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This film contains very strong language. | 0:00:02 | 0:00:14 | |
(HEAVY BREATHING) | 0:00:20 | 0:00:22 | |
(PANTS) | 0:00:33 | 0:00:35 | |
(MOBILE-PHONE BUTTONS BEEP) | 0:00:41 | 0:00:43 | |
(RINGING TONE) | 0:00:46 | 0:00:48 | |
-'Hello, it's Keeley. Leave a message.' -(BEEP) | 0:00:49 | 0:00:52 | |
Keeley, it's me. What's goin' on? | 0:00:52 | 0:00:55 | |
I've left, like, three messages. I said sorry, didn't I? | 0:00:55 | 0:00:58 | |
You know what I'm like. I was pissed off. Ring me back, you bitch. | 0:00:58 | 0:01:03 | |
(SIGHS) | 0:01:03 | 0:01:05 | |
(SIGHS) | 0:01:15 | 0:01:17 | |
(GIRLS CHATTER) | 0:01:18 | 0:01:21 | |
(CLATTERING) | 0:01:37 | 0:01:39 | |
-Tyler, what are you doin'? -Duh! What does it look like? | 0:01:39 | 0:01:43 | |
Fuck off, Mia! Our Keeley ain't 'ere! | 0:01:43 | 0:01:46 | |
(CLATTERING) Can you give Keeley a message from me?! | 0:01:50 | 0:01:53 | |
Tell her I think her old man's a cunt! (GIRLS LAUGH) | 0:01:53 | 0:01:57 | |
-I'll have you one of these days! -You'd be so fuckin' lucky! | 0:01:57 | 0:02:01 | |
# "Me And U" - Cassie Ventura | 0:02:12 | 0:02:14 | |
-(LADS CHATTER) -I'd have that one. | 0:02:24 | 0:02:27 | |
(GIRLS) # You've been waitin' so long | 0:02:30 | 0:02:33 | |
# I'm here to answer your call | 0:02:33 | 0:02:36 | |
# I know that I shouldn't have had you waitin' at all | 0:02:36 | 0:02:41 | |
# I've been so busy, but I've been thinkin' about | 0:02:41 | 0:02:44 | |
# What I wanna do to you | 0:02:44 | 0:02:48 | |
# I know them other guys | 0:02:48 | 0:02:50 | |
# They been talkin' about the way I do what I do | 0:02:50 | 0:02:54 | |
# They heard I was good, they wanna see if it's true | 0:02:54 | 0:03:00 | |
# They know you're the one I wanna give it to | 0:03:00 | 0:03:03 | |
# I can see you want me, too | 0:03:03 | 0:03:06 | |
# Now it's me and you | 0:03:06 | 0:03:08 | |
# Now | 0:03:08 | 0:03:10 | |
# I've been waitin', waitin', think I wanna make that move now... # | 0:03:10 | 0:03:13 | |
-What the fuck's your problem? -Your terrible dancing's my problem. | 0:03:13 | 0:03:17 | |
-Mia, don't start. -You can talk, Keeley. | 0:03:17 | 0:03:20 | |
-Since when did you have such ugly friends? -You skanky little... | 0:03:20 | 0:03:23 | |
-Agh! -What ya gonna do about it?! | 0:03:23 | 0:03:27 | |
(ALL SHOUT) | 0:03:27 | 0:03:29 | |
-If you want some fuckin' more, you know where I am! -Oh, fuck off! | 0:03:32 | 0:03:36 | |
Cunt! Walk away! | 0:03:37 | 0:03:39 | |
(BANGING) | 0:04:54 | 0:04:56 | |
(DOG BARKS) | 0:04:59 | 0:05:01 | |
-(GRUNTS) -Oi! | 0:05:03 | 0:05:05 | |
Oi! | 0:05:08 | 0:05:10 | |
-What ya fuckin' doin'?! -What does it look like?! | 0:05:10 | 0:05:13 | |
Fuck off! | 0:05:13 | 0:05:15 | |
(SHOUTING) "(LOUD MUSIC)" | 0:05:21 | 0:05:23 | |
# "Your House" - Steel Pulse | 0:05:28 | 0:05:30 | |
(DOG BARKS) Hello. It's only me. | 0:05:31 | 0:05:35 | |
Oi! The police have been looking for you. | 0:05:36 | 0:05:39 | |
-Broke that fucking girl's nose, didn't ya? -I didn't start it! | 0:05:39 | 0:05:43 | |
-Yes, you fucking did! -No, I didn't. -Yes, you fucking did. | 0:05:43 | 0:05:46 | |
-Mum, let go of me! -No, I won't. | 0:05:46 | 0:05:48 | |
-Let go of me, Mum. Let go of me, Mum! -You little cunt! | 0:05:48 | 0:05:53 | |
-I don't know what's wrong with you! -You're what's wrong with me! | 0:05:54 | 0:05:58 | |
(DOOR SLAMS) (SIGHS) | 0:05:59 | 0:06:01 | |
(SIGHS) | 0:06:03 | 0:06:05 | |
(SIGHS) | 0:06:11 | 0:06:13 | |
(DOG YAPS) | 0:06:37 | 0:06:39 | |
(MIMICS BEATBOX) | 0:07:03 | 0:07:05 | |
(DOOR RATTLES / BANGS OPEN) | 0:07:22 | 0:07:25 | |
# "Juice (Know The Ledge)" - Eric B & Rakim | 0:07:48 | 0:07:52 | |
"# Sip the juice, I got enough to go round | 0:08:02 | 0:08:04 | |
# And the thought takes place uptown | 0:08:04 | 0:08:06 | |
# I grew up on the sidewalk where I learned street talk | 0:08:06 | 0:08:09 | |
# And then taught to hawk New York | 0:08:09 | 0:08:10 | |
# I go to Queens for queens to get the crew from Brooklyn | 0:08:10 | 0:08:12 | |
# Make money in Manhattan and never been tooken | 0:08:12 | 0:08:14 | |
# Go Uptown and the Bronx to boogie down | 0:08:14 | 0:08:16 | |
# Get strong on the Island, recoup and lay around | 0:08:16 | 0:08:18 | |
# Time to build my juice back up | 0:08:18 | 0:08:20 | |
# Props back up, suckers get smacked up | 0:08:20 | 0:08:22 | |
# Don't doubt the clout, you know what I'm about | 0:08:22 | 0:08:24 | |
# Knockin' niggaz off, knockin' niggaz out | 0:08:24 | 0:08:26 | |
# Shakin' 'em up, wakin' 'em up | 0:08:26 | 0:08:28 | |
# Rakin' 'em up, breakin' 'em up | 0:08:28 | 0:08:30 | |
# Standin' on shaky grounds too close to the edge | 0:08:30 | 0:08:33 | |
# Let's see if I know the ledge | 0:08:33 | 0:08:34 | |
# Corners' triflin' cos shorty's here | 0:08:42 | 0:08:44 | |
# I get cock-d liffin' forties of beer | 0:08:44 | 0:08:46 | |
# Here's a sip for the crew that's deceased | 0:08:46 | 0:08:48 | |
# If I get revenge, then, they rest in peace | 0:08:48 | 0:08:50 | |
# Somebody gotta suffer, I just might spare one | 0:08:50 | 0:08:53 | |
# And give a brother a fair one | 0:08:53 | 0:08:54 | |
# Stay alert and on Ps | 0:08:54 | 0:08:56 | |
# And I do work with these like Hercules | 0:08:56 | 0:08:58 | |
# Switch to southpaw, split your right jaw | 0:08:58 | 0:09:00 | |
# Cos I don't like y'all, I'm hype when night fall | 0:09:00 | 0:09:02 | |
# Smooth, but I move like an army | 0:09:02 | 0:09:04 | |
# Bulletproof down in case brothers try to bomb me | 0:09:04 | 0:09:06 | |
# Puttin' brothers to rest like... #" | 0:09:06 | 0:09:08 | |
(CHILDREN GIGGLE) | 0:09:08 | 0:09:10 | |
(BOYS CHATTER) | 0:09:24 | 0:09:27 | |
(DOG BARKS) | 0:09:30 | 0:09:32 | |
Come 'ere. | 0:09:32 | 0:09:34 | |
(LADS CHATTER) | 0:09:36 | 0:09:39 | |
(TV CHATTER) | 0:09:44 | 0:09:47 | |
Joanne's going to kill you. | 0:09:48 | 0:09:50 | |
You were supposed to stay in. | 0:10:09 | 0:10:11 | |
(BREATHES HEAVILY) | 0:10:25 | 0:10:27 | |
(Ssshhh.) | 0:10:58 | 0:11:01 | |
(It's alright.) | 0:11:01 | 0:11:04 | |
(Ssshhh.) | 0:11:04 | 0:11:06 | |
(Ssshhh.) | 0:11:16 | 0:11:18 | |
(HORSE SNORTS) (Ssshhh.) | 0:11:27 | 0:11:30 | |
(Ssshhh.) | 0:11:30 | 0:11:32 | |
(DOG BARKS) | 0:11:42 | 0:11:45 | |
Aye, aye. This is private property. | 0:11:47 | 0:11:51 | |
-Bollocks. -Looks like this one's lookin' for a party. | 0:11:51 | 0:11:54 | |
-Fancy that. -We havin' a party? We don't mind a gate-crasher. | 0:11:54 | 0:11:59 | |
-What d'you need this for, then? -Hammering holes in your dick! | 0:11:59 | 0:12:03 | |
Something tells me you're up to no good. | 0:12:03 | 0:12:05 | |
-Oi, give me that back! -Let's have a bit of fun. | 0:12:05 | 0:12:09 | |
Get off me! | 0:12:09 | 0:12:11 | |
(CHUCKLES) Easy! Steady, steady! | 0:12:14 | 0:12:17 | |
-Doesn't look like she wants to come to our party. -(DOG BARKS) | 0:12:18 | 0:12:23 | |
-Nice one. -(LADS LAUGH) | 0:12:24 | 0:12:26 | |
Get off me! | 0:12:26 | 0:12:28 | |
-Don't touch me! -We're just havin' a laugh. | 0:12:28 | 0:12:31 | |
-Get off! What ya doin'?! Get off me! Get off! -Come on, then. | 0:12:31 | 0:12:36 | |
Get off me! Get off, you fuckin' idiot! | 0:12:39 | 0:12:43 | |
-Get off me! -Come on. | 0:12:43 | 0:12:45 | |
-Get her, then. -Get off! Get off! | 0:12:45 | 0:12:48 | |
-Get off me! -Easy. Steady, steady, steady, steady, steady. | 0:12:48 | 0:12:52 | |
-Get the fuck off me! Get off! -We're only messin' about. | 0:12:52 | 0:12:55 | |
(DOG BARKS) | 0:12:57 | 0:12:59 | |
-Fuckin' hell! -(PANTS) | 0:13:00 | 0:13:03 | |
# "Down 4 U"- Ja Rule | 0:13:18 | 0:13:20 | |
-"# You know I'll make it in a hurry -# Hurry | 0:13:34 | 0:13:38 | |
# Here for you and I will never leave | 0:13:38 | 0:13:40 | |
# Shed tears for you cos, boy, you got to me | 0:13:40 | 0:13:43 | |
-# There'll never be another for me -# For me | 0:13:43 | 0:13:46 | |
-# You'll always be my one and only -# Only | 0:13:46 | 0:13:49 | |
