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Papa? | 0:01:35 | 0:01:36 | |
Hmm? | 0:01:36 | 0:01:38 | |
Tell me a story. | 0:01:38 | 0:01:39 | |
All right. What about? | 0:01:39 | 0:01:41 | |
I don't know. | 0:01:41 | 0:01:43 | |
About everything. | 0:01:43 | 0:01:45 | |
Everything? | 0:01:45 | 0:01:47 | |
Very well, then. | 0:01:47 | 0:01:50 | |
In Tierra del Fuego, | 0:01:59 | 0:02:01 | |
land of fire, | 0:02:01 | 0:02:04 | |
a blighted and loveless country on the earth's furthest rim, | 0:02:04 | 0:02:08 | |
lives a community | 0:02:08 | 0:02:10 | |
of the dirtiest, most vulgar, | 0:02:10 | 0:02:13 | |
least civilised people you can possibly imagine. | 0:02:13 | 0:02:15 | |
They appeared almost entirely naked | 0:02:17 | 0:02:19 | |
with their hair all the way down to their bottoms. | 0:02:19 | 0:02:22 | |
They never washed their hands or their faces, | 0:02:22 | 0:02:24 | |
even before dinner. | 0:02:24 | 0:02:27 | |
One day, Captain Fitzroy went ashore to meet them. | 0:02:29 | 0:02:32 | |
Thank you. | 0:02:55 | 0:02:56 | |
Not long now. I shall be with you presently. | 0:03:01 | 0:03:04 | |
Head to me, please. | 0:03:04 | 0:03:06 | |
Very good. | 0:03:06 | 0:03:08 | |
Now, very still, please. No fidgeting. | 0:03:08 | 0:03:10 | |
And above all, no smiling. | 0:03:10 | 0:03:13 | |
Excuse me, sir? | 0:03:13 | 0:03:15 | |
-Hmm? -Will this hurt? | 0:03:15 | 0:03:17 | |
Oh, no, no, no. | 0:03:17 | 0:03:20 | |
It's only a beam of light. | 0:03:20 | 0:03:22 | |
Papa? | 0:03:26 | 0:03:27 | |
Yes? | 0:03:27 | 0:03:29 | |
How can light make a picture? | 0:03:29 | 0:03:30 | |
Well, now, they take a copper plate | 0:03:30 | 0:03:32 | |
and they prepare it with chemicals, | 0:03:32 | 0:03:34 | |
and these chemicals are activated | 0:03:34 | 0:03:36 | |
by the light that reflects back from your face, | 0:03:36 | 0:03:40 | |
and so the silver sticks to the places | 0:03:40 | 0:03:44 | |
where the light is brightest. Understand? | 0:03:44 | 0:03:47 | |
-Yes. -Ahem! | 0:03:47 | 0:03:49 | |
Sorry. So sorry. | 0:03:49 | 0:03:51 | |
Ah, thank you. | 0:03:51 | 0:03:52 | |
Go on. He went ashore to meet them. | 0:03:52 | 0:03:54 | |
Yes, that's right. So, um, | 0:03:54 | 0:03:56 | |
Captain Fitzroy went ashore | 0:03:56 | 0:03:58 | |
to interview the Fuegians. | 0:03:58 | 0:03:59 | |
Now. | 0:03:59 | 0:04:01 | |
He offered them some axe heads, some Calico, | 0:04:01 | 0:04:04 | |
and very pretty buttons. | 0:04:04 | 0:04:06 | |
Total value, probably two shillings. | 0:04:06 | 0:04:09 | |
This is yours. You take it. | 0:04:09 | 0:04:11 | |
Look how it. Look how it glistens. | 0:04:11 | 0:04:14 | |
See? | 0:04:14 | 0:04:16 | |
And all he asked in return? | 0:04:17 | 0:04:20 | |
A few spare children. | 0:04:20 | 0:04:24 | |
You give me el nina. | 0:04:24 | 0:04:27 | |
Well, to the Fuegians, | 0:04:28 | 0:04:30 | |
children were cheap and buttons were precious, | 0:04:30 | 0:04:33 | |
so it didn't take very long | 0:04:33 | 0:04:34 | |
before the Fuegians had their trinkets | 0:04:34 | 0:04:36 | |
and Captain Fitzroy had his 3 children. | 0:04:36 | 0:04:39 | |
He named them Boat Memory, | 0:04:39 | 0:04:42 | |
Jemmy Button, | 0:04:42 | 0:04:44 | |
And Fuegia Basket. | 0:04:44 | 0:04:47 | |
CHILDREN SCREAM | 0:04:47 | 0:04:50 | |
Come here, you dirty little beggar! | 0:04:53 | 0:04:55 | |
SHOUTING | 0:04:55 | 0:04:59 | |
The good captain had them washed and dressed, | 0:05:03 | 0:05:07 | |
and he taught them the proper table manners. | 0:05:07 | 0:05:09 | |
Boat Memory died of smallpox, | 0:05:45 | 0:05:48 | |
but the two littlest ones, | 0:05:48 | 0:05:49 | |
they learnt their prayers | 0:05:49 | 0:05:51 | |
and their times tables so excellently | 0:05:51 | 0:05:53 | |
that they were invited to meet the king and queen. | 0:05:53 | 0:05:56 | |
Everyone agreed that good Christian values | 0:06:18 | 0:06:22 | |
had tamed the most savage of hearts. | 0:06:22 | 0:06:24 | |
The king gave Jemmy a genuine brass telescope, | 0:06:24 | 0:06:27 | |
and the queen gave Fuegia one of her Sunday best bonnets | 0:06:27 | 0:06:30 | |
to keep forever. | 0:06:30 | 0:06:33 | |
Two years later, Captain Fitzroy and I took them home, | 0:06:33 | 0:06:35 | |
accompanied by a young missionary, | 0:06:35 | 0:06:37 | |
in the belief that by example, | 0:06:37 | 0:06:40 | |
they would bring their fellow savages to God. | 0:06:40 | 0:06:45 | |
What do you think happened? | 0:06:45 | 0:06:48 | |
It didn't work. | 0:06:48 | 0:06:51 | |
That's right, it didn't work. Of course it didn't work. | 0:06:51 | 0:06:53 | |
SHOUTING | 0:06:53 | 0:06:57 | |
Go after them, you fool! Get them now! | 0:06:57 | 0:06:59 | |
Jemmy! Fuegia! | 0:06:59 | 0:07:01 | |
Put your clothes back on! Come back! | 0:07:01 | 0:07:04 | |
It was a complete and total failure. | 0:07:04 | 0:07:08 | |
No, no, no! | 0:07:09 | 0:07:11 | |
Quite still, didn't I say? | 0:07:11 | 0:07:13 | |
We shall have to do it all over again. | 0:07:13 | 0:07:16 | |
So sorry, sir. Badly behaved. So sorry. | 0:07:16 | 0:07:19 | |
< Mr Darwin, sir? | 0:08:00 | 0:08:01 | |
KNOCK ON DOOR | 0:08:01 | 0:08:03 | |
< Come on, Mr Darwin, or your dinner will be spoilin'. | 0:08:03 | 0:08:05 | |
CHILDREN CHATTER | 0:08:07 | 0:08:11 | |
< Quiet, children. Let's wait for your father. | 0:08:11 | 0:08:13 | |
Mr D Will be in presently, ma'am. | 0:08:18 | 0:08:21 | |
I imagine. | 0:08:21 | 0:08:23 | |
Thank you, Mrs Davies. | 0:08:23 | 0:08:24 | |
Is Papa unwell again? | 0:08:24 | 0:08:26 | |
He's always unwell these days. | 0:08:26 | 0:08:27 | |
He is not, frankly. That is not exactly... | 0:08:29 | 0:08:31 | |
He's probably caught something awful from the Hottentots. | 0:08:31 | 0:08:34 | |
Nanny Brodie said God was angry with him. | 0:08:34 | 0:08:37 | |
-Brodie said no such thing. -Yes, she did! | 0:08:37 | 0:08:39 | |
Good evening. | 0:08:39 | 0:08:41 | |
-Good evening. -Good evening, Papa. | 0:08:41 | 0:08:43 | |
Sorry I'm so late. | 0:08:43 | 0:08:47 | |
Soup du jour, sir. | 0:08:49 | 0:08:52 | |
CHILDREN GIGGLE | 0:08:52 | 0:08:54 | |
Thank you, Parslow. | 0:08:54 | 0:08:56 | |
Lord God, bless this family and the food we eat. | 0:08:58 | 0:09:03 | |
We ask in thy name. | 0:09:03 | 0:09:05 | |
-Amen. -Amen. | 0:09:05 | 0:09:07 | |
I hear Mr Hooker is coming tomorrow. | 0:09:11 | 0:09:15 | |
Yes. Yes, that's right. | 0:09:15 | 0:09:19 | |
Did he say what it was about? | 0:09:19 | 0:09:22 | |
I'm not sure that now's the time to discuss it. | 0:09:23 | 0:09:28 | |
Perhaps the time to discuss it was before you invited him. | 0:09:28 | 0:09:30 | |
Well, quite possibly, but he...invited himself. | 0:09:30 | 0:09:35 | |
Sorry. | 0:09:39 | 0:09:41 | |
Tell Mrs Davies it was delicious, | 0:09:41 | 0:09:44 | |
But my...my stomach's still not quite what it... | 0:09:44 | 0:09:48 | |
..it should be. Forgive me. | 0:09:48 | 0:09:51 | |
DOOR CLOSES | 0:09:54 | 0:09:55 | |
-Can we go fishing? -Can we pick gooseberries? | 0:09:55 | 0:09:57 | |
CHILDREN CHATTER | 0:09:57 | 0:09:59 | |
DARWIN: 'October 17, 1858. | 0:09:59 | 0:10:02 | |
'Passed a poor night. | 0:10:02 | 0:10:04 | |
'Stomach still wretched. | 0:10:04 | 0:10:06 | |
'Noticed a slight tremor in right hand. | 0:10:06 | 0:10:09 | |
'Considering increasing laudanum by 10%, perhaps.' | 0:10:09 | 0:10:12 | |
So we'll sacrifice the two tumblers. | 0:10:12 | 0:10:14 | |
I want to skeletonise them as soon as possible. | 0:10:14 | 0:10:17 | |
Yes, sir. | 0:10:17 | 0:10:18 | |
'Selective breeding is undoubtedly working. | 0:10:18 | 0:10:21 | |
'Already seeing real changes in wing structure. | 0:10:21 | 0:10:25 | |
'I'm convinced that all fancy breeds, | 0:10:25 | 0:10:27 | |
'pouter, carrier, tumbler, et cetera, | 0:10:27 | 0:10:29 | |
'derive from the common rock pigeon. | 0:10:29 | 0:10:32 | |
'Nature selects for survival, | 0:10:32 | 0:10:34 | |
'man for appearance. | 0:10:34 | 0:10:37 | |
'Must improve skeletonising methods. | 0:10:41 | 0:10:43 | |
'Consider aqua regia, | 0:10:43 | 0:10:46 | |
'quicklime, perhaps.' | 0:10:46 | 0:10:48 | |
They'll need a few more hours, those, sir. | 0:10:48 | 0:10:51 | |
HORSES APPROACHING | 0:10:51 | 0:10:54 | |
CHILDREN SHOUTING | 0:11:01 | 0:11:02 | |
Master George! Master Franky! | 0:11:02 | 0:11:04 | |
Lady Etty! | 0:11:04 | 0:11:05 | |
And Master Lenny. How are you, sir? | 0:11:05 | 0:11:07 | |
Sir? | 0:11:07 | 0:11:09 | |
Thank you. | 0:11:09 | 0:11:10 | |
CHILD: Is it true that you were imprisoned by the king of...? | 0:11:10 | 0:11:12 | |
Anything else, sir? | 0:11:12 | 0:11:13 | |
Oh, no, you...carry on. | 0:11:13 | 0:11:16 | |
I'll clean myself up. | 0:11:16 | 0:11:17 | |
..is it true that he'd only let you go | 0:11:17 | 0:11:19 | |
if you married his fattest daughter? | 0:11:19 | 0:11:21 | |
Absolutely true, George, | 0:11:21 | 0:11:22 | |
but don't you dare tell my wife. | 0:11:22 | 0:11:25 | |
Dear Joseph. | 0:11:25 | 0:11:26 | |
Dearest Emma. | 0:11:26 | 0:11:28 | |
Ah. Yes. | 0:11:29 | 0:11:32 | |
Forgive the short notice. | 0:11:32 | 0:11:33 | |
I believe you know Thomas Huxley? | 0:11:33 | 0:11:35 | |
Only by reputation. | 0:11:35 | 0:11:36 | |
He insisted on coming and I could not refuse him. | 0:11:36 | 0:11:38 | |
