Browse content similar to Sharpay's Fabulous Adventure. Check below for episodes and series from the same categories and more!
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# There's a moment when you realise | 0:00:09 | 0:00:12 | |
# That something's changed | 0:00:12 | 0:00:15 | |
# And all the bits and pieces start to fit | 0:00:16 | 0:00:21 | |
# It's so fab! | 0:00:21 | 0:00:23 | |
# When nothing that you know will ever be the same | 0:00:23 | 0:00:28 | |
# Ring the bell PHONE RINGS | 0:00:28 | 0:00:31 | |
# That's my cue | 0:00:31 | 0:00:32 | |
# Gotta try something new | 0:00:32 | 0:00:36 | |
# Gonna shine | 0:00:36 | 0:00:40 | |
# And make the moment mine | 0:00:40 | 0:00:43 | |
# Now my time has arrived | 0:00:43 | 0:00:47 | |
# Gonna shine so bright | 0:00:50 | 0:00:53 | |
# The sun will run and hide | 0:00:53 | 0:00:56 | |
# And I'll be the only star that lights the sky | 0:00:56 | 0:01:02 | |
# I'm gonna shine | 0:01:02 | 0:01:05 | |
# Yeah | 0:01:05 | 0:01:07 | |
Listen up, fellas. | 0:01:08 | 0:01:10 | |
# Now there's nothing in this universe to hold me back | 0:01:10 | 0:01:15 | |
Bye, Gab. | 0:01:15 | 0:01:17 | |
# No endless night can keep me in the dark | 0:01:17 | 0:01:21 | |
# And I just might give my dear old dad a heart attack | 0:01:23 | 0:01:29 | |
-# But he'll live -# He'll live | 0:01:30 | 0:01:31 | |
-# And he'll see -# He'll see | 0:01:31 | 0:01:33 | |
# What his girl is meant to be | 0:01:33 | 0:01:37 | |
# Gonna shine | 0:01:37 | 0:01:40 | |
# And leave the past behind | 0:01:40 | 0:01:43 | |
# Gonna try to fly so high | 0:01:43 | 0:01:48 | |
# Gonna climb | 0:01:50 | 0:01:54 | |
# And make the prize all mine | 0:01:54 | 0:01:57 | |
# Then I'll write my name in letters across the sky | 0:01:57 | 0:02:02 | |
# I'm gonna shine | 0:02:03 | 0:02:05 | |
# And if my present luminescent state is second rate | 0:02:05 | 0:02:10 | |
# I'll turn it up a notch past nine | 0:02:10 | 0:02:14 | |
# And watch the world go blind | 0:02:14 | 0:02:17 | |
# Got a diva dazzle that you just can't touch | 0:02:17 | 0:02:20 | |
# Like an angel in Armani I'm too fabulous | 0:02:20 | 0:02:24 | |
# They'll be lining up for blocks Once I bop to the top | 0:02:24 | 0:02:27 | |
# With a poochie in my Gucci I just can't be stopped | 0:02:27 | 0:02:30 | |
# I'm gonna shine | 0:02:30 | 0:02:34 | |
# And make the moment mine | 0:02:34 | 0:02:37 | |
# Now my time has arrived | 0:02:37 | 0:02:42 | |
# Gonna shine so bright | 0:02:44 | 0:02:47 | |
# The sun will run and hide | 0:02:47 | 0:02:51 | |
# And I'll be the only star that lights the sky | 0:02:51 | 0:02:57 | |
# I'm gonna shine! # | 0:02:57 | 0:02:59 | |
APPLAUSE | 0:02:59 | 0:03:01 | |
-WOMAN: -There she is. Wonderful! | 0:03:04 | 0:03:06 | |
Hi! | 0:03:06 | 0:03:08 | |
-I know, I know. WOMAN: -I loved it. | 0:03:08 | 0:03:10 | |
Excuse us. There's our little superstar! | 0:03:10 | 0:03:13 | |
Princess, watch out for law enforcement. | 0:03:15 | 0:03:18 | |
They are gonna come after you for stealing the show! | 0:03:18 | 0:03:21 | |
Honey, on a scale of one to ten, you were an entirely different scale. | 0:03:21 | 0:03:24 | |
And you know my aversion to scales. | 0:03:24 | 0:03:27 | |
Sharpay! | 0:03:27 | 0:03:29 | |
Yes, I know. And thank you. | 0:03:29 | 0:03:31 | |
We'd like to introduce you to Jerry Taylor. | 0:03:31 | 0:03:33 | |
He's a friend, visiting for the week. | 0:03:33 | 0:03:35 | |
May I just say how wonderful you were? | 0:03:35 | 0:03:37 | |
As many times as you'd like! | 0:03:37 | 0:03:40 | |
I really see a unique talent here. I mean, a true gift. | 0:03:40 | 0:03:43 | |
And your kind, true words are a gift as well. | 0:03:43 | 0:03:46 | |
It was so nice to meet you. | 0:03:46 | 0:03:48 | |
If you'll excuse me, my friends are waiting. | 0:03:48 | 0:03:50 | |
I'm a casting agent from New York. | 0:03:50 | 0:03:52 | |
And will keep waiting until I tell you how much I love your suit. | 0:03:52 | 0:03:56 | |
I'm about to start casting for a new musical on Broadway. | 0:03:56 | 0:03:59 | |
Broadway? As in "Broadway?" | 0:03:59 | 0:04:02 | |
Yeah. And I think that there is a perfect part. | 0:04:02 | 0:04:07 | |
I would be happy to arrange an audition | 0:04:07 | 0:04:09 | |
if you find yourself in the Big Apple soon. | 0:04:09 | 0:04:11 | |
That would be... I would be... | 0:04:11 | 0:04:14 | |
It would be, like... | 0:04:14 | 0:04:15 | |
The show is going to star Amber Lee Adams. | 0:04:15 | 0:04:18 | |
-No. -Yeah. | 0:04:18 | 0:04:19 | |
Stop. Seriously, stop. | 0:04:19 | 0:04:21 | |
Who's Amber Lee Adams? | 0:04:21 | 0:04:23 | |
She's only the most amazing performer ever! | 0:04:23 | 0:04:26 | |
We have so much in common. | 0:04:26 | 0:04:28 | |
I won't keep you. It was so nice to meet you, Sharpay. | 0:04:28 | 0:04:31 | |
Congratulations again. | 0:04:31 | 0:04:33 | |
Who knows, maybe we'll see you in New York. OK? | 0:04:33 | 0:04:36 | |
-Congrats! -Bye. -Toodles! | 0:04:36 | 0:04:38 | |
Yes! Yes! Yes! | 0:04:38 | 0:04:40 | |
-No! -No? | 0:04:40 | 0:04:42 | |
-No! -No? I don't understand! | 0:04:42 | 0:04:45 | |
What language is that? | 0:04:45 | 0:04:47 | |
No, I don't think going to New York is a good idea. | 0:04:47 | 0:04:49 | |
See, there you go, believing everything you think. | 0:04:49 | 0:04:52 | |
Do you believe you're ready for such a monumental step? | 0:04:52 | 0:04:55 | |
Daddy, the main reason I buy such expensive shoes | 0:04:55 | 0:04:58 | |
is to take monumental steps. | 0:04:58 | 0:04:59 | |
When you graduated a year ago, do you remember what you said to me? | 0:04:59 | 0:05:03 | |
-"How come no-one makes a cap and gown in hot pink?" -No. | 0:05:03 | 0:05:06 | |
-"How come you get a car and driver and I don't?" -No. | 0:05:06 | 0:05:09 | |
"Good luck finding anyone to fill the talentless void | 0:05:09 | 0:05:12 | |
-of boring that will exist in these hallways once I graduate"? -No. | 0:05:12 | 0:05:15 | |
Yes, but you also said that you needed a year to find yourself, | 0:05:15 | 0:05:19 | |
to figure out what came next. | 0:05:19 | 0:05:21 | |
That year's almost up, and you haven't found it. | 0:05:21 | 0:05:23 | |
It's a small town. There's only so many places to look. | 0:05:23 | 0:05:26 | |
Besides, I did find something. A show I wanna be in. | 0:05:26 | 0:05:29 | |
This is more than just a show. | 0:05:29 | 0:05:31 | |
You're talking about going it alone in the big city. | 0:05:31 | 0:05:34 | |
Right! To star on Broadway with Amber Lee Adams. | 0:05:34 | 0:05:37 | |
Could you deny the world that opportunity? | 0:05:37 | 0:05:39 | |
I'm sorry, princess. But nothing you've shown me | 0:05:39 | 0:05:42 | |
convinces me you're ready for something like this. | 0:05:42 | 0:05:45 | |
OK, ladies. Team Sharpay. Mission - New York. | 0:05:47 | 0:05:51 | |
Daddy says I'm not ready. What does that mean? | 0:05:51 | 0:05:53 | |
You pout, throw a tantrum, and he buys you a new Burberry bag | 0:05:53 | 0:05:57 | |
-to make you feel better? -That's good, but no. | 0:05:57 | 0:05:59 | |
It means we show him I'm determined. | 0:05:59 | 0:06:01 | |
And when I make up my mind - and no-one is better with make-up - | 0:06:01 | 0:06:05 | |
my mind looks amazing. | 0:06:05 | 0:06:07 | |
OK, here's your assignments. | 0:06:07 | 0:06:09 | |
I texted Bridget, who tweeted Bethany, who Facebooked Kara, | 0:06:09 | 0:06:13 | |
who has an ex-friend she caught with her boyfriend, | 0:06:13 | 0:06:15 | |
who she dumped, so now Kara's her friend again, | 0:06:15 | 0:06:18 | |
who knows of a New York apartment available in a luxury townhouse. | 0:06:18 | 0:06:21 | |
That is, like, the best house you can get in terms of towns. | 0:06:21 | 0:06:24 | |
-Sounds perfect. -It gets better. | 0:06:24 | 0:06:26 | |
-It can't. -But it does. | 0:06:26 | 0:06:28 | |
It is equal distance from both Chanel and Wicked. | 0:06:28 | 0:06:31 | |
SQUEALS | 0:06:31 | 0:06:33 | |
OK. Now, on to travel plans. | 0:06:33 | 0:06:35 | |
That's right. Albuquerque to New York. One adult and one dog. | 0:06:35 | 0:06:40 | |
Excuse me? Coach? | 0:06:42 | 0:06:45 | |
LAUGHS | 0:06:45 | 0:06:47 | |
Hi, I'm calling for Sharpay Evans. | 0:06:47 | 0:06:49 | |
Mr Taylor wanted to set up an audition with her for a new musical. | 0:06:49 | 0:06:52 | |
Two weeks from today is perfect. | 0:06:52 | 0:06:54 | |
THEY SQUEAL | 0:06:54 | 0:06:56 | |
Now, new outfits. | 0:06:56 | 0:06:58 | |
And this would be for opening night. | 0:07:00 | 0:07:02 | |
The beading actually doubles the reflection of paparazzi flashbulbs! | 0:07:03 | 0:07:07 | |
You can wear anything. | 0:07:07 | 0:07:08 | |
You should have your own reality show called I Can Wear Anything. | 0:07:08 | 0:07:12 | |
Where you wear anything. | 0:07:12 | 0:07:13 | |
All right. I'm ready to show Daddy what we've accomplished. | 0:07:13 | 0:07:17 | |
Ladies, and people I don't know... | 0:07:17 | 0:07:19 | |
..New York is calling. | 0:07:21 | 0:07:23 | |
And this is one call that is not going to voice mail. | 0:07:23 | 0:07:26 | |
So, by way of review, this is my shoe closet, | 0:07:27 | 0:07:30 | |
that is my bedroom, | 0:07:30 | 0:07:32 | |
these are my new clothes and where I'll wear them, | 0:07:32 | 0:07:35 | |
and then I'm a star! See? | 0:07:35 | 0:07:37 | |
I'm just not totally convinced. | 0:07:38 | 0:07:40 | |
Daddy, you said I haven't shown you anything to let you know I'm ready for this. | 0:07:40 | 0:07:44 | |
But, look, I took matters into my own hands, | 0:07:44 | 0:07:47 | |
and without even chipping my manicure. | 0:07:47 | 0:07:49 | |
Sweetheart, it's not as easy as putting pictures on boards. | 0:07:49 | 0:07:52 | |
But I've worked everything out! | 0:07:52 | 0:07:54 | |
And used this pointer. | 0:07:54 | 0:07:57 | |
-I don't know. -Please, Daddy. | 0:07:57 | 0:08:00 | |
Alone, in New York? | 0:08:00 | 0:08:03 | |
You know, my dear college friend, Michelle, | 0:08:03 | 0:08:06 | |
has a son that goes to NYU. | 0:08:06 | 0:08:08 | |
I've met him. He's a very nice boy. | 0:08:08 | 0:08:10 | |
I could ask her to make sure that he keeps his eye on you. | 0:08:10 | 0:08:14 | |
Are you sure you're ready to take this on? | 0:08:14 | 0:08:16 | |
I know I can do this. I know it like I know purple washes me out | 0:08:16 | 0:08:19 | |
and that my eyes are the exact same distance apart to be a supermodel. | 0:08:19 | 0:08:23 | |
What I don't know is whether you believe in me. | 0:08:23 | 0:08:26 | |
Mom seems to. | 0:08:28 | 0:08:30 | |
SIGHS | 0:08:35 | 0:08:37 | |
OK, you have my blessing. | 0:08:39 | 0:08:40 | |
SQUEALS Thank you, Daddy! | 0:08:40 | 0:08:42 | |
I'll call my friend Michelle and have her talk to her son. | 0:08:42 | 0:08:45 | |
Thanks, Mom. | 0:08:45 | 0:08:47 | |
There's just one condition. | 0:08:48 | 0:08:50 | |
Fine. I love a good conditioner. | 0:08:50 | 0:08:52 | |
You have one month. I'll fly you to New York, I'll pay for your penthouse, | 0:08:52 | 0:08:56 | |
but you have to get yourself in that show | 0:08:56 | 0:08:58 | |
and prove to me you can take care of yourself. One month. | 0:08:58 | 0:09:01 | |
-Deal? -So deal! | 0:09:01 | 0:09:03 | |