# Baby girl, would you bust your gun wit' me? | 0:13:49 | 0:13:53 | |
# Lie to the feds if they come get me? | 0:13:53 | 0:13:55 | |
# And if I died, would you kill for me? | 0:13:55 | 0:13:58 | |
# Do you trust in me? Are you lovin' me? | 0:13:58 | 0:14:01 | |
# Yeah, yeah, yeah | 0:14:01 | 0:14:02 | |
# Yeah, let's get it gwenin' like we Ashford and Simpson | 0:14:02 | 0:14:05 | |
# Or Ike and Anna Mae... #" | 0:14:05 | 0:14:06 | |
(COUGHING) | 0:14:06 | 0:14:08 | |
-Don't mind me, girl. Carry on. I was enjoying it. -As if. | 0:14:08 | 0:14:14 | |
-You makin' eggs? -No. | 0:14:20 | 0:14:23 | |
What's the water for, then? | 0:14:23 | 0:14:26 | |
I'm makin' tea. | 0:14:27 | 0:14:29 | |
-OK. -"(SONG CONTINUES)" | 0:14:30 | 0:14:33 | |
I'm a friend of your mother's. You dance like a Black. | 0:14:35 | 0:14:40 | |
-It's a compliment. -And what would you know? | 0:14:42 | 0:14:45 | |
I watch videos, like everyone else. | 0:14:46 | 0:14:49 | |
And that makes you some kind of expert, does it? | 0:14:49 | 0:14:53 | |
You've got a mouth on you. | 0:14:53 | 0:14:55 | |
-What should I call you, anyway? -Whatever you like. | 0:15:00 | 0:15:04 | |
Quite a charming personality you've got there(!) | 0:15:08 | 0:15:12 | |
See you later. | 0:15:32 | 0:15:35 | |
# "Baby Girl" - Wiley | 0:15:36 | 0:15:39 | |
-I just met one of your girls. -What, and you're still in one piece? | 0:15:50 | 0:15:55 | |
(DROWNED OUT BY MUSIC) | 0:15:55 | 0:15:57 | |
Oh, look, you made me tea! | 0:15:57 | 0:15:59 | |
Come 'ere. | 0:16:00 | 0:16:02 | |
-(FOOTSTEPS) -What ya doin'? | 0:16:28 | 0:16:32 | |
-Mind your own, fuckface. -If I'm a fuck face, you're a cuntface. | 0:16:32 | 0:16:35 | |
-I'm gonna be late for work. -(ADULTS CHATTER UPSTAIRS) | 0:16:35 | 0:16:39 | |
(FOOTSTEPS) | 0:16:52 | 0:16:54 | |
Hello. What's this? | 0:16:56 | 0:16:59 | |
-A gate. -A gate? | 0:16:59 | 0:17:02 | |
-Can I get out? -You have to put money in it and the gate will open. | 0:17:02 | 0:17:06 | |
-How much? -Two quid. -Two quid? | 0:17:06 | 0:17:08 | |
-Jesus, that's a dear fucking gate. -(COINS CHINK) | 0:17:08 | 0:17:11 | |
-Here you go, then. -(YELLS) | 0:17:13 | 0:17:17 | |
(BOTH LAUGH) | 0:17:18 | 0:17:20 | |
-Get off me! I just want the money! -Only if you give me a discount. | 0:17:22 | 0:17:26 | |
-Yeah, alright, then. A pound. A pound, you plank. -OK, fair do's. | 0:17:26 | 0:17:31 | |
I like you. I'll kill you last. (MIMICS GUNSHOT) | 0:17:35 | 0:17:39 | |
Tyler, get off me. | 0:17:40 | 0:17:42 | |
(TV CHATTER) | 0:17:48 | 0:17:50 | |
(ENGINE STARTS) | 0:17:54 | 0:17:56 | |
# "Show Me Love (Stonebridge Club Mix)" - Robin S | 0:18:08 | 0:18:11 | |
(SINGS ALONG) | 0:18:16 | 0:18:18 | |
-That bloke said see you later. -Yeah, yeah, yeah. | 0:18:22 | 0:18:25 | |
-Is lover boy coming back? -I'm havin' me friends around later. | 0:18:27 | 0:18:31 | |
And you either stay in your room or get out. No kids. | 0:18:31 | 0:18:34 | |
The pair of ya. | 0:18:34 | 0:18:37 | |
What makes you think that we wanna hang about with your friends? | 0:18:37 | 0:18:41 | |
All those winos and skanks. | 0:18:41 | 0:18:43 | |
(CONTINUES SINGING ALONG) | 0:18:45 | 0:18:47 | |
Look at yourself, tramp. | 0:18:48 | 0:18:50 | |
(SCREAMS) | 0:18:51 | 0:18:54 | |
-(DOOR SLAMS) -BITCH! | 0:18:55 | 0:18:57 | |
-I've got ChildLine's number if you need it. -You're a bitch yourself! | 0:18:57 | 0:19:00 | |
You've got a nerve comin' back. | 0:19:31 | 0:19:33 | |
-(DOG BARKS) -Quiet. | 0:19:33 | 0:19:36 | |
-(BARKING STOPS) -Good boy. | 0:19:36 | 0:19:38 | |
-You're lucky my brothers aren't here. -They took my stuff. | 0:19:39 | 0:19:43 | |
It's not what you think. She's old. | 0:20:01 | 0:20:03 | |
-Did you let that dog off on purpose last night? -He's strong. | 0:20:07 | 0:20:11 | |
-You're lucky you didn't get bitten. -Yeah, lucky. Idiot! | 0:20:13 | 0:20:18 | |
(TV CHATTER) | 0:20:21 | 0:20:24 | |
I don't know how they can live in make-up. That's just... rank. | 0:20:26 | 0:20:31 | |
That must be her house. Told ya. | 0:20:34 | 0:20:36 | |
Urgh, is that her mum or something? Her mum's butters! | 0:20:38 | 0:20:42 | |
They're mad. | 0:20:43 | 0:20:45 | |
-I don't like her smile, she's got yellow teeth. -(LAUGHS) | 0:20:45 | 0:20:50 | |
-There you go. -More like green. | 0:20:50 | 0:20:52 | |
-(BOTH GIGGLE) -Any more and they'll end up going pink. | 0:20:52 | 0:20:56 | |
Maybe that's how she wants 'em. | 0:20:56 | 0:20:58 | |
-Cor, that cider is nice. -Too bad I've only got one. | 0:21:04 | 0:21:08 | |
Oh, my God, she's making a fool of herself. | 0:21:08 | 0:21:12 | |
-She's a spoilt brat. -What a dog. | 0:21:12 | 0:21:15 | |
-Shut up, Mia. -Shut up, yourself. I'm goin' in a minute, anyway. | 0:21:15 | 0:21:19 | |
(Yes! That's good.) | 0:21:19 | 0:21:21 | |
God, that is just, like, ridiculous. | 0:21:22 | 0:21:25 | |
Why would they wanna make a fool of themselves and do that for? | 0:21:25 | 0:21:28 | |
(LADS CHATTER / LAUGH) | 0:21:28 | 0:21:31 | |
(CHATTERING) "(LOUD REGGAE MUSIC)" | 0:21:32 | 0:21:34 | |
Whoo! | 0:21:37 | 0:21:39 | |
(KNOCKING AT DOOR) | 0:21:45 | 0:21:47 | |
-Alright, darling? -You always such a donkey knob? | 0:21:50 | 0:21:53 | |
Wish I did have a donkey knob, then, I could give up my stupid job. | 0:21:53 | 0:21:57 | |
Are you gonna let us in or what? | 0:21:57 | 0:21:59 | |
-Don't recognise you with your clothes on. -You're such a dick. | 0:21:59 | 0:22:02 | |
-I know. -(LAUGHTER) | 0:22:02 | 0:22:05 | |
-Hey! -Oi! | 0:22:08 | 0:22:10 | |
-Where you been? You're late. -I'm here now, aren't I? | 0:22:10 | 0:22:13 | |
-I thought you weren't coming. -I had to change, didn't I? | 0:22:13 | 0:22:17 | |
Alright? | 0:22:17 | 0:22:20 | |
What did I tell you? In your room. | 0:22:20 | 0:22:22 | |
-Whay! -(ALL CHEER) | 0:22:23 | 0:22:26 | |
(ALL CHATTER / LAUGH) | 0:23:02 | 0:23:04 | |
She looks different asleep. | 0:24:57 | 0:25:00 | |
-Just give her a prod. -It's OK. | 0:25:06 | 0:25:09 | |
-I've got her. -You're soft, you are. | 0:25:09 | 0:25:13 | |
Her room's down the end. | 0:25:14 | 0:25:16 | |
-Treats me like a kid. -Well, you are a bit old to be living at home. | 0:27:19 | 0:27:23 | |
It's only because I got kicked out of my old place. | 0:27:23 | 0:27:26 | |
Get some clothes on, Mia. | 0:27:33 | 0:27:36 | |
-I've got some clothes on. -You're half naked. | 0:27:36 | 0:27:39 | |
-You don't normally care. -Yeah, well, I do now. So get dressed. | 0:27:45 | 0:27:50 | |
-Why are you talking different? -Shall we get a move on, yeah? | 0:27:50 | 0:27:54 | |
-Where are you goin'? -Nowhere. | 0:27:54 | 0:27:56 | |
Well, why did you just say "shall we get a move on", then? | 0:27:56 | 0:27:59 | |
-We're only going for a drive. -You wanna come? | 0:27:59 | 0:28:02 | |
-No! -Both of you? -No, they won't wanna come. | 0:28:02 | 0:28:05 | |
-I do. -We're not going nowhere. | 0:28:05 | 0:28:08 | |
-I don't care, I still wanna come! -Off you go, then. Get dressed. | 0:28:08 | 0:28:13 | |
Thanks for that. | 0:28:14 | 0:28:16 | |
-What about you? -No, she won't wanna come. | 0:28:18 | 0:28:22 | |
-We're leaving in 20 minutes. -You've got better things to do, right? | 0:28:23 | 0:28:26 | |
Yeah, alright, I'd love to come. | 0:28:26 | 0:28:30 | |
-Where are we goin'? -Yeah, where are we goin'? | 0:28:38 | 0:28:41 | |
-The orphanage. -(LAUGHS) | 0:28:41 | 0:28:43 | |
How dare you? That's not nice, is it? | 0:28:43 | 0:28:46 | |
-If we did, well, you should've at least had a shave. -Why's that? | 0:28:46 | 0:28:50 | |
-It would've been more respectful for me. -You don't like this? | 0:28:50 | 0:28:54 | |
No, too hairy. | 0:28:54 | 0:28:56 | |
-No, I think you look good. -Thank you. | 0:28:56 | 0:28:59 | |
What is this? You've got some weird shit here, I'm tellin' ya. | 0:29:02 | 0:29:07 | |
-Come off it. -Yeah, it is weird. | 0:29:07 | 0:29:09 | |
You cannot call Bobby Womack weird shit. | 0:29:09 | 0:29:12 | |
-How old are you? -Old enough. | 0:29:12 | 0:29:14 | |
OK, it seems I'm gonna have to educate you girls. | 0:29:16 | 0:29:20 | |
Turn it up, though, right? | 0:29:22 | 0:29:25 | |
Yes, ma'am. | 0:29:27 | 0:29:29 | |
"# All the leaves | 0:29:37 | 0:29:40 | |
# Are brown | 0:29:40 | 0:29:42 | |
(SINGS ALONG) # And the sky is grey | 0:29:44 | 0:29:47 | |
