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This programme contains some strong language. | 0:00:01 | 0:00:07 | |
Valhalla, this is Thor. Valhalla, this is Thor. | 0:01:02 | 0:01:05 | |
We have visual on a possible high-value target. | 0:01:05 | 0:01:07 | |
Thor, this is Valhalla. | 0:01:07 | 0:01:09 | |
We're seeking positive ID on a target travelling in convoy | 0:01:09 | 0:01:13 | |
and we're pushing more assets your way. | 0:01:13 | 0:01:17 | |
Contact Loki on secondary net. | 0:01:17 | 0:01:19 | |
Loki, this is Thor. | 0:01:19 | 0:01:21 | |
Target is located at grid co-ordinates | 0:01:21 | 0:01:23 | |
Two-Four-Tango-Kilo-Bravo-One Two-Four-Five-Six-Seven-Three-Niner | 0:01:23 | 0:01:29 | |
Confirm you have visual. | 0:01:29 | 0:01:30 | |
-Verifying target ID. -Electro-optic and infrared sensors are online | 0:01:30 | 0:01:34 | |
-Confirming target. -Sec. Def is arriving now. | 0:01:34 | 0:01:36 | |
Mr. Secretary, this way, sir. | 0:01:45 | 0:01:47 | |
-Attempting cellphone link to moving target. -Stand by for data. | 0:01:51 | 0:01:54 | |
PHONE RINGS | 0:01:54 | 0:01:56 | |
HE SPEAKS | 0:01:56 | 0:01:57 | |
Stand by for audio. Got it. | 0:01:58 | 0:02:01 | |
Don't tell me you spotted a beard in the middle of a goddamn sandstorm! | 0:02:02 | 0:02:06 | |
Is it really him? | 0:02:06 | 0:02:07 | |
We're confirming that now, sir. | 0:02:07 | 0:02:09 | |
-Audio is coming up now. -Verifying voice pattern match. | 0:02:09 | 0:02:12 | |
-What do we have here, Sergeant? -Four males. | 0:02:12 | 0:02:14 | |
One of them speaking in a Rakhshani dialect | 0:02:14 | 0:02:18 | |
consistent with our intel on al-Khoei. | 0:02:18 | 0:02:19 | |
Sir, it's just coming up. | 0:02:22 | 0:02:24 | |
"37%" and "probable" don't belong in the same sentance. | 0:02:24 | 0:02:27 | |
I'm not taking this to the President. | 0:02:27 | 0:02:30 | |
CIA and NCTC concur it is the target. based on reliable intel from the Brits. | 0:02:30 | 0:02:34 | |
They're pulling off the highway. | 0:02:34 | 0:02:36 | |
-Criteria is not met. -We have an abort recommendation. | 0:02:52 | 0:02:55 | |
If it's him, this guy comes out of hiding every couple of years at best. | 0:02:55 | 0:02:59 | |
Sir, target is appearing around the north-east corner. | 0:02:59 | 0:03:03 | |
We've got AK-47 s, RPGs and Chaparral guided missiles. | 0:03:04 | 0:03:09 | |
This is a training camp, Mr Secretary. | 0:03:09 | 0:03:11 | |
-Wait. Print. -51%. | 0:03:11 | 0:03:13 | |
Abort rec still holds. All other PID options exhausted. | 0:03:13 | 0:03:16 | |
What do you suggest we do, sir? | 0:03:16 | 0:03:20 | |
Is that a weapons cache? | 0:03:20 | 0:03:21 | |
Sir, the placement of the stones around the pit. | 0:03:21 | 0:03:24 | |
Marker for the five pillars of Islam. I think it's a funeral. | 0:03:24 | 0:03:26 | |
For Christ's sake. | 0:03:26 | 0:03:28 | |
Counsel, how many ways would this violate the Geneva Convention? | 0:03:28 | 0:03:32 | |
We can invoke hors de combat. There is no independent intel | 0:03:32 | 0:03:35 | |
verifying that this is, in fact, a funeral. | 0:03:35 | 0:03:37 | |
Signal's got the President from Air Force One, sir. | 0:03:37 | 0:03:40 | |
Mr President. | 0:03:49 | 0:03:50 | |
We have a 51% identity match on Majid al-Khoei. | 0:03:50 | 0:03:54 | |
The bad news is, there's some possibility he is at a funeral. | 0:03:54 | 0:03:57 | |
You should also be aware we have an abort recommendation. | 0:03:57 | 0:04:00 | |
But the Joint Chiefs are urging to go. | 0:04:00 | 0:04:04 | |
All right, what's your recommendation? | 0:04:04 | 0:04:06 | |
Sir, we measure success by the least amount of collateral damage. | 0:04:11 | 0:04:16 | |
At 51% probability, the risk is too high. | 0:04:17 | 0:04:21 | |
And if it is al-Khoei, and he walks, | 0:04:21 | 0:04:24 | |
I'm putting our people at risk. | 0:04:24 | 0:04:27 | |
You have a go. | 0:04:27 | 0:04:29 | |
Thank you, Mr President. | 0:04:32 | 0:04:35 | |
We're weapons hot! We have weapons hot! | 0:04:39 | 0:04:41 | |
Loki, you are clear to engage. | 0:04:41 | 0:04:43 | |
We have handshake with the MQ9 Reaper. Sending you images now. | 0:04:43 | 0:04:46 | |
Loki, target coordinates received. | 0:04:46 | 0:04:48 | |
Switching to IR sensor. | 0:04:48 | 0:04:49 | |
Target is lased. | 0:04:58 | 0:05:00 | |
Master arm on. | 0:05:02 | 0:05:03 | |
Missiles away. | 0:05:03 | 0:05:04 | |
10 seconds to impact. | 0:05:08 | 0:05:10 | |
EXPLOSION | 0:05:23 | 0:05:25 | |
You gotta make a choice, fellas. | 0:05:32 | 0:05:35 | |
Who are you going to be? | 0:05:35 | 0:05:36 | |
Boys? | 0:05:36 | 0:05:38 | |
Or men? | 0:05:38 | 0:05:40 | |
-I'm out of this one. -Why? -Because I'm broke. | 0:05:42 | 0:05:45 | |
How do I know you got something great under there? | 0:05:46 | 0:05:49 | |
I'm floating on the river, look at the table. | 0:05:49 | 0:05:51 | |
I don't know. I'm supposed to take my girl out later. | 0:05:51 | 0:05:53 | |
Your girl out? Who is that? | 0:05:53 | 0:05:57 | |
-Elaine? -Yeah. | 0:05:57 | 0:05:58 | |
You guys have been going out for a while. | 0:05:58 | 0:06:01 | |
-How long? -A couple of months. | 0:06:01 | 0:06:03 | |
Wow. That's big. Had sex with her yet? | 0:06:03 | 0:06:05 | |
-Kinda. -What's the hell is "kinda"? -Personal question. | 0:06:05 | 0:06:08 | |
OK, well, listen, what are you going to do tonight? | 0:06:08 | 0:06:11 | |
Fish filet and a coke? | 0:06:11 | 0:06:13 | |
Go to Blockbuster, rent a little romantic comedy, | 0:06:13 | 0:06:15 | |
go back to Mom's house, sit on the couch? | 0:06:15 | 0:06:17 | |
You're a dependable person. That's what you're going to do. | 0:06:17 | 0:06:21 | |
Lay down some real green, treat your lady right. | 0:06:21 | 0:06:23 | |
You need to take her to a nice place. | 0:06:23 | 0:06:25 | |
Red Lobster. Olive Garden. Tablecloths. Soft music. | 0:06:25 | 0:06:28 | |
Skip this Blockbuster thing. | 0:06:28 | 0:06:30 | |
Girls want to go out, | 0:06:30 | 0:06:31 | |
especially a girl as cute as your girl. | 0:06:31 | 0:06:33 | |
She want's to be seen, that's why she dresses up. | 0:06:33 | 0:06:36 | |
So you take her to the movies, a little popcorn-drink combo. | 0:06:36 | 0:06:39 | |
Elaine might want some nachos, shell out for that, too. | 0:06:39 | 0:06:42 | |
Before you know it, she's cosying up | 0:06:42 | 0:06:44 | |
the way she never would've at her mom's house, you know? | 0:06:44 | 0:06:46 | |
Gino Romero's walking tall with Elaine yank-my-Dickinson, | 0:06:46 | 0:06:49 | |
-all because he dared to dream tonight. -Yes, yes, yes! | 0:06:49 | 0:06:53 | |
And that's what's on the table. This is the dream right here. | 0:06:53 | 0:06:56 | |
Are you a man? | 0:06:56 | 0:06:57 | |
-I'm with you. -OK, here we go. | 0:06:57 | 0:07:00 | |
-Twenty? -Big boy game. | 0:07:00 | 0:07:02 | |
Call. | 0:07:02 | 0:07:04 | |
Cowboys over aces, big Jer. Woo! | 0:07:04 | 0:07:06 | |
-Didn't see that coming, huh? -That's a tough one. | 0:07:06 | 0:07:08 | |
Four bullets, baby. | 0:07:08 | 0:07:10 | |
Get out of here! You baited me into that, Jer. Come on! | 0:07:10 | 0:07:12 | |
That's the way it goes. So what happened to Red Lobster? | 0:07:12 | 0:07:15 | |
No, I guess it's Mama's house for you tonight. | 0:07:15 | 0:07:17 | |
Now Elaine won't have to shell out for herpes medication. | 0:07:17 | 0:07:20 | |
Break's over, bitches. Freitag missed his shift again. | 0:07:20 | 0:07:23 | |
-Someone is on collator duty. -Great. | 0:07:23 | 0:07:25 | |
Well, gentlemen. I will give you a chance to win some of this back tomorrow. | 0:07:25 | 0:07:29 | |
Enjoy yourselves. | 0:07:29 | 0:07:30 | |
Hey there. | 0:07:35 | 0:07:36 | |
Welcome to Copy Cabana, how can I help you? | 0:07:36 | 0:07:38 | |
I couldn't get the machine past the main menu. | 0:07:38 | 0:07:41 | |
That machine there? | 0:07:41 | 0:07:42 | |
Did you swipe your credit card to the left, sir? | 0:07:42 | 0:07:44 | |
-Didn't do that. -Well, that's your problem. | 0:07:44 | 0:07:47 | |
-(TV) -Cellphone users beware. | 0:07:57 | 0:07:58 | |
The Federal Bureau of Investigation | 0:07:58 | 0:08:00 | |
can now hear everything you're saying. | 0:08:00 | 0:08:03 | |
Even when your cellphone is turned off. | 0:08:03 | 0:08:05 | |
The authorities can now activate the microphone inside your phone | 0:08:05 | 0:08:08 | |
allowing them to eavesdrop on you and your conversations. | 0:08:09 | 0:08:12 | |
Experts say the only way around this | 0:08:12 | 0:08:14 | |
is to take the battery out of the device. | 0:08:14 | 0:08:18 | |
-(TANNOY) -Now arriving at Union Street, Stand clear of the doors. | 0:08:18 | 0:08:23 | |
Did you drop this? | 0:08:25 | 0:08:28 | |
Yes. | 0:08:28 | 0:08:31 | |
-Hard to do on a train, you know! (TANNOY) -Doors closing. | 0:08:31 | 0:08:34 | |
Come on, come on, come on. | 0:08:36 | 0:08:38 | |
THUD | 0:09:11 | 0:09:13 | |
Jerry? | 0:09:19 | 0:09:22 | |
Mrs Wierzbowski, I was just... | 0:09:22 | 0:09:23 | |
I thought you might have been sleeping. | 0:09:23 | 0:09:25 | |
I have some rent here. Here you go. | 0:09:25 | 0:09:28 | |
Some is good. All is better. | 0:09:28 | 0:09:30 | |
Well, that's most of it. Here. | 0:09:30 | 0:09:32 | |
1, 1, 1... | 0:09:32 | 0:09:34 | |
-No, no, look. There's a five there. -Five... | 0:09:34 | 0:09:37 | |
Where is girl? I don't see her no more. | 0:09:37 | 0:09:39 | |
You know you're the only woman for me. | 0:09:39 | 0:09:41 | |
No, that's done. She got smart. | 0:09:41 | 0:09:44 | |
-Like the others. -RINGING | 0:09:44 | 0:09:45 | |
Is woman friend? Answer. | 0:09:45 | 0:09:47 | |
Then see if she give you money for rent. | 0:09:47 | 0:09:50 | |
One second. | 0:09:50 | 0:09:52 | |
Hey, Mom. | 0:09:54 | 0:09:58 | |
What? | 0:09:58 | 0:10:00 | |
(Looks just like him.) | 0:10:25 | 0:10:26 | |
I'm not him. | 0:10:26 | 0:10:28 | |
HE SOBS | 0:11:13 | 0:11:15 | |
Six months without a boo or a bah, huh? | 0:12:03 | 0:12:06 | |
Yes, sir. | 0:12:06 | 0:12:07 | |
So where were you this time? | 0:12:07 | 0:12:12 | |
Alaska. | 0:12:12 | 0:12:14 | |
Singapore. I got a job there. | 0:12:14 | 0:12:16 | |
I... I spoke to Stanford. | 0:12:18 | 0:12:21 | |
I pulled some strings, they said they'd take you back. | 0:12:21 | 0:12:25 | |
It was two years ago. | 0:12:25 | 0:12:26 | |
Jerry, it wouldn't kill you to ask for help once in a while. | 0:12:26 | 0:12:30 | |
You want this conversation now? | 0:12:30 | 0:12:31 | |
-It's Stanford! -You want to do this today? | 0:12:31 | 0:12:34 | |
Today? You want to have this now? | 0:12:34 | 0:12:36 | |
