
Browse content similar to Goodbye Solo. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
This programme contains very strong language | 0:00:02 | 0:00:09 | |
Why are you laughing? | 0:00:23 | 0:00:25 | |
I'm not laughing, just... | 0:00:25 | 0:00:27 | |
-No. -But last time, I thought... | 0:00:27 | 0:00:29 | |
No. You told me it would cost 200. | 0:00:29 | 0:00:33 | |
I'll give you 1,000 to take me there on October 20th. | 0:00:33 | 0:00:36 | |
But last time, I was talking shit because I thought you were talking shit. | 0:00:36 | 0:00:39 | |
Oh, I'm sorry, sir. I apologise for my language. | 0:00:39 | 0:00:41 | |
PHONE RINGS Sorry about that. I really never checked out the price. I even forgot. | 0:00:41 | 0:00:45 | |
Yo, what up, playa? | 0:00:45 | 0:00:47 | |
Yeah, I'm just chillin' here, man. | 0:00:47 | 0:00:49 | |
North Side in an hour. I got you. | 0:00:49 | 0:00:52 | |
Yo, big dawg, let me call you back, all right? I'll call you right back. | 0:00:52 | 0:00:56 | |
Peace. | 0:00:56 | 0:00:58 | |
So you're serious? | 0:00:58 | 0:01:00 | |
It's my birthday today, man. | 0:01:03 | 0:01:05 | |
-What? -It's got to be my birthday. 1,000? That's a lot of money. | 0:01:05 | 0:01:08 | |
I don't give a shit if it's your birthday. Can you do it or not? | 0:01:08 | 0:01:11 | |
You said Blowing Rock, right? | 0:01:11 | 0:01:13 | |
You want me to take you to some mountain where you're not meeting nobody, | 0:01:13 | 0:01:16 | |
and you don't want to come back. | 0:01:16 | 0:01:17 | |
-That's what you said, right? -I told you all this before. | 0:01:17 | 0:01:20 | |
I don't want to repeat myself to every cabbie in Winston-Salem. | 0:01:20 | 0:01:23 | |
Yeah, but, big dawg, this is kind of strange. You got to give me that, right? | 0:01:23 | 0:01:26 | |
You know? You want to talk about something? | 0:01:26 | 0:01:29 | |
Forget it. I'll get another driver. | 0:01:29 | 0:01:30 | |
-No, big dawg, no. -Forget it. -I'm your driver. Come on. Don't call the other drivers. | 0:01:30 | 0:01:34 | |
They're not good. I'm telling you, they're not good. Don't call them. | 0:01:34 | 0:01:37 | |
Just that... What are you going to do there, anyway, man? | 0:01:37 | 0:01:40 | |
Are you going to go camping? Are you going there to chill with the trees and the birds? | 0:01:40 | 0:01:45 | |
You like birds, big dawg? | 0:01:45 | 0:01:47 | |
Are you going to fly away? | 0:01:48 | 0:01:50 | |
You're not going to jump, right? | 0:01:51 | 0:01:53 | |
You're not going to do that, man. Tomorrow's going to be a better day, you know? | 0:02:01 | 0:02:04 | |
-You're just going to the movie now... -How about a 100 deposit? | 0:02:04 | 0:02:07 | |
The rest also in cash on October 20th when you pick me up. | 0:02:07 | 0:02:11 | |
That's fine. | 0:02:16 | 0:02:18 | |
Yo, big dawg! Yo, William! | 0:03:14 | 0:03:17 | |
That's my phone. Call me on this one. Don't call the dispatch. | 0:03:20 | 0:03:22 | |
It's for my preferred client, OK? Have a good night, man. | 0:03:22 | 0:03:25 | |
ELECTRIC WINDOW SHUTS | 0:03:38 | 0:03:41 | |
Six-four, six-four. Dropped at Marketplace Cinemas. | 0:03:49 | 0:03:53 | |
-RADIO: -'All right. Call me on Bobworth, off of South Main Street.' | 0:03:53 | 0:03:57 | |
All right. Six-four out. | 0:03:57 | 0:03:58 | |
What's up, Ken? | 0:05:14 | 0:05:15 | |
-SPEAKING ON PHONE: -You want a cab? | 0:05:18 | 0:05:20 | |
-All right. -Morning, Pork Chop. | 0:05:22 | 0:05:24 | |
-Good morning, Solo. -How you doing? | 0:05:24 | 0:05:27 | |
-Fine. And you? -I'm chillin'. | 0:05:27 | 0:05:28 | |
Remember the trip you gave me yesterday from Crystal Towers Apartment to the movie? | 0:05:28 | 0:05:32 | |
If he calls again, please give me that trip, all right? | 0:05:32 | 0:05:35 | |
-How am I supposed to know who's calling? -His name is William. | 0:05:35 | 0:05:38 | |
You know, just ask. | 0:05:38 | 0:05:39 | |
I can't do it, and you know I can't. Come on, Cab one. | 0:05:39 | 0:05:42 | |
-Come on, Pork Chop. -You know I'm not supposed to give out trips like that. | 0:05:42 | 0:05:46 | |
A beautiful girl like you, you can do whatever you want. You're rocking this place. | 0:05:46 | 0:05:50 | |
Cab one, give 1641 B. | 0:05:50 | 0:05:52 | |
-He's just a friend. You know what I'm saying? -1641 B, Lincoln. | 0:05:52 | 0:05:55 | |
-Listen, when are we going to have our steak at O'Charley's? -Steak at O'Charley's? | 0:05:55 | 0:05:59 | |
-And a Tom Collins. -Tom Collins? -Yeah. | 0:05:59 | 0:06:03 | |
-Yeah, Mamadou, thank you. -All right. | 0:06:11 | 0:06:14 | |
So you need a ride for the next trip? | 0:06:14 | 0:06:16 | |
-No, I'm good. Thanks. -All right. | 0:06:16 | 0:06:18 | |
-Good morning. -Solo, don't get in our bed until you take a shower. | 0:06:36 | 0:06:39 | |
And your breakfast is in the fridge. | 0:06:39 | 0:06:41 | |
Bonjour, bonjour. | 0:06:41 | 0:06:43 | |
Bonjour again. | 0:06:43 | 0:06:45 | |
Bonjour again, Solo. | 0:06:45 | 0:06:47 | |
"Captain Abisha Slade had a slave - his name was Stephen - | 0:06:47 | 0:06:51 | |
"who produced the first bright leaf tobacco in 1839 in Caswell County." | 0:06:51 | 0:06:56 | |
That's right here. | 0:06:56 | 0:06:59 | |
"The farmer needed sandy soil, and the Appalachian Piedmont has it." | 0:07:01 | 0:07:05 | |
-That's here. -Bijou, can I see this, actually? | 0:07:05 | 0:07:08 | |
No. What about my cellphone? | 0:07:08 | 0:07:09 | |
You know what your mom said. | 0:07:09 | 0:07:11 | |
FEMALE VOICE SPEAKS IN FRENCH | 0:07:11 | 0:07:14 | |
-Bye. -You smell like smoke. | 0:07:16 | 0:07:18 | |
-RADIO: -'Cab number seven, Cab seven. | 0:07:52 | 0:07:55 | |
'2-29-22.' | 0:07:55 | 0:07:56 | |
Hey, William, I thought you were going to the movies. | 0:08:11 | 0:08:14 | |
-I am, and be careful with my stuff. -With your luggages? What's going on? -I sold my apartment. | 0:08:14 | 0:08:18 | |
-You sold your apartment? What for? -Moving into a motel. | 0:08:18 | 0:08:21 | |
I mean, is that all you have? Where's your stuff? | 0:08:21 | 0:08:23 | |
Don't start your shit with me again. Let's go. I don't want to be late. | 0:08:23 | 0:08:27 | |
All right, big dawg. | 0:08:27 | 0:08:29 | |
I don't get it, man. Isn't it better to go to a motel first, drop off your luggages? | 0:08:34 | 0:08:38 | |
Why am I with you again? | 0:08:38 | 0:08:40 | |
How come it's always you that picks me up? | 0:08:40 | 0:08:43 | |
Because I'm your driver now. You know what I'm saying? | 0:08:43 | 0:08:45 | |
-And anyway, I have this I want to give back to you. -What's this? | 0:08:45 | 0:08:49 | |
Come on, man. Last time you were upset. I saved it for you. | 0:08:49 | 0:08:52 | |
Are you stupid? Or you just don't understand English? We have a deal. | 0:08:52 | 0:08:55 | |
Would you just drive? | 0:08:55 | 0:08:57 | |
All right. OK. Then you know what? Could you please call me on my cellphone from now on? | 0:08:59 | 0:09:03 | |
When you call the dispatch, it's always a problem over there. | 0:09:03 | 0:09:06 | |
I don't really give a shit which one of you people picks me up. | 0:09:06 | 0:09:09 | |
Yo, that's not really nice. I mean, we're friends now. | 0:09:09 | 0:09:12 | |
