Sharpay's Fabulous Adventure


Sharpay's Fabulous Adventure

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Transcript


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# There's a moment when you realise

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# That something's changed

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# And all the bits and pieces start to fit

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# It's so fab!

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# When nothing that you know will ever be the same

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# Ring the bell PHONE RINGS

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# That's my cue

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# Gotta try something new

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# Gonna shine

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# And make the moment mine

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# Now my time has arrived

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# Gonna shine so bright

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# The sun will run and hide

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# And I'll be the only star that lights the sky

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# I'm gonna shine

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# Yeah

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Listen up, fellas.

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# Now there's nothing in this universe to hold me back

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Bye, Gab.

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# No endless night can keep me in the dark

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# And I just might give my dear old dad a heart attack

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-# But he'll live

-# He'll live

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-# And he'll see

-# He'll see

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# What his girl is meant to be

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# Gonna shine

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# And leave the past behind

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# Gonna try to fly so high

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# Gonna climb

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# And make the prize all mine

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# Then I'll write my name in letters across the sky

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# I'm gonna shine

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# And if my present luminescent state is second rate

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# I'll turn it up a notch past nine

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# And watch the world go blind

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# Got a diva dazzle that you just can't touch

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# Like an angel in Armani I'm too fabulous

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# They'll be lining up for blocks Once I bop to the top

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# With a poochie in my Gucci I just can't be stopped

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# I'm gonna shine

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# And make the moment mine

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# Now my time has arrived

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# Gonna shine so bright

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# The sun will run and hide

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# And I'll be the only star that lights the sky

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# I'm gonna shine! #

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APPLAUSE

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-WOMAN:

-There she is. Wonderful!

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Hi!

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-I know, I know. WOMAN:

-I loved it.

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Excuse us. There's our little superstar!

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Princess, watch out for law enforcement.

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They are gonna come after you for stealing the show!

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Honey, on a scale of one to ten, you were an entirely different scale.

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And you know my aversion to scales.

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Sharpay!

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Yes, I know. And thank you.

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We'd like to introduce you to Jerry Taylor.

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He's a friend, visiting for the week.

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May I just say how wonderful you were?

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As many times as you'd like!

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I really see a unique talent here. I mean, a true gift.

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And your kind, true words are a gift as well.

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It was so nice to meet you.

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If you'll excuse me, my friends are waiting.

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I'm a casting agent from New York.

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And will keep waiting until I tell you how much I love your suit.

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I'm about to start casting for a new musical on Broadway.

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Broadway? As in "Broadway?"

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Yeah. And I think that there is a perfect part.

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I would be happy to arrange an audition

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if you find yourself in the Big Apple soon.

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That would be... I would be...

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It would be, like...

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The show is going to star Amber Lee Adams.

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-No.

-Yeah.

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Stop. Seriously, stop.

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Who's Amber Lee Adams?

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She's only the most amazing performer ever!

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We have so much in common.

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I won't keep you. It was so nice to meet you, Sharpay.

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Congratulations again.

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Who knows, maybe we'll see you in New York. OK?

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-Congrats!

-Bye.

-Toodles!

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Yes! Yes! Yes!

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-No!

-No?

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-No!

-No? I don't understand!

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What language is that?

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No, I don't think going to New York is a good idea.

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See, there you go, believing everything you think.

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Do you believe you're ready for such a monumental step?

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Daddy, the main reason I buy such expensive shoes

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is to take monumental steps.

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When you graduated a year ago, do you remember what you said to me?

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-"How come no-one makes a cap and gown in hot pink?"

-No.

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-"How come you get a car and driver and I don't?"

-No.

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"Good luck finding anyone to fill the talentless void

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-of boring that will exist in these hallways once I graduate"?

-No.

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Yes, but you also said that you needed a year to find yourself,

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to figure out what came next.

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That year's almost up, and you haven't found it.

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It's a small town. There's only so many places to look.

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Besides, I did find something. A show I wanna be in.

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This is more than just a show.

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You're talking about going it alone in the big city.

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Right! To star on Broadway with Amber Lee Adams.

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Could you deny the world that opportunity?

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I'm sorry, princess. But nothing you've shown me

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convinces me you're ready for something like this.

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OK, ladies. Team Sharpay. Mission - New York.

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Daddy says I'm not ready. What does that mean?

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You pout, throw a tantrum, and he buys you a new Burberry bag

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-to make you feel better?

-That's good, but no.

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It means we show him I'm determined.

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And when I make up my mind - and no-one is better with make-up -

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my mind looks amazing.

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OK, here's your assignments.

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I texted Bridget, who tweeted Bethany, who Facebooked Kara,

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who has an ex-friend she caught with her boyfriend,

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who she dumped, so now Kara's her friend again,

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who knows of a New York apartment available in a luxury townhouse.

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That is, like, the best house you can get in terms of towns.

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-Sounds perfect.

-It gets better.

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-It can't.

-But it does.

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It is equal distance from both Chanel and Wicked.

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SQUEALS

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OK. Now, on to travel plans.

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That's right. Albuquerque to New York. One adult and one dog.

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Excuse me? Coach?

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LAUGHS

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Hi, I'm calling for Sharpay Evans.

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Mr Taylor wanted to set up an audition with her for a new musical.

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Two weeks from today is perfect.

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THEY SQUEAL

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Now, new outfits.

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And this would be for opening night.

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The beading actually doubles the reflection of paparazzi flashbulbs!

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You can wear anything.

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You should have your own reality show called I Can Wear Anything.

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Where you wear anything.

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All right. I'm ready to show Daddy what we've accomplished.

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Ladies, and people I don't know...

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..New York is calling.

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And this is one call that is not going to voice mail.

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So, by way of review, this is my shoe closet,

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that is my bedroom,

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these are my new clothes and where I'll wear them,

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and then I'm a star! See?

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I'm just not totally convinced.

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Daddy, you said I haven't shown you anything to let you know I'm ready for this.

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But, look, I took matters into my own hands,

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and without even chipping my manicure.

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Sweetheart, it's not as easy as putting pictures on boards.

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But I've worked everything out!

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And used this pointer.

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-I don't know.

-Please, Daddy.

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Alone, in New York?

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You know, my dear college friend, Michelle,

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has a son that goes to NYU.

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I've met him. He's a very nice boy.

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I could ask her to make sure that he keeps his eye on you.

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Are you sure you're ready to take this on?

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I know I can do this. I know it like I know purple washes me out

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and that my eyes are the exact same distance apart to be a supermodel.

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What I don't know is whether you believe in me.

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Mom seems to.

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SIGHS

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OK, you have my blessing.

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SQUEALS Thank you, Daddy!

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I'll call my friend Michelle and have her talk to her son.

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Thanks, Mom.

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There's just one condition.

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Fine. I love a good conditioner.

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You have one month. I'll fly you to New York, I'll pay for your penthouse,

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but you have to get yourself in that show

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and prove to me you can take care of yourself. One month.

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-Deal?

-So deal!

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But if it doesn't work out, you come back here and work for me.

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At the country club.

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W...Work?

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A job. That's the deal.

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Prove yourself or come back in a month and work for me.

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Fine. Prove myself it is!

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Look!

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Look, Boi, look!

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-Sharpay?

-In the flesh and pastels!

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-We've been awaiting your arrival.

-Then the wait's over!

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We spoke on the phone. I'm Marjorie Grande, manager for the building.

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-My pleasure.

-Please, follow me to the penthouse.

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Ooh!

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I hope this is to your liking.

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No. It's to my loving! Boi, you've gotta see this.

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-That's a dog.

-Try to get him to believe that.

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I'm sorry. There are no dogs in the building.

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Sure there are. See?

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The members of the co-op board have a strict no dog policy.

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Well...

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My father heads our country club board,

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so I'm sure that gives me some kind of board immunity.

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Miss Sharpay, this building is pleased to have you.

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This dog...

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Not so pleased.

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Miss Grande, ma'am.

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If he goes, I go.

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Er, what are you doing?

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Filming you. Just keep doing what you're doing.

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Do you always just film totally stunning people on the street that you don't know?

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Only when I think the subject is interesting.

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And you look baffled and scared and really pink.

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So, yeah, interesting.

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Are you paparazzi?

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I'm a film student at NYU, working on a short film.

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The assignment is to capture one unique New York story.

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Maybe you're it.

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So, you decided to film me without my permission,

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-just for a school assignment?

-Yep.

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How dare you!

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And my left side is better for close-ups.

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I'm Peyton.

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Sharpay Evans. Actress, heiress, soon to be Broadway legend.

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-Wait!

-About 105.

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-But it's really not polite to ask.

-No -

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I should know my own weight, OK?

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No, I'm Peyton Leverett. Our moms went to college together.

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This is crazy!

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I was on my way up to your apartment to make sure you were OK.

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-And here you are.

-Right, they told me to expect you.

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Well, glad we could finally meet. Oh, and this is Boi.

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Well, nice to meet you, Boi.

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So, why are you out here? Is everything OK?

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Not really.

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When I rented this apartment online, it never said they don't allow dogs.

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And now they won't let us live here. Yeah, well, it's their loss!

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Do you have someplace else to go?

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OK, it's my loss and their loss!

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Actually, the only place I have to go is home.

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And trust me, that is not an option!

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There's an empty studio in my building, if you're interested.

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I'm friends with the building manager. I'm sure I can make a call.

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And...

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Well, I'm sure I can make a call and arrange something.

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Maybe get you to see it.

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Well, since I don't seem to have any other options.

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Bellman!

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Oh, yeah, right.

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Seriously?

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Careful with those! This is all I have to get by on

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until the truck arrives with the bulk of my things.

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SCREAMS

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Oh! That's good.

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OK, now, go outside, and then come back in

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and give me even more of that it's the end of the world look. OK?

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-Hey, Peyton.

-Hey, Peyton!

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-What's up?

-Off to acting class.

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"Maggie, the cat is alive. I'm alive!"

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Singing lesson.

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SINGS

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Cool, guys. OK. Hey, this is Sharpay and Boi.

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BOTH: Hi, Sharpay. Hi, Boi!

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Anyways, gotta go. See ya, Peyton.