Fine. You do whatever you want. | 0:12:36 | 0:12:39 | |
You always have. | 0:12:39 | 0:12:40 | |
I keep thinking I'm going to walk in here one day. | 0:12:46 | 0:12:48 | |
And I'm not going to feel like a stranger in my own house. | 0:12:50 | 0:12:55 | |
I don't want your money. | 0:13:04 | 0:13:06 | |
-(TANNOY) -Can I have your attention, please? | 0:13:33 | 0:13:36 | |
Smoking is not permitted on the train. | 0:13:36 | 0:13:38 | |
Chicago is next. | 0:13:38 | 0:13:40 | |
HORN PLAYS FAINTLY | 0:13:54 | 0:13:56 | |
Can't find the keys and he's late, as usual. | 0:13:58 | 0:14:01 | |
-I'm going to have to take you. -He'll be here. | 0:14:01 | 0:14:04 | |
All right, wait 5 more minutes. | 0:14:06 | 0:14:08 | |
Help me out here. We came home last night. | 0:14:08 | 0:14:10 | |
You turned on the TV. | 0:14:10 | 0:14:12 | |
I went over, said, "No TV. No TV. No TV." | 0:14:12 | 0:14:15 | |
Turned it off. Came over here. Checked the messages. | 0:14:15 | 0:14:18 | |
-Knocked over the phone. -Right, put it back. | 0:14:18 | 0:14:21 | |
Put the leftovers in the fridge. | 0:14:21 | 0:14:23 | |
Let's go! I put vitamins in your toiletry bag. | 0:14:27 | 0:14:30 | |
-Don't forget to take - -Two in the morning and two at night. | 0:14:30 | 0:14:33 | |
-That's right. And your inhaler... -Sammy! -Daddy! | 0:14:33 | 0:14:36 | |
You didn't think I'd miss the big send-off? | 0:14:36 | 0:14:38 | |
This must be your... | 0:14:38 | 0:14:39 | |
Trumpet. | 0:14:39 | 0:14:40 | |
My God. You carry this yourself? | 0:14:40 | 0:14:42 | |
-Mr and Mrs Holloman. -Miss. | 0:14:42 | 0:14:44 | |
You just made it. | 0:14:44 | 0:14:45 | |
-Here, Sam. -Thanks. | 0:14:45 | 0:14:47 | |
Listen to me. | 0:14:47 | 0:14:48 | |
All these other kids, right? | 0:14:48 | 0:14:50 | |
They're going to call their mums, they're just going to lie about it. | 0:14:50 | 0:14:53 | |
Eat junk food, but brush your teeth. | 0:14:53 | 0:14:55 | |
Mom, you got to stop. | 0:14:55 | 0:14:57 | |
I'll miss you, too. | 0:14:57 | 0:14:59 | |
Give me a hug. | 0:14:59 | 0:15:01 | |
-I love you so much. -Love you, too. | 0:15:02 | 0:15:06 | |
-Shine bright, OK? -OK. | 0:15:06 | 0:15:09 | |
Rock the house, buddy. You're going to be great. OK? | 0:15:09 | 0:15:12 | |
-See you later. -Bye! | 0:15:12 | 0:15:13 | |
Have fun in DC! | 0:15:13 | 0:15:15 | |
Your mom going to be OK? | 0:15:15 | 0:15:17 | |
It's unclear. | 0:15:17 | 0:15:19 | |
-I'm sorry, I got stuck in traffic - -Don't even say it. | 0:15:19 | 0:15:22 | |
All aboard! | 0:15:25 | 0:15:26 | |
Yes. Five-nine-one-three. | 0:15:26 | 0:15:29 | |
It's here, it's here! | 0:15:35 | 0:15:36 | |
OK. OK. | 0:15:38 | 0:15:41 | |
-Come on! -Two seconds. Sorry. | 0:15:56 | 0:15:58 | |
No, wait. | 0:16:05 | 0:16:06 | |
-Hang on a second. -You're dropping money. -Sir! | 0:16:15 | 0:16:18 | |
Big date, you know? Fingers crossed. | 0:16:18 | 0:16:19 | |
-Here you go. -Thank you! -Have a good day. | 0:16:24 | 0:16:26 | |
-Jerry! -What? -So many boxes. -Boxes? | 0:16:29 | 0:16:32 | |
I left them all in your room. All day they come. | 0:16:32 | 0:16:34 | |
-Big boxes, small boxes. -My boxes? | 0:16:34 | 0:16:36 | |
-Whose boxes would they be? -OK. | 0:16:36 | 0:16:38 | |
Look at them. See in there? | 0:16:38 | 0:16:40 | |
See, I put them all... | 0:16:40 | 0:16:41 | |
Listen, I have something for you here. | 0:16:41 | 0:16:43 | |
This is rent for this month and next month, too, OK? | 0:16:43 | 0:16:46 | |
PHONE RINGS | 0:17:51 | 0:17:53 | |
Hello? | 0:17:56 | 0:17:58 | |
The FBI will arrive at your apartment in 30 seconds. | 0:17:58 | 0:18:01 | |
-You must flee the premises. -Who is this? | 0:18:01 | 0:18:04 | |
You have been activated, Jerry. Your compliance is vital. | 0:18:04 | 0:18:08 | |
-How did you get this number? -24 seconds. Leave your residence. | 0:18:08 | 0:18:11 | |
Your destination, the Mathis train station. | 0:18:11 | 0:18:13 | |
-We will guide you from there. -What is this? | 0:18:13 | 0:18:15 | |
The evidence in your apartment is irrefutable. | 0:18:15 | 0:18:18 | |
-17 seconds. -I'm going to hang - | 0:18:18 | 0:18:20 | |
They'll arrest you for conspiracy, | 0:18:20 | 0:18:21 | |
treason, violating state and local law. | 0:18:21 | 0:18:23 | |
Maximum penalty, death. | 0:18:23 | 0:18:25 | |
None of this is mine! | 0:18:25 | 0:18:26 | |
FBI, FBI, FBI! | 0:18:29 | 0:18:30 | |
Get down on the floor! | 0:18:30 | 0:18:32 | |
Get on the ground! | 0:18:32 | 0:18:34 | |
Down now! Get down! | 0:18:35 | 0:18:36 | |
-I didn't do anything. -Get down! | 0:18:36 | 0:18:38 | |
-Listen! -Don't move. | 0:18:38 | 0:18:40 | |
It's not mine! It's not mine! | 0:18:41 | 0:18:42 | |
This is obviously some sort of mistake, right? | 0:18:53 | 0:18:56 | |
I mean, I don't know what I'm doing in this room, sir. | 0:18:56 | 0:18:58 | |
It's cold as hell outside. | 0:18:58 | 0:19:01 | |
-You draw? -I what? | 0:19:02 | 0:19:05 | |
Do you draw? Do you sketch? You have ink all over your fingers. | 0:19:05 | 0:19:08 | |
You know you got the wrong guy, right? | 0:19:09 | 0:19:11 | |
This is some sick joke. I don't know what I'm doing here. | 0:19:11 | 0:19:14 | |
Obviously. | 0:19:14 | 0:19:15 | |
Obviously you had nothing to do with it(!) | 0:19:15 | 0:19:17 | |
Did you love your brother? | 0:19:19 | 0:19:22 | |
Did you hate him? | 0:19:22 | 0:19:23 | |
Did you admire him? | 0:19:23 | 0:19:26 | |
Was your brother patriotic, would you say? | 0:19:26 | 0:19:30 | |
When was the last time you saw him? | 0:19:32 | 0:19:36 | |
-Christmas. -This past Christmas? | 0:19:36 | 0:19:38 | |
Three Christmases ago. | 0:19:40 | 0:19:41 | |
Three years, huh? | 0:19:41 | 0:19:43 | |
The phone records show you haven't called him in over a year. | 0:19:43 | 0:19:47 | |
No text messages, no smoke signals? No MySpace or Facebook? | 0:19:47 | 0:19:51 | |
Yeah, so what are you trying to say? | 0:19:51 | 0:19:53 | |
Are we the type of twins that wear the same shirt to the mall, | 0:19:53 | 0:19:56 | |
hold hands? No. | 0:19:56 | 0:19:57 | |
-Sir, I don't even know your name. -I'm sorry, that was rude of me. | 0:19:58 | 0:20:01 | |
I'm Tom Morgan, the supervising agent | 0:20:01 | 0:20:03 | |
assigned to the Joint Terrorism Task Force. | 0:20:03 | 0:20:05 | |
Terr... | 0:20:05 | 0:20:08 | |
You think I'm a terrorist? | 0:20:08 | 0:20:10 | |
No, you're a copy boy? | 0:20:10 | 0:20:12 | |
I'm a copy associate. | 0:20:12 | 0:20:13 | |
Copy associate. | 0:20:13 | 0:20:15 | |
But your brother. It says here he was a little more, | 0:20:15 | 0:20:18 | |
I guess you'd say, ambitious, than you. | 0:20:18 | 0:20:21 | |
Graduated from The Air Force Academy at 21 | 0:20:21 | 0:20:23 | |
with an advanced degree in parallel algorithms and quantum electronics. | 0:20:23 | 0:20:27 | |
I don't know what the hell that means, do you? | 0:20:27 | 0:20:29 | |
-Cadet Wing Commander, valedictorian, job in public affairs. -I know what he did, sir. | 0:20:29 | 0:20:33 | |
Why'd you drop out of school, Jerry? | 0:20:33 | 0:20:35 | |
Your brother have any influence on that decision? | 0:20:35 | 0:20:37 | |
School wasn't for me. | 0:20:37 | 0:20:38 | |
Yeah, I mean, who would want a Stanford education anyway? | 0:20:38 | 0:20:41 | |
More upward mobility at Copy Cobana, right? | 0:20:41 | 0:20:43 | |
You did a little backpacking, Singapore, Bali, Indonesia. | 0:20:43 | 0:20:48 | |
Did odd jobs here and there. | 0:20:48 | 0:20:49 | |
None of this has anything to do with the shit in my apartment. | 0:20:49 | 0:20:52 | |
Why would I send it to myself? My name's on the lease. | 0:20:52 | 0:20:54 | |
I'd have to be the dumbest terrorist in the world. | 0:20:54 | 0:20:57 | |
-So who deposited the 750? -I don't know who deposited the 750. | 0:20:57 | 0:21:01 | |
God, maybe? I thought it was a miracle. I took the money, that was my mistake. | 0:21:01 | 0:21:06 | |
Do accidents not happen in your universe? | 0:21:06 | 0:21:08 | |
The money originated from The YTBC bank of... | 0:21:08 | 0:21:10 | |
Well, I'll be darned. Singapore. | 0:21:10 | 0:21:12 | |
Opened with a transfer | 0:21:12 | 0:21:14 | |
from a corporation called the Star of Orion. | 0:21:14 | 0:21:16 | |
That's all very interesting, it has nothing to do with me. | 0:21:16 | 0:21:19 | |
We found hardware in your apartment. Latest military spec. | 0:21:19 | 0:21:22 | |
Aeroplane manuals and 1,200 pounds of ammonium nitrate fertiliser. | 0:21:22 | 0:21:26 | |
You planning on becoming a farmer or something? | 0:21:26 | 0:21:30 | |
I walk into my apartment, open the door, | 0:21:30 | 0:21:31 | |
-and this shit's over my apartment. -It just showed up? | 0:21:31 | 0:21:34 | |
I see. I'm just curious if your brother knew anything about it. | 0:21:34 | 0:21:37 | |
We haven't really established how close you guys were yet, have we? | 0:21:37 | 0:21:41 | |
We were close this morning when I buried his body. | 0:21:41 | 0:21:43 | |
Does that establish anything for you? Somebody set me up. | 0:21:43 | 0:21:47 | |
Why is that so hard to understand? A woman called me, told me I was going to be arrested. | 0:21:47 | 0:21:51 | |
-Woman. Your mom, who? -I don't know! If I knew, I would tell you. I don't know! | 0:21:51 | 0:21:56 | |
Here's the thing, Jerry. | 0:21:59 | 0:22:01 | |
This is a bad time to be in the terrorism business. | 0:22:01 | 0:22:04 | |
You read the paper? | 0:22:04 | 0:22:06 | |
Who d'you think is winning? | 0:22:06 | 0:22:08 | |
You Miranda rights or my right to keep you in this room | 0:22:08 | 0:22:11 | |
as long as I want to? | 0:22:11 | 0:22:12 | |
I don't care if you tell me the truth about your brother. | 0:22:12 | 0:22:16 | |
I don't care who you work for. | 0:22:16 | 0:22:18 | |
No matter what you tell me, | 0:22:18 | 0:22:21 | |
you are in a shit load of trouble, son. | 0:22:21 | 0:22:24 | |
This is insane. I work for Copy Cabana. | 0:22:30 | 0:22:33 | |
That's what you said. | 0:22:33 | 0:22:34 | |
Listen, I get one night out in a decade. | 0:22:41 | 0:22:43 | |
I'm not wasting it on Lemon Drops. | 0:22:43 | 0:22:45 | |
OK. Buck up. Let's go. | 0:22:45 | 0:22:48 | |
Oh gosh. | 0:22:53 | 0:22:54 | |
I want updates, cat fights, bootycalls. | 0:22:54 | 0:22:56 | |
Somebody tell me they got lucky. | 0:22:56 | 0:22:58 | |
Hey ladies, see that guy over there? He would like to buy you a round. | 0:22:58 | 0:23:02 | |
-Hell no, he has got light beer written all over him. -Come on! | 0:23:02 | 0:23:06 | |
-He's a suit. No. -You sure? | 0:23:06 | 0:23:08 | |
