 | 0:54:05 | |
Cafe de Flore is in the Boulevard Saint Germain...in Paris. | 0:54:05 | 0:54:09 | |
-(GIGGLES) -What do you mean, Paris? -You know the one, Dad. | 0:54:09 | 0:54:12 | |
No, no. No, no, no. No, w-w-we don't have any French money. | 0:54:14 | 0:54:19 | |
A-A-And, besides, it's... | 0:54:19 | 0:54:21 | |
-I-I-I don't think it would agree with me. -Dad! | 0:54:21 | 0:54:24 | |
The French don't like us, Jenny. | 0:54:24 | 0:54:26 | |
John Sutton from work, he went there. They were very rude to him. | 0:54:26 | 0:54:30 | |
I don't want to spoil anyone's fun, | 0:54:30 | 0:54:32 | |
but it's just not for me, Europe. You'll have to go another time. | 0:54:32 | 0:54:36 | |
You've just said you don't like Europe. So what's going to change? | 0:54:36 | 0:54:39 | |
-It'll have to be Europe. It certainly won't be you. -I'll take her. | 0:54:39 | 0:54:43 | |
-To the Continent?! -Why not? -And leave me here on my own?! | 0:54:43 | 0:54:46 | |
Oh, for God's sake! | 0:54:46 | 0:54:49 | |
What do you think? | 0:54:57 | 0:55:00 | |
You know what Jenny's like about France, Jack. French films | 0:55:01 | 0:55:04 | |
-and books and music. -Of course I do. | 0:55:04 | 0:55:07 | |
Sorry. Yes, goes without saying, she's your daughter. | 0:55:07 | 0:55:10 | |
Jenny likes to joke about how you're a stick-in-the-mud | 0:55:12 | 0:55:16 | |
and all the rest of it, but I know that's not who you are, | 0:55:16 | 0:55:19 | |
otherwise she wouldn't be who she is. | 0:55:19 | 0:55:22 | |
-No. -But I can also see that I've acted out of turn | 0:55:23 | 0:55:27 | |
and...I'm sorry. | 0:55:27 | 0:55:30 | |
(SIGHS) | 0:55:32 | 0:55:35 | |
What about your Aunt Helen? | 0:55:42 | 0:55:44 | |
-An hour late. -We'll make it, I promise. | 0:55:52 | 0:55:56 | |
-OK, there's a flight at eight in the morning. -Good. | 0:55:57 | 0:56:01 | |
There's no bed! | 0:56:11 | 0:56:14 | |
-I pushed the boat out and got us a suite. -A suite? | 0:56:14 | 0:56:17 | |
Yeah. If work stops us from getting to Paris until tomorrow, | 0:56:17 | 0:56:21 | |
then, work can buy us a nice hotel room. | 0:56:21 | 0:56:24 | |
Anyway, it's a special occasion, isn't it? | 0:56:25 | 0:56:28 | |
I'd have thought tonight of all nights we'd only need a bed. | 0:56:28 | 0:56:32 | |
(CHUCKLES) | 0:56:33 | 0:56:35 | |
Hold on, one second. I've got something. | 0:56:48 | 0:56:51 | |
I thought...I thought we might practise with this. | 0:57:03 | 0:57:07 | |
(CHUCKLES) With a banana? | 0:57:07 | 0:57:10 | |
I thought we might get the messy bit over with first. | 0:57:10 | 0:57:13 | |
(CHUCKLES) What? | 0:57:13 | 0:57:15 | |
David! I don't want to lose my virginity to a piece of fruit! | 0:57:15 | 0:57:20 | |
(CHUCKLES) I'm sorry. | 0:57:20 | 0:57:23 | |
(CHUCKLES) Hey... | 0:57:25 | 0:57:27 | |
Oh, I think the moment might have gone. | 0:57:30 | 0:57:33 | |
-I think we should wait until Paris. -I'm sorry. | 0:57:33 | 0:57:36 | |
Erm...Minnie... | 0:57:36 | 0:57:38 | |
I'm an idiot. I'm sorry. | 0:57:41 | 0:57:44 | |
David... if tomorrow night does happen, | 0:57:44 | 0:57:47 | |
it's only ever going to happen once. | 0:57:47 | 0:57:50 | |
Why will it only ever happen once? | 0:57:50 | 0:57:53 | |
-Because the first time can only ever happen once. -Oh. | 0:57:53 | 0:57:57 | |
So...no baby talk. | 0:57:57 | 0:58:00 | |
No Minnie. | 0:58:01 | 0:58:04 | |
Just...treat me like a grown-up. | 0:58:08 | 0:58:12 | |
OK? | 0:58:13 | 0:58:15 | |
I know. Let's go and sit in our sitting room. | 0:58:20 | 0:58:24 | |
All right. | 0:58:24 | 0:58:27 | |
I'll order up some champagne. | 0:58:27 | 0:58:29 | |
(CHUCKLES) | 0:58:34 | 0:58:37 | |
-Room service! -(LAUGHS) | 0:58:40 | 0:58:42 | |
