Browse content similar to Gunga Din. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Now, in India's sunny clime, | 0:00:21 | 0:00:24 | |
where I used to spend my time, | 0:00:24 | 0:00:26 | |
a servant of Her Majesty the Queen, | 0:00:26 | 0:00:29 | |
of all them black-faced crew, | 0:00:29 | 0:00:31 | |
the finest man I knew | 0:00:31 | 0:00:34 | |
was our regimental bhisti. | 0:00:34 | 0:00:35 | |
SHOUTING IN HINDI | 0:02:39 | 0:02:41 | |
Detail... | 0:03:04 | 0:03:06 | |
halt! | 0:03:06 | 0:03:07 | |
Salaam. | 0:03:07 | 0:03:09 | |
HE SPEAKS HINDI | 0:03:12 | 0:03:14 | |
What was that all about? | 0:03:16 | 0:03:17 | |
They are pilgrims, sahib, | 0:03:17 | 0:03:19 | |
going home to the hills. | 0:03:19 | 0:03:20 | |
They beg to follow us for safety. | 0:03:20 | 0:03:23 | |
Tell them not to fall too far behind. | 0:03:25 | 0:03:27 | |
HE SPEAKS HINDI | 0:03:27 | 0:03:29 | |
HE SPEAKS HINDI | 0:03:30 | 0:03:32 | |
Detail, walk. March! | 0:03:32 | 0:03:34 | |
Well, Jadoo, the sun is going down. | 0:03:39 | 0:03:42 | |
Expect we'd better bivouac | 0:03:42 | 0:03:43 | |
at Elephant Rock, as usual. | 0:03:43 | 0:03:45 | |
Yes, Markham sahib. | 0:03:45 | 0:03:47 | |
HORSES WHINNY | 0:04:09 | 0:04:10 | |
I don't like it, Mitchell. | 0:04:30 | 0:04:32 | |
I don't like it. | 0:04:32 | 0:04:34 | |
Silence is unhealthy. | 0:04:34 | 0:04:35 | |
No word from Markham in 48 hours. | 0:04:35 | 0:04:37 | |
Blast it, an officer and his patrol | 0:04:37 | 0:04:39 | |
don't vanish into thin air. | 0:04:39 | 0:04:41 | |
Telegraph just got through, sir. | 0:04:41 | 0:04:43 | |
Good. | 0:04:43 | 0:04:44 | |
TELEGRAPH CLICKS | 0:05:00 | 0:05:01 | |
TELEGRAPH CLICKS | 0:05:03 | 0:05:04 | |
What have you got? | 0:05:09 | 0:05:11 | |
Wires apparently down for the last two days. | 0:05:11 | 0:05:14 | |
I thought it was something like that. | 0:05:14 | 0:05:16 | |
TELEGRAPH CLICKS | 0:05:16 | 0:05:17 | |
TELEGRAPH CLICKS | 0:05:27 | 0:05:29 | |
Emergency signal, sir. | 0:05:34 | 0:05:36 | |
CLICKING STOPS | 0:05:39 | 0:05:41 | |
Why doesn't he go on? | 0:05:41 | 0:05:43 | |
TELEGRAPH CLICKS | 0:05:44 | 0:05:45 | |
Wire's gone dead, sir. | 0:05:47 | 0:05:49 | |
I don't like this. | 0:05:49 | 0:05:51 | |
Can't have the wires down. | 0:06:17 | 0:06:20 | |
Things start too quickly up there. | 0:06:20 | 0:06:21 | |
Higginbotham. | 0:06:22 | 0:06:24 | |
Sir. | 0:06:25 | 0:06:26 | |
Find Sergeants McChesney, Cutter, and Ballantine. | 0:06:26 | 0:06:28 | |
Bring them here at once. | 0:06:28 | 0:06:30 | |
That's a bit difficult, | 0:06:30 | 0:06:31 | |
seeing as how they're all on leave together. | 0:06:31 | 0:06:33 | |
On some mysterious mission. | 0:06:33 | 0:06:35 | |
A mystery if they come back right side up. | 0:06:35 | 0:06:37 | |
Bring them here at once. | 0:06:37 | 0:06:39 | |
Sergeant McChesney! | 0:06:45 | 0:06:47 | |
What do you want? | 0:06:50 | 0:06:52 | |
Where's Sergeant Ballantine? | 0:06:52 | 0:06:53 | |
Here. | 0:06:55 | 0:06:57 | |
Where's Sergeant Cutter? | 0:06:57 | 0:06:58 | |
He's busy. | 0:07:02 | 0:07:04 | |
Buying a map for a buried treasure. | 0:07:11 | 0:07:14 | |
You ought to have your head examined. | 0:07:14 | 0:07:15 | |
I didn't know the map was a swindle. | 0:07:15 | 0:07:17 | |
Aw, you and your emeralds. | 0:07:17 | 0:07:18 | |
You ought to be put in a padded cell. | 0:07:18 | 0:07:21 | |
If we'd found them emeralds, | 0:07:24 | 0:07:25 | |
we could've lived like dukes, | 0:07:25 | 0:07:27 | |
see? | 0:07:27 | 0:07:28 | |
Ohh! | 0:07:32 | 0:07:34 | |
That's the fellow that sold me the map. | 0:07:37 | 0:07:39 | |
Oh. | 0:07:39 | 0:07:40 | |
Let me take care of him, will you? | 0:07:40 | 0:07:43 | |
Hey! Take your hands off that man. | 0:07:46 | 0:07:49 | |
Well...I'm waiting for an explanation. | 0:08:01 | 0:08:04 | |
Speak up, McChesney. | 0:08:04 | 0:08:06 | |
W-W-W-Well... | 0:08:06 | 0:08:08 | |
Speak up! | 0:08:08 | 0:08:09 | |
W-W-W-W... | 0:08:09 | 0:08:10 | |
W-W... | 0:08:12 | 0:08:13 | |
We were swindled, sir. | 0:08:13 | 0:08:14 | |
We? We? | 0:08:18 | 0:08:20 | |
Who swindled you? | 0:08:20 | 0:08:21 | |
Well... | 0:08:21 | 0:08:22 | |
Well, we don't want to make any charges | 0:08:22 | 0:08:25 | |
until we have further proof. | 0:08:25 | 0:08:26 | |
Further proof? | 0:08:26 | 0:08:27 | |
You practically wrecked a village. | 0:08:27 | 0:08:29 | |
You surely didn't do that, McChesney, without proof. | 0:08:29 | 0:08:31 | |
Well, sir, we had our suspicions. | 0:08:31 | 0:08:34 | |
Suspicions of what? | 0:08:34 | 0:08:35 | |
Come on. I've no time | 0:08:35 | 0:08:37 | |
to wheedle the story out of you! | 0:08:37 | 0:08:38 | |
W-W-W... | 0:08:38 | 0:08:39 | |
Well, sir, we bought a map. | 0:08:41 | 0:08:44 | |
Go on. | 0:08:44 | 0:08:47 | |
From a private | 0:08:47 | 0:08:48 | |
in a certain Scottish regiment, sir. | 0:08:48 | 0:08:50 | |
No. | 0:08:50 | 0:08:51 | |
No, no. I did it. | 0:08:51 | 0:08:53 | |
I bought the map meself, sir. | 0:08:53 | 0:08:56 | |
Now, listen. | 0:08:57 | 0:08:58 | |
Don't you try to shield your friends, Cutter. | 0:08:58 | 0:09:01 | |
It won't do you two any good | 0:09:02 | 0:09:04 | |
to hide yourselves behind Cutter's generosity. | 0:09:04 | 0:09:06 | |
Come on out with it. A map of what? | 0:09:06 | 0:09:08 | |
Well, of Lake Singali, sir. | 0:09:08 | 0:09:11 | |
And the privilege of diving into it | 0:09:11 | 0:09:13 | |
to our heart's content. | 0:09:13 | 0:09:15 | |
Diving for what? | 0:09:15 | 0:09:17 | |
Er... | 0:09:17 | 0:09:18 | |
For emeralds, sir. | 0:09:19 | 0:09:22 | |
A barge full, sir. | 0:09:22 | 0:09:23 | |
According to the information I bought, | 0:09:23 | 0:09:25 | |
it was sunk in the year 241. | 0:09:25 | 0:09:27 | |
I can hardly believe it. | 0:09:27 | 0:09:29 | |
Ballantine, a man of your intelligence... | 0:09:29 | 0:09:32 | |
McChesney, at your age... | 0:09:32 | 0:09:34 | |
They was the spoils of a maharajah, sir. | 0:09:35 | 0:09:38 | |
Thank you, Cutter. | 0:09:38 | 0:09:39 | |
That will be sufficient. | 0:09:39 | 0:09:41 | |
As for you two, | 0:09:42 | 0:09:43 | |
I ought to take away your stripes, | 0:09:43 | 0:09:45 | |
not only for insubordination | 0:09:45 | 0:09:46 | |
but for idiocy - | 0:09:46 | 0:09:48 | |
sheer, childish, soft-brained idiocy. | 0:09:48 | 0:09:51 | |
But fortunately for you, | 0:09:53 | 0:09:54 | |
I need all three of you at Tantrapur. | 0:09:54 | 0:09:57 | |
We're going on a job, sir? | 0:09:57 | 0:09:59 | |
Of the most vital importance. | 0:09:59 | 0:10:00 | |
You leave for Tantrapur | 0:10:00 | 0:10:01 | |
with a detachment in the morning | 0:10:01 | 0:10:03 | |
to repair the telegraph and keep it open. | 0:10:03 | 0:10:05 | |
Left turn! | 0:10:05 | 0:10:07 | |
Left wheel, quick march! | 0:10:07 | 0:10:08 | |
Left wheel! | 0:10:13 | 0:10:14 | |
Eyes forward! | 0:10:14 | 0:10:15 | |
Eyes forward! | 0:10:23 | 0:10:25 | |
Party, halt! | 0:12:15 | 0:12:16 | |
Sergeants, dismount! | 0:12:18 | 0:12:19 | |
Cold. | 0:12:57 | 0:12:58 | |
Stale. | 0:13:02 | 0:13:03 | |
I don't mind saying that the whole thing gives me the creeps! | 0:13:18 | 0:13:22 | |
Creeps or no creeps we've got to contact the Colonel. | 0:13:22 | 0:13:24 | |
We can't until we get them poles up | 0:13:24 | 0:13:26 | |
and this wire strung. | 0:13:26 | 0:13:27 | |
Yeah. | 0:13:27 | 0:13:28 | |
Naik, detail 10 men for guard duty. | 0:13:28 | 0:13:30 | |
The remainder, pile arms and prepare for work. | 0:13:30 | 0:13:32 | |
HE SPEAKS HINDI | 0:13:32 | 0:13:36 | |
Halt! | 0:13:37 | 0:13:38 | |
HE SPEAKS HINDI | 0:13:39 | 0:13:44 | |
Gunga Din! | 0:13:52 | 0:13:54 | |
HE SPEAKS HINDI | 0:13:54 | 0:13:56 | |
Gunga Din! Gunga Din! | 0:13:56 | 0:13:57 | |
Water! | 0:13:57 | 0:13:59 | |
Gunga Din, bring water! | 0:13:59 | 0:14:00 | |
Bring water! | 0:14:00 | 0:14:02 | |
Gunga Din! Gunga Din! | 0:14:02 | 0:14:04 | |
Whoever's been playing tricks with this village | 0:14:17 | 0:14:19 | |
is blinking clever. | 0:14:19 | 0:14:20 | |
I couldn't find a trail | 0:14:20 | 0:14:22 | |
or a single footprint leading in or out. | 0:14:22 | 0:14:25 | |
HE SPEAKS HINDI | 0:15:38 | 0:15:40 | |
Ah, so the village isn't quite deserted, eh? | 0:15:50 | 0:15:54 | |
Salaam, sahib. | 0:15:55 | 0:15:56 | |
Who are you? | 0:15:56 | 0:15:58 | |
My name is Panda Lal. | 0:15:58 | 0:16:00 | |
I'm a miserable seller of trinkets. | 0:16:00 | 0:16:02 | |
Last night a band of Dacoits raided this village, | 0:16:02 | 0:16:06 | |
looted my shop, | 0:16:06 | 0:16:07 | |
and stole off with my poor wife and six children. | 0:16:07 | 0:16:11 | |
Well, the children are looking bonny. | 0:16:39 | 0:16:42 | |
Come out here. Everybody in the other room. | 0:16:45 | 0:16:47 | |
Come on, get up! On the double! | 0:16:47 | 0:16:50 | |
Get in there, you heard me. | 0:16:50 | 0:16:52 | |
Go on, get in there. | 0:16:52 | 0:16:54 | |
Quick! | 0:16:54 | 0:16:55 | |
That's right. | 0:16:56 | 0:16:57 | |
Go on. | 0:16:57 | 0:16:58 | |
That's better. | 0:16:59 | 0:17:01 | |
What's that? | 0:17:08 | 0:17:09 | |
Trinkets, sahib. | 0:17:10 | 0:17:11 | |
Only what I could save | 0:17:11 | 0:17:13 | |
from my pitiful stock. | 0:17:13 | 0:17:14 | |
Worth hardly a few annas. | 0:17:14 | 0:17:16 | |
Go on, open them up. | 0:17:16 | 0:17:18 | |
Go on! | 0:17:19 | 0:17:20 | |
Open them! | 0:17:20 | 0:17:21 | |
Who are these playful subjects here? | 0:18:10 | 0:18:13 | |
Who knows? But toad face seems to be leader. | 0:18:13 | 0:18:15 | |
Oh! Well, get them all out of here. | 0:18:15 | 0:18:18 | |
Come on, get out of here. | 0:18:18 | 0:18:19 | |
On your feet. Come on. | 0:18:19 | 0:18:21 | |
Hold them there. | 0:18:25 | 0:18:26 | |
Detail eight men for escort duty. Bring them here. | 0:18:26 | 0:18:29 | |
Listen, you. What became of Burgess sahib? | 0:18:31 | 0:18:35 | |
Come on, spit it out! | 0:18:35 | 0:18:36 | |
He can speak, but he won't. | 0:18:36 | 0:18:38 | |
