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GIRL: 'Ever since I was a young girl, you'd find me up in my room, | 0:00:38 | 0:00:42 | |
'dancing in front of a mirror. | 0:00:42 | 0:00:45 | |
'Carly and her street dance crew, smashing it on some stage, | 0:00:45 | 0:00:48 | |
'the crowd going wild. | 0:00:48 | 0:00:50 | |
'It kept me going after I left home, | 0:00:52 | 0:00:55 | |
'and came to London, where street dance led me to my new family. | 0:00:55 | 0:00:59 | |
'My crew. | 0:00:59 | 0:01:00 | |
'I'm still dancing and dreaming in front of that mirror. | 0:01:02 | 0:01:05 | |
'It's just now, I share my dream.' | 0:01:11 | 0:01:14 | |
MUSIC: "Beggin" by Madcon | 0:01:28 | 0:01:30 | |
# Ooh | 0:01:30 | 0:01:33 | |
# Put your loving hand out, baby | 0:01:35 | 0:01:42 | |
# I'm beggin' | 0:01:43 | 0:01:47 | |
# Beggin' | 0:01:55 | 0:01:56 | |
# Beggin' you | 0:01:56 | 0:01:59 | |
# Put your loving hand out, baby | 0:01:59 | 0:02:02 | |
# Beggin' | 0:02:02 | 0:02:03 | |
# Beggin' you | 0:02:03 | 0:02:06 | |
# Put your loving hand out, darlin' | 0:02:06 | 0:02:09 | |
# Ridin' high, when I was king | 0:02:09 | 0:02:12 | |
# Played it hard and fast Cos I had everything | 0:02:12 | 0:02:17 | |
# Walked away, won me then | 0:02:17 | 0:02:20 | |
# But easy come and easy go And it would end | 0:02:20 | 0:02:23 | |
# So anytime I need ya Let me go | 0:02:23 | 0:02:24 | |
# Anytime I feed ya Get me low | 0:02:24 | 0:02:26 | |
# Anytime I see ya Let me know | 0:02:26 | 0:02:28 | |
# But I planted that seed Just let me grow | 0:02:28 | 0:02:30 | |
# I'm on my knees, I'm beggin' | 0:02:30 | 0:02:31 | |
# Cos I don't wanna lose | 0:02:31 | 0:02:33 | |
# I got my arms so spread I hope that my heart gets fed | 0:02:33 | 0:02:36 | |
# Matter of fact, gonna beg you | 0:02:36 | 0:02:37 | |
# Beggin' | 0:02:37 | 0:02:39 | |
# Beggin' you | 0:02:39 | 0:02:41 | |
# Put your loving hand out, baby | 0:02:41 | 0:02:45 | |
# Beggin' | 0:02:45 | 0:02:46 | |
# Beggin' you | 0:02:46 | 0:02:49 | |
# Put your loving hand out, darlin' | 0:02:49 | 0:02:51 | |
# I need you to understand | 0:02:51 | 0:02:55 | |
# Tried so hard to be your man | 0:02:56 | 0:02:58 | |
# The kind of man you want In the end | 0:02:58 | 0:03:02 | |
# Only then can I begin To live again | 0:03:02 | 0:03:06 | |
# And again, come on And again, come on | 0:03:06 | 0:03:10 | |
# Again, come on And again, come on | 0:03:10 | 0:03:13 | |
# Beggin' | 0:03:16 | 0:03:18 | |
# Beggin' you | 0:03:18 | 0:03:21 | |
# Put your loving hand out, baby | 0:03:21 | 0:03:24 | |
# Beggin', beggin' you | 0:03:24 | 0:03:28 | |
# Put your loving hand out, darlin'... # | 0:03:28 | 0:03:31 | |
CHEERING | 0:03:38 | 0:03:41 | |
We're half way to New York. If we dance like that in the finals, who's gonna beat us? | 0:03:41 | 0:03:44 | |
TANNOY: 'Final call for The Surge.' | 0:03:44 | 0:03:46 | |
Guys! | 0:04:06 | 0:04:07 | |
HIP HOP INSTRUMENTAL THROUGHOUT | 0:04:09 | 0:04:13 | |
Damn, they're good. | 0:04:30 | 0:04:31 | |
That's why they're champions, Carly. | 0:04:31 | 0:04:33 | |
Guys! Show some class. | 0:04:43 | 0:04:46 | |
-Are you gonna get the drinks in, then? -Maybe. | 0:04:46 | 0:04:49 | |
-CHEERING -J20, the next UK champion. | 0:05:04 | 0:05:07 | |
CHEERING AND WHOOPING | 0:05:07 | 0:05:10 | |
I love you. | 0:05:10 | 0:05:13 | |
Your round, Mac. | 0:05:13 | 0:05:16 | |
Guys. Guys! | 0:05:16 | 0:05:18 | |
OK, this is the... | 0:05:18 | 0:05:20 | |
This is the hardest thing I've ever had to do. | 0:05:20 | 0:05:22 | |
I'm going. | 0:05:24 | 0:05:26 | |
I wanted to end it on a high. | 0:05:26 | 0:05:28 | |
-Good one, Jay(!) -I'm serious. | 0:05:28 | 0:05:30 | |
I'm under a lot of pressure right now at work and uni. | 0:05:30 | 0:05:34 | |
-Something's gotta give and it's gotta be this. -So what are you saying? -Jay... | 0:05:34 | 0:05:38 | |
We've all got pressures, bruv. We've got a chance to be UK champions, | 0:05:38 | 0:05:41 | |
go to New York and represent our country. | 0:05:41 | 0:05:43 | |
I wouldn't do this, if you couldn't handle it. | 0:05:43 | 0:05:45 | |
But you can. Carly knows the choreo, she can take it from here. | 0:05:45 | 0:05:48 | |
No, babe, can't we just talk about it? | 0:05:48 | 0:05:49 | |
I've made up my mind. | 0:05:49 | 0:05:52 | |
It's your crew, now. | 0:05:52 | 0:05:54 | |
I'm gonna miss you guys. | 0:06:01 | 0:06:03 | |
This is some joke 'ting. | 0:06:07 | 0:06:09 | |
I'm gonna sort it, all right? | 0:06:09 | 0:06:11 | |
BUZZER | 0:06:15 | 0:06:17 | |
-You're not gonna change my mind. -What's wrong, Jay? | 0:06:20 | 0:06:24 | |
I thought you wanted to win, be UK champions. | 0:06:24 | 0:06:27 | |
Sometimes you gotta make choices. | 0:06:27 | 0:06:28 | |
So why didn't you tell me? I looked like such an idiot. | 0:06:28 | 0:06:31 | |
I just... I need to get my head straight, have a bit of a time out. | 0:06:31 | 0:06:34 | |
Well, have a week off and come back. | 0:06:35 | 0:06:37 | |
I mean, from everything. | 0:06:37 | 0:06:39 | |
Everyone. | 0:06:39 | 0:06:41 | |
I need to get rid of distractions for a bit, Carly. | 0:06:44 | 0:06:46 | |
Thanks(!) I'm a distraction, am I? | 0:06:46 | 0:06:48 | |
The biggest. | 0:06:48 | 0:06:50 | |
-Is it because I said I love you? -No! | 0:06:51 | 0:06:53 | |
It's just a time out. | 0:06:53 | 0:06:56 | |
If you take over the crew, you won't even notice I'm gone. | 0:06:56 | 0:06:59 | |
OK? | 0:07:00 | 0:07:02 | |
One jacket with cheese. Enjoy. | 0:07:04 | 0:07:07 | |
He said it was just a time out. | 0:07:07 | 0:07:09 | |
Oh, cut and run, Carls. | 0:07:09 | 0:07:11 | |
He's ditched us all five weeks before the finals. | 0:07:11 | 0:07:14 | |
I could take Jay's place in the crew. | 0:07:15 | 0:07:17 | |
Here's your man. | 0:07:17 | 0:07:19 | |
-SHE LAUGHS: -Yeah, right, Eddie(!) Keep practising. | 0:07:19 | 0:07:21 | |
Let's just concentrate on winning the street dance final, yeah? | 0:07:21 | 0:07:26 | |
Yeah, you're right. | 0:07:26 | 0:07:28 | |
Then he'll want me back, won't he? | 0:07:28 | 0:07:30 | |
Blonde and Northern. Tragic, really. | 0:07:30 | 0:07:33 | |
SHE LAUGHS: Thanks, Eddie. Let's get down to rehearsals. | 0:07:33 | 0:07:36 | |
Offer still stands, Carly. | 0:07:36 | 0:07:39 | |
Why me? Shouldn't you be running the crew, Shawna? | 0:07:39 | 0:07:41 | |
I just dance. You see the bigger picture. | 0:07:41 | 0:07:43 | |
-Will they listen to me? -Not if you sound like that! | 0:07:43 | 0:07:45 | |
You gotta be kick-arse Carly, man, come on! Gimme some heat! | 0:07:45 | 0:07:49 | |
-Is that all you got?! -Argh! | 0:07:49 | 0:07:51 | |
LAUGHTER | 0:07:51 | 0:07:54 | |
Oi! Oi! | 0:07:54 | 0:07:56 | |
Allez, go into the centre. | 0:08:00 | 0:08:02 | |
Oh...! | 0:08:02 | 0:08:04 | |
I don't get it. He's lost his family, rude boy. | 0:08:04 | 0:08:08 | |
How can we be J20 without Jay? It don't make no sense. | 0:08:08 | 0:08:11 | |
Why are they stood outside? | 0:08:11 | 0:08:13 | |
Just march in and show no fear. You're the boss. | 0:08:13 | 0:08:16 | |
Come on, gimme some heat. | 0:08:16 | 0:08:17 | |
Gimme some! | 0:08:17 | 0:08:19 | |
That was lame! Kick arse, Carly, or kiss arse. | 0:08:19 | 0:08:22 | |
Come on, guys, let's get started. | 0:08:22 | 0:08:24 | |
Can't you just... | 0:08:24 | 0:08:26 | |
STEEL DRUMS PLAYING | 0:08:26 | 0:08:29 | |
OK, guys. Slight hitch. | 0:08:33 | 0:08:35 | |
You didn't book the rehearsal space? | 0:08:35 | 0:08:37 | |
-Was I meant to? -Ah, come on, Carly, you're the boss, right? | 0:08:37 | 0:08:40 | |
If you wanna leave, Frankie, be my guest. | 0:08:40 | 0:08:42 | |
Without Jay, it's a waste of time. | 0:08:42 | 0:08:44 | |
MUTTERS AND PROTESTS | 0:08:44 | 0:08:45 | |
Steph, what are you doing? | 0:08:45 | 0:08:47 | |
I'm sorry. | 0:08:47 | 0:08:49 | |
We're supposed to be a crew. | 0:08:49 | 0:08:51 | |
Don't worry, they'll be back. | 0:08:51 | 0:08:52 | |
Guys, I can replace them. | 0:08:52 | 0:08:56 | |
LAUGHTER | 0:08:56 | 0:08:57 | |
Come on, Eddie! | 0:08:57 | 0:08:59 | |
Listen, guys, I don't know how to do this yet, | 0:08:59 | 0:09:02 | |
but what I do know is we have got a heavy crew. | 0:09:02 | 0:09:05 | |
We've got a final in September. | 0:09:05 | 0:09:06 | |
Can't we just find somewhere to rehearse and get on with it, | 0:09:06 | 0:09:09 | |
show Jay what we're made of? | 0:09:09 | 0:09:10 | |
CHATTER | 0:09:10 | 0:09:12 | |
MUSIC: "Candy" by Aggro Santos and Kimberly Wyatt | 0:09:12 | 0:09:14 | |