I want to know why you want to go to that mountain. | 0:09:12 | 0:09:14 | |
Do you ask all your passengers why they want to go places? | 0:09:14 | 0:09:16 | |
Of course. Sometimes I do. | 0:09:16 | 0:09:19 | |
And when they're fine ladies, I ask even more, man. | 0:09:19 | 0:09:21 | |
Especially when they have big booties. | 0:09:21 | 0:09:23 | |
You like big booties? | 0:09:23 | 0:09:25 | |
I pick up a lot of big booties here in this cab. | 0:09:25 | 0:09:28 | |
You like black woman, man? | 0:09:28 | 0:09:30 | |
I know this black woman, right? She's shaped like a bottle of soda. | 0:09:30 | 0:09:33 | |
I can hook you up, man. | 0:09:33 | 0:09:35 | |
William, you have family here, right? Why don't you move in with them? | 0:09:40 | 0:09:43 | |
Yo, why family don't stay together in America? If that was in Senegal... | 0:09:46 | 0:09:52 | |
That's where I'm from. In Africa. You know where it is, right? Dakar. | 0:09:52 | 0:09:56 | |
Yo, family stay together. We take care of our parents, old people. | 0:09:56 | 0:10:00 | |
Even if they don't have teeth in their mouth any more, we take food and we put it in their mouth. | 0:10:00 | 0:10:04 | |
Then why aren't you there now? | 0:10:04 | 0:10:06 | |
I got to make money and send it back home, that's all. | 0:10:06 | 0:10:09 | |
I'm going to go there when I get old. They're going to take care of me. | 0:10:09 | 0:10:12 | |
Same thing your people can do for you, man. | 0:10:12 | 0:10:14 | |
-Who said I want to see my people? -Of course you want to see them. They're your blood. | 0:10:14 | 0:10:18 | |
And I'm sure they want to see you, man. | 0:10:18 | 0:10:20 | |
Hey! Hey, Solo! | 0:11:08 | 0:11:11 | |
Hey, William. | 0:11:11 | 0:11:13 | |
-What's going on, man? -Cos of your bullshit, we're late. | 0:11:13 | 0:11:16 | |
-It already started. -You sure you don't want to see another movie? | 0:11:16 | 0:11:19 | |
-I can keep your bag and come back and get you. That's not a problem. -Oh, forget it. Let's find a motel. | 0:11:19 | 0:11:23 | |
OK, but we got to go pick up someone first. It's not going to be long. Are you cool? | 0:11:23 | 0:11:28 | |
All right! | 0:11:28 | 0:11:29 | |
Yo, William, I'm going to Piedmont Circle project. | 0:11:33 | 0:11:37 | |
I mean, I'm talking about homicide circle, man. | 0:11:37 | 0:11:40 | |
I don't give a shit. | 0:11:40 | 0:11:41 | |
All right, big dawg. Let's go, then. | 0:11:41 | 0:11:44 | |
-Solo! Who this, man? -He's a good friend of mine. Come on in. | 0:12:02 | 0:12:05 | |
-You can't be having people riding with you. -I'm sorry, man. | 0:12:05 | 0:12:07 | |
-It's cool, though. Come on in. -Old timer, slide over, bro. | 0:12:07 | 0:12:10 | |
Yo, chill out, man. That's my homie William. | 0:12:10 | 0:12:12 | |
-Man got to have somewhere to sit. Know what I mean? Damn! -William, this is Roc. | 0:12:12 | 0:12:16 | |
-What up, playa? -Chillin', man. | 0:12:16 | 0:12:18 | |
All right. | 0:12:18 | 0:12:20 | |
# I leave it to the Lord That's my only remedy | 0:12:20 | 0:12:22 | |
# Before I be a wreck I'm back in the penitentiary | 0:12:22 | 0:12:25 | |
# My niggas feeling me without a hug | 0:12:25 | 0:12:27 | |
# Ugly mickie-fickies always want a mean mug | 0:12:27 | 0:12:29 | |
# They judge and they grudge | 0:12:29 | 0:12:31 | |
# Pistol bullets, slugs | 0:12:31 | 0:12:32 | |
# Niggas getting drunk Gettin' crazed, gettin' dirt | 0:12:32 | 0:12:34 | |
# We sippin' on that mud Sometimes I get my bud | 0:12:34 | 0:12:37 | |
# In my own zone Leave me alone | 0:12:37 | 0:12:39 | |
# Nigga, what? Don't let the name fool ya... # | 0:12:39 | 0:12:41 | |
Solo, turn right on Broad for me. | 0:12:41 | 0:12:43 | |
-I got you, bro. -Good look. | 0:12:43 | 0:12:46 | |
-Don't leave, man. -I got you, man. I'll be around. | 0:12:52 | 0:12:55 | |
-Give me the wait time if you got to. -All right. | 0:12:55 | 0:12:58 | |
Yo, he's not going to be long, all right? | 0:13:02 | 0:13:04 | |
A couple more stops and back to his place. Know what I'm saying? One of my preferred clients. | 0:13:04 | 0:13:08 | |
Big dawg, I got to go take a pee. You know what I'm saying? | 0:13:17 | 0:13:20 | |
Are you all right? You OK? | 0:13:20 | 0:13:21 | |
I'll be right back, man. | 0:13:21 | 0:13:23 | |
I'll be right back. | 0:13:23 | 0:13:25 | |
-RADIO: -'Cab six-four. Six-four. | 0:13:42 | 0:13:44 | |
'Solo? | 0:13:49 | 0:13:50 | |
'Come on, Solo, wake up!' | 0:13:53 | 0:13:56 | |
RUNNING FOOTSTEPS APPROACH | 0:14:04 | 0:14:05 | |
-Yo, let's go! -What's going on? | 0:14:05 | 0:14:07 | |
-Hey, where's Solo at, man? -Pissing. | 0:14:07 | 0:14:09 | |
-Aw, sh... Yo, Solo, come on, let's go, dawg! We got to hurry up, man! -Oh, shit. | 0:14:09 | 0:14:13 | |
-Come on! -What's going on? -They tripping, dawg. We got to get out of here, man. | 0:14:13 | 0:14:17 | |
-Come back here! -What happened, man? | 0:14:17 | 0:14:18 | |
-Solo, let's go! -Get me the fuck out of here! Get me out of here! | 0:14:18 | 0:14:22 | |
-Drive, man, drive! -Damn! | 0:14:22 | 0:14:24 | |
Shit! Yo, Roc, what's going on? | 0:14:24 | 0:14:25 | |
-Why they tripping? -I told you I got the wait time on, man. | 0:14:25 | 0:14:29 | |
Hey, Navani? Navani! Did he tell you why he left Winston? | 0:14:35 | 0:14:40 | |
No. He just said it was 30 years ago. | 0:14:40 | 0:14:41 | |
That's it? No friend, no family? | 0:14:41 | 0:14:43 | |
I already told you, he didn't say anything else. He seems cool. | 0:14:43 | 0:14:46 | |
-I think he's fine. -Yo, listen, offer him a round on me, OK? -OK, babe. | 0:14:46 | 0:14:51 | |
-Yo, Solo, when you finally going to get that cab fixed? -I got you. | 0:14:51 | 0:14:54 | |
I'm just waiting for this part. You know? | 0:14:54 | 0:14:56 | |
Yo, listen, man, I told you, I got a connect in Maryland. | 0:14:56 | 0:15:00 | |
This girl done told him she got a 725 on the credit score, man. | 0:15:00 | 0:15:04 | |
Says she can get us 20 Gs for these cabs now. I need you to put the drivers in the car for me, man. | 0:15:04 | 0:15:09 | |
We could have this fire all around the town, have the whole city smoking good, cuz. | 0:15:09 | 0:15:15 | |
I got a major supply coming in right now. | 0:15:15 | 0:15:18 | |
Yo, cheers, William! | 0:15:20 | 0:15:22 | |
Solo, are you hearing me? Yo, man! | 0:15:24 | 0:15:28 | |
You paying me any attention, cuz? I need you to get that cab fixed so we can get this deal going on. | 0:15:28 | 0:15:32 | |
I got you, playa. I got you. | 0:15:32 | 0:15:34 | |
You know what? Let's keep playing. I need to get my 20 back, anyway. | 0:15:34 | 0:15:37 | |
-All right. -Check this out. | 0:15:37 | 0:15:40 | |
-That's what I'm talking about. What you got? -I'm going to hit me another. | 0:15:40 | 0:15:44 | |
-All right, we'll see. -That's the first one you done hit all day. | 0:15:44 | 0:15:48 | |
William? | 0:16:15 | 0:16:17 | |
William? | 0:16:17 | 0:16:21 | |
Come on, we're here. | 0:16:21 | 0:16:22 | |
-Where? -At my place. -What are we doing here? | 0:16:25 | 0:16:29 | |
Big dawg, I couldn't find a motel on the way here. | 0:16:29 | 0:16:33 | |
