Brideshead Revisited


Brideshead Revisited

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AIR-RAID SIREN WAILS

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MURMUR OF VOICES

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'If you asked me now who I am,...

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..the only answer I could give with any certainty would be my name.'

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'Charles Ryder.'

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'For the rest,... my loves, my hates,...

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down even to my deepest desires,

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I can no longer say whether these emotions are my own

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or stolen from those I once so desperately wished to be.'

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'On second thoughts,...

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one emotion remains my own,

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alone among the borrowed and the second-hand,...

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as pure as that faith from which I am still in flight.'

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'Guilt.'

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Been away, sir? Anywhere interesting?

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-Jungle.

-Ah! Jungle!

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-Explorer, are we?

-Painter.

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Painter! So, bye bye, beardie. Hello, smooth.

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RAUCOUS LAUGHTER / BABBLE OF VOICES

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"Famous for his impressive architectural portraits,

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British artist Charles Ryder has taken New York by storm

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with a series of gripping jungle studies."

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"To own a Ryder is the dream of every East Coast millionaire."

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You must be so proud of him.

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-Was he away long?

-Two years.

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-And it doesn't feel like a day.

-You must feel positively bridal.

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Can't paint to save my life. Can't even hold a buggering brush.

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But... I know what I like.

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Lots of colour. Nice and bright.

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I see the jungle in your work as a metaphor,

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not least a metaphysical statement of chaos...

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-BABBLE OF VOICES CONTINUES

-Make an effort, Charles.

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You're not in South America now. You're amongst civilised people.

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ALL CHATTER AND LAUGH

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SIGHS

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-Ah! Mr Ryder...

-Excuse me, please.

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-Can I just have a word...

-ALL CHATTER

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BAND PLAYS LIVELY RUMBA-STYLE MUSIC

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FEMALE VOCALIST SINGS, INDISTINCT

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Hello, Charles.

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-You're wearing a coat!

-Yes, Father. I am.

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-Why?

-I'm going up to Oxford.

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Ah, yes. Hmm...

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Remind me. What are you taking?

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-History.

-And what allowance have I given you?

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-A hundred pounds.

-Oh, how very indulgent of me!

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Mind you, it all comes out of capital.

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Oh, I suppose this is the time I should give you advice.

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Your mother was always so good at that.

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-Who's meeting you?

-Cousin Jasper offered to show me around.

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-Cousin Jasper?

-LAUGHS CREAKILY

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Most entertaining.

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BICYCLE BELL RINGS

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Ah, there you are, Charles!

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This way, please.

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Come along!

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As an only child, you will, of course, have much to learn.

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Though I'm only your cousin, you must look upon my as a brother -

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older, wiser, but a brother nevertheless.

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It is no secret that our families are not rich in material wealth.

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Keep off the grass! But I like to think that we Ryders are, all of us,

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rich in the striving of minds. Now, then... Not that way!

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Clothes. Dress as you do in a country house.

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Never wear a tweed coat and flannel trousers.

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Always a suit. And go to a London tailor. You'll get a better cut.

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Protocol - first and foremost, behaving with restraint.

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Nine adulteries, 12 liaisons,

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64 fornications, and something approaching a rape

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rest nightly upon the soul of our d-delicate friend, Florialis,

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and yet the man is so quiet and reserved in demeanour

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that he passes for both bloodless and sexless!

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-ALL LAUGH

-Well done, my man!

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Sodomites, all of them. Steer well clear.

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Treat all dons as you would the local vicar, with indifference.

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Oh, dear, oh, dear, this won't do at all...

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You must change your rooms.

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I've seen many a man ruined through having ground-floor rooms

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in the front quad. People start dropping in.

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They leave their gowns here and come and collect them before hall.

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-You start giving them sherry, and -

-DRUNKEN SHOUTING

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-ALL SHOUT IN AMUSEMENT

-Ah. Sebastian, come along.

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Look at the state of you... Come on. Let's get some Chateau...

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GRUNTS DISGUSTEDLY

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Oh, no, no, no, sir. Stop!

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-You don't clear up after yourself. That's my job.

-Sorry, Lunt.

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-What's all this?

-From the gentleman last night, sir.

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He just called. Left a note for you.

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"I am very contrite. Please come to luncheon today. Sebastian Flyte."

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The lord Sebastian Flyte, don't you know.

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I'm sure it's quite a pleasure to clear up after him.

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I take it you'll be out to lunch today, then, sir.

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Yes, Lunt. I think I shall be.

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STYLISH LIGHT-JAZZ MUSIC PLAYS

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I've just counted them. There's five each,

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and two over, so I'm having the two.

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I'm unaccountably hungry today. I've put myself in the hands

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of Dolbear and Goodall, and feel so drugged

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I've begun to believe the whole of yesterday evening was a dream.

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Please don't wake me.

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-Do try one.

-Thank you.

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-What are they?

-Plover's eggs.

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The first this year.

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Mummy sends them from Brideshead. They always lay early for her.

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You would, too, if you knew my mother.

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-Are you terribly angry with me about last night?

-No.

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Not at all. Thank you for the flowers.

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Aloysius, you can't go there.

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Do sit down.

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Tell me about you.

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Me? I'm, um,... in my first year, reading history.

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But really what I most want to be is a painter.

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Would you like to paint me?

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Why,... yes. Yes, if you like.

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It's so clever of you, knowing what you want.

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I've no idea what I want - except to be happy,...

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..if I can. Let's have some champagne.

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A glass each, before the rowdies arrive.

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You don't want to join the Old Boys. They're all bloody drugged bogs

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or collegers. Top me up, will you, old man?

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-I don't remember you from Eton.

-I didn't go to Eton.

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Oh, really? Where, then? Harrow or Winchester?

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-ALL LAUGH

-Rugby?

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-Well, not Charterhouse, I hope.

-ALL LAUGH

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-You wouldn't have heard of it.

-Oh!

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-There are other schools, Boy.

-Yes. I suppose there must be.

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ALL BUT SEBASTIAN SNIGGER

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-My dears!

-Hello, Blanche.

-Hello, Blanche.

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I couldn't get away before. I was lunching

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with my pr-preposterous tutor. I told him I had to change

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-f-for f-f-f-footer!

-ALL LAUGH

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Mmm...

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Anthony, you remember Charles.

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From last night. Charles is reading history,

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-but he wants to be an artist.

-No!

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-Why ever not?

-Either you are an artist, or you are not.

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Hear, hear.

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-Then, I am.

-Interesting!

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You have about you a distinct hint of the pragmatic.

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What do you wanna be an artist for?! I mean, what's the point of it?

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Why don't you just buy a bloody camera and take a bloody photograph,

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-and stop giving yourself airs?

-Go it, Boy.

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-I don't give myself airs.

-Er, yes, you do.

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And anyway, you haven't answered my question. Come on! Answer!

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(ALL CHANT) Answer! Answer! Answer!

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ALL CONTINUE TO CHANT

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Because...

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a camera is a mechanical device

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which records a moment in time,

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but... not what that moment means,

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or the emotions that it evokes,

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whereas a painting,...

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however imperfect it may be,

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is an expression of... feeling.

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An expression of love.

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Not... just a copy of something.

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ALL SNIGGER ANTHONY APPLAUDS

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-Who on earth do you think cares about your feelings?

-I do.

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Boy, you're an oaf. Behave yourself.

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To art,...

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and love.

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(ALL) To art and love.

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We'd just arrived in his rooms,

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then, without even a by-your-leave,

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the Lord Flyte pokes his head through the window and vomits.

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Ground-floor rooms, you see! Poor Charles may never recover.

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-Morning, Jasper!

-Morning...

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LAUGHS

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Charles! You're to come away at once.

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I've got a basket of strawberries and a bottle of Chateau Peyraguey,

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which isn't a wine you've ever tasted, so don't pretend.

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It's heaven with strawberries.

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Just the place to bury a crock of gold.

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I should like to bury something precious

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in every place where I've been happy.

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And then, when I was old and ugly and miserable,...

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..I could come back and dig it up,...

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..and remember.

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Come along, Charles. There's someone I want you to meet.

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-Is this where you live?

-It's where my family live.

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-Don't worry. You won't have to meet them.

-But I should like to.

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You can't. They're away.

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Everything's shut up. We'd better go this way.

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Keep up!

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-Charles!

-Oh!

-(LAUGHS) Charles...

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TAPS ON DOOR

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-Well,... this

-is

-a surprise!

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Oh, how lovely to see you! Oh...

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Meet my new chum, Charles.

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Charles, this is Nanny Hawkins. This is who I wanted you to meet.

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-I don't think I know you, do I?

-How do you do?

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Your friend has charming manners. What family are you from, Charles?

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-No family. I mean, no-one important.

-Charles is an artist.

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-He's going to paint me.

-GASPS

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How jolly! Oh...

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You've come at just the right time. Lady Marchmain's on her way.

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It's the Conservative Women's tea. They always turn out for Brideshead.

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I'm afraid we may have to miss them, Nanny.