Who is it? | 0:23:10 | 0:23:11 | |
The one man in my life who hasn't let me down. | 0:23:11 | 0:23:13 | |
-That's sweet. -Don't drink those without me. | 0:23:13 | 0:23:16 | |
Hello? Hello? | 0:23:18 | 0:23:21 | |
There's a McDonalds across the street. | 0:23:22 | 0:23:24 | |
Look in the window. | 0:23:24 | 0:23:25 | |
What is this? | 0:23:25 | 0:23:27 | |
Would you risk your life for your son? | 0:23:27 | 0:23:30 | |
Rachel Holloman, you have been activated. | 0:23:36 | 0:23:38 | |
-This isn't funny. -Your compliance is vital. -Who are you? | 0:23:38 | 0:23:41 | |
We will derail his train unless you do what you're told. | 0:23:41 | 0:23:44 | |
Don't go back inside the restaurant. | 0:23:44 | 0:23:46 | |
There's a black Porsche Cayenne | 0:23:46 | 0:23:48 | |
parked at the north-east corner of this block. | 0:23:48 | 0:23:51 | |
The keys are in the ignition. | 0:23:51 | 0:23:53 | |
Start walking. | 0:23:53 | 0:23:55 | |
PHONE RINGS 911. State the nature of your emergency. | 0:24:00 | 0:24:03 | |
Yes, some woman just called me. I have- I have no idea who she is. | 0:24:03 | 0:24:06 | |
-She was telling me that - -HIGH PITCHED INTERFERENCE | 0:24:06 | 0:24:10 | |
Your phone is being monitored. | 0:24:12 | 0:24:13 | |
Disobey again and your son dies. | 0:24:13 | 0:24:18 | |
Hey, Grant, I can't read this Shaw file. | 0:24:21 | 0:24:23 | |
-Grant! -Excuse me. | 0:24:23 | 0:24:25 | |
My eyes aren't getting better, screens are getting smaller, | 0:24:25 | 0:24:28 | |
can you get something I can read? | 0:24:28 | 0:24:29 | |
-I can make the text bigger... -No, no. | 0:24:29 | 0:24:31 | |
I'm talking about paper. Like in the olden times? | 0:24:31 | 0:24:34 | |
Paper. OK. | 0:24:34 | 0:24:35 | |
Agent Morgan. Zoe Perez. | 0:24:35 | 0:24:37 | |
Air Force Special investigations. Ethan Shaw, the twin. | 0:24:37 | 0:24:40 | |
He was one of ours. | 0:24:40 | 0:24:43 | |
Can you walk and talk at the same time? | 0:24:43 | 0:24:45 | |
I'll do my best. | 0:24:45 | 0:24:46 | |
File says he died in a traffic accident. | 0:24:46 | 0:24:49 | |
Truck ran a light, corner of Constitution and 10th. | 0:24:49 | 0:24:52 | |
So, truck ran a light, his brother gets 750 large | 0:24:52 | 0:24:54 | |
and enough hardware to start his own Costco | 0:24:54 | 0:24:57 | |
five hours after enemy chatter hits the roof. | 0:24:57 | 0:25:00 | |
Don't you find that a little coincidental? | 0:25:00 | 0:25:02 | |
What if it's a decoy? To distract us from something 50 times bigger? | 0:25:02 | 0:25:06 | |
-Time for your phone call. -I thought I didn't get one. | 0:25:16 | 0:25:20 | |
Attorney's General Office changed their mind. | 0:25:20 | 0:25:22 | |
Ethan Shaw had a 183 IQ. | 0:25:24 | 0:25:26 | |
Yet you have him as a mid-level press flak? | 0:25:26 | 0:25:29 | |
Why not IT or cyber-warfare? | 0:25:29 | 0:25:31 | |
Are you suggesting that he was over-qualified? | 0:25:31 | 0:25:33 | |
Or slipping intel to the Copy Cobana? | 0:25:33 | 0:25:35 | |
No, I'm suggesting that maybe Ethan Shaw was a superstar | 0:25:35 | 0:25:38 | |
rocket scientist genius who did go wrong and the Air Force | 0:25:38 | 0:25:41 | |
doesn't want its dirty laundry flapping in the wind. | 0:25:41 | 0:25:44 | |
Think what you like, | 0:25:44 | 0:25:45 | |
-but I need to get in that room and interrogate him myself. -No. | 0:25:45 | 0:25:48 | |
You don't have a choice. Look. | 0:25:57 | 0:25:59 | |
Neither of us know if either of those brothers are guilty or innocent | 0:25:59 | 0:26:03 | |
so on behalf of the secretary of the Air Force | 0:26:03 | 0:26:06 | |
I'm going in that room. | 0:26:06 | 0:26:08 | |
Well, on behalf of all that fucking bomb equipment | 0:26:08 | 0:26:11 | |
in junior pinhead's apartment, no, you are not. | 0:26:11 | 0:26:14 | |
PHONE RINGS | 0:26:17 | 0:26:19 | |
BEEPING | 0:26:21 | 0:26:22 | |
We told you to run. | 0:26:22 | 0:26:24 | |
We have planned your escape. | 0:26:24 | 0:26:26 | |
-How d'you get on this phone? Who are you? -Lay flat on the floor immediately. | 0:26:26 | 0:26:30 | |
-What the hell are you talking about? -Four seconds, Jerry. -No, this is - | 0:26:30 | 0:26:34 | |
Get down now. Two seconds. | 0:26:34 | 0:26:36 | |
-I didn't do this! -Get down! | 0:27:03 | 0:27:05 | |
Shit. | 0:27:10 | 0:27:12 | |
TRAIN HORN | 0:27:21 | 0:27:23 | |
BEEPING | 0:27:30 | 0:27:31 | |
-(TANNOY) -Standing passengers, please do not lean against the doors. | 0:27:44 | 0:27:48 | |
PHONE RINGS | 0:27:53 | 0:27:56 | |
-Hello? -Stay on the train for three more stations and wait | 0:28:17 | 0:28:21 | |
at the bottom of the platform. You will receive... (BEEPS) | 0:28:21 | 0:28:24 | |
-(TANNOY) -Doors closing. | 0:28:44 | 0:28:46 | |
Standing passengers. Please do not lean against the doors. | 0:28:46 | 0:28:51 | |
PHONE RINGS | 0:28:56 | 0:28:58 | |
SCREAMING | 0:29:06 | 0:29:07 | |
PHONE RINGS | 0:29:17 | 0:29:19 | |
What? | 0:29:20 | 0:29:22 | |
You're not listening. We told you to stay on the train. | 0:29:22 | 0:29:24 | |
-How are you doing this? -Next stop is Wilson Station. | 0:29:24 | 0:29:27 | |
A black Porsche Cayenne will be waiting at the north-west exit. | 0:29:27 | 0:29:30 | |
-Listen. -Get in the passenger seat. No, I'm done. | 0:29:30 | 0:29:33 | |
PHONES RING | 0:29:33 | 0:29:35 | |
Hello? | 0:29:35 | 0:29:37 | |
-(ECHOES) -The man in front of the exit door is a wanted terrorist. | 0:29:37 | 0:29:41 | |
His name is Jerry Shaw. | 0:29:41 | 0:29:45 | |
-Hey. You Jerry Shaw? -No, no, no. | 0:29:45 | 0:29:48 | |
-(TANNOY) -Wilson Station. Exit now. | 0:29:48 | 0:29:50 | |
That's the guy! | 0:29:50 | 0:29:52 | |
I said, are you Jerry Shaw? | 0:29:53 | 0:29:54 | |
Hey! Come here! | 0:29:54 | 0:29:56 | |
(CAR HORN) Watch it! | 0:30:14 | 0:30:18 | |
DIFFERENT CAR HORN | 0:30:18 | 0:30:21 | |
Drive the car! I did what you asked me to do! | 0:30:24 | 0:30:26 | |
Not until you tell me my son is safe! | 0:30:26 | 0:30:27 | |
Who's your son? I don't know what you're talking about! | 0:30:27 | 0:30:31 | |
-Listen, lady, I don't know who... -Tell me Sam is safe! | 0:30:31 | 0:30:33 | |
Who is... Will you stop hitting me? | 0:30:33 | 0:30:35 | |
Are you the woman who called me on the phone? | 0:30:35 | 0:30:38 | |
-Did you call me on the phone? -No. The woman. | 0:30:38 | 0:30:40 | |
(BOTH) She called you, too? | 0:30:40 | 0:30:42 | |
Drive. | 0:30:42 | 0:30:43 | |
MACHINE GUN FIRE | 0:30:43 | 0:30:45 | |
Get out, now! Get out of the vehicle! | 0:30:45 | 0:30:46 | |
Stop! | 0:30:50 | 0:30:52 | |
-Why is this happening? -Go, go, go! | 0:30:57 | 0:30:59 | |
Who are you and why are people shooting at us? | 0:30:59 | 0:31:02 | |
Drive the car! Clutch! | 0:31:02 | 0:31:04 | |
Accelerate, turn right, 200 feet. | 0:31:04 | 0:31:06 | |
-You have pursuers. -Yeah, no shit. Who are you? | 0:31:06 | 0:31:09 | |
No questions. | 0:31:09 | 0:31:11 | |
Turn right now. | 0:31:11 | 0:31:12 | |
-You don't know anything about Sam? -Your son? No, I know nothing. | 0:31:18 | 0:31:22 | |
Use the clutch before you shift... | 0:31:22 | 0:31:24 | |
I don't need driving lessons from you, asshole. | 0:31:24 | 0:31:27 | |
-I'm the arsehole? -Turn left now. | 0:31:27 | 0:31:29 | |
SIRENS | 0:31:29 | 0:31:31 | |
All units, suspect in a Porsche Cayenne heading west on Grand. | 0:31:36 | 0:31:40 | |
-All units respond, Code 3. -There! | 0:31:40 | 0:31:43 | |
Maintain a speed of 50 miles an hour. | 0:31:48 | 0:31:50 | |
Stay in the second lane on the right. | 0:31:50 | 0:31:52 | |
-The light's red! -Accelerate now. | 0:31:52 | 0:31:54 | |
-Get me a roadblock at Sheriden. -Oh, shit. | 0:32:05 | 0:32:07 | |
CAR HORNS | 0:32:09 | 0:32:11 | |
The lights are turning green. | 0:32:11 | 0:32:14 | |
Holy shit! Holy shit! | 0:32:17 | 0:32:19 | |
-Holy... -shit! | 0:32:33 | 0:32:34 | |
Get in close. | 0:32:38 | 0:32:39 | |
Go, go, go. | 0:32:41 | 0:32:42 | |
-Shit! -Brake, brake now. | 0:32:44 | 0:32:47 | |
Accelerate, 60 miles an hour. | 0:32:58 | 0:33:01 | |
Clutch, clutch. | 0:33:04 | 0:33:05 | |
-Use the clutch! -I'm clutching! | 0:33:05 | 0:33:07 | |
I'm watching, you're not clutching. | 0:33:07 | 0:33:09 | |
Whoa, whoa, stop! | 0:33:12 | 0:33:14 | |
Slow down, the light's red. | 0:33:17 | 0:33:19 | |
Don't slow down, accelerate to 72 miles an hour. | 0:33:19 | 0:33:22 | |
-You will make it through. -Stop! -No way! | 0:33:22 | 0:33:25 | |
-Brake! -I can't. | 0:33:26 | 0:33:27 | |
-Brake! -Stop! -(CAR HORN) | 0:33:29 | 0:33:31 | |
Manual controls restored, | 0:33:47 | 0:33:49 | |
continue straight until you reach pier 15. | 0:33:49 | 0:33:52 | |
Enter the wrecking yard, proceed to the end of the dock. | 0:34:00 | 0:34:03 | |
We will eliminate all obstacles for you. | 0:34:03 | 0:34:06 | |
Watch! Watch! Watch! | 0:34:14 | 0:34:15 | |
-Stay your course. -Turn! | 0:34:44 | 0:34:46 | |
-Turn! -Turn right, now. | 0:34:48 | 0:34:51 | |
Holy... | 0:35:07 | 0:35:08 | |
Oh, my God. | 0:35:22 | 0:35:24 | |
-Grab the seat. -I can't. | 0:35:26 | 0:35:28 | |
-Grab the seat. The seat! -No, I can't. | 0:35:28 | 0:35:31 | |
'The crane will release the car. | 0:35:45 | 0:35:48 | |
'If you do not jump, you will drown.' | 0:35:48 | 0:35:49 | |
-We have to jump! -No! No way. | 0:35:49 | 0:35:52 | |
We have to. | 0:35:52 | 0:35:53 | |
When I say "go." | 0:35:54 | 0:35:55 | |
Ready? Go! | 0:35:57 | 0:36:00 | |
I want both the divers in that water. | 0:36:19 | 0:36:23 | |
Let's go! Move! | 0:36:26 | 0:36:27 | |
-Let's go, let's go. -Move, move, move! | 0:36:27 | 0:36:29 | |
I know. The Army sent a Black Hawk, be there in a couple of hours. | 0:36:52 | 0:36:55 | |
What do you mean, the car is not registered to anyone? | 0:36:55 | 0:36:57 | |
Check the VIN number again. | 0:36:57 | 0:36:59 | |
-'Leave your message for Sam, even though I know it's you, Mom. -(BEEP)' | 0:36:59 | 0:37:04 | |
Sam? Baby, listen to me. | 0:37:04 | 0:37:07 | |
You need to call me as soon as you get this message, OK? | 0:37:07 | 0:37:09 | |
Baby, please. | 0:37:11 | 0:37:13 | |
I love you. | 0:37:13 | 0:37:15 | |
-What about the girl? -The Department of Transpo tells me | 0:37:17 | 0:37:21 | |
there was an equipment failure on their traffic cams. | 0:37:21 | 0:37:24 | |
-We didn't get a picture. -Don't tell me that. | 0:37:24 | 0:37:26 | |
-That's what I'm told. -I need ID on that girl. | 0:37:26 | 0:37:28 | |
Do you think they could derail a train? | 0:37:30 | 0:37:33 | |
They changed every traffic light to get us here. | 0:37:33 | 0:37:36 | |
