His Kind of Woman


His Kind of Woman

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This story didn't happen in Italy. It only started there - Naples, Italy -

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in one of those big, quiet, peaceful villas overlooking the bay.

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RADIO: 'And the Senator claims that he has been "misquoted".

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'And here's a Society item from the New York plunderworld for our shortwave listeners.

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'It's called "Where do old gangsters go to die?",

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'or "Guess what upper crust crumb just bought a plushy villa overlooking the Bay of Naples".

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'None other than the old boss, one-time gambling kingpin and vice Tsar of New York, Nick Ferraro!

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'Nick has been in Italy for four years, since immigration authorities sent him back to his native Naples.

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'But I'm giving odds that Ferraro is still head of the gambling and vice set-ups in the United States.

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'He should be netting a cool 2m a year...'

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Chiudi questa radio.

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A cool two million bucks a year! It should be, if I was getting it.

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Get me Corley in Mexico. Dove sta?

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Call Jose Morro. Telefoni al sud di Mexico.

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XFO, XFO, XFO. Questo e IJQ che chiama.

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XFO, XFO, questo e IJQ. Per piacere, rispondete.

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'IJQ, this is XFO standing by for you.' Eccolo qui.

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Morro's Lodge is an elegant Mexican resort in Lower California, accessible only by plane or boat.

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It was the kind of place Ferraro would pick for what he had in mind.

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Deal's all set at this end. Just finishing up the details. Go ahead.

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'Have you found the other one? Go ahead.'

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We have him salted in Palm Springs. I'm flying up to meet Arnold in Beverly Hills tomorrow night.

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The other one WILL be here. Go ahead.

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'OK, I'll see you soon. Go ahead.'

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Right. Signing off. XFO clear.

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Ferraro? Yeah.

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He's getting impatient.

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-It isn't easy to get back into the US once you are deported.

-I

-know.

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Who is this "other one"? A man will arrive at Morro's Lodge.

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You will keep him here till the Tropic comes into the bay with Nick Ferraro, then you'll take him aboard.

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This is Ferraro. He's a big man. Perhaps his easy life in Italy has made him soft.

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He's around 195, but solid. Still young? 35.

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This man you're sending down, does he know all about it? No, not everything.

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That's how the story started.

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Somewhere in California, there was a man. Height six-something, weight 195, age 35.

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BIG BAND MUSIC PLAYS

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-Good evening, Mr Dan.

-How's it going, Sam?

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-Nothing to it.

-Just let me have a glass of milk.

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Do you suppose we can do without that radio?

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Where you been? I ain't seen you since the last rain.

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-Palm Springs.

-Hustling the millionaires?

-I went to cure a cold, wound up doing 30 days.

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-For what?

-For nothing.

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-I don't get it.

-Well, I got it.

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Somebody is putting the salt on me.

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You can cuff it.

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-Does it show that much?

-Only to me.

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Got anything in mind?

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-Yes, I have. I'm going to go home and go to bed where I can't get into trouble.

-You think not?

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I'll see you all of a sudden, Sammy.

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You need a fourth?

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-Hello, Danny.

-Who are you?

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I don't know you guys.

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Ollie Chester wants the dough.

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What dough?

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You bet 200 across on a pig called Lagging Boy. That's just what he was.

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Ollie wants the 600.

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I made a bet with Ollie?

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-He called it in.

-SOMEBODY called it in. I never bet on a race in my life that wasn't fixed.

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-When did it run?

-Thursday.

-Last Thursday, I was digging a road for the law in Cochelo Valley.

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It would be smarter just to come up with it.

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Don't you think it would be nice if you boys cleaned up this mess before you got out of here?

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Just come up with it.

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PHONE RINGS Hello.

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- Milner's here. - You know not to mess up his face?

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OK. But don't rough him up too much.

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OK, boys, that's enough.

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Charlie, get my money.

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PHONE RINGS

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Hello.

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Yeah, this is Milner.

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No, I'm not busy, Corley.

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No, I was just getting ready to take my tie off, wondering whether I should hang myself with it.

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Yeah, I can come over. ..Sure. Right away.

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Second light to the left.

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-Nice to see you, Milner.

-Hello, Corley.

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What'll you have to drink?

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Oh, that's right. You don't drink.

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How about a soft one?

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Ginger ale will be just fine.

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You look like a shot of something in it might help you a little.

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Just the ginger ale is fine, thanks.

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You got a dime on you?

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Thanks.

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-Still sore?

-You tell me why.

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Every once in a while, a good man, like a good horse, gets into a slump. Just can't scratch the pad.

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I knew you would understand.

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You blew a bundle in Reno. In Vegas, they nicked you for six grand. In Palm Springs, they tapped you out.

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-Tonight Chester had me spanked for nothing.

-Think this part of the world isn't lucky for you any more?

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-Do you?

-Somebody does.

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-Like who?

-Fellow named Arnold.

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Who? And where is he?

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Right here.

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My proposition's a very simple one.

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Well, I'm a very simple guy.

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The deal entails two important items.

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One you'll find extremely interesting, the other you may object to.

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First, you'll make yourself 50,000.

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And what's the one I'm going to object to?

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You'll have to leave the country.

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For how long?

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Say a year?

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Well, it just so happens I've given up my home here.

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See? Already your luck's turning.

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-Where does it change?

-Mexico.

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You take a plane to Tucson, cross the border on a bus to Nogales.

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Hernandez at the airfield there will give you your next step.

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-Aren't you playing this a little close to the vest?

-You may change your mind en route.

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Are you sure that privilege is open to me? After Nogales, what happens?

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Nothing.

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There'll be fishing, hunting, swimming. You'll be very comfortable.

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-For that I get 50 grand?

-What's better than that?

-I'm just trying to understand it.

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Here's 5,000.

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You'll get ten more when you get where you're going.

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-It goes to 50. That's all I can tell you.

-That's quite a bit.

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-You lost your wallet.

-Well, an old friend!

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Airplane tickets. Credentials.

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You really believe in breaking a man down, don't you?

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Just bending him a little, Milner, that's all.

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I'm looking for a man named Hernandez.

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I'm a man named Hernandez, senor.

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I'm a man named Dan Milner. It's supposed to mean something to you.

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-Pardon, senor?

-If it should come to you, I'll be in the cafe.

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-Is it all right if I leave this?

-Si, senor. You wish a seat on the plane to Mejico City?

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Who knows? Let's stick around and see, huh?

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MUSIC PLAYS

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What'll it be?

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-You got anything to eat?

-Chilli.

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And beans.

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And beans.

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# Five little miles from San Berdoo

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# I woke up humming and thought of you

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# I looked out the window what a view

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# Five little miles from San Berdoo

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# Four little miles from San Berdoo

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# The porter shouted, "We're almost due"

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# I saw familiar spots we knew

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# Four little miles from San Berdoo

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# Three little miles from San Berdoo

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# My bag was packed and ready

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# I said to myself, "Steady...

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# "Two more miles and you're in heaven"

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# One little mile from San Berdoo

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# My heart was skipping a beat or two

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# Oh, what a thrill when I saw you

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# Waiting at the station down in San Be...

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# San Bernardino, man!

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# ..Berdoo! #

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Ah, that was swell. Canto esto muy bonito, senorita.

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-Gracias, gracias.

-Your Spanish is pretty good.

-Es nada.

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-Hey, I loved that break. Will you try that again?

-PIANO PLAYS

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-How about a drink?

-Not for me, but I'd like to buy her one. What's she drinking?

-Champagne, 18 a bottle.

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-Thought she might be alone.

-She is.

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-You said 18? And the chilli, there's 20.

-Save your dough.

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-You tell me a better way to spend it.

-She's just waiting for a plane she chartered.

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Just the bottle, then.

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HE PLAYS PIANO WITH ONE FINGER

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Do you mind if I join you?

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-It seems you have.

-You sing pretty good. I thought I'd buy you a drink.

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-I'm drinking champagne.

-I'm ahead.

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18 a bottle.

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Not for me.

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-Champagne's not your drink?

-Only on big occasions.

-This isn't?

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Can't be. You're waiting for a chartered plane.

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Are you in the oil business or just spending your alimony all at once?

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-I'm a spoiled child of the rich.

-How do you do! I'm a spoiled child of the poor.

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Senorita! It is here, senorita.

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-Are you sure it's the right one?

-Si. The pilot is my friend.

-Just a minute.

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Gracias, muchas gracias.

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You're sure you want to go now?

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-Mm-hm.

-You chartered the plane, didn't you? He can wait.

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-But

-I

-can't.

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Wait a minute!

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You forgot your bottle.