# Quand doucement tu te penches | 0:58:43 | 0:58:47 | |
# En murmurant | 0:58:47 | 0:58:48 | |
# C'est Dimanche | 0:58:48 | 0:58:51 | |
# Si nous allions en banlieue faire un tour | 0:58:51 | 0:58:55 | |
# Sous le ciel bleu des beaux jours? | 0:58:55 | 0:58:58 | |
# Mille projets nous attirent | 0:58:58 | 0:59:02 | |
# Mais, dans un meme sourire | 0:59:02 | 0:59:07 | |
# Nous refaisons le trajet simple et doux | 0:59:07 | 0:59:10 | |
# De nos premiers rendez-vous | 0:59:10 | 0:59:14 | |
# Sur les quais du vieux Paris | 0:59:15 | 0:59:20 | |
# Le long de la Seine | 0:59:20 | 0:59:22 | |
# Le bonheur sourit | 0:59:22 | 0:59:24 | |
# Sur les quais du vieux Paris | 0:59:24 | 0:59:29 | |
# L'amour se promene | 0:59:29 | 0:59:31 | |
# En cherchant un nid | 0:59:31 | 0:59:33 | |
# Vieux bouquiniste | 0:59:33 | 0:59:36 | |
# Belle fleuriste | 0:59:36 | 0:59:39 | |
# Comme on vous aime | 0:59:39 | 0:59:41 | |
# Vivant poeme | 0:59:41 | 0:59:43 | |
# Sur les quais du vieux Paris | 0:59:43 | 0:59:48 | |
# De l'amour boheme | 0:59:48 | 0:59:52 | |
# C'est le paradis. # | 0:59:52 | 0:59:55 | |
Do you still feel like a schoolgirl? | 1:00:07 | 1:00:10 | |
It wasn't too uncomfortable? | 1:00:16 | 1:00:19 | |
Not after the...first bit. | 1:00:19 | 1:00:22 | |
It's funny, though, isn't it? | 1:00:23 | 1:00:26 | |
All that poetry, | 1:00:29 | 1:00:30 | |
and all those songs, | 1:00:30 | 1:00:33 | |
about something that lasts no time at all? | 1:00:33 | 1:00:36 | |
Yeah. | 1:00:37 | 1:00:38 | |
(BELL RINGS) | 1:00:38 | 1:00:41 | |
All your exercise books on my desk in a pile, please. | 1:00:41 | 1:00:45 | |
I bought this for you. | 1:00:47 | 1:00:49 | |
That's very kind of you. | 1:00:53 | 1:00:56 | |
But I can't accept it. | 1:00:59 | 1:01:02 | |
Why not? | 1:01:02 | 1:01:03 | |
It's because of people like you that I plough through | 1:01:04 | 1:01:07 | |
illiterate essays by Sandra Lovell about her pony. | 1:01:07 | 1:01:11 | |
But I know where this came from, Jenny. | 1:01:11 | 1:01:14 | |
And if I took it, | 1:01:14 | 1:01:17 | |
I'll feel I would be betraying both of us. | 1:01:17 | 1:01:20 | |
Jenny... | 1:01:33 | 1:01:35 | |
You can do anything you want. You know that. | 1:01:38 | 1:01:41 | |
You're clever and you're pretty. | 1:01:41 | 1:01:44 | |
(SIGHS) | 1:01:45 | 1:01:47 | |
Is your boyfriend interested in clever, Jenny? | 1:01:47 | 1:01:51 | |
I'm not quite sure what you're trying to tell me. | 1:01:52 | 1:01:54 | |
I'm telling you to go to Oxford, no matter what. | 1:01:54 | 1:01:57 | |
Because if you don't, you'll break my heart. | 1:01:59 | 1:02:01 | |
Where did you go? | 1:02:08 | 1:02:10 | |
Cambridge. | 1:02:10 | 1:02:11 | |
You're clever and you're pretty. So presumably Clever Miss Stubbs won, | 1:02:11 | 1:02:16 | |
and here you are with your pony essays. | 1:02:16 | 1:02:18 | |
These last few months, I've eaten in wonderful restaurants, | 1:02:18 | 1:02:22 | |
and been to jazz clubs, and watched wonderful films. | 1:02:22 | 1:02:25 | |
Heard beautiful music. | 1:02:25 | 1:02:27 | |
-Jenny, are you taking precautions? -It's nothing to do with that. | 1:02:29 | 1:02:32 | |
-Isn't it? -Maybe all our lives are going to end up with pony essays. | 1:02:32 | 1:02:35 | |
Or housework. | 1:02:35 | 1:02:37 | |
Yes, maybe we'll go to Oxford, but if we die the moment we graduate, | 1:02:37 | 1:02:41 | |
isn't it what we do before that counts? | 1:02:41 | 1:02:44 | |
I'm sorry you think I'm dead. | 1:02:48 | 1:02:51 | |
-I don't think you're dead. I just... -You'd better go to your next class. | 1:02:53 | 1:02:57 | |
-(SQUEALS EXCITEDLY) -Well done, Jenny. | 1:03:13 | 1:03:16 | |
I've never won anything! Not even the Women's Institute raffle! | 1:03:16 | 1:03:19 | |
I always bet on the sweetest-looking one. | 1:03:19 | 1:03:21 | |