But if it doesn't work out, you come back here and work for me. | 0:09:03 | 0:09:06 | |
At the country club. | 0:09:06 | 0:09:08 | |
W...Work? | 0:09:08 | 0:09:10 | |
A job. That's the deal. | 0:09:10 | 0:09:12 | |
Prove yourself or come back in a month and work for me. | 0:09:12 | 0:09:16 | |
Fine. Prove myself it is! | 0:09:16 | 0:09:18 | |
Look! | 0:09:29 | 0:09:31 | |
Look, Boi, look! | 0:09:33 | 0:09:35 | |
-Sharpay? -In the flesh and pastels! | 0:09:53 | 0:09:55 | |
-We've been awaiting your arrival. -Then the wait's over! | 0:09:55 | 0:09:58 | |
We spoke on the phone. I'm Marjorie Grande, manager for the building. | 0:09:58 | 0:10:01 | |
-My pleasure. -Please, follow me to the penthouse. | 0:10:01 | 0:10:04 | |
Ooh! | 0:10:04 | 0:10:06 | |
I hope this is to your liking. | 0:10:34 | 0:10:36 | |
No. It's to my loving! Boi, you've gotta see this. | 0:10:36 | 0:10:39 | |
-That's a dog. -Try to get him to believe that. | 0:10:44 | 0:10:47 | |
I'm sorry. There are no dogs in the building. | 0:10:47 | 0:10:50 | |
Sure there are. See? | 0:10:50 | 0:10:52 | |
The members of the co-op board have a strict no dog policy. | 0:10:52 | 0:10:55 | |
Well... | 0:10:56 | 0:10:59 | |
My father heads our country club board, | 0:10:59 | 0:11:01 | |
so I'm sure that gives me some kind of board immunity. | 0:11:01 | 0:11:03 | |
Miss Sharpay, this building is pleased to have you. | 0:11:03 | 0:11:06 | |
This dog... | 0:11:06 | 0:11:08 | |
Not so pleased. | 0:11:08 | 0:11:10 | |
Miss Grande, ma'am. | 0:11:10 | 0:11:13 | |
If he goes, I go. | 0:11:13 | 0:11:15 | |
Er, what are you doing? | 0:11:31 | 0:11:33 | |
Filming you. Just keep doing what you're doing. | 0:11:33 | 0:11:36 | |
Do you always just film totally stunning people on the street that you don't know? | 0:11:36 | 0:11:40 | |
Only when I think the subject is interesting. | 0:11:40 | 0:11:42 | |
And you look baffled and scared and really pink. | 0:11:42 | 0:11:48 | |
So, yeah, interesting. | 0:11:49 | 0:11:51 | |
Are you paparazzi? | 0:11:53 | 0:11:55 | |
I'm a film student at NYU, working on a short film. | 0:11:55 | 0:11:58 | |
The assignment is to capture one unique New York story. | 0:11:58 | 0:12:02 | |
Maybe you're it. | 0:12:02 | 0:12:04 | |
So, you decided to film me without my permission, | 0:12:04 | 0:12:06 | |
-just for a school assignment? -Yep. | 0:12:06 | 0:12:09 | |
How dare you! | 0:12:09 | 0:12:10 | |
And my left side is better for close-ups. | 0:12:10 | 0:12:12 | |
I'm Peyton. | 0:12:14 | 0:12:16 | |
Sharpay Evans. Actress, heiress, soon to be Broadway legend. | 0:12:19 | 0:12:24 | |
-Wait! -About 105. | 0:12:24 | 0:12:26 | |
-But it's really not polite to ask. -No - | 0:12:26 | 0:12:28 | |
I should know my own weight, OK? | 0:12:28 | 0:12:30 | |
No, I'm Peyton Leverett. Our moms went to college together. | 0:12:30 | 0:12:35 | |
This is crazy! | 0:12:35 | 0:12:36 | |
I was on my way up to your apartment to make sure you were OK. | 0:12:36 | 0:12:39 | |
-And here you are. -Right, they told me to expect you. | 0:12:39 | 0:12:42 | |
Well, glad we could finally meet. Oh, and this is Boi. | 0:12:42 | 0:12:45 | |
Well, nice to meet you, Boi. | 0:12:45 | 0:12:47 | |
So, why are you out here? Is everything OK? | 0:12:48 | 0:12:51 | |
Not really. | 0:12:51 | 0:12:52 | |
When I rented this apartment online, it never said they don't allow dogs. | 0:12:52 | 0:12:56 | |
And now they won't let us live here. Yeah, well, it's their loss! | 0:12:56 | 0:12:59 | |
Do you have someplace else to go? | 0:12:59 | 0:13:01 | |
OK, it's my loss and their loss! | 0:13:01 | 0:13:04 | |
Actually, the only place I have to go is home. | 0:13:04 | 0:13:06 | |
And trust me, that is not an option! | 0:13:06 | 0:13:08 | |
There's an empty studio in my building, if you're interested. | 0:13:09 | 0:13:12 | |
I'm friends with the building manager. I'm sure I can make a call. | 0:13:12 | 0:13:16 | |
And... | 0:13:16 | 0:13:17 | |
Well, I'm sure I can make a call and arrange something. | 0:13:17 | 0:13:20 | |
Maybe get you to see it. | 0:13:20 | 0:13:22 | |
Well, since I don't seem to have any other options. | 0:13:22 | 0:13:26 | |
Bellman! | 0:13:28 | 0:13:30 | |
Oh, yeah, right. | 0:13:36 | 0:13:38 | |
Seriously? | 0:13:41 | 0:13:43 | |
Careful with those! This is all I have to get by on | 0:13:51 | 0:13:54 | |
until the truck arrives with the bulk of my things. | 0:13:54 | 0:13:57 | |
SCREAMS | 0:14:07 | 0:14:10 | |
Oh! That's good. | 0:14:10 | 0:14:11 | |
OK, now, go outside, and then come back in | 0:14:11 | 0:14:13 | |
and give me even more of that it's the end of the world look. OK? | 0:14:13 | 0:14:17 | |
-Hey, Peyton. -Hey, Peyton! | 0:14:19 | 0:14:21 | |
-What's up? -Off to acting class. | 0:14:21 | 0:14:23 | |
"Maggie, the cat is alive. I'm alive!" | 0:14:23 | 0:14:26 | |
Singing lesson. | 0:14:26 | 0:14:28 | |
SINGS | 0:14:28 | 0:14:30 | |
Cool, guys. OK. Hey, this is Sharpay and Boi. | 0:14:31 | 0:14:34 | |
BOTH: Hi, Sharpay. Hi, Boi! | 0:14:34 | 0:14:37 | |
Anyways, gotta go. See ya, Peyton. | 0:14:37 | 0:14:39 | |
-Nice meeting you, Sharpay. -Later, guys. | 0:14:39 | 0:14:41 | |
OK. Really, you're going to love this place. OK? Up you go. | 0:14:41 | 0:14:46 | |
Sorry. It's a pre-war building. | 0:14:50 | 0:14:53 | |
And during the war, they didn't fight for an elevator? | 0:14:53 | 0:14:56 | |
Listen, the building has two things going for it. | 0:14:56 | 0:14:58 | |
It's got something available, and I live here. | 0:14:58 | 0:15:01 | |
Fine. But if I break a heel, or a sweat, you're responsible. | 0:15:07 | 0:15:11 | |
Get my bags. | 0:15:11 | 0:15:13 | |
See? That wasn't so bad. | 0:15:22 | 0:15:24 | |
Yeah. | 0:15:24 | 0:15:26 | |
Down the hall. The one with the police tape and chalk outline. | 0:15:26 | 0:15:30 | |
Really? | 0:15:30 | 0:15:31 | |
Kidding. | 0:15:31 | 0:15:33 | |
-You said this was a studio. -It is. | 0:15:49 | 0:15:51 | |
No way! MGM was a studio! This? | 0:15:51 | 0:15:56 | |
This is a roach motel with no room service. | 0:15:56 | 0:15:58 | |
Yeah, a studio apartment. Sure, from certain angles, it's a bit small. | 0:15:58 | 0:16:01 | |
A two-carat engagement ring is a bit small! | 0:16:01 | 0:16:04 | |
This is a doll house! | 0:16:04 | 0:16:06 | |
-So what do you think? -Forget it! | 0:16:06 | 0:16:08 | |
I'd need an entirely separate apartment just for my lipsticks. | 0:16:08 | 0:16:11 | |
And where am I supposed to sleep? | 0:16:11 | 0:16:13 | |
-What is that? -It's your bed. | 0:16:21 | 0:16:24 | |
That is not a bed. It's a closet with a tongue. | 0:16:24 | 0:16:27 | |
You can't be serious! | 0:16:27 | 0:16:28 | |
There is one really good thing about it. | 0:16:28 | 0:16:30 | |
Yeah, sure. | 0:16:30 | 0:16:32 | |
See? This is my place! | 0:16:38 | 0:16:40 | |
Looking better, huh? | 0:16:40 | 0:16:42 | |
Am I missing something? Oh, right. | 0:16:42 | 0:16:44 | |
Space! Luxury! Maid service! | 0:16:44 | 0:16:47 | |
Let me guess. You're used to being spoiled. | 0:16:47 | 0:16:49 | |
I'm not used to it. I just expect it. | 0:16:49 | 0:16:52 | |
You know, half this building is filled with performers | 0:16:52 | 0:16:55 | |
who came here with the same ambitions you did. | 0:16:55 | 0:16:57 | |
What makes you so much better than them? | 0:16:57 | 0:16:59 | |
Money, breeding, talent, great hair, perfect jaw line, chic taste. | 0:16:59 | 0:17:03 | |
How much time do you have? | 0:17:03 | 0:17:05 | |
All right, fine. I tried to help you out like my mom asked, | 0:17:05 | 0:17:08 | |
but whatever. I'll find someone else to film. | 0:17:08 | 0:17:11 | |
The only problem is if I call my father | 0:17:11 | 0:17:13 | |
and tell him how I messed up on the other apartment | 0:17:13 | 0:17:15 | |
and how I have nowhere to go but here, and I ask for his help, | 0:17:15 | 0:17:19 | |
he'll make me come home and... | 0:17:19 | 0:17:21 | |
W... W... | 0:17:21 | 0:17:22 | |
-Work! -So? | 0:17:22 | 0:17:24 | |
So? Then I'll never get my big break. | 0:17:24 | 0:17:26 | |
Promise you won't call your mother and tell her. | 0:17:26 | 0:17:29 | |
Then she'll call my mom who will tell my dad, | 0:17:29 | 0:17:31 | |
and I don't think he believes I can make this happen. | 0:17:31 | 0:17:34 | |
He only gave me one month to prove it. | 0:17:34 | 0:17:36 | |
Then you've got one month to prove him wrong. | 0:17:36 | 0:17:38 | |
Why did I do this? | 0:17:38 | 0:17:40 | |
I want my canopy bed and my housekeeper. | 0:17:40 | 0:17:43 | |
And a shower that doesn't share a room with a kitchen. | 0:17:43 | 0:17:46 | |
-Come on. -Where to? | 0:17:49 | 0:17:50 | |
-Do you trust me? -You suggested this place. | 0:17:50 | 0:17:52 | |
Yeah. Point taken. Come anyway. Come on. | 0:17:52 | 0:17:55 | |
I hope you're taking me to a better apartment than what you showed me. | 0:17:57 | 0:18:01 | |
Let me tell you, if that's it? No way! Absolutely no! | 0:18:01 | 0:18:04 | |
Just come on. Just don't ask any questions. | 0:18:04 | 0:18:06 | |
I need luxury! Are you kidding me? | 0:18:06 | 0:18:09 | |
That was like a green, dark hole that I never wanna be in ever again. | 0:18:09 | 0:18:13 | |
All right, here you go. | 0:18:13 | 0:18:15 | |
Butchy! | 0:18:15 | 0:18:17 | |
-Come on. -Where are you taking me? | 0:18:18 | 0:18:20 | |
-You'll see. Come on. -Why are we here? | 0:18:20 | 0:18:22 | |
All right. You're gonna have to close your eyes. | 0:18:22 | 0:18:25 | |
-Close my eyes? -Yeah, close your eyes. | 0:18:25 | 0:18:27 | |
-Why? -Because! Just do it. | 0:18:27 | 0:18:29 | |
-All right, now. Keep them closed. -Well, what if I hit into something? | 0:18:29 | 0:18:32 | |
You won't. I got you. | 0:18:32 | 0:18:34 | |
All right, all right. Keep them closed. | 0:18:34 | 0:18:36 | |
All right. | 0:18:36 | 0:18:38 | |
-All right, you got them closed? -Yes, I do. | 0:18:38 | 0:18:40 | |
All right, all right. Perfect. All right. Now, stay here, keep them closed. | 0:18:40 | 0:18:43 | |
Keep them closed. All righty. | 0:18:43 | 0:18:46 | |
Keep them closed. | 0:18:46 | 0:18:48 | |
All right. Open them. Hit it, Butchy! | 0:18:48 | 0:18:50 | |
Wow. | 0:19:00 | 0:19:02 | |
I know. | 0:19:08 | 0:19:10 | |
When I left Indiana to go to school here, I didn't know a soul either, | 0:19:10 | 0:19:15 | |
and I was just as overwhelmed as you. | 0:19:15 | 0:19:18 | |
But I had two things, my dream and my camera. | 0:19:18 | 0:19:21 | |
And look at me now. | 0:19:21 | 0:19:24 | |
You still only have your dream and your camera. | 0:19:24 | 0:19:27 | |
Yes, but I met you, didn't I? | 0:19:27 | 0:19:29 | |
So, something's working out. | 0:19:29 | 0:19:31 | |
Well, whenever people meet me, things get better. | 0:19:31 | 0:19:34 | |
Look, you just have to adapt to your surroundings. | 0:19:36 | 0:19:39 | |
And remember that for now this is all just temporary. | 0:19:39 | 0:19:42 | |
Right. Like prom dresses and first boyfriends. | 0:19:44 | 0:19:48 | |
Look, anything you have to do will be worth it to get your dream. | 0:19:50 | 0:19:53 | |
OK. | 0:19:56 | 0:19:58 | |
I'm gonna meet with that casting director, get the part, | 0:19:58 | 0:20:01 | |
-be a star and have a palace! -There you go. | 0:20:01 | 0:20:03 | |