It's a lie. I have a question for your esteemed reclusive husband | 0:11:38 | 0:11:42 | |
and I didn't trust hooker to ask it for me. | 0:11:42 | 0:11:45 | |
I see. | 0:11:45 | 0:11:46 | |
Children, tell Papa his visitors are here. | 0:11:46 | 0:11:49 | |
He already knows. | 0:11:49 | 0:11:50 | |
He's hiding. | 0:11:50 | 0:11:51 | |
Do come in, please. | 0:11:51 | 0:11:53 | |
Can we play charge of the light brigade? | 0:11:53 | 0:11:54 | |
You must be exhausted. | 0:11:54 | 0:11:57 | |
Will you take tea? | 0:11:57 | 0:11:57 | |
Hooker! My dear fellow. | 0:11:57 | 0:11:59 | |
And Huxley. Do come in. Come in. | 0:11:59 | 0:12:03 | |
Lead the charge, boys. | 0:12:03 | 0:12:04 | |
And away we go. | 0:12:04 | 0:12:06 | |
We're re-forming the Linnean Society. | 0:12:25 | 0:12:28 | |
The committee will comprise of myself, | 0:12:28 | 0:12:30 | |
Lyell, Hooker, yourself, of course, if you're game for it. | 0:12:30 | 0:12:34 | |
Now that hooker and I finally have a bit of clout, | 0:12:34 | 0:12:36 | |
we can start to reclaim science as a profession, | 0:12:36 | 0:12:39 | |
wrest it away from the country parsons and beetle collectors. | 0:12:39 | 0:12:43 | |
Some of whom are dear friends of mine. | 0:12:43 | 0:12:44 | |
Your book will be our rallying point. | 0:12:44 | 0:12:46 | |
No, it won't. There is no book. | 0:12:46 | 0:12:47 | |
There's fragments, | 0:12:47 | 0:12:48 | |
and they're not in any fit state to publish. | 0:12:48 | 0:12:50 | |
Nonsense! I've read your detailed abstract | 0:12:50 | 0:12:52 | |
and the argument is hugely powerful. | 0:12:52 | 0:12:54 | |
Clear evidence of transformation | 0:12:54 | 0:12:56 | |
over millions of years, | 0:12:56 | 0:12:58 | |
from a free-swimming prawn to a shellfish stuck on a rock. | 0:12:58 | 0:13:01 | |
That's my point, you see. You can't be entirely sure of that, | 0:13:01 | 0:13:03 | |
and that's why I need more time. I need... | 0:13:03 | 0:13:05 | |
-Mr. Darwin, sir. -Yes? | 0:13:05 | 0:13:08 | |
Either you are being disingenuous | 0:13:08 | 0:13:10 | |
or you do not fully understand your own theory. | 0:13:10 | 0:13:13 | |
Evidently, what is true of the barnacle | 0:13:13 | 0:13:15 | |
is true of all creatures, even humans. | 0:13:15 | 0:13:18 | |
Clearly, the almighty can no longer claim | 0:13:18 | 0:13:20 | |
to have authored every species in under a week. | 0:13:20 | 0:13:22 | |
You've killed God, sir. | 0:13:22 | 0:13:24 | |
You have killed God. | 0:13:25 | 0:13:27 | |
Or, to put it another way... | 0:13:27 | 0:13:30 | |
And I for one say good riddance to the vindictive old bugger! | 0:13:30 | 0:13:33 | |
Charles? Charles. | 0:13:33 | 0:13:35 | |
Oh, no, I'm fine, I'm fine, I'm fine. | 0:13:35 | 0:13:37 | |
-Thomas, please... -Yes, I quite understand. | 0:13:37 | 0:13:39 | |
It is time to write your book. | 0:13:39 | 0:13:42 | |
Strike hard and fast | 0:13:42 | 0:13:43 | |
with a blow that is utterly conclusive. | 0:13:43 | 0:13:46 | |
Really, sir, you... | 0:13:46 | 0:13:47 | |
You talk as if we're at war. | 0:13:47 | 0:13:49 | |
Yes. Science is at war with religion, | 0:13:49 | 0:13:51 | |
And when we win, | 0:13:51 | 0:13:53 | |
we'll finally be rid of those damned archbishops | 0:13:53 | 0:13:56 | |
and their threats of eternal punishment. | 0:13:56 | 0:13:58 | |
No, Mr Huxley. | 0:13:58 | 0:14:01 | |
We live in a society, | 0:14:01 | 0:14:03 | |
and it is a society bound together by the church. | 0:14:03 | 0:14:07 | |
An improbable sort of bark, I grant you, | 0:14:07 | 0:14:09 | |
but at least it floats. It floats. | 0:14:09 | 0:14:13 | |
And you would what? You would... | 0:14:13 | 0:14:16 | |
have us all rebuild, plank by plank, | 0:14:16 | 0:14:18 | |
the very vessel in which we sail? | 0:14:18 | 0:14:20 | |
Oh, come, come, Charles! | 0:14:20 | 0:14:22 | |
Did God's laws change your Fuegians? | 0:14:22 | 0:14:26 | |
Was Jenny the ape any less personable | 0:14:26 | 0:14:29 | |
for not being a person? | 0:14:29 | 0:14:30 | |
Our behaviour, like our physical forms, | 0:14:30 | 0:14:33 | |
evolves according to our needs. | 0:14:33 | 0:14:36 | |
Your very own words, sir. | 0:14:36 | 0:14:37 | |
And thus, in time, | 0:14:37 | 0:14:40 | |
we lose those parts that are no longer required. | 0:14:40 | 0:14:43 | |
Like the appendix, the male nipple, | 0:14:43 | 0:14:46 | |
and finally, thank Christ, | 0:14:46 | 0:14:48 | |
our belief in an utterly redundant almighty. | 0:14:48 | 0:14:51 | |
Mr Hooker. | 0:14:59 | 0:15:00 | |
I...implore you, | 0:15:03 | 0:15:05 | |
please do not push him. | 0:15:05 | 0:15:07 | |
No one can push Charles. | 0:15:07 | 0:15:09 | |
You know how fixed he is. | 0:15:09 | 0:15:11 | |
Bit of a barnacle himself, really. | 0:15:11 | 0:15:13 | |
Yes. And if you prise him from his rock, he will die. | 0:15:13 | 0:15:17 | |
Come on, Hooker. It'll be dark soon. | 0:15:17 | 0:15:22 | |
Ah. So, what did she say to you? | 0:15:33 | 0:15:37 | |
She said it was killing him. | 0:15:37 | 0:15:39 | |
Yes. Mighty slow death, | 0:15:41 | 0:15:44 | |
considering the length of time he's sat on this stuff. | 0:15:44 | 0:15:47 | |
We shall all be dead and buried ourselves | 0:15:47 | 0:15:48 | |
if he takes much longer. | 0:15:48 | 0:15:50 | |
Yes. Since his girl died, | 0:15:50 | 0:15:52 | |
one has to admit... | 0:15:52 | 0:15:55 | |
..he's not the man he was. | 0:15:55 | 0:15:57 | |
VOMITING | 0:16:02 | 0:16:06 | |
When are you going to be done with those stinky old barnacles? | 0:16:54 | 0:16:57 | |
Well, I've been chasing this little crustacean | 0:16:57 | 0:17:01 | |
in all of its evolutionary forms | 0:17:01 | 0:17:03 | |
over 30 million years. | 0:17:03 | 0:17:06 | |
Now, 8 years doesn't seem a very long time | 0:17:06 | 0:17:08 | |
to achieve that, does it? | 0:17:08 | 0:17:09 | |
What does "procrastinating" mean? | 0:17:09 | 0:17:13 | |
Oh, I think you know very well what it means, Annie. | 0:17:14 | 0:17:16 | |
It means putting things off. Why? | 0:17:18 | 0:17:21 | |
That's what Mr Hooker thinks you're doing. | 0:17:21 | 0:17:24 | |
Does he, indeed? | 0:17:24 | 0:17:27 | |
Is it because of Mama or what's in that box? | 0:17:27 | 0:17:30 | |
Both. | 0:17:32 | 0:17:34 | |
I should probably just burn the lot. | 0:17:36 | 0:17:40 | |
You can't. I'm in it. | 0:17:40 | 0:17:42 | |
Don't be absurd, Annie. Of course you're not in it. | 0:17:42 | 0:17:44 | |
-What do you mean? -When I was a baby, you said. | 0:17:44 | 0:17:46 | |
Oh, that. | 0:17:48 | 0:17:49 | |
The natural history of babies. | 0:17:49 | 0:17:53 | |
Yes, that's right. | 0:17:54 | 0:17:57 | |
ANNIE CRIES Look at my finger. | 0:17:57 | 0:17:59 | |
Oh, you're so strong. | 0:18:00 | 0:18:03 | |
You're so strong. | 0:18:03 | 0:18:05 | |
PIANO PLAYS | 0:18:05 | 0:18:08 | |
Here. Annie. | 0:18:11 | 0:18:13 | |
Prrp! Prrp! Prrp-prrp-prrp-prrp! | 0:18:24 | 0:18:29 | |
I think that will not help her sleep. | 0:18:29 | 0:18:32 | |
I'm sure you're probably right. | 0:18:32 | 0:18:34 | |
ANNIE COOS Who's that? | 0:18:34 | 0:18:38 | |
Who is that? Is that you? | 0:18:38 | 0:18:40 | |
Arrr! Arr! Arr! Arr! | 0:18:40 | 0:18:42 | |
Rrahhrrr! | 0:18:42 | 0:18:45 | |
ANNIE CRIES Ahrrrr! | 0:18:45 | 0:18:46 | |
Oh, sweetheart! No, I'm so sorry! | 0:18:46 | 0:18:49 | |
Oh, what a mean old papa you have! | 0:18:49 | 0:18:53 | |
Oh, sweetheart! | 0:18:53 | 0:18:55 | |
Oh, what a mean old papa you have. | 0:18:55 | 0:18:59 | |
What a mean old... | 0:18:59 | 0:19:00 | |
What a mean old man you have. | 0:19:00 | 0:19:03 | |
Oh, I'm so sorry. | 0:19:03 | 0:19:05 | |
I'm so sorry. | 0:19:05 | 0:19:07 | |
"6 weeks: gurgles. | 0:19:07 | 0:19:09 | |
"Tries to suck. | 0:19:09 | 0:19:11 | |
"Holds tight to my finger. | 0:19:11 | 0:19:13 | |
"Perceives bosom when 3 or 4 inches from it." | 0:19:13 | 0:19:15 | |
I should add that she's musical. | 0:19:15 | 0:19:17 | |
I hope you do not plan to treat all our children | 0:19:17 | 0:19:19 | |
as little specimens of the ape genus, | 0:19:19 | 0:19:22 | |
to be included in your experiments. | 0:19:22 | 0:19:25 | |
All of our children? | 0:19:25 | 0:19:26 | |
You mean you want more? | 0:19:26 | 0:19:29 | |
Oh, sorry. I assumed. | 0:19:29 | 0:19:31 | |
No, no, if the idea doesn't appeal, | 0:19:31 | 0:19:33 | |
then we won't have any more children. | 0:19:33 | 0:19:34 | |
Darling, darling, darling. | 0:19:34 | 0:19:36 | |
I have plans to breed an entire army of them. | 0:19:36 | 0:19:39 | |
Look at that. | 0:19:41 | 0:19:43 | |
That's called the waltz. | 0:19:43 | 0:19:45 | |
CHILDREN LAUGH | 0:19:45 | 0:19:48 | |
Careful, now! Not too far ahead. | 0:19:51 | 0:19:54 | |
-Make yourself useful, Hooker. -As ever, Charles. | 0:19:54 | 0:19:56 | |
Stay away from that water! | 0:19:56 | 0:19:58 | |
Fear not, Brodie, I have them in my sights. | 0:19:58 | 0:20:00 | |
Children! | 0:20:00 | 0:20:01 | |
Now, which of the four of you | 0:20:02 | 0:20:06 | |
would be the first who would like to learn | 0:20:06 | 0:20:08 | |
how to hook a worm? | 0:20:08 | 0:20:09 | |
Me! Me! | 0:20:09 | 0:20:10 | |
"A little further on, | 0:20:10 | 0:20:12 | |
"the leading highlander snuffed the wind | 0:20:12 | 0:20:14 | |
"like a setting spaniel, | 0:20:14 | 0:20:16 | |
"and then made a signal to his party | 0:20:16 | 0:20:18 | |