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Your mother will be disappointed. I'm sure she'd want to meet -

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Can't be done, I'm afraid. Got to get back, or we'll be gated.

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I pray for my dear Sebastian every day.

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-Charles!

-It was very nice to meet you.

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-Come along.

-Couldn't we just have a quick look?

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-We've seen who we came for.

-Just a little look?

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RIPPLING ORCHESTRAL THEME MUSIC

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Don't be such a tourist, Charles. If you're that keen,

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you can see it for a shilling on Queen Alexandra's Day.

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God, I loathe that painting!

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I could show you the chapel, I suppose. If we're quick.

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What did you do that for?

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You're not... Catholic, are you?

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No.

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I was just... trying to fit in.

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Well, don't!

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-Come on, come on!

-Sorry. I don't have the knack.

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What are you doing?

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-ENGINE COUGHS AND CATCHES

-Car. Now.

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Who's that in the car with your mother?

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-My sister.

-What's she like?

-For goodness sake!

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I don't keep asking you about your family.

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-But I've never asked you anything before!

-You're so inquisitive.

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-You're so mysterious about them.

-I'd hoped I was mysterious

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about everything.

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Why don't you want me to meet them? Are you ashamed of them or me?

0:21:530:21:57

Don't be so vulgar, Charles.

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I'm not having you mixed up with my family.

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You're my friend.

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I don't have a family.

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You have me.

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Sebastian and Charles contra mundum.

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Contra mundum!

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Father?

0:22:470:22:49

Father?

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-Back already?

-Term's over.

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So soon!

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KNOCK AT DOOR

0:23:130:23:15

-Father, I have to leave at once.

-Oh, yes?

0:23:210:23:24

-A great friend has had a terrible accident. I must go to him.

-May I?

0:23:240:23:27

"Gravely injured. Come at once. Sebastian."

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Oh, I'm sorry you're upset. Reading this message,

0:23:360:23:41

I would say that the accident was not as serious

0:23:410:23:44

as you seem to suggest, or... it would not have been signed

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by the victim himself.

0:23:480:23:50

Still, of course, he may be fully conscious

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but horribly paralysed. Remind me -

0:23:540:23:57

why is your presence necessary?

0:23:570:23:59

I told you. He's a great friend.

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Well, I shall miss you, my boy.

0:24:030:24:05

But... don't hurry back on my account.

0:24:050:24:08

TRAIN WHISTLES

0:24:100:24:13

Take your bag, sir?

0:24:260:24:28

Excuse me!

0:24:330:24:35

Are you Charles Ryder?

0:24:390:24:42

Yes. Sorry! Hello.

0:24:430:24:45

I'm Julia, Sebastian's sister. I've been sent to pick you up.

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Hop in, Mr Ryder.

0:24:490:24:51

Case in the back.

0:24:540:24:57

-How's Sebastian?

-He's fine.

0:25:250:25:28

-Fine?

-Did he tell you he was dying?

0:25:280:25:31

Well, I thought... His message said...

0:25:310:25:34

-I expect he thought you wouldn't come, if you knew.

-He's not hurt?

0:25:340:25:37

He cracked a bone in his foot so small it hasn't even got a name.

0:25:370:25:41

-How did it happen?

-Playing croquet.

0:25:410:25:44

I must admit, I did think it was a little queer,

0:25:480:25:51

-you travelling all this way for a croquet injury.

-I don't mind.

0:25:510:25:54

-It's wonderful to be here again.

-Is it? Why?

0:25:540:25:57

Well, it's such a beautiful house, for one thing.

0:25:570:26:01

I can't stand the place.

0:26:010:26:03

Be an angel and light me one.

0:26:080:26:11

There you are! At last!

0:26:470:26:49

-I thought you were dying.

-I thought I was, too.

0:26:490:26:53

The pain was excruciating.

0:26:530:26:56

Julia, ask Wilcox to fetch us some champagne.

0:26:570:27:00

-I hate champagne.

-For our guest!

0:27:000:27:03

Well, take your coat off. You'll boil!

0:27:040:27:07

Come along, Charles.

0:27:120:27:14

PHONOGRAPH PLAYS LIGHT JAZZ

0:27:170:27:19

-I thought you hated champagne.

-I do.

0:27:280:27:31

I suppose Sebastian's told you all about us.

0:27:310:27:35

-No. Nothing at all, as a matter of fact.

-Nor should I.

0:27:350:27:38

-What?

-I take it you're not one of us.

0:27:400:27:43

-Don't answer.

-I don't live like this, if that's what you mean.

0:27:430:27:47

-She means you're not a Catholic.

-Sorry. No.

0:27:470:27:51

-Nothing at all.

-You mean you're an atheist?

0:27:510:27:54

Well, yes, I suppose. Strictly speaking we're C of E,

0:27:540:27:57

but Father only ever goes at Christmas.

0:27:570:28:00

And funerals. He likes those.

0:28:000:28:03

What about your mother?

0:28:040:28:06

She's dead. I was very young.

0:28:060:28:09

She died working for the Red Cross, which, given her devotion to good,

0:28:090:28:14

does rather point up the arbitrariness of it all.

0:28:140:28:17

I see! So you're here arbitrarily.

0:28:170:28:20

He's here... as my friend!

0:28:200:28:23

Given Mr Ryder's staunch position on religion,

0:28:230:28:26

don't you think he ought to know what he's getting into?

0:28:260:28:29

-Leave Charles out of it.

-Tell me.

-Oh, God...

0:28:290:28:33

Mummy takes her faith very seriously indeed -

0:28:330:28:36

so seriously, in fact, that our fat little priest, Father McKay,

0:28:360:28:40

called her a living saint. Mind you, he drinks.

0:28:400:28:44

Sebastian and I are a couple of heathens.

0:28:440:28:47

I'm not a heathen. I'm a sinner, cast out from God's love.

0:28:470:28:51

As for you, you're not a heathen at all. Not really.

0:28:510:28:54

Why do we always end up talking about family?

0:28:550:28:58

It's time for my bath.

0:28:580:29:01

Good evening, Mr Ryder. Look after my brother.

0:29:030:29:06

I don't think your sister likes me very much.

0:29:150:29:18

I don't think she cares for anyone much.

0:29:180:29:21

I love her.

0:29:210:29:23

She's like me.

0:29:230:29:25

Drink! In remembrance of me.

0:29:260:29:29

CHUCKLES

0:29:290:29:31

Hang on!

0:29:330:29:36

-Oh!

-Argh! (LAUGHS)

0:30:010:30:03

I know, but that's... checkmate.

0:30:030:30:07

BOTH LAUGH Come here.

0:30:100:30:13

(LAUGHS) Oh...

0:30:140:30:16

If only it could be like this always.

0:30:170:30:19

Always summer.

0:30:190:30:22

'Always alone.'

0:30:220:30:25

Fruit always ripe.

0:30:260:30:28

Cheers.

0:30:370:30:39

PHONOGRAPH PLAYS LIGHT JAZZ

0:30:400:30:42

-Now...

-Mmm?

0:30:440:30:46

Try this.

0:30:480:30:50

-No?

-Mm. It's a shy little wine.

0:30:580:31:01

Like a gazelle.

0:31:010:31:03

-Like a leprechaun.

-Dappled in a tapestry meadow.

0:31:060:31:09

-BOTH LAUGH

-A flute by still water.

-Mmm.

0:31:090:31:13

This... This is a wise old wine.

0:31:140:31:18

Mm-hm?

0:31:210:31:23

A prophet in a cave.

0:31:240:31:27

And this...

0:31:270:31:29

is a string of pearls on a white neck.

0:31:290:31:33

BOTH LAUGH

0:31:330:31:35

A swan.

0:31:380:31:40

The last unicorn.

0:31:400:31:42

LAUGHS

0:31:420:31:44

BOTH LAUGH

0:32:190:32:21

Who's that?

0:32:310:32:34

-Is that your brother?

-Yes. That's Bridey.

0:32:410:32:43

He seems all right to me.

0:32:430:32:46

Wait till you meet him.

0:32:460:32:49

Mother!

0:32:520:32:54

-Hello, there.

-Go away! We're not decent!

0:33:060:33:10

-Mummy's here.

-We know!

0:33:100:33:12

She's invited Charles to dinner.

0:33:120:33:15

WOMAN SPEAKS QUIETLY AND REPROACHFULLY

0:33:230:33:26

It's no use crying, darling. That's just childish.

0:33:280:33:32

-SEBASTIAN SOBS

-It's not going to help, is it?

0:33:320:33:35

You see, darling, whatever yesterday's sins,

0:33:350:33:39

we must all pray for God's forgiveness.

0:33:390:33:41

REPLIES, INDISTINCT

0:33:410:33:44

Try. Try again, hmm?

0:33:450:33:47

Be a good boy - for God, and for Mummy.

0:33:470:33:51

-Hmm?

-SOBS SOFTLY

0:33:510:33:54

Put your jacket on now.

0:33:560:33:59

Dining room's this way.

0:33:590:34:01

Is Sebastian all right? He seemed... upset.

0:34:040:34:08

Oh,... he and Mummy often have these talks.