That's the self-indulgent, self-entitled, | 0:20:03 | 0:20:05 | |
optimistic pink hurricane I've been seeing through my lens. | 0:20:05 | 0:20:08 | |
I like how perceptive you are. | 0:20:08 | 0:20:10 | |
OK, New York. Bring it on. | 0:20:11 | 0:20:14 | |
# "Walking On Sunshine" - Alyson Michalka and Amanda Michalka | 0:20:14 | 0:20:18 | |
# I used to think maybe you loved me | 0:20:23 | 0:20:26 | |
# Now, baby, I'm sure | 0:20:26 | 0:20:29 | |
# And I just can't wait till the day | 0:20:31 | 0:20:34 | |
# When you knock on my door | 0:20:34 | 0:20:37 | |
# Now every time I go for the mailbox | 0:20:40 | 0:20:43 | |
# Gotta hold myself down | 0:20:43 | 0:20:45 | |
# Cos I just can't wait till you write me | 0:20:48 | 0:20:51 | |
# You're coming around | 0:20:51 | 0:20:54 | |
# I'm walking on sunshine | 0:20:55 | 0:20:58 | |
# Whoa | 0:20:58 | 0:21:00 | |
# I'm walking on sunshine | 0:21:00 | 0:21:02 | |
# Whoa | 0:21:02 | 0:21:04 | |
# I'm walking on sunshine, whoa | 0:21:04 | 0:21:08 | |
# And don't it feel good! | 0:21:08 | 0:21:10 | |
# Hey! | 0:21:10 | 0:21:11 | |
# All right now And don't it feel good! | 0:21:11 | 0:21:14 | |
# Hey! | 0:21:14 | 0:21:15 | |
# All right now, yeah | 0:21:15 | 0:21:18 | |
Hi! | 0:21:18 | 0:21:19 | |
# I know that it's true | 0:21:21 | 0:21:23 | |
SHRIEKS | 0:21:23 | 0:21:25 | |
Turn it off. Turn it off! | 0:21:26 | 0:21:28 | |
# Just waiting for you | 0:21:29 | 0:21:32 | |
# Just waiting for you | 0:21:32 | 0:21:34 | |
# Now I don't want you back for the weekend | 0:21:34 | 0:21:38 | |
# Not back for a day | 0:21:38 | 0:21:40 | |
# No, no, no | 0:21:40 | 0:21:43 | |
What? | 0:21:45 | 0:21:46 | |
# I want you to stay | 0:21:46 | 0:21:49 | |
# I'm walking on sunshine | 0:21:50 | 0:21:53 | |
# Whoa | 0:21:53 | 0:21:54 | |
# I'm walking on sunshine | 0:21:54 | 0:21:57 | |
# Whoa | 0:21:57 | 0:21:59 | |
# I'm walking on sunshine | 0:21:59 | 0:22:01 | |
# Whoa | 0:22:01 | 0:22:03 | |
# And don't it feel good! Hey! | 0:22:03 | 0:22:06 | |
# All right now And don't it feel good! # | 0:22:06 | 0:22:09 | |
Oh, yeah! | 0:22:09 | 0:22:12 | |
Looking good. So pink. | 0:22:12 | 0:22:15 | |
You're good. | 0:22:16 | 0:22:18 | |
-Do you wanna try some? -No, I don't want any! | 0:22:24 | 0:22:27 | |
Lay down. Lay down. | 0:22:29 | 0:22:31 | |
Night, Boi! | 0:22:34 | 0:22:36 | |
SHRIEKS | 0:22:44 | 0:22:46 | |
MUFFLED: Boi? | 0:22:48 | 0:22:50 | |
Get help! | 0:22:50 | 0:22:51 | |
BANGING | 0:22:51 | 0:22:53 | |
-Knock, knock. > -Come in! | 0:22:57 | 0:22:59 | |
Wow! | 0:23:02 | 0:23:04 | |
And wow. | 0:23:04 | 0:23:06 | |
Are you on your way to meet with the casting director? | 0:23:08 | 0:23:11 | |
No, I'm on my way to change theatre history. | 0:23:11 | 0:23:14 | |
You think this is a good outfit for changing history? | 0:23:14 | 0:23:17 | |
Perfect! Mind if I tag along and film? | 0:23:19 | 0:23:22 | |
Not that you could ever mind me, right? | 0:23:22 | 0:23:24 | |
I think you should. After all, | 0:23:24 | 0:23:26 | |
not many people can say they were there to film the creation of a legend. | 0:23:26 | 0:23:30 | |
Sharpay! You made it after all! | 0:23:37 | 0:23:39 | |
Destiny called, and I get great reception! | 0:23:39 | 0:23:41 | |
Well, your timing is perfect. What's tomorrow like for you? | 0:23:41 | 0:23:45 | |
The first day of the rest of my fame. | 0:23:45 | 0:23:47 | |
Well, all right. I'll set up your audition for 3:00. | 0:23:47 | 0:23:50 | |
I'll e-mail you the musical number that we'd like you to prepare. | 0:23:50 | 0:23:53 | |
And could you make sure that he's well groomed | 0:23:53 | 0:23:55 | |
and, you know, takes care of any business beforehand. | 0:23:55 | 0:23:58 | |
-What? -What? | 0:23:58 | 0:24:00 | |
-He? -Yes. -Him? -Him. | 0:24:00 | 0:24:02 | |
-He? -Yes! -Wait, what? | 0:24:02 | 0:24:04 | |
It's your dog that we want to audition. He was amazing! | 0:24:05 | 0:24:09 | |
Oh. | 0:24:09 | 0:24:10 | |
What? | 0:24:10 | 0:24:12 | |
I mean... | 0:24:12 | 0:24:14 | |
I sent you all the information in response to your e-mail. | 0:24:14 | 0:24:17 | |
I mean, didn't the title of the musical give you any indication? | 0:24:17 | 0:24:20 | |
-A Girl's Best Friend? -A Girl's Best Friend! | 0:24:20 | 0:24:22 | |
-And I'm here for the girl! -You're here for the girl? | 0:24:22 | 0:24:24 | |
Well, I'm never the best friend! | 0:24:24 | 0:24:26 | |
Oh, no. No, no. We wanted Boi. | 0:24:26 | 0:24:29 | |
-As the girl? -No, as the best friend. | 0:24:29 | 0:24:31 | |
Wait, wait. You want Boi as the best friend of the girl? | 0:24:31 | 0:24:33 | |
-Not me as the girl with the best friend? -Exactly. | 0:24:33 | 0:24:37 | |
Oh, Sharpay, I am so sorry for the confusion. | 0:24:37 | 0:24:40 | |
If you don't want Boi to audition, I would totally understand. | 0:24:40 | 0:24:44 | |
Sharpay. Sharpay! Hey, stop. | 0:24:46 | 0:24:50 | |
-MAN: -Hey, don't touch the car! -Look, slow down. | 0:24:50 | 0:24:53 | |
Even New Yorkers can't keep up with you. | 0:24:53 | 0:24:55 | |
-It's not even me they wanted! -To be fair, the role is for a dog. | 0:24:55 | 0:24:58 | |
If they wanted you, I could understand you being upset. | 0:24:58 | 0:25:01 | |
Why did I come all this way? Leave my friends, family, a dry, self-hydrating climate? | 0:25:01 | 0:25:05 | |
To follow your dream! Or at least that's what I thought. | 0:25:05 | 0:25:09 | |
Nothing is turning out the way I planned it! | 0:25:09 | 0:25:11 | |
Plan A. Live in a penthouse and star on Broadway. | 0:25:11 | 0:25:13 | |
Plan B. I don't have a Plan B! What do I tell my father now? | 0:25:13 | 0:25:17 | |
That you came to a very special city to be someone very special, which you are. | 0:25:17 | 0:25:20 | |
Oh, I'm not so special. I'm just like everyone else. | 0:25:20 | 0:25:23 | |
-Maybe a little better. -Look at it this way. | 0:25:23 | 0:25:25 | |
Boi is your dog, and he has an opportunity, so be happy for him. | 0:25:25 | 0:25:29 | |
You're right. | 0:25:32 | 0:25:34 | |
I'm being, you know, what's the word? When you do something for yourself | 0:25:34 | 0:25:37 | |
even though it's not so good for other people? | 0:25:37 | 0:25:40 | |
-Selfish? -No! | 0:25:40 | 0:25:42 | |
Oh, yeah. | 0:25:42 | 0:25:43 | |
Look, Sharpay, you can't give up. OK? | 0:25:43 | 0:25:47 | |
And, anyway, you're officially the star of my film. | 0:25:47 | 0:25:50 | |
-I am? -Yeah, you are. | 0:25:51 | 0:25:53 | |
Oh. So now it's all about you? | 0:25:53 | 0:25:56 | |
Only because I need you here. | 0:25:56 | 0:25:58 | |
Fine. I'll star in your movie. | 0:25:59 | 0:26:01 | |
OK. Good, good! | 0:26:01 | 0:26:03 | |
OK, change of strategy. | 0:26:07 | 0:26:09 | |
I didn't know you had a strategy, but I like the way you think. | 0:26:09 | 0:26:12 | |
If Boi becomes a success, everyone will see me as well. | 0:26:12 | 0:26:16 | |
After all, I am his entourage. | 0:26:16 | 0:26:19 | |
I am the one who's holding his leash. | 0:26:19 | 0:26:21 | |
His fame will ultimately lead to my fame. | 0:26:21 | 0:26:23 | |
That's what I came here for, right? | 0:26:23 | 0:26:25 | |
Still a little selfish, but heading in the right direction. | 0:26:25 | 0:26:28 | |
We're gonna do this. It's like I tell the housekeepers. | 0:26:28 | 0:26:31 | |
If you can't see the bright side, polish the dull side. | 0:26:31 | 0:26:34 | |
-Yeah, not quite what I was... -They want Boi to audition? | 0:26:34 | 0:26:37 | |
It's Boi they will get! | 0:26:37 | 0:26:39 | |
# When a sign of the times is the times are extremely tough | 0:26:42 | 0:26:46 | |
BOI WHINES Shh! | 0:26:46 | 0:26:48 | |
# When you look at the world and the world that you see is | 0:26:48 | 0:26:51 | |
BARKS Yes, rough. | 0:26:51 | 0:26:53 | |
# When you feel like a long lost pup | 0:26:53 | 0:26:56 | |
# And you need some cheering up | 0:26:56 | 0:27:00 | |
# Sit back, relax and watch us do our stuff | 0:27:00 | 0:27:08 | |
Two, three, four. | 0:27:09 | 0:27:11 | |
# We're gonna sit and shake your hand | 0:27:15 | 0:27:17 | |
# That's how it starts | 0:27:17 | 0:27:19 | |
# We're gonna nose our nosy way into your hearts | 0:27:21 | 0:27:25 | |
# We'll sing and bark In two-part harmony | 0:27:27 | 0:27:32 | |
# You're gonna love us That's our guarantee | 0:27:32 | 0:27:38 | |
# We'll bow together on the count of three | 0:27:38 | 0:27:44 | |
# Me and my Boi | 0:27:44 | 0:27:46 | |
# My Boi and me | 0:27:46 | 0:27:48 | |
# We make the perfect pair | 0:27:48 | 0:27:53 | |
# We've got that savoir faire | 0:27:53 | 0:27:58 | |
# Me and my Boi | 0:27:59 | 0:28:02 | |
# Me and my Boi | 0:28:02 | 0:28:04 | |
# Me and my Boi... | 0:28:04 | 0:28:07 | |
# My Boi and me! # | 0:28:07 | 0:28:14 | |
-Wait! -That's the best audition I've ever seen! | 0:28:23 | 0:28:26 | |
-I'm Gill Samms, the director. -Neal Roberts, writer. | 0:28:28 | 0:28:31 | |
-That was amazing! -Chills. Feel my hand. | 0:28:31 | 0:28:33 | |
I won't feel your hand, but I believe you. | 0:28:33 | 0:28:35 | |
I won't feel your hand either, but I believe you, too. | 0:28:35 | 0:28:38 | |
-That is one special dog. -We've done special here. | 0:28:38 | 0:28:40 | |
Special has been done, people! | 0:28:40 | 0:28:42 | |
Boi was meant for Broadway. We both were. | 0:28:42 | 0:28:46 | |
So, when do we start? | 0:28:47 | 0:28:49 | |
Well, there's one more waiting. | 0:28:49 | 0:28:51 | |
-One more! -One more, people! | 0:28:51 | 0:28:53 | |
Could you take a seat in the front row, please? | 0:28:55 | 0:28:58 | |
There. | 0:28:58 | 0:28:59 | |
Now. | 0:28:59 | 0:29:01 | |
Roger Elliston. | 0:29:40 | 0:29:42 | |
The third. | 0:29:44 | 0:29:46 | |
And his dog, Countess. | 0:29:46 | 0:29:48 | |
FYI, I'm Roger. | 0:29:48 | 0:29:50 | |
As you can see by our extensive resume, | 0:29:51 | 0:29:54 | |
hand printed on carbonless, environmental friendly rice paper, | 0:29:54 | 0:29:58 | |
Countess has numerous major Broadway credits under her paws, | 0:29:58 | 0:30:01 | |
including The Collar Purple, Three Puppy Opera, | 0:30:01 | 0:30:06 | |
and the original Broadway cast production | 0:30:06 | 0:30:08 | |
of A Wagging Tail of Two Cities, a musical opera in German. | 0:30:08 | 0:30:13 | |
-Major pedigree. -I'm impressed. | 0:30:13 | 0:30:15 | |
This is us impressed. | 0:30:15 | 0:30:18 | |
Plus, she can bark a high C with sustained vibrato. | 0:30:18 | 0:30:22 | |
Sure, but only dogs can hear it. | 0:30:22 | 0:30:25 | |
LAUGHS | 0:30:25 | 0:30:27 | |
All right. Let's see what Countess can do. | 0:30:46 | 0:30:49 | |
# Oh | 0:30:52 | 0:30:54 | |
# When a sign of the times is that times are extremely tough | 0:30:54 | 0:30:59 | |
# When you look at the world and the world that you see is rough | 0:31:00 | 0:31:05 | |
# When you feel like a long lost pup | 0:31:06 | 0:31:09 | |
# And you need some cheering up | 0:31:09 | 0:31:13 | |
# Sit back, relax and watch us do our stuff | 0:31:13 | 0:31:20 | |
# We're gonna sit and shake your hand | 0:31:27 | 0:31:29 | |
# That's how it starts | 0:31:29 | 0:31:32 | |
# We're gonna nose our nosy way into your hearts | 0:31:33 | 0:31:37 | |
# We'll sing and bark In two part harmony | 0:31:38 | 0:31:44 | |
# You're gonna love us That's our guarantee | 0:31:44 | 0:31:49 | |
# We'll bow together on the count of three | 0:31:49 | 0:31:55 | |
# Me and my girl | 0:31:55 | 0:31:57 | |
# My girl and me | 0:31:57 | 0:31:58 | |
# We make the perfect pair | 0:31:58 | 0:32:03 | |
# We've got that savoir faire | 0:32:03 | 0:32:08 | |
# Me and my girl | 0:32:09 | 0:32:12 | |
# Me and my girl | 0:32:12 | 0:32:15 | |
# Me and my girl | 0:32:15 | 0:32:18 | |
# My girl and me # | 0:32:18 | 0:32:24 | |
That's the best audition I've ever seen! | 0:32:32 | 0:32:34 | |
