
Browse content similar to Indiana Jones and the Kingdom of the Crystal Skull. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
(CRICKETS CHIRP) | 0:00:09 | 0:00:12 | |
# You ain't nothin' but a hound dog | 0:00:21 | 0:00:24 | |
# Cryin' all the time (ALL WHOOP) | 0:00:24 | 0:00:26 | |
# You ain't nothin' but a hound dog | 0:00:26 | 0:00:29 | |
# Cryin' all the time | 0:00:29 | 0:00:32 | |
# Well, you ain't never caught a rabbit | 0:00:32 | 0:00:34 | |
# And you ain't no friend of mine | 0:00:34 | 0:00:37 | |
# Well, they said you was high classed | 0:00:37 | 0:00:40 | |
# Well, that was just a lie | 0:00:40 | 0:00:42 | |
# Yeah, they said you was high classed | 0:00:42 | 0:00:45 | |
# Well, that was just a lie | 0:00:45 | 0:00:48 | |
# Yeah, you ain't never caught a rabbit | 0:00:48 | 0:00:50 | |
# And you ain't no friend of mine | 0:00:50 | 0:00:53 | |
-# You ain't nothin' but a hound dog -Hey! Hey, guys! | 0:00:53 | 0:00:56 | |
# Cryin' all the time | 0:00:56 | 0:00:58 | |
# You ain't nothin' but a hound dog | 0:00:58 | 0:01:00 | |
# Cryin' all the time | 0:01:00 | 0:01:03 | |
# Well, you ain't never caught a rabbit | 0:01:04 | 0:01:05 | |
# And you ain't no friend of mine | 0:01:05 | 0:01:08 | |
Faster! | 0:01:13 | 0:01:16 | |
-Hey, what you got under there? -Hey, you want to race? -Come on! | 0:01:16 | 0:01:21 | |
-Come on, let's go! -(GIRLS SCREAM) | 0:01:21 | 0:01:24 | |
# Well, they said you was high classed | 0:01:24 | 0:01:27 | |
-# Well, that was just a lie -Come on! | 0:01:27 | 0:01:29 | |
-Please? -Come on! Let's go! Come on! | 0:01:33 | 0:01:37 | |
# And you ain't no friend of mine (ENGINE REVS / TYRES SCREECH)) | 0:01:37 | 0:01:41 | |
Come on! Let's go! | 0:01:51 | 0:01:54 | |
-(LAUGHS) -Go faster! Faster! | 0:01:54 | 0:01:57 | |
-Whoo! -# Well, that was just a lie | 0:01:57 | 0:02:00 | |
# When they said you was high class | 0:02:01 | 0:02:03 | |
# Well, that was just a lie | 0:02:03 | 0:02:05 | |
# Well, you ain't never caught a rabbit | 0:02:06 | 0:02:08 | |
# And you ain't no friend of mine | 0:02:08 | 0:02:11 | |
# You ain't nothin' but a hound dog... # | 0:02:11 | 0:02:14 | |
Sorry, gentlemen. This whole area is closed for weapons testing | 0:02:44 | 0:02:48 | |
-for 24 hours. That includes on-base personnel. -Good afternoon, sir. | 0:02:48 | 0:02:52 | |
I'm afraid that goes for you, too, Colonel. The Pentagon sent out... | 0:02:59 | 0:03:03 | |
(GRUNTING) | 0:03:45 | 0:03:48 | |
(GASPS) | 0:03:48 | 0:03:51 | |
(BOTH SHOUT IN RUSSIAN) | 0:04:15 | 0:04:19 | |
Russians. | 0:04:22 | 0:04:24 | |
-This ain't gonna be easy. -Not as easy as it used to be. | 0:04:26 | 0:04:30 | |
-Well, we've been through worse. -Yeah? When? | 0:04:30 | 0:04:33 | |
Flensburg. There was twice as many. | 0:04:33 | 0:04:35 | |
-We were younger. -I still am young! | 0:04:35 | 0:04:37 | |
We had guns. Put your hands down, will you? You're embarrassing us. | 0:04:37 | 0:04:41 | |
Bet you 500 bucks we can get out of this. | 0:04:42 | 0:04:46 | |
Ohh. Let's call it 100. | 0:04:53 | 0:04:56 | |
You recognize building, yes? | 0:05:00 | 0:05:02 | |
Drop dead. | 0:05:07 | 0:05:09 | |
I'm sorry. | 0:05:14 | 0:05:16 | |
I meant drop dead, comrade. | 0:05:16 | 0:05:19 | |
(SPEAKS RUSSIAN) | 0:05:19 | 0:05:22 | |
(SPEAKS RUSSIAN) | 0:05:24 | 0:05:26 | |
-Where was he found? -In Mexico. | 0:05:36 | 0:05:39 | |
They were digging in the dirt, looking for this stuff. | 0:05:39 | 0:05:42 | |
You're not from around here, are you? | 0:05:47 | 0:05:50 | |
Where is it you would imagine I am from, Dr Jones? | 0:05:50 | 0:05:54 | |
The way you're sinking your teeth into those wubble-Us, | 0:05:54 | 0:05:57 | |
I should think maybe Eastern Ukraine. | 0:05:57 | 0:06:00 | |
Highest marks. Colonel Dr Irina Spalko. | 0:06:00 | 0:06:04 | |
Three times I have received Order of Lenin. | 0:06:06 | 0:06:09 | |
Also medal as Hero of Socialist Labour. | 0:06:09 | 0:06:13 | |
And why? | 0:06:13 | 0:06:15 | |
Because I know things. | 0:06:15 | 0:06:18 | |
I know them before anyone else. | 0:06:18 | 0:06:21 | |
And what I do not know, I find out. | 0:06:21 | 0:06:24 | |
Now, what I need to know now | 0:06:24 | 0:06:27 | |
is in here. | 0:06:27 | 0:06:30 | |
(CHUCKLES) | 0:06:39 | 0:06:41 | |
-You are a hard man to read, Dr Jones. -Ouch. | 0:06:44 | 0:06:48 | |
So, we will do this, what is expression, old-fashioned way. | 0:06:48 | 0:06:52 | |
You will tell us. You will help us find what we seek. | 0:06:52 | 0:06:57 | |
(BOTH SPEAK RUSSIAN) | 0:06:57 | 0:06:59 | |
This warehouse is where you and your government | 0:07:18 | 0:07:20 | |
have hidden all of your secrets, yes? | 0:07:20 | 0:07:23 | |
This is a military warehouse. I've never been here before in my life. | 0:07:23 | 0:07:27 | |
Object we seek, rectangular storage container, | 0:07:28 | 0:07:31 | |
dimensions 2 metres by 0.5 metre by 66 centimetres. | 0:07:31 | 0:07:34 | |
Contents of box, mummified remains. This is no doubt familiar to you. | 0:07:34 | 0:07:39 | |
What makes you think I've got any idea what box you're talking about? | 0:07:39 | 0:07:43 | |
Because 10 years ago, | 0:07:43 | 0:07:45 | |
you were part of the team that examined it. | 0:07:45 | 0:07:49 | |
Look,... | 0:07:51 | 0:07:53 | |
..even if I... knew what you were talking about... | 0:07:53 | 0:07:56 | |
You will help us find it. | 0:07:56 | 0:08:00 | |
Compass. I need a compass. | 0:08:10 | 0:08:13 | |
-You know, north, south, east... -West. | 0:08:13 | 0:08:16 | |
No compass? | 0:08:17 | 0:08:20 | |
-I need your bullets. -(LAUGHS / SPEAKS RUSSIAN) | 0:08:21 | 0:08:25 | |
(ALL LAUGH) | 0:08:25 | 0:08:27 | |
The contents of that box are highly magnetised. | 0:08:30 | 0:08:33 | |
I need gunpowder. You want my help or not? | 0:08:33 | 0:08:37 | |
Don't toy with me, Dr Jones. What is the point of all this? | 0:08:50 | 0:08:54 | |
If it's still magnetic, the metal in this gunpowder should point the way. | 0:08:54 | 0:08:58 | |
(SPEAKS RUSSIAN) | 0:09:25 | 0:09:27 | |
Shells. Give me some shotgun shells. | 0:09:27 | 0:09:30 | |
Pliers. | 0:09:33 | 0:09:35 | |
(RUMBLING) | 0:10:06 | 0:10:09 | |
(BOTH SPEAK RUSSIAN) | 0:10:09 | 0:10:12 | |
(SPEAKS RUSSIAN) | 0:11:04 | 0:11:07 | |
(SPEAKS RUSSIAN) | 0:11:54 | 0:11:57 | |
(SPEAKS RUSSIAN) | 0:12:34 | 0:12:37 | |
Drop the guns, or Colonel Dr Spalko is dead. | 0:12:44 | 0:12:49 | |
(GUN CLICKS) | 0:13:02 | 0:13:05 | |
Why, Mac? | 0:13:08 | 0:13:10 | |
Well, what can I say, Jonesey? | 0:13:10 | 0:13:13 | |
I'm a capitalist, and they pay. | 0:13:13 | 0:13:16 | |
After all those years we spent spying on the Reds? | 0:13:17 | 0:13:21 | |
I thought we were friends, Mac. | 0:13:23 | 0:13:25 | |
I've had a run of bad luck with the cards lately, mate. | 0:13:25 | 0:13:28 | |
Awful. Bloody awful. | 0:13:28 | 0:13:31 | |
I can't go home empty-handed again. | 0:13:32 | 0:13:35 | |
No defiant last words, Dr Jones? | 0:13:35 | 0:13:39 | |
I like Ike. | 0:13:40 | 0:13:43 | |
-Put down gun. -You got it, pal. | 0:13:43 | 0:13:46 | |
-Aghh! -(SHOUTS IN RUSSIAN) | 0:13:48 | 0:13:52 | |
(GUNSHOTS / CHAOTIC SHOUTING) | 0:13:53 | 0:13:57 | |
Damn, I thought that was closer. | 0:14:12 | 0:14:15 | |
Come on. Come on. | 0:14:19 | 0:14:21 | |
(TYRES SCREECH) | 0:14:26 | 0:14:28 | |
He's not to get out of here alive! Block the exits! | 0:14:38 | 0:14:41 | |
Don't get clever, Boris. You don't know him. You don't know him! | 0:14:46 | 0:14:50 | |
You don't know him! You don't know him! You don't know... | 0:14:50 | 0:14:54 | |
(GUNSHOTS) | 0:14:59 | 0:15:02 | |
Ow! | 0:15:16 | 0:15:18 | |
(BEEPING) | 0:15:27 | 0:15:30 | |
(WHIRRING) | 0:15:39 | 0:15:42 | |
(BEEPING / WHIRRING) | 0:15:52 | 0:15:56 | |
(BEEPING) | 0:16:01 | 0:16:03 | |
(SCREAMING) | 0:16:06 | 0:16:10 | |
(CHATTERING IN RUSSIAN) | 0:16:26 | 0:16:28 | |
You did well. | 0:16:30 | 0:16:32 | |
Ah! Oh! | 0:17:01 | 0:17:03 | |
(DISTANT RUSSIAN VOICES) | 0:17:06 | 0:17:09 | |
(SPEAKS RUSSIAN) | 0:17:23 | 0:17:26 | |
(KNOCKS ON DOOR) Hello? Hello? | 0:18:05 | 0:18:10 | |
(TV) "# Bob Smith and Howdy Doo" | 0:18:10 | 0:18:12 | |
-"# Say Howdy Doo to you" -Hello! | 0:18:12 | 0:18:16 | |