-Let's go. -Can we do it again? | 1:03:21 | 1:03:23 | |
I don't want to miss him. Pick up your bob on your way out. | 1:03:23 | 1:03:25 | |
I won 10 shillings?! | 1:03:25 | 1:03:28 | |
-Who is this man, anyway? -Peter Rachman. -A complete bastard. | 1:03:28 | 1:03:32 | |
Why do we have to see him here? | 1:03:32 | 1:03:35 | |
Cos he's not a sort of chap with an office. | 1:03:35 | 1:03:37 | |
# "Tell The Truth" - Ray Charles | 1:03:37 | 1:03:40 | |
# Well, you know what you've done to me | 1:03:43 | 1:03:45 | |
# You made me fall for you | 1:03:45 | 1:03:47 | |
# Tell the truth | 1:03:48 | 1:03:50 | |
-# Tell the truth... # -A bottle of your finest champagne. | 1:03:51 | 1:03:55 | |
There he is. | 1:03:55 | 1:03:57 | |
-Jenny, tell them your good news. Don't be bashful. -No. Be Sneezy! | 1:04:01 | 1:04:05 | |
Jenny got two As and a B in her mock A levels. | 1:04:05 | 1:04:08 | |
-Like everyone in this sophisticated establishment. -The B was in Latin. | 1:04:08 | 1:04:11 | |
Well, seriously, congratulations. Excuse us. | 1:04:11 | 1:04:15 | |
Don't worry too much. | 1:04:20 | 1:04:22 | |
About what? | 1:04:23 | 1:04:24 | |
Someone told me that in about 50 years, no-one will speak Latin. | 1:04:24 | 1:04:28 | |
Not even Latin people. So don't worry about your B. | 1:04:28 | 1:04:32 | |
-He's a bastard. -You wouldn't want him to marry your sister. | 1:04:37 | 1:04:41 | |
Or talk to him in a club, come to that. | 1:04:41 | 1:04:43 | |
You do know what you're doing, old chap? With Jenny? | 1:04:45 | 1:04:48 | |
-This is the one, Danny. -Right. | 1:04:48 | 1:04:51 | |
(GIRLS GIGGLE) | 1:04:51 | 1:04:53 | |
-You can see she's different. -I just don't want to see her hurt. | 1:04:54 | 1:04:59 | |
# "Comin' Home" - Mel Torme (SWINGING, FUNKY JAZZ BEAT) | 1:05:00 | 1:05:03 | |
-# I'm comin' home now right away -# Do, do, do | 1:05:03 | 1:05:06 | |
-# I'm comin' home baby now -# Do, do, do, do, do, do, do, do | 1:05:06 | 1:05:09 | |
-# I'm sorry now I ever went away -# Do, do, do, do, do... | 1:05:09 | 1:05:12 | |
# Every night and day, I'm gon' stay | 1:05:12 | 1:05:17 | |
-# I'm comin' home, baby -# Come on home... # | 1:05:17 | 1:05:20 | |
-Have you bought any more paintings recently? -Have I? | 1:05:23 | 1:05:27 | |
Yes. Picked up a little Piper. | 1:05:27 | 1:05:30 | |
A good one, I think. | 1:05:30 | 1:05:31 | |
I'm still trying to work out what makes good things good. | 1:05:31 | 1:05:34 | |
Well, the thing is, Jenny, you know, | 1:05:34 | 1:05:37 | |
without necessarily being able to explain why. | 1:05:37 | 1:05:40 | |
See, you have taste. | 1:05:40 | 1:05:43 | |
That's not half the battle. | 1:05:43 | 1:05:46 | |
That's the whole war. | 1:05:46 | 1:05:48 | |
-# When I'm in your arms... -# When you're in my arms | 1:05:50 | 1:05:53 | |
# I'll be fine | 1:05:53 | 1:05:56 | |
-# I'm comin' home -# Come on home | 1:05:56 | 1:05:58 | |
-# I'm comin' home baby, now -# You know I'm countin' every day | 1:05:58 | 1:06:01 | |
# I'm comin' home now yeah, yeah, yeah | 1:06:01 | 1:06:03 | |
-# You could phone -# I'm comin' home, baby, now... # | 1:06:03 | 1:06:07 | |
-Jenny, we should go. It's late. -Really? -Yeah. | 1:06:08 | 1:06:12 | |
Alas, one day school will be over forever, | 1:06:12 | 1:06:14 | |
and we can talk about art all night. | 1:06:14 | 1:06:16 | |
-You're all right in a taxi, aren't you? -Yeah. Yeah, I'm fine. | 1:06:16 | 1:06:21 | |
Let's go. Come on. | 1:06:21 | 1:06:22 | |
Good night. | 1:06:24 | 1:06:25 | |
Wait here. | 1:06:32 | 1:06:34 | |
-David, what are you looking for? -Erm...I'm just... | 1:06:39 | 1:06:43 | |
(SIGHS) What are you doing? | 1:06:45 | 1:06:47 | |
Will you marry me? | 1:06:48 | 1:06:50 | |