-Amazing! I weeped! -Wept. | 0:32:34 | 0:32:37 | |
-I wept! -I wept! -And not just regular weeping. | 0:32:37 | 0:32:40 | |
Theatre weeping! | 0:32:40 | 0:32:42 | |
-Amber Lee, what do you think? -Yes. Amber Lee, thoughts? | 0:32:43 | 0:32:47 | |
Wow. | 0:32:49 | 0:32:52 | |
We are so meant to be BFFs! | 0:32:52 | 0:32:54 | |
Wow! | 0:32:54 | 0:32:56 | |
"Wow" is a word, right? Right. | 0:32:56 | 0:32:58 | |
Wow! | 0:32:58 | 0:33:00 | |
I just hope that the palpable chemistry | 0:33:00 | 0:33:02 | |
surging between you and I right now like nuclear fusion | 0:33:02 | 0:33:05 | |
won't in any way influence your decision | 0:33:05 | 0:33:07 | |
towards our clearly superior audition. | 0:33:07 | 0:33:11 | |
How old are you? | 0:33:11 | 0:33:13 | |
12. | 0:33:13 | 0:33:14 | |
I think I'm good. | 0:33:14 | 0:33:16 | |
And you, also! | 0:33:16 | 0:33:19 | |
Your dog. | 0:33:19 | 0:33:21 | |
Wow! Wow. | 0:33:21 | 0:33:23 | |
I know, right? BOI YAPS | 0:33:23 | 0:33:25 | |
He's just saying hi. | 0:33:25 | 0:33:27 | |
Sharpay Evans of the New Mexico Evans. I'm a mega fan. | 0:33:27 | 0:33:30 | |
-Oh, you are not! -So am! | 0:33:30 | 0:33:31 | |
I am gonna tweet about you right now. | 0:33:31 | 0:33:34 | |
Shut up! I follow your tweets. | 0:33:34 | 0:33:36 | |
Hmm? | 0:33:36 | 0:33:37 | |
CELLPHONE CHIMES | 0:33:37 | 0:33:39 | |
She did! She tweeted! | 0:33:39 | 0:33:41 | |
OK, I don't know how we're gonna decide. You're amazing! | 0:33:41 | 0:33:45 | |
All this and a grade school diploma. | 0:33:45 | 0:33:48 | |
And you, amazing! Wow. | 0:33:48 | 0:33:52 | |
I would be excited to work with either one of you and your dogs. | 0:33:52 | 0:33:57 | |
And can I just say, this is the opportunity of a lifetime for me. | 0:33:57 | 0:34:02 | |
Because Broadway - Broadway's not like film or television, | 0:34:02 | 0:34:06 | |
because with Broadway, | 0:34:06 | 0:34:09 | |
real people are watching. | 0:34:09 | 0:34:11 | |
-Wow. -Me, too. | 0:34:12 | 0:34:14 | |
I am just so excited to be performing on the Great White Way! | 0:34:14 | 0:34:18 | |
Not that I don't love all colours. | 0:34:18 | 0:34:20 | |
Well, I know both these talented dogs want to work with you. | 0:34:20 | 0:34:23 | |
-But only one can be in the show. -How are we gonna decide? | 0:34:23 | 0:34:26 | |
Wait. How about we work with both dogs during rehearsals? | 0:34:26 | 0:34:29 | |
Wait! How about we work with both dogs during rehearsals! | 0:34:29 | 0:34:34 | |
That way I could see which one I work best with. | 0:34:34 | 0:34:36 | |
-That sounds like a solution. -We have a solution, people! | 0:34:36 | 0:34:40 | |
Can I just say how totally great I think you are? | 0:34:43 | 0:34:46 | |
You do and I'll never wash my ears again. | 0:34:46 | 0:34:48 | |
You know what I think? Of course you don't cos I just thought of it, | 0:34:48 | 0:34:51 | |
-but I think they loved you! -I like the way you think! | 0:34:51 | 0:34:53 | |
You're such a good singer. I would know. My album went triple platinum. | 0:34:53 | 0:34:57 | |
-Well, I've done quite a bit of theatre. -It totally shows. | 0:34:57 | 0:35:00 | |
I'm gonna have my assistant give you my phone number. | 0:35:00 | 0:35:02 | |
If there's anything that you need, let me know. We girls gotta stick together, right? | 0:35:02 | 0:35:07 | |
-Here. -Wow. | 0:35:07 | 0:35:09 | |
I mean, this is actually your number! | 0:35:09 | 0:35:11 | |
It looks like any ordinary number, but it's not. It's yours! | 0:35:11 | 0:35:14 | |
-Oh, hey, may the best dog win! -Thanks! | 0:35:14 | 0:35:16 | |
Yes! Yes! Yes! | 0:35:20 | 0:35:22 | |
-Can you believe it? -You were great! | 0:35:24 | 0:35:26 | |
-Boi was great. -This new strategy just might work. | 0:35:26 | 0:35:29 | |
Amber Lee really likes you, too. | 0:35:29 | 0:35:31 | |
Is she awesome or what? She inspires me. There. I said it. | 0:35:31 | 0:35:35 | |
Quelle inspired. We are so gonna get that part. | 0:35:35 | 0:35:38 | |
-How do you know? -Easy. I don't do rejection. | 0:35:38 | 0:35:41 | |
Sharpay! I just wanted to wish you both luck. | 0:35:42 | 0:35:44 | |
Oh! That's so nice of you. | 0:35:44 | 0:35:46 | |
And suggest that you give up now, while you still have your dignity. | 0:35:46 | 0:35:49 | |
Distant though it already might be. | 0:35:49 | 0:35:52 | |
Sorry, which Smurf are you again? | 0:35:52 | 0:35:54 | |
True, you have talent. | 0:35:54 | 0:35:56 | |
But you lack both the experience and the finesse | 0:35:56 | 0:35:58 | |
to ever achieve the Holy Grail of possibility. | 0:35:58 | 0:36:00 | |
-Yeah, but Boi is cuter. -Countess is a theatrical ninja. | 0:36:00 | 0:36:04 | |
SNORES | 0:36:04 | 0:36:05 | |
I'm sorry. For a minute there you just bored me to death. | 0:36:05 | 0:36:08 | |
I have a foolproof strategy of getting what I want. | 0:36:08 | 0:36:11 | |
See it, want it, have a fit, get it. | 0:36:11 | 0:36:14 | |
-Yeah, well, this playdate's over. -I hope you enjoy rejection. | 0:36:14 | 0:36:17 | |
-We're gonna get that part. -We're gonna destroy you. | 0:36:17 | 0:36:20 | |
-Bring it on. -Oh, it's brought. | 0:36:20 | 0:36:22 | |
ROMANTIC MUSIC | 0:36:26 | 0:36:28 | |
All right, Boi. This foot. | 0:36:38 | 0:36:40 | |
That foot. | 0:36:40 | 0:36:41 | |
Good boy! | 0:36:41 | 0:36:43 | |
Yeah! | 0:36:43 | 0:36:44 | |
OK, let's try our next one. | 0:36:44 | 0:36:46 | |
Stay. | 0:36:46 | 0:36:48 | |
Catch your tail. Catch your tail! | 0:36:48 | 0:36:50 | |
Good! Yeah, good. | 0:36:50 | 0:36:54 | |
Sit. Stay. | 0:36:54 | 0:36:56 | |
We are so going to take them on. I won't let some Hobbit get in my way. | 0:36:56 | 0:37:00 | |
And, look. All Boi can do is think about | 0:37:03 | 0:37:05 | |
how horrible that other little mangy dog was. | 0:37:05 | 0:37:08 | |
ROMANTIC MUSIC | 0:37:08 | 0:37:10 | |
If you want success so badly, then you will get it. | 0:37:16 | 0:37:19 | |
All you need is one shot to make it happen. | 0:37:19 | 0:37:21 | |
Yeah, and this is my shot. | 0:37:21 | 0:37:23 | |
It's like my grandmother says. "God only got one book published, | 0:37:23 | 0:37:26 | |
"and look how well it did for him." | 0:37:26 | 0:37:28 | |
Doing this is all I've ever dreamed about, | 0:37:28 | 0:37:31 | |
especially since I already have everything else. | 0:37:31 | 0:37:34 | |
-Well, there's still humility. -What's wrong with being confident? | 0:37:34 | 0:37:38 | |
Confidence is when you know you're good. | 0:37:38 | 0:37:40 | |
Arrogance is when you think others know you're good. | 0:37:40 | 0:37:43 | |
I want everyone to know I'm as good as I think everyone thinks I am | 0:37:43 | 0:37:46 | |
without them knowing I know they think it. | 0:37:46 | 0:37:48 | |
And do you have to film everything? | 0:37:48 | 0:37:50 | |
Yep, cos this is my shot. | 0:37:50 | 0:37:52 | |
If my professor loves my film, he talks about it. | 0:37:52 | 0:37:55 | |
Then there's a buzz, then it gets in a festival, | 0:37:55 | 0:37:58 | |
then it gets distribution, then I'm signing a studio deal, | 0:37:58 | 0:38:01 | |
then I'm getting an Oscar. | 0:38:01 | 0:38:03 | |
I knew I wanted to be an actress the first time I produced and performed | 0:38:03 | 0:38:06 | |
the entire production of Snow White. | 0:38:06 | 0:38:08 | |
Full dance, musical numbers, handmade costumes. | 0:38:08 | 0:38:11 | |
I made my brother play all the dwarfs. | 0:38:11 | 0:38:13 | |
Everyone in that pre-school worshipped me. | 0:38:13 | 0:38:16 | |
I just want to wake up every morning and be onstage. | 0:38:17 | 0:38:20 | |
-GILL: -Good morning! Good morning, everyone. | 0:38:22 | 0:38:24 | |
And welcome to the first rehearsal... | 0:38:24 | 0:38:26 | |
Of the new Broadway musical. | 0:38:26 | 0:38:27 | |
..A Girl's Best Friend! | 0:38:27 | 0:38:29 | |
And you are all amazing. | 0:38:33 | 0:38:35 | |
-No, you are! -Him or me? | 0:38:35 | 0:38:37 | |
-You! -No, you! | 0:38:37 | 0:38:39 | |
Me? OK! And heading our superb cast, | 0:38:39 | 0:38:42 | |
we are thrilled to welcome one of the biggest stars around, | 0:38:42 | 0:38:45 | |
Amber Lee Adams! | 0:38:45 | 0:38:47 | |
Oh, stop! | 0:38:47 | 0:38:49 | |
-Yes! -Guys, come on. | 0:38:49 | 0:38:51 | |
Can I just say that this, | 0:38:51 | 0:38:55 | |
this is the opportunity of a lifetime for me. | 0:38:55 | 0:38:58 | |
Because Broadway's not like film or television, | 0:38:58 | 0:39:02 | |
because with Broadway, | 0:39:02 | 0:39:04 | |
people can see if you write your lines on your hands! | 0:39:04 | 0:39:07 | |
LAUGHTER | 0:39:07 | 0:39:09 | |
All right. Let's rehearse. | 0:39:09 | 0:39:11 | |
I want everybody downstairs with piano, | 0:39:11 | 0:39:13 | |
rehearsing the music for the opening number. | 0:39:13 | 0:39:15 | |
Amber Lee and Judith, I want you onstage so we can block that first scene. | 0:39:15 | 0:39:19 | |
-Let's go! -Let's go, people! -All right. Let's start with Boi. | 0:39:19 | 0:39:22 | |
Let's go! | 0:39:22 | 0:39:24 | |
TENSE MUSIC | 0:39:24 | 0:39:26 | |
ROMANTIC MUSIC | 0:39:35 | 0:39:37 | |
What a perfect goodbye party. | 0:39:54 | 0:39:57 | |
Thank you, Mom! | 0:39:57 | 0:39:59 | |
I can't believe my little girl is going out into the world on her own for the first time. | 0:39:59 | 0:40:03 | |
I have to, Mom. And who knows, maybe I'll find fame and fortune! | 0:40:03 | 0:40:08 | |
-Actually, reverse that. -LAUGHTER | 0:40:08 | 0:40:10 | |
-Why is that funny? -Well... | 0:40:12 | 0:40:14 | |
Because you'd rather have the... | 0:40:14 | 0:40:16 | |
I'll explain later. Just keep going. | 0:40:17 | 0:40:19 | |
-SIGHS -There's only one thing that breaks my heart. | 0:40:21 | 0:40:24 | |
Leaving Shelby behind. | 0:40:24 | 0:40:26 | |
Pick it up! Go, go! | 0:40:26 | 0:40:29 | |
A star is about to be born! | 0:40:29 | 0:40:31 | |
-Shelby! -Oh! | 0:40:32 | 0:40:35 | |
What's in this envelope? This very wet envelope. | 0:40:35 | 0:40:38 | |
LAUGHTER | 0:40:38 | 0:40:40 | |
-Again, I don't get that. -Keep going. | 0:40:40 | 0:40:43 | |
Gasp! | 0:40:44 | 0:40:45 | |
Actually, that's a stage direction. | 0:40:45 | 0:40:48 | |
-You gasp, you don't say "gasp". -Simple mistake. Keep going. | 0:40:48 | 0:40:52 | |
GASPS | 0:40:52 | 0:40:54 | |
Shelby! Trying to run away with my boarding pass | 0:40:54 | 0:40:56 | |
won't change the fact that I'm leaving at 8:00am. | 0:40:56 | 0:41:00 | |
6:00am. | 0:41:00 | 0:41:02 | |
LAUGHS | 0:41:02 | 0:41:04 | |
Oh, Shelby. This is the first time we'll be apart. | 0:41:07 | 0:41:10 | |
I wish I could just pack you up in a widdle doggie bag. | 0:41:10 | 0:41:13 | |
OK. Let's get Countess in there and continue. | 0:41:13 | 0:41:18 | |
Don't worry, sweetheart. Shelby and I will both be here when you get back. | 0:41:18 | 0:41:22 | |
