Browse content similar to His Kind of Woman. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This story didn't happen in Italy. It only started there - Naples, Italy - | 0:01:11 | 0:01:17 | |
in one of those big, quiet, peaceful villas overlooking the bay. | 0:01:17 | 0:01:22 | |
RADIO: 'And the Senator claims that he has been "misquoted". | 0:01:22 | 0:01:28 | |
'And here's a Society item from the New York plunderworld for our shortwave listeners. | 0:01:28 | 0:01:35 | |
'It's called "Where do old gangsters go to die?", | 0:01:35 | 0:01:39 | |
'or "Guess what upper crust crumb just bought a plushy villa overlooking the Bay of Naples". | 0:01:39 | 0:01:46 | |
'None other than the old boss, one-time gambling kingpin and vice Tsar of New York, Nick Ferraro! | 0:01:46 | 0:01:54 | |
'Nick has been in Italy for four years, since immigration authorities sent him back to his native Naples. | 0:01:54 | 0:02:01 | |
'But I'm giving odds that Ferraro is still head of the gambling and vice set-ups in the United States. | 0:02:01 | 0:02:09 | |
'He should be netting a cool 2m a year...' | 0:02:09 | 0:02:12 | |
Chiudi questa radio. | 0:02:12 | 0:02:15 | |
A cool two million bucks a year! It should be, if I was getting it. | 0:02:16 | 0:02:21 | |
Get me Corley in Mexico. Dove sta? | 0:02:22 | 0:02:25 | |
Call Jose Morro. Telefoni al sud di Mexico. | 0:02:25 | 0:02:30 | |
XFO, XFO, XFO. Questo e IJQ che chiama. | 0:02:31 | 0:02:36 | |
XFO, XFO, questo e IJQ. Per piacere, rispondete. | 0:02:36 | 0:02:40 | |
'IJQ, this is XFO standing by for you.' Eccolo qui. | 0:02:40 | 0:02:45 | |
Morro's Lodge is an elegant Mexican resort in Lower California, accessible only by plane or boat. | 0:02:45 | 0:02:52 | |
It was the kind of place Ferraro would pick for what he had in mind. | 0:02:52 | 0:02:57 | |
Deal's all set at this end. Just finishing up the details. Go ahead. | 0:02:57 | 0:03:03 | |
'Have you found the other one? Go ahead.' | 0:03:03 | 0:03:06 | |
We have him salted in Palm Springs. I'm flying up to meet Arnold in Beverly Hills tomorrow night. | 0:03:06 | 0:03:13 | |
The other one WILL be here. Go ahead. | 0:03:13 | 0:03:16 | |
'OK, I'll see you soon. Go ahead.' | 0:03:16 | 0:03:19 | |
Right. Signing off. XFO clear. | 0:03:19 | 0:03:21 | |
Ferraro? Yeah. | 0:03:21 | 0:03:24 | |
He's getting impatient. | 0:03:24 | 0:03:27 | |
-It isn't easy to get back into the US once you are deported. -I -know. | 0:03:27 | 0:03:32 | |
Who is this "other one"? A man will arrive at Morro's Lodge. | 0:03:32 | 0:03:37 | |
You will keep him here till the Tropic comes into the bay with Nick Ferraro, then you'll take him aboard. | 0:03:37 | 0:03:45 | |
This is Ferraro. He's a big man. Perhaps his easy life in Italy has made him soft. | 0:03:45 | 0:03:51 | |
He's around 195, but solid. Still young? 35. | 0:03:51 | 0:03:56 | |
This man you're sending down, does he know all about it? No, not everything. | 0:03:56 | 0:04:03 | |
That's how the story started. | 0:04:03 | 0:04:05 | |
Somewhere in California, there was a man. Height six-something, weight 195, age 35. | 0:04:05 | 0:04:13 | |
BIG BAND MUSIC PLAYS | 0:04:13 | 0:04:15 | |
-Good evening, Mr Dan. -How's it going, Sam? | 0:04:15 | 0:04:20 | |
-Nothing to it. -Just let me have a glass of milk. | 0:04:20 | 0:04:25 | |
Do you suppose we can do without that radio? | 0:04:30 | 0:04:35 | |
Where you been? I ain't seen you since the last rain. | 0:04:38 | 0:04:42 | |
-Palm Springs. -Hustling the millionaires? -I went to cure a cold, wound up doing 30 days. | 0:04:42 | 0:04:49 | |
-For what? -For nothing. | 0:04:49 | 0:04:53 | |
-I don't get it. -Well, I got it. | 0:04:53 | 0:04:55 | |
Somebody is putting the salt on me. | 0:04:56 | 0:04:59 | |
You can cuff it. | 0:05:11 | 0:05:14 | |
-Does it show that much? -Only to me. | 0:05:14 | 0:05:17 | |
Got anything in mind? | 0:05:20 | 0:05:22 | |
-Yes, I have. I'm going to go home and go to bed where I can't get into trouble. -You think not? | 0:05:22 | 0:05:29 | |
I'll see you all of a sudden, Sammy. | 0:05:29 | 0:05:32 | |
You need a fourth? | 0:05:52 | 0:05:54 | |
-Hello, Danny. -Who are you? | 0:05:54 | 0:05:57 | |
I don't know you guys. | 0:05:57 | 0:05:59 | |
Ollie Chester wants the dough. | 0:06:03 | 0:06:05 | |
What dough? | 0:06:07 | 0:06:09 | |
You bet 200 across on a pig called Lagging Boy. That's just what he was. | 0:06:09 | 0:06:15 | |
Ollie wants the 600. | 0:06:15 | 0:06:18 | |
I made a bet with Ollie? | 0:06:18 | 0:06:20 | |
-He called it in. -SOMEBODY called it in. I never bet on a race in my life that wasn't fixed. | 0:06:20 | 0:06:27 | |
-When did it run? -Thursday. -Last Thursday, I was digging a road for the law in Cochelo Valley. | 0:06:27 | 0:06:35 | |
It would be smarter just to come up with it. | 0:06:38 | 0:06:42 | |
Don't you think it would be nice if you boys cleaned up this mess before you got out of here? | 0:06:49 | 0:06:56 | |
Just come up with it. | 0:07:00 | 0:07:02 | |
PHONE RINGS Hello. | 0:07:26 | 0:07:28 | |
- Milner's here. - You know not to mess up his face? | 0:07:28 | 0:07:33 | |
OK. But don't rough him up too much. | 0:07:33 | 0:07:36 | |
OK, boys, that's enough. | 0:07:42 | 0:07:44 | |
Charlie, get my money. | 0:07:47 | 0:07:50 | |
PHONE RINGS | 0:07:58 | 0:08:00 | |
Hello. | 0:08:34 | 0:08:36 | |
Yeah, this is Milner. | 0:08:38 | 0:08:40 | |
No, I'm not busy, Corley. | 0:08:40 | 0:08:43 | |
No, I was just getting ready to take my tie off, wondering whether I should hang myself with it. | 0:08:43 | 0:08:50 | |
Yeah, I can come over. ..Sure. Right away. | 0:08:50 | 0:08:55 | |
Second light to the left. | 0:09:21 | 0:09:24 | |
-Nice to see you, Milner. -Hello, Corley. | 0:09:39 | 0:09:43 | |
What'll you have to drink? | 0:09:44 | 0:09:46 | |
Oh, that's right. You don't drink. | 0:09:46 | 0:09:49 | |
How about a soft one? | 0:09:49 | 0:09:52 | |
Ginger ale will be just fine. | 0:09:52 | 0:09:54 | |
You look like a shot of something in it might help you a little. | 0:09:57 | 0:10:02 | |
Just the ginger ale is fine, thanks. | 0:10:02 | 0:10:05 | |
You got a dime on you? | 0:10:05 | 0:10:07 | |
Thanks. | 0:10:08 | 0:10:10 | |
-Still sore? -You tell me why. | 0:10:18 | 0:10:21 | |
Every once in a while, a good man, like a good horse, gets into a slump. Just can't scratch the pad. | 0:10:21 | 0:10:29 | |
I knew you would understand. | 0:10:29 | 0:10:32 | |
You blew a bundle in Reno. In Vegas, they nicked you for six grand. In Palm Springs, they tapped you out. | 0:10:32 | 0:10:39 | |
-Tonight Chester had me spanked for nothing. -Think this part of the world isn't lucky for you any more? | 0:10:39 | 0:10:47 | |
-Do you? -Somebody does. | 0:10:47 | 0:10:49 | |
-Like who? -Fellow named Arnold. | 0:10:49 | 0:10:52 | |
Who? And where is he? | 0:10:52 | 0:10:55 | |
Right here. | 0:10:55 | 0:10:57 | |
My proposition's a very simple one. | 0:10:58 | 0:11:01 | |
Well, I'm a very simple guy. | 0:11:01 | 0:11:03 | |
The deal entails two important items. | 0:11:03 | 0:11:06 | |
One you'll find extremely interesting, the other you may object to. | 0:11:06 | 0:11:12 | |
First, you'll make yourself 50,000. | 0:11:12 | 0:11:15 | |
And what's the one I'm going to object to? | 0:11:19 | 0:11:23 | |
You'll have to leave the country. | 0:11:23 | 0:11:25 | |
For how long? | 0:11:27 | 0:11:29 | |
Say a year? | 0:11:29 | 0:11:32 | |
Well, it just so happens I've given up my home here. | 0:11:32 | 0:11:37 | |
See? Already your luck's turning. | 0:11:37 | 0:11:39 | |
-Where does it change? -Mexico. | 0:11:39 | 0:11:43 | |
You take a plane to Tucson, cross the border on a bus to Nogales. | 0:11:43 | 0:11:48 | |
Hernandez at the airfield there will give you your next step. | 0:11:48 | 0:11:52 | |
-Aren't you playing this a little close to the vest? -You may change your mind en route. | 0:11:52 | 0:11:59 | |
Are you sure that privilege is open to me? After Nogales, what happens? | 0:11:59 | 0:12:05 | |
Nothing. | 0:12:05 | 0:12:07 | |
There'll be fishing, hunting, swimming. You'll be very comfortable. | 0:12:07 | 0:12:12 | |
-For that I get 50 grand? -What's better than that? -I'm just trying to understand it. | 0:12:12 | 0:12:19 | |
Here's 5,000. | 0:12:21 | 0:12:24 | |
You'll get ten more when you get where you're going. | 0:12:24 | 0:12:29 | |
-It goes to 50. That's all I can tell you. -That's quite a bit. | 0:12:29 | 0:12:34 | |
-You lost your wallet. -Well, an old friend! | 0:12:34 | 0:12:38 | |
Airplane tickets. Credentials. | 0:12:38 | 0:12:41 | |
You really believe in breaking a man down, don't you? | 0:12:42 | 0:12:47 | |
Just bending him a little, Milner, that's all. | 0:12:47 | 0:12:51 | |
I'm looking for a man named Hernandez. | 0:13:05 | 0:13:09 | |
I'm a man named Hernandez, senor. | 0:13:09 | 0:13:12 | |
I'm a man named Dan Milner. It's supposed to mean something to you. | 0:13:12 | 0:13:17 | |
-Pardon, senor? -If it should come to you, I'll be in the cafe. | 0:13:17 | 0:13:22 | |
-Is it all right if I leave this? -Si, senor. You wish a seat on the plane to Mejico City? | 0:13:22 | 0:13:29 | |
Who knows? Let's stick around and see, huh? | 0:13:29 | 0:13:33 | |
MUSIC PLAYS | 0:13:38 | 0:13:40 | |
What'll it be? | 0:13:43 | 0:13:46 | |