(TV PLAYS) Hey. I knocked. You guys got a... | 0:18:16 | 0:18:20 | |
-Wait a minute. -"Come on, gang!" | 0:18:27 | 0:18:30 | |
"(ALL) # It's time to go" | 0:18:30 | 0:18:33 | |
(SIREN WAILS) Oh, that can't be good. | 0:18:40 | 0:18:45 | |
"All personnel, it is now one minute to zero time." | 0:18:47 | 0:18:50 | |
"Put on goggles or turn away. Do not remove goggles | 0:18:50 | 0:18:54 | |
or face burst until 10 seconds after first light." | 0:18:54 | 0:18:58 | |
That can't be good at all. (SIREN WAILS) | 0:18:58 | 0:19:01 | |
(SHOUTS IN RUSSIAN) | 0:19:05 | 0:19:08 | |
Wait! Wait! Wait, wait, wait! Wait! | 0:19:08 | 0:19:10 | |
Sure! Great! Don't wait for me! | 0:19:13 | 0:19:15 | |
"Minus 15 seconds." | 0:19:15 | 0:19:17 | |
"# Howdy Doo, say Howdy Doo to you" | 0:19:18 | 0:19:21 | |
"# Let's give a rousing cheer cos Howdy Doody's here" | 0:19:21 | 0:19:25 | |
"Minus 10 seconds." | 0:19:25 | 0:19:27 | |
"Niner, eight, | 0:19:27 | 0:19:30 | |
seven, six, | 0:19:30 | 0:19:33 | |
five, four, | 0:19:33 | 0:19:36 | |
three, two, | 0:19:36 | 0:19:39 | |
one, zero." | 0:19:39 | 0:19:42 | |
(GEIGER COUNTER TICKS) | 0:20:58 | 0:21:01 | |
I had no reason to believe that Mac was a spy. | 0:21:08 | 0:21:11 | |
He was MI6 when I was in OSS. | 0:21:11 | 0:21:14 | |
We did 20, 30 missions together in Europe and the Pacific. | 0:21:14 | 0:21:17 | |
Don't wave your war record in our face, Colonel Jones. We all served. | 0:21:17 | 0:21:21 | |
-No kidding? What side were you on? -I don't think you recognise | 0:21:21 | 0:21:24 | |
the gravity of your situation. You aided and abetted KGB agents | 0:21:24 | 0:21:28 | |
who broke into a top-secret military installation | 0:21:28 | 0:21:31 | |
in the United States of America, my country. | 0:21:31 | 0:21:34 | |
-What was in the steel box they took? -You tell us. You've seen it before. | 0:21:34 | 0:21:40 | |
Oh. You mean that Air Force fiasco in '47. | 0:21:42 | 0:21:46 | |
I was tossed into a bus with blacked-out windows | 0:21:48 | 0:21:51 | |
and 20 people I wasn't allowed to speak to. | 0:21:51 | 0:21:53 | |
Hauled out in the night in the middle of nowhere | 0:21:53 | 0:21:56 | |
on some urgent recovery project and shown what? Pieces of wreckage | 0:21:56 | 0:22:00 | |
and an intensely magnetic shroud covering mutilated remains? | 0:22:00 | 0:22:04 | |
None of us was ever given the full picture. | 0:22:04 | 0:22:07 | |
We were threatened with treason if we ever talked about it. | 0:22:07 | 0:22:10 | |
-So, you tell me, what was in the box? -Indy, thank God. | 0:22:10 | 0:22:13 | |
It's dangerous to climb into a refrigerator. They're death-traps! | 0:22:13 | 0:22:17 | |
-Good to see you, too, Bob. -(LAUGHS) | 0:22:17 | 0:22:19 | |
Relax, boys. I can vouch for Dr Jones. | 0:22:19 | 0:22:22 | |
What the hell is going on? KGB on American soil? Who is that woman? | 0:22:22 | 0:22:26 | |
-Describe her. -Tall, thin, mid-30s, | 0:22:26 | 0:22:30 | |
carried a sword, a rapier, I think. | 0:22:30 | 0:22:32 | |
-Yeah, that's her. -You sure she's here? | 0:22:35 | 0:22:39 | |
Here and gone. Who is she? | 0:22:39 | 0:22:41 | |
Irina Spalko, she was Stalin's fair-haired girl. | 0:22:41 | 0:22:44 | |
His favourite scientist, if you can call psychic research science. | 0:22:44 | 0:22:49 | |
-General Ross. -She's leading teams from the Kremlin all over the world, | 0:22:49 | 0:22:53 | |
scooping up artefacts she says have paranormal military applications. | 0:22:53 | 0:22:57 | |
-General Ross! -Back off, Paul. Not everyone in the Army's a Commie | 0:22:57 | 0:23:00 | |
and certainly not Indy. | 0:23:00 | 0:23:02 | |
What exactly am I being accused of, besides surviving a nuclear blast? | 0:23:02 | 0:23:06 | |
Nothing yet. But, frankly, your association with George McHale | 0:23:06 | 0:23:10 | |
makes your activities suspicious, including those during the war. | 0:23:10 | 0:23:14 | |
Are you nuts? Do you have any idea | 0:23:14 | 0:23:17 | |
-how many medals this sonofabitch won? -A great many, I'm sure. | 0:23:17 | 0:23:21 | |
-But does he deserve them? -Dr Jones, let's just say for now | 0:23:22 | 0:23:26 | |
-that you are of interest to the Bureau. -Of great interest. | 0:23:26 | 0:23:31 | |
..which we also see in Skara Brae on the west coast of Scotland. | 0:23:42 | 0:23:45 | |
Skara Brae dates from 3100BC and was continuously occupied for 600 years | 0:23:45 | 0:23:51 | |
until it was apparently abandoned in 2500 BC. There's no clear evidence | 0:23:51 | 0:23:55 | |
as to why its occupants decided to abandon a healthy environment. Yes? | 0:23:55 | 0:24:00 | |
-May I have a moment, Professor? -Er, yes. | 0:24:00 | 0:24:04 | |
Open up Michaelson. Review Chapter four. | 0:24:04 | 0:24:06 | |
We'll be discussing the difference between migration and exodus. | 0:24:06 | 0:24:11 | |
(STUDENTS CHATTER) | 0:24:11 | 0:24:14 | |
-What?! -You have no idea the pressure coming from the Board of Regents. | 0:24:16 | 0:24:21 | |
The FBI showed up, ransacked your office, searched all your files! | 0:24:21 | 0:24:24 | |
You're the dean. Why didn't you stop them? They have no right. | 0:24:24 | 0:24:28 | |
They had every right! They were federal agents with search warrants! | 0:24:28 | 0:24:32 | |
The university won't get embroiled in that kind of controversy, | 0:24:32 | 0:24:36 | |
not in this charged climate. | 0:24:36 | 0:24:39 | |
So you're firing me. | 0:24:39 | 0:24:41 | |
A leave of absence is all. | 0:24:41 | 0:24:43 | |
-An indefinite leave of absence. -You are firing me! | 0:24:43 | 0:24:46 | |
They've agreed to continue to pay your full salary... | 0:24:46 | 0:24:49 | |
-I don't want their money! -Please don't be foolish. | 0:24:49 | 0:24:53 | |
-You don't know what I went through to get that. -You went through? | 0:24:53 | 0:24:57 | |
-What exactly did you have to go through, Charlie? -Henry... | 0:24:57 | 0:25:01 | |
I resigned. | 0:25:02 | 0:25:04 | |
Where will you go? | 0:25:11 | 0:25:14 | |
Train to New York, overnight to London, for starts. | 0:25:14 | 0:25:17 | |
I might end up teaching in Leipzig. | 0:25:19 | 0:25:21 | |
Heinrich owes me a favour. I'll wire you when I get settled. | 0:25:21 | 0:25:25 | |
-You can send the rest of my things. -There's nothing to keep you here. | 0:25:25 | 0:25:28 | |
I barely recognize this country. The government has us seeing Communists | 0:25:28 | 0:25:33 | |
in our soup. When the hysteria reaches academia, | 0:25:33 | 0:25:35 | |
I guess it's time to call it a career. | 0:25:35 | 0:25:38 | |
-How did Deirdre take the news? -How does any wife take such things? | 0:25:38 | 0:25:42 | |
The look on her face was a combination of pride and panic. | 0:25:42 | 0:25:45 | |
-I never should've doubted you, my friend. -You have reason to question | 0:25:45 | 0:25:50 | |
your friends these days. | 0:25:50 | 0:25:53 | |
Brutal couple of years, huh, Charlie? | 0:25:56 | 0:25:58 | |
First Dad, then Marcus. | 0:26:00 | 0:26:03 | |
We've reached the age where life stops giving us things | 0:26:03 | 0:26:07 | |
and starts taking them away. | 0:26:07 | 0:26:09 | |
Just another half glass. | 0:26:11 | 0:26:14 | |
(TRAIN WHISTLE BLOWS) | 0:27:04 | 0:27:06 | |
Hey! | 0:27:09 | 0:27:11 | |
Hey, old man! | 0:27:12 | 0:27:15 | |
Professor, hello? Hey! Are you Dr Jones? | 0:27:15 | 0:27:18 | |
-You're running out of platform, kid. -Are you a friend of Dr Oxley's? | 0:27:18 | 0:27:22 | |
-Harold Oxley? The archaeologist? -Yeah. | 0:27:22 | 0:27:25 | |
-What about him? -They're gonna kill him. | 0:27:25 | 0:27:29 | |
# Wake up little Susie... | 0:27:29 | 0:27:31 | |
I haven't talked to Harold Oxley in 20 years. | 0:27:31 | 0:27:34 | |
He's a brilliant guy. | 0:27:36 | 0:27:38 | |
He could put you to sleep just by talking. | 0:27:38 | 0:27:41 | |
Yeah. Yeah. When I was a kid, that's how I did get to sleep. | 0:27:41 | 0:27:44 | |
Oxley's voice was better than a glass of warm milk, you know? | 0:27:44 | 0:27:47 | |
-The name's Mutt, Mutt Williams. -Mutt? -Yeah. | 0:27:47 | 0:27:51 | |
-What kind of name is that? -It's the one I picked. You got a problem? | 0:27:51 | 0:27:55 | |