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You keep it. It may have a little resale value.

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-Mr Milner?

-Yes.

-Your plane is waiting. It was very late. That's why...

-Nobody minds.

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-Where's this plane taking me?

-You are joking, senor?

-I don't think so.

-It's the Morro's Lodge plane, senor.

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Mr Milner?

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-Yes. And you?

-Tex Kearns.

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The pilot. Your bag's on the plane. Sorry I'm so late. These winds...

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I know. Things are tough all over.

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Anyhow, you'll get to see Morro's Lodge from the air in the morning sun. Quite a sight.

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-You hop in. I'll be right with you.

-Thanks.

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Well...hello again.

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-May we join you in your plane?

-Did I say I chartered it?

-Didn't you?

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-Didn't you say something about being poor?

-That was for real.

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-Morro's isn't the place for you, then.

-Somebody bought me a ticket.

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And you? Are you for real? You sing like you do it for a living.

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Thanks. I'd rather sing than clip coupons,

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-but I have 1m, so no-one takes me seriously.

-With 1m, it doesn't matter.

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Will you fasten your seat belts, please?

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Don't you have a name?

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-I figured you already knew it.

-Should I?

-No, I guess not.

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-I was just shooting the moon. It's Milner, Dan.

-Mine's Brent, Lenore.

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-What did you expect to hit?

-You never can tell.

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-What's Morro's like?

-I couldn't tell you. This is my first visit.

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I spend most of my time on the Continent - Europe.

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LATIN AMERICAN MUSIC PLAYS

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-Yes, sir?

-Ginger ale, please.

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I'm Jose Morro.

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Hello. Won't you sit down?

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-Did you find your cabin completely acceptable?

-Well, I found it.

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-Is there anything I can do for you?

-I was sort of hoping you'd ask that.

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I recently came into some money.

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This nice new 1,000 bill is part of it. I'm told there'll be more.

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-What do you wish to buy with this?

-Whatever it's worth. A helping hand? Information? ..About her.

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Well, hello, Liz! Where did you come from?

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Sorry, wrong name. Wrong woman.

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-She is beautiful AND interesting.

-Beautiful is always interesting.

-She has an impeccable background.

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-What's that?

-Boston, New York, Rome, Paris, St Moritz.

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-I understand you are from California.

-Yes, Ramona, LA, Glendale...Thanks.

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I'm afraid this is rather difficult.

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-Your reservation was arranged by Mr Arnold and I'm not the man to question him.

-No, neither was I.

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-In the interests of my clientele, I am curious...

-About my character.

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Forgive me. I'm a hotel keeper.

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Not at all. I welcome it. I'm a professional gambler.

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-Who isn't?

-I'm not here on business. I came down for a sun bath.

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-Don't take too much the first day.

-No.

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I just thought it would be nicer if we understood each other.

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We'll keep it very nice.

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Morro! How about some gin rummy? Sorry, Mr Winton, but I have no time.

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-How about you?

-Don't play.

-He doesn't play gin rummy!

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-What's your card game?

-I don't play at all.

-Excuse me, please.

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Give me a glass of beer.

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ORCHESTRA PLAYS "Jealousy"

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You're Milner, aren't you?

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-Yeah.

-I'm Winton - Pipps and Winton, investment brokers.

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-I bury my money in the ground.

-Seems I've heard of you, Milner.

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-Well, must be another Milner.

-That's your best guess.

-You came down on a plane with Lenore Brent.

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-You know her?

-I met her at St Moritz. I guess that's where it got started with Cardigan.

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-You haven't heard about the thing with Mark Cardigan?

-I've never even heard of him!

-I know you're kidding.

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-I'm not.

-You're probably wondering what a man like myself is doing in an odd place like this.

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-No.

-Well, I'm hiding from business and it is rather an inaccessible place down here.

-Yes, but why odd?

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It isn't the place, it's the people. Now, you see that man over there?

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He's Martin Krafft - a writer, but all he does is play chess.

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-That's odd?

-He doesn't play anybody.

-Maybe he hates to lose.

-Never thought of that.

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What's with that little blonde?

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She is pretty, isn't she?

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Scared to death.

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-Of the kid with her?

-No. That's her husband - so she said.

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It's just that there's something in the air. You know what I mean?

0:25:130:25:18

-Excuse me. I always take a nap before dinner.

-You sleep with your eyes open or shut?

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It's worth trying anyhow.

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Can I order you something?

0:25:370:25:39

What?

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My, we're so nervous. What's wrong?

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-Nothing. I'm all right.

-It might help to talk about it.

-No, please.

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I've got a problem, too. Maybe we could help each other.

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-We should never have come down here.

-All right, why shouldn't you?

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I'm all right now. Thanks.

0:26:010:26:04

Mr Krafft...I'm Dan Milner. I play a pretty fair game. Do you suppose that's why Arnold sent me down?

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I cannot always comprehend the use to which Americans put their language.

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I'm having the same trouble with you.

0:26:300:26:34

Hi.

0:26:380:26:40

-Leaving?

-My bungalow costs 75 a day. I thought I'd spend some time in it.

-I thought we might dance.

0:26:410:26:49

-How's your friend?

-What?

-The guitar player. He knows you.

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-He thought so. Maybe he does. I sing at the drop of a hat.

-Even if you have to supply the hat.

-Exactly.

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-Will that dance offer still be good in an hour?

-You could try me.

-Fine.

0:27:010:27:06

-I'm sorry.

-I should look where I'm going. You're new around here, aren't you? I'm Mark Cardigan.

0:27:140:27:21

-Dan Milner.

-How are you? Milner, do you like to hunt? I'm looking for just one man who likes to hunt.

0:27:210:27:28

-Yeah, I like to hunt all right.

-You do? Well, I've hunted 'em in Wyoming, Idaho, Canada and Alaska,

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-and they were big, but down here, they've got the daddies of 'em all.

-Deer?

0:27:360:27:42

A 12-point buck eluded me for a week. Yesterday I nailed him.

0:27:420:27:47

-Let's try for his brother.

-Got a grudge against the family?

-Mark!

0:27:470:27:53

Mark!

0:27:530:27:55

I've got a little Winchester you can use.

0:27:550:27:59

-The kinda shooting you get...

-You're being paged.

-Yeah.

0:27:590:28:04

I'll talk to you later.

0:28:040:28:06

-Hello, Mark.

-Hello, my darling.

0:28:090:28:11

Not here. Later when we're alone.

0:28:110:28:15

-Mark, why didn't you write to me? I wouldn't have blackmailed you.

-Nothing matters now you're here.

0:28:150:28:22

Tell me all about yourself. This is a wonderful place. You should see the buck I killed yesterday.

0:28:220:28:29

-You'll see the pictures. Morro's making a scrapbook of what I kill.

-Yes, he mentioned it.

0:28:290:28:36

-He said that given the time, you might rid the world of all animal life.

-I'm like the plague!

0:28:360:28:44

I know you were trying to needle me, but you can't. You're the only one who ever loved me for my REAL self.

0:28:440:28:52

Look! What does that remind you of?

0:28:520:28:54

-The ocean.

-Don't you remember Miami and the first time we ever met...?

0:28:540:29:00

All right, all right.

0:29:010:29:03

It was...St Moritz. You skied then, but that night you sang to the accompaniment of the zither.

0:29:030:29:10

-That's better.

-I've forgotten a lot, but I'll never forget you.

0:29:100:29:15

Let's open a bottle and celebrate your coming.

0:29:150:29:19

Senor Cardigan is the greatest of all cinema actors.

0:29:190:29:24

Only today he favoured me with his autograph upon an American 10 bill.

0:29:240:29:30

Naturally now I can't spend it.

0:29:300:29:33

-That's tough.

-Yes.

-What are you going to do with that bottle?

-Excuse me. I have to put it on ice.

0:29:330:29:41

- I'm warning you. He will make us trouble. I know the type. - I don't think so.

0:29:560:30:04

Within 24 hours...

0:30:040:30:06

CONVERSATION BECOMES INAUDIBLE

0:30:060:30:09

You stick to your chess. I'll take care of him.

0:30:110:30:15

Mr Morro, please.

0:30:300:30:33

-'Yes?'

-Hello, Morro.

0:30:330:30:35

This is Milner. I may go social. Who has the cabin next to mine?

0:30:350:30:40

-A Mr Thompson is your neighbour, sir.

-Do you know anything about Thompson or his friend Krafft?

0:30:400:30:47

Mr Thompson is, I believe, a public relations man. Mr Krafft is a writer.

0:30:470:30:54

-Is everything all right?

-I'll let you know. Which is Krafft's cabin?