Why didn't you wake me up? | 0:16:33 | 0:16:35 | |
I tried, but you wouldn't wake up. | 0:16:35 | 0:16:37 | |
You drank too much. | 0:16:37 | 0:16:39 | |
Big dawg, it's not a problem. | 0:16:39 | 0:16:41 | |
You got drunk, but we had a good time, right? | 0:16:41 | 0:16:44 | |
And I get drunk all the time. | 0:16:44 | 0:16:45 | |
Plus we're already here, man. Let's go. All right? | 0:16:45 | 0:16:48 | |
I'll find you a nice motel tomorrow, I promise. All right? | 0:16:48 | 0:16:50 | |
Let's go, big dawg. I got you. You know what I'm saying? I'll get you a nice motel tomorrow. | 0:16:50 | 0:16:55 | |
No, don't worry about that. Don't worry. I got it, I got it. Don't worry about it. | 0:17:02 | 0:17:06 | |
-Yo, William, this is my wife's place, all right? -Navani? | 0:17:10 | 0:17:13 | |
No, Navani's my ex. She doesn't exist here, man. | 0:17:13 | 0:17:16 | |
My wife's name is Quiera, OK? Yo, William, my wife's name is Quiera. | 0:17:16 | 0:17:21 | |
All right! Keep your dick in your pants. | 0:17:21 | 0:17:23 | |
OK. You know, just making sure, that's all. | 0:17:23 | 0:17:27 | |
She's pregnant now, and, you know, she gets, um, she gets very sensitive. You know what I mean? | 0:17:27 | 0:17:33 | |
This is Machu Picchu. The Inca people, they built it about 500 years ago. | 0:17:33 | 0:17:37 | |
-Yeah, I know about it. -Really? | 0:17:37 | 0:17:39 | |
-Wow. I can't believe they did it with their hands only. -You been? | 0:17:39 | 0:17:44 | |
No, but I would love to. | 0:17:44 | 0:17:46 | |
I hear it's even hard to breathe over there. | 0:17:46 | 0:17:48 | |
There you go. This is yours. The bathroom's right here. | 0:17:48 | 0:17:51 | |
You need anything else? Do you want a glass of water, anything? | 0:17:51 | 0:17:55 | |
No? OK. Have a good night, William. | 0:17:55 | 0:17:58 | |
See you tomorrow morning. | 0:17:58 | 0:17:59 | |
Solo, wake up. | 0:18:29 | 0:18:31 | |
Solo, wake up. | 0:18:33 | 0:18:34 | |
Wake up, Solo. | 0:18:34 | 0:18:36 | |
-Bonjour, Bijou. -Bonjour, Solo. | 0:18:36 | 0:18:38 | |
Mom wants to talk to you. | 0:18:41 | 0:18:43 | |
-Ca va? -Ca va. | 0:18:47 | 0:18:49 | |
-What's up, baby? You want to talk to me? -Why you lying to me? | 0:18:49 | 0:18:52 | |
-What's going on? -"Dear Mr Souleymane Diop, | 0:18:52 | 0:18:55 | |
"your request for a flight attendant interview with Sun Airlines | 0:18:55 | 0:18:58 | |
"has been processed and approved for October 15, 2007." | 0:18:58 | 0:19:01 | |
-Baby, is this letter you're upset about? -This is next week! | 0:19:01 | 0:19:04 | |
Yeah, but this letter is three month old. I just didn't throw it away. | 0:19:04 | 0:19:07 | |
But you promised me to give up this childish dream, remember? | 0:19:07 | 0:19:10 | |
Baby, it's not childish. Why you got to say that all the time? | 0:19:10 | 0:19:13 | |
It's better than driving a taxi. | 0:19:13 | 0:19:14 | |
-You know I don't want to do that any more. -It doesn't matter what you want to do. | 0:19:14 | 0:19:18 | |
We agreed it was best for the family if you drive in the day. | 0:19:18 | 0:19:21 | |
Seriously, I did not study. I gave it up. | 0:19:21 | 0:19:22 | |
Who'll help me take care of this baby when you're flying to Florida or New York for three or four days? | 0:19:22 | 0:19:27 | |
-Baby, I'm here. -I need you here! | 0:19:27 | 0:19:29 | |
-That's what I'm saying. I didn't study. -And I'm sick of that taxi. | 0:19:29 | 0:19:32 | |
I'm going to call my cousins to fix it. | 0:19:32 | 0:19:34 | |
No. I don't want your cousin in my business. | 0:19:34 | 0:19:35 | |
-Well, fix it! -I will do it. I'm waiting for this part. | 0:19:35 | 0:19:38 | |
And who the hell is that old man sitting in my sofa, huh? | 0:19:38 | 0:19:40 | |
-Tell me! -That's my friend William. | 0:19:40 | 0:19:43 | |
I don't want your friend William in my house, OK? | 0:19:43 | 0:19:46 | |
Quiera? Quiera, that's not really nice. | 0:19:46 | 0:19:48 | |
I'm sorry, William. Do you want a cup of coffee? Do you want...? | 0:19:52 | 0:19:57 | |
Why you don't let my cousins to help? They want to, Solo. | 0:20:03 | 0:20:07 | |
I don't want your cousins in my business, baby. | 0:20:07 | 0:20:09 | |
-You don't do anything. All you do is hanging out with your friends. -Baby, calm down. It's OK. | 0:20:09 | 0:20:14 | |
Yo! I had this one, like, for a month. | 0:20:26 | 0:20:28 | |
A week after, it was broken. And I don't even want it. | 0:20:28 | 0:20:31 | |
I've been doing that for three years! I don't want to drive a cab. | 0:20:31 | 0:20:34 | |
Huh? I'd given up my flight attendant thing. | 0:20:34 | 0:20:36 | |
She goes through my stuff, and doesn't believe me. | 0:20:36 | 0:20:38 | |
Ca, c'est pas juste. Non, c'est pas juste. C'est pas normal, ca. | 0:20:38 | 0:20:41 | |
You have any unsalted butter and mushrooms? I want to make an omelette. | 0:20:41 | 0:20:44 | |
Yo, William, check in the kitchen, man. | 0:20:44 | 0:20:47 | |
Take whatever you want. This is your place here. All right? Take whatever you want. | 0:20:47 | 0:20:51 | |
William, do you know about car? Can you give me a hand here? | 0:20:52 | 0:20:55 | |
I rode motorcycles. | 0:20:55 | 0:20:57 | |
-You mean the big ones? -Harley. | 0:20:57 | 0:20:59 | |
Harley? Yo, you were in a gang and stuff like that? | 0:20:59 | 0:21:02 | |
Yo, William! Open road, women, biker's bar. You have tattoo, right? | 0:21:04 | 0:21:09 | |
Oh, my God! That's what I'm talking about. | 0:21:11 | 0:21:13 | |
Original player! | 0:21:13 | 0:21:15 | |
Wow, William is chillin', man! Whoo! | 0:21:15 | 0:21:18 | |
HE SPEAKS IN FRENCH | 0:21:18 | 0:21:20 | |
William! | 0:21:24 | 0:21:25 | |
-Alex, you want to buy this DVD? -I already saw it. -It's new. | 0:22:06 | 0:22:10 | |
I already saw it. How much does this cost? | 0:22:10 | 0:22:12 | |
This is under 50. And actually, they look really good. | 0:22:12 | 0:22:15 | |
You go to Silas Creek, you can pay 70 apiece. Look at this. | 0:22:15 | 0:22:19 | |
70? For that money I can buy a cellphone. | 0:22:19 | 0:22:22 | |
Cellphone are expensive, but look here. These are really good. | 0:22:22 | 0:22:25 | |
-Look at the cloth. -Hey, Alex, what you doing here? | 0:22:25 | 0:22:27 | |
Come on, let's go. Let's go. | 0:22:27 | 0:22:29 | |
Hey, Solo. What's up, man? Alex is trying to get a cellphone. | 0:22:29 | 0:22:32 | |
-Yo, don't be selling her your crap, man. -What's up, man? -How you doing? | 0:22:32 | 0:22:35 | |
-Good. -What's up, Peter? | 0:22:35 | 0:22:37 | |
First time you get the taxi, and you're still late! | 0:22:37 | 0:22:39 | |
I'm sorry, madame. Sorry about that. | 0:22:39 | 0:22:42 | |
If I had a cellphone, you can just call me. Isn't that right, William? | 0:22:42 | 0:22:45 | |
Yes. | 0:22:45 | 0:22:47 | |
Where are we going? | 0:22:47 | 0:22:48 | |
God knows where your dad's taking me. | 0:22:48 | 0:22:51 | |
I'm telling you, this is the best place right here. | 0:22:51 | 0:22:54 | |
You got restaurant all over the place. You can walk down to them. | 0:22:54 | 0:22:56 | |
-It takes five minute. -Bye, William. -Bye, Alex. | 0:22:56 | 0:22:59 | |