# ..come 'n getcha some Oh, oh, come 'n getcha some | 0:09:14 | 0:09:19 | |
# Come 'n getcha candy | 0:09:19 | 0:09:20 | |
# Hot girl, you're doing it well | 0:09:20 | 0:09:22 | |
# The way your hips move Got me under a spell | 0:09:22 | 0:09:24 | |
# Right now I don't really care Who's watching | 0:09:24 | 0:09:26 | |
# I wanna dance all night long No stopping | 0:09:26 | 0:09:28 | |
# You you you | 0:09:28 | 0:09:30 | |
# Girl, you look familiar Where do I know you from | 0:09:30 | 0:09:33 | |
# Have you been to visit me At aggrosantos.com... | 0:09:33 | 0:09:37 | |
RAIN AND SHRIEKING | 0:09:37 | 0:09:40 | |
# ..oh, come 'n getcha some Come 'n getcha some | 0:09:45 | 0:09:48 | |
# Oh, come 'n getcha some Come 'n getcha candy. # | 0:09:48 | 0:09:53 | |
-Ah, Shawna! -Sorry. | 0:09:54 | 0:09:56 | |
Gosh, man. | 0:09:56 | 0:09:58 | |
INDISTINCT CHATTER | 0:09:59 | 0:10:02 | |
-We're supposed to dance outside. -Not in England. America, maybe. | 0:10:03 | 0:10:07 | |
Then let's get there. | 0:10:07 | 0:10:08 | |
We've gotta be UK champions first. | 0:10:08 | 0:10:10 | |
Only if we rehearse in the studio. Health and safety, innit? | 0:10:10 | 0:10:13 | |
But we need money. Have you got any? | 0:10:13 | 0:10:17 | |
Don't get me crying. | 0:10:17 | 0:10:19 | |
If you let us use your studio for free, | 0:10:20 | 0:10:22 | |
we'll wear t-shirts advertising your gym. | 0:10:22 | 0:10:25 | |
DIAL TONE Hello? | 0:10:25 | 0:10:27 | |
Bill for your little party last night. | 0:10:31 | 0:10:32 | |
You what? | 0:10:32 | 0:10:33 | |
You wanna keep your job? | 0:10:34 | 0:10:35 | |
This ain't a drop-in centre for your mates. | 0:10:35 | 0:10:38 | |
We only had a few Kit Kats. | 0:10:38 | 0:10:39 | |
And...? | 0:10:39 | 0:10:40 | |
I need every penny I've got for dance space. | 0:10:40 | 0:10:43 | |
And...? | 0:10:43 | 0:10:45 | |
Why don't you sponsor us? | 0:10:45 | 0:10:46 | |
-HE LAUGHS -Now, that is funny! | 0:10:46 | 0:10:50 | |
Right, off your butt, Twinkle Toes. | 0:10:52 | 0:10:53 | |
Eddie's late, so you deliver these | 0:10:53 | 0:10:55 | |
and I'll think about letting you off the bill. | 0:10:55 | 0:10:57 | |
Smile, Carly. Smile. That's better. | 0:11:00 | 0:11:04 | |
MUSIC: "Romeo And Juliet" by Prokofiev | 0:11:22 | 0:11:26 | |
GIGGLING | 0:11:26 | 0:11:28 | |
Are you the sandwich girl? | 0:12:06 | 0:12:08 | |
Yeah, is it a chicken salad? | 0:12:08 | 0:12:10 | |
That's me. | 0:12:10 | 0:12:11 | |
-And one drink? -Hm hm. -That's £5.50, please. | 0:12:11 | 0:12:14 | |
You're welcome to stay and watch, if you like. | 0:12:23 | 0:12:25 | |
You're all right. | 0:12:25 | 0:12:27 | |
I was looking more at your room, actually. | 0:12:27 | 0:12:29 | |
That doesn't say much for my dancers. | 0:12:29 | 0:12:31 | |
No, they're very good. | 0:12:31 | 0:12:33 | |
They're not really feeling it, though, are they? | 0:12:33 | 0:12:36 | |
They look bored stiff. | 0:12:36 | 0:12:38 | |
Why are you interested in the room? | 0:12:40 | 0:12:42 | |
Need somewhere to rehearse with my street dance crew. | 0:12:42 | 0:12:45 | |
I don't suppose you rent these rooms for a fiver, do you? | 0:12:46 | 0:12:49 | |
Are you any good? | 0:12:51 | 0:12:52 | |
God, yeah. Got the UK finals in a few weeks. | 0:12:52 | 0:12:56 | |
Blow this lot out the water. | 0:12:56 | 0:12:57 | |
OK. I'd like to see it. | 0:12:57 | 0:13:00 | |
Ha! Yeah, right(!) | 0:13:00 | 0:13:02 | |
Really. | 0:13:02 | 0:13:03 | |
We're dancing in the shopping centre tonight, if you do mean it. | 0:13:05 | 0:13:09 | |
-Seven-ish. -If I can get away, I'll come. | 0:13:09 | 0:13:11 | |
Really(!) | 0:13:11 | 0:13:12 | |
How will I find you? | 0:13:14 | 0:13:15 | |
Follow the crowds. | 0:13:17 | 0:13:18 | |
You are Romeo and Juliet. You could die for each other. | 0:13:33 | 0:13:38 | |
Could I please get an inkling of this? | 0:13:38 | 0:13:41 | |
MUSIC: "Cash In My Pocket" by Daniel Merriweather | 0:13:41 | 0:13:43 | |
# Your host for the day | 0:13:43 | 0:13:45 | |
# Don't let me waste my money | 0:13:45 | 0:13:47 | |
# No, I see a new path I can make half | 0:13:47 | 0:13:49 | |
# Make new money Now I got a new laugh, ha | 0:13:49 | 0:13:52 | |
# Music is playing me well | 0:13:52 | 0:13:53 | |
# So I ain't gonna be the one To go and find a new craft | 0:13:53 | 0:13:55 | |
# I'm all right, if it ain't for you To find a new path | 0:13:55 | 0:13:58 | |
# If you can't hack it Better find a new class Triple Akon | 0:13:58 | 0:14:00 | |
# Gotta find a new pass | 0:14:00 | 0:14:01 | |
# Drive me not to do it When I'm buying new cars | 0:14:01 | 0:14:03 | |
# All I really want Is money in my pocket | 0:14:03 | 0:14:07 | |
# Cash in my hand Skrilla in my wallet | 0:14:07 | 0:14:11 | |
# All I really want Is money in my pocket | 0:14:11 | 0:14:15 | |
# Cash in my hand And skrilla in my wallet | 0:14:15 | 0:14:19 | |
# A dog gets one he puts away half | 0:14:19 | 0:14:21 | |
# So when I get one I'm gonna put away half | 0:14:21 | 0:14:23 | |
# I make money slow I make money fast | 0:14:23 | 0:14:24 | |
# Then I'm back to the hood So I can have the last laugh | 0:14:24 | 0:14:28 | |
# Still laughing Cos I know I'm not a half heart | 0:14:28 | 0:14:29 | |
# When we release We don't wanna half chart | 0:14:29 | 0:14:32 | |
# The IQ is high Some of them are half smart | 0:14:32 | 0:14:34 | |
# But I do it like Ronson Hard days craft | 0:14:34 | 0:14:35 | |
# All I really want Is money in my pocket | 0:14:35 | 0:14:39 | |
# Cash in my hand Skrilla in my wallet | 0:14:39 | 0:14:42 | |
# All I really want Is money in my pocket... # | 0:14:42 | 0:14:47 | |
Oi! | 0:14:47 | 0:14:49 | |
MUSIC STOPS SHOUTING | 0:14:49 | 0:14:52 | |
-You need a permit for this. -It's our money, we've earned it! | 0:14:52 | 0:14:55 | |
Ain't that girl Justine? | 0:14:56 | 0:14:58 | |
You big ugly bear! You come here. | 0:14:58 | 0:15:02 | |
Is this what you're doing, shaming me like this? | 0:15:02 | 0:15:05 | |
-D'you want me to get a policeman? -But it's ours! | 0:15:05 | 0:15:07 | |
CROWD JEERING | 0:15:07 | 0:15:09 | |
Thanks(!) | 0:15:09 | 0:15:11 | |
-Run! -Hey! | 0:15:12 | 0:15:14 | |
-Everyone in Top Shop's watching. -So why didn't you help me? | 0:15:15 | 0:15:18 | |
You know what, I don't wanna be part of this anymore. | 0:15:18 | 0:15:21 | |
-Don't you dare flake out, Aimee. -Flake out of what?! | 0:15:21 | 0:15:24 | |
We're going nowhere with you. | 0:15:24 | 0:15:25 | |
Without Jay, this crew's got no chance. | 0:15:25 | 0:15:28 | |
Well, thanks. Thanks a lot(!) | 0:15:28 | 0:15:29 | |
You whinge better than you dance, anyway. | 0:15:29 | 0:15:32 | |
Come on, out! | 0:15:32 | 0:15:34 | |
It's all done, finished. On your bike. | 0:15:34 | 0:15:37 | |
You might want to refine some of those management skills of yours. | 0:15:53 | 0:15:55 | |
Oh, piss off! | 0:15:55 | 0:15:58 | |
Whilst you're in this mood, I will! | 0:15:58 | 0:15:59 | |
Come on. | 0:16:27 | 0:16:28 | |
A little chaotic, but good. Vibrant. | 0:16:33 | 0:16:37 | |
Come and see me tomorrow with the rest of your group. | 0:16:37 | 0:16:40 | |
When you find them. | 0:16:40 | 0:16:41 | |
Studio three, four o'clock. | 0:16:47 | 0:16:49 | |
PHONE RINGS | 0:16:52 | 0:16:54 | |
'Hello?' | 0:16:54 | 0:16:55 | |
-Hi, Mrs Lo-... -'You shameful girl!' | 0:16:55 | 0:16:58 | |
'My daughter not dance with you again.' | 0:16:58 | 0:17:00 | |
DIAL TONE | 0:17:00 | 0:17:01 | |
And then there were two. | 0:17:06 | 0:17:08 | |
I've messed up, haven't I? | 0:17:08 | 0:17:10 | |
BALLET INSTRUCTIONS IN FRENCH | 0:17:13 | 0:17:16 | |
Spot, spot, spot, spot! | 0:17:22 | 0:17:27 | |
-Well, would we pay to see this year's crop? -Hm... | 0:17:27 | 0:17:29 | |
Voila! | 0:17:29 | 0:17:32 | |
On present showing, | 0:17:32 | 0:17:33 | |
none shall get through the Royal Ballet auditions. | 0:17:33 | 0:17:35 | |
That's not gonna dazzle our benefactors, is it? | 0:17:35 | 0:17:38 | |
-What's happened, Helena? -More and more, I wonder about our methods. | 0:17:38 | 0:17:41 | |
We drill the passion out of them, the vital ingredient. | 0:17:41 | 0:17:45 | |
But I have a plan to drill it back in. | 0:17:45 | 0:17:47 | |
It had better work, Helena. | 0:17:47 | 0:17:48 | |
Funding cuts mean other cuts, you know. | 0:17:48 | 0:17:51 | |
Spot! Today's all no good. | 0:17:51 | 0:17:53 | |
CAR HORNS AND SHOUTING | 0:17:56 | 0:17:58 | |
Oh, my God, it's you guys! | 0:17:58 | 0:18:00 | |
Go, go, go! | 0:18:00 | 0:18:02 | |
MUSIC: "Sugar Plum Fairy" by Tchaikovsky | 0:18:02 | 0:18:05 | |
INDISTINCT CHATTER | 0:18:05 | 0:18:08 | |
GIGGLING | 0:18:13 | 0:18:15 | |
Oi! Mac! | 0:18:15 | 0:18:17 | |
MUSIC: "Work It Out" by Lightbulb Thieves | 0:18:17 | 0:18:19 | |