-You got anything to eat? -Chilli. | 0:13:46 | 0:13:49 | |
And beans. | 0:13:49 | 0:13:51 | |
And beans. | 0:13:51 | 0:13:53 | |
# Five little miles from San Berdoo | 0:13:55 | 0:13:59 | |
# I woke up humming and thought of you | 0:13:59 | 0:14:02 | |
# I looked out the window what a view | 0:14:02 | 0:14:06 | |
# Five little miles from San Berdoo | 0:14:06 | 0:14:09 | |
# Four little miles from San Berdoo | 0:14:09 | 0:14:13 | |
# The porter shouted, "We're almost due" | 0:14:13 | 0:14:17 | |
# I saw familiar spots we knew | 0:14:17 | 0:14:19 | |
# Four little miles from San Berdoo | 0:14:19 | 0:14:23 | |
# Three little miles from San Berdoo | 0:14:23 | 0:14:27 | |
# My bag was packed and ready | 0:14:27 | 0:14:29 | |
# I said to myself, "Steady... | 0:14:31 | 0:14:34 | |
# "Two more miles and you're in heaven" | 0:14:34 | 0:14:37 | |
# One little mile from San Berdoo | 0:14:37 | 0:14:40 | |
# My heart was skipping a beat or two | 0:14:40 | 0:14:44 | |
# Oh, what a thrill when I saw you | 0:14:44 | 0:14:47 | |
# Waiting at the station down in San Be... | 0:14:47 | 0:14:52 | |
# San Bernardino, man! | 0:14:52 | 0:14:55 | |
# ..Berdoo! # | 0:14:55 | 0:14:58 | |
Ah, that was swell. Canto esto muy bonito, senorita. | 0:14:58 | 0:15:03 | |
-Gracias, gracias. -Your Spanish is pretty good. -Es nada. | 0:15:03 | 0:15:07 | |
-Hey, I loved that break. Will you try that again? -PIANO PLAYS | 0:15:07 | 0:15:13 | |
-How about a drink? -Not for me, but I'd like to buy her one. What's she drinking? -Champagne, 18 a bottle. | 0:15:14 | 0:15:22 | |
-Thought she might be alone. -She is. | 0:15:22 | 0:15:24 | |
-You said 18? And the chilli, there's 20. -Save your dough. | 0:15:25 | 0:15:30 | |
-You tell me a better way to spend it. -She's just waiting for a plane she chartered. | 0:15:30 | 0:15:37 | |
Just the bottle, then. | 0:15:37 | 0:15:40 | |
HE PLAYS PIANO WITH ONE FINGER | 0:15:53 | 0:15:56 | |
Do you mind if I join you? | 0:15:56 | 0:15:58 | |
-It seems you have. -You sing pretty good. I thought I'd buy you a drink. | 0:15:58 | 0:16:03 | |
-I'm drinking champagne. -I'm ahead. | 0:16:03 | 0:16:06 | |
18 a bottle. | 0:16:06 | 0:16:09 | |
Not for me. | 0:16:16 | 0:16:19 | |
-Champagne's not your drink? -Only on big occasions. -This isn't? | 0:16:19 | 0:16:24 | |
Can't be. You're waiting for a chartered plane. | 0:16:24 | 0:16:29 | |
Are you in the oil business or just spending your alimony all at once? | 0:16:29 | 0:16:34 | |
-I'm a spoiled child of the rich. -How do you do! I'm a spoiled child of the poor. | 0:16:34 | 0:16:40 | |
Senorita! It is here, senorita. | 0:16:40 | 0:16:43 | |
-Are you sure it's the right one? -Si. The pilot is my friend. -Just a minute. | 0:16:43 | 0:16:49 | |
Gracias, muchas gracias. | 0:16:49 | 0:16:52 | |
You're sure you want to go now? | 0:16:52 | 0:16:55 | |
-Mm-hm. -You chartered the plane, didn't you? He can wait. | 0:16:55 | 0:17:00 | |
-But -I -can't. | 0:17:00 | 0:17:03 | |
Wait a minute! | 0:17:03 | 0:17:05 | |
You forgot your bottle. | 0:17:05 | 0:17:08 | |
You keep it. It may have a little resale value. | 0:17:08 | 0:17:12 | |
-Mr Milner? -Yes. -Your plane is waiting. It was very late. That's why... -Nobody minds. | 0:17:29 | 0:17:36 | |
-Where's this plane taking me? -You are joking, senor? -I don't think so. -It's the Morro's Lodge plane, senor. | 0:17:36 | 0:17:44 | |
Mr Milner? | 0:17:46 | 0:17:49 | |
-Yes. And you? -Tex Kearns. | 0:17:49 | 0:17:52 | |
The pilot. Your bag's on the plane. Sorry I'm so late. These winds... | 0:17:52 | 0:17:57 | |
I know. Things are tough all over. | 0:17:57 | 0:18:00 | |
Anyhow, you'll get to see Morro's Lodge from the air in the morning sun. Quite a sight. | 0:18:00 | 0:18:07 | |
-You hop in. I'll be right with you. -Thanks. | 0:18:09 | 0:18:12 | |
Well...hello again. | 0:18:20 | 0:18:22 | |
-May we join you in your plane? -Did I say I chartered it? -Didn't you? | 0:18:22 | 0:18:28 | |
-Didn't you say something about being poor? -That was for real. | 0:18:28 | 0:18:33 | |
-Morro's isn't the place for you, then. -Somebody bought me a ticket. | 0:18:33 | 0:18:38 | |
And you? Are you for real? You sing like you do it for a living. | 0:18:38 | 0:18:43 | |
Thanks. I'd rather sing than clip coupons, | 0:18:43 | 0:18:46 | |
-but I have 1m, so no-one takes me seriously. -With 1m, it doesn't matter. | 0:18:46 | 0:18:53 | |
Will you fasten your seat belts, please? | 0:18:54 | 0:18:58 | |
Don't you have a name? | 0:19:18 | 0:19:21 | |
-I figured you already knew it. -Should I? -No, I guess not. | 0:19:21 | 0:19:26 | |
-I was just shooting the moon. It's Milner, Dan. -Mine's Brent, Lenore. | 0:19:26 | 0:19:33 | |
-What did you expect to hit? -You never can tell. | 0:19:33 | 0:19:37 | |
-What's Morro's like? -I couldn't tell you. This is my first visit. | 0:19:37 | 0:19:43 | |
I spend most of my time on the Continent - Europe. | 0:19:43 | 0:19:46 | |
LATIN AMERICAN MUSIC PLAYS | 0:20:39 | 0:20:42 | |
-Yes, sir? -Ginger ale, please. | 0:21:25 | 0:21:28 | |
I'm Jose Morro. | 0:21:30 | 0:21:33 | |
Hello. Won't you sit down? | 0:21:34 | 0:21:36 | |
-Did you find your cabin completely acceptable? -Well, I found it. | 0:21:36 | 0:21:42 | |
-Is there anything I can do for you? -I was sort of hoping you'd ask that. | 0:21:43 | 0:21:48 | |
I recently came into some money. | 0:21:48 | 0:21:51 | |
This nice new 1,000 bill is part of it. I'm told there'll be more. | 0:21:51 | 0:21:56 | |
-What do you wish to buy with this? -Whatever it's worth. A helping hand? Information? ..About her. | 0:21:56 | 0:22:04 | |
Well, hello, Liz! Where did you come from? | 0:22:10 | 0:22:14 | |
Sorry, wrong name. Wrong woman. | 0:22:16 | 0:22:19 | |
-She is beautiful AND interesting. -Beautiful is always interesting. -She has an impeccable background. | 0:22:20 | 0:22:27 | |
-What's that? -Boston, New York, Rome, Paris, St Moritz. | 0:22:27 | 0:22:32 | |
-I understand you are from California. -Yes, Ramona, LA, Glendale...Thanks. | 0:22:32 | 0:22:38 | |
I'm afraid this is rather difficult. | 0:22:38 | 0:22:40 | |
-Your reservation was arranged by Mr Arnold and I'm not the man to question him. -No, neither was I. | 0:22:40 | 0:22:48 | |
-In the interests of my clientele, I am curious... -About my character. | 0:22:48 | 0:22:53 | |
Forgive me. I'm a hotel keeper. | 0:22:53 | 0:22:56 | |
Not at all. I welcome it. I'm a professional gambler. | 0:22:56 | 0:23:01 | |
-Who isn't? -I'm not here on business. I came down for a sun bath. | 0:23:01 | 0:23:06 | |
-Don't take too much the first day. -No. | 0:23:06 | 0:23:10 | |
I just thought it would be nicer if we understood each other. | 0:23:10 | 0:23:15 | |
We'll keep it very nice. | 0:23:15 | 0:23:18 | |
Morro! How about some gin rummy? Sorry, Mr Winton, but I have no time. | 0:23:18 | 0:23:23 | |
-How about you? -Don't play. -He doesn't play gin rummy! | 0:23:23 | 0:23:27 | |
-What's your card game? -I don't play at all. -Excuse me, please. | 0:23:27 | 0:23:33 | |
Give me a glass of beer. | 0:23:33 | 0:23:36 | |
ORCHESTRA PLAYS "Jealousy" | 0:23:36 | 0:23:39 | |
You're Milner, aren't you? | 0:23:50 | 0:23:52 | |
-Yeah. -I'm Winton - Pipps and Winton, investment brokers. | 0:23:52 | 0:23:57 | |
-I bury my money in the ground. -Seems I've heard of you, Milner. | 0:23:57 | 0:24:02 | |
-Well, must be another Milner. -That's your best guess. -You came down on a plane with Lenore Brent. | 0:24:02 | 0:24:09 | |
-You know her? -I met her at St Moritz. I guess that's where it got started with Cardigan. | 0:24:09 | 0:24:16 | |
-You haven't heard about the thing with Mark Cardigan? -I've never even heard of him! -I know you're kidding. | 0:24:16 | 0:24:23 | |
-I'm not. -You're probably wondering what a man like myself is doing in an odd place like this. | 0:24:23 | 0:24:30 | |
-No. -Well, I'm hiding from business and it is rather an inaccessible place down here. -Yes, but why odd? | 0:24:30 | 0:24:38 | |
It isn't the place, it's the people. Now, you see that man over there? | 0:24:38 | 0:24:43 | |
He's Martin Krafft - a writer, but all he does is play chess. | 0:24:47 | 0:24:52 | |
-That's odd? -He doesn't play anybody. -Maybe he hates to lose. -Never thought of that. | 0:24:52 | 0:24:58 | |
What's with that little blonde? | 0:25:01 | 0:25:03 | |
She is pretty, isn't she? | 0:25:03 | 0:25:06 | |
Scared to death. | 0:25:06 | 0:25:08 | |
-Of the kid with her? -No. That's her husband - so she said. | 0:25:08 | 0:25:13 | |
It's just that there's something in the air. You know what I mean? | 0:25:13 | 0:25:18 | |
-Excuse me. I always take a nap before dinner. -You sleep with your eyes open or shut? | 0:25:18 | 0:25:25 | |
It's worth trying anyhow. | 0:25:31 | 0:25:34 | |
Can I order you something? | 0:25:37 | 0:25:39 | |
What? | 0:25:39 | 0:25:41 | |
My, we're so nervous. What's wrong? | 0:25:41 | 0:25:44 | |
-Nothing. I'm all right. -It might help to talk about it. -No, please. | 0:25:44 | 0:25:49 | |
I've got a problem, too. Maybe we could help each other. | 0:25:49 | 0:25:54 | |
-We should never have come down here. -All right, why shouldn't you? | 0:25:54 | 0:25:59 | |
I'm all right now. Thanks. | 0:26:01 | 0:26:04 | |