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-Nice meeting you, Sharpay.

-Later, guys.

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OK. Really, you're going to love this place. OK? Up you go.

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Sorry. It's a pre-war building.

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And during the war, they didn't fight for an elevator?

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Listen, the building has two things going for it.

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It's got something available, and I live here.

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Fine. But if I break a heel, or a sweat, you're responsible.

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Get my bags.

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See? That wasn't so bad.

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Yeah.

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Down the hall. The one with the police tape and chalk outline.

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Really?

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Kidding.

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-You said this was a studio.

-It is.

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No way! MGM was a studio! This?

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This is a roach motel with no room service.

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Yeah, a studio apartment. Sure, from certain angles, it's a bit small.

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A two-carat engagement ring is a bit small!

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This is a doll house!

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-So what do you think?

-Forget it!

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I'd need an entirely separate apartment just for my lipsticks.

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And where am I supposed to sleep?

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-What is that?

-It's your bed.

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That is not a bed. It's a closet with a tongue.

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You can't be serious!

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There is one really good thing about it.

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Yeah, sure.

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See? This is my place!

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Looking better, huh?

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Am I missing something? Oh, right.

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Space! Luxury! Maid service!

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Let me guess. You're used to being spoiled.

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I'm not used to it. I just expect it.

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You know, half this building is filled with performers

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who came here with the same ambitions you did.

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What makes you so much better than them?

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Money, breeding, talent, great hair, perfect jaw line, chic taste.

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How much time do you have?

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All right, fine. I tried to help you out like my mom asked,

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but whatever. I'll find someone else to film.

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The only problem is if I call my father

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and tell him how I messed up on the other apartment

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and how I have nowhere to go but here, and I ask for his help,

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he'll make me come home and...

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W... W...

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-Work!

-So?

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So? Then I'll never get my big break.

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Promise you won't call your mother and tell her.

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Then she'll call my mom who will tell my dad,

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and I don't think he believes I can make this happen.

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He only gave me one month to prove it.

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Then you've got one month to prove him wrong.

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Why did I do this?

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I want my canopy bed and my housekeeper.

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And a shower that doesn't share a room with a kitchen.

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-Come on.

-Where to?

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-Do you trust me?

-You suggested this place.

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Yeah. Point taken. Come anyway. Come on.

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I hope you're taking me to a better apartment than what you showed me.

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Let me tell you, if that's it? No way! Absolutely no!

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Just come on. Just don't ask any questions.

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I need luxury! Are you kidding me?

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That was like a green, dark hole that I never wanna be in ever again.

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All right, here you go.

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Butchy!

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-Come on.

-Where are you taking me?

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-You'll see. Come on.

-Why are we here?

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All right. You're gonna have to close your eyes.

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-Close my eyes?

-Yeah, close your eyes.

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-Why?

-Because! Just do it.

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-All right, now. Keep them closed.

-Well, what if I hit into something?

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You won't. I got you.

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All right, all right. Keep them closed.

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All right.

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-All right, you got them closed?

-Yes, I do.

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All right, all right. Perfect. All right. Now, stay here, keep them closed.

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Keep them closed. All righty.

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Keep them closed.

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All right. Open them. Hit it, Butchy!

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Wow.

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I know.

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When I left Indiana to go to school here, I didn't know a soul either,

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and I was just as overwhelmed as you.

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But I had two things, my dream and my camera.

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And look at me now.

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You still only have your dream and your camera.

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Yes, but I met you, didn't I?

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So, something's working out.

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Well, whenever people meet me, things get better.

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Look, you just have to adapt to your surroundings.

0:19:360:19:39

And remember that for now this is all just temporary.

0:19:390:19:42

Right. Like prom dresses and first boyfriends.

0:19:440:19:48

Look, anything you have to do will be worth it to get your dream.

0:19:500:19:53

OK.

0:19:560:19:58

I'm gonna meet with that casting director, get the part,

0:19:580:20:01

-be a star and have a palace!

-There you go.

0:20:010:20:03

That's the self-indulgent, self-entitled,

0:20:030:20:05

optimistic pink hurricane I've been seeing through my lens.

0:20:050:20:08

I like how perceptive you are.

0:20:080:20:10

OK, New York. Bring it on.

0:20:110:20:14

# "Walking On Sunshine" - Alyson Michalka and Amanda Michalka

0:20:140:20:18

# I used to think maybe you loved me

0:20:230:20:26

# Now, baby, I'm sure

0:20:260:20:29

# And I just can't wait till the day

0:20:310:20:34

# When you knock on my door

0:20:340:20:37

# Now every time I go for the mailbox

0:20:400:20:43

# Gotta hold myself down

0:20:430:20:45

# Cos I just can't wait till you write me

0:20:480:20:51

# You're coming around

0:20:510:20:54

# I'm walking on sunshine

0:20:550:20:58

# Whoa

0:20:580:21:00

# I'm walking on sunshine

0:21:000:21:02

# Whoa

0:21:020:21:04

# I'm walking on sunshine, whoa

0:21:040:21:08

# And don't it feel good!

0:21:080:21:10

# Hey!

0:21:100:21:11

# All right now And don't it feel good!

0:21:110:21:14

# Hey!

0:21:140:21:15

# All right now, yeah

0:21:150:21:18

Hi!

0:21:180:21:19

# I know that it's true

0:21:210:21:23

SHRIEKS

0:21:230:21:25

Turn it off. Turn it off!

0:21:260:21:28

# Just waiting for you

0:21:290:21:32

# Just waiting for you

0:21:320:21:34

# Now I don't want you back for the weekend

0:21:340:21:38

# Not back for a day

0:21:380:21:40

# No, no, no

0:21:400:21:43

What?

0:21:450:21:46

# I want you to stay

0:21:460:21:49

# I'm walking on sunshine

0:21:500:21:53

# Whoa

0:21:530:21:54

# I'm walking on sunshine

0:21:540:21:57

# Whoa

0:21:570:21:59

# I'm walking on sunshine

0:21:590:22:01

# Whoa

0:22:010:22:03

# And don't it feel good! Hey!

0:22:030:22:06

# All right now And don't it feel good! #

0:22:060:22:09

Oh, yeah!

0:22:090:22:12

Looking good. So pink.

0:22:120:22:15

You're good.

0:22:160:22:18

-Do you wanna try some?

-No, I don't want any!

0:22:240:22:27

Lay down. Lay down.

0:22:290:22:31

Night, Boi!

0:22:340:22:36

SHRIEKS

0:22:440:22:46

MUFFLED: Boi?

0:22:480:22:50

Get help!

0:22:500:22:51

BANGING

0:22:510:22:53

-Knock, knock. >

-Come in!

0:22:570:22:59

Wow!

0:23:020:23:04

And wow.

0:23:040:23:06

Are you on your way to meet with the casting director?

0:23:080:23:11

No, I'm on my way to change theatre history.

0:23:110:23:14

You think this is a good outfit for changing history?

0:23:140:23:17

Perfect! Mind if I tag along and film?

0:23:190:23:22

Not that you could ever mind me, right?

0:23:220:23:24

I think you should. After all,

0:23:240:23:26

not many people can say they were there to film the creation of a legend.

0:23:260:23:30

Sharpay! You made it after all!

0:23:370:23:39

Destiny called, and I get great reception!

0:23:390:23:41

Well, your timing is perfect. What's tomorrow like for you?

0:23:410:23:45

The first day of the rest of my fame.

0:23:450:23:47

Well, all right. I'll set up your audition for 3:00.

0:23:470:23:50

I'll e-mail you the musical number that we'd like you to prepare.

0:23:500:23:53

And could you make sure that he's well groomed

0:23:530:23:55

and, you know, takes care of any business beforehand.

0:23:550:23:58

-What?

-What?

0:23:580:24:00

-He?

-Yes.

-Him?

-Him.

0:24:000:24:02

-He?

-Yes!

-Wait, what?

0:24:020:24:04

It's your dog that we want to audition. He was amazing!

0:24:050:24:09

Oh.

0:24:090:24:10

What?

0:24:100:24:12

I mean...

0:24:120:24:14

I sent you all the information in response to your e-mail.

0:24:140:24:17

I mean, didn't the title of the musical give you any indication?

0:24:170:24:20

-A Girl's Best Friend?

-A Girl's Best Friend!

0:24:200:24:22

-And I'm here for the girl!

-You're here for the girl?

0:24:220:24:24

Well, I'm never the best friend!

0:24:240:24:26

Oh, no. No, no. We wanted Boi.

0:24:260:24:29

-As the girl?

-No, as the best friend.

0:24:290:24:31

Wait, wait. You want Boi as the best friend of the girl?

0:24:310:24:33

-Not me as the girl with the best friend?

-Exactly.

0:24:330:24:37

Oh, Sharpay, I am so sorry for the confusion.

0:24:370:24:40

If you don't want Boi to audition, I would totally understand.

0:24:400:24:44

Sharpay. Sharpay! Hey, stop.

0:24:460:24:50

-MAN:

-Hey, don't touch the car!

-Look, slow down.

0:24:500:24:53

Even New Yorkers can't keep up with you.

0:24:530:24:55

-It's not even me they wanted!

-To be fair, the role is for a dog.

0:24:550:24:58

If they wanted you, I could understand you being upset.

0:24:580:25:01

Why did I come all this way? Leave my friends, family, a dry, self-hydrating climate?

0:25:010:25:05

To follow your dream! Or at least that's what I thought.

0:25:050:25:09

Nothing is turning out the way I planned it!

0:25:090:25:11

Plan A. Live in a penthouse and star on Broadway.

0:25:110:25:13

Plan B. I don't have a Plan B! What do I tell my father now?

0:25:130:25:17

That you came to a very special city to be someone very special, which you are.

0:25:170:25:20

Oh, I'm not so special. I'm just like everyone else.

0:25:200:25:23

-Maybe a little better.

-Look at it this way.

0:25:230:25:25

Boi is your dog, and he has an opportunity, so be happy for him.

0:25:250:25:29

You're right.

0:25:320:25:34

I'm being, you know, what's the word? When you do something for yourself

0:25:340:25:37

even though it's not so good for other people?

