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CHILDREN YELL | 0:01:15 | 0:01:17 | |
YELLING CONTINUES Granny, look what I got! Tamales. From Mrs Espinosa. | 0:01:26 | 0:01:31 | |
That was very nice of Mrs Espinosa. | 0:01:31 | 0:01:33 | |
It's good. Eat it. Mmm. It smells good. | 0:01:33 | 0:01:36 | |
What's them kids makin' that noise out there about? | 0:01:36 | 0:01:40 | |
I don't hear nothin'. You ain't deaf. | 0:01:40 | 0:01:43 | |
Them kids is slobs. Them kids ARE slobs. | 0:01:43 | 0:01:48 | |
Well, they're slobs. | 0:01:48 | 0:01:50 | |
Honeybell, are you sure Mrs Espinosa gave you these tamales? | 0:01:50 | 0:01:53 | |
She would have. But did she? | 0:01:53 | 0:01:55 | |
It don't make no difference now. | 0:01:55 | 0:01:57 | |
Honeybell, you ain't got no cause to lie. It ain't refined. | 0:01:57 | 0:02:01 | |
I don't tell no lies. If I thought you'd snitched this... | 0:02:01 | 0:02:03 | |
I wouldn't have ate it. Mrs Espinosa gave them to me. | 0:02:03 | 0:02:07 | |
We must give Mrs Espinosa something sometime. | 0:02:07 | 0:02:10 | |
HONEYBELL LAUGHS: Look at Ellie May. | 0:02:10 | 0:02:13 | |
ELLIE MAY HUMS TO HERSELF | 0:02:13 | 0:02:15 | |
-Well, somebody's happy. -Ain't Ma supposed to come home today? | 0:02:15 | 0:02:19 | |
So her letter said. What's the idea of them pigtails? | 0:02:19 | 0:02:23 | |
-What's wrong with them? -You ain't gonna catch no fellas like that! | 0:02:23 | 0:02:26 | |
Wouldn't want the ones I can get. Couldn't get the ones I'd want. | 0:02:26 | 0:02:29 | |
So, you gonna change the world around? | 0:02:29 | 0:02:31 | |
-Pa still sick? -Still sleeping off his hangover, you mean. | 0:02:31 | 0:02:36 | |
-He needs some hot coffee. -I don't know where he'll put it. | 0:02:36 | 0:02:39 | |
< His stomach's all eaten out. | 0:02:39 | 0:02:41 | |
Are you awake, Pa? | 0:02:46 | 0:02:48 | |
Pa. | 0:02:49 | 0:02:50 | |
-I brought you some hot coffee. -HE MUMBLES INCOHERENTLY | 0:02:52 | 0:02:56 | |
Here. | 0:02:56 | 0:02:57 | |
You're really good to me, Ellie May. You really are. | 0:02:59 | 0:03:02 | |
-Drink it while it's hot. -What's the time? | 0:03:02 | 0:03:05 | |
I don't know. It ain't running. | 0:03:07 | 0:03:09 | |
-Is your mother home yet? -No, she ain't. | 0:03:09 | 0:03:12 | |
-She should be here, looking after the family. -Ma just likes to have a good time. | 0:03:12 | 0:03:17 | |
-I'm not a fool, Ellie May. -Ain't you gonna take your coffee? | 0:03:17 | 0:03:21 | |
No... It isn't coffee I need. | 0:03:21 | 0:03:23 | |
-Don't you think maybe you drink too much, Pa? -It's only a substitute. | 0:03:23 | 0:03:28 | |
A substitute for some dreams I once had. | 0:03:28 | 0:03:32 | |
They've all gone, whistling down the wind. | 0:03:32 | 0:03:35 | |
I don't know what you mean. | 0:03:35 | 0:03:37 | |
You keep your dreams, Ellie May. After they've gone, you've got nothing left. | 0:03:37 | 0:03:42 | |
Cos if you let those go, you got to invent new ones. And they're never as good as the old ones. | 0:03:43 | 0:03:50 | |
Run away, dear. Run away before you get like the rest of us. | 0:03:52 | 0:03:55 | |
But I ain't got no reason to run away, Pa. | 0:03:55 | 0:03:58 | |
What'll happen to you in this horrible environment? | 0:03:58 | 0:04:02 | |
Nothing's gonna happen to me. | 0:04:02 | 0:04:04 | |
-Wouldn't you feel better with some hot coffee in your stomach? -I guess I'm a pretty good mess as a father. | 0:04:04 | 0:04:10 | |
No, you're swell, Pa. | 0:04:10 | 0:04:12 | |
Gee, Pa, you're so smart an' all. You've been to college. | 0:04:13 | 0:04:17 | |
I'm always telling everybody how much you know about them Greeks. | 0:04:17 | 0:04:22 | |
-Some of your writing's on the floor. -That's as good a place as any for it. | 0:04:22 | 0:04:26 | |
-When your book's done, everyone'll be talking about you. -I doubt I'll live to finish it. | 0:04:26 | 0:04:31 | |
What's the matter? You got a sick stomach? | 0:04:31 | 0:04:33 | |
How about some clam broth? I could go to the beach, get some clams. | 0:04:33 | 0:04:38 | |
-Something wrong with your heart? -No, darling, it's another kind of pain. | 0:04:39 | 0:04:43 | |
Oh, well... We live, not as we wish to, but as we can. | 0:04:44 | 0:04:48 | |
So said my old friend Menander. | 0:04:48 | 0:04:51 | |
Who was it said that? | 0:04:51 | 0:04:53 | |
Menander, darling. One of those old Greek philosophers. | 0:04:53 | 0:04:56 | |
I wish I knowed more than I know. | 0:04:57 | 0:05:00 | |
-The gentleman paid for the cab. -Yes, everything's taken care of. -Out of my way, babies. Yoo-hoo! | 0:05:02 | 0:05:08 | |
Hello, baby! | 0:05:08 | 0:05:10 | |
Hello, Mame. You look great. | 0:05:10 | 0:05:12 | |
Here I am! | 0:05:12 | 0:05:14 | |
-Is that for me? -Honeybell, it ain't me you want, it's the presents. | 0:05:14 | 0:05:19 | |
Stop tuggin' Ma. Let her get her breath. | 0:05:19 | 0:05:21 | |
-Hello, Ma. -Hello, Ellie May. | 0:05:21 | 0:05:23 | |
-Gee, you look pretty, Ma. -Do I, honey? | 0:05:23 | 0:05:27 | |
-Where's my present? -Oh, look, Ma's got a new fur. -Ain't I the one? | 0:05:27 | 0:05:32 | |
-I want my present! -Oh, Honeybell! | 0:05:32 | 0:05:35 | |
You're a pest. Now, run away and keep quiet. | 0:05:35 | 0:05:37 | |
-How's Homer? -He don't feel good. -For you, Ellie May. | 0:05:37 | 0:05:40 | |
And, Ma, here's something smelly. | 0:05:40 | 0:05:44 | |
Ma, Thelma introduced me to a lovely gentleman, a Mr Hawkins. Tell you about it later. | 0:05:44 | 0:05:49 | |
-Did you go to the fair? -Oh, did I! I've been bounced about till there isn't a whole bone left in my body. | 0:05:49 | 0:05:56 | |
-Oh, my, ain't it cute? -GRANDMA: It looks like Homer. | 0:05:56 | 0:05:59 | |
-Oh, let him be. -When its eyes light up, they look like Homer's when he hits the bottle. | 0:05:59 | 0:06:05 | |
-Ellie May, ain't you pleased with your present? -Sure. | 0:06:05 | 0:06:08 | |
-You haven't looked at it. -I'm going to the beach to get some clams. | 0:06:08 | 0:06:12 | |
I buy her the best silk stockings, she don't even look at 'em. | 0:06:12 | 0:06:17 | |
-I'll look at them after. -Very fussy about where her presents come from. -I ain't said nothing. Bye, Ma. | 0:06:17 | 0:06:22 | |
Silk stockings ain't for a girl that acts like a boy. | 0:06:22 | 0:06:25 | |
You should have bought her a baseball bat. | 0:06:25 | 0:06:27 | |
CHILDREN CHANT: Yo quiero mis tamales! Yo quiero mis tamales! | 0:06:27 | 0:06:33 | |
TRAIN WHISTLE BLOWS | 0:06:33 | 0:06:36 | |
Here she comes. You gonna say it? Yeah. I'm not afraid of her. | 0:06:39 | 0:06:43 | |
Say it. Afraid of a girl! I'm not afraid of her! Then, I'LL say it. | 0:06:52 | 0:06:55 | |
Her mother was a lady(!) | 0:06:55 | 0:06:56 | |
Missed! | 0:06:58 | 0:06:59 | |
A shame to waste a good smell in a place like this. | 0:07:03 | 0:07:06 | |
-Well, maybe we'll go steppin' sometime. -Why not? | 0:07:06 | 0:07:09 | |
You can always play a new tune on an old fiddle. | 0:07:09 | 0:07:12 | |
-Yeah, you're only as young as you feel. Got some coffee, hon? -I'll make you a fresh cup. | 0:07:12 | 0:07:17 | |
-Say, is this genuine? -Ain't nothing else but. | 0:07:17 | 0:07:20 | |
That fella must have an oil well somewhere. | 0:07:20 | 0:07:23 | |
I told him, "Mr Hawkins, if you want to throw your money away, | 0:07:23 | 0:07:28 | |
"I ain't gonna stop you." And, Ma, confidential, he wanted to marry me. | 0:07:28 | 0:07:32 | |
-No! -He did. I said, "Mr Hawkins, one husband at a time's enough." | 0:07:32 | 0:07:37 | |
-And he laughed fit to kill. -He must be a guy! -Oh, he's a card. | 0:07:37 | 0:07:41 | |
-And very refined. -Pity Homer don't do you a favour and get run over. | 0:07:41 | 0:07:46 | |
-Oh, Ma, poor Homer. -Well, somebody has to look after him, | 0:07:46 | 0:07:49 | |
of course it's gotta be you. | 0:07:49 | 0:07:52 | |
Isn't it customary for a wife to care for her husband when he's ill, instead of chasing other men? | 0:07:52 | 0:07:58 | |
-Are you still alive? -Ain't you feeling well, baby? | 0:07:58 | 0:08:01 | |
Look at them eyes. Like two grapes floatin' around in his head. | 0:08:01 | 0:08:04 | |
Preserve your acid wit for someone of your own class. | 0:08:04 | 0:08:08 | |
Wasn't no drunks in MY family! | 0:08:08 | 0:08:10 | |
One tiny virtue is not sufficient to counteract your other endowments. | 0:08:10 | 0:08:14 | |
< Big words ain't gonna help that hangover. | 0:08:14 | 0:08:16 | |
Leave him be. C'mon now, that's a good boy. | 0:08:16 | 0:08:19 | |
That's it. Thattaboy. | 0:08:19 | 0:08:21 | |
There... | 0:08:22 | 0:08:23 | |
-Oh, working on your book, Homer? -What difference does it make to YOU? | 0:08:23 | 0:08:28 | |
I was telling Mr Hawkins, a friend of Thelma's, how smart you are. | 0:08:28 | 0:08:32 | |
No need to further my humiliation. | 0:08:32 | 0:08:34 | |
Homer, nobody's humiliating nobody. | 0:08:34 | 0:08:36 | |
Who's Hawkins? What kind of woman is Thelma? Where have you been? | 0:08:36 | 0:08:40 | |
-I've been to the fair, had some fun. Don't you want me to have a good time? -Look me in the eye. | 0:08:40 | 0:08:46 | |
Oh... Poor Homer. Your eyes are all red and watery. | 0:08:49 | 0:08:53 | |
-They're red with shame. -You ain't done nothin' to be ashamed of. | 0:08:53 | 0:08:57 | |
-Sneaking round back alleys with my collar turned up. -Now, you know how upset you get after drinking. | 0:08:57 | 0:09:03 | |
I can't stand it any longer. I'll put an end to myself. | 0:09:03 | 0:09:07 | |
Give that to me. I only got it cos you was afraid of burglars. You mustn't play with it. | 0:09:07 | 0:09:12 | |
Some day I'll do it. Some day I'll have the courage. | 0:09:12 | 0:09:16 | |
-Let Mamie rub your head, like a good little boy. -I'm not a little boy. | 0:09:18 | 0:09:22 | |
-I'm ill! -Of course you are. | 0:09:22 | 0:09:24 | |
You're a great big boy! | 0:09:24 | 0:09:26 | |
Oh, poor Homer. Got no gin left. That's what's the matter with him. | 0:09:26 | 0:09:31 | |
The big, bad gin's all gone, ain't it? | 0:09:31 | 0:09:34 | |
Mamie will get you some money so you can buy some more. | 0:09:34 | 0:09:38 | |
I won't take any money from you. | 0:09:38 | 0:09:41 | |
Go out and get a job. > Get some money of your own. | 0:09:41 | 0:09:44 | |
The work Homer does takes brains. | 0:09:44 | 0:09:46 | |
-They'll never read his book, even if he does finish it. -Here... | 0:09:46 | 0:09:50 | |
-Take it and have a good time. -I'll take it. | 0:09:50 | 0:09:53 | |
I hope you enjoy my degradation. | 0:09:53 | 0:09:55 | |
It's all right with me, Toots. | 0:09:55 | 0:09:57 | |
-Don't fall in the ditch like last time. -I'd cover him up and let him lay. | 0:09:57 | 0:10:03 | |
HORN HOOTS | 0:10:11 | 0:10:13 | |
-Goin' down to the beach? -Yeah. Why? -Hop in. I'll give you a ride. -Nah, I ain't takin' no chances. | 0:10:15 | 0:10:21 | |
You don't have to be scared of a silly old man like me. | 0:10:21 | 0:10:24 | |
I ain't exactly scared. | 0:10:24 | 0:10:27 | |
Hop in, then. I'm just hankerin' to have a talk with somebody. | 0:10:27 | 0:10:31 | |
I ain't got much to talk about. | 0:10:33 | 0:10:35 | |
You don't have to worry. I'll do all the talking. | 0:10:35 | 0:10:39 | |
-Go down to the beach often? -Uh-huh. | 0:10:39 | 0:10:42 | |