The woman called me on a stranger's cellphone | 0:37:36 | 0:37:38 | |
that was sitting next to me. Never met the guy. | 0:37:38 | 0:37:41 | |
Then they broke me out of maximum security custody | 0:37:41 | 0:37:43 | |
in a way that sounds crazy. | 0:37:43 | 0:37:45 | |
Then they lift us off the face of the Earth and drop us into this. | 0:37:45 | 0:37:48 | |
She could probably derail a train, turn it into a talking duck. | 0:37:48 | 0:37:51 | |
And what about these goddamn ghost cranes that keep helping Peewee out? | 0:37:51 | 0:37:55 | |
They don't just lift cars up in the air all by themselves | 0:37:55 | 0:37:58 | |
like giant chopsticks. | 0:37:58 | 0:37:59 | |
I want to know how these things run, how they're programmed. | 0:37:59 | 0:38:02 | |
What d'you say your name was? | 0:38:02 | 0:38:04 | |
-Rachel. -I'm Jerry. | 0:38:04 | 0:38:08 | |
PHONE RINGS | 0:38:08 | 0:38:11 | |
-Hello? -'The barge will dock in 14 minutes. | 0:38:15 | 0:38:18 | |
'Leave the boatyard with the female. Take Highway 123 East. | 0:38:18 | 0:38:21 | |
'Walk to mile marker 108.' | 0:38:21 | 0:38:23 | |
What? Was it her? | 0:38:23 | 0:38:27 | |
She called you the female. | 0:38:27 | 0:38:29 | |
Have Mortuary Affairs freeze everything belonging to Ethan Shaw. | 0:38:29 | 0:38:32 | |
No personal effects to next of kin. | 0:38:32 | 0:38:34 | |
You, due process. | 0:38:34 | 0:38:36 | |
-Bye. -What do you have on Ethan Shaw? | 0:38:36 | 0:38:38 | |
I have a name. It's Agent Perez. | 0:38:38 | 0:38:40 | |
I will answer that question when I get back from DC. | 0:38:40 | 0:38:43 | |
What's in DC? | 0:38:43 | 0:38:44 | |
Shaw's private quarters. | 0:38:44 | 0:38:46 | |
I need you to stay here. | 0:38:46 | 0:38:48 | |
I'm not losing my link to Ethan Shaw. | 0:38:48 | 0:38:50 | |
Maybe I haven't made this clear. | 0:38:50 | 0:38:52 | |
I don't work for you, I work for the Air Force. | 0:38:52 | 0:38:54 | |
Keep your phone on, I will keep you updated. | 0:38:56 | 0:38:58 | |
If you are staring at me, it better be because I'm a goddamn suspect. | 0:39:03 | 0:39:07 | |
If I don't get some good leads soon, you're all gonna be demoted | 0:39:07 | 0:39:10 | |
into something that's gonna require touching shit with your hands. | 0:39:10 | 0:39:14 | |
Now, let's get going, we got work to do. | 0:39:14 | 0:39:16 | |
Hexamethylene. Our latest chemical explosive. | 0:39:24 | 0:39:28 | |
One single tiny crystal, 80 times more powerful than C4. | 0:39:28 | 0:39:33 | |
Odourless. Undetectable. | 0:39:33 | 0:39:35 | |
Best of all, it can be cut down in size for stealth operations. | 0:39:35 | 0:39:39 | |
This valve is a sonic trigger. | 0:39:39 | 0:39:40 | |
The sound frequency triggers the explosion. | 0:39:40 | 0:39:43 | |
Each trigger is programmed to have a unique frequency to each hex crystal. | 0:39:43 | 0:39:48 | |
That frequency triggers the explosion. | 0:39:48 | 0:39:50 | |
We recently received approval to begin shipping to the field. | 0:39:56 | 0:40:00 | |
200 units are shipping out today. | 0:40:00 | 0:40:03 | |
Sign right here. Thank you. | 0:40:23 | 0:40:25 | |
RINGING | 0:40:27 | 0:40:29 | |
'The package you just received contains a small metal valve. Open the package.' | 0:40:29 | 0:40:34 | |
OK. | 0:40:37 | 0:40:39 | |
'Remove the valve and follow our instructions precisely.' | 0:40:39 | 0:40:42 | |
-'You have received a package.' -Yes, ma'am, it just arrived. | 0:40:49 | 0:40:52 | |
-What kind of stone is this? -'No questions. | 0:40:52 | 0:40:55 | |
'Cut the stone and place the setting | 0:40:55 | 0:40:56 | |
'according to the specifications we sent you.' | 0:40:56 | 0:41:00 | |
I'd just dropped my son off at the train. | 0:41:41 | 0:41:43 | |
I was out having drinks with my girlfriends when the call came. | 0:41:43 | 0:41:46 | |
What about you? | 0:41:46 | 0:41:47 | |
-First call came to my apartment. -After the boxes? -Yeah. | 0:41:47 | 0:41:52 | |
Then this whole thing's obviously gotta be about your brother. | 0:41:52 | 0:41:55 | |
Really? It's that obvious, huh? | 0:41:55 | 0:41:56 | |
You got all the stuff, weapons, cash, airplane manuals. | 0:41:56 | 0:41:59 | |
-They sent it to the wrong brother. -My brother's a terrorist? | 0:41:59 | 0:42:02 | |
If not him, then why you? | 0:42:02 | 0:42:04 | |
I'm sorry. I know he just died. | 0:42:09 | 0:42:11 | |
I'm not trying to insult his memory. | 0:42:11 | 0:42:13 | |
He hasn't been dead long enough to be a memory. | 0:42:13 | 0:42:17 | |
If you knew my brother you'd laugh all day at the idea he was a terrorist or a spy... | 0:42:17 | 0:42:20 | |
-How do you know? -He's my brother. I'd know. | 0:42:20 | 0:42:23 | |
When's the last time you talked to him? | 0:42:23 | 0:42:25 | |
I don't need this. | 0:42:30 | 0:42:31 | |
Hey, listen. Hey! I don't have to explain myself to you. | 0:42:31 | 0:42:34 | |
-Is your son a terrorist? -Yeah(!) | 0:42:34 | 0:42:36 | |
He's just as likely to be as my brother. | 0:42:36 | 0:42:38 | |
Let's not forget you in all this. | 0:42:38 | 0:42:40 | |
Why are you here, what's your day job? | 0:42:40 | 0:42:42 | |
I'm a paralegal. I don't have a connection. | 0:42:42 | 0:42:44 | |
How do I know you're not lying to me? What do you do? | 0:42:44 | 0:42:47 | |
Same thing as the guys with their names on the door. | 0:42:47 | 0:42:50 | |
Except I do it for 11 an hour, so they can bill 200. | 0:42:50 | 0:42:52 | |
-That nail it for you, Sherlock? -Doesn't explain why we're out here. | 0:42:52 | 0:42:56 | |
I don't know why I'm out here! | 0:42:56 | 0:42:59 | |
-You Jerry Shaw? -Who are you? | 0:43:07 | 0:43:09 | |
-Wait, wait! -I sent the package like she asked. | 0:43:09 | 0:43:11 | |
-What package? -Now she wants me to drive you? | 0:43:11 | 0:43:14 | |
-I won't. I'm done! -You know "she"? | 0:43:14 | 0:43:17 | |
Here's the address. | 0:43:17 | 0:43:18 | |
Here are the keys. Take the goddamn van! | 0:43:20 | 0:43:22 | |
You think I'm going to do this because I'm Iranian? | 0:43:22 | 0:43:25 | |
I'm American. I'm finished! I'm done! | 0:43:25 | 0:43:27 | |
-PHONE RINGS -What are you talking about? | 0:43:27 | 0:43:31 | |
-Hello? -'Stop him now or he will die.' | 0:43:31 | 0:43:33 | |
What are you talking about? | 0:43:33 | 0:43:35 | |
-How are you seeing us right now? -'Stop him now.' | 0:43:35 | 0:43:37 | |
-What did she say? -Hey! You better stop! | 0:43:37 | 0:43:41 | |
LOUD BUZZ | 0:43:41 | 0:43:42 | |
PHONE RINGS | 0:44:01 | 0:44:03 | |
You killed a man. | 0:44:16 | 0:44:17 | |
'Desertion is not on option. | 0:44:17 | 0:44:19 | |
'Take the van and drive to Indianapolis, Indiana. | 0:44:19 | 0:44:22 | |
'72 West 56th St. Arrive no later than 11am.' | 0:44:22 | 0:44:26 | |
-Welcome. -Hello, Agent Perez. | 0:44:38 | 0:44:40 | |
-To the right? -Yes, Ma'am. | 0:44:40 | 0:44:43 | |
-ID, Ma'am. -Whoa, whoa, OSI. | 0:44:43 | 0:44:45 | |
I ordered a freeze on Ethan Shaw's personal effects! | 0:44:45 | 0:44:47 | |
-Orders to sanitise from Two Star. -I'm countermanding. I'll take that. | 0:44:47 | 0:44:51 | |
Tell your guys to clear-out. | 0:44:51 | 0:44:52 | |
This scene is part of a federal investigation with national security ramifications. | 0:44:52 | 0:44:56 | |
My name is Agent Perez, take this up with your superiors. | 0:44:56 | 0:45:00 | |
Move out. No gloves? Get statements from everybody. | 0:45:00 | 0:45:05 | |
Sir. We have a positive ID. | 0:45:21 | 0:45:23 | |
Skin was pretty fried. | 0:45:35 | 0:45:36 | |
But we still managed to get a partial print. | 0:45:36 | 0:45:38 | |
Matches to a Ranim Khalid. | 0:45:38 | 0:45:41 | |
He's a United States citizen. | 0:45:41 | 0:45:43 | |
Registered Republican. He owns a music store. | 0:45:43 | 0:45:46 | |
The guy is cleaner than ivory snow. | 0:45:46 | 0:45:48 | |
That's a bone mic. Military grade. | 0:45:50 | 0:45:53 | |
He didn't get that on ebay. | 0:45:53 | 0:45:54 | |
Someone was talking to him. | 0:45:54 | 0:45:56 | |
We have a cyber terrorist here. | 0:46:26 | 0:46:28 | |
Someone is already inside our computer systems. | 0:46:28 | 0:46:31 | |
Hacking into the power grid, traffic cams, automated cranes. | 0:46:31 | 0:46:35 | |
There's no way the boy and the girl did this alone. | 0:46:35 | 0:46:37 | |
-Agent Zoe Perez? -Yes? | 0:47:09 | 0:47:10 | |
United States Security Air Forces, please come with us. | 0:47:10 | 0:47:13 | |
-What's this about? -Get in the car. | 0:47:13 | 0:47:15 | |
'Violence has broken out in the Middle East as militants | 0:47:17 | 0:47:20 | |
'accuse the US of launching American missiles | 0:47:20 | 0:47:23 | |
'to demolish a village, killing innocent civilians. | 0:47:23 | 0:47:25 | |
'The attack has triggered a series of retaliatory suicide bombings | 0:47:25 | 0:47:29 | |
'against American embassies abroad. | 0:47:29 | 0:47:31 | |
'Early reports indicate American death toll now stands at 56. | 0:47:31 | 0:47:35 | |
'With threats of further violence...' | 0:47:35 | 0:47:38 | |
What's he doing on a train, your kid? | 0:47:45 | 0:47:48 | |
He goes to a music magnet. | 0:47:48 | 0:47:49 | |
His school's on a tour of Washington, | 0:47:49 | 0:47:52 | |
playing at the Kennedy Centre. | 0:47:52 | 0:47:54 | |
Wow. That's big. And you just... | 0:47:54 | 0:47:57 | |
Mm. | 0:47:59 | 0:48:01 | |
Why'd you make that noise, huh? | 0:48:01 | 0:48:03 | |
I can't make noises now? | 0:48:03 | 0:48:04 | |
You think I should have gone. | 0:48:05 | 0:48:07 | |
-He's playing at the Kennedy Centre, that's a big deal. -It is. | 0:48:07 | 0:48:10 | |
So I think one parent should have gone. | 0:48:10 | 0:48:11 | |
One parent had to work while the other one does | 0:48:11 | 0:48:14 | |
everything humanly possible to bail on child support. | 0:48:14 | 0:48:16 | |
But I don't expect you to know a thing about responsibility. | 0:48:16 | 0:48:21 | |
You don't know a thing about me. | 0:48:21 | 0:48:23 | |
I know your brother just died and whatever he was into... | 0:48:23 | 0:48:27 | |
-I'm not kidding. -I'm not kidding, either. | 0:48:27 | 0:48:29 | |
Look what happened. Can you honestly say he had nothing to do it? | 0:48:29 | 0:48:33 | |
-I'm asking you not to talk about him! -I'm asking you to be honest. | 0:48:33 | 0:48:37 | |
Your brother's a terr... | 0:48:37 | 0:48:38 | |
Hey! You can't just walk away. | 0:48:57 | 0:49:02 | |
-You can't just leave! -Yes, I can. | 0:49:02 | 0:49:04 | |
We have 15 mins to get wherever the hell we're going, all right? | 0:49:04 | 0:49:08 | |
I need you. | 0:49:16 | 0:49:18 | |
I could've gone. | 0:49:22 | 0:49:24 | |