Take it easy. | 0:27:55 | 0:27:57 | |
What was your relationship to Oxley? | 0:27:57 | 0:27:59 | |
My dad died in the war. Ox kind of helped my mom raise me. | 0:27:59 | 0:28:03 | |
You were saying somebody's gonna kill him? | 0:28:03 | 0:28:06 | |
Six months ago, my mom gets a letter from the Ox. | 0:28:09 | 0:28:12 | |
He's down in Peru. Found some type of skull, a crystal skull. | 0:28:12 | 0:28:16 | |
Like the one that guy Mitchell-Hodgkiss? Hedgkiss? | 0:28:16 | 0:28:20 | |
-The one he found. -Nice jacket. | 0:28:20 | 0:28:22 | |
The Ox and I were obsessed with the Mitchell-Hedges skull in college. | 0:28:23 | 0:28:27 | |
-How do you know about it? -Are you kidding? | 0:28:27 | 0:28:30 | |
He'd talk about that thing till the cows come home. It's like an idol? | 0:28:30 | 0:28:34 | |
Deity carving. Mesoamerican. | 0:28:34 | 0:28:36 | |
There are a number of crystal skulls in the world. | 0:28:36 | 0:28:39 | |
I saw one in the British Museum. | 0:28:39 | 0:28:41 | |
Interesting craftsmanship, but that's about it. | 0:28:41 | 0:28:45 | |
Laugh if you want. Oxley said he found it this time. | 0:28:45 | 0:28:48 | |
-He said this was real and he was going to Akator with it. -Akator? | 0:28:48 | 0:28:52 | |
-He said that? -Yeah. -You're sure? -He said Akator. What is it? | 0:28:52 | 0:28:56 | |
It's a mythical lost city in the Amazon. | 0:28:58 | 0:29:01 | |
Conquistadors called it El Dorado. | 0:29:01 | 0:29:04 | |
Supposedly, the Ugha tribe were chosen by the gods 7,000 years ago | 0:29:04 | 0:29:08 | |
to build a giant city out of solid gold. | 0:29:08 | 0:29:12 | |
It had aqueducts and paved roads | 0:29:12 | 0:29:15 | |
and technology that wouldn't be seen again for 5,000 years. | 0:29:15 | 0:29:19 | |
Francisco de Orellana disappeared into the Amazon | 0:29:19 | 0:29:22 | |
looking for it in 1546. | 0:29:22 | 0:29:25 | |
I almost died of typhus looking for it myself. | 0:29:25 | 0:29:28 | |
-I don't think it exists. -Why would Ox take the skull there? | 0:29:30 | 0:29:33 | |
The legend says that a crystal skull was stolen from Akator | 0:29:33 | 0:29:38 | |
in the 15th or 16th century, and that whoever returns the skull | 0:29:38 | 0:29:41 | |
-to the city temple will be given control over its power. -Power. | 0:29:41 | 0:29:46 | |
-So there's some kind of power. What's the power? -(LAUGHS) | 0:29:46 | 0:29:49 | |
I don't know, kid. It's just a story. | 0:29:49 | 0:29:52 | |
No. From his letter, my mom thought the Ox was off his rocker. | 0:29:52 | 0:29:56 | |
So she goes down there to find him, only he'd already been kidnapped. | 0:29:56 | 0:30:00 | |
Now they've got her, too. Ox said he hid that skull some place, | 0:30:00 | 0:30:04 | |
and if my mom doesn't find it, they're gonna kill them both. | 0:30:04 | 0:30:07 | |
-Now, she said you'd help me. -Me? What's your mom's name again? | 0:30:07 | 0:30:12 | |
-Mary Williams. You remember her? -There were a lot of Marys, kid. | 0:30:12 | 0:30:16 | |
Shut up! That's my mother you're talking about! Alright? My mother. | 0:30:16 | 0:30:19 | |
You don't have to get sore all the time just to prove how tough you are. | 0:30:19 | 0:30:23 | |
-Sit down. Please. -She said if anybody could find the skull, it's you. | 0:30:23 | 0:30:28 | |
Like you're some type of... Like a grave robber or something. | 0:30:29 | 0:30:34 | |
I'm a tenured professor of archaeology. | 0:30:34 | 0:30:36 | |
Oh, you're a teacher. Well, that's gonna be a big help. | 0:30:36 | 0:30:40 | |
She called me two weeks ago from South America. Said she'd escaped, | 0:30:40 | 0:30:44 | |
but they were after her. She said she got a letter from the Ox | 0:30:44 | 0:30:47 | |
and mailed it to me to give it to you. Then the line went dead. | 0:30:47 | 0:30:50 | |
I opened it. It's gibberish. It's not even English lettering. | 0:30:50 | 0:30:54 | |
See? | 0:30:55 | 0:30:57 | |
See those two bricks over there, at the counter? | 0:30:57 | 0:31:01 | |
-I don't think they're here for the milkshakes. -Who are they? | 0:31:01 | 0:31:05 | |
Don't know. Maybe FBI. | 0:31:06 | 0:31:08 | |
(IN RUSSIAN ACCENT) Come quietly, Dr Jones. | 0:31:08 | 0:31:11 | |
-Make that KGB. -And bring letter with you. -Letter? What letter? | 0:31:11 | 0:31:14 | |
-(CHUCKLES) Letter Mr Williams just give you. -Do I look like a mailman? | 0:31:14 | 0:31:18 | |
-We don't ask again. Come now or we'll... -Or what? | 0:31:18 | 0:31:21 | |
Nice try, kid, but I think you just brought a knife... to a gunfight. | 0:31:21 | 0:31:27 | |
Outside now. | 0:31:28 | 0:31:30 | |
-Hit this guy. -Who? -Joe College. Hit him hard. | 0:31:33 | 0:31:36 | |
-Here, hold this. -What? | 0:31:36 | 0:31:39 | |
That's my boyfriend! | 0:31:39 | 0:31:41 | |
-Take it outside! > -Get that greaser! | 0:31:44 | 0:31:48 | |
(CHAOTIC SHOUTING) | 0:31:48 | 0:31:51 | |
(ROCK'N'ROLL MUSIC PLAYS) | 0:31:51 | 0:31:55 | |
Your mom didn't escape. They let her go, so she could mail the letter | 0:31:55 | 0:31:59 | |
and you could bring it to me and I could translate it! | 0:31:59 | 0:32:03 | |
-(MEN SPEAK RUSSIAN) -Get on, gramps! | 0:32:03 | 0:32:06 | |
# I said shake, rattle and roll | 0:32:09 | 0:32:11 | |
# I said shake, rattle and roll | 0:32:11 | 0:32:14 | |
# I said shake, rattle and roll # | 0:32:14 | 0:32:17 | |
(TYRES SCREECHING) | 0:32:20 | 0:32:23 | |
Go, go, go, go, go! | 0:32:33 | 0:32:35 | |
(SPEAKS RUSSIAN) | 0:32:36 | 0:32:39 | |
(TYRES SCREECH) | 0:33:11 | 0:33:14 | |
(SPEAKS RUSSIAN) | 0:33:18 | 0:33:21 | |
(SHOUTS IN RUSSIAN) | 0:33:38 | 0:33:41 | |
(SCREAMING) | 0:33:43 | 0:33:46 | |
(CROWD CHANT) | 0:33:48 | 0:33:52 | |
This is crazy! Somebody's gonna get hurt! | 0:33:56 | 0:33:59 | |
(SCREAMING) | 0:33:59 | 0:34:01 | |
-(SHOUTS IN RUSSIAN) -(TYRES SCREECH) | 0:34:08 | 0:34:11 | |
(TYRES SCREECH) | 0:34:19 | 0:34:22 | |
Left! Go left! Left! | 0:34:26 | 0:34:29 | |
-(SIREN WAILS) -(SHOUTS IN RUSSIAN) | 0:34:34 | 0:34:37 | |
(MOTORCYCLE ENGINE REVS) | 0:34:37 | 0:34:40 | |
(SCREAMING) | 0:34:40 | 0:34:43 | |
Move! Split, split! Split, split! | 0:34:43 | 0:34:47 | |
-You're going too fast. -That's a matter of opinion! -(BOTH SCREAM) | 0:34:47 | 0:34:50 | |
-Excuse me, Dr Jones. -Yes? | 0:35:01 | 0:35:03 | |
Erm, I just had a question on Hargrove's normative culture model. | 0:35:03 | 0:35:07 | |
Forget Hargrove. Read Vere Gordon Childe on diffusionism. | 0:35:07 | 0:35:11 | |
He spent most of his life in the field. | 0:35:11 | 0:35:15 | |
If you wanna be a good archaeologist,... | 0:35:15 | 0:35:18 | |
..you gotta get out of the library! | 0:35:19 | 0:35:21 | |
-Who is that? -Francisco de Orellana, the conquistador. | 0:35:26 | 0:35:29 | |
Remember, the guy who got lost looking for the skull. | 0:35:29 | 0:35:32 | |
And just as I thought. | 0:35:32 | 0:35:35 | |
-Koihoma. -What's that? | 0:35:35 | 0:35:39 | |
It's an extinct Latin American language. | 0:35:39 | 0:35:41 | |
Pre-Columbian syllabic base. | 0:35:41 | 0:35:45 | |
-Diagonal stresses on the ideograms. Definitely Koihoma. -You speak it? | 0:35:45 | 0:35:50 | |
Nobody speaks it. It hasn't been heard aloud in 3,000 years. | 0:35:50 | 0:35:54 | |
I might be able to read a bit if I walk it through Mayan first. | 0:35:54 | 0:35:59 | |
You know, for an old man, you ain't bad in a fight. | 0:35:59 | 0:36:01 | |
-Thanks a lot. -What are you, like, 80? | 0:36:01 | 0:36:04 | |
It's a riddle. Leave it to Ox to write a riddle in a dead language. | 0:36:08 | 0:36:14 | |
"Follow the lines in the earth only gods can read | 0:36:15 | 0:36:19 | |
which lead to Orellana's cradle | 0:36:19 | 0:36:22 | |
guarded by the living dead." | 0:36:22 | 0:36:24 | |
-He's talking about the Nazca Lines. -What are those? | 0:36:24 | 0:36:28 | |
Hold on here. | 0:36:28 | 0:36:30 | |
Geoglyphs. Giant ancient drawings | 0:36:30 | 0:36:33 | |
carved into the desert floor in Peru. | 0:36:33 | 0:36:36 | |
From the ground, they don't look like anything. | 0:36:36 | 0:36:39 | |
But from the sky, only the gods can read them, | 0:36:39 | 0:36:42 | |
because only gods live up there. | 0:36:42 | 0:36:45 | |
Oxley's telling us the skull is in Nazca, Peru. | 0:36:47 | 0:36:52 | |