HE SPEAKS HINDI | 0:18:38 | 0:18:40 | |
He doesn't know. | 0:18:42 | 0:18:44 | |
Here. | 0:18:44 | 0:18:45 | |
You never saw one of these before, did you? | 0:18:45 | 0:18:48 | |
It's for growing daisies, isn't it? | 0:18:48 | 0:18:51 | |
Or for planting lilies for people's graves. | 0:18:51 | 0:18:54 | |
What became of these people here, huh? | 0:18:57 | 0:19:00 | |
HE SPEAKS HINDI | 0:19:00 | 0:19:02 | |
He doesn't know. | 0:19:04 | 0:19:06 | |
Oh, that's good. | 0:19:06 | 0:19:07 | |
We'll take them with us | 0:19:07 | 0:19:09 | |
and let the Colonel put them through the mangle. | 0:19:09 | 0:19:12 | |
No. Will not go with the white sahib. | 0:19:12 | 0:19:14 | |
Kali! | 0:19:17 | 0:19:20 | |
Kali! | 0:19:22 | 0:19:24 | |
You will never leave here. | 0:19:26 | 0:19:28 | |
Already your graves are dug. | 0:19:28 | 0:19:30 | |
By nightfall, Kali will be smiling. | 0:19:30 | 0:19:33 | |
Kali. | 0:19:34 | 0:19:35 | |
CHANTING: Kali ma ki jai. | 0:19:35 | 0:19:37 | |
Kali! | 0:19:37 | 0:19:39 | |
CHANTING: Kali ma ki jai. | 0:19:39 | 0:19:43 | |
Kali! | 0:19:43 | 0:19:45 | |
CHANTING: Kali ma ki jai. | 0:19:45 | 0:19:49 | |
Kali! | 0:19:49 | 0:19:50 | |
Never mind the second chorus. Come on! | 0:19:50 | 0:19:52 | |
Kali! | 0:19:52 | 0:19:54 | |
Kali! | 0:19:55 | 0:19:56 | |
Party, form a square! | 0:20:05 | 0:20:06 | |
Under cover, everybody. Get in there! | 0:21:11 | 0:21:13 | |
Everybody in the courtyard! | 0:21:13 | 0:21:14 | |
Close the gates! | 0:21:19 | 0:21:20 | |
Climb the wall, everybody. Climb the wall. | 0:21:23 | 0:21:25 | |
Come on, men, on the roof. | 0:21:25 | 0:21:28 | |
Look out, Mac! | 0:21:50 | 0:21:51 | |
Come on, climb the wall! | 0:21:55 | 0:21:57 | |
Start firing. Ready? | 0:21:57 | 0:21:59 | |
GUNSHOTS | 0:21:59 | 0:22:00 | |
< Ready. Set. Fire! | 0:22:00 | 0:22:02 | |
GUNSHOTS | 0:22:02 | 0:22:03 | |
Here you are, Cutter! | 0:22:17 | 0:22:19 | |
Get in there! Come on! | 0:22:25 | 0:22:28 | |
Ballantine, come up! | 0:22:35 | 0:22:37 | |
Let's go! | 0:22:50 | 0:22:52 | |
Here's a present for you! | 0:23:06 | 0:23:07 | |
Start firing! | 0:23:16 | 0:23:18 | |
Bal, catch! | 0:23:19 | 0:23:21 | |
Come on, let's go. | 0:23:22 | 0:23:24 | |
Charge! | 0:23:26 | 0:23:28 | |
Everybody under cover! | 0:24:11 | 0:24:13 | |
Get behind the wall. Come on! | 0:24:44 | 0:24:46 | |
Hurry up! | 0:24:46 | 0:24:48 | |
Pani, Sergeant sahib? | 0:24:52 | 0:24:53 | |
No! | 0:24:53 | 0:24:54 | |
Hey, how did you get here? | 0:24:54 | 0:24:57 | |
You're a funny bloke, Din, | 0:24:57 | 0:24:59 | |
but I'll admit you're a good bhisti. | 0:24:59 | 0:25:01 | |
Could be first-class soldier. | 0:25:01 | 0:25:03 | |
Don't make me laugh. | 0:25:03 | 0:25:05 | |
Hey, get to the river! | 0:25:18 | 0:25:20 | |
Get to the river. | 0:25:20 | 0:25:21 | |
Sappers, over you go. | 0:25:38 | 0:25:40 | |
Over you go. | 0:25:40 | 0:25:41 | |
Over you go. | 0:25:41 | 0:25:42 | |
Give me that. | 0:25:42 | 0:25:44 | |
What's the matter, Bal? | 0:26:14 | 0:26:15 | |
You've been woolgathering since we crawled from the river. | 0:26:15 | 0:26:19 | |
Well, um, you know my time is up on May 14th. | 0:26:19 | 0:26:23 | |
Well, what of that? | 0:26:23 | 0:26:24 | |
You can sign on for another nine years. | 0:26:24 | 0:26:27 | |
Make a man of him. | 0:26:27 | 0:26:29 | |
Er... | 0:26:29 | 0:26:31 | |
I'm leaving the service. | 0:26:31 | 0:26:32 | |
Leaving the service? | 0:26:32 | 0:26:34 | |
That's right. I'm, er... | 0:26:34 | 0:26:35 | |
I'm getting married and going in the tea business. | 0:26:35 | 0:26:39 | |
Tea business! Married! | 0:26:39 | 0:26:41 | |
Why, you're mad if... | 0:26:41 | 0:26:42 | |
BAGPIPES PLAY: "Bonnie Dundee" | 0:26:42 | 0:26:44 | |
March to attention, everybody! | 0:26:44 | 0:26:45 | |
Let's march in in good style, men. | 0:26:45 | 0:26:48 | |
Left... | 0:26:48 | 0:26:49 | |
Fall in up there. | 0:26:49 | 0:26:51 | |
Left, right, left. | 0:26:51 | 0:26:52 | |
Tell the Sergeant to report at the office immediately. | 0:27:22 | 0:27:26 | |
Yes, sir. | 0:27:26 | 0:27:27 | |
Party, right wheel! | 0:27:32 | 0:27:34 | |
Halt! | 0:27:37 | 0:27:39 | |
Left face! | 0:27:39 | 0:27:40 | |
Sergeants to the front! | 0:27:43 | 0:27:44 | |
The wiring party's returned from Tantrapur. | 0:27:47 | 0:27:50 | |
Eight killed and three wounded. | 0:27:50 | 0:27:52 | |
Otherwise, all correct. | 0:27:52 | 0:27:53 | |
Dismiss your men and report at the office immediately. | 0:27:53 | 0:27:56 | |
Very good, sir. | 0:27:56 | 0:27:58 | |
Party, dismissed! | 0:28:00 | 0:28:02 | |
Identical, Mitchell. | 0:28:25 | 0:28:26 | |
Good heavens, a Thugg pickaxe! | 0:28:26 | 0:28:28 | |
It's incredible, | 0:28:30 | 0:28:31 | |
but that's what happened to Markham. | 0:28:31 | 0:28:33 | |
I'm afraid they've done away with Burgess, too. | 0:28:33 | 0:28:36 | |
There's been none of this for 50 years. | 0:28:36 | 0:28:39 | |
It's Thugg. That's what it is, Mitchell. | 0:28:39 | 0:28:41 | |
What's Thugg, sir? | 0:28:41 | 0:28:43 | |
A murder cult Colonel Sleeman crushed 50 years ago. | 0:28:43 | 0:28:46 | |
The Thugs were the most fiendish killers | 0:28:46 | 0:28:48 | |
that ever existed. | 0:28:48 | 0:28:50 | |
There were 10,000 in India, | 0:28:50 | 0:28:52 | |
and they murdered 30,000 people a year. | 0:28:52 | 0:28:54 | |
Thugg was practiced from the Himalayas to Ceylon. | 0:28:54 | 0:28:57 | |
A religious order worshipping Kali, goddess of blood. | 0:28:57 | 0:29:00 | |
The Thugs were stranglers, | 0:29:00 | 0:29:01 | |
weren't they, sir? | 0:29:01 | 0:29:03 | |
Stranglers. | 0:29:03 | 0:29:04 | |
They dug their victims' graves in advance. | 0:29:04 | 0:29:06 | |
Mitchell, we must stamp this out immediately! | 0:29:06 | 0:29:09 | |
The Lancers will scour the country west of Tantrapur. | 0:29:09 | 0:29:12 | |
You'll search to the east. | 0:29:12 | 0:29:14 | |
What do we do? | 0:29:14 | 0:29:16 | |
You're dismissed, Ballantine. | 0:29:16 | 0:29:17 | |
McChesney, you and Cutter | 0:29:17 | 0:29:19 | |
will leave tomorrow with a stronger... | 0:29:19 | 0:29:21 | |
Ballantine, you're dismissed. | 0:29:22 | 0:29:24 | |
McChesney, you and Cutter | 0:29:27 | 0:29:29 | |
will take a stronger detachment to Tantrapur to finish. | 0:29:29 | 0:29:31 | |
Major Mitchell and I will be in close touch on either flank. | 0:29:31 | 0:29:36 | |
Keep your eyes open for Thugs. | 0:29:36 | 0:29:38 | |
Well, er... Ballantine would be a great help, sir. | 0:29:42 | 0:29:45 | |
The three of us have always brought off things | 0:29:45 | 0:29:48 | |
very well together. | 0:29:48 | 0:29:50 | |
Why, yes, sir. He's indispensable, sir. | 0:29:50 | 0:29:53 | |
Ballantine's leaving the service in six days. | 0:29:53 | 0:29:55 | |
He's getting married. | 0:29:55 | 0:29:57 | |
Couldn't you put your foot down or something? | 0:29:58 | 0:30:01 | |
Forbid the banns? Something like that? | 0:30:01 | 0:30:04 | |
When the parson says, "speak now or forever hold your peace," | 0:30:04 | 0:30:08 | |
couldn't you give him a roar, sir? | 0:30:08 | 0:30:10 | |
Higginbotham will replace him. | 0:30:10 | 0:30:12 | |
Higginbotham? | 0:30:13 | 0:30:14 | |
Dismissed. | 0:30:15 | 0:30:16 | |
Tommy, I've got you back again. | 0:30:21 | 0:30:22 | |
I'm here to stay for ever and ever. | 0:30:22 | 0:30:25 | |
For ever. | 0:30:25 | 0:30:26 | |
Oh, that's horrible! | 0:30:31 | 0:30:33 | |
She's charmed him like a snake. | 0:30:34 | 0:30:37 | |
The siren. | 0:30:37 | 0:30:38 | |
I wouldn't believe this without seeing it. | 0:30:43 | 0:30:45 | |
Me, neither. | 0:30:45 | 0:30:46 | |
I knew it. | 0:30:52 | 0:30:53 | |
I can't stand it. | 0:30:54 | 0:30:56 | |
Me, too. | 0:30:57 | 0:30:59 | |
BUGLE PLAYS MEDLEY | 0:31:00 | 0:31:02 | |
Left! | 0:31:04 | 0:31:05 | |
Right! | 0:31:05 | 0:31:07 | |
Centre! | 0:31:07 | 0:31:08 | |
Point! | 0:31:09 | 0:31:11 | |
Recover! | 0:31:11 | 0:31:12 | |
Centre! | 0:31:12 | 0:31:14 | |
Point! | 0:31:14 | 0:31:15 | |
Recover! | 0:31:15 | 0:31:17 | |
As you were! | 0:31:17 | 0:31:18 | |
Company, attention! | 0:31:48 | 0:31:50 | |
Attention! | 0:31:53 | 0:31:54 | |
Right turn! | 0:31:56 | 0:31:57 | |
Two paces forward. March! | 0:32:00 | 0:32:02 | |
Head up, chin in. | 0:32:11 | 0:32:12 | |
Get those thumbs behind the seams of your trous... Oh! | 0:32:14 | 0:32:16 | |
Get them back, get them back. | 0:32:16 | 0:32:19 | |
Lower that left shoulder 1/8 of an inch. | 0:32:21 | 0:32:24 | |
That's much better. | 0:32:24 | 0:32:25 | |
Well, otherwise, you're looking very regimental, Din. | 0:32:28 | 0:32:31 | |
Thank you, Sergeant. | 0:32:33 | 0:32:34 | |
Thank you. | 0:32:34 | 0:32:35 | |
Was salute satisfactory? | 0:32:35 | 0:32:37 | |
That's the idea, only you want these fingers | 0:32:37 | 0:32:40 | |
to fan the eyebrows more like this. | 0:32:40 | 0:32:43 | |
The breeze from them fingers | 0:32:44 | 0:32:45 | |
ought to almost blow this eyebrow off. | 0:32:45 | 0:32:48 | |
Now, try it again. | 0:32:48 | 0:32:49 | |
Very good, indeed. | 0:32:51 | 0:32:53 | |
That one almost blew your turban off, didn't it? | 0:32:53 | 0:32:55 | |
Very regimental, Din. | 0:32:55 | 0:32:56 | |
Keep them at it, Sabodar sahib. | 0:32:59 | 0:33:01 | |
They may need it. | 0:33:01 | 0:33:03 | |
Atcha, Colonel sahib. | 0:33:03 | 0:33:04 | |
Tell the Sabodar to drill the men till sundown. | 0:33:06 | 0:33:10 | |
Where did you get the bugle, Din? | 0:33:16 | 0:33:18 | |
Please, sahib, I find when nobody looking. | 0:33:18 | 0:33:22 | |
Now, don't you know that's very naughty? | 0:33:22 | 0:33:25 | |
Please, sahib, don't take away. | 0:33:26 | 0:33:28 | |
Bugle only pleasure for poor bhisti. | 0:33:28 | 0:33:31 | |
Thank you, sahib. Thank you. | 0:33:41 | 0:33:44 | |
Sahib care to hear new call? | 0:33:44 | 0:33:46 | |
Not now, not now. | 0:33:46 | 0:33:48 | |
Now, er, very regimental, Din. | 0:33:53 | 0:33:55 | |