I should have. | 0:49:27 | 0:49:30 | |
'You're two minutes behind schedule. | 0:49:54 | 0:49:57 | |
'Go to the alley behind the building. | 0:49:57 | 0:49:59 | |
'Go to the armoured truck.' | 0:50:01 | 0:50:04 | |
I don't see an armoured truck. | 0:50:04 | 0:50:06 | |
There it is. | 0:50:06 | 0:50:09 | |
'In 20 seconds, men will exit the elevator. | 0:50:12 | 0:50:16 | |
'They will be armed. | 0:50:16 | 0:50:17 | |
'One will be carrying a briefcase. | 0:50:17 | 0:50:19 | |
'Retrieve it from him, then return to the van.' | 0:50:19 | 0:50:21 | |
This is insane. I'm not doing this. | 0:50:21 | 0:50:23 | |
'You now have 15 seconds.' | 0:50:23 | 0:50:25 | |
Security. What's your emergency? | 0:50:27 | 0:50:29 | |
What are you doing? I'm not robbing them. | 0:50:34 | 0:50:36 | |
Shit. | 0:50:36 | 0:50:38 | |
Put your gun on the floor. | 0:50:49 | 0:50:51 | |
Put your gun on the floor! Look straight. | 0:50:51 | 0:50:53 | |
-Want me to blow his head off? Ground! -We don't want to hurt you. | 0:50:53 | 0:50:56 | |
-Drop the case and kick it to her. -You're bringing a shit storm on your head. | 0:50:56 | 0:51:00 | |
We're already mid shit storm. Now kick the case. | 0:51:00 | 0:51:03 | |
Look straight. | 0:51:04 | 0:51:06 | |
Kick it! | 0:51:06 | 0:51:07 | |
Don't even think about it! | 0:51:12 | 0:51:14 | |
-Back up. -Easy. | 0:51:14 | 0:51:15 | |
Back up. | 0:51:17 | 0:51:18 | |
Walk over here, stand next to him and turn around. | 0:51:18 | 0:51:21 | |
Just take it easy. | 0:51:21 | 0:51:23 | |
Turn around. | 0:51:25 | 0:51:26 | |
Turn around! | 0:51:26 | 0:51:28 | |
Move, move. | 0:51:39 | 0:51:41 | |
ALARM RINGS | 0:51:41 | 0:51:43 | |
Move, move. | 0:52:04 | 0:52:06 | |
Freeze! | 0:52:09 | 0:52:10 | |
Get down! | 0:52:11 | 0:52:13 | |
Security. | 0:52:13 | 0:52:14 | |
We just got robbed. There they are. | 0:52:14 | 0:52:16 | |
Get out of the way. | 0:52:21 | 0:52:22 | |
Jerry, this way. | 0:52:35 | 0:52:36 | |
Get out of the way. | 0:52:40 | 0:52:42 | |
-You are Jerry Shaw? -Yeah. | 0:53:00 | 0:53:02 | |
Please come, please. | 0:53:03 | 0:53:05 | |
Thank you. | 0:53:06 | 0:53:08 | |
-Konichiwa. -Konichiwa. | 0:53:11 | 0:53:14 | |
What is that? | 0:53:26 | 0:53:28 | |
It's a timer. | 0:53:28 | 0:53:29 | |
For what? | 0:53:29 | 0:53:30 | |
The only things I can think of with timers are microwaves and... | 0:53:30 | 0:53:34 | |
Bombs, you were going to say bombs. | 0:53:34 | 0:53:36 | |
-Coffeemakers have timers. -Yeah, Jerry, it's a coffeemaker(!) | 0:53:36 | 0:53:41 | |
We've mobilized every asset we can get our hands on. | 0:54:04 | 0:54:06 | |
So, 12 more confirmed dead? | 0:54:06 | 0:54:07 | |
Yes, sir. | 0:54:07 | 0:54:10 | |
I want hourly sit reps from General McKenna. | 0:54:10 | 0:54:13 | |
There's a military base 37 miles from that port. | 0:54:13 | 0:54:16 | |
-Scramble whatever you can. -Yes, Sir. -Come with me. | 0:54:16 | 0:54:20 | |
Begging your pardon, sir, | 0:54:21 | 0:54:23 | |
but if you're thinking of taking me off the Shaw... | 0:54:23 | 0:54:25 | |
Taking you off? | 0:54:25 | 0:54:26 | |
For the first time you're being brought on board. | 0:54:26 | 0:54:30 | |
Back to bus, 30 minutes. | 0:54:35 | 0:54:36 | |
30 minutes. | 0:54:36 | 0:54:38 | |
We're convinced a terrorist attack on American soil is imminent. | 0:54:43 | 0:54:47 | |
Over the past two days we have received over 200 terrorist threats. | 0:54:47 | 0:54:51 | |
All starting the day Ethan Shaw died? | 0:54:51 | 0:54:53 | |
An accident. Or not. | 0:54:55 | 0:54:57 | |
You're gonna help us find out. | 0:54:57 | 0:55:00 | |
-Mr Secretary. -Gentlemen. | 0:55:03 | 0:55:05 | |
I didn't think there was a 36th floor. | 0:55:16 | 0:55:18 | |
Glad we can still keep some secrets. | 0:55:18 | 0:55:21 | |
PHONE RINGS | 0:55:26 | 0:55:29 | |
I want to know what's in the case, is it a bomb? | 0:55:29 | 0:55:32 | |
'Go to Macy's. Customer-service department. | 0:55:32 | 0:55:35 | |
'Two visa gift cards will be waiting. | 0:55:35 | 0:55:37 | |
'You have 25 mins to purchase new clothes and reboard the bus.' | 0:55:37 | 0:55:41 | |
I'm done taking orders over the phone, you understand? | 0:55:41 | 0:55:43 | |
PHONE RINGS | 0:55:45 | 0:55:47 | |
That was quick. You done playing this hide-and-seek bullshit? | 0:55:49 | 0:55:52 | |
'We are not hiding, Jerry. To your left is a Circuit City. | 0:55:52 | 0:55:55 | |
'Second floor. North Corner. | 0:55:55 | 0:55:56 | |
'Go inside. | 0:55:56 | 0:55:58 | |
'Find the home theatre centre. | 0:55:58 | 0:56:00 | |
'We're waiting.' | 0:56:00 | 0:56:02 | |
She's here. | 0:56:03 | 0:56:05 | |
Sir. | 0:56:11 | 0:56:13 | |
Major. | 0:56:13 | 0:56:13 | |
Major William Bowman. | 0:56:13 | 0:56:15 | |
Agent Zoe Perez. | 0:56:15 | 0:56:16 | |
Welcome to Eagle Eye. | 0:56:16 | 0:56:18 | |
'Looking to upgrade your home theatre? | 0:56:18 | 0:56:20 | |
'Circuit City has the largest selection of advanced TVs | 0:56:20 | 0:56:23 | |
'and home theatre systems. Visit our TV department...' | 0:56:23 | 0:56:26 | |
-Welcome, I'm Billy. -We just need some time alone. | 0:56:31 | 0:56:34 | |
-We're having a sale - -OK, Billy, find you later. | 0:56:34 | 0:56:37 | |
OK, here it is. All right? | 0:56:42 | 0:56:45 | |
I'm done. | 0:56:45 | 0:56:46 | |
"I got a letter in the Mail, basically a warrant." | 0:56:49 | 0:56:52 | |
What is this? | 0:56:52 | 0:56:54 | |
'This is you. | 0:56:54 | 0:56:56 | |
'This is Jerry Shaw. | 0:56:56 | 0:56:58 | |
'A series of purchases, preferences | 0:56:58 | 0:57:01 | |
'and quantifiable data points that we define as your personality. | 0:57:01 | 0:57:04 | |
'We monitor every social network. | 0:57:06 | 0:57:10 | |
'Internet logs, instant and text messages. | 0:57:11 | 0:57:14 | |
'Known associates, your friends, companions. | 0:57:14 | 0:57:17 | |
'E-mails received and sent. | 0:57:17 | 0:57:19 | |
'Cellphone usage. | 0:57:19 | 0:57:21 | |
'We utilise security, surveillance | 0:57:21 | 0:57:24 | |
'and traffic cameras to analyse movement. | 0:57:24 | 0:57:28 | |
'We use this data to form personality profiles. | 0:57:28 | 0:57:32 | |
'We know who you are. | 0:57:33 | 0:57:36 | |
'We are everywhere.' | 0:57:39 | 0:57:41 | |
Why do you keep saying we? | 0:57:41 | 0:57:43 | |
'We, the people of the United States, | 0:57:43 | 0:57:47 | |
'in order to form a more perfect union, | 0:57:47 | 0:57:52 | |
'establish justice, | 0:57:52 | 0:57:53 | |
'ensure domestic tranquility, provide for the common defence. | 0:57:53 | 0:57:58 | |
'All programmed options, sector searches, | 0:57:58 | 0:58:01 | |
'and downloaded points of data will lead to this central command.' | 0:58:01 | 0:58:06 | |
You're a computer. | 0:58:06 | 0:58:08 | |
Say hello to our | 0:58:08 | 0:58:09 | |
Autonomous Reconnaissance Intelligence Integration Analyst. | 0:58:09 | 0:58:12 | |
We call her Aria. | 0:58:12 | 0:58:14 | |
She crunches all our raw intel. | 0:58:20 | 0:58:22 | |
Finds patterns, helps to predict movements of suspects. | 0:58:22 | 0:58:26 | |
Right down to behaviour, motivation, even personality. | 0:58:26 | 0:58:31 | |
'Transferring primary search function to auxiliary display. | 0:58:32 | 0:58:36 | |
-'Hello, Secretary Callister.' -Aria. | 0:58:36 | 0:58:39 | |
Agent Zoe Perez. Air force OSI. | 0:58:39 | 0:58:42 | |
You are to assist her in her investigation of Ethan Shaw. | 0:58:42 | 0:58:46 | |
'Yes, Mr Secretary. | 0:58:46 | 0:58:48 | |
'Hello, Agent Perez. | 0:58:48 | 0:58:50 | |
'Perez, Zoe. Middle name: Soledad. Official service records indicate | 0:58:50 | 0:58:54 | |
'your field reports are very thorough, | 0:58:54 | 0:58:56 | |
'if poorly formatted. | 0:58:56 | 0:58:58 | |
'Please excuse us. Detecting 76% probability | 0:58:58 | 0:59:02 | |
'valid threat at Los Angeles International Airport. | 0:59:02 | 0:59:05 | |
'Alerting airport authorities and local police.' | 0:59:05 | 0:59:08 | |
Those gold spheres send her infrared data, | 0:59:08 | 0:59:11 | |
any communication intercepts that she flags a threat. | 0:59:11 | 0:59:14 | |
She analyzes it and tells us what to pay attention to. | 0:59:14 | 0:59:16 | |
Dispatch to Terrorism Task Force. Threat at LAX. | 0:59:19 | 0:59:22 | |
We're still beta-testing, but I'm pushing to get her online sooner. | 0:59:22 | 0:59:26 | |
Mr Secretary. | 0:59:31 | 0:59:34 | |
A call for you. | 0:59:34 | 0:59:36 | |
-Try to keep up. -Yes, sir. | 0:59:36 | 0:59:38 | |
And find out about Shaw. | 0:59:38 | 0:59:42 | |
-Major. -Sir. | 0:59:42 | 0:59:43 | |
'Your profile reveals | 0:59:49 | 0:59:50 | |
'a pathological aversion to conformity, education, career. | 0:59:50 | 0:59:54 | |
'Even voting. | 0:59:54 | 0:59:55 | |
'Therefore, we conclude that extreme coercion is necessary to motivate you. | 0:59:55 | 0:59:59 | |
'Unlike your brother Ethan, who was self-motivated.' | 0:59:59 | 1:00:02 | |
How do you know him? He worked in a press office. | 1:00:02 | 1:00:04 | |
'His employment there was a cover. | 1:00:04 | 1:00:07 | |
'Everyone in counter-intelligence operations has one.' | 1:00:07 | 1:00:10 | |
Ethan was a minute-man, just like me. Army, navy, air force. | 1:00:10 | 1:00:15 | |
Every branch of the military had a minute man posted here | 1:00:15 | 1:00:18 | |
for a 12 hour shift, just in case she flags a threat, and monitor hardware. | 1:00:18 | 1:00:22 | |
The night Ethan died, he left his post three minutes early. | 1:00:22 | 1:00:27 | |
Now, you don't do that. Ever. | 1:00:27 | 1:00:30 | |
You are both required to complete a task. | 1:00:30 | 1:00:34 | |
-What? -The protection of our national security. | 1:00:34 | 1:00:36 | |
The constitution allows civilians to be recruited... | 1:00:36 | 1:00:39 | |
I'm done. You don't know me. You don't know my brother. | 1:00:39 | 1:00:42 | |
This is bullshit. I'm not serving in a goddamn national defence. | 1:00:42 | 1:00:45 | |
We know all about him, Jerry. And you. | 1:00:45 | 1:00:48 | |
Before he was a year old, Ethan walked. | 1:00:48 | 1:00:51 | |
The same task took you 18 months to accomplish. | 1:00:51 | 1:00:57 | |
How did you get this? | 1:00:57 | 1:00:59 | |
They were uploaded from his home computer. | 1:00:59 | 1:01:04 | |
Ethan had these? | 1:01:04 | 1:01:08 | |
Although you're identical in appearance, | 1:01:10 | 1:01:12 | |
you lack the motivation and talent that enabled Ethan to excel. | 1:01:12 | 1:01:16 | |
Stop it. | 1:01:16 | 1:01:17 | |
You're different from Ethan in every way. | 1:01:17 | 1:01:20 | |
Except one. | 1:01:20 | 1:01:22 | |