"again to halt. | 0:20:18 | 0:20:20 | |
"He stooped down upon all fours, | 0:20:20 | 0:20:22 | |
"wrapped up in his plaids..." | 0:20:22 | 0:20:23 | |
Look what I found, Mama. | 0:20:23 | 0:20:24 | |
Look at that. | 0:20:24 | 0:20:26 | |
What shall I feed it? | 0:20:26 | 0:20:27 | |
Let's ask Reverend Innes. | 0:20:27 | 0:20:28 | |
Oh, um... | 0:20:28 | 0:20:31 | |
A leaf, I should think. | 0:20:31 | 0:20:33 | |
Necrophorus humator, isn't he, Charles? | 0:20:33 | 0:20:36 | |
Rather a splendid specimen. | 0:20:36 | 0:20:37 | |
Yes, he is. He's a... | 0:20:37 | 0:20:40 | |
carnivore. He eats... | 0:20:40 | 0:20:41 | |
carrion and insects. | 0:20:41 | 0:20:44 | |
Boys! We need carrion and insects! | 0:20:44 | 0:20:47 | |
Look, here's a worm, here's a worm! | 0:20:47 | 0:20:50 | |
Ooh! An earwig! Squish it! | 0:20:50 | 0:20:51 | |
No, don't kill it. | 0:20:51 | 0:20:54 | |
I know that expression. | 0:20:54 | 0:20:55 | |
He's dreaming of his glory days | 0:20:55 | 0:20:57 | |
when he was unencumbered with wife and family, | 0:20:57 | 0:20:59 | |
free to wander the planet. | 0:20:59 | 0:21:03 | |
Actually, I was... | 0:21:03 | 0:21:05 | |
I was remembering how the tropical seas | 0:21:05 | 0:21:07 | |
teemed with living particles | 0:21:07 | 0:21:08 | |
that seemed to surround the "beagle" | 0:21:08 | 0:21:10 | |
with a luminous glow | 0:21:10 | 0:21:12 | |
and leave a glistening pathway through the night. | 0:21:12 | 0:21:15 | |
Puzzling. | 0:21:35 | 0:21:36 | |
So much beauty for so little purpose. | 0:21:36 | 0:21:40 | |
So little purpose? | 0:21:40 | 0:21:42 | |
They were helping to light the ship's way. | 0:21:42 | 0:21:44 | |
Well said. Exactly. | 0:21:44 | 0:21:46 | |
John, are you familiar with the works of Thomas Malthus? | 0:21:46 | 0:21:50 | |
He married his first cousin, didn't he? | 0:21:50 | 0:21:52 | |
So did I. | 0:21:52 | 0:21:53 | |
Yes, but I wasn't suggesting that... | 0:21:54 | 0:21:57 | |
Of course you weren't. | 0:21:57 | 0:22:00 | |
Anyway, Thomas Malthus calculated | 0:22:00 | 0:22:02 | |
that if, well, if every trout, say, | 0:22:02 | 0:22:05 | |
had 100 or so offspring and so on and so forth | 0:22:05 | 0:22:07 | |
throughout the generations | 0:22:07 | 0:22:08 | |
that we'd be knee-deep in trout | 0:22:08 | 0:22:10 | |
in just a few decades. | 0:22:10 | 0:22:13 | |
How would you respond to that? | 0:22:13 | 0:22:15 | |
I'd respond by saying | 0:22:15 | 0:22:16 | |
that most of the eggs are destroyed or eaten | 0:22:16 | 0:22:19 | |
so that the numbers remain stable. | 0:22:19 | 0:22:21 | |
That's the beauty of God's plan. | 0:22:21 | 0:22:23 | |
It doesn't strike you as an exceedingly wasteful plan, | 0:22:23 | 0:22:25 | |
these myriad lives created only to be immediately extinguished? | 0:22:25 | 0:22:29 | |
-They're providing food for others. -Cheese and cucumber? | 0:22:29 | 0:22:31 | |
Thousands, John, thousands die | 0:22:31 | 0:22:33 | |
so that only a few may live. | 0:22:33 | 0:22:35 | |
Is not the general sum total of happiness | 0:22:35 | 0:22:37 | |
in some sort of massive deficit? | 0:22:37 | 0:22:39 | |
Charles, it is really not my duty | 0:22:39 | 0:22:41 | |
to speculate on the mind of God, | 0:22:41 | 0:22:43 | |
but it does seem to me that nature is at peace. | 0:22:43 | 0:22:46 | |
Well, there is another view. | 0:22:46 | 0:22:49 | |
That all of nature is a battlefield. | 0:22:49 | 0:22:53 | |
Remind me where I read that. | 0:22:53 | 0:22:57 | |
Mm. This is very good. | 0:22:57 | 0:22:59 | |
Good. Shall I continue? | 0:22:59 | 0:23:02 | |
Mm, please do. | 0:23:02 | 0:23:04 | |
"In a short time, he returned | 0:23:04 | 0:23:06 | |
"and dismissed his attendants, | 0:23:06 | 0:23:08 | |
"excepting one, | 0:23:08 | 0:23:09 | |
"and intimating to Waverley that he must..." | 0:23:09 | 0:23:13 | |
VOICES FADE | 0:23:13 | 0:23:15 | |
BUZZING | 0:23:24 | 0:23:26 | |
SQUAWKING | 0:23:38 | 0:23:42 | |
CHIRPING | 0:23:58 | 0:24:00 | |
"Now, thought Christian, | 0:24:45 | 0:24:48 | |
"what shall I do? | 0:24:48 | 0:24:50 | |
"And ever and anon the flames and smoke | 0:24:50 | 0:24:53 | |
"would come out in such abundance, | 0:24:53 | 0:24:55 | |
"with sparks and hideous noises | 0:24:55 | 0:24:57 | |
"that Christian was forced to put up his sword | 0:24:57 | 0:25:00 | |
"and betake himself to another weapon | 0:25:00 | 0:25:02 | |
"called all prayer." | 0:25:02 | 0:25:06 | |
Let us stop there. | 0:25:06 | 0:25:09 | |
Is Papa not coming to kiss us good night? | 0:25:09 | 0:25:11 | |
He is a little unwell from working. | 0:25:11 | 0:25:14 | |
Maybe tomorrow. | 0:25:14 | 0:25:15 | |
You said that last night. | 0:25:15 | 0:25:18 | |
I think when Annie died, he stopped loving us. | 0:25:18 | 0:25:22 | |
No, Etty. | 0:25:22 | 0:25:24 | |
He's just a little bit tired | 0:25:24 | 0:25:26 | |
and a little bit busy. | 0:25:26 | 0:25:29 | |
Good night, darling. | 0:25:39 | 0:25:40 | |
What are you doing, Annie? | 0:26:08 | 0:26:11 | |
I'm making you beautiful. | 0:26:11 | 0:26:13 | |
But I need to think. | 0:26:15 | 0:26:17 | |
What are you so scared of? | 0:26:19 | 0:26:22 | |
It's only a theory. | 0:26:25 | 0:26:28 | |
No, they're right. | 0:26:28 | 0:26:30 | |
It changes everything. | 0:26:30 | 0:26:33 | |
Suppose the whole world | 0:26:33 | 0:26:36 | |
stopped believing that God had any sort of plan for us. | 0:26:36 | 0:26:39 | |
Nothing mattered. | 0:26:39 | 0:26:41 | |
Not love, nor trust. | 0:26:41 | 0:26:43 | |
Not faith, not honour. | 0:26:43 | 0:26:46 | |
Only brute survival. | 0:26:47 | 0:26:49 | |
Apart from anything else, | 0:26:53 | 0:26:55 | |
it would break your mother's heart. | 0:26:55 | 0:26:56 | |
Hearts can't break, silly. | 0:26:56 | 0:26:58 | |
You told me that. | 0:26:58 | 0:27:00 | |
Breathe in, Papa. | 0:27:05 | 0:27:07 | |
Breathe out. | 0:27:07 | 0:27:09 | |
Tell me a story. | 0:27:12 | 0:27:13 | |
All right. What about? | 0:27:13 | 0:27:16 | |
About Jenny. | 0:27:16 | 0:27:19 | |
It's late. I have no time. | 0:27:19 | 0:27:22 | |
Please? | 0:27:22 | 0:27:24 | |
Why Jenny? It's so sad. | 0:27:24 | 0:27:27 | |
I like sad stories. | 0:27:27 | 0:27:29 | |
Once upon a time, | 0:27:33 | 0:27:35 | |
there was a family of orangutans | 0:27:35 | 0:27:38 | |
living in the deepest jungles of Borneo. | 0:27:38 | 0:27:41 | |
Their eldest daughter was the most loving, | 0:27:49 | 0:27:52 | |
the most caring, | 0:27:52 | 0:27:54 | |
and the most trusting orang of all. | 0:27:54 | 0:27:57 | |
But she was also the most... | 0:28:00 | 0:28:03 | |
Intelligent. | 0:28:03 | 0:28:05 | |
Well, I was going to say inquisitive. | 0:28:05 | 0:28:07 | |
Did I neglect to mention | 0:28:09 | 0:28:11 | |
she was not always the most obedient of creatures? | 0:28:11 | 0:28:16 | |
By the time she realised her danger, | 0:29:06 | 0:29:09 | |
it was too late. | 0:29:09 | 0:29:10 | |
SHOUTING | 0:29:10 | 0:29:14 | |
They put her in a bag and they carried her off... | 0:29:16 | 0:29:19 | |
Much to her loving parents' despair. | 0:29:19 | 0:29:21 | |
So sorry. Much to her loving parents' despair, of course. | 0:29:21 | 0:29:25 | |
And the Dayaks bundled her into a cage | 0:29:25 | 0:29:27 | |
and set off to sell her down the river. | 0:29:27 | 0:29:31 | |
They sold her to a trader | 0:29:32 | 0:29:34 | |
for thruppence, three farthings, and he put her in a bigger cage | 0:29:34 | 0:29:38 | |
and sold her to London Zoo for 300 guineas. | 0:29:38 | 0:29:42 | |
She was the first orangutan | 0:29:48 | 0:29:50 | |
that anyone had ever seen in England. | 0:29:50 | 0:29:53 | |
Everyone peered at Jenny, | 0:29:53 | 0:29:55 | |
And Jenny peered back, | 0:29:55 | 0:29:57 | |
and she marvelled at what strange creatures they all were. | 0:29:57 | 0:30:02 | |
The curators of the zoo, they... | 0:30:02 | 0:30:05 | |
They cleaned her up. | 0:30:05 | 0:30:08 | |
Made her presentable | 0:30:08 | 0:30:11 | |
for polite society. | 0:30:11 | 0:30:14 | |
Which was when I was first introduced to her. | 0:30:16 | 0:30:19 | |
BELL JANGLES | 0:30:45 | 0:30:47 | |
What is that, Jenny? | 0:30:47 | 0:30:49 | |
HARMONICA PLAYS | 0:31:49 | 0:31:52 | |
Oh, come on! | 0:31:52 | 0:31:54 | |
RANDOM NOTES | 0:32:10 | 0:32:13 | |
Bravo! | 0:32:13 | 0:32:15 | |
When eventually it came time to say goodbye, | 0:32:16 | 0:32:19 | |
she grew quite downcast and refused to shake my hand. | 0:32:19 | 0:32:23 | |
Finally, she took it, | 0:32:23 | 0:32:25 | |
but only after I'd made her a promise | 0:32:25 | 0:32:27 | |
I was never able to keep, | 0:32:27 | 0:32:29 | |
that I would visit her again very soon. | 0:32:29 | 0:32:33 | |
Go on. Tell me about the bit | 0:32:35 | 0:32:36 | |
where she gets sick and dies. | 0:32:36 | 0:32:39 | |
Why do you want to hear that bit? | 0:32:40 | 0:32:42 | |
I like it. It makes me cry. | 0:32:42 | 0:32:45 | |
DOOR OPENS | 0:33:08 | 0:33:11 | |
Huxley is of the opinion | 0:33:18 | 0:33:20 | |
that I should write and be done with it. | 0:33:20 | 0:33:22 | |
Says it's a question of moral courage, or... | 0:33:22 | 0:33:26 | |
Or rather my lack of it. | 0:33:26 | 0:33:28 | |
Did you tell him about your health? | 0:33:30 | 0:33:32 | |
His theory is that I'm making myself ill | 0:33:32 | 0:33:35 | |
by holding back and... | 0:33:35 | 0:33:38 | |