-What were you looking for? -I-I thought I had a ring. | 1:06:51 | 1:06:56 | |
It wouldn't have been the right one, but it would've done for tonight. | 1:06:56 | 1:06:59 | |
Oh, David! | 1:06:59 | 1:07:01 | |
I'm serious. | 1:07:03 | 1:07:05 | |
You're very sweet. | 1:07:09 | 1:07:12 | |
What do you think? | 1:07:13 | 1:07:16 | |
-Take me home. -All right. | 1:07:22 | 1:07:24 | |
(RADIO) "They need looking after, but nothing that requires too much work." | 1:07:51 | 1:07:55 | |
"Leave them in your potting shed and they'll look after themselves." | 1:07:55 | 1:07:59 | |
Fine, the potting shed. | 1:07:59 | 1:08:01 | |
-Who does he think I am? Prince Rainier of Monaco? -(GIGGLES) | 1:08:01 | 1:08:04 | |
What if I got married instead of going to college? | 1:08:07 | 1:08:10 | |
-Married? -Married. | 1:08:10 | 1:08:13 | |
-Well, it would on depend who it was, -Would it? That's interesting. | 1:08:14 | 1:08:19 | |
-Course! I wouldn't want you married off just for the sake of it. -Thanks. | 1:08:19 | 1:08:23 | |
-Has somebody asked you? -Yes. | 1:08:23 | 1:08:25 | |
Who? | 1:08:25 | 1:08:28 | |
-David? -No. A man I just met walking his dog. | 1:08:28 | 1:08:31 | |
-What did you tell him? -Nothing yet. | 1:08:31 | 1:08:35 | |
Do you have a choice? Or is it too late? | 1:08:35 | 1:08:39 | |
Of course she's got a choice! An interesting choice, too, eh? | 1:08:39 | 1:08:43 | |
This is where you're supposed to say, "But what about Oxford?" | 1:08:43 | 1:08:46 | |
Look at it another way, | 1:08:46 | 1:08:48 | |
you wouldn't really need to go now, would you? | 1:08:48 | 1:08:51 | |
I wouldn't need to go. Would you like to expand on that? | 1:08:51 | 1:08:56 | |
You'd be looked after. | 1:08:56 | 1:08:58 | |
All that Latin! All those essays! | 1:08:58 | 1:09:02 | |
What was the point? Why not send me prowling round nightclubs? | 1:09:02 | 1:09:05 | |
It would've been less trouble! | 1:09:05 | 1:09:08 | |
I don't know about nightclubs, I know about education. | 1:09:08 | 1:09:11 | |
-Anyway, looks like it might've turned out for the best. -How?! | 1:09:11 | 1:09:14 | |
He wouldn't want you if you were thick, now, would he? | 1:09:14 | 1:09:19 | |
"May not an ass know when the cart draws the horse." | 1:09:19 | 1:09:23 | |
"Sings whoop, jug. I love thee." | 1:09:23 | 1:09:25 | |
Er, when it says "sings", | 1:09:25 | 1:09:27 | |
it means you sing the line. | 1:09:27 | 1:09:30 | |
-Never mind. Right. -"Does any here know me?" | 1:09:32 | 1:09:35 | |
"This is not Lear. Does Lear walk thus?" | 1:09:35 | 1:09:38 | |
-"Speak thus? Where are his eyes?" -(GIGGLES) | 1:09:38 | 1:09:42 | |
"Ha! W-Waking? Who is it that can tell me who I am?" | 1:09:42 | 1:09:47 | |
Ooh, miss! Me! I can! | 1:09:47 | 1:09:50 | |
(GIRLS SNIGGER) | 1:09:50 | 1:09:51 | |
-Oh, Jenny... -What? | 1:09:51 | 1:09:54 | |
Take it off. | 1:09:57 | 1:10:00 | |
Oh, my God. Is that what I think it is?! | 1:10:01 | 1:10:04 | |
-I'm gonna be a bridesmaid?! -(ALL CHATTER) | 1:10:04 | 1:10:07 | |
-You know the rule on jewellery. -Half the girls are wearing it. | 1:10:09 | 1:10:12 | |
Yes, but none of it's gonna ruin their lives. | 1:10:12 | 1:10:15 | |
We have a difference of opinion about that. | 1:10:16 | 1:10:19 | |
How far advanced are these ridiculous plans? | 1:10:22 | 1:10:25 | |
Have you set a date? Have you decided on a church? | 1:10:25 | 1:10:28 | |
We won't be getting married in a church. David's Jewish. | 1:10:28 | 1:10:31 | |
Jewish? | 1:10:33 | 1:10:34 | |
He's a Jew? | 1:10:36 | 1:10:39 | |
You are aware, I take it, that the Jews killed Our Lord. | 1:10:39 | 1:10:42 | |
And you're aware, I suppose, that Our Lord was Jewish. | 1:10:42 | 1:10:46 | |
I suppose he told you that. | 1:10:46 | 1:10:49 | |