# I've been for a walk | 0:29:49 | 0:29:51 | |
# On a winter's day | 0:29:52 | 0:29:55 | |
# I'd be safe and warm | 0:29:56 | 0:29:59 | |
# If I was in LA | 0:30:00 | 0:30:03 | |
# California dreamin' | 0:30:05 | 0:30:09 | |
# On such a winter's day | 0:30:09 | 0:30:13 | |
# Stopped into a church | 0:30:14 | 0:30:16 | |
# I passed along the way | 0:30:17 | 0:30:21 | |
# Well, I got down on my knees | 0:30:21 | 0:30:26 | |
# And I began to pray | 0:30:26 | 0:30:29 | |
# You know | 0:30:29 | 0:30:31 | |
# The preacher likes the cold | 0:30:31 | 0:30:33 | |
# Cos he knows I'm gonna stay | 0:30:33 | 0:30:36 | |
# He knows I'm gonna stay | 0:30:36 | 0:30:37 | |
# I told him so | 0:30:37 | 0:30:39 | |
# California dreamin'... # | 0:30:39 | 0:30:42 | |
(WHISTLING) | 0:30:42 | 0:30:44 | |
It's called an airship. Look. Right there. Oh, wicked. | 0:30:47 | 0:30:51 | |
-Mum. -I see it. | 0:30:51 | 0:30:54 | |
-I can't see it now. -You can't see it now. -Look! | 0:30:54 | 0:30:59 | |
Wow. Wicked. That's really cool, that is. | 0:30:59 | 0:31:04 | |
What's your favourite animal? If you could come back as any animal, | 0:31:04 | 0:31:08 | |
-what would you like to be? -Monkey. -A monkey. -Yeah. -A white tiger. | 0:31:08 | 0:31:12 | |
-A white tiger? No, a dog. -What kind of dog? | 0:31:12 | 0:31:15 | |
-Like this one? -You're a dog any way. -Hey. | 0:31:15 | 0:31:19 | |
Come on. I'd come back as an eagle. | 0:31:19 | 0:31:22 | |
These other animals are on the ground, but wouldn't you wanna fly? | 0:31:22 | 0:31:26 | |
-No. -No. -Yeah, but then you get shot. -Think about it. | 0:31:26 | 0:31:29 | |
No, because you can get shot. Yeah. | 0:31:29 | 0:31:32 | |
-I wanna pick some berries. -I wanna have a drink. -Here we are. | 0:31:32 | 0:31:38 | |
Come on. I wanna show you something. | 0:31:44 | 0:31:46 | |
-Come on, sport. -What is he gonna show us? -Come on! | 0:31:49 | 0:31:52 | |
Hold on. | 0:31:58 | 0:32:00 | |
This is it. What do you think? | 0:32:10 | 0:32:13 | |
Hey, lovebirds! Whoo! | 0:32:19 | 0:32:22 | |
(SHOUTS) | 0:32:24 | 0:32:26 | |
I'm having fun here! | 0:32:26 | 0:32:28 | |
I bet there's like a million fuckin' bugs in this grass. | 0:32:30 | 0:32:33 | |
Wagh! | 0:32:35 | 0:32:37 | |
-(LAUGHTER) -Ow. | 0:32:40 | 0:32:42 | |
Oi! Don't you dare! | 0:32:45 | 0:32:49 | |
Look at that dragonfly, Mia! Quick! Look at that! | 0:32:49 | 0:32:52 | |
Look at that. See that on that leaf? | 0:32:52 | 0:32:55 | |
See? Oh, my God. It's got six legs. Look. | 0:32:55 | 0:33:00 | |
One, two, three, four, five, six. Wagh! (LAUGHS) | 0:33:00 | 0:33:03 | |
-Shut up. -Where is it? | 0:33:03 | 0:33:06 | |
-It's gone now. -Gotta catch a fish. -What the hell? -I'm going in. | 0:33:07 | 0:33:11 | |
-You coming? -No way. -I'm staying here, thank you. | 0:33:11 | 0:33:15 | |
-You chicken. -Oh, my God. | 0:33:15 | 0:33:19 | |
You've gotta be mad. | 0:33:20 | 0:33:22 | |
-I need some help. -Oh, get out of it. | 0:33:26 | 0:33:29 | |
-Come back here. -No way. | 0:33:29 | 0:33:32 | |
No way. | 0:33:32 | 0:33:34 | |
Look, people don't come here often. Fish are stupid. We'll get one easy. | 0:33:34 | 0:33:39 | |
-I'll watch you. -Says you. | 0:33:39 | 0:33:41 | |
-Excellent. Come here. -Oh, trust bloody Mia. | 0:33:41 | 0:33:45 | |
-Is it minging? -Oi, those bloody track suits cost 20 quid. | 0:33:54 | 0:33:59 | |
I don't believe that. | 0:34:00 | 0:34:02 | |
Good girl. | 0:34:08 | 0:34:11 | |
Over here. Mia, move slowly. | 0:34:11 | 0:34:13 | |
She can't swim. | 0:34:13 | 0:34:16 | |
Your ugly feet will scare them fish away! They'll all think your feet | 0:34:21 | 0:34:26 | |
are some kind of ugly foot fish come to get them! | 0:34:26 | 0:34:30 | |
-Move towards me slowly. -(SCREAMS) -Did it touch you? | 0:34:30 | 0:34:34 | |
If it did, you'll get fish disease. | 0:34:34 | 0:34:36 | |
OK, do you see the fish in front of you? | 0:34:39 | 0:34:42 | |
I want you to move towards me slowly. Not yet. | 0:34:42 | 0:34:46 | |
OK. Move slowly. | 0:34:47 | 0:34:49 | |
Slowly. | 0:34:51 | 0:34:53 | |
OK, stop. | 0:34:59 | 0:35:02 | |
-(GASPS) -He's caught a fish! He's caught one! | 0:35:20 | 0:35:24 | |
-Whoa! -Oh! -Slippery little fucker. | 0:35:36 | 0:35:39 | |
Ow! | 0:35:42 | 0:35:44 | |
Ugh. | 0:35:47 | 0:35:48 | |
-Is it dying? -No, it's dancing. What do you think it's doing? | 0:35:53 | 0:35:57 | |
What are you doing? | 0:35:59 | 0:36:01 | |
-(GRUNTS) -Oh, gross. That was harsh. | 0:36:04 | 0:36:07 | |
-Kinder that way. -Yeah, right. -Tea? -I'm not touching it, | 0:36:07 | 0:36:12 | |
-let alone putting it in my mouth. -You eat fish fingers. It's the same. | 0:36:12 | 0:36:15 | |
No, it's not. It's got a head and eyes. I ain't eating it. | 0:36:15 | 0:36:18 | |
-I'll eat it. -Good girl. | 0:36:18 | 0:36:21 | |
-She bloody would. -Ew! Keep away! AIDS! AIDS! | 0:36:21 | 0:36:26 | |
Ugh! | 0:36:26 | 0:36:27 | |
-Oh, Christ. -Let's take a look. | 0:36:29 | 0:36:32 | |
You'll live. | 0:36:32 | 0:36:35 | |
Ogh. Mum hates blood. Your sock will get AIDS. Minging! | 0:36:37 | 0:36:43 | |
-Who's Kelly? -What? -There on your arm. | 0:36:46 | 0:36:50 | |
Oh, right. It's just an ex-girlfriend. | 0:36:51 | 0:36:54 | |
Hey, hold up. | 0:36:58 | 0:37:00 | |
It's swagger. | 0:37:02 | 0:37:04 | |
Mia. | 0:37:04 | 0:37:07 | |
Wait up. | 0:37:07 | 0:37:10 | |
Jump on my back. | 0:37:10 | 0:37:13 | |
Come on. | 0:37:13 | 0:37:15 | |
-You OK? -Yeah. | 0:37:19 | 0:37:22 | |
< 'There isn't more to say. I've said it all. I told you everything.' | 0:37:54 | 0:37:58 | |
'I don't know.' | 0:37:59 | 0:38:02 | |
'Alright. Alright.' | 0:38:04 | 0:38:07 | |
'I'll pop around later.' | 0:38:07 | 0:38:09 | |
-You alright? -Yeah, just some family shit. | 0:38:21 | 0:38:24 | |
-I'll have to take off soon. -But you were gonna do us that fish. | 0:38:24 | 0:38:28 | |
-You shouldn't put up with shit from your mum. -I know. | 0:38:28 | 0:38:32 | |
-I'll run you home first. -Can't we stay for another drink? Please? | 0:38:32 | 0:38:36 | |
Please? Go on. Go on. It's on me, yeah? | 0:38:36 | 0:38:40 | |
-Alright then, babe. You twisted my arm. -I'll be back in a minute. | 0:38:40 | 0:38:44 | |
-Let's see you move to this then. -# Ooh! | 0:38:59 | 0:39:02 | |
# Agh! | 0:39:02 | 0:39:04 | |
-# Oh! # -She can't dance for shit. -Bollocks. | 0:39:04 | 0:39:07 | |
-I've seen her. -(DANCE MUSIC) | 0:39:07 | 0:39:10 | |
# Yeah, hold tight | 0:39:10 | 0:39:12 | |
# Hold tight | 0:39:12 | 0:39:14 | |
# Hold tight... # | 0:39:14 | 0:39:15 | |
-Bet you can't dance this fast. -# Hold tight! # | 0:39:15 | 0:39:19 | |
-I've got no shoes on. -Excuses. Come on. | 0:39:20 | 0:39:24 | |
# Get up offa that thing | 0:39:24 | 0:39:25 | |
# And dance till you | 0:39:25 | 0:39:26 | |
# Sing it now | 0:39:26 | 0:39:27 | |
# Get up offa that thing | 0:39:27 | 0:39:29 | |
# And dance till you feel better | 0:39:29 | 0:39:31 | |
# Get up offa that thing | 0:39:31 | 0:39:33 | |
-That's not dancing. -# Get up offa that thing | 0:39:33 | 0:39:36 | |
-Come on, girl. -# And dance till you feel better | 0:39:36 | 0:39:39 | |
# Get up offa that thing | 0:39:39 | 0:39:41 | |
# And shake till | 0:39:41 | 0:39:42 | |
# Say it now | 0:39:42 | 0:39:43 | |
# Get up offa that thing | 0:39:43 | 0:39:45 | |
# And shake till you feel better | 0:39:45 | 0:39:47 | |
# Get up offa that thing | 0:39:47 | 0:39:49 | |
# Try to release that pressure | 0:39:49 | 0:39:51 | |
# Get up offa | 0:39:51 | 0:39:52 | |
# Ha | 0:39:52 | 0:39:54 | |
Whoo! | 0:39:54 | 0:39:56 | |
# Come on | 0:39:56 | 0:39:57 | |
-What the fuck are you doing? -# Everybody ready? | 0:39:57 | 0:40:01 | |
-I'm gonna wet myself. -Come on, girl. -Shut up! | 0:40:01 | 0:40:05 | |
-Hey, watch your mouth. He's been good to you today. -I don't care! | 0:40:05 | 0:40:09 | |
-I told you she'd spoil things. -She doesn't mean it. -I do! | 0:40:10 | 0:40:14 | |
I don't like you! You act like you know us after two fucking days! | 0:40:14 | 0:40:18 | |
You don't fucking know us! | 0:40:18 | 0:40:20 | |
-She's got no shoes. -# Get up offa that thing | 0:40:20 | 0:40:24 | |