that I should lance the boil, so to speak. | 0:33:38 | 0:33:41 | |
Thank the Lord he's no longer a surgeon. | 0:33:41 | 0:33:44 | |
I have concluded that he's right. | 0:33:45 | 0:33:47 | |
You know, bite the gag. | 0:33:49 | 0:33:51 | |
Speed is everything. | 0:33:51 | 0:33:54 | |
It will all be over in a matter of months. | 0:33:54 | 0:33:58 | |
It is not mere months... | 0:33:58 | 0:34:01 | |
nor even years nor decades | 0:34:01 | 0:34:03 | |
that concern me, Charles. | 0:34:03 | 0:34:05 | |
Do you really care so little for your immortal soul? | 0:34:08 | 0:34:15 | |
Charles, do you not care | 0:34:15 | 0:34:18 | |
that you may never pass through the gates of heaven | 0:34:18 | 0:34:21 | |
and that you and I may be separated for all eternity? | 0:34:21 | 0:34:24 | |
Of course I care. Of course I do. | 0:34:24 | 0:34:27 | |
What do you think has kept me in limbo all these years? | 0:34:28 | 0:34:32 | |
I am a neuter bee. | 0:34:32 | 0:34:35 | |
I'm a scientist, and I dare not study | 0:34:37 | 0:34:40 | |
for the fear of seeing more clearly | 0:34:40 | 0:34:42 | |
what is already as plain as day to me. | 0:34:42 | 0:34:45 | |
Do you not think that's torture enough? | 0:34:47 | 0:34:50 | |
I think you are at war with God, Charles. | 0:34:50 | 0:34:54 | |
We both know it is a battle you cannot win. | 0:34:54 | 0:34:57 | |
CHILDREN'S LAUGHTER | 0:35:10 | 0:35:14 | |
-Throw me the ball! -No, you cheated! | 0:35:15 | 0:35:18 | |
-Curse you, woman! -You cheated! | 0:35:18 | 0:35:20 | |
Etty! | 0:35:20 | 0:35:22 | |
Etty, Etty, Etty! | 0:35:27 | 0:35:28 | |
Aah! Aah! | 0:35:33 | 0:35:34 | |
Were you never married, Brodie? | 0:35:51 | 0:35:54 | |
Myself? No. | 0:35:54 | 0:35:56 | |
He went off to Australia. | 0:35:56 | 0:35:58 | |
Missed me chance. | 0:35:58 | 0:36:01 | |
I shall never marry. | 0:36:01 | 0:36:04 | |
I know how men give you babies. | 0:36:04 | 0:36:06 | |
I sincerely hope you do not, Annie Darwin! | 0:36:06 | 0:36:09 | |
Everybody step back and look at the rock. | 0:36:12 | 0:36:14 | |
If you look at it, really look at it, | 0:36:14 | 0:36:16 | |
it can take us back through time. | 0:36:16 | 0:36:18 | |
See these greyish, muddy layers? | 0:36:18 | 0:36:21 | |
They were brought here | 0:36:21 | 0:36:22 | |
by quiet, patient, gentle rivers, | 0:36:22 | 0:36:25 | |
whereas these dramatic sandstone deposits | 0:36:25 | 0:36:28 | |
are telling us of huge storms, | 0:36:28 | 0:36:31 | |
storms that came through here millions of years ago | 0:36:31 | 0:36:34 | |
When Aunt Sarah was just a little girl | 0:36:34 | 0:36:36 | |
and Down Village was a swamp full of dinosaurs. | 0:36:36 | 0:36:40 | |
What's a dinosaur? | 0:36:40 | 0:36:41 | |
Well, it's a lizard... | 0:36:41 | 0:36:43 | |
Professor Owen invented them. | 0:36:43 | 0:36:44 | |
Well, he didn't exactly invent them. | 0:36:44 | 0:36:46 | |
They weren't real! | 0:36:46 | 0:36:48 | |
Yes, they were. | 0:36:48 | 0:36:49 | |
Annie, put some clothes on! You're going blue. | 0:36:49 | 0:36:51 | |
Look what I found! Spiny starfish! | 0:36:51 | 0:36:54 | |
Don't tell me. | 0:36:54 | 0:36:56 | |
Marthasterias gacialis, look! | 0:36:56 | 0:36:58 | |
Glacialis. | 0:36:58 | 0:37:00 | |
Whoo! Whoo! | 0:37:00 | 0:37:04 | |
I am Fuegian! | 0:37:07 | 0:37:09 | |
Aah! | 0:37:13 | 0:37:16 | |
I'm making custard! | 0:37:16 | 0:37:19 | |
Aah! | 0:37:19 | 0:37:21 | |
He did! He told me! | 0:37:26 | 0:37:28 | |
It is not fair to the other children, nor to Annie herself, | 0:37:28 | 0:37:31 | |
that her head be filled with these ideas. | 0:37:31 | 0:37:35 | |
But Daddy said! | 0:37:35 | 0:37:36 | |
I will leave you to deal with this. | 0:37:36 | 0:37:38 | |
He did! He told me! | 0:37:38 | 0:37:39 | |
-Hush, I said. -Goodbye, Annie. | 0:37:39 | 0:37:41 | |
What happened? | 0:37:41 | 0:37:43 | |
Nothing. | 0:37:43 | 0:37:45 | |
Your knees. What happened to your knees? | 0:37:45 | 0:37:48 | |
Reverend Innes had to have words with her. | 0:37:48 | 0:37:50 | |
Words are all very well. I'm asking what happened to her knees. | 0:37:50 | 0:37:53 | |
Reverend Innes sent me to the corner | 0:37:53 | 0:37:55 | |
and made me kneel on rock salt. | 0:37:55 | 0:37:56 | |
Why? | 0:37:59 | 0:38:01 | |
I said there were dinosaurs, and he said there weren't. | 0:38:01 | 0:38:04 | |
But there were, cos you found them with Professor Owen! | 0:38:04 | 0:38:05 | |
Where's my coat? | 0:38:05 | 0:38:07 | |
Brodie, take her to the kitchen and find her something nice. | 0:38:07 | 0:38:09 | |
Where's my coat?! | 0:38:09 | 0:38:11 | |
He told her to kneel until she repented, | 0:38:12 | 0:38:14 | |
so the marks are a result of her own stubbornness. | 0:38:14 | 0:38:17 | |
She contradicted him repeatedly. | 0:38:17 | 0:38:18 | |
Listen to yourself! Emma! | 0:38:18 | 0:38:21 | |
How dare he torture our children | 0:38:21 | 0:38:23 | |
for expressing the plain and simple truth! | 0:38:23 | 0:38:25 | |
It is not the truth as he sees it. | 0:38:25 | 0:38:26 | |
Well, damn how he sees it! | 0:38:26 | 0:38:28 | |
Must our children be revolutionaries at 9 years of age? | 0:38:31 | 0:38:35 | |
He is teaching them to deny the evidence of their own senses. | 0:38:35 | 0:38:38 | |
No more than I have told them every night at bedtime. | 0:38:38 | 0:38:40 | |
It is the instruction of our parents and our grandparents. | 0:38:40 | 0:38:43 | |
It's what all of the village believe, or try to. | 0:38:43 | 0:38:46 | |
Charles, Reverend Innes is a dear friend and neighbour. | 0:38:46 | 0:38:50 | |
Please, do not set yourself against him. | 0:38:50 | 0:38:55 | |
I beg you. | 0:38:57 | 0:38:59 | |
For you. | 0:39:06 | 0:39:09 | |
Not for him. | 0:39:09 | 0:39:12 | |
# All things bright and beautiful | 0:39:15 | 0:39:19 | |
# All creatures great and small | 0:39:19 | 0:39:23 | |
# All things wise and wonderful | 0:39:23 | 0:39:27 | |
# The Lord God made them all. # | 0:39:27 | 0:39:34 | |
Let us pray. | 0:39:34 | 0:39:35 | |
Lord God, | 0:39:43 | 0:39:46 | |
we know the world is governed by thy plan, | 0:39:46 | 0:39:50 | |
extending to the merest creatures thou hast made, | 0:39:50 | 0:39:54 | |
such that even a sparrow | 0:39:54 | 0:39:56 | |
falls not to the ground without thy will. | 0:39:56 | 0:39:59 | |
Teach us that all misfortune, | 0:40:01 | 0:40:04 | |
all sickness and death, | 0:40:04 | 0:40:07 | |
all the trials and miseries | 0:40:07 | 0:40:09 | |
of which we daily complain | 0:40:09 | 0:40:13 | |
are intended for our good, | 0:40:13 | 0:40:16 | |
being not the whims of an uncaring universe, | 0:40:16 | 0:40:20 | |
but the corrections of a wise | 0:40:20 | 0:40:24 | |
and affectionate parent. | 0:40:24 | 0:40:26 | |
Teach us this, | 0:40:28 | 0:40:30 | |
in thy name, oh Lord. | 0:40:30 | 0:40:33 | |
Amen. | 0:40:33 | 0:40:34 | |
ALL: Amen. | 0:40:34 | 0:40:36 | |
The lesson today is taken from the book of genesis, | 0:40:38 | 0:40:42 | |
Chapter one, verses 26 to 30. | 0:40:42 | 0:40:44 | |
Sorry. | 0:40:44 | 0:40:46 | |
Excuse me. I'm so sorry. | 0:40:46 | 0:40:47 | |
"And god said..." | 0:40:47 | 0:40:50 | |
Excuse me. | 0:40:50 | 0:40:51 | |
.."Let us make man in our image, | 0:40:51 | 0:40:52 | |
"after our likeness. | 0:40:52 | 0:40:54 | |
"And let them have dominion | 0:40:54 | 0:40:56 | |
"over the fish of the sea, | 0:40:56 | 0:40:58 | |
"and over the fowl of the air, | 0:40:58 | 0:41:00 | |
"and over all the cattle and over all the Earth, | 0:41:00 | 0:41:02 | |
"and over every creeping thing | 0:41:02 | 0:41:04 | |
"that creepeth upon the earth." | 0:41:04 | 0:41:07 | |
'Dearest Emma, | 0:41:13 | 0:41:15 | |
'Last night you said I was at war with God, | 0:41:15 | 0:41:19 | |
'But truly, it is nothing so dramatic as a war. | 0:41:19 | 0:41:21 | |
'Just a silent struggle with myself, | 0:41:21 | 0:41:24 | |
Extended over a thousand afternoons. | 0:41:24 | 0:41:27 | |
'The loss of religious faith | 0:41:27 | 0:41:29 | |
'is a slow and fragile process, | 0:41:29 | 0:41:31 | |
'like the raising of continents. | 0:41:31 | 0:41:34 | |
'What can I say to you, | 0:41:34 | 0:41:36 | |
'except that the process now seems complete?' | 0:41:36 | 0:41:39 | |
BIRD CAWS | 0:42:17 | 0:42:21 | |
TWIG SNAPS | 0:42:55 | 0:42:57 | |
(What are we looking at?) | 0:43:05 | 0:43:07 | |
(See the rabbit?) | 0:43:07 | 0:43:09 | |
(Stay very still.) | 0:43:18 | 0:43:21 | |
SCREECHING | 0:43:36 | 0:43:39 | |
Make it stop. Quickly, Daddy, make it stop. Quickly! | 0:43:39 | 0:43:43 | |
Etty. Etty, darling. | 0:43:43 | 0:43:44 | |
-Daddy, make it stop! -Darling girl. | 0:43:44 | 0:43:47 | |
SOBS Dear girl! | 0:43:47 | 0:43:49 | |
Dear sweet girl. | 0:43:49 | 0:43:51 | |
It's not fair! | 0:43:51 | 0:43:53 | |
It's not fair! | 0:43:53 | 0:43:56 | |
I'm sorry. | 0:43:56 | 0:43:58 | |
Not fair. | 0:43:58 | 0:43:59 | |
It's not fair. | 0:43:59 | 0:44:00 | |
Etty, it has to be that way. | 0:44:00 | 0:44:04 | |
The fox has to eat the rabbit, | 0:44:04 | 0:44:07 | |
otherwise the fox's babies will die. | 0:44:07 | 0:44:10 | |
It's the balance of things. | 0:44:11 | 0:44:13 | |
Come on, little duck, give us a smile. | 0:44:16 | 0:44:19 | |
CHILDREN CHATTER, PIANO PLAYS | 0:44:24 | 0:44:27 | |
'Dear Hooker, | 0:44:36 | 0:44:39 | |
I am finally decided. | 0:44:39 | 0:44:41 | |
