StreetDance


StreetDance

Dancing drama with George Sampson and Charlotte Rampling. A London dance crew must learn to work with a team of ballet dancers in order to win the UK Street Dance Championships.


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Transcript


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GIRL: 'Ever since I was a young girl, you'd find me up in my room,

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'dancing in front of a mirror.

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'Carly and her street dance crew, smashing it on some stage,

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'the crowd going wild.

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'It kept me going after I left home,

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'and came to London, where street dance led me to my new family.

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'My crew.

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'I'm still dancing and dreaming in front of that mirror.

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'It's just now, I share my dream.'

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MUSIC: "Beggin" by Madcon

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# Ooh

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# Put your loving hand out, baby

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# I'm beggin'

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# Beggin'

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# Beggin' you

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# Put your loving hand out, baby

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# Beggin'

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# Beggin' you

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# Put your loving hand out, darlin'

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# Ridin' high, when I was king

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# Played it hard and fast Cos I had everything

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# Walked away, won me then

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# But easy come and easy go And it would end

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# So anytime I need ya Let me go

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# Anytime I feed ya Get me low

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# Anytime I see ya Let me know

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# But I planted that seed Just let me grow

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# I'm on my knees, I'm beggin'

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# Cos I don't wanna lose

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# I got my arms so spread I hope that my heart gets fed

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# Matter of fact, gonna beg you

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# Beggin'

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# Beggin' you

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# Put your loving hand out, baby

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# Beggin'

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# Beggin' you

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# Put your loving hand out, darlin'

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# I need you to understand

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# Tried so hard to be your man

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# The kind of man you want In the end

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# Only then can I begin To live again

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# And again, come on And again, come on

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# Again, come on And again, come on

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# Beggin'

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# Beggin' you

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# Put your loving hand out, baby

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# Beggin', beggin' you

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# Put your loving hand out, darlin'... #

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CHEERING

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We're half way to New York. If we dance like that in the finals, who's gonna beat us?

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TANNOY: 'Final call for The Surge.'

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Guys!

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HIP HOP INSTRUMENTAL THROUGHOUT

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Damn, they're good.

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That's why they're champions, Carly.

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Guys! Show some class.

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-Are you gonna get the drinks in, then?

-Maybe.

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-CHEERING

-J20, the next UK champion.

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CHEERING AND WHOOPING

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I love you.

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Your round, Mac.

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Guys. Guys!

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OK, this is the...

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This is the hardest thing I've ever had to do.

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I'm going.

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I wanted to end it on a high.

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-Good one, Jay(!)

-I'm serious.

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I'm under a lot of pressure right now at work and uni.

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-Something's gotta give and it's gotta be this.

-So what are you saying?

-Jay...

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We've all got pressures, bruv. We've got a chance to be UK champions,

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go to New York and represent our country.

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I wouldn't do this, if you couldn't handle it.

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But you can. Carly knows the choreo, she can take it from here.

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No, babe, can't we just talk about it?

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I've made up my mind.

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It's your crew, now.

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I'm gonna miss you guys.

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This is some joke 'ting.

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I'm gonna sort it, all right?

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BUZZER

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-You're not gonna change my mind.

-What's wrong, Jay?

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I thought you wanted to win, be UK champions.

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Sometimes you gotta make choices.

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So why didn't you tell me? I looked like such an idiot.

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I just... I need to get my head straight, have a bit of a time out.

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Well, have a week off and come back.

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I mean, from everything.

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Everyone.

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I need to get rid of distractions for a bit, Carly.

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Thanks(!) I'm a distraction, am I?

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The biggest.

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-Is it because I said I love you?

-No!

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It's just a time out.

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If you take over the crew, you won't even notice I'm gone.

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OK?

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One jacket with cheese. Enjoy.

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He said it was just a time out.

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Oh, cut and run, Carls.

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He's ditched us all five weeks before the finals.

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I could take Jay's place in the crew.

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Here's your man.

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-SHE LAUGHS:

-Yeah, right, Eddie(!) Keep practising.

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Let's just concentrate on winning the street dance final, yeah?

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Yeah, you're right.

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Then he'll want me back, won't he?

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Blonde and Northern. Tragic, really.

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SHE LAUGHS: Thanks, Eddie. Let's get down to rehearsals.

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Offer still stands, Carly.

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Why me? Shouldn't you be running the crew, Shawna?

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I just dance. You see the bigger picture.

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-Will they listen to me?

-Not if you sound like that!

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You gotta be kick-arse Carly, man, come on! Gimme some heat!

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-Is that all you got?!

-Argh!

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LAUGHTER

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Oi! Oi!

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Allez, go into the centre.

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Oh...!

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I don't get it. He's lost his family, rude boy.

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How can we be J20 without Jay? It don't make no sense.

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Why are they stood outside?

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Just march in and show no fear. You're the boss.

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Come on, gimme some heat.

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Gimme some!