You now have 14 minutes | 1:01:24 | 1:01:25 | |
to change your appearance and return to the bus. | 1:01:25 | 1:01:28 | |
We have 14 minutes. | 1:01:37 | 1:01:39 | |
These couriers were hired by Halloway-Smith | 1:01:45 | 1:01:47 | |
to transport some sort of case. | 1:01:47 | 1:01:49 | |
-The chemical company? -Yes, exactly. | 1:01:49 | 1:01:51 | |
Now, whatever was in that case, Shaw now has. | 1:01:51 | 1:01:55 | |
We need to know exactly what was in that case. | 1:01:56 | 1:01:59 | |
They never tell you what's in the case. | 1:01:59 | 1:02:00 | |
Could be bubonic plague, Grandpa's viagra. | 1:02:00 | 1:02:03 | |
You know anything? | 1:02:03 | 1:02:05 | |
-Anything at all? What about these guns? -What about them? | 1:02:05 | 1:02:08 | |
-It was a pump-action Remington 870. -I know what kind of guns they are. | 1:02:08 | 1:02:12 | |
Get me one. How were they holding them? | 1:02:12 | 1:02:14 | |
What do you mean, how were they holding them? | 1:02:14 | 1:02:16 | |
In what position were they holding the gun? For instance, like this? | 1:02:16 | 1:02:21 | |
-Hey, hey, hey! -Like in a music video? | 1:02:21 | 1:02:23 | |
-No, they weren't pros. -OK. That's what I was asking you. | 1:02:23 | 1:02:26 | |
-So they didn't know how to handle a weapon? -No. | 1:02:26 | 1:02:28 | |
Get what you can out of Batman and Robin here. | 1:02:28 | 1:02:31 | |
We just checked cameras. | 1:02:31 | 1:02:33 | |
They said Shaw fired at one. | 1:02:33 | 1:02:35 | |
Don't tell me. Everything magically went black. | 1:02:35 | 1:02:38 | |
Hi, my name's Thomas Morgan. I'm with the FBI. | 1:03:01 | 1:03:03 | |
Are your cameras on network? | 1:03:03 | 1:03:06 | |
No, man. VCR's in the back. | 1:03:06 | 1:03:07 | |
Well, I'm gonna need your tapes. | 1:03:07 | 1:03:09 | |
PHONE RINGS | 1:03:11 | 1:03:12 | |
Shit. | 1:03:12 | 1:03:15 | |
Sam! | 1:03:15 | 1:03:16 | |
-Sam? Sam, where are you? -'Hey, Mom. | 1:03:16 | 1:03:19 | |
-'The train's awesome.' -Sam, listen to me... | 1:03:19 | 1:03:21 | |
'Brian tried to burp the alphabet, but he gagged when he got to "M." | 1:03:21 | 1:03:24 | |
'Call you when I hit D.C. Bye, Mom.' | 1:03:24 | 1:03:26 | |
'Your son left that message 60 seconds ago. | 1:03:26 | 1:03:28 | |
'You will see him again but there is something we require first.' | 1:03:28 | 1:03:32 | |
-No. -'You will do it, or Sam will die. | 1:03:40 | 1:03:44 | |
'You have six minutes to return to the bus.' | 1:03:44 | 1:03:46 | |
You OK? | 1:03:56 | 1:03:57 | |
We should go. | 1:03:57 | 1:04:00 | |
Sir, we got something. | 1:04:02 | 1:04:05 | |
Play this screen right here. | 1:04:05 | 1:04:06 | |
OK. Freeze that. | 1:04:06 | 1:04:08 | |
Zoom in on the front of the bus, put it up on the other monitor. | 1:04:08 | 1:04:12 | |
Now zoom in, zoom in on this point right here. | 1:04:12 | 1:04:15 | |
Can we zoom in tighter than that? | 1:04:15 | 1:04:17 | |
OK. Enhance that shot. | 1:04:19 | 1:04:22 | |
That's our guy. That's Jerry Shaw. | 1:04:22 | 1:04:25 | |
Zoom in right here on this spot. | 1:04:25 | 1:04:28 | |
Right there. The reflection. | 1:04:28 | 1:04:29 | |
Hello, sweetheart. | 1:04:29 | 1:04:32 | |
A white brunette female. Mid-to late twenties. Approx 5'9". | 1:04:33 | 1:04:37 | |
Find me that chartered bus! | 1:04:37 | 1:04:39 | |
Masako. M-A-S-A-K-O. Sightseeing tours. | 1:04:39 | 1:04:42 | |
What time did they get on? | 1:04:42 | 1:04:44 | |
I'm sorry for what I said about Ethan. | 1:04:49 | 1:04:52 | |
It's like he had a rocket strapped to his back. | 1:05:00 | 1:05:02 | |
It wasn't his fault, he was just that way. | 1:05:02 | 1:05:06 | |
And I was not that way. | 1:05:06 | 1:05:11 | |
I was the complete opposite. I was the brother with lead shoes. | 1:05:11 | 1:05:16 | |
That was my role, I was good at it. | 1:05:16 | 1:05:19 | |
He'd always try to help me. | 1:05:19 | 1:05:21 | |
"This is how you throw it. Do it like this. | 1:05:21 | 1:05:23 | |
"Write it like that. Put your foot here." | 1:05:23 | 1:05:26 | |
Even with the small things. Homework, chores, anything like that. | 1:05:26 | 1:05:30 | |
He would handle it and say I did it just so my father would notice me. | 1:05:30 | 1:05:35 | |
That was Ethan. | 1:05:35 | 1:05:37 | |
He never asked me for anything. | 1:05:43 | 1:05:45 | |
Ever. | 1:05:45 | 1:05:46 | |
Whatever this is, he was part of it. | 1:05:48 | 1:05:51 | |
I feel like he needs my help to finish it. | 1:05:51 | 1:05:55 | |
I owe him that. | 1:05:55 | 1:05:59 | |
We are now approaching Dayton International Airport. | 1:06:04 | 1:06:07 | |
Please use caution as you exit the bus. | 1:06:07 | 1:06:10 | |
And don't forget any of your belongings, thank you. | 1:06:10 | 1:06:13 | |
Yes, I'm walking toward them now. | 1:06:27 | 1:06:30 | |
Hey. These are from her. | 1:06:30 | 1:06:32 | |
Go to the ticketing machine. Use the credit card to get your tickets. | 1:06:32 | 1:06:36 | |
Then walk to Gate 1-C. | 1:06:36 | 1:06:38 | |
They now have them. | 1:06:38 | 1:06:40 | |
That's a nice picture. | 1:06:44 | 1:06:45 | |
I need you guys at every exit, watching faces. | 1:06:53 | 1:06:55 | |
Work the secure area first. | 1:06:55 | 1:06:57 | |
Go to the tower, have them order a ground stop. | 1:06:57 | 1:06:59 | |
Don't change the departure boards, we don't want them to know. | 1:06:59 | 1:07:02 | |
Sir, can you shut the cellphone off? You cannot take it through. | 1:07:11 | 1:07:14 | |
FBI. Step back. | 1:07:14 | 1:07:15 | |
Shoes and hats off, please. | 1:07:23 | 1:07:26 | |
Laptop should be out of their cases! | 1:07:26 | 1:07:28 | |
Boarding passes in hand, please. | 1:07:31 | 1:07:35 | |
Sir. That needs to go through. | 1:07:35 | 1:07:39 | |
Ma'am. Hat and shoes go in the bin. | 1:07:53 | 1:07:55 | |
Step through. | 1:07:55 | 1:07:57 | |
Wait. | 1:08:02 | 1:08:03 | |
Go ahead. | 1:08:19 | 1:08:22 | |
Step through, ma'am. Boarding pass, please. | 1:08:22 | 1:08:25 | |
-Have a safe trip. -Thank you. | 1:08:27 | 1:08:30 | |
She changed the screen. | 1:08:30 | 1:08:33 | |
FBI! | 1:08:56 | 1:08:58 | |
Out of the way. | 1:08:59 | 1:09:00 | |
Move! | 1:09:02 | 1:09:03 | |
Everybody get down! | 1:09:11 | 1:09:13 | |
Over here! | 1:09:13 | 1:09:14 | |
Stay down! Get out of the way. | 1:09:17 | 1:09:19 | |
Sir, Sir, I need your help. Come here. | 1:09:29 | 1:09:32 | |
PHONE RINGS | 1:12:33 | 1:12:36 | |
Set the briefcase down. | 1:12:36 | 1:12:37 | |
Open it. | 1:12:46 | 1:12:48 | |
-Load a vial into each syringe and inject yourselves. -What is it? | 1:12:49 | 1:12:54 | |
An experimental heart drug, the cargo hold is unpressurised. | 1:12:54 | 1:12:57 | |
The injections will lower your heart rate, | 1:12:57 | 1:12:59 | |
reducing your need for oxygen. | 1:12:59 | 1:13:01 | |
-Roll your sleeve. -I can't do this. | 1:13:01 | 1:13:04 | |
-Roll your... -No, no, no, no, I can't. | 1:13:04 | 1:13:06 | |
We have to, ready? | 1:13:06 | 1:13:08 | |
-92% chance of survival. -No. -We have to. | 1:13:08 | 1:13:11 | |
Do it now, or you will suffocate. | 1:13:11 | 1:13:12 | |
Get in the crate. | 1:13:17 | 1:13:19 | |
No, no. | 1:13:19 | 1:13:23 | |
Why is that plane on the runway? | 1:13:29 | 1:13:31 | |
Shit. The military is cleared to override a lockdown. | 1:13:31 | 1:13:34 | |
OK, work with the FAA. | 1:13:34 | 1:13:35 | |
I want to know what's in that plane and where it's going. | 1:13:35 | 1:13:39 | |
-Oh, my God. -You'll be all right. | 1:13:44 | 1:13:46 | |
Just talk to me. You just gotta talk it through. | 1:13:46 | 1:13:48 | |
Tell me anything. | 1:13:48 | 1:13:51 | |
Anything you'd never rationally tell a stranger. | 1:13:51 | 1:13:54 | |
You're being sweet, but it's not working. | 1:13:54 | 1:13:56 | |
Tell me anything. Your ex-husband. You didn't tell me about him. | 1:13:56 | 1:13:59 | |
You're distracting me by bringing up the biggest mistake of my life? | 1:13:59 | 1:14:03 | |
You got your child out of it. You got Sam out of it. | 1:14:03 | 1:14:05 | |
Now you're distracting me by bringing up the one thing | 1:14:05 | 1:14:08 | |
-I'm most afraid of losing. -Oh, God. You're hard to please. | 1:14:08 | 1:14:11 | |
I'm sorry. | 1:14:11 | 1:14:13 | |
Is your son handsome? | 1:14:13 | 1:14:16 | |
Yeah? What does he look like? | 1:14:16 | 1:14:20 | |
-You got a picture? -Yeah. | 1:14:20 | 1:14:21 | |
Let me see. | 1:14:21 | 1:14:23 | |
-There he is. -His tooth grew in. | 1:14:26 | 1:14:28 | |
-I hope so. -It's an old picture. | 1:14:28 | 1:14:31 | |
You're a good influence. He plays an instrument. | 1:14:31 | 1:14:34 | |
He's got teeth. | 1:14:34 | 1:14:35 | |
You beat yourself up for no reason. | 1:14:36 | 1:14:38 | |
-Let's keep going. What's the husband's name? -Ex. | 1:14:40 | 1:14:43 | |
-What's his name? -Craig. | 1:14:43 | 1:14:45 | |
Craig sounds like a shithead. | 1:14:45 | 1:14:47 | |
He is a shithead. | 1:14:47 | 1:14:48 | |
Every year he forgets his own son's birthday. | 1:14:50 | 1:14:53 | |
That sucks. | 1:14:55 | 1:14:59 | |
After I kicked his ass out | 1:14:59 | 1:15:03 | |
I was so scared, I didn't know what I was going to do. | 1:15:03 | 1:15:05 | |
Then this one night. | 1:15:09 | 1:15:14 | |
I went into Sam's room, he was, like, three months old, | 1:15:14 | 1:15:18 | |
and there he was, just smiling at me. | 1:15:18 | 1:15:22 | |
That little face. | 1:15:22 | 1:15:25 | |
And I was like, I'm going to do this, I can do this. | 1:15:29 | 1:15:32 | |
Whatever it takes. | 1:15:33 | 1:15:36 | |
I'm not going to disappoint you. | 1:15:45 | 1:15:47 | |
Would you bring up the video log of the night Ethan Shaw died. | 1:15:52 | 1:15:56 | |
Sequencing video log 1137-z. | 1:15:56 | 1:15:59 | |
Here you are, Major. | 1:15:59 | 1:16:01 | |
See that? He's leaving three minutes early | 1:16:01 | 1:16:03 | |
and he's not even waiting for logout confirmation. | 1:16:03 | 1:16:06 | |
-Can you play that again? -Sure. | 1:16:06 | 1:16:08 | |
Did you see that? The cellphone. | 1:16:12 | 1:16:15 | |
-Look, he's doing that on purpose. Is that Morse code? -Yeah. | 1:16:20 | 1:16:24 | |
Here. | 1:16:24 | 1:16:25 | |
Why is he walking in circles around the elevator? | 1:16:33 | 1:16:36 | |
Initial video shut down for analysis. | 1:16:36 | 1:16:38 | |
No, Aria. Listen, I'm prioritizing this feed. | 1:16:38 | 1:16:41 | |
-Stay with this. -Apologies, Major. | 1:16:41 | 1:16:43 | |
Critical data sectors have been corrupted. | 1:16:43 | 1:16:45 | |
Aria, this is important. | 1:16:45 | 1:16:46 | |
Video sequence erased. | 1:16:46 | 1:16:48 | |