Mr Krafft...I'm Dan Milner. I play a pretty fair game. Do you suppose that's why Arnold sent me down? | 0:26:17 | 0:26:24 | |
I cannot always comprehend the use to which Americans put their language. | 0:26:24 | 0:26:30 | |
I'm having the same trouble with you. | 0:26:30 | 0:26:34 | |
Hi. | 0:26:38 | 0:26:40 | |
-Leaving? -My bungalow costs 75 a day. I thought I'd spend some time in it. -I thought we might dance. | 0:26:41 | 0:26:49 | |
-How's your friend? -What? -The guitar player. He knows you. | 0:26:49 | 0:26:53 | |
-He thought so. Maybe he does. I sing at the drop of a hat. -Even if you have to supply the hat. -Exactly. | 0:26:53 | 0:27:01 | |
-Will that dance offer still be good in an hour? -You could try me. -Fine. | 0:27:01 | 0:27:06 | |
-I'm sorry. -I should look where I'm going. You're new around here, aren't you? I'm Mark Cardigan. | 0:27:14 | 0:27:21 | |
-Dan Milner. -How are you? Milner, do you like to hunt? I'm looking for just one man who likes to hunt. | 0:27:21 | 0:27:28 | |
-Yeah, I like to hunt all right. -You do? Well, I've hunted 'em in Wyoming, Idaho, Canada and Alaska, | 0:27:28 | 0:27:36 | |
-and they were big, but down here, they've got the daddies of 'em all. -Deer? | 0:27:36 | 0:27:42 | |
A 12-point buck eluded me for a week. Yesterday I nailed him. | 0:27:42 | 0:27:47 | |
-Let's try for his brother. -Got a grudge against the family? -Mark! | 0:27:47 | 0:27:53 | |
Mark! | 0:27:53 | 0:27:55 | |
I've got a little Winchester you can use. | 0:27:55 | 0:27:59 | |
-The kinda shooting you get... -You're being paged. -Yeah. | 0:27:59 | 0:28:04 | |
I'll talk to you later. | 0:28:04 | 0:28:06 | |
-Hello, Mark. -Hello, my darling. | 0:28:09 | 0:28:11 | |
Not here. Later when we're alone. | 0:28:11 | 0:28:15 | |
-Mark, why didn't you write to me? I wouldn't have blackmailed you. -Nothing matters now you're here. | 0:28:15 | 0:28:22 | |
Tell me all about yourself. This is a wonderful place. You should see the buck I killed yesterday. | 0:28:22 | 0:28:29 | |
-You'll see the pictures. Morro's making a scrapbook of what I kill. -Yes, he mentioned it. | 0:28:29 | 0:28:36 | |
-He said that given the time, you might rid the world of all animal life. -I'm like the plague! | 0:28:36 | 0:28:44 | |
I know you were trying to needle me, but you can't. You're the only one who ever loved me for my REAL self. | 0:28:44 | 0:28:52 | |
Look! What does that remind you of? | 0:28:52 | 0:28:54 | |
-The ocean. -Don't you remember Miami and the first time we ever met...? | 0:28:54 | 0:29:00 | |
All right, all right. | 0:29:01 | 0:29:03 | |
It was...St Moritz. You skied then, but that night you sang to the accompaniment of the zither. | 0:29:03 | 0:29:10 | |
-That's better. -I've forgotten a lot, but I'll never forget you. | 0:29:10 | 0:29:15 | |
Let's open a bottle and celebrate your coming. | 0:29:15 | 0:29:19 | |
Senor Cardigan is the greatest of all cinema actors. | 0:29:19 | 0:29:24 | |
Only today he favoured me with his autograph upon an American 10 bill. | 0:29:24 | 0:29:30 | |
Naturally now I can't spend it. | 0:29:30 | 0:29:33 | |
-That's tough. -Yes. -What are you going to do with that bottle? -Excuse me. I have to put it on ice. | 0:29:33 | 0:29:41 | |
- I'm warning you. He will make us trouble. I know the type. - I don't think so. | 0:29:56 | 0:30:04 | |
Within 24 hours... | 0:30:04 | 0:30:06 | |
CONVERSATION BECOMES INAUDIBLE | 0:30:06 | 0:30:09 | |
You stick to your chess. I'll take care of him. | 0:30:11 | 0:30:15 | |
Mr Morro, please. | 0:30:30 | 0:30:33 | |
-'Yes?' -Hello, Morro. | 0:30:33 | 0:30:35 | |
This is Milner. I may go social. Who has the cabin next to mine? | 0:30:35 | 0:30:40 | |
-A Mr Thompson is your neighbour, sir. -Do you know anything about Thompson or his friend Krafft? | 0:30:40 | 0:30:47 | |
Mr Thompson is, I believe, a public relations man. Mr Krafft is a writer. | 0:30:47 | 0:30:54 | |
-Is everything all right? -I'll let you know. Which is Krafft's cabin? | 0:30:54 | 0:30:59 | |
-Mr Krafft is in cabin one. -Thank you. | 0:30:59 | 0:31:03 | |
What IS it you want? | 0:32:02 | 0:32:05 | |
-I'd like to have a little chat with you and your friend Thompson. -You are crazy man! | 0:32:05 | 0:32:12 | |
-I don't know you and I can't help you. -Do you know Thompson? | 0:32:13 | 0:32:18 | |
-No. -Now I think we can do business. | 0:32:18 | 0:32:21 | |
I don't like this any better than you do. What happens and when? | 0:32:21 | 0:32:26 | |
I don't know why you are here or why I am here. One needs patience when dealing with certain men. | 0:32:26 | 0:32:34 | |
I'm all out of patience. | 0:32:34 | 0:32:36 | |
OK, so you've got the difference. I wonder if you're prepared to use it. | 0:32:46 | 0:32:51 | |
-I see no reason why I should. -You're wrong. I want information and I'm beginning not to care how I get it. | 0:32:51 | 0:32:59 | |
Why don't you cool off? | 0:33:08 | 0:33:11 | |
-That could be a mistake. -I don't think so. | 0:33:12 | 0:33:16 | |
My job is to keep you and Krafft here. That's all I know. | 0:33:16 | 0:33:21 | |
Within 24 hours, somebody will come in. They'll tell you why you're here. | 0:33:21 | 0:33:26 | |
The more I hear, the less I like. | 0:33:26 | 0:33:29 | |
-In fact, the less I believe. -Oh, you can believe this. | 0:33:29 | 0:33:34 | |
10,000. | 0:33:35 | 0:33:37 | |
-If you don't mind, my friend Mr Krafft and I were about to play some chess. -One more question. | 0:33:37 | 0:33:44 | |
-Why was I tabbed for this? -Maybe because you never got in bad trouble. -You mean with the Federal Police? | 0:33:45 | 0:33:53 | |
I doubt if they'd give you 50,000 for a misdemeanour. | 0:33:53 | 0:33:57 | |
Look, Milner, I'm ignorant. | 0:33:57 | 0:34:00 | |
Happy to be that way. | 0:34:00 | 0:34:02 | |
Just how ignorant are you? | 0:34:07 | 0:34:09 | |
That Brent girl, for instance. Is she in this? | 0:34:09 | 0:34:14 | |
This is no time to get mixed up with a woman, especially someone else's woman. | 0:34:14 | 0:34:21 | |
XFO calling Tropic. XFO calling Tropic. Come in, please. | 0:34:57 | 0:35:02 | |
'This is Tropic. Go ahead.' | 0:35:02 | 0:35:05 | |
Nick, what's keeping you? Go ahead. | 0:35:05 | 0:35:07 | |
'We're in a bad storm. You'll get it soon. What's wrong?' | 0:35:07 | 0:35:12 | |
Milner's getting jumpy. He may try to leave. | 0:35:12 | 0:35:16 | |
'Don't let him. Keep him there.' | 0:35:16 | 0:35:19 | |
Right. Better contact me in code from now on. XFO over and out.' | 0:35:19 | 0:35:24 | |
Hi. | 0:35:41 | 0:35:43 | |
Will you open this for me? | 0:35:44 | 0:35:47 | |
-Thanks. I hear Cardigan caught a fish. -I devoted half the morning to watching him do it. | 0:35:54 | 0:36:01 | |
-He and Morro are photographing it now. -You don't like fish? -Mm-hm. | 0:36:01 | 0:36:06 | |
-On a plate with sauce and white wine. -Somebody's got to kill 'em. -Mark's fish are stuffed, not eaten. | 0:36:06 | 0:36:14 | |
-I was the best back my college ever had. -Look at that. | 0:36:14 | 0:36:18 | |
Your husband can't do this. | 0:36:18 | 0:36:21 | |
I'm a little out of practice. I used to be able to do 20 of those for a pretty little thing like you. | 0:36:22 | 0:36:29 | |
-Love comes to Wall Street. -Don't be so cynical. | 0:36:29 | 0:36:33 | |
Here, put some oil on my back, will you? | 0:36:33 | 0:36:38 | |
Go on! | 0:36:48 | 0:36:51 | |
That's nice. You've got good hands. | 0:36:56 | 0:36:58 | |
-You like it nice. -Uh-huh. I always had everything nice. | 0:36:58 | 0:37:03 | |
My grandfather had millions, but you'd like him in spite of it. | 0:37:03 | 0:37:08 | |
-I could like him FOR it. -He gave me 1m, so he could say every guy I met was after my money. | 0:37:08 | 0:37:15 | |
-Were they? -He'd have loved you for that snide crack. | 0:37:15 | 0:37:20 | |
Are you going to the movie tonight? It's Mark's latest. | 0:37:20 | 0:37:25 | |
Why not? | 0:37:25 | 0:37:27 | |
That was real nice. | 0:37:29 | 0:37:31 | |
-You should have been a masseur instead. -Instead of what? -Instead of whatever it is you do. | 0:37:31 | 0:37:38 | |
I make a little bet on the horses sometimes, but I play cards mostly. | 0:37:38 | 0:37:43 | |
-I've an old maid aunt who does the same thing. -I make a living at it. | 0:37:43 | 0:37:48 | |
Sounds like a well-spent life. Morro implied you were a gambler. | 0:37:48 | 0:37:53 | |
The way I do it, it isn't gambling. | 0:37:53 | 0:37:56 | |
-You cheat? -You don't have to cheat. | 0:37:56 | 0:37:59 | |
-We ought to get along fine. I'm a gambler myself. -Oh? How high do you like to play? | 0:37:59 | 0:38:06 | |
If I told you, you wouldn't believe me. | 0:38:06 | 0:38:10 | |
DRAMATIC MUSIC PLAYS | 0:38:19 | 0:38:23 | |
CLAPPING > | 0:38:55 | 0:38:57 | |
'Sir Godfrey!' | 0:39:00 | 0:39:02 | |
Lady Gwendoline! Nought is between us. I take thee now with honour. | 0:39:02 | 0:39:08 | |
-A thrilling performance! -Thank you, my dear. | 0:39:25 | 0:39:29 | |
-Your best picture ever. -Thank you. | 0:39:29 | 0:39:32 | |
-My wife thinks you're wonderful. -Thank her for me. | 0:39:32 | 0:39:36 | |
That was a very fine movie. They ought to forget social matters. | 0:39:36 | 0:39:41 | |
People don't go to the movies to see how miserable the world is, but to be happy! | 0:39:41 | 0:39:47 | |