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That was lame! Kick arse, Carly, or kiss arse.

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Come on, guys, let's get started.

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Can't you just...

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STEEL DRUMS PLAYING

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OK, guys. Slight hitch.

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You didn't book the rehearsal space?

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-Was I meant to?

-Ah, come on, Carly, you're the boss, right?

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If you wanna leave, Frankie, be my guest.

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Without Jay, it's a waste of time.

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MUTTERS AND PROTESTS

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Steph, what are you doing?

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I'm sorry.

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We're supposed to be a crew.

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Don't worry, they'll be back.

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Guys, I can replace them.

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LAUGHTER

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Come on, Eddie!

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Listen, guys, I don't know how to do this yet,

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but what I do know is we have got a heavy crew.

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We've got a final in September.

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Can't we just find somewhere to rehearse and get on with it,

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show Jay what we're made of?

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CHATTER

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MUSIC: "Candy" by Aggro Santos and Kimberly Wyatt

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# ..come 'n getcha some Oh, oh, come 'n getcha some

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# Come 'n getcha candy

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# Hot girl, you're doing it well

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# The way your hips move Got me under a spell

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# Right now I don't really care Who's watching

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# I wanna dance all night long No stopping

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# You you you

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# Girl, you look familiar Where do I know you from

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# Have you been to visit me At aggrosantos.com...

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RAIN AND SHRIEKING

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# ..oh, come 'n getcha some Come 'n getcha some

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# Oh, come 'n getcha some Come 'n getcha candy. #

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-Ah, Shawna!

-Sorry.

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Gosh, man.

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INDISTINCT CHATTER

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-We're supposed to dance outside.

-Not in England. America, maybe.

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Then let's get there.

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We've gotta be UK champions first.

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Only if we rehearse in the studio. Health and safety, innit?

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But we need money. Have you got any?

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Don't get me crying.

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If you let us use your studio for free,

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we'll wear t-shirts advertising your gym.

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DIAL TONE Hello?

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Bill for your little party last night.

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You what?

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You wanna keep your job?

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This ain't a drop-in centre for your mates.

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We only had a few Kit Kats.

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And...?

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I need every penny I've got for dance space.

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And...?

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Why don't you sponsor us?

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-HE LAUGHS

-Now, that is funny!

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Right, off your butt, Twinkle Toes.

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Eddie's late, so you deliver these

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and I'll think about letting you off the bill.

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Smile, Carly. Smile. That's better.

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MUSIC: "Romeo And Juliet" by Prokofiev

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GIGGLING

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Are you the sandwich girl?

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Yeah, is it a chicken salad?

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That's me.

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-And one drink?

-Hm hm.

-That's £5.50, please.

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You're welcome to stay and watch, if you like.

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You're all right.

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I was looking more at your room, actually.

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That doesn't say much for my dancers.

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No, they're very good.

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They're not really feeling it, though, are they?

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They look bored stiff.

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Why are you interested in the room?

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Need somewhere to rehearse with my street dance crew.

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I don't suppose you rent these rooms for a fiver, do you?

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Are you any good?

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God, yeah. Got the UK finals in a few weeks.

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Blow this lot out the water.

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OK. I'd like to see it.

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Ha! Yeah, right(!)

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Really.

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We're dancing in the shopping centre tonight, if you do mean it.

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-Seven-ish.

-If I can get away, I'll come.

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Really(!)

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How will I find you?

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Follow the crowds.

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You are Romeo and Juliet. You could die for each other.

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Could I please get an inkling of this?

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MUSIC: "Cash In My Pocket" by Daniel Merriweather

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# Your host for the day

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# Don't let me waste my money

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# No, I see a new path I can make half

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# Make new money Now I got a new laugh, ha

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# Music is playing me well

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# So I ain't gonna be the one To go and find a new craft

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# I'm all right, if it ain't for you To find a new path

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# If you can't hack it Better find a new class Triple Akon

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# Gotta find a new pass

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# Drive me not to do it When I'm buying new cars

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# All I really want Is money in my pocket

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# Cash in my hand Skrilla in my wallet

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# All I really want Is money in my pocket

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# Cash in my hand And skrilla in my wallet

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# A dog gets one he puts away half

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# So when I get one I'm gonna put away half

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# I make money slow I make money fast

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# Then I'm back to the hood So I can have the last laugh

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# Still laughing Cos I know I'm not a half heart

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# When we release We don't wanna half chart

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# The IQ is high Some of them are half smart

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# But I do it like Ronson Hard days craft

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# All I really want Is money in my pocket

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# Cash in my hand Skrilla in my wallet

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# All I really want Is money in my pocket... #

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Oi!

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MUSIC STOPS SHOUTING

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-You need a permit for this.

-It's our money, we've earned it!

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Ain't that girl Justine?

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You big ugly bear! You come here.

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Is this what you're doing, shaming me like this?

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-D'you want me to get a policeman?

-But it's ours!