I think I owe it to my children | 0:44:41 | 0:44:44 | |
to at least have the courage of my own convictions. | 0:44:44 | 0:44:46 | |
My title will be | 0:44:46 | 0:44:49 | |
'"On the origin of species", | 0:44:49 | 0:44:51 | |
'and I shall endeavour to keep God out of it, | 0:44:51 | 0:44:55 | |
'Although no doubt he will see it as a personal attack. | 0:44:55 | 0:45:00 | |
'Nothing is easier than to admit the truth | 0:45:02 | 0:45:05 | |
'of the universal struggle for life. | 0:45:05 | 0:45:07 | |
'Or more difficult | 0:45:07 | 0:45:09 | |
'than to constantly bear this in mind. | 0:45:09 | 0:45:12 | |
'I shall devote my first chapter | 0:45:12 | 0:45:14 | |
'to variations under domestication, | 0:45:14 | 0:45:17 | |
'wherein we will see | 0:45:17 | 0:45:18 | |
'how great is the power of man | 0:45:18 | 0:45:22 | |
'in accumulating slight variations. | 0:45:22 | 0:45:24 | |
'I will then pass on to see how natural selection | 0:45:24 | 0:45:26 | |
'causes much extinction... | 0:45:26 | 0:45:29 | |
'of the less-improved forms of life.' | 0:45:29 | 0:45:32 | |
Charles? | 0:45:52 | 0:45:54 | |
Yes? | 0:45:55 | 0:45:57 | |
What is Lewis making? | 0:45:57 | 0:46:00 | |
He's making a water tower | 0:46:00 | 0:46:02 | |
like the one they have at Malvern. | 0:46:02 | 0:46:06 | |
The writing's not been going well, | 0:46:06 | 0:46:07 | |
so I thought I might try my own water cure. | 0:46:07 | 0:46:10 | |
You're still angry with me. | 0:46:10 | 0:46:13 | |
I can always tell by your playing. | 0:46:14 | 0:46:18 | |
Not angry. Sad. | 0:46:18 | 0:46:21 | |
Pull! | 0:47:15 | 0:47:17 | |
'The face of nature | 0:47:18 | 0:47:20 | |
'may be compared to a yielding surface | 0:47:20 | 0:47:24 | |
'with 10,000 sharp wedges packed close together | 0:47:24 | 0:47:26 | |
'and then driven inwards by incessant blows, | 0:47:26 | 0:47:29 | |
'sometimes one wedge being struck | 0:47:29 | 0:47:31 | |
'and then another with great force. | 0:47:31 | 0:47:32 | |
'The mind cannot possibly grasp the full meaning | 0:47:32 | 0:47:34 | |
'of the term "a hundred million years." | 0:47:34 | 0:47:38 | |
'It cannot add up and perceive the full effects | 0:47:38 | 0:47:40 | |
'of many slight variations. | 0:47:40 | 0:47:42 | |
'We forget how largely these songsters | 0:47:42 | 0:47:45 | |
'or their eggs or their nestlings | 0:47:45 | 0:47:47 | |
'are destroyed by birds and beasts of prey. | 0:47:47 | 0:47:49 | |
'Thus, over tens of thousands of generations, | 0:47:49 | 0:47:52 | |
'tiny variations accumulate, becoming... | 0:47:52 | 0:47:55 | |
THOUGHTS OVERLAP 'Organs change their very function. | 0:47:55 | 0:47:58 | |
'The female sexual organ becomes a cement gland. | 0:47:58 | 0:48:01 | |
'Limbs become blind feelers | 0:48:01 | 0:48:03 | |
'or fall away entirely. | 0:48:03 | 0:48:06 | |
'What was once a free-swimming creature | 0:48:06 | 0:48:09 | |
'finds itself glued by its head to a rock, | 0:48:09 | 0:48:13 | |
'blindly flailing for food.' | 0:48:13 | 0:48:15 | |
Papa! | 0:48:15 | 0:48:17 | |
GASPS | 0:48:17 | 0:48:19 | |
Why is sweating supposed to be good for you? | 0:48:59 | 0:49:02 | |
Because it gets rid of the poisons in your blood. | 0:49:02 | 0:49:06 | |
I thought you didn't believe in sin. | 0:49:06 | 0:49:09 | |
I don't. | 0:49:09 | 0:49:11 | |
Not in the way Reverend Innes understands it, anyway. | 0:49:11 | 0:49:14 | |
Then why are you afraid of going to hell? | 0:49:14 | 0:49:17 | |
I'm not. | 0:49:17 | 0:49:19 | |
Yes, you are. | 0:49:19 | 0:49:20 | |
You think you deserve it. | 0:49:20 | 0:49:21 | |
No, I don't. Of course I don't. | 0:49:21 | 0:49:24 | |
What could possibly make you think that? | 0:49:24 | 0:49:26 | |
Because you think you should never have had me. | 0:49:26 | 0:49:29 | |
Oh, for God's sake, girl. | 0:49:32 | 0:49:34 | |
Oh, I don't have to listen to this nonsense. | 0:49:34 | 0:49:37 | |
You're cruel. You're just being cruel. | 0:49:37 | 0:49:40 | |
The girl's gone mad. | 0:49:40 | 0:49:43 | |
That's why you won't talk to Mama anymore. | 0:49:43 | 0:49:45 | |
Enough of this. Enough of it. | 0:49:45 | 0:49:47 | |
I talk to her. Of course I talk to her. | 0:49:47 | 0:49:49 | |
Just not the important things. What about me? | 0:49:49 | 0:49:50 | |
Why must everything always be about you? | 0:49:50 | 0:49:53 | |
Because that's what you won't talk to her about. | 0:49:53 | 0:49:54 | |
What? | 0:49:54 | 0:49:56 | |
About how you think you're responsible. | 0:49:56 | 0:49:59 | |
Get out of here. | 0:50:00 | 0:50:01 | |
You get out of here. Get out of here. | 0:50:04 | 0:50:08 | |
You said honesty was the most important thing in the world. | 0:50:08 | 0:50:11 | |
If you won't be honest, then I won't come again. | 0:50:11 | 0:50:13 | |
And it'll serve you right! | 0:50:13 | 0:50:14 | |
Get out! Please, get out! | 0:50:14 | 0:50:17 | |
Get out! | 0:50:17 | 0:50:19 | |
You have not been well for months now. | 0:50:29 | 0:50:32 | |
I'll be fine. I'm fine. | 0:50:32 | 0:50:34 | |
Will you talk to John Innes? | 0:50:35 | 0:50:37 | |
What about? | 0:50:37 | 0:50:39 | |
Whatever it is that ails you. | 0:50:39 | 0:50:42 | |
What is he now, exactly? What is he? He's a physician, is he? | 0:50:42 | 0:50:45 | |
Yes. A physician of souls, anyway. | 0:50:45 | 0:50:48 | |
Talk to him as a friend. | 0:50:49 | 0:50:52 | |
You used to be such friends. | 0:50:52 | 0:50:55 | |
I think he can help you. | 0:50:57 | 0:50:59 | |
INDISTINCT CONVERSATION | 0:51:03 | 0:51:05 | |
Mr. Darwin! Excuse me. | 0:51:33 | 0:51:36 | |
Goodman coming through. Ah, Mr Darwin. | 0:51:36 | 0:51:38 | |
I was just explaining to Mr Goodman here | 0:51:38 | 0:51:40 | |
about your interest in breeding. | 0:51:40 | 0:51:42 | |
Oh, good. Excellent. | 0:51:42 | 0:51:43 | |
Mr Goodman here is our foremost pigeon fancier | 0:51:43 | 0:51:46 | |
in all of southern England. | 0:51:46 | 0:51:48 | |
I swear, he can give you any beak or plumage | 0:51:48 | 0:51:50 | |
within four generations. | 0:51:50 | 0:51:52 | |
Well, what's your secret, Mr Goodman? | 0:51:52 | 0:51:54 | |
The truth to tell, I interbreed them. | 0:51:54 | 0:51:56 | |
Brother and sister, cousin with cousin. | 0:51:56 | 0:51:59 | |
It's the fastest way to alter the strain. | 0:51:59 | 0:52:00 | |
Of course, there's a danger that you'll weaken it, | 0:52:00 | 0:52:03 | |
But a gentleman like yourself, | 0:52:03 | 0:52:06 | |
I'm sure you can afford to lose a few chicks, eh? | 0:52:06 | 0:52:09 | |
LAUGHTER | 0:52:09 | 0:52:11 | |
Now, plenty of rest, young lady. | 0:52:11 | 0:52:14 | |
Down you go. | 0:52:14 | 0:52:16 | |
Keep her warm. | 0:52:16 | 0:52:17 | |
Thank you, doctor. | 0:52:17 | 0:52:19 | |
Goodbye, Annie. | 0:52:19 | 0:52:20 | |
Goodbye. | 0:52:20 | 0:52:22 | |
Unfortunately, if we let them run wild on the beach, | 0:52:25 | 0:52:29 | |
We have to expect the consequences, do we not, Mrs Darwin? | 0:52:29 | 0:52:32 | |
So, increase the calomel, I think, twice. | 0:52:32 | 0:52:34 | |
No, I will not give her any more of it. | 0:52:34 | 0:52:36 | |
Why ever not? | 0:52:36 | 0:52:37 | |
She's been taking it for weeks. | 0:52:37 | 0:52:38 | |
Can you not see she's not getting any... | 0:52:38 | 0:52:40 | |
It is nothing but chloride of mercury. | 0:52:40 | 0:52:41 | |
I have prescribed it often in babies. | 0:52:41 | 0:52:43 | |
Not to any of mine you haven't. | 0:52:43 | 0:52:45 | |
If she would submit to being bled, Charles... | 0:52:45 | 0:52:46 | |
Please, no. | 0:52:46 | 0:52:49 | |
Daddy? > | 0:52:49 | 0:52:50 | |
I will write to Dr Gully again. | 0:52:50 | 0:52:52 | |
The hydrotherapist? | 0:52:52 | 0:52:53 | |
Personally, I have found his treatments very effective. | 0:52:53 | 0:52:56 | |
No matter that they defy all sense of logic? | 0:52:56 | 0:52:57 | |
Well, logic isn't everything, Henry. | 0:52:57 | 0:52:59 | |
Clearly not. | 0:52:59 | 0:53:02 | |
I'll see myself out. Good day, madam. | 0:53:02 | 0:53:04 | |
Good day. | 0:53:04 | 0:53:05 | |
I should take her to Malvern. | 0:53:10 | 0:53:11 | |
To be treated twice daily as I was. | 0:53:11 | 0:53:13 | |
It is better she's here. She needs her family. | 0:53:13 | 0:53:15 | |
She needs love and rest. | 0:53:15 | 0:53:17 | |
She'll get well. | 0:53:17 | 0:53:20 | |
One more week. | 0:53:22 | 0:53:25 | |
We'll watch her for one more week. | 0:53:25 | 0:53:27 | |
All right? | 0:53:27 | 0:53:29 | |
Thank you. | 0:53:29 | 0:53:31 | |
INDISTINCT CRY | 0:54:03 | 0:54:04 | |
-MUFFLED: -Daddy, help! | 0:54:04 | 0:54:07 | |
Help! Help! | 0:54:13 | 0:54:18 | |
CHIRPING | 0:54:48 | 0:54:51 | |
SHRIEKING | 0:55:02 | 0:55:06 | |
Aah! | 0:55:08 | 0:55:10 | |
Post for you, sir. | 0:55:34 | 0:55:37 | |
This one's from the spice islands. | 0:55:37 | 0:55:40 | |
Charles! | 0:56:13 | 0:56:15 | |
Charles, my old friend, there you are. | 0:56:15 | 0:56:18 | |
May I join you? | 0:56:18 | 0:56:21 | |
Yes. Yes, of course. | 0:56:21 | 0:56:24 | |
Mrs Darwin has told me | 0:56:29 | 0:56:31 | |
about the book you are writing. | 0:56:31 | 0:56:34 | |
Oh, no, no, not anymore. Thank goodness. | 0:56:34 | 0:56:37 | |
You mean you finished it? | 0:56:37 | 0:56:39 | |
It's been finished for me, actually. | 0:56:39 | 0:56:40 | |
A Mr Alfred Russel Wallace | 0:56:40 | 0:56:43 | |