Company, attention! | 0:33:56 | 0:33:57 | |
Company, dismissed! | 0:33:59 | 0:34:00 | |
Let me see your tongue, Annie. | 0:34:14 | 0:34:16 | |
I'd like to try it Sergeant sahib. | 0:34:41 | 0:34:44 | |
Very old Indian remedy. | 0:34:44 | 0:34:46 | |
All right, go ahead. | 0:34:53 | 0:34:56 | |
But be careful now. | 0:34:56 | 0:34:57 | |
If anything happens to her, I'll... | 0:34:57 | 0:35:00 | |
Understand? | 0:35:01 | 0:35:02 | |
Cry my eyes out. | 0:35:02 | 0:35:04 | |
No, no, sahib! | 0:35:07 | 0:35:09 | |
Very little bit goes very long way. | 0:35:09 | 0:35:12 | |
Gulp it down. | 0:35:19 | 0:35:21 | |
Quick, quick. | 0:35:21 | 0:35:22 | |
Then you won't taste it. | 0:35:22 | 0:35:24 | |
You want your daddy to give it to you, don't you? | 0:35:25 | 0:35:29 | |
Daddy will give you the medicine. | 0:35:29 | 0:35:32 | |
THE ELEPHANT TRUMPETS | 0:35:32 | 0:35:34 | |
There! Be a nice girl, now. | 0:35:34 | 0:35:37 | |
You'll never be strong and big like Daddy. | 0:35:37 | 0:35:40 | |
If Daddy took a spoonful first, | 0:35:40 | 0:35:42 | |
Baby might do a patty-cake. | 0:35:42 | 0:35:44 | |
Oh, this is delicious! | 0:35:48 | 0:35:51 | |
Oh, yum, yum, yum, yum, yum, | 0:35:51 | 0:35:53 | |
yum, yum, yum, yum. | 0:35:53 | 0:35:54 | |
Oh, this is... | 0:35:54 | 0:35:56 | |
mmm! | 0:35:56 | 0:35:57 | |
All for a nice little elephant girl. | 0:35:57 | 0:36:00 | |
Oh, this is lovely, lovely, lovely. | 0:36:00 | 0:36:03 | |
You ain't so stupid as you look. | 0:36:14 | 0:36:17 | |
Oh! | 0:36:25 | 0:36:27 | |
Oh, that's better. | 0:36:34 | 0:36:37 | |
Annie, don't ever worry me like that again. | 0:36:37 | 0:36:39 | |
Oh, there you are, you two. | 0:36:40 | 0:36:43 | |
I've got letters for both of you. | 0:36:43 | 0:36:45 | |
Sergeant McChesney, | 0:36:45 | 0:36:47 | |
and, er, Sergeant Archibald Cutter. | 0:36:47 | 0:36:49 | |
Look what it says here. Tsk, tsk, tsk. | 0:36:52 | 0:36:55 | |
"Miss Emmaline Stebbins requests the pleasure | 0:36:55 | 0:36:57 | |
"of Sergeant Archibald Cutter's company | 0:36:57 | 0:36:59 | |
"at a - what's that - betrothal dance | 0:36:59 | 0:37:03 | |
"preceding her marriage to Sergeant Thomas Ballantine. | 0:37:03 | 0:37:06 | |
8.00pm Friday." | 0:37:06 | 0:37:08 | |
Hey, that's tonight! | 0:37:08 | 0:37:10 | |
A WALTZ PLAYS | 0:37:12 | 0:37:14 | |
I worried about you while you were away. | 0:37:41 | 0:37:44 | |
Perfectly awful things must have happened | 0:37:44 | 0:37:46 | |
at Tantrapur. | 0:37:46 | 0:37:48 | |
Well, it was rather touch and go there for a bit. | 0:37:48 | 0:37:52 | |
You haven't told me yet about it yourself. | 0:37:52 | 0:37:55 | |
No, I haven't, have I? | 0:37:55 | 0:37:57 | |
Well, I had to give my undivided attention | 0:37:57 | 0:38:01 | |
to the repairing of the wires. | 0:38:01 | 0:38:03 | |
Cutter and McChesney should have watched for the enemy, | 0:38:03 | 0:38:05 | |
but they were chasing butterflies or something. | 0:38:05 | 0:38:09 | |
We got to the river, | 0:38:09 | 0:38:11 | |
dived in, and escaped. | 0:38:11 | 0:38:12 | |
Oh, Tommy, you're so marvellous! | 0:38:12 | 0:38:15 | |
That's all there is to it, I suppose. | 0:38:19 | 0:38:21 | |
Oh, yes, on the last roof we almost lost McChesney. | 0:38:21 | 0:38:25 | |
His great elephant hoof crashed through and stuck. | 0:38:25 | 0:38:29 | |
How did you save him? | 0:38:29 | 0:38:31 | |
We sawed his leg off. | 0:38:31 | 0:38:32 | |
If you don't believe me, | 0:38:35 | 0:38:36 | |
look behind that shrub. | 0:38:36 | 0:38:37 | |
LIQUID GURGLES | 0:39:20 | 0:39:25 | |
Hey...save some for the elephant! | 0:39:33 | 0:39:38 | |
Destroy the evidence. | 0:39:48 | 0:39:50 | |
Stand guard, will you? | 0:39:50 | 0:39:52 | |
Yeah. | 0:39:52 | 0:39:53 | |
Ahem! | 0:40:06 | 0:40:07 | |
Never mind that, Sergeant. | 0:40:08 | 0:40:10 | |
Stand easy. | 0:40:10 | 0:40:11 | |
Good evening, Colonel. | 0:40:19 | 0:40:20 | |
Evening, Stebbins. | 0:40:20 | 0:40:21 | |
Good evening, Major. | 0:40:21 | 0:40:23 | |
How are you? | 0:40:23 | 0:40:24 | |
No formality. | 0:40:24 | 0:40:25 | |
We just dropped in to wish Emmy good luck. | 0:40:25 | 0:40:28 | |
That's very nice of you. | 0:40:28 | 0:40:30 | |
I'll bring Emmy to you, sir. | 0:40:30 | 0:40:32 | |
Looks like a jolly party, Sergeant. | 0:40:35 | 0:40:37 | |
Yes, sir. Very jolly, sir. | 0:40:37 | 0:40:40 | |
Is that a punch bowl you're shutting out? | 0:40:42 | 0:40:45 | |
Huh? | 0:40:45 | 0:40:46 | |
Is that punch? > | 0:40:46 | 0:40:47 | |
Some peoples calls it a punch, sir, | 0:40:52 | 0:40:54 | |
but I calls it swill, sir. | 0:40:54 | 0:40:57 | |
Nonsense. | 0:40:57 | 0:40:58 | |
Stebbins is famous for punch. | 0:40:58 | 0:40:59 | |
Have a spot. | 0:40:59 | 0:41:01 | |
Rather! | 0:41:01 | 0:41:02 | |
Excuse me, sir. | 0:41:06 | 0:41:07 | |
I wouldn't touch it if I was you, sir. | 0:41:07 | 0:41:11 | |
Too watery, sir. | 0:41:11 | 0:41:12 | |
It'll rot your stomach lining. | 0:41:12 | 0:41:14 | |
We'll be the judge of that. | 0:41:14 | 0:41:16 | |
Wait, sir. There's a fly. | 0:41:16 | 0:41:17 | |
I don't see a fly. | 0:41:17 | 0:41:19 | |
Neither do I. | 0:41:19 | 0:41:20 | |
There he goes. | 0:41:20 | 0:41:21 | |
He dove under the ice. | 0:41:21 | 0:41:23 | |
I'll get the little nipper in half a jiffy. | 0:41:23 | 0:41:27 | |
I got him. | 0:41:35 | 0:41:37 | |
Got him. | 0:41:38 | 0:41:39 | |
Hear him? | 0:41:44 | 0:41:45 | |
Hear him? Humming like a beehive. | 0:41:46 | 0:41:49 | |
He's gone. | 0:41:56 | 0:41:57 | |
Ain't that a shame? | 0:41:59 | 0:42:01 | |
There he goes. | 0:42:03 | 0:42:04 | |
Come along, Mitchell. We'll forget the punch. | 0:42:14 | 0:42:17 | |
Oh, Tommy, we have Sergeant Higginbotham to thank | 0:42:22 | 0:42:26 | |
for your being let out of the expedition. | 0:42:26 | 0:42:28 | |
That's right. | 0:42:28 | 0:42:29 | |
Colonel says I'm the only man sharp enough | 0:42:29 | 0:42:31 | |
to replace Sergeant Ballantine. | 0:42:31 | 0:42:33 | |
That's very flattering. | 0:42:33 | 0:42:34 | |
I'm only glad to be so some help in... | 0:42:34 | 0:42:37 | |
er, Cupid's service. | 0:42:37 | 0:42:40 | |
With Cutter and McChesney about, | 0:42:40 | 0:42:42 | |
you won't have one dull moment. | 0:42:42 | 0:42:44 | |
They don't like me. It's just as well. | 0:42:44 | 0:42:47 | |
The army's no place for sentiment. | 0:42:47 | 0:42:49 | |
Er, excuse me. | 0:42:51 | 0:42:53 | |
I've got a pebble in me left boot. | 0:42:53 | 0:42:56 | |
Hello, Higginbotham. | 0:42:57 | 0:42:58 | |
Hello. | 0:42:58 | 0:43:00 | |
How would you like to come with me? | 0:43:00 | 0:43:03 | |
What? | 0:43:03 | 0:43:04 | |
I'd like to discuss a few military theories. | 0:43:04 | 0:43:06 | |
Well, I'd like to have a little chat, | 0:43:06 | 0:43:08 | |
get to know each other better. | 0:43:08 | 0:43:11 | |
How about a bit of a drink, Bert? | 0:43:11 | 0:43:13 | |
Thanks, Cutter. | 0:43:13 | 0:43:15 | |
Where's Ballantine? | 0:43:16 | 0:43:18 | |
Never mind that civilian. | 0:43:18 | 0:43:19 | |
Here's Bertie Higginbotham, his replacement. | 0:43:19 | 0:43:22 | |
Mac, Bert's got a thirst like a Derby winner, | 0:43:25 | 0:43:29 | |
haven't you, Bert? | 0:43:29 | 0:43:30 | |
We can look after that. | 0:43:30 | 0:43:32 | |
Take a plunge into this punch. | 0:43:32 | 0:43:34 | |
Punch? That stuff's for drummer boys | 0:43:34 | 0:43:37 | |
and old ladies. | 0:43:37 | 0:43:38 | |
Not that stuff. | 0:43:38 | 0:43:40 | |
That would knock a horse down. | 0:43:40 | 0:43:41 | |
Swill that down, | 0:43:41 | 0:43:43 | |
and you'll think all the Thugs in India | 0:43:43 | 0:43:46 | |
is a bunch of missionaries. | 0:43:46 | 0:43:48 | |
That's right, Bert. | 0:43:49 | 0:43:50 | |
That's a funny thing. | 0:43:55 | 0:43:57 | |
That punch tastes all right. | 0:43:57 | 0:44:00 | |
That's all right. | 0:44:03 | 0:44:04 | |
Well, well, how about having another drink? | 0:44:08 | 0:44:11 | |
To the new comradeship - Mac and you and me | 0:44:11 | 0:44:14 | |
and the regiment for ever. | 0:44:14 | 0:44:16 | |
That's it, Bertie, me boy. | 0:44:16 | 0:44:17 | |
I'll drink to that. | 0:44:17 | 0:44:19 | |
All right. | 0:44:19 | 0:44:20 | |
Here's to good old Bertie Higginbotham, | 0:44:22 | 0:44:25 | |
the finest soldier | 0:44:25 | 0:44:26 | |
since William the blooming Conqueror. | 0:44:26 | 0:44:29 | |
William the Conqueror! | 0:44:32 | 0:44:34 | |
Well, down the hatch, boys. | 0:44:35 | 0:44:37 | |
Which of these two do you prefer? > | 0:45:21 | 0:45:24 | |
I don't know. Try them both - one for each window. | 0:45:24 | 0:45:28 | |
Don't be silly, darling. | 0:45:28 | 0:45:29 | |
It's as much your problem as mine. | 0:45:29 | 0:45:32 | |
These curtains are for your den, you know. | 0:45:32 | 0:45:35 | |
My den? | 0:45:35 | 0:45:36 | |
What's this, Sergeant? | 0:45:55 | 0:45:57 | |
Buying a trousseau? | 0:45:57 | 0:45:58 | |
We're buying curtains. | 0:45:58 | 0:46:00 | |
I thought it was underpants, | 0:46:00 | 0:46:01 | |
the kind worn in the tea business. | 0:46:01 | 0:46:04 | |
Will you two stop annoying Tommy? | 0:46:04 | 0:46:06 | |
I'd like to oblige, Miss, | 0:46:06 | 0:46:08 | |
but we're marching to Tantrapur, | 0:46:08 | 0:46:10 | |
and Tommy's marching with us. | 0:46:10 | 0:46:11 | |
But Higginbotham's replacing him. | 0:46:11 | 0:46:12 | |
The Colonel said... | 0:46:12 | 0:46:14 | |
Higginbotham's in hospital, Miss. | 0:46:14 | 0:46:15 | |
I grieve to say the man's a tower of pain. | 0:46:15 | 0:46:19 | |
Something he must have ate. | 0:46:19 | 0:46:21 | |
Or drank? | 0:46:21 | 0:46:22 | |
Sergeant Ballantine, fall in! | 0:46:22 | 0:46:24 | |
Oh, Tommy. | 0:46:25 | 0:46:27 | |
It's the Colonel's orders, Miss. | 0:46:27 | 0:46:29 | |
Tommy, your friends have engineered this behind your back. | 0:46:29 | 0:46:32 | |
Don't cry, darling. | 0:46:32 | 0:46:34 | |
Goodbye. | 0:46:37 | 0:46:38 | |
Goodbye. | 0:46:38 | 0:46:39 | |
This is the 9th of May. | 0:46:40 | 0:46:43 | |