# People stop and stare Don't be scared, don't you dare | 0:18:19 | 0:18:23 | |
# Freaky hair Skinny jeans with the Air Force on | 0:18:23 | 0:18:26 | |
# Mans who stand on road Holla out what's your postcode | 0:18:26 | 0:18:30 | |
# Watching me with daggers Ballerinas busting swagga | 0:18:30 | 0:18:34 | |
# Swagga swagga | 0:18:34 | 0:18:37 | |
# Swagga swagga... | 0:18:38 | 0:18:40 | |
MUSIC: "Sugar Plum Fairy" by Tchaikovsky | 0:18:40 | 0:18:42 | |
Pulled it off, Carly, man. | 0:18:49 | 0:18:51 | |
Yeah, this place is nice. | 0:18:51 | 0:18:53 | |
Sick, man! | 0:18:53 | 0:18:56 | |
Can I help you? | 0:18:57 | 0:18:58 | |
Look at this bloke! | 0:18:58 | 0:19:00 | |
LAUGHTER | 0:19:00 | 0:19:02 | |
We were told to be here by this lady. | 0:19:06 | 0:19:08 | |
It's Helena. | 0:19:10 | 0:19:11 | |
Have you come to watch us? | 0:19:14 | 0:19:16 | |
LAUGHS | 0:19:16 | 0:19:17 | |
Other way around, more like. | 0:19:17 | 0:19:19 | |
Get this, man, "Have I come to watch them?" | 0:19:19 | 0:19:23 | |
Not in those tights! | 0:19:23 | 0:19:25 | |
# ..it's the same old story Just shooting for the glory | 0:19:29 | 0:19:34 | |
# We can always settle the matter Without a single shot | 0:19:34 | 0:19:38 | |
# Fired out in anger Cos of what you haven't really got | 0:19:38 | 0:19:42 | |
# Let's just stop the nonsense Mans, just stop the frontin' | 0:19:42 | 0:19:45 | |
# Let's just take it out Work it out on the dance floor | 0:19:45 | 0:19:50 | |
# Let's just take it out Work it out on the dance floor | 0:19:50 | 0:19:53 | |
# Hey, oh! If we got beef We're gonna mash it | 0:19:53 | 0:19:57 | |
# Mash it with style and fashion | 0:19:57 | 0:19:58 | |
# Hey, oh! If we got beef We're gonna rock it | 0:19:58 | 0:20:00 | |
# Rock it to da old school | 0:20:00 | 0:20:01 | |
# Hey, oh! If we got beef We're gonna mash it | 0:20:01 | 0:20:04 | |
# Mash it with style and fashion | 0:20:04 | 0:20:06 | |
# Hey, oh! If we got beef We g'wan take it | 0:20:06 | 0:20:07 | |
# Take it to da old school | 0:20:07 | 0:20:09 | |
# Dance in a dancehall Battlin' a dancer | 0:20:09 | 0:20:12 | |
# Take away the beef And deal with ya anger | 0:20:12 | 0:20:14 | |
# We can maybe work it out We can maybe work it out | 0:20:14 | 0:20:19 | |
# We can maybe work it out We can maybe work it out | 0:20:19 | 0:20:27 | |
# Hey, oh! If we got beef We're gonna mash it | 0:20:44 | 0:20:47 | |
# Mash it with style and fashion | 0:20:47 | 0:20:49 | |
# Hey, oh! If we got beef... # | 0:20:49 | 0:20:51 | |
SCREAMING | 0:20:51 | 0:20:54 | |
COUGHING AND SHOUTING | 0:20:54 | 0:20:56 | |
I'm OK, I'm OK. I just need to lie here a bit. | 0:20:56 | 0:20:59 | |
Oh, my God, I'm so sorry. We'll pay for the damage. | 0:21:00 | 0:21:04 | |
I see you've made yourself at home. | 0:21:04 | 0:21:06 | |
But you're in the wrong room. | 0:21:06 | 0:21:08 | |
Hurry up, girls. | 0:21:08 | 0:21:09 | |
Will this suit your needs? | 0:21:14 | 0:21:15 | |
Are you kidding? This is amazing! | 0:21:15 | 0:21:19 | |
And you've met my dancers. | 0:21:19 | 0:21:21 | |
-Kind of. -Gabe, Isabella, Bex... | 0:21:21 | 0:21:23 | |
Chloe and Thomas. | 0:21:23 | 0:21:26 | |
I have a proposition for you. | 0:21:26 | 0:21:27 | |
Unlimited access to rehearse here for your competition. | 0:21:27 | 0:21:31 | |
MUTTERING AND WHOOPING | 0:21:31 | 0:21:33 | |
If you include my dancers in your routine. | 0:21:33 | 0:21:36 | |
ALL: What?! | 0:21:36 | 0:21:37 | |
-No way. We're a street dance crew, it's... -Say no! | 0:21:37 | 0:21:41 | |
It's like a family. We can't just take on new people. | 0:21:41 | 0:21:44 | |
Say something to her. | 0:21:44 | 0:21:46 | |
Helena, with all due respect... | 0:21:46 | 0:21:48 | |
Thank you, Thomas. I decide the content for your final master class. | 0:21:48 | 0:21:52 | |
Sorry, Miss. This sounds crazy. | 0:21:52 | 0:21:53 | |
-I'm sorry, I don't know your name. -Carly. | 0:21:53 | 0:21:55 | |
Carly, if you don't take my dancers, | 0:21:55 | 0:21:58 | |
I'll have to charge you for the hire of the studio, and the damage. | 0:21:58 | 0:22:01 | |
-MUTTERING -This is your fault! | 0:22:01 | 0:22:03 | |
-It's your decision. -Where are we gonna get the money from? -We can't win the finals with them. | 0:22:03 | 0:22:07 | |
I say we do a runner. | 0:22:07 | 0:22:08 | |
Guys, are you blind? Ballet chicks! Come on! | 0:22:08 | 0:22:11 | |
Can they street dance? | 0:22:11 | 0:22:13 | |
No. You'll have to teach them. | 0:22:13 | 0:22:15 | |
Huh! I'm sorry, HER teach US? | 0:22:15 | 0:22:17 | |
Yeah! | 0:22:17 | 0:22:20 | |
This is a unique opportunity. | 0:22:20 | 0:22:22 | |
I hope you'll all embrace it, | 0:22:22 | 0:22:24 | |
and perform well for the competition. | 0:22:24 | 0:22:27 | |
-I'm getting my dad to call the board. -Look at the state of them. | 0:22:30 | 0:22:34 | |
Clowns. | 0:22:34 | 0:22:35 | |
Let's just have a go. They'll be crap. | 0:22:40 | 0:22:42 | |
Then we can have the studio, anyway, and we can get the others back. | 0:22:42 | 0:22:47 | |
Prof, it's all green. | 0:22:47 | 0:22:49 | |
Where's the real food, man? | 0:22:49 | 0:22:52 | |
This is wrong. | 0:22:52 | 0:22:53 | |
How's learning with those clowns gonna get us into the Royal Ballet? | 0:22:55 | 0:22:58 | |
Helena's known for unconventional methods. | 0:22:58 | 0:23:01 | |
We've just got to trust her. | 0:23:01 | 0:23:02 | |
What is street dance? | 0:23:02 | 0:23:05 | |
Oh, don't be a bun head all your life, Bex. | 0:23:05 | 0:23:07 | |
MUSIC: "Broken" by McLean | 0:23:09 | 0:23:12 | |
# Oh... | 0:23:15 | 0:23:16 | |
# Oh... | 0:23:16 | 0:23:18 | |
# Yours was the perfect love I swear it was | 0:23:18 | 0:23:24 | |
# Until I had your love My world was cold | 0:23:24 | 0:23:28 | |
# I did what most men do And I messed it up | 0:23:28 | 0:23:33 | |
# But when I got you back My world was whole | 0:23:33 | 0:23:37 | |
# The player thing I let it go Thought our life was set in stone | 0:23:37 | 0:23:43 | |
# But it wasn't and I'm here alone | 0:23:43 | 0:23:45 | |
# Nothing is in front of me I feel I can't even breathe... | 0:23:45 | 0:23:49 | |
'Yeah, this is Jay. You know what to do.' | 0:23:49 | 0:23:51 | |
BEEPING Hi, Jay. | 0:23:51 | 0:23:54 | |
It's me, Carly. Um... | 0:23:54 | 0:23:56 | |
Give me a ring back when you can, please. | 0:23:58 | 0:24:00 | |
If you want, or... | 0:24:01 | 0:24:03 | |
..if you can, whatever. | 0:24:04 | 0:24:05 | |
Did I say it's me? | 0:24:12 | 0:24:14 | |
It's Carly. | 0:24:14 | 0:24:15 | |
# ..oh, yeah, yeah | 0:24:17 | 0:24:19 | |
# Left here, broken. # | 0:24:19 | 0:24:23 | |
HIP-HOP MUSIC | 0:24:27 | 0:24:29 | |
PIANO MUSIC | 0:24:46 | 0:24:49 | |
BASS THUDDING | 0:24:53 | 0:24:55 | |
Focus, focus! | 0:24:55 | 0:24:57 | |
PIANO CONTINUES | 0:24:57 | 0:25:00 | |
Right, it's your turn. | 0:25:19 | 0:25:22 | |
We've got five weeks and that's what we need you to do. | 0:25:22 | 0:25:25 | |
Do we have to be so...angry? | 0:25:25 | 0:25:28 | |
That's just the way it is, ballet boy. | 0:25:28 | 0:25:30 | |
What are they? | 0:25:34 | 0:25:36 | |
-My feet. -That's not suitable. Where are your trainers? | 0:25:36 | 0:25:39 | |
Trainers are rule number one. | 0:25:39 | 0:25:40 | |
This is what we dance in. D'you want us to injure ourselves? | 0:25:40 | 0:25:43 | |
Surprised you don't do that in your tights, mate! | 0:25:43 | 0:25:46 | |
Do I pass? | 0:25:48 | 0:25:50 | |
Just trainers tomorrow, yeah? | 0:25:51 | 0:25:53 | |
Tap one, tap one. | 0:25:55 | 0:25:57 | |
And again. Five, six... | 0:25:57 | 0:25:59 | |
seven, eight. | 0:25:59 | 0:26:00 | |
Tap one, tap one, tap one. | 0:26:00 | 0:26:04 | |
-Just try it to the music, and follow us if you lose the steps. -What steps? | 0:26:04 | 0:26:08 | |
Has she even heard of words? | 0:26:08 | 0:26:10 | |
Those girls are gonna need some hands-on helping. | 0:26:10 | 0:26:12 | |
Oh, my gosh! | 0:26:12 | 0:26:13 | |
MUSIC STARTS ARGUING INDISTINCT | 0:26:13 | 0:26:16 | |
Five, six, seven, eight... | 0:26:16 | 0:26:18 | |
Come on, you're going to be up against the best street dancers | 0:26:19 | 0:26:22 | |
in the UK in a few weeks. Five, six, seven, eight... | 0:26:22 | 0:26:26 | |
You're gonna make us look like jokers. | 0:26:30 | 0:26:33 | |
Not good enough. Focus, please. | 0:26:35 | 0:26:37 | |
Five, six, seven, eight... | 0:26:37 | 0:26:40 | |
Carly! | 0:26:50 | 0:26:52 | |
-What did you say to her? -I didn't say anything. | 0:26:52 | 0:26:55 | |
You lot are bad, man. | 0:26:55 | 0:26:56 | |
ARGUING INDISTINCT | 0:26:56 | 0:26:58 | |
CLASSIC MUSIC PLAYS | 0:26:59 | 0:27:01 | |
-Carly. -I can't do it. | 0:27:01 | 0:27:03 | |
How was rehearsal? | 0:27:03 | 0:27:05 | |
We're too different. I can't do it. | 0:27:05 | 0:27:07 | |
-Can't or won't? -Listen, I'm not a teacher, Miss, | 0:27:08 | 0:27:12 | |