0:34:080:34:12

Flannels for dinner! Very bold, Mr Ryder.

0:34:140:34:17

-Will your mother mind?

-Yes. She'll be appalled.

0:34:170:34:20

No. Don't worry. She'll be understanding.

0:34:200:34:23

Do you often do that?

0:34:230:34:26

What?

0:34:260:34:27

-Say one thing and mean another.

-Yes.

0:34:270:34:31

And no.

0:34:310:34:33

Thank you.

0:34:500:34:52

RECITES GRACE IN LATIN

0:34:560:34:58

-Amen.

-(ALL) Amen.

0:35:010:35:04

Welcome to Brideshead, Mr Ryder. I've been hearing all about you.

0:35:060:35:09

I hope you didn't let Sebastian call you away in too much of a rush.

0:35:090:35:14

I didn't have time to pack the right things.

0:35:140:35:16

Sebastian must lend you some clothes while you're here.

0:35:160:35:20

Or perhaps Bridey's a better fit. Are you a Bridey or a Sebastian?

0:35:200:35:24

He can't borrow Bridey's clothes. Bridey dresses like a bank clerk.

0:35:240:35:28

Don't be vulgar, Cordelia. Vulgar is not the same as funny.

0:35:280:35:33

I hope you've been looked after properly, Ryder.

0:35:330:35:37

Has Sebastian been seeing to the wine?

0:35:370:35:39

Yes. Sebastian's been seeing to the wine.

0:35:390:35:43

Delighted to hear it.

0:35:430:35:45

You're... fond of wine?

0:35:460:35:48

-Yes, very.

-I wish I were.

0:35:480:35:51

It's such a bond with other men.

0:35:510:35:54

At Christchurch I tried to get drunk, but I didn't enjoy it.

0:35:540:35:58

-What

-do

-you enjoy, Bridey?

0:35:580:36:01

Hunting.

0:36:010:36:03

Shooting.

0:36:030:36:05

Fishing.

0:36:070:36:09

-And what form do your pleasures take, Mr Ryder?

-Sorry. Pleasures?

0:36:100:36:15

Your hobbies. What do you do to relax?

0:36:150:36:18

-He drinks.

-Drinking is not a hobby, Sebastian.

0:36:180:36:20

You live in London. Is that correct?

0:36:200:36:23

-Yes.

-Whereabouts?

-Paddington.

0:36:230:36:27

You live in a railway station?

0:36:270:36:30

No, no. (CLEARS THROAT) Sorry. I, um...

0:36:300:36:33

-I live nearby.

-Oh, I see.

0:36:330:36:37

And has this led to an interest in trains?

0:36:370:36:39

-No.

-So,...

0:36:410:36:44

are you close with Sebastian's crowd?

0:36:440:36:48

-Not really.

-Anthony Blanche?

0:36:490:36:52

We're... acquainted.

0:36:530:36:55

Charles is a painter, Mummy.

0:36:550:36:58

How charming! We must get you to paint something for us.

0:37:000:37:03

-Would you do that?

-I'd be delighted.

0:37:030:37:06

I think Brideshead's the most beautiful house I've ever seen.

0:37:060:37:10

-It's utterly magical.

-How kind you are!

0:37:130:37:16

Summer at Brideshead...

0:37:180:37:21

Mr Ryder must stay with us for the rest of the vacation.

0:37:210:37:24

As a matter of fact, I've just heard from Papa.

0:37:240:37:28

-He wants me to go and see him in Venice. And Julia.

-I see.

0:37:280:37:32

-And do you intend to accept this invitation?

-Yes. Why not?

0:37:320:37:36

-Julia, will you be going?

-I'd like to.

0:37:360:37:39

Wouldn't you rather stay at Brideshead?

0:37:390:37:42

Well,... yes, if you want me to.

0:37:470:37:50

You must not neglect your duty.

0:37:510:37:55

No, Mother.

0:37:550:37:58

I think we might spend a little time in the chapel after dinner.

0:38:030:38:07

Would you join us, Mr Ryder?

0:38:080:38:10

-Thank you.

-You do know Charles is an atheist?

0:38:120:38:15

An agnostic, surely.

0:38:170:38:20

Actually, no.

0:38:200:38:22

But you'll join us anyway,...

0:38:220:38:25

..out of curiosity.

0:38:260:38:28

Thank you.

0:38:290:38:31

-No Sebastian?

-No, Mummy.

0:38:350:38:39

Charles, are you really an atheist?

0:38:400:38:42

Yes.

0:38:420:38:45

-I am.

-How awful for you!

0:38:450:38:48

I'll put you on my prayer list. I have a long list to pray for,

0:38:480:38:52

including six Black Cordelias in Africa. It's a new thing.

0:38:520:38:55

You send five bob to some nuns, and they christen a baby after you.

0:38:550:38:59

Right.

0:38:590:39:00

(ALL EXCEPT CHARLES) ..Thy will be done, on earth as it is in heaven.

0:39:000:39:04

Give us this day our daily bread, and forgive us our trespasses,

0:39:040:39:09

as we forgive those who trespass against us,

0:39:090:39:12

and lead us not into temptation,

0:39:120:39:15

but deliver us from evil. Amen.

0:39:150:39:19

# Salve Regina

0:39:220:39:26

(ALL) # Mater misericordiae

0:39:260:39:30

# Vita dulcedo

0:39:300:39:34

# Et spes nostra salve

0:39:340:39:38

# Ad te clamavus

0:39:380:39:42

# Exsules filii Hevae

0:39:420:39:47

# Ad te suspiramus

0:39:470:39:51

# Gementes et flentes

0:39:510:39:55

# In hac lacrimarum valle... #

0:39:550:39:59

Have you ever been to Venice, Mr Ryder?

0:39:590:40:02

-No. No, I haven't.

-Oh, every ambitious young man

0:40:020:40:05

should visit Venice. It makes one sound more complete.

0:40:050:40:09

I was thinking,...

0:40:110:40:14

if Sebastian were to go,

0:40:140:40:16

it might be a good thing if you were to accompany him.

0:40:160:40:19

He needs someone plausible by his side.

0:40:190:40:23

I gather last time he was there he was befriending some...

0:40:240:40:28

very odd types. If it's youthful high spirits, I understand.

0:40:280:40:32

But in the end,... we must all accept God's limits,...

0:40:340:40:38

..atheist or no.

0:40:400:40:42

I know I can rely on you.

0:40:460:40:49

You seem to be a very reliable young man.

0:40:490:40:52

CHURCH BELLS RING

0:41:060:41:09

-San Giovanni e Paolo!

-Oh, dear.

0:41:270:41:30

I can see you're going to be impossibly curious.

0:41:300:41:33

By the way, I should warn you. Our lovely father is rather a scoundrel.

0:41:330:41:38

He lives in one of the palazzos with Cara.

0:41:380:41:40

-Who's Cara?

-His mistress.

0:41:400:41:43

Poor Papa is rather shunned by society.

0:41:430:41:47

Not the Italians, of course. They adore him.

0:41:470:41:50

-Santa Maria dei Miracoli.

-I know! I've seen the postcard.

0:41:530:41:57

-My dear boy!

-Darling Papa!

0:42:240:42:26

-You look so young!

-Do you think so? I've been playing tennis at the Lido

0:42:280:42:32

with a professional. Cara thinks I'm getting far too fat.

0:42:320:42:35

-Julia, come here.

-Father!

0:42:350:42:38

My child! I wasn't sure if you'd come.

0:42:380:42:40

-Mummy gave me her blessing.

-Blessed by your mother!

0:42:400:42:43

What a saint that woman is! I used to try everything to please her. I -

0:42:430:42:47

-Julia, this is your friend Mr Ryder?

-Charles is my friend, Papa.

-I see.

0:42:470:42:51

-Delighted.

-How do you do, sir?

0:42:510:42:53

-Welcome to Venice!

-There's Cara! Now we can eat.

0:42:530:42:57

Come along, now. This way.

0:42:570:42:59

CHURCH BELLS RING BABBLE OF ITALIAN VOICES

0:43:010:43:05

Don't look so greedy! It won't go away.

0:43:120:43:16

Sorry.

0:43:160:43:18

I wasn't sure you'd come to Venice.

0:43:220:43:25

Your father seemed pleased to see you.

0:43:250:43:28

I'm not sure Father cares much if I come.

0:43:280:43:31

He'd be just as happy with Sebastian. They adore each other.

0:43:310:43:35

They're alike in so many ways.

0:43:350:43:37

-Who are you like?

-Me?

0:43:380:43:41

Oh...

0:43:410:43:43

Nobody.

0:43:430:43:45

I'm the family shadow.

0:43:450:43:48

-BELL RINGS

-Drinks.

0:43:510:43:55

LAUGHS

0:43:550:43:57

-Julia!

-Cara...

0:43:580:44:01

Mr Ryder, Sebastian tells me you are a painter.

0:44:020:44:06

-Charles is an artist.

-Good!

0:44:060:44:09

I will show you all the great art of Canaletto and Veronese.

0:44:090:44:13

He never goes anywhere. Such a philistine!