# And shake till you feel better | 0:40:24 | 0:40:25 | |
# Get up offa that thing | 0:40:25 | 0:40:27 | |
# And shake till | 0:40:27 | 0:40:29 | |
# Sing it now | 0:40:29 | 0:40:30 | |
# Get up offa that thing | 0:40:30 | 0:40:31 | |
# And shake till you feel better... # | 0:40:31 | 0:40:33 | |
-(KNOCK AT DOOR) -(DOG BARKS) | 0:40:34 | 0:40:37 | |
-'Sorry. Hi.' -'Hi. It's alright.' -'It's OK. I like dogs.' | 0:40:44 | 0:40:49 | |
-'I want to talk to her.' -'Don't worry if she has your arm off.' | 0:40:49 | 0:40:53 | |
-'Mia?' -(FOOTSTEPS) | 0:40:53 | 0:40:56 | |
(KNOCK AT DOOR) | 0:40:57 | 0:40:59 | |
Mia, someone downstairs wants to talk to you. | 0:40:59 | 0:41:03 | |
Mia, will you get up? | 0:41:05 | 0:41:08 | |
Fine. I'll bring her up here then. | 0:41:09 | 0:41:13 | |
Keep your hair on! I'm coming! (SIGHS) | 0:41:13 | 0:41:17 | |
(DOOR SLAMS) '(FOOTSTEPS)' | 0:41:17 | 0:41:20 | |
-There she is. -Mia? | 0:41:24 | 0:41:27 | |
Hi. I'm Kerry. Is it alright if you and me have a bit of a chat? | 0:41:29 | 0:41:33 | |
-What about? -The history of England. What do you think? | 0:41:33 | 0:41:37 | |
-Can I get a drink first? -Yeah, of course. | 0:41:37 | 0:41:40 | |
'They've got you in that special school.' | 0:41:40 | 0:41:43 | |
'When she was born, she wouldn't stop crying for days.' | 0:41:43 | 0:41:47 | |
'It was like she came out looking for trouble.' | 0:41:47 | 0:41:50 | |
'You've got another daughter too.' | 0:41:51 | 0:41:53 | |
'Yeah, Tyler. She's going the same way.' | 0:41:53 | 0:41:57 | |
'Won't be long before they kick her out of school too.' | 0:41:57 | 0:42:01 | |
'It's hard being on your own.' | 0:42:01 | 0:42:03 | |
'You can say that again. This place she's going to, | 0:42:03 | 0:42:08 | |
what's it like? Is it far away? | 0:42:08 | 0:42:13 | |
I ain't got a clue. | 0:42:13 | 0:42:15 | |
Mia! Get back here now! | 0:42:15 | 0:42:19 | |
-(MAN) -'Are you listening to me? I know you're listening.' | 0:42:19 | 0:42:23 | |
'You can't tell me what to do.' | 0:42:25 | 0:42:28 | |
'You trying to take the piss? Taking the piss?' | 0:42:28 | 0:42:32 | |
'I'm gonna go in this shop. When I come out, I'm gonna be different!' | 0:42:32 | 0:42:38 | |
'Different! Do you hear me?' | 0:42:38 | 0:42:41 | |
'Different! Different to anyone! Different to you!' | 0:42:41 | 0:42:45 | |
'Different to the whole world!' | 0:42:45 | 0:42:49 | |
'Are you listening to me?!' | 0:42:50 | 0:42:53 | |
'(SHOUTING)' | 0:42:54 | 0:42:57 | |
(GIRLS CHATTER) | 0:43:53 | 0:43:56 | |
-Fuck me. Is there a bad smell in here or what? -Fucking reeks. | 0:43:58 | 0:44:03 | |
Your eye's looking bad. Did your dad miss your mouth? | 0:44:03 | 0:44:07 | |
-Where do you think you're going? -Who do you think you're pushing? | 0:44:07 | 0:44:11 | |
-Your right eye'll match your left! -Fuck off! -Walk off! | 0:44:11 | 0:44:16 | |
(MEN CHATTER) | 0:44:41 | 0:44:43 | |
Hello. | 0:44:53 | 0:44:55 | |
Just passing. | 0:44:55 | 0:44:58 | |
-How'd you know I worked here? -You said. | 0:44:58 | 0:45:02 | |
So, what's up? I thought you hated me. | 0:45:05 | 0:45:08 | |
-You're a dry lunch. -Thanks. | 0:45:09 | 0:45:12 | |
It's alright. | 0:45:12 | 0:45:15 | |
-How's the foot? -It's OK. | 0:45:15 | 0:45:18 | |
Hold on a minute. | 0:45:22 | 0:45:25 | |
Take your shoe off. | 0:45:37 | 0:45:40 | |
-I can do it. -You can, but I'm gonna do it better. Come on. | 0:45:40 | 0:45:44 | |
Do you ever wash your feet? | 0:46:03 | 0:46:05 | |
Yes. | 0:46:07 | 0:46:09 | |
There you go. Good as new. | 0:46:20 | 0:46:23 | |
(CHATTER / LAUGHTER) | 0:46:23 | 0:46:27 | |
So what are you doing with yourself then? | 0:46:28 | 0:46:31 | |
-Got some stuff planned. -Yeah? | 0:46:34 | 0:46:37 | |
-You're gonna go for this then? -Don't know. I might. | 0:46:59 | 0:47:03 | |
You should do. You're great. | 0:47:03 | 0:47:05 | |
Don't tell Mum though. | 0:47:08 | 0:47:10 | |
What's it worth? | 0:47:10 | 0:47:13 | |
-Do you need a camera? -What? -It says you need to send something in. | 0:47:13 | 0:47:18 | |
I've got a little camera if you want. | 0:47:18 | 0:47:21 | |
-I'll give it to you on one condition. -What's that? | 0:47:23 | 0:47:27 | |
-Just remember to smile when you do it. -What? | 0:47:28 | 0:47:32 | |
You look nice when you smile. | 0:47:32 | 0:47:35 | |
Better get back to work. I'll see you later. | 0:47:41 | 0:47:44 | |
Gonna be staying at yours for a bit. Is that alright with you? | 0:47:44 | 0:47:48 | |
-Till Mum kicks you out. -(CHUCKLES) Sort of. | 0:47:48 | 0:47:51 | |
(DANCE MUSIC) | 0:47:57 | 0:47:59 | |
(DOG GROWLS) It's only me. Stupid dog. | 0:48:19 | 0:48:22 | |
Mia. | 0:48:26 | 0:48:28 | |
Just because you run off don't mean you can get away with it. | 0:48:28 | 0:48:32 | |
"(TV CHATTER)" | 0:48:32 | 0:48:35 | |
You start the referral unit in two weeks. | 0:48:44 | 0:48:47 | |
-Have you got that camera? -Jesus. | 0:48:55 | 0:48:58 | |
You made me jump. Give us a sec. | 0:48:58 | 0:49:01 | |
Am I the best or what? | 0:49:12 | 0:49:15 | |
Thanks. | 0:49:15 | 0:49:17 | |
-How do you work it? -It's easy. | 0:49:25 | 0:49:28 | |
Here. | 0:49:32 | 0:49:35 | |
Turn it on here. | 0:49:35 | 0:49:37 | |
Make sure the shutter is down. | 0:49:39 | 0:49:41 | |
That red button's the record. Press that when you wanna film anything. | 0:49:41 | 0:49:45 | |
Here. You'll get the hang of it easy. | 0:49:45 | 0:49:48 | |
Sweet. | 0:49:49 | 0:49:52 | |
What do you think? | 0:50:20 | 0:50:22 | |
(SNIFFS) | 0:50:22 | 0:50:24 | |
-The truth? -Of course. | 0:50:27 | 0:50:29 | |
-Fox piss. -Right. | 0:50:30 | 0:50:33 | |
-You, young lady, are overdue a good hiding! -Ow! | 0:50:36 | 0:50:39 | |
-That's for sneaking up on me. -Help! -That's for being cheeky. -Ow! | 0:50:39 | 0:50:43 | |
That's for running away on the social worker. | 0:50:43 | 0:50:46 | |
You got off lightly this time. | 0:50:46 | 0:50:48 | |
-Tea's ready. -Coming. Just getting my camera for Mia. | 0:50:48 | 0:50:52 | |
-She'll break it. -She'll get a good hiding if she does. | 0:50:52 | 0:50:56 | |
-Smells good. -I bought you a nice steak, babe. | 0:50:58 | 0:51:02 | |
My name is Mia, my number is 07700 900 542. | 0:51:06 | 0:51:12 | |
# "Just To Get A Rep" - Gang Starr | 0:51:15 | 0:51:18 | |
# Stick up kids is out to tax | 0:51:18 | 0:51:20 | |
# Stick up kids is out to tax | 0:51:22 | 0:51:25 | |
# Stick up kids is out to tax | 0:51:26 | 0:51:29 | |
# And this is how the story goes | 0:51:31 | 0:51:34 | |
# Brothers are amused by others brother's reps | 0:51:34 | 0:51:35 | |
# But the thing they know best is where the gun is kept | 0:51:35 | 0:51:38 | |
# Cos in the night, you'll feel fright | 0:51:38 | 0:51:40 | |
# And at the sight of a 4-5th, | 0:51:40 | 0:51:41 | |
# I guess you just might | 0:51:41 | 0:51:43 | |
# Wanna do a dance or two | 0:51:43 | 0:51:44 | |
# Cos they could maybe bust you for self or with a crew | 0:51:44 | 0:51:47 | |
# No matter if you or your brother's a star | 0:51:47 | 0:51:49 | |
# He could pop you in check without a getaway car | 0:51:49 | 0:51:52 | |
# And some might say that he's a dummy | 0:51:52 | 0:51:54 | |
# But he sticking you and taking all of your money | 0:51:54 | 0:51:56 | |
# It's a daily operation | 0:51:56 | 0:51:58 | |
# He might be loose in the park | 0:51:58 | 0:51:59 | |
# Or lurking at the train station # | 0:51:59 | 0:52:01 | |
(THUNDER RUMBLES) | 0:52:01 | 0:52:03 | |
(RAIN PATTERS) | 0:52:09 | 0:52:11 | |
"(CAMERA BEEPS / WHIRS)" | 0:52:14 | 0:52:17 | |
-"My name is Mia. My number is 07700 900 542." -'(LAUGHTER)' | 0:52:39 | 0:52:46 | |
# "Just To Get A Rep" - Gang Starr "(CAMERA BEEPS)" | 0:52:48 | 0:52:51 | |
(DOOR CREAKS) | 0:53:02 | 0:53:05 | |
(MOANS) | 0:53:05 | 0:53:07 | |
(MOANS) | 0:53:08 | 0:53:11 | |
(BREATHES HEAVILY) | 0:53:12 | 0:53:15 | |
(MOANS) | 0:53:24 | 0:53:27 | |
(HEAVY BREATHING) | 0:53:35 | 0:53:38 | |
Oh! | 0:53:39 | 0:53:41 | |
-(GROANS) -(MOANS) | 0:53:43 | 0:53:47 | |
(BOTH MOAN) | 0:53:49 | 0:53:52 | |
(BOTH MOAN) | 0:53:54 | 0:53:57 | |
(DOOR SLAMS) '(BOTH MOAN)' (DOOR SLAMS) | 0:54:11 | 0:54:14 | |
-'How long are you gonna be?' -'What's it to you, squirt?' | 0:54:15 | 0:54:20 | |
-'I'm gonna wet myself.' -'Go ahead. I'm not gonna look.' | 0:54:20 | 0:54:24 | |