0:25:370:25:40

-Selfish?

-No!

0:25:400:25:42

Oh, yeah.

0:25:420:25:43

Look, Sharpay, you can't give up. OK?

0:25:430:25:47

And, anyway, you're officially the star of my film.

0:25:470:25:50

-I am?

-Yeah, you are.

0:25:510:25:53

Oh. So now it's all about you?

0:25:530:25:56

Only because I need you here.

0:25:560:25:58

Fine. I'll star in your movie.

0:25:590:26:01

OK. Good, good!

0:26:010:26:03

OK, change of strategy.

0:26:070:26:09

I didn't know you had a strategy, but I like the way you think.

0:26:090:26:12

If Boi becomes a success, everyone will see me as well.

0:26:120:26:16

After all, I am his entourage.

0:26:160:26:19

I am the one who's holding his leash.

0:26:190:26:21

His fame will ultimately lead to my fame.

0:26:210:26:23

That's what I came here for, right?

0:26:230:26:25

Still a little selfish, but heading in the right direction.

0:26:250:26:28

We're gonna do this. It's like I tell the housekeepers.

0:26:280:26:31

If you can't see the bright side, polish the dull side.

0:26:310:26:34

-Yeah, not quite what I was...

-They want Boi to audition?

0:26:340:26:37

It's Boi they will get!

0:26:370:26:39

# When a sign of the times is the times are extremely tough

0:26:420:26:46

BOI WHINES Shh!

0:26:460:26:48

# When you look at the world and the world that you see is

0:26:480:26:51

BARKS Yes, rough.

0:26:510:26:53

# When you feel like a long lost pup

0:26:530:26:56

# And you need some cheering up

0:26:560:27:00

# Sit back, relax and watch us do our stuff

0:27:000:27:08

Two, three, four.

0:27:090:27:11

# We're gonna sit and shake your hand

0:27:150:27:17

# That's how it starts

0:27:170:27:19

# We're gonna nose our nosy way into your hearts

0:27:210:27:25

# We'll sing and bark In two-part harmony

0:27:270:27:32

# You're gonna love us That's our guarantee

0:27:320:27:38

# We'll bow together on the count of three

0:27:380:27:44

# Me and my Boi

0:27:440:27:46

# My Boi and me

0:27:460:27:48

# We make the perfect pair

0:27:480:27:53

# We've got that savoir faire

0:27:530:27:58

# Me and my Boi

0:27:590:28:02

# Me and my Boi

0:28:020:28:04

# Me and my Boi...

0:28:040:28:07

# My Boi and me! #

0:28:070:28:14

-Wait!

-That's the best audition I've ever seen!

0:28:230:28:26

-I'm Gill Samms, the director.

-Neal Roberts, writer.

0:28:280:28:31

-That was amazing!

-Chills. Feel my hand.

0:28:310:28:33

I won't feel your hand, but I believe you.

0:28:330:28:35

I won't feel your hand either, but I believe you, too.

0:28:350:28:38

-That is one special dog.

-We've done special here.

0:28:380:28:40

Special has been done, people!

0:28:400:28:42

Boi was meant for Broadway. We both were.

0:28:420:28:46

So, when do we start?

0:28:470:28:49

Well, there's one more waiting.

0:28:490:28:51

-One more!

-One more, people!

0:28:510:28:53

Could you take a seat in the front row, please?

0:28:550:28:58

There.

0:28:580:28:59

Now.

0:28:590:29:01

Roger Elliston.

0:29:400:29:42

The third.

0:29:440:29:46

And his dog, Countess.

0:29:460:29:48

FYI, I'm Roger.

0:29:480:29:50

As you can see by our extensive resume,

0:29:510:29:54

hand printed on carbonless, environmental friendly rice paper,

0:29:540:29:58

Countess has numerous major Broadway credits under her paws,

0:29:580:30:01

including The Collar Purple, Three Puppy Opera,

0:30:010:30:06

and the original Broadway cast production

0:30:060:30:08

of A Wagging Tail of Two Cities, a musical opera in German.

0:30:080:30:13

-Major pedigree.

-I'm impressed.

0:30:130:30:15

This is us impressed.

0:30:150:30:18

Plus, she can bark a high C with sustained vibrato.

0:30:180:30:22

Sure, but only dogs can hear it.

0:30:220:30:25

LAUGHS

0:30:250:30:27

All right. Let's see what Countess can do.

0:30:460:30:49

# Oh

0:30:520:30:54

# When a sign of the times is that times are extremely tough

0:30:540:30:59

# When you look at the world and the world that you see is rough

0:31:000:31:05

# When you feel like a long lost pup

0:31:060:31:09

# And you need some cheering up

0:31:090:31:13

# Sit back, relax and watch us do our stuff

0:31:130:31:20

# We're gonna sit and shake your hand

0:31:270:31:29

# That's how it starts

0:31:290:31:32

# We're gonna nose our nosy way into your hearts

0:31:330:31:37

# We'll sing and bark In two part harmony

0:31:380:31:44

# You're gonna love us That's our guarantee

0:31:440:31:49

# We'll bow together on the count of three

0:31:490:31:55

# Me and my girl

0:31:550:31:57

# My girl and me

0:31:570:31:58

# We make the perfect pair

0:31:580:32:03

# We've got that savoir faire

0:32:030:32:08

# Me and my girl

0:32:090:32:12

# Me and my girl

0:32:120:32:15

# Me and my girl

0:32:150:32:18

# My girl and me #

0:32:180:32:24

That's the best audition I've ever seen!

0:32:320:32:34

-Amazing! I weeped!

-Wept.

0:32:340:32:37

-I wept!

-I wept!

-And not just regular weeping.

0:32:370:32:40

Theatre weeping!

0:32:400:32:42

-Amber Lee, what do you think?

-Yes. Amber Lee, thoughts?

0:32:430:32:47

Wow.

0:32:490:32:52

We are so meant to be BFFs!

0:32:520:32:54

Wow!

0:32:540:32:56

"Wow" is a word, right? Right.

0:32:560:32:58

Wow!

0:32:580:33:00

I just hope that the palpable chemistry

0:33:000:33:02

surging between you and I right now like nuclear fusion

0:33:020:33:05

won't in any way influence your decision

0:33:050:33:07

towards our clearly superior audition.

0:33:070:33:11

How old are you?

0:33:110:33:13

12.

0:33:130:33:14

I think I'm good.

0:33:140:33:16

And you, also!

0:33:160:33:19

Your dog.

0:33:190:33:21

Wow! Wow.

0:33:210:33:23

I know, right? BOI YAPS

0:33:230:33:25

He's just saying hi.

0:33:250:33:27

Sharpay Evans of the New Mexico Evans. I'm a mega fan.

0:33:270:33:30

-Oh, you are not!

-So am!

0:33:300:33:31

I am gonna tweet about you right now.

0:33:310:33:34

Shut up! I follow your tweets.

0:33:340:33:36

Hmm?

0:33:360:33:37

CELLPHONE CHIMES

0:33:370:33:39

She did! She tweeted!

0:33:390:33:41

OK, I don't know how we're gonna decide. You're amazing!

0:33:410:33:45

All this and a grade school diploma.

0:33:450:33:48

And you, amazing! Wow.

0:33:480:33:52

I would be excited to work with either one of you and your dogs.

0:33:520:33:57

And can I just say, this is the opportunity of a lifetime for me.

0:33:570:34:02

Because Broadway - Broadway's not like film or television,

0:34:020:34:06

because with Broadway,

0:34:060:34:09

real people are watching.

0:34:090:34:11

-Wow.

-Me, too.

0:34:120:34:14

I am just so excited to be performing on the Great White Way!

0:34:140:34:18

Not that I don't love all colours.

0:34:180:34:20

Well, I know both these talented dogs want to work with you.

0:34:200:34:23

-But only one can be in the show.

-How are we gonna decide?

0:34:230:34:26

Wait. How about we work with both dogs during rehearsals?

0:34:260:34:29

Wait! How about we work with both dogs during rehearsals!

0:34:290:34:34

That way I could see which one I work best with.

0:34:340:34:36

-That sounds like a solution.

-We have a solution, people!

0:34:360:34:40

Can I just say how totally great I think you are?

0:34:430:34:46

You do and I'll never wash my ears again.

0:34:460:34:48

You know what I think? Of course you don't cos I just thought of it,

0:34:480:34:51

-but I think they loved you!

-I like the way you think!

0:34:510:34:53

You're such a good singer. I would know. My album went triple platinum.

0:34:530:34:57

-Well, I've done quite a bit of theatre.

-It totally shows.

0:34:570:35:00

I'm gonna have my assistant give you my phone number.

0:35:000:35:02

If there's anything that you need, let me know. We girls gotta stick together, right?

0:35:020:35:07

-Here.

-Wow.

0:35:070:35:09

I mean, this is actually your number!

0:35:090:35:11

It looks like any ordinary number, but it's not. It's yours!

0:35:110:35:14

-Oh, hey, may the best dog win!

-Thanks!

0:35:140:35:16

Yes! Yes! Yes!

0:35:200:35:22

-Can you believe it?

-You were great!

0:35:240:35:26

-Boi was great.

-This new strategy just might work.

0:35:260:35:29

Amber Lee really likes you, too.

0:35:290:35:31

Is she awesome or what? She inspires me. There. I said it.

0:35:310:35:35

Quelle inspired. We are so gonna get that part.

0:35:350:35:38

-How do you know?

-Easy. I don't do rejection.

0:35:380:35:41

Sharpay! I just wanted to wish you both luck.

0:35:420:35:44

Oh! That's so nice of you.

0:35:440:35:46

And suggest that you give up now, while you still have your dignity.

0:35:460:35:49

Distant though it already might be.

0:35:490:35:52

Sorry, which Smurf are you again?

0:35:520:35:54

True, you have talent.

0:35:540:35:56

But you lack both the experience and the finesse

0:35:560:35:58

to ever achieve the Holy Grail of possibility.

0:35:580:36:00

-Yeah, but Boi is cuter.

-Countess is a theatrical ninja.