and I think you've got the wrong idea about me. | 0:27:12 | 0:27:15 | |
Then that'll be £250 for the hole in the wall. | 0:27:15 | 0:27:17 | |
Come on, I'm trying to tell you this crew is gonna fail. | 0:27:17 | 0:27:21 | |
Because you think it will? | 0:27:21 | 0:27:22 | |
-Or because you want it to? -Stop answering me with questions! I don't want to lead this thing. | 0:27:22 | 0:27:26 | |
They're never gonna get it by the 27th. | 0:27:26 | 0:27:28 | |
Then I'll see you again when you deliver my lunch. | 0:27:31 | 0:27:34 | |
But go easy on the mayonnaise next time. | 0:27:35 | 0:27:37 | |
DOOR SLAMS | 0:27:46 | 0:27:47 | |
MUSIC: "One In A Million" by Swiss feat. Music Kidz | 0:27:47 | 0:27:51 | |
# How could you deny me 1990 I been doing this since primary | 0:27:57 | 0:28:02 | |
# Most despise but know these flows like poison ivy | 0:28:02 | 0:28:05 | |
# Grimy its all over, took an average Joe too dotted line me | 0:28:05 | 0:28:09 | |
# Finally though untie me Oh so timely | 0:28:09 | 0:28:11 | |
# So tiny started daily nightly Slightly rhyming tightly | 0:28:11 | 0:28:14 | |
# Hoping one day I'll be mighty | 0:28:14 | 0:28:16 | |
# Likely Westwood would invite me up on Friday | 0:28:16 | 0:28:19 | |
# P.I.E.R.R it started as a dream as far as arguably best artist to me | 0:28:19 | 0:28:24 | |
# I'm one in a million Just so have it you know | 0:28:24 | 0:28:28 | |
# I'm one in a million Couldn't pack just to go | 0:28:28 | 0:28:31 | |
# I'm one in a million Not the average Joe | 0:28:31 | 0:28:35 | |
# I'm one in a million I'm one in a million | 0:28:35 | 0:28:38 | |
# I'm one in a million Just so have it you know | 0:28:38 | 0:28:42 | |
# I'm one in a million Couldn't pack just to go | 0:28:42 | 0:28:45 | |
# I'm one in a million Not the average Joe | 0:28:45 | 0:28:48 | |
# I'm one in a million I'm one in a million | 0:28:48 | 0:28:54 | |
# I'm one in a million. # | 0:29:05 | 0:29:08 | |
WHISTLES | 0:29:12 | 0:29:14 | |
I feel like a chump. | 0:29:14 | 0:29:16 | |
These things wreak havoc on one's lines. | 0:29:16 | 0:29:19 | |
I feel more comfy. | 0:29:19 | 0:29:21 | |
-Hey, guys. -Eurgh, more of them. | 0:29:21 | 0:29:22 | |
Steph, Frankie! | 0:29:22 | 0:29:24 | |
You're not doing the finals without us. | 0:29:24 | 0:29:26 | |
-Shawna, tell 'em what's going on. -What's goin' on, babe? | 0:29:26 | 0:29:29 | |
We got off on the wrong foot yesterday, so let's start again. | 0:29:29 | 0:29:32 | |
Street dance for beginners. | 0:29:32 | 0:29:35 | |
Spread out, just move like you're in a club. | 0:29:35 | 0:29:38 | |
This should swing it for the Royal Ballet(!) | 0:29:38 | 0:29:40 | |
Just slouch a bit, do your own thing. | 0:29:40 | 0:29:43 | |
-I'm sorry, we don't do slouching, darling. -So improvise. | 0:29:43 | 0:29:46 | |
You know that's how street dance started, | 0:29:46 | 0:29:48 | |
in the streets, in the clubs, ripping up the rules. | 0:29:48 | 0:29:51 | |
We're gonna break it down for you. | 0:29:51 | 0:29:53 | |
Like Brook, mocking. | 0:29:53 | 0:29:55 | |
Wooh! | 0:29:56 | 0:29:58 | |
MUSIC: "Wearing My Rolex" by Wiley | 0:29:58 | 0:30:00 | |
# I don't even know yet | 0:30:00 | 0:30:02 | |
# Next thing she's wearing my Rolex | 0:30:02 | 0:30:03 | |
# Too much shanks Don't know wear my phone is | 0:30:03 | 0:30:06 | |
# Here's my number She already knows it | 0:30:06 | 0:30:07 | |
# This chapter's a lot Better close it | 0:30:07 | 0:30:09 | |
# Just a look in her eye Was so evil | 0:30:09 | 0:30:10 | |
# Wiley's a party guy And she knows it | 0:30:10 | 0:30:12 | |
# What would we do | 0:30:12 | 0:30:14 | |
# Usually drink, usually dance, Usually babble | 0:30:14 | 0:30:16 | |
# All I want to do Is tell you I love you | 0:30:16 | 0:30:19 | |
# That's when I start promising The world | 0:30:19 | 0:30:21 | |
# To a brand new girl I don't even know yet | 0:30:21 | 0:30:22 | |
# Next thing She's wearing my Rolex... # | 0:30:22 | 0:30:25 | |
Steph, break it. | 0:30:25 | 0:30:27 | |
MUSIC CONTINUES | 0:30:27 | 0:30:29 | |
Come on, Boogie! | 0:30:35 | 0:30:37 | |
WHOOPING | 0:30:39 | 0:30:42 | |
Steph, show me how. | 0:30:49 | 0:30:51 | |
Go on, Steph! | 0:31:07 | 0:31:09 | |
Frankie, new style. | 0:31:09 | 0:31:12 | |
-Come on, baby! -Oh, ho, ho! Nice! | 0:31:12 | 0:31:15 | |
Come on, Shawna. New style. | 0:31:18 | 0:31:21 | |
Woo hoo! | 0:31:30 | 0:31:31 | |
Finally, Mac. Pump it! | 0:31:34 | 0:31:38 | |
WHOOPING | 0:31:42 | 0:31:44 | |
Come on. Pick a move and get practising. | 0:31:55 | 0:31:58 | |
Er, young man, what are you doing? | 0:31:59 | 0:32:04 | |
Delivering. | 0:32:04 | 0:32:06 | |
Helena, can you please control your street people? | 0:32:06 | 0:32:09 | |
Dancers, Madame. Dancers. | 0:32:09 | 0:32:11 | |
That is a matter of opinion. | 0:32:11 | 0:32:13 | |
Chicken salad? | 0:32:18 | 0:32:19 | |
Thank you, Eddie. How's it going? | 0:32:19 | 0:32:22 | |
It's painful, Miss. | 0:32:22 | 0:32:24 | |
It might make life easier if you let me run the classes with you. | 0:32:32 | 0:32:36 | |
Are you trying to tell me how to do this? | 0:32:36 | 0:32:38 | |
Well, you could do with the help, couldn't you? | 0:32:38 | 0:32:40 | |
We're doing a street dance. Not a ballet. | 0:32:40 | 0:32:43 | |
So much for ripping up the rules. | 0:32:45 | 0:32:47 | |
He loves himself. | 0:32:50 | 0:32:52 | |
Just your type. | 0:32:52 | 0:32:54 | |
-What? It's one way of forgetting Jay. -I don't want to forget him. | 0:32:54 | 0:32:57 | |
Well, I think the ballet boys are buff. | 0:32:57 | 0:33:00 | |
We're the teachers! | 0:33:02 | 0:33:03 | |
Hm? | 0:33:03 | 0:33:05 | |
I'm getting my parents to call Mr Harding. | 0:33:05 | 0:33:07 | |
They're not paying for disco dancing. | 0:33:07 | 0:33:09 | |
Dairy's deathly, you know. | 0:33:11 | 0:33:12 | |
It's all right. It's OK. Survival has arrived. | 0:33:13 | 0:33:16 | |
That's my lunch! | 0:33:16 | 0:33:19 | |
Don't make me laugh. | 0:33:19 | 0:33:20 | |
They can't dance our way without proper fuel. | 0:33:21 | 0:33:23 | |
Can't dance? | 0:33:23 | 0:33:25 | |
Did you just say that we can't dance? | 0:33:25 | 0:33:28 | |
That ain't dancing. | 0:33:28 | 0:33:29 | |
That's just flapping about. | 0:33:29 | 0:33:31 | |
At least I don't look like I'm having a seizure. | 0:33:31 | 0:33:34 | |
Whatever you say, tutu tits. | 0:33:34 | 0:33:38 | |
SHE SLAMS TRAY DOWN | 0:33:38 | 0:33:41 | |
Tutu what? | 0:33:41 | 0:33:42 | |
You heard. | 0:33:44 | 0:33:46 | |
GASPS | 0:33:48 | 0:33:50 | |
Food fight! | 0:33:52 | 0:33:54 | |
SHOUTING | 0:33:54 | 0:33:56 | |
Discipline, etiquette, grace. | 0:34:10 | 0:34:14 | |
A few words I'd like to remind you of. | 0:34:14 | 0:34:16 | |
This is not how we treat our guests. | 0:34:16 | 0:34:18 | |
I assume you know what you're doing bringing these characters here. | 0:34:20 | 0:34:23 | |
You should be pleased, Mr Harding. | 0:34:23 | 0:34:25 | |
Our students are finally showing some spirit. | 0:34:25 | 0:34:27 | |
I'd rather see it in their dancing. | 0:34:27 | 0:34:29 | |
You've got to find a way to work together. | 0:34:32 | 0:34:36 | |
Get out of here, have some fun. | 0:34:36 | 0:34:38 | |
Get to know each other. | 0:34:38 | 0:34:40 | |
After you've cleaned up this mess, of course. | 0:34:40 | 0:34:43 | |
CARNIVAL MUSIC | 0:34:43 | 0:34:45 | |
Let's ditch them when the trucks stop. | 0:35:01 | 0:35:04 | |
-Yeah? -Yeah! | 0:35:04 | 0:35:05 | |
Shawna! | 0:35:16 | 0:35:18 | |
Looks like you're stuck with us. | 0:35:20 | 0:35:23 | |
Come on! | 0:35:23 | 0:35:24 | |
-Carly. -Oh, Aaron, you all right? -You all right, yeah? | 0:35:39 | 0:35:43 | |
-Yeah. You on? -We're up next. | 0:35:43 | 0:35:44 | |
Been cool? I heard there was a bust up with Jay. | 0:35:44 | 0:35:46 | |
No, we're just having time out. | 0:35:46 | 0:35:49 | |
-This your new crew? -It's a long story. | 0:35:49 | 0:35:52 | |
Hang around. Tell me later. Get a drink or something. | 0:35:52 | 0:35:55 | |
-Will do. Good luck. -See you later. | 0:35:55 | 0:35:57 | |
OK, you lot have got to watch these. | 0:35:57 | 0:36:00 | |
These were the UK street dance champions two years ago. | 0:36:00 | 0:36:02 | |
They're the best. We used to have classes with them. | 0:36:02 | 0:36:05 | |
-So this... this is what we're aiming for. -Who's Jay? | 0:36:05 | 0:36:09 | |
HIP-HOP MUSIC | 0:36:09 | 0:36:12 | |
CHEERING AND APPLAUSE | 0:36:12 | 0:36:16 | |
Wooh! Mac! | 0:36:20 | 0:36:23 | |
Come on! Wooh hoo! | 0:36:23 | 0:36:25 | |
You haven't got that song, have ya? The one that goes... | 0:38:08 | 0:38:12 | |
What's that mumbo jumbo you're writing? | 0:38:30 | 0:38:33 | |
It's choreography for our routine. | 0:38:33 | 0:38:35 | |