We're all very sorry about what happened during the war, | 1:10:50 | 1:10:53 | |
but that's absolutely no excuse for that sort of malicious | 1:10:53 | 1:10:56 | |
and untruthful propaganda. Anyway, | 1:10:56 | 1:10:59 | |
I can see you're far more in need of responsible advice than I realised. | 1:10:59 | 1:11:03 | |
Nobody does anything worth doing without a degree. | 1:11:04 | 1:11:08 | |
Nobody does anything worth doing with a degree. No woman, anyway. | 1:11:08 | 1:11:12 | |
So, what I do isn't worth doing? Or what Miss Stubbs does? | 1:11:12 | 1:11:15 | |
Or Mrs Wilson? Or any of us? None of us would be here without a degree. | 1:11:15 | 1:11:19 | |
-You do realise that. Yes, studying is hard and boring - -Boring?! | 1:11:19 | 1:11:22 | |
-I'm sorry? -Studying is hard and boring? Teaching is hard and boring? | 1:11:22 | 1:11:27 | |
So what you're telling me is to be bored and then bored | 1:11:27 | 1:11:30 | |
and finally bored again, this time for life? | 1:11:30 | 1:11:33 | |
This whole stupid country is bored. | 1:11:33 | 1:11:36 | |
There's no life in it, or colour, or fun. | 1:11:36 | 1:11:39 | |
It's just as well the Russians are gonna drop a nuclear bomb on us! | 1:11:39 | 1:11:42 | |
So my choice is to do something hard and boring | 1:11:42 | 1:11:46 | |
or to marry my...Jew, | 1:11:46 | 1:11:49 | |
and go to Paris and Rome and listen to jazz | 1:11:49 | 1:11:52 | |
and read and eat good food in nice restaurants and have fun. | 1:11:52 | 1:11:57 | |
It's not enough to educate us, | 1:11:57 | 1:11:59 | |
you've got to tell us why you're doing it! | 1:11:59 | 1:12:02 | |
It doesn't have to be teaching. There's the civil service. | 1:12:04 | 1:12:08 | |
I don't wish to be impertinent, Miss Walters, | 1:12:12 | 1:12:15 | |
but it is an argument worth rehearsing. | 1:12:15 | 1:12:18 | |
You never know, someone else might want to know the point of it one day. | 1:12:18 | 1:12:22 | |
-Where did you find him? -I can't tell you. | 1:13:10 | 1:13:13 | |
I think he likes you. Do you like her? | 1:13:13 | 1:13:16 | |
You do? You don't remember? It's Jenny! | 1:13:16 | 1:13:19 | |
You remember her from last time. "I don't." You do! | 1:13:19 | 1:13:22 | |
-Naughty. Pardon? That's revolting! -(GIGGLES) | 1:13:22 | 1:13:25 | |
Stick to your own species. | 1:13:25 | 1:13:27 | |
He wants to kiss you. I think. | 1:13:27 | 1:13:30 | |
-Is that naughty? -(GIGGLES) | 1:13:30 | 1:13:32 | |
We're engaged. | 1:13:32 | 1:13:35 | |
-No! Really? -Yeah. | 1:13:35 | 1:13:37 | |
-Engaged? -Show her. -Yes, look! | 1:13:37 | 1:13:39 | |
Gosh! That's fantastic news! | 1:13:40 | 1:13:43 | |
Thank you. | 1:13:43 | 1:13:45 | |
Congratulations. | 1:13:45 | 1:13:46 | |
I knew you'd see sense. You'll stay pretty now. | 1:13:46 | 1:13:49 | |
-Can I still read? -Of course, but it doesn't have to be books now. | 1:13:49 | 1:13:53 | |
-Magazines will do. You learn more from them anyway. -Oh, Helen. | 1:13:53 | 1:13:57 | |
Well you won't be laughing, David, when she gets speccy and spotty. | 1:13:57 | 1:14:01 | |
Danny didn't seem very pleased about our engagement. | 1:14:08 | 1:14:11 | |
I noticed that too. Thought he might be a bit jealous. | 1:14:11 | 1:14:15 | |
-Jealous? -I'm going to keep him away from you. -(GIGGLES) | 1:14:15 | 1:14:19 | |
I mean, what is one supposed to order as a starter anyway? | 1:14:26 | 1:14:29 | |
-How will I know what is a starter? -We've been through this. | 1:14:29 | 1:14:32 | |
It'll be quite clearly marked on the menu. (DOORBELL RINGS) | 1:14:32 | 1:14:35 | |
Can't you just go on your own? I'll be happy with a tin of salmon. | 1:14:35 | 1:14:40 | |
-Hello. -Hello. | 1:14:44 | 1:14:46 | |
-Oh. -(GIGGLES) | 1:14:47 | 1:14:49 | |
Ready? I think you'll like this, Jack. | 1:14:50 | 1:14:53 | |