(HENS CLUCK) | 0:37:32 | 0:37:35 | |
(MEXICAN MUSIC PLAYS) | 0:37:39 | 0:37:42 | |
(ALL SPEAK FOREIGN LANGUAGE) | 0:37:42 | 0:37:45 | |
Finally. They saw him. Ox wandered into town a few months ago, | 0:37:51 | 0:37:55 | |
raving like a madman. Police locked him up in the sanatorium. This way. | 0:37:55 | 0:37:59 | |
-I took Spanish. I didn't understand that. -Quechua, local Incan dialect. | 0:37:59 | 0:38:03 | |
-Where'd you learn that one? -Long story. | 0:38:03 | 0:38:06 | |
-I got time. -I rode with Pancho Villa. A couple of his guys spoke it. | 0:38:06 | 0:38:10 | |
-Bullshit! -You asked. | 0:38:10 | 0:38:12 | |
-Pancho Villa? -Technically, I was kidnapped. | 0:38:12 | 0:38:15 | |
-By Pancho Villa? -It was the fight against Victoriano Huerta. | 0:38:15 | 0:38:20 | |
-How old were you? -About your age. | 0:38:20 | 0:38:22 | |
-Your parents must've had a cow, huh? -It worked out. | 0:38:22 | 0:38:25 | |
-Things were tense at home. -Me and my mom aren't on the best of terms. | 0:38:25 | 0:38:29 | |
Treat her right. You only get one, sometimes not for long. | 0:38:29 | 0:38:32 | |
It's not my fault. It's hers. She got POed cos I quit school. | 0:38:32 | 0:38:35 | |
-She thinks I'm some kind of goof. -You quit school? -Yeah. Tons of them. | 0:38:35 | 0:38:39 | |
Fancy prep schools that teach you how to debate and chess and fencing. | 0:38:39 | 0:38:43 | |
-I'm great with a blade. But it's a waste of time. -Never finished. -No. | 0:38:43 | 0:38:47 | |
Just a bunch of useless skills. Wrong books. I love reading. | 0:38:47 | 0:38:51 | |
Me and Ox used to read all the time. But now I can pick them myself. | 0:38:51 | 0:38:54 | |
-What do you do for money? -Fix motorcycles. | 0:38:54 | 0:38:57 | |
Gonna do that for the rest of your life? | 0:38:57 | 0:38:59 | |
Maybe I will, Teach. You got a problem with that? | 0:38:59 | 0:39:02 | |
Not if that's what you love doing. Don't let anybody tell you different. | 0:39:02 | 0:39:06 | |
This is it. Sister. | 0:39:08 | 0:39:10 | |
(SPEAKS NATIVE LANGUAGE) | 0:39:24 | 0:39:28 | |
She says Ox isn't here. She doesn't know where he is. | 0:39:28 | 0:39:31 | |
Some men came and took him away, men with guns. | 0:39:32 | 0:39:36 | |
(SHOUTS) | 0:39:39 | 0:39:42 | |
He was obsessed, deranged. Drew pictures on the walls of his cell. | 0:39:42 | 0:39:46 | |
(SHOUTS) | 0:39:46 | 0:39:48 | |
This riddle in Oxley's letter doesn't make any sense. | 0:39:50 | 0:39:53 | |
"Follow the lines that only the gods can read | 0:39:53 | 0:39:56 | |
that lead to Orellana's cradle." | 0:39:56 | 0:39:58 | |
Cradle, cradle, birth. | 0:39:58 | 0:40:01 | |
Orellana wasn't born in Peru. He was born in Spain. | 0:40:01 | 0:40:04 | |
-He was a conquistador. He came here for the gold. -What happened to him? | 0:40:04 | 0:40:07 | |
He disappeared along with six others. Their bodies were never found. | 0:40:07 | 0:40:12 | |
(SIGHS) | 0:40:26 | 0:40:29 | |
He must have lost his mind. | 0:40:39 | 0:40:42 | |
Ox, man, what happened? What happened? | 0:40:48 | 0:40:52 | |
This is not the Mitchell-Hedges skull. | 0:40:58 | 0:41:01 | |
Look at the elongated cranium. | 0:41:01 | 0:41:04 | |
And the same word in different languages, over and over again. | 0:41:05 | 0:41:09 | |
Retour. Voltar. | 0:41:09 | 0:41:12 | |
Ritorno. Return. Return where? | 0:41:12 | 0:41:16 | |
Or return what? | 0:41:16 | 0:41:18 | |
You mean the skull? | 0:41:18 | 0:41:20 | |
Seems to have been on his mind. | 0:41:20 | 0:41:24 | |
Where was he supposed to return it to? | 0:41:24 | 0:41:27 | |
-Sweep. -Yeah. | 0:41:38 | 0:41:40 | |
Ox didn't mean Orellana's birthplace. | 0:41:49 | 0:41:51 | |
Cradle has another meaning in Mayan. | 0:41:51 | 0:41:54 | |
Literally, it means "resting place," | 0:41:54 | 0:41:56 | |
as in final resting place. | 0:41:56 | 0:41:59 | |
Ox meant Orellana's grave. | 0:41:59 | 0:42:01 | |
This drawing scratched into the floor | 0:42:01 | 0:42:04 | |
is the cemetery where he's buried. | 0:42:04 | 0:42:06 | |
You said nobody ever found his grave. | 0:42:06 | 0:42:09 | |
Well, it looks like Harold Oxley did. | 0:42:09 | 0:42:13 | |
(THUNDER RUMBLES) | 0:42:17 | 0:42:21 | |
-"Grave robbers will be shot." -Good thing we're not grave robbers. | 0:42:42 | 0:42:46 | |
-What are we looking for? -I don't know yet. | 0:42:54 | 0:42:57 | |
Maybe an antechamber off one of these barrows. | 0:42:57 | 0:43:00 | |
-I think I just saw something! -Oh, you're jumping at shadows. | 0:43:16 | 0:43:19 | |
This way down. | 0:43:23 | 0:43:26 | |
(SCREAMS) | 0:43:26 | 0:43:28 | |
(GROANS) | 0:43:29 | 0:43:32 | |
-This way up. -Yeah. | 0:43:34 | 0:43:37 | |
(SCREECHING) | 0:43:37 | 0:43:41 | |
Agh! | 0:43:48 | 0:43:51 | |
(SCREAMS) | 0:43:52 | 0:43:54 | |
Those darts are poison! | 0:44:00 | 0:44:02 | |
Stay there. | 0:44:03 | 0:44:06 | |
You're a... a teacher? | 0:44:28 | 0:44:31 | |
Part-time. | 0:44:31 | 0:44:34 | |
Dead end. | 0:44:43 | 0:44:45 | |
Maybe. | 0:44:46 | 0:44:48 | |
What are you doing? Put that thing away. Give me some light over here. | 0:44:54 | 0:44:58 | |
Bring it over here. | 0:45:03 | 0:45:05 | |
It's just a thing. | 0:45:11 | 0:45:13 | |
(AIR WHISTLES) | 0:45:18 | 0:45:22 | |
Ohh! | 0:45:51 | 0:45:52 | |
Agh! Aghh! | 0:45:59 | 0:46:02 | |
-(SCORPIONS SCREECH) -Agh! Agh! Agh! | 0:46:04 | 0:46:08 | |
-Dance on your own dime, will ya? -A scorpion just stung me! Will I die? | 0:46:11 | 0:46:15 | |
-How big? -Huge! -Good. -Good? | 0:46:15 | 0:46:18 | |
When it comes to scorpions, the bigger the better. | 0:46:19 | 0:46:22 | |
A small one bites ya, don't keep it to yourself. | 0:46:22 | 0:46:26 | |
Their skulls. Look at their skulls, man. | 0:46:45 | 0:46:49 | |
Like the drawings in Oxley's cell. | 0:46:49 | 0:46:52 | |
-Means we're getting closer. -That's crazy. Why is it like that? | 0:46:52 | 0:46:55 | |
Nazca Indians used to bind their infants' heads with rope | 0:46:55 | 0:46:59 | |
-to elongate the skull like that. -Why? | 0:46:59 | 0:47:01 | |
-Honour the gods. -No, no. God's head is not like that, man. | 0:47:01 | 0:47:06 | |
Depends on who your god is. | 0:47:06 | 0:47:09 | |
You're going nowhere fast. | 0:47:17 | 0:47:19 | |
-Professor, this really is a dead end. Look. -Whoa! | 0:47:25 | 0:47:30 | |
Hey! | 0:47:33 | 0:47:35 | |
Come on, genius. Bring the backpack. | 0:47:51 | 0:47:55 | |
-This is incredible. -Unreal. | 0:48:11 | 0:48:14 | |
Don't touch anything. | 0:48:16 | 0:48:19 | |
Footprints. Somebody's been here. | 0:48:21 | 0:48:24 | |
Recently. | 0:48:25 | 0:48:27 | |
Two sets of prints. | 0:48:29 | 0:48:32 | |
Same size, could've been the same person twice. | 0:48:32 | 0:48:35 | |
Not bad, kid. | 0:48:36 | 0:48:39 | |
One. Two. | 0:48:45 | 0:48:48 | |
Three. Four. Five. Six. | 0:48:49 | 0:48:52 | |
Seven. | 0:48:54 | 0:48:56 | |
Orellana and his men might've made it out of the jungle after all. | 0:48:56 | 0:49:00 | |
Give me some light. | 0:49:02 | 0:49:05 | |
You don't have a knife, do you? | 0:49:09 | 0:49:12 | |
-Looks like he just died yesterday. -The wrappings preserved him. | 0:49:34 | 0:49:38 | |
-What just happened? -He's been wrapped up for 500 years. | 0:49:47 | 0:49:50 | |
Air doesn't agree with him. | 0:49:50 | 0:49:53 | |
Thanks. | 0:49:59 | 0:50:01 | |
-(CLEARS THROAT) -I don't wanna keep borrowing yours all the time. | 0:50:02 | 0:50:07 | |
-That's fine. -I was gonna put it back. | 0:50:07 | 0:50:09 | |
Is this one open already? | 0:50:14 | 0:50:16 | |
It's him. | 0:50:35 | 0:50:37 | |
It's Orellana himself. | 0:50:37 | 0:50:40 | |
They called him The Gilded Man. His lust for gold was legendary. | 0:50:45 | 0:50:49 | |
It's odd. | 0:50:50 | 0:50:53 | |
Somebody's been here and gone. | 0:50:54 | 0:50:57 | |
But they left all this gold | 0:50:57 | 0:51:01 | |
and all the artefacts. | 0:51:01 | 0:51:03 | |
What were they looking for? | 0:51:04 | 0:51:07 | |
-Hold this. -No. No. | 0:51:19 | 0:51:22 | |
(SNIFFS) Ohh. | 0:51:23 | 0:51:25 | |
Un...believable. | 0:51:39 | 0:51:43 | |
No tool marks. A single piece of seamless quartz. | 0:51:51 | 0:51:56 | |
Cut across the grain. | 0:51:57 | 0:51:59 | |