You've got steps, formations, feelings. | 0:38:35 | 0:38:38 | |
What, you're doing that? | 0:38:38 | 0:38:39 | |
-Yeah. -You are actually doing that? | 0:38:39 | 0:38:41 | |
Fred, I don't think making sandwiches is my calling in life. | 0:38:41 | 0:38:44 | |
-You got that right! -LAUGHTER | 0:38:44 | 0:38:46 | |
MUSIC: "Live For the Moment" by Pixie Lott | 0:38:46 | 0:38:49 | |
Where is your chin? | 0:38:49 | 0:38:50 | |
Five, six, seven, eight! | 0:38:52 | 0:38:56 | |
Faster! | 0:38:59 | 0:39:00 | |
Five, six, seven! | 0:39:00 | 0:39:02 | |
Feel the rhythm, come on! | 0:39:02 | 0:39:05 | |
OK. | 0:39:16 | 0:39:17 | |
Glimmers of hope, Miss. | 0:39:21 | 0:39:23 | |
Thomas, relax a bit, please. You're forcing it. | 0:39:33 | 0:39:36 | |
Go back to where you started. | 0:39:36 | 0:39:39 | |
And try not pointing your toes. It looks a bit too pretty. | 0:39:39 | 0:39:42 | |
One and two and three and four. | 0:39:45 | 0:39:47 | |
Five and six and seven... | 0:39:47 | 0:39:50 | |
We're gonna pick it up from this section, please. | 0:39:50 | 0:39:52 | |
Isabella, I want you to try it with more attitude. | 0:39:52 | 0:39:56 | |
Five, six, seven, eight. | 0:39:56 | 0:39:59 | |
And one, two... | 0:39:59 | 0:40:00 | |
Stop there, please. | 0:40:00 | 0:40:02 | |
Straight away, just arch over. Don't make it so upright. | 0:40:02 | 0:40:04 | |
No, you're not getting it. | 0:40:07 | 0:40:08 | |
Your arms are too flouncy and ballet. | 0:40:08 | 0:40:11 | |
Hands upright. Tight. | 0:40:11 | 0:40:14 | |
I should be able to do that, yeah? | 0:40:14 | 0:40:16 | |
What did I say? | 0:40:21 | 0:40:23 | |
What's happened? | 0:40:23 | 0:40:25 | |
Come on! We don't have time for this! | 0:40:25 | 0:40:27 | |
Oh, how sad. Crying over a street dance. | 0:40:29 | 0:40:34 | |
Oh, bite it, Chloe. | 0:40:34 | 0:40:36 | |
SHE SOBS | 0:40:36 | 0:40:38 | |
Listen, I'm sorry if I was a cow back there. | 0:40:38 | 0:40:41 | |
Carly, it's not you. | 0:40:41 | 0:40:42 | |
Do you know... | 0:40:42 | 0:40:44 | |
..all my life I've been told to stand up straight, | 0:40:45 | 0:40:48 | |
turn out posture, and now? | 0:40:48 | 0:40:50 | |
Now they tell me I look wrong. | 0:40:51 | 0:40:53 | |
They say I've grown too tall, | 0:40:55 | 0:40:56 | |
they won't even put me up for the Royal Ballet auditions. | 0:40:56 | 0:40:59 | |
Come on. | 0:41:02 | 0:41:04 | |
Just... I don't know where I fit in anymore. | 0:41:05 | 0:41:08 | |
Forget them, babes. | 0:41:08 | 0:41:10 | |
You're with us now. | 0:41:11 | 0:41:13 | |
MUSIC: "Strong Again" by N-Dubz | 0:41:13 | 0:41:15 | |
MUSIC STOPS | 0:42:24 | 0:42:25 | |
I feel bad. Your students have really put themselves through it. | 0:42:29 | 0:42:33 | |
They're nothing if not hard workers. | 0:42:33 | 0:42:35 | |
But they really wanna do ballet. | 0:42:35 | 0:42:36 | |
Making them do something else, I don't understand it. | 0:42:36 | 0:42:39 | |
Have you ever been to a ballet? | 0:42:39 | 0:42:40 | |
What do you think? | 0:42:40 | 0:42:42 | |
Would you like to accompany me? | 0:42:42 | 0:42:44 | |
I dunno, Miss. It's not really my scene. | 0:42:44 | 0:42:46 | |
How do you know? | 0:42:46 | 0:42:48 | |
If you've never been. | 0:42:48 | 0:42:50 | |
RADIO PLAYS HIP HOP MUSIC | 0:42:53 | 0:42:55 | |
-Maybe she fancies you. -Get out! | 0:42:55 | 0:42:59 | |
You never know with them arty-farty types. | 0:42:59 | 0:43:03 | |
Jay's a fool, you know that, right? | 0:43:03 | 0:43:05 | |
-He's never gonna call, is he? -Nope. -Never in a million years. | 0:43:05 | 0:43:08 | |
-Hm, thanks(!) -You don't need him, anyway. | 0:43:08 | 0:43:12 | |
It's all about Jay, though. | 0:43:12 | 0:43:13 | |
Stop putting yourself through it. | 0:43:13 | 0:43:16 | |
Tell you what... | 0:43:16 | 0:43:18 | |
-What are you doing? -You call him. -Have you dialled? | 0:43:18 | 0:43:21 | |
-It's on speaker. I wanna hear. -Shawna! PHONE RINGS | 0:43:21 | 0:43:24 | |
'This is Jay. You know what to do.' | 0:43:24 | 0:43:26 | |
BEEPING | 0:43:26 | 0:43:28 | |
Jay, it's Carly. | 0:43:28 | 0:43:30 | |
Look, I know it's over with me and the crew, I just wish... | 0:43:30 | 0:43:33 | |
Just wish you'd said, "You're dumped." | 0:43:33 | 0:43:35 | |
Muppet. Carly's taken us to the finals with her new ballet boyfriend. | 0:43:35 | 0:43:42 | |
-So go suck on that time out, all right? -You tell it rude, girl! | 0:43:42 | 0:43:45 | |
That part of your life is now over. | 0:43:45 | 0:43:49 | |
It's time for the next phase. | 0:43:50 | 0:43:53 | |
Nice to see you. | 0:44:10 | 0:44:11 | |
Nice to see you, too. | 0:44:11 | 0:44:13 | |
Are you some kind of ballet celebrity? | 0:44:13 | 0:44:15 | |
I used to dance. | 0:44:15 | 0:44:16 | |
Helena, darling. | 0:44:16 | 0:44:18 | |
Oh, Michael. | 0:44:18 | 0:44:20 | |
I'm so pleased you could make it. | 0:44:22 | 0:44:24 | |
I wouldn't miss it for the world. You know that. | 0:44:24 | 0:44:27 | |
Oh, Michael, this is Carly, an exciting young choreographer | 0:44:27 | 0:44:30 | |
who's working with my students. | 0:44:30 | 0:44:33 | |
This is Michael, who's choreographing tonight's ballet. | 0:44:34 | 0:44:37 | |
-I'd love to see some of your work. -We'll see if that can be arranged. | 0:44:37 | 0:44:41 | |
Well, enjoy the performance. | 0:44:41 | 0:44:43 | |
You're in every scene. | 0:44:43 | 0:44:45 | |
-He's just an old student of mine. -Oh, yeah? | 0:44:52 | 0:44:55 | |
What did you teach him exactly? | 0:44:56 | 0:44:58 | |
BELL RINGS | 0:44:58 | 0:45:00 | |
ORCHESTRA TUNING UP | 0:45:00 | 0:45:03 | |
MUSIC: "Romeo And Juliet" by Prokofiev | 0:45:22 | 0:45:25 | |
I got goosebumps, like. | 0:46:08 | 0:46:10 | |
They never even said a word. | 0:46:11 | 0:46:13 | |
But you understood. | 0:46:13 | 0:46:15 | |
Not everything, but it was powerful. | 0:46:15 | 0:46:17 | |
I mean, I could feel what they were feeling. | 0:46:17 | 0:46:19 | |
Good. | 0:46:19 | 0:46:21 | |
Remember that for your routine. | 0:46:21 | 0:46:23 | |
Hm, but that's ballet. | 0:46:23 | 0:46:25 | |
Think less, "This is ballet, this is street dance." | 0:46:26 | 0:46:30 | |
But more, "This is dance." | 0:46:31 | 0:46:33 | |
But we're still entering a street dance competition, | 0:46:33 | 0:46:36 | |
it's a different world. | 0:46:36 | 0:46:38 | |
Same world, Carly. | 0:46:38 | 0:46:39 | |
You'll have a stage and an audience. | 0:46:40 | 0:46:42 | |
What d'you want them to feel? | 0:46:42 | 0:46:44 | |
Jay... | 0:46:54 | 0:46:56 | |
I got your message. | 0:46:56 | 0:46:57 | |
It was Shawna. She's mad at you. | 0:46:58 | 0:47:00 | |
Sorry I didn't call you back. | 0:47:00 | 0:47:02 | |
You said you needed time out. | 0:47:02 | 0:47:03 | |
I've missed you. | 0:47:03 | 0:47:05 | |
-Really? -Of course. | 0:47:05 | 0:47:08 | |
Look at you. Where've you been? You look amazing. | 0:47:08 | 0:47:10 | |
You wouldn't believe. | 0:47:10 | 0:47:12 | |
D'you wanna ask me in? Tell me about it? | 0:47:14 | 0:47:17 | |
-Sorry... -Shh. | 0:47:17 | 0:47:18 | |
It's me who should be apologising. | 0:47:18 | 0:47:21 | |
What will your ballet boyfriend think? | 0:47:25 | 0:47:29 | |
Probably pirouette you to death if he existed. | 0:47:29 | 0:47:32 | |
You know I've been waiting for you? | 0:47:34 | 0:47:36 | |
-And you're still going for the finals? -Gonna try. | 0:47:37 | 0:47:41 | |
Are the ballet dancers any good? | 0:47:41 | 0:47:43 | |
Hm, really good. | 0:47:43 | 0:47:45 | |
Problem is trying to get them to dance like us. | 0:47:45 | 0:47:47 | |
There's still a place for you. | 0:47:50 | 0:47:52 | |
Sounds like you're managing just fine. | 0:47:52 | 0:47:54 | |
One minute, I think we're doing good. | 0:47:54 | 0:47:57 | |
Then I think of The Surge and we don't even come close. | 0:47:57 | 0:48:00 | |
Not everyone can be wonderful. | 0:48:00 | 0:48:02 | |
-Oh, thanks(!) -But you've got to do your best. | 0:48:02 | 0:48:06 | |
MUSIC: "Champion Sound" by Fatboy Slim | 0:48:07 | 0:48:11 | |
# Anybody lost looking to get found | 0:48:11 | 0:48:13 | |
# Know it when they hear The champion sound | 0:48:13 | 0:48:15 | |
# Anybody loving music Up in your town | 0:48:15 | 0:48:18 | |
# Know it when they hear The champion sound | 0:48:18 | 0:48:20 | |
# Love it when they hear The champion sound | 0:48:20 | 0:48:21 | |
# Need it when they hear The champion.... Watch Out! | 0:48:21 | 0:48:24 | |
# Take it on a wild dream Fill through a bloodstream | 0:48:24 | 0:48:27 | |
# Baby, it will make you fly | 0:48:27 | 0:48:29 | |
# Work out the meaning You got the feeling | 0:48:29 | 0:48:32 | |
# Baby we can get so high | 0:48:32 | 0:48:33 | |
# Switch into the meltdown Fry like his own doubt | 0:48:33 | 0:48:36 | |
# Gonna make it overflow | 0:48:36 | 0:48:38 | |
# Give out to get back Damn it do you feel that | 0:48:38 | 0:48:41 | |
# Flip out and overload | 0:48:41 | 0:48:43 | |
# La la la la... # | 0:48:43 | 0:48:45 | |
-Oi! -Fred and Ginger, there is a queue. | 0:48:45 | 0:48:48 | |