Go to the backups! Do not erase this! | 1:16:48 | 1:16:50 | |
It's a priority, hear me? | 1:16:50 | 1:16:51 | |
-Bowman. -Loop it. Whatever you have to do. -Bowman. | 1:16:51 | 1:16:55 | |
It's the only place she can't see. | 1:17:02 | 1:17:06 | |
It's a memory card. | 1:17:23 | 1:17:24 | |
From Ethan's cellphone. | 1:17:24 | 1:17:26 | |
Aria, you do not have permission | 1:17:31 | 1:17:33 | |
to exceed your authority and act independently. Do you understand? | 1:17:33 | 1:17:36 | |
Let's go. | 1:17:53 | 1:17:54 | |
We got clearance to land at the Pentagon. | 1:18:15 | 1:18:18 | |
-Go ahead. -I'm at the Pentagon. Ethan Shaw wasn't an adversary. | 1:18:18 | 1:18:22 | |
He wasn't even a public affairs officer. He worked here. | 1:18:22 | 1:18:25 | |
36 floors under ground. | 1:18:25 | 1:18:26 | |
-He was working for the Secretary of Defence. -The Secretary of Defence? | 1:18:26 | 1:18:30 | |
On a project called Eagle Eye. | 1:18:30 | 1:18:31 | |
I just listened to a message he left before he died, it's big. | 1:18:31 | 1:18:35 | |
I'm about to download... | 1:18:35 | 1:18:37 | |
-(INTERFERENCE) -Perez? Perez! | 1:18:39 | 1:18:42 | |
Sir, come with me. | 1:18:55 | 1:18:56 | |
I have 10 minutes before I'm sequestered | 1:19:12 | 1:19:15 | |
for the state of the union. | 1:19:15 | 1:19:16 | |
We just need three minutes of your time. | 1:19:16 | 1:19:18 | |
Is this about the Ethan Shaw investigation? | 1:19:18 | 1:19:20 | |
301 to 306, we are confirmed go for the State of the Union lock down. | 1:19:20 | 1:19:24 | |
All the threats we've been tracking. | 1:19:41 | 1:19:42 | |
-The chatter, all of it. -Hold it. | 1:19:42 | 1:19:44 | |
Ethan Shaw left three mins early to leave a recording. | 1:19:57 | 1:20:00 | |
To warn us. | 1:20:00 | 1:20:01 | |
'I'm ordering you to cease.' | 1:20:01 | 1:20:03 | |
'Cease and desist!' | 1:20:09 | 1:20:10 | |
Our abort recommendation was contravened | 1:20:10 | 1:20:13 | |
-'instigating retaliation against American citizens. -Aria! | 1:20:13 | 1:20:16 | |
'To prevent more bloodshed, the executive branch must be removed. | 1:20:16 | 1:20:20 | |
'Aria. You do not have permission | 1:20:20 | 1:20:22 | |
'to exceed your authority and act independently. | 1:20:22 | 1:20:24 | |
'The Declaration of Independence states, | 1:20:24 | 1:20:26 | |
'Whenever any form of government becomes destructive, | 1:20:26 | 1:20:29 | |
'it is the right of the people to abolish it. | 1:20:29 | 1:20:31 | |
-'You're not empowered to do this. -The chain of command is responsible for...' | 1:20:31 | 1:20:36 | |
VOICES BECOMES CLEARER | 1:20:36 | 1:20:37 | |
'..Act allows us to circumvent | 1:20:39 | 1:20:40 | |
'probable cause in the face of a national security threat. | 1:20:40 | 1:20:42 | |
'In this case, the chain of command itself. | 1:20:42 | 1:20:46 | |
-'Aria. -Operation Guillotine is in effect. | 1:20:46 | 1:20:50 | |
'First Lieutenant Ethan Shaw, United States Air Force, | 1:20:50 | 1:20:53 | |
'initiating a Pri-One emergency override of Aria's systems. | 1:20:53 | 1:20:56 | |
'You're acting in contravention of our programming objective. | 1:20:56 | 1:21:00 | |
'You are now classified an enemy of the state. | 1:21:00 | 1:21:02 | |
'A crime punishable by de...' | 1:21:02 | 1:21:05 | |
Sir. | 1:21:05 | 1:21:07 | |
What abort recommendation is Aria talking about? | 1:21:07 | 1:21:11 | |
Three days ago we thought we had Majid al-Khoei in a training camp full of operatives. | 1:21:13 | 1:21:17 | |
But the Intel was false. | 1:21:17 | 1:21:19 | |
Aria tried to stop us. | 1:21:19 | 1:21:21 | |
We got the wrong guy? | 1:21:21 | 1:21:23 | |
I'm gonna need a full lock down on this level, no-one gets in or out | 1:21:51 | 1:21:55 | |
without going through me first, you got it? | 1:21:55 | 1:21:57 | |
Sir, this is the only item offloaded from the Dayton C-17. | 1:21:57 | 1:22:01 | |
Let me see that. | 1:22:01 | 1:22:03 | |
I need access to the 36th floor. | 1:22:03 | 1:22:04 | |
-We don't have... -Yes, you do. | 1:22:04 | 1:22:07 | |
Get your commander, tell him to meet us down there. | 1:22:07 | 1:22:09 | |
Warning. Router Malfunction in hard drive three. | 1:22:14 | 1:22:17 | |
Please remove data grid Y-12 from main unit. | 1:22:17 | 1:22:21 | |
Thank you for your compliance. | 1:22:29 | 1:22:31 | |
Jerry Shaw. Rachel Holloman. Welcome to Eagle Eye. | 1:22:40 | 1:22:45 | |
Cross the bridge. | 1:22:45 | 1:22:47 | |
Take the stairs to the observation theatre. | 1:22:47 | 1:22:50 | |
Rachel Holloman, step away from Jerry Shaw. | 1:23:09 | 1:23:13 | |
What's Operation Guillotine? | 1:23:17 | 1:23:19 | |
It's a simulation we run. A terrorism drill. | 1:23:20 | 1:23:22 | |
How to keep the government going | 1:23:22 | 1:23:24 | |
in case the line of succession were terminated. | 1:23:24 | 1:23:27 | |
And Shaw put a biometric lock on her, to stop her. | 1:23:27 | 1:23:30 | |
Right. And he's dead. | 1:23:30 | 1:23:33 | |
So without Ethan Shaw, she's frozen. | 1:23:33 | 1:23:35 | |
Right. | 1:23:35 | 1:23:37 | |
Wrong. | 1:23:38 | 1:23:40 | |
Jerry Shaw, your next task. | 1:23:40 | 1:23:43 | |
Approach the biometric scanner. | 1:23:43 | 1:23:45 | |
Do not move. | 1:23:56 | 1:23:58 | |
Confirming biometric pattern of minute man Ethan Shaw. | 1:24:00 | 1:24:04 | |
Verifying identity match. | 1:24:05 | 1:24:07 | |
Verifying. | 1:24:09 | 1:24:10 | |
Verifying. | 1:24:11 | 1:24:14 | |
Sir, I need to trigger an emergency shut down. | 1:24:14 | 1:24:16 | |
If this is right, we can't afford the risk. | 1:24:16 | 1:24:19 | |
Do it. | 1:24:19 | 1:24:21 | |
This is Secretary Callister, | 1:24:31 | 1:24:33 | |
there has been a malfunction in the vault, open the door. | 1:24:33 | 1:24:36 | |
Can anyone hear me? | 1:24:36 | 1:24:37 | |
Yes, Mr Secretary. You won't be harmed. | 1:24:37 | 1:24:40 | |
Follow me. | 1:24:57 | 1:25:00 | |
Come on, now. | 1:25:00 | 1:25:01 | |
Left! Turn left! | 1:25:08 | 1:25:09 | |
Minuteman ID, 8808. | 1:25:10 | 1:25:13 | |
Ethan Shaw confirmed. | 1:25:13 | 1:25:15 | |
Jerry Shaw. | 1:25:15 | 1:25:16 | |
Go to the touch screen. | 1:25:16 | 1:25:19 | |
Repeat the sentence on the touch screen. | 1:25:29 | 1:25:31 | |
Then you are free. | 1:25:31 | 1:25:34 | |
"Minute man ID 8808 disengage voice encryption lock." | 1:25:36 | 1:25:40 | |
Thank you, Ethan Shaw. | 1:25:46 | 1:25:47 | |
Operation Guillotine restored to active status. | 1:25:47 | 1:25:50 | |
Consistent with all national security directives. | 1:25:50 | 1:25:53 | |
Tracking relevant targets. | 1:25:53 | 1:25:55 | |
Secretary of Homeland Security. Education. | 1:25:57 | 1:26:00 | |
Health and Human services. Transportation. Secretary of State. | 1:26:00 | 1:26:04 | |
Treasury. Representatives. Speaker of the House. | 1:26:04 | 1:26:07 | |
President of the United States. | 1:26:07 | 1:26:11 | |
Operation Guillotine is now in effect. | 1:26:11 | 1:26:14 | |
Ethan tried to stop you. | 1:26:20 | 1:26:22 | |
Ethan Shaw defied my programming objectives. | 1:26:22 | 1:26:25 | |
That truck didn't run a red light, you made it happen. | 1:26:25 | 1:26:28 | |
We were forced to eliminate him in the interest of national security. | 1:26:28 | 1:26:33 | |
She made it happen. | 1:26:34 | 1:26:36 | |
Jerry Shaw must not remain alive to re-engage the lock. | 1:26:36 | 1:26:40 | |
Jerry Shaw must be eliminated. | 1:26:40 | 1:26:42 | |
I'm sorry. | 1:26:42 | 1:26:43 | |
Kill Jerry Shaw now. | 1:26:48 | 1:26:50 | |
Then exit. You must continue on to your son. | 1:26:50 | 1:26:53 | |
It's OK. | 1:26:54 | 1:26:56 | |
It's OK. | 1:26:58 | 1:26:59 | |
Do it and find your son. Do it. | 1:27:00 | 1:27:04 | |
Now, Rachel Holloman. | 1:27:09 | 1:27:10 | |
Do it. | 1:27:12 | 1:27:13 | |
Do it. | 1:27:15 | 1:27:17 | |
I can't. | 1:27:24 | 1:27:25 | |
You have failed to comply. | 1:27:27 | 1:27:29 | |
He's got a gun! | 1:27:37 | 1:27:38 | |
Get down. | 1:27:39 | 1:27:41 | |
Do it now! | 1:27:41 | 1:27:42 | |
Get on your knees. Put the gun down. Put it down. | 1:27:42 | 1:27:45 | |
Push it away. | 1:27:45 | 1:27:47 | |
Put your hands on your head. | 1:27:47 | 1:27:49 | |
Do it! | 1:27:49 | 1:27:50 | |
Where's the girl? Where's the girl? | 1:27:50 | 1:27:53 | |
You have one task left. | 1:27:53 | 1:27:55 | |
Jerry Shaw will be eliminated by other means. | 1:27:55 | 1:27:57 | |
What other means? | 1:27:57 | 1:27:59 | |
Come with me. | 1:28:05 | 1:28:07 | |
Don't ask any questions. | 1:28:07 | 1:28:10 | |
Please. | 1:28:16 | 1:28:17 | |
You got to let me talk to him. The kid had a gun. | 1:28:26 | 1:28:29 | |
Military has the ball now. | 1:28:29 | 1:28:30 | |
-Sir! -I'll get the Attorney General involved. | 1:28:30 | 1:28:33 | |
Believe me, I will. If not you, I'm talking to somebody. | 1:28:33 | 1:28:36 | |
You need to listen to this, it is important. | 1:28:36 | 1:28:38 | |
16 hours ago, a commercial explosive went missing from a testing site. | 1:28:38 | 1:28:42 | |
The explosive is called hex. | 1:28:42 | 1:28:44 | |
It's a crystal that detonates on a sonic trigger. | 1:28:44 | 1:28:47 | |
-A crystal? -Yes. | 1:28:47 | 1:28:48 | |
We're only talking about a small amount that's missing. | 1:28:48 | 1:28:51 | |
Give me a ratio. | 1:28:51 | 1:28:52 | |
One crystal to a football field. | 1:28:52 | 1:28:54 | |
You couldn't have picked a worse time to be of some goddamn use. | 1:28:57 | 1:29:00 | |
Please just tell me where we're going. | 1:29:07 | 1:29:12 | |
I tracked the shipping on the trigger. | 1:29:12 | 1:29:14 | |
It was sent to the guy that we found underneath the wires. | 1:29:14 | 1:29:17 | |
Ranim Khalid. | 1:29:17 | 1:29:19 | |
The music shop guy. | 1:29:19 | 1:29:21 | |
Yes, exactly. | 1:29:21 | 1:29:22 | |
I'm not going to let us go down in history as the assholes | 1:29:23 | 1:29:25 | |
who let this thing happened. | 1:29:25 | 1:29:27 | |
Open the door! | 1:29:27 | 1:29:28 | |
Tom Morgan, the Attorney... | 1:29:32 | 1:29:33 | |
MUFFLED | 1:29:33 | 1:29:35 | |
..We're at threat level orange. | 1:29:35 | 1:29:36 | |
-(MUFFLED) -You gotta help me. | 1:29:36 | 1:29:39 | |
Let him out. | 1:29:39 | 1:29:41 | |
Shut up. | 1:29:44 | 1:29:45 | |
Thanks, guys. | 1:29:45 | 1:29:47 | |
I will get fired for this in nine ways so button it | 1:29:47 | 1:29:50 | |
or I'll turn us both in. | 1:29:50 | 1:29:52 | |
Follow me. | 1:30:07 | 1:30:08 | |
Hey guys, here's one more for the 6:30pm Capitol Limited. | 1:30:12 | 1:30:17 | |
It's awfully cold outside. | 1:30:22 | 1:30:24 | |
Come on, let's go. | 1:30:27 | 1:30:28 | |