-When is the next time you're going to the movie? -I don't know. | 0:22:59 | 0:23:02 | |
You have my cellphone, right? OK. | 0:23:02 | 0:23:04 | |
You know what, just give me a call whenever you need anything, all right? OK? | 0:23:04 | 0:23:09 | |
Bye, William. | 0:23:09 | 0:23:10 | |
You think he's OK in there? | 0:23:25 | 0:23:27 | |
If he didn't like it, he would just leave. | 0:23:27 | 0:23:29 | |
Yeah, I know, but you don't understand. | 0:23:29 | 0:23:31 | |
I understand more than you. | 0:23:31 | 0:23:32 | |
-Hey, Malaak. -Hey, Solo. -How you doing, man? | 0:23:32 | 0:23:34 | |
-Very good. How are you? -I'm good. Good to see you. | 0:23:34 | 0:23:37 | |
-Nice to meet you, too. -I want to ask you a favour. | 0:23:37 | 0:23:39 | |
Could you keep an eye on my friend? | 0:23:39 | 0:23:41 | |
If anybody comes, if anything strange happen, please let me know. | 0:23:41 | 0:23:44 | |
-I will. -All right? -All right. -Thank you very much. -Hey, Solo? -Yeah? | 0:23:44 | 0:23:47 | |
Can I get a phone card next time? | 0:23:47 | 0:23:49 | |
-You mean a 10 phone card? -Yes, sir. -I got you, big dawg. | 0:23:49 | 0:23:52 | |
-Bye. -Bye. -Have a good night, man. | 0:23:52 | 0:23:53 | |
Bye, Alex. | 0:23:53 | 0:23:55 | |
Hola. | 0:24:26 | 0:24:28 | |
Hola. | 0:24:28 | 0:24:29 | |
CAR DOESN'T START | 0:24:43 | 0:24:46 | |
Quiera, I'm really sorry, but it's just not working. | 0:25:02 | 0:25:07 | |
No, no, Quiera, I did. Whatever you asked me to do, I did it. Whatever. | 0:25:07 | 0:25:11 | |
No, no, no, no, no, I never said that. No, listen, listen. | 0:25:11 | 0:25:14 | |
No, Quiera, listen! Quiera! | 0:25:14 | 0:25:15 | |
Hello? Hello? | 0:25:15 | 0:25:17 | |
She doesn't sound good. | 0:25:20 | 0:25:23 | |
I'm glad her aunt and her niece are moving in, because... | 0:25:23 | 0:25:26 | |
What are you doing? | 0:25:27 | 0:25:29 | |
Dawg, I don't even know what I'm doing right now. | 0:25:29 | 0:25:32 | |
Who the hell told you to come here? | 0:25:32 | 0:25:34 | |
You know I can't go to Navani. I mean, I just can't. And Roc? | 0:25:35 | 0:25:38 | |
Roc is in with some stuff I'm not interested in, so I figured maybe for a couple days I could... | 0:25:38 | 0:25:43 | |
-There's no room. -Big dawg, this place is huge! | 0:25:43 | 0:25:45 | |
In Africa, ten people can sleep in here. Ten people! And plus, see? | 0:25:45 | 0:25:49 | |
This is all I have. This is all. I have nothing else. See this bag? | 0:25:49 | 0:25:52 | |
This is the only thing I have here, man! This sofa is perfect. | 0:25:52 | 0:25:55 | |
All I need is a tiny place to study. | 0:25:55 | 0:25:56 | |
Oh. I didn't tell you. Check this out. Check this out. | 0:25:56 | 0:25:59 | |
I'm studying for my interview. And this time, I'm going all the way. | 0:25:59 | 0:26:03 | |
I'm telling you, all the way. | 0:26:03 | 0:26:05 | |
No stopping! | 0:26:05 | 0:26:06 | |
Quiera says I can't do it. Why not? I can do it! | 0:26:06 | 0:26:09 | |
I can do it, because you know what? | 0:26:09 | 0:26:11 | |
I want to do it. That's all. | 0:26:11 | 0:26:13 | |
So, big dawg, I'm just going to chill in here and study, all right? Is that cool with you? | 0:26:13 | 0:26:17 | |
See? I'm sitting here, I'm studying. Can you see me? You can't. | 0:26:17 | 0:26:20 | |
You're there, watching TV. I'm chilling. | 0:26:20 | 0:26:22 | |
You know what I'm saying? This light over here. | 0:26:22 | 0:26:24 | |
-If I turn it off and I don't smile, you're not going to notice. -Stay out of my stuff! | 0:26:24 | 0:26:28 | |
Keep your shit over there and leave me alone. | 0:26:28 | 0:26:30 | |
Thank you very much, big dawg. That's what I'm talking about. | 0:26:30 | 0:26:33 | |
Thank you. I appreciate that. I appreciate it. | 0:26:33 | 0:26:36 | |
I have my interview on Monday, and I'm going to ace it. | 0:26:42 | 0:26:45 | |
I really don't give a shit. | 0:26:45 | 0:26:47 | |
I don't want to know. I don't want to know about Quiera or anything about your life. | 0:26:47 | 0:26:52 | |
Sorry about that. | 0:26:54 | 0:26:55 | |
If you like this place, you can keep it when I leave next week. | 0:27:09 | 0:27:12 | |
The rates are very fair. | 0:27:14 | 0:27:16 | |
BASKETBALL GAME CONTINUES ON TV | 0:27:16 | 0:27:19 | |
Six-four, six-four. Pork Chop? | 0:28:15 | 0:28:18 | |
-RADIO: -'Come on, Cab 64.' | 0:28:18 | 0:28:20 | |
Have you ever heard of this place called Blowing Rock? | 0:28:20 | 0:28:23 | |
'Blowing Rock? Well, of course I have. | 0:28:23 | 0:28:25 | |
'It's up in the mountains near Boone.' | 0:28:25 | 0:28:27 | |
Actually, I know where it is, but do you know if there's anything happening there on October 20th? | 0:28:27 | 0:28:32 | |
'Not to my knowledge. We used to go there when we were kids. | 0:28:32 | 0:28:34 | |
'It's the only place in the world where the snow goes upside down.' | 0:28:34 | 0:28:37 | |
What? I mean, what do you mean? | 0:28:37 | 0:28:40 | |
'It's so windy, if you throw a stick or anything off the rock, it gets blown back into the sky.' | 0:28:40 | 0:28:46 | |
Blown back up to the sky? | 0:28:46 | 0:28:47 | |
-Are you serious? -'Yeah, Cab 64. That's why it's called Blowing Rock.' | 0:28:47 | 0:28:51 | |
All right. Six-four out. | 0:28:54 | 0:28:56 | |
DOOR OPENS | 0:29:15 | 0:29:17 | |
Oh, sorry, William. I didn't mean to wake you up. | 0:29:27 | 0:29:30 | |
I got us some playing cards. | 0:29:34 | 0:29:36 | |
And I know you like DVDs, so I got you some new releases. | 0:29:38 | 0:29:43 | |
We don't have a DVD player. | 0:29:43 | 0:29:45 | |
Now would you be quiet? | 0:29:45 | 0:29:46 | |
Oh, I'm sorry. Just because I know you like movies, you know? Sorry about that. | 0:29:46 | 0:29:50 | |
Man, I miss them. | 0:29:57 | 0:29:59 | |
Alex is getting ready to go to school now. | 0:30:00 | 0:30:02 | |
She's probably having breakfast with Quiera in the kitchen. | 0:30:02 | 0:30:05 | |
Are you married, William? | 0:30:19 | 0:30:21 | |
I was. | 0:30:23 | 0:30:25 | |
What happened? You divorced? | 0:30:25 | 0:30:28 | |
My wife left me 30 years ago. | 0:30:28 | 0:30:31 | |
Oh. I'm sorry to hear that. | 0:30:31 | 0:30:34 | |
And do you have any kids? | 0:30:35 | 0:30:38 | |
No. None. | 0:30:38 | 0:30:41 | |
I'm trying to sleep. | 0:30:41 | 0:30:43 | |
Sorry about that. | 0:30:43 | 0:30:45 | |
It's just that I'm going to have my first kid soon, you know? | 0:30:45 | 0:30:48 | |
Good night, William. | 0:30:59 | 0:31:01 | |
"First Aid and the Flight Attendant. | 0:31:39 | 0:31:42 | |
"Flight attendants are not responsible for diagnosing illness but to support life. | 0:31:42 | 0:31:46 | |
"No medicines. | 0:31:46 | 0:31:48 | |
"Bleeding. Burns. | 0:31:48 | 0:31:51 | |
"Heart attacks." | 0:31:51 | 0:31:53 | |
This is just vitamin C, aspirin, calcium and antihistamine. | 0:32:22 | 0:32:25 | |
-Antihistamine? What's that? -That's something that's used to counter histamines. -What does that mean? | 0:32:25 | 0:32:30 | |
If somebody has allergies, these are just over-the-counter drugs. | 0:32:30 | 0:32:33 | |
-So none of those is for anything serious? -No. | 0:32:33 | 0:32:36 | |
-Like when somebody's about to die or something? -Excuse me? | 0:32:36 | 0:32:39 | |