0:44:130:44:17

I don't mind the art. It's religion I can't stand.

0:44:170:44:20

The Italians seem unable to paint anything half decent

0:44:200:44:23

without putting Christ dying in it. Your mother loved Italy -

0:44:230:44:28

-a pieta on every street corner.

-Don't be cruel.

0:44:280:44:31

She'd be flattered. God was always her first love.

0:44:310:44:34

-Mummy loves all of us equally.

-Julia...

-You were the one who left!

0:44:340:44:38

What must you think of us, Mr Ryder?!

0:44:440:44:47

A family of monsters, are we not?

0:44:470:44:50

No, not at all. I lost my mother when I was young.

0:44:500:44:55

Tell me, Mr Ryder,... as an artist,...

0:44:590:45:04

-what did you make of Brideshead?

-I thought it was magnificent.

0:45:040:45:08

You think that? Really?

0:45:080:45:11

And now here you are in Venice.

0:45:110:45:15

What a lot of temptations!

0:45:150:45:17

BOTH CHATTER AND LAUGH

0:45:190:45:22

He walks for two hours every day. He wants to be immortal.

0:45:320:45:36

But he's quite fragile, you know? Inside.

0:45:360:45:41

That woman nearly suffocated him.

0:45:410:45:45

She's been very kind to me.

0:45:450:45:47

Oh, yes. I'm sure!

0:45:470:45:50

But you will see.

0:45:500:45:52

Just look at her children! Even when they were tiny,

0:45:520:45:56

in the nursery, they must do what she want them to do,

0:45:560:45:59

be what she want them to be. Only then would she love them.

0:45:590:46:03

It's not Lady Marchmain's fault. Her god has done that to her.

0:46:040:46:10

-But surely you're Catholic, too.

-(CHUCKLES) Yes, but...

0:46:100:46:13

a different sort. It's different in Italy.

0:46:130:46:17

Not so much guilt.

0:46:170:46:19

We do what the heart tell us, and...

0:46:190:46:22

then we go to confession.

0:46:220:46:24

Sebastian loves you very much, I think.

0:46:320:46:35

They're very good, these romantic English friendships,...

0:46:370:46:41

if they don't go on too long.

0:46:410:46:44

For you, it's just... How do you say? A phase.

0:46:460:46:51

But I think it's more than that for poor Sebastian.

0:46:520:46:56

Tread carefully, Mr Ryder.

0:47:010:47:04

-Come on.

-BOTH LAUGH

0:47:080:47:10

No... No!

0:47:110:47:13

ALL LAUGH

0:47:150:47:19

-Can't sleep.

-Try pyjamas.

0:48:130:48:16

I enjoyed the beach today. I hope I wasn't too rough.

0:48:220:48:25

You were very sweet.

0:48:250:48:28

Charles?

0:48:320:48:35

There you are!

0:48:360:48:38

Oh...

0:48:380:48:40

Oh! (LAUGHS) Sorry.

0:48:450:48:48

Lots to drink.

0:48:500:48:53

-I'm so glad you're here.

-Mm-hm?

-I'm glad you're here.

0:48:560:48:59

-I'm glad I came.

-Did I say I'm glad you're here?

0:48:590:49:03

You're really glad I'm here? BOTH LAUGH

0:49:030:49:06

SHOUTING / CHEERING

0:49:070:49:09

-Let's get plastered!

-If you want.

0:49:160:49:19

Oh, yes, I do. I want! (LAUGHS) I want!

0:49:190:49:24

BABBLE OF EXCITED VOICES

0:49:240:49:27

LAUGHTER FIREWORKS CRACKLE

0:49:270:49:31

Oh, there's a wonderful chapel near here.

0:49:310:49:34

-You will see a masterpiece.

-DRUM BOOMS

0:49:340:49:37

PANDEMONIUM

0:49:410:49:43

The devil's got his eye on you.

0:49:550:49:58

-LAUGHS EVILLY

-Then, you must protect me.

0:49:590:50:02

LAUGHTER RISING MUSIC

0:50:060:50:09

ALL CHATTER AND SHOUT

0:50:090:50:13

Julia!

0:50:240:50:26

ALL PLAY VIGOROUS TATTOO

0:50:260:50:30

ALL SHOUT AND LAUGH

0:50:500:50:53

Julia!

0:51:120:51:14

I got lost. All those people...

0:51:140:51:17

What are you doing?

0:51:480:51:50

What's the matter?

0:51:520:51:55

Funny old religion, isn't it?

0:53:100:53:13

Sebastian...

0:53:160:53:18

What happened just now...

0:53:200:53:23

I never meant you to...

0:53:230:53:25

If I'd known it was going to happen,...

0:53:270:53:30

I'd never have...

0:53:320:53:35

I don't know what I'm supposed to...

0:53:370:53:40

LAUGHS CREAKILY

0:54:340:54:37

Check... mate.

0:54:370:54:40

I'm boring you!

0:54:420:54:45

Perhaps it is dull for you here. You've been enjoying yourself?

0:54:450:54:50

-I've been in Venice.

-Ah, yes... I suppose so.

0:54:500:54:54

The friend you were so much concerned about...

0:54:540:54:58

Did he die?

0:54:580:55:00

-No!

-Oh, I'm very thankful.

0:55:020:55:05

You should have written to tell me. I worried about him so much.

0:55:050:55:09

BUZZ OF CONVERSATION

0:55:200:55:22

-Oh, watch out, Flyte!

-Sebastian!

0:55:240:55:26

-Sebastian!

-Leave me alone!

0:55:290:55:32

-Where is he... bastard?

-Who?

0:55:350:55:38

-Mr Samgrass.

-Who's Mr Samgrass?

0:55:380:55:41

One of Mummy's gang. Fat little Catholic from All Souls.

0:55:410:55:44

Bastard's been set up to follow me. I wouldn't mind

0:55:440:55:47

if he wasn't so infernally ugly. God, I feel a hundred years old!

0:55:470:55:51

Why haven't you called round? I was beginning to think

0:55:510:55:54

they hadn't sent you up.

0:55:540:55:57

-Since Venice?

-Yes.

0:55:570:56:00

-Damn! There he is again.

-Who? What are you talking about?

0:56:040:56:07

Mr Samgrass! There! Mummy's hired him to watch me.

0:56:070:56:10

-What does he want?

-My head on a plate.

0:56:100:56:13

Look,... if he's bothering you, I can stop him.

0:56:130:56:17

LAUGHS

0:56:170:56:19

Dear Charles!

0:56:190:56:21

Always so certain.

0:56:210:56:23

I'm not certain of anything.

0:56:240:56:27

Aren't you?

0:56:270:56:29

Oh, by the way,...

0:56:310:56:33

Mummy's here.

0:56:330:56:36

She has to talk to you.

0:56:360:56:38

Probably wants you to spy on me, as well.

0:56:400:56:42

Don't be like that.

0:56:420:56:44

Why don't I come round to your rooms later?

0:56:440:56:48

I'm not sure I want to see you any more.

0:56:480:56:51

I'm so sorry!

0:57:050:57:07

So, Charles,...

0:57:250:57:27

..how was Venice?

0:57:280:57:30

Venice was fine.

0:57:300:57:32

Strange way to put it.

0:57:320:57:35

-It was beautiful.

-Speaking as an artist or a man?

0:57:350:57:39

I want a word with you about Sebastian.

0:57:410:57:44

I'm concerned about him.

0:57:440:57:46

-Tea?

-No, thank you. Why? Should I be?

0:57:480:57:51

He's drinking too much. You must have noticed.

0:57:510:57:54

After all, I sent you to look after him.

0:57:540:57:57

-I suppose we both drink too much.

-No. You drink to get drunk.

0:57:570:58:01

Sebastian drinks to escape the claims of his conscience.

0:58:010:58:04

I do wish I could understand why he's so upset. Ever since Venice,

0:58:070:58:11

he's been unreachable.

0:58:110:58:13

Did something happen there?

0:58:140:58:16

No.

0:58:160:58:18

-You all had a good time?

-Yes.

0:58:200:58:23

I wonder what it could have been.

0:58:230:58:26

I hope you didn't let Julia mislead you.

0:58:290:58:32

I don't understand.

0:58:320:58:34

Oh, I think you do.

0:58:340:58:37

Please understand, I would not want you to make yourself look foolish.

0:58:370:58:41

Her future is not a question of choice.

0:58:410:58:45

It is a matter of faith.

0:58:450:58:48

Were it simply a difference in... upbringing,

0:58:480:58:51

this I might overlook.

0:58:510:58:54

But you are a self-proclaimed atheist,

0:58:540:58:57

and my daughter is destined to marry a Catholic.

0:58:570:59:00

God commands, and we obey.

0:59:000:59:03

However, we're here to talk about your friendship with my son.

0:59:030:59:08

I'm not sure Sebastian wants to be my friend any more.

0:59:080:59:11

Because of Julia?

0:59:110:59:13

That is all cleared up now.

0:59:130:59:16

We're giving a ball for Julia's 21st.