I'm going with you for five days, | 0:46:43 | 0:46:46 | |
but on May 14th, when my time is up, | 0:46:46 | 0:46:49 | |
whatever we're doing, | 0:46:49 | 0:46:50 | |
I'm going to knock you two apes' heads together. | 0:46:50 | 0:46:52 | |
Come on. | 0:46:52 | 0:46:53 | |
Pardon me, Madam. | 0:46:53 | 0:46:55 | |
Fall in! | 0:46:55 | 0:46:56 | |
Tommy. | 0:47:01 | 0:47:02 | |
Oh, your petticoat's showing. | 0:47:05 | 0:47:07 | |
SHOUTING ORDERS | 0:47:15 | 0:47:17 | |
Aich number! All's well! | 0:47:43 | 0:47:49 | |
Dho number! | 0:48:01 | 0:48:02 | |
All's well! | 0:48:02 | 0:48:07 | |
Tin number! All's well! | 0:48:09 | 0:48:18 | |
Char number! | 0:48:18 | 0:48:20 | |
All's well! | 0:48:20 | 0:48:22 | |
March number! | 0:48:35 | 0:48:38 | |
All's well! | 0:48:38 | 0:48:44 | |
Swing those picks there. | 0:48:46 | 0:48:47 | |
You think this is a strawberry festival? | 0:48:47 | 0:48:50 | |
Shake a leg with that pole. | 0:48:50 | 0:48:52 | |
Get it up there. At the double! | 0:48:52 | 0:48:54 | |
This is a fine time for things to go quiet. | 0:48:54 | 0:48:59 | |
Blast them Thuggs! | 0:48:59 | 0:49:00 | |
Why don't they come and give us a good fight? | 0:49:00 | 0:49:04 | |
Then Bal will be a pipe to re-enlist. | 0:49:04 | 0:49:07 | |
How can we get a nice little war going? | 0:49:07 | 0:49:11 | |
Here! | 0:49:11 | 0:49:12 | |
What if I blew up the Taj Mahal | 0:49:12 | 0:49:15 | |
or one of them sacred tombs? | 0:49:15 | 0:49:17 | |
You want to start the Indian Mutiny again? | 0:49:17 | 0:49:20 | |
Get your back into it! Hurry up! | 0:49:20 | 0:49:22 | |
He's even snarling at poor little Annie. | 0:49:22 | 0:49:25 | |
You can't work 24 hours a day. | 0:49:25 | 0:49:27 | |
In 24 hours my time's up. | 0:49:27 | 0:49:30 | |
I don't want anything undone to detain me. | 0:49:30 | 0:49:32 | |
He's tired. | 0:49:33 | 0:49:35 | |
Goes to show what a piece of dry goods will do. | 0:49:35 | 0:49:39 | |
A brilliant bloke like him, too. | 0:49:39 | 0:49:42 | |
Cutter, we got to do something. | 0:49:42 | 0:49:44 | |
Here. | 0:49:46 | 0:49:48 | |
Come here. | 0:49:48 | 0:49:49 | |
Here. | 0:49:53 | 0:49:54 | |
Shh, shh. | 0:49:54 | 0:49:56 | |
Well, what now? | 0:50:03 | 0:50:04 | |
Look, Mac. For four days we've been waiting | 0:50:04 | 0:50:08 | |
for them Thuggs to start something - | 0:50:08 | 0:50:10 | |
four days in this cruel heat and horrible tension. | 0:50:10 | 0:50:13 | |
What's that to do with Ballantine? | 0:50:13 | 0:50:14 | |
I'm coming to that. | 0:50:14 | 0:50:16 | |
Go on, go on. | 0:50:16 | 0:50:17 | |
Well... | 0:50:17 | 0:50:19 | |
Look, three hours from where we're sitting, | 0:50:21 | 0:50:24 | |
by a secret trail, there's a gold temple | 0:50:24 | 0:50:27 | |
waiting to be sliced away and carried off. | 0:50:27 | 0:50:30 | |
Cutter! | 0:50:30 | 0:50:32 | |
Have you started after this buried treasure again? | 0:50:32 | 0:50:34 | |
This one ain't buried. | 0:50:36 | 0:50:37 | |
According to Gunga Din, it's standing out in the open. | 0:50:37 | 0:50:41 | |
According to Gunga Din, eh? | 0:50:41 | 0:50:43 | |
I thought he might be at the bottom of this. | 0:50:43 | 0:50:46 | |
What's the idea of this lushing? | 0:50:46 | 0:50:49 | |
Give me that bottle. | 0:50:49 | 0:50:50 | |
Wait! | 0:50:50 | 0:50:51 | |
Just a minute. | 0:50:51 | 0:50:53 | |
McChesney, I'm here to speak, | 0:50:53 | 0:50:55 | |
and I'm going to have my say. | 0:50:55 | 0:50:58 | |
You want Ballantine to stay with us, don't you? | 0:50:58 | 0:51:00 | |
Of course. | 0:51:00 | 0:51:02 | |
All right. Just a minute. | 0:51:02 | 0:51:04 | |
It's as easy as parting your hair. | 0:51:04 | 0:51:07 | |
We take Bal to the temple, show him the gold, | 0:51:07 | 0:51:10 | |
and marriage and the tea business | 0:51:10 | 0:51:12 | |
will whizz from his mind. | 0:51:12 | 0:51:14 | |
Versus that you can't think of a single argument. | 0:51:14 | 0:51:18 | |
I'm warning you. | 0:51:18 | 0:51:19 | |
What's the matter with you? | 0:51:19 | 0:51:20 | |
I'm sick of it! | 0:51:20 | 0:51:22 | |
Now shut your trap. | 0:51:22 | 0:51:24 | |
You mean you won't go? | 0:51:25 | 0:51:27 | |
No! | 0:51:27 | 0:51:28 | |
And if you mention gold temples again, | 0:51:28 | 0:51:31 | |
I'll tear your back off with a shovel. | 0:51:31 | 0:51:34 | |
Very well, McChesney, you made your choice. | 0:51:34 | 0:51:37 | |
You turned down the chance to be a millionaire. | 0:51:37 | 0:51:40 | |
All right, I'm going alone! | 0:51:40 | 0:51:43 | |
Wait a minute! | 0:51:45 | 0:51:46 | |
Cutter, you ain't leaving this village | 0:51:46 | 0:51:49 | |
without my permission. | 0:51:49 | 0:51:51 | |
Give me that bottle. | 0:51:51 | 0:51:52 | |
I've been a soldier 14 years. | 0:51:52 | 0:51:55 | |
I know me duties. | 0:51:55 | 0:51:56 | |
You're not talking to a soldier now, | 0:51:56 | 0:51:58 | |
you're talking to an expedition. | 0:51:58 | 0:52:00 | |
I'm an expedition. Out of me way. | 0:52:00 | 0:52:03 | |
Cutter, sit down before I throw you down. | 0:52:03 | 0:52:05 | |
Make way for the expedition, | 0:52:05 | 0:52:07 | |
if you know what's good for you. | 0:52:07 | 0:52:10 | |
McChesney, goodbye for ever. | 0:52:10 | 0:52:11 | |
Stand back. | 0:52:11 | 0:52:13 | |
I'll throw you in the clink | 0:52:13 | 0:52:16 | |
if you make a move. | 0:52:16 | 0:52:18 | |
Out of me way before I split your jaw. | 0:52:18 | 0:52:21 | |
I'm warning you. | 0:52:21 | 0:52:22 | |
Come on, come on. Put 'em up. | 0:52:22 | 0:52:26 | |
Come on, come on, out of me way. | 0:52:30 | 0:52:33 | |
I'll bash your ugly face in. | 0:52:33 | 0:52:36 | |
Come on, come on. | 0:52:37 | 0:52:39 | |
Come on, put 'em up, put 'em up. | 0:52:39 | 0:52:42 | |
I'm afraid I have to do it. | 0:52:42 | 0:52:45 | |
Sergeant Ballantine! | 0:52:48 | 0:52:49 | |
What? | 0:52:52 | 0:52:53 | |
Come here. | 0:52:53 | 0:52:54 | |
He's taken with a dizzy spell. | 0:52:55 | 0:52:58 | |
Lock him up till he comes to. | 0:52:58 | 0:53:00 | |
I'm only sorry you didn't have a dizzy spell, too. | 0:53:02 | 0:53:05 | |
I'd lock you both up at the same time. | 0:53:05 | 0:53:08 | |
Sahib! | 0:53:34 | 0:53:36 | |
Good old Din, what's up? | 0:53:37 | 0:53:38 | |
Tonight, when everyone sleep, | 0:53:38 | 0:53:40 | |
Din go back again. | 0:53:40 | 0:53:42 | |
See gold. | 0:53:42 | 0:53:44 | |
You did? Where is it? | 0:53:44 | 0:53:46 | |
Didn't you bring any? | 0:53:46 | 0:53:48 | |
Bhisti cannot carry whole temple. | 0:53:48 | 0:53:50 | |
Whole temple! | 0:53:51 | 0:53:52 | |
Din see it. All gold. | 0:53:52 | 0:53:54 | |
Here? | 0:53:54 | 0:53:57 | |
We got to get out of here now. | 0:53:58 | 0:54:01 | |
Get me some tools to rip these bars out. | 0:54:01 | 0:54:04 | |
Already bring all tools could find. | 0:54:04 | 0:54:06 | |
Is this satisfactory, sahib? | 0:54:06 | 0:54:08 | |
Think I want to break out of a blooming pudding? | 0:54:10 | 0:54:14 | |
Get something big. Jeldi! | 0:54:14 | 0:54:16 | |
Here, here. Shh! | 0:54:16 | 0:54:18 | |
Uhpah, Annie, uhpah. | 0:54:28 | 0:54:29 | |
Please, Annie. | 0:54:29 | 0:54:31 | |
Uhpah, uhpah. | 0:54:35 | 0:54:36 | |
Uhpah. Jeldi. | 0:54:36 | 0:54:37 | |
ANNIE TRUMPETS | 0:54:37 | 0:54:39 | |
Uhpah. | 0:54:39 | 0:54:40 | |
What are you doing, Din? | 0:55:12 | 0:55:14 | |
A large tool you asked for, sahib. | 0:55:14 | 0:55:17 | |
Annie, Annie, | 0:55:18 | 0:55:19 | |
come on, pull these blinking bars out for me. | 0:55:19 | 0:55:23 | |
Work for me. | 0:55:23 | 0:55:25 | |
Get me out of here, Annie. | 0:55:25 | 0:55:27 | |
Be a good girl. | 0:55:27 | 0:55:28 | |
Whoa, Annie! Just the bars! | 0:55:28 | 0:55:31 | |
Whoa! | 0:55:31 | 0:55:33 | |
Annie! | 0:55:39 | 0:55:40 | |
ANNIE TRUMPETS | 0:55:54 | 0:55:56 | |
DIN SHOUTS IN HINDI | 0:56:05 | 0:56:08 | |
Hey! | 0:56:11 | 0:56:13 | |
Hey! Alert the guards! | 0:56:14 | 0:56:17 | |
Wake up! | 0:56:18 | 0:56:20 | |
What? What? | 0:56:20 | 0:56:21 | |
The Thuggs are here! | 0:56:21 | 0:56:23 | |
Why didn't you say? | 0:56:23 | 0:56:25 | |
GUNSHOT | 0:56:25 | 0:56:26 | |
Sergeant MacChesney. | 0:56:28 | 0:56:29 | |
What happened? | 0:56:29 | 0:56:30 | |
Dacoits slipped in and stole elephant. | 0:56:30 | 0:56:32 | |
Thuggs stole Annie! | 0:56:32 | 0:56:33 | |
Stole Annie? They'll stoop to anything. How many were there? Couldn't tell. | 0:56:33 | 0:56:38 | |
- Where did they go? - The hills. | 0:56:38 | 0:56:40 | |
Sound assembly. Sergeant, pick 16 men and follow me. | 0:56:40 | 0:56:43 | |
If this is another of your tricks... | 0:56:43 | 0:56:46 | |
Fall in the remainder! Put every man on guard duty! | 0:56:46 | 0:56:49 | |
Steal Annie, will they? | 0:56:49 | 0:56:50 | |
I'll break every Thugg's back in India! | 0:56:50 | 0:56:53 | |
Hey, Din, are you sure you're on the right trail? | 0:57:12 | 0:57:16 | |
Yes, sahib. Here is the bridge, sahib. | 0:57:16 | 0:57:18 | |
Here, is this bridge safe? | 0:57:36 | 0:57:38 | |
Oh, it's safe, sahib. | 0:57:38 | 0:57:40 | |
Safe? What do you mean, safe? | 0:57:44 | 0:57:48 | |
TRUMPETING Oh, Annie! | 0:57:48 | 0:57:49 | |
Annie! | 0:57:49 | 0:57:50 | |
Oh, Annie, Annie! Annie, Annie! | 0:57:50 | 0:57:52 | |
HE SHOUTS IN HINDI | 0:57:52 | 0:57:54 | |
Annie! Annie! | 0:57:54 | 0:57:57 | |
HE SHOUTS IN HINDI | 0:57:57 | 0:58:00 | |
Here! Make her stop that! | 0:58:00 | 0:58:02 | |
She's making me nervous! | 0:58:02 | 0:58:03 | |
TRUMPETING Annie! Annie! | 0:58:03 | 0:58:05 | |
Annie! | 0:58:05 | 0:58:06 | |
HE SHOUTS IN HINDI Whoa! | 0:58:06 | 0:58:08 | |
Get out of my way! | 0:58:08 | 0:58:09 | |
Get out of my way! | 0:58:09 | 0:58:11 | |
TRUMPETING | 0:58:11 | 0:58:12 | |
There's no time for that! | 0:58:12 | 0:58:13 | |
Annie! Annie! Annie! | 0:58:16 | 0:58:17 | |
HE SHOUTS IN HINDI Take your foot off, Annie! | 0:58:17 | 0:58:20 | |
Whoa! | 0:58:20 | 0:58:22 | |
Whoa! Whoa! Whoa! Whoa! | 0:58:22 | 0:58:24 | |
Annie, take your trunk off here! | 0:58:24 | 0:58:27 | |