You're killing me. | 0:41:27 | 0:41:29 | |
Oh! | 0:41:31 | 0:41:33 | |
That is adorable! | 0:41:33 | 0:41:35 | |
You're right, Shelby! Why not go with me? | 0:41:35 | 0:41:38 | |
Any place that doesn't want you, I don't wanna be. | 0:41:38 | 0:41:41 | |
Let's see what New York has in store for us together! | 0:41:41 | 0:41:44 | |
Good. | 0:41:47 | 0:41:48 | |
Let's talk about the scene a bit, and we'll do it again. | 0:41:48 | 0:41:52 | |
And both dogs, great work! | 0:41:52 | 0:41:54 | |
Oh, Shelby! Trying to run away with my boarding pass | 0:42:22 | 0:42:25 | |
won't change the fact that I'm leaving at 8:00am. | 0:42:25 | 0:42:28 | |
6:00am. | 0:42:29 | 0:42:32 | |
What's going on? The dog. | 0:42:37 | 0:42:39 | |
What is this? Somebody, please. | 0:42:39 | 0:42:42 | |
The dog is licking me. | 0:42:42 | 0:42:44 | |
All right, all right. Get me the other dog! | 0:42:44 | 0:42:47 | |
Sorry. What can you do? | 0:42:47 | 0:42:49 | |
There's only one thing that breaks my heart. | 0:42:56 | 0:42:59 | |
Leaving Shelby behind. | 0:42:59 | 0:43:01 | |
OK, go, go! | 0:43:01 | 0:43:03 | |
BLOWS DOG WHISTLE | 0:43:05 | 0:43:07 | |
-Why is she twirling? -What is she doing? | 0:43:15 | 0:43:18 | |
-Gill? -Roger! | 0:43:19 | 0:43:21 | |
Figure out what's going on with the dog. It's not helping me. | 0:43:21 | 0:43:24 | |
-Not helping, people! -Meanwhile, get the other dog! | 0:43:24 | 0:43:27 | |
Sorry. What can you do? | 0:43:28 | 0:43:30 | |
There's only one thing that breaks my heart. | 0:43:33 | 0:43:36 | |
Leaving Shelby behind. | 0:43:36 | 0:43:37 | |
OK, go! | 0:43:37 | 0:43:39 | |
Oh, hey! | 0:43:40 | 0:43:42 | |
CAT SCREECHES | 0:43:45 | 0:43:47 | |
CRASH | 0:43:49 | 0:43:51 | |
How is this helping? Really. | 0:43:54 | 0:43:56 | |
Am I the only one bothered by this? Gill? | 0:43:56 | 0:43:59 | |
OK, everybody, that's ten! | 0:43:59 | 0:44:01 | |
I'll admit you're good. But we're better. Give up! | 0:44:07 | 0:44:10 | |
Give up? | 0:44:10 | 0:44:11 | |
Not until there's a Broadway marquee with a picture of my dog so big | 0:44:11 | 0:44:14 | |
you can walk by and smell his puppy breath! | 0:44:14 | 0:44:16 | |
I have to take the dogs for a nap. Union rules. | 0:44:16 | 0:44:19 | |
-You break first. -No, you break first. | 0:44:25 | 0:44:28 | |
Oh! | 0:44:40 | 0:44:42 | |
-Pretty cute, huh? -Yeah! Yes, they are! | 0:44:43 | 0:44:46 | |
I just wanted to tell you something. | 0:44:46 | 0:44:49 | |
This is my show. I'm America's sweetheart. | 0:44:51 | 0:44:54 | |
They're paying to see me, not you two overbred fur balls. | 0:44:54 | 0:44:58 | |
So, until I can figure out a way to get rid of you... | 0:44:58 | 0:45:01 | |
..you'd better watch your step, | 0:45:02 | 0:45:05 | |
otherwise you'll find out the real meaning | 0:45:05 | 0:45:07 | |
of going home in a doggie bag. | 0:45:07 | 0:45:09 | |
This film is cutting together really well. | 0:45:22 | 0:45:25 | |
Do I look amazing? | 0:45:25 | 0:45:27 | |
-The camera loves you. -I know! | 0:45:27 | 0:45:30 | |
COMPUTER PINGS Oh, no! My dad's video chatting me. | 0:45:30 | 0:45:33 | |
He thinks I live in a penthouse. | 0:45:33 | 0:45:35 | |
I can't let him see that I live in a tiny studio in a filthy tenement. | 0:45:35 | 0:45:38 | |
With a boy in my room! | 0:45:38 | 0:45:40 | |
A boy that has no money, lives in a tinier studio, | 0:45:40 | 0:45:42 | |
and has never heard maid service! No offence. | 0:45:42 | 0:45:45 | |
What of that could possibly offend me? | 0:45:45 | 0:45:47 | |
Oh, my! Oh, my! I don't know. Hyperventilating! | 0:45:47 | 0:45:49 | |
-What do I do? What do I do? -Come on. | 0:45:49 | 0:45:51 | |
Come on. | 0:45:53 | 0:45:55 | |
Hurry! | 0:45:55 | 0:45:57 | |
-All right, scoot over. OK, go. -OK, I gotta get this. | 0:45:57 | 0:46:00 | |
Hi, Daddy! | 0:46:00 | 0:46:01 | |
Hey, princess! How's my little girl? | 0:46:01 | 0:46:04 | |
Overpaying for everything and yelling at total strangers. | 0:46:04 | 0:46:07 | |
You're practically a native. Hey, where are you? | 0:46:07 | 0:46:09 | |
That view is spectacular. | 0:46:09 | 0:46:11 | |
Well, there's hardly a penthouse in the city that doesn't have a spectacular view! | 0:46:11 | 0:46:15 | |
So, you the toast of Broadway? | 0:46:15 | 0:46:17 | |
Daddy, you know how I feel about carb references. | 0:46:17 | 0:46:20 | |
Just a little concerned, sweetie. | 0:46:20 | 0:46:22 | |
The last time no-one's heard from you for this long | 0:46:22 | 0:46:25 | |
was when you found out your gold card wasn't made of gold. | 0:46:25 | 0:46:28 | |
-I've been busy with rehearsals. -Outstanding! | 0:46:28 | 0:46:30 | |
-You got into the show? -It doesn't quite work like that. | 0:46:30 | 0:46:33 | |
It's complicated. But I know it's gonna work out. | 0:46:33 | 0:46:36 | |
Sharpay, is there something you're not telling me? | 0:46:36 | 0:46:39 | |
You remember the deal, right? If things aren't working out... | 0:46:39 | 0:46:41 | |
I know, I have one month to get in the show, and then... | 0:46:41 | 0:46:44 | |
Two weeks, sweetie. You have two weeks left. | 0:46:44 | 0:46:47 | |
You're sure everything's OK? | 0:46:48 | 0:46:50 | |
It's fine, Daddy. | 0:46:50 | 0:46:52 | |
Well, OK. | 0:46:52 | 0:46:55 | |
-We miss you, angel. -Miss you, too. | 0:46:55 | 0:46:57 | |
I love you! | 0:46:57 | 0:46:59 | |
Boi has to get that role. I can't go home. Not as a failure. | 0:47:03 | 0:47:08 | |
I need some sort of subtle, visibly crushing advantage over Roger. | 0:47:08 | 0:47:12 | |
Look, why not just trust Boi is talented, | 0:47:12 | 0:47:14 | |
that you've trained him well, and let fate take it from there. | 0:47:14 | 0:47:17 | |
Fate? Fate gave a girl in my graduating class one long eyebrow. | 0:47:17 | 0:47:19 | |
I can't trust fate. | 0:47:19 | 0:47:22 | |
Some matters you just have to take into your own hands. | 0:47:22 | 0:47:25 | |
What do you mean you forgot my bottled water? | 0:47:25 | 0:47:29 | |
Well, I was going to get those magazines | 0:47:29 | 0:47:32 | |
that you said you wanted from across town, | 0:47:32 | 0:47:34 | |
and I got hit by a bike messenger. So I went to the hospital | 0:47:34 | 0:47:36 | |
for, like, one second to get these stitches. | 0:47:36 | 0:47:38 | |
-And meanwhile, I had no water! -I will get it for you right now. | 0:47:38 | 0:47:41 | |
Now I've had to drink tap! | 0:47:41 | 0:47:43 | |
-I am so sorry. -"I am so sorry." | 0:47:43 | 0:47:46 | |
I will do better. | 0:47:46 | 0:47:47 | |
Forget it, OK? Aside from catching some shade | 0:47:47 | 0:47:50 | |
from the shadow cast by your madam's apple, | 0:47:50 | 0:47:52 | |
-you're of no use to me. You're... -WHINES -...fired! | 0:47:52 | 0:47:55 | |
God! | 0:47:58 | 0:48:00 | |
KNOCKS ON DOOR: Amber Lee? | 0:48:09 | 0:48:12 | |
Oh, wow! You look so cute, Sharpie! | 0:48:12 | 0:48:15 | |
-Sharpay. -You changed it. | 0:48:15 | 0:48:18 | |
I like that even better. So, tell me, what's on your mind? | 0:48:18 | 0:48:21 | |
I just saw your assistant leave in tears. | 0:48:21 | 0:48:24 | |
She's not my assistant. She quit. | 0:48:24 | 0:48:27 | |
No wonder she was crying. | 0:48:27 | 0:48:29 | |
Yeah, I don't think she even really cared. | 0:48:29 | 0:48:32 | |
Next time I should probably just hire a best friend instead. | 0:48:32 | 0:48:34 | |
Wait! Are you thinking what I'm thinking? | 0:48:38 | 0:48:40 | |
What are you thinking that I should be thinking? | 0:48:40 | 0:48:42 | |
I could help you out until you replace her. | 0:48:42 | 0:48:44 | |
That is what I was thinking about thinking. | 0:48:44 | 0:48:46 | |
Of course this can't affect your decision of which dog gets the role. | 0:48:46 | 0:48:50 | |
Oh, it won't. | 0:48:50 | 0:48:51 | |
I couldn't live with myself if I thought I did anything unfair. | 0:48:51 | 0:48:55 | |
You have my word. Hey, I know! How about dinner? | 0:48:55 | 0:48:59 | |
-That sounds awesome! -Right? | 0:48:59 | 0:49:02 | |
Get me a reservation for two at someplace fantastic. | 0:49:02 | 0:49:04 | |
Then call my agent, have her meet me. | 0:49:04 | 0:49:07 | |
Right. Sure. | 0:49:07 | 0:49:10 | |
Oh. I won't forget this. | 0:49:12 | 0:49:14 | |
And I promise, it won't be because you're helping me | 0:49:14 | 0:49:18 | |
if I happen to take a little extra liking to Girl. | 0:49:18 | 0:49:22 | |
-Boi. -You changed it. | 0:49:22 | 0:49:24 | |
I like that even better. | 0:49:24 | 0:49:26 | |
Oh, and can you take my mic down to the sound guy | 0:49:26 | 0:49:28 | |
-and tell him the wire hurts my scalp. -OK. | 0:49:28 | 0:49:31 | |
You're the best. | 0:49:31 | 0:49:33 | |
Amber Lee says the wire is hurting her scalp. | 0:49:36 | 0:49:38 | |
Personally, I think she's using the wrong shampoo, | 0:49:38 | 0:49:41 | |
but she's the star, and you know, I don't wanna say - You're hot. | 0:49:41 | 0:49:45 | |
Excuse me? | 0:49:45 | 0:49:46 | |
You're hot. | 0:49:46 | 0:49:48 | |
OK. Even though theatre lighting highlights my natural skin tones, | 0:49:48 | 0:49:52 | |
thank you for noticing, that's a little rude, don't you think? | 0:49:52 | 0:49:55 | |
No. Your mic's hot. | 0:49:55 | 0:49:57 | |
It means it's on. You see that little switch? | 0:49:57 | 0:50:00 | |
When it's flipped over like that, it means it's on | 0:50:00 | 0:50:02 | |
and it's going through the entire theatre. | 0:50:02 | 0:50:06 | |
Well, you could have led with that part, thank you. | 0:50:06 | 0:50:08 | |
Amber Lee's got a great scalp! | 0:50:08 | 0:50:11 | |
"You're hot." | 0:50:16 | 0:50:17 | |
Then she asked me to help her out after her assistant quit. | 0:50:17 | 0:50:20 | |
And after I suggested it. | 0:50:20 | 0:50:22 | |
Are you sure this is wise? | 0:50:22 | 0:50:24 | |
I'm sorry. Let me re-phrase that. This isn't wise. | 0:50:24 | 0:50:27 | |
It's perfect. Amber Lee will see that she and I are exactly alike, | 0:50:27 | 0:50:30 | |
we'll become BFFs, she'll make sure Boi gets the role, | 0:50:30 | 0:50:33 | |
then his fame becomes my fame! | 0:50:33 | 0:50:35 | |
This is the advantage I've been waiting for! | 0:50:35 | 0:50:37 | |
Isn't it more like taking advantage? | 0:50:37 | 0:50:39 | |
My father thought I couldn't do this in a month. | 0:50:39 | 0:50:41 | |
It's turning out better than I imagined. | 0:50:41 | 0:50:44 | |
CELLPHONE RINGS | 0:50:44 | 0:50:46 | |
Hello? | 0:50:53 | 0:50:56 | |
Sure. Be right over. | 0:50:56 | 0:50:58 | |
Hello? | 0:51:05 | 0:51:07 | |
Oh, thank goodness. In here, quickly. | 0:51:08 | 0:51:10 | |
I just... I can't reach that. | 0:51:19 | 0:51:21 | |
Can't reach it? | 0:51:22 | 0:51:25 | |
OK, it was a little bit of a test. | 0:51:26 | 0:51:30 | |
Only a true friend would come all the way down here at this hour | 0:51:32 | 0:51:34 | |
and help me with something like that. | 0:51:34 | 0:51:36 | |
-So, I passed? -Yes. | 0:51:39 | 0:51:41 | |
-But, seriously, the purse. -OK. | 0:51:41 | 0:51:45 | |
Thank you. | 0:51:57 | 0:51:59 | |
All right, here's your bag. | 0:52:03 | 0:52:06 | |
Here's your other bag. | 0:52:06 | 0:52:08 | |
Oh, and don't forget your photo shoot. | 0:52:08 | 0:52:10 | |
Oh, you're a lifesaver. You must be at that photo shoot | 0:52:10 | 0:52:12 | |
to make sure I look as fabulous as you always do. | 0:52:12 | 0:52:15 | |