has arrived independently | 0:56:43 | 0:56:45 | |
at exactly the same opinion. | 0:56:45 | 0:56:48 | |
Expressed in a... LAUGHS | 0:56:48 | 0:56:52 | |
..in a mere 20 pages. | 0:56:52 | 0:56:55 | |
Now, there's brevity for you. | 0:56:55 | 0:56:58 | |
I had covered 250 so far and come to a dead end, | 0:56:58 | 0:57:02 | |
so whilst having wasted 20 years | 0:57:02 | 0:57:06 | |
on the project, I am at least rid of it. | 0:57:06 | 0:57:09 | |
Well... | 0:57:11 | 0:57:12 | |
Well... | 0:57:15 | 0:57:18 | |
The Lord moves in mysterious ways. | 0:57:18 | 0:57:21 | |
Hmm, yes, he does, doesn't he? | 0:57:23 | 0:57:26 | |
You know, I was remarking only the other day | 0:57:28 | 0:57:30 | |
how he has endowed us | 0:57:30 | 0:57:33 | |
in all of his blessed generosity | 0:57:33 | 0:57:34 | |
with not one but 900 species of intestinal worm, | 0:57:34 | 0:57:38 | |
each with its own unique method | 0:57:38 | 0:57:40 | |
of infiltrating the mucosa and burrowing through | 0:57:40 | 0:57:43 | |
to the bloodstream. | 0:57:43 | 0:57:44 | |
And on the love that he shows for butterflies | 0:57:44 | 0:57:48 | |
by inventing a wasp that lays its eggs | 0:57:48 | 0:57:50 | |
inside the living flesh of caterpillars. | 0:57:50 | 0:57:53 | |
I have said on many previous occasions, | 0:57:53 | 0:57:55 | |
it is not for us to speculate at his reason. | 0:57:55 | 0:57:57 | |
Oh, no, we can leave that to Mr Wallace. | 0:57:57 | 0:57:59 | |
Shall I advise him to stay abroad, do you think? | 0:57:59 | 0:58:04 | |
With his opinions, if he shows his face around here, | 0:58:04 | 0:58:07 | |
he may be required to kneel on rock salt. | 0:58:07 | 0:58:10 | |
I always valued our friendship. | 0:58:24 | 0:58:27 | |
Until now, I regarded you as one of those rare mortals | 0:58:29 | 0:58:33 | |
with whom one could disagree | 0:58:33 | 0:58:35 | |
and yet feel no shade of animosity. | 0:58:35 | 0:58:38 | |
Sadly, that feeling is no longer reciprocated. | 0:58:40 | 0:58:46 | |
What? | 0:59:04 | 0:59:05 | |
I'm forestalled by Wallace. | 0:59:08 | 0:59:10 | |
What have I done? What? | 0:59:10 | 0:59:13 | |
What possible...what possible reason | 0:59:13 | 0:59:14 | |
could you have to be angry at me? | 0:59:14 | 0:59:18 | |
Annie? Annie? Annie! | 0:59:20 | 0:59:24 | |
Come here! Come back here! | 0:59:24 | 0:59:26 | |
You come back here now! | 0:59:26 | 0:59:28 | |
I am your father! | 0:59:29 | 0:59:30 | |
You come back here! | 0:59:30 | 0:59:32 | |
What? | 0:59:32 | 0:59:34 | |
What did I do? | 0:59:34 | 0:59:36 | |
What did I do to you? What? | 0:59:36 | 0:59:39 | |
Annie! Come here! Come back here! | 0:59:39 | 0:59:43 | |
What did I do to you? Come here! | 0:59:43 | 0:59:46 | |
Annie, please! | 0:59:46 | 0:59:47 | |
Come here, Annie! Annie! | 0:59:47 | 0:59:49 | |
Come here! | 0:59:49 | 0:59:51 | |
Get rid of them. | 1:00:06 | 1:00:07 | |
Get rid of all of them. | 1:00:09 | 1:00:12 | |
Come on. Get out! | 1:00:15 | 1:00:18 | |
Get out! | 1:00:18 | 1:00:20 | |
Go! Come on! | 1:00:20 | 1:00:23 | |
Get out! Go! | 1:00:23 | 1:00:26 | |
Go! | 1:00:26 | 1:00:27 | |
Mr Darwin! Mr Darwin! | 1:00:33 | 1:00:36 | |
Mr Darwin, sir! | 1:00:36 | 1:00:39 | |
Mr Darwin! | 1:00:39 | 1:00:41 | |
I'll have Lewis dismantle it, sir. | 1:00:41 | 1:00:44 | |
Now, Mr Darwin, | 1:00:44 | 1:00:45 | |
I'll send for Dr Holland. | 1:00:45 | 1:00:48 | |
God, no. | 1:00:48 | 1:00:52 | |
God damn it. | 1:00:52 | 1:00:54 | |
Damn it all to hell. | 1:00:54 | 1:00:58 | |
Mr Darwin? | 1:00:58 | 1:01:00 | |
Help me here! Help me here! | 1:01:03 | 1:01:04 | |
Help me! | 1:01:04 | 1:01:07 | |
So, increase the calomel to twice a day. | 1:01:12 | 1:01:15 | |
Yes, of course. | 1:01:15 | 1:01:17 | |
Keep him warm, plenty of rest... | 1:01:17 | 1:01:19 | |
I think Papa's going to die, too. | 1:01:30 | 1:01:32 | |
FLIES BUZZING | 1:01:34 | 1:01:36 | |
FOOTSTEPS | 1:01:36 | 1:01:39 | |
Oh. Hello, Hooker. | 1:01:51 | 1:01:54 | |
Hello. | 1:01:54 | 1:01:56 | |
Still talking. That's good. | 1:01:56 | 1:01:59 | |
Word had reached London you'd suffered an apoplectic stroke. | 1:01:59 | 1:02:01 | |
Your enemies are celebrating at the Athenaeum. | 1:02:01 | 1:02:04 | |
I have no enemies. | 1:02:04 | 1:02:06 | |
-This is the Wallace letter? -Yes. | 1:02:10 | 1:02:13 | |
Well, he has 20 pages. | 1:02:13 | 1:02:16 | |
You have a whole book, or at least half of one. | 1:02:16 | 1:02:19 | |
I intend to extract the other, even if it kills us both. | 1:02:19 | 1:02:22 | |
Have you been talking to Huxley again? | 1:02:22 | 1:02:24 | |
No. If I'd been talking to Huxley, | 1:02:24 | 1:02:25 | |
he'd be here himself with a cat-o'-nine-tails. | 1:02:25 | 1:02:27 | |
-Now, up you come. -No, Joseph, I cannot. | 1:02:27 | 1:02:29 | |
Honestly, I know not what ails me, | 1:02:29 | 1:02:31 | |
but it's more than I can endure. | 1:02:31 | 1:02:32 | |
Bosh! You have had this illness | 1:02:32 | 1:02:34 | |
as long as I have known you. | 1:02:34 | 1:02:36 | |
True, it's worse in times of overwork, | 1:02:36 | 1:02:37 | |
but it has nothing to do whatsoever with your soul, | 1:02:37 | 1:02:40 | |
wherever that resides now. | 1:02:40 | 1:02:41 | |
Go and get yourself treated. | 1:02:41 | 1:02:42 | |
I cannot. | 1:02:42 | 1:02:44 | |
Believe me, you do have enemies. | 1:02:44 | 1:02:46 | |
And I'll bet that half the nation would cheerfully see you | 1:02:46 | 1:02:48 | |
burnt at the stake if they knew what you were writing, | 1:02:48 | 1:02:50 | |
but you have friends, too, | 1:02:50 | 1:02:52 | |
and all of us are fighting the same battle. | 1:02:52 | 1:02:54 | |
And we can win this in our lifetimes. | 1:02:54 | 1:02:57 | |
We have to win this. | 1:02:57 | 1:02:58 | |
I implore you, go to Malvern, | 1:02:58 | 1:03:00 | |
take your blessed water cure, | 1:03:00 | 1:03:02 | |
come back, and win it for us. | 1:03:02 | 1:03:04 | |
She's nearly ready. | 1:03:29 | 1:03:30 | |
Good. Thank you. Christopher, move those quickly, please. | 1:03:30 | 1:03:33 | |
I want to come with you. | 1:03:33 | 1:03:35 | |
-No, Emma. -Malvern's not so far. | 1:03:35 | 1:03:36 | |
Parslow! Please! It's two days by coach and train. | 1:03:36 | 1:03:39 | |
If the baby comes early, who will look after you? | 1:03:39 | 1:03:40 | |
They have doctors up there. | 1:03:40 | 1:03:42 | |
Your job is here with the children. | 1:03:42 | 1:03:43 | |
They also need their father. | 1:03:43 | 1:03:45 | |
Brodie! I can't care about the other children now. | 1:03:45 | 1:03:47 | |
I can only care about Annie! | 1:03:47 | 1:03:49 | |
Mind her shawl. Make sure it's tucked in. | 1:03:50 | 1:03:53 | |
Good. All right, thank you. | 1:03:53 | 1:03:57 | |
Thank you. All right, little frog. | 1:03:57 | 1:03:59 | |
I made these for the journey, Mum. It's Annie's favourite. | 1:03:59 | 1:04:03 | |
You will see your Mama when you're well again. | 1:04:04 | 1:04:06 | |
-Brodie, get aboard. -No! | 1:04:06 | 1:04:08 | |
-No! -Say goodbye, now. Brodie, get aboard. | 1:04:08 | 1:04:11 | |
No, I can't! I don't want to say good-bye! | 1:04:11 | 1:04:12 | |
Say goodbye now. | 1:04:12 | 1:04:15 | |
No, I'm going with you. I'm going with you. Wait there! | 1:04:15 | 1:04:18 | |
Wait for me! | 1:04:18 | 1:04:19 | |
WEEPING | 1:04:23 | 1:04:25 | |
CHARLES: Go! Go now. | 1:04:32 | 1:04:34 | |
Walk on! HORSE NEIGHS | 1:04:36 | 1:04:40 | |
Mr Darwin, old friend. | 1:05:13 | 1:05:16 | |
Mr Darwin. How long has it been? | 1:05:16 | 1:05:19 | |
I haven't clapped eyes on you since... | 1:05:19 | 1:05:21 | |
Well... | 1:05:22 | 1:05:24 | |
So, what have we now? | 1:05:24 | 1:05:27 | |
What have we now? | 1:05:27 | 1:05:29 | |
Tongue? | 1:05:29 | 1:05:31 | |
Mm-mm. | 1:05:31 | 1:05:34 | |
Shirt up. Let me feel your liver. | 1:05:34 | 1:05:36 | |
Right. Up. | 1:05:41 | 1:05:44 | |
Pulse hectic, tongue furred, | 1:05:44 | 1:05:46 | |
liver tender and enlarged. | 1:05:46 | 1:05:49 | |
And obviously, you've been exercising your brain | 1:05:49 | 1:05:51 | |
every hour that God gave you. | 1:05:51 | 1:05:53 | |
I have been writing a book. | 1:05:53 | 1:05:55 | |
Madness! | 1:05:55 | 1:05:56 | |
There are far too many of those already. | 1:05:56 | 1:05:58 | |
Are you sleeping? | 1:05:58 | 1:06:00 | |
Poorly. | 1:06:00 | 1:06:02 | |
And I suppose never taking the 50c dilution of chelidonium? | 1:06:02 | 1:06:05 | |
I had my carpenter build a water tower. | 1:06:05 | 1:06:08 | |
It no longer has any effect. | 1:06:08 | 1:06:10 | |
Well, of course not! | 1:06:10 | 1:06:12 | |
Your carpenter isn't a hydrotherapist. | 1:06:12 | 1:06:13 | |
What on Earth possessed you? | 1:06:13 | 1:06:15 | |
I feared I was dying. | 1:06:15 | 1:06:17 | |
Oh, come, come, come. | 1:06:17 | 1:06:19 | |
We shall not have that talk here. | 1:06:19 | 1:06:20 | |
A sharp spinal scrub, cold douche daily at 7am, | 1:06:20 | 1:06:25 | |
and sweating by the lamp. | 1:06:25 | 1:06:28 | |
No red meat, no reading, | 1:06:28 | 1:06:30 | |
no mental agitation of any kind. | 1:06:30 | 1:06:33 | |
We shall soon have you right, Mr Darwin. | 1:06:33 | 1:06:35 | |
We shall soon have you right. | 1:06:35 | 1:06:38 | |
Papa? | 1:07:20 | 1:07:23 | |
I think I'm feeling better now. | 1:07:23 | 1:07:25 | |
Honestly. | 1:07:25 | 1:07:26 | |
Papa! | 1:08:18 | 1:08:22 | |