-The wine list is as good as any I've seen. -Yes, someone told me that. | 1:14:53 | 1:14:57 | |
David, probably. Who else would it have been? | 1:14:57 | 1:15:00 | |
-Madam. -I was hoping you'd take us in this. | 1:15:01 | 1:15:04 | |
You won't want to drive anything else. | 1:15:04 | 1:15:07 | |
Mind you, it drinks petrol. | 1:15:07 | 1:15:09 | |
Afraid we'll have to stop on the way into town. | 1:15:09 | 1:15:12 | |
-I feel like Eamonn Andrews. -Is that good? | 1:15:12 | 1:15:15 | |
-Eamonn Andrews is the poshest person Jack can imagine. -(ALL CHUCKLE) | 1:15:15 | 1:15:19 | |
-How are you tonight, sir? -Very well. | 1:15:33 | 1:15:36 | |
Might as well fill her up. | 1:15:36 | 1:15:39 | |
I'm gonna make a quick call. I'll be two ticks. | 1:15:39 | 1:15:42 | |
Do you think I should offer to help pay for the petrol? | 1:15:49 | 1:15:52 | |
Would he be insulted, do you think? | 1:15:52 | 1:15:55 | |
I-I know he said tonight was his treat. Does that apply to petrol? | 1:15:55 | 1:15:59 | |
I'm sure it does, Jack. | 1:15:59 | 1:16:01 | |
-(HANDLES RATTLES) -Oh, Jack! | 1:16:08 | 1:16:10 | |
Oh, God! It just came out. | 1:16:10 | 1:16:12 | |
Cheers. | 1:16:23 | 1:16:25 | |
-Jenny, Jenny. Um... -Take us home. | 1:16:28 | 1:16:32 | |
-What's wrong? -I'm afraid there's been... Jenny's had a shock. | 1:16:32 | 1:16:36 | |
-What's happened? -It's just another one of David's muddles | 1:16:36 | 1:16:39 | |
and misunderstandings. | 1:16:39 | 1:16:41 | |
I don't want to hear another word from anybody. Take us home. Now. | 1:16:42 | 1:16:46 | |
-You can take care of this, can't you, David? -Go inside, Dad. | 1:16:56 | 1:17:01 | |
"Mr and Mrs David Goldman... Mr and Mrs David Goldman..." | 1:17:04 | 1:17:08 | |
"Mr and Mrs David"... You're married! | 1:17:08 | 1:17:11 | |
Legally, yes, but... | 1:17:11 | 1:17:14 | |
-When were you going to tell me? -Soon. I... | 1:17:14 | 1:17:17 | |
It's just never seemed like the right time. | 1:17:17 | 1:17:20 | |
-You seemed so happy and I was happy. -You were living with your wife, | 1:17:23 | 1:17:27 | |
all this time?! Round the corner?! | 1:17:27 | 1:17:30 | |
Byron Avenue! It's no wonder we kept bumping into each other, is it?! | 1:17:30 | 1:17:34 | |
-What number? -Thirty-four. | 1:17:34 | 1:17:36 | |
Don't be like this. | 1:17:41 | 1:17:44 | |
I have nothing. I didn't take my exams. | 1:17:47 | 1:17:51 | |
I d... I left school! | 1:17:51 | 1:17:54 | |
Where's it all gone now? | 1:17:56 | 1:17:59 | |
I can get a divorce. | 1:17:59 | 1:18:02 | |
Everything will turn out for the best. | 1:18:04 | 1:18:08 | |
Go and tell them. | 1:18:16 | 1:18:18 | |
Go and tell them and then go and tell your wife. | 1:18:20 | 1:18:23 | |
They won't listen now. | 1:18:24 | 1:18:26 | |
All right? | 1:18:26 | 1:18:28 | |
I'll come round tomorrow, when everyone's feeling a bit calmer. | 1:18:28 | 1:18:32 | |
Please don't make me... Please don't make me tell them on my own. | 1:18:32 | 1:18:36 | |
You owe me that much. You owe THEM that much. | 1:18:36 | 1:18:39 | |
I owe them much more than that. | 1:18:39 | 1:18:42 | |
Two minutes and then I'll come out and drag you in. | 1:19:04 | 1:19:07 | |
(SIGHS) | 1:19:42 | 1:19:45 | |
What's going on? | 1:20:02 | 1:20:04 | |
He's helping himself to some Dutch courage before facing you. | 1:20:07 | 1:20:11 | |
Stolen Dutch courage, from the look of it. | 1:20:12 | 1:20:14 | |
He has something he has to tell you. | 1:20:16 | 1:20:19 | |
(ENGINE REVS) | 1:20:22 | 1:20:24 | |
He just drove off. | 1:20:30 | 1:20:32 | |
Can you tell us? | 1:20:37 | 1:20:40 | |
Jenny, please? | 1:20:41 | 1:20:43 | |
I wouldn't worry about it too much. | 1:20:49 | 1:20:51 | |
-When I found out... -Not now, Helen. | 1:20:53 | 1:20:56 | |