-Are you serious? -Serious? You're now also my stylist. | 0:52:15 | 0:52:18 | |
You have to tell me all your secrets. OK, gotta go. | 0:52:18 | 0:52:21 | |
"Life is so strange." | 0:52:30 | 0:52:32 | |
"Shelby and I travel halfway across the country | 0:52:32 | 0:52:35 | |
to find fame and fortune, and instead, we find love." | 0:52:35 | 0:52:39 | |
Hey! How about dinner? | 0:52:41 | 0:52:43 | |
Split some egg rolls at Wok This Way? | 0:52:43 | 0:52:46 | |
Can't. I have to highlight script changes for Amber Lee, | 0:52:46 | 0:52:49 | |
then highlight her hair. Highlight of my night! | 0:52:49 | 0:52:53 | |
OK. | 0:52:53 | 0:52:54 | |
But I miss spending time with you. | 0:52:54 | 0:52:57 | |
And you did promise to shoot some more stuff for my film. | 0:52:57 | 0:52:59 | |
You know, what I'm doing is important, too. | 0:52:59 | 0:53:02 | |
Oh. | 0:53:02 | 0:53:03 | |
For a minute there, you sounded like Amber Lee. | 0:53:03 | 0:53:06 | |
"Good to see you. Good to see you. Good to see you. Good to see you." | 0:53:12 | 0:53:17 | |
Bad news. My maid quit. | 0:53:18 | 0:53:22 | |
So, here's a list of chores. | 0:53:22 | 0:53:23 | |
Chores? | 0:53:23 | 0:53:25 | |
And I want to talk to you about Boi. | 0:53:25 | 0:53:32 | |
But you have to promise it'll stay between us. | 0:53:32 | 0:53:34 | |
OK. | 0:53:34 | 0:53:36 | |
I think I'm going to ask the director to give Boi the part. | 0:53:36 | 0:53:43 | |
-Are you serious? -Almost positive! | 0:53:44 | 0:53:46 | |
You won't be sorry. | 0:53:46 | 0:53:49 | |
Trust me. I know. | 0:53:49 | 0:53:51 | |
# "Galop Infernal" - Jacques Offenbach | 0:53:58 | 0:54:00 | |
Oh! Oh, no. | 0:54:25 | 0:54:27 | |
There are some changes for the blocking in the dog scene, | 0:54:42 | 0:54:45 | |
top of act two. | 0:54:45 | 0:54:47 | |
Countess can learn these in no time. | 0:54:47 | 0:54:49 | |
She's got a memory like a digital hard drive. | 0:54:49 | 0:54:51 | |
-No bark and all mega bite. -Funny. | 0:54:51 | 0:54:53 | |
I need to find Sharpay and make sure she gets them. | 0:54:53 | 0:54:55 | |
Boi is doing the first run through tomorrow. | 0:54:55 | 0:54:57 | |
I'd be more than happy to deliver them to her. | 0:54:57 | 0:54:59 | |
-Great. -Thank you. | 0:54:59 | 0:55:02 | |
Thank you. | 0:55:02 | 0:55:04 | |
Sharpay? | 0:55:08 | 0:55:10 | |
Sharpay? | 0:55:13 | 0:55:15 | |
That's unfortunate. | 0:55:19 | 0:55:21 | |
And I've been here ever since. | 0:55:21 | 0:55:24 | |
Life is so strange. | 0:55:24 | 0:55:27 | |
Shelby and I travel halfway across the country | 0:55:27 | 0:55:29 | |
to find fame and fortune, and instead, we find love. | 0:55:29 | 0:55:33 | |
Lenore, I have something to ask you. | 0:55:33 | 0:55:36 | |
We have something to ask you. | 0:55:36 | 0:55:38 | |
BOI YAPS | 0:55:38 | 0:55:40 | |
He's supposed to come from the other side of the stage with the ring box! | 0:55:40 | 0:55:44 | |
Sorry. We changed that blocking. What happened? | 0:55:44 | 0:55:46 | |
What is wrong with this dog? | 0:55:46 | 0:55:48 | |
And is he OK? It's not his fault. | 0:55:57 | 0:56:00 | |
He's just a little dog! | 0:56:00 | 0:56:02 | |
He's just so sweet. | 0:56:02 | 0:56:05 | |
-OK, everybody. Let's break for a few. -That's ten, people. | 0:56:05 | 0:56:08 | |
-I don't know what happened. -We sent out the script changes. | 0:56:10 | 0:56:13 | |
-Boi didn't do them. -But I didn't get any script change. | 0:56:13 | 0:56:18 | |
I looked everywhere last night to give them to you. | 0:56:28 | 0:56:30 | |
I guess working for Amber Lee has its drawbacks. | 0:56:30 | 0:56:33 | |
-You did this on purpose. -That's a complete - | 0:56:33 | 0:56:36 | |
Yeah. | 0:56:36 | 0:56:37 | |
You're threatened because you know Amber Lee is gonna choose Boi. | 0:56:37 | 0:56:40 | |
Not after today she won't. | 0:56:40 | 0:56:41 | |
OK. Countess doesn't have half the personality that Boi has. | 0:56:41 | 0:56:45 | |
And Boi doesn't have half the talent that Countess has. | 0:56:45 | 0:56:48 | |
Isn't that right, girl? | 0:56:48 | 0:56:50 | |
-Countess? -Boi? | 0:56:51 | 0:56:53 | |
-Countess? -Boi? -Countess? -Boi? | 0:56:54 | 0:56:58 | |
-Countess? -Boi? | 0:56:58 | 0:56:59 | |
-Has anyone seen Boi? -No, sorry. | 0:56:59 | 0:57:02 | |
Countess? | 0:57:02 | 0:57:04 | |
Boi? | 0:57:04 | 0:57:05 | |
-Countess? -Boi? | 0:57:05 | 0:57:07 | |
-Anyone seen Countess? -Nope. | 0:57:07 | 0:57:10 | |
Countess? | 0:57:10 | 0:57:11 | |
Boi? | 0:57:11 | 0:57:13 | |
-Countess? -Boi? | 0:57:13 | 0:57:14 | |
Countess? | 0:57:14 | 0:57:15 | |
Boi? | 0:57:15 | 0:57:17 | |
-Countess? -Boi? | 0:57:17 | 0:57:19 | |
CELLPHONE RINGS | 0:57:25 | 0:57:27 | |
-Hello? -Boi and Countess are gone! | 0:57:28 | 0:57:31 | |
-Gone! What? -We have to find them! | 0:57:31 | 0:57:33 | |
-Where are you now? -"Leaving the theatre." | 0:57:33 | 0:57:36 | |
We'll look here. Can you look near the apartment? | 0:57:36 | 0:57:38 | |
-Yeah, of course. Keep me posted. I'll call you if they show up. -OK. | 0:57:38 | 0:57:42 | |
-What if they were dog napped? -Do you think we pushed them too hard? | 0:57:42 | 0:57:45 | |
-I don't know. -Countess is uber sensitive. | 0:57:45 | 0:57:48 | |
She cries watching dog food commercials! | 0:57:48 | 0:57:50 | |
I just hope they're not huddled in a corner somewhere. | 0:57:50 | 0:57:53 | |
Afraid, lost, at each other's throats! | 0:57:53 | 0:57:55 | |
# You know you love me | 0:57:55 | 0:57:57 | |
# I know you care | 0:57:57 | 0:57:58 | |
# Just shout whenever And I'll be there | 0:57:58 | 0:58:02 | |
# You are my love | 0:58:02 | 0:58:04 | |
# You are my heart | 0:58:04 | 0:58:05 | |
# And we will never, ever, ever be apart | 0:58:05 | 0:58:09 | |
# Are we an item? | 0:58:09 | 0:58:11 | |
# Girl, quit playin' | 0:58:11 | 0:58:13 | |
# "We're just friends" What are you sayin'? | 0:58:13 | 0:58:17 | |
# Said, "There's another" And looked right in my eyes | 0:58:17 | 0:58:20 | |
# My first love broke my heart for the first time | 0:58:20 | 0:58:23 | |
# And I was like I thought you'd always be mine, mine | 0:58:23 | 0:58:28 | |
# Baby, baby, baby, oh | 0:58:28 | 0:58:30 | |
# Like baby, baby, baby, no | 0:58:30 | 0:58:34 | |
# Like baby, baby, baby, oh | 0:58:34 | 0:58:38 | |
# I thought you'd always be mine | 0:58:38 | 0:58:41 | |
# I'm goin' down, down, down | 0:58:41 | 0:58:43 | |
# And I just can't believe my first love won't be around | 0:58:43 | 0:58:46 | |
# And I'm like baby, baby, baby, oh | 0:58:46 | 0:58:50 | |
# Like baby, baby... # | 0:58:50 | 0:58:52 | |
What if we never see them again? | 0:58:52 | 0:58:54 | |
They're smart dogs. | 0:58:54 | 0:58:56 | |
Smarter than we are. | 0:58:56 | 0:58:58 | |
They'll be OK. | 0:58:58 | 0:59:00 | |
CELLPHONE RINGS | 0:59:00 | 0:59:03 | |
Oh, no. It's my dad. I just... I can't deal with him right now. | 0:59:03 | 0:59:07 | |
BOI BARKS | 0:59:09 | 0:59:11 | |
-Countess! -Boi! | 0:59:13 | 0:59:15 | |
Hi! | 0:59:16 | 0:59:18 | |
I missed you! | 0:59:19 | 0:59:21 | |
You're back! | 0:59:21 | 0:59:23 | |
It's amazing. They came back to the apartment. | 0:59:26 | 0:59:28 | |
Thanks, Peyton. Oh, and Sharpay, it's still on. | 0:59:28 | 0:59:32 | |
Bring it. | 0:59:32 | 0:59:34 | |
You're back! Yeah! | 0:59:37 | 0:59:40 | |
You bad, bad boy, Boi. | 0:59:40 | 0:59:42 | |
-I'm just glad you're OK. -He and Countess had an adventure. | 0:59:42 | 0:59:44 | |
She probably coaxed him into joining a doggy gang or something. | 0:59:44 | 0:59:48 | |
We'd better check him over for tattoos. | 0:59:48 | 0:59:51 | |
Are you so lost in what you're doing that you haven't noticed? | 0:59:51 | 0:59:54 | |
Noticed what? | 0:59:54 | 0:59:56 | |
Boi and Countess are in love. | 0:59:56 | 0:59:58 | |
-With what? -Each other. | 0:59:58 | 1:00:01 | |
No way! | 1:00:01 | 1:00:02 | |
You're right. | 1:00:05 | 1:00:07 | |
He's dilated. | 1:00:07 | 1:00:09 | |
He's got puppy dog eyes. | 1:00:09 | 1:00:11 | |
How could I have not noticed puppy love? | 1:00:11 | 1:00:14 | |
Well, there's a lot you haven't noticed. | 1:00:14 | 1:00:17 | |
Like lately, you've had no time for me. | 1:00:17 | 1:00:19 | |
You know, I was counting on you to help me finish my film. | 1:00:19 | 1:00:21 | |
I said I would, and I will. Things have become complicated. | 1:00:21 | 1:00:25 | |
It's not that complicated. | 1:00:25 | 1:00:26 | |
Amber Lee is using you and you're letting her. | 1:00:26 | 1:00:28 | |
-You don't know what you're talking about. -I don't? -No! | 1:00:28 | 1:00:31 | |
Where's the Sharpay that was determined not to go back home | 1:00:31 | 1:00:34 | |
because she didn't want to work for anyone? | 1:00:34 | 1:00:36 | |
-Why don't you tell me? -Working for someone, that's where. | 1:00:36 | 1:00:39 | |
-So at least be honest as to why. -I know what I'm doing. | 1:00:39 | 1:00:42 | |
You've sold your soul to get Boi in that show, | 1:00:42 | 1:00:44 | |
rather than trust in the dog that you raised. | 1:00:44 | 1:00:46 | |
You've stopped trusting that your own talents | 1:00:46 | 1:00:48 | |
-would get you where you need to go. -And maybe you're jealous | 1:00:48 | 1:00:51 | |
because I'm on my way up with a new famous friend, | 1:00:51 | 1:00:54 | |
and you're just a student making a film about someone else's life instead of your own. | 1:00:54 | 1:00:58 | |
You don't have to be in my movie anymore. | 1:01:02 | 1:01:04 | |
I get it. You have more important things to do. | 1:01:04 | 1:01:07 | |
Fine! | 1:01:07 | 1:01:08 | |
One question? | 1:01:10 | 1:01:11 | |
What happened to that hot pink whirlwind of confidence and ambition | 1:01:11 | 1:01:15 | |
I saw through my lens that first day you got here? | 1:01:15 | 1:01:18 | |
I mean, that girl knew she was special. | 1:01:18 | 1:01:20 | |
That girl knew she didn't have to do any of this to succeed. | 1:01:20 | 1:01:23 | |
What happened to her, huh? | 1:01:23 | 1:01:25 | |
CELLPHONE RINGS | 1:01:31 | 1:01:33 | |
Hello. | 1:01:34 | 1:01:35 | |
Oh, and Sharpay, can you remember to invite as many people | 1:01:43 | 1:01:46 | |
from my fan club as possible to opening night dress rehearsal? | 1:01:46 | 1:01:49 | |
I want the theatre filled with people | 1:01:49 | 1:01:51 | |
who love me as much as you do! | 1:01:51 | 1:01:54 | |
Sure. | 1:01:55 | 1:01:57 | |
You know what would be great after all this work? | 1:01:57 | 1:02:00 | |
A long, luxurious spa bath. | 1:02:00 | 1:02:02 | |
Sounds amazing! | 1:02:02 | 1:02:05 | |
-Thank you. -Run one for me, will you? | 1:02:05 | 1:02:08 | |
And then you can finish these. You're the best! | 1:02:08 | 1:02:11 | |
-This is a big change. -Huge change! | 1:02:33 | 1:02:36 | |
-I don't think you're hearing me! -New Jersey can hear you! | 1:02:36 | 1:02:39 | |
The name of the show is A Girl's Best Friend. | 1:02:39 | 1:02:42 | |
I didn't tell you to change the title. | 1:02:42 | 1:02:44 | |
But you want the best friend written out! | 1:02:44 | 1:02:46 | |
Oh. Right. Change the title! | 1:02:46 | 1:02:49 | |
How are we supposed to get rid of one of our main characters | 1:02:49 | 1:02:52 | |
a day before our dress rehearsal in front of an audience? | 1:02:52 | 1:02:55 | |