0:59:160:59:18

I'd like you to keep Sebastian company.

0:59:180:59:21

You came to Brideshead as my son's friend.

0:59:210:59:24

If you have... unaccountably offended him,

0:59:240:59:27

is it too much to ask that you revisit your responsibilities?

0:59:270:59:31

-To him or to you?

-To the family.

0:59:320:59:36

And, of course, Brideshead does look particularly beautiful

0:59:380:59:42

at this time of year.

0:59:420:59:45

Tell me,... I'm curious.

0:59:450:59:48

Since, as you claim, you have no religion,...

0:59:500:59:53

..what do you imagine you are doing on this earth?

0:59:540:59:58

Living my life, the same as you.

0:59:591:00:02

But without faith, what could your purpose possibly be?

1:00:021:00:06

I want to look back and say that I was...

1:00:081:00:11

alive.

1:00:111:00:13

That I didn't turn my back. That I tried.

1:00:141:00:19

-That I was happy.

-Happiness in this life

1:00:201:00:23

is irrelevant. All that matters -

1:00:231:00:26

the only thing of consequence -

1:00:261:00:30

is the life hereafter.

1:00:301:00:32

Funny, isn't it? It's my little present to the family.

1:01:151:01:19

-Rex Mottram. How do you do?

-Charles Ryder.

1:01:191:01:23

Good to meet you, Charles. Heard all about you.

1:01:231:01:26

We should, er,... compare notes sometime.

1:01:261:01:30

-Going on the hunt?

-I don't think so.

-Wise man.

1:01:301:01:33

Load of English bluebloods on horseback...

1:01:331:01:36

Got to fit in, though!

1:01:361:01:39

TAPS ON DOOR

1:01:441:01:46

-Who is it?

-JAZZ MUSIC PLAYS

1:01:501:01:53

-It's me.

-You could have knocked.

1:01:561:02:00

-I nearly spilled my drink.

-I did!

1:02:001:02:03

Sit down.

1:02:061:02:08

If only it could be like this always.

1:02:371:02:40

-Always summer...

-Ancient history.

1:02:401:02:43

Pass me the towel.

1:02:431:02:46

Where's that damn shirt?

1:03:011:03:04

You're shaking.

1:03:041:03:07

What is it? What's the matter?

1:03:071:03:09

Don't you know, Charles?

1:03:101:03:12

Why this is hell, nor am I out of it?

1:03:131:03:16

-If I've ever done anything...

-It's not you.

1:03:161:03:20

It's me.

1:03:201:03:22

For God's sake,...

1:03:261:03:29

do stop mooning at me like a great big cow.

1:03:291:03:32

I'm fine.

1:03:331:03:35

I'm fine, so long as I've got plenty of this.

1:03:361:03:39

I want you to know that, whatever happened in Venice,

1:03:391:03:43

I'm not in your mother's gang, if that's what you think.

1:03:431:03:47

I'm on your side.

1:03:481:03:50

Contra mundum.

1:03:501:03:53

Dear Charles!

1:03:561:03:59

You're not in anybody's gang.

1:04:021:04:05

That's always been your problem.

1:04:061:04:08

Why are you going on the hunt? I thought you detested hunting.

1:04:171:04:22

I do.

1:04:221:04:24

I'm going to leave Bridey at the first covert,

1:04:251:04:28

hack over to the nearest pub and spend the whole day drinking.

1:04:281:04:33

They treat me like a dipsomaniac. They can bloody well have one.

1:04:351:04:38

-Well, they can't stop you.

-They can, as a matter of fact.

1:04:381:04:43

By not giving me any money. They've stopped my bank account!

1:04:461:04:50

I pawned my watch and cigarette case.

1:04:521:04:55

That lasted for a bit, but...

1:04:551:04:58

..that's all gone now.

1:05:001:05:02

So,...

1:05:021:05:04

-regretfully...

-Sebastian, I can't do that.

1:05:041:05:08

I thought you were on my side.

1:05:081:05:10

-I am!

-Well, then...

1:05:101:05:13

Why don't I come with you? It's miserable drinking alone.

1:05:141:05:19

We can get drunk together, like we used to.

1:05:191:05:22

No.

1:05:221:05:24

I'm past all that.

1:05:241:05:26

Thanks for the offer.

1:05:261:05:29

Well,...

1:05:331:05:35

are you with me or against me?

1:05:351:05:37

A bit further up on the shoulder.

1:06:041:06:06

Look.

1:06:061:06:09

Up here.

1:06:091:06:11

ALL APPLAUD

1:06:361:06:39

Ladies and gentlemen, it gives me great pleasure

1:07:031:07:06

to announce, on top of the birthday festivities,

1:07:061:07:09

to announce the engagement of my eldest daughter, Lady Julia Flyte,

1:07:091:07:13

to Mr Rex Mottram.

1:07:131:07:16

ALL GASP / APPLAUD

1:07:161:07:19

LIVELY CHARLESTON MUSIC STRIKES UP

1:07:241:07:27

-Thank you, Charles. I'd love to dance.

-Cordelia...

1:07:361:07:39

-Cordelia, I'm really...

-Come along!

1:07:391:07:42

Charles, I hope you don't mind me asking,

1:07:521:07:56

but... modern art,

1:07:561:07:59

-it is all bosh, isn't it?

-Yes. It's all bosh.

1:07:591:08:02

Good. Thought so.

1:08:021:08:04

Oh, get a grip, Charles. Rex?

1:08:071:08:11

Rex, I need a better dancer.

1:08:111:08:14

Yours for five minutes and no more.

1:08:141:08:17

-Come on!

-OK.

1:08:171:08:19

Why didn't you tell me?

1:08:451:08:47

It's not Sebastian. I don't believe that.

1:08:481:08:51

Charles, I can't do this.

1:08:511:08:53

-When we kissed...

-Please, stop!

1:08:531:08:56

Why?

1:08:571:08:59

It was wonderful.

1:08:591:09:01

I know.

1:09:011:09:03

I think about it all the time.

1:09:061:09:09

I have no choice.

1:09:111:09:13

Oh, Sebastian!

1:09:291:09:31

Never mind.

1:09:311:09:33

-Oh, Charles...

-Don't! GLASS BREAKS

1:09:371:09:39

-Come along, old boy.

-I don't want your help.

1:09:431:09:45

-You're in tweed. This is a ball.

-Bugger off, Bridey.

1:09:451:09:49

You're worse than wet.

1:09:491:09:51

You see, what it is,...

1:09:531:09:56

I hate you all so very much!

1:09:561:09:59

-Sebastian...

-Get off me! You don't care about me.

1:09:591:10:02

-All you ever wanted was to sleep with my sister.

-That's enough.

1:10:021:10:06

All right. I'm going.

1:10:081:10:10

BAND STRIKES UP LIVELY DANCE MUSIC AGAIN

1:10:221:10:25

Charles...

1:10:501:10:52

Did you give Sebastian money today?

1:10:541:10:57

Yes, I did.

1:10:591:11:01

Knowing how he was likely to spend it?

1:11:021:11:06

Yes.

1:11:071:11:09

I don't understand.

1:11:091:11:12

How could you be so nice in so many ways,

1:11:121:11:15

and then do something so wantonly cruel?

1:11:151:11:19

We all liked you so much.

1:11:191:11:21

I just don't understand how we deserved it.

1:11:211:11:25

Do you think it's better...

1:11:251:11:28

to make him feel like a criminal?

1:11:281:11:31

Having him watched every second of the day?

1:11:321:11:36

You deliberately helped him to drink.

1:11:361:11:39

You're the reason he drinks,...

1:11:391:11:42

..not me.

1:11:431:11:45

All I did was...

1:11:461:11:48

-try to give him a little freedom.

-No. You just wanted him to like you.

1:11:481:11:53

You're so desperate to be liked. I think you should leave now, Charles.

1:11:531:11:58

Hello, there. Would you like me to hold the ladder?

1:13:171:13:20

Yes. Thanks.

1:13:201:13:22

I'm Celia Mulcaster, by the way.

1:13:261:13:29

Charles Ryder.

1:13:311:13:33

I saw your paintings in the brochure.

1:13:331:13:36

I thought how charming they looked.

1:13:361:13:38

No need to look so gloomy.

1:13:411:13:44

If I had half your talent, I'd be delirious.

1:13:441:13:47

You can thank me if you want.

1:13:481:13:51

Thank you.

1:13:531:13:55

Would you like me to buy something now?

1:13:571:14:00

..silent as the grave, and, pop! The mouse is dead.

1:14:171:14:21

-Charles.

-Lady Marchmain.

1:14:221:14:25

Thank you, Father.

1:14:261:14:29

I'm so glad your son didn't die of his injuries.

1:14:301:14:33

Please, sit down.

1:14:451:14:48

I'm fine. Thank you.

1:14:481:14:50

-How did you know where I lived?

-My driver found you.

1:14:531:14:56

The Ryders of Paddington are limited in number.

1:14:561:14:59

I hear you have your first exhibition at the Royal Academy.

1:14:591:15:03

-Congratulations.