0:30:540:30:59

-Mr Krafft is in cabin one.

-Thank you.

0:30:590:31:03

What IS it you want?

0:32:020:32:05

-I'd like to have a little chat with you and your friend Thompson.

-You are crazy man!

0:32:050:32:12

-I don't know you and I can't help you.

-Do you know Thompson?

0:32:130:32:18

-No.

-Now I think we can do business.

0:32:180:32:21

I don't like this any better than you do. What happens and when?

0:32:210:32:26

I don't know why you are here or why I am here. One needs patience when dealing with certain men.

0:32:260:32:34

I'm all out of patience.

0:32:340:32:36

OK, so you've got the difference. I wonder if you're prepared to use it.

0:32:460:32:51

-I see no reason why I should.

-You're wrong. I want information and I'm beginning not to care how I get it.

0:32:510:32:59

Why don't you cool off?

0:33:080:33:11

-That could be a mistake.

-I don't think so.

0:33:120:33:16

My job is to keep you and Krafft here. That's all I know.

0:33:160:33:21

Within 24 hours, somebody will come in. They'll tell you why you're here.

0:33:210:33:26

The more I hear, the less I like.

0:33:260:33:29

-In fact, the less I believe.

-Oh, you can believe this.

0:33:290:33:34

10,000.

0:33:350:33:37

-If you don't mind, my friend Mr Krafft and I were about to play some chess.

-One more question.

0:33:370:33:44

-Why was I tabbed for this?

-Maybe because you never got in bad trouble.

-You mean with the Federal Police?

0:33:450:33:53

I doubt if they'd give you 50,000 for a misdemeanour.

0:33:530:33:57

Look, Milner, I'm ignorant.

0:33:570:34:00

Happy to be that way.

0:34:000:34:02

Just how ignorant are you?

0:34:070:34:09

That Brent girl, for instance. Is she in this?

0:34:090:34:14

This is no time to get mixed up with a woman, especially someone else's woman.

0:34:140:34:21

XFO calling Tropic. XFO calling Tropic. Come in, please.

0:34:570:35:02

'This is Tropic. Go ahead.'

0:35:020:35:05

Nick, what's keeping you? Go ahead.

0:35:050:35:07

'We're in a bad storm. You'll get it soon. What's wrong?'

0:35:070:35:12

Milner's getting jumpy. He may try to leave.

0:35:120:35:16

'Don't let him. Keep him there.'

0:35:160:35:19

Right. Better contact me in code from now on. XFO over and out.'

0:35:190:35:24

Hi.

0:35:410:35:43

Will you open this for me?

0:35:440:35:47

-Thanks. I hear Cardigan caught a fish.

-I devoted half the morning to watching him do it.

0:35:540:36:01

-He and Morro are photographing it now.

-You don't like fish?

-Mm-hm.

0:36:010:36:06

-On a plate with sauce and white wine.

-Somebody's got to kill 'em.

-Mark's fish are stuffed, not eaten.

0:36:060:36:14

-I was the best back my college ever had.

-Look at that.

0:36:140:36:18

Your husband can't do this.

0:36:180:36:21

I'm a little out of practice. I used to be able to do 20 of those for a pretty little thing like you.

0:36:220:36:29

-Love comes to Wall Street.

-Don't be so cynical.

0:36:290:36:33

Here, put some oil on my back, will you?

0:36:330:36:38

Go on!

0:36:480:36:51

That's nice. You've got good hands.

0:36:560:36:58

-You like it nice.

-Uh-huh. I always had everything nice.

0:36:580:37:03

My grandfather had millions, but you'd like him in spite of it.

0:37:030:37:08

-I could like him FOR it.

-He gave me 1m, so he could say every guy I met was after my money.

0:37:080:37:15

-Were they?

-He'd have loved you for that snide crack.

0:37:150:37:20

Are you going to the movie tonight? It's Mark's latest.

0:37:200:37:25

Why not?

0:37:250:37:27

That was real nice.

0:37:290:37:31

-You should have been a masseur instead.

-Instead of what?

-Instead of whatever it is you do.

0:37:310:37:38

I make a little bet on the horses sometimes, but I play cards mostly.

0:37:380:37:43

-I've an old maid aunt who does the same thing.

-I make a living at it.

0:37:430:37:48

Sounds like a well-spent life. Morro implied you were a gambler.

0:37:480:37:53

The way I do it, it isn't gambling.

0:37:530:37:56

-You cheat?

-You don't have to cheat.

0:37:560:37:59

-We ought to get along fine. I'm a gambler myself.

-Oh? How high do you like to play?

0:37:590:38:06

If I told you, you wouldn't believe me.

0:38:060:38:10

DRAMATIC MUSIC PLAYS

0:38:190:38:23

CLAPPING >

0:38:550:38:57

'Sir Godfrey!'

0:39:000:39:02

Lady Gwendoline! Nought is between us. I take thee now with honour.

0:39:020:39:08

-A thrilling performance!

-Thank you, my dear.

0:39:250:39:29

-Your best picture ever.

-Thank you.

0:39:290:39:32

-My wife thinks you're wonderful.

-Thank her for me.

0:39:320:39:36

That was a very fine movie. They ought to forget social matters.

0:39:360:39:41

People don't go to the movies to see how miserable the world is, but to be happy!

0:39:410:39:47

-What did you think of it?

-It had a message no pigeon would carry.

0:39:470:39:52

-In my studio, all messages are handled by Western Union.

-Don't take his opinion on anything.

0:39:520:39:59

-He's an intellectual. I have an idea for a movie...

-Excuse me.

0:39:590:40:04

I'm an investment broker. A lot of hidden romance...

0:40:040:40:08

What did you think of the picture?

0:40:080:40:11

-It was a little long, about 1½ hours.

-She hates everything I do.

-She likes YOU.

0:40:110:40:18

-I don't understand that.

-If she liked me, I wouldn't try to understand.

-Esteban!

0:40:180:40:25

-Scotch o liso, por favor.

-I don't understand.

-Scotch and soda.

-Oh!

0:40:250:40:30

-Look...er...

-Milner.

-That's right, Milner.

0:40:300:40:34

-What about tomorrow morning?

-What about it?

-The hunting! I'll root you out about five.

-Five?!

0:40:340:40:41

-He shoots them as they crawl out of bed.

-If you'd use that needle to sew with, you'd be much happier.

0:40:410:40:48

-OK?

-It's all right with me, but Morro says there's a storm brewing.

-A chubasco - a hurricane.

-Oh-h!

0:40:480:40:55

Don't look so dismal, darling.

0:40:550:40:58

You can dig a hurricane shelter and shoot from that, then you won't have to spend the day with me.

0:40:580:41:05

-Now what did I do?

-You looked dismal.

-Dismal?

0:41:060:41:11

-Hello, Harry.

-I give away everything but secrets, Liz.

0:41:220:41:27

-I know.

-I never thought that Liz Brady would turn out to be a phoney.

0:41:270:41:33

It's nice to know I'm right.

0:41:330:41:35

Liz Brady went to Europe with a USO troupe. She never came back.

0:41:350:41:40

That's too bad. She was a real nice kid. She sang nice too.

0:41:400:41:45

-Lenore Brent sings.

-Really?

-Uh-huh.

0:41:450:41:48

-Would you?

-Sure.

-That'd be like old times.

0:41:480:41:52

Harry, I'm sorry about yesterday. I hated myself all day.

0:41:530:41:58

-Forget it, kid. You had your reasons. Mind if I ask how you came into all the dough?

-All what dough?

0:41:580:42:06

-If I don't hook my man in two weeks, I'll be hitting you up for a job.

-You'll probably get it.

0:42:060:42:13

Come on, baby.

0:42:130:42:16

-What'll you have?

-Nothing, thanks.

-Why don't you drink?

-I might forget what I'm doing.

0:42:160:42:23

# You'll know

0:42:290:42:32

# When it happens, you'll know

0:42:320:42:36

# You'll need no-one to tell you

0:42:360:42:39

# When it happens, you'll know

0:42:390:42:44

# And though...

0:42:450:42:49

# You've been fooled in the past

0:42:490:42:53

# When you meet with your real love

0:42:530:42:58

# You'll surrender at last

0:42:580:43:03

# Those dreams you've planned

0:43:030:43:08

# All at once will come true

0:43:080:43:11

# He'll take your hand

0:43:110:43:15

# And there's nothing that you can do

0:43:150:43:21

# You go

0:43:210:43:26

# Where he wants you to go

0:43:260:43:30

# You need no-one to tell you

0:43:300:43:36

# When it happens

0:43:360:43:40

# You'll know-ow. #

0:43:400:43:47

Excuse me.