Sir, I kneel before you in all humility. | 1:09:08 | 1:09:11 | |
If it is in your power, God, to save her... | 1:09:16 | 1:09:20 | |
then I will believe in you for the rest of my days. | 1:09:20 | 1:09:23 | |
Take me, | 1:09:28 | 1:09:31 | |
if you must take someone, but not her. She... | 1:09:31 | 1:09:34 | |
She's such a good little girl, you see. She... | 1:09:37 | 1:09:40 | |
I ask this in the name of your child and mine, | 1:09:52 | 1:09:54 | |
and in the name of all children. | 1:09:54 | 1:09:56 | |
Thank you. | 1:09:59 | 1:10:02 | |
Amen. | 1:10:02 | 1:10:03 | |
With what do you most associate these symptoms? | 1:10:06 | 1:10:09 | |
Eating? | 1:10:09 | 1:10:10 | |
Strong emotion? | 1:10:10 | 1:10:13 | |
Physical exertion? | 1:10:13 | 1:10:15 | |
Any particular action? | 1:10:15 | 1:10:17 | |
Is memory an action? | 1:10:19 | 1:10:21 | |
Memory of what? | 1:10:21 | 1:10:22 | |
My daughter. | 1:10:25 | 1:10:27 | |
Of course. | 1:10:27 | 1:10:29 | |
You must accept | 1:10:30 | 1:10:32 | |
there was nothing more to be done. | 1:10:32 | 1:10:34 | |
Oh, dear fellow. | 1:10:38 | 1:10:41 | |
She is in heaven. | 1:10:41 | 1:10:44 | |
Yes, that's what my wife believes. | 1:10:46 | 1:10:50 | |
It is a great consolation to her. | 1:10:50 | 1:10:52 | |
But not you? | 1:10:52 | 1:10:54 | |
She and I are divided on it. | 1:10:54 | 1:10:58 | |
Were you always? | 1:10:58 | 1:11:00 | |
No. | 1:11:00 | 1:11:03 | |
Only since Annie died. | 1:11:03 | 1:11:06 | |
Whoa, there! | 1:11:08 | 1:11:10 | |
Charles, I'm... | 1:11:13 | 1:11:16 | |
I'm so very sorry about Annie. | 1:11:16 | 1:11:19 | |
Where is she? | 1:11:19 | 1:11:21 | |
In the lady chapel. | 1:11:21 | 1:11:22 | |
Thank you. Thank you. | 1:11:22 | 1:11:24 | |
WHISPERED PRAYING | 1:11:39 | 1:11:42 | |
Since that time, she has sought refuge in religion, | 1:11:59 | 1:12:03 | |
I, in science. | 1:12:03 | 1:12:04 | |
Has this division | 1:12:04 | 1:12:08 | |
affected your marital relations? | 1:12:08 | 1:12:12 | |
We have none anymore. | 1:12:14 | 1:12:17 | |
To speak of. | 1:12:17 | 1:12:18 | |
Perhaps that's for the best. | 1:12:20 | 1:12:23 | |
Meaning? | 1:12:23 | 1:12:25 | |
Our last baby... | 1:12:27 | 1:12:29 | |
Baby Ch...baby Charlie. | 1:12:33 | 1:12:35 | |
He barely survived beyond infancy, and... | 1:12:35 | 1:12:39 | |
SOBS | 1:12:40 | 1:12:43 | |
Are you familiar with the writings of De Quincey? | 1:12:43 | 1:12:47 | |
Yes, I've read him. | 1:12:47 | 1:12:50 | |
I have no time for the man. | 1:12:50 | 1:12:52 | |
He maintains that certain thoughts can reside in our mind, | 1:12:52 | 1:12:58 | |
without us being aware of them. | 1:12:58 | 1:13:00 | |
They then may manifest as boils | 1:13:00 | 1:13:05 | |
and fainting spells, | 1:13:05 | 1:13:08 | |
and ghosts. | 1:13:08 | 1:13:09 | |
It's possible, yes. | 1:13:14 | 1:13:18 | |
Annie is buried here in Malvern, is she not? | 1:13:18 | 1:13:22 | |
Yes. | 1:13:27 | 1:13:29 | |
Have you yet visited the grave? | 1:13:29 | 1:13:32 | |
I really do not wish to discuss this. | 1:13:38 | 1:13:40 | |
Of course. | 1:13:40 | 1:13:42 | |
What possible bearing can it have on my case? | 1:13:42 | 1:13:43 | |
-I think it has every bearing. -Well, that is your opinion, doctor. | 1:13:43 | 1:13:46 | |
Now, your treatments have been effective. I feel cured. | 1:13:46 | 1:13:48 | |
I think not, sir. | 1:13:48 | 1:13:49 | |
I think you're not yet cured. | 1:13:51 | 1:13:54 | |
Do you have faith, Mr Darwin? | 1:13:54 | 1:13:56 | |
What? | 1:13:56 | 1:13:58 | |
You say you take no comfort from religion, | 1:13:58 | 1:14:01 | |
but do you have faith? | 1:14:01 | 1:14:04 | |
Until you do, | 1:14:06 | 1:14:08 | |
all the waters in the world will not be the cure of you. | 1:14:08 | 1:14:13 | |
Annie? | 1:15:02 | 1:15:03 | |
Annie! | 1:15:06 | 1:15:07 | |
Annie! | 1:15:07 | 1:15:09 | |
Annie! | 1:15:10 | 1:15:13 | |
Annie! | 1:15:13 | 1:15:14 | |
Annie! | 1:15:16 | 1:15:18 | |
Hello? | 1:15:51 | 1:15:53 | |
Hello? | 1:15:58 | 1:16:00 | |
Hello? | 1:16:09 | 1:16:11 | |
Hello? | 1:16:11 | 1:16:12 | |
Good evening. | 1:16:13 | 1:16:15 | |
-Good evening. -I'm Mr Darwin. I lodged here some time ago. | 1:16:15 | 1:16:19 | |
Room number 12, wasn't it? | 1:16:19 | 1:16:21 | |
Yes, it was. | 1:16:21 | 1:16:23 | |
I would only be 10 minutes or so. | 1:16:26 | 1:16:28 | |
First floor. Last room on the right. | 1:16:32 | 1:16:35 | |
Yes, I remember. | 1:16:35 | 1:16:37 | |
Thank you. | 1:16:38 | 1:16:39 | |
I have the embrocation. | 1:17:02 | 1:17:06 | |
Does she want for anything else? | 1:17:06 | 1:17:08 | |
No, no, no, I'm sure that will do admirably. | 1:17:08 | 1:17:10 | |
All right. | 1:17:10 | 1:17:12 | |
All right, little one. | 1:17:12 | 1:17:15 | |
Here we go. | 1:17:15 | 1:17:17 | |
Now, then. | 1:17:18 | 1:17:21 | |
Just rub this on. | 1:17:21 | 1:17:23 | |
How's that? Better? | 1:17:23 | 1:17:25 | |
Yes. | 1:17:25 | 1:17:26 | |
'Dearest Emma, | 1:17:30 | 1:17:32 | |
'I think it best for you to know how each day passes. | 1:17:32 | 1:17:35 | |
'Doctor Gully's treatments are having some effect at last. | 1:17:35 | 1:17:40 | |
'I will write again tomorrow, but in the meantime...' | 1:17:40 | 1:17:43 | |
'The surgeon came today to draw off Annie's water. | 1:17:43 | 1:17:46 | |
'This did not hurt her, and seemed to give much relief. | 1:17:47 | 1:17:51 | |
'I asked if there was any immediate threat to her life, | 1:17:51 | 1:17:54 | |
'But he believes she has turned the corner.' | 1:17:54 | 1:17:56 | |
'My Emma, Annie rallied yesterday. | 1:17:59 | 1:18:02 | |
'For a moment, I was foolish with delight, | 1:18:02 | 1:18:05 | |
'But now, suddenly, | 1:18:05 | 1:18:08 | |
'our dear child has taken a turn for the worse. | 1:18:08 | 1:18:11 | |
'This last attack was first thought to be of the smallest importance, | 1:18:11 | 1:18:15 | |
'But rapidly assumed the form of a low and dreadful fever. | 1:18:15 | 1:18:19 | |
'She talks a great deal, | 1:18:19 | 1:18:20 | |
'but we can seldom make out anything.' | 1:18:20 | 1:18:22 | |
Look, Mama, I'm a general! | 1:18:22 | 1:18:25 | |
'Much of what she says | 1:18:29 | 1:18:30 | |
'we cannot make out from the roughness of her poor mouth. | 1:18:30 | 1:18:34 | |
'We sponged her with water and vinegar. | 1:18:34 | 1:18:36 | |
'Made her sweet with chloride of lime. | 1:18:36 | 1:18:39 | |
'Gully thinks our poor, sweet child is in imminent danger.' | 1:18:39 | 1:18:43 | |
Is that better, my darling? Is that better? | 1:18:43 | 1:18:46 | |
Beautifully good. | 1:18:46 | 1:18:48 | |
I'm making custard. | 1:18:51 | 1:18:53 | |
'My darling Emma, I miss you, terribly, | 1:19:00 | 1:19:02 | |
'More now than ever. | 1:19:02 | 1:19:05 | |
'I often think of the precious looks Annie gives you. | 1:19:05 | 1:19:09 | |
'You were always the tenderest of human beings to her | 1:19:09 | 1:19:12 | |
'and comfort her so on all occasions. | 1:19:12 | 1:19:14 | |
'This dreadful alternation of hope and no hope | 1:19:14 | 1:19:18 | |
'sickens the soul. | 1:19:18 | 1:19:20 | |
'I feel we must prepare ourselves for the worst.' | 1:19:20 | 1:19:24 | |
Tell me about Jenny. | 1:19:29 | 1:19:32 | |
What about Jenny? | 1:19:39 | 1:19:42 | |
About how she dies. | 1:19:42 | 1:19:46 | |
Please, Papa. I like it. | 1:19:51 | 1:19:54 | |
Well... | 1:19:57 | 1:20:00 | |
What the keeper told me was this. | 1:20:00 | 1:20:04 | |
When she was very sick with pneumonia, | 1:20:04 | 1:20:07 | |
lying very still... | 1:20:07 | 1:20:09 | |
..he tried to feed her with a spoon. | 1:20:11 | 1:20:14 | |
But she shook her head | 1:20:18 | 1:20:20 | |
and she looked at him as if to say, | 1:20:20 | 1:20:25 | |
"That's very sweet of you. Really. | 1:20:25 | 1:20:29 | |
"We're beyond that now." | 1:20:29 | 1:20:33 | |
And the keeper was much moved | 1:20:37 | 1:20:39 | |
by the gentleness of the little ape. | 1:20:39 | 1:20:42 | |
And as he bent down to comfort her, | 1:20:42 | 1:20:46 | |
she brought her arms up around his neck | 1:20:46 | 1:20:52 | |
and looked into his eyes in the most human fashion. | 1:20:52 | 1:20:55 | |
And then she laid her head against him... | 1:21:00 | 1:21:04 | |
..and died. | 1:21:09 | 1:21:11 | |
CRYING | 1:21:35 | 1:21:38 | |
No! | 1:21:47 | 1:21:48 | |
ANGUISHED CRIES | 1:21:52 | 1:21:55 | |
Oh, my darling girl, my darling girl! | 1:21:56 | 1:22:01 | |
PIANO PLAYS | 1:22:38 | 1:22:41 | |
Sorry. | 1:22:49 | 1:22:51 | |
So sorry I startled you. | 1:22:51 | 1:22:54 | |
Goodness, Charles. | 1:22:54 | 1:22:56 | |
Take off your coat. You're dripping wet. | 1:22:56 | 1:22:58 | |
Emma, we need to talk. | 1:22:58 | 1:23:00 | |
I went back to Worcester Road. | 1:23:02 | 1:23:05 | |
I saw Annie. | 1:23:05 | 1:23:08 | |
You're hurting my arm. | 1:23:12 | 1:23:13 | |
I need to make you understand what happened to me. | 1:23:13 | 1:23:14 | |
I do not want to hear it. | 1:23:14 | 1:23:16 | |
I am glad you're feeling better. | 1:23:16 | 1:23:18 | |
You're not listening, Emma, and I need you to listen. | 1:23:18 | 1:23:21 | |
If you don't, you will never understand. | 1:23:21 | 1:23:23 | |
I understand perfectly. | 1:23:23 | 1:23:24 | |
Do you think that I am deaf and blind? | 1:23:24 | 1:23:26 | |
You've lived with her and you have spoken with her | 1:23:26 | 1:23:29 | |