-I'm sure you're not here to ask me how I am.

1:15:031:15:07

No. The last time we saw each other, I spoke rather harshly.

1:15:071:15:11

I'm not here to apologise. What I said, I meant.

1:15:111:15:14

I took you into my confidence and you betrayed me.

1:15:141:15:18

I do hope you're not asking me to agree with you.

1:15:181:15:21

-I act only as God directs.

-Rubbish!

1:15:211:15:24

God's your best invention. Whatever you want, he does.

1:15:241:15:27

-I am not here to argue with you.

-Good. I'm glad to hear it.

1:15:271:15:32

The reason I called was to ask you a favour.

1:15:321:15:36

A favour?

1:15:381:15:40

Sebastian's gone missing. He's in a house in Morocco.

1:15:401:15:44

I'm worried about him. I need you to bring him back.

1:15:441:15:48

You banish me from your house,

1:15:491:15:52

you poison my friendship with both your children,

1:15:521:15:55

and now you expect me to go begging on your behalf?

1:15:551:15:58

-There's no-one else I can ask.

-Even if I were to agree,

1:15:581:16:01

what makes you think Sebastian would take any notice of me?

1:16:011:16:05

Because he cared for you more than he ever cared for anyone else.

1:16:051:16:11

All I ever wanted was to see them safe.

1:16:151:16:18

And all they do is hate me.

1:16:181:16:21

I'll be at Brideshead. You may send word to me there.

1:16:371:16:41

Driver!

1:16:421:16:45

-Driver!

-COUGHS

1:16:471:16:49

BABBLE OF VOICES

1:17:271:17:30

ALL SHOUT AND ARGUE

1:17:321:17:34

HEN CLUCKS

1:17:391:17:41

Bonjour, monsieur.

1:18:021:18:05

POIGNANT JAZZ MUSIC PLAYS

1:18:141:18:17

COUGHING

1:18:311:18:34

I'm looking for Sebastian Flyte.

1:18:371:18:40

This is... his house.

1:18:431:18:46

-Who are you?

-I'm his friend.

1:18:461:18:49

In the local hospital.

1:18:511:18:53

When you see him,... tell him I'm still here.

1:18:551:18:59

Your friend has got the gripe.

1:19:051:19:08

One of his lungs is full of fluid.

1:19:081:19:12

He will recover.

1:19:121:19:14

But travel with you? Not a chance.

1:19:141:19:16

He's very weak. No resistance.

1:19:161:19:19

What do you expect? He is an alcoholic.

1:19:191:19:22

Excusez-moi.

1:19:221:19:25

Here is your friend.

1:19:521:19:54

-What the hell are you doing here?

-Your mother asked me to come.

1:20:101:20:15

She wants me to... bring you back home,

1:20:151:20:18

but the doctor said it's out of the question for you to travel.

1:20:181:20:22

I wouldn't, even if I could.

1:20:221:20:24

I think...

1:20:251:20:27

I think she's dying.

1:20:281:20:31

Walk with me. I'm meant to exercise.

1:20:381:20:42

Did you go to my house?

1:21:011:21:03

Did you meet Kurt?

1:21:031:21:06

Yes.

1:21:061:21:08

He wanted you to know he was waiting for you.

1:21:101:21:13

It's rather a pleasant change,...

1:21:131:21:16

..when, all your life, you've had people looking after you,

1:21:171:21:21

to have someone to look after yourself.

1:21:211:21:24

-I thought you'd want to go back to Brideshead one day.

-Brideshead?!

1:21:371:21:41

Are you mad?

1:21:411:21:44

The place would still be full of her.

1:21:441:21:47

I wouldn't go within a hundred miles of the place.

1:21:491:21:53

I need to sit.

1:21:571:21:59

I'm sorry.

1:22:121:22:14

Whatever for?

1:22:141:22:16

Everything.

1:22:251:22:28

It's all right.

1:22:281:22:30

Truly.

1:22:301:22:32

I asked too much of you.

1:22:341:22:37

I knew it all along, really.

1:22:391:22:42

Only God can give you that sort of love.

1:22:431:22:47

Come home, Sebastian.

1:22:531:22:55

When you're well enough.

1:22:561:22:59

Don't finish it like this.

1:23:001:23:02

This is my life now.

1:23:061:23:09

I'm happy here.

1:23:091:23:12

I miss you.

1:23:161:23:18

How sweet of you to say that!

1:23:201:23:22

Dear Charles.

1:23:251:23:27

It was my fault for bringing you to Brideshead.

1:23:301:23:33

Run away.

1:23:381:23:40

Run far away, and don't ever look back.

1:23:411:23:44

I'm sorry.

1:24:361:24:38

You must be so proud of him!

1:25:041:25:06

-Was he away long?

-Er, two years.

1:25:061:25:09

And it doesn't feel like a day!

1:25:091:25:11

Hello, Charles.

1:25:581:26:01

Did you know I was on the boat?

1:26:071:26:09

If I said no, you wouldn't believe me.

1:26:111:26:13

You're married now.

1:26:191:26:22

Yes.

1:26:221:26:23

You haven't changed at all.

1:26:271:26:30

Neither have you.

1:26:301:26:32

-How ridiculous!

-Yes, isn't it?

1:26:361:26:39

Tell me this is fate.

1:26:421:26:46

-What?

-Nothing.

1:28:061:28:08

Tell me.

1:28:081:28:10

I was thinking about Sebastian.

1:28:101:28:13

Mummy died without ever seeing him again.

1:28:131:28:16

I know.

1:28:211:28:23

-Let's go up on deck.

-Are you sure?

1:28:261:28:29

They're all asleep! Come on.

1:28:291:28:32

LAUGHS

1:28:331:28:35

Come on!

1:28:351:28:37

(LAUGHS) Ssh!

1:28:371:28:40

Sorry!

1:28:471:28:49

-So, where's Rex?

-I drowned him!

1:28:521:28:55

Forgive me, Rex!

1:28:551:28:58

-Lady Julia! Fancy meeting you here.

-Mr Ryder.

1:29:111:29:13

-Could I possibly get you a drink?

-Dry martini, please.

1:29:131:29:17

One dry martini, one whisky with water. Please, allow me.

1:29:171:29:21

Hmm... BOTH CHUCKLE

1:29:241:29:26

-So, why did you marry Rex?

-Oh, I don't know.

1:29:301:29:33

-Because he wasn't you.

-Because he was rich.

1:29:331:29:36

Because he was Catholic. Because Mummy approved,

1:29:361:29:40

God rest her soul.

1:29:401:29:42

-I thought he was my painted savage.

-Hmm!

1:29:421:29:46

It turns out he was thoroughly up to date.

1:29:461:29:49

-Thank you.

-No more talk about Rex. He's in England.

1:29:521:29:56

Do you have children?

1:30:041:30:07

No.

1:30:071:30:09

No.

1:30:091:30:11

-What will you tell your wife?

-Wait until London.

1:30:131:30:17

I have a viewing to arrange. I'll sort it out. It'll be fine.

1:30:171:30:22

-Where shall we go?

-Somewhere abroad, like Daddy.

1:30:221:30:25

-What about Italy? Capri?

-Antibes.

1:30:251:30:28

-Seville.

-Verona.

-Paris.

1:30:281:30:30

-Brideshead.

-(LAUGHS) No!

1:30:301:30:32

Why not? It's the loveliest place on earth.

1:30:321:30:35

I can't go back there, not after this.

1:30:351:30:38

-Nonsense. We've nothing to apologise for.

-No!

1:30:381:30:42

-Rex is there.

-Leave it to me. I'll settle things with Rex.

1:30:431:30:47

I'll settle everything.

1:30:491:30:51

-Trust me.

-(LAUGHS) I do!

1:30:541:30:57

-And stop worrying.

-I will.

1:30:591:31:02

Mr and Mrs Ryder?

1:31:211:31:23

Look! That's the Duke and Duchess of Clarence.

1:31:241:31:28

-They want to buy one.

-How very gracious of them!

1:31:281:31:31

Make an effort, Charles. I've got you the cream of Mayfair.

1:31:331:31:38

Charles!

1:31:431:31:45

How charming you look!

1:31:451:31:47

Anthony!

1:31:491:31:51

I heard, quite by chance, that you were having an exhibition,

1:31:511:31:55

so I dashed impetuously to the shrine to pay homage.

1:31:551:31:58

Where are the pictures?

1:31:581:32:00

Let me explain them to you.

1:32:021:32:04

MURMUR OF POLITE CONVERSATION

1:32:051:32:08

This is simply charm - simple English creamy charm,

1:32:141:32:18

playing tigers.

1:32:181:32:21

But enough of art. They tell me you're happy in love,

1:32:231:32:27

and that is everything, isn't it? Or... nearly everything.

1:32:271:32:32

Everyone's talking about it. So, it's Julia now.

1:32:321:32:36

And it used to be Sebastian.

1:32:361:32:39

Do you think I should warn her?

1:32:391:32:41

Warn her about what?

1:32:411:32:43

How apropos that you should have chosen j-j-jungles for your canvas.