-'No, only if you close your eyes.' -'I can't close my eyes.' | 0:54:25 | 0:54:29 | |
'I'd cut my throat.' | 0:54:29 | 0:54:32 | |
Two. This one. | 0:54:32 | 0:54:34 | |
-No, this. -(KIDS CHATTER) | 0:54:34 | 0:54:38 | |
12.70, please. | 0:54:58 | 0:55:00 | |
Cheers. | 0:55:03 | 0:55:06 | |
Thanks. | 0:55:09 | 0:55:11 | |
Oi! | 0:55:33 | 0:55:35 | |
-Wait up a minute! -Are you following me? | 0:55:37 | 0:55:41 | |
Yeah. So? | 0:55:41 | 0:55:43 | |
How's your horse? | 0:55:44 | 0:55:47 | |
-Did you hear me? -It's not what you think. | 0:55:48 | 0:55:51 | |
-What do I think? -You think that we starve her. | 0:55:52 | 0:55:55 | |
Yeah, but that's what it looks like. | 0:55:55 | 0:55:58 | |
She's old, like I said. | 0:55:58 | 0:56:01 | |
Where are you going? | 0:56:01 | 0:56:03 | |
-To get some stuff. -What stuff? | 0:56:04 | 0:56:07 | |
You ask a lot of questions, don't ya? | 0:56:08 | 0:56:11 | |
Can I come with ya? | 0:56:11 | 0:56:14 | |
If you like. | 0:56:15 | 0:56:17 | |
Right. Give me that. | 0:56:21 | 0:56:24 | |
OK, one foot. That's it. | 0:56:25 | 0:56:28 | |
(DOG BARKS) | 0:56:40 | 0:56:43 | |
(WHISTLES) Here you go. | 0:56:44 | 0:56:47 | |
He's alright. There you go. Hey? He's just for show. | 0:56:47 | 0:56:52 | |
-What are you looking for? -I'm looking for a Volvo 940. | 0:56:57 | 0:57:01 | |
-What's it look like? -Like a Volvo 940. | 0:57:01 | 0:57:06 | |
Clever dick. | 0:57:06 | 0:57:09 | |
Yes! Look, Volvo 940. | 0:57:19 | 0:57:23 | |
Looks like any other car to me. | 0:57:24 | 0:57:27 | |
Well, you don't see 'em often. | 0:57:27 | 0:57:29 | |
They don't buckle easy. | 0:57:32 | 0:57:34 | |
Want some of this? | 0:57:42 | 0:57:44 | |
Why don't you keep a lookout, yeah? | 0:57:46 | 0:57:49 | |
I don't like this place! | 0:58:04 | 0:58:07 | |
I'll be one minute. | 0:58:07 | 0:58:09 | |
Come on. I know somewhere where we can get some money for some drink. | 0:58:09 | 0:58:13 | |
-What? -I know somewhere we can get some money for some drink! | 0:58:13 | 0:58:18 | |
Alright. | 0:58:18 | 0:58:21 | |
Got it. | 0:58:21 | 0:58:23 | |
Whoo! | 0:58:25 | 0:58:27 | |
Ta-da! | 0:58:27 | 0:58:30 | |
That's it. | 0:58:30 | 0:58:32 | |
You brought me luck today, you did. | 0:58:34 | 0:58:36 | |
Come on, then. Let's get wasted. | 0:58:36 | 0:58:39 | |
(LAUGHTER) | 0:58:42 | 0:58:45 | |
Hold on. That's it. Stand up. | 0:58:45 | 0:58:48 | |
-Wagh! -Agh! | 0:58:48 | 0:58:51 | |
Fucking hell. | 0:58:51 | 0:58:54 | |
(LAUGHS) | 0:59:04 | 0:59:06 | |
(SQUEALS) | 0:59:06 | 0:59:08 | |
-Ha! -Ugh! | 0:59:10 | 0:59:12 | |
"(PA CHATTER)" | 0:59:17 | 0:59:20 | |
-Agh! -Whoa! | 0:59:38 | 0:59:40 | |
-Got ya! -Get down. -Ugh! -Come on. | 0:59:40 | 0:59:43 | |
-Ugh! -Get... | 0:59:43 | 0:59:46 | |
-(LAUGHS) -Get off me. Get off me. | 0:59:46 | 0:59:48 | |
-Get down. -(LAUGHS) You're no fun. -I'm supposed to be at work. | 0:59:48 | 0:59:53 | |
-(LAUGHS) -What are you after? -We need some money. | 0:59:53 | 0:59:59 | |
Oh, yeah? | 0:59:59 | 1:00:01 | |
-You drunk? -No. | 1:00:03 | 1:00:06 | |
Can I have a fiver? | 1:00:06 | 1:00:09 | |
-It's my job to throw drunks out, you know. -Oh, come off it! | 1:00:09 | 1:00:13 | |
Look, I've got no money on me. | 1:00:13 | 1:00:15 | |
(SIGHS) | 1:00:15 | 1:00:17 | |
Look how skinny this boy is. | 1:00:17 | 1:00:20 | |
We're starving! We need food. Pay you back. | 1:00:20 | 1:00:24 | |
Oi! I'm not a bloody kid, you know! | 1:00:36 | 1:00:40 | |
I know that. | 1:00:40 | 1:00:42 | |
(BIRDS SQUAWK) | 1:00:50 | 1:00:53 | |
(TV IS ON) | 1:01:27 | 1:01:29 | |
-Is there any dinner? -It's a bit late for that now. | 1:01:31 | 1:01:35 | |
What do you think this is, a cafe? | 1:01:35 | 1:01:37 | |
(ROCK MUSIC ON TV) | 1:01:46 | 1:01:49 | |
"(TV) Thailand, anger? Don't think so! Japan, anger? No. Russia..." | 1:01:56 | 1:02:01 | |
-You still got my camera? -You want it? | 1:02:18 | 1:02:23 | |
-Not if it's safe. -It's safe. | 1:02:23 | 1:02:27 | |
You going out with that boy, then? | 1:02:36 | 1:02:38 | |
Why? | 1:02:41 | 1:02:43 | |
He looked a bit old for you. | 1:02:44 | 1:02:47 | |
He's 19. | 1:02:47 | 1:02:49 | |
She's never had a boyfriend. | 1:02:49 | 1:02:52 | |
-Just fucked him upstairs, actually. -That's nice. | 1:02:53 | 1:02:57 | |
You can talk. | 1:02:59 | 1:03:01 | |
Shall we go to bed? | 1:03:03 | 1:03:05 | |
Yep, sure. | 1:03:05 | 1:03:07 | |
Come on, then, Sleeping Beauty. | 1:03:09 | 1:03:12 | |
It's about your new school. You get to stay there. | 1:03:20 | 1:03:23 | |
You can fuck as many ASBO boys as you like there. | 1:03:23 | 1:03:25 | |
(FOOTSTEPS ON STAIRS) | 1:03:40 | 1:03:42 | |
That was clever. | 1:03:44 | 1:03:46 | |
-I ain't goin'. -That kind of place might teach you some manners. | 1:03:46 | 1:03:49 | |
It's nothing to do with you, is it? | 1:03:49 | 1:03:51 | |
-You need sorting out, you do. -So you keep saying. | 1:03:54 | 1:03:57 | |
But you're nothing to me, so why should I listen? | 1:03:57 | 1:03:59 | |
I know it's only been two weeks. | 1:04:28 | 1:04:31 | |
I can't believe it. Huh? | 1:04:31 | 1:04:35 | |
Oh, he's just so easy going. | 1:04:35 | 1:04:39 | |
Yeah. Mmm-hmm. I just knew, do you know what I mean? | 1:04:43 | 1:04:47 | |
When I saw him, I just knew. | 1:04:47 | 1:04:50 | |
Oh... Oh, fuck off! As if I am! | 1:04:50 | 1:04:54 | |
What? No, I'm not. | 1:04:54 | 1:04:57 | |
They're only good for one thing. | 1:04:57 | 1:04:59 | |
He is fucking excellent at that! (LAUGHS) | 1:04:59 | 1:05:03 | |
I know! | 1:05:04 | 1:05:06 | |
Oh, look, I know, I know. | 1:05:08 | 1:05:10 | |
Don't worry, alright, babe? You're gonna meet someone. | 1:05:10 | 1:05:13 | |
Yeah, 'course... | 1:05:13 | 1:05:15 | |
(PHONE BEEPS) | 1:05:15 | 1:05:18 | |
Alright, then, babes. Alright, alright. OK. | 1:05:22 | 1:05:25 | |
See ya later! Bye! Bye, bye, bye. | 1:05:25 | 1:05:27 | |
"You have one new message." | 1:05:31 | 1:05:34 | |
"Oh, erm, this is a message for Mia Williams." | 1:05:34 | 1:05:38 | |
"We wondered if you'd like to come in for an audition next week." | 1:05:38 | 1:05:41 | |
"Give us a call on 01708 665 001. Oh, it's Val, by the way." | 1:05:41 | 1:05:47 | |
"(MUSIC PLAYS THROUGH HEADPHONES)" | 1:06:21 | 1:06:24 | |
(DISTORTED BREATHING) | 1:06:50 | 1:06:52 | |
(FAINT VOICES / LAUGHTER OUTSIDE) | 1:07:25 | 1:07:28 | |
(CAR DOORS OPENING / CLOSING) | 1:07:28 | 1:07:31 | |
-See ya later. -Love you. | 1:07:33 | 1:07:35 | |
(CAR ENGINE STARTS) | 1:07:38 | 1:07:40 | |
(FRONT DOOR BURSTS OPEN) | 1:07:44 | 1:07:47 | |
(HUSHED VOICES WITHIN) (FRONT DOOR SLAMS CLOSED) | 1:07:53 | 1:07:56 | |
Your other arm. | 1:07:59 | 1:08:01 | |
-(SLURS WORDS) -I know, I know. The other arm. | 1:08:01 | 1:08:05 | |
-Come on. Come on, up the stairs. -(FOOTSTEPS ON STAIRS) | 1:08:05 | 1:08:08 | |
-That's it. -I'm sorry. -Don't be silly. | 1:08:08 | 1:08:11 | |
-It was only one, yeah? -I know, I know, I know. | 1:08:11 | 1:08:15 | |
I must sleep. Will it be alright in the morning? | 1:08:15 | 1:08:18 | |
You'll be grand. You'll be grand in the morning. | 1:08:19 | 1:08:23 | |
-Promise me, yeah? -I promise you. | 1:08:23 | 1:08:26 | |
(INDISTINCT CHATTERING) | 1:08:26 | 1:08:29 | |
Wait. Wait, wait, wait, wait. | 1:08:32 | 1:08:34 | |
(CREAKING ON LANDING) | 1:08:46 | 1:08:49 | |
(FOOTSTEPS ON STAIRS) | 1:08:49 | 1:08:52 | |
(SIGHS) | 1:08:56 | 1:08:58 | |
(CHEERING / APPLAUSE ON TV) | 1:09:03 | 1:09:07 | |
(ROCK MUSIC ON TV) | 1:09:08 | 1:09:11 | |
-You're up late. -Been busy. | 1:09:16 | 1:09:19 | |
-You're my friend now? -What? | 1:09:26 | 1:09:29 | |
Well...you seemed a bit funny with me, the last few days. | 1:09:29 | 1:09:34 | |
You've been funny with me. | 1:09:34 | 1:09:36 | |
Have I? | 1:09:37 | 1:09:39 | |
Maybe. | 1:09:41 | 1:09:43 | |
-Your mum's passed out. -She does that. | 1:09:54 | 1:09:57 | |
(LAUGHS) | 1:09:57 | 1:10:00 | |
You all love your booze in this family, don't you? | 1:10:02 | 1:10:05 | |
Your hair looks like nice down. | 1:10:12 | 1:10:15 | |
Better than the pony tail you usually have. | 1:10:15 | 1:10:19 | |
I've got myself an audition. | 1:10:22 | 1:10:25 | |
Good girl. | 1:10:25 | 1:10:27 | |
No surprise on that one. | 1:10:29 | 1:10:31 | |