-Going fishing? -Nope, clamming. | 0:10:42 | 0:10:44 | |
-You like to eat clams? -I ain't gonna train 'em for no circus. | 0:10:44 | 0:10:48 | |
HE LAUGHS That's what I get for being nosy. | 0:10:48 | 0:10:51 | |
-Why not buy 'em in town? Save you a long trip. -They gotta be fresh on account of my sister, Honeybell. | 0:10:51 | 0:10:56 | |
-What's wrong with her? -She's sick. If they ain't fresh, she might get a sick stomach. -Sorry to hear that. | 0:10:56 | 0:11:03 | |
-You live down by the beach? -Yeah. I run a hamburger stand by the canneries. | 0:11:05 | 0:11:10 | |
I was gonna have lunch at the beach but I forgot my pocket-book. | 0:11:10 | 0:11:14 | |
-Maybe I can fix you up. -Oh, I didn't mean it that way. -It's all right. | 0:11:14 | 0:11:18 | |
-Why ain't you at school? -I don't have to be. -Why not? -I get my learning from my pa. | 0:11:18 | 0:11:24 | |
-Is he a schoolteacher? -No, he went to college. | 0:11:24 | 0:11:27 | |
-He's learning me all about them old Greeks. -I wouldn't know about them. -They was mighty smart. | 0:11:27 | 0:11:32 | |
-Don't the authorities say nothing about your schoolin'? -I'm older than I look. | 0:11:32 | 0:11:37 | |
-What do you wear pigtails for? -Well, if fellas think you're a kid, they leave you be. | 0:11:37 | 0:11:43 | |
-It's just to keep the fellas from getting fresh. -Me, too? -You're a fella, ain't you? | 0:11:44 | 0:11:49 | |
I'm just an old hunk of buzzard bait! | 0:11:49 | 0:11:52 | |
-Well, you used to be a fella. -I'LL say I was! | 0:11:52 | 0:11:56 | |
You said something, kid! | 0:11:56 | 0:11:58 | |
-Here we are. What did you say your name was? -Ellie May. | 0:12:08 | 0:12:12 | |
-Come on, Ellie May. We'll fix you up a sandwich. -Maybe I hadn't oughtta. | 0:12:12 | 0:12:17 | |
-Ain't you hungry? -But I ain't got no money. -Pay some other time. | 0:12:17 | 0:12:20 | |
CUSTOMER: You can have my share of them fish canneries. Them sardines is getting me down. | 0:12:20 | 0:12:27 | |
You get used to the smell after five years. | 0:12:27 | 0:12:30 | |
-How about topping up your lunch with sardine pie? -I aint feeling so good. -Nobody feels good that eats in here. | 0:12:30 | 0:12:36 | |
GRAMPY: Leave off them corny jokes. | 0:12:36 | 0:12:38 | |
-We gotta give the customers SOMETHING for their money. -Fix that kid something to eat. | 0:12:38 | 0:12:43 | |
Boy, you're picking 'em young, Granpappy. Right out of grammar school. | 0:12:43 | 0:12:49 | |
-What'll it be? -One of your 10-centers. -They're good'uns. Best manila rope in town. | 0:12:49 | 0:12:55 | |
A little longer, you could hang yourself with it. | 0:12:55 | 0:12:57 | |
It's bad enough to have to smoke 'em. | 0:12:57 | 0:12:59 | |
Don't look now but there's a truant officer right behind you. What'll it be, sister? | 0:12:59 | 0:13:05 | |
-What do you have? -For schoolkids? How about a nice bowl of alphabet soup? -Here you are. | 0:13:05 | 0:13:11 | |
-Don't heed him. His mind wanders. -Maybe it never came back. | 0:13:11 | 0:13:15 | |
-< You ain't getting no laughs on her. -Wait till she eats that sandwich. | 0:13:15 | 0:13:20 | |
We paint the ham on with a brush. | 0:13:20 | 0:13:22 | |
-TOOT! There's the whistle. -Give my regards to the sardines. | 0:13:22 | 0:13:26 | |
-Hey, can I take this with me? -Sure. | 0:13:26 | 0:13:28 | |
-Where's a good place to dig clams? -What kind of clams? -The kind that don't make so much noise. | 0:13:28 | 0:13:34 | |
-That oughtta shut you up. -She ain't bad on the comeback. | 0:13:34 | 0:13:37 | |
-Did you get to town and get them bolts for the pump? -There ain't no rush about them bolts. | 0:13:37 | 0:13:42 | |
Maybe there ain't no rush for you, but there IS for the pump. | 0:13:42 | 0:13:45 | |
-Say, who IS that kid, anyhow? -If you could get your mind off women for five minutes, | 0:13:45 | 0:13:51 | |
-we might be able to do something around here. -Who wants to get their mind off women? | 0:13:51 | 0:13:56 | |
How are you doing? | 0:14:05 | 0:14:07 | |
I'm doing all right. | 0:14:08 | 0:14:11 | |
-Getting any clams? -Ain't any. I told them some of your jokes and they ran away. | 0:14:15 | 0:14:20 | |
-You don't think I'm funny, do you? -Nope. -Well, I don't, either. | 0:14:20 | 0:14:24 | |
-Why tell them dumb jokes? -In my business, you gotta have repartee. | 0:14:24 | 0:14:28 | |
-Have what? -Repartee. If you don't put on an act, they go someplace else to eat. | 0:14:28 | 0:14:32 | |
-What's that got to do with me? -When you didn't laugh, I figured you had some sense. | 0:14:32 | 0:14:38 | |
Them Portagee gals will laugh at anything. | 0:14:38 | 0:14:40 | |
-I ain't a Portagee gal. -That's what I say. | 0:14:40 | 0:14:43 | |
Hey, you ain't doing that right. | 0:14:43 | 0:14:45 | |
-Who says I ain't? -Do you expect to find clams under them rocks? -Maybe you know better(!) | 0:14:45 | 0:14:51 | |
-You oughtta have a clam ring. -Maybe I oughtta but I ain't got one. | 0:14:51 | 0:14:56 | |
There's a right way and a wrong way to do everything. | 0:14:56 | 0:14:59 | |
-What are you gonna do? -Hit you over the head(!) -You'd better not. | 0:15:00 | 0:15:04 | |
C'mon. I want to show you something you don't know. | 0:15:04 | 0:15:08 | |
-You can't find clams above the high water. -What of it? -I'm just telling | 0:15:10 | 0:15:15 | |
-We both know there must be clams here. -What are you gonna do with that rock? -I'll show you. | 0:15:15 | 0:15:20 | |
Drop the rock. The clams spit. Then you know where they are. | 0:15:20 | 0:15:23 | |
-Why do they do that? -I don't know but that's how they give themselves away. | 0:15:23 | 0:15:27 | |
-You should dig 'em with a rake. -This is more fun. | 0:15:27 | 0:15:30 | |
Another way to get 'em is to sneak out on a dark night and whistle. | 0:15:30 | 0:15:34 | |
The clams come up to see what's making all the racket, | 0:15:34 | 0:15:38 | |
you sprinkle a little salt on their and you got 'em. | 0:15:38 | 0:15:41 | |
-That's more repartee, ain't it? -Don't nothing get a rise out of you? | 0:15:41 | 0:15:45 | |
Not unless I want it to. | 0:15:46 | 0:15:49 | |
Hey, where are you going? | 0:16:00 | 0:16:03 | |
-Going home. -I got some more clams for you. -I got enough. | 0:16:03 | 0:16:08 | |
What's wrong with you? Give me that bag. | 0:16:08 | 0:16:11 | |
-Where do you live? -Why? | 0:16:18 | 0:16:20 | |
-I'll give you a lift. -I just want my clams. -You'll get your clams. | 0:16:20 | 0:16:25 | |
-Hiya, jaco! Jacito! -Hi, pollita Carmelita! | 0:16:25 | 0:16:30 | |
Who's your girlfriend? | 0:16:30 | 0:16:32 | |
I found her here with the clams but they got more sense of humour. | 0:16:32 | 0:16:36 | |
-Comin' to the Bluebell tonight? -Sure! Someon's gotta keep you gals happy. | 0:16:36 | 0:16:41 | |
-I sure knock 'em dead, don't I? -You go talk to them. I'll go on. | 0:16:41 | 0:16:46 | |
-I'll see enough of her tonight. Let me help you up. -I can take care of myself. -Go ahead. | 0:16:46 | 0:16:51 | |
Well, thanks for helping me with them clams. I'll be getting on home now. | 0:16:52 | 0:16:57 | |
Get in there. | 0:16:57 | 0:16:59 | |
-Where are you taking me? -I'm taking you where you're going. | 0:16:59 | 0:17:03 | |
-You ain't taking me noplace else? -Where else do you want to go? | 0:17:03 | 0:17:08 | |
-I don't want to go noplace. -Boy, I've seen some stubborn dames but none like you. | 0:17:08 | 0:17:13 | |
Don't you never open up? | 0:17:13 | 0:17:15 | |
-Where do you live in town? -In a house. | 0:17:24 | 0:17:28 | |
-I thought maybe you lived in a tree. -We moved. | 0:17:28 | 0:17:32 | |
You're harder to open up than one of them clams. | 0:17:32 | 0:17:36 | |
It don't make much difference where you live. We may never get to town anyhow. | 0:17:36 | 0:17:41 | |
-Why? -I'm just learning to drive this thing. | 0:17:41 | 0:17:44 | |
One of these is the gas. Look out! | 0:17:44 | 0:17:46 | |
-Where are we? -Give you a thrill? -No! | 0:17:54 | 0:17:58 | |
Yippee! | 0:17:59 | 0:18:01 | |
You probably think you're pretty funny. | 0:18:03 | 0:18:06 | |
-I'll get a rise out of you yet. -That's what YOU think! | 0:18:06 | 0:18:10 | |
What are you trying to do? Dump me in the ocean? | 0:18:10 | 0:18:14 | |
-Why not just turn the thing all the way over and kill the both of us? -Yeah! | 0:18:14 | 0:18:19 | |
What's it gonna get you? | 0:18:19 | 0:18:21 | |
I'll...get a...rise... | 0:18:21 | 0:18:24 | |
out of you...yet! | 0:18:24 | 0:18:26 | |
Why don't you stay on your side of the road? | 0:18:26 | 0:18:29 | |
Hey...! | 0:18:29 | 0:18:30 | |
-You still here? -Some of me. | 0:18:40 | 0:18:43 | |
-I give up. You ain't got a rise in you. -I have if I want to have. | 0:18:43 | 0:18:47 | |
-Will I slow her down? -You gettin' scared? | 0:18:47 | 0:18:50 | |
-Ain't you ever been out with a guy before? -No. -Well, maybe THAT'S what's the matter. | 0:18:52 | 0:18:58 | |
With who? | 0:18:58 | 0:18:59 | |
What's that you got under your nose? | 0:18:59 | 0:19:02 | |
-Is it off? -Let me see. | 0:19:03 | 0:19:05 | |
-What did you do that for? -Well, I finally got a rise out of you. | 0:19:06 | 0:19:10 | |
-I don't go letting fellas kiss me. -I don't go letting girls slap me neither. -You should have been. | 0:19:10 | 0:19:17 | |
-You'd think you'd never been kissed before. -Well, I ain't. | 0:19:20 | 0:19:24 | |
Not by a fella. | 0:19:24 | 0:19:26 | |
-I'm sorry. -I ain't one of them Portagee gals. -I never said you was. | 0:19:26 | 0:19:30 | |
-Maybe you can go round kissing them. -Forget it! | 0:19:30 | 0:19:34 | |
-Well, I AIN'T one of them Portagee gals. -I never said you WAS. | 0:19:34 | 0:19:37 | |
-I knew you was different first time I seen you. -That's more like it. | 0:19:37 | 0:19:42 | |
-How'd you know? -Your face and neck's the same colour. Them Portagee girls rouge up a lot. | 0:19:42 | 0:19:48 | |
SIREN BLARES | 0:19:48 | 0:19:50 | |
Which way do you turn here? Right or left? | 0:19:50 | 0:19:53 | |
If I was you, I think I'd pull over to the kerb. | 0:19:53 | 0:19:56 | |
I guess maybe I better had. | 0:19:58 | 0:20:00 | |
-Think you're the Wild Man of Borneo? -Why'd you stop us? -Time somebody did. | 0:20:12 | 0:20:16 | |
-I didn't mind him bumping me around. -I did. | 0:20:16 | 0:20:19 | |
-He was only trying to get a rise. -He got one out of me. | 0:20:19 | 0:20:23 | |
Let me see your licence. | 0:20:23 | 0:20:25 | |
I must have forgot my pocket book. | 0:20:31 | 0:20:33 | |
Oh, so you haven't got a licence? | 0:20:33 | 0:20:36 | |
-I HAD one. -We'd better take a run down to the station. | 0:20:36 | 0:20:39 | |
-Looks like I'm going to jail. -He can't do that to you. -That's the way it looks. | 0:20:39 | 0:20:44 | |
Ohh... | 0:20:44 | 0:20:46 | |
-I wouldn't want that to happen. -Why not? After what I done to you? -I didn't mind it that much. | 0:20:46 | 0:20:52 | |
-Is that yours? -Hey, where'd you get that? | 0:20:53 | 0:20:56 | |
-On the beach. I meant to ask you was it yours. -Officer, I found it. | 0:20:56 | 0:21:00 | |
-Are you sure you're Ed Wallace? -That's me. | 0:21:01 | 0:21:04 | |
-If you'd kept that, I'd never have known. -You saying I would? | 0:21:04 | 0:21:07 | |