You know, something like cancer or something like that? | 0:32:39 | 0:32:42 | |
No. Sir, if you're not feeling well, I suggest you consult with a physician. | 0:32:42 | 0:32:46 | |
Are you OK? | 0:32:46 | 0:32:48 | |
Oh, I'm sorry about that, sir. Thank you. | 0:32:50 | 0:32:52 | |
-Thank you very much. -Is there anything else I can help you with? | 0:32:52 | 0:32:55 | |
-No, no, no, I'm good. Thank you, I appreciate it. -OK. | 0:32:55 | 0:32:59 | |
There we go. William and me, we're in room 213. | 0:33:28 | 0:33:30 | |
You already told me that. I already put it in. | 0:33:30 | 0:33:32 | |
How did you even learn the cellphone that fast? | 0:33:32 | 0:33:35 | |
It's not hard. | 0:33:35 | 0:33:37 | |
Now whenever you need a taxi, you can call me, all right? | 0:33:37 | 0:33:40 | |
Bijou, it's going to be all right, you know? | 0:33:45 | 0:33:47 | |
-Mom says you're going to come back. -Whatever happened between Mom and me has nothing to do with you. | 0:33:47 | 0:33:52 | |
It doesn't matter if I understand. | 0:33:52 | 0:33:53 | |
It doesn't change anything in the past. | 0:33:53 | 0:33:56 | |
When you grow up, you'll understand. | 0:33:56 | 0:33:58 | |
I don't want to grow up and learn all that bullshit. | 0:33:58 | 0:34:00 | |
Where did you learn this word? | 0:34:00 | 0:34:02 | |
-I bet you can't even use this phone to take a picture of me. -Can, too. | 0:34:04 | 0:34:08 | |
You don't know how to do that. | 0:34:08 | 0:34:09 | |
-I'll prove it. -You'll prove it? All right. | 0:34:09 | 0:34:12 | |
CAMERA CLICKS | 0:34:18 | 0:34:19 | |
Let me see. | 0:34:19 | 0:34:21 | |
How come this hot dog looks better than me? | 0:34:21 | 0:34:24 | |
That's not fair. | 0:34:24 | 0:34:25 | |
No. You know what? Show me, show me. | 0:34:25 | 0:34:28 | |
How do you do that? | 0:34:28 | 0:34:29 | |
-Thank you. Enjoy the show. -Thank you! | 0:34:58 | 0:35:00 | |
-Hey, how can I help you? -Yeah, two for Outcast. | 0:35:02 | 0:35:05 | |
All right. That'll be 16, please. | 0:35:05 | 0:35:07 | |
Thank you. Enjoy the show. | 0:35:09 | 0:35:11 | |
I really liked the movie. | 0:35:14 | 0:35:15 | |
-Thanks for recommending it. -Yeah, no problem. | 0:35:15 | 0:35:17 | |
-Acting was great. -I'm a big fan of... | 0:35:17 | 0:35:19 | |
CAR HORN BLARES Yo, William! Yo, William! | 0:35:19 | 0:35:21 | |
William! | 0:35:21 | 0:35:23 | |
-Goodbye. -Yep. | 0:35:23 | 0:35:26 | |
..Hey, how can I help you? | 0:35:26 | 0:35:28 | |
Come in the front, big dawg. Come in the front. Come, come. | 0:35:29 | 0:35:32 | |
What did you see? How was your movie? | 0:35:32 | 0:35:34 | |
ENGINE TURNS OVER | 0:35:34 | 0:35:36 | |
Yo, why didn't you call me, man? | 0:35:38 | 0:35:41 | |
You've underlined a lot of words. | 0:35:47 | 0:35:49 | |
Yeah, it's because I don't know the meaning or I don't know how to pronounce it. | 0:35:49 | 0:35:53 | |
Big dawg, why don't you quiz me on a couple of terms, man? | 0:35:53 | 0:35:57 | |
OK, we play for this trip. | 0:35:57 | 0:36:00 | |
Let me break it down for you. | 0:36:00 | 0:36:02 | |
If I win, it's free. If you win, it's free. | 0:36:02 | 0:36:05 | |
Come on, just a few words till we get to the motel, player. | 0:36:05 | 0:36:09 | |
-"Deadhead." -All right, big dawg! | 0:36:11 | 0:36:14 | |
All right. So you think you can win? | 0:36:14 | 0:36:16 | |
OK. All right. So, deadhead. | 0:36:16 | 0:36:19 | |
Um, deadhead is the transport of an off-duty crew member for the purpose | 0:36:19 | 0:36:24 | |
of positioning for the working of a flight. | 0:36:24 | 0:36:27 | |
That's what I'm saying, big dawg. | 0:36:28 | 0:36:30 | |
That's what I'm saying. I'm on it, man. | 0:36:30 | 0:36:32 | |
I'm on it. I'm acing it. | 0:36:32 | 0:36:34 | |
Wow, you better try harder. | 0:36:34 | 0:36:36 | |
I'm telling you, or you're going to pay for this trip, man. | 0:36:36 | 0:36:38 | |
"In the event of a water evacuation, what are the six steps a flight attendant must take?" | 0:36:40 | 0:36:47 | |
Water evacuation. | 0:36:47 | 0:36:48 | |
OK. One, form a barrier. | 0:36:48 | 0:36:50 | |
Two, check conditions and "rhetoric" if exits are blocked. | 0:36:50 | 0:36:55 | |
Three, open exits and inflate slide. | 0:36:55 | 0:36:58 | |
Four, when opening a door exit to evacuate an aircraft... | 0:36:58 | 0:37:02 | |
MOBILE RINGS That's strange. | 0:37:02 | 0:37:04 | |
Yo! HE CHUCKLES | 0:37:08 | 0:37:11 | |
This is cool, man. | 0:37:11 | 0:37:13 | |
You got to check this out. Alex sent me that. | 0:37:13 | 0:37:15 | |
I didn't know you could do that. | 0:37:15 | 0:37:18 | |
That's cool, right? | 0:37:19 | 0:37:22 | |
Wow. | 0:37:24 | 0:37:26 | |
-How do you do that? -How do I do that? | 0:37:27 | 0:37:31 | |
How do you take a picture and send it on a phone? | 0:37:31 | 0:37:34 | |
I don't know. That's why I'm kind of surprised. | 0:37:34 | 0:37:36 | |
She took my picture, but I didn't know you could send it through the phone. | 0:37:36 | 0:37:40 | |
-Yeah. -I don't know. | 0:37:40 | 0:37:42 | |
-"Redirect." "Redirect." -"Redirect." | 0:37:42 | 0:37:45 | |
OK. I got you, big dawg. | 0:37:45 | 0:37:48 | |
"Rhetoric" is... | 0:37:48 | 0:37:49 | |
It means a whole different thing. | 0:37:49 | 0:37:51 | |
-OK. -"Redirect." -"Redirect." "Redirect." | 0:37:51 | 0:37:55 | |
HE SPEAKS NATIVE DIALECT ON PHONE | 0:38:28 | 0:38:30 | |
Yo, William, what's up? | 0:38:54 | 0:38:56 | |
-How you doing? -Where the hell are my clothes? | 0:38:56 | 0:38:58 | |
I'm just going to wash them. | 0:38:58 | 0:38:59 | |
The place is a little smelly right now, that's all. | 0:38:59 | 0:39:02 | |
I hope you're not going to take a nap right now. | 0:39:02 | 0:39:05 | |
I just want to go to the Laundromat. | 0:39:05 | 0:39:06 | |
I'll be right back, OK? | 0:39:06 | 0:39:08 | |
I'll see you in a second, eh? Bye. | 0:39:10 | 0:39:12 | |
-Hello, Malaak. Oh, man! -Hey, Solo. | 0:39:32 | 0:39:35 | |
You got it, you got it? | 0:39:35 | 0:39:37 | |
-See you, dawg. -Bye, Solo. | 0:39:42 | 0:39:44 | |
Give me a sentence. | 0:40:12 | 0:40:14 | |
ELB. Emergency Locator Beckon. | 0:40:14 | 0:40:17 | |
Beacon, not "beckon". | 0:40:17 | 0:40:19 | |
-Beacon. It's a signal light. -Beacon. | 0:40:19 | 0:40:22 | |
Alex? | 0:40:22 | 0:40:24 | |
-Get me some napkins. -OK. | 0:40:24 | 0:40:27 | |
Another word is "floo..." "Flooter"? | 0:40:27 | 0:40:31 | |
"Flooter"? | 0:40:33 | 0:40:34 | |
"Flutter"? | 0:40:34 | 0:40:36 | |
To move quickly, like a butterfly. | 0:40:36 | 0:40:40 | |
Oh! That's kind of cool. | 0:40:40 | 0:40:43 | |
Take that to Solo. | 0:40:43 | 0:40:46 | |
Oh, thanks, Alex. | 0:40:48 | 0:40:49 | |
Yo, dawg, thank you very much, man. | 0:40:49 | 0:40:52 | |
That's cool. Mm! | 0:40:52 | 0:40:55 | |
Thank you. Bon appetit. | 0:40:55 | 0:40:57 | |
TV PLAYS | 0:40:57 | 0:41:00 | |
-Good sandwich, William. -Thank you. | 0:41:03 | 0:41:06 | |
I'm used to talking to all kind of people, and I get along with them. | 0:41:07 | 0:41:10 | |
People are happy in my cab, and I also know how to handle the ones that aren't so friendly. | 0:41:10 | 0:41:14 | |