0:43:520:43:54

-What's your husband doing? Playing unlucky?

-Mm-hm.

0:44:280:44:32

-That's what it was before, huh?

-Yes, but... Well, he didn't mean to.

0:44:320:44:38

-He loves to play and they practically insisted.

-Who insisted?

0:44:380:44:43

Winton?

0:44:430:44:45

Yes.

0:44:450:44:47

-He's been so nice to both of us.

-Especially you.

-Maybe.

0:44:470:44:51

Anyway, I told Milt to go ahead and play. It is our honeymoon, and we don't have much money.

0:44:510:44:59

-Go on.

-He just lost more than we had and we wrote a cheque.

0:44:590:45:04

-I know it's terrible, but Mr Winton made it all so easy.

-Winton has the bad cheque?

-Uh-huh.

0:45:040:45:11

-I think he has an idea that you could get it back.

-We couldn't ask him for it.

-I said YOU.

0:45:110:45:18

Forget it.

0:45:180:45:21

Cards are shuffled. Everybody, ante up.

0:45:250:45:29

Money loves money. If you're going to win the whole scam, you might as well win me too.

0:45:290:45:36

Deal me in.

0:45:360:45:38

-Cut?

-Take your best shot.

0:45:380:45:41

-How do you stand?

-Not so good.

-Too bad. Maybe I'll bring you luck.

0:45:410:45:46

I wish something would.

0:45:460:45:49

Jack's the bet at open. ..You open?

0:45:540:45:57

-If I didn't know better, I'd think this wasn't on the square.

-Open?

0:46:000:46:05

Give him something to shoot for!

0:46:100:46:12

-You've got the best hand.

-And you?

0:46:120:46:15

- I'll stay. - Stay. - I'm in.

0:46:150:46:20

All right, and 50 more.

0:46:210:46:24

Well, we're going to have to play this pretty shrewd.

0:46:240:46:28

-And back 50.

-That's me out.

0:46:280:46:30

Stay.

0:46:300:46:31

-Little too steep for me.

-And you?

0:46:310:46:34

And...

0:46:350:46:37

once more.

0:46:370:46:39

-Do you mind if I back him a little?

-It's only money.

-Thanks.

0:46:390:46:45

-Cards?

-May I take the cut now?

0:46:470:46:50

-Certainly.

-Thank you.

0:46:500:46:52

-How many?

-Three.

0:46:550:46:58

None for the dealer.

0:47:020:47:04

-We bet 100.

-Without looking?

0:47:060:47:09

It's more fun that way.

0:47:090:47:11

All right. And up.

0:47:120:47:15

Well, if you're betting leather, Mr Winton, we call.

0:47:170:47:21

-But there's 1,000 inside my leather.

-And 1,000 inside MY leather.

0:47:230:47:28

Kings four.

0:47:320:47:35

Well!

0:47:350:47:37

-Do you think we ought to look?

-Do you?

-It's your hand.

0:47:370:47:42

Ace.

0:47:440:47:45

Ace.

0:47:460:47:48

Three aces. >

0:47:530:47:55

Queen. >

0:47:550:47:57

Four aces. Well, what do you know? I brought you luck.

0:48:000:48:05

Now don't crowd it.

0:48:050:48:07

Four aces!

0:48:070:48:10

That's incredible!

0:48:100:48:12

All right, he got even. Now get him out of there.

0:48:140:48:19

Morro.

0:48:250:48:27

I'd like to have a word with you.

0:48:280:48:30

Certainly. Come into my office, please.

0:48:300:48:34

Morro, have you any idea when Tex will be flying up to Nogales?

0:48:380:48:43

-Considering weather conditions, perhaps tomorrow.

-I was wondering when to expect the man

0:48:430:48:50

-that Arnold is sending down to do business with me.

-Business? Forgive me...

-You're just a hotel keeper.

0:48:500:48:57

'Morro's Lodge, Lusk calling. Over.'

0:48:570:49:00

Come in Mr Lusk. This is Morro's Lodge. Over.

0:49:000:49:04

'Request landing instructions. Your field. Over.' What's your position, Mr Lusk? Over.

0:49:040:49:11

'125 miles southeast of Santa Rosalia and 8,000 feet over Mexico. Over.'

0:49:110:49:17

Correction. You're 8,000 feet over the Gulf of California.

0:49:170:49:22

Tell him to go back to Santa Rosalia. Go back to Santa Rosalia.

0:49:220:49:26

You can't land here. We're expecting a big storm tonight. Over.

0:49:260:49:31

-'I'm short of gas and out of Scotch. I'll find your field. Over and out.'

-Who is this clown?

0:49:310:49:38

-A lunatic in a private plane. Sounds drunk.

-Flying tonight, he has to be.

0:49:380:49:43

Morro's Lodge calling Mr Lusk Come in, Mr Lusk! Over.

0:49:430:49:48

Calling Mr Lusk! Come in, Mr Lusk! Over.

0:49:480:49:51

I guess he's broken contact, Mr Morro. I ought to go to the field.

0:49:530:49:58

Can I come in?

0:50:110:50:13

Why not?

0:50:130:50:15

-I saw your light and I didn't think you were the kind who slept with it on.

-I'm starting that tonight.

-Why?

0:50:150:50:23

Where's your friend William Tell?

0:50:230:50:25

Bed, I suppose. He still intends getting up at five.

0:50:250:50:30

-Don't you dampen it first?

-Oh, it's an old habit.

0:50:310:50:36

-When I have nothing to do and I can't think, I iron my money.

-What if you're broke?

-I press my pants.

0:50:360:50:43

You know, one time a dame walked into my room, just like you did.

0:50:430:50:48

-She'd been out in the rain. I pressed her dress dry.

-What did she do?

-Poured me some coffee.

0:50:480:50:56

-I think you're the strangest man I ever knew.

-You don't know me.

0:50:560:51:01

-What do you want me to do? Leave?

-I want you to pour the coffee!

0:51:010:51:07

I've never been so bored in my whole life. Maybe I ought to go home and iron my own money.

0:51:070:51:14

If you didn't have so much.

0:51:150:51:18

-For two cents, I'd leave tonight.

-That's all the change I've got.

0:51:180:51:23

Look, in the cool of the morning, the farmer'll get his cow back.

0:51:230:51:28

-You've had a little beef, tomorrow you'll be rid of it.

-Tomorrow his wife arrives.

-Uh-oh.

0:51:280:51:35

I didn't know he had a wife.

0:51:350:51:37

When I first met him, she was planning a divorce. She went to Reno three months ago.

0:51:370:51:44

I thought by now... Is it that funny?

0:51:440:51:48

I was playing high card with this guy. I got him up to 30,000 and discovered neither of us had a dime.

0:51:480:51:56

AEROPLANE APPROACHES

0:51:560:51:59

-Who's that idiot?

-I think it's somebody who wants to see ME real bad.

0:52:010:52:07

Tell 'em to put up more flares. Pronto con las luces!

0:52:110:52:16

Welcome to Morro's Lodge, Senor Lusk. For a while, we thought all was lost.

0:52:440:52:49

It's still lost, senor. It's been lost for 10,000 years.

0:52:490:52:53

You see how it is. Fools get away with the impossible.

0:52:530:52:58

That's because they're the only ones who try it.

0:52:580:53:02

Where have you been? I looked for you all day.

0:53:330:53:38

I stayed in bed. Nimrod went hunting again.

0:53:380:53:42

-I'm afraid I was a little out of my precinct last night.

-With me?

0:53:430:53:48

Yeah, with you.

0:53:480:53:50

Do you want me to forget it?

0:53:500:53:53

-I want you to forget it.

-It's forgotten.

-I lost my...

0:53:530:53:58

-It's forgotten, isn't it?

-Fine.

0:53:580:54:01

-Where is Mr Cardigan?

-How should I know?

0:54:010:54:05

I'm sorry.

0:54:080:54:10

Were you in love with me last night?

0:54:100:54:14

Yeah.

0:54:140:54:16

But tonight you're not. I guess that's the way I affect people.

0:54:160:54:21

-Maybe it's just that you affect the wrong people.

-Shall we forget it again?

0:54:210:54:28

I have to.

0:54:280:54:31

Well, there she is, right on schedule.

0:54:330:54:37

Splendid, but I wish you'd do one other little thing for me. Anything.

0:54:370:54:42

-Be quite a surprise for Cardigan.

-Surprise?

-She asked Morro not to tell Mark she was coming.

0:54:420:54:49

But he told me. The idiot's bringing her over here!