CHEERING AND APPLAUSE | 0:48:48 | 0:48:50 | |
Thank you! | 0:48:50 | 0:48:53 | |
Why now? I don't get it. | 0:48:53 | 0:48:54 | |
He said it was a time out and he meant it. | 0:48:54 | 0:48:57 | |
-Hm... -Hi! | 0:48:57 | 0:48:59 | |
Besides which, Shawns, I'm a sex goddess. Couldn't stay away. | 0:48:59 | 0:49:04 | |
GIGGLES | 0:49:04 | 0:49:05 | |
Oh, yeah. Forgot that! | 0:49:05 | 0:49:09 | |
MUSIC: "Get Sexy" by Sugababes | 0:49:09 | 0:49:11 | |
# Woah! Yeah | 0:49:16 | 0:49:19 | |
# Yeah, woah! | 0:49:20 | 0:49:23 | |
# When I'm walkin' down the street They say hey, sexy | 0:49:23 | 0:49:27 | |
# When I'm drivin' in my car Or I'm standin' at the bar | 0:49:27 | 0:49:31 | |
# It don't matter where I are They say hey, sexy | 0:49:31 | 0:49:34 | |
# Silly boys, they lovin' me so much | 0:49:34 | 0:49:38 | |
# Silly boys, you can look But you can't touch... # | 0:49:38 | 0:49:42 | |
-The warm up's changed! -That's cos she had a late night last night. | 0:49:42 | 0:49:45 | |
-LAUGHS -Means Jay's back on the scene. | 0:49:45 | 0:49:49 | |
You know what, we should all go out tonight, check out some fresh moves. | 0:49:52 | 0:49:56 | |
-Yeah, I'm on that. -Now, you're talking! -Yeah, I think so! | 0:49:56 | 0:49:59 | |
LAUGHS | 0:49:59 | 0:50:02 | |
# ..let's get sexy right now... # | 0:50:02 | 0:50:04 | |
HIP HOP MUSIC | 0:50:05 | 0:50:07 | |
CHEERING | 0:50:07 | 0:50:10 | |
MUSIC CONTINUES THROUGHOUT | 0:50:10 | 0:50:12 | |
D'you want a drink? | 0:50:48 | 0:50:49 | |
Er, I don't drink. | 0:50:49 | 0:50:50 | |
So what do you do? | 0:50:50 | 0:50:54 | |
-I dance. -I can work with that. | 0:50:54 | 0:50:57 | |
Yo, babe. Wanna dance? | 0:51:06 | 0:51:08 | |
Shall we? | 0:51:15 | 0:51:16 | |
DJ INDISTINCT | 0:51:37 | 0:51:40 | |
Carly, Carly! | 0:51:40 | 0:51:41 | |
-DJ: -Ladies, make way. Make way! | 0:51:41 | 0:51:44 | |
I swear they must get off on them uniforms! | 0:51:44 | 0:51:46 | |
Listen to what I'm saying, | 0:51:46 | 0:51:48 | |
it's the UK national champs, it's The Surge. | 0:51:48 | 0:51:52 | |
-Let's get the others. -The dance floor's open. | 0:51:52 | 0:51:54 | |
Anybody wants to step up to the challenge... | 0:51:54 | 0:51:59 | |
Let's see what you can do, let's do this thing. | 0:51:59 | 0:52:01 | |
HIP-HOP MUSIC AND CHEERING | 0:52:01 | 0:52:04 | |
So what's the name of the game? | 0:52:08 | 0:52:10 | |
It's not a game, it's a battle. | 0:52:10 | 0:52:11 | |
Just throw down some moves. | 0:52:11 | 0:52:14 | |
Let's go! | 0:52:14 | 0:52:16 | |
See what I'm sayin', UK champs! | 0:52:38 | 0:52:42 | |
CHEERING | 0:52:42 | 0:52:43 | |
All right, what we got here? | 0:52:43 | 0:52:46 | |
Are we ready? | 0:52:50 | 0:52:52 | |
All right, let's go! | 0:52:52 | 0:52:54 | |
You see that?! | 0:53:11 | 0:53:14 | |
Ladies? | 0:53:30 | 0:53:32 | |
Woah! | 0:53:32 | 0:53:34 | |
Ladies are getting involved now. | 0:53:35 | 0:53:37 | |
Watch it, d'you know that... | 0:53:41 | 0:53:43 | |
Woo hoo! | 0:53:49 | 0:53:51 | |
Oh, oh, hold up! | 0:53:51 | 0:53:54 | |
Hold up, what is... | 0:53:54 | 0:53:56 | |
Topless ballet in the building! | 0:53:57 | 0:53:59 | |
I don't know, man, but it kinda works, too. | 0:54:01 | 0:54:03 | |
CHEERING | 0:54:03 | 0:54:06 | |
I think that's called a pirouette or summat, | 0:54:07 | 0:54:09 | |
I don't know, but it's all good. | 0:54:09 | 0:54:11 | |
See what Surge can do! | 0:54:13 | 0:54:17 | |
CHEERING | 0:54:17 | 0:54:19 | |
DJ LAUGHS | 0:54:24 | 0:54:26 | |
Oh, there's your girl, there's your girl! | 0:54:26 | 0:54:30 | |
Woah! We got an aerial! | 0:54:49 | 0:54:52 | |
DJ LAUGHS | 0:54:57 | 0:55:00 | |
360, baby! | 0:55:00 | 0:55:01 | |
I don't know the name of this crew, | 0:55:24 | 0:55:26 | |
but I'm looking for these two for real. | 0:55:26 | 0:55:29 | |
That one's cheeky! | 0:55:29 | 0:55:31 | |
MUSIC STOPS | 0:57:04 | 0:57:07 | |
You know what, don't touch him. You're not worth it. | 0:57:09 | 0:57:12 | |
You didn't mind touching me last night. | 0:57:12 | 0:57:14 | |
SCREAMING AND SHOUTING | 0:57:17 | 0:57:19 | |
TAXI HORN BLARES | 0:57:43 | 0:57:46 | |
SHE SOBS | 0:57:50 | 0:57:53 | |
It's OK. | 0:58:02 | 0:58:05 | |
Welcome to my world. | 0:58:31 | 0:58:33 | |
College fees don't leave a lot left over for fancy apartments. | 0:58:37 | 0:58:41 | |
MUSIC: "Life Is Beautiful" by Vega4 | 0:58:53 | 0:58:56 | |
It does have one redeeming feature. | 0:59:06 | 0:59:08 | |
What? | 0:59:10 | 0:59:12 | |
Close your eyes. | 0:59:16 | 0:59:18 | |
Don't be silly. | 0:59:18 | 0:59:19 | |
Come on. | 0:59:19 | 0:59:21 | |
# When you run into my arms | 0:59:27 | 0:59:31 | |
# We steal a perfect moment... # | 0:59:31 | 0:59:36 | |
Open your eyes. | 0:59:47 | 0:59:48 | |
Wow! | 0:59:51 | 0:59:52 | |
It's not bad, is it? | 0:59:52 | 0:59:55 | |
It's beautiful. | 0:59:55 | 0:59:56 | |
This is where I do my street dancing. | 1:00:04 | 1:00:07 | |
SHE LAUGHS | 1:00:07 | 1:00:08 | |
What? | 1:00:08 | 1:00:10 | |
All right, check this out. | 1:00:10 | 1:00:12 | |
-SHE LAUGHS -Honestly, what?! Ready? | 1:00:12 | 1:00:14 | |
SHE LAUGHS | 1:00:21 | 1:00:24 | |
All right, bit more practice! | 1:00:24 | 1:00:26 | |
I tell you, we'll beat those Surge guys. | 1:00:26 | 1:00:29 | |
No, we can't. | 1:00:31 | 1:00:33 | |
Who am I kidding? They're the best at what they do. | 1:00:34 | 1:00:38 | |
So do something different. | 1:00:38 | 1:00:39 | |
What d'you mean? | 1:00:39 | 1:00:41 | |
Well, you've got five ballet dancers in your crew. | 1:00:41 | 1:00:44 | |
Use us. | 1:00:44 | 1:00:46 | |
What, put ballet and street together? | 1:00:46 | 1:00:48 | |
-Yeah, why not? -It doesn't go. | 1:00:48 | 1:00:51 | |
How d'you know? | 1:00:51 | 1:00:53 | |
SHE LAUGHS | 1:00:56 | 1:00:57 | |
Come on. | 1:00:57 | 1:00:59 | |
What are you doing? | 1:01:01 | 1:01:02 | |
Put me down! | 1:01:03 | 1:01:05 | |
# Will you run back into my arms? | 1:01:10 | 1:01:15 | |
# Like you did when you were young | 1:01:15 | 1:01:20 | |
# Will you come back to me? | 1:01:20 | 1:01:22 | |
# And I will hold you tightly | 1:01:22 | 1:01:30 | |
# When the hurting kicks in | 1:01:32 | 1:01:40 | |
# Life is beautiful | 1:01:41 | 1:01:45 | |
# But it's complicated | 1:01:48 | 1:01:53 | |
# We barely make it | 1:01:53 | 1:01:58 | |
# We don't need | 1:01:58 | 1:02:01 | |
# To understand | 1:02:01 | 1:02:05 | |
# There are miracles | 1:02:07 | 1:02:12 | |
# Miracles | 1:02:12 | 1:02:17 | |
# Stand | 1:02:35 | 1:02:39 | |
# Where you are | 1:02:39 | 1:02:41 | |
# We let all these moments | 1:02:42 | 1:02:49 | |
# Pass us by | 1:02:49 | 1:02:50 | |
# It's amazing | 1:03:12 | 1:03:14 | |
# Where I'm standing | 1:03:14 | 1:03:17 | |
# There's a lot that we can give | 1:03:19 | 1:03:26 | |
# This is ours | 1:03:29 | 1:03:32 | |
# Just for the moment | 1:03:32 | 1:03:35 | |
# There's a lot that we can give | 1:03:37 | 1:03:43 | |
# It's amazing | 1:03:47 | 1:03:51 | |
# Where I'm standing | 1:03:51 | 1:03:56 | |
# There's a lot that we can give | 1:03:56 | 1:04:03 | |
# This is ours | 1:04:06 | 1:04:08 | |
# Just for the moment | 1:04:08 | 1:04:11 | |
# There's a lot that we can give... # | 1:04:14 | 1:04:22 | |
Can everyone come together? I've something to say. | 1:04:38 | 1:04:41 | |
To those of you who know Jay, | 1:04:46 | 1:04:49 | |
he didn't think we were good enough. | 1:04:49 | 1:04:51 | |
He didn't think we could beat The Surge. | 1:04:52 | 1:04:54 | |
-So he joined them. -Low life. | 1:04:54 | 1:04:56 | |
And to the rest of you, | 1:04:56 | 1:04:58 | |
I've been trying to fit you into a Surge-shaped box. | 1:04:58 | 1:05:00 | |
And I'm sorry. We're never gonna fit. | 1:05:00 | 1:05:03 | |
We're going to do something different. | 1:05:07 | 1:05:09 | |
MUTTERING AND LAUGHTER | 1:05:13 | 1:05:15 | |
I want us to be ourselves. | 1:05:15 | 1:05:18 | |
Just be at OUR best. | 1:05:18 | 1:05:19 | |
Whether that's dancing ballet or dancing street. | 1:05:21 | 1:05:24 | |
All right. | 1:05:24 | 1:05:25 | |
We'll mix it all up. Make something beautiful. | 1:05:25 | 1:05:28 | |
And we'll win the competition because of who WE are. | 1:05:28 | 1:05:31 | |
So what are we called? | 1:05:33 | 1:05:35 | |
Breaking Point. | 1:05:35 | 1:05:38 | |
Letters of concern from Isabella's mother, | 1:05:38 | 1:05:41 | |
from Chloe's very rich and very generous father, | 1:05:41 | 1:05:44 | |
worried that your street dance experiment | 1:05:44 | 1:05:46 | |