It says here you speak French. | 0:41:14 | 0:41:16 | |
Oui, parfaitement. I speak French. | 0:41:16 | 0:41:17 | |
I speak English, as you can see. I speak Wolof. I speak Spanish. | 0:41:17 | 0:41:21 | |
I mean, I'm getting better. My wife is Mexican. | 0:41:21 | 0:41:23 | |
I also speak ten other African languages. I'm a very curious person. | 0:41:23 | 0:41:27 | |
I like to learn about people's culture, and I think that's very important for this job. | 0:41:27 | 0:41:32 | |
That's true. Sounds good. Let's go ahead and begin the examination. | 0:41:32 | 0:41:36 | |
-I'm ready. Let's do it. -OK. | 0:41:36 | 0:41:39 | |
William! William! | 0:41:48 | 0:41:51 | |
CAR HORN BLARES William! | 0:41:51 | 0:41:52 | |
Well? | 0:41:57 | 0:41:59 | |
I aced it, man! They're going to let me know in two days. | 0:41:59 | 0:42:02 | |
Get your jacket. Let's go! It's party time tonight, man! | 0:42:02 | 0:42:05 | |
Get your jacket! HE WHOOPS | 0:42:05 | 0:42:07 | |
UPBEAT MUSIC PLAYS # Africa! | 0:42:09 | 0:42:11 | |
# Long waiting | 0:42:11 | 0:42:14 | |
# By the scattered children... # | 0:42:14 | 0:42:17 | |
-Do you like this music right here? -Yeah, it's OK. | 0:42:20 | 0:42:22 | |
I grew up in the rock'n'roll era. | 0:42:22 | 0:42:25 | |
It's the same, man. You know, this is reggae, rock'n'roll. | 0:42:25 | 0:42:28 | |
It's the same music. But I got you. You want some rock'n'roll? | 0:42:28 | 0:42:31 | |
If you can find it, yeah. | 0:42:31 | 0:42:33 | |
Here we go. Sure. | 0:42:33 | 0:42:35 | |
I like a little country now and then. | 0:42:36 | 0:42:38 | |
All right, no problem. | 0:42:38 | 0:42:39 | |
There we go, big dawg. | 0:42:39 | 0:42:42 | |
COUNTRY MUSIC PLAYS | 0:42:42 | 0:42:43 | |
I don't know much about this kind of music, but it sounds good to me, too. | 0:42:43 | 0:42:47 | |
Well then, you've probably never heard of Hank Williams. | 0:42:47 | 0:42:50 | |
-Hank Williams? -Yeah. -No, not really. | 0:42:50 | 0:42:53 | |
-Not really. Who is that? -The greatest country writer there ever was. | 0:42:53 | 0:42:57 | |
Oh, wow. OK. All right. | 0:42:57 | 0:42:59 | |
I'll check him out. I'll check him out. | 0:42:59 | 0:43:01 | |
Vargrave's that way. | 0:43:14 | 0:43:16 | |
Oh. Oh, damn, big dawg. Know what? | 0:43:16 | 0:43:18 | |
Let me make a U-turn up there. | 0:43:18 | 0:43:20 | |
Good looking out, big dawg. | 0:43:20 | 0:43:22 | |
Good looking out. | 0:43:22 | 0:43:25 | |
See if you can hit something. | 0:43:25 | 0:43:26 | |
Not with your hand, man. | 0:43:26 | 0:43:29 | |
-Not with your hand, with the stick. -All right. | 0:43:29 | 0:43:32 | |
-Let's see that. -William, another one for you. -Thank you. | 0:43:32 | 0:43:35 | |
-All right. -Thanks, girl. | 0:43:35 | 0:43:38 | |
-You know, your ex, she's got a really nice ass. -Yo, big dawg! | 0:43:39 | 0:43:43 | |
-Oh, my, my. -Come on, Roc! | 0:43:45 | 0:43:47 | |
Yo, William, what you got? | 0:43:47 | 0:43:49 | |
It's all that shit he's been smoking. He can't even see the ball. | 0:43:49 | 0:43:52 | |
Oh, big dawg! | 0:43:52 | 0:43:55 | |
-I believe I scored. -Give me five, give me five! | 0:43:55 | 0:43:58 | |
-That's what I'm talking about, man! -Yo, man, here's your money. | 0:43:58 | 0:44:01 | |
REGGAE MUSIC PLAYS | 0:44:01 | 0:44:03 | |
Yo, William, man. I know this place. You want to go? You want another round? | 0:44:06 | 0:44:10 | |
-Might as well. -All right! | 0:44:10 | 0:44:12 | |
That's what I'm talking about! That place, the music is dope. | 0:44:12 | 0:44:15 | |
And they have girls with big booties, man! | 0:44:15 | 0:44:19 | |
You like the big booties, don't you? | 0:44:19 | 0:44:21 | |
Whoo! | 0:44:21 | 0:44:23 | |
-And that... -They're light. | 0:44:47 | 0:44:48 | |
Uh, yeah. | 0:44:48 | 0:44:50 | |
I can't believe what they do now, man. | 0:44:50 | 0:44:52 | |
MOBILE PHONE RINGS That's just crazy. | 0:44:52 | 0:44:54 | |
I need to get one of those myself. You know what I'm saying? | 0:44:54 | 0:44:56 | |
Tired of those. ..Hello? Hey, William? | 0:44:56 | 0:44:59 | |
William, it's you? | 0:44:59 | 0:45:01 | |
Yeah, I have my taxi. To the bank? | 0:45:01 | 0:45:03 | |
Yeah. No problem. I got you, all right? | 0:45:03 | 0:45:06 | |
-Yo! -What's up? -Can you take me somewhere, man? | 0:45:06 | 0:45:08 | |
-I got to go pick up a friend. And after that, you can drop me at Willard. -I got a trip now. | 0:45:08 | 0:45:12 | |
Yo, come on, man. Don't worry. I got your back. | 0:45:12 | 0:45:14 | |
All right, I'll take you, man. | 0:45:14 | 0:45:16 | |
See you guys! | 0:45:16 | 0:45:18 | |
-Here we are, gentlemen. -No, William. We'll wait for you. | 0:45:31 | 0:45:33 | |
-Seven dollars. -It's fine. -We'll wait for you. | 0:45:33 | 0:45:36 | |
-You're not going to be long. -I'm closing my accounts. | 0:45:36 | 0:45:39 | |
Thank you very much. | 0:45:39 | 0:45:40 | |
William, what do you mean you're closing your accounts? | 0:45:40 | 0:45:44 | |
William? | 0:45:44 | 0:45:45 | |
So, we going back to Willard? | 0:45:48 | 0:45:49 | |
We will wait for you. I have to take a nap, anyway. | 0:45:55 | 0:45:57 | |
-I got stuff to do afterwards. -That's great! Wait for me. I'll be back. | 0:45:57 | 0:46:00 | |
I'll go get my cab. | 0:46:00 | 0:46:02 | |
Wait for me here, OK? | 0:46:02 | 0:46:04 | |
I don't know what's going on here, but I got someone waiting on me. | 0:46:16 | 0:46:19 | |
Do you want me to take you back to Willard or not? | 0:46:19 | 0:46:21 | |
Come on, Souleymane. | 0:46:21 | 0:46:23 | |
Yo, let's go, man. Let's go. | 0:46:23 | 0:46:25 | |
Yo, Solo! | 0:47:04 | 0:47:07 | |
Yo! | 0:47:07 | 0:47:08 | |
Solo, you left your jacket in Oz's cab last night. | 0:47:19 | 0:47:23 | |
Oh. That's William's. Thank you. | 0:47:23 | 0:47:26 | |
Yes, sir. Thank you. | 0:47:26 | 0:47:28 | |
TAXI RADIO CRACKLES | 0:47:51 | 0:47:53 | |
William? | 0:48:01 | 0:48:02 | |
William, are you there? | 0:48:08 | 0:48:09 | |
DOOR CREAKS GENTLY | 0:50:30 | 0:50:32 | |
William? | 0:51:23 | 0:51:24 | |
William, are you awake? | 0:51:27 | 0:51:29 | |
No. | 0:51:31 | 0:51:34 | |
What's wrong? Please tell me what's wrong with you. | 0:51:34 | 0:51:37 | |
I can't do this any more. | 0:51:37 | 0:51:40 | |
-I know you don't want me to say that, but why do you... -It's late. I'm sleeping. | 0:51:40 | 0:51:44 | |
I'm sorry, I went through your stuff and I took your pills to the pharmacy. | 0:51:48 | 0:51:52 | |
There's nothing wrong with you. It's only vitamins. | 0:51:52 | 0:51:55 | |
I didn't want to, but I had to. | 0:51:55 | 0:51:57 | |
Things are good, and you still want to go and close your account. | 0:51:57 | 0:52:00 | |
Why do you want to do this? | 0:52:00 | 0:52:02 | |
I went to the cinema tonight. | 0:52:07 | 0:52:09 | |
The boy was there. | 0:52:10 | 0:52:13 | |
William, I saw his photo in your jacket. You left it in the taxi. | 0:52:13 | 0:52:17 | |
Who is he? | 0:52:17 | 0:52:20 | |
You told me you had no kids. Why are you lying to me? | 0:52:20 | 0:52:23 | |
I'm telling you everything. | 0:52:23 | 0:52:25 | |
Is he your grandson? | 0:52:26 | 0:52:28 | |
William? | 0:52:36 | 0:52:39 | |