-I never said you WOULD. I said you could have. -I wouldn't have. -All right. | 0:21:07 | 0:21:12 | |
-Maybe them Portagee gals would have, but not me. -You don't have to get sore. | 0:21:12 | 0:21:16 | |
-I ain't sore. I just wouldn't do nothin' like that. -Right, so you wouldn't do nothin' like that. | 0:21:16 | 0:21:21 | |
He won't have to go to jail now, will he? | 0:21:21 | 0:21:24 | |
No, but YOU will if you don't pipe down. | 0:21:24 | 0:21:26 | |
-Run along before you get in trouble. -Well, thanks for everything. -I ain't done nothing. | 0:21:26 | 0:21:32 | |
-You helped me with them clams. -Forget it. | 0:21:32 | 0:21:35 | |
-When people do things for me, I like to let them know about it. -No need to make a fuss about it. | 0:21:35 | 0:21:41 | |
Well... | 0:21:41 | 0:21:42 | |
-I guess I'd better be going. -Well, so long. | 0:21:42 | 0:21:45 | |
-I go down to the beach every once in a while. -Fine. See you sometime. | 0:21:48 | 0:21:53 | |
Bye. | 0:21:55 | 0:21:57 | |
So long. | 0:21:57 | 0:21:59 | |
Here. | 0:22:00 | 0:22:01 | |
Here's your invite. | 0:22:04 | 0:22:06 | |
Thanks. | 0:22:07 | 0:22:08 | |
-You suppose Homer will be in for supper? -Probably, if he didn't fall in that ditch again. | 0:22:11 | 0:22:17 | |
-Too bad to waste that chop suey on his stomach. -There's plenty of it. | 0:22:17 | 0:22:21 | |
Wait till you see Ellie May! | 0:22:21 | 0:22:24 | |
-She ain't sick? -She's powdering her face. -I wouldn't worry about that. | 0:22:24 | 0:22:29 | |
-Have you washed for supper? -You look sweaty. -Horses sweat. Ladies feel the heat. | 0:22:29 | 0:22:34 | |
You come right here and get washed. | 0:22:34 | 0:22:37 | |
I don't want to wash again! | 0:22:37 | 0:22:39 | |
Ain't you hungry? Got nothin' but slack. | 0:22:39 | 0:22:42 | |
Where did you learn them words? | 0:22:42 | 0:22:45 | |
-I heard Granny say it. -Well, it ain't refined. | 0:22:45 | 0:22:48 | |
GRANDMA: We can take HIS plate off. Make more room at the table. | 0:22:55 | 0:22:59 | |
I'm getting sick of looking at that pan, anyway. | 0:22:59 | 0:23:02 | |
-Ellie May, you're all dressed up. Where are you going? -Just out. | 0:23:08 | 0:23:13 | |
-I thought you didn't want them silk stockings. -I never said that. | 0:23:13 | 0:23:17 | |
Ain't so particular all of a sudden. | 0:23:17 | 0:23:19 | |
-Ma, let her be. -She ain't fooling nobody. What's his name? | 0:23:19 | 0:23:23 | |
# Ellie's got a fella. Ellie's got a fella. # | 0:23:23 | 0:23:26 | |
-Ain't it all right? -Can't I dress up without having a fella? -Those are MY slippers! | 0:23:26 | 0:23:32 | |
-They're rotting away in the trunk. -You ain't gonna lay me away yet. | 0:23:32 | 0:23:36 | |
Oh, hush, Ma. Ain't she wearin' MY best hat AND my purse? | 0:23:36 | 0:23:40 | |
-Wait a minute. Don't run away. -You gonna eat? -I ain't hungry. | 0:23:40 | 0:23:45 | |
-# Ellie's got a fella... # -Enough out of you! | 0:23:45 | 0:23:47 | |
-Don't grab the first cat out of the bag. -I ain't grabbing nothing. | 0:23:47 | 0:23:51 | |
Here y'are, hon. Here. If you're gonna step out, do it in style. | 0:23:51 | 0:23:55 | |
Aw, gee, Ma. | 0:23:55 | 0:23:57 | |
Thanks. | 0:23:57 | 0:23:59 | |
-I hope I don't lose it. -I don't care. Just so long as you look pretty. | 0:23:59 | 0:24:04 | |
You would think she was gonna get hung! | 0:24:04 | 0:24:07 | |
Ellie May... | 0:24:07 | 0:24:08 | |
-What's come over my baby? -Oh, Ma, I didn't want this to happen to me. | 0:24:10 | 0:24:15 | |
-It just happens. -He just up and kissed me and I don't know what I've been doing ever since. | 0:24:15 | 0:24:20 | |
-Other people have been in love before. -Yeah, but I don't like it. | 0:24:20 | 0:24:25 | |
Don't you suppose I've ever been in love? | 0:24:25 | 0:24:28 | |
Sure, Ma. I guess you must have. | 0:24:28 | 0:24:30 | |
Oh, I don't mean Pa. It happened long before I met him. | 0:24:30 | 0:24:34 | |
Well, Ma broke it up. He didn't have no money. | 0:24:34 | 0:24:37 | |
But I ain't gonna let that happen to YOU. | 0:24:37 | 0:24:40 | |
-You mean, you didn't love Pa when you married him? -That's different. | 0:24:40 | 0:24:44 | |
He'd been to college, knew all them words, kinda swept me off my feet. | 0:24:44 | 0:24:49 | |
Pa's weak and drinks a lot. | 0:24:49 | 0:24:52 | |
Anyhow, it's my lot - and I want to stick by it. | 0:24:52 | 0:24:54 | |
Somebody has to take care of the family. | 0:24:54 | 0:24:57 | |
Ain't what I might have asked for but I done the best I knew how. | 0:24:57 | 0:25:01 | |
That's what them Greeks say. | 0:25:01 | 0:25:04 | |
-Them Greeks down the street? -No, Pa's Greeks. The say, "You don't live like you wanna, | 0:25:04 | 0:25:08 | |
"you live like you gotta." | 0:25:08 | 0:25:10 | |
Well, ain't got nothing to do with your fella. What's he look like? | 0:25:10 | 0:25:15 | |
-Well, he's tall and he's kinda got a big nose. -That's good. | 0:25:15 | 0:25:19 | |
Them men is usually generous. What's his name? | 0:25:19 | 0:25:23 | |
Ed. Ed Something. | 0:25:23 | 0:25:25 | |
If he hadn't kissed me, I'd have been all right. | 0:25:25 | 0:25:28 | |
-Supper's getting cold. -All right, Ma. I'll be right in. | 0:25:28 | 0:25:30 | |
He just kissed you and said nothing? | 0:25:30 | 0:25:33 | |
Yeah. "See you sometime." | 0:25:33 | 0:25:36 | |
Oh, he did? Well, we gotta do something about that. | 0:25:36 | 0:25:39 | |
-Give me that rouge. You gotta learn to make up. -No, he don't like rouge. Well, not on me. | 0:25:39 | 0:25:45 | |
Well, what kind of a man IS he? | 0:25:45 | 0:25:47 | |
I don't know him so good. | 0:25:47 | 0:25:49 | |
Look here, you gotta pull yourself together. For instance, you got awful pretty-looking legs, | 0:25:49 | 0:25:54 | |
but you don't know how to walk on them. | 0:25:54 | 0:25:57 | |
No matter what a man says, he likes a girl to flirt with him a little - just like in the jungle. | 0:25:57 | 0:26:02 | |
Ellie May, I ask you. | 0:26:02 | 0:26:05 | |
If you was a man, would YOU like a g that walked like this? | 0:26:05 | 0:26:09 | |
Of course not. You gotta put some zing into it. | 0:26:11 | 0:26:14 | |
No... He wouldn't like that. | 0:26:15 | 0:26:17 | |
-He's human, ain't he? -That wouldn't work. Not with ME doing it. | 0:26:17 | 0:26:22 | |
I wouldn't know what to tell you without meeting him. | 0:26:22 | 0:26:25 | |
I wish I knowed him better so you could meet him. | 0:26:25 | 0:26:28 | |
-Too bad we ain't got a better place so as you could bring him here. -I could ask him, maybe. -No... | 0:26:28 | 0:26:34 | |
Maybe you hadn't better bring him here. | 0:26:34 | 0:26:37 | |
People got a lot of funny ideas. And then there's Pa and Granny. | 0:26:37 | 0:26:42 | |
No... No, maybe you hadn't better bring him. | 0:26:42 | 0:26:45 | |
You gotta meet him sometime. | 0:26:45 | 0:26:48 | |
-Ellie May, if he's your man, don't you let nothing or nobody take you away from him. -Gee, Ma, | 0:26:48 | 0:26:54 | |
-you don't think I'm ashamed of you? -No... | 0:26:54 | 0:26:58 | |
You run along. And, remember, | 0:27:01 | 0:27:03 | |
-your ma's with you. -Swell, Ma. -Run along. | 0:27:03 | 0:27:07 | |
I'll be thinking of you. | 0:27:09 | 0:27:11 | |
Ma, why can't I have a fella? | 0:27:23 | 0:27:25 | |
Eat up. You'll grow faster, then you'll have all the fellas you want. | 0:27:25 | 0:27:28 | |
-Poor little Ellie May. -It's about time she grew up. MAMIE SOBS | 0:27:28 | 0:27:33 | |
What's the matter with Ma? Ssh. | 0:27:33 | 0:27:36 | |
Poor little Ellie May. | 0:27:36 | 0:27:38 | |
-Is this the place you're looking for, Miss? -Yeah, I think so. | 0:27:43 | 0:27:47 | |
-Thanks for the lift. -Don't give it a second thought. | 0:27:47 | 0:27:50 | |
-MAN, DRUNKENLY: When I get home... WOMAN: -Pull yourself together. | 0:27:55 | 0:28:00 | |
-I'll be right back. -If you go back in there, I'll divorce you. -But my hat... -It's on your dumb head. | 0:28:00 | 0:28:07 | |
-I'll drive. -Drive? You can't even walk straight. | 0:28:07 | 0:28:11 | |
LATIN DANCE MUSIC | 0:28:14 | 0:28:17 | |
-Looking for somebody? -I'm looking for a gentleman. -Take your pick. | 0:28:24 | 0:28:28 | |
Never mind. I see him. | 0:28:28 | 0:28:30 | |
Well, just in case, here's my card. If you folks get tired of living, come to my joint and eat. | 0:28:34 | 0:28:39 | |
-Do YOU go to the joint, big boy? -You said it, kid. Listen... | 0:28:39 | 0:28:43 | |
If you can ditch these two, come and join a hot party. | 0:28:43 | 0:28:46 | |
-Can I bring my hangover? -Sure. If it's good-looking! | 0:28:46 | 0:28:49 | |
-Carmelita, how about a little action? -Not now. -Come on. Musica! | 0:28:54 | 0:28:59 | |
Come on. | 0:28:59 | 0:29:01 | |
-Musica! -BAND STRIKES UP | 0:29:01 | 0:29:05 | |
MUSIC: "Mexican Hat Song" | 0:29:05 | 0:29:08 | |
What'll you have to drink, lady? | 0:29:25 | 0:29:27 | |
-I'd like a drink of water, maybe. -Hmph! | 0:29:28 | 0:29:30 | |
-Hey, how are them drinks coming? -Coming right up. | 0:30:40 | 0:30:44 | |
Hey, Ed. You're getting the buzz. | 0:30:45 | 0:30:48 | |
CARMELITA: Too bad she didn't break her neck. | 0:30:56 | 0:30:59 | |
I'll be right back. | 0:30:59 | 0:31:01 | |
-Well, if it ain't Pigtails. What in the name of time has happened to you? -I fell down. | 0:31:04 | 0:31:09 | |
-You been drinking? -Can't I fall down without having been drinking? | 0:31:09 | 0:31:13 | |
What brings you to a joint like this? | 0:31:13 | 0:31:15 | |
-I came to see you. -What about? -Well, it's awful important. | 0:31:15 | 0:31:20 | |
All right. Come on out here. | 0:31:20 | 0:31:22 | |
Let me take a look at you. | 0:31:33 | 0:31:35 | |
Take that stuff off. | 0:31:36 | 0:31:38 | |
And where'd you get that hat? | 0:31:38 | 0:31:40 | |
-You don't like it? -You don't want to be a freak, do you? -No... | 0:31:40 | 0:31:45 | |
No, I don't wan't to be. | 0:31:45 | 0:31:48 | |
You're beginning to look more like yourself. | 0:31:50 | 0:31:53 | |
What did you want to talk to me about? | 0:31:54 | 0:31:57 | |
I... I just wanted to talk to you. | 0:31:57 | 0:32:00 | |
-How come your folks let you come to a joint like this? -They don't know I'm here. I sneaked out. | 0:32:00 | 0:32:07 | |
-Well, you're sneaking right back. -I can't. -You can't what? | 0:32:07 | 0:32:10 | |
-I can't go back home. -Why? Scared of getting a licking? -I can't never go back. | 0:32:10 | 0:32:15 | |
-Why not? -I lied to you before. | 0:32:16 | 0:32:19 | |
-I ran away. -You did? -Ran away on your account. -On MY account? -Yeah. | 0:32:19 | 0:32:24 | |
-Say, are you off your head? -Yeah, I guess maybe I am. -Just what are you thinking about? | 0:32:24 | 0:32:29 | |
Well, there's noplace for me to go now. Except with you. | 0:32:29 | 0:32:33 | |
-Enough of this double talk. I'm taking you home. -Won't do no good. | 0:32:33 | 0:32:37 | |
-They won't take me back now, even if you do. -Why? | 0:32:37 | 0:32:40 | |
Cos I...told them that I loved you. | 0:32:41 | 0:32:44 | |
-You what? -And that I was going with you. And they said what did I know about you, and I told them. | 0:32:44 | 0:32:50 | |
-They said I wasn't to see you no more. -Oh. I ain't good enough, huh? | 0:32:50 | 0:32:55 | |
It ain't that you ain't good enough. What did you go and kiss me for? I didn't do nothing to YOU. | 0:32:55 | 0:33:00 | |