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CROWD JEERING

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Thanks(!)

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-Run!

-Hey!

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-Everyone in Top Shop's watching.

-So why didn't you help me?

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You know what, I don't wanna be part of this anymore.

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-Don't you dare flake out, Aimee.

-Flake out of what?!

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We're going nowhere with you.

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Without Jay, this crew's got no chance.

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Well, thanks. Thanks a lot(!)

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You whinge better than you dance, anyway.

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Come on, out!

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It's all done, finished. On your bike.

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You might want to refine some of those management skills of yours.

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Oh, piss off!

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Whilst you're in this mood, I will!

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Come on.

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A little chaotic, but good. Vibrant.

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Come and see me tomorrow with the rest of your group.

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When you find them.

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Studio three, four o'clock.

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PHONE RINGS

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'Hello?'

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-Hi, Mrs Lo-...

-'You shameful girl!'

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'My daughter not dance with you again.'

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DIAL TONE

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And then there were two.

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I've messed up, haven't I?

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BALLET INSTRUCTIONS IN FRENCH

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Spot, spot, spot, spot!

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-Well, would we pay to see this year's crop?

-Hm...

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Voila!

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On present showing,

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none shall get through the Royal Ballet auditions.

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That's not gonna dazzle our benefactors, is it?

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-What's happened, Helena?

-More and more, I wonder about our methods.

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We drill the passion out of them, the vital ingredient.

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But I have a plan to drill it back in.

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It had better work, Helena.

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Funding cuts mean other cuts, you know.

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Spot! Today's all no good.

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CAR HORNS AND SHOUTING

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Oh, my God, it's you guys!

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Go, go, go!

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MUSIC: "Sugar Plum Fairy" by Tchaikovsky

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INDISTINCT CHATTER

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GIGGLING

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Oi! Mac!

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MUSIC: "Work It Out" by Lightbulb Thieves

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# People stop and stare Don't be scared, don't you dare

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# Freaky hair Skinny jeans with the Air Force on

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# Mans who stand on road Holla out what's your postcode

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# Watching me with daggers Ballerinas busting swagga

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# Swagga swagga

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# Swagga swagga...

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MUSIC: "Sugar Plum Fairy" by Tchaikovsky

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Pulled it off, Carly, man.

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Yeah, this place is nice.

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Sick, man!

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Can I help you?

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Look at this bloke!

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LAUGHTER

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We were told to be here by this lady.

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It's Helena.

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Have you come to watch us?

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LAUGHS

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Other way around, more like.

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Get this, man, "Have I come to watch them?"

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Not in those tights!

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# ..it's the same old story Just shooting for the glory

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# We can always settle the matter Without a single shot

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# Fired out in anger Cos of what you haven't really got

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# Let's just stop the nonsense Mans, just stop the frontin'

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# Let's just take it out Work it out on the dance floor

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# Let's just take it out Work it out on the dance floor

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# Hey, oh! If we got beef We're gonna mash it

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# Mash it with style and fashion

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# Hey, oh! If we got beef We're gonna rock it

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# Rock it to da old school

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# Hey, oh! If we got beef We're gonna mash it

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# Mash it with style and fashion

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# Hey, oh! If we got beef We g'wan take it

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# Take it to da old school

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# Dance in a dancehall Battlin' a dancer

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# Take away the beef And deal with ya anger

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# We can maybe work it out We can maybe work it out

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# We can maybe work it out We can maybe work it out

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# Hey, oh! If we got beef We're gonna mash it

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# Mash it with style and fashion

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# Hey, oh! If we got beef... #

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SCREAMING

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COUGHING AND SHOUTING

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I'm OK, I'm OK. I just need to lie here a bit.

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Oh, my God, I'm so sorry. We'll pay for the damage.

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I see you've made yourself at home.

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But you're in the wrong room.

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Hurry up, girls.

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Will this suit your needs?

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Are you kidding? This is amazing!

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And you've met my dancers.

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-Kind of.

-Gabe, Isabella, Bex...

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Chloe and Thomas.

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I have a proposition for you.

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Unlimited access to rehearse here for your competition.

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MUTTERING AND WHOOPING

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If you include my dancers in your routine.

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ALL: What?!

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-No way. We're a street dance crew, it's...

-Say no!

0:21:370:21:41

It's like a family. We can't just take on new people.

0:21:410:21:44

Say something to her.

0:21:440:21:46

Helena, with all due respect...

0:21:460:21:48

Thank you, Thomas. I decide the content for your final master class.

0:21:480:21:52

Sorry, Miss. This sounds crazy.

0:21:520:21:53

-I'm sorry, I don't know your name.

-Carly.

0:21:530:21:55

Carly, if you don't take my dancers,

0:21:550:21:58

I'll have to charge you for the hire of the studio, and the damage.

0:21:580:22:01

-MUTTERING

-This is your fault!

0:22:010:22:03

-It's your decision.