-What did you think of it? -It had a message no pigeon would carry. | 0:39:47 | 0:39:52 | |
-In my studio, all messages are handled by Western Union. -Don't take his opinion on anything. | 0:39:52 | 0:39:59 | |
-He's an intellectual. I have an idea for a movie... -Excuse me. | 0:39:59 | 0:40:04 | |
I'm an investment broker. A lot of hidden romance... | 0:40:04 | 0:40:08 | |
What did you think of the picture? | 0:40:08 | 0:40:11 | |
-It was a little long, about 1½ hours. -She hates everything I do. -She likes YOU. | 0:40:11 | 0:40:18 | |
-I don't understand that. -If she liked me, I wouldn't try to understand. -Esteban! | 0:40:18 | 0:40:25 | |
-Scotch o liso, por favor. -I don't understand. -Scotch and soda. -Oh! | 0:40:25 | 0:40:30 | |
-Look...er... -Milner. -That's right, Milner. | 0:40:30 | 0:40:34 | |
-What about tomorrow morning? -What about it? -The hunting! I'll root you out about five. -Five?! | 0:40:34 | 0:40:41 | |
-He shoots them as they crawl out of bed. -If you'd use that needle to sew with, you'd be much happier. | 0:40:41 | 0:40:48 | |
-OK? -It's all right with me, but Morro says there's a storm brewing. -A chubasco - a hurricane. -Oh-h! | 0:40:48 | 0:40:55 | |
Don't look so dismal, darling. | 0:40:55 | 0:40:58 | |
You can dig a hurricane shelter and shoot from that, then you won't have to spend the day with me. | 0:40:58 | 0:41:05 | |
-Now what did I do? -You looked dismal. -Dismal? | 0:41:06 | 0:41:11 | |
-Hello, Harry. -I give away everything but secrets, Liz. | 0:41:22 | 0:41:27 | |
-I know. -I never thought that Liz Brady would turn out to be a phoney. | 0:41:27 | 0:41:33 | |
It's nice to know I'm right. | 0:41:33 | 0:41:35 | |
Liz Brady went to Europe with a USO troupe. She never came back. | 0:41:35 | 0:41:40 | |
That's too bad. She was a real nice kid. She sang nice too. | 0:41:40 | 0:41:45 | |
-Lenore Brent sings. -Really? -Uh-huh. | 0:41:45 | 0:41:48 | |
-Would you? -Sure. -That'd be like old times. | 0:41:48 | 0:41:52 | |
Harry, I'm sorry about yesterday. I hated myself all day. | 0:41:53 | 0:41:58 | |
-Forget it, kid. You had your reasons. Mind if I ask how you came into all the dough? -All what dough? | 0:41:58 | 0:42:06 | |
-If I don't hook my man in two weeks, I'll be hitting you up for a job. -You'll probably get it. | 0:42:06 | 0:42:13 | |
Come on, baby. | 0:42:13 | 0:42:16 | |
-What'll you have? -Nothing, thanks. -Why don't you drink? -I might forget what I'm doing. | 0:42:16 | 0:42:23 | |
# You'll know | 0:42:29 | 0:42:32 | |
# When it happens, you'll know | 0:42:32 | 0:42:36 | |
# You'll need no-one to tell you | 0:42:36 | 0:42:39 | |
# When it happens, you'll know | 0:42:39 | 0:42:44 | |
# And though... | 0:42:45 | 0:42:49 | |
# You've been fooled in the past | 0:42:49 | 0:42:53 | |
# When you meet with your real love | 0:42:53 | 0:42:58 | |
# You'll surrender at last | 0:42:58 | 0:43:03 | |
# Those dreams you've planned | 0:43:03 | 0:43:08 | |
# All at once will come true | 0:43:08 | 0:43:11 | |
# He'll take your hand | 0:43:11 | 0:43:15 | |
# And there's nothing that you can do | 0:43:15 | 0:43:21 | |
# You go | 0:43:21 | 0:43:26 | |
# Where he wants you to go | 0:43:26 | 0:43:30 | |
# You need no-one to tell you | 0:43:30 | 0:43:36 | |
# When it happens | 0:43:36 | 0:43:40 | |
# You'll know-ow. # | 0:43:40 | 0:43:47 | |
Excuse me. | 0:43:52 | 0:43:54 | |
-What's your husband doing? Playing unlucky? -Mm-hm. | 0:44:28 | 0:44:32 | |
-That's what it was before, huh? -Yes, but... Well, he didn't mean to. | 0:44:32 | 0:44:38 | |
-He loves to play and they practically insisted. -Who insisted? | 0:44:38 | 0:44:43 | |
Winton? | 0:44:43 | 0:44:45 | |
Yes. | 0:44:45 | 0:44:47 | |
-He's been so nice to both of us. -Especially you. -Maybe. | 0:44:47 | 0:44:51 | |
Anyway, I told Milt to go ahead and play. It is our honeymoon, and we don't have much money. | 0:44:51 | 0:44:59 | |
-Go on. -He just lost more than we had and we wrote a cheque. | 0:44:59 | 0:45:04 | |
-I know it's terrible, but Mr Winton made it all so easy. -Winton has the bad cheque? -Uh-huh. | 0:45:04 | 0:45:11 | |
-I think he has an idea that you could get it back. -We couldn't ask him for it. -I said YOU. | 0:45:11 | 0:45:18 | |
Forget it. | 0:45:18 | 0:45:21 | |
Cards are shuffled. Everybody, ante up. | 0:45:25 | 0:45:29 | |
Money loves money. If you're going to win the whole scam, you might as well win me too. | 0:45:29 | 0:45:36 | |
Deal me in. | 0:45:36 | 0:45:38 | |
-Cut? -Take your best shot. | 0:45:38 | 0:45:41 | |
-How do you stand? -Not so good. -Too bad. Maybe I'll bring you luck. | 0:45:41 | 0:45:46 | |
I wish something would. | 0:45:46 | 0:45:49 | |
Jack's the bet at open. ..You open? | 0:45:54 | 0:45:57 | |
-If I didn't know better, I'd think this wasn't on the square. -Open? | 0:46:00 | 0:46:05 | |
Give him something to shoot for! | 0:46:10 | 0:46:12 | |
-You've got the best hand. -And you? | 0:46:12 | 0:46:15 | |
- I'll stay. - Stay. - I'm in. | 0:46:15 | 0:46:20 | |
All right, and 50 more. | 0:46:21 | 0:46:24 | |
Well, we're going to have to play this pretty shrewd. | 0:46:24 | 0:46:28 | |
-And back 50. -That's me out. | 0:46:28 | 0:46:30 | |
Stay. | 0:46:30 | 0:46:31 | |
-Little too steep for me. -And you? | 0:46:31 | 0:46:34 | |
And... | 0:46:35 | 0:46:37 | |
once more. | 0:46:37 | 0:46:39 | |
-Do you mind if I back him a little? -It's only money. -Thanks. | 0:46:39 | 0:46:45 | |
-Cards? -May I take the cut now? | 0:46:47 | 0:46:50 | |
-Certainly. -Thank you. | 0:46:50 | 0:46:52 | |
-How many? -Three. | 0:46:55 | 0:46:58 | |
None for the dealer. | 0:47:02 | 0:47:04 | |
-We bet 100. -Without looking? | 0:47:06 | 0:47:09 | |
It's more fun that way. | 0:47:09 | 0:47:11 | |
All right. And up. | 0:47:12 | 0:47:15 | |
Well, if you're betting leather, Mr Winton, we call. | 0:47:17 | 0:47:21 | |
-But there's 1,000 inside my leather. -And 1,000 inside MY leather. | 0:47:23 | 0:47:28 | |
Kings four. | 0:47:32 | 0:47:35 | |
Well! | 0:47:35 | 0:47:37 | |
-Do you think we ought to look? -Do you? -It's your hand. | 0:47:37 | 0:47:42 | |
Ace. | 0:47:44 | 0:47:45 | |
Ace. | 0:47:46 | 0:47:48 | |
Three aces. > | 0:47:53 | 0:47:55 | |
Queen. > | 0:47:55 | 0:47:57 | |
Four aces. Well, what do you know? I brought you luck. | 0:48:00 | 0:48:05 | |
Now don't crowd it. | 0:48:05 | 0:48:07 | |
Four aces! | 0:48:07 | 0:48:10 | |
That's incredible! | 0:48:10 | 0:48:12 | |
All right, he got even. Now get him out of there. | 0:48:14 | 0:48:19 | |
Morro. | 0:48:25 | 0:48:27 | |
I'd like to have a word with you. | 0:48:28 | 0:48:30 | |
Certainly. Come into my office, please. | 0:48:30 | 0:48:34 | |
Morro, have you any idea when Tex will be flying up to Nogales? | 0:48:38 | 0:48:43 | |
-Considering weather conditions, perhaps tomorrow. -I was wondering when to expect the man | 0:48:43 | 0:48:50 | |
-that Arnold is sending down to do business with me. -Business? Forgive me... -You're just a hotel keeper. | 0:48:50 | 0:48:57 | |
'Morro's Lodge, Lusk calling. Over.' | 0:48:57 | 0:49:00 | |
Come in Mr Lusk. This is Morro's Lodge. Over. | 0:49:00 | 0:49:04 | |
'Request landing instructions. Your field. Over.' What's your position, Mr Lusk? Over. | 0:49:04 | 0:49:11 | |
'125 miles southeast of Santa Rosalia and 8,000 feet over Mexico. Over.' | 0:49:11 | 0:49:17 | |
Correction. You're 8,000 feet over the Gulf of California. | 0:49:17 | 0:49:22 | |
Tell him to go back to Santa Rosalia. Go back to Santa Rosalia. | 0:49:22 | 0:49:26 | |
You can't land here. We're expecting a big storm tonight. Over. | 0:49:26 | 0:49:31 | |
-'I'm short of gas and out of Scotch. I'll find your field. Over and out.' -Who is this clown? | 0:49:31 | 0:49:38 | |
-A lunatic in a private plane. Sounds drunk. -Flying tonight, he has to be. | 0:49:38 | 0:49:43 | |
Morro's Lodge calling Mr Lusk Come in, Mr Lusk! Over. | 0:49:43 | 0:49:48 | |
Calling Mr Lusk! Come in, Mr Lusk! Over. | 0:49:48 | 0:49:51 | |
I guess he's broken contact, Mr Morro. I ought to go to the field. | 0:49:53 | 0:49:58 | |
Can I come in? | 0:50:11 | 0:50:13 | |
Why not? | 0:50:13 | 0:50:15 | |
-I saw your light and I didn't think you were the kind who slept with it on. -I'm starting that tonight. -Why? | 0:50:15 | 0:50:23 | |
Where's your friend William Tell? | 0:50:23 | 0:50:25 | |
Bed, I suppose. He still intends getting up at five. | 0:50:25 | 0:50:30 | |
-Don't you dampen it first? -Oh, it's an old habit. | 0:50:31 | 0:50:36 | |
-When I have nothing to do and I can't think, I iron my money. -What if you're broke? -I press my pants. | 0:50:36 | 0:50:43 | |
You know, one time a dame walked into my room, just like you did. | 0:50:43 | 0:50:48 | |
-She'd been out in the rain. I pressed her dress dry. -What did she do? -Poured me some coffee. | 0:50:48 | 0:50:56 | |
-I think you're the strangest man I ever knew. -You don't know me. | 0:50:56 | 0:51:01 | |
-What do you want me to do? Leave? -I want you to pour the coffee! | 0:51:01 | 0:51:07 | |
I've never been so bored in my whole life. Maybe I ought to go home and iron my own money. | 0:51:07 | 0:51:14 | |
If you didn't have so much. | 0:51:15 | 0:51:18 | |
-For two cents, I'd leave tonight. -That's all the change I've got. | 0:51:18 | 0:51:23 | |