I borrowed one of your CDs. | 1:10:34 | 1:10:36 | |
-What song did you pick? -California Dreamin'. | 1:10:36 | 1:10:41 | |
The one you put on in the car. | 1:10:41 | 1:10:44 | |
That's my favourite song, ever. | 1:10:44 | 1:10:47 | |
-Do you want to show me? -No way! | 1:10:50 | 1:10:54 | |
Come on. If you can't do it in front of me here now, | 1:10:54 | 1:10:57 | |
how are you gonna do it in front of all those people? | 1:10:57 | 1:11:01 | |
Anyway, I think you're great already. | 1:11:01 | 1:11:04 | |
You know that. | 1:11:04 | 1:11:06 | |
I only worked it out tonight. It ain't ready, really. | 1:11:06 | 1:11:10 | |
Alright. Just thought I could help. | 1:11:10 | 1:11:13 | |
It's your call. | 1:11:17 | 1:11:19 | |
(ROCK MUSIC CONTINUES ON TV) | 1:11:32 | 1:11:34 | |
(TURNS TV OFF) | 1:11:40 | 1:11:42 | |
# "California Dreamin'" - Bobby Womack | 1:12:01 | 1:12:03 | |
# All... | 1:12:03 | 1:12:05 | |
# The leaves are brown | 1:12:05 | 1:12:09 | |
# And the sky is grey | 1:12:11 | 1:12:13 | |
# I went for a walk | 1:12:15 | 1:12:17 | |
# On a winter's day | 1:12:19 | 1:12:23 | |
# I'd be safe and warm | 1:12:23 | 1:12:27 | |
# If I was in LA | 1:12:27 | 1:12:30 | |
# California dreamin' | 1:12:31 | 1:12:34 | |
# On such a winter's day | 1:12:36 | 1:12:41 | |
# Went through the church, just me | 1:12:41 | 1:12:44 | |
# I stopped along the way | 1:12:44 | 1:12:47 | |
# Well, I got down on my bended knee | 1:12:48 | 1:12:53 | |
# And I began to pray | 1:12:53 | 1:12:56 | |
# You know the preacher digs a call | 1:12:56 | 1:13:01 | |
# Cos he knows I'm gonna stay | 1:13:01 | 1:13:03 | |
# He knows I'm gonna stay I told him so | 1:13:03 | 1:13:06 | |
# California dreamin' | 1:13:06 | 1:13:08 | |
# Oh! | 1:13:15 | 1:13:17 | |
# Somebody hit me now | 1:13:19 | 1:13:21 | |
# I wanna go so bad, yeah | 1:13:23 | 1:13:26 | |
-# Cos all the leaves are brown... # -(TURNS MUSIC OFF) | 1:13:30 | 1:13:35 | |
That's all I've got so far. | 1:13:37 | 1:13:39 | |
Come here. | 1:13:41 | 1:13:43 | |
Come here. | 1:13:49 | 1:13:51 | |
That was really good. | 1:14:02 | 1:14:04 | |
-You're just saying that. -No, I'm serious. | 1:14:07 | 1:14:10 | |
If it was up to me, I'd give you the job. | 1:14:11 | 1:14:14 | |
(BOTTLE KNOCKED OVER) | 1:15:12 | 1:15:14 | |
-(GRUNTS) -(MOANS) | 1:15:39 | 1:15:42 | |
(BOTH PANT) | 1:15:42 | 1:15:45 | |
I bet it doesn't feel like this with that boy of yours, does it? | 1:16:02 | 1:16:06 | |
No... | 1:16:06 | 1:16:09 | |
-(MOANS) -(GRUNTS) | 1:16:09 | 1:16:12 | |
Is his cock this big? | 1:16:20 | 1:16:22 | |
(GRUNTS) | 1:16:24 | 1:16:26 | |
No. | 1:16:26 | 1:16:28 | |
(GRUNTING / MOANING INTENSIFIES) | 1:16:28 | 1:16:31 | |
(MOANS) (BOTH PANT) | 1:16:41 | 1:16:44 | |
I'm pissed. | 1:17:03 | 1:17:05 | |
That was out of order. | 1:17:09 | 1:17:12 | |
No, it weren't. | 1:17:12 | 1:17:14 | |
We have to keep this between you and me. | 1:17:25 | 1:17:28 | |
Yeah, I know. | 1:17:29 | 1:17:31 | |
(THUD WITHIN) | 1:17:50 | 1:17:52 | |
I'd better got off to bed. I'm wasted. | 1:18:00 | 1:18:05 | |
We'll talk tomorrow. Yeah? | 1:18:11 | 1:18:13 | |
(DOOR SLAMS) | 1:18:39 | 1:18:41 | |
(JOANNE SOBBING) | 1:18:41 | 1:18:44 | |
(DOG BARKS) | 1:18:44 | 1:18:46 | |
(JOANNE CONTINUES TO SOB) | 1:18:48 | 1:18:50 | |
Connor's gone. | 1:19:03 | 1:19:05 | |
Connor! | 1:19:40 | 1:19:42 | |
Connor! | 1:19:45 | 1:19:47 | |
Did I tell you I nearly had you aborted? | 1:20:04 | 1:20:06 | |
I even made an appointment. | 1:20:09 | 1:20:11 | |
(FLIES BUZZ) (PHONES BEEP) | 1:20:15 | 1:20:17 | |
Are you gonna phone him? | 1:20:23 | 1:20:25 | |
(CHILDREN PLAYING) | 1:20:28 | 1:20:30 | |
-He won't come back. -You don't know nothing. | 1:20:30 | 1:20:33 | |
-I know what you did. I'm telling Mum. -I don't care what you do. | 1:20:33 | 1:20:37 | |
(CHILD SCREAMING) | 1:20:41 | 1:20:43 | |
(DOGS BARK) | 1:20:45 | 1:20:47 | |
-(RINGING TONE) -"This is Connor. Leave a message and I'll get back to you." | 1:20:47 | 1:20:51 | |
-(RINGING TONE) -"This is Connor. Leave a message - " | 1:20:54 | 1:20:57 | |
-(RINGING TONE) -"118 118. How can I help you?" | 1:21:03 | 1:21:05 | |
-Hello. Wickes in Barking, please. -"One moment, please." | 1:21:05 | 1:21:09 | |
-"Shall I put you through?" -Yeah. | 1:21:09 | 1:21:11 | |
-(RINGING TONE) -(MAN) Mia! | 1:21:11 | 1:21:16 | |
-I was just coming to look for ya! -"How may I help you?" | 1:21:16 | 1:21:19 | |
-Can I speak to Connor, please? He works on security. -Where you going? | 1:21:19 | 1:21:23 | |
-"He's not in this week." -Oh, when will he be back? | 1:21:23 | 1:21:27 | |
-"Er, not till next Friday." -When? -"Next Friday." | 1:21:27 | 1:21:31 | |
(SIGHS) | 1:21:31 | 1:21:33 | |
-Do you know how I can get to Tilbury? -Yeah, A13, that way. | 1:21:36 | 1:21:40 | |
-I'll come with ya! -No, I've got some personal shit to deal with. | 1:21:41 | 1:21:44 | |
I'll see ya later. | 1:21:44 | 1:21:46 | |
(DISTANT POLICE SIRENS) | 1:21:56 | 1:21:59 | |
-Excuse me? Danton Road? -Er, straight there. | 1:22:24 | 1:22:27 | |
-Down there on the new estate. It's on the right. -Thanks. | 1:22:27 | 1:22:31 | |
(HORN HONKS) | 1:22:32 | 1:22:34 | |
(BIRDS TWEETING) | 1:22:54 | 1:22:56 | |
(RINGS DOORBELL) | 1:23:43 | 1:23:45 | |
Jesus Christ! | 1:23:51 | 1:23:54 | |
Come on. Come on. | 1:23:54 | 1:23:57 | |
Look, I don't know how you found me, Mia, but this isn't a good idea. | 1:24:00 | 1:24:04 | |
-You're not answering your phone. -My battery's dead. | 1:24:04 | 1:24:07 | |
-I was gonna call you. -You ain't even got my number. | 1:24:10 | 1:24:13 | |
(THUNDER RUMBLING) | 1:24:13 | 1:24:15 | |
-You know I like you, Mia. -Well, why did you leave, then? | 1:24:18 | 1:24:21 | |
You know why. | 1:24:27 | 1:24:29 | |
Mia, you're 15 years old. | 1:24:31 | 1:24:33 | |
What does it matter if you like someone? | 1:24:33 | 1:24:35 | |
I'll get the car and I'll drive you to the station. We'll talk more. | 1:24:39 | 1:24:43 | |
Wait here. Stay there. | 1:24:43 | 1:24:45 | |
(LOUD VIBRATION) | 1:25:05 | 1:25:07 | |
-When's the audition? -Tomorrow. | 1:25:09 | 1:25:12 | |
It'll be great. | 1:25:13 | 1:25:15 | |
I've got no money. | 1:25:38 | 1:25:40 | |
(PAPER RUFFLING) | 1:25:48 | 1:25:50 | |
That should be enough to get you back. | 1:25:53 | 1:25:55 | |
Come here a minute. | 1:26:16 | 1:26:18 | |
Safe trip home. We'll talk some more tomorrow. | 1:26:24 | 1:26:28 | |
(ENGINE STARTS) | 1:26:39 | 1:26:41 | |
(RAIN PATTERING) | 1:26:51 | 1:26:53 | |
(CHILD CHATTERING) (TRAIN APPROACHING) | 1:26:59 | 1:27:01 | |
(CHILD LAUGHS) | 1:27:09 | 1:27:11 | |
(RINGS DOORBELL) | 1:27:25 | 1:27:27 | |
(RINGS DOORBELL) | 1:27:32 | 1:27:35 | |
(BOY SCREAMING) | 1:27:42 | 1:27:44 | |
(CHILDREN PLAYING) | 1:27:53 | 1:27:55 | |
(CHILDREN SHOUTING) | 1:28:22 | 1:28:24 | |
(DOG BARKING) | 1:29:15 | 1:29:17 | |
"(BEEPS)" | 1:30:27 | 1:30:29 | |
"(BEEPS / WHIRRS)" | 1:30:34 | 1:30:37 | |
(CONNOR) "Alright, sweetheart. Come on, off you go." | 1:30:37 | 1:30:40 | |
(WOMAN) "Come on, let's sing a song for Daddy." | 1:30:42 | 1:30:45 | |
(GIRL) "# Closed off from love I didn't need the pain" | 1:30:47 | 1:30:51 | |
"# Once or twice was enough And it was all in vain" | 1:30:51 | 1:30:55 | |
"# Time starts to pass" | 1:30:55 | 1:30:57 | |
"# Before you know it, you're frozen" | 1:30:57 | 1:30:59 | |
"# Oh" | 1:30:59 | 1:31:01 | |
"# But something happened for the first time, oh, with you" | 1:31:01 | 1:31:05 | |
"# My heart melted to the ground, found something true" | 1:31:05 | 1:31:08 | |
"# And everyone's looking 'round, thinking I'm going crazy" | 1:31:08 | 1:31:13 | |
"# But I don't care what they say I'm in love with you" | 1:31:14 | 1:31:18 | |
"# They try to pull me away But they don't know the truth" | 1:31:18 | 1:31:21 | |
-(RECORDER WHIRRS) -"# They don't know the truth" | 1:31:21 | 1:31:25 | |
"# My heart's crippled by the vein that I keep on closing" | 1:31:25 | 1:31:30 | |
"# You cut me open And I keep bleeding" | 1:31:30 | 1:31:33 | |
"# I keep, keep bleeding love..." | 1:31:33 | 1:31:37 | |
(BREATHES HEAVILY) | 1:31:37 | 1:31:39 | |
(LIQUID SPLASHING) | 1:31:41 | 1:31:43 | |