-You're still harping on that? -YOU'D harp if it done to you what it done to me. -All this fuss over nothing. | 0:33:00 | 0:33:07 | |
They said if I seen you again, I needn't never come back. | 0:33:07 | 0:33:10 | |
Folks ain't got no right to be as strict as that. | 0:33:11 | 0:33:15 | |
-I want to go with you, Ed. -I ain't gonna let you. | 0:33:19 | 0:33:22 | |
I can't cook but I could wait tables and wash dishes and learn some repartee. | 0:33:22 | 0:33:27 | |
Ain't you got no friends to go to? | 0:33:27 | 0:33:30 | |
I ain't got nobody now, except you. | 0:33:30 | 0:33:33 | |
-I don't like being put on the spot. -I could even learn to work them pumps. | 0:33:33 | 0:33:37 | |
I ain't ready to get married yet. | 0:33:37 | 0:33:40 | |
-You what? -I ain't ready to get married yet. That's something a guy's gotta think over. | 0:33:40 | 0:33:46 | |
SHE SOBS | 0:33:46 | 0:33:48 | |
Now, don't do that, kid. | 0:33:49 | 0:33:51 | |
Don't be that way, please. | 0:33:53 | 0:33:55 | |
Hey... | 0:33:57 | 0:33:59 | |
-Jaco, vente. Porque si no, te corto las orejas. -I'll be right in. | 0:34:00 | 0:34:05 | |
Oh, I know I ain't as pretty as her but maybe I would be if I had them kind of clothes. | 0:34:05 | 0:34:11 | |
That got nothing to do with it. All I know is you gotta go home. | 0:34:11 | 0:34:15 | |
-I ain't gonna have no more trouble with you. -All right, Ed, I'll go. | 0:34:17 | 0:34:21 | |
But I ain't going home. | 0:34:21 | 0:34:24 | |
-What are you gonna do? Sleep out here? -Don't worry about me. Go back in to your Portagee gal. | 0:34:24 | 0:34:29 | |
-You're going right home. -Go on in. Just leave me here. | 0:34:29 | 0:34:33 | |
-What are you gonna do? -It don't make no difference. | 0:34:33 | 0:34:37 | |
Before you go, would you kiss me? | 0:34:38 | 0:34:41 | |
All right. | 0:34:41 | 0:34:43 | |
If it makes you happy. | 0:34:43 | 0:34:45 | |
(Now you can go...) | 0:34:54 | 0:34:56 | |
I don't like to leave you out here like this. Do you need any money? | 0:34:56 | 0:35:01 | |
No. Not where I'M going. | 0:35:02 | 0:35:04 | |
-You got me all mixed up. -Don't worry. You won't see me no more. | 0:35:04 | 0:35:09 | |
What do you mean by that? | 0:35:09 | 0:35:11 | |
I won't never bother you again... if you'll just kiss me once more. | 0:35:12 | 0:35:17 | |
All right. | 0:35:18 | 0:35:20 | |
Not one of them long ones. | 0:35:20 | 0:35:22 | |
Thanks. | 0:35:27 | 0:35:29 | |
You don't want to do nothing like that. | 0:35:51 | 0:35:54 | |
GRAMPY HUMS HAPPILY | 0:36:05 | 0:36:08 | |
# Deedle-dee... # I guess that's all I can rob you of today. That'll be 92 cents. | 0:36:08 | 0:36:13 | |
You're feeling pretty good lately. Why shouldn't people feel good all the time? | 0:36:13 | 0:36:19 | |
But your arthritis... Never heard of it. | 0:36:19 | 0:36:22 | |
You been taking pills or something? Pills are for old guys like you. | 0:36:22 | 0:36:26 | |
Anybody'd think it was you that got married instead of Ed. | 0:36:26 | 0:36:30 | |
I ain't that crazy. # Tra-la-pum-pum... # | 0:36:30 | 0:36:34 | |
-Jake, did you catch that fight last night? -No. Where was it? | 0:36:34 | 0:36:37 | |
Two of the Portagees got in a brawl. Cops took 'em to the station. | 0:36:37 | 0:36:41 | |
There's your soup. | 0:36:41 | 0:36:43 | |
-Say, Ellie, do you call this chicken soup? -Yup. -Where's the chicken? | 0:36:43 | 0:36:48 | |
Crossing the road. | 0:36:48 | 0:36:50 | |
It says on the card: Chicken Soup. | 0:36:50 | 0:36:53 | |
It's just another name we got for hot water. | 0:36:53 | 0:36:55 | |
Better keep quiet, Al. You ain't getting the best of it. | 0:36:55 | 0:36:59 | |
-I need my other glasses. -There's a chunk of chicken round that piece of rice. | 0:36:59 | 0:37:04 | |
-I give up. -Say what you like about the soup but don't pick on the coffee. It's too weak to fight back. | 0:37:04 | 0:37:10 | |
-I can't top her. -What unlucky guy gets the stew? -Poor old Jake. | 0:37:10 | 0:37:14 | |
-Where d'you hide the toothpicks? -Anyone that eats in here ain't got no teeth left. -Ain't bad, Grampy. | 0:37:14 | 0:37:19 | |
You got ME doin' it. My own fault for picking up hitch-hikers. Before you know, they're bossing you around. | 0:37:19 | 0:37:26 | |
A little bossing wouldn't have hurt you a long time ago. | 0:37:26 | 0:37:29 | |
-No cracks about the stew. Eat it up, then nothing'll matter no more. -Don't worry till you turn green. | 0:37:29 | 0:37:34 | |
-Maybe I'd better eat in Ike's. -He may have better stew, but we give free bicarbonate. | 0:37:34 | 0:37:40 | |
-Ed, you sure picked something! -SHE picked ME. -Yeah, pickings were pretty slim that day. | 0:37:40 | 0:37:46 | |
CARMELITA: How does it feel to be tied down? | 0:37:46 | 0:37:48 | |
-Who, me? I ain't tied down. -Oh, no(?) | 0:37:48 | 0:37:52 | |
Ask me if I'm coming to the Bluebell tonight. | 0:37:52 | 0:37:55 | |
-Coming to the Bluebell tonight? -What time will you be there? -As soon as I get them fish canned. | 0:37:55 | 0:38:00 | |
I'll be there, if I can get rid of the ball and chain. | 0:38:00 | 0:38:03 | |
-Going to the Bluebell? -Who said anything about the Bluebell? -Nobody what meant it. | 0:38:03 | 0:38:08 | |
-I used to be as free as air once. -Be careful or I'll let some of that air out of you. | 0:38:08 | 0:38:13 | |
-Maybe I'd better get out and GET some air. -Maybe you better had. | 0:38:13 | 0:38:17 | |
Wait up. Why don't YOU go out and get some air yourself ? | 0:38:18 | 0:38:23 | |
-Who gets this stew? -Al. Tell him not to look for any meat in it. | 0:38:23 | 0:38:27 | |
-Got any scraps for them seagulls? -Si. Pero pasa que tengas cuidado porque tienen una hambre...! | 0:38:28 | 0:38:34 | |
-It's OK with me whatever he said! -Bueno. | 0:38:36 | 0:38:39 | |
-Can't a man work without someone snooping around? -I ain't snooping. How about feeding the gulls? | 0:38:48 | 0:38:53 | |
-You'll have all the gulls in the Pacific round here. -Somebody's gotta feed them. | 0:38:53 | 0:38:58 | |
-When are we going sailing? -When the boat's ready. | 0:38:58 | 0:39:01 | |
-When can I see? -Get outta here and quit being so nosy. | 0:39:01 | 0:39:05 | |
-You like your boat better than me. -You can get a gal like you any day. It's hard to find a good boat. | 0:39:05 | 0:39:11 | |
-Is that so? -Yes, that's... Don't lean on that! It ain't dry yet | 0:39:11 | 0:39:16 | |
Some of them good-looking customers might care more about me. | 0:39:16 | 0:39:19 | |
Oh, they would, would they? | 0:39:19 | 0:39:21 | |
-How would you like your nose painted? -I never said they DID. | 0:39:21 | 0:39:25 | |
-Maybe you've been eyeing them. -Or they've been eyeing me. -Have they? -What if they have? | 0:39:25 | 0:39:30 | |
-I only said have they? -Maybe I ain't telling. | 0:39:30 | 0:39:33 | |
Come here. You're gonna get your nose painted. | 0:39:33 | 0:39:37 | |
-Now what are you gonna do? -What do YOU think? -No, Ed, that ain't fai | 0:39:40 | 0:39:45 | |
-No, no, you better hadn't. -Who says so? | 0:39:45 | 0:39:48 | |
-CAR HORN -Somebody wants some gas. | 0:39:48 | 0:39:50 | |
-Let 'em wait. -I'll get it. -No, you don't. No, you don't. | 0:39:50 | 0:39:54 | |
Can't you hear that horn? | 0:39:57 | 0:39:59 | |
I'll be there in a minute. | 0:39:59 | 0:40:02 | |
Oh, go on with you. You ain't much use round here, anyway. | 0:40:02 | 0:40:06 | |
-Now will you tell me? -Will I tell you what? | 0:40:07 | 0:40:10 | |
-Have they? -What? -Been eyeing you? -What'll I get if I tell you? | 0:40:10 | 0:40:14 | |
-Will you tell if you get it? -Maybe. | 0:40:14 | 0:40:17 | |
Well, here we go. | 0:40:17 | 0:40:19 | |
Mm. That was good. Let's have some more. | 0:40:22 | 0:40:25 | |
Now can I see what you painted on the boat? | 0:40:27 | 0:40:30 | |
I ain't never seen a girl like you. Go ahead and look. | 0:40:30 | 0:40:34 | |
-You won't be mad? -Nah. | 0:40:38 | 0:40:40 | |
The Ellie May. | 0:40:44 | 0:40:46 | |
-Oh, Ed... -Maybe I should have had a painter do it. | 0:40:47 | 0:40:51 | |
The Ellie May... | 0:40:52 | 0:40:54 | |
-You don't have to feel THAT way about it. It ain't that bad a job. -It ain't that. | 0:40:55 | 0:41:01 | |
It's just that...I'm happier than I got any right to be. | 0:41:01 | 0:41:04 | |
You're a funny kid. Come on, let's go feed them gulls. | 0:41:06 | 0:41:09 | |
-You ain't heard NOTHING from Ellie May? -She just up and left. With my best patent slippers. | 0:41:12 | 0:41:18 | |
-I hope nothing's happened to her. -She ain't in the death notices. -Did you call the cops? | 0:41:18 | 0:41:24 | |
-If she was in the clink, we'd have heard. -Still worried over Ellie May? | 0:41:24 | 0:41:28 | |
-It must be a fella. -Well, she's old enough to have a fella. | 0:41:28 | 0:41:31 | |
Maybe she's run off with a hobo like you tried to do once. | 0:41:31 | 0:41:35 | |
-Ellie May can take care of herself. -It's about time somebody in this family landed something | 0:41:35 | 0:41:41 | |
besides a minnow fish. | 0:41:41 | 0:41:43 | |
I say, Mame, how about stepping on it? | 0:41:43 | 0:41:46 | |
-We don't own that taxi cab. -I've misplaced my best hat with the plumes on it. It was in there. | 0:41:46 | 0:41:53 | |
Maybe Homer traded it for a bottle of gin. | 0:41:53 | 0:41:55 | |
Now, look at that. | 0:41:55 | 0:41:57 | |
-Ain't she a scream? -She's a riot. | 0:42:00 | 0:42:02 | |
You can't stop HER. | 0:42:02 | 0:42:04 | |
-Come here. Give me that. -I wanna go with you and Thelma. | 0:42:04 | 0:42:09 | |
You been at my perfumery again. I ain't. | 0:42:09 | 0:42:12 | |
That ain't your natural smell. | 0:42:12 | 0:42:14 | |
WHISTLE BLOWS The mailman! | 0:42:14 | 0:42:17 | |
If Ellie May was like her, we wouldn't have to worry. | 0:42:17 | 0:42:21 | |
-Quit frettin' about Ellie May. -Say, Mame, that waistline of yours is starting to spread. | 0:42:21 | 0:42:26 | |
-I ain't 16 no more. -With a new corset, you ain't got nothin' to worry about. | 0:42:26 | 0:42:31 | |
Where'd you get that? In the mailbox. | 0:42:31 | 0:42:34 | |
Sure it wasn't Mrs Espinosa's mailbox? | 0:42:34 | 0:42:36 | |
Why, it's for me! | 0:42:36 | 0:42:38 | |
Maybe it's a bomb. Hurry, Ma, and open it. | 0:42:39 | 0:42:42 | |
That's all you think about - presents. | 0:42:42 | 0:42:44 | |
Ohh...it's my fox fur. | 0:42:44 | 0:42:48 | |
It's from Ellie May. | 0:42:51 | 0:42:53 | |
Where is she? | 0:42:53 | 0:42:55 | |
Doesn't say. | 0:42:55 | 0:42:57 | |
She's doing all right. | 0:42:59 | 0:43:01 | |
Don't worry, Pete. The first two years of married life are the worst. | 0:43:04 | 0:43:08 | |
-Fresh out of cherry pie. -Don't make no difference. All our pies taste the same. | 0:43:08 | 0:43:12 | |
-Hi, Al, you came back(!) -Anything I can eat without folding up? | 0:43:12 | 0:43:17 | |
Stick your tongue out. You ain't gonna last long, brother. | 0:43:17 | 0:43:21 | |
Let me see. You need some nice Irish stew. | 0:43:21 | 0:43:24 | |
-Not that you can tell cos it's hidden under gravy. -Fine. And a side dish of arsenic. | 0:43:24 | 0:43:29 | |
-While you're waiting, chew on some celery. One stew. -Delicious! | 0:43:29 | 0:43:33 | |
-Coffee, girls? Want some pie? -Best food I had in here yet. | 0:43:33 | 0:43:37 | |