1:32:431:32:49

I always thought you the lamb to be slaughtered,

1:32:501:32:53

when, all along, it is they who are to be hunted.

1:32:531:32:57

There really is no end to your hunger,

1:32:571:33:00

is there, Charles?

1:33:001:33:02

-Why do I feel so nervous?

-Don't be.

1:33:191:33:22

Who are all these people?

1:33:271:33:30

Politicians. Money men. Rex thinks there's a war coming with Hitler.

1:33:301:33:34

He wants to do well out of it. It's all he talks about.

1:33:341:33:37

-Hello, Julia.

-Hello, Rex.

1:33:371:33:40

-Good evening, Rex.

-Mr Ryder! Welcome back to Brideshead.

1:33:401:33:43

-I hear you're making quite a name for yourself.

-Could we talk?

1:33:431:33:47

Later. I have guests.

1:33:471:33:50

It's cold.

1:33:551:33:58

Not here!

1:34:031:34:05

-Sorry.

-Let's go back to London.

1:34:081:34:11

-Let me settle everything with Rex.

-And then we'll leave.

1:34:111:34:14

Yes?

1:34:141:34:16

-Charles!

-Yes.

1:34:161:34:18

If that's what you want.

1:34:181:34:21

LAUGHS

1:34:251:34:27

-Hello, Bridey!

-Oh, hello, Julia.

1:34:321:34:35

-Just up from London?

-Yes.

1:34:351:34:38

Welcome back to Brideshead, Charles. How's your family?

1:34:381:34:41

Fine, thank you.

1:34:411:34:44

-Rex still entertaining?

-He's got business.

1:34:441:34:48

Ah! I'm sorry he's not here. I have a little announcement to make.

1:34:491:34:54

-Well, come on. Out with it!

-I'm engaged to be married.

1:34:541:34:57

-Congratulations, Bridey!

-Wh-... Who is she?

1:34:571:35:02

-Oh, no-one you know.

-Is she pretty?

1:35:021:35:04

I don't think you could exactly call her pretty.

1:35:041:35:08

"Comely" is the word I think of in her connection.

1:35:081:35:11

-She is a big woman.

-Fat?

1:35:111:35:14

No, big. She's called Mrs Muspratt. Her Christian name is Beryl.

1:35:141:35:18

-But, Bridey, where did you find her?

-Her late husband, Admiral Muspratt,

1:35:181:35:22

-collected matchboxes.

-You're not marrying her for her matchboxes?!

1:35:221:35:26

-CHUCKLES QUIETLY

-No, no.

1:35:261:35:29

The matchboxes were left to the library. I'm just holding them.

1:35:291:35:33

-Why are you laughing?

-I hope you'll be very happy.

1:35:331:35:37

Thank you. I think I'm very fortunate.

1:35:371:35:40

You sly old thing! When are we going to meet her?

1:35:401:35:43

-You must bring her here.

-I couldn't.

-Why not?

1:35:431:35:46

Beryl is a woman of strict Catholic principle,

1:35:461:35:49

fortified by the prejudices of the middle classes.

1:35:491:35:52

-I couldn't possibly bring her here.

-I don't understand.

1:35:521:35:57

It may be a matter of indifference to you that you live in sin,

1:35:571:36:01

but on no account would Beryl consent to be your guest.

1:36:011:36:04

How dare you talk to her like that?

1:36:041:36:08

Bloody offensive thing to say!

1:36:101:36:12

There was nothing she could object to. I was merely stating a fact

1:36:121:36:16

well known to her.

1:36:161:36:18

Take no notice of him, my darling.

1:36:371:36:39

So! Got you.

1:36:421:36:45

Sorry about the delay.

1:36:451:36:48

I'll be outside.

1:36:481:36:51

The door? Door's made from all the works of Dickens.

1:37:021:37:06

-I had it installed especially. Want one?

-No, thank you.

1:37:061:37:11

I know what you're thinking.

1:37:151:37:17

How vulgar can I get? You wanna know a secret?

1:37:221:37:25

I do it on purpose! It amuses me to offend their delicate sensibilities.

1:37:291:37:34

So, you wanna take my wife off me...

1:37:361:37:38

You know she can't marry a divorcee, right?

1:37:381:37:42

-Against the rules.

-At least she'll be free of you.

1:37:421:37:45

-She'll never be free.

-Don't pretend you've been faithful.

1:37:451:37:48

Who said I had? I bet you'd love to get your hands on the house, though.

1:37:481:37:53

All those pretty paintings, all those pretty views...

1:37:531:37:58

Let her go, Rex. You never loved her.

1:37:581:38:00

The only thing you ever had in common was religion.

1:38:001:38:03

I wasn't a Catholic. I converted before the wedding.

1:38:031:38:07

-Bet she didn't tell you that.

-I guessed.

1:38:091:38:13

Oh, yeah?

1:38:131:38:15

You're the type.

1:38:151:38:17

You people...

1:38:221:38:25

You never learn.

1:38:251:38:27

You could have had it all, if you'd been a little more flexible.

1:38:291:38:33

They wanted a Catholic. I converted. It's a great religion.

1:38:331:38:37

You sin all you want, then you confess. Problem solved.

1:38:371:38:40

You've got to woo these people. This family don't live in the real world.

1:38:401:38:45

-They're mortgaged up to the hilt.

-Get to the point.

1:38:451:38:49

You want my wife? Make me an offer.

1:38:551:38:58

-I'm not just giving her away.

-Don't do this. It's demeaning.

1:38:581:39:02

Try a little harder.

1:39:041:39:07

You're a rich man. You've already got what you want.

1:39:071:39:10

You can never have enough of what you want.

1:39:101:39:13

Nah, you're right.

1:39:171:39:19

You're taking her off my hands. That's a favour.

1:39:191:39:23

I'll tell you what I'll do.

1:39:231:39:25

You give me a couple of your jungle pics,

1:39:251:39:30

and I'll give you an annulment. I hear you're worth collecting.

1:39:301:39:33

Come on, Charlie-boy. Say yes. You know you want to.

1:39:381:39:42

You don't have to speak.

1:39:441:39:47

Just nod.

1:39:491:39:52

My driver will take me to London. He'll pick up the paintings.

1:40:081:40:12

You know she's mad? Can't even give you children.

1:40:211:40:25

Lost the only one we had.

1:40:271:40:29

RETREATING FOOTSTEPS

1:40:311:40:34

Julia?

1:40:481:40:50

I'm so sorry. I didn't know.

1:41:081:41:11

-It's just a shock.

-Ssh.

1:41:131:41:15

Ssh. Don't.

1:41:151:41:17

I've always known, ever since nursery.

1:41:191:41:22

I tried to be good. I really did. I married Rex.

1:41:231:41:27

All through the backgammon and cigars, I tried.

1:41:281:41:31

But it's not enough.

1:41:311:41:33

It's never enough.

1:41:331:41:36

God had to punish me.

1:41:361:41:38

So he took my little stillborn... My child. My girl.

1:41:391:41:45

With you, I thought I could really and truly be free.

1:41:451:41:49

But coming back here, it's like a thread,

1:41:491:41:52

an invisible thread, drawing you back, inch by inch,

1:41:521:41:56

until, all of a sudden, you're a child again,

1:41:561:41:59

and that voice inside your head, the one that Mummy planted

1:41:591:42:03

all those years ago, every night in the nursery,

1:42:031:42:06

filling your head with it, and the voice is whispering,

1:42:061:42:10

"Wicked little Julia! Bad little girl, living in sin!"

1:42:101:42:13

-And here I am again with you, living in sin!

-Ssh...

1:42:131:42:17

It's over. It's over now. SOBS

1:42:181:42:21

SOBS

1:42:271:42:29

-Everything set?

-That's everything, sir.

1:42:401:42:43

-Thank you, Wilcox.

-Best of luck, sir.

1:42:431:42:46

Who's that?

1:43:091:43:11

Go back! Turn around. I have to go back.

1:43:151:43:18

-Staff, immediately.

-Yes, sir.

1:43:201:43:23

Come on, quickly, now!

1:43:231:43:26

Hurry, hurry!

1:43:331:43:35

-The sedan chair!

-Very gently, very gently.

-Argh!

1:43:351:43:39

-Hurry, hurry!

-Get a move on!

1:43:401:43:43

-Come along, come along!

-Have you got the wrap?

1:43:431:43:47

-Hup!

-Gently...

1:43:491:43:51

Can I have the medical bag?

1:43:511:43:53

-Father!

-Oh, dear Julia!

1:43:571:43:59

Come on, please. Come on!

1:43:591:44:02

I'm sorry. I was to call, but we've been travelling without stop.

1:44:101:44:14

-It was Cordelia. She was visiting us in Venice...

-What happened?

1:44:141:44:18

His heart. Some long word... at the heart.

1:44:191:44:24

He's dying. He has come home to die.

1:44:261:44:29

-That's it. Chop-chop.

-(WILCOX)

-Come along!

1:44:341:44:37

We must get Lord Marchmain to the great dining room.

1:44:371:44:41

He's sleeping.