is unsettling their daughter's training. | 1:05:46 | 1:05:48 | |
They needed to be "unsettled." | 1:05:48 | 1:05:49 | |
You are corrupting the discipline of our best students. | 1:05:49 | 1:05:54 | |
I don't like to question your methods, Helena, | 1:05:54 | 1:05:56 | |
but this seems wilfully perverse. | 1:05:56 | 1:05:57 | |
Is it a mid-life crisis? | 1:05:57 | 1:06:00 | |
Oh! | 1:06:00 | 1:06:01 | |
The street dancers were bouncing off the walls when they came in here, | 1:06:01 | 1:06:04 | |
literally bouncing. | 1:06:04 | 1:06:05 | |
Wouldn't you like to see that exuberance in our students? | 1:06:05 | 1:06:09 | |
Eh, non! | 1:06:09 | 1:06:10 | |
It could transform their performances. | 1:06:10 | 1:06:13 | |
And vandalise the college. | 1:06:13 | 1:06:15 | |
Look, I'm calling time on this, Helena. | 1:06:15 | 1:06:17 | |
We must focus on getting them into the best ballet companies. | 1:06:17 | 1:06:19 | |
And for that, they need fire. | 1:06:19 | 1:06:22 | |
Believe me, we all want the same thing. | 1:06:22 | 1:06:25 | |
Carry on. Just observing. | 1:06:29 | 1:06:31 | |
-Find this class useful, Thomas? -It's invaluable, sir. | 1:06:32 | 1:06:36 | |
-Hm. -Carly's excellent. | 1:06:36 | 1:06:38 | |
Chloe? | 1:06:46 | 1:06:48 | |
Dope! | 1:06:48 | 1:06:49 | |
I mean, very educational. | 1:06:49 | 1:06:52 | |
Much more joie de vivre, n'est ce pas? | 1:07:02 | 1:07:03 | |
Well, I think I can see how that might put some attitude into their attitudes. | 1:07:05 | 1:07:10 | |
-HE CHUCKLES -Very good. Please, carry on, Helena. | 1:07:10 | 1:07:13 | |
Monsieur, being dopey won't get them into the Royal Ballet. | 1:07:13 | 1:07:16 | |
Enough, Madame. | 1:07:16 | 1:07:18 | |
Is everything all right? | 1:07:18 | 1:07:20 | |
Yes, good. Good work. | 1:07:20 | 1:07:24 | |
You knew we'd gel eventually, didn't you? | 1:07:24 | 1:07:26 | |
Honestly? No. | 1:07:26 | 1:07:28 | |
Sometimes, you just have to try things. | 1:07:29 | 1:07:32 | |
MUSIC: "Tiny Dancer" by Ironik | 1:07:34 | 1:07:38 | |
# Yes, I see | 1:07:39 | 1:07:41 | |
# Hold me close You're just too far | 1:07:43 | 1:07:46 | |
# Or I can bring you in So you're up with the stars | 1:07:46 | 1:07:48 | |
# But still down to earth With my love, we're on Mars | 1:07:48 | 1:07:50 | |
# I can give you the chance To be what they can't | 1:07:50 | 1:07:52 | |
# I just want to be sure | 1:07:52 | 1:07:53 | |
# That you're not the type To just open doors | 1:07:53 | 1:07:56 | |
# I've gone so far To be what I can | 1:07:56 | 1:07:59 | |
# I've worked so hard To be where I am | 1:07:59 | 1:08:01 | |
# So I'll just hold you closer And won't let go | 1:08:01 | 1:08:04 | |
# I need to know how you feel too So hold me closer and don't let go | 1:08:04 | 1:08:09 | |
# I'm falling So please just don't let go | 1:08:09 | 1:08:11 | |
# Hold me closer tiny dancer | 1:08:11 | 1:08:12 | |
# Hold me closer Just hold me closer | 1:08:12 | 1:08:14 | |
# Count the headlights on the highway Yeah yeah yeah | 1:08:14 | 1:08:21 | |
-# Lay me down in sheets of linen -Lay me down, just lay me down | 1:08:21 | 1:08:24 | |
# You had a busy day today | 1:08:24 | 1:08:29 | |
# Mr Munk is immaculate I ain't stylish | 1:08:29 | 1:08:31 | |
# I'm skylish Yes, my level's so up there | 1:08:31 | 1:08:34 | |
# My lady's adjacent I smell her fragrance | 1:08:34 | 1:08:36 | |
# And what's under my Armanis Goes up there | 1:08:36 | 1:08:39 | |
# Now I'm in the mood, full salute No bubberoose, jut apple juice | 1:08:39 | 1:08:43 | |
# She ain't ever got to tell me Hold her closer | 1:08:43 | 1:08:46 | |
# Cos the girls Getting close up | 1:08:46 | 1:08:48 | |
# Hold you closer and won't let go | 1:08:48 | 1:08:51 | |
# I need to know how you feel too | 1:08:51 | 1:08:52 | |
# So hold me closer and don't let go | 1:08:52 | 1:08:55 | |
# I'm falling So please just don't let go | 1:08:55 | 1:08:57 | |
-# Hold me closer tiny dancer -Hold me closer, just hold me closer | 1:08:57 | 1:09:01 | |
# Count the headlights on the highway Yeah yeah yeah | 1:09:01 | 1:09:06 | |
-# Lay me down in sheets of linen -Lay me down, just lay me down | 1:09:06 | 1:09:09 | |
# You had a busy day today | 1:09:09 | 1:09:15 | |
# M-U-S-I-C | 1:09:18 | 1:09:20 | |
# I've gone so far I've worked so hard | 1:09:20 | 1:09:23 | |
# Listen | 1:09:23 | 1:09:24 | |
# I hope you recognise What you really mean | 1:09:24 | 1:09:26 | |
# Without you I couldn't do the song I sing | 1:09:26 | 1:09:29 | |
# I hope you like it too Cos it's nothing but the truth | 1:09:29 | 1:09:30 | |
# You're not number one But you will be soon so I'll | 1:09:30 | 1:09:34 | |
# Hold you closer and won't let go | 1:09:34 | 1:09:36 | |
# I need to know how you feel too | 1:09:36 | 1:09:38 | |
# So hold me closer and don't let go | 1:09:38 | 1:09:40 | |
# I'm falling So please just don't let go | 1:09:40 | 1:09:43 | |
# Hold me closer, tiny dancer | 1:09:43 | 1:09:47 | |
# Count the headlights on the highway | 1:09:47 | 1:09:52 | |
# Lay me down in sheets of linen | 1:09:52 | 1:09:57 | |
# You had a busy day today | 1:09:57 | 1:10:00 | |
# Hold me closer, tiny dancer | 1:10:01 | 1:10:03 | |
# Hold me closer, just hold me closer | 1:10:03 | 1:10:06 | |
# Count the headlights on the highway Yeah, yeah, yeah | 1:10:06 | 1:10:11 | |
-# Lay me down in sheets of linen -Lay me down | 1:10:11 | 1:10:13 | |
# Just lay me down, please | 1:10:13 | 1:10:15 | |
# Have a busy day today | 1:10:15 | 1:10:18 | |
# Yeah, yeah, yeah | 1:10:18 | 1:10:19 | |
# M-U-S-I-C, legend. # | 1:10:19 | 1:10:23 | |
The Royal Ballet list must be in. | 1:10:24 | 1:10:27 | |
Rebecca! | 1:10:29 | 1:10:30 | |
CHEERING AND WHOOPING | 1:10:30 | 1:10:33 | |
What day are the street dance finals? | 1:10:34 | 1:10:36 | |
Who submitted them for this date? | 1:10:36 | 1:10:39 | |
Does it matter? It's the Royal Ballet. | 1:10:39 | 1:10:42 | |
-The same day as their street dance performance. -Is that an issue? | 1:10:42 | 1:10:45 | |
-It was Madame Fleurie, wasn't it? -We all want the same thing, Helena. | 1:10:47 | 1:10:51 | |
DOOR OPENS | 1:10:51 | 1:10:54 | |
Well done, young lady. Helena. | 1:10:57 | 1:11:00 | |
I didn't know, Carly. | 1:11:00 | 1:11:03 | |
So what are you gonna do about it, then? | 1:11:04 | 1:11:05 | |
Unfortunately, there's not much I can do. | 1:11:05 | 1:11:08 | |
This has been the plan all along, hasn't it? | 1:11:08 | 1:11:11 | |
Get some mugs in to liven up your deadweight dancers, then drop 'em. | 1:11:12 | 1:11:17 | |
I didn't plan this. | 1:11:17 | 1:11:18 | |
Carly, there's something you have to understand. | 1:11:18 | 1:11:21 | |
These auditions are their street dance final. | 1:11:21 | 1:11:24 | |
And what about ours? | 1:11:24 | 1:11:26 | |
Helena, why did you take me to the ballet | 1:11:26 | 1:11:28 | |
and feed me that "this is dance" rubbish, | 1:11:28 | 1:11:30 | |
knowing you'd shaft us in a second? | 1:11:30 | 1:11:33 | |
We know. | 1:11:50 | 1:11:52 | |
They don't have to do their audition. | 1:11:53 | 1:11:56 | |
Of course they do. | 1:11:56 | 1:11:57 | |
They've been training for this their whole lives. | 1:11:57 | 1:12:00 | |
Carly, we can do both. | 1:12:00 | 1:12:02 | |
-We'll do the auditions and be there easily by four. -D'you think? | 1:12:02 | 1:12:06 | |
Yes, definitely. | 1:12:06 | 1:12:08 | |
Then go and rehearse. Be brilliant. | 1:12:08 | 1:12:12 | |
We'll brain you if you don't get in. | 1:12:12 | 1:12:14 | |
-We'll be there. -Go on. | 1:12:24 | 1:12:28 | |
What if they don't make it? | 1:12:33 | 1:12:36 | |
Are we ready? | 1:14:00 | 1:14:01 | |
CHEERING AND APPLAUSE | 1:14:01 | 1:14:03 | |
Yo, are we having fun? | 1:14:03 | 1:14:05 | |
-CHEERING AND APPLAUSE -Good, good, good! Having a good time? | 1:14:05 | 1:14:09 | |
Now there's only two crews left. | 1:14:09 | 1:14:11 | |
So next on stage, reigning champions, The Surge! | 1:14:11 | 1:14:14 | |
CHEERING AND APPLAUSE | 1:14:14 | 1:14:16 | |
We're on next and they're not here yet! | 1:14:16 | 1:14:18 | |
I knew it. | 1:14:18 | 1:14:20 | |
-Why don't we just go on, anyway? -What?! Are you stupid? | 1:14:20 | 1:14:24 | |
Come on, guys! | 1:14:24 | 1:14:25 | |
If we start tearing each other apart again, it's all been for nothing. | 1:14:25 | 1:14:29 | |
-She's right. -Yeah, man. Come on, guys. | 1:14:29 | 1:14:31 | |
CLOCK TICKS | 1:14:34 | 1:14:36 | |
If we wanna be with them, we have to go now. | 1:14:36 | 1:14:40 | |
Looking good. | 1:14:44 | 1:14:46 | |
Your old friend Michael's on the audition panel. | 1:14:46 | 1:14:49 | |
CROWD CHANTS Surge, Surge! | 1:14:52 | 1:14:55 | |
HIP-HOP MUSIC | 1:15:01 | 1:15:03 | |