-HE BLASTS HORN TWICE -How about a little stretch? | 0:43:43 | 0:43:46 | |
-We made good time. -You're in fast company. Hey, big boy, how about some snappy service? | 0:43:46 | 0:43:52 | |
-Fill her up? -Just check the oil and water. | 0:43:52 | 0:43:55 | |
-What's the matter with Elmer? -Passed out again. | 0:43:55 | 0:43:59 | |
Wake up, Elmer. You're slippin', big boy. | 0:43:59 | 0:44:02 | |
Say, I wanna help. | 0:44:02 | 0:44:04 | |
-What's this for? -Water. -Where d'you put it? -There. I'll do it. | 0:44:05 | 0:44:09 | |
I wanna do it. Boy! I always wanted to work around a gas station. | 0:44:09 | 0:44:13 | |
The ol' gal's feelin' pretty high. | 0:44:13 | 0:44:16 | |
Ain't we got fun? | 0:44:20 | 0:44:21 | |
Poor Ed's got his hands full. | 0:44:22 | 0:44:24 | |
Get away, honey. Look, you got me all wet. | 0:44:24 | 0:44:28 | |
-Let's wake Elmer up! -Don't come near my new jacket. | 0:44:32 | 0:44:35 | |
That guy in the back seat got a shower he didn't expect! | 0:44:37 | 0:44:40 | |
You know who she is, don't you? Mamie Adams, from Primrose Hill. And who's she? | 0:44:45 | 0:44:51 | |
-Ain't so much WHO she is. -Don't talk about people you don't know! -I didn't say anything about you. | 0:44:51 | 0:44:57 | |
-Can't people have fun without some mealy-mouth saying mean things? -Listen, lady... | 0:44:57 | 0:45:02 | |
She may be good and kind and wonderful. | 0:45:02 | 0:45:05 | |
- What's wrong? -Sorry, Grampy, I didn't know what I was saying. | 0:45:05 | 0:45:09 | |
-He say something you didn't like? -He didn't mean nothing. | 0:45:09 | 0:45:12 | |
-I didn't say anything. -Did he make a crack about Ellie? -I didn't say anything! | 0:45:12 | 0:45:17 | |
I was just telling him who Mamie Adams... This is no place for wisecracks. | 0:45:17 | 0:45:23 | |
< I simply came in here to get a cup of coffee. | 0:45:23 | 0:45:26 | |
There you are. I don't have to eat in a joint like this. | 0:45:26 | 0:45:30 | |
An innocent remark and it's one great, big argument! | 0:45:30 | 0:45:33 | |
-Did you hear what he said? -A lot of action today. Who was that guy? | 0:45:33 | 0:45:37 | |
Some fresh guy. I was gonna let him have one. | 0:45:37 | 0:45:40 | |
-He made a crack about Ellie. -GRAMPY: No, he didn't. -Well, he made her sore, didn't he? | 0:45:40 | 0:45:45 | |
-There ain't nobody gonna say nothin' about Ellie May. -It was a mistake. -It better be. | 0:45:45 | 0:45:50 | |
You know Al, how he gets all fired up about everything. | 0:45:50 | 0:45:54 | |
-Why not let me do the dishes? -I don't mind, Grampy. | 0:45:54 | 0:45:57 | |
-Don't let a thing like that upset you. -I'm all right now. -Chico, go and look after the customers. | 0:45:57 | 0:46:03 | |
-Gosh, ain't there a lot? -A lot more than yesterday. -When there ain't none, that's the time to complain. | 0:46:03 | 0:46:08 | |
-I still don't know what happened with that guy. -Benny knows more than I do. -Benny, what happened? | 0:46:08 | 0:46:14 | |
When that gal was spraying the water out there, this guy says to me, "Know who she is?" | 0:46:14 | 0:46:20 | |
And he said... What'd he say her name was? | 0:46:20 | 0:46:23 | |
Mamie Something from Primrose Hill. | 0:46:23 | 0:46:26 | |
-Wherever that is. -I -know. It's the other side of town. | 0:46:26 | 0:46:31 | |
Ever seen this one? | 0:46:31 | 0:46:32 | |
-It's an old guy taking a bath. -Oh...! -That's what my schoolteacher did when I showed her. -Quite right. | 0:46:33 | 0:46:39 | |
-I'm way ahead of you. -You can't work all the time. People's got to laugh. | 0:46:39 | 0:46:43 | |
-How about telling ME the joke? -You wouldn't know one if you heard one. | 0:46:43 | 0:46:48 | |
-What's the joke about that old girl that was here? -What IS he on about? | 0:46:48 | 0:46:53 | |
-Say, what's going on? -Nothing. Go and work on your boat. | 0:46:53 | 0:46:57 | |
-I don't feel like working on my boat. -Here's one I did when I was a kid. | 0:46:57 | 0:47:02 | |
-I got a right to know what that guy said. -He didn't say nothing. -So, why jump him? -Well... | 0:47:04 | 0:47:09 | |
-He asked for cherry pie, I brought apple... -That ain't what Benny said. | 0:47:09 | 0:47:14 | |
-What'd he say? -That the guy made some crack about the old girl. | 0:47:14 | 0:47:18 | |
Benny says, I says, you says... What difference does it make? | 0:47:18 | 0:47:22 | |
Anyone makes a crack about Ellie May, I'll bop him. | 0:47:22 | 0:47:25 | |
If you want to bop somebody, bop me. Come on! | 0:47:25 | 0:47:29 | |
Hey, Ellie, | 0:47:29 | 0:47:30 | |
-what are you trembling about? -I just don't feel good, I guess. | 0:47:30 | 0:47:34 | |
There now, you got her all upset. HORN HONKS Go on and attend to business. | 0:47:34 | 0:47:39 | |
HORN HONKS AGAIN | 0:47:41 | 0:47:43 | |
Ain't you going over to feed them gulls today? | 0:47:45 | 0:47:48 | |
-Oh, Grampy, I'm scared. -If I knew what you were scared about, maybe I could help. | 0:47:50 | 0:47:55 | |
-I reckon Ed figures I ain't told him the truth. -He's too nosy. | 0:47:55 | 0:48:00 | |
I ain't told him everything I should have, especially about my folks. | 0:48:00 | 0:48:05 | |
-Your folks is all right, ain't they? -It ain't what people IS, it's what other people thinks about 'em. | 0:48:05 | 0:48:10 | |
The world would be better off with no people in it. | 0:48:10 | 0:48:13 | |
That ain't gonna help me. I guess I had no right to all this happiness in the first place. | 0:48:13 | 0:48:19 | |
HE didn't, neither. | 0:48:19 | 0:48:21 | |
Maybe he'd understand if I told him everything, just like it is. | 0:48:21 | 0:48:24 | |
Ain't no brains, ain't no feeling. | 0:48:24 | 0:48:27 | |
-GRAMPY COUGHS THEATRICALLY -That's a pretty bad cough. -Who, me? | 0:48:27 | 0:48:32 | |
-Go get some cough drops. I wanna talk to Ellie May. -I thought you was through talking. | 0:48:32 | 0:48:37 | |
It's all right. I wanna talk to Ed, too. | 0:48:37 | 0:48:40 | |
Always talkin' - I don't know wherever you get with that talkin'. | 0:48:40 | 0:48:44 | |
Ellie May, I don't want no funny business between you and me. | 0:48:45 | 0:48:49 | |
-Me, neither. -I don't like lying. -I don't, neither. | 0:48:49 | 0:48:52 | |
That's why I was gonna tell you about that lady squirting the hose. | 0:48:52 | 0:48:57 | |
That was my ma. | 0:48:57 | 0:49:00 | |
-Why'd you lie about her? -I didn't lie. I was all mixed up. -Why didn't you go and speak to her? | 0:49:02 | 0:49:07 | |
I was scared. | 0:49:07 | 0:49:09 | |
-You mean, you was scared she was coming to take you away? -Yeah. I guess that was it. | 0:49:09 | 0:49:15 | |
-Look, silly. We're married now. They can't do nothing about us. -But I ain't told you about her. | 0:49:15 | 0:49:21 | |
What's to tell? She looks like she might be a lot of fun. | 0:49:21 | 0:49:24 | |
-That's what I'm trying to tell you. -She may be strict with YOU but she ain't strict with herself. | 0:49:24 | 0:49:30 | |
-She ain't the strict one. -Who is? Your pa? -I guess so. | 0:49:30 | 0:49:34 | |
-Was that him with her? -Must have been. -They can't be so poor, driving a car like that. | 0:49:34 | 0:49:39 | |
-That must have been Uncle Fred. -The guy with her? -Yeah. Couldn't be nobody else. | 0:49:39 | 0:49:45 | |
-You must get kinda lonesome for your folks once in a while. -Sure I d | 0:49:45 | 0:49:49 | |
-Why don't we go see 'em sometime? -You mean it? -Sure. All they can do is kick us out. | 0:49:49 | 0:49:54 | |
-They ain't gonna do nothing like that. -I might get to like 'em. | 0:49:54 | 0:49:58 | |
Well, even if you don't, | 0:49:58 | 0:50:01 | |
that wouldn't make no difference to us, would it? | 0:50:01 | 0:50:04 | |
Why should it? They're your folks. | 0:50:04 | 0:50:07 | |
# We're gonna have a party | 0:50:09 | 0:50:11 | |
# Gonna have a party We're gonna have a party... # | 0:50:11 | 0:50:15 | |
Honeybell, are you too lazy to sweep that dirt out the door? | 0:50:19 | 0:50:23 | |
--This is where YOU sweep it. -You don't have to do what -I -do. -You tell me to. | 0:50:23 | 0:50:29 | |
Boy, how many more times will I have to climb that hill? | 0:50:29 | 0:50:33 | |
-Something for me? -No, keep sweeping. | 0:50:33 | 0:50:35 | |
Ma, paper doylies to cover the spots on the table. | 0:50:35 | 0:50:39 | |
Why spend good money on somebody you've never seen? | 0:50:39 | 0:50:43 | |
-He's Ellie May's husband. -We don't know what he is. He may be on a leash! | 0:50:43 | 0:50:47 | |
-Put the chow mein in the oven. -Can I help? -Yes. Close the door. | 0:50:47 | 0:50:51 | |
Honeybell, unwrap the candles. | 0:50:58 | 0:51:00 | |
GRANDMA: What are we havin'? A wake? | 0:51:00 | 0:51:03 | |
Now, Honeybell, I want you to remember. Don't talk too much. | 0:51:03 | 0:51:07 | |
-Can't I even move my mouth? -So long as nothing comes out. -Can't I even say my piece? | 0:51:07 | 0:51:13 | |
-What piece is that? -Granny learned me a new one. | 0:51:13 | 0:51:16 | |
Better not. | 0:51:16 | 0:51:18 | |
-No use learning it if I can't say it. -Some other time. | 0:51:18 | 0:51:22 | |
Her letter said she didn't want you to make a fuss. | 0:51:22 | 0:51:25 | |
-Yes. She said she wanted him to meet us just like we are. -What else does he expect? | 0:51:25 | 0:51:30 | |
Ma, why can't I get married? | 0:51:30 | 0:51:32 | |
You will. All the women in this family are soft in the head. MOTORBIKE ENGINE | 0:51:32 | 0:51:37 | |
-Well, here we are. Give it a toot. -TOOT-TOOT-TOOT | 0:51:41 | 0:51:45 | |
They're coming. Hurry up, now, Honeybell. I've got to fix myself. | 0:51:45 | 0:51:49 | |
-Ma, make 'em feel at home, will you? -I surely will. | 0:51:49 | 0:51:53 | |
-Your folks sure got as far away from it all as they could. -It ain't much of a place. | 0:51:53 | 0:51:58 | |
Looks all right to me. | 0:51:58 | 0:52:00 | |
-I told you we was poor. -I've been thrown out of worse places than this. -Wait a minute. | 0:52:00 | 0:52:05 | |
Before we go in... | 0:52:08 | 0:52:10 | |
C'mon. | 0:52:13 | 0:52:15 | |
Here we are. This is Honeybell. Give me your hat. | 0:52:20 | 0:52:24 | |
-Honeybell, this is Ed. -Well... | 0:52:24 | 0:52:26 | |
-You're Honeybell? -Who'd you think I was? -I thought you was two other people. -Did you bring me a present? | 0:52:26 | 0:52:32 | |
-I plum forgot! -If I'd knowed that, I wouldn't have washed my neck. | 0:52:32 | 0:52:36 | |
-Grandma, this is Ed. -Glad to know you. -How d'you do? | 0:52:37 | 0:52:42 | |
-Where's Ma? -She'll be out in a minute. | 0:52:42 | 0:52:44 | |
Sit down, young fella. Who d'you think you're starin' at? | 0:52:49 | 0:52:53 | |
-I ain't staring. -He wasn't staring. -I ain't at the zoo, you know. -I never said you was. | 0:52:53 | 0:52:59 | |
So sit down! | 0:52:59 | 0:53:00 | |
-Oh, Ma! -Ellie May. Oh, it's good seeing you, baby. | 0:53:02 | 0:53:06 | |
Ma... | 0:53:06 | 0:53:08 | |
-This is Ed. -Well...! | 0:53:09 | 0:53:11 | |
So this is your young man. My, ain't he handsome! | 0:53:11 | 0:53:15 | |
-Honeybell, did you give Ed a kiss? -Why should I? He didn't bring me nothin'. | 0:53:15 | 0:53:20 | |
Nobody learnt you them manners but yourself. Ed, do sit down. Supper'll be ready anytime now. | 0:53:20 | 0:53:27 | |
I... I seen you once before. | 0:53:27 | 0:53:29 | |