It's not possible, even with today's technology, it would shatter. | 0:51:59 | 0:52:03 | |
-Crystal's not magnetic. -Neither is gold. | 0:52:10 | 0:52:14 | |
What is this thing? | 0:52:17 | 0:52:19 | |
Maybe the Nazca Indians thought this was their god. | 0:52:19 | 0:52:23 | |
-You think this is the one from... -From Akator. | 0:52:23 | 0:52:26 | |
Maybe the Spaniards found this skull along with all this other loot. | 0:52:31 | 0:52:36 | |
They were headed for their ships along the shore. | 0:52:36 | 0:52:39 | |
Maybe the Indians caught up with them, | 0:52:40 | 0:52:42 | |
or they got to squabbling amongst themselves | 0:52:42 | 0:52:46 | |
over their prize, killed each other off. | 0:52:46 | 0:52:49 | |
The Indians wrap them up and bury them. | 0:52:49 | 0:52:52 | |
A couple of hundred years later, Oxley shows up here, finds the skull. | 0:52:52 | 0:52:57 | |
Takes it away, maybe to Akator. | 0:52:57 | 0:53:01 | |
-But then he returns it here. -Return. | 0:53:02 | 0:53:07 | |
Return, like he wrote on the walls of his cell. | 0:53:07 | 0:53:10 | |
He put it back where he found it. Why? | 0:53:11 | 0:53:16 | |
Hello, Jonesey. (COCKS GUN) | 0:53:38 | 0:53:41 | |
Hello, Mac. | 0:53:41 | 0:53:43 | |
(RUSSIAN MUSIC PLAYS) | 0:54:01 | 0:54:04 | |
(ALL CLAP / CHATTER) | 0:54:07 | 0:54:10 | |
You're lucky I turned up, Jonesey. | 0:54:13 | 0:54:15 | |
Dovchenko there wanted to blow your brains out. | 0:54:15 | 0:54:18 | |
That's the third time I've saved your life. | 0:54:18 | 0:54:21 | |
Unshackle me. I'll give you a big hug. | 0:54:21 | 0:54:23 | |
You had a Luger pointed at the base of your skull | 0:54:23 | 0:54:26 | |
-the first time we met. -I had the situation under control. | 0:54:26 | 0:54:29 | |
-You owe me. -What do you owe them? | 0:54:29 | 0:54:32 | |
After the war, when you turned, how many names did you give the Reds? | 0:54:33 | 0:54:37 | |
-You're not seeing the big picture! -How many good men died? Eventually, | 0:54:37 | 0:54:41 | |
they're gonna let me out of this chair, comrade, and when they do, | 0:54:41 | 0:54:44 | |
-I'm gonna break your nose. -"Comrade"? You think this is about flags? | 0:54:44 | 0:54:49 | |
About uniforms? You think this is about lines on a map? | 0:54:49 | 0:54:52 | |
-It's just about money, isn't it? -No. Not only money. | 0:54:52 | 0:54:55 | |
A gigantic pile of money. | 0:54:57 | 0:55:01 | |
Don't worry about what the Russians will pay. | 0:55:01 | 0:55:03 | |
It's nothing compared to what's at Akator. | 0:55:03 | 0:55:06 | |
An entire city of gold. | 0:55:07 | 0:55:10 | |
It's what the conquistadors were after. | 0:55:10 | 0:55:12 | |
For God's sake, Jonesey, we'd be rich! Richer than Howard Hughes! | 0:55:12 | 0:55:17 | |
-Blood money, every nickel. -I need you to see the angle here, mate. | 0:55:17 | 0:55:22 | |
Be smart. Do the right thing. Just like in... | 0:55:22 | 0:55:25 | |
Like in Berlin. Got me? Just like in Berlin. | 0:55:26 | 0:55:31 | |
You want me to trot off, or should we sing a song? | 0:55:31 | 0:55:34 | |
How fortunate our failure to kill you, Dr Jones. | 0:55:35 | 0:55:39 | |
You survive to be of service to us once again. | 0:55:39 | 0:55:42 | |
Well, you know me, always glad to help. | 0:55:42 | 0:55:44 | |
"Now I am become death, the destroyer of worlds." | 0:55:44 | 0:55:50 | |
You recognise those words? It was your own Dr Oppenheimer | 0:55:50 | 0:55:55 | |
-after he created the atomic bomb. -He was quoting the Hindu bible. | 0:55:55 | 0:55:59 | |
It was nuclear intimidation. But now this next level of weapon | 0:55:59 | 0:56:02 | |
is ours to have, yours to fear. | 0:56:02 | 0:56:06 | |
Weapon? What weapon? | 0:56:06 | 0:56:08 | |
A mind weapon. | 0:56:08 | 0:56:11 | |
A new frontier of psychic warfare. That was Stalin's dream. | 0:56:11 | 0:56:14 | |
(LAUGHS) Now I know why Oxley put the skull back where he found it. | 0:56:14 | 0:56:20 | |
-He knew you were looking for it. -That skull is no mere deity carving. | 0:56:20 | 0:56:24 | |
Surely you knew that the moment you laid eyes on it. | 0:56:24 | 0:56:27 | |
-It was not made by human hands. -Who made it, then? | 0:56:27 | 0:56:30 | |
-Come on. -The body we found in New Mexico was not the first. | 0:56:34 | 0:56:39 | |
We'd dissected two others from similar crash sites in Soviet Union. | 0:56:39 | 0:56:43 | |
-Saucer men from Mars. -The legends about Akator are all true. | 0:56:43 | 0:56:47 | |
Early man could not have conceived it, much less built it. | 0:56:47 | 0:56:50 | |
It was a city of supreme beings with technologies | 0:56:50 | 0:56:53 | |
-and paranormal abilities. -You gotta be kidding me. | 0:56:53 | 0:56:57 | |
Why do you choose not to believe your own eyes? | 0:56:57 | 0:57:00 | |
The New Mexico specimen gave us hope. | 0:57:02 | 0:57:05 | |
Unlike the others we'd found, its skeleton was pure crystal. | 0:57:05 | 0:57:11 | |
A distant cousin, perhaps. | 0:57:11 | 0:57:14 | |
Maybe they, too, were sent to find Akator. | 0:57:14 | 0:57:16 | |
Perhaps we're all searching for the same thing. | 0:57:16 | 0:57:19 | |
There is no other explanation. | 0:57:21 | 0:57:24 | |
There's always another explanation. | 0:57:24 | 0:57:26 | |
The skull was stolen from Akator in the 15th century. | 0:57:26 | 0:57:30 | |
-Whoever returns it... -Returns it to the city temple | 0:57:30 | 0:57:33 | |
will gain control over its powers. I've heard that bedtime story before. | 0:57:33 | 0:57:37 | |
It's a legend. Why do you think Akator even existed? | 0:57:37 | 0:57:40 | |
-You should ask your friend. -(SPEAKS RUSSIAN) | 0:57:40 | 0:57:42 | |
-We're certain he's been there. -Oxley? | 0:57:42 | 0:57:47 | |
(RUSSIAN MUSIC PLAYS) | 0:57:47 | 0:57:49 | |
(MUMBLING) | 0:57:51 | 0:57:54 | |
(GIBBERS) | 0:57:57 | 0:57:59 | |
Ox, it's me, Indy. | 0:58:01 | 0:58:03 | |
Ox? | 0:58:03 | 0:58:05 | |
-Ox, you're faking it, right? -"Through eyes that last I saw in tears..." | 0:58:07 | 0:58:12 | |
Ox, listen to me, pal. Your name is Harold Oxley. | 0:58:12 | 0:58:16 | |
You were born in Leeds, England. We went to school together in Chicago. | 0:58:16 | 0:58:20 | |
And you were never this interesting. My name is Ind... | 0:58:20 | 0:58:23 | |
My name is Henry Jones, Jr. | 0:58:25 | 0:58:27 | |
-What have you done to him? -We ain't done a thing. It's the bloody skull. | 0:58:28 | 0:58:32 | |
He is the divining rod that will lead us to Akator. | 0:58:32 | 0:58:35 | |
But we need someone to interpret him for us. | 0:58:35 | 0:58:38 | |
His mind, it seems, is quite weak. | 0:58:38 | 0:58:40 | |
Let's hope yours is stronger. | 0:58:40 | 0:58:43 | |
The skull's crystal stimulates an undeveloped part of the human brain, | 0:58:45 | 0:58:49 | |
opening a psychic channel. | 0:58:49 | 0:58:51 | |
Oxley lost control of his mind by staring too long into its eyes. | 0:58:51 | 0:58:55 | |
We believe you can get through to him after you have done the same. | 0:58:55 | 0:58:59 | |
I've got a better idea. You look at it. | 0:58:59 | 0:59:02 | |
The skull does not speak to everyone, it seems. | 0:59:02 | 0:59:05 | |
Surely you're not afraid, Dr Jones. | 0:59:06 | 0:59:09 | |
You've spent your entire life searching for answers. | 0:59:09 | 0:59:12 | |
Think of the truth behind those eyes. | 0:59:12 | 0:59:15 | |
There may be hundreds of skulls at Akator. Whoever finds them | 0:59:15 | 0:59:18 | |
will control the greatest natural force the world has ever known. | 0:59:18 | 0:59:22 | |
Power over the mind of man. | 0:59:24 | 0:59:27 | |
Be careful, you might get exactly what you wish for. | 0:59:27 | 0:59:30 | |
-I usually do. -(CLICKS WATCH) | 0:59:30 | 0:59:34 | |
(WHIRRING) | 0:59:55 | 0:59:59 | |
Imagine. | 1:00:03 | 1:00:05 | |
To peer across the world and know the enemy's secrets. | 1:00:05 | 1:00:09 | |
To place our thoughts into the minds of your leaders. | 1:00:09 | 1:00:13 | |
Make your teachers teach the true version of history, | 1:00:13 | 1:00:16 | |
your soldiers attack on our command. | 1:00:16 | 1:00:18 | |
We'll be everywhere at once, more powerful than a whisper, | 1:00:18 | 1:00:21 | |
invading your dreams, thinking your thoughts for you while you sleep. | 1:00:21 | 1:00:26 | |