0:36:000:36:04

SNORES

0:36:040:36:05

I'm sorry. For a minute there you just bored me to death.

0:36:050:36:08

I have a foolproof strategy of getting what I want.

0:36:080:36:11

See it, want it, have a fit, get it.

0:36:110:36:14

-Yeah, well, this playdate's over.

-I hope you enjoy rejection.

0:36:140:36:17

-We're gonna get that part.

-We're gonna destroy you.

0:36:170:36:20

-Bring it on.

-Oh, it's brought.

0:36:200:36:22

ROMANTIC MUSIC

0:36:260:36:28

All right, Boi. This foot.

0:36:380:36:40

That foot.

0:36:400:36:41

Good boy!

0:36:410:36:43

Yeah!

0:36:430:36:44

OK, let's try our next one.

0:36:440:36:46

Stay.

0:36:460:36:48

Catch your tail. Catch your tail!

0:36:480:36:50

Good! Yeah, good.

0:36:500:36:54

Sit. Stay.

0:36:540:36:56

We are so going to take them on. I won't let some Hobbit get in my way.

0:36:560:37:00

And, look. All Boi can do is think about

0:37:030:37:05

how horrible that other little mangy dog was.

0:37:050:37:08

ROMANTIC MUSIC

0:37:080:37:10

If you want success so badly, then you will get it.

0:37:160:37:19

All you need is one shot to make it happen.

0:37:190:37:21

Yeah, and this is my shot.

0:37:210:37:23

It's like my grandmother says. "God only got one book published,

0:37:230:37:26

"and look how well it did for him."

0:37:260:37:28

Doing this is all I've ever dreamed about,

0:37:280:37:31

especially since I already have everything else.

0:37:310:37:34

-Well, there's still humility.

-What's wrong with being confident?

0:37:340:37:38

Confidence is when you know you're good.

0:37:380:37:40

Arrogance is when you think others know you're good.

0:37:400:37:43

I want everyone to know I'm as good as I think everyone thinks I am

0:37:430:37:46

without them knowing I know they think it.

0:37:460:37:48

And do you have to film everything?

0:37:480:37:50

Yep, cos this is my shot.

0:37:500:37:52

If my professor loves my film, he talks about it.

0:37:520:37:55

Then there's a buzz, then it gets in a festival,

0:37:550:37:58

then it gets distribution, then I'm signing a studio deal,

0:37:580:38:01

then I'm getting an Oscar.

0:38:010:38:03

I knew I wanted to be an actress the first time I produced and performed

0:38:030:38:06

the entire production of Snow White.

0:38:060:38:08

Full dance, musical numbers, handmade costumes.

0:38:080:38:11

I made my brother play all the dwarfs.

0:38:110:38:13

Everyone in that pre-school worshipped me.

0:38:130:38:16

I just want to wake up every morning and be onstage.

0:38:170:38:20

-GILL:

-Good morning! Good morning, everyone.

0:38:220:38:24

And welcome to the first rehearsal...

0:38:240:38:26

Of the new Broadway musical.

0:38:260:38:27

..A Girl's Best Friend!

0:38:270:38:29

And you are all amazing.

0:38:330:38:35

-No, you are!

-Him or me?

0:38:350:38:37

-You!

-No, you!

0:38:370:38:39

Me? OK! And heading our superb cast,

0:38:390:38:42

we are thrilled to welcome one of the biggest stars around,

0:38:420:38:45

Amber Lee Adams!

0:38:450:38:47

Oh, stop!

0:38:470:38:49

-Yes!

-Guys, come on.

0:38:490:38:51

Can I just say that this,

0:38:510:38:55

this is the opportunity of a lifetime for me.

0:38:550:38:58

Because Broadway's not like film or television,

0:38:580:39:02

because with Broadway,

0:39:020:39:04

people can see if you write your lines on your hands!

0:39:040:39:07

LAUGHTER

0:39:070:39:09

All right. Let's rehearse.

0:39:090:39:11

I want everybody downstairs with piano,

0:39:110:39:13

rehearsing the music for the opening number.

0:39:130:39:15

Amber Lee and Judith, I want you onstage so we can block that first scene.

0:39:150:39:19

-Let's go!

-Let's go, people!

-All right. Let's start with Boi.

0:39:190:39:22

Let's go!

0:39:220:39:24

TENSE MUSIC

0:39:240:39:26

ROMANTIC MUSIC

0:39:350:39:37

What a perfect goodbye party.

0:39:540:39:57

Thank you, Mom!

0:39:570:39:59

I can't believe my little girl is going out into the world on her own for the first time.

0:39:590:40:03

I have to, Mom. And who knows, maybe I'll find fame and fortune!

0:40:030:40:08

-Actually, reverse that.

-LAUGHTER

0:40:080:40:10

-Why is that funny?

-Well...

0:40:120:40:14

Because you'd rather have the...

0:40:140:40:16

I'll explain later. Just keep going.

0:40:170:40:19

-SIGHS

-There's only one thing that breaks my heart.

0:40:210:40:24

Leaving Shelby behind.

0:40:240:40:26

Pick it up! Go, go!

0:40:260:40:29

A star is about to be born!

0:40:290:40:31

-Shelby!

-Oh!

0:40:320:40:35

What's in this envelope? This very wet envelope.

0:40:350:40:38

LAUGHTER

0:40:380:40:40

-Again, I don't get that.

-Keep going.

0:40:400:40:43

Gasp!

0:40:440:40:45

Actually, that's a stage direction.

0:40:450:40:48

-You gasp, you don't say "gasp".

-Simple mistake. Keep going.

0:40:480:40:52

GASPS

0:40:520:40:54

Shelby! Trying to run away with my boarding pass

0:40:540:40:56

won't change the fact that I'm leaving at 8:00am.

0:40:560:41:00

6:00am.

0:41:000:41:02

LAUGHS

0:41:020:41:04

Oh, Shelby. This is the first time we'll be apart.

0:41:070:41:10

I wish I could just pack you up in a widdle doggie bag.

0:41:100:41:13

OK. Let's get Countess in there and continue.

0:41:130:41:18

Don't worry, sweetheart. Shelby and I will both be here when you get back.

0:41:180:41:22

You're killing me.

0:41:270:41:29

Oh!

0:41:310:41:33

That is adorable!

0:41:330:41:35

You're right, Shelby! Why not go with me?

0:41:350:41:38

Any place that doesn't want you, I don't wanna be.

0:41:380:41:41

Let's see what New York has in store for us together!

0:41:410:41:44

Good.

0:41:470:41:48

Let's talk about the scene a bit, and we'll do it again.

0:41:480:41:52

And both dogs, great work!

0:41:520:41:54

Oh, Shelby! Trying to run away with my boarding pass

0:42:220:42:25

won't change the fact that I'm leaving at 8:00am.

0:42:250:42:28

6:00am.

0:42:290:42:32

What's going on? The dog.

0:42:370:42:39

What is this? Somebody, please.

0:42:390:42:42

The dog is licking me.

0:42:420:42:44

All right, all right. Get me the other dog!

0:42:440:42:47

Sorry. What can you do?

0:42:470:42:49

There's only one thing that breaks my heart.

0:42:560:42:59

Leaving Shelby behind.

0:42:590:43:01

OK, go, go!

0:43:010:43:03

BLOWS DOG WHISTLE

0:43:050:43:07

-Why is she twirling?

-What is she doing?

0:43:150:43:18

-Gill?

-Roger!

0:43:190:43:21

Figure out what's going on with the dog. It's not helping me.

0:43:210:43:24

-Not helping, people!

-Meanwhile, get the other dog!

0:43:240:43:27

Sorry. What can you do?

0:43:280:43:30

There's only one thing that breaks my heart.

0:43:330:43:36

Leaving Shelby behind.

0:43:360:43:37

OK, go!

0:43:370:43:39

Oh, hey!

0:43:400:43:42

CAT SCREECHES

0:43:450:43:47

CRASH

0:43:490:43:51

How is this helping? Really.

0:43:540:43:56

Am I the only one bothered by this? Gill?

0:43:560:43:59

OK, everybody, that's ten!

0:43:590:44:01

I'll admit you're good. But we're better. Give up!

0:44:070:44:10

Give up?

0:44:100:44:11

Not until there's a Broadway marquee with a picture of my dog so big

0:44:110:44:14

you can walk by and smell his puppy breath!

0:44:140:44:16

I have to take the dogs for a nap. Union rules.

0:44:160:44:19

-You break first.

-No, you break first.

0:44:250:44:28

Oh!

0:44:400:44:42

-Pretty cute, huh?

-Yeah! Yes, they are!

0:44:430:44:46

I just wanted to tell you something.

0:44:460:44:49

This is my show. I'm America's sweetheart.

0:44:510:44:54

They're paying to see me, not you two overbred fur balls.

0:44:540:44:58

So, until I can figure out a way to get rid of you...

0:44:580:45:01

..you'd better watch your step,

0:45:020:45:05

otherwise you'll find out the real meaning

0:45:050:45:07

of going home in a doggie bag.

0:45:070:45:09

This film is cutting together really well.

0:45:220:45:25

Do I look amazing?

0:45:250:45:27

-The camera loves you.

-I know!

0:45:270:45:30

COMPUTER PINGS Oh, no! My dad's video chatting me.

0:45:300:45:33

He thinks I live in a penthouse.

0:45:330:45:35

I can't let him see that I live in a tiny studio in a filthy tenement.

0:45:350:45:38

With a boy in my room!

0:45:380:45:40

A boy that has no money, lives in a tinier studio,

0:45:400:45:42

and has never heard maid service! No offence.

0:45:420:45:45

What of that could possibly offend me?

0:45:450:45:47

Oh, my! Oh, my! I don't know. Hyperventilating!

0:45:470:45:49

-What do I do? What do I do?

-Come on.

0:45:490:45:51

Come on.

0:45:530:45:55

Hurry!

0:45:550:45:57

-All right, scoot over. OK, go.

-OK, I gotta get this.

0:45:570:46:00

Hi, Daddy!

0:46:000:46:01

Hey, princess! How's my little girl?

0:46:010:46:04

Overpaying for everything and yelling at total strangers.