"(GIRL SINGING)" | 1:31:43 | 1:31:45 | |
-"(MOTHER CHEERING)" -(CONNOR) "That's great." | 1:31:52 | 1:31:55 | |
-"Hey. Smile for Daddy." -"No!" | 1:31:56 | 1:31:59 | |
-"Come on." -"Smile to Daddy." | 1:31:59 | 1:32:02 | |
-"OK." -"Mwah." | 1:32:02 | 1:32:04 | |
(SIGHS) | 1:32:11 | 1:32:13 | |
(CAR APPROACHING OUTSIDE) | 1:32:20 | 1:32:23 | |
(MUFFLED FEMALE VOICE) | 1:32:25 | 1:32:27 | |
(CAR DOOR CLOSING) | 1:32:30 | 1:32:32 | |
(MOTHER) Go with Daddy. | 1:32:33 | 1:32:35 | |
I don't know, darling. Did you take it in the house? | 1:32:37 | 1:32:39 | |
(MUFFLED GIRL'S VOICE) | 1:32:39 | 1:32:41 | |
(DOG BARKING) | 1:32:56 | 1:32:58 | |
(PANTS) | 1:32:59 | 1:33:01 | |
(PLANE FLYING OVERHEAD) | 1:33:21 | 1:33:23 | |
(BIRD CAWING) | 1:33:53 | 1:33:55 | |
(CONNOR SPEAKING INDISTINCTLY) | 1:33:57 | 1:34:00 | |
(DISTANT ICE CREAM VAN MUSIC) | 1:34:14 | 1:34:17 | |
(CONNOR SPEAKING INDISTINCTLY) | 1:34:29 | 1:34:31 | |
-Stay off the road, yeah? -(DAUGHTER) I will! | 1:34:33 | 1:34:36 | |
Kira. Kira. | 1:34:41 | 1:34:45 | |
Kira. | 1:34:46 | 1:34:48 | |
Your mum said I've got to take you to the van to get some ice cream. | 1:34:50 | 1:34:53 | |
Come on. Do you wanna come? | 1:34:53 | 1:34:55 | |
Come on. Let's see who can go faster. Quick! | 1:34:55 | 1:34:59 | |
Oh, come through here. Come on. | 1:35:05 | 1:35:07 | |
Give me this. | 1:35:09 | 1:35:11 | |
-My scooter! -You can't ride it through here, can ya? | 1:35:12 | 1:35:15 | |
We'll get it on the way back. | 1:35:15 | 1:35:17 | |
-(MOTHER) Kira? -Mummy! -Sssssh! | 1:35:19 | 1:35:22 | |
She's playing a game. Come on, quick! Let's run! | 1:35:22 | 1:35:26 | |
-Kira! -Mum! -Sssssh! | 1:35:26 | 1:35:29 | |
-Walk. -(MOANING) I don't want to. | 1:35:31 | 1:35:34 | |
If you don't walk, I'll make you walk. Now, move. | 1:35:34 | 1:35:37 | |
(BIRDS TWEETING) | 1:35:37 | 1:35:39 | |
(ENGINES WHIR LOUDLY) | 1:35:43 | 1:35:45 | |
-Wait. I wanna go home! -Come on! | 1:35:52 | 1:35:56 | |
-(GRUNTS) -Kira! Walk. | 1:35:57 | 1:36:00 | |
(GRUNTS) | 1:36:00 | 1:36:02 | |
-(GRUNTS) -Stop it, Kira! Walk! | 1:36:02 | 1:36:06 | |
-(GRUNTS) -(SLAPS HAND) | 1:36:06 | 1:36:09 | |
(GRUNTS) You're starting to scare me now! | 1:36:14 | 1:36:19 | |
-(WHIMPERS) -Move! | 1:36:20 | 1:36:23 | |
(GROANS) | 1:36:23 | 1:36:25 | |
-(GRUNTS) -Stop it! Climb over this. | 1:36:26 | 1:36:30 | |
-Lift your fucking leg over. -Shut up! | 1:36:34 | 1:36:37 | |
-Just get over. (MATERIAL RIPPING) -Ow! | 1:36:37 | 1:36:41 | |
(SIGHS) (MATERIAL RIPPING) | 1:36:42 | 1:36:45 | |
(MATERIAL RIPPING) (GRUNTS) Fuck! | 1:36:51 | 1:36:55 | |
Kira! Kira! | 1:36:55 | 1:36:58 | |
(GRUNTS) | 1:36:59 | 1:37:01 | |
(RAIN FALLING) | 1:37:10 | 1:37:12 | |
Kira! | 1:37:14 | 1:37:16 | |
(WIND BLOWING) | 1:37:19 | 1:37:21 | |
(SEA BIRDS CRYING) | 1:37:30 | 1:37:32 | |
Kira! | 1:37:34 | 1:37:36 | |
Kira, wait for me! | 1:37:40 | 1:37:42 | |
Stop! | 1:37:43 | 1:37:45 | |
-Stop running off! -(GRUNTS) | 1:37:50 | 1:37:55 | |
-That was silly, weren't it? -(GRUNTS) | 1:37:55 | 1:37:57 | |
(ROCK BOUNCING) Oh, you stupid little girl. | 1:37:57 | 1:38:00 | |
Anyone can do that! | 1:38:00 | 1:38:03 | |
(SEA BIRDS CRYING) Kira! | 1:38:03 | 1:38:06 | |
(GRUNTS) | 1:38:29 | 1:38:31 | |
-Stop running off from me! Now! -(WHIMPERS) | 1:38:41 | 1:38:45 | |
-Let me go! -No! Stop it! | 1:38:45 | 1:38:48 | |
-Let me go! -No! Kira! Ow! | 1:38:48 | 1:38:50 | |
-Let go of me! -Stop it! -Let me go! -Stop it! | 1:38:50 | 1:38:54 | |
-(SCREAMS) -You're just as bad as your fucking father! | 1:38:54 | 1:38:57 | |
-(SCREAMS) -(GRUNTS) Ow! | 1:38:57 | 1:38:59 | |
Stop it! Stop kicking me! | 1:38:59 | 1:39:02 | |
-Stop it! -(SCREAMS) | 1:39:02 | 1:39:04 | |
(COUGHS) | 1:39:12 | 1:39:14 | |
(PANTS) | 1:39:16 | 1:39:18 | |
(SCREAMS) | 1:39:20 | 1:39:22 | |
(GRUNTS) | 1:39:27 | 1:39:29 | |
(BOTH PANT) | 1:39:36 | 1:39:38 | |
(WHEEZES) | 1:39:42 | 1:39:44 | |
You alright? Yeah? | 1:39:58 | 1:40:00 | |
-I'm cold! -Cold? Come on. | 1:40:02 | 1:40:06 | |
Off you go, then. | 1:40:22 | 1:40:25 | |
(APPROACHING ENGINE ROARS) | 1:40:59 | 1:41:01 | |
(TYRES SQUEAL) | 1:41:02 | 1:41:05 | |
(GASPS IN FRIGHT) | 1:41:16 | 1:41:18 | |
Agh! Agh! | 1:41:32 | 1:41:35 | |
Ow! (GASPS) | 1:41:37 | 1:41:39 | |
(GASPS / MOANS) | 1:42:07 | 1:42:10 | |
(BREATHES HEAVILY) | 1:42:14 | 1:42:17 | |
(CHILDREN'S VOICES FROM OUTSIDE) | 1:42:33 | 1:42:36 | |
(ROCK MUSIC POUNDS IN BACKGROUND) | 1:42:59 | 1:43:01 | |
(RAUNCHY MUSIC) | 1:43:20 | 1:43:22 | |
(MUSIC CONTINUES) | 1:43:40 | 1:43:42 | |
(MUSIC STOPS) | 1:44:27 | 1:44:29 | |
Oh, that was beautiful, darlin'! Really beautiful. | 1:44:29 | 1:44:33 | |
We'll give you a call, and thanks for coming. | 1:44:33 | 1:44:36 | |
-Thank you. -Thank you. | 1:44:36 | 1:44:38 | |
Right. Who's next? | 1:44:38 | 1:44:40 | |
Yeah... Mia. We got a Mia, please? Mia Williams? | 1:44:40 | 1:44:45 | |
Mia, please. | 1:44:45 | 1:44:48 | |
-What track would you like playing? -Number 17. -Thanks. | 1:44:58 | 1:45:02 | |
Can you just put your hair down for us, babe, please? | 1:45:11 | 1:45:14 | |
That looks a lot more feminine. It's lovely. | 1:45:25 | 1:45:28 | |
Got any hotpants? Shorts? | 1:45:30 | 1:45:33 | |
No. | 1:45:33 | 1:45:35 | |
Don't worry about that. Just... carry on. | 1:45:35 | 1:45:38 | |
(ACOUSTIC GUITAR INTRO) | 1:45:43 | 1:45:45 | |
# All... the leaves are brown | 1:45:45 | 1:45:50 | |
# And the sky is grey | 1:45:53 | 1:45:56 | |
# I went for a walk | 1:45:58 | 1:46:00 | |
# On a winter's day | 1:46:02 | 1:46:04 | |
-# I'd be safe and warm... -What's that all about, then? | 1:46:06 | 1:46:10 | |
# If I was in LA | 1:46:10 | 1:46:12 | |
# California dreamin' | 1:46:14 | 1:46:17 | |
# On such a winter's day... | 1:46:18 | 1:46:23 | |
(MUSIC CONTINUES, FADING INTO BACKGROUND) | 1:46:24 | 1:46:28 | |
(ENGINE REVS) | 1:46:43 | 1:46:46 | |
-Alright? -Alright? | 1:46:47 | 1:46:49 | |
-That your car? -Yeah. | 1:46:50 | 1:46:53 | |
It still needs a couple of bits. | 1:46:53 | 1:46:56 | |
You left your cap. | 1:47:03 | 1:47:05 | |
Ta. | 1:47:07 | 1:47:08 | |
Where's your horse? | 1:47:15 | 1:47:17 | |
She was sick. We had to shoot her. | 1:47:21 | 1:47:25 | |
(SOBS) | 1:47:47 | 1:47:49 | |
(SOBS) | 1:47:57 | 1:47:59 | |
She was 16. | 1:48:09 | 1:48:11 | |
It was her time. | 1:48:13 | 1:48:15 | |
Alright. | 1:48:17 | 1:48:19 | |
I was thinking of trying out the motor on a long run. | 1:48:37 | 1:48:40 | |
Yeah? | 1:48:40 | 1:48:42 | |
I know some people in Cardiff - you know, in Wales. | 1:48:42 | 1:48:47 | |
(FRENETIC RAP MUSIC BLARES - INDISTINCT LYRICS) | 1:48:56 | 1:48:59 | |
(CHILDREN SHOUT) | 1:49:15 | 1:49:18 | |
(MUSIC CONTINUES TO BLARE IN BACKGROUND) | 1:49:23 | 1:49:26 | |
Why do you need so much stuff? | 1:49:33 | 1:49:36 | |
Just in case. | 1:49:37 | 1:49:39 | |
-What about the referral unit? -(CHUCKLES) | 1:49:44 | 1:49:47 | |
-You can have my place. -I don't want it. | 1:49:47 | 1:49:50 | |
It's full of spastics and idiots, those places. | 1:49:50 | 1:49:54 | |
(PERCUSSION BEGINS TO BOOM AGAINST CONTINUING RAP) | 1:49:54 | 1:49:57 | |
# "Life's A Bitch" - Nas feat AZ the Visualiza | 1:49:57 | 1:50:01 | |
# Put the Grants in the safe, ya know what I'm sayin'? | 1:50:01 | 1:50:04 | |
# Cos we spendin' these Jacksons | 1:50:04 | 1:50:05 | |
# The Washingtons go to wifey, you know how that go | 1:50:05 | 1:50:07 | |
# I'm sayin' that's what this is all about, right? | 1:50:07 | 1:50:10 | |
# Clothes, bankrolls and hos, know what I'm sayin'? | 1:50:10 | 1:50:13 | |
# Yo, then what, man? What? | 1:50:13 | 1:50:15 | |
# Visualisin' the realism of life and actuality | 1:50:15 | 1:50:17 | |
# Fuck who's the baddest, a person's status depends on salary | 1:50:17 | 1:50:20 | |
# And my mentality is money-orientated | 1:50:20 | 1:50:22 | |
# I'm destined to live the dream for all my peeps who never made it... | 1:50:22 | 1:50:26 | |
I'm going, then. | 1:50:26 | 1:50:28 | |
That's one of your CDs. | 1:50:29 | 1:50:32 | |
Yeah. | 1:50:32 | 1:50:34 | |
It's alright! | 1:50:36 | 1:50:38 | |
Yeah, it's Nas. He's good. You can keep it. | 1:50:39 | 1:50:42 | |
(MUSIC CONTINUES TO BOOM) | 1:50:42 | 1:50:44 | |