-Where are we gonna get the money from?

-We can't win the finals with them.

0:22:030:22:07

I say we do a runner.

0:22:070:22:08

Guys, are you blind? Ballet chicks! Come on!

0:22:080:22:11

Can they street dance?

0:22:110:22:13

No. You'll have to teach them.

0:22:130:22:15

Huh! I'm sorry, HER teach US?

0:22:150:22:17

Yeah!

0:22:170:22:20

This is a unique opportunity.

0:22:200:22:22

I hope you'll all embrace it,

0:22:220:22:24

and perform well for the competition.

0:22:240:22:27

-I'm getting my dad to call the board.

-Look at the state of them.

0:22:300:22:34

Clowns.

0:22:340:22:35

Let's just have a go. They'll be crap.

0:22:400:22:42

Then we can have the studio, anyway, and we can get the others back.

0:22:420:22:47

Prof, it's all green.

0:22:470:22:49

Where's the real food, man?

0:22:490:22:52

This is wrong.

0:22:520:22:53

How's learning with those clowns gonna get us into the Royal Ballet?

0:22:550:22:58

Helena's known for unconventional methods.

0:22:580:23:01

We've just got to trust her.

0:23:010:23:02

What is street dance?

0:23:020:23:05

Oh, don't be a bun head all your life, Bex.

0:23:050:23:07

MUSIC: "Broken" by McLean

0:23:090:23:12

# Oh...

0:23:150:23:16

# Oh...

0:23:160:23:18

# Yours was the perfect love I swear it was

0:23:180:23:24

# Until I had your love My world was cold

0:23:240:23:28

# I did what most men do And I messed it up

0:23:280:23:33

# But when I got you back My world was whole

0:23:330:23:37

# The player thing I let it go Thought our life was set in stone

0:23:370:23:43

# But it wasn't and I'm here alone

0:23:430:23:45

# Nothing is in front of me I feel I can't even breathe...

0:23:450:23:49

'Yeah, this is Jay. You know what to do.'

0:23:490:23:51

BEEPING Hi, Jay.

0:23:510:23:54

It's me, Carly. Um...

0:23:540:23:56

Give me a ring back when you can, please.

0:23:580:24:00

If you want, or...

0:24:010:24:03

..if you can, whatever.

0:24:040:24:05

Did I say it's me?

0:24:120:24:14

It's Carly.

0:24:140:24:15

# ..oh, yeah, yeah

0:24:170:24:19

# Left here, broken. #

0:24:190:24:23

HIP-HOP MUSIC

0:24:270:24:29

PIANO MUSIC

0:24:460:24:49

BASS THUDDING

0:24:530:24:55

Focus, focus!

0:24:550:24:57

PIANO CONTINUES

0:24:570:25:00

Right, it's your turn.

0:25:190:25:22

We've got five weeks and that's what we need you to do.

0:25:220:25:25

Do we have to be so...angry?

0:25:250:25:28

That's just the way it is, ballet boy.

0:25:280:25:30

What are they?

0:25:340:25:36

-My feet.

-That's not suitable. Where are your trainers?

0:25:360:25:39

Trainers are rule number one.

0:25:390:25:40

This is what we dance in. D'you want us to injure ourselves?

0:25:400:25:43

Surprised you don't do that in your tights, mate!

0:25:430:25:46

Do I pass?

0:25:480:25:50

Just trainers tomorrow, yeah?

0:25:510:25:53

Tap one, tap one.

0:25:550:25:57

And again. Five, six...

0:25:570:25:59

seven, eight.

0:25:590:26:00

Tap one, tap one, tap one.

0:26:000:26:04

-Just try it to the music, and follow us if you lose the steps.

-What steps?

0:26:040:26:08

Has she even heard of words?

0:26:080:26:10

Those girls are gonna need some hands-on helping.

0:26:100:26:12

Oh, my gosh!

0:26:120:26:13

MUSIC STARTS ARGUING INDISTINCT

0:26:130:26:16

Five, six, seven, eight...

0:26:160:26:18

Come on, you're going to be up against the best street dancers

0:26:190:26:22

in the UK in a few weeks. Five, six, seven, eight...

0:26:220:26:26

You're gonna make us look like jokers.

0:26:300:26:33

Not good enough. Focus, please.

0:26:350:26:37

Five, six, seven, eight...

0:26:370:26:40

Carly!

0:26:500:26:52

-What did you say to her?

-I didn't say anything.

0:26:520:26:55

You lot are bad, man.

0:26:550:26:56

ARGUING INDISTINCT

0:26:560:26:58

CLASSIC MUSIC PLAYS

0:26:590:27:01

-Carly.

-I can't do it.

0:27:010:27:03

How was rehearsal?

0:27:030:27:05

We're too different. I can't do it.

0:27:050:27:07

-Can't or won't?

-Listen, I'm not a teacher, Miss,

0:27:080:27:12

and I think you've got the wrong idea about me.