0:46:040:46:07

You're practically a native. Hey, where are you?

0:46:070:46:09

That view is spectacular.

0:46:090:46:11

Well, there's hardly a penthouse in the city that doesn't have a spectacular view!

0:46:110:46:15

So, you the toast of Broadway?

0:46:150:46:17

Daddy, you know how I feel about carb references.

0:46:170:46:20

Just a little concerned, sweetie.

0:46:200:46:22

The last time no-one's heard from you for this long

0:46:220:46:25

was when you found out your gold card wasn't made of gold.

0:46:250:46:28

-I've been busy with rehearsals.

-Outstanding!

0:46:280:46:30

-You got into the show?

-It doesn't quite work like that.

0:46:300:46:33

It's complicated. But I know it's gonna work out.

0:46:330:46:36

Sharpay, is there something you're not telling me?

0:46:360:46:39

You remember the deal, right? If things aren't working out...

0:46:390:46:41

I know, I have one month to get in the show, and then...

0:46:410:46:44

Two weeks, sweetie. You have two weeks left.

0:46:440:46:47

You're sure everything's OK?

0:46:480:46:50

It's fine, Daddy.

0:46:500:46:52

Well, OK.

0:46:520:46:55

-We miss you, angel.

-Miss you, too.

0:46:550:46:57

I love you!

0:46:570:46:59

Boi has to get that role. I can't go home. Not as a failure.

0:47:030:47:08

I need some sort of subtle, visibly crushing advantage over Roger.

0:47:080:47:12

Look, why not just trust Boi is talented,

0:47:120:47:14

that you've trained him well, and let fate take it from there.

0:47:140:47:17

Fate? Fate gave a girl in my graduating class one long eyebrow.

0:47:170:47:19

I can't trust fate.

0:47:190:47:22

Some matters you just have to take into your own hands.

0:47:220:47:25

What do you mean you forgot my bottled water?

0:47:250:47:29

Well, I was going to get those magazines

0:47:290:47:32

that you said you wanted from across town,

0:47:320:47:34

and I got hit by a bike messenger. So I went to the hospital

0:47:340:47:36

for, like, one second to get these stitches.

0:47:360:47:38

-And meanwhile, I had no water!

-I will get it for you right now.

0:47:380:47:41

Now I've had to drink tap!

0:47:410:47:43

-I am so sorry.

-"I am so sorry."

0:47:430:47:46

I will do better.

0:47:460:47:47

Forget it, OK? Aside from catching some shade

0:47:470:47:50

from the shadow cast by your madam's apple,

0:47:500:47:52

-you're of no use to me. You're...

-WHINES

-...fired!

0:47:520:47:55

God!

0:47:580:48:00

KNOCKS ON DOOR: Amber Lee?

0:48:090:48:12

Oh, wow! You look so cute, Sharpie!

0:48:120:48:15

-Sharpay.

-You changed it.

0:48:150:48:18

I like that even better. So, tell me, what's on your mind?

0:48:180:48:21

I just saw your assistant leave in tears.

0:48:210:48:24

She's not my assistant. She quit.

0:48:240:48:27

No wonder she was crying.

0:48:270:48:29

Yeah, I don't think she even really cared.

0:48:290:48:32

Next time I should probably just hire a best friend instead.

0:48:320:48:34

Wait! Are you thinking what I'm thinking?

0:48:380:48:40

What are you thinking that I should be thinking?

0:48:400:48:42

I could help you out until you replace her.

0:48:420:48:44

That is what I was thinking about thinking.

0:48:440:48:46

Of course this can't affect your decision of which dog gets the role.

0:48:460:48:50

Oh, it won't.

0:48:500:48:51

I couldn't live with myself if I thought I did anything unfair.

0:48:510:48:55

You have my word. Hey, I know! How about dinner?

0:48:550:48:59

-That sounds awesome!

-Right?

0:48:590:49:02

Get me a reservation for two at someplace fantastic.

0:49:020:49:04

Then call my agent, have her meet me.

0:49:040:49:07

Right. Sure.

0:49:070:49:10

Oh. I won't forget this.

0:49:120:49:14

And I promise, it won't be because you're helping me

0:49:140:49:18

if I happen to take a little extra liking to Girl.

0:49:180:49:22

-Boi.

-You changed it.

0:49:220:49:24

I like that even better.

0:49:240:49:26

Oh, and can you take my mic down to the sound guy

0:49:260:49:28

-and tell him the wire hurts my scalp.

-OK.

0:49:280:49:31

You're the best.

0:49:310:49:33

Amber Lee says the wire is hurting her scalp.

0:49:360:49:38

Personally, I think she's using the wrong shampoo,

0:49:380:49:41

but she's the star, and you know, I don't wanna say - You're hot.

0:49:410:49:45

Excuse me?

0:49:450:49:46

You're hot.

0:49:460:49:48

OK. Even though theatre lighting highlights my natural skin tones,

0:49:480:49:52

thank you for noticing, that's a little rude, don't you think?

0:49:520:49:55

No. Your mic's hot.

0:49:550:49:57

It means it's on. You see that little switch?

0:49:570:50:00

When it's flipped over like that, it means it's on

0:50:000:50:02

and it's going through the entire theatre.

0:50:020:50:06

Well, you could have led with that part, thank you.

0:50:060:50:08

Amber Lee's got a great scalp!

0:50:080:50:11

"You're hot."

0:50:160:50:17

Then she asked me to help her out after her assistant quit.

0:50:170:50:20

And after I suggested it.

0:50:200:50:22

Are you sure this is wise?

0:50:220:50:24

I'm sorry. Let me re-phrase that. This isn't wise.

0:50:240:50:27

It's perfect. Amber Lee will see that she and I are exactly alike,

0:50:270:50:30

we'll become BFFs, she'll make sure Boi gets the role,

0:50:300:50:33

then his fame becomes my fame!

0:50:330:50:35

This is the advantage I've been waiting for!

0:50:350:50:37

Isn't it more like taking advantage?

0:50:370:50:39

My father thought I couldn't do this in a month.

0:50:390:50:41

It's turning out better than I imagined.

0:50:410:50:44

CELLPHONE RINGS

0:50:440:50:46

Hello?

0:50:530:50:56

Sure. Be right over.

0:50:560:50:58

Hello?

0:51:050:51:07

Oh, thank goodness. In here, quickly.

0:51:080:51:10

I just... I can't reach that.

0:51:190:51:21

Can't reach it?

0:51:220:51:25

OK, it was a little bit of a test.

0:51:260:51:30

Only a true friend would come all the way down here at this hour

0:51:320:51:34

and help me with something like that.

0:51:340:51:36

-So, I passed?

-Yes.

0:51:390:51:41

-But, seriously, the purse.

-OK.

0:51:410:51:45

Thank you.

0:51:570:51:59

All right, here's your bag.

0:52:030:52:06

Here's your other bag.

0:52:060:52:08

Oh, and don't forget your photo shoot.

0:52:080:52:10

Oh, you're a lifesaver. You must be at that photo shoot

0:52:100:52:12

to make sure I look as fabulous as you always do.

0:52:120:52:15

-Are you serious?

-Serious? You're now also my stylist.

0:52:150:52:18

You have to tell me all your secrets. OK, gotta go.

0:52:180:52:21

"Life is so strange."

0:52:300:52:32

"Shelby and I travel halfway across the country

0:52:320:52:35

to find fame and fortune, and instead, we find love."

0:52:350:52:39

Hey! How about dinner?

0:52:410:52:43

Split some egg rolls at Wok This Way?

0:52:430:52:46

Can't. I have to highlight script changes for Amber Lee,

0:52:460:52:49

then highlight her hair. Highlight of my night!

0:52:490:52:53

OK.

0:52:530:52:54

But I miss spending time with you.

0:52:540:52:57

And you did promise to shoot some more stuff for my film.

0:52:570:52:59

You know, what I'm doing is important, too.

0:52:590:53:02

Oh.

0:53:020:53:03

For a minute there, you sounded like Amber Lee.

0:53:030:53:06

"Good to see you. Good to see you. Good to see you. Good to see you."

0:53:120:53:17

Bad news. My maid quit.

0:53:180:53:22

So, here's a list of chores.

0:53:220:53:23

Chores?

0:53:230:53:25

And I want to talk to you about Boi.

0:53:250:53:32

But you have to promise it'll stay between us.

0:53:320:53:34

OK.

0:53:340:53:36

I think I'm going to ask the director to give Boi the part.

0:53:360:53:43

-Are you serious?

-Almost positive!

0:53:440:53:46

You won't be sorry.

0:53:460:53:49

Trust me. I know.

0:53:490:53:51

# "Galop Infernal" - Jacques Offenbach

0:53:580:54:00

Oh! Oh, no.

0:54:250:54:27

There are some changes for the blocking in the dog scene,

0:54:420:54:45

top of act two.

0:54:450:54:47

Countess can learn these in no time.

0:54:470:54:49

She's got a memory like a digital hard drive.

0:54:490:54:51

-No bark and all mega bite.

-Funny.

0:54:510:54:53

I need to find Sharpay and make sure she gets them.

0:54:530:54:55

Boi is doing the first run through tomorrow.

0:54:550:54:57

I'd be more than happy to deliver them to her.

0:54:570:54:59

-Great.

-Thank you.

0:54:590:55:02

Thank you.

0:55:020:55:04

Sharpay?

0:55:080:55:10

Sharpay?

0:55:130:55:15

That's unfortunate.

0:55:190:55:21

And I've been here ever since.

0:55:210:55:24

Life is so strange.

0:55:240:55:27

Shelby and I travel halfway across the country

0:55:270:55:29

to find fame and fortune, and instead, we find love.

0:55:290:55:33

Lenore, I have something to ask you.

0:55:330:55:36

We have something to ask you.

0:55:360:55:38

BOI YAPS

0:55:380:55:40

He's supposed to come from the other side of the stage with the ring box!

0:55:400:55:44

Sorry. We changed that blocking. What happened?

0:55:440:55:46

What is wrong with this dog?

0:55:460:55:48

And is he OK? It's not his fault.

0:55:570:56:00

He's just a little dog!