Look, in the cool of the morning, the farmer'll get his cow back. | 0:51:23 | 0:51:28 | |
-You've had a little beef, tomorrow you'll be rid of it. -Tomorrow his wife arrives. -Uh-oh. | 0:51:28 | 0:51:35 | |
I didn't know he had a wife. | 0:51:35 | 0:51:37 | |
When I first met him, she was planning a divorce. She went to Reno three months ago. | 0:51:37 | 0:51:44 | |
I thought by now... Is it that funny? | 0:51:44 | 0:51:48 | |
I was playing high card with this guy. I got him up to 30,000 and discovered neither of us had a dime. | 0:51:48 | 0:51:56 | |
AEROPLANE APPROACHES | 0:51:56 | 0:51:59 | |
-Who's that idiot? -I think it's somebody who wants to see ME real bad. | 0:52:01 | 0:52:07 | |
Tell 'em to put up more flares. Pronto con las luces! | 0:52:11 | 0:52:16 | |
Welcome to Morro's Lodge, Senor Lusk. For a while, we thought all was lost. | 0:52:44 | 0:52:49 | |
It's still lost, senor. It's been lost for 10,000 years. | 0:52:49 | 0:52:53 | |
You see how it is. Fools get away with the impossible. | 0:52:53 | 0:52:58 | |
That's because they're the only ones who try it. | 0:52:58 | 0:53:02 | |
Where have you been? I looked for you all day. | 0:53:33 | 0:53:38 | |
I stayed in bed. Nimrod went hunting again. | 0:53:38 | 0:53:42 | |
-I'm afraid I was a little out of my precinct last night. -With me? | 0:53:43 | 0:53:48 | |
Yeah, with you. | 0:53:48 | 0:53:50 | |
Do you want me to forget it? | 0:53:50 | 0:53:53 | |
-I want you to forget it. -It's forgotten. -I lost my... | 0:53:53 | 0:53:58 | |
-It's forgotten, isn't it? -Fine. | 0:53:58 | 0:54:01 | |
-Where is Mr Cardigan? -How should I know? | 0:54:01 | 0:54:05 | |
I'm sorry. | 0:54:08 | 0:54:10 | |
Were you in love with me last night? | 0:54:10 | 0:54:14 | |
Yeah. | 0:54:14 | 0:54:16 | |
But tonight you're not. I guess that's the way I affect people. | 0:54:16 | 0:54:21 | |
-Maybe it's just that you affect the wrong people. -Shall we forget it again? | 0:54:21 | 0:54:28 | |
I have to. | 0:54:28 | 0:54:31 | |
Well, there she is, right on schedule. | 0:54:33 | 0:54:37 | |
Splendid, but I wish you'd do one other little thing for me. Anything. | 0:54:37 | 0:54:42 | |
-Be quite a surprise for Cardigan. -Surprise? -She asked Morro not to tell Mark she was coming. | 0:54:42 | 0:54:49 | |
But he told me. The idiot's bringing her over here! | 0:54:49 | 0:54:54 | |
I'd like you to meet our newest arrival - Mrs Cardigan. | 0:54:55 | 0:54:59 | |
-This is Miss Brent and Mr Milner. -How do you do? | 0:54:59 | 0:55:03 | |
-I seem to have heard of you. -I met your husband in Europe. -He meets so many women. | 0:55:03 | 0:55:10 | |
-That's the price of fame. -Well, it's a living. | 0:55:10 | 0:55:13 | |
-Would you like to dance? -I'd hate it, but under the circumstances. -Forgive us. | 0:55:13 | 0:55:19 | |
I don't want to dance. Take me out of here. | 0:55:20 | 0:55:24 | |
-It's a good thing you're so rich. -Is that supposed to mean something? | 0:55:29 | 0:55:34 | |
Any rich dames I've met have a terror of talking about their dough. | 0:55:34 | 0:55:40 | |
-Maybe they feel guilty. -Maybe you don't. | 0:55:40 | 0:55:44 | |
Maybe the fact that Cardigan's married doesn't worry you. | 0:55:44 | 0:55:48 | |
If I was a phoney, you'd still have no right to that rock in your hand. | 0:55:48 | 0:55:53 | |
Excuse me, senorita. Senor Cardigan wish that you come to his cabin. You too, senor. | 0:55:53 | 0:56:00 | |
-Now comes the showdown. -No. When that happens, he won't invite me. | 0:56:01 | 0:56:06 | |
Let's go see what he wants. | 0:56:06 | 0:56:10 | |
HE WHISTLES TO HIMSELF | 0:56:10 | 0:56:12 | |
KNOCK AT DOOR | 0:56:14 | 0:56:17 | |
Come on in, my friends. Get a load of this. | 0:56:20 | 0:56:24 | |
You never tasted duck like this one a-la-Cardigan, | 0:56:24 | 0:56:29 | |
-soaked in sherry with only salt and sage and pepper. -Butchered by the chef himself. -Shot, my pet. | 0:56:29 | 0:56:36 | |
Mix yourselves a drink while I put this on. | 0:56:36 | 0:56:40 | |
It's a pretty weapon. | 0:56:44 | 0:56:47 | |
-A gift from his fan club. -Darling, would you set the table for three? -I'll set it for four. | 0:56:47 | 0:56:54 | |
-Got somebody else coming? -YOU have. -Who? | 0:56:54 | 0:56:58 | |
-A Mrs Helen Cardigan. -Fine. | 0:56:58 | 0:57:01 | |
Who? | 0:57:01 | 0:57:03 | |
-Who? -Your wife. Surely you remember her? | 0:57:04 | 0:57:08 | |
Oh. | 0:57:08 | 0:57:10 | |
Here? | 0:57:10 | 0:57:12 | |
-She here? -She here. | 0:57:12 | 0:57:14 | |
KNOCK AT DOOR | 0:57:14 | 0:57:17 | |
Isn't somebody going to answer it? | 0:57:19 | 0:57:21 | |
-Come right in. -I'm looking for Cardigan. -Gerald, this is a real surprise! Come on in. | 0:57:27 | 0:57:34 | |
-I did wire you five times. -Oh, were they from you? -If you'd opened them, you might have found out. | 0:57:34 | 0:57:41 | |
-Lenore, meet my personal manager Gerald Hobson. This is Lenore Brent and Dan... -Milner. | 0:57:41 | 0:57:48 | |
-How do you do? -I suppose you know Helen is here. -Yes, she didn't... | 0:57:48 | 0:57:53 | |
-..get the divorce? No. Lucky for you. The papers've had a field day. -Why? | 0:57:53 | 0:57:58 | |
-It seems the male half of America's most happily married couple has made a fool of himself with a dame. -Me. | 0:57:58 | 0:58:06 | |
-Who is happily married? -Very few, but you're a victim of your own publicity and you're getting older. | 0:58:06 | 0:58:13 | |
-So is my ten-year-old nephew. -Your contract won't be renewed if this is still going on. -Maybe I should go. | 0:58:13 | 0:58:21 | |
-Nothing is private in Hollywood. -I know. You just work there. -Gerald, I owe you a lot, | 0:58:21 | 0:58:28 | |
but I'm not a kid trying to get a break. It's time I lived my own life. Helen and I are incompatible. | 0:58:28 | 0:58:35 | |
-I have a right to my happiness, too. -How happy will you be without a contract? | 0:58:35 | 0:58:41 | |
-I brought Helen here. You're going to be reconciled. People take marriage seriously. -I do too, but... -What? | 0:58:41 | 0:58:49 | |
Yeah, but what? Tell him about us. Tell him how this is different. | 0:58:49 | 0:58:54 | |
Yes, Gerald, this is different. I know you won't believe me, but I've never been in love before. | 0:58:54 | 0:59:01 | |
What's happening here? | 0:59:01 | 0:59:04 | |
-Are you looking for a settlement? -Cardigan's in no position to refuse one. -Obviously. | 0:59:04 | 0:59:11 | |
May I go now, or would you like it from me too? | 0:59:13 | 0:59:17 | |
And it was going to be such a beautiful dinner! | 0:59:24 | 0:59:28 | |
# I'm a rambling wreck from Georgia Tech... # | 0:59:29 | 0:59:34 | |
Really! | 0:59:34 | 0:59:36 | |
I'm a social outcast. Nobody's speaking to me. | 0:59:36 | 0:59:40 | |
-What would you like to talk about? -Myself, naturally. -That's just what I wanted to talk about. | 0:59:40 | 0:59:48 | |
-Why don't we get out of here? -I'm scared to walk. -Lean on me. | 0:59:48 | 0:59:52 | |
-Let's go over to your drink and shake it up. -You're making sense. | 0:59:52 | 0:59:58 | |
-# For he's a rambling wreck from Georgia Tech... # -He sure is. | 0:59:58 | 1:00:03 | |
You don't have to hold me up, buddy. | 1:00:09 | 1:00:12 | |
-I was the greatest scatback that ever lost to Notre Dame. -You drink like a B girl. | 1:00:12 | 1:00:19 | |
-What did you say? -You drink like a B girl. | 1:00:19 | 1:00:23 | |
I'll pull the blinds. | 1:00:23 | 1:00:26 | |
-I didn't think you were buying it. -I would have, but I was expecting you. -You weren't expecting me. | 1:00:26 | 1:00:32 | |
-Well, somebody. It turned out to be you. -Wrong. Your man hasn't shown. -Everybody's so cagey. -Wrong again. | 1:00:32 | 1:00:40 | |
I'm not being cagey. Maybe I'm being a bit simple, but I'm going to gamble with you. | 1:00:40 | 1:00:46 | |
-I only gamble on sure things. -You don't even know why you're here! I do. -Keep dealing. | 1:00:46 | 1:00:53 | |
-I'm a cop. -What kind? | 1:00:53 | 1:00:56 | |
-Federal. Immigration service. -I'm losing interest. -I think you'd like to get clear. | 1:00:56 | 1:01:03 | |
-You can, in return for a little cooperation. -Get clear of what? -What would Arnold want with you? | 1:01:03 | 1:01:10 | |
-Does that not make you wonder? -It makes me sleepy. | 1:01:10 | 1:01:15 | |
-A man wants into the States. He doesn't care how he does it. -Anybody I know? | 1:01:15 | 1:01:22 | |
-Everybody knows him. Get it? -No. -You're the patsy. A boat will sail into the bay here. | 1:01:22 | 1:01:29 | |
-When it leaves, you'll be on it, but "Milner" will go back to the States. -He'll be recognised if he's so big. | 1:01:29 | 1:01:36 | |
Krafft may be a writer and he looks like a chess player, but in 1935 he was admitted as a plastic surgeon. | 1:01:36 | 1:01:44 | |
-In 1940, he was deported. -That's a very interesting story. | 1:01:44 | 1:01:49 | |
-You still don't get it? -No. You were a drunk, now you're a cop... -OK, play it your way. -I'm on a vacation! | 1:01:49 | 1:01:57 | |
I hope you enjoy it. It may be the longest one you ever take. | 1:01:57 | 1:02:02 | |
Hey, if you'd lock your door, you wouldn't lose things. | 1:02:20 | 1:02:24 | |
Nor find them. | 1:02:31 | 1:02:34 | |
That's probably the nicest thing you've said to me. | 1:02:34 | 1:02:38 | |