0:27:120:27:15

Then that'll be £250 for the hole in the wall.

0:27:150:27:17

Come on, I'm trying to tell you this crew is gonna fail.

0:27:170:27:21

Because you think it will?

0:27:210:27:22

-Or because you want it to?

-Stop answering me with questions! I don't want to lead this thing.

0:27:220:27:26

They're never gonna get it by the 27th.

0:27:260:27:28

Then I'll see you again when you deliver my lunch.

0:27:310:27:34

But go easy on the mayonnaise next time.

0:27:350:27:37

DOOR SLAMS

0:27:460:27:47

MUSIC: "One In A Million" by Swiss feat. Music Kidz

0:27:470:27:51

# How could you deny me 1990 I been doing this since primary

0:27:570:28:02

# Most despise but know these flows like poison ivy

0:28:020:28:05

# Grimy its all over, took an average Joe too dotted line me

0:28:050:28:09

# Finally though untie me Oh so timely

0:28:090:28:11

# So tiny started daily nightly Slightly rhyming tightly

0:28:110:28:14

# Hoping one day I'll be mighty

0:28:140:28:16

# Likely Westwood would invite me up on Friday

0:28:160:28:19

# P.I.E.R.R it started as a dream as far as arguably best artist to me

0:28:190:28:24

# I'm one in a million Just so have it you know

0:28:240:28:28

# I'm one in a million Couldn't pack just to go

0:28:280:28:31

# I'm one in a million Not the average Joe

0:28:310:28:35

# I'm one in a million I'm one in a million

0:28:350:28:38

# I'm one in a million Just so have it you know

0:28:380:28:42

# I'm one in a million Couldn't pack just to go

0:28:420:28:45

# I'm one in a million Not the average Joe

0:28:450:28:48

# I'm one in a million I'm one in a million

0:28:480:28:54

# I'm one in a million. #

0:29:050:29:08

WHISTLES

0:29:120:29:14

I feel like a chump.

0:29:140:29:16

These things wreak havoc on one's lines.

0:29:160:29:19

I feel more comfy.

0:29:190:29:21

-Hey, guys.

-Eurgh, more of them.

0:29:210:29:22

Steph, Frankie!

0:29:220:29:24

You're not doing the finals without us.

0:29:240:29:26

-Shawna, tell 'em what's going on.

-What's goin' on, babe?

0:29:260:29:29

We got off on the wrong foot yesterday, so let's start again.

0:29:290:29:32

Street dance for beginners.

0:29:320:29:35

Spread out, just move like you're in a club.

0:29:350:29:38

This should swing it for the Royal Ballet(!)

0:29:380:29:40

Just slouch a bit, do your own thing.

0:29:400:29:43

-I'm sorry, we don't do slouching, darling.

-So improvise.

0:29:430:29:46

You know that's how street dance started,

0:29:460:29:48

in the streets, in the clubs, ripping up the rules.

0:29:480:29:51

We're gonna break it down for you.

0:29:510:29:53

Like Brook, mocking.

0:29:530:29:55

Wooh!

0:29:560:29:58

MUSIC: "Wearing My Rolex" by Wiley

0:29:580:30:00

# I don't even know yet

0:30:000:30:02

# Next thing she's wearing my Rolex

0:30:020:30:03

# Too much shanks Don't know wear my phone is

0:30:030:30:06

# Here's my number She already knows it

0:30:060:30:07

# This chapter's a lot Better close it

0:30:070:30:09

# Just a look in her eye Was so evil

0:30:090:30:10

# Wiley's a party guy And she knows it

0:30:100:30:12

# What would we do

0:30:120:30:14

# Usually drink, usually dance, Usually babble

0:30:140:30:16

# All I want to do Is tell you I love you

0:30:160:30:19

# That's when I start promising The world

0:30:190:30:21

# To a brand new girl I don't even know yet

0:30:210:30:22

# Next thing She's wearing my Rolex... #

0:30:220:30:25

Steph, break it.

0:30:250:30:27

MUSIC CONTINUES

0:30:270:30:29

Come on, Boogie!

0:30:350:30:37

WHOOPING

0:30:390:30:42

Steph, show me how.

0:30:490:30:51

Go on, Steph!

0:31:070:31:09

Frankie, new style.

0:31:090:31:12

-Come on, baby!

-Oh, ho, ho! Nice!

0:31:120:31:15

Come on, Shawna. New style.

0:31:180:31:21

Woo hoo!

0:31:300:31:31

Finally, Mac. Pump it!

0:31:340:31:38

WHOOPING

0:31:420:31:44

Come on. Pick a move and get practising.

0:31:550:31:58

Er, young man, what are you doing?

0:31:590:32:04

Delivering.

0:32:040:32:06

Helena, can you please control your street people?

0:32:060:32:09

Dancers, Madame. Dancers.

0:32:090:32:11

That is a matter of opinion.

0:32:110:32:13

Chicken salad?