CHEERING AND APPLAUSE | 1:15:03 | 1:15:06 | |
CHEERING AND APPLAUSE | 1:17:42 | 1:17:44 | |
MUSIC STOPS | 1:17:53 | 1:17:55 | |
CHEERING AND APPLAUSE | 1:17:55 | 1:17:57 | |
CROWD CHANTS Surge, Surge! | 1:17:59 | 1:18:01 | |
Who liked The Surge? | 1:18:04 | 1:18:06 | |
CHEERING AND APPLAUSE | 1:18:06 | 1:18:07 | |
Don't get too happy, though, they ain't won just yet. | 1:18:07 | 1:18:10 | |
It's time for our last crew, Breaking Point! | 1:18:10 | 1:18:14 | |
CHEERING AND APPLAUSE | 1:18:14 | 1:18:17 | |
Come on, Breaking Point, don't be shy. | 1:18:17 | 1:18:20 | |
CROWD CHANT Breaking Point, Breaking Point! | 1:18:22 | 1:18:26 | |
Come on! | 1:18:29 | 1:18:31 | |
CROWD SHOUTS | 1:18:31 | 1:18:32 | |
On stage now, or you're disqualified. | 1:18:33 | 1:18:37 | |
CROWD: ..five, six, seven... | 1:18:37 | 1:18:38 | |
Buck up, babe. They'll be here. | 1:18:38 | 1:18:40 | |
CHATTER | 1:18:40 | 1:18:43 | |
CHEERING AND APPLAUSE | 1:18:43 | 1:18:46 | |
CROWD JEER | 1:18:49 | 1:18:51 | |
OK, must be an additional item here. | 1:18:54 | 1:18:57 | |
JEERING | 1:18:57 | 1:19:00 | |
CROWD: Who are you? Who are you? Who are you? Who are you? | 1:19:02 | 1:19:08 | |
GIGGLING AND CHATTER | 1:19:08 | 1:19:12 | |
JEERING | 1:19:12 | 1:19:15 | |
HIP-HOP MUSIC | 1:19:15 | 1:19:17 | |
CHEERING AND APPLAUSE | 1:19:18 | 1:19:21 | |
When did Eddie learn those moves? | 1:19:24 | 1:19:26 | |
A bit of old school! | 1:19:26 | 1:19:28 | |
-Go, Eddie! -Go on, Eddie! | 1:19:37 | 1:19:39 | |
WHOOPING AND CHEERING | 1:19:51 | 1:19:53 | |
CHEERING AND APPLAUSE | 1:20:02 | 1:20:04 | |
Eddie! | 1:20:04 | 1:20:05 | |
Where are they? | 1:20:12 | 1:20:13 | |
-They've gone. -Gone? Gone where? | 1:20:13 | 1:20:16 | |
To their performance. | 1:20:16 | 1:20:17 | |
What?! | 1:20:17 | 1:20:18 | |
To that thing? That-that nothing? | 1:20:18 | 1:20:21 | |
No, not that "nothing," Madame. That dance. | 1:20:21 | 1:20:24 | |
-You have ruined their career. -What the hell is going on? | 1:20:24 | 1:20:27 | |
Ask her. I wash my hands. | 1:20:27 | 1:20:30 | |
You start talking. | 1:20:30 | 1:20:32 | |
CLASSICAL MUSIC | 1:20:32 | 1:20:34 | |
DOOR OPENS | 1:20:34 | 1:20:36 | |
Michael. | 1:20:36 | 1:20:37 | |
Helena! | 1:20:37 | 1:20:38 | |
CHEERING AND APPLAUSE | 1:20:38 | 1:20:40 | |
They love it! | 1:20:43 | 1:20:45 | |
CROWD: More, more! | 1:20:49 | 1:20:51 | |
SHE LAUGHS | 1:20:51 | 1:20:53 | |
BOOING | 1:20:58 | 1:21:00 | |
CHEERING AND APPLAUSE | 1:21:10 | 1:21:13 | |
ENGINE REVS TYRES SCREECH | 1:21:17 | 1:21:19 | |
What is this? Street auditioning? | 1:21:19 | 1:21:22 | |
I heard they ditched you, Carly. | 1:21:27 | 1:21:29 | |
Bad luck. | 1:21:29 | 1:21:32 | |
Get your hands off me. | 1:21:32 | 1:21:33 | |
Too bad we won't be seeing you on that winner's podium. | 1:21:33 | 1:21:36 | |
Who cares? | 1:21:36 | 1:21:37 | |
We don't need some tacky bit of metal to prove we're winners. | 1:21:37 | 1:21:40 | |
You can say it, but I know you don't mean it, Carly. | 1:21:40 | 1:21:44 | |
I feel sorry for you, Jay. | 1:21:45 | 1:21:47 | |
A bit part player in someone else's crew for the sake of winning. | 1:21:47 | 1:21:52 | |
I thought you had more ambition. | 1:21:53 | 1:21:55 | |
Can I have the next dance? | 1:21:56 | 1:21:58 | |
SHE SHRIEKS | 1:21:58 | 1:22:00 | |
EXCITED CHATTER | 1:22:00 | 1:22:03 | |
CHEERING AND APPLAUSE | 1:22:13 | 1:22:15 | |
OK, Breaking Point, this is your last chance. | 1:22:18 | 1:22:21 | |
MUSIC: "Romeo and Juliet" by Prokofiev | 1:22:51 | 1:22:55 | |
HE CHUCKLES | 1:23:02 | 1:23:04 | |
-What...? -Not serious?! | 1:23:04 | 1:23:05 | |
BOOING | 1:23:19 | 1:23:20 | |
Bruv, we've won this! | 1:23:43 | 1:23:46 | |
PROKOFIEV ENDS HIP-HOP BEAT STARTS | 1:23:54 | 1:23:59 | |
CHEERING AND APPLAUSE | 1:23:59 | 1:24:01 | |
MUSIC: "Sugar Plum Fairy" by Tchaikovsky | 1:25:00 | 1:25:03 | |
CHEERING AND APPLAUSE | 1:25:29 | 1:25:31 | |
HIP-HOP BEAT CONTINUES | 1:25:31 | 1:25:35 | |
HIP-HOP PROKOFIEV FUSION | 1:25:37 | 1:25:40 | |
CHEERING AND APPLAUSE | 1:26:25 | 1:26:29 | |
CHEERING AND APPLAUSE | 1:26:50 | 1:26:53 | |
CHEERING AND APPLAUSE | 1:27:50 | 1:27:52 | |
CROWD: Breaking Point! Breaking Point! | 1:28:01 | 1:28:03 | |
# Watch me while I stand here | 1:28:25 | 1:28:26 | |
# Watch my feet, my stance My body language | 1:28:26 | 1:28:30 | |
# I'm not someone to be messed with I'm a fox on a mission | 1:28:30 | 1:28:34 | |
# You know you're challenging The best here | 1:28:34 | 1:28:37 | |
# It's gonna be real hard But I'm gonna be OK | 1:28:37 | 1:28:39 | |
# As long as I try real hard I'm always gonna find my way | 1:28:39 | 1:28:44 | |
# I'm 'a find my way | 1:28:44 | 1:28:48 | |
# I'm 'a stand up like a soldier | 1:28:48 | 1:28:50 | |
# I'm 'a get them till it's over | 1:28:50 | 1:28:54 | |
# I'll keep marching to the beat Till there's bruises on my feet | 1:28:54 | 1:28:57 | |
# Now I'm falling to my knees | 1:28:57 | 1:29:00 | |
# Cos I'm gonna take this all the way | 1:29:00 | 1:29:03 | |
# It's now or never I'll break what's in my way | 1:29:03 | 1:29:06 | |
# I'm 'a stand up like a soldier | 1:29:06 | 1:29:09 | |
# Tonight I'm gonna take over | 1:29:09 | 1:29:12 | |
# Cos I know everything's Gonna be all right | 1:29:12 | 1:29:15 | |
# Now you're standing here Right by my side | 1:29:15 | 1:29:18 | |
# And we dance on, dance on We're gonna dance on | 1:29:18 | 1:29:21 | |
# Ain't gonna work for life When we know we can dance on | 1:29:21 | 1:29:24 | |
# Everything's gonna be OK | 1:29:24 | 1:29:27 | |
# The streets will lighten up my way | 1:29:27 | 1:29:30 | |
# So we dance on, dance on We're gonna dance on | 1:29:30 | 1:29:33 | |
# Ain't gonna work for life When we know we can dance on | 1:29:33 | 1:29:36 | |
# Not in a million years did I think My feet would bring me this far | 1:29:36 | 1:29:39 | |
# So much frustration, sleepless nights, now that I'm in charge | 1:29:39 | 1:29:42 | |
# At first no one gave me The time of day | 1:29:42 | 1:29:43 | |
# I'm on my own to show the way | 1:29:43 | 1:29:44 | |
# My sisters, brothers from other mothers, can we take this all the way | 1:29:44 | 1:29:48 | |
# They kicked us to the kerb These days are so hard to get heard | 1:29:48 | 1:29:50 | |
# We gonna stand up like a soldier Get everything we deserve | 1:29:50 | 1:29:53 | |
# At first everyone was cautious When we brought in something new | 1:29:53 | 1:29:56 | |
# After weeks of practising We knew exactly what to do | 1:29:56 | 1:29:59 | |
# I'm 'a stand up like a soldier | 1:29:59 | 1:30:02 | |
# I'm 'a get them till it's over | 1:30:02 | 1:30:05 | |
# I'll keep marching to the beat Till there's bruises on my feet | 1:30:05 | 1:30:09 | |
# Now I'm falling to my knees | 1:30:09 | 1:30:10 | |
# Cos I'm gonna take this All the way | 1:30:10 | 1:30:14 | |
# It's now or never I'll break what's in my way | 1:30:14 | 1:30:17 | |
# I'm 'a stand up like a soldier Tonight I'm gonna take over | 1:30:17 | 1:30:22 | |
# Cos I know everything's Gonna be all right | 1:30:22 | 1:30:25 | |
# Now you're standing here Right at my side | 1:30:25 | 1:30:28 | |
# And we dance on, dance on We're gonna dance on | 1:30:28 | 1:30:31 | |
# Ain't gonna work for life When we know we can dance on | 1:30:31 | 1:30:35 | |
# Everything's gonna be OK The streets will lighten up my way | 1:30:35 | 1:30:40 | |
# So we dance on, dance on We're gonna dance on | 1:30:40 | 1:30:43 | |
# Ain't gonna work for life When we know we can dance on | 1:30:43 | 1:30:46 | |
# Everything's gonna be all right | 1:30:46 | 1:30:49 | |
# Now you're standing here right at my side | 1:30:49 | 1:30:52 | |
# And we dance on, dance on we gonna dance on | 1:30:52 | 1:30:55 | |
# Ain't gonna work for life when we know we can dance on | 1:30:55 | 1:30:58 | |
# Everything's gonna be OK | 1:30:58 | 1:31:00 | |
# The streets will lighten up my way So we dance on, dance on | 1:31:00 | 1:31:05 | |
# We gonna dance on Ain't gonna work for life | 1:31:05 | 1:31:08 | |
-# When we know we can dance on. -# | 1:31:08 | 1:31:11 | |
# Ooh, come and getcha some | 1:31:11 | 1:31:13 | |
# Come and getcha some | 1:31:13 | 1:31:16 | |
# Oh, come and getcha some come and getcha some | 1:31:16 | 1:31:19 | |
# Oh, come and getcha some come and getcha candy | 1:31:19 | 1:31:22 | |
# Oh, come and getcha some come and getcha some | 1:31:22 | 1:31:26 | |
# Oh, come and getcha some come and getcha some | 1:31:26 | 1:31:30 | |
# Candy | 1:31:30 | 1:31:31 | |
# Oh, come and getcha some come and getcha some | 1:31:31 | 1:31:34 | |
# Oh, come and getcha some come and getcha candy. # | 1:31:34 | 1:31:38 | |
Subtitles by Red Bee Media Ltd | 1:31:38 | 1:31:41 |