Instead of walking out to sea, I came here. | 1:02:38 | 1:02:43 | |
-Do you still have our champagne? -Is it a big occasion? | 1:02:43 | 1:02:47 | |
Are you going to apologise for this one? | 1:03:04 | 1:03:08 | |
No. | 1:03:08 | 1:03:09 | |
This could be goodbye. | 1:03:09 | 1:03:12 | |
You're leaving? | 1:03:21 | 1:03:24 | |
-I'm not sure. -You're in trouble. I think I've known it from the beginning. | 1:03:24 | 1:03:31 | |
-Everybody's in trouble. -I don't suppose you want to talk about it... -Tomorrow. | 1:03:31 | 1:03:37 | |
-You make it sound like it's for ever. -Did Thompson see you leaving the Lodge? -Who's Thompson? | 1:03:37 | 1:03:45 | |
Wait a few minutes before you walk out of here. I don't want us to be seen together. | 1:03:45 | 1:03:52 | |
Don't look so trapped, Mark. Surely you didn't intend to marry her? | 1:03:58 | 1:04:03 | |
-I don't intend to hurt or embarrass her either. -You hurt and embarrassed me. -Reno was your idea. | 1:04:03 | 1:04:10 | |
-Did you really believe I'd divorce you? -Why not? -Oh, Mark! | 1:04:10 | 1:04:14 | |
-You're not going to tell me you're in love with me. -All right, I won't. | 1:04:14 | 1:04:20 | |
But we've developed a tolerance for each other. At Reno, I decided that was the next best thing... | 1:04:20 | 1:04:27 | |
-for both of us. -I've never settled for second best. | 1:04:27 | 1:04:31 | |
And don't be so sure I'm not in love. | 1:04:31 | 1:04:35 | |
May I help you, Mr Milner? | 1:04:45 | 1:04:47 | |
You might. | 1:04:47 | 1:04:50 | |
Can you tell me where Thompson is? | 1:04:50 | 1:04:53 | |
Yes. He's playing poker with some of the other guests. | 1:04:53 | 1:04:57 | |
Thanks. | 1:04:57 | 1:04:59 | |
Thought I was supposed to treat you like typhoid Mary. | 1:05:05 | 1:05:10 | |
-I think things are under control. -Were you looking for a gun back in the cabin? -I know where it is. | 1:05:10 | 1:05:17 | |
Are you too proud to ask for help? | 1:05:17 | 1:05:20 | |
-Mr Milner? I haven't had a chance to thank you for what you've done for us. -Well, you have now. | 1:05:20 | 1:05:28 | |
-We're leaving in the morning. If you ever get to Indian Springs, that's Ohio, look us up. -I will. | 1:05:28 | 1:05:35 | |
Mr Milner, I'd like to ask you something...do something. Milton says it's all right. | 1:05:35 | 1:05:42 | |
Goodbye and thank you. | 1:05:45 | 1:05:48 | |
Goodbye and thank YOU. | 1:05:48 | 1:05:51 | |
Goodbye, Mr Winton. | 1:05:51 | 1:05:53 | |
Yeah, goodbye. | 1:05:53 | 1:05:56 | |
Well, how about a nice big kiss from you now? | 1:05:56 | 1:06:00 | |
I forgive you and for those four aces, too, if you'll give me a return shot, say gin rummy? | 1:06:00 | 1:06:07 | |
-Later. -Why not now? -He needs time to limber up his fingers. -Limber up his fingers! | 1:06:07 | 1:06:14 | |
Come on, let's get outta here. | 1:06:18 | 1:06:20 | |
Kill that light. | 1:06:36 | 1:06:39 | |
Very embarrassing situation. For both of us. | 1:06:39 | 1:06:43 | |
I'm fascinated by radios. I think they're here to stay. You may not be. | 1:06:43 | 1:06:49 | |
RADIO BEEPS Sit down. | 1:06:49 | 1:06:53 | |
Come in, Tropic. | 1:06:58 | 1:07:01 | |
Come in, Tropic. Over. | 1:07:01 | 1:07:03 | |
Check-in one hour. Over and out. | 1:07:10 | 1:07:13 | |
I suppose you understood that. Time of arrival. | 1:07:22 | 1:07:26 | |
You're a little out of your precinct, aren't you, even for a Federal man? | 1:07:26 | 1:07:31 | |
Down here, you're just a private citizen like me. | 1:07:31 | 1:07:35 | |
Not like you. Let's not be bitter. | 1:07:35 | 1:07:38 | |
It's just a game, somebody wins, somebody loses. Are we right about who's coming in? | 1:07:38 | 1:07:46 | |
Suppose you tell me? Your big boss is on a boat, only he can't get into the States. | 1:07:46 | 1:07:52 | |
He'll trade places with someone. Go on. | 1:07:52 | 1:07:55 | |
Milner's a lone wolf, without friends or relatives. | 1:07:55 | 1:08:00 | |
He's kept under cover all his life. A guy like that'll never be missed. | 1:08:00 | 1:08:05 | |
You're making quite a speech. On the boat, Dr Krafft does some plastic surgery on your man's face. | 1:08:05 | 1:08:12 | |
He takes Milner's name and identity and the real Milner disappears. | 1:08:12 | 1:08:18 | |
- Why worry about Milner? - I'm sorry I asked. | 1:08:18 | 1:08:22 | |
Too bad we'll both die for something so rotten. | 1:08:22 | 1:08:26 | |
I've never been in that direction. I've been the other way, but I'd like to be going that way... | 1:08:56 | 1:09:04 | |
tomorrow...now. | 1:09:04 | 1:09:06 | |
Why? What's out there? | 1:09:06 | 1:09:08 | |
Islands. Samoa and Tahiti. | 1:09:08 | 1:09:11 | |
-Bikini? -You're such a wise guy. | 1:09:11 | 1:09:14 | |
You're not going to find a thing except yourself. | 1:09:14 | 1:09:18 | |
I'd even like finding that. | 1:09:18 | 1:09:21 | |
Come on, let's walk on the beach. | 1:09:22 | 1:09:25 | |
SHE HUMS TO HERSELF | 1:09:37 | 1:09:40 | |
Sing it. | 1:09:45 | 1:09:47 | |
What's the matter? Are you going sentimental? | 1:09:47 | 1:09:52 | |
-I remember the first time I saw you, you were singing. -Is this supposed to be the last time? -Maybe. | 1:09:52 | 1:09:59 | |
# Five little miles from San Berdoo | 1:10:02 | 1:10:06 | |
# I woke up humming and thought of you | 1:10:06 | 1:10:10 | |
-# I look... # -Stay here. | 1:10:10 | 1:10:13 | |
Is he dead? | 1:10:49 | 1:10:52 | |
When we get back, see about getting yourself out of here - tonight. | 1:10:52 | 1:10:57 | |
-Why? -Because he was murdered. | 1:10:57 | 1:11:00 | |
-He was no two-bottle boy on a binge, he was a government cop. -Stop trying to scare me. | 1:11:00 | 1:11:07 | |
-I happen to be a little scared myself. -Why should I miss the fun? -You can't buy your way out of this. | 1:11:07 | 1:11:14 | |
I don't want to see you get hurt. Go back to your cabin and stay there. | 1:11:16 | 1:11:22 | |
Easy does it! | 1:12:04 | 1:12:07 | |
Come on out, boys. | 1:12:07 | 1:12:10 | |
You live carefully. | 1:12:13 | 1:12:16 | |
-Who's this one? -A man have to have a name for you? | 1:12:16 | 1:12:20 | |
-OK, so you're a man. -Who are you waiting for? -You. -Then you don't need the gun. | 1:12:20 | 1:12:26 | |
-It keeps me occupied. -There's a man waiting for you on a boat out there. -I know. He hasn't got a name either. | 1:12:26 | 1:12:34 | |
-No matter where you get it, money can buy just so much. -There are some things it doesn't buy - like murder. | 1:12:34 | 1:12:42 | |
You only had to get on that boat and sail away. Could've been a nice trip. | 1:12:42 | 1:12:47 | |
I wouldn't care for it. When Milner goes home, it'll be me. Your money is in that drawer, less expenses. | 1:12:47 | 1:12:55 | |
-There isn't time. Put the gun down. The man behind you has a bigger one. -Have him introduce himself. | 1:12:55 | 1:13:03 | |
We've met before. | 1:13:08 | 1:13:10 | |
Lusk knew about me, Thompson. I'm no good to you any more. | 1:13:10 | 1:13:15 | |
You need to find a different place, different boy. | 1:13:15 | 1:13:19 | |
-Maybe, but you're still going to the boat. -Dan! | 1:13:19 | 1:13:24 | |
Dan? | 1:13:29 | 1:13:31 | |
Get rid of her...out there. | 1:13:31 | 1:13:34 | |
-I told you not to come around here any more. -I brought you a gun. | 1:13:43 | 1:13:48 | |
-Give it to Cardigan. He likes guns. -What's the matter with you? | 1:13:48 | 1:13:53 | |
-It'd take a long time to say. -All right, I stole the gun for you. | 1:13:53 | 1:13:58 | |
-Just take it. -Will you get outta here? | 1:13:58 | 1:14:02 | |
I spent six months and lot of money to try and get Mark Cardigan. | 1:14:02 | 1:14:07 | |
I was ready to kiss it all goodbye for you. | 1:14:07 | 1:14:10 | |
-Big mistake. -Wasn't it though? | 1:14:10 | 1:14:13 | |
-Thanks for straightening me out. You do it so nicely. -It was nothing. | 1:14:13 | 1:14:18 | |
-Take this. I can't sneak it back. -Give it to Cardigan. -It... -He knows how to use them. He'd like that one. | 1:14:18 | 1:14:26 | |
Give it to Cardigan. | 1:14:26 | 1:14:29 | |
There are a lot of places in the world. They all have women in them. | 1:14:42 | 1:14:47 | |
-The government's got a few places that don't. -All clear. > | 1:14:47 | 1:14:51 | |
You heard the man. | 1:14:51 | 1:14:54 | |
I see. Thank you. | 1:15:12 | 1:15:14 | |
-That was Morro. Lusk was murdered. -What? -The plane's out of commission | 1:15:16 | 1:15:21 | |
-and there's a boat in the bay that shouldn't be here. Neither should we. -Well! -I'll lock the door. | 1:15:21 | 1:15:28 | |
-Mark, do something! -Like what? | 1:15:28 | 1:15:30 | |
-They're taking Dan out to that boat. -Who are they? -Maybe he's leaving. | 1:15:30 | 1:15:36 | |
-I wasn't talking to you. Mark, he's in trouble. -We are to stay indoors. | 1:15:36 | 1:15:41 | |
-Let me think. -That's a first. I do your thinking for you. | 1:15:41 | 1:15:46 | |
-Do you want to go out there for me? -I have a wife. -Shut up. -You have one, too. | 1:15:46 | 1:15:52 | |
-"Now might I do such bitter business the earth would quake to look upon." -Hamlet! | 1:15:52 | 1:15:59 | |
This is no time for histrionics. | 1:15:59 | 1:16:01 | |
"What fools you mortals be." | 1:16:04 | 1:16:08 | |
< Shine the light over here! | 1:16:27 | 1:16:30 | |
Take the light. Give me that rifle. | 1:16:36 | 1:16:39 | |