0:54:490:54:54

I'd like you to meet our newest arrival - Mrs Cardigan.

0:54:550:54:59

-This is Miss Brent and Mr Milner.

-How do you do?

0:54:590:55:03

-I seem to have heard of you.

-I met your husband in Europe.

-He meets so many women.

0:55:030:55:10

-That's the price of fame.

-Well, it's a living.

0:55:100:55:13

-Would you like to dance?

-I'd hate it, but under the circumstances.

-Forgive us.

0:55:130:55:19

I don't want to dance. Take me out of here.

0:55:200:55:24

-It's a good thing you're so rich.

-Is that supposed to mean something?

0:55:290:55:34

Any rich dames I've met have a terror of talking about their dough.

0:55:340:55:40

-Maybe they feel guilty.

-Maybe you don't.

0:55:400:55:44

Maybe the fact that Cardigan's married doesn't worry you.

0:55:440:55:48

If I was a phoney, you'd still have no right to that rock in your hand.

0:55:480:55:53

Excuse me, senorita. Senor Cardigan wish that you come to his cabin. You too, senor.

0:55:530:56:00

-Now comes the showdown.

-No. When that happens, he won't invite me.

0:56:010:56:06

Let's go see what he wants.

0:56:060:56:10

HE WHISTLES TO HIMSELF

0:56:100:56:12

KNOCK AT DOOR

0:56:140:56:17

Come on in, my friends. Get a load of this.

0:56:200:56:24

You never tasted duck like this one a-la-Cardigan,

0:56:240:56:29

-soaked in sherry with only salt and sage and pepper.

-Butchered by the chef himself.

-Shot, my pet.

0:56:290:56:36

Mix yourselves a drink while I put this on.

0:56:360:56:40

It's a pretty weapon.

0:56:440:56:47

-A gift from his fan club.

-Darling, would you set the table for three?

-I'll set it for four.

0:56:470:56:54

-Got somebody else coming?

-YOU have.

-Who?

0:56:540:56:58

-A Mrs Helen Cardigan.

-Fine.

0:56:580:57:01

Who?

0:57:010:57:03

-Who?

-Your wife. Surely you remember her?

0:57:040:57:08

Oh.

0:57:080:57:10

Here?

0:57:100:57:12

-She here?

-She here.

0:57:120:57:14

KNOCK AT DOOR

0:57:140:57:17

Isn't somebody going to answer it?

0:57:190:57:21

-Come right in.

-I'm looking for Cardigan.

-Gerald, this is a real surprise! Come on in.

0:57:270:57:34

-I did wire you five times.

-Oh, were they from you?

-If you'd opened them, you might have found out.

0:57:340:57:41

-Lenore, meet my personal manager Gerald Hobson. This is Lenore Brent and Dan...

-Milner.

0:57:410:57:48

-How do you do?

-I suppose you know Helen is here.

-Yes, she didn't...

0:57:480:57:53

-..get the divorce? No. Lucky for you. The papers've had a field day.

-Why?

0:57:530:57:58

-It seems the male half of America's most happily married couple has made a fool of himself with a dame.

-Me.

0:57:580:58:06

-Who is happily married?

-Very few, but you're a victim of your own publicity and you're getting older.

0:58:060:58:13

-So is my ten-year-old nephew.

-Your contract won't be renewed if this is still going on.

-Maybe I should go.

0:58:130:58:21

-Nothing is private in Hollywood.

-I know. You just work there.

-Gerald, I owe you a lot,

0:58:210:58:28

but I'm not a kid trying to get a break. It's time I lived my own life. Helen and I are incompatible.

0:58:280:58:35

-I have a right to my happiness, too.

-How happy will you be without a contract?

0:58:350:58:41

-I brought Helen here. You're going to be reconciled. People take marriage seriously.

-I do too, but...

-What?

0:58:410:58:49

Yeah, but what? Tell him about us. Tell him how this is different.

0:58:490:58:54

Yes, Gerald, this is different. I know you won't believe me, but I've never been in love before.

0:58:540:59:01

What's happening here?

0:59:010:59:04

-Are you looking for a settlement?

-Cardigan's in no position to refuse one.

-Obviously.

0:59:040:59:11

May I go now, or would you like it from me too?

0:59:130:59:17

And it was going to be such a beautiful dinner!

0:59:240:59:28

# I'm a rambling wreck from Georgia Tech... #

0:59:290:59:34

Really!

0:59:340:59:36

I'm a social outcast. Nobody's speaking to me.

0:59:360:59:40

-What would you like to talk about?

-Myself, naturally.

-That's just what I wanted to talk about.

0:59:400:59:48

-Why don't we get out of here?

-I'm scared to walk.

-Lean on me.

0:59:480:59:52

-Let's go over to your drink and shake it up.

-You're making sense.

0:59:520:59:58

-# For he's a rambling wreck from Georgia Tech... #

-He sure is.

0:59:581:00:03

You don't have to hold me up, buddy.

1:00:091:00:12

-I was the greatest scatback that ever lost to Notre Dame.

-You drink like a B girl.

1:00:121:00:19

-What did you say?

-You drink like a B girl.

1:00:191:00:23

I'll pull the blinds.

1:00:231:00:26

-I didn't think you were buying it.

-I would have, but I was expecting you.

-You weren't expecting me.

1:00:261:00:32

-Well, somebody. It turned out to be you.

-Wrong. Your man hasn't shown.

-Everybody's so cagey.

-Wrong again.

1:00:321:00:40

I'm not being cagey. Maybe I'm being a bit simple, but I'm going to gamble with you.

1:00:401:00:46

-I only gamble on sure things.

-You don't even know why you're here! I do.

-Keep dealing.

1:00:461:00:53

-I'm a cop.

-What kind?

1:00:531:00:56

-Federal. Immigration service.

-I'm losing interest.

-I think you'd like to get clear.

1:00:561:01:03

-You can, in return for a little cooperation.

-Get clear of what?

-What would Arnold want with you?

1:01:031:01:10

-Does that not make you wonder?

-It makes me sleepy.

1:01:101:01:15

-A man wants into the States. He doesn't care how he does it.

-Anybody I know?

1:01:151:01:22

-Everybody knows him. Get it?

-No.

-You're the patsy. A boat will sail into the bay here.

1:01:221:01:29

-When it leaves, you'll be on it, but "Milner" will go back to the States.

-He'll be recognised if he's so big.

1:01:291:01:36

Krafft may be a writer and he looks like a chess player, but in 1935 he was admitted as a plastic surgeon.

1:01:361:01:44

-In 1940, he was deported.

-That's a very interesting story.

1:01:441:01:49

-You still don't get it?

-No. You were a drunk, now you're a cop...

-OK, play it your way.

-I'm on a vacation!

1:01:491:01:57

I hope you enjoy it. It may be the longest one you ever take.

1:01:571:02:02

Hey, if you'd lock your door, you wouldn't lose things.

1:02:201:02:24

Nor find them.

1:02:311:02:34

That's probably the nicest thing you've said to me.

1:02:341:02:38

Instead of walking out to sea, I came here.

1:02:381:02:43

-Do you still have our champagne?

-Is it a big occasion?

1:02:431:02:47

Are you going to apologise for this one?

1:03:041:03:08

No.

1:03:081:03:09

This could be goodbye.

1:03:091:03:12

You're leaving?

1:03:211:03:24

-I'm not sure.

-You're in trouble. I think I've known it from the beginning.

1:03:241:03:31

-Everybody's in trouble.

-I don't suppose you want to talk about it...

-Tomorrow.

1:03:311:03:37

-You make it sound like it's for ever.

-Did Thompson see you leaving the Lodge?

-Who's Thompson?

1:03:371:03:45

Wait a few minutes before you walk out of here. I don't want us to be seen together.

1:03:451:03:52

Don't look so trapped, Mark. Surely you didn't intend to marry her?

1:03:581:04:03

-I don't intend to hurt or embarrass her either.

-You hurt and embarrassed me.

-Reno was your idea.

1:04:031:04:10

-Did you really believe I'd divorce you?

-Why not?

-Oh, Mark!

1:04:101:04:14

-You're not going to tell me you're in love with me.

-All right, I won't.

1:04:141:04:20

But we've developed a tolerance for each other. At Reno, I decided that was the next best thing...

1:04:201:04:27

-for both of us.

-I've never settled for second best.

1:04:271:04:31

And don't be so sure I'm not in love.

1:04:311:04:35

May I help you, Mr Milner?

1:04:451:04:47

You might.

1:04:471:04:50

Can you tell me where Thompson is?

1:04:501:04:53

Yes. He's playing poker with some of the other guests.