0:32:180:32:19

Thank you, Eddie. How's it going?

0:32:190:32:22

It's painful, Miss.

0:32:220:32:24

It might make life easier if you let me run the classes with you.

0:32:320:32:36

Are you trying to tell me how to do this?

0:32:360:32:38

Well, you could do with the help, couldn't you?

0:32:380:32:40

We're doing a street dance. Not a ballet.

0:32:400:32:43

So much for ripping up the rules.

0:32:450:32:47

He loves himself.

0:32:500:32:52

Just your type.

0:32:520:32:54

-What? It's one way of forgetting Jay.

-I don't want to forget him.

0:32:540:32:57

Well, I think the ballet boys are buff.

0:32:570:33:00

We're the teachers!

0:33:020:33:03

Hm?

0:33:030:33:05

I'm getting my parents to call Mr Harding.

0:33:050:33:07

They're not paying for disco dancing.

0:33:070:33:09

Dairy's deathly, you know.

0:33:110:33:12

It's all right. It's OK. Survival has arrived.

0:33:130:33:16

That's my lunch!

0:33:160:33:19

Don't make me laugh.

0:33:190:33:20

They can't dance our way without proper fuel.

0:33:210:33:23

Can't dance?

0:33:230:33:25

Did you just say that we can't dance?

0:33:250:33:28

That ain't dancing.

0:33:280:33:29

That's just flapping about.

0:33:290:33:31

At least I don't look like I'm having a seizure.

0:33:310:33:34

Whatever you say, tutu tits.

0:33:340:33:38

SHE SLAMS TRAY DOWN

0:33:380:33:41

Tutu what?

0:33:410:33:42

You heard.

0:33:440:33:46

GASPS

0:33:480:33:50

Food fight!

0:33:520:33:54

SHOUTING

0:33:540:33:56

Discipline, etiquette, grace.

0:34:100:34:14

A few words I'd like to remind you of.

0:34:140:34:16

This is not how we treat our guests.

0:34:160:34:18

I assume you know what you're doing bringing these characters here.

0:34:200:34:23

You should be pleased, Mr Harding.

0:34:230:34:25

Our students are finally showing some spirit.

0:34:250:34:27

I'd rather see it in their dancing.

0:34:270:34:29

You've got to find a way to work together.

0:34:320:34:36

Get out of here, have some fun.

0:34:360:34:38

Get to know each other.

0:34:380:34:40

After you've cleaned up this mess, of course.

0:34:400:34:43

CARNIVAL MUSIC

0:34:430:34:45

Let's ditch them when the trucks stop.

0:35:010:35:04

-Yeah?

-Yeah!

0:35:040:35:05

Shawna!

0:35:160:35:18

Looks like you're stuck with us.

0:35:200:35:23

Come on!

0:35:230:35:24

-Carly.

-Oh, Aaron, you all right?

-You all right, yeah?

0:35:390:35:43

-Yeah. You on?

-We're up next.

0:35:430:35:44

Been cool? I heard there was a bust up with Jay.

0:35:440:35:46

No, we're just having time out.

0:35:460:35:49

-This your new crew?

-It's a long story.

0:35:490:35:52

Hang around. Tell me later. Get a drink or something.

0:35:520:35:55

-Will do. Good luck.

-See you later.

0:35:550:35:57

OK, you lot have got to watch these.

0:35:570:36:00

These were the UK street dance champions two years ago.

0:36:000:36:02

They're the best. We used to have classes with them.

0:36:020:36:05

-So this... this is what we're aiming for.

-Who's Jay?

0:36:050:36:09

HIP-HOP MUSIC

0:36:090:36:12

CHEERING AND APPLAUSE

0:36:120:36:16

Wooh! Mac!

0:36:200:36:23

Come on! Wooh hoo!

0:36:230:36:25

You haven't got that song, have ya? The one that goes...

0:38:080:38:12

What's that mumbo jumbo you're writing?

0:38:300:38:33

It's choreography for our routine.

0:38:330:38:35

You've got steps, formations, feelings.

0:38:350:38:38

What, you're doing that?

0:38:380:38:39

-Yeah.

-You are actually doing that?

0:38:390:38:41

Fred, I don't think making sandwiches is my calling in life.

0:38:410:38:44

-You got that right!

-LAUGHTER

0:38:440:38:46

MUSIC: "Live For the Moment" by Pixie Lott

0:38:460:38:49

Where is your chin?

0:38:490:38:50

Five, six, seven, eight!

0:38:520:38:56

Faster!

0:38:590:39:00

Five, six, seven!

0:39:000:39:02

Feel the rhythm, come on!

0:39:020:39:05

OK.

0:39:160:39:17

Glimmers of hope, Miss.

0:39:210:39:23

Thomas, relax a bit, please. You're forcing it.

0:39:330:39:36

Go back to where you started.

0:39:360:39:39

And try not pointing your toes. It looks a bit too pretty.