0:56:000:56:02

He's just so sweet.

0:56:020:56:05

-OK, everybody. Let's break for a few.

-That's ten, people.

0:56:050:56:08

-I don't know what happened.

-We sent out the script changes.

0:56:100:56:13

-Boi didn't do them.

-But I didn't get any script change.

0:56:130:56:18

I looked everywhere last night to give them to you.

0:56:280:56:30

I guess working for Amber Lee has its drawbacks.

0:56:300:56:33

-You did this on purpose.

-That's a complete -

0:56:330:56:36

Yeah.

0:56:360:56:37

You're threatened because you know Amber Lee is gonna choose Boi.

0:56:370:56:40

Not after today she won't.

0:56:400:56:41

OK. Countess doesn't have half the personality that Boi has.

0:56:410:56:45

And Boi doesn't have half the talent that Countess has.

0:56:450:56:48

Isn't that right, girl?

0:56:480:56:50

-Countess?

-Boi?

0:56:510:56:53

-Countess?

-Boi?

-Countess?

-Boi?

0:56:540:56:58

-Countess?

-Boi?

0:56:580:56:59

-Has anyone seen Boi?

-No, sorry.

0:56:590:57:02

Countess?

0:57:020:57:04

Boi?

0:57:040:57:05

-Countess?

-Boi?

0:57:050:57:07

-Anyone seen Countess?

-Nope.

0:57:070:57:10

Countess?

0:57:100:57:11

Boi?

0:57:110:57:13

-Countess?

-Boi?

0:57:130:57:14

Countess?

0:57:140:57:15

Boi?

0:57:150:57:17

-Countess?

-Boi?

0:57:170:57:19

CELLPHONE RINGS

0:57:250:57:27

-Hello?

-Boi and Countess are gone!

0:57:280:57:31

-Gone! What?

-We have to find them!

0:57:310:57:33

-Where are you now?

-"Leaving the theatre."

0:57:330:57:36

We'll look here. Can you look near the apartment?

0:57:360:57:38

-Yeah, of course. Keep me posted. I'll call you if they show up.

-OK.

0:57:380:57:42

-What if they were dog napped?

-Do you think we pushed them too hard?

0:57:420:57:45

-I don't know.

-Countess is uber sensitive.

0:57:450:57:48

She cries watching dog food commercials!

0:57:480:57:50

I just hope they're not huddled in a corner somewhere.

0:57:500:57:53

Afraid, lost, at each other's throats!

0:57:530:57:55

# You know you love me

0:57:550:57:57

# I know you care

0:57:570:57:58

# Just shout whenever And I'll be there

0:57:580:58:02

# You are my love

0:58:020:58:04

# You are my heart

0:58:040:58:05

# And we will never, ever, ever be apart

0:58:050:58:09

# Are we an item?

0:58:090:58:11

# Girl, quit playin'

0:58:110:58:13

# "We're just friends" What are you sayin'?

0:58:130:58:17

# Said, "There's another" And looked right in my eyes

0:58:170:58:20

# My first love broke my heart for the first time

0:58:200:58:23

# And I was like I thought you'd always be mine, mine

0:58:230:58:28

# Baby, baby, baby, oh

0:58:280:58:30

# Like baby, baby, baby, no

0:58:300:58:34

# Like baby, baby, baby, oh

0:58:340:58:38

# I thought you'd always be mine

0:58:380:58:41

# I'm goin' down, down, down

0:58:410:58:43

# And I just can't believe my first love won't be around

0:58:430:58:46

# And I'm like baby, baby, baby, oh

0:58:460:58:50

# Like baby, baby... #

0:58:500:58:52

What if we never see them again?

0:58:520:58:54

They're smart dogs.

0:58:540:58:56

Smarter than we are.

0:58:560:58:58

They'll be OK.

0:58:580:59:00

CELLPHONE RINGS

0:59:000:59:03

Oh, no. It's my dad. I just... I can't deal with him right now.

0:59:030:59:07

BOI BARKS

0:59:090:59:11

-Countess!

-Boi!

0:59:130:59:15

Hi!

0:59:160:59:18

I missed you!

0:59:190:59:21

You're back!

0:59:210:59:23

It's amazing. They came back to the apartment.

0:59:260:59:28

Thanks, Peyton. Oh, and Sharpay, it's still on.

0:59:280:59:32

Bring it.

0:59:320:59:34

You're back! Yeah!

0:59:370:59:40

You bad, bad boy, Boi.

0:59:400:59:42

-I'm just glad you're OK.

-He and Countess had an adventure.

0:59:420:59:44

She probably coaxed him into joining a doggy gang or something.

0:59:440:59:48

We'd better check him over for tattoos.

0:59:480:59:51

Are you so lost in what you're doing that you haven't noticed?

0:59:510:59:54

Noticed what?

0:59:540:59:56

Boi and Countess are in love.

0:59:560:59:58

-With what?

-Each other.

0:59:581:00:01

No way!

1:00:011:00:02

You're right.

1:00:051:00:07

He's dilated.

1:00:071:00:09

He's got puppy dog eyes.

1:00:091:00:11

How could I have not noticed puppy love?

1:00:111:00:14

Well, there's a lot you haven't noticed.

1:00:141:00:17

Like lately, you've had no time for me.

1:00:171:00:19

You know, I was counting on you to help me finish my film.

1:00:191:00:21

I said I would, and I will. Things have become complicated.

1:00:211:00:25

It's not that complicated.

1:00:251:00:26

Amber Lee is using you and you're letting her.

1:00:261:00:28

-You don't know what you're talking about.

-I don't?

-No!

1:00:281:00:31

Where's the Sharpay that was determined not to go back home

1:00:311:00:34

because she didn't want to work for anyone?

1:00:341:00:36

-Why don't you tell me?

-Working for someone, that's where.

1:00:361:00:39

-So at least be honest as to why.

-I know what I'm doing.

1:00:391:00:42

You've sold your soul to get Boi in that show,

1:00:421:00:44

rather than trust in the dog that you raised.

1:00:441:00:46

You've stopped trusting that your own talents

1:00:461:00:48

-would get you where you need to go.

-And maybe you're jealous

1:00:481:00:51

because I'm on my way up with a new famous friend,

1:00:511:00:54

and you're just a student making a film about someone else's life instead of your own.

1:00:541:00:58

You don't have to be in my movie anymore.

1:01:021:01:04

I get it. You have more important things to do.

1:01:041:01:07

Fine!

1:01:071:01:08

One question?

1:01:101:01:11

What happened to that hot pink whirlwind of confidence and ambition

1:01:111:01:15

I saw through my lens that first day you got here?

1:01:151:01:18

I mean, that girl knew she was special.

1:01:181:01:20

That girl knew she didn't have to do any of this to succeed.

1:01:201:01:23

What happened to her, huh?

1:01:231:01:25

CELLPHONE RINGS

1:01:311:01:33

Hello.

1:01:341:01:35

Oh, and Sharpay, can you remember to invite as many people

1:01:431:01:46

from my fan club as possible to opening night dress rehearsal?

1:01:461:01:49

I want the theatre filled with people

1:01:491:01:51

who love me as much as you do!

1:01:511:01:54

Sure.

1:01:551:01:57

You know what would be great after all this work?

1:01:571:02:00

A long, luxurious spa bath.

1:02:001:02:02

Sounds amazing!

1:02:021:02:05

-Thank you.

-Run one for me, will you?

1:02:051:02:08

And then you can finish these. You're the best!

1:02:081:02:11

-This is a big change.

-Huge change!

1:02:331:02:36

-I don't think you're hearing me!

-New Jersey can hear you!

1:02:361:02:39

The name of the show is A Girl's Best Friend.

1:02:391:02:42

I didn't tell you to change the title.

1:02:421:02:44

But you want the best friend written out!

1:02:441:02:46

Oh. Right. Change the title!

1:02:461:02:49

How are we supposed to get rid of one of our main characters

1:02:491:02:52

a day before our dress rehearsal in front of an audience?

1:02:521:02:55

The audience is coming to see me.

1:02:551:02:57

You change that dog's part to a bark and play dead, or I don't go on.

1:02:571:03:01

-Let's be reasonable here.

-I'm a star! I don't have to be reasonable!

1:03:011:03:05

Look, those mangy mutts are bothering me

1:03:051:03:07

almost as much as their disposable owners.

1:03:071:03:10

I actually had to have one of them clean my toilet

1:03:101:03:12

just to keep her away.

1:03:121:03:15

-She thinks she's an actress.

-LAUGHS

1:03:151:03:18

She acts all right.

1:03:181:03:20

She acts just like every other obsessed fan.

1:03:201:03:22

Wait.

1:03:411:03:42

Everything you said...

1:03:451:03:47

You were...

1:03:481:03:50

Right?

1:03:501:03:53

Yes.

1:03:531:03:55

Thank you.

1:03:561:03:59

You must think I'm a total fool.

1:03:591:04:01

No.

1:04:011:04:03

Not total.

1:04:031:04:05

Maybe my dad was right.

1:04:061:04:08

Maybe I'm not ready for this.

1:04:081:04:11

Maybe I should just go home and w...w...

1:04:131:04:16

..work for him.

1:04:161:04:17

I mean, did I really think I was just gonna come to Broadway and be a star?

1:04:191:04:23

Yes.

1:04:231:04:25

Because that's exactly how you think.

1:04:251:04:27

It's perfect.

1:04:271:04:29

Perfect is so hard.

1:04:291:04:31

And it doesn't prepare you for disappointment.

1:04:321:04:35

Well, if it helps, you still look adorable,

1:04:361:04:39

even when you're disappointed.

1:04:391:04:41

Yeah, that doesn't help.

1:04:431:04:45

Look, Sharpay,

1:04:471:04:49

there is not a marquee big enough or lights bright enough

1:04:491:04:54

to contain the fame you're gonna have.

1:04:541:04:56

Yeah, but not the way I've been doing it.

1:04:581:05:01

Like you said, the Sharpay you know isn't the Sharpay that has become

1:05:021:05:06

the Sharpay that is this Sharpay.

1:05:061:05:09

Did all the Sharpays follow that?