William, I want to help you. | 0:52:39 | 0:52:41 | |
Did you talk to him? | 0:52:41 | 0:52:44 | |
William, please. | 0:52:44 | 0:52:46 | |
Did you fucking talk to him? | 0:52:49 | 0:52:51 | |
No. But he doesn't know who you are, does he? Why don't you tell him? | 0:52:51 | 0:52:55 | |
I want you to get your shit and get the fuck out of here. | 0:52:55 | 0:52:58 | |
William, why are you speaking this way? | 0:52:58 | 0:53:00 | |
-William! -Get the fuck out! | 0:53:03 | 0:53:05 | |
We're friend now, and you want to leave me and him, the boy? | 0:53:05 | 0:53:08 | |
Who the fuck told you you could get into my life? | 0:53:08 | 0:53:10 | |
-Who the fuck do you think you are that you can touch anything that belongs to me? -I got to tell him. | 0:53:10 | 0:53:14 | |
I got to bring him here so you're not going to do this. | 0:53:14 | 0:53:17 | |
You're not going to tell him a damn thing. You understand me? | 0:53:19 | 0:53:22 | |
I told you from day one, stay the fuck out of my life! | 0:53:22 | 0:53:26 | |
I put the photo back. | 0:53:31 | 0:53:32 | |
William, please, don't leave. | 0:53:46 | 0:53:50 | |
I want you to stay. | 0:53:50 | 0:53:51 | |
Alex wants you to stay, and the boy wants you to stay, if you tell him. | 0:53:51 | 0:53:55 | |
-I got to get some ice. -No, I'll get it for you. | 0:53:59 | 0:54:01 | |
Sit down and shut up! Sit down! | 0:54:01 | 0:54:03 | |
I want you to get your things, leave, and don't come back. | 0:54:05 | 0:54:09 | |
-But, William... -No! Our deal for the 20th is off. | 0:54:09 | 0:54:12 | |
You're no longer my driver. | 0:54:12 | 0:54:14 | |
CAR HORN BEEPS | 0:54:41 | 0:54:43 | |
Shit. Fucker! Slow down, man. | 0:55:07 | 0:55:11 | |
WOMAN LAUGHS | 0:55:12 | 0:55:14 | |
MOBILE PHONE RINGS | 0:55:23 | 0:55:25 | |
Bonjour, Bijou. | 0:55:54 | 0:55:55 | |
-Ca va? -Mom saw the letter. | 0:55:55 | 0:55:57 | |
She doesn't want you to come in. | 0:55:57 | 0:55:59 | |
-Did she open it? -No. What happened to your eye? | 0:56:00 | 0:56:03 | |
Oh, I just fell. | 0:56:03 | 0:56:05 | |
It doesn't look like you fell. Did someone hit you? | 0:56:05 | 0:56:08 | |
-I miss you, Alex. -I do, too. | 0:56:10 | 0:56:11 | |
-I need to start going. -Wait, wait. You don't want to know? | 0:56:11 | 0:56:14 | |
Yeah, you can just text me! Good luck! | 0:56:14 | 0:56:16 | |
Bye, Alex. | 0:56:16 | 0:56:18 | |
TELEPHONE RINGS | 0:56:43 | 0:56:45 | |
Hi, William. It's me, Solo. | 0:56:51 | 0:56:53 | |
I wanted to tell you I got the result of my interview. | 0:56:55 | 0:56:59 | |
William, I failed. | 0:56:59 | 0:57:00 | |
I thought you'd want to know. | 0:57:02 | 0:57:05 | |
Yeah, you were clear, but I thought you'd want... | 0:57:05 | 0:57:08 | |
Yeah, but... | 0:57:08 | 0:57:09 | |
ENGINE TURNS OVER | 0:57:20 | 0:57:23 | |
'Come in, Cab 75. | 0:57:25 | 0:57:27 | |
'75. | 0:57:27 | 0:57:29 | |
MOBILE PHONE RINGS | 0:57:30 | 0:57:32 | |
'75, get 941. | 0:57:33 | 0:57:36 | |
'941J Holland Avenue.' | 0:57:36 | 0:57:40 | |
Yo, Alex, what are you doing up so late? What? | 0:57:40 | 0:57:43 | |
Right now? I'm going to be there! | 0:57:43 | 0:57:45 | |
I'll be there right now! Yo, Pork Chop. | 0:57:45 | 0:57:47 | |
Please, give me the keys for 64. | 0:57:47 | 0:57:49 | |
-What's wrong, Solo? -Yo, girl, I got to go! | 0:57:49 | 0:57:51 | |
-Please give me the keys, girl! -I can't do it. | 0:57:51 | 0:57:53 | |
No, I'm not going to do it. You need to calm down. | 0:57:53 | 0:57:56 | |
-I'm sorry. -Don't be running up in here, acting like that. | 0:57:56 | 0:57:59 | |
-I'm sorry. -I told you you couldn't get the keys. | 0:57:59 | 0:58:01 | |
Hurry up, Solo. Where were you? | 0:58:06 | 0:58:08 | |
-Hurry up! -How is she? | 0:58:08 | 0:58:11 | |
-She's fine. It's a boy. -It's a boy? -Yes. | 0:58:11 | 0:58:13 | |
Oh, my God. Where is she? | 0:58:13 | 0:58:14 | |
-She's over there, but I need to check in. -Over there? | 0:58:14 | 0:58:17 | |
-This is my stepdad. -Let's go. Is this Quiera Diop? Quiera Diop. -Yes, that hallway. -OK. | 0:58:17 | 0:58:22 | |
Wow, how's the baby? How's the baby? | 0:58:22 | 0:58:23 | |
Mm-hm. Bonne arrive. | 0:58:29 | 0:58:32 | |
-Quiera, you all right? -I told you a hundred times we are both fine. | 0:58:43 | 0:58:47 | |
SHE SPEAKS IN SPANISH | 0:58:47 | 0:58:49 | |
I like that you speak Spanish to him. | 0:58:50 | 0:58:53 | |
-He's going to grow up speaking four languages. -And how is he supposed to learn French and Wolof? Tell me. | 0:58:53 | 0:58:59 | |
I just don't understand. | 0:58:59 | 0:59:01 | |
I saw how happy you were holding the baby in your hands just now. | 0:59:01 | 0:59:05 | |
You know we love you. | 0:59:05 | 0:59:06 | |
And you know that we want what's best for you. | 0:59:06 | 0:59:09 | |
And I know you love us. | 0:59:09 | 0:59:11 | |
You can't leave. | 0:59:11 | 0:59:13 | |
BABY GURGLES | 0:59:17 | 0:59:19 | |
Ca va? | 0:59:20 | 0:59:22 | |
Solo, you have to trust me. | 0:59:24 | 0:59:26 | |
I wish you could trust me, too. And that's the problem. | 0:59:26 | 0:59:29 | |
Quiera, you know I love you, and I'd do anything for the family. | 0:59:29 | 0:59:32 | |
But I've always tried things your way, and you never gave my way a chance. | 0:59:32 | 0:59:37 | |
And I wish you can understand that. | 0:59:37 | 0:59:39 | |
I'm going to come back. I'm going to call you to see if you need anything else before I come. | 0:59:40 | 0:59:44 | |
Have a good night. | 0:59:46 | 0:59:48 | |
Hey, can I help you? | 1:00:54 | 1:00:57 | |
Sir? | 1:00:57 | 1:01:00 | |
-Hi. -Hey. | 1:01:00 | 1:01:01 | |
-You work here, right? -Excuse me? | 1:01:06 | 1:01:09 | |
-You work at night. -Sometimes. | 1:01:09 | 1:01:11 | |
Would you like to see a movie? | 1:01:11 | 1:01:13 | |
Sir? | 1:01:16 | 1:01:18 | |
Do you know this old man called William? | 1:01:18 | 1:01:20 | |
Excuse me, who are you talking about? | 1:01:20 | 1:01:23 | |
We have some screenings in an hour. Would you like a ticket? | 1:01:23 | 1:01:26 | |
Sir? | 1:01:28 | 1:01:30 | |
-Sir? -Sorry. | 1:01:30 | 1:01:32 | |
Forget about it. Sorry about that. | 1:01:32 | 1:01:34 | |
OK. | 1:01:34 | 1:01:36 | |
Six-four, six-four. | 1:02:01 | 1:02:03 | |
-RADIO: -'Come on, Cab 64.' | 1:02:03 | 1:02:05 | |
Pork Chop, who's been to the King's Inn Motel since yesterday? | 1:02:05 | 1:02:08 | |
-'Come on now, 64.' -No, really, girl. You got to help me out here. | 1:02:08 | 1:02:12 | |
'34 picked that trip up. | 1:02:12 | 1:02:14 | |
'Mamadou. A half an hour ago.' | 1:02:14 | 1:02:16 | |
Mamadou? And where is he at? | 1:02:16 | 1:02:19 | |
'Around the Baptist area.' | 1:02:19 | 1:02:22 | |
All right, six-four out. | 1:02:22 | 1:02:24 | |
Three-four, three-four, this is six-four. | 1:02:28 | 1:02:32 | |
Three-four, six-four. | 1:02:32 | 1:02:34 | |
Mamadou, this is Solo. | 1:02:35 | 1:02:37 | |
Three-four, three-four, this is six-four. | 1:02:40 | 1:02:44 | |
Three-four, three-four, this is six-four. | 1:02:44 | 1:02:48 | |
Three-four, three-four, six-four. | 1:02:50 | 1:02:53 | |
Yo, three-four, Mamadou. | 1:03:07 | 1:03:09 | |
This is Solo, six-four. | 1:03:09 | 1:03:12 | |
CAR HORN BEEPS | 1:03:12 | 1:03:14 | |