-You dropped in for gas one day. -What gas you talking about? | 0:53:31 | 0:53:35 | |
-At the beach. The day you were with Uncle Fred. -With who? | 0:53:35 | 0:53:40 | |
-HONEYBELL: What Uncle Fred? -Uncle Fred? Oh, of course! | 0:53:40 | 0:53:45 | |
Of course I remember! I knew I'd seen you someplace before. | 0:53:45 | 0:53:49 | |
-Where's Pa? -Where d'you think? -Well... | 0:53:49 | 0:53:52 | |
Pa went to the library to find out something about them Greeks. | 0:53:52 | 0:53:56 | |
-Pa's what you'd call a bookworm. -You got part of it right, anyhow. | 0:53:56 | 0:54:01 | |
Come on in. I want to show you. | 0:54:01 | 0:54:03 | |
This is where my pa does all of his writing. | 0:54:07 | 0:54:10 | |
Everything them Greeks wrote is right in here. | 0:54:10 | 0:54:13 | |
Philosophy. And he changes it into English. | 0:54:13 | 0:54:16 | |
-That'd sure be over MY head. -He's plenty smart. | 0:54:16 | 0:54:19 | |
-Doesn't he do nothing else? -He gets drunk and falls in the ditch. | 0:54:19 | 0:54:24 | |
Run along, Honeybell. Over here's his diploma. They gave it to him at college. | 0:54:24 | 0:54:29 | |
-It says what for, but I can't read it so good. -He must be some guy. | 0:54:29 | 0:54:33 | |
I wish he was here so you could meet him. | 0:54:33 | 0:54:36 | |
You run on out there now and make yourself at home while I fix up. | 0:54:36 | 0:54:40 | |
-You tell him a piece, Honeybell. -I can't. -Why not? -Ma told me to keep my mouth shut. | 0:54:40 | 0:54:45 | |
-Oh, run along. -If I get canned, it's your fault. -All right. | 0:54:45 | 0:54:50 | |
Come on out here and say your piece. | 0:54:50 | 0:54:52 | |
Oh, look at her following Ed around. Cute. | 0:54:52 | 0:54:55 | |
-Ed, take a comfortable chair. -Thanks. | 0:54:55 | 0:54:58 | |
-You don't see a good-looking man around here often. -That ain't why I'm following him. -Now, now. | 0:54:58 | 0:55:04 | |
-Ellie wants me to say my piece. -Maybe Ed don't want to hear it. -No, go ahead, I'd like to hear it. | 0:55:04 | 0:55:09 | |
-She says it cute. Don't forget the motions. -So, what is it? | 0:55:09 | 0:55:14 | |
-Don't Swatch Your Mother, Boys. -Ed's tired... -GRANDMA: Leave her be. | 0:55:14 | 0:55:19 | |
Shall I say it? < Go ahead. | 0:55:19 | 0:55:21 | |
Don't Swatch Your Mother, Boys. | 0:55:21 | 0:55:23 | |
Don't swatch your mother, boys Just cos she's old | 0:55:23 | 0:55:26 | |
Don't mop the floor with your face | 0:55:26 | 0:55:28 | |
Think how her love is a treasure of gold | 0:55:28 | 0:55:31 | |
Shining through shame and disgrace | 0:55:31 | 0:55:33 | |
Don't put the rocking-chair next to her eye | 0:55:33 | 0:55:37 | |
Don't bounce the lamp off her bean | 0:55:37 | 0:55:39 | |
Angels are watching you up in the sky | 0:55:39 | 0:55:42 | |
Don't swatch your mother, it's mean. | 0:55:42 | 0:55:46 | |
-Very good. -That ain't bad. | 0:55:46 | 0:55:48 | |
Homer... | 0:55:51 | 0:55:53 | |
-So, you have a visitor. -I didn't expect you back so soon. | 0:55:54 | 0:55:58 | |
I can imagine. So this is why you're trying to get rid of me. | 0:55:58 | 0:56:01 | |
-Nobody's tryin' to get rid of you. This is... -I know who it is! | 0:56:01 | 0:56:05 | |
So, Mr Hawkins, you affront me in my own home. | 0:56:05 | 0:56:08 | |
-Listen to me. -You think I'm a fool. -It's Ellie May's HUSBAND. -My name is Wallace. | 0:56:08 | 0:56:15 | |
I'm sorry. | 0:56:19 | 0:56:20 | |
So you were ashamed to have him meet Ellie May's father. | 0:56:21 | 0:56:25 | |
< He always turns up at the wrong time! | 0:56:25 | 0:56:28 | |
-Pa! There ain't nothing the matter, is there? -< He's pie-eyed again. | 0:56:28 | 0:56:33 | |
-Pa, ain't you feeling well? -PA: Why didn't you stay away? | 0:56:33 | 0:56:37 | |
-Homer, please. -Now you know. You know what we are - outcasts. All of us, outcasts! | 0:56:37 | 0:56:42 | |
-Don't cry, Pa. -< Maybe some of the gin will run out of his eyes. | 0:56:42 | 0:56:47 | |
-It's all right, Pa. -Come on, let Mamie put you to bed. | 0:56:49 | 0:56:53 | |
-Let's take his coat off, dear. -Why'd you have to bring him here, darling? | 0:56:54 | 0:56:59 | |
-Don't look so surprised, young man. Ellie May must have told you he was a souse. -She didn't. | 0:57:02 | 0:57:07 | |
-What kind of a family did you expect to meet? -I don't know. | 0:57:07 | 0:57:11 | |
We're just like you see us. Ain't no better or no worse. | 0:57:11 | 0:57:14 | |
-Who works in this family? -We ain't gone on relief. | 0:57:14 | 0:57:18 | |
-What are YOU? A millionaire? -No, I ain't. -I might have known it. | 0:57:18 | 0:57:23 | |
-So you put Ellie out cos she didn't fall for a millionaire. -Who says so? | 0:57:23 | 0:57:28 | |
-You did, didn't you? -What's she been saying? She ran out by herself. | 0:57:28 | 0:57:33 | |
And, besides, she took my best pair of slippers. | 0:57:33 | 0:57:36 | |
-I think I begin to get the idea. -You begin to get what idea? HONEYBELL: Ain't you stayin'? | 0:57:36 | 0:57:43 | |
-No, I'd better run along. -Our supper ain't good enough for him. Ain't he the stuck-up mutt? | 0:57:43 | 0:57:49 | |
And you don't ever have to come round here again! | 0:57:49 | 0:57:52 | |
Nya-nya-nya! Stuck-up mutt! I'm a-seethin'. | 0:57:52 | 0:57:57 | |
-Ellie May, I'm so sorry. -Oh, it's all right, Ma. Ed'll understand. | 0:57:57 | 0:58:02 | |
-Where's Ed? -He's gone. You're well rid of him. | 0:58:08 | 0:58:12 | |
Ed! ED! | 0:58:14 | 0:58:16 | |
-Where's Ed? -He couldn't take it. -Did you say anything to him? -I couldn't be bothered. | 0:58:18 | 0:58:23 | |
HONEYBELL: You called him a stuck-up mutt. | 0:58:23 | 0:58:25 | |
-Oh, baby... -Ma, Ed's gone. | 0:58:26 | 0:58:29 | |
Ed! Ed...! | 0:58:29 | 0:58:31 | |
TRAIN WHISTLE BLOWS | 0:58:33 | 0:58:36 | |
-You ain't crying cos she lost that big baboon, are you? -Ma, I've had enough excitement for one night. | 0:58:40 | 0:58:46 | |
Anyhow, it'll leave more chow mein for the rest of us. | 0:58:46 | 0:58:49 | |
-Are you ready to eat? -I don't want nothing to eat. | 0:58:49 | 0:58:52 | |
HOMER STARTS RANTING | 0:58:52 | 0:58:55 | |
-I'll show him who's got courage in this house! Mamie Adams! Where are you? -Homer... | 0:58:58 | 0:59:04 | |
Put that down. | 0:59:04 | 0:59:06 | |
LIVELY MEXICAN TUNE | 0:59:08 | 0:59:11 | |
-Ed, where have you been? -I've been busy. -We missed you. | 0:59:13 | 0:59:17 | |
Hey, gang, look who's here! | 0:59:17 | 0:59:20 | |
Well, if it isn't our wandering boy! | 0:59:21 | 0:59:24 | |
Carmelita, look who's here. | 0:59:25 | 0:59:27 | |
Hey, jaco! > Hey, boys, give him a chord. | 0:59:27 | 0:59:30 | |
# Da-daa! # | 0:59:30 | 0:59:31 | |
-Where's the ball and chain? -Let's not talk about that. | 0:59:31 | 0:59:34 | |
What's the matter with him? Don't ask ME. | 0:59:34 | 0:59:38 | |
-What's the matter, Ed? -I just feel kinda low, that's all. | 0:59:41 | 0:59:45 | |
-A little domestic trouble? -What d'you ask that for? | 0:59:45 | 0:59:49 | |
-It was gonna happen sooner or later. -What d'you mean? | 0:59:50 | 0:59:53 | |
-I don't want a punch on the nose. -What are you trying to get at? | 0:59:53 | 0:59:58 | |
Well, everybody figured you were stuck on that Adams kid. | 0:59:58 | 1:00:02 | |
Well, maybe I was. | 1:00:02 | 1:00:04 | |
-So what? -That's why nobody said anything. | 1:00:04 | 1:00:08 | |
We figured you knew who Mamie Adams was up on Primrose Hill. | 1:00:08 | 1:00:12 | |
You're a pretty right guy. Nobody wanted a punch on the nose. So nobody said anything. | 1:00:12 | 1:00:18 | |
HE PLAYS: "Believe Me, If All Those Endearing Young Charms" | 1:00:18 | 1:00:23 | |
Back so soon? | 1:00:26 | 1:00:29 | |
-Ain't Ed here? -Ain't he with you? | 1:00:29 | 1:00:31 | |
-He just ran out on me. -He let you come down here all by yourself? | 1:00:31 | 1:00:36 | |
-I didn't mind. I hitched a ride. -Why'd he run out on you? -Everything went wrong. | 1:00:36 | 1:00:42 | |
-I guess my folks didn't set with him so good. -He ain't married to your folks. | 1:00:42 | 1:00:46 | |
-Maybe it don't pay to be honest. -It don't with weak-minded people. | 1:00:46 | 1:00:50 | |
I'm gonna find him. | 1:00:50 | 1:00:52 | |
Why don't you calm down? | 1:00:52 | 1:00:54 | |
You make too much fuss about him. I'd like to know what your folks has got to do with YOU. | 1:00:54 | 1:01:00 | |
NOBODY dare go too far back. Bound to find somebody that was hung for horse-stealing or something. | 1:01:00 | 1:01:06 | |
Hello, Bluebell? Is Ed Wallace there? | 1:01:06 | 1:01:09 | |
No, I don't want to talk to him. I just want to know is he there. ..Thanks. | 1:01:09 | 1:01:14 | |
Grampy, would you drive me down to the Bluebell? | 1:01:16 | 1:01:19 | |
I'd like to take this with me and hit him over the head with it. I might get better music out of it! | 1:01:19 | 1:01:25 | |
Come on, let's go. | 1:01:25 | 1:01:27 | |
Ed. Company's come. | 1:01:52 | 1:01:55 | |
-You weren't at home. Why did you run out on me? -I didn't like the party. | 1:01:59 | 1:02:05 | |
-It didn't turn out so good, did it? -No. | 1:02:05 | 1:02:08 | |
-Ed, ain't you feeling well? -You said it. | 1:02:08 | 1:02:11 | |
-I'd better take you home. -Who wants to go home? | 1:02:13 | 1:02:16 | |
-But I gotta talk to you. -And tell me more of them lies, huh? -I ain't never gonna lie to you no more. | 1:02:16 | 1:02:23 | |
You said it. | 1:02:23 | 1:02:25 | |
-C'mon, join a live party. -I'd much rather talk to you. -You can talk. | 1:02:25 | 1:02:30 | |
Hey, folks. I want you to meet somebody with a lot of class. | 1:02:30 | 1:02:34 | |
-Lolita, Carmelita, Dalya. -I think I know everybody. -Sit down. | 1:02:34 | 1:02:38 | |
Waiter! | 1:02:39 | 1:02:41 | |
Now, how about a drink, huh? | 1:02:41 | 1:02:43 | |
THEY ALL RE-ORDER | 1:02:43 | 1:02:45 | |
How about you? | 1:02:45 | 1:02:47 | |
-I'd like a glass of milk. -LAUGHTER | 1:02:47 | 1:02:50 | |
Maybe we ain't good enough to drink with. | 1:02:50 | 1:02:53 | |
-That other stuff burns my throat. -I forgot to tell you. She comes from a pretty strict family. | 1:02:53 | 1:02:58 | |
They all drink milk, don't they? | 1:02:58 | 1:03:01 | |
That's a good one. > | 1:03:01 | 1:03:03 | |
-We'd better go. -Ain't my friends good enough for you? -It ain't that. It's just I sort of got a headache. | 1:03:03 | 1:03:09 | |
Your old man gets a headache writing about them Greeks. | 1:03:09 | 1:03:14 | |
-Maybe cannery girls ain't good enough for you. -I ain't said nothing. -Who do you think you are? | 1:03:16 | 1:03:22 | |
Course, we don't come from a swell neighbourhood like Primrose Hill. | 1:03:22 | 1:03:26 | |
Yous is all nice girls. | 1:03:28 | 1:03:30 | |
Sure. | 1:03:30 | 1:03:31 | |
Hey, big boy, save one of those kisses for me. > | 1:03:31 | 1:03:34 | |
I got rouge on me. You got a handkerchief? | 1:03:34 | 1:03:37 | |
All right. Never mind. | 1:03:38 | 1:03:40 | |
I don't like that raspberry flavour. You used to use vanilla. | 1:03:40 | 1:03:45 | |
Please don't do this to me. | 1:03:45 | 1:03:47 | |
-Why? Can't you take it? -No, I can't take it. | 1:03:47 | 1:03:50 | |
-Well, -I -had to take it. Tell them what a sucker you made out of me. | 1:03:50 | 1:03:54 | |
Tell them how your family chased you out when you took up with me. | 1:03:54 | 1:03:59 | |