Annie, please go back! | 0:58:27 | 0:58:29 | |
Whoo! Annie! | 0:58:30 | 0:58:31 | |
Aah! | 0:58:31 | 0:58:32 | |
Whoa! | 0:58:32 | 0:58:33 | |
Whoa! | 0:58:38 | 0:58:40 | |
Annie! | 0:58:44 | 0:58:45 | |
Whoo! That's gold, bugler. Gold. | 0:59:03 | 0:59:06 | |
Oh, look at it, bugler. Look at it. | 0:59:06 | 0:59:08 | |
That's yours and mine. That's yours and mine. | 0:59:08 | 0:59:11 | |
Archibald Cutter, the blooming Duke. | 0:59:11 | 0:59:13 | |
Look at me, and Rajah Gunga Din, | 0:59:13 | 0:59:15 | |
pouring diamonds out of that blinking water bag. | 0:59:15 | 0:59:17 | |
Sahib, bugle will be very satisfactory. | 0:59:17 | 0:59:20 | |
Ooh, come on, Din. The world is ours. | 0:59:20 | 0:59:23 | |
Move. | 0:59:30 | 0:59:31 | |
CHANTING IN HINDI | 0:59:59 | 1:00:02 | |
Kali! | 1:00:42 | 1:00:43 | |
Sahib, come quick. | 1:00:43 | 1:00:47 | |
CHANTING STOPS | 1:01:24 | 1:01:26 | |
Oh, Thuggs, lift up your faces | 1:01:30 | 1:01:32 | |
to the light that shines from Kali's throne. | 1:01:32 | 1:01:36 | |
Kali! Kali! Kali! | 1:01:36 | 1:01:41 | |
Oh, brothers in Thuggee, | 1:01:41 | 1:01:43 | |
we are the friendless of this earth. | 1:01:43 | 1:01:46 | |
Every man's hand is against us. | 1:01:46 | 1:01:48 | |
We have been kicked, spat upon, | 1:01:48 | 1:01:51 | |
and driven to the hills like wild things. | 1:01:51 | 1:01:54 | |
My father was a Thugg, | 1:01:54 | 1:01:56 | |
and he was hanged. | 1:01:56 | 1:01:58 | |
His father was blown from a cannon's mouth. | 1:01:58 | 1:02:01 | |
And what of your kinsmen, | 1:02:01 | 1:02:03 | |
your fathers and their fathers | 1:02:03 | 1:02:05 | |
and their father's fathers before them? | 1:02:05 | 1:02:08 | |
Oh, my brothers, | 1:02:08 | 1:02:09 | |
a new day is at hand. | 1:02:09 | 1:02:11 | |
I have read the omens, and they are good. | 1:02:12 | 1:02:16 | |
Three nights ago a jackal screamed upon the left. | 1:02:16 | 1:02:19 | |
Another answered from the right at once. | 1:02:19 | 1:02:23 | |
Kali! Kali! Kali! | 1:02:23 | 1:02:28 | |
What does that mean, my brothers? | 1:02:28 | 1:02:30 | |
It means that Mother Kali | 1:02:30 | 1:02:32 | |
with all her arms outstretched, | 1:02:32 | 1:02:34 | |
hugs us to her bosom, | 1:02:34 | 1:02:36 | |
welcoming us back as Thuggs... | 1:02:36 | 1:02:39 | |
Thuggs awakened from a sleep... | 1:02:39 | 1:02:42 | |
..of 50 years. | 1:02:43 | 1:02:46 | |
Let the neophytes | 1:02:46 | 1:02:48 | |
and their teachers draw near. | 1:02:48 | 1:02:50 | |
Where are the stranglers? | 1:03:00 | 1:03:02 | |
THEY SPEAK HINDI | 1:03:02 | 1:03:04 | |
Give them their strangling cloths. | 1:03:05 | 1:03:07 | |
Kali! Kali! Kali! | 1:03:07 | 1:03:10 | |
Give them their burial picks. | 1:03:12 | 1:03:15 | |
Kali! Kali! Kali! | 1:03:15 | 1:03:18 | |
Swear by our Mother Kali | 1:03:18 | 1:03:20 | |
to be thrice faithful to her and me and our order | 1:03:20 | 1:03:24 | |
and all of us. | 1:03:24 | 1:03:25 | |
THEY SPEAK HINDI | 1:03:25 | 1:03:27 | |
Rise, our new-made brothers. | 1:03:30 | 1:03:33 | |
Rise and kill. | 1:03:33 | 1:03:34 | |
Kill, lest you be killed yourselves. | 1:03:34 | 1:03:37 | |
Kill for the love of killing. | 1:03:37 | 1:03:40 | |
Kill for the love of Kali. | 1:03:40 | 1:03:42 | |
Kill! Kill! Kill! | 1:03:42 | 1:03:45 | |
THEY PRAY IN HINDI | 1:04:08 | 1:04:09 | |
It's them all right, Din, | 1:04:09 | 1:04:11 | |
the whole blinking lot of them. | 1:04:11 | 1:04:14 | |
Very bad men. | 1:04:14 | 1:04:15 | |
The Colonel's got to know. | 1:04:19 | 1:04:22 | |
You must get there, Din. | 1:05:39 | 1:05:40 | |
The Colonel's got to know. | 1:05:40 | 1:05:42 | |
The Colonel? I run quick. | 1:05:42 | 1:05:44 | |
# Since mighty roast beef is an Englishman's food, | 1:06:00 | 1:06:02 | |
# It accounts for the freedom | 1:06:02 | 1:06:04 | |
# That runs in his blood | 1:06:04 | 1:06:05 | |
# For generous living does it do all good... # | 1:06:05 | 1:06:07 | |
Excuse me, mates. | 1:06:07 | 1:06:08 | |
# Ta da da da da | 1:06:08 | 1:06:10 | |
# Oh, the roast beef of England! | 1:06:10 | 1:06:12 | |
# And, oh, the old English roast beef! # | 1:06:12 | 1:06:14 | |
Aye! Hey, sing us a song, will you? | 1:06:19 | 1:06:22 | |
Now, you're all under arrest... | 1:06:32 | 1:06:34 | |
the whole bunch of you. You, too. You know why? | 1:06:34 | 1:06:38 | |
Her Majesty's very touchy about having her subjects strangled. | 1:06:38 | 1:06:41 | |
All right, I can't waste any more time. | 1:06:41 | 1:06:44 | |
Wrap up your gear. You're coming with me. | 1:06:44 | 1:06:46 | |
HE SPEAKS HINDI | 1:06:46 | 1:06:47 | |
Well, if it ain't young toad-face. | 1:06:47 | 1:06:50 | |
Fancy meeting you here. | 1:06:50 | 1:06:51 | |
Vile dog. | 1:06:51 | 1:06:52 | |
For that insolence, you shall grovel before my son. | 1:06:52 | 1:06:56 | |
You shall grovel, I say! | 1:06:56 | 1:06:58 | |
Look, I'm a soldier of Her Majesty the Queen. | 1:06:58 | 1:07:00 | |
I don't grovel before any heathen. | 1:07:00 | 1:07:03 | |
Kabul, take him to the tower | 1:07:03 | 1:07:06 | |
and teach him the error of false pride. | 1:07:06 | 1:07:09 | |
Take him away! | 1:07:09 | 1:07:10 | |
In those drear grey hours before dawn, | 1:07:26 | 1:07:29 | |
just go out and chase elephants. | 1:07:29 | 1:07:31 | |
Beats counting sheep a million miles. | 1:07:31 | 1:07:33 | |
What do you mean, elephants? | 1:07:33 | 1:07:35 | |
This ain't elephants. This is Annie, my Annie. | 1:07:35 | 1:07:38 | |
I'll find her if I have to turn out | 1:07:38 | 1:07:41 | |
the whole British army. | 1:07:41 | 1:07:42 | |
Hey, what is this? | 1:07:42 | 1:07:44 | |
Good morning, gentlemen. | 1:07:44 | 1:07:45 | |
Good morning. | 1:07:45 | 1:07:46 | |
What the blazes are you here for? | 1:07:46 | 1:07:48 | |
I'm replacing Sergeant Ballantine. | 1:07:48 | 1:07:50 | |
Higginbotham, I could just fall on your neck. | 1:07:50 | 1:07:53 | |
I've got a better neck than mine to fall on. | 1:07:53 | 1:07:56 | |
Hello, there! | 1:07:56 | 1:07:57 | |
Tommy! Hello! | 1:07:57 | 1:07:59 | |
How wonderful of you to meet us. | 1:08:02 | 1:08:05 | |
I came here to surprise you. Here you are surprising me. | 1:08:05 | 1:08:10 | |
Good morning, Sergeant MacChesney. | 1:08:10 | 1:08:12 | |
Oh, good morning, Miss. | 1:08:12 | 1:08:13 | |
Here are Tommy's discharge papers. | 1:08:13 | 1:08:16 | |
Cutter will be very pleased. | 1:08:18 | 1:08:20 | |
Oh. | 1:08:20 | 1:08:21 | |
Column of threes! | 1:08:21 | 1:08:23 | |
Eyes front! | 1:08:23 | 1:08:24 | |
Sit up straight there! | 1:08:24 | 1:08:25 | |
Who do you think you are, a lot of nursemaids | 1:08:25 | 1:08:29 | |
in Hyde...Park? | 1:08:29 | 1:08:30 | |
Walk march! | 1:08:35 | 1:08:37 | |
Forward hut! | 1:08:44 | 1:08:45 | |
Party, halt! | 1:08:47 | 1:08:48 | |
Sergeant Ballantine, take charge. | 1:08:56 | 1:08:58 | |
Go inside. I'll be right there. | 1:08:58 | 1:09:00 | |
All right, but do hurry. | 1:09:00 | 1:09:02 | |
Annie. Naik, what about this? | 1:09:02 | 1:09:05 | |
He just came back, Sergeant sahib. | 1:09:05 | 1:09:07 | |
Come here! Come here, you! | 1:09:07 | 1:09:09 | |
Din, I knew you was at the bottom of all this. | 1:09:09 | 1:09:13 | |
Didn't you knock down the shed and take off Sergeant Cutter? | 1:09:13 | 1:09:16 | |
You'll answer me. We'll have our court- martial here and now. | 1:09:16 | 1:09:20 | |
Line up a firing squad. | 1:09:20 | 1:09:22 | |
You stole the elephant, didn't you? Answer me! | 1:09:22 | 1:09:24 | |
You knocked down a building | 1:09:24 | 1:09:26 | |
and liberated Her Majesty's prisoner, Sergeant Cutter! | 1:09:26 | 1:09:29 | |
Yes, sahib. | 1:09:30 | 1:09:31 | |
That's all! Take him away! | 1:09:31 | 1:09:33 | |
You Lazarusian beggar, | 1:09:33 | 1:09:35 | |
it'll be the firing squad for you this time! | 1:09:35 | 1:09:38 | |
Wait a minute, Mac. Where's Cutter? | 1:09:38 | 1:09:40 | |
Din, where is Sergeant Cutter? | 1:09:40 | 1:09:41 | |
They catch him. | 1:09:41 | 1:09:43 | |
What's that? Who? | 1:09:43 | 1:09:44 | |
In the gold temple, they catch Sergeant Cutter. | 1:09:44 | 1:09:47 | |
Who's they? | 1:09:47 | 1:09:48 | |
Bad men. They'll give him torture. Go help. | 1:09:48 | 1:09:52 | |
How many? | 1:09:52 | 1:09:53 | |
Don't know. I run away quick for help. | 1:09:53 | 1:09:55 | |
I'll bet you run quick. | 1:09:55 | 1:09:57 | |
You'll run back just as quick. Show me the way. | 1:09:57 | 1:10:00 | |
I'll pick 12 men. | 1:10:00 | 1:10:02 | |
You'll pick nothing! I'm going alone. | 1:10:02 | 1:10:04 | |
You haven't a chance. | 1:10:04 | 1:10:06 | |
They'll cut him up if they hear a rescue party. | 1:10:06 | 1:10:09 | |
Right. We'll go together. | 1:10:09 | 1:10:11 | |
No. | 1:10:11 | 1:10:12 | |
Tommy, what's the matter? | 1:10:12 | 1:10:13 | |
Cutter's in trouble. We're getting him out of it. | 1:10:13 | 1:10:16 | |
I ain't taking him. | 1:10:16 | 1:10:17 | |
I'm going as a Sergeant in the service. | 1:10:17 | 1:10:20 | |
I ain't taking any civilians. | 1:10:20 | 1:10:22 | |
Who's a civilian? | 1:10:22 | 1:10:23 | |
It says here, "Thomas Anthony Ballantine | 1:10:23 | 1:10:25 | |
"is restored to the rank of citizen of Great Britain." | 1:10:25 | 1:10:29 | |
You try and keep me out of this. | 1:10:29 | 1:10:31 | |
I'm saying goodbye, Bal, | 1:10:31 | 1:10:32 | |
and I wish you luck in the tea business | 1:10:32 | 1:10:36 | |
and your matrimony both. | 1:10:36 | 1:10:37 | |
Wait a minute, Mac. | 1:10:37 | 1:10:39 | |
Wait here. I'll talk to him. | 1:10:39 | 1:10:41 | |
But he said no. | 1:10:41 | 1:10:42 | |
He'll change his mind. | 1:10:42 | 1:10:43 | |
I won't let you. | 1:10:43 | 1:10:45 | |
I owe it to Cutter. | 1:10:45 | 1:10:47 | |
You don't love me. | 1:10:47 | 1:10:48 | |
Don't say that. You want me to always remember | 1:10:48 | 1:10:51 | |
that I ran out on my two best friends? | 1:10:51 | 1:10:54 | |
After what they did to Higginbotham? | 1:10:54 | 1:10:56 | |