1:04:531:04:57

Thanks.

1:04:571:04:59

Thought I was supposed to treat you like typhoid Mary.

1:05:051:05:10

-I think things are under control.

-Were you looking for a gun back in the cabin?

-I know where it is.

1:05:101:05:17

Are you too proud to ask for help?

1:05:171:05:20

-Mr Milner? I haven't had a chance to thank you for what you've done for us.

-Well, you have now.

1:05:201:05:28

-We're leaving in the morning. If you ever get to Indian Springs, that's Ohio, look us up.

-I will.

1:05:281:05:35

Mr Milner, I'd like to ask you something...do something. Milton says it's all right.

1:05:351:05:42

Goodbye and thank you.

1:05:451:05:48

Goodbye and thank YOU.

1:05:481:05:51

Goodbye, Mr Winton.

1:05:511:05:53

Yeah, goodbye.

1:05:531:05:56

Well, how about a nice big kiss from you now?

1:05:561:06:00

I forgive you and for those four aces, too, if you'll give me a return shot, say gin rummy?

1:06:001:06:07

-Later.

-Why not now?

-He needs time to limber up his fingers.

-Limber up his fingers!

1:06:071:06:14

Come on, let's get outta here.

1:06:181:06:20

Kill that light.

1:06:361:06:39

Very embarrassing situation. For both of us.

1:06:391:06:43

I'm fascinated by radios. I think they're here to stay. You may not be.

1:06:431:06:49

RADIO BEEPS Sit down.

1:06:491:06:53

Come in, Tropic.

1:06:581:07:01

Come in, Tropic. Over.

1:07:011:07:03

Check-in one hour. Over and out.

1:07:101:07:13

I suppose you understood that. Time of arrival.

1:07:221:07:26

You're a little out of your precinct, aren't you, even for a Federal man?

1:07:261:07:31

Down here, you're just a private citizen like me.

1:07:311:07:35

Not like you. Let's not be bitter.

1:07:351:07:38

It's just a game, somebody wins, somebody loses. Are we right about who's coming in?

1:07:381:07:46

Suppose you tell me? Your big boss is on a boat, only he can't get into the States.

1:07:461:07:52

He'll trade places with someone. Go on.

1:07:521:07:55

Milner's a lone wolf, without friends or relatives.

1:07:551:08:00

He's kept under cover all his life. A guy like that'll never be missed.

1:08:001:08:05

You're making quite a speech. On the boat, Dr Krafft does some plastic surgery on your man's face.

1:08:051:08:12

He takes Milner's name and identity and the real Milner disappears.

1:08:121:08:18

- Why worry about Milner? - I'm sorry I asked.

1:08:181:08:22

Too bad we'll both die for something so rotten.

1:08:221:08:26

I've never been in that direction. I've been the other way, but I'd like to be going that way...

1:08:561:09:04

tomorrow...now.

1:09:041:09:06

Why? What's out there?

1:09:061:09:08

Islands. Samoa and Tahiti.

1:09:081:09:11

-Bikini?

-You're such a wise guy.

1:09:111:09:14

You're not going to find a thing except yourself.

1:09:141:09:18

I'd even like finding that.

1:09:181:09:21

Come on, let's walk on the beach.

1:09:221:09:25

SHE HUMS TO HERSELF

1:09:371:09:40

Sing it.

1:09:451:09:47

What's the matter? Are you going sentimental?

1:09:471:09:52

-I remember the first time I saw you, you were singing.

-Is this supposed to be the last time?

-Maybe.

1:09:521:09:59

# Five little miles from San Berdoo

1:10:021:10:06

# I woke up humming and thought of you

1:10:061:10:10

-# I look... #

-Stay here.

1:10:101:10:13

Is he dead?

1:10:491:10:52

When we get back, see about getting yourself out of here - tonight.

1:10:521:10:57

-Why?

-Because he was murdered.

1:10:571:11:00

-He was no two-bottle boy on a binge, he was a government cop.

-Stop trying to scare me.

1:11:001:11:07

-I happen to be a little scared myself.

-Why should I miss the fun?

-You can't buy your way out of this.

1:11:071:11:14

I don't want to see you get hurt. Go back to your cabin and stay there.

1:11:161:11:22

Easy does it!

1:12:041:12:07

Come on out, boys.

1:12:071:12:10

You live carefully.

1:12:131:12:16

-Who's this one?

-A man have to have a name for you?

1:12:161:12:20

-OK, so you're a man.

-Who are you waiting for?

-You.

-Then you don't need the gun.

1:12:201:12:26

-It keeps me occupied.

-There's a man waiting for you on a boat out there.

-I know. He hasn't got a name either.

1:12:261:12:34

-No matter where you get it, money can buy just so much.

-There are some things it doesn't buy - like murder.

1:12:341:12:42

You only had to get on that boat and sail away. Could've been a nice trip.

1:12:421:12:47

I wouldn't care for it. When Milner goes home, it'll be me. Your money is in that drawer, less expenses.

1:12:471:12:55

-There isn't time. Put the gun down. The man behind you has a bigger one.

-Have him introduce himself.

1:12:551:13:03

We've met before.

1:13:081:13:10

Lusk knew about me, Thompson. I'm no good to you any more.

1:13:101:13:15

You need to find a different place, different boy.

1:13:151:13:19

-Maybe, but you're still going to the boat.

-Dan!

1:13:191:13:24

Dan?

1:13:291:13:31

Get rid of her...out there.

1:13:311:13:34

-I told you not to come around here any more.

-I brought you a gun.

1:13:431:13:48

-Give it to Cardigan. He likes guns.

-What's the matter with you?

1:13:481:13:53

-It'd take a long time to say.

-All right, I stole the gun for you.

1:13:531:13:58

-Just take it.

-Will you get outta here?

1:13:581:14:02

I spent six months and lot of money to try and get Mark Cardigan.

1:14:021:14:07

I was ready to kiss it all goodbye for you.

1:14:071:14:10

-Big mistake.

-Wasn't it though?

1:14:101:14:13

-Thanks for straightening me out. You do it so nicely.

-It was nothing.

1:14:131:14:18

-Take this. I can't sneak it back.

-Give it to Cardigan.

-It...

-He knows how to use them. He'd like that one.

1:14:181:14:26

Give it to Cardigan.

1:14:261:14:29

There are a lot of places in the world. They all have women in them.

1:14:421:14:47

-The government's got a few places that don't.

-All clear. >

1:14:471:14:51

You heard the man.

1:14:511:14:54

I see. Thank you.

1:15:121:15:14

-That was Morro. Lusk was murdered.

-What?

-The plane's out of commission

1:15:161:15:21

-and there's a boat in the bay that shouldn't be here. Neither should we.

-Well!

-I'll lock the door.

1:15:211:15:28

-Mark, do something!

-Like what?

1:15:281:15:30

-They're taking Dan out to that boat.

-Who are they?

-Maybe he's leaving.

1:15:301:15:36

-I wasn't talking to you. Mark, he's in trouble.

-We are to stay indoors.

1:15:361:15:41

-Let me think.

-That's a first. I do your thinking for you.

1:15:411:15:46

-Do you want to go out there for me?

-I have a wife.

-Shut up.

-You have one, too.

1:15:461:15:52

-"Now might I do such bitter business the earth would quake to look upon."

-Hamlet!

1:15:521:15:59

This is no time for histrionics.

1:15:591:16:01

"What fools you mortals be."

1:16:041:16:08

< Shine the light over here!

1:16:271:16:30

Take the light. Give me that rifle.

1:16:361:16:39

There he is!

1:16:391:16:41

Hold the light on him!

1:16:421:16:45

You lost him.

1:16:521:16:54

Here. Give me the light.

1:16:541:16:57

(Hey, Milner! It's me, Cardigan.)

1:17:151:17:18

Here. Take this. Follow me.

1:17:221:17:25

Stay with me. This is my private hunting ground. I know it like an owl knows his tree.

1:17:391:17:46

Oh!

1:17:551:17:56

What do you know? I'm really wounded!

1:17:581:18:01

It's OK.

1:18:011:18:03

Do you mind telling me who I'm shooting at and why?

1:18:091:18:14

If this was a movie, you could ask 'em, but their guns are loaded.

1:18:141:18:19

All my life I've suspected myself of being a phoney.

1:18:191:18:24

Half of it, I've been acting. 100 lives and 100 stories, all phoney.

1:18:241:18:29

-This is the only time the guns were loaded with anything but blanks.

-How does it feel?

-Just fine.

1:18:291:18:36

-Is that why you're here?

-Partly.