Tell 'em. | 1:03:59 | 1:04:00 | |
Come back here. | 1:04:00 | 1:04:02 | |
So you can't take it, huh? | 1:04:17 | 1:04:19 | |
Ed, please leave me be. | 1:04:19 | 1:04:21 | |
Who do you think you're fooling with that act? Go on out and jump off the end of the pier. | 1:04:21 | 1:04:27 | |
-Maybe I'll stop you(!) -Go ahead, I got it coming to me. -I'll say! | 1:04:27 | 1:04:32 | |
Go on back to Primrose Hill where you belong, back to that swell family of yours. | 1:04:32 | 1:04:37 | |
Do your lying up there! | 1:04:37 | 1:04:39 | |
I only lied cos I loved you, Ed. | 1:04:39 | 1:04:42 | |
What kind of a guy do you think I am? | 1:04:42 | 1:04:45 | |
You're a swell guy. I ain't blaming nobody. It's my own fault. | 1:04:45 | 1:04:49 | |
Only, I wish you hadn't said them things in there. I wish you'd just hit me instead. | 1:04:49 | 1:04:54 | |
Now, get this straight. I never want to see you again. | 1:04:54 | 1:04:58 | |
All right, Ed. | 1:05:01 | 1:05:03 | |
I won't bother you no more, if that's the way you want it. | 1:05:03 | 1:05:08 | |
That's the way I want it. | 1:05:08 | 1:05:10 | |
Hey... | 1:05:13 | 1:05:14 | |
Hey, you're going the wrong way. Ain't you gonna jump off the pier? | 1:05:14 | 1:05:19 | |
Come on, big boy. Forget about her. Let's have some fun. | 1:05:22 | 1:05:26 | |
Get away from me. | 1:05:28 | 1:05:30 | |
Just a few minutes ago, Honeybell came running over to my house. | 1:05:33 | 1:05:37 | |
We sent for a doctor fast as we could. | 1:05:37 | 1:05:39 | |
Miss, you can't go in there. | 1:05:39 | 1:05:41 | |
-But I live here. -Are you the lady's daughter? | 1:05:41 | 1:05:45 | |
How long have you had the gun in the house? | 1:05:47 | 1:05:50 | |
-WEAKLY: -We ain't had it very long. | 1:05:50 | 1:05:53 | |
What happened? What happened, Ma? | 1:05:55 | 1:05:59 | |
-Are you sick, Ma? -It ain't nothing, baby. I'm...all right. | 1:05:59 | 1:06:03 | |
-So you went to the drawer to get something out of it and the gun went off. -That's what happened. | 1:06:03 | 1:06:09 | |
-That ain't how -I -think it happened. | 1:06:09 | 1:06:11 | |
< Why? | 1:06:11 | 1:06:13 | |
Don't pay no attention to her. It happened like I said. | 1:06:13 | 1:06:18 | |
Her and my husband don't get on so good together. | 1:06:18 | 1:06:22 | |
POLICEMAN: You shouldn't say things you don't mean. | 1:06:22 | 1:06:25 | |
Doctor, it ain't nothing serious, is it? | 1:06:25 | 1:06:29 | |
She should be in hospital but it's too dangerous to move her. What she needs right now is rest. | 1:06:29 | 1:06:35 | |
Well, take it easy. | 1:06:35 | 1:06:37 | |
I'll be back tomorrow. | 1:06:37 | 1:06:39 | |
Everything all right... with you and Ed? | 1:06:49 | 1:06:52 | |
Don't talk about that now, Ma. | 1:06:52 | 1:06:55 | |
Sure. Everything's all right... | 1:06:56 | 1:06:59 | |
between me and him. | 1:06:59 | 1:07:01 | |
Good... | 1:07:01 | 1:07:03 | |
I'm so glad. | 1:07:03 | 1:07:06 | |
Poor Homer. | 1:07:09 | 1:07:12 | |
Poor boy. | 1:07:13 | 1:07:15 | |
Let me see. That'll be 92 cents. | 1:07:17 | 1:07:20 | |
What's the matter? Your arthritis kicking up? No. | 1:07:21 | 1:07:24 | |
Maybe it's your liver. Maybe. | 1:07:24 | 1:07:26 | |
I've been trying some of those new thyroid pills. | 1:07:26 | 1:07:30 | |
Your change. Like to try a couple? Look here, Earl, | 1:07:30 | 1:07:35 | |
you take care of YOUR liver and let me take care of mine. | 1:07:35 | 1:07:40 | |
-Does that make you feel better? -A man needs some pride. | 1:07:56 | 1:07:59 | |
-You ain't gonna rid your mind of her doing that. -I ain't done right - is that what you're saying? | 1:07:59 | 1:08:05 | |
-You know what's best for you. -Don't mention her name around me no more. | 1:08:05 | 1:08:10 | |
I ain't gonna mention it. But things WAS different when she was here. | 1:08:10 | 1:08:14 | |
-I -was different. YOU was different. -I don't want to hear about it. -Fine. | 1:08:14 | 1:08:18 | |
-But I think you're blaming Ellie - her - for something she ain't done. -I'm blaming her for lying. | 1:08:18 | 1:08:24 | |
Maybe she lied cos she was in love with you. | 1:08:24 | 1:08:27 | |
She must have been(!) Making a sucker out of me with all my friends. | 1:08:27 | 1:08:31 | |
Hmph. Your friends ain't perfect. | 1:08:31 | 1:08:34 | |
All that guck about her family being strict. That family strict?! | 1:08:34 | 1:08:38 | |
They left a taste in my mouth. | 1:08:38 | 1:08:41 | |
-She ain't her family. -I can't trust her after all them lies she told me. -You have your faults. -So do you. | 1:08:41 | 1:08:47 | |
Darned right I have. I wouldn't like people who had none. | 1:08:47 | 1:08:51 | |
Let's quit talking about it. | 1:08:52 | 1:08:55 | |
-I won't bring it up again. -You better hadn't. -I won't. | 1:08:55 | 1:08:58 | |
Can't you move? | 1:09:03 | 1:09:05 | |
He sits around like a tired vulture. | 1:09:06 | 1:09:09 | |
There ain't much to pick on. | 1:09:11 | 1:09:13 | |
Some hot broth for you, Ma. | 1:09:19 | 1:09:21 | |
-Doctor says you oughtta take it. -Ain't no use, baby. I couldn't get it down. | 1:09:21 | 1:09:27 | |
-Why don't you eat something yourself? -I ain't hungry. | 1:09:27 | 1:09:31 | |
At least get some sleep. I'll sit here with your ma. | 1:09:31 | 1:09:35 | |
Ma... | 1:09:35 | 1:09:36 | |
I want you and Homer to go out a minute. | 1:09:36 | 1:09:39 | |
I want to talk with Ellie May. | 1:09:39 | 1:09:42 | |
Ma, you've got to rest. | 1:09:44 | 1:09:46 | |
Such a lot I got stored up. | 1:09:46 | 1:09:49 | |
I gotta talk about it. | 1:09:49 | 1:09:52 | |
Ellie May... | 1:09:53 | 1:09:55 | |
If anything happens to me, | 1:09:56 | 1:09:59 | |
will you take care of them? | 1:09:59 | 1:10:02 | |
-Please, Ma, you mustn't talk like that. -I want you to promise. | 1:10:02 | 1:10:07 | |
I promise. | 1:10:07 | 1:10:09 | |
A lot of people is born... to be looked after. | 1:10:09 | 1:10:15 | |
And others is born to take care of 'em, I guess. | 1:10:15 | 1:10:19 | |
It just seems to happen that way. | 1:10:19 | 1:10:22 | |
Ma, maybe you'd better try and get a little sleep. | 1:10:22 | 1:10:26 | |
It ain't all been fun, baby. | 1:10:27 | 1:10:30 | |
I laughed a lot of times... | 1:10:32 | 1:10:35 | |
when I didn't feel like laughing. | 1:10:36 | 1:10:39 | |
And I've cried a lot of times, too, | 1:10:40 | 1:10:43 | |
when I didn't feel like crying. | 1:10:43 | 1:10:46 | |
It seems kinda nice...and peaceful lying here like this... | 1:10:48 | 1:10:55 | |
..just talking things out. | 1:10:57 | 1:10:59 | |
(Peaceful...) | 1:11:01 | 1:11:03 | |
Go to sleep, Ma. | 1:11:04 | 1:11:06 | |
Eat your soup and stop fussin'. | 1:11:10 | 1:11:12 | |
I'm sick of eatin' soup. That's all you're gonna get. | 1:11:12 | 1:11:16 | |
There's some on the stove if YOU want it. | 1:11:16 | 1:11:18 | |
MOTORBIKE ENGINE | 1:11:18 | 1:11:20 | |
-What do YOU want? -I want to see Ellie May. -What about? | 1:11:33 | 1:11:37 | |
-I just come up to tell her I've been wrong. -Well, she ain't here. -Where is she? | 1:11:37 | 1:11:42 | |
Gone to San Francisco with another fella. | 1:11:42 | 1:11:45 | |
-Won't be back for a week. -I don't believe it. -You don't? | 1:11:45 | 1:11:49 | |
You think she'd hang around here wastin' time on you | 1:11:49 | 1:11:52 | |
when she can get a real fella with plenty of money? | 1:11:52 | 1:11:55 | |
Didn't she leave me no message? | 1:11:55 | 1:11:57 | |
Oh, yes. She said if that big horseface come around, I was to tell him where to get off. | 1:11:57 | 1:12:03 | |
And it wasn't the North Pole. | 1:12:03 | 1:12:05 | |
-So she's gone to San Francisco. -That's what I said. | 1:12:06 | 1:12:10 | |
-You want me to spell it out for you? -No, I guess not. | 1:12:10 | 1:12:15 | |
Send her clothes back here. And, while you're at it, don't forget my patent leather slippers. | 1:12:15 | 1:12:22 | |
Who was it? Just one of the neighbours. | 1:12:30 | 1:12:33 | |
MOTORBIKE STARTS UP | 1:12:33 | 1:12:36 | |
Sssh. She's asleep. | 1:12:40 | 1:12:43 | |
BIKE PULLS AWAY | 1:12:43 | 1:12:45 | |
-There wasn't nobody here, was there? - I ain't seen nobody. | 1:12:47 | 1:12:50 | |
Did YOU, Honeybell? Nobody that I know of. | 1:12:50 | 1:12:53 | |
MOTORBIKE ENGINE FADES... | 1:12:53 | 1:12:57 | |
..AS TRAIN WHISTLE BLOWS | 1:12:59 | 1:13:02 | |
Ellie... Ellie! | 1:13:24 | 1:13:25 | |
Ohh... | 1:13:30 | 1:13:31 | |
Oh, Ma! | 1:13:31 | 1:13:33 | |
Ma...! | 1:13:33 | 1:13:34 | |
MA...! | 1:13:34 | 1:13:36 | |
-I'll be right out, taxi-driver. -Honeybell, take off your rubbers before you go in. | 1:14:03 | 1:14:08 | |
-Want some coffee? -No. I want to talk to Ellie May, then I gotta go. | 1:14:08 | 1:14:12 | |
-Thank Mr Hawkins for everything. -I will. -We wouldn't have had no funeral but for him. | 1:14:12 | 1:14:18 | |
-He's what I call a real gentleman. -They don't come no better. | 1:14:18 | 1:14:23 | |
-I'll leave my phone number and address in case you need anything. -Thanks, Thelma. | 1:14:23 | 1:14:28 | |
We'll get along somehow. We always have. | 1:14:28 | 1:14:31 | |
You're takin' this too hard. | 1:14:31 | 1:14:34 | |
I hate to go in there. The place won't seem the same without her. | 1:14:35 | 1:14:39 | |
You've got to be sensible. Here - my telephone number. If things get tough, give me a buzz. | 1:14:39 | 1:14:45 | |
I can introduce you to some REAL people. And they won't walk out on you, either. | 1:14:45 | 1:14:51 | |
Gosh, I'm hungry. Well, you shouldn't play so hard. | 1:15:23 | 1:15:26 | |
When are we gonna eat? When Ellie May gets here. | 1:15:26 | 1:15:30 | |
I'm sick of that potato soup. You gotta take the bad with the good. | 1:15:30 | 1:15:34 | |
If Ma was here, we'd have some goodies. Well, she ain't. Stop talkin' about her. | 1:15:34 | 1:15:39 | |
-Did you bring something to eat? -Here's some bread. | 1:15:39 | 1:15:44 | |
-Bread(!) -You wouldn't have that if I hadn't walked all day. | 1:15:44 | 1:15:48 | |
-GRANDMA: No job yet? -There wasn't any. | 1:15:48 | 1:15:52 | |
-Did you try the canneries? -I tried everyplace. | 1:15:52 | 1:15:56 | |
If you had any sense, things'd be different around here. | 1:15:56 | 1:16:00 | |
Don't pick on me. I'm tired. | 1:16:00 | 1:16:03 | |
Oh, I forgot to tell you. Thelma dropped by this afternoon. | 1:16:03 | 1:16:08 | |
Got a nice fella for you to meet. But I s'pose you're too highfalutin'. | 1:16:08 | 1:16:12 | |
We'll make out all right without Thelma. | 1:16:12 | 1:16:15 | |
-If YOU don't mind starvin' to death, -I -don't. | 1:16:15 | 1:16:17 | |
-Didn't Pa find nothing? -He found a gin bottle somewhere. | 1:16:17 | 1:16:22 | |
-Is he like that again? -His breath would wither a geranium. | 1:16:24 | 1:16:29 | |
And if he don't stop mumblin' into his beard, I'll call the authorities. | 1:16:29 | 1:16:33 | |
Oh, Pa, did you go and sell the rest of them books? | 1:16:40 | 1:16:43 | |
Why'd you do it? You said you wasn't gonna drink no more. | 1:16:45 | 1:16:49 | |
Is that you, Ellie May? | 1:16:49 | 1:16:51 | |
-Where's your mother? -Pa, don't talk like that. -She should be here, looking after the family. | 1:16:52 | 1:16:59 | |
Why isn't she here? | 1:17:00 | 1:17:02 | |
She'll be here...soon. | 1:17:03 | 1:17:06 | |