We will change you, Dr Jones, | 1:00:27 | 1:00:29 | |
all of you, from the inside. | 1:00:29 | 1:00:32 | |
We will turn you into us. | 1:00:32 | 1:00:35 | |
And the best part? | 1:00:35 | 1:00:37 | |
You won't even know it's happening. | 1:00:37 | 1:00:41 | |
Return. | 1:00:42 | 1:00:44 | |
Return. | 1:00:46 | 1:00:48 | |
That's enough. | 1:00:50 | 1:00:52 | |
That's enough. If he dies, we can't get there. | 1:00:55 | 1:00:58 | |
Cover it. | 1:00:59 | 1:01:01 | |
Henry. | 1:01:05 | 1:01:07 | |
You alright, Jonesey? | 1:01:07 | 1:01:09 | |
-You broke my nose! -I told you. -Enough! | 1:01:14 | 1:01:17 | |
You will speak to Oxley and lead us to Akator, yes? | 1:01:17 | 1:01:21 | |
-Nyet. -(GROANS) -Take him outside! | 1:01:21 | 1:01:24 | |
-You alright, kid? -They left my bike at the cemetery. | 1:01:29 | 1:01:32 | |
-Yeah, but you're alright? -They left my bike. Whoa! Wait, wait. Stop. | 1:01:32 | 1:01:37 | |
Uh-huh? | 1:01:38 | 1:01:40 | |
I'm ready. Don't give these pigs a thing. | 1:01:45 | 1:01:48 | |
-You heard him. -Clearly I have chosen the wrong pressure point. | 1:01:48 | 1:01:54 | |
Perhaps I can find a more sensitive one. | 1:01:54 | 1:01:57 | |
-(SPEAKS RUSSIAN) -Get your hands off me, you rotten Russki sonofabitch! | 1:01:57 | 1:02:02 | |
-Indiana Jones. -(LAUGHS) | 1:02:05 | 1:02:09 | |
-About time you showed up. -Mom! -Sweetheart. | 1:02:10 | 1:02:14 | |
-"Mom"? -What are you doing here? | 1:02:14 | 1:02:17 | |
Forget about me. Are you alright? | 1:02:17 | 1:02:19 | |
-"Mom"? -Young man, I specifically told you not to come here. | 1:02:19 | 1:02:23 | |
-Marion is your mother? -You never said that. | 1:02:23 | 1:02:26 | |
-Marion Ravenwood is your mother? -For God's sake, Indy, | 1:02:26 | 1:02:29 | |
-it's not that hard. -I know, I mean, I just never thought... | 1:02:29 | 1:02:32 | |
-I would have a life after you left. -Not what I meant. -A damn good life! | 1:02:32 | 1:02:36 | |
-Well, that's fine. -A damn good, really good life! | 1:02:36 | 1:02:40 | |
-Well, so have I! -Yeah? You still leaving a trail of human wreckage, | 1:02:40 | 1:02:44 | |
-or have you retired? -Why? You looking for a date? | 1:02:44 | 1:02:46 | |
-With anybody but you. -So, Dr Jones, you will help us? | 1:02:46 | 1:02:51 | |
-(GUN COCKS) -A simple "yes" will do. | 1:02:51 | 1:02:54 | |
-You had to get yourself kidnapped. -Not like you did any better. | 1:02:54 | 1:02:59 | |
Same old, same old. | 1:03:00 | 1:03:02 | |
Henry Jones, Jr. | 1:03:04 | 1:03:06 | |
-Henry Jones, Jr... -That's right, Ox. Listen to me. | 1:03:07 | 1:03:11 | |
"To lay their just hands on that Golden Key | 1:03:11 | 1:03:14 | |
-that opes the Palace of Eternity." -Palace of... | 1:03:14 | 1:03:17 | |
It's from Milton. He's said it before. Why? | 1:03:17 | 1:03:19 | |
Ox, you got to tell us how to get to Akator | 1:03:19 | 1:03:22 | |
-or they'll kill Marion. -"Through eyes that last I saw in tears, | 1:03:22 | 1:03:25 | |
-here in death's dream kingdom..." -They're gonna kill Abner's girl. | 1:03:25 | 1:03:30 | |
You got to tell us how to get there. We need... | 1:03:30 | 1:03:33 | |
-Get me paper. Something to write with. -(SPEAKS RUSSIAN) | 1:03:40 | 1:03:43 | |
Auto-writing! I should have seen this. | 1:03:52 | 1:03:55 | |
-Henry Jones, Jr. -Right. That's right, Ox. | 1:03:59 | 1:04:03 | |
Three times it drops. | 1:04:03 | 1:04:06 | |
The way down. | 1:04:06 | 1:04:08 | |
-Three times... -Pictographs. | 1:04:08 | 1:04:11 | |
Ideograms. | 1:04:12 | 1:04:14 | |
Good, Ox. Good. | 1:04:21 | 1:04:24 | |
Ox? | 1:04:35 | 1:04:37 | |
It's me, Ox. It's Mutt, Ox. | 1:04:38 | 1:04:41 | |
Hey, look at me. Look at me. | 1:04:41 | 1:04:44 | |
It's me. It's me. | 1:04:44 | 1:04:48 | |
The wavy lines mean water, of course. Closed eyes mean sleep. | 1:04:51 | 1:04:55 | |
The sun with the arc over the sky stands for time, duration. | 1:04:55 | 1:04:59 | |
The word "now" is "until." | 1:04:59 | 1:05:02 | |
These two close together, the horizon and the snake, mean one thought. | 1:05:02 | 1:05:06 | |
The horizon stood for the world, | 1:05:06 | 1:05:08 | |
but it didn't mean the Earth. It meant big, great. | 1:05:08 | 1:05:11 | |
"The water sleeps until the great snake." | 1:05:14 | 1:05:17 | |
-These are directions. Get me a map! -(SPEAKS RUSSIAN) | 1:05:17 | 1:05:21 | |
The great snake is the Amazon, of course, | 1:05:24 | 1:05:27 | |
but "sleep," what water sleeps? | 1:05:27 | 1:05:29 | |
(SHOUTS IN RUSSIAN) | 1:05:29 | 1:05:32 | |
Here! Sono. The Portuguese word for "sleep". | 1:05:33 | 1:05:36 | |
Yes, good. Exactly. | 1:05:36 | 1:05:39 | |
He wants us to follow this curve of the Sono | 1:05:40 | 1:05:45 | |
down to where it meets the Amazon to the south east. | 1:05:45 | 1:05:48 | |
After that, I'm not sure. Kingdom of dreams, tears and eyes... | 1:05:48 | 1:05:52 | |
I have no idea what he means. This could be the route, though. | 1:05:52 | 1:05:55 | |
It's a completely unexplored part of the canopy. | 1:05:55 | 1:05:59 | |
Go, go, go, go, go! Come on! | 1:06:01 | 1:06:03 | |
-Kid, what the hell are we doing? -They were gonna kill us! -Maybe. | 1:06:09 | 1:06:13 | |
-I had to do something! -Something else would've been good. | 1:06:13 | 1:06:16 | |
-At least I got a plan. -This is intolerable. Harold, keep up. | 1:06:16 | 1:06:19 | |
(MEN SHOUT IN RUSSIAN) | 1:06:19 | 1:06:22 | |
-Mom? -Stay back! -Stop! Stop! Stop! Don't move. | 1:06:27 | 1:06:31 | |
-Moving makes space, it'll make you sink. -I can get out if... -Stop it! | 1:06:31 | 1:06:35 | |
-You're pulling against a vacuum. Just stay calm. -OK, I'm calm. | 1:06:35 | 1:06:39 | |
-What is it? Quicksand? -I'm calm. -No, it's a dry sand pit. | 1:06:39 | 1:06:42 | |
-I'm sinking, but I'm calm. -Quicksand is a mix of sand, mud and water. | 1:06:42 | 1:06:45 | |
-It's not as dangerous as... -For Pete's sake, we're not in school! | 1:06:45 | 1:06:49 | |
-Don't worry. There's nothing to worry about unless there's a... -Agh! | 1:06:49 | 1:06:53 | |
A void collapse. | 1:06:53 | 1:06:56 | |
-I'll go get something to pull you out. -Ox, don't just sit there. | 1:06:57 | 1:07:01 | |
For God's sake, man, go get help! | 1:07:01 | 1:07:04 | |
-Help? -Help! | 1:07:04 | 1:07:06 | |
-Help! -Help! Go! | 1:07:06 | 1:07:10 | |
-Mutt can be a little impetuous. -It's not the worst quality in the world. | 1:07:12 | 1:07:16 | |
Keep your arms up. When the kid comes back, grab on. | 1:07:18 | 1:07:20 | |
-Indy, he... -He's a good kid, Marion. | 1:07:20 | 1:07:24 | |
-Get off his back about school. -I mean... | 1:07:24 | 1:07:26 | |
-Not everybody's cut out for it. -His name is Henry! | 1:07:26 | 1:07:29 | |
-Henry. Good name. -He's your son. | 1:07:29 | 1:07:31 | |
-My son? -Henry Jones the Third. | 1:07:34 | 1:07:37 | |
Why the hell didn't you make him finish school? | 1:07:40 | 1:07:43 | |
-Mom, grab on! Grab it! -I got it. | 1:07:44 | 1:07:48 | |
Come on, Mom! Pull, pull, pull, pull! | 1:07:48 | 1:07:51 | |
Pull! (GROANS) | 1:07:51 | 1:07:54 | |
-(HISSING) -Grab on. | 1:07:54 | 1:07:58 | |
-Grab it. -Just grab it, Indy. | 1:07:59 | 1:08:02 | |
-It's a rat snake! -Rat snakes aren't that big. | 1:08:02 | 1:08:05 | |
Well, this one is! It's not poisonous. Now grab on! | 1:08:05 | 1:08:07 | |
-Go get something else. -Like what? -Like... Like a rope or something. | 1:08:07 | 1:08:11 | |
There's no Sears and Roebuck here! Grab the snake! | 1:08:11 | 1:08:14 | |
(HISSING) Maybe I can touch the bottom. | 1:08:14 | 1:08:18 | |
-There's no bottom. Now grab it! -I think I can feel it with my feet. | 1:08:18 | 1:08:22 | |
-Grab the snake! -Stop calling it that! | 1:08:22 | 1:08:25 | |
-It's a snake! What do you want me to call it? -Say "rope"! -What? | 1:08:25 | 1:08:28 | |
-Say "grab the rope"! -(BOTH) Grab the rope! | 1:08:28 | 1:08:32 | |
Hold tight. It's slimy. Pull! | 1:08:33 | 1:08:36 | |
Get rid of that thing, will ya... | 1:08:42 | 1:08:45 | |
-..son? -Afraid of snakes. | 1:08:45 | 1:08:48 | |
You are one crazy old man. | 1:08:49 | 1:08:52 | |
(LAUGHS) Why do you have to do everything the hard way, Jonesey? | 1:08:53 | 1:08:58 | |