I tried to tell him. | 1:21:04 | 1:21:07 | |
I'm not speaking to him now. | 1:21:07 | 1:21:10 | |
If that's any consolation. | 1:21:10 | 1:21:12 | |
It's a funny world you people live in. | 1:21:14 | 1:21:17 | |
You both watched me carrying on with a married man and didn't say a thing. | 1:21:18 | 1:21:22 | |
Yes, well, if you want that conversation, | 1:21:22 | 1:21:25 | |
you watched David and I help ourselves to a map | 1:21:25 | 1:21:28 | |
and you didn't say much either. | 1:21:28 | 1:21:30 | |
Come on, you. Let's go. Good boy. | 1:21:56 | 1:22:00 | |
Oh. | 1:22:05 | 1:22:06 | |
Hello. | 1:22:06 | 1:22:08 | |
Hello. Sorry, I think I've got the wrong number. I was looking for my... | 1:22:09 | 1:22:13 | |
I wanted a number... For my cello lesson. | 1:22:13 | 1:22:16 | |
Oh, no. Don't tell me. | 1:22:19 | 1:22:21 | |
(SIGHS) Good God! | 1:22:22 | 1:22:25 | |
You're a child. | 1:22:25 | 1:22:27 | |
You didn't know about any of this, presumably. | 1:22:30 | 1:22:34 | |
No. They never do. | 1:22:37 | 1:22:39 | |
You're not in the family way, are you? | 1:22:43 | 1:22:46 | |
Because that's happened before. | 1:22:46 | 1:22:48 | |
Thank God for that. | 1:22:52 | 1:22:55 | |
No. No. You stay here. | 1:22:58 | 1:23:00 | |
(DOOR OPENS) | 1:23:07 | 1:23:09 | |
Did you see her? | 1:23:11 | 1:23:13 | |
Yes, I saw her. I didn't talk to her. There wasn't any need. | 1:23:13 | 1:23:17 | |
We have to have this out. | 1:23:17 | 1:23:19 | |
(SIGHS) If you won't do it, I will. I'm still your father. | 1:23:19 | 1:23:23 | |
You're my father again now? | 1:23:23 | 1:23:25 | |
What were you when you encouraged me to throw my life away? | 1:23:25 | 1:23:28 | |
Schoolgirls are always getting seduced by glamorous older men. | 1:23:28 | 1:23:31 | |
What about you two? | 1:23:31 | 1:23:34 | |
(SLAMS DOOR) | 1:23:41 | 1:23:43 | |
(SLAMS DOOR) | 1:23:46 | 1:23:47 | |
(TAP AT DOOR) | 1:23:55 | 1:23:57 | |
Jenny? | 1:24:02 | 1:24:04 | |
Jenny? | 1:24:10 | 1:24:11 | |
Jenny, I'm sorry. | 1:24:16 | 1:24:18 | |
I-I know I've made a mess of everything. | 1:24:25 | 1:24:28 | |
All my life I've been scared. | 1:24:35 | 1:24:38 | |
I didn't want you to be scared. | 1:24:39 | 1:24:42 | |
That's why I wanted you to go to Oxford. | 1:24:44 | 1:24:47 | |
And then along came David, and... | 1:24:48 | 1:24:51 | |
he knew famous writers, he knew how to get to classical music concerts. | 1:24:51 | 1:24:55 | |
But he wasn't who he said he was. | 1:25:00 | 1:25:02 | |
He wasn't who you said he was, either. | 1:25:05 | 1:25:07 | |
(CHUCKLES) | 1:25:12 | 1:25:15 | |
The other day, your mother and I were listening to a... | 1:25:15 | 1:25:18 | |
..a program on the radio about CS Lewis, and they said | 1:25:18 | 1:25:22 | |
that he moved to Cambridge in 1954... (VOICE FALTERS) | 1:25:22 | 1:25:26 | |
I-I said, "Well, they've got that wrong." | 1:25:28 | 1:25:31 | |
Our Jenny wouldn't have his name in her book... | 1:25:34 | 1:25:37 | |
..if he'd moved to Cambridge. | 1:25:38 | 1:25:41 | |
There's a cup of tea and some biscuits out here if... | 1:25:50 | 1:25:53 | |
How do you think we can help? | 1:26:24 | 1:26:27 | |
I want to repeat my last year at school and take my exams. | 1:26:29 | 1:26:33 | |
I got the impression last time we spoke | 1:26:33 | 1:26:36 | |
that you didn't see the point of school. Or of me, or any of us here. | 1:26:36 | 1:26:41 | |
I know. I was stupid. | 1:26:41 | 1:26:43 | |
The life I want... there's no shortcut. | 1:26:43 | 1:26:47 | |
I know now that I need to go to university. | 1:26:47 | 1:26:51 | |
It gives me absolutely no pleasure whatsoever | 1:26:51 | 1:26:55 | |
to see our young schoolgirls throwing their lives away. | 1:26:55 | 1:26:59 | |