1:18:361:18:38

-What's the rest of it?

-She asked me to come.

-Are you in love with her?

1:18:381:18:43

-My wife tells me I've never been in love with anything except myself.

-Who has?

-People have.

1:18:431:18:51

-Can I go out there and bring him ashore?

-Who?

-The guy on the boat.

-You know him?

-Must be Nick Ferraro.

1:18:541:19:02

-Ferraro?

-It figures.

1:19:021:19:04

-What has Ferraro got against you?

-He likes me. He wants to be me.

1:19:041:19:09

Lusk knew. That's why he's dead.

1:19:091:19:12

-Where does that leave us?

-In a lot of trouble.

1:19:121:19:16

Until somebody knocks him off, it's going to be the short, unhappy life of Dan Milner. I'm too young to die.

1:19:161:19:23

-I'm too well known.

-If you get killed, I'll get you a first-rate funeral at Mann's Chinese Theatre.

1:19:231:19:31

I've already had it. My last picture died there.

1:19:311:19:35

Good luck, Bucko. I'll keep Thompson and company busy.

1:19:351:19:40

Take me to Ferraro.

1:20:441:20:46

-No comprendo, senor.

-The captain - capitan.

1:20:461:20:50

Come on!

1:22:051:22:07

See if you can cover him from above.

1:23:161:23:18

We'll never smoke him out from here.

1:23:261:23:29

How about flanking him?

1:23:291:23:31

OK, get around behind him on that cliff. I'll cover.

1:23:311:23:36

Look, mister, you're covered from all sides. Either come out with your hands up, or we'll blast you out.

1:23:461:23:53

Make up your mind. Are you coming out?

1:24:021:24:05

Hold it.

1:24:531:24:55

Drop that gun.

1:24:551:24:57

Drop it!

1:24:571:24:59

Very good. Take him topside.

1:25:011:25:03

Get goin'.

1:25:031:25:06

You take that side.

1:25:091:25:12

Deceased, or as you say in plain terms, gone to heaven.

1:25:561:26:01

Do you know me?

1:26:141:26:16

Yeah, I'd know that face anywhere.

1:26:161:26:19

-I don't blame you for wanting a new one.

-You judge everyone by his face?

-That and smell. How about you?

1:26:191:26:27

I have several methods.

1:26:271:26:30

For example, if a man fights me fairly, I respect him.

1:26:301:26:34

On the other hand, when a man makes a deal with me, takes my money and then double-crosses me,

1:26:341:26:41

that's something else. I hate welchers.

1:26:411:26:45

In Chicago, I gave everyone a fair shake if they played square with me.

1:26:451:26:51

They all had good funerals, but that one where you was real sore.

1:26:511:26:56

I dumped part of him in an alley in Cicero and another part over on the East Side.

1:26:561:27:03

He got two funerals.

1:27:031:27:05

The point is, Milner, if you want to fight me in the open, clean and fair, I'll fight back clean.

1:27:051:27:14

Like this!

1:27:141:27:16

-If you want to fight below the belt like a welcher, if you want to fight dirty,

-I

-can do it that way, too.

1:27:191:27:27

Some guys have to learn the hard way.

1:27:341:27:38

All right, boys, take him.

1:27:501:27:53

Be careful of his face.

1:28:031:28:06

Pick him up.

1:28:271:28:30

Take off his shirt.

1:28:321:28:35

Stand him over there.

1:28:381:28:40

NICK: What's the matter with you?

1:28:581:29:01

Your friend shot a hole in the main steam line. The engine room's full of steam.

1:29:011:29:06

Why not let the Yankee Boy Scout fix it? They're all handymen, these Americans.

1:29:141:29:23

..Wrap this roll of tape round it, Milner. Maybe you can stop the leak.

1:29:231:29:28

Let him work up a good sweat.

1:29:311:29:34

Take him below.

1:29:351:29:38

Are you still alive, Thompson?

1:30:411:30:44

-GUNSHOT

-So am I.

1:30:441:30:46

Talk to me, Thompson. Milner's gone to get Ferraro.

1:30:461:30:51

It's a pretty night out, isn't it?

1:30:541:30:57

But pretty soon it'll be dark.

1:30:581:31:01

Come and get me. There's no sense in losing sleep.

1:31:011:31:05

Are you coming? Oh, come on! I've been known to miss.

1:31:051:31:10

Do it again.

1:31:131:31:15

Are you coming?

1:32:101:32:13

All right, Thompson.

1:32:391:32:42

Turn around.

1:32:451:32:48

-How come you didn't finish me off?

-Maybe I got confused and forgot which side your heart was on.

1:32:511:32:58

Or perhaps you don't have one. Start walking!

1:32:581:33:02

Yes?

1:33:061:33:08

..We'll go into this later. Let's find some smaller place. Yes, sir.

1:33:081:33:14

DOOR CLOSES If you're going to kill Milner, why not get it over with?

1:33:161:33:23

But what about our original plan?

1:33:231:33:25

Too risky. If we bump into trouble with the Feds or the Mexican police, that mouth of his could finish it.

1:33:251:33:33

But his face could give you a new start, Ferraro. Why don't we keep his face, then,

1:33:331:33:40

pump him full of lead, stow him below someplace,

1:33:401:33:45

and when we're out of this, go ahead with the operation?

1:33:451:33:49

It might work. But I don't know. In death, the muscles generally tighten.

1:33:491:33:56

The features can become grotesque. It's not easy for me to do this job.

1:33:561:34:02

Then write the whole idea off. I tell you, this guy's dangerous. I want him out of the way.

1:34:021:34:09

Senor Morro, this is not a problem for MY men. I want protection for my guests!

1:34:091:34:15

Only one man has been killed.

1:34:151:34:18

Wrong! I have accounted for two more and taken a prisoner of war.

1:34:181:34:23

-Place him under guard.

-A la carcel con el. Voy a interrogarle mas tarde.

-Take his gun.

-..I must report this.

1:34:231:34:31

Use my telephone. Gracias.

1:34:311:34:33

-Morro, we must seize the yacht.

-What for?

-Milner's out there alone facing tremendous odds.

1:34:331:34:41

-Mark! I want to talk to you.

-Too late for talk. The time has come to act.

1:34:411:34:46

Act! When did you ever stop?

1:34:461:34:48

-Let the police handle it.

-Alas, why must I be plagued by yammering magpies on the eve of battle?

1:34:481:34:56

Listen, Mark, if you go through with this madness, you've lost me.

1:34:561:35:01

-Fortunes of war. I thought I'd already lost you. The idea still has merit.

-How can you say that?

1:35:011:35:08

My dear, you don't understand me.

1:35:081:35:10

Do you think I want to go on living in a make-believe world, fighting in Sherwood Forest on stage six? No.

1:35:101:35:19

You go back to Hollywood, while I go on to real-life triumphs

1:35:191:35:24

or a glorious death.

1:35:241:35:26

Unhand me!

1:35:261:35:28

Mark! You're wounded.

1:35:291:35:32

'Tis not so deep as a well, nor so wide as a church door.

1:35:321:35:37

-Where's Dan?

-He is the object of a sea expedition.

-Take me with you.

1:35:371:35:42

-This is man's work. Women are for weeping.

-I love Dan. You've got to take me.

-Oh, very well.

1:35:421:35:50

-Come with me. ..Hold these. ..I want you properly equipped. Get what you need in there.

-Thanks.

1:35:501:35:58

Mark!

1:35:581:36:00

-Mark! Mark!

-Get in there.

-I refuse to share your bungalow with another woman.

1:36:001:36:06

-If that woman is released before I get back, lady, by yonder moon, I swear...!

-You might not return.

1:36:061:36:14

-If I'm not here by Wednesday, chop that door down.

-Mark, let me out! MARK!

1:36:141:36:20

A fine example you're setting(!)

1:36:221:36:24

-One of your fellow Americans needs help and you stand there gaping.

-Wonderful.

-Thank you.

1:36:241:36:32

-..Catch that.

-I don't know...

-Fall in line! ..Oh...no!

1:36:321:36:37

-Count me in.

-What are your qualifications, sir?

1:36:381:36:42

This is the first chance I've had to get away from my wife.

1:36:421:36:47

I know what you mean, old-timer.

1:36:471:36:50

FALL IN!

1:36:521:36:54

Halt!

1:36:541:36:57

-Explain to them that survivors will get parts in my next picture.

-Si, se los espetare.

1:36:591:37:05

Too flabby. Replace him.

1:37:051:37:08

-What about that one?

-My wife's brother. He serves with me on condition he's not exposed to danger.

1:37:091:37:17

-Tell him to volunteer.