0:39:390:39:42

One and two and three and four.

0:39:450:39:47

Five and six and seven...

0:39:470:39:50

We're gonna pick it up from this section, please.

0:39:500:39:52

Isabella, I want you to try it with more attitude.

0:39:520:39:56

Five, six, seven, eight.

0:39:560:39:59

And one, two...

0:39:590:40:00

Stop there, please.

0:40:000:40:02

Straight away, just arch over. Don't make it so upright.

0:40:020:40:04

No, you're not getting it.

0:40:070:40:08

Your arms are too flouncy and ballet.

0:40:080:40:11

Hands upright. Tight.

0:40:110:40:14

I should be able to do that, yeah?

0:40:140:40:16

What did I say?

0:40:210:40:23

What's happened?

0:40:230:40:25

Come on! We don't have time for this!

0:40:250:40:27

Oh, how sad. Crying over a street dance.

0:40:290:40:34

Oh, bite it, Chloe.

0:40:340:40:36

SHE SOBS

0:40:360:40:38

Listen, I'm sorry if I was a cow back there.

0:40:380:40:41

Carly, it's not you.

0:40:410:40:42

Do you know...

0:40:420:40:44

..all my life I've been told to stand up straight,

0:40:450:40:48

turn out posture, and now?

0:40:480:40:50

Now they tell me I look wrong.

0:40:510:40:53

They say I've grown too tall,

0:40:550:40:56

they won't even put me up for the Royal Ballet auditions.

0:40:560:40:59

Come on.

0:41:020:41:04

Just... I don't know where I fit in anymore.

0:41:050:41:08

Forget them, babes.

0:41:080:41:10

You're with us now.

0:41:110:41:13

MUSIC: "Strong Again" by N-Dubz

0:41:130:41:15

MUSIC STOPS

0:42:240:42:25

I feel bad. Your students have really put themselves through it.

0:42:290:42:33

They're nothing if not hard workers.

0:42:330:42:35

But they really wanna do ballet.

0:42:350:42:36

Making them do something else, I don't understand it.

0:42:360:42:39

Have you ever been to a ballet?

0:42:390:42:40

What do you think?

0:42:400:42:42

Would you like to accompany me?

0:42:420:42:44

I dunno, Miss. It's not really my scene.

0:42:440:42:46

How do you know?

0:42:460:42:48

If you've never been.

0:42:480:42:50

RADIO PLAYS HIP HOP MUSIC

0:42:530:42:55

-Maybe she fancies you.

-Get out!

0:42:550:42:59

You never know with them arty-farty types.

0:42:590:43:03

Jay's a fool, you know that, right?

0:43:030:43:05

-He's never gonna call, is he?

-Nope.

-Never in a million years.

0:43:050:43:08

-Hm, thanks(!)

-You don't need him, anyway.

0:43:080:43:12

It's all about Jay, though.

0:43:120:43:13

Stop putting yourself through it.

0:43:130:43:16

Tell you what...

0:43:160:43:18

-What are you doing?

-You call him.

-Have you dialled?

0:43:180:43:21

-It's on speaker. I wanna hear.

-Shawna! PHONE RINGS

0:43:210:43:24

'This is Jay. You know what to do.'

0:43:240:43:26

BEEPING

0:43:260:43:28

Jay, it's Carly.

0:43:280:43:30

Look, I know it's over with me and the crew, I just wish...

0:43:300:43:33

Just wish you'd said, "You're dumped."

0:43:330:43:35

Muppet. Carly's taken us to the finals with her new ballet boyfriend.

0:43:350:43:42

-So go suck on that time out, all right?

-You tell it rude, girl!

0:43:420:43:45

That part of your life is now over.

0:43:450:43:49

It's time for the next phase.

0:43:500:43:53

Nice to see you.

0:44:100:44:11

Nice to see you, too.

0:44:110:44:13

Are you some kind of ballet celebrity?

0:44:130:44:15

I used to dance.

0:44:150:44:16

Helena, darling.

0:44:160:44:18

Oh, Michael.

0:44:180:44:20

I'm so pleased you could make it.

0:44:220:44:24

I wouldn't miss it for the world. You know that.

0:44:240:44:27

Oh, Michael, this is Carly, an exciting young choreographer

0:44:270:44:30

who's working with my students.

0:44:300:44:33

This is Michael, who's choreographing tonight's ballet.

0:44:340:44:37

-I'd love to see some of your work.

-We'll see if that can be arranged.

0:44:370:44:41

Well, enjoy the performance.

0:44:410:44:43

You're in every scene.

0:44:430:44:45

-He's just an old student of mine.

-Oh, yeah?

0:44:520:44:55

What did you teach him exactly?

0:44:560:44:58

BELL RINGS

0:44:580:45:00

ORCHESTRA TUNING UP

0:45:000:45:03

MUSIC: "Romeo And Juliet" by Prokofiev

0:45:220:45:25

I got goosebumps, like.