Eh? | 1:08:58 | 1:09:00 | |
-Good work, Ox. Thanks. -Help. | 1:09:02 | 1:09:06 | |
No. No, he was British. My dad was an RAF pilot. | 1:09:38 | 1:09:43 | |
-He was a war hero, not some schoolteacher! -No, sweetheart. | 1:09:43 | 1:09:46 | |
Colin was your stepfather. | 1:09:46 | 1:09:48 | |
We started dating when you were three months old. He was a good man. | 1:09:48 | 1:09:52 | |
Wait, wait, wait. Colin? As in Colin Williams? You... | 1:09:52 | 1:09:56 | |
(LAUGHS) You married him? I introduced you! | 1:09:56 | 1:09:59 | |
I think you gave up your vote on who I married | 1:09:59 | 1:10:02 | |
when you broke it off a week before the wedding! | 1:10:02 | 1:10:05 | |
-I think we both knew it wasn't gonna work. -You didn't know that. | 1:10:05 | 1:10:09 | |
-Why didn't you talk to me? -We never had an argument I won! | 1:10:09 | 1:10:12 | |
-It's not my fault you can't keep up! -I didn't wanna hurt you! | 1:10:12 | 1:10:15 | |
Oh, for love of God, shut the hell up! | 1:10:15 | 1:10:17 | |
Didn't you ever wonder years ago why Ox stopped talking to you? | 1:10:17 | 1:10:21 | |
-He hated that you ran away. -Would you two just stop? | 1:10:21 | 1:10:25 | |
Yeah, Marion, let's not let the kid see Mom and Dad fight. | 1:10:25 | 1:10:28 | |
-You're not my dad, OK? -You bet I am. And I got news for you. | 1:10:28 | 1:10:31 | |
You're gonna go back and finish school! | 1:10:31 | 1:10:34 | |
Really? What happened to, "There's not a damn thing wrong with it"? | 1:10:34 | 1:10:38 | |
-You remember that? -That was before I was your father! | 1:10:38 | 1:10:41 | |
-You're not my father! -Yes, he is. -You should have told me. | 1:10:41 | 1:10:44 | |
-I had a right to know. -You vanished after that. | 1:10:44 | 1:10:47 | |
-I wrote. -A year later! | 1:10:47 | 1:10:49 | |
By then, Mutt was born and I was married! | 1:10:49 | 1:10:53 | |
-Why are you bothering to tell me now? -Because I thought we were gonna die! | 1:10:53 | 1:10:57 | |
Not yet! | 1:10:57 | 1:11:00 | |
Got it? (KNIFE CLICKS / CLOTH TEARING) | 1:11:12 | 1:11:16 | |
Oh, shit. | 1:11:17 | 1:11:19 | |
I'm sure I wasn't the only one to go on with my life. | 1:11:30 | 1:11:33 | |
There must've been plenty of women for you over the years. | 1:11:33 | 1:11:37 | |
Yeah. There were a few, but they all had the same problem. | 1:11:37 | 1:11:40 | |
Yeah? What's that? | 1:11:40 | 1:11:42 | |
They weren't you, honey. | 1:11:44 | 1:11:46 | |
-(PUNCHING) -Whoa! | 1:11:54 | 1:11:58 | |
We gotta get Oxley back, get our hands on that skull | 1:12:09 | 1:12:12 | |
and get to Akator before they do. Grab the wheel. | 1:12:12 | 1:12:14 | |
-What's he gonna do now? -Ha! I don't think he plans that far ahead. | 1:12:25 | 1:12:30 | |
-Yeah. -Oh! -Scooch over, will ya, son? | 1:12:30 | 1:12:32 | |
-Don't call me "son". Don't. -I think I'd cover my ears if I were you. | 1:12:32 | 1:12:36 | |
Duck! Duck! | 1:12:46 | 1:12:48 | |
Move, move! | 1:12:51 | 1:12:53 | |
Pull up next to that duck. | 1:12:54 | 1:12:57 | |
Henry Jones, Jr. | 1:13:06 | 1:13:09 | |
(SPEAKS RUSSIAN) | 1:13:09 | 1:13:11 | |
Jones! | 1:13:20 | 1:13:22 | |
(SHOUTS IN RUSSIAN) | 1:13:24 | 1:13:27 | |
(GROANS) | 1:13:33 | 1:13:36 | |
Come on! Come on! | 1:13:36 | 1:13:38 | |
(SHOUTS IN RUSSIAN) Whoaaa! | 1:13:40 | 1:13:43 | |
Get down! | 1:13:53 | 1:13:55 | |
-Ox has got the skull. Marion, take the wheel. -That's not fair. | 1:14:05 | 1:14:09 | |
-She drove the truck. -Don't be a child. Find something to fight with. | 1:14:09 | 1:14:12 | |
Jonesey! | 1:14:21 | 1:14:24 | |
-Jonesey! -Hi, Mac. -(GROANS) | 1:14:36 | 1:14:39 | |
-Indy. -Shut up! -Indy! -Shut up! | 1:15:11 | 1:15:14 | |
Indy! You stupid sonofabitch! | 1:15:14 | 1:15:17 | |
-I'm CIA. -CIA. | 1:15:17 | 1:15:19 | |
I almost screamed it at you in the tent. I said, "Just like Berlin". | 1:15:19 | 1:15:23 | |
-What were we in Berlin, mate? -Double agents! | 1:15:23 | 1:15:27 | |
Throw me the skull! | 1:15:27 | 1:15:29 | |
Throw me the skull! | 1:15:30 | 1:15:33 | |
Get on your front foot. Riposte. | 1:15:59 | 1:16:02 | |
It's not a match, Mom. | 1:16:02 | 1:16:04 | |
You fight like a young man, eager to begin, quick to finish. | 1:16:29 | 1:16:33 | |
Mutt, disengage! Agh! | 1:16:33 | 1:16:36 | |
Whoa! Whoa! | 1:16:39 | 1:16:42 | |
-Hey! Hey, I got the skull! -Throw the bag! -Throw it! | 1:17:12 | 1:17:17 | |
-Gun! -Gun! | 1:17:17 | 1:17:19 | |
Agh! | 1:17:34 | 1:17:36 | |
What are you looking at, Daddy-o? She's getting away! | 1:18:03 | 1:18:07 | |
-Hey, p... p... -Agh! | 1:18:10 | 1:18:13 | |
(MONKEYS CHATTER) | 1:18:25 | 1:18:27 | |
(SPEAKS RUSSIAN) | 1:18:48 | 1:18:50 | |
-This is very dangerous. -(LAUGHS) | 1:19:03 | 1:19:06 | |
Wahh! | 1:19:11 | 1:19:13 | |
Do svidaniya, Dr Jones. | 1:19:31 | 1:19:34 | |
Jones! | 1:20:01 | 1:20:04 | |
-Whoa. -Whoa. | 1:20:04 | 1:20:08 | |
Whoa! | 1:20:09 | 1:20:11 | |
Turn! | 1:20:14 | 1:20:17 | |
(ALL GRUNT) | 1:20:23 | 1:20:26 | |
(GUN CLICKS) | 1:20:26 | 1:20:29 | |
-(ANT SQUEAKS) -Agh! | 1:20:34 | 1:20:36 | |
-Siafu. -What? -Big damn ants! Go! | 1:20:47 | 1:20:49 | |
(SHOUTS IN RUSSIAN) | 1:20:56 | 1:20:58 | |
Run to the river! | 1:21:03 | 1:21:05 | |
(SHOUTS IN RUSSIAN) | 1:21:11 | 1:21:13 | |
Get to the river! | 1:21:24 | 1:21:26 | |
Jump in! Come on! Come on! | 1:21:34 | 1:21:37 | |
Mom, there's a cliff! | 1:21:41 | 1:21:43 | |
(SCREAMS) | 1:22:11 | 1:22:14 | |
Agh! | 1:22:37 | 1:22:39 | |
Aghh! | 1:22:51 | 1:22:53 | |
(SCREAMS) | 1:23:43 | 1:23:45 | |
(SPEAKS RUSSIAN) | 1:24:01 | 1:24:04 | |
-Jonesey, come on! -Get in, Jones! | 1:24:22 | 1:24:24 | |
-Mom, stop. -Mom, slow down. | 1:24:40 | 1:24:42 | |
-Honey, stop. You're gonna go off the cliff. -That's the idea. -Bad idea. | 1:24:46 | 1:24:50 | |
-Give me the wheel. -Trust me! | 1:24:50 | 1:24:52 | |
(ALL SCREAM) | 1:24:52 | 1:24:55 | |
(ALL SHOUT) | 1:25:11 | 1:25:14 | |
(SCREAMING) | 1:25:15 | 1:25:18 | |
Don't ever do that again. | 1:25:19 | 1:25:21 | |
Yes, dear. | 1:25:21 | 1:25:24 | |
Three times it drops. | 1:25:33 | 1:25:36 | |
-Reverse. Put it in reverse! Full reverse! -I'm trying! | 1:25:38 | 1:25:43 | |
-Whoa, whoa, whoa! -(ALL SHOUT) | 1:25:43 | 1:25:47 | |
(ALL SCREAM) | 1:25:50 | 1:25:52 | |
The way down. | 1:26:04 | 1:26:06 | |
He means by land. He came by land. | 1:26:07 | 1:26:10 | |
-Three times it drops? -Three times it drops. | 1:26:12 | 1:26:15 | |
-What is he talking about? -He means one! | 1:26:15 | 1:26:18 | |
Two! | 1:26:19 | 1:26:21 | |
(ALL SCREAM) | 1:26:21 | 1:26:24 | |
(COUGHING) | 1:26:31 | 1:26:34 | |
Three. | 1:26:39 | 1:26:41 | |
(ALL SCREAM) | 1:26:50 | 1:26:52 | |
(COUGHING) | 1:27:00 | 1:27:02 | |
(LAUGHS) | 1:27:07 | 1:27:10 | |
(LAUGHS) | 1:27:10 | 1:27:13 | |
-You OK? Babe? Let go. -(GASPS) | 1:27:13 | 1:27:16 | |
"Through eyes that last I saw in tears,..." | 1:27:16 | 1:27:20 | |
The golden vision reappears! | 1:27:21 | 1:27:23 | |
-Gold. I'm in. -Through eyes... Through eyes in tears. | 1:27:27 | 1:27:31 | |
We gotta go through that waterfall! | 1:27:31 | 1:27:33 | |
The skull has to be returned. I'll do it. Nobody else has to come. | 1:27:35 | 1:27:39 | |
Who cares? It's brought us nothing but trouble. | 1:27:39 | 1:27:43 | |
Look what it did to him. | 1:27:44 | 1:27:46 | |
-I have to return it. -Why you? | 1:27:46 | 1:27:49 | |
Because it told me to. | 1:27:49 | 1:27:52 | |
-Ochre, iron oxide, charcoal. -Oxy, stay with us. | 1:28:04 | 1:28:08 | |
How old is this? | 1:28:08 | 1:28:10 | |
Four or five thousand years. Old as the pyramids. | 1:28:10 | 1:28:13 | |
Look, sun worshippers, like the Egyptians. | 1:28:13 | 1:28:17 | |
This is fresh. These were just used. | 1:28:19 | 1:28:22 | |
-More worshippers. -Yeah, but that's not the sun they're worshipping. | 1:28:36 | 1:28:40 | |
Someone came... | 1:28:46 | 1:28:49 | |
..and taught the Ugha farming. | 1:28:51 | 1:28:54 | |
Irrigation. | 1:28:58 | 1:29:00 | |
Ox, what is it? | 1:29:09 | 1:29:12 | |
(SPEAKS FOREIGN LANGUAGE) | 1:29:12 | 1:29:15 | |
I think I understand, Ox. | 1:29:27 | 1:29:29 | |
Someone came? | 1:29:31 | 1:29:33 | |
-Are they the same? -There were more. Look. | 1:29:56 | 1:30:00 | |