1:44:561:44:59

-Should we let Sebastian know?

-We could, but I doubt he'd come.

1:45:001:45:04

The last I heard of him, he's still struggling rather.

1:45:041:45:08

The monks have him as a porter in the hospital in Morocco.

1:45:081:45:11

He seems to like it. They've taken him under their wing,

1:45:111:45:15

dear old thing. Still,...

1:45:151:45:17

..salvation of a sort.

1:45:191:45:21

Bridey, you need to call for a priest.

1:45:211:45:24

I'll ask Father McKay to drop in this evening.

1:45:241:45:27

Julia, your father doesn't want a priest.

1:45:271:45:31

What he wants is to die in his old home.

1:45:311:45:33

Our father's soul,... all sinners' souls... face mortal danger.

1:45:331:45:39

It is our duty, as Catholics,

1:45:391:45:42

to do all in our power to save those we love from themselves.

1:45:421:45:46

Hateful woman!

1:46:261:46:28

She wants me dead.

1:46:281:46:31

What about you? Do you want me dead?

1:46:331:46:38

No.

1:46:381:46:40

You know the family are sending for a priest?

1:46:471:46:50

They seem determined to drag God into it.

1:46:501:46:54

Why should you care?

1:46:541:46:57

You don't believe in God.

1:46:571:46:59

You said so yourself.

1:47:011:47:03

Have you suddenly become my conscience?

1:47:041:47:08

I've already seen Sebastian ruined by God.

1:47:081:47:11

I don't see why I should watch it happen again

1:47:111:47:15

with your daughter.

1:47:151:47:17

How very caring of you!

1:47:181:47:21

You forget I was there.

1:47:211:47:24

I watched that woman crucify my son,

1:47:251:47:28

little by little,

1:47:281:47:30

and I was silent.

1:47:301:47:33

What does that say about me?

1:47:331:47:36

You're not responsible for what she did.

1:47:361:47:39

But are we not also our brother's keeper?

1:47:391:47:42

You, Charles,

1:47:421:47:45

and me?

1:47:451:47:47

I let Sebastian down.

1:47:481:47:51

I let everyone down.

1:47:541:47:56

MURMUR OF CONVERSATION

1:48:011:48:03

BREATHES RAGGEDLY THROUGH VENTILATOR

1:48:061:48:09

Oh, dear, no. That's too many. Your father needs to rest.

1:48:121:48:15

-Get him away.

-It's Father McKay.

-Get him away!

1:48:151:48:19

-GET HIM AWAY! (COUGHS)

-Everybody out!

1:48:191:48:22

Out, out, out!

1:48:221:48:25

-I'm so sorry, Father.

-Oh, not at all.

1:48:251:48:28

Give him time. I've known worse cases make beautiful deaths.

1:48:281:48:32

What were you talking to my father about?

1:48:361:48:39

He doesn't want a priest.

1:48:431:48:45

Please, Charles.

1:48:471:48:49

-Please don't interfere with matters that don't concern you.

-Julia!

1:48:491:48:53

Let's get out of here. We'll go to Italy.

1:48:571:49:00

-Capri.

-I can't leave now.

1:49:021:49:04

My father's dying.

1:49:041:49:06

When this is over, I can make you happy.

1:49:061:49:10

-Why should I believe you?

-Believe me.

1:49:241:49:28

You just bought me from Rex.

1:49:281:49:30

What are you talking about?

1:49:341:49:37

According to you, I'm worth two pictures.

1:49:371:49:40

I thought I'd fetch at least three.

1:49:421:49:45

Don't be ridiculous.

1:49:471:49:49

-That was Rex.

-You agreed to it, Charles.

1:49:501:49:54

-I had no choice.

-You agreed!

1:49:541:49:56

I was doing what you wanted.

1:49:561:49:59

No! You thought you were getting me and the house together.

1:49:591:50:03

-Is that really what you think?

-You tell me. Please.

1:50:031:50:06

What does Charles Ryder really want?

1:50:061:50:09

Can you imagine what it was like for me,

1:50:281:50:31

to be invited into Brideshead?

1:50:311:50:34

Me,

1:50:351:50:37

Charles Ryder.

1:50:371:50:39

A painter from Paddington, as your mother so sweetly put it.

1:50:411:50:44

There was no humiliation I would not have endured

1:50:441:50:48

just to be part of that dream.

1:50:481:50:51

And your mother...

1:50:511:50:53

That woman is more alive now than she ever was.

1:50:531:50:56

She's in every brick, every stone,

1:50:561:51:00

every slate.

1:51:001:51:02

Sebastian was right.

1:51:051:51:08

We should run away.

1:51:141:51:16

-Why did you bring me here?

-We can still leave.

1:51:201:51:23

THUNDER RUMBLES

1:51:311:51:33

GASPS / WHEEZES

1:51:381:51:40

AGONISED BREATHING

1:51:431:51:45

WHEEZES / CHOKES

1:51:461:51:49

BREATHES RAGGEDLY

1:51:581:52:00

-Bridey...

-Don't interfere, Charles.

1:52:091:52:11

Now, try and remember your sins, and tell God you're sorry.

1:52:371:52:41

I'm going to give you absolution now, and while I'm giving it,

1:52:411:52:45

I want you to tell God you're sorry you offended Him,

1:52:451:52:49

and then I want you to make a sign, if you can.

1:52:491:52:52

Misereatur tui omnipotens Deus,

1:52:541:52:57

et dimissis peccatis tuis,

1:52:571:53:00

perducat te ad vitam aeternam. Amen.

1:53:001:53:04

-Amen.

-Amen.

1:53:041:53:06

CONTINUES TO READ ABSOLUTION IN LATIN

1:53:061:53:09

In nomine Patris,

1:53:251:53:28

et Filiis et Spiritu Sancti.

1:53:281:53:32

Amen.

1:53:331:53:36

SOBS

1:53:451:53:47

(Please, God, please...)

1:53:491:53:51

(Forgive him.)

1:53:511:53:54

(Forgive me. Oh, God, forgive me. Let him have a sign.)

1:53:541:54:00

MURMURS FAINTLY

1:54:081:54:10

ALL RECITE PRAYER IN LATIN

1:55:121:55:14

Sebastian used to loathe this painting.

1:55:361:55:39

Daddy gave it to Mummy as a wedding present.

1:55:411:55:44

Tell me.

1:55:481:55:50

I wanted...

1:55:541:55:56

too much.

1:55:561:55:59

It's nobody's fault.

1:55:591:56:02

But... you're not coming with me.

1:56:021:56:05

I can't shut myself off from His mercy.

1:56:101:56:13

Can you understand that?

1:56:161:56:18

I don't want to make it... easier for you.

1:56:201:56:24

I hope your heart...

1:56:311:56:34

..breaks.

1:56:351:56:38

But I do understand.

1:56:441:56:46

I have to let you go.

1:56:511:56:54

LOW MURMUR OF CONVERSATION

1:57:481:57:51

SOLDIERS SHOUT

1:57:541:57:57

'Whether by fate, or the divine ironies of some higher power,

1:58:091:58:13

I find myself returned once more to Brideshead.'

1:58:131:58:18

Let it go!

1:58:181:58:20

'Did I want too much?'

1:58:311:58:33

'Did my own hunger blind me to the ties that bound them to their faith?'

1:58:381:58:42

'Am I only now, shadowed by war,

1:58:441:58:48

all moorings gone,...

1:58:481:58:50

..alone enough to see the light?'

1:58:531:58:55

Worst place we've struck yet. No facilities, no amenities,

1:59:021:59:06

and the nearest village is a five-mile walk. Mind you,

1:59:061:59:09

there's a big push coming. They'll ship us off to France soon.

1:59:091:59:13

Yes. Very soon.

1:59:131:59:16

Where are the family now? Does anyone know?

1:59:161:59:18

Some Lady Flyte, who lives here on her own...

1:59:181:59:21

She's overseas with the Women's Service.

1:59:211:59:24

Elder brother died in the Blitz. They're all Roman Catholic.

1:59:241:59:28

-I take it you're not religious.

-Me? God, no.

1:59:281:59:31

Can't see the point in it. You're born, you live, then you die.

1:59:311:59:34

-Do you have any hopes for the future?

-Hopes? Oh, aye!

1:59:371:59:40

Plenty. It's our time now. You watch.

1:59:401:59:43

The old ways, all this, they're gone.

1:59:431:59:46

Future belongs to us, long as we don't get shot.

1:59:461:59:49

How about you, sir? You got someone special waiting for you?

1:59:501:59:54

Me? No.

1:59:541:59:56

I've loved and lost enough for more than one lifetime.

1:59:561:59:59

Would you like me to drive you back, sir?

1:59:592:00:02

No, not yet.

2:00:022:00:05

-Carry on, Hooper.

-Very good, sir.

2:00:052:00:08

AEROPLANE ENGINES THUNDER OVERHEAD

2:00:132:00:16

SOMBRE INSTRUMENTAL MUSIC

2:00:492:00:52

INSTRUMENTAL CLASSICAL MUSIC

2:02:202:02:22

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