There he is! | 1:16:39 | 1:16:41 | |
Hold the light on him! | 1:16:42 | 1:16:45 | |
You lost him. | 1:16:52 | 1:16:54 | |
Here. Give me the light. | 1:16:54 | 1:16:57 | |
(Hey, Milner! It's me, Cardigan.) | 1:17:15 | 1:17:18 | |
Here. Take this. Follow me. | 1:17:22 | 1:17:25 | |
Stay with me. This is my private hunting ground. I know it like an owl knows his tree. | 1:17:39 | 1:17:46 | |
Oh! | 1:17:55 | 1:17:56 | |
What do you know? I'm really wounded! | 1:17:58 | 1:18:01 | |
It's OK. | 1:18:01 | 1:18:03 | |
Do you mind telling me who I'm shooting at and why? | 1:18:09 | 1:18:14 | |
If this was a movie, you could ask 'em, but their guns are loaded. | 1:18:14 | 1:18:19 | |
All my life I've suspected myself of being a phoney. | 1:18:19 | 1:18:24 | |
Half of it, I've been acting. 100 lives and 100 stories, all phoney. | 1:18:24 | 1:18:29 | |
-This is the only time the guns were loaded with anything but blanks. -How does it feel? -Just fine. | 1:18:29 | 1:18:36 | |
-Is that why you're here? -Partly. | 1:18:36 | 1:18:38 | |
-What's the rest of it? -She asked me to come. -Are you in love with her? | 1:18:38 | 1:18:43 | |
-My wife tells me I've never been in love with anything except myself. -Who has? -People have. | 1:18:43 | 1:18:51 | |
-Can I go out there and bring him ashore? -Who? -The guy on the boat. -You know him? -Must be Nick Ferraro. | 1:18:54 | 1:19:02 | |
-Ferraro? -It figures. | 1:19:02 | 1:19:04 | |
-What has Ferraro got against you? -He likes me. He wants to be me. | 1:19:04 | 1:19:09 | |
Lusk knew. That's why he's dead. | 1:19:09 | 1:19:12 | |
-Where does that leave us? -In a lot of trouble. | 1:19:12 | 1:19:16 | |
Until somebody knocks him off, it's going to be the short, unhappy life of Dan Milner. I'm too young to die. | 1:19:16 | 1:19:23 | |
-I'm too well known. -If you get killed, I'll get you a first-rate funeral at Mann's Chinese Theatre. | 1:19:23 | 1:19:31 | |
I've already had it. My last picture died there. | 1:19:31 | 1:19:35 | |
Good luck, Bucko. I'll keep Thompson and company busy. | 1:19:35 | 1:19:40 | |
Take me to Ferraro. | 1:20:44 | 1:20:46 | |
-No comprendo, senor. -The captain - capitan. | 1:20:46 | 1:20:50 | |
Come on! | 1:22:05 | 1:22:07 | |
See if you can cover him from above. | 1:23:16 | 1:23:18 | |
We'll never smoke him out from here. | 1:23:26 | 1:23:29 | |
How about flanking him? | 1:23:29 | 1:23:31 | |
OK, get around behind him on that cliff. I'll cover. | 1:23:31 | 1:23:36 | |
Look, mister, you're covered from all sides. Either come out with your hands up, or we'll blast you out. | 1:23:46 | 1:23:53 | |
Make up your mind. Are you coming out? | 1:24:02 | 1:24:05 | |
Hold it. | 1:24:53 | 1:24:55 | |
Drop that gun. | 1:24:55 | 1:24:57 | |
Drop it! | 1:24:57 | 1:24:59 | |
Very good. Take him topside. | 1:25:01 | 1:25:03 | |
Get goin'. | 1:25:03 | 1:25:06 | |
You take that side. | 1:25:09 | 1:25:12 | |
Deceased, or as you say in plain terms, gone to heaven. | 1:25:56 | 1:26:01 | |
Do you know me? | 1:26:14 | 1:26:16 | |
Yeah, I'd know that face anywhere. | 1:26:16 | 1:26:19 | |
-I don't blame you for wanting a new one. -You judge everyone by his face? -That and smell. How about you? | 1:26:19 | 1:26:27 | |
I have several methods. | 1:26:27 | 1:26:30 | |
For example, if a man fights me fairly, I respect him. | 1:26:30 | 1:26:34 | |
On the other hand, when a man makes a deal with me, takes my money and then double-crosses me, | 1:26:34 | 1:26:41 | |
that's something else. I hate welchers. | 1:26:41 | 1:26:45 | |
In Chicago, I gave everyone a fair shake if they played square with me. | 1:26:45 | 1:26:51 | |
They all had good funerals, but that one where you was real sore. | 1:26:51 | 1:26:56 | |
I dumped part of him in an alley in Cicero and another part over on the East Side. | 1:26:56 | 1:27:03 | |
He got two funerals. | 1:27:03 | 1:27:05 | |
The point is, Milner, if you want to fight me in the open, clean and fair, I'll fight back clean. | 1:27:05 | 1:27:14 | |
Like this! | 1:27:14 | 1:27:16 | |
-If you want to fight below the belt like a welcher, if you want to fight dirty, -I -can do it that way, too. | 1:27:19 | 1:27:27 | |
Some guys have to learn the hard way. | 1:27:34 | 1:27:38 | |
All right, boys, take him. | 1:27:50 | 1:27:53 | |
Be careful of his face. | 1:28:03 | 1:28:06 | |
Pick him up. | 1:28:27 | 1:28:30 | |
Take off his shirt. | 1:28:32 | 1:28:35 | |
Stand him over there. | 1:28:38 | 1:28:40 | |
NICK: What's the matter with you? | 1:28:58 | 1:29:01 | |
Your friend shot a hole in the main steam line. The engine room's full of steam. | 1:29:01 | 1:29:06 | |
Why not let the Yankee Boy Scout fix it? They're all handymen, these Americans. | 1:29:14 | 1:29:23 | |
..Wrap this roll of tape round it, Milner. Maybe you can stop the leak. | 1:29:23 | 1:29:28 | |
Let him work up a good sweat. | 1:29:31 | 1:29:34 | |
Take him below. | 1:29:35 | 1:29:38 | |
Are you still alive, Thompson? | 1:30:41 | 1:30:44 | |
-GUNSHOT -So am I. | 1:30:44 | 1:30:46 | |
Talk to me, Thompson. Milner's gone to get Ferraro. | 1:30:46 | 1:30:51 | |
It's a pretty night out, isn't it? | 1:30:54 | 1:30:57 | |
But pretty soon it'll be dark. | 1:30:58 | 1:31:01 | |
Come and get me. There's no sense in losing sleep. | 1:31:01 | 1:31:05 | |
Are you coming? Oh, come on! I've been known to miss. | 1:31:05 | 1:31:10 | |
Do it again. | 1:31:13 | 1:31:15 | |
Are you coming? | 1:32:10 | 1:32:13 | |
All right, Thompson. | 1:32:39 | 1:32:42 | |
Turn around. | 1:32:45 | 1:32:48 | |
-How come you didn't finish me off? -Maybe I got confused and forgot which side your heart was on. | 1:32:51 | 1:32:58 | |
Or perhaps you don't have one. Start walking! | 1:32:58 | 1:33:02 | |
Yes? | 1:33:06 | 1:33:08 | |
..We'll go into this later. Let's find some smaller place. Yes, sir. | 1:33:08 | 1:33:14 | |
DOOR CLOSES If you're going to kill Milner, why not get it over with? | 1:33:16 | 1:33:23 | |
But what about our original plan? | 1:33:23 | 1:33:25 | |
Too risky. If we bump into trouble with the Feds or the Mexican police, that mouth of his could finish it. | 1:33:25 | 1:33:33 | |
But his face could give you a new start, Ferraro. Why don't we keep his face, then, | 1:33:33 | 1:33:40 | |
pump him full of lead, stow him below someplace, | 1:33:40 | 1:33:45 | |
and when we're out of this, go ahead with the operation? | 1:33:45 | 1:33:49 | |
It might work. But I don't know. In death, the muscles generally tighten. | 1:33:49 | 1:33:56 | |
The features can become grotesque. It's not easy for me to do this job. | 1:33:56 | 1:34:02 | |
Then write the whole idea off. I tell you, this guy's dangerous. I want him out of the way. | 1:34:02 | 1:34:09 | |
Senor Morro, this is not a problem for MY men. I want protection for my guests! | 1:34:09 | 1:34:15 | |
Only one man has been killed. | 1:34:15 | 1:34:18 | |
Wrong! I have accounted for two more and taken a prisoner of war. | 1:34:18 | 1:34:23 | |
-Place him under guard. -A la carcel con el. Voy a interrogarle mas tarde. -Take his gun. -..I must report this. | 1:34:23 | 1:34:31 | |
Use my telephone. Gracias. | 1:34:31 | 1:34:33 | |
-Morro, we must seize the yacht. -What for? -Milner's out there alone facing tremendous odds. | 1:34:33 | 1:34:41 | |
-Mark! I want to talk to you. -Too late for talk. The time has come to act. | 1:34:41 | 1:34:46 | |
Act! When did you ever stop? | 1:34:46 | 1:34:48 | |
-Let the police handle it. -Alas, why must I be plagued by yammering magpies on the eve of battle? | 1:34:48 | 1:34:56 | |
Listen, Mark, if you go through with this madness, you've lost me. | 1:34:56 | 1:35:01 | |
-Fortunes of war. I thought I'd already lost you. The idea still has merit. -How can you say that? | 1:35:01 | 1:35:08 | |
My dear, you don't understand me. | 1:35:08 | 1:35:10 | |
Do you think I want to go on living in a make-believe world, fighting in Sherwood Forest on stage six? No. | 1:35:10 | 1:35:19 | |
You go back to Hollywood, while I go on to real-life triumphs | 1:35:19 | 1:35:24 | |
or a glorious death. | 1:35:24 | 1:35:26 | |
Unhand me! | 1:35:26 | 1:35:28 | |
Mark! You're wounded. | 1:35:29 | 1:35:32 | |
'Tis not so deep as a well, nor so wide as a church door. | 1:35:32 | 1:35:37 | |
-Where's Dan? -He is the object of a sea expedition. -Take me with you. | 1:35:37 | 1:35:42 | |
-This is man's work. Women are for weeping. -I love Dan. You've got to take me. -Oh, very well. | 1:35:42 | 1:35:50 | |
-Come with me. ..Hold these. ..I want you properly equipped. Get what you need in there. -Thanks. | 1:35:50 | 1:35:58 | |
Mark! | 1:35:58 | 1:36:00 | |
-Mark! Mark! -Get in there. -I refuse to share your bungalow with another woman. | 1:36:00 | 1:36:06 | |
-If that woman is released before I get back, lady, by yonder moon, I swear...! -You might not return. | 1:36:06 | 1:36:14 | |
-If I'm not here by Wednesday, chop that door down. -Mark, let me out! MARK! | 1:36:14 | 1:36:20 | |
A fine example you're setting(!) | 1:36:22 | 1:36:24 | |
-One of your fellow Americans needs help and you stand there gaping. -Wonderful. -Thank you. | 1:36:24 | 1:36:32 | |
-..Catch that. -I don't know... -Fall in line! ..Oh...no! | 1:36:32 | 1:36:37 | |
-Count me in. -What are your qualifications, sir? | 1:36:38 | 1:36:42 | |