-I cannot. I promised my wife...

-Lieutenant!

1:37:171:37:22

Tell that rascal to fall in. He's drafted.

1:37:221:37:26

El amigo cree que es el General Eisenhower. Vaya atras. Si, mi teniente.

1:37:261:37:31

Carlos, conscripcion para los gringos.

1:37:311:37:34

Since I'm in command, you'll act as gunbearer.

1:37:341:37:38

Now, soldiers, march away and how thou pleasest God, dispose the day!

1:37:381:37:44

I'll do this my own way. But I could silence him AND keep him alive.

1:37:461:37:52

Are you worried about your fee?!

1:37:521:37:54

I have been giving it some thought. We may have the solution right here.

1:37:541:37:59

This is a very unusual anaesthetic. It was developed by the Nazis.

1:38:041:38:08

< I had intended to use it on you.

1:38:081:38:11

I said surgery was out!

1:38:111:38:14

This drug is a good anaesthetic, if used properly. The correct amount is one and one half cubic centimetres.

1:38:141:38:21

But in overdose quantities, this drug is VERY damaging. For example, an injection of...

1:38:211:38:28

say, seven cubic centimetres, then certain brain tissues are destroyed.

1:38:281:38:34

The patient never regains his memory and death follows within a year.

1:38:341:38:38

I don't like fooling with drugs. Something's liable to go wrong.

1:38:431:38:48

There's that chance with anything.

1:38:481:38:50

Not with this.

1:38:501:38:53

Here's one anaesthetic where death follows right now.

1:38:531:38:58

..Bring Milner up!

1:38:581:39:00

Ahoy! Stand by to be commandeered.

1:39:021:39:05

A prisa! A prisa!

1:39:081:39:10

Smartly, lads!

1:39:101:39:12

-Senor, this boat is not yet ready.

-Gangway! This is a war emergency.

1:39:121:39:17

-What are you waiting for?

-He is afraid of the water.

-There's enough wood in his head to make him float.

1:39:171:39:25

Dice que estas valiente como una madera y tu cabeza es hecho de palo. Entra el barco!

1:39:251:39:32

You mutinous scoundrel, up front with me!

1:39:321:39:36

Adelante. Vamos. Entra.

1:39:361:39:38

Full speed ahead!

1:39:401:39:43

-There are too many in this boat, senor.

-Start that engine! Full speed ahead.

1:39:431:39:49

Now would I give a thousand furlongs of sea for an acre of barren ground.

1:40:011:40:08

Este hombre es un idiota! Nos va ahogar a todos.

1:40:181:40:22

Don't stand there jabbering, abandon ship!

1:40:221:40:26

A ship! A ship! My kingdom for a ship.

1:40:411:40:45

-Senor, this boat here, she is ready.

-Remind me to have you cited for valour.

1:40:451:40:51

-Launch this craft immediately.

-En agua con el barco!

1:40:511:40:56

Si, el barco el lancho!

1:40:561:41:00

Look at him. I hate him and his kind for trying to keep me out of their country when I've got business there.

1:41:111:41:19

No welcher tells Ferraro where he can go.

1:41:191:41:23

Wake up, little boy!

1:41:481:41:51

Wake up! I want you to see it coming.

1:41:511:41:54

WAKE UP!

1:41:571:42:00

Nick! Get it over with. We don't have time to fool around.

1:42:001:42:04

I want him to be fully conscious.

1:42:041:42:07

I don't like to shoot a corpse.

1:42:081:42:11

I want to see the expression on his face when he knows it's coming.

1:42:111:42:16

WAKE UP!

1:42:171:42:19

DOOR OPENS

1:42:471:42:49

There's a boat approaching with police.

1:42:491:42:52

How far is that boat? It'll be alongside in a minute. Nick?

1:42:521:42:58

- I'll throw him overboard. - You got to weight him first.

1:42:581:43:02

­ Captain, shall we open fire?

1:43:021:43:05

No. That'd start trouble. Have a look.

1:43:051:43:09

Let me give him the injection. How fast does it work?

1:43:091:43:15

It'll work immediately. When he comes to, he won't remember a thing. His brain will be gone completely.

1:43:151:43:23

Are you positive there's no chance of failure? > < Absolutely positive.

1:43:231:43:28

Go ahead.

1:43:281:43:30

Falter not. Put your backs into it. Row!

1:43:481:43:52

-Tell them to turn off that light.

-I have yet to shun the welcome glare of a spotlight or run from applause.

1:43:521:44:00

Applause?! I'm thinking of bullets. Only pigs wait for slaughter.

1:44:001:44:06

Who are you calling a pig? Apologise!

1:44:061:44:09

Senor Cardigan, you are not a pig. You are what a pig becomes - it is eaten between two pieces of bread.

1:44:091:44:17

-Tell them to shut that light off!

-Very well, my craven friends. ..Ahoy!

1:44:171:44:23

-Turn off that spotlight.

-Keep that beam on 'em.

1:44:231:44:26

Why don't you shoot it out?

1:44:261:44:29

For once, you make sense. ..Hand me my trusty rifle.

1:44:291:44:33

Hold still, everyone.

1:44:431:44:45

You can praise me later.

1:44:451:44:48

Ah, right in the cross hairs.

1:44:491:44:51

Out, damn spot! Out, I say!

1:44:511:44:54

I'll attend to you later.

1:45:041:45:07

Steady, you fools!

1:45:081:45:11

Hold still!

1:45:111:45:13

Aboard that boat, identify yourself.

1:45:131:45:18

Hold his wrist to distend the vein.

1:45:591:46:02

Hurry up!

1:46:221:46:24

You in that boat, keep your distance!

1:46:331:46:37

This is a perfect target under those lights. Kill the lights.

1:46:451:46:50

What happened to the lights?

1:46:551:46:57

Find me a light...a match. I think there's some in the bar.

1:46:571:47:02

Hold him still! If I can feel the vein, I won't need a light.

1:47:021:47:07

I can see his arm from here. Hurry!

1:47:101:47:13

I've got it.

1:47:131:47:15

Doctor...

1:47:261:47:28

Pull that ladder up any further and I'll be forced to kill you.

1:47:381:47:43

-You can't board my ship without a search warrant.

-I'm coming aboard.

1:47:491:47:54

If you shoot me, you'll have some explaining to do to the Mexican police and the United States.

1:47:541:48:02

I must rid all the seas of pirates.

1:48:051:48:09

Adelante! >

1:48:221:48:25

Look out!

1:48:311:48:32

Ouch!

1:49:241:49:26

Death hath not struck so fat a deer today!

1:50:191:50:24

Come on, come on! Let's get this thing in the water.

1:50:321:50:36

All right, you rifraff, reach for the heavens!

1:51:081:51:12

Come on!

1:51:121:51:15

Don't move!

1:51:201:51:22

Stand still, all of you!

1:51:541:51:57

Hold it, Ferraro.

1:52:051:52:07

Muy bien hecho, Cardigan!

1:52:411:52:44

Arriba!

1:52:441:52:45

Adelante!

1:52:451:52:47

This place is dangerous.

1:52:561:52:58

The time right deadly. The drinks are on me, my Bucko.

1:52:581:53:03

-Mark, will you please sit down?

-All right, my dear.

1:53:061:53:11

-Weren't you terribly outnumbered, Mr Cardigan?

-Who counts the odds when duty calls? Five to one.

1:53:111:53:18

The resistance was heavy, naturally.

1:53:181:53:21

A less determined man might have turned back, but there was never any doubt of the outcome for me.

1:53:211:53:28

-Mr Cardigan, what did you use to kill Ferraro?

-Well, I...

1:53:281:53:33

A man named Milner.

1:53:341:53:37

Did you run out of money?

1:53:401:53:43

Fresh out. That's why I'm pressing my pants. What's the champagne for?

1:53:431:53:48

-This could be that big occasion.

-Hey, why not?

1:53:481:53:52

-You turned out to be quite a hero. They tell me you killed Ferraro. How did it feel?

-He didn't say.

1:53:521:53:59

Let me do that. You better stick to money.

1:53:591:54:03

I've got a few things I want to say about myself.

1:54:031:54:07

-At least you never talk about other people.

-My grandfather was never a Boston millionaire.

-Aw!

1:54:071:54:15

He's been a barber for 40 years.

1:54:151:54:17

And still not a millionaire? What about Cardigan?

1:54:171:54:22

I never was in love with Mark Cardigan.

1:54:221:54:26

-Could you be in love with ANYTHING besides money?

-I might. And you?

1:54:261:54:31

You could be handy to have around the house if a man went broke.

1:54:311:54:36

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