every day since she died. | 1:23:29 | 1:23:30 | |
She is more real to you than we are. | 1:23:30 | 1:23:33 | |
She is dead, Charles. | 1:23:33 | 1:23:35 | |
I know she's dead. | 1:23:35 | 1:23:37 | |
She is dead! | 1:23:37 | 1:23:38 | |
What in God's name is wrong with you? | 1:23:38 | 1:23:41 | |
Why can you not leave our poor girl in her grave? | 1:23:41 | 1:23:44 | |
You're the one who wants to keep her alive, | 1:23:44 | 1:23:47 | |
but on a cloud, dancing with little fairies... | 1:23:47 | 1:23:50 | |
-I will not listen to this! -..with snowy white wings! | 1:23:50 | 1:23:53 | |
Is that how her death was for you, Emma? | 1:23:53 | 1:23:55 | |
Something gutted of darkness? | 1:23:55 | 1:23:57 | |
-Get away from me! -Away from you? | 1:23:57 | 1:23:59 | |
Emma, there is a gulf between us! | 1:23:59 | 1:24:01 | |
And we're like some, some survivors of some shipwreck. | 1:24:01 | 1:24:05 | |
Yes! Yes, because of you! | 1:24:05 | 1:24:06 | |
You've torn everything apart! | 1:24:06 | 1:24:08 | |
How? | 1:24:08 | 1:24:09 | |
With your cruel theories! | 1:24:09 | 1:24:11 | |
With the truth, Emma! | 1:24:11 | 1:24:13 | |
Just with the truth! | 1:24:13 | 1:24:14 | |
Open the door! | 1:24:14 | 1:24:16 | |
Open the...open the door! | 1:24:16 | 1:24:18 | |
Open this door! Open it! | 1:24:18 | 1:24:20 | |
What do you want from me? | 1:24:23 | 1:24:25 | |
I want us to be honest with each other. | 1:24:25 | 1:24:28 | |
-About what? -About this... | 1:24:28 | 1:24:30 | |
..nagging belief that you have nurtured. | 1:24:30 | 1:24:33 | |
That what? | 1:24:33 | 1:24:35 | |
That I killed her. | 1:24:35 | 1:24:37 | |
I never said that. | 1:24:37 | 1:24:40 | |
No, but you think it, so you must say it. | 1:24:40 | 1:24:42 | |
And say everything else that follows, that... | 1:24:42 | 1:24:45 | |
I should have kept her warm that day on the beach, that... | 1:24:45 | 1:24:49 | |
I should never have taken her to Malvern without you. | 1:24:49 | 1:24:53 | |
I should have waited for you. I... I should have. | 1:24:56 | 1:25:00 | |
These are your thoughts, Charles. | 1:25:00 | 1:25:04 | |
They are not mine. | 1:25:04 | 1:25:07 | |
I was on the beach. | 1:25:09 | 1:25:12 | |
And I let you go. | 1:25:14 | 1:25:17 | |
I knew, when you left for Malvern, | 1:25:19 | 1:25:24 | |
that I would never see her again. | 1:25:24 | 1:25:28 | |
And I hated you. | 1:25:28 | 1:25:31 | |
I hated you for taking her, Charles. | 1:25:31 | 1:25:35 | |
But I was her mother. | 1:25:35 | 1:25:39 | |
And what was I thinking? | 1:25:39 | 1:25:42 | |
I could have insisted. | 1:25:42 | 1:25:46 | |
I should have followed you up there. | 1:25:46 | 1:25:50 | |
I let her go. | 1:25:54 | 1:25:59 | |
That's the truth. | 1:25:59 | 1:26:04 | |
And more than anything... | 1:26:04 | 1:26:08 | |
I have... | 1:26:08 | 1:26:11 | |
hated myself. | 1:26:11 | 1:26:16 | |
Perhaps... | 1:26:24 | 1:26:26 | |
Perhaps we should never have married. | 1:26:32 | 1:26:36 | |
Our blood was too close. | 1:26:39 | 1:26:42 | |
You see, Emma... | 1:26:49 | 1:26:51 | |
I thought that we were making the perfect child. | 1:26:51 | 1:26:56 | |
But perhaps instead we endowed her | 1:27:05 | 1:27:08 | |
with the weakness that killed her. | 1:27:08 | 1:27:10 | |
I just... | 1:27:16 | 1:27:19 | |
wanted to be with you so very much. | 1:27:19 | 1:27:23 | |
The fact of it is... | 1:27:36 | 1:27:41 | |
..knowing everything I now know... | 1:27:43 | 1:27:47 | |
I would marry you again tomorrow, my love. | 1:27:49 | 1:27:54 | |
MUSIC DROWNS SPEECH | 1:28:53 | 1:28:55 | |
'The affinities of all beings of the same class | 1:29:38 | 1:29:41 | |
'have sometimes been represented by a great tree. | 1:29:41 | 1:29:45 | |
'The green and budding twigs | 1:29:45 | 1:29:47 | |
'may represent existing species, | 1:29:47 | 1:29:48 | |
'And those produced during each former year | 1:29:48 | 1:29:51 | |
'may represent the long succession of extinct species. | 1:29:51 | 1:29:54 | |
'So, I believe it has been with the great tree of life, | 1:29:54 | 1:29:57 | |
'which fills with its dead and broken branches | 1:29:57 | 1:30:00 | |
'the crust of the earth, | 1:30:00 | 1:30:02 | |
'while covering the surface with its...' | 1:30:02 | 1:30:04 | |
'The frameworks of bones being the same in the hand of a man, | 1:30:04 | 1:30:08 | |
'wing of a bat, fin of a porpoise and leg of a horse | 1:30:08 | 1:30:12 | |
'at once explain themselves on the theory of descent | 1:30:12 | 1:30:15 | |
'With slow and slight successive...' | 1:30:15 | 1:30:18 | |
'It is interesting to contemplate an entangled bank, | 1:30:18 | 1:30:20 | |
'clothed with many plants of many kinds, | 1:30:20 | 1:30:23 | |
'with birds singing on the bushes, | 1:30:23 | 1:30:25 | |
'with various insects flitting about | 1:30:25 | 1:30:27 | |
'and with worms crawling through the damp earth, | 1:30:27 | 1:30:29 | |
'and to reflect that these elaborately constructed forms, | 1:30:29 | 1:30:33 | |
'so different from each other and dependent upon each other | 1:30:33 | 1:30:36 | |
'in so complex a manner, | 1:30:36 | 1:30:38 | |
'have all been produced by laws acting around us.' | 1:30:38 | 1:30:43 | |
"...advancing gently forward over my breast, | 1:30:49 | 1:30:51 | |
"came almost up to my chin, | 1:30:51 | 1:30:53 | |
"and bending my eyes downwards | 1:30:53 | 1:30:54 | |
"as much as I could, | 1:30:54 | 1:30:56 | |
"I quivered..." | 1:30:56 | 1:30:57 | |
-Hello. -Hello. | 1:30:57 | 1:31:00 | |
I was wondering if I might... might take over. | 1:31:00 | 1:31:04 | |
All right. | 1:31:14 | 1:31:16 | |
Where were you? | 1:31:18 | 1:31:21 | |
"I perceived it to be a human creature | 1:31:22 | 1:31:24 | |
"not six inches high." | 1:31:24 | 1:31:25 | |
Not the book. | 1:31:25 | 1:31:28 | |
Please, a true story. | 1:31:28 | 1:31:31 | |
Like you did with Annie. | 1:31:31 | 1:31:34 | |
All right. Let me think. | 1:31:47 | 1:31:53 | |
Did I ever tell you about my riding with gauchos? | 1:31:53 | 1:31:56 | |
Yes. | 1:31:56 | 1:31:58 | |
-Yes. -Yes. | 1:31:58 | 1:32:00 | |
Or the time our ship was struck by Saint Elmo's fire? | 1:32:00 | 1:32:03 | |
ALL: Yes. | 1:32:03 | 1:32:04 | |
My attempt to climb the Andes? ALL: Yes! | 1:32:04 | 1:32:06 | |
Earthquakes? | 1:32:06 | 1:32:08 | |
ALL: Yes! | 1:32:08 | 1:32:09 | |
Tidal waves? | 1:32:09 | 1:32:10 | |
Really? I did? | 1:32:10 | 1:32:12 | |
ALL: Yes. | 1:32:12 | 1:32:13 | |
Goodness gracious, I think I've told you everything. | 1:32:13 | 1:32:17 | |
And yet I fancy | 1:32:17 | 1:32:21 | |
I have never told you | 1:32:21 | 1:32:23 | |
about the giant sloth of Punta Alta. | 1:32:23 | 1:32:26 | |
All: No. | 1:32:26 | 1:32:28 | |
All right, then. | 1:32:29 | 1:32:31 | |
Millions and millions of years ago, | 1:32:31 | 1:32:34 | |
in a rich and verdant land that we now call Argentina, | 1:32:34 | 1:32:39 | |
There lived a mammal... | 1:32:39 | 1:32:41 | |
There lived a mammal as large as an elephant, | 1:32:45 | 1:32:49 | |
as gentle as a lemur | 1:32:49 | 1:32:50 | |
and as slow as an incredibly slow snail. | 1:32:50 | 1:32:53 | |
And he lived a happy life | 1:32:53 | 1:32:55 | |
watching the slow green march | 1:32:55 | 1:32:57 | |
of the passing seasons. | 1:32:57 | 1:33:00 | |
PIANO PLAYS | 1:33:12 | 1:33:15 | |
I've finished. | 1:33:22 | 1:33:25 | |
I've finished. | 1:33:25 | 1:33:26 | |
You decide. | 1:33:30 | 1:33:32 | |
About what? | 1:33:32 | 1:33:34 | |
Well, about what should be done with it. | 1:33:34 | 1:33:36 | |
Someone needs to take God's side in all of this. | 1:33:36 | 1:33:41 | |
And I'd much rather it was you than Innes. | 1:33:41 | 1:33:45 | |
Supposing I think it should be destroyed? | 1:33:45 | 1:33:48 | |
Well... | 1:33:48 | 1:33:50 | |
Then you must do what you think is right. | 1:33:50 | 1:33:54 | |
Read it first. | 1:33:57 | 1:33:59 | |
Emma? | 1:35:14 | 1:35:17 | |
Well, you said it was my decision. | 1:35:19 | 1:35:22 | |
Emma, where... | 1:35:33 | 1:35:35 | |
Where are you going? | 1:35:35 | 1:35:37 | |
To John Murray, publishers. | 1:35:39 | 1:35:42 | |
Do I have it right? | 1:35:46 | 1:35:48 | |
Yes. | 1:35:50 | 1:35:53 | |
And so... | 1:35:53 | 1:35:55 | |
you have finally made an accomplice of me. | 1:35:55 | 1:35:59 | |
May God forgive us both. | 1:36:04 | 1:36:07 | |
Good morning, Jim. | 1:36:31 | 1:36:32 | |
Morning, Mr Darwin, sir. That parcel for me? | 1:36:32 | 1:36:34 | |
Yes. Yes, it is. | 1:36:34 | 1:36:36 | |
'Thus, from the war of nature, | 1:36:38 | 1:36:41 | |
'from famine and death, | 1:36:41 | 1:36:43 | |
'the most exalted object we are capable of conceiving, | 1:36:43 | 1:36:45 | |
'namely the production of higher animals, | 1:36:45 | 1:36:48 | |
'directly follows. | 1:36:48 | 1:36:51 | |
'There is grandeur in this view of life, | 1:36:51 | 1:36:54 | |
'that whilst this planet has gone cycling on | 1:36:54 | 1:36:58 | |
'according to the fixed law of gravity, | 1:36:58 | 1:37:00 | |
'from so simple a beginning, | 1:37:00 | 1:37:03 | |
'endless forms, | 1:37:03 | 1:37:05 | |
'most beautiful and most wonderful, | 1:37:05 | 1:37:07 | |
'have been, and are being, evolved. | 1:37:07 | 1:37:13 | |
Subtitles by Red Bee Media Ltd | 1:38:04 | 1:38:06 | |
E-mail [email protected] | 1:38:06 | 1:38:09 |