This is the first chance I've had to get away from my wife. | 1:36:42 | 1:36:47 | |
I know what you mean, old-timer. | 1:36:47 | 1:36:50 | |
FALL IN! | 1:36:52 | 1:36:54 | |
Halt! | 1:36:54 | 1:36:57 | |
-Explain to them that survivors will get parts in my next picture. -Si, se los espetare. | 1:36:59 | 1:37:05 | |
Too flabby. Replace him. | 1:37:05 | 1:37:08 | |
-What about that one? -My wife's brother. He serves with me on condition he's not exposed to danger. | 1:37:09 | 1:37:17 | |
-Tell him to volunteer. -I cannot. I promised my wife... -Lieutenant! | 1:37:17 | 1:37:22 | |
Tell that rascal to fall in. He's drafted. | 1:37:22 | 1:37:26 | |
El amigo cree que es el General Eisenhower. Vaya atras. Si, mi teniente. | 1:37:26 | 1:37:31 | |
Carlos, conscripcion para los gringos. | 1:37:31 | 1:37:34 | |
Since I'm in command, you'll act as gunbearer. | 1:37:34 | 1:37:38 | |
Now, soldiers, march away and how thou pleasest God, dispose the day! | 1:37:38 | 1:37:44 | |
I'll do this my own way. But I could silence him AND keep him alive. | 1:37:46 | 1:37:52 | |
Are you worried about your fee?! | 1:37:52 | 1:37:54 | |
I have been giving it some thought. We may have the solution right here. | 1:37:54 | 1:37:59 | |
This is a very unusual anaesthetic. It was developed by the Nazis. | 1:38:04 | 1:38:08 | |
< I had intended to use it on you. | 1:38:08 | 1:38:11 | |
I said surgery was out! | 1:38:11 | 1:38:14 | |
This drug is a good anaesthetic, if used properly. The correct amount is one and one half cubic centimetres. | 1:38:14 | 1:38:21 | |
But in overdose quantities, this drug is VERY damaging. For example, an injection of... | 1:38:21 | 1:38:28 | |
say, seven cubic centimetres, then certain brain tissues are destroyed. | 1:38:28 | 1:38:34 | |
The patient never regains his memory and death follows within a year. | 1:38:34 | 1:38:38 | |
I don't like fooling with drugs. Something's liable to go wrong. | 1:38:43 | 1:38:48 | |
There's that chance with anything. | 1:38:48 | 1:38:50 | |
Not with this. | 1:38:50 | 1:38:53 | |
Here's one anaesthetic where death follows right now. | 1:38:53 | 1:38:58 | |
..Bring Milner up! | 1:38:58 | 1:39:00 | |
Ahoy! Stand by to be commandeered. | 1:39:02 | 1:39:05 | |
A prisa! A prisa! | 1:39:08 | 1:39:10 | |
Smartly, lads! | 1:39:10 | 1:39:12 | |
-Senor, this boat is not yet ready. -Gangway! This is a war emergency. | 1:39:12 | 1:39:17 | |
-What are you waiting for? -He is afraid of the water. -There's enough wood in his head to make him float. | 1:39:17 | 1:39:25 | |
Dice que estas valiente como una madera y tu cabeza es hecho de palo. Entra el barco! | 1:39:25 | 1:39:32 | |
You mutinous scoundrel, up front with me! | 1:39:32 | 1:39:36 | |
Adelante. Vamos. Entra. | 1:39:36 | 1:39:38 | |
Full speed ahead! | 1:39:40 | 1:39:43 | |
-There are too many in this boat, senor. -Start that engine! Full speed ahead. | 1:39:43 | 1:39:49 | |
Now would I give a thousand furlongs of sea for an acre of barren ground. | 1:40:01 | 1:40:08 | |
Este hombre es un idiota! Nos va ahogar a todos. | 1:40:18 | 1:40:22 | |
Don't stand there jabbering, abandon ship! | 1:40:22 | 1:40:26 | |
A ship! A ship! My kingdom for a ship. | 1:40:41 | 1:40:45 | |
-Senor, this boat here, she is ready. -Remind me to have you cited for valour. | 1:40:45 | 1:40:51 | |
-Launch this craft immediately. -En agua con el barco! | 1:40:51 | 1:40:56 | |
Si, el barco el lancho! | 1:40:56 | 1:41:00 | |
Look at him. I hate him and his kind for trying to keep me out of their country when I've got business there. | 1:41:11 | 1:41:19 | |
No welcher tells Ferraro where he can go. | 1:41:19 | 1:41:23 | |
Wake up, little boy! | 1:41:48 | 1:41:51 | |
Wake up! I want you to see it coming. | 1:41:51 | 1:41:54 | |
WAKE UP! | 1:41:57 | 1:42:00 | |
Nick! Get it over with. We don't have time to fool around. | 1:42:00 | 1:42:04 | |
I want him to be fully conscious. | 1:42:04 | 1:42:07 | |
I don't like to shoot a corpse. | 1:42:08 | 1:42:11 | |
I want to see the expression on his face when he knows it's coming. | 1:42:11 | 1:42:16 | |
WAKE UP! | 1:42:17 | 1:42:19 | |
DOOR OPENS | 1:42:47 | 1:42:49 | |
There's a boat approaching with police. | 1:42:49 | 1:42:52 | |
How far is that boat? It'll be alongside in a minute. Nick? | 1:42:52 | 1:42:58 | |
- I'll throw him overboard. - You got to weight him first. | 1:42:58 | 1:43:02 | |
Captain, shall we open fire? | 1:43:02 | 1:43:05 | |
No. That'd start trouble. Have a look. | 1:43:05 | 1:43:09 | |
Let me give him the injection. How fast does it work? | 1:43:09 | 1:43:15 | |
It'll work immediately. When he comes to, he won't remember a thing. His brain will be gone completely. | 1:43:15 | 1:43:23 | |
Are you positive there's no chance of failure? > < Absolutely positive. | 1:43:23 | 1:43:28 | |
Go ahead. | 1:43:28 | 1:43:30 | |
Falter not. Put your backs into it. Row! | 1:43:48 | 1:43:52 | |
-Tell them to turn off that light. -I have yet to shun the welcome glare of a spotlight or run from applause. | 1:43:52 | 1:44:00 | |
Applause?! I'm thinking of bullets. Only pigs wait for slaughter. | 1:44:00 | 1:44:06 | |
Who are you calling a pig? Apologise! | 1:44:06 | 1:44:09 | |
Senor Cardigan, you are not a pig. You are what a pig becomes - it is eaten between two pieces of bread. | 1:44:09 | 1:44:17 | |
-Tell them to shut that light off! -Very well, my craven friends. ..Ahoy! | 1:44:17 | 1:44:23 | |
-Turn off that spotlight. -Keep that beam on 'em. | 1:44:23 | 1:44:26 | |
Why don't you shoot it out? | 1:44:26 | 1:44:29 | |
For once, you make sense. ..Hand me my trusty rifle. | 1:44:29 | 1:44:33 | |
Hold still, everyone. | 1:44:43 | 1:44:45 | |
You can praise me later. | 1:44:45 | 1:44:48 | |
Ah, right in the cross hairs. | 1:44:49 | 1:44:51 | |
Out, damn spot! Out, I say! | 1:44:51 | 1:44:54 | |
I'll attend to you later. | 1:45:04 | 1:45:07 | |
Steady, you fools! | 1:45:08 | 1:45:11 | |
Hold still! | 1:45:11 | 1:45:13 | |
Aboard that boat, identify yourself. | 1:45:13 | 1:45:18 | |
Hold his wrist to distend the vein. | 1:45:59 | 1:46:02 | |
Hurry up! | 1:46:22 | 1:46:24 | |
You in that boat, keep your distance! | 1:46:33 | 1:46:37 | |
This is a perfect target under those lights. Kill the lights. | 1:46:45 | 1:46:50 | |
What happened to the lights? | 1:46:55 | 1:46:57 | |
Find me a light...a match. I think there's some in the bar. | 1:46:57 | 1:47:02 | |
Hold him still! If I can feel the vein, I won't need a light. | 1:47:02 | 1:47:07 | |
I can see his arm from here. Hurry! | 1:47:10 | 1:47:13 | |
I've got it. | 1:47:13 | 1:47:15 | |
Doctor... | 1:47:26 | 1:47:28 | |
Pull that ladder up any further and I'll be forced to kill you. | 1:47:38 | 1:47:43 | |
-You can't board my ship without a search warrant. -I'm coming aboard. | 1:47:49 | 1:47:54 | |
If you shoot me, you'll have some explaining to do to the Mexican police and the United States. | 1:47:54 | 1:48:02 | |
I must rid all the seas of pirates. | 1:48:05 | 1:48:09 | |
Adelante! > | 1:48:22 | 1:48:25 | |
Look out! | 1:48:31 | 1:48:32 | |
Ouch! | 1:49:24 | 1:49:26 | |
Death hath not struck so fat a deer today! | 1:50:19 | 1:50:24 | |
Come on, come on! Let's get this thing in the water. | 1:50:32 | 1:50:36 | |
All right, you rifraff, reach for the heavens! | 1:51:08 | 1:51:12 | |
Come on! | 1:51:12 | 1:51:15 | |
Don't move! | 1:51:20 | 1:51:22 | |
Stand still, all of you! | 1:51:54 | 1:51:57 | |
Hold it, Ferraro. | 1:52:05 | 1:52:07 | |
Muy bien hecho, Cardigan! | 1:52:41 | 1:52:44 | |
Arriba! | 1:52:44 | 1:52:45 | |
Adelante! | 1:52:45 | 1:52:47 | |
This place is dangerous. | 1:52:56 | 1:52:58 | |
The time right deadly. The drinks are on me, my Bucko. | 1:52:58 | 1:53:03 | |
-Mark, will you please sit down? -All right, my dear. | 1:53:06 | 1:53:11 | |
-Weren't you terribly outnumbered, Mr Cardigan? -Who counts the odds when duty calls? Five to one. | 1:53:11 | 1:53:18 | |
The resistance was heavy, naturally. | 1:53:18 | 1:53:21 | |
A less determined man might have turned back, but there was never any doubt of the outcome for me. | 1:53:21 | 1:53:28 | |
-Mr Cardigan, what did you use to kill Ferraro? -Well, I... | 1:53:28 | 1:53:33 | |
A man named Milner. | 1:53:34 | 1:53:37 | |
Did you run out of money? | 1:53:40 | 1:53:43 | |
Fresh out. That's why I'm pressing my pants. What's the champagne for? | 1:53:43 | 1:53:48 | |
-This could be that big occasion. -Hey, why not? | 1:53:48 | 1:53:52 | |
-You turned out to be quite a hero. They tell me you killed Ferraro. How did it feel? -He didn't say. | 1:53:52 | 1:53:59 | |
Let me do that. You better stick to money. | 1:53:59 | 1:54:03 | |
I've got a few things I want to say about myself. | 1:54:03 | 1:54:07 | |
-At least you never talk about other people. -My grandfather was never a Boston millionaire. -Aw! | 1:54:07 | 1:54:15 | |
He's been a barber for 40 years. | 1:54:15 | 1:54:17 | |
And still not a millionaire? What about Cardigan? | 1:54:17 | 1:54:22 | |
I never was in love with Mark Cardigan. | 1:54:22 | 1:54:26 | |
-Could you be in love with ANYTHING besides money? -I might. And you? | 1:54:26 | 1:54:31 | |
You could be handy to have around the house if a man went broke. | 1:54:31 | 1:54:36 |