Although, of course, you are not one of our schoolgirls. | 1:26:59 | 1:27:02 | |
Through your own volition. | 1:27:02 | 1:27:04 | |
-I suppose you think I'm a ruined woman. -(SCOFFS) | 1:27:04 | 1:27:08 | |
You're not a woman! | 1:27:09 | 1:27:12 | |
I'm afraid the offer of a place at this school would be wasted on you. | 1:27:12 | 1:27:17 | |
(BELL RINGS) | 1:27:32 | 1:27:35 | |
Come in. | 1:27:41 | 1:27:43 | |
I didn't expect to see you again. | 1:27:45 | 1:27:47 | |
This is lovely. | 1:27:55 | 1:27:56 | |
All your books and pictures and... | 1:27:56 | 1:27:59 | |
(SIGHS WRYLY) | 1:27:59 | 1:28:01 | |
Paperbacks and postcards, Jenny. | 1:28:01 | 1:28:04 | |
That's all you need, isn't it? | 1:28:04 | 1:28:07 | |
Just somewhere to... | 1:28:09 | 1:28:11 | |
I'm sorry I said those silly things. | 1:28:20 | 1:28:22 | |
I didn't understand. | 1:28:22 | 1:28:25 | |
Let's forget about it. | 1:28:28 | 1:28:30 | |
A Burne-Jones. | 1:28:38 | 1:28:40 | |
-Do you like him? -I do. | 1:28:40 | 1:28:43 | |
Still. | 1:28:43 | 1:28:45 | |
Still? | 1:28:46 | 1:28:48 | |
You sound very old and wise. | 1:28:48 | 1:28:51 | |
I feel old. But not very wise. | 1:28:53 | 1:28:57 | |
Ms Stubbs, I need your help. | 1:29:02 | 1:29:05 | |
I was so hoping that's what you were gonna say. | 1:29:09 | 1:29:12 | |
Thank you, Marjorie. | 1:30:01 | 1:30:02 | |
It's from Oxford. | 1:30:17 | 1:30:19 | |
"It is my pleasure to inform you | 1:30:52 | 1:30:55 | |
"that your application to read English at Oxford | 1:30:55 | 1:30:58 | |
"has been accepted." | 1:30:58 | 1:31:00 | |
"On behalf of the Faculty of Arts, staff of the University..." | 1:31:00 | 1:31:05 | |
'So I went to read English books, | 1:31:25 | 1:31:27 | |
'and did my best to avoid the speccy, spotty fate Helen predicted for me.' | 1:31:27 | 1:31:32 | |
'I probably looked as wide-eyed, fresh and artless | 1:31:32 | 1:31:35 | |
'as any other student. | 1:31:35 | 1:31:38 | |
'But I wasn't.' | 1:31:38 | 1:31:40 | |
'One of the boys I went out with, and they really were boys, | 1:31:41 | 1:31:44 | |
'once asked me to go to Paris with him.' | 1:31:44 | 1:31:47 | |
'And I told him, "I'd love to! I was dying to see Paris!" | 1:31:47 | 1:31:51 | |
'..as if I'd never been.' | 1:31:53 | 1:31:55 | |
# "Smoke Without Fire" - Duffy | 1:32:04 | 1:32:07 | |
# If I'd known | 1:32:13 | 1:32:15 | |
# You were cheating me | 1:32:15 | 1:32:20 | |
# I would've saved myself | 1:32:22 | 1:32:24 | |
# And set you free | 1:32:24 | 1:32:29 | |
# If I learned | 1:32:29 | 1:32:32 | |
# You weren't the loving kind | 1:32:32 | 1:32:37 | |
# I would've saved some | 1:32:37 | 1:32:41 | |
# Piece of mind | 1:32:41 | 1:32:45 | |
# My friends told me | 1:32:45 | 1:32:49 | |
# You would break my heart | 1:32:49 | 1:32:54 | |
# And never last | 1:32:54 | 1:32:57 | |
# We would surely part | 1:32:57 | 1:33:02 | |
# There's no smoke | 1:33:02 | 1:33:05 | |
# Without fire | 1:33:05 | 1:33:10 | |
# Baby, baby | 1:33:10 | 1:33:14 | |
# You're a liar. # | 1:33:14 | 1:33:18 | |
Subtitles by Red Bee Media Ltd | 1:33:18 | 1:33:21 | |
E-mail [email protected] | 1:33:21 | 1:33:24 | |
# You're a liar | 1:34:38 | 1:34:42 | |
# You're a liar | 1:34:42 | 1:34:45 | |
# You're a liar | 1:34:46 | 1:34:49 | |
# You're a liar | 1:34:50 | 1:34:54 | |
# Baby, you're a liar | 1:34:54 | 1:34:59 | |
# There's no light | 1:35:01 | 1:35:03 | |
# Without a flame | 1:35:03 | 1:35:08 | |
# There's no use | 1:35:09 | 1:35:11 | |
# In having you to blame | 1:35:11 | 1:35:15 | |
# No | 1:35:15 | 1:35:18 | |
# There's no smoke | 1:35:18 | 1:35:19 | |
# Without fire | 1:35:19 | 1:35:26 | |
# Baby, baby | 1:35:26 | 1:35:28 | |
# You're a liar | 1:35:28 | 1:35:32 | |
# You're a liar # | 1:35:33 | 1:35:36 |