1:05:091:05:11

I sacrificed integrity for opportunity.

1:05:141:05:17

I let someone insecure distract me.

1:05:171:05:20

I cleaned a bathroom!

1:05:201:05:22

But worst of all,

1:05:231:05:25

I disappointed someone I care about.

1:05:251:05:28

I forgot what was really important to me.

1:05:301:05:32

I lost track of what I want.

1:05:341:05:36

And other than maid service and a canopy bed,

1:05:391:05:43

what is it that you want?

1:05:431:05:45

A fair fight.

1:05:471:05:49

A lifetime in the spotlight.

1:05:491:05:52

And maybe you'll still let me be in your movie.

1:05:541:05:57

I guess.

1:06:021:06:04

CARS HONK HORNS

1:06:151:06:17

OK, I can't say I approve of dating beneath your station in life,

1:06:351:06:38

but fine. Go.

1:06:381:06:39

Hey, I got your text. What's CQMTWILGT mean?

1:07:011:07:06

"Come quick. Major trouble. Wow, I look great today." Duh.

1:07:061:07:09

I really should have gotten that.

1:07:091:07:12

Amber Lee Adams isn't what you think.

1:07:121:07:14

A self absorbed, two-faced panther who would eat her young alive

1:07:141:07:17

on a reality show rather than allow anyone to steal her spotlight?

1:07:171:07:20

OK, she's what you think.

1:07:201:07:22

I don't care if her parents had to tie beef jerky around her neck

1:07:221:07:25

just to get the family dog to play with her,

1:07:251:07:28

-as long as Countess is at her side.

-That's what I'm trying to tell you.

1:07:281:07:31

She wants the part of the dog written out completely!

1:07:311:07:33

-That's not fair!

-Too far.

1:07:331:07:36

Well, I am 12, remember?

1:07:361:07:38

Roger, we've been fighting the wrong battle, each other.

1:07:381:07:41

We need to form an alliance and work against a common enemy.

1:07:411:07:44

-Zits?

-Amber Lee.

1:07:441:07:46

Trust me, the zit battle is one you won't win.

1:07:461:07:48

-But what can we do?

-Tonight is the dress rehearsal.

1:07:481:07:52

The audience will be filled with members of Amber Lee Adams' fan club.

1:07:521:07:55

I know, I saw the tweet.

1:07:551:07:57

Fine. Yes, I follow her, too.

1:07:581:08:00

OK, we need to show people exactly who Amber Lee really is.

1:08:011:08:04

It's time someone taught her how to behave in the theatre.

1:08:041:08:08

I like the way you think. It's manipulative, but for a good cause.

1:08:081:08:12

Tell me what you need me to do.

1:08:121:08:13

-Hey, Amber Lee, I -

-Where have you been?

1:08:181:08:20

I have been trying to reach you all day.

1:08:201:08:22

Oh. Erm, sorry, my phone must have been turned off.

1:08:221:08:26

Without asking me first?

1:08:261:08:28

I just wanted to say good luck.

1:08:291:08:31

I know you chose Countess for this performance tonight,

1:08:311:08:33

-and I'm fine with that.

-It was nothing personal.

1:08:331:08:37

But your phone was shut off, so I couldn't talk to you about it.

1:08:371:08:40

I guess that won't happen again, will it?

1:08:401:08:42

We're good.

1:08:441:08:47

Hug? OK.

1:08:471:08:48

Hello, everyone. I'm Gill, the director.

1:09:061:09:08

And I'm Neal, the under-appreciated writer.

1:09:081:09:11

LAUGHTER

1:09:111:09:13

We are thrilled that you're here for our first performance in front of an audience.

1:09:131:09:16

Does everyone here know how to applaud?

1:09:161:09:19

"OK, how about the balcony up there?"

1:09:231:09:26

-OK, now.

-"Can you hear us? You're good!"

1:09:261:09:28

SHRIEKS

1:09:311:09:33

Will somebody please control these wannabe werewolves?

1:09:331:09:36

Hello? People?

1:09:361:09:37

See, this is exactly why I didn't want to do a show with dogs!

1:09:371:09:40

I'm the star, not them!

1:09:401:09:43

"Stage people?"

1:09:431:09:44

"Could somebody please put these rats with rabies out of my misery?"

1:09:441:09:47

"Anyone!"

1:09:471:09:49

Finally, you idiot! What took so long?

1:09:491:09:51

Now, hurry up and get these flea bitten fur bags out of here!

1:09:511:09:54

-There are people waiting to see me!

-OK, go now.

1:09:541:09:56

You think all those boring freaks with no lives

1:09:561:09:58

came to worship two no-name mutts?

1:09:581:10:00

I don't think so! I'm the one they love! Me!

1:10:001:10:04

They came to see...

1:10:041:10:05

AUDIENCE BOOS

1:10:121:10:14

I knew I forgot to tell you something.

1:10:221:10:24

Careful, your mic's on.

1:10:241:10:27

You did this to me.

1:10:281:10:30

You ruined me!

1:10:301:10:31

News flash! You ruined you!

1:10:311:10:33

Oh, what do you know? You're a nobody!

1:10:331:10:35

The only reason you wanted to be my friend is so I'd choose your dog!

1:10:351:10:38

No, no. At first, I idolised you,

1:10:381:10:41

even more than myself, which isn't easy.

1:10:411:10:44

But you're not at all what I thought you were.

1:10:441:10:46

You and I...

1:10:471:10:49

are exactly alike.

1:10:491:10:51

Except I don't enjoy letting people down.

1:10:511:10:53

I don't use people to feel better about myself.

1:10:531:10:56

And I definitely don't wear yellow and orange in the same week,

1:10:561:10:58

let alone the same outfit, OK?

1:10:581:11:00

Maybe I did think you and I were alike, but not anymore.

1:11:001:11:05

In fact, I'd be embarrassed if someone thought I was like you.

1:11:051:11:09

Well, I quit!

1:11:141:11:15

And without me, there's no show.

1:11:161:11:19

Now neither one of your furry little friends will have their shot

1:11:191:11:22

and neither will you.

1:11:221:11:24

Blame her!

1:11:241:11:26

I'm sorry. Someone had to say it.

1:11:341:11:36

I'll go talk some sense into her.

1:11:381:11:41

You, out of this theatre right now.

1:11:411:11:46

Wait, Sharpay.

1:11:511:11:53

If you go, then I'll go, too.

1:11:531:11:55

No.

1:11:551:11:56

You wanted this as badly as I did.

1:11:561:11:59

This mess was my idea.

1:11:591:12:01

You win.

1:12:011:12:04

That's not what it feels like.

1:12:041:12:05

KNOCKING ON DOOR

1:12:151:12:18

-Hey. Can I come in?

-Sure.

1:12:201:12:23

So, you're really leaving, huh?

1:12:261:12:29

Yeah. I'm packing my carry on stuff first.

1:12:291:12:32

I wish you weren't going.

1:12:351:12:37

Me, too.

1:12:371:12:39

Have you thought about what you're gonna do now?

1:12:421:12:45

Move home where there's enough room for my pores to open,

1:12:451:12:48

spend months in the spa getting this layer of New York grime off my skin,

1:12:481:12:52

and mostly...

1:12:521:12:53

..miss you.

1:12:541:12:56

Look, I know exactly how to help that.

1:12:561:12:59

Don't go.

1:12:591:13:00

I already talked to my dad.

1:13:001:13:03

I guess I'm gonna start...w...

1:13:031:13:06

-..w...

-You don't have to say it.

1:13:061:13:08

Thank you.

1:13:081:13:10

What about your dream of being a star?

1:13:121:13:14

It's still there.

1:13:141:13:16

It's just a little bit more of a dream than a reality.

1:13:161:13:18

-You know what today is?

-What?

1:13:221:13:24

I got here exactly one month ago.

1:13:251:13:27

My time was up tonight anyway.

1:13:271:13:30

Well, so then you still have... eight hours.

1:13:301:13:33

This isn't how my movie's supposed to end.

1:13:391:13:42

I guess it is.

1:13:431:13:46

CELLPHONE RINGS

1:13:461:13:48

This is Sharpay.

1:13:501:13:52

Uh huh.

1:13:521:13:53

Sure. No, no. I'll be there.

1:13:531:13:55

That was the stage manager.

1:13:581:14:00

They want me to come to the theatre and clear out Boi's things.

1:14:001:14:03

I can go with you if you want.

1:14:031:14:05

I want.

1:14:061:14:07

And, so, Amber Lee has quit.

1:14:101:14:12

-Gone.

-Kaput.

1:14:121:14:14

The producers feel, without a star, we can't open.

1:14:141:14:18

The time it would take to find someone who could learn the role and do it well might take weeks,

1:14:181:14:23

and it would cost too much to keep the production going.

1:14:231:14:25

But we want you all to know, it was great almost working with you.

1:14:251:14:31

-I'm gonna meet you outside.

-All right.

1:14:391:14:41

-GILL:

-Thank you for your hard work.

1:14:491:14:53

We are so, so sorry, people.

1:14:531:14:55

Wait! Wait, it's not over. It's not over.

1:15:021:15:06

Look, it doesn't have to be.

1:15:061:15:07

There is someone who knows the part by heart and who is amazing.

1:15:071:15:11

All right, maybe she's not a star yet, but she will be.

1:15:111:15:14

This show will make her one.

1:15:141:15:16

Just watch.

1:15:161:15:17

"Boi, keep your voice down. Peyton, start shooting the rehearsal."

1:15:211:15:25

"Boi, go mark. Go mark."

1:15:251:15:27

"Good!"

1:15:271:15:28

"OK, stay. Stay."

1:15:281:15:31

" BOI BARKS"

1:15:321:15:33

"I love when you use that accent, but shh. We're not supposed to be here."

1:15:331:15:36

"OK, now let's do the scene where the character Lenore

1:15:361:15:39

thinks she's lost everything and you come over to console her. Come on."

1:15:391:15:43

"Shelby, what is going on?"

1:15:431:15:45

"I feel invisible here."

1:15:451:15:47

"Nothing is working out the way I planned it."