13 in a circle. | 1:30:03 | 1:30:05 | |
Show us the way, Ox. | 1:30:12 | 1:30:15 | |
(FOOTSTEPS APPROACH) | 1:30:56 | 1:30:59 | |
-Let's go. Go, go, go! Run! Run, go! -Go! | 1:31:00 | 1:31:04 | |
(TRIBESMEN SHOUT) | 1:31:09 | 1:31:12 | |
-Indy! -Jonesey! | 1:31:34 | 1:31:38 | |
Oxley! | 1:31:38 | 1:31:40 | |
You were here before. How did you get past them? | 1:31:40 | 1:31:44 | |
(ALL GASP) | 1:31:45 | 1:31:48 | |
(ALL GASP) | 1:31:51 | 1:31:54 | |
Come on, Mac. Come on! Come on, Mac! | 1:31:54 | 1:31:57 | |
-Come on, come on. -"To lay their just hands on that Golden Key | 1:31:59 | 1:32:02 | |
-that opes the Palace of Eternity." -You did good, Ox. | 1:32:02 | 1:32:06 | |
(BEEPING) | 1:32:10 | 1:32:12 | |
City of gold. So where's all the gold? | 1:32:28 | 1:32:32 | |
Look at the state of this place. What a stupid legend. | 1:32:33 | 1:32:36 | |
-What a waste of my time. -Ox was here before, | 1:32:36 | 1:32:39 | |
but he couldn't get into the temple, | 1:32:39 | 1:32:42 | |
so he took the skull back to the cemetery, where he found it. | 1:32:42 | 1:32:46 | |
"To lay their just hands on that Golden Key | 1:32:47 | 1:32:50 | |
that opes the Palace of Eternity." | 1:32:50 | 1:32:52 | |
Key that opes the palace. | 1:32:52 | 1:32:55 | |
The obelisk. The obelisk is the key? | 1:32:56 | 1:33:00 | |
What are you looking for, Ox? | 1:33:05 | 1:33:08 | |
What are you doing? | 1:33:10 | 1:33:12 | |
You figured this out in your cell, didn't you, Professor? | 1:33:16 | 1:33:20 | |
Excuse me, Professor. | 1:33:20 | 1:33:23 | |
Well done. | 1:33:36 | 1:33:38 | |
-(GROANS) -Go get your own. | 1:33:38 | 1:33:41 | |
(RUMBLING) | 1:33:56 | 1:33:59 | |
(ALL SCREAM) | 1:34:30 | 1:34:33 | |
(RUMBLING) Listen. | 1:34:36 | 1:34:39 | |
Hear that? | 1:34:40 | 1:34:42 | |
Get up! Move! Ox, move! | 1:34:44 | 1:34:47 | |
Faster! Faster! | 1:34:50 | 1:34:53 | |
-Faster! Faster! -Faster! | 1:34:53 | 1:34:56 | |
This is not good. Move, Ox! Move! | 1:34:56 | 1:34:59 | |
Quick! Quick! Quick! | 1:34:59 | 1:35:02 | |
I don't like this! I don't like it! | 1:35:04 | 1:35:06 | |
-Mom, come on! -Jonesey! | 1:35:06 | 1:35:09 | |
(ALL YELL) | 1:35:11 | 1:35:15 | |
(COUGHS) | 1:35:21 | 1:35:23 | |
He dropped it. He dropped the skull! | 1:35:25 | 1:35:27 | |
-OK? -(COUGHS) | 1:35:27 | 1:35:30 | |
Hold this! | 1:35:38 | 1:35:41 | |
Ox, you OK? | 1:35:43 | 1:35:45 | |
Lovely. | 1:35:48 | 1:35:50 | |
Alright, let's go. | 1:35:50 | 1:35:53 | |
This way? | 1:35:58 | 1:36:00 | |
(BEEPING) | 1:36:35 | 1:36:37 | |
(GUNFIRE) | 1:36:37 | 1:36:40 | |
(BEEPING) | 1:36:46 | 1:36:49 | |
Now that's more like it. | 1:37:04 | 1:37:07 | |
There are artefacts from every era of early history. | 1:37:12 | 1:37:15 | |
Macedonian. | 1:37:15 | 1:37:18 | |
-Sumerian. -This place is the mother lode. | 1:37:18 | 1:37:21 | |
-Etruscan. Babylonian. -There isn't a museum in the world | 1:37:21 | 1:37:24 | |
that wouldn't sell its soul for this lot. | 1:37:24 | 1:37:26 | |
-Early Egyptian. -Dozens of museums. Hundreds of them, Jonesey! | 1:37:26 | 1:37:31 | |
Collectors. | 1:37:31 | 1:37:33 | |
They were archaeologists. | 1:37:35 | 1:37:38 | |
(COINS RATTLE) | 1:37:40 | 1:37:43 | |
How do we open it? | 1:38:13 | 1:38:15 | |
I'll give it back, Ox. I promise. | 1:38:20 | 1:38:24 | |
(WHIRRING) | 1:38:37 | 1:38:39 | |
No more forever waiting. | 1:39:39 | 1:39:42 | |
Soon now. | 1:39:43 | 1:39:46 | |
(GUN COCKS) | 1:39:51 | 1:39:53 | |
-Sorry, Jonesey. -So what are you, a... triple agent? | 1:39:54 | 1:39:58 | |
Nah, I just lied about being a double. | 1:39:58 | 1:40:03 | |
Look at them! | 1:40:06 | 1:40:09 | |
Still waiting for the return of the one who was lost. | 1:40:11 | 1:40:16 | |
They are a hive mind. | 1:40:19 | 1:40:22 | |
One being physically separate, | 1:40:22 | 1:40:25 | |
but with a collective consciousness. | 1:40:25 | 1:40:28 | |
More powerful together than they can ever be apart. | 1:40:29 | 1:40:33 | |
Imagine what they could tell us. | 1:40:40 | 1:40:44 | |
I can't imagine. Neither could the humans that built this temple, | 1:40:44 | 1:40:47 | |
-neither can you. -Belief, Dr Jones, is a gift you have yet to receive. | 1:40:47 | 1:40:52 | |
-My sympathies. -Oh, I believe, sister. That's why I'm down here. | 1:40:53 | 1:40:58 | |
(WHIRRING) | 1:41:00 | 1:41:03 | |
(WHIRRING) | 1:41:13 | 1:41:16 | |
(SPEAKS FOREIGN LANGUAGE) | 1:41:20 | 1:41:23 | |
-Mayan. He's speaking Mayan. -What does he say? | 1:41:31 | 1:41:34 | |
He says he's grateful and he wants... | 1:41:34 | 1:41:37 | |
-..it. -(SPEAKS MAYAN) | 1:41:39 | 1:41:42 | |
It wants... to give us a gift. | 1:41:43 | 1:41:47 | |
A big gift. | 1:41:49 | 1:41:52 | |
Tell me everything you know. | 1:41:52 | 1:41:55 | |
I want to know everything. I want to know. | 1:41:57 | 1:42:01 | |
(WHIRRING) | 1:42:05 | 1:42:08 | |
I've got a bad feeling about this. | 1:42:09 | 1:42:12 | |
Indy? The eyes. | 1:42:16 | 1:42:19 | |
(RUMBLING / WHIRRING) | 1:42:24 | 1:42:28 | |
(COUGHS) | 1:42:51 | 1:42:54 | |
(RUMBLING / WHIRRING) | 1:43:05 | 1:43:08 | |
What are they? Spacemen? | 1:43:21 | 1:43:24 | |
Inter-dimensional beings, in point of fact. | 1:43:24 | 1:43:26 | |
Welcome back, Ox. | 1:43:26 | 1:43:29 | |
What the hell is that? | 1:43:39 | 1:43:41 | |
A portal! A pathway to another dimension! | 1:43:41 | 1:43:45 | |
I don't think we wanna go that way. | 1:43:45 | 1:43:48 | |
(ALL SCREAM) | 1:43:58 | 1:44:00 | |
I want to know. | 1:44:02 | 1:44:05 | |
I want to know. | 1:44:05 | 1:44:08 | |
Tell me. I'm ready. I want to know. | 1:44:08 | 1:44:12 | |
Mac! Mac! Come on! | 1:44:17 | 1:44:21 | |
Mac! | 1:44:22 | 1:44:24 | |
Mac, dammit, now! | 1:44:26 | 1:44:28 | |
I can see. | 1:44:40 | 1:44:43 | |
I can see! | 1:44:43 | 1:44:45 | |
Grab it! | 1:44:47 | 1:44:50 | |
Use your legs, Mac. I can't do it alone. | 1:44:53 | 1:44:55 | |
Jonesey! | 1:44:58 | 1:45:00 | |
I'm gonna be alright. | 1:45:00 | 1:45:02 | |
No more! | 1:45:11 | 1:45:13 | |
Cover it. Cover it. | 1:45:15 | 1:45:18 | |
(SCREAMS) | 1:45:22 | 1:45:25 | |
-Go! -Enough! | 1:45:30 | 1:45:33 | |
Enough! | 1:45:33 | 1:45:35 | |
(SCREAMS) | 1:45:37 | 1:45:39 | |
Go! Go! | 1:45:47 | 1:45:49 | |
(WHOOSHING) | 1:46:03 | 1:46:06 | |
(ALL SCREAM) | 1:46:35 | 1:46:38 | |
(RUMBLING) | 1:46:48 | 1:46:51 | |
(BOOMING) | 1:47:05 | 1:47:08 | |
Like a broom to their footprints. | 1:48:03 | 1:48:06 | |
Where did they go? Space? | 1:48:08 | 1:48:11 | |
Not into space. | 1:48:12 | 1:48:15 | |
Into the space between spaces. | 1:48:15 | 1:48:18 | |
I don't understand. | 1:48:25 | 1:48:28 | |
Why this legend of a city of gold? | 1:48:29 | 1:48:31 | |
The Ugha word for gold translates as "treasure." | 1:48:31 | 1:48:35 | |
But their treasure wasn't gold. It was knowledge. | 1:48:36 | 1:48:39 | |
Knowledge was their treasure. | 1:48:39 | 1:48:42 | |
What? We're just gonna sit here? | 1:48:56 | 1:48:59 | |
Night falls quick in the jungle. You don't want to climb down the mountain | 1:48:59 | 1:49:02 | |
-in the dark. -No? | 1:49:02 | 1:49:05 | |
I can. Who's coming with me? Come on. | 1:49:05 | 1:49:08 | |
Why don't you stick around, Junior? | 1:49:08 | 1:49:11 | |
(SCOFFS) I don't know. Why didn't you, Dad? | 1:49:11 | 1:49:16 | |
(LAUGHS) Dad! | 1:49:17 | 1:49:20 | |
Dad? | 1:49:23 | 1:49:25 | |
-Somewhere your grandpa is laughing. -(LAUGHS) | 1:49:29 | 1:49:32 | |
Marvellous! Perfect! Make the letters bigger, much bigger. | 1:49:48 | 1:49:52 | |
Henry Jones, Jr, and Marion Ravenwood, | 1:50:03 | 1:50:07 | |
insomuch in that you two have agreed to live together in holy matrimony, | 1:50:07 | 1:50:11 | |
have promised your love for each other by these vows, | 1:50:11 | 1:50:15 | |
the joining of your hands and the giving of these rings, | 1:50:15 | 1:50:18 | |
I now declare you to be husband and wife. | 1:50:18 | 1:50:22 | |
Whom God hath put together, let no one tear asunder. | 1:50:22 | 1:50:27 | |
"How much of human life is lost in waiting!" | 1:50:27 | 1:50:30 | |
Congratulations. You may kiss your bride. | 1:50:30 | 1:50:34 | |
-Well done, Henry! -(BOTH) Thanks, Ox. | 1:50:54 | 1:50:58 | |
(WIND HOWLS) | 1:51:08 | 1:51:11 |