Go on, then. Fuck off! | 1:50:47 | 1:50:50 | |
What you waiting for? | 1:50:52 | 1:50:55 | |
# Life's a bitch and then you die | 1:50:55 | 1:50:57 | |
# That's why we get high, cos you never know when you're gonna go | 1:50:57 | 1:51:01 | |
# Life's a bitch and then you die | 1:51:01 | 1:51:02 | |
# That's why we puff lye, cos you never know when you're gonna go | 1:51:02 | 1:51:06 | |
# Life's a bitch and then you die | 1:51:06 | 1:51:08 | |
# That's why we get high, cos you never know when you're gonna go | 1:51:08 | 1:51:11 | |
# Life's a bitch and then you die | 1:51:11 | 1:51:13 | |
# That's why we puff lye, puff lye, puff lye | 1:51:13 | 1:51:16 | |
# I woke up early on my born day, I'm 20 years of blessing | 1:51:16 | 1:51:18 | |
# The essence of adolescence leaves my body, now I'm fresh in | 1:51:18 | 1:51:21 | |
# My physical frame is celebrated cos I made it | 1:51:21 | 1:51:24 | |
# One quarter through life, some godly-like thing created | 1:51:24 | 1:51:26 | |
# Got rhymes 365 days annual plus some | 1:51:26 | 1:51:29 | |
# Load up the mic and bust one | 1:51:29 | 1:51:30 | |
# Cuss while I puffs from my skull | 1:51:30 | 1:51:32 | |
# Cos it's pain in my brain-vein money maintain | 1:51:32 | 1:51:34 | |
# Don't go against the grain, simple and plain | 1:51:34 | 1:51:36 | |
# When I was young at this I used to do my thing hard | 1:51:36 | 1:51:38 | |
# Robbin' foreigners, take they wallets, they jewels | 1:51:38 | 1:51:41 | |
# And rip they green cards | 1:51:41 | 1:51:42 | |
# Dipped to the projects flashin' my quick cash | 1:51:42 | 1:51:44 | |
# And got my first piece of ass smokin' blunts with hash | 1:51:44 | 1:51:47 | |
# Now it's all about cash in abundance | 1:51:47 | 1:51:49 | |
# Niggaz I used to run with is rich or doin' years in the hundreds | 1:51:49 | 1:51:51 | |
# I switched my motto, instead of saying "fuck tomorrow" | 1:51:51 | 1:51:54 | |
# That buck that bought a bottle could've struck the lotto | 1:51:54 | 1:51:57 | |
# Once I stood on the block, loose cracks produce stacks | 1:51:57 | 1:52:00 | |
# I cooked up and cut small pieces to get my loot back | 1:52:00 | 1:52:02 | |
# Time is Illmatic, keep static like wool fabric | 1:52:02 | 1:52:05 | |
# Pack a four-matic that crack your whole cabbage | 1:52:05 | 1:52:07 | |
# Life's a bitch and then you die | 1:52:07 | 1:52:09 | |
# It's why we get high, cos you never know when you're gonna go | 1:52:09 | 1:52:12 | |
# Life's a bitch and then you die | 1:52:12 | 1:52:14 | |
# That's why we puff lye, cos you never know when you're gonna... | 1:52:14 | 1:52:17 | |
Where you going again? | 1:52:21 | 1:52:23 | |
I'm going to Wales. | 1:52:23 | 1:52:25 | |
I thought you'd changed your mind or something. | 1:52:33 | 1:52:36 | |
-This is my sister, Tyler. -Hello, Tyler. | 1:52:40 | 1:52:43 | |
-Are you a pikey? -Oi! Shut up, you. -Ow, bitch! | 1:52:43 | 1:52:47 | |
I hate you! | 1:52:49 | 1:52:51 | |
I hate you, too. | 1:52:55 | 1:52:57 | |
Tennent's! | 1:53:09 | 1:53:11 | |
See you later, boy. | 1:53:14 | 1:53:16 | |
See you later. | 1:53:17 | 1:53:19 | |
Right? | 1:53:23 | 1:53:25 | |
Yeah. | 1:53:28 | 1:53:30 | |
(STARTS ENGINE) | 1:53:30 | 1:53:32 | |
Bye! Don't forget to text me! | 1:53:42 | 1:53:44 | |
Say hello to the whales for me! | 1:53:44 | 1:53:47 | |
# "Life's A Bitch" - Nas feat AZ the Visualiza | 1:54:15 | 1:54:18 | |
# Aiyyo, wassup, wassup, let's keep it real, son | 1:54:18 | 1:54:20 | |
# Count this money, ya know what I'm sayin'? | 1:54:20 | 1:54:23 | |
# Aiyyo, put the Grants over there in the safe, know what I'm sayin'? | 1:54:23 | 1:54:25 | |
# Cos we spendin' the Jacksons | 1:54:25 | 1:54:27 | |
# And the Washingtons go to wifey, you know how that go | 1:54:27 | 1:54:30 | |
# I'm sayin' that's what this is all about, right? | 1:54:30 | 1:54:32 | |
# Clothes, bankrolls and hos, you know what I'm saying? | 1:54:32 | 1:54:35 | |
# Yo, then what, man, what? | 1:54:35 | 1:54:37 | |
# Visualisin' the realism of life and actuality | 1:54:37 | 1:54:40 | |
# Fuck who's the baddest, a person's status depends on salary | 1:54:40 | 1:54:42 | |
# And my mentality is money orientated | 1:54:42 | 1:54:44 | |
# I'm destined to live the dream for all my peeps who never made it | 1:54:44 | 1:54:47 | |
# Cos, yeah, we were beginners in the 'hood as five percenters | 1:54:47 | 1:54:49 | |
# But somethin' must of got in us cos all of us turned to sinners | 1:54:49 | 1:54:52 | |
# Now some restin' in peace and some are sittin' in San Quentin | 1:54:52 | 1:54:55 | |
# Others such as myself are tryin' to carry on tradition | 1:54:55 | 1:54:57 | |
# Keepin' the schweppervescence street-ghetto essence inside us | 1:54:57 | 1:55:00 | |
# Cos it provides us with the proper insight to guide us | 1:55:00 | 1:55:02 | |
# Even though we know somehow we all gotta go | 1:55:02 | 1:55:05 | |
# But as long as we leavin' thievin' | 1:55:05 | 1:55:06 | |
# We'll be leavin' with some kind of dough, so | 1:55:06 | 1:55:08 | |
# Until that day we expire and turn to vapours | 1:55:08 | 1:55:10 | |
# Me and my capers'll be somewhere stackin' plenty papers | 1:55:10 | 1:55:13 | |
# Keepin' it real, packin' steel, gettin' high | 1:55:13 | 1:55:15 | |
# Cos life's a bitch and then you die | 1:55:15 | 1:55:18 | |
# Life's a bitch and then you die | 1:55:18 | 1:55:20 | |
# That's why we get high, cos you never know when you're gonna go | 1:55:20 | 1:55:23 | |
# Life's a bitch and then you die | 1:55:23 | 1:55:25 | |
# That's why we puff lye, cos you never know when you're gonna go | 1:55:25 | 1:55:28 | |
# Life's a bitch and then you die | 1:55:28 | 1:55:30 | |
# That's why we get high, cos you never know when you're gonna go | 1:55:30 | 1:55:33 | |
# Life's a bitch and then you die | 1:55:33 | 1:55:35 | |
# That's why we puff lye, puff lye, puff lye | 1:55:35 | 1:55:38 | |
# I woke up early on my born day, I'm 20 years of blessing | 1:55:38 | 1:55:40 | |
# The essence of adolescence leaves my body, now I'm fresh in | 1:55:40 | 1:55:43 | |
# My physical frame is celebrated cos I made it | 1:55:43 | 1:55:46 | |
# One quarter through life, some godly-like thing created | 1:55:46 | 1:55:48 | |
# Got rhymes 365 days annual plus some | 1:55:48 | 1:55:51 | |
# Load up the mic and bust one | 1:55:51 | 1:55:53 | |
# Cuss while I puffs from my skull | 1:55:53 | 1:55:54 | |
# Cos it's pain in my brain-vein money maintain | 1:55:54 | 1:55:56 | |
# Don't go against the grain, simple and plain | 1:55:56 | 1:55:59 | |
# When I was young at this I used to do my thing hard | 1:55:59 | 1:56:01 | |
# Robbin' foreigners, take they wallets, they jewels | 1:56:01 | 1:56:03 | |
# And rip they green cards | 1:56:03 | 1:56:04 | |
# Dipped to the projects flashin' my quick cash | 1:56:04 | 1:56:06 | |
# And got my first piece of ass smokin' blunts with hash | 1:56:06 | 1:56:09 | |
# Now it's all about cash in abundance | 1:56:09 | 1:56:11 | |
# Niggaz I used to run with is rich or doin' years in the hundreds | 1:56:11 | 1:56:13 | |
# I switched my motto, instead of saying "fuck tomorrow" | 1:56:13 | 1:56:16 | |
# That buck that bought a bottle could've struck the lotto | 1:56:16 | 1:56:19 | |
# Once I stood on the block, loose cracks produce stacks | 1:56:19 | 1:56:22 | |
# I cooked up and cut small pieces to get my loot back | 1:56:22 | 1:56:24 | |
# Time is Illmatic, keep static like wool fabric | 1:56:24 | 1:56:27 | |
# Pack a four-matic that crack your whole cabbage | 1:56:27 | 1:56:29 | |
# Life's a bitch and then you die | 1:56:29 | 1:56:31 | |
# That's why we get high, cos you never know when you're gonna go | 1:56:31 | 1:56:34 | |
# Life's a bitch and then you die | 1:56:34 | 1:56:36 | |
# That's why we puff lye, cos you never know when you're gonna go | 1:56:36 | 1:56:39 | |
# Life's a bitch and then you die | 1:56:39 | 1:56:41 | |
# That's why we get high, cos you never know when you're gonna go | 1:56:41 | 1:56:45 | |
# Life's a bitch and then you die | 1:56:45 | 1:56:46 | |
# That's why we puff lye, cos you never know when you're gonna go | 1:56:46 | 1:56:50 | |
# Life's a bitch and then you die... # | 1:56:50 | 1:56:52 |