1:15:471:15:50

# I got something inside of me

1:15:501:15:54

# Something that needs to be heard

1:15:541:15:58

# Deep down a voice is guiding me

1:16:001:16:04

# Hidden emotions have stirred

1:16:041:16:07

# Why have I let others lead the way

1:16:111:16:15

# When all along I know what it is

1:16:151:16:19

# I want to say

1:16:191:16:23

# Whatever it is I'll do it

1:16:231:16:26

# I'm the answer to your prayers

1:16:261:16:29

# Whatever you want Stop looking

1:16:291:16:31

# Nobody else compares

1:16:311:16:34

# Whatever you've seen before

1:16:341:16:37

# I'll give you so much more

1:16:371:16:41

# You'll be totally impressed

1:16:411:16:43

# I'm New York's best kept secret

1:16:431:16:46

# I thought I had a perfect plan

1:16:591:17:03

# Where I would wind up on top

1:17:031:17:06

# One day I'm thinking, "Yes, I can"

1:17:111:17:15

# Next thing you know, I'm a flop

1:17:151:17:18

# Why did I ever play this silly game?

1:17:221:17:26

# I got to shake up the rules

1:17:261:17:30

# And stake my claim

1:17:301:17:32

# Whatever it is I'll do it

1:17:321:17:35

# I'm the answer to your prayers

1:17:351:17:38

# Whatever you want Stop looking

1:17:381:17:41

# Nobody else compares

1:17:411:17:43

# Whatever you've seen before

1:17:431:17:46

# I'll give you so much more

1:17:461:17:50

# You'll be totally impressed

1:17:501:17:52

# I'm New York's best kept secret

1:17:521:17:55

# What if I missed my window?

1:17:551:17:58

# What if I blew my shot?

1:17:581:18:01

# What if the only chance I was going to get

1:18:011:18:04

# I already got?

1:18:041:18:06

# I'm not ready to turn the page

1:18:061:18:09

# Until I'm on stage in a show

1:18:091:18:12

# No, nobody move I've got something to prove

1:18:121:18:16

# Don't you know?

1:18:161:18:21

# Whatever it is I'll do it

1:18:211:18:24

# I'm the answer to your prayers

1:18:241:18:26

# Whatever you want Stop looking

1:18:261:18:29

# Nobody else compares

1:18:291:18:32

# Whatever you've seen before

1:18:321:18:36

# I'll give you so much more

1:18:361:18:42

# You'll be totally impressed

1:18:431:18:47

# I'm New York's best kept secret

1:18:471:18:52

# Mm-mm

1:18:541:18:56

# Mm-mm-mm. #

1:19:001:19:03

> Well, did I tell you?

1:19:131:19:14

-Amazing!

-Amazing! You're amazing!

1:19:181:19:20

You have more depth, range and tone in one note

1:19:201:19:22

than Amber Lee had in her entire surgically reshaped body.

1:19:221:19:25

-We'll promote you as "The girl who we're promoting."

-The producers will love it.

1:19:251:19:29

-What are you saying?

-We need you to save the show.

1:19:291:19:32

-Seriously?

-We know it's a risk.

1:19:351:19:37

-A gamble.

-A risk. Did I do "risk" already?

1:19:371:19:39

-You did. And, true, we did fire you.

-He fired you.

1:19:391:19:41

-But now I'm un-firing you.

-Can we do that?

-Just did.

1:19:411:19:44

-Good for us!

-We need you.

1:19:441:19:46

What do you say?

1:19:461:19:48

I... I guess we could take the costumes in a few sizes

1:19:481:19:51

and get everyone used to hearing the songs sung on key,

1:19:511:19:54

but there's one condition.

1:19:541:19:56

Boi and Countess split the role of Shelby the dog equally.

1:19:591:20:01

-Done!

-We've a lot of work to do, people!

1:20:071:20:09

-Are we crazy?

-Crazy for theatre!

1:20:091:20:11

-Let's rehearse!

-Let's rehearse, people!

1:20:111:20:13

Where are those wonderful dogs?

1:20:141:20:16

-Thank you.

-This is it.

1:20:181:20:20

The chance you've been waiting for.

1:20:201:20:22

-What if I'm not ready for this?

-Oh, you're ready.

1:20:251:20:27

"Ready" isn't as ready as you are.

1:20:271:20:30

-What if I'm horrible?

-Won't happen.

1:20:301:20:32

-What if I forget my lines?

-Impossible.

1:20:321:20:34

-What if I -

-Everything in your life so far

1:20:341:20:36

has been leading you to this moment.

1:20:361:20:38

Your moment. Embrace it.

1:20:381:20:41

I'm scared.

1:20:451:20:46

Finally.

1:20:481:20:49

Let's rehearse, people!

1:21:001:21:02

GIRLS SQUEAL

1:21:071:21:09

WOMAN: Over here!

1:21:111:21:12

-MAN:

-Mr Pinto, Mr Pinto, over here. Mr Pinto, look this way.

1:21:121:21:16

CHATTER

1:21:161:21:19

CONVERSATION MUTED

1:21:291:21:31

APPLAUSE

1:21:401:21:42

MUSIC STARTS

1:21:521:21:54

# I've got a feeling inside of me

1:22:061:22:09

# Running all through my veins

1:22:091:22:13

# It's like electrical energy

1:22:131:22:16

# A world about to change

1:22:161:22:20

# It's an open road

1:22:201:22:23

# So here I go

1:22:231:22:26

# The rest of my life

1:22:261:22:27

# Is starting tonight

1:22:271:22:29

# Feels like I'm finally on my way

1:22:291:22:33

# I'm looking ahead

1:22:331:22:35

# Can't tell where it ends

1:22:351:22:36

# But I'm gonna take a leap of faith

1:22:361:22:40

# And I'm gonna hold on tight

1:22:401:22:44

# And ride this ride

1:22:441:22:47

# The rest of my life

1:22:471:22:50

# I'm gonna go for it all out

1:22:521:22:54

# I know there's no guarantee

1:22:541:22:58

# But I've been given a chance and now

1:22:591:23:02

# What's next is up to me

1:23:021:23:04

# I'm gonna set my sights

1:23:051:23:08

# So light those lights

1:23:081:23:11

# The rest of my life

1:23:111:23:12

# Is starting tonight

1:23:121:23:15

# Feels like I'm finally on my way

1:23:151:23:18

# I'm looking ahead

1:23:181:23:20

# Can't tell where it ends

1:23:201:23:22

# But I'm gonna take a leap of faith

1:23:221:23:25

# And I'm gonna hold on tight

1:23:251:23:29

# And ride this ride

1:23:291:23:32

# The rest of my life

1:23:321:23:36

# If all the world's a stage

1:23:371:23:40

# I'm here to take my place

1:23:401:23:44

# I know I'll always find a way to shine

1:23:441:23:48

# The rest of my life

1:23:511:23:53

# Is starting tonight

1:23:531:23:56

# Feels like I'm finally on my way

1:23:561:23:58

# I'm looking ahead

1:23:581:24:00

# Can't tell where it ends

1:24:001:24:01

# But I'm gonna take a leap of faith

1:24:011:24:07

# The rest of my life

1:24:071:24:08

# Is starting tonight

1:24:081:24:11

# Feels like I'm finally on my way

1:24:111:24:14

# It starts with a dream

1:24:141:24:16

# Of who I could be

1:24:161:24:17

# Wherever it takes me I can't wait

1:24:171:24:21

# So I'm gonna hold on tight

1:24:211:24:25

# And ride this ride

1:24:251:24:28

# The rest of my life

1:24:281:24:33

# The rest of my life

1:24:351:24:39

# The rest of my life. #

1:24:401:24:48

APPLAUSE AND CHEERING

1:24:481:24:51

IMS Subtitles

1:25:001:25:02

What a night, huh, Boi?

1:25:061:25:08

And I told you, I look amazing in black and white.

1:25:081:25:11

KNOCKING

1:25:111:25:13

# It's hard to believe

1:25:151:25:17

# That I couldn't see

1:25:171:25:19

BOTH: # You were always there beside me. #

1:25:191:25:23

Ryan! SQUEALS:

1:25:231:25:25

THEY DO VOCAL EXERCISES

1:25:251:25:27

LAUGHS: SQUEALS:

1:25:311:25:33

-Oh, my gosh.

-You're back?

1:25:331:25:35

I'm on a break from my tour. I had to come into the city and see you

1:25:351:25:39

and say, "Oh, my gosh, you're a star."

1:25:391:25:41

-Go ahead.

-Oh, my gosh, you're a star.

1:25:411:25:43

-I know.

-It's crazy.

1:25:431:25:46

Seems like yesterday were putting on our plays for Mom and Dad.

1:25:461:25:49

Forcing the staff to write us fan letters.

1:25:491:25:51

When we started senior year, remember what we said we wanted?

1:25:511:25:55

To be famous and marry royalty.

1:25:551:25:57

To have jazz dance steps named after us.

1:25:571:25:59

To be the first natural blonde to carry off periwinkle.

1:25:591:26:00

-And star in shows for more than 100 people.

-And now look.

1:26:001:26:04

You're touring the country starring in a musical.

1:26:041:26:06

You and Boi are on Broadway every night.

1:26:061:26:09

-Is it everything you imagined?

-It's even better.

1:26:091:26:11

I've been a prom queen, a homecoming queen,

1:26:111:26:13

a beauty queen and a drama queen.

1:26:131:26:15

But being the Queen of Broadway tops it all.

1:26:151:26:17

It must.

1:26:171:26:19

And your place - it is so cute.

1:26:191:26:21

I know, I love it.

1:26:211:26:24

It's home.

1:26:241:26:25

-PEYTON:

-Hey, Sharpay.

-Boi!

1:26:251:26:27

Boi!

1:26:271:26:29

Boi! Boi!

1:26:291:26:31

Sorry, he likes to visit the neighbours. Boi!

1:26:311:26:34

Whoa!

1:26:371:26:39

Sharpay? Hey!

1:26:401:26:43

Sharpay?!

1:26:431:26:46

-Hello?

-KNOCKS:

1:26:461:26:49

Anyone?

1:26:491:26:51

Help!

1:26:521:26:53

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