The audience is coming to see me. | 1:02:55 | 1:02:57 | |
You change that dog's part to a bark and play dead, or I don't go on. | 1:02:57 | 1:03:01 | |
-Let's be reasonable here. -I'm a star! I don't have to be reasonable! | 1:03:01 | 1:03:05 | |
Look, those mangy mutts are bothering me | 1:03:05 | 1:03:07 | |
almost as much as their disposable owners. | 1:03:07 | 1:03:10 | |
I actually had to have one of them clean my toilet | 1:03:10 | 1:03:12 | |
just to keep her away. | 1:03:12 | 1:03:15 | |
-She thinks she's an actress. -LAUGHS | 1:03:15 | 1:03:18 | |
She acts all right. | 1:03:18 | 1:03:20 | |
She acts just like every other obsessed fan. | 1:03:20 | 1:03:22 | |
Wait. | 1:03:41 | 1:03:42 | |
Everything you said... | 1:03:45 | 1:03:47 | |
You were... | 1:03:48 | 1:03:50 | |
Right? | 1:03:50 | 1:03:53 | |
Yes. | 1:03:53 | 1:03:55 | |
Thank you. | 1:03:56 | 1:03:59 | |
You must think I'm a total fool. | 1:03:59 | 1:04:01 | |
No. | 1:04:01 | 1:04:03 | |
Not total. | 1:04:03 | 1:04:05 | |
Maybe my dad was right. | 1:04:06 | 1:04:08 | |
Maybe I'm not ready for this. | 1:04:08 | 1:04:11 | |
Maybe I should just go home and w...w... | 1:04:13 | 1:04:16 | |
..work for him. | 1:04:16 | 1:04:17 | |
I mean, did I really think I was just gonna come to Broadway and be a star? | 1:04:19 | 1:04:23 | |
Yes. | 1:04:23 | 1:04:25 | |
Because that's exactly how you think. | 1:04:25 | 1:04:27 | |
It's perfect. | 1:04:27 | 1:04:29 | |
Perfect is so hard. | 1:04:29 | 1:04:31 | |
And it doesn't prepare you for disappointment. | 1:04:32 | 1:04:35 | |
Well, if it helps, you still look adorable, | 1:04:36 | 1:04:39 | |
even when you're disappointed. | 1:04:39 | 1:04:41 | |
Yeah, that doesn't help. | 1:04:43 | 1:04:45 | |
Look, Sharpay, | 1:04:47 | 1:04:49 | |
there is not a marquee big enough or lights bright enough | 1:04:49 | 1:04:54 | |
to contain the fame you're gonna have. | 1:04:54 | 1:04:56 | |
Yeah, but not the way I've been doing it. | 1:04:58 | 1:05:01 | |
Like you said, the Sharpay you know isn't the Sharpay that has become | 1:05:02 | 1:05:06 | |
the Sharpay that is this Sharpay. | 1:05:06 | 1:05:09 | |
Did all the Sharpays follow that? | 1:05:09 | 1:05:11 | |
I sacrificed integrity for opportunity. | 1:05:14 | 1:05:17 | |
I let someone insecure distract me. | 1:05:17 | 1:05:20 | |
I cleaned a bathroom! | 1:05:20 | 1:05:22 | |
But worst of all, | 1:05:23 | 1:05:25 | |
I disappointed someone I care about. | 1:05:25 | 1:05:28 | |
I forgot what was really important to me. | 1:05:30 | 1:05:32 | |
I lost track of what I want. | 1:05:34 | 1:05:36 | |
And other than maid service and a canopy bed, | 1:05:39 | 1:05:43 | |
what is it that you want? | 1:05:43 | 1:05:45 | |
A fair fight. | 1:05:47 | 1:05:49 | |
A lifetime in the spotlight. | 1:05:49 | 1:05:52 | |
And maybe you'll still let me be in your movie. | 1:05:54 | 1:05:57 | |
I guess. | 1:06:02 | 1:06:04 | |
CARS HONK HORNS | 1:06:15 | 1:06:17 | |
OK, I can't say I approve of dating beneath your station in life, | 1:06:35 | 1:06:38 | |
but fine. Go. | 1:06:38 | 1:06:39 | |
Hey, I got your text. What's CQMTWILGT mean? | 1:07:01 | 1:07:06 | |
"Come quick. Major trouble. Wow, I look great today." Duh. | 1:07:06 | 1:07:09 | |
I really should have gotten that. | 1:07:09 | 1:07:12 | |
Amber Lee Adams isn't what you think. | 1:07:12 | 1:07:14 | |
A self absorbed, two-faced panther who would eat her young alive | 1:07:14 | 1:07:17 | |
on a reality show rather than allow anyone to steal her spotlight? | 1:07:17 | 1:07:20 | |
OK, she's what you think. | 1:07:20 | 1:07:22 | |
I don't care if her parents had to tie beef jerky around her neck | 1:07:22 | 1:07:25 | |
just to get the family dog to play with her, | 1:07:25 | 1:07:28 | |
-as long as Countess is at her side. -That's what I'm trying to tell you. | 1:07:28 | 1:07:31 | |
She wants the part of the dog written out completely! | 1:07:31 | 1:07:33 | |
-That's not fair! -Too far. | 1:07:33 | 1:07:36 | |
Well, I am 12, remember? | 1:07:36 | 1:07:38 | |
Roger, we've been fighting the wrong battle, each other. | 1:07:38 | 1:07:41 | |
We need to form an alliance and work against a common enemy. | 1:07:41 | 1:07:44 | |
-Zits? -Amber Lee. | 1:07:44 | 1:07:46 | |
Trust me, the zit battle is one you won't win. | 1:07:46 | 1:07:48 | |
-But what can we do? -Tonight is the dress rehearsal. | 1:07:48 | 1:07:52 | |
The audience will be filled with members of Amber Lee Adams' fan club. | 1:07:52 | 1:07:55 | |
I know, I saw the tweet. | 1:07:55 | 1:07:57 | |
Fine. Yes, I follow her, too. | 1:07:58 | 1:08:00 | |
OK, we need to show people exactly who Amber Lee really is. | 1:08:01 | 1:08:04 | |
It's time someone taught her how to behave in the theatre. | 1:08:04 | 1:08:08 | |
I like the way you think. It's manipulative, but for a good cause. | 1:08:08 | 1:08:12 | |
Tell me what you need me to do. | 1:08:12 | 1:08:13 | |
-Hey, Amber Lee, I - -Where have you been? | 1:08:18 | 1:08:20 | |
I have been trying to reach you all day. | 1:08:20 | 1:08:22 | |
Oh. Erm, sorry, my phone must have been turned off. | 1:08:22 | 1:08:26 | |
Without asking me first? | 1:08:26 | 1:08:28 | |
I just wanted to say good luck. | 1:08:29 | 1:08:31 | |
I know you chose Countess for this performance tonight, | 1:08:31 | 1:08:33 | |
-and I'm fine with that. -It was nothing personal. | 1:08:33 | 1:08:37 | |
But your phone was shut off, so I couldn't talk to you about it. | 1:08:37 | 1:08:40 | |
I guess that won't happen again, will it? | 1:08:40 | 1:08:42 | |
We're good. | 1:08:44 | 1:08:47 | |
Hug? OK. | 1:08:47 | 1:08:48 | |
Hello, everyone. I'm Gill, the director. | 1:09:06 | 1:09:08 | |
And I'm Neal, the under-appreciated writer. | 1:09:08 | 1:09:11 | |
LAUGHTER | 1:09:11 | 1:09:13 | |
We are thrilled that you're here for our first performance in front of an audience. | 1:09:13 | 1:09:16 | |
Does everyone here know how to applaud? | 1:09:16 | 1:09:19 | |
"OK, how about the balcony up there?" | 1:09:23 | 1:09:26 | |
-OK, now. -"Can you hear us? You're good!" | 1:09:26 | 1:09:28 | |
SHRIEKS | 1:09:31 | 1:09:33 | |
Will somebody please control these wannabe werewolves? | 1:09:33 | 1:09:36 | |
Hello? People? | 1:09:36 | 1:09:37 | |
See, this is exactly why I didn't want to do a show with dogs! | 1:09:37 | 1:09:40 | |
I'm the star, not them! | 1:09:40 | 1:09:43 | |
"Stage people?" | 1:09:43 | 1:09:44 | |
"Could somebody please put these rats with rabies out of my misery?" | 1:09:44 | 1:09:47 | |
"Anyone!" | 1:09:47 | 1:09:49 | |
Finally, you idiot! What took so long? | 1:09:49 | 1:09:51 | |
Now, hurry up and get these flea bitten fur bags out of here! | 1:09:51 | 1:09:54 | |
-There are people waiting to see me! -OK, go now. | 1:09:54 | 1:09:56 | |
You think all those boring freaks with no lives | 1:09:56 | 1:09:58 | |
came to worship two no-name mutts? | 1:09:58 | 1:10:00 | |
I don't think so! I'm the one they love! Me! | 1:10:00 | 1:10:04 | |
They came to see... | 1:10:04 | 1:10:05 | |
AUDIENCE BOOS | 1:10:12 | 1:10:14 | |
I knew I forgot to tell you something. | 1:10:22 | 1:10:24 | |
Careful, your mic's on. | 1:10:24 | 1:10:27 | |
You did this to me. | 1:10:28 | 1:10:30 | |
You ruined me! | 1:10:30 | 1:10:31 | |
News flash! You ruined you! | 1:10:31 | 1:10:33 | |
Oh, what do you know? You're a nobody! | 1:10:33 | 1:10:35 | |
The only reason you wanted to be my friend is so I'd choose your dog! | 1:10:35 | 1:10:38 | |
No, no. At first, I idolised you, | 1:10:38 | 1:10:41 | |
even more than myself, which isn't easy. | 1:10:41 | 1:10:44 | |
But you're not at all what I thought you were. | 1:10:44 | 1:10:46 | |
You and I... | 1:10:47 | 1:10:49 | |
are exactly alike. | 1:10:49 | 1:10:51 | |
Except I don't enjoy letting people down. | 1:10:51 | 1:10:53 | |
I don't use people to feel better about myself. | 1:10:53 | 1:10:56 | |
And I definitely don't wear yellow and orange in the same week, | 1:10:56 | 1:10:58 | |
let alone the same outfit, OK? | 1:10:58 | 1:11:00 | |
Maybe I did think you and I were alike, but not anymore. | 1:11:00 | 1:11:05 | |
In fact, I'd be embarrassed if someone thought I was like you. | 1:11:05 | 1:11:09 | |
Well, I quit! | 1:11:14 | 1:11:15 | |
And without me, there's no show. | 1:11:16 | 1:11:19 | |
Now neither one of your furry little friends will have their shot | 1:11:19 | 1:11:22 | |
and neither will you. | 1:11:22 | 1:11:24 | |
Blame her! | 1:11:24 | 1:11:26 | |
I'm sorry. Someone had to say it. | 1:11:34 | 1:11:36 | |
I'll go talk some sense into her. | 1:11:38 | 1:11:41 | |
You, out of this theatre right now. | 1:11:41 | 1:11:46 | |
Wait, Sharpay. | 1:11:51 | 1:11:53 | |
If you go, then I'll go, too. | 1:11:53 | 1:11:55 | |
No. | 1:11:55 | 1:11:56 | |
You wanted this as badly as I did. | 1:11:56 | 1:11:59 | |
This mess was my idea. | 1:11:59 | 1:12:01 | |
You win. | 1:12:01 | 1:12:04 | |
That's not what it feels like. | 1:12:04 | 1:12:05 | |
KNOCKING ON DOOR | 1:12:15 | 1:12:18 | |
-Hey. Can I come in? -Sure. | 1:12:20 | 1:12:23 | |
So, you're really leaving, huh? | 1:12:26 | 1:12:29 | |
Yeah. I'm packing my carry on stuff first. | 1:12:29 | 1:12:32 | |
I wish you weren't going. | 1:12:35 | 1:12:37 | |
Me, too. | 1:12:37 | 1:12:39 | |
Have you thought about what you're gonna do now? | 1:12:42 | 1:12:45 | |
Move home where there's enough room for my pores to open, | 1:12:45 | 1:12:48 | |
spend months in the spa getting this layer of New York grime off my skin, | 1:12:48 | 1:12:52 | |
and mostly... | 1:12:52 | 1:12:53 | |
..miss you. | 1:12:54 | 1:12:56 | |
Look, I know exactly how to help that. | 1:12:56 | 1:12:59 | |
Don't go. | 1:12:59 | 1:13:00 | |
I already talked to my dad. | 1:13:00 | 1:13:03 | |
I guess I'm gonna start...w... | 1:13:03 | 1:13:06 | |
-..w... -You don't have to say it. | 1:13:06 | 1:13:08 | |
Thank you. | 1:13:08 | 1:13:10 | |
What about your dream of being a star? | 1:13:12 | 1:13:14 | |
It's still there. | 1:13:14 | 1:13:16 | |
It's just a little bit more of a dream than a reality. | 1:13:16 | 1:13:18 | |
-You know what today is? -What? | 1:13:22 | 1:13:24 | |
I got here exactly one month ago. | 1:13:25 | 1:13:27 | |
My time was up tonight anyway. | 1:13:27 | 1:13:30 | |
Well, so then you still have... eight hours. | 1:13:30 | 1:13:33 | |
This isn't how my movie's supposed to end. | 1:13:39 | 1:13:42 | |
I guess it is. | 1:13:43 | 1:13:46 | |
CELLPHONE RINGS | 1:13:46 | 1:13:48 | |
This is Sharpay. | 1:13:50 | 1:13:52 | |
Uh huh. | 1:13:52 | 1:13:53 | |
Sure. No, no. I'll be there. | 1:13:53 | 1:13:55 | |
That was the stage manager. | 1:13:58 | 1:14:00 | |
They want me to come to the theatre and clear out Boi's things. | 1:14:00 | 1:14:03 | |
I can go with you if you want. | 1:14:03 | 1:14:05 | |
I want. | 1:14:06 | 1:14:07 | |
And, so, Amber Lee has quit. | 1:14:10 | 1:14:12 | |
-Gone. -Kaput. | 1:14:12 | 1:14:14 | |
The producers feel, without a star, we can't open. | 1:14:14 | 1:14:18 | |
The time it would take to find someone who could learn the role and do it well might take weeks, | 1:14:18 | 1:14:23 | |
and it would cost too much to keep the production going. | 1:14:23 | 1:14:25 | |
But we want you all to know, it was great almost working with you. | 1:14:25 | 1:14:31 | |