Yo, Mamadou! Pull over, pull over! | 1:03:25 | 1:03:27 | |
Mamadou, unroll your window. | 1:03:27 | 1:03:29 | |
-What do you want? -I want to ask you something. | 1:03:30 | 1:03:33 | |
-Pull over right here. -I can't do it. | 1:03:33 | 1:03:35 | |
I got customers in my car. | 1:03:35 | 1:03:37 | |
I got to talk to you. Mamadou, I got to talk to you. | 1:03:37 | 1:03:40 | |
All right, fine, follow me. | 1:03:40 | 1:03:42 | |
Hey, man, what's going on? I got a trip. | 1:04:00 | 1:04:02 | |
I want to ask you something real quick. | 1:04:02 | 1:04:04 | |
Did you pick up an old man 30 minutes ago at the King's Inn Motel? | 1:04:04 | 1:04:07 | |
-Yeah. So what? -Did he offer you a trip for tomorrow morning? -No. | 1:04:07 | 1:04:10 | |
-Why are you lying? -What the fuck is going on? | 1:04:10 | 1:04:13 | |
Whatever deal you guys have is cancelled. | 1:04:13 | 1:04:14 | |
-The deal is not fucking cancelled. -The deal is cancelled. -The man paid me 200 deposit. | 1:04:14 | 1:04:19 | |
-I don't give a shit about his 200. And you're a fucking liar. -Are you calling me a fucking liar? | 1:04:19 | 1:04:23 | |
-I'm talking to you, man. -Don't fucking grab me! -I'm talking to you. | 1:04:23 | 1:04:27 | |
Hey, come on, you guys. | 1:04:28 | 1:04:30 | |
Mamadou, I don't care about the money. | 1:04:32 | 1:04:34 | |
-But you're going to tell me where you dropped him. -Fuck you, man! | 1:04:34 | 1:04:37 | |
Mamadou, you're going to tell me where you dropped him. | 1:04:37 | 1:04:40 | |
Easy. Come on, chill out, man. | 1:04:40 | 1:04:42 | |
-Mamadou, where did you drop him? -Hold on. Hold it, man. | 1:04:42 | 1:04:45 | |
What do you want? | 1:05:23 | 1:05:25 | |
I'm here to take you where you want to go. | 1:05:25 | 1:05:27 | |
Where's my driver? I didn't ask for you. | 1:05:27 | 1:05:29 | |
William, I'm here to take you wherever you want to go. | 1:05:29 | 1:05:32 | |
Where to? | 1:05:37 | 1:05:38 | |
The motel. | 1:05:40 | 1:05:42 | |
William, I saw the other driver, and he cancelled the trip with you. | 1:06:01 | 1:06:04 | |
I'll take you tomorrow morning. | 1:06:04 | 1:06:06 | |
That was our deal. | 1:06:06 | 1:06:08 | |
What time should I pick you up? | 1:06:16 | 1:06:18 | |
8am. | 1:06:29 | 1:06:31 | |
William! | 1:08:49 | 1:08:50 | |
-Good morning. -Morning. | 1:08:52 | 1:08:55 | |
-Thank you. -You want to wash up? | 1:08:55 | 1:08:58 | |
Then we'll be leaving. | 1:08:58 | 1:09:00 | |
"I made a joke about how bad a film was, | 1:10:14 | 1:10:19 | |
"and when he laughed, his lip twitched. | 1:10:19 | 1:10:23 | |
"He looked just like his mother." | 1:10:23 | 1:10:26 | |
"He's studying hard. | 1:10:48 | 1:10:50 | |
"I'm trying to help him the best I can. | 1:10:50 | 1:10:53 | |
"I think he will pass." | 1:10:53 | 1:10:55 | |
"I don't think Solo knows that Alex fixed the curtains. | 1:11:24 | 1:11:29 | |
"She is so smart. | 1:11:29 | 1:11:31 | |
"I wonder who she will become." | 1:11:31 | 1:11:34 | |
Isn't that nice? See? Almost new. You like that? | 1:12:19 | 1:12:22 | |
It's very nice. | 1:12:27 | 1:12:29 | |
Thank you. | 1:12:29 | 1:12:31 | |
William, I have a favour. | 1:12:45 | 1:12:47 | |
-I want Alex to come with us. -No! | 1:12:47 | 1:12:50 | |
William, I just can't come back alone. | 1:12:52 | 1:12:54 | |
I can't believe you're saying that. No. | 1:12:54 | 1:12:56 | |
I need Alex with me. | 1:12:58 | 1:13:00 | |
Please allow me that. | 1:13:01 | 1:13:03 | |
-Hi, William. Hi, Solo. -Hi, Alex. You ready? | 1:13:24 | 1:13:28 | |
Come on, hurry up. | 1:15:38 | 1:15:40 | |
Hurry up, slowpokes! | 1:15:42 | 1:15:44 | |
Blowing Rock's this way. Come on. | 1:16:08 | 1:16:10 | |
Hey, Alex, don't you want some ice cream? | 1:16:10 | 1:16:12 | |
-No, I want to go to Blowing Rock. -We will, but let's get some ice cream first. They have cookies and cream. | 1:16:12 | 1:16:16 | |
-They do? -Yeah. -Wow! Come on, William. What are you going to get? | 1:16:16 | 1:16:20 | |
Alex, William has to go meet a friend. He'll be late. | 1:16:20 | 1:16:22 | |
-So let's go, and we'll meet him later. -Are you sure? | 1:16:22 | 1:16:25 | |
-Yes. -OK. Bye, William. | 1:16:26 | 1:16:29 | |
Bye, Alex. | 1:16:29 | 1:16:31 | |
-Hurry up, Solo! -> | 1:16:52 | 1:16:54 | |
-Solo, come on. -> | 1:16:58 | 1:16:59 | |
Come on. | 1:17:09 | 1:17:10 | |
Isn't this place so pretty? | 1:17:11 | 1:17:14 | |
I'm going to get two scoops of ice cream. | 1:17:17 | 1:17:19 | |
Pretty cool, huh? | 1:18:51 | 1:18:53 | |
-Do you know, if you throw a stick off Blowing Rock, it comes right back to you? -For real? | 1:18:58 | 1:19:02 | |
-Yeah. -Oh, cool! Come on, let's go. | 1:19:02 | 1:19:04 | |
-We'll go later. -No, come on! | 1:19:04 | 1:19:06 | |
-Alex! -Come on. | 1:19:06 | 1:19:09 | |
Alex, wait. | 1:19:09 | 1:19:10 | |
Alex, wait. Alex, come back. | 1:19:10 | 1:19:14 | |
Hurry up, Solo. | 1:19:17 | 1:19:19 | |
Watch out, Alex. I don't want you to fall down. | 1:19:19 | 1:19:22 | |
Hurry up, Solo. There's Blowing Rock! | 1:19:27 | 1:19:29 | |
Hold on, hold on. Watch out. | 1:19:32 | 1:19:34 | |
-Watch out. -Hurry up! | 1:19:34 | 1:19:36 | |
Hurry up, Solo. | 1:19:42 | 1:19:44 | |
Look, Solo, look! | 1:19:49 | 1:19:50 | |
-No. -But I want to see! | 1:19:53 | 1:19:55 | |
You're going to fall. It's dangerous. | 1:19:55 | 1:19:57 | |
Then let me go get another stick. | 1:19:57 | 1:19:59 | |
Yeah, but be very careful, OK? | 1:19:59 | 1:20:01 | |
WIND HOWLS | 1:20:08 | 1:20:10 | |
WIND CONTINUES TO HOWL | 1:20:41 | 1:20:44 | |
Hey, Alex, be careful, be careful! | 1:21:22 | 1:21:24 | |
No, it's too dangerous. I don't want you to come here. It's too dangerous. | 1:21:24 | 1:21:28 | |
Then here, Solo, you throw it. | 1:21:28 | 1:21:30 | |
Is this your textbook? | 1:22:12 | 1:22:14 | |
Yes. | 1:22:14 | 1:22:16 | |
And are you going to try again? | 1:22:16 | 1:22:19 | |
I think so. | 1:22:19 | 1:22:21 | |
Let me give you a little quiz right here. | 1:22:21 | 1:22:24 | |
Let's see. What is XLV? | 1:22:26 | 1:22:29 | |
Aw, come on, Solo. I know you know it. | 1:22:31 | 1:22:34 | |
Extra Life Vest. | 1:22:34 | 1:22:36 | |
You see? You got it right. Bravo! | 1:22:36 | 1:22:39 | |
Let me find another one. | 1:22:39 | 1:22:41 | |
I'm sure you can get this one. | 1:22:43 | 1:22:44 | |
"In the event of a water evacuation, what are the six steps a flight attendant must take?" | 1:22:44 | 1:22:52 | |
Oh, come on, Solo, I know you. | 1:22:52 | 1:22:54 | |
You can get them. | 1:22:54 | 1:22:57 | |
One, form a barrier. | 1:22:57 | 1:22:59 | |
Two, check conditions and redirect when exits are blocked. | 1:23:00 | 1:23:05 | |
Three, open exits and inflate slides. | 1:23:05 | 1:23:10 | |
You're doing great right now. | 1:23:10 | 1:23:12 | |
Four, when opening a door exit to evacuate an aircraft, | 1:23:12 | 1:23:16 | |
rotate the handle in the direction of the arrow | 1:23:16 | 1:23:19 | |
and open the door forcefully enough that it locks against the side of the fuselage. | 1:23:19 | 1:23:24 | |
Subtitles by Red Bee Media Ltd | 1:24:15 | 1:24:18 | |
E-mail [email protected] | 1:24:18 | 1:24:21 |