Come on, Pa. You gotta lay down. | 1:17:08 | 1:17:11 | |
I'll help you. | 1:17:11 | 1:17:13 | |
-I won't be treated like a little boy. -No, you're not a little boy. | 1:17:16 | 1:17:21 | |
< Come on out and get your supper. | 1:17:21 | 1:17:24 | |
You said you was hungry. I can't eat that stuff. | 1:17:24 | 1:17:28 | |
Eat it or I'll push your face in it. Makes me sick to look at it. | 1:17:28 | 1:17:32 | |
Me, too. But, with a sister like yours, that's all you can expect. | 1:17:32 | 1:17:37 | |
I wish my ma was here! | 1:17:41 | 1:17:43 | |
-Oh, Honeybell. Don't carry on like that. -I don't want to live here no more. | 1:17:50 | 1:17:56 | |
I'll run away and never come back. | 1:17:56 | 1:17:58 | |
Your ma knew how to take care of her family. | 1:17:58 | 1:18:01 | |
-Why did she have to go away? -Please, Honeybell, you'll make ME cry. | 1:18:01 | 1:18:06 | |
-If you'd quit moonin' about that hamburger guy, you might get some spunk! -Oh, hush, Grandma. | 1:18:06 | 1:18:12 | |
He ain't going out of his way for us. | 1:18:12 | 1:18:15 | |
Look, Honeybell, don't cry no more. | 1:18:17 | 1:18:19 | |
We'll have lots of food to eat and lots of presents. | 1:18:19 | 1:18:23 | |
Everything's gonna be all right. | 1:18:24 | 1:18:27 | |
There, I think that just about does it. | 1:18:29 | 1:18:32 | |
-You don't look bad for a home-made doll. -Let me have a look. | 1:18:32 | 1:18:36 | |
Say, you look better in that than I ever did. | 1:18:36 | 1:18:40 | |
-It's swell of you. I ain't never had such a lovely dress as this. -I never wore it much. | 1:18:40 | 1:18:45 | |
-PHONE RINGS -Maybe that's your boyfriend. | 1:18:45 | 1:18:49 | |
Hello? | 1:18:49 | 1:18:50 | |
Hello, Putsy. | 1:18:52 | 1:18:53 | |
I'll say I have, and she's cute as a bug's ear. | 1:18:53 | 1:18:57 | |
Sure we'll be ready. | 1:18:57 | 1:19:00 | |
About 7.30? Oh, what's wrong with that? I've had a lot of good times in 'Frisco. | 1:19:00 | 1:19:06 | |
We'll meet you out front. OK? Goodbye. | 1:19:06 | 1:19:09 | |
-Was that him? -That was him. | 1:19:12 | 1:19:14 | |
-What kind of fella is he? -A livewire, if I ever seen one. | 1:19:14 | 1:19:19 | |
-Is he young? -Well... he thinks he is. | 1:19:19 | 1:19:23 | |
What's his name? | 1:19:23 | 1:19:25 | |
You're as green as a salad. | 1:19:28 | 1:19:31 | |
-What did I say that was so funny? -No matter what a man's name is, | 1:19:31 | 1:19:35 | |
-he wants to be known as Mr Smith. -There's an awful lot of Mr Smiths. | 1:19:35 | 1:19:40 | |
-I'll say. Let me see you walk. -Oh, I can walk. | 1:19:40 | 1:19:44 | |
You'll do. I'd better be getting dressed. | 1:19:47 | 1:19:51 | |
-How about getting out my white satin? -Yes, Miss. | 1:19:51 | 1:19:54 | |
-Where are we going? -We'll have dinner and then a nice drive along the coast of 'Frisco. | 1:19:59 | 1:20:05 | |
I guess that sounds all right. | 1:20:05 | 1:20:07 | |
-D'you mind doing me a favour? -Just name it. | 1:20:07 | 1:20:10 | |
Could we stop off at the Bluebell? It's on the way. | 1:20:10 | 1:20:13 | |
-Why d'you want to stop off at that joint? -There's a guy there that I owe something to. | 1:20:13 | 1:20:19 | |
I just want to pay him off. | 1:20:19 | 1:20:21 | |
-Good evening. -How about a table? -I think so. Follow me. | 1:20:29 | 1:20:34 | |
-We've got one in the corner. -Is that the best one you got? -Let's have a drink at the bar. | 1:20:41 | 1:20:46 | |
-I'll have a better table in a while. -Good. -This is REALLY a joint. | 1:20:46 | 1:20:50 | |
Some people think it's high-class but the booze is good. Hello! | 1:20:50 | 1:20:55 | |
-Still catching them sardines? -How're you doing with those suckers? | 1:20:55 | 1:21:00 | |
-I ain't had to toss mine back. -Is that Uncle Fred(?) | 1:21:01 | 1:21:05 | |
-I just call him Daddy. -Where's his crutches? -When he gets tired, he just leans on me. | 1:21:05 | 1:21:11 | |
Wanna toss your tootsies around, Smithy? I'm gonna tell that guy off. | 1:21:11 | 1:21:15 | |
-Leave well enough alone. -Who is he? -I used to swing hash for him. He's hot at repartee(!) | 1:21:15 | 1:21:21 | |
-He's a pretty big guy. -Mostly air. -What do you two want to drink? | 1:21:21 | 1:21:25 | |
-Same thing you're having. -Make it four. | 1:21:25 | 1:21:28 | |
-How do I stack up with them Portagee gals, big boy? -They still got the edge. | 1:21:34 | 1:21:39 | |
-I'm learnin'. -Didn't take you long to get under way. | 1:21:39 | 1:21:42 | |
-I play smart. Mr Smith, meet an old friend of mine. -How do you do? | 1:21:42 | 1:21:47 | |
This is...uh...Mr... I forget the name. | 1:21:47 | 1:21:50 | |
-My name's Smith, too. -A lot of us in the phone book. | 1:21:50 | 1:21:54 | |
-But they all ain't so high class. -I don't want a fight. -Don't worry. He only hits women. | 1:21:54 | 1:21:59 | |
-I should show Mr Smith the pier. He could go high-diving. -He's too smart to fall for THAT act! | 1:21:59 | 1:22:05 | |
-I ain't no good in a fight. -HE ain't brave. -He's big. -He ain't strong. He eats his own hamburgers. | 1:22:05 | 1:22:11 | |
Slap her down! | 1:22:11 | 1:22:12 | |
-I heard enough! -I knew it was coming. -Oh, he's just a big bully. | 1:22:12 | 1:22:17 | |
-You think you can come here and pour it on? -Let go. -Now... | 1:22:17 | 1:22:21 | |
I just want to tell this fella off. | 1:22:21 | 1:22:24 | |
You can't take it. You had something once and didn't know what to do with it. | 1:22:24 | 1:22:28 | |
You wanted things this way and you got 'em. | 1:22:28 | 1:22:31 | |
You got me out of your system and I got you out of mine. We're even. | 1:22:31 | 1:22:35 | |
So long, big boy. | 1:22:35 | 1:22:37 | |
C'mon, Smithy. I've said my piece. Let's get going. | 1:22:37 | 1:22:40 | |
-What was all the argument about? -There wasn't no argument. | 1:22:40 | 1:22:45 | |
-He just couldn't take it. -Come on, let's be on our way. -See you outside. -Let me have the check. | 1:22:45 | 1:22:51 | |
I'll be seeing you...(sometime). | 1:22:51 | 1:22:54 | |
Got anything smaller? No. I need change. Boss! | 1:22:54 | 1:22:58 | |
-I want to talk to you. -I can't fight much. -I ain't gonna fight. | 1:23:01 | 1:23:05 | |
-I didn't want to come here. It was her idea. I don't know why. -I -do. | 1:23:05 | 1:23:10 | |
See, we kinda went for each other once. | 1:23:10 | 1:23:13 | |
I made a heel out of myself. She's just getting even. | 1:23:13 | 1:23:16 | |
-Don't hold it against ME. -I ain't holding it against you. | 1:23:16 | 1:23:19 | |
She's a swell kid. You treat her right. | 1:23:19 | 1:23:22 | |
-You picked a swell spot to start something. -I didn't start nothing. I was just finishing it off. | 1:23:22 | 1:23:28 | |
-I hope nothing happens to Smithy. -Nothing will. -No thanks to you. | 1:23:28 | 1:23:33 | |
-Here he is now. -Come on. | 1:23:33 | 1:23:35 | |
Are you all right? | 1:23:35 | 1:23:37 | |
-Don't worry. I can take care of myself. -He didn't say nothing? -Not to me. -Let's get going! | 1:23:37 | 1:23:44 | |
OK? | 1:23:44 | 1:23:45 | |
(You said it.) | 1:23:48 | 1:23:50 | |
Let's get going. | 1:23:51 | 1:23:53 | |
-You're pretty quiet back there. -We're doing all right. | 1:23:58 | 1:24:01 | |
-Mind if I run up the window? -What is this? -Getting draughty. -Meet you in 'Frisco. | 1:24:01 | 1:24:07 | |
-You're not very talkative. -I'll snap out of it in a minute. | 1:24:11 | 1:24:14 | |
-I noticed the ring on your finger. -I forgot. -It's all right. Leave it. | 1:24:14 | 1:24:19 | |
That big fella back there your husband? | 1:24:19 | 1:24:22 | |
-He was. -None of my business but I think he's still stuck on you. | 1:24:24 | 1:24:28 | |
-He ain't said so to me. -Maybe you never gave him a chance. | 1:24:28 | 1:24:32 | |
-What are you doing that for? -I like to play. | 1:24:38 | 1:24:42 | |
MOTORBIKE ENGINE | 1:24:42 | 1:24:45 | |
BIKE HORN TOOTS | 1:24:55 | 1:24:57 | |
-Mr Smith, what's all this about? -My name ain't Smith. -Well, whatever your name is. | 1:25:01 | 1:25:07 | |
My name's Hawkins. It's time you two got together. | 1:25:07 | 1:25:12 | |
-HORN HONKS -Hey, you over there! | 1:25:14 | 1:25:17 | |
Hey, Gene. Pull over. We want to unload a passenger. | 1:25:18 | 1:25:21 | |
GRANDMA: # Just because she makes them google eyes | 1:25:21 | 1:25:26 | |
# I thougt I'd caught the prize | 1:25:26 | 1:25:31 | |
# She is the best one, is Juanita in my biz | 1:25:31 | 1:25:36 | |
HONEYBELL JOINS IN: # Just because she made them google eyes! # | 1:25:36 | 1:25:41 | |
You get to bed. Tell me another story. Tomorrow. | 1:25:41 | 1:25:45 | |
And say your thanksgiving. Can't I say it in bed? | 1:25:45 | 1:25:48 | |
Say it the way I learned you. | 1:25:48 | 1:25:51 | |
I hope Ellie comes home soon with lots of presents... | 1:25:54 | 1:25:57 | |
That ain't exactly what I learned you. | 1:25:57 | 1:25:59 | |
Bless Grandma and Ma and Ellie May. And Pa, too? | 1:25:59 | 1:26:04 | |
Won't hurt none. And make me a good girl. Amen. | 1:26:04 | 1:26:07 | |
# Just because she made them... # That's enough of that! | 1:26:07 | 1:26:11 | |
MOTORBIKE ENGINE What's that? | 1:26:11 | 1:26:14 | |
Sounds like that big baboon's back again. | 1:26:18 | 1:26:22 | |
Ellie May's with him. I might have knowed it'd go wrong with Ellie May doing it. | 1:26:27 | 1:26:33 | |
I take back everything I said about her in my thanksgiving. | 1:26:33 | 1:26:36 | |
Honeybell. Grandma. | 1:26:36 | 1:26:39 | |
-Some groceries for you. -Is that what you went to 'Frisco with? | 1:26:39 | 1:26:43 | |
-We ain't been to 'Frisco. I ain't NEVER been there. -Don't know what you mean. | 1:26:43 | 1:26:49 | |
-Maybe Ed can tell you so as you'll remember. -Yeah. | 1:26:49 | 1:26:53 | |
Let's have a talk. You told me Ellie went to 'Frisco and left no message. | 1:26:53 | 1:26:58 | |
-You can't bulldoze me. -You're through breaking up happy homes. -Is that so? -Yeah. From now on, | 1:26:58 | 1:27:05 | |
I run things around here. | 1:27:04 | 1:27:07 | |
You leave Granny alone, you big baboon! | 1:27:07 | 1:27:11 | |
-And you're going to school and get some learning. -I won't go. -Yes, you will. | 1:27:11 | 1:27:16 | |
Help! Take your hands off that kid! | 1:27:16 | 1:27:19 | |
-Stay there, if you know what's good for you. I'm taking care of this family now. -Is that so? -That's so. | 1:27:19 | 1:27:25 | |
Behave yourself, and it'll all be all right. | 1:27:25 | 1:27:27 | |
Hit him, Granny. | 1:27:27 | 1:27:29 | |
-You want another spanking? -< I won't take no orders from him. | 1:27:29 | 1:27:33 | |
-Tell her who's boss, Granny. -Better do as this big bully says. | 1:27:33 | 1:27:38 | |
That's better. You ain't so bad underneath. | 1:27:42 | 1:27:46 | |
Now, look, Granny. Ellie May and me's going to San Francisco on a kind of a honeymoon. | 1:27:46 | 1:27:51 | |
And here - that'll hold you until we get back. | 1:27:51 | 1:27:54 | |
-What are you gonna do about HIM? -I don't know. But he'll have to keep until we get back. | 1:28:03 | 1:28:08 | |
Oh, he'll keep all right. He's well soaked in gin. | 1:28:08 | 1:28:12 | |
MOTORBIKE MOVES OFF | 1:28:14 | 1:28:17 | |
Honeybell, you know, I don't think that fella's all there. | 1:28:20 | 1:28:25 | |
Subtitles by SoundLines for BBC Subtitling - 2001 | 1:28:29 | 1:28:31 |