0:46:080:46:10

They never even said a word.

0:46:110:46:13

But you understood.

0:46:130:46:15

Not everything, but it was powerful.

0:46:150:46:17

I mean, I could feel what they were feeling.

0:46:170:46:19

Good.

0:46:190:46:21

Remember that for your routine.

0:46:210:46:23

Hm, but that's ballet.

0:46:230:46:25

Think less, "This is ballet, this is street dance."

0:46:260:46:30

But more, "This is dance."

0:46:310:46:33

But we're still entering a street dance competition,

0:46:330:46:36

it's a different world.

0:46:360:46:38

Same world, Carly.

0:46:380:46:39

You'll have a stage and an audience.

0:46:400:46:42

What d'you want them to feel?

0:46:420:46:44

Jay...

0:46:540:46:56

I got your message.

0:46:560:46:57

It was Shawna. She's mad at you.

0:46:580:47:00

Sorry I didn't call you back.

0:47:000:47:02

You said you needed time out.

0:47:020:47:03

I've missed you.

0:47:030:47:05

-Really?

-Of course.

0:47:050:47:08

Look at you. Where've you been? You look amazing.

0:47:080:47:10

You wouldn't believe.

0:47:100:47:12

D'you wanna ask me in? Tell me about it?

0:47:140:47:17

-Sorry...

-Shh.

0:47:170:47:18

It's me who should be apologising.

0:47:180:47:21

What will your ballet boyfriend think?

0:47:250:47:29

Probably pirouette you to death if he existed.

0:47:290:47:32

You know I've been waiting for you?

0:47:340:47:36

-And you're still going for the finals?

-Gonna try.

0:47:370:47:41

Are the ballet dancers any good?

0:47:410:47:43

Hm, really good.

0:47:430:47:45

Problem is trying to get them to dance like us.

0:47:450:47:47

There's still a place for you.

0:47:500:47:52

Sounds like you're managing just fine.

0:47:520:47:54

One minute, I think we're doing good.

0:47:540:47:57

Then I think of The Surge and we don't even come close.

0:47:570:48:00

Not everyone can be wonderful.

0:48:000:48:02

-Oh, thanks(!)

-But you've got to do your best.

0:48:020:48:06

MUSIC: "Champion Sound" by Fatboy Slim

0:48:070:48:11

# Anybody lost looking to get found

0:48:110:48:13

# Know it when they hear The champion sound

0:48:130:48:15

# Anybody loving music Up in your town

0:48:150:48:18

# Know it when they hear The champion sound

0:48:180:48:20

# Love it when they hear The champion sound

0:48:200:48:21

# Need it when they hear The champion.... Watch Out!

0:48:210:48:24

# Take it on a wild dream Fill through a bloodstream

0:48:240:48:27

# Baby, it will make you fly

0:48:270:48:29

# Work out the meaning You got the feeling

0:48:290:48:32

# Baby we can get so high

0:48:320:48:33

# Switch into the meltdown Fry like his own doubt

0:48:330:48:36

# Gonna make it overflow

0:48:360:48:38

# Give out to get back Damn it do you feel that

0:48:380:48:41

# Flip out and overload

0:48:410:48:43

# La la la la... #

0:48:430:48:45

-Oi!

-Fred and Ginger, there is a queue.

0:48:450:48:48

CHEERING AND APPLAUSE

0:48:480:48:50

Thank you!

0:48:500:48:53

Why now? I don't get it.

0:48:530:48:54

He said it was a time out and he meant it.

0:48:540:48:57

-Hm...

-Hi!

0:48:570:48:59

Besides which, Shawns, I'm a sex goddess. Couldn't stay away.

0:48:590:49:04

GIGGLES

0:49:040:49:05

Oh, yeah. Forgot that!

0:49:050:49:09

MUSIC: "Get Sexy" by Sugababes

0:49:090:49:11

# Woah! Yeah

0:49:160:49:19

# Yeah, woah!

0:49:200:49:23

# When I'm walkin' down the street They say hey, sexy

0:49:230:49:27

# When I'm drivin' in my car Or I'm standin' at the bar

0:49:270:49:31

# It don't matter where I are They say hey, sexy

0:49:310:49:34

# Silly boys, they lovin' me so much

0:49:340:49:38

# Silly boys, you can look But you can't touch... #

0:49:380:49:42

-The warm up's changed!

-That's cos she had a late night last night.

0:49:420:49:45

-LAUGHS

-Means Jay's back on the scene.

0:49:450:49:49

You know what, we should all go out tonight, check out some fresh moves.

0:49:520:49:56

-Yeah, I'm on that.

-Now, you're talking!

-Yeah, I think so!

0:49:560:49:59

LAUGHS

0:49:590:50:02

# ..let's get sexy right now... #

0:50:020:50:04

HIP HOP MUSIC

0:50:050:50:07

CHEERING

0:