-I'm gonna meet you outside. -All right. | 1:14:39 | 1:14:41 | |
-GILL: -Thank you for your hard work. | 1:14:49 | 1:14:53 | |
We are so, so sorry, people. | 1:14:53 | 1:14:55 | |
Wait! Wait, it's not over. It's not over. | 1:15:02 | 1:15:06 | |
Look, it doesn't have to be. | 1:15:06 | 1:15:07 | |
There is someone who knows the part by heart and who is amazing. | 1:15:07 | 1:15:11 | |
All right, maybe she's not a star yet, but she will be. | 1:15:11 | 1:15:14 | |
This show will make her one. | 1:15:14 | 1:15:16 | |
Just watch. | 1:15:16 | 1:15:17 | |
"Boi, keep your voice down. Peyton, start shooting the rehearsal." | 1:15:21 | 1:15:25 | |
"Boi, go mark. Go mark." | 1:15:25 | 1:15:27 | |
"Good!" | 1:15:27 | 1:15:28 | |
"OK, stay. Stay." | 1:15:28 | 1:15:31 | |
" BOI BARKS" | 1:15:32 | 1:15:33 | |
"I love when you use that accent, but shh. We're not supposed to be here." | 1:15:33 | 1:15:36 | |
"OK, now let's do the scene where the character Lenore | 1:15:36 | 1:15:39 | |
thinks she's lost everything and you come over to console her. Come on." | 1:15:39 | 1:15:43 | |
"Shelby, what is going on?" | 1:15:43 | 1:15:45 | |
"I feel invisible here." | 1:15:45 | 1:15:47 | |
"Nothing is working out the way I planned it." | 1:15:47 | 1:15:50 | |
# I got something inside of me | 1:15:50 | 1:15:54 | |
# Something that needs to be heard | 1:15:54 | 1:15:58 | |
# Deep down a voice is guiding me | 1:16:00 | 1:16:04 | |
# Hidden emotions have stirred | 1:16:04 | 1:16:07 | |
# Why have I let others lead the way | 1:16:11 | 1:16:15 | |
# When all along I know what it is | 1:16:15 | 1:16:19 | |
# I want to say | 1:16:19 | 1:16:23 | |
# Whatever it is I'll do it | 1:16:23 | 1:16:26 | |
# I'm the answer to your prayers | 1:16:26 | 1:16:29 | |
# Whatever you want Stop looking | 1:16:29 | 1:16:31 | |
# Nobody else compares | 1:16:31 | 1:16:34 | |
# Whatever you've seen before | 1:16:34 | 1:16:37 | |
# I'll give you so much more | 1:16:37 | 1:16:41 | |
# You'll be totally impressed | 1:16:41 | 1:16:43 | |
# I'm New York's best kept secret | 1:16:43 | 1:16:46 | |
# I thought I had a perfect plan | 1:16:59 | 1:17:03 | |
# Where I would wind up on top | 1:17:03 | 1:17:06 | |
# One day I'm thinking, "Yes, I can" | 1:17:11 | 1:17:15 | |
# Next thing you know, I'm a flop | 1:17:15 | 1:17:18 | |
# Why did I ever play this silly game? | 1:17:22 | 1:17:26 | |
# I got to shake up the rules | 1:17:26 | 1:17:30 | |
# And stake my claim | 1:17:30 | 1:17:32 | |
# Whatever it is I'll do it | 1:17:32 | 1:17:35 | |
# I'm the answer to your prayers | 1:17:35 | 1:17:38 | |
# Whatever you want Stop looking | 1:17:38 | 1:17:41 | |
# Nobody else compares | 1:17:41 | 1:17:43 | |
# Whatever you've seen before | 1:17:43 | 1:17:46 | |
# I'll give you so much more | 1:17:46 | 1:17:50 | |
# You'll be totally impressed | 1:17:50 | 1:17:52 | |
# I'm New York's best kept secret | 1:17:52 | 1:17:55 | |
# What if I missed my window? | 1:17:55 | 1:17:58 | |
# What if I blew my shot? | 1:17:58 | 1:18:01 | |
# What if the only chance I was going to get | 1:18:01 | 1:18:04 | |
# I already got? | 1:18:04 | 1:18:06 | |
# I'm not ready to turn the page | 1:18:06 | 1:18:09 | |
# Until I'm on stage in a show | 1:18:09 | 1:18:12 | |
# No, nobody move I've got something to prove | 1:18:12 | 1:18:16 | |
# Don't you know? | 1:18:16 | 1:18:21 | |
# Whatever it is I'll do it | 1:18:21 | 1:18:24 | |
# I'm the answer to your prayers | 1:18:24 | 1:18:26 | |
# Whatever you want Stop looking | 1:18:26 | 1:18:29 | |
# Nobody else compares | 1:18:29 | 1:18:32 | |
# Whatever you've seen before | 1:18:32 | 1:18:36 | |
# I'll give you so much more | 1:18:36 | 1:18:42 | |
# You'll be totally impressed | 1:18:43 | 1:18:47 | |
# I'm New York's best kept secret | 1:18:47 | 1:18:52 | |
# Mm-mm | 1:18:54 | 1:18:56 | |
# Mm-mm-mm. # | 1:19:00 | 1:19:03 | |
> Well, did I tell you? | 1:19:13 | 1:19:14 | |
-Amazing! -Amazing! You're amazing! | 1:19:18 | 1:19:20 | |
You have more depth, range and tone in one note | 1:19:20 | 1:19:22 | |
than Amber Lee had in her entire surgically reshaped body. | 1:19:22 | 1:19:25 | |
-We'll promote you as "The girl who we're promoting." -The producers will love it. | 1:19:25 | 1:19:29 | |
-What are you saying? -We need you to save the show. | 1:19:29 | 1:19:32 | |
-Seriously? -We know it's a risk. | 1:19:35 | 1:19:37 | |
-A gamble. -A risk. Did I do "risk" already? | 1:19:37 | 1:19:39 | |
-You did. And, true, we did fire you. -He fired you. | 1:19:39 | 1:19:41 | |
-But now I'm un-firing you. -Can we do that? -Just did. | 1:19:41 | 1:19:44 | |
-Good for us! -We need you. | 1:19:44 | 1:19:46 | |
What do you say? | 1:19:46 | 1:19:48 | |
I... I guess we could take the costumes in a few sizes | 1:19:48 | 1:19:51 | |
and get everyone used to hearing the songs sung on key, | 1:19:51 | 1:19:54 | |
but there's one condition. | 1:19:54 | 1:19:56 | |
Boi and Countess split the role of Shelby the dog equally. | 1:19:59 | 1:20:01 | |
-Done! -We've a lot of work to do, people! | 1:20:07 | 1:20:09 | |
-Are we crazy? -Crazy for theatre! | 1:20:09 | 1:20:11 | |
-Let's rehearse! -Let's rehearse, people! | 1:20:11 | 1:20:13 | |
Where are those wonderful dogs? | 1:20:14 | 1:20:16 | |
-Thank you. -This is it. | 1:20:18 | 1:20:20 | |
The chance you've been waiting for. | 1:20:20 | 1:20:22 | |
-What if I'm not ready for this? -Oh, you're ready. | 1:20:25 | 1:20:27 | |
"Ready" isn't as ready as you are. | 1:20:27 | 1:20:30 | |
-What if I'm horrible? -Won't happen. | 1:20:30 | 1:20:32 | |
-What if I forget my lines? -Impossible. | 1:20:32 | 1:20:34 | |
-What if I - -Everything in your life so far | 1:20:34 | 1:20:36 | |
has been leading you to this moment. | 1:20:36 | 1:20:38 | |
Your moment. Embrace it. | 1:20:38 | 1:20:41 | |
I'm scared. | 1:20:45 | 1:20:46 | |
Finally. | 1:20:48 | 1:20:49 | |
Let's rehearse, people! | 1:21:00 | 1:21:02 | |
GIRLS SQUEAL | 1:21:07 | 1:21:09 | |
WOMAN: Over here! | 1:21:11 | 1:21:12 | |
-MAN: -Mr Pinto, Mr Pinto, over here. Mr Pinto, look this way. | 1:21:12 | 1:21:16 | |
CHATTER | 1:21:16 | 1:21:19 | |
CONVERSATION MUTED | 1:21:29 | 1:21:31 | |
APPLAUSE | 1:21:40 | 1:21:42 | |
MUSIC STARTS | 1:21:52 | 1:21:54 | |
# I've got a feeling inside of me | 1:22:06 | 1:22:09 | |
# Running all through my veins | 1:22:09 | 1:22:13 | |
# It's like electrical energy | 1:22:13 | 1:22:16 | |
# A world about to change | 1:22:16 | 1:22:20 | |
# It's an open road | 1:22:20 | 1:22:23 | |
# So here I go | 1:22:23 | 1:22:26 | |
# The rest of my life | 1:22:26 | 1:22:27 | |
# Is starting tonight | 1:22:27 | 1:22:29 | |
# Feels like I'm finally on my way | 1:22:29 | 1:22:33 | |
# I'm looking ahead | 1:22:33 | 1:22:35 | |
# Can't tell where it ends | 1:22:35 | 1:22:36 | |
# But I'm gonna take a leap of faith | 1:22:36 | 1:22:40 | |
# And I'm gonna hold on tight | 1:22:40 | 1:22:44 | |
# And ride this ride | 1:22:44 | 1:22:47 | |
# The rest of my life | 1:22:47 | 1:22:50 | |
# I'm gonna go for it all out | 1:22:52 | 1:22:54 | |
# I know there's no guarantee | 1:22:54 | 1:22:58 | |
# But I've been given a chance and now | 1:22:59 | 1:23:02 | |
# What's next is up to me | 1:23:02 | 1:23:04 | |
# I'm gonna set my sights | 1:23:05 | 1:23:08 | |
# So light those lights | 1:23:08 | 1:23:11 | |
# The rest of my life | 1:23:11 | 1:23:12 | |
# Is starting tonight | 1:23:12 | 1:23:15 | |
# Feels like I'm finally on my way | 1:23:15 | 1:23:18 | |
# I'm looking ahead | 1:23:18 | 1:23:20 | |
# Can't tell where it ends | 1:23:20 | 1:23:22 | |
# But I'm gonna take a leap of faith | 1:23:22 | 1:23:25 | |
# And I'm gonna hold on tight | 1:23:25 | 1:23:29 | |
# And ride this ride | 1:23:29 | 1:23:32 | |
# The rest of my life | 1:23:32 | 1:23:36 | |
# If all the world's a stage | 1:23:37 | 1:23:40 | |
# I'm here to take my place | 1:23:40 | 1:23:44 | |
# I know I'll always find a way to shine | 1:23:44 | 1:23:48 | |
# The rest of my life | 1:23:51 | 1:23:53 | |
# Is starting tonight | 1:23:53 | 1:23:56 | |
# Feels like I'm finally on my way | 1:23:56 | 1:23:58 | |
# I'm looking ahead | 1:23:58 | 1:24:00 | |
# Can't tell where it ends | 1:24:00 | 1:24:01 | |
# But I'm gonna take a leap of faith | 1:24:01 | 1:24:07 | |
# The rest of my life | 1:24:07 | 1:24:08 | |
# Is starting tonight | 1:24:08 | 1:24:11 | |
# Feels like I'm finally on my way | 1:24:11 | 1:24:14 | |
# It starts with a dream | 1:24:14 | 1:24:16 | |
# Of who I could be | 1:24:16 | 1:24:17 | |
# Wherever it takes me I can't wait | 1:24:17 | 1:24:21 | |
# So I'm gonna hold on tight | 1:24:21 | 1:24:25 | |
# And ride this ride | 1:24:25 | 1:24:28 | |
# The rest of my life | 1:24:28 | 1:24:33 | |
# The rest of my life | 1:24:35 | 1:24:39 | |
# The rest of my life. # | 1:24:40 | 1:24:48 | |
APPLAUSE AND CHEERING | 1:24:48 | 1:24:51 | |
IMS Subtitles | 1:25:00 | 1:25:02 | |
What a night, huh, Boi? | 1:25:06 | 1:25:08 | |
And I told you, I look amazing in black and white. | 1:25:08 | 1:25:11 | |
KNOCKING | 1:25:11 | 1:25:13 | |
# It's hard to believe | 1:25:15 | 1:25:17 | |
# That I couldn't see | 1:25:17 | 1:25:19 | |
BOTH: # You were always there beside me. # | 1:25:19 | 1:25:23 | |
Ryan! SQUEALS: | 1:25:23 | 1:25:25 | |
THEY DO VOCAL EXERCISES | 1:25:25 | 1:25:27 | |
LAUGHS: SQUEALS: | 1:25:31 | 1:25:33 | |
-Oh, my gosh. -You're back? | 1:25:33 | 1:25:35 | |
I'm on a break from my tour. I had to come into the city and see you | 1:25:35 | 1:25:39 | |
and say, "Oh, my gosh, you're a star." | 1:25:39 | 1:25:41 | |
-Go ahead. -Oh, my gosh, you're a star. | 1:25:41 | 1:25:43 | |
-I know. -It's crazy. | 1:25:43 | 1:25:46 | |
Seems like yesterday were putting on our plays for Mom and Dad. | 1:25:46 | 1:25:49 | |
Forcing the staff to write us fan letters. | 1:25:49 | 1:25:51 | |
When we started senior year, remember what we said we wanted? | 1:25:51 | 1:25:55 | |
To be famous and marry royalty. | 1:25:55 | 1:25:57 | |
To have jazz dance steps named after us. | 1:25:57 | 1:25:59 | |
To be the first natural blonde to carry off periwinkle. | 1:25:59 | 1:26:00 | |
-And star in shows for more than 100 people. -And now look. | 1:26:00 | 1:26:04 | |
You're touring the country starring in a musical. | 1:26:04 | 1:26:06 | |
You and Boi are on Broadway every night. | 1:26:06 | 1:26:09 | |
-Is it everything you imagined? -It's even better. | 1:26:09 | 1:26:11 | |
I've been a prom queen, a homecoming queen, | 1:26:11 | 1:26:13 | |
a beauty queen and a drama queen. | 1:26:13 | 1:26:15 | |
But being the Queen of Broadway tops it all. | 1:26:15 | 1:26:17 | |
It must. | 1:26:17 | 1:26:19 | |
And your place - it is so cute. | 1:26:19 | 1:26:21 | |
I know, I love it. | 1:26:21 | 1:26:24 | |
It's home. | 1:26:24 | 1:26:25 | |
-PEYTON: -Hey, Sharpay. -Boi! | 1:26:25 | 1:26:27 | |
Boi! | 1:26:27 | 1:26:29 | |
Boi! Boi! | 1:26:29 | 1:26:31 | |
Sorry, he likes to visit the neighbours. Boi! | 1:26:31 | 1:26:34 | |
Whoa! | 1:26:37 | 1:26:39 | |
Sharpay? Hey! | 1:26:40 | 1:26:43 | |
Sharpay?! | 1:26:43 | 1:26:46 | |
-Hello? -KNOCKS: | 1:26:46 | 1:26:49 | |
Anyone? | 1:26:49 | 1:26:51 | |
Help! | 1:26:52 | 1:26:53 |