That's just their way of showing their friendship. | 1:10:56 | 1:10:58 | |
I hate the army, but friendship, well, that's something else. | 1:10:58 | 1:11:02 | |
We're wasting time. You have to understand. I'll be back. | 1:11:02 | 1:11:05 | |
I want to talk to you. | 1:11:05 | 1:11:07 | |
I don't want to argue. | 1:11:07 | 1:11:08 | |
I'm going, if I have to shoot you and go alone. | 1:11:08 | 1:11:12 | |
If anything happens to you, | 1:11:12 | 1:11:14 | |
your girl would prefer charges. | 1:11:14 | 1:11:15 | |
She wouldn't, though. | 1:11:15 | 1:11:17 | |
I don't trust her. | 1:11:17 | 1:11:18 | |
There's only one way I'll risk it. | 1:11:19 | 1:11:22 | |
What's that? | 1:11:22 | 1:11:23 | |
For you to sign up. | 1:11:23 | 1:11:25 | |
When we get Cutter, we'll tear up the papers. | 1:11:25 | 1:11:28 | |
Is that fair enough? | 1:11:28 | 1:11:29 | |
No, you're getting clever. | 1:11:29 | 1:11:31 | |
Do you want me to get kicked out of the army? | 1:11:31 | 1:11:34 | |
OK, on one condition. | 1:11:34 | 1:11:36 | |
I hold the blank in my hand | 1:11:36 | 1:11:38 | |
and keep it after I'm through. | 1:11:38 | 1:11:40 | |
You don't trust me. | 1:11:40 | 1:11:42 | |
That's right. | 1:11:43 | 1:11:44 | |
All right. | 1:11:50 | 1:11:51 | |
What are you doing with that in your pocket? | 1:11:57 | 1:12:01 | |
I always carry one. In case. | 1:12:01 | 1:12:04 | |
Ah, ah, ah, ah. | 1:12:13 | 1:12:14 | |
Ha ha ha! No, you don't. | 1:12:15 | 1:12:18 | |
Not a word of this to Emmy, you understand? | 1:12:19 | 1:12:22 | |
Shake on it? | 1:12:22 | 1:12:23 | |
Hurry up. | 1:12:23 | 1:12:25 | |
Oh, excuse me, Miss. | 1:12:26 | 1:12:28 | |
Sergeant Higginbotham, Sergeant Ballantine and I | 1:12:28 | 1:12:30 | |
are going out on a reconnoitring expedition. | 1:12:30 | 1:12:33 | |
If we're not back by morning, | 1:12:33 | 1:12:35 | |
inform the Colonel, and you follow our trail. | 1:12:35 | 1:12:38 | |
Oh, I'm going, Emmy. He's changed his mind. | 1:12:38 | 1:12:40 | |
Who made him change it? | 1:12:40 | 1:12:42 | |
Reason and common decency. | 1:12:42 | 1:12:43 | |
You're lying. | 1:12:43 | 1:12:44 | |
Would I lie at a time like this, | 1:12:44 | 1:12:47 | |
just before our wedding? Be reasonable, darling. | 1:12:47 | 1:12:49 | |
You didn't sign anything? | 1:12:49 | 1:12:51 | |
Why ask that question? Do I look that stupid? | 1:12:51 | 1:12:54 | |
Pretend I'm going on a picnic. | 1:12:54 | 1:12:56 | |
That's all it amounts to. | 1:12:56 | 1:12:58 | |
We'll get Cutter out without firing a shot, just by strategy. | 1:12:58 | 1:13:02 | |
We've done this before. | 1:13:02 | 1:13:03 | |
It's just been fun. | 1:13:03 | 1:13:05 | |
Fun? You want to go. | 1:13:05 | 1:13:06 | |
Darling... | 1:13:06 | 1:13:07 | |
Sergeant Ballantine, fall in! | 1:13:07 | 1:13:08 | |
He called you Sergeant. | 1:13:08 | 1:13:10 | |
Why? You're not in the army. | 1:13:10 | 1:13:12 | |
A habit of his. I'll see you tomorrow. | 1:13:12 | 1:13:15 | |
Why don't you say you don't want to get married? | 1:13:15 | 1:13:18 | |
You'd rather be with him. | 1:13:18 | 1:13:20 | |
Why tell me you hated him and his ugly face? | 1:13:20 | 1:13:24 | |
I didn't say that. Be fair. | 1:13:24 | 1:13:26 | |
Please, sahib, hurry. | 1:13:26 | 1:13:28 | |
Come on! | 1:13:28 | 1:13:29 | |
Can't you wait? | 1:13:29 | 1:13:30 | |
I can wait. I'm not so sure about Cutter. | 1:13:30 | 1:13:33 | |
Can't you trust me? Kiss me. | 1:13:33 | 1:13:35 | |
No. Never. | 1:13:35 | 1:13:36 | |
They're probably slicing Cutter's ears off by now. | 1:13:36 | 1:13:39 | |
I'm coming, Mac! | 1:13:39 | 1:13:41 | |
Darling, please don't go. | 1:13:41 | 1:13:42 | |
The trouble is you don't want a man. | 1:13:42 | 1:13:44 | |
You want a coward who'll run out on his friend. | 1:13:44 | 1:13:48 | |
That's not me. I don't care how much I love you. | 1:13:48 | 1:13:52 | |
I'm a soldier... I mean, I'm a man first. | 1:13:52 | 1:13:55 | |
All right, get that silly smirk off your face. | 1:13:56 | 1:14:00 | |
All right. | 1:14:00 | 1:14:01 | |
Let's go. | 1:14:01 | 1:14:03 | |
Surely Mother Kali is kind, Fulad. | 1:14:31 | 1:14:35 | |
One Englishman fly walks in, | 1:14:35 | 1:14:37 | |
and now our web is baited. | 1:14:37 | 1:14:39 | |
More will follow. | 1:14:39 | 1:14:41 | |
Guru-ji, two more have crossed the bridge! | 1:14:41 | 1:14:44 | |
It is well. | 1:14:44 | 1:14:46 | |
Prepare. | 1:14:46 | 1:14:47 | |
You said this place was full of priests. | 1:15:46 | 1:15:49 | |
Sahib do not give Din chance to say. | 1:15:49 | 1:15:51 | |
You've got a mouth, ain't you? | 1:15:51 | 1:15:53 | |
Quiet. It's Kali. | 1:15:53 | 1:15:55 | |
A Thugg temple. | 1:15:57 | 1:15:58 | |
Why didn't you say they're Thuggs? | 1:15:58 | 1:16:01 | |
I should split you in two and stuff you in an elephant's trunk. | 1:16:01 | 1:16:04 | |
MacChesney-sahib roar so loud, | 1:16:04 | 1:16:06 | |
Bhisti cannot get a word sideways. | 1:16:06 | 1:16:08 | |
Enough of that. We're here to find Cutter. | 1:16:08 | 1:16:11 | |
Cutter! | 1:16:18 | 1:16:19 | |
We should have brought | 1:16:21 | 1:16:22 | |
every man in the regiment | 1:16:22 | 1:16:24 | |
and sent for more. | 1:16:24 | 1:16:26 | |
I only wish you had, sahib. | 1:16:26 | 1:16:27 | |
I'll show you! | 1:16:27 | 1:16:29 | |
HE SPEAKS HINDI | 1:16:29 | 1:16:30 | |
THEY SPEAK HINDI | 1:16:40 | 1:16:41 | |
Cutter sahib. | 1:16:47 | 1:16:49 | |
Hello, Din. | 1:16:50 | 1:16:52 | |
Fine work, bugler. | 1:16:52 | 1:16:54 | |
I knew you'd do it. | 1:16:54 | 1:16:56 | |
Thank you, sahib. | 1:16:56 | 1:16:58 | |
Hello, boy. | 1:17:00 | 1:17:02 | |
Hello, mate. | 1:17:02 | 1:17:03 | |
Well, you're alive anyway. | 1:17:03 | 1:17:04 | |
I'll chop you down right away. | 1:17:04 | 1:17:06 | |
You white-livered elephant-stealing treasure hunter, | 1:17:06 | 1:17:09 | |
hanging there like a lamb in a butcher's shop. | 1:17:09 | 1:17:12 | |
Where's the troop? | 1:17:12 | 1:17:13 | |
There's no troop, and the Guru has us. | 1:17:13 | 1:17:17 | |
We walked into it. | 1:17:17 | 1:17:18 | |
You mean you didn't bring the troop? | 1:17:18 | 1:17:20 | |
What a brain. | 1:17:20 | 1:17:21 | |
I round up every Thugg in India, | 1:17:21 | 1:17:24 | |
and you mess it up with that pygmy brain! | 1:17:24 | 1:17:26 | |
I couldn't face me own men | 1:17:26 | 1:17:28 | |
if I brought them here to witness your shame, | 1:17:28 | 1:17:31 | |
disgracing Her Majesty's uniform. | 1:17:31 | 1:17:32 | |
Shame? | 1:17:32 | 1:17:33 | |
They're doing this to find out where the column is. | 1:17:33 | 1:17:36 | |
They're planning to ambush and massacre the whole troop. | 1:17:36 | 1:17:39 | |
You didn't tell them? | 1:17:39 | 1:17:40 | |
Not me. > So you think you're a hero? | 1:17:40 | 1:17:43 | |
That's right. | 1:17:43 | 1:17:44 | |
A hero. Don't make me laugh. | 1:17:44 | 1:17:47 | |
Every man at the post's | 1:17:47 | 1:17:48 | |
looking for these blighters, | 1:17:48 | 1:17:50 | |
and I reconnoitre adroitly | 1:17:50 | 1:17:51 | |
and encounter them, | 1:17:51 | 1:17:53 | |
while you cowards hide behind your telegraphs. | 1:17:53 | 1:17:55 | |
Who's a coward? | 1:17:55 | 1:17:56 | |
Grr. | 1:17:56 | 1:17:57 | |
Untie him, will you? | 1:17:57 | 1:17:59 | |
Untie me. | 1:17:59 | 1:18:00 | |
I said untie him! | 1:18:00 | 1:18:01 | |
Sergeant Ballantine, untie that man! | 1:18:01 | 1:18:04 | |
You displease me, and I ignore the both of you. | 1:18:04 | 1:18:07 | |
I'll untie him meself. | 1:18:07 | 1:18:08 | |
Yes, excellent. | 1:18:08 | 1:18:09 | |
All right, I'll untie you. | 1:18:09 | 1:18:12 | |
Oh! | 1:18:12 | 1:18:15 | |
I owe you one, anyway. | 1:18:15 | 1:18:17 | |
Oh, mate. | 1:18:17 | 1:18:19 | |
Look at your back. | 1:18:19 | 1:18:22 | |
Never mind that. Untie my hands. | 1:18:22 | 1:18:24 | |
Look what they did to you. | 1:18:24 | 1:18:26 | |
Oh, I'm sorry, mate. | 1:18:26 | 1:18:28 | |
The fiends! | 1:18:28 | 1:18:30 | |
THEY SPEAK HINDI | 1:18:31 | 1:18:32 | |
The Guru! | 1:18:32 | 1:18:33 | |
Filthy scum. | 1:18:33 | 1:18:34 | |
Dog. Maniac. | 1:18:34 | 1:18:35 | |
Let's get him. | 1:18:35 | 1:18:37 | |
Right. Right. Right. | 1:18:37 | 1:18:38 | |
We'll grab him no matter what. | 1:18:38 | 1:18:40 | |
He's sacred. They won't shoot us. | 1:18:40 | 1:18:42 | |
Why, you hairless dog. | 1:18:51 | 1:18:52 | |
Look what you did to his back, you filthy... | 1:18:52 | 1:18:55 | |
A lesson in the error of false pride, Sergeant. | 1:18:55 | 1:18:58 | |
You're talking very proudly yourself. | 1:18:58 | 1:19:00 | |
Perhaps you're not too proud | 1:19:00 | 1:19:02 | |
to give a little information I seek. | 1:19:02 | 1:19:05 | |
I want to know about your army. | 1:19:05 | 1:19:08 | |
Why don't you enlist, mate? | 1:19:08 | 1:19:10 | |
Lash. | 1:19:14 | 1:19:16 | |
For a beginning, this is not bad, | 1:19:17 | 1:19:20 | |
three soldiers to be given to Mother Kali - | 1:19:20 | 1:19:23 | |
three soldiers and a slave. | 1:19:23 | 1:19:25 | |
Who is slave? | 1:19:25 | 1:19:27 | |
I am a soldier, too, please. | 1:19:27 | 1:19:29 | |
You're what? | 1:19:29 | 1:19:30 | |
Well, regimental Bhisti. | 1:19:31 | 1:19:34 | |
Oh. | 1:19:34 | 1:19:35 | |
Proud ox, where is your army? | 1:19:36 | 1:19:38 | |
How soon are they to follow? | 1:19:38 | 1:19:40 | |
Wouldn't you like to know? | 1:19:40 | 1:19:42 | |
Why don't you look in your crystal ball? | 1:19:42 | 1:19:46 | |
Make the ox talk. | 1:19:46 | 1:19:48 | |
You dirty pack of cowards! | 1:19:53 | 1:19:56 | |
Never mind him now. | 1:19:59 | 1:20:00 | |
He's next. | 1:20:00 | 1:20:02 | |
I'm waiting. Will you speak? | 1:20:04 | 1:20:07 | |
I don't know. | 1:20:07 | 1:20:08 | |
Hold on, Mac, old boy! | 1:20:08 | 1:20:09 | |
Stop. | 1:20:13 | 1:20:14 | |
Look. | 1:20:27 | 1:20:29 | |
See them down there... | 1:20:29 | 1:20:31 | |
coiling and wiggling, | 1:20:31 | 1:20:33 | |
sticking their pretty tongues out? | 1:20:33 | 1:20:35 | |