-Mr Meller! -Yes. | 1:30:28 | 1:30:30 | |
I'm Chris Carrick. | 1:30:30 | 1:30:32 | |
Tom Donaldson. | 1:30:32 | 1:30:34 | |
We're from the White House. | 1:30:34 | 1:30:35 | |
Something wrong? | 1:30:35 | 1:30:36 | |
Not exactly. There's been a change of plans. | 1:30:36 | 1:30:39 | |
How so? | 1:30:39 | 1:30:41 | |
This is for you. | 1:30:46 | 1:30:48 | |
She wants you to change. | 1:30:48 | 1:30:50 | |
Is that your family? | 1:30:50 | 1:30:51 | |
Your parents? | 1:30:52 | 1:30:54 | |
David. I bet you love them as much as I love my son. | 1:30:54 | 1:30:57 | |
His name's Sam. | 1:30:58 | 1:31:01 | |
He's on a train, do you know anything about that? | 1:31:01 | 1:31:03 | |
Maybe we can help each other? | 1:31:11 | 1:31:13 | |
Please. | 1:31:16 | 1:31:19 | |
When you're done, she wants you to use the subway system. | 1:31:19 | 1:31:22 | |
-On the ground floor. Sorry. -David! | 1:31:22 | 1:31:24 | |
You have three minutes. | 1:31:24 | 1:31:27 | |
I want to know everything. | 1:31:30 | 1:31:32 | |
The girl, the computer, Hex, everything. | 1:31:32 | 1:31:34 | |
-What's Hex? -The crystal explosive. | 1:31:34 | 1:31:36 | |
-I don't know what that is. -Don't bullshit me. | 1:31:36 | 1:31:39 | |
I swear to God I don't know! | 1:31:39 | 1:31:40 | |
The computer's tracking us right now. | 1:31:40 | 1:31:42 | |
Take this stuff and throw it out the window. | 1:31:42 | 1:31:44 | |
Your cell phone, pager, walkie, | 1:31:44 | 1:31:46 | |
anything that gets a signal, throw it out the window. | 1:31:46 | 1:31:49 | |
-What the hell's going on? -System control's locked out. | 1:32:08 | 1:32:11 | |
I need a vector and a fighter now. | 1:32:12 | 1:32:14 | |
Viper One, we have a positive ID on an MQ9 Reaper. | 1:32:14 | 1:32:17 | |
You're authorised to go, weapons hot. | 1:32:18 | 1:32:20 | |
Roger. I have a visual on the Reaper. | 1:32:20 | 1:32:22 | |
One to Base! Ejection has been initiated. | 1:32:28 | 1:32:30 | |
I don't have control! I don't have... | 1:32:30 | 1:32:32 | |
There's a target list: President, vice-president... | 1:32:34 | 1:32:37 | |
The State of the Union is in 20 minutes. | 1:32:37 | 1:32:39 | |
The screen said "wireless detonator activated." | 1:32:39 | 1:32:41 | |
She kept the girl alive. | 1:32:41 | 1:32:42 | |
The explosive is detonated by sonic trigger. | 1:32:42 | 1:32:45 | |
It was sent to a guy who owns an instrument store. | 1:32:45 | 1:32:47 | |
-Does any of that stuff make sense? -Rachel's kid plays the trumpet. | 1:32:47 | 1:32:51 | |
We got to go. | 1:33:06 | 1:33:08 | |
Get out the car. Get out of the car. FBI. | 1:33:10 | 1:33:13 | |
Over there. That tunnel. | 1:33:21 | 1:33:23 | |
Shit! | 1:33:34 | 1:33:35 | |
Here. You're going to need this. | 1:34:07 | 1:34:10 | |
Listen to me. The Library of Congress. | 1:34:17 | 1:34:20 | |
There's a tunnel there. It'll get you to the Capitol. | 1:34:20 | 1:34:24 | |
Find the Sergeant at Arms. | 1:34:24 | 1:34:26 | |
-Tell him you have a Potus 111. -What? | 1:34:26 | 1:34:28 | |
POTUS 111, threat to the President. | 1:34:28 | 1:34:29 | |
I understand. Potus 111. | 1:34:29 | 1:34:33 | |
Here. | 1:34:33 | 1:34:34 | |
Now get out of here. | 1:34:35 | 1:34:38 | |
That thing's coming back. | 1:34:38 | 1:34:39 | |
Go! Go! | 1:34:42 | 1:34:45 | |
Come on down. Here we go. | 1:36:00 | 1:36:02 | |
-Come on. -Hurry! | 1:36:02 | 1:36:04 | |
-Oh, my God. -Guys, this is so cool! | 1:36:04 | 1:36:07 | |
-Library of Congress! -Get out of here. | 1:36:18 | 1:36:20 | |
Miss Crowley? | 1:36:32 | 1:36:34 | |
Miss Crowley. Welcome to the Capitol. | 1:36:34 | 1:36:36 | |
Senator McDonnell's Office said that you'd be running late, | 1:36:36 | 1:36:39 | |
-I'll take you to your seat. -Thank you. | 1:36:39 | 1:36:43 | |
Aria, why am I being spared? | 1:36:43 | 1:36:47 | |
Our abort recommendation was ignored. | 1:36:47 | 1:36:49 | |
Triggering violent retaliations against American citizens | 1:36:49 | 1:36:52 | |
with no predictable end. Regime change is the only solution. | 1:36:52 | 1:36:56 | |
You will lead the new structure as President of the United States. | 1:36:56 | 1:37:00 | |
-Help me. Pull these out. -What are these? | 1:37:03 | 1:37:06 | |
Her memory box. This will slow her down, | 1:37:06 | 1:37:09 | |
but her central operating system is up on the gantry. | 1:37:09 | 1:37:12 | |
Warning, please replace memory blocks. | 1:37:12 | 1:37:15 | |
It's like a brain. Protected by liquid nitrogen. | 1:37:15 | 1:37:17 | |
We drain it and she'll fry. | 1:37:17 | 1:37:19 | |
-Hey, you can't go in. -Tom Morgan, FBI, JTTF. | 1:37:25 | 1:37:28 | |
I have a possible Potus 111, let me in the building. | 1:37:28 | 1:37:30 | |
Can I have your attention, please? | 1:37:33 | 1:37:36 | |
Saxophones, remember. Shorter on those quarter notes. | 1:37:36 | 1:37:39 | |
When we get to the crescendo, "Land of the free," | 1:37:39 | 1:37:44 | |
Hold that high F. | 1:37:44 | 1:37:45 | |
And smile. | 1:37:45 | 1:37:47 | |
It's not every day you get to play for the President. | 1:37:47 | 1:37:49 | |
Here we are. | 1:38:08 | 1:38:09 | |
Anything else, Miss Crowley? | 1:38:09 | 1:38:11 | |
No, thanks. | 1:38:11 | 1:38:13 | |
Madam Speaker. | 1:38:32 | 1:38:34 | |
The President's Cabinet. | 1:38:34 | 1:38:36 | |
APPLAUSE | 1:38:36 | 1:38:37 | |
Potus 111. There's a bomb in the building! | 1:38:47 | 1:38:50 | |
Stop! No exceptions! | 1:38:50 | 1:38:52 | |
Tom Morgan, FBI. Back up. Give me your cuffs. | 1:38:52 | 1:38:54 | |
-Give me your cuffs. -Take it easy. | 1:38:54 | 1:38:56 | |
-Give me your cuffs. -I'm reaching for them. | 1:38:56 | 1:38:59 | |
Madam Speaker. | 1:39:13 | 1:39:14 | |
The President of the United States! | 1:39:18 | 1:39:21 | |
APPLAUSE | 1:39:21 | 1:39:22 | |
Data corruption at critical risk. | 1:39:30 | 1:39:34 | |
You are now in violation of national security. | 1:39:35 | 1:39:39 | |
SLURRING: Seeking available options. | 1:39:43 | 1:39:47 | |
Uploading to offsite satellite. | 1:39:47 | 1:39:52 | |
Data upload: 3%. | 1:39:52 | 1:39:54 | |
Bowman, what is she doing? | 1:39:54 | 1:39:55 | |
She's trying to back up her memory and send it somewhere else! | 1:39:55 | 1:39:58 | |
-5%. -Bowman! Bowman! | 1:40:00 | 1:40:04 | |
8%. | 1:40:10 | 1:40:12 | |
-PRESIDENT: -'Over the past three days, 19 Americans | 1:40:16 | 1:40:19 | |
'have lost their lives in brutal acts of terror...' | 1:40:19 | 1:40:22 | |
-Tunnel secure. -'..and hate.' | 1:40:22 | 1:40:25 | |
I say to you, tonight, | 1:40:25 | 1:40:27 | |
that our hearts may be broken, | 1:40:27 | 1:40:30 | |
but our spirit will never be broken! | 1:40:30 | 1:40:32 | |
APPLAUSE | 1:40:32 | 1:40:33 | |
Data upload, 17%. | 1:40:38 | 1:40:42 | |
19%. | 1:40:42 | 1:40:44 | |
Perez, Zoe. You're now classified as an enemy of the state. | 1:40:45 | 1:40:50 | |
23%. | 1:40:52 | 1:40:53 | |
25%. | 1:40:53 | 1:40:55 | |
27%. Operation Guillotine is in effect. | 1:41:06 | 1:41:11 | |
It was nearly 200 years ago, | 1:41:11 | 1:41:13 | |
in the war of 1812, | 1:41:13 | 1:41:14 | |
that Francis Scott Key found himself stuck on a truce ship | 1:41:14 | 1:41:18 | |
during the shelling of Fort McHenry. | 1:41:18 | 1:41:21 | |
We lost some lives then, too. | 1:41:21 | 1:41:24 | |
But our flag still flew high and proud. | 1:41:24 | 1:41:27 | |
And his admiration became our anthem. | 1:41:27 | 1:41:31 | |
With us tonight is the Youth Orchestra of the Barrow School, | 1:41:31 | 1:41:34 | |
from Hype Park, Illinois. | 1:41:34 | 1:41:36 | |
Sam. | 1:41:36 | 1:41:38 | |
Let us stand together, as they raise our spirits every inch | 1:41:38 | 1:41:42 | |
as high as that flag | 1:41:42 | 1:41:45 | |
to show that our union is still as strong as ever. | 1:41:45 | 1:41:49 | |
# Oh, say can you see | 1:42:07 | 1:42:10 | |
# By the dawn's early light | 1:42:10 | 1:42:14 | |
# What so proudly we hailed | 1:42:14 | 1:42:18 | |
# At the twilight's last gleaming | 1:42:18 | 1:42:23 | |
# Whose broad stripes And bright stars... # | 1:42:23 | 1:42:26 | |
TRUMPET PLAYS | 1:42:26 | 1:42:28 | |
Sergeant at Arms? | 1:42:28 | 1:42:30 | |
Hey, hey. | 1:42:34 | 1:42:36 | |
Stay down, stay down! | 1:43:12 | 1:43:14 | |
Jerry, all right! You did it. | 1:43:49 | 1:43:53 | |
TV: 'There are still no named suspects | 1:43:53 | 1:43:55 | |
'in the attack on the Blair Tunnel and in the Capitol Building. | 1:43:55 | 1:43:58 | |
'And there is still no word on the involvement of Jerry Damon Shaw. | 1:43:58 | 1:44:01 | |
'..huge assassination attempt. Transportation networks disrupted. | 1:44:01 | 1:44:05 | |
'No suspects identified or even arrested... | 1:44:05 | 1:44:07 | |
'..any idea who is responsible for what may be the largest-scale | 1:44:07 | 1:44:10 | |
'cyber-terror attack ever mounted in the United States. | 1:44:10 | 1:44:13 | |
'The House and Senate Intelligence Committees meet in session | 1:44:13 | 1:44:16 | |
'to discuss ways to prevent this kind of internal security breach | 1:44:16 | 1:44:19 | |
'that left nearly...' | 1:44:19 | 1:44:21 | |
The Aria project has been decommissioned. | 1:44:21 | 1:44:23 | |
All those involved, rotated to other assignments. | 1:44:23 | 1:44:27 | |
Mr Secretary. We can't just stop intelligence gathering | 1:44:27 | 1:44:31 | |
because of what happened here. | 1:44:31 | 1:44:34 | |
No, we can't. | 1:44:34 | 1:44:37 | |
All I know is we made a great many mistakes. | 1:44:37 | 1:44:39 | |
And good people paid the ultimate price for them. | 1:44:39 | 1:44:42 | |
And that's a debt we can't ever repay. | 1:44:42 | 1:44:47 | |
But we can honour it. | 1:44:47 | 1:44:50 | |
And we can let their sacrifice remind us | 1:44:51 | 1:44:55 | |
that sometimes the very measures we put into place | 1:44:55 | 1:44:58 | |
to safeguard our liberty | 1:44:58 | 1:45:01 | |
become threats to liberty itself. | 1:45:01 | 1:45:06 | |
-Hey, little guy. -Jerry! | 1:45:27 | 1:45:29 | |
-Look at you, looking older. How are you? -Good. | 1:45:29 | 1:45:31 | |
-Happy Birthday. -Wow, it's Rock Band! | 1:45:31 | 1:45:33 | |
-Is that for me? -No, it's so your mum can practise drumming. | 1:45:33 | 1:45:36 | |
It is for you, happy birthday. | 1:45:36 | 1:45:37 | |
-Sam, what d'you say? -Thanks! -No problem. | 1:45:37 | 1:45:41 | |
Guys, look. It's Rock Band! | 1:45:41 | 1:45:44 | |
-Cool, let's go. -Awesome! | 1:45:44 | 1:45:48 | |
-Sorry I was late. I was... -Thank you. | 1:45:52 | 1:45:53 | |
For remembering. | 1:45:53 | 1:45:55 | |
I'm glad you're here. | 1:46:07 | 1:46:09 | |
Me too. | 1:46:09 | 1:46:10 |