Are you going to speak? | 1:20:36 | 1:20:39 | |
Throw him in. | 1:20:39 | 1:20:41 | |
He'll talk from there. | 1:20:41 | 1:20:43 | |
No! No! I can't stand it! | 1:20:43 | 1:20:45 | |
Will you speak? | 1:20:45 | 1:20:46 | |
All right, | 1:20:48 | 1:20:49 | |
as long as I ain't kissed | 1:20:49 | 1:20:51 | |
by one of them snakes, I'll tell you. | 1:20:51 | 1:20:54 | |
Take me outside. | 1:20:54 | 1:20:56 | |
Be a man, Mac. | 1:20:58 | 1:21:00 | |
I can't go it, mates! | 1:21:00 | 1:21:02 | |
Come back, Mac, old boy! | 1:21:02 | 1:21:03 | |
Well, Sergeant? | 1:21:15 | 1:21:17 | |
Governor, I don't know the exact position of the troops, | 1:21:17 | 1:21:20 | |
but in Ballantine's pocket there's a paper | 1:21:20 | 1:21:23 | |
with all the troop movements in it. | 1:21:23 | 1:21:26 | |
You're sure of that, Sergeant? | 1:21:26 | 1:21:28 | |
As sure as taxes, governor. | 1:21:28 | 1:21:30 | |
I wouldn't fool you. | 1:21:30 | 1:21:31 | |
I hope not. | 1:21:31 | 1:21:32 | |
If you have, | 1:21:32 | 1:21:34 | |
there'll be worse than lashes. | 1:21:34 | 1:21:35 | |
Please don't lash me any more. Please? | 1:21:35 | 1:21:38 | |
I'll relieve you of these. | 1:21:45 | 1:21:47 | |
No! | 1:22:12 | 1:22:14 | |
No! | 1:22:14 | 1:22:15 | |
Cut him down. | 1:22:16 | 1:22:18 | |
"Sergeant Thomas Ballantine hereby re-enlists." | 1:22:18 | 1:22:21 | |
Oh, that's you, MacChesney, | 1:22:23 | 1:22:25 | |
always hiding behind regulations, | 1:22:25 | 1:22:26 | |
you Brummagem turncoat! | 1:22:26 | 1:22:28 | |
Now be gallant in defeat, Sergeant. | 1:22:28 | 1:22:29 | |
You're simply a victim of superior strategy. | 1:22:29 | 1:22:32 | |
Quiet, you Whitechapel scum, | 1:22:32 | 1:22:33 | |
or I'll cut your slimy hands off at the wrist! | 1:22:33 | 1:22:36 | |
I'll pay you back with horrible interest! | 1:22:36 | 1:22:39 | |
I command you to shut up! | 1:22:39 | 1:22:41 | |
Tell your men to lay down their arms | 1:22:41 | 1:22:43 | |
and get out of here, | 1:22:43 | 1:22:45 | |
or you're a dead kipper. | 1:22:45 | 1:22:47 | |
Lay down your arms... | 1:22:47 | 1:22:49 | |
and leave. | 1:22:49 | 1:22:50 | |
Where do those stairs go? | 1:22:53 | 1:22:54 | |
Not to freedom. | 1:22:54 | 1:22:56 | |
We'll see about that. Ready? | 1:22:56 | 1:22:58 | |
Ready. Right. | 1:22:58 | 1:22:59 | |
Sergeant Cutter, guard that door. | 1:23:08 | 1:23:10 | |
Right. Here, Mac, take your coat. | 1:23:10 | 1:23:12 | |
Get up there, you. | 1:23:12 | 1:23:14 | |
It's young toad-face, | 1:23:37 | 1:23:38 | |
blazing up the Thuggs. | 1:23:38 | 1:23:40 | |
I'll start with him first. | 1:23:40 | 1:23:42 | |
No, you won't. | 1:23:42 | 1:23:43 | |
Well, gentlemen, | 1:23:48 | 1:23:49 | |
what do you think of your freedom now? | 1:23:49 | 1:23:52 | |
All right, my friend, | 1:23:56 | 1:23:58 | |
if we've got to die, you've got to die, too. | 1:23:58 | 1:24:01 | |
As long as I'm alive, you live. | 1:24:01 | 1:24:04 | |
HE SPEAKS HINDI | 1:24:14 | 1:24:16 | |
What did he say? | 1:24:23 | 1:24:25 | |
He says he'll be unharmed. | 1:24:25 | 1:24:27 | |
He says to keep order, | 1:24:27 | 1:24:29 | |
be confident, and wait. | 1:24:29 | 1:24:32 | |
Congratulations. Sergeant, | 1:24:32 | 1:24:33 | |
on your knowledge | 1:24:33 | 1:24:34 | |
of our humble language. | 1:24:34 | 1:24:36 | |
That's enough. | 1:24:36 | 1:24:37 | |
Get under the shade | 1:24:37 | 1:24:39 | |
before you get sunstroke. | 1:24:39 | 1:24:40 | |
Get on back. Go on. | 1:24:40 | 1:24:43 | |
Wounds feel satisfactory, sahib? | 1:24:50 | 1:24:52 | |
I ain't had a more satisfactory set of welts | 1:24:52 | 1:24:55 | |
since I run away from home. | 1:24:55 | 1:24:57 | |
Thank you. | 1:24:57 | 1:24:58 | |
Fall in. | 1:24:58 | 1:24:59 | |
Come on. | 1:24:59 | 1:25:00 | |
Hey, get down. | 1:25:03 | 1:25:04 | |
Watch your head. Look out. | 1:25:04 | 1:25:06 | |
Din! | 1:25:10 | 1:25:11 | |
The gold! | 1:25:11 | 1:25:12 | |
Yes, sahib, gold! | 1:25:12 | 1:25:14 | |
Ooh! | 1:25:14 | 1:25:15 | |
Look at it, mates! | 1:25:15 | 1:25:16 | |
Gold! That's what it is! | 1:25:16 | 1:25:17 | |
Solid sunshine! | 1:25:17 | 1:25:18 | |
Sit down, you fool! | 1:25:18 | 1:25:20 | |
See that hand sticking out? | 1:25:20 | 1:25:22 | |
It's worth 3,000 quid if it's worth a farthing! | 1:25:22 | 1:25:25 | |
Who's a blinking idiot now, eh? | 1:25:25 | 1:25:27 | |
We're rich, mates! We're rich! | 1:25:27 | 1:25:29 | |
Come on! | 1:25:29 | 1:25:30 | |
All right, Mr wise man, | 1:26:19 | 1:26:22 | |
here's my last offer. | 1:26:22 | 1:26:23 | |
You order your men | 1:26:23 | 1:26:24 | |
to get in behind them rocks, | 1:26:24 | 1:26:27 | |
and you see us down as far as the bridge. | 1:26:27 | 1:26:31 | |
We'll let you loose, and there's no harm done. | 1:26:31 | 1:26:34 | |
How's that? | 1:26:34 | 1:26:36 | |
Speak, you ape, or I'll kill you. | 1:26:49 | 1:26:52 | |
You would throw away your shield, | 1:26:52 | 1:26:55 | |
brave soldier? | 1:26:55 | 1:26:56 | |
BAGPIPES PLAYING | 1:27:16 | 1:27:18 | |
Do you hear something, Bal? | 1:27:19 | 1:27:21 | |
The bagpipes, Mac? | 1:27:21 | 1:27:24 | |
Yeah. | 1:27:24 | 1:27:25 | |
I've heard them for hours, Mac, | 1:27:25 | 1:27:27 | |
but it ain't them. | 1:27:27 | 1:27:29 | |
It's this blistering heat | 1:27:29 | 1:27:30 | |
screaming in our ears | 1:27:30 | 1:27:31 | |
that makes it sound like that. | 1:27:31 | 1:27:33 | |
BAGPIPES CONTINUE | 1:27:33 | 1:27:35 | |
Oh, they'll pull us out, old boy... | 1:27:38 | 1:27:41 | |
If they can find the blasted place. | 1:27:43 | 1:27:46 | |
Don't waste any of your guff on me, Mac. | 1:27:46 | 1:27:49 | |
Here we are, and this is it. | 1:27:49 | 1:27:52 | |
It might have been worse. | 1:27:52 | 1:27:54 | |
I might have left a widow. | 1:27:54 | 1:27:58 | |
Eight feet away from where I'm sitting, | 1:28:04 | 1:28:07 | |
right here, | 1:28:07 | 1:28:09 | |
there's enough gold to make me sole owner and proprietor | 1:28:09 | 1:28:12 | |
of a pub as big as the Crystal Palace. | 1:28:12 | 1:28:15 | |
Best pub in Hampshire. | 1:28:15 | 1:28:17 | |
And here I am. | 1:28:17 | 1:28:19 | |
You torturer! | 1:28:19 | 1:28:20 | |
Setting that in front of me eyes. | 1:28:20 | 1:28:23 | |
Is there no limit | 1:28:23 | 1:28:24 | |
to the torture oriental minds think up? | 1:28:24 | 1:28:27 | |
So help me, if you mention gold again, | 1:28:27 | 1:28:29 | |
I'll tear the tongue out of your head. | 1:28:29 | 1:28:31 | |
Here it is! Get it! | 1:28:32 | 1:28:34 | |
Brave soldiers, | 1:28:36 | 1:28:37 | |
can it be that your nerves are tightening? | 1:28:37 | 1:28:40 | |
We'll stand it up here as long as you can, | 1:28:40 | 1:28:44 | |
Mr wise man. | 1:28:44 | 1:28:45 | |
Preserve your courage, gentlemen. | 1:28:46 | 1:28:49 | |
You are not forgotten. | 1:28:49 | 1:28:50 | |
They will come to save you. | 1:28:53 | 1:28:57 | |
That's right, mate. | 1:28:57 | 1:28:58 | |
You're going to see more soldiers | 1:28:58 | 1:29:00 | |
than you ever saw before. | 1:29:00 | 1:29:02 | |
Cutter. | 1:29:02 | 1:29:04 | |
BAGPIPES PLAYING | 1:29:06 | 1:29:08 | |
Ah, gentlemen, good news. | 1:29:16 | 1:29:19 | |
Here's a sight | 1:29:19 | 1:29:21 | |
that should make your hearts pound faster. | 1:29:21 | 1:29:23 | |
Look. | 1:29:23 | 1:29:24 | |
The Lancers. | 1:29:36 | 1:29:37 | |
Look at the Black Watch out in front. | 1:29:37 | 1:29:40 | |
Ah, those beautiful Scotties. | 1:29:45 | 1:29:47 | |
I'll buy them all a beer apiece. | 1:29:47 | 1:29:49 | |
Your comrades coming | 1:29:49 | 1:29:51 | |
chokes you with emotions. | 1:29:51 | 1:29:53 | |
Seeing them this way recalls to you | 1:29:53 | 1:29:57 | |
all manner of pleasant things - | 1:29:57 | 1:29:59 | |
the gaiety of barrack life, | 1:29:59 | 1:30:01 | |
old friendships, | 1:30:01 | 1:30:03 | |
even...England, | 1:30:03 | 1:30:07 | |
even... | 1:30:07 | 1:30:09 | |
home. | 1:30:09 | 1:30:10 | |
You bet it does, mister. | 1:30:10 | 1:30:12 | |
Hi! Hi! Hi! | 1:30:14 | 1:30:15 | |
Hi! Hi! Hi! | 1:30:15 | 1:30:16 | |
Save your voices, gentlemen. | 1:30:16 | 1:30:19 | |
They're coming... | 1:30:19 | 1:30:21 | |
here to your rescue. | 1:30:21 | 1:30:23 | |
You tormenting fiend. | 1:30:23 | 1:30:26 | |
You're so sure, aren't you? | 1:30:26 | 1:30:28 | |
Quite sure. | 1:30:28 | 1:30:29 | |
It is my plan. | 1:30:29 | 1:30:31 | |
Two come to rescue one, | 1:30:31 | 1:30:34 | |
then the others follow. | 1:30:34 | 1:30:36 | |
Well, if you planned it right, mate, | 1:30:36 | 1:30:40 | |
you'll be hanging by your filthy neck by nightfall. | 1:30:40 | 1:30:43 | |
You think so, Sergeant? | 1:30:43 | 1:30:45 | |
I'm not so sure. | 1:30:47 | 1:30:48 | |
You seem to think warfare | 1:30:56 | 1:30:58 | |
an English invention. | 1:30:58 | 1:31:00 | |
Have you never heard | 1:31:00 | 1:31:01 | |
of Chandragupta Murya? | 1:31:01 | 1:31:03 | |
No. | 1:31:03 | 1:31:04 | |
He slaughtered all the armies left in India | 1:31:04 | 1:31:06 | |
by Alexander the Great. | 1:31:06 | 1:31:08 | |
India was a mighty nation then, | 1:31:08 | 1:31:10 | |
while Englishmen still dwelt in caves | 1:31:10 | 1:31:13 | |
and painted themselves blue. | 1:31:13 | 1:31:15 | |
Look. | 1:31:16 | 1:31:18 | |
Don't be afraid, gentlemen. | 1:31:20 | 1:31:21 | |
I am still your shield. | 1:31:21 | 1:31:24 | |
It's very simple. | 1:31:29 | 1:31:30 | |
Your army will enter by that gap. | 1:31:30 | 1:31:34 | |
Then they'll proceed halfway down this gorge. | 1:31:34 | 1:31:37 | |
Those are my infantry. | 1:31:37 | 1:31:38 | |
Best mountain fighters in the world. | 1:31:38 | 1:31:41 | |
At a given signal, | 1:31:41 | 1:31:42 | |
they will open fire on your troops, | 1:31:42 | 1:31:45 | |
driving them forward into the trap. | 1:31:45 | 1:31:48 | |
That is my artillery. | 1:31:48 | 1:31:49 | |
Rather neatly concealed, don't you think? | 1:31:49 | 1:31:52 | |
My gunners greet them with a full salute. | 1:31:52 | 1:31:55 | |
And finally, in come my horsemen. | 1:31:55 | 1:31:59 | |
This is, gentlemen, my household cavalry... | 1:31:59 | 1:32:02 | |
similar to that which guards | 1:32:02 | 1:32:03 | |
the person of your Queen Empress. | 1:32:03 | 1:32:06 | |
Each man is mounted on a valiant charger | 1:32:06 | 1:32:08 | |
and eager to slay for his Guru. | 1:32:08 | 1:32:11 | |
The honour of the thunder in | 1:32:11 | 1:32:14 | |
and slaughter of your army falls to them. | 1:32:14 | 1:32:17 | |
Hmm. I see it in your faces. | 1:32:19 | 1:32:23 | |
Who is this ugly little savage | 1:32:23 | 1:32:25 | |
to snarl so boldly at the British lion? | 1:32:25 | 1:32:29 | |
Prime generals, friends, are not made | 1:32:29 | 1:32:32 | |
of jewelled swords and moustache wax. | 1:32:32 | 1:32:34 | |
They're made of what is there | 1:32:34 | 1:32:37 | |
and what is here. | 1:32:37 | 1:32:38 | |
You're mad. | 1:32:38 | 1:32:39 | |
Mad? | 1:32:39 | 1:32:40 | |
Mad. | 1:32:41 | 1:32:43 | |
Hannibal was mad. | 1:32:43 | 1:32:44 | |
Caesar was mad. | 1:32:44 | 1:32:45 | |
And Napoleon surely was the maddest of the lot. | 1:32:45 | 1:32:49 | |
Ever since time began, | 1:32:49 | 1:32:50 | |
they've called "mad" all the great soldiers | 1:32:50 | 1:32:53 | |
in this world. | 1:32:53 | 1:32:54 | |
Mad? | 1:32:54 | 1:32:55 | |
We shall see what wisdom lies | 1:32:55 | 1:32:57 | |
within my madness. | 1:32:57 | 1:32:59 | |
For this is but the spring freshet | 1:32:59 | 1:33:01 | |
that precedes the flood. | 1:33:01 | 1:33:03 | |
From here we roll on, | 1:33:03 | 1:33:04 | |
from village to town, | 1:33:04 | 1:33:06 | |
from town to mighty city, | 1:33:06 | 1:33:07 | |
ever mounting, ever widening, | 1:33:07 | 1:33:10 | |
until at last my wave engulfs all India. | 1:33:10 | 1:33:14 | |
My soldiers! | 1:33:16 | 1:33:17 | |
March! | 1:33:17 | 1:33:18 | |
HE SHOUTS IN HINDI | 1:33:18 | 1:33:21 | |
THEY SHOUT IN HINDI | 1:33:21 | 1:33:25 | |
Toad-face... | 1:33:25 | 1:33:25 | |
Stop, or I'll slit his throat. | 1:33:25 | 1:33:28 | |
Obey me, my son! | 1:33:31 | 1:33:33 | |
HE SHOUTS IN HINDI | 1:33:33 | 1:33:34 | |
THEY SHOUT IN HINDI | 1:33:34 | 1:33:36 | |
Beloved Guru, they will not move | 1:33:39 | 1:33:41 | |
if it is to cost your life. | 1:33:41 | 1:33:43 | |
What is my life to our cause? Go! | 1:33:43 | 1:33:46 | |
No! They will not let you die! | 1:33:46 | 1:33:49 | |
Go! Go! Go! | 1:33:49 | 1:33:50 | |
Wait! | 1:33:50 | 1:33:51 | |
No, you don't. We need you. | 1:33:58 | 1:34:01 | |
Wait. | 1:34:03 | 1:34:04 | |
You have sworn as soldiers | 1:34:04 | 1:34:06 | |
if need be to die for your faith, | 1:34:06 | 1:34:09 | |
which is your country, your England. | 1:34:09 | 1:34:13 | |
Well, India is my country and my faith, | 1:34:13 | 1:34:15 | |
and I can die for my faith and my country | 1:34:15 | 1:34:19 | |
as readily as you for yours. | 1:34:19 | 1:34:22 | |
Go, Chota. | 1:34:22 | 1:34:23 | |
India... | 1:34:25 | 1:34:27 | |
farewell. | 1:34:27 | 1:34:28 | |
Aah! | 1:34:30 | 1:34:33 | |
GUNSHOT | 1:34:39 | 1:34:40 | |
He has warned the English. He must die. | 1:34:50 | 1:34:53 | |
Our Guru has given his life for our cause. | 1:34:55 | 1:34:58 | |
We must not fail him now! | 1:34:58 | 1:35:00 | |
We've got to warn the Scotties before they're trapped. | 1:35:03 | 1:35:06 | |
At least we're going to try. | 1:35:06 | 1:35:08 | |
THEY SHOUT IN HINDI | 1:35:09 | 1:35:10 | |
Sahibs! | 1:35:10 | 1:35:11 | |
GUNSHOT | 1:35:14 | 1:35:15 | |
Come on, mates. Let's go. | 1:35:19 | 1:35:21 | |
Good work, soldier! | 1:35:38 | 1:35:40 | |
Thank you, sahib. | 1:35:40 | 1:35:41 | |
BAGPIPES PLAY IN DISTANCE | 1:36:03 | 1:36:06 | |
Look! Look! | 1:36:36 | 1:36:37 | |
Before I have your faces | 1:36:37 | 1:36:39 | |
tied to bags of hot ashes, | 1:36:39 | 1:36:41 | |
I want you to watch | 1:36:41 | 1:36:42 | |
as though you were Rajahs at an imperial Durbar | 1:36:42 | 1:36:45 | |
while your comrades are slain to the last man. | 1:36:45 | 1:36:48 | |
# Bonnie Charlie's now awa' | 1:37:06 | 1:37:10 | |
# Safely o'er the friendly main | 1:37:10 | 1:37:14 | |
# Mony a heart will break in twa | 1:37:14 | 1:37:18 | |
# Should he no' come back again. # | 1:37:18 | 1:37:22 | |
You see, soldiering isn't all war, Mr Journalist. | 1:37:22 | 1:37:25 | |
# ..Come back again | 1:37:25 | 1:37:26 | |
# Will ye no' come back again? | 1:37:26 | 1:37:31 | |
# Will ye no' come back again? # | 1:37:35 | 1:37:40 | |
They're coming in. | 1:37:40 | 1:37:42 | |
The Colonel's got to know. | 1:37:43 | 1:37:46 | |
Yes... | 1:37:46 | 1:37:47 | |
# ..Will ye no' come back again? | 1:39:52 | 1:39:56 | |
# Bonnie Charlie's gone awa' | 1:39:56 | 1:40:01 | |
# Safely o'er the friendly main | 1:40:01 | 1:40:05 | |
# Mony a heart will break in twa | 1:40:05 | 1:40:09 | |
# Should he nar come back again | 1:40:09 | 1:40:13 | |
# Will ye no' come back again? | 1:40:13 | 1:40:17 | |
# Will ye no' come back again? | 1:40:17 | 1:40:22 | |
# Better lo'ed ye cannae be | 1:40:22 | 1:40:26 | |
# Will ye no' come back again...? # | 1:40:26 | 1:40:30 | |
HE BLOWS BUGLE | 1:40:30 | 1:40:35 | |
Trumpeter, sound off. | 1:40:38 | 1:40:40 | |
TRUMPET BLOWS | 1:40:40 | 1:40:43 | |
GUNSHOTS | 1:40:48 | 1:40:50 | |
Shoot him down! | 1:40:51 | 1:40:52 | |
Shoot him! | 1:40:52 | 1:40:53 | |
GUNSHOTS | 1:40:53 | 1:40:56 | |
Take the left flank. I'll take the right. | 1:41:08 | 1:41:10 | |
Yes, sir. | 1:41:10 | 1:41:11 | |
They're getting away! Fire! | 1:41:25 | 1:41:26 | |
Fire! | 1:41:26 | 1:41:27 | |
Fire! | 1:41:27 | 1:41:28 | |
Good work, bugler. | 1:41:33 | 1:41:36 | |
Fire! | 1:41:36 | 1:41:37 | |
Charge! Charge! | 1:41:37 | 1:41:37 | |
Cut their heads off. | 1:41:49 | 1:41:51 | |
Poor old Din. What a mate. | 1:42:08 | 1:42:10 | |
Mac, look! Here they come! | 1:42:10 | 1:42:12 | |
Come on! | 1:42:30 | 1:42:31 | |
Hit 'em again! | 1:42:31 | 1:42:32 | |
Get them off! | 1:43:07 | 1:43:09 | |
Bal! | 1:43:55 | 1:43:56 | |
Bal. Speak to me, Bal. | 1:44:03 | 1:44:06 | |
Bal. | 1:44:06 | 1:44:07 | |
They've killed him. | 1:44:09 | 1:44:11 | |
They've killed him! > | 1:44:11 | 1:44:13 | |
You'll pay for this! | 1:44:14 | 1:44:15 | |
I'll make you pay for this! | 1:44:15 | 1:44:17 | |
Mac! | 1:44:17 | 1:44:18 | |
Take that! | 1:44:20 | 1:44:21 | |
And that! | 1:44:23 | 1:44:24 | |
And that! > | 1:44:25 | 1:44:27 | |
That's right. I don't trust you. | 1:44:36 | 1:44:39 | |
Why, you dirty, scheming scum. | 1:44:39 | 1:44:42 | |
You rotter. > | 1:44:42 | 1:44:45 | |
Charge. | 1:44:55 | 1:44:56 | |
Charge! | 1:45:36 | 1:45:37 | |
Aah! Aah! | 1:45:45 | 1:45:46 | |
Everything cleaned up, sir. | 1:46:10 | 1:46:12 | |
Nice work, Mitchell. | 1:46:12 | 1:46:13 | |
Thank you, sir. | 1:46:13 | 1:46:15 | |
BAGPIPES PLAY "LORD LOVAT'S LAMENT" | 1:46:21 | 1:46:24 | |
Firing party, halt! | 1:46:49 | 1:46:51 | |
Inwards, turn! | 1:46:53 | 1:46:55 | |
Fire three volleys in the air. | 1:46:56 | 1:46:58 | |
Ready! | 1:46:58 | 1:46:59 | |
Present. | 1:47:03 | 1:47:05 | |
Fire! | 1:47:05 | 1:47:05 | |
GUNSHOTS | 1:47:05 | 1:47:06 | |
Ready! | 1:47:09 | 1:47:10 | |
Present! | 1:47:12 | 1:47:13 | |
Fire! | 1:47:15 | 1:47:16 | |
GUNSHOTS | 1:47:16 | 1:47:17 | |
Very good, my boy. | 1:47:19 | 1:47:21 | |
Very good. | 1:47:21 | 1:47:22 | |
Thank you, Colonel. | 1:47:22 | 1:47:23 | |
Not half bad. | 1:47:23 | 1:47:25 | |
Thank you, Colonel. | 1:47:25 | 1:47:26 | |
Let's take a look to the men. | 1:47:30 | 1:47:33 | |
Stand easy, men. | 1:47:58 | 1:47:59 | |
We've all done enough soldiering for one long day. | 1:48:01 | 1:48:04 | |
You were fine today. | 1:48:05 | 1:48:07 | |
Particularly fine. | 1:48:07 | 1:48:09 | |
I'd sooner hear that from you, sir, | 1:48:09 | 1:48:11 | |
than get a bloomin' medal. | 1:48:11 | 1:48:13 | |
Thanks, sir. | 1:48:13 | 1:48:14 | |
Thank you, sir. | 1:48:14 | 1:48:15 | |
I, er... | 1:48:15 | 1:48:16 | |
Well, perhaps you'd take care of this for me, sir. | 1:48:28 | 1:48:31 | |
And here's a man | 1:48:41 | 1:48:43 | |
of whom the regiment will always be proud. | 1:48:43 | 1:48:46 | |
According to regulations, | 1:48:50 | 1:48:51 | |
he had no actual status as a soldier. | 1:48:51 | 1:48:55 | |
But those who had the privilege | 1:48:55 | 1:48:57 | |
of serving with him today | 1:48:57 | 1:48:59 | |
know that if ever a man deserved | 1:48:59 | 1:49:01 | |
the name and rank of soldier, it was he... | 1:49:01 | 1:49:04 | |
so I'm appointing him a corporal in this regiment. | 1:49:04 | 1:49:07 | |
His name will be written | 1:49:10 | 1:49:12 | |
on the rolls... | 1:49:12 | 1:49:14 | |
of our honoured dead... | 1:49:14 | 1:49:15 | |
And I... | 1:49:17 | 1:49:19 | |
Ahem. Let me see that last part again, | 1:49:20 | 1:49:22 | |
will you, Mr Kipling? | 1:49:22 | 1:49:24 | |
Present... | 1:49:26 | 1:49:27 | |
arms! | 1:49:27 | 1:49:28 | |
BUGLE PLAYS | 1:49:30 | 1:49:34 | |
"So I'll meet him later on | 1:49:42 | 1:49:45 | |
"at the place where he has gone, | 1:49:45 | 1:49:47 | |
"where it's always double drill and no canteen. | 1:49:47 | 1:49:51 | |
"He'll be squatting on the coals, | 1:49:51 | 1:49:53 | |
"giving drink to poor damned souls, | 1:49:53 | 1:49:56 | |
"and I'll get a swig in hell from Gunga Din. | 1:49:56 | 1:50:00 | |
"Yes, Din, Din, Din... | 1:50:04 | 1:50:08 | |
"..you Lazarusian leper, Gunga Din. | 1:50:09 | 1:50:12 | |
"Though I've belted you | 1:50:14 | 1:50:16 | |
"an' flayed you... | 1:50:16 | 1:50:17 | |
"..by the livin' gawd that made you... | 1:50:22 | 1:50:25 | |
"..you're a better man than I am... | 1:50:26 | 1:50:29 | |
"Gunga Din!" | 1:50:29 | 1:50:30 | |
"AULD LANG SYNE" PLAYS | 1:50:30 | 1:50:34 | |
< Forward march! | 1:50:50 | 1:50:52 | |
< Straight march! | 1:50:54 | 1:50:55 | |
BAGPIPES PLAY | 1:50:57 | 1:51:00 | |
Subtitles by the National Caption Center | 1:51:37 | 1:51:40 | |
E-mail us at [email protected] | 1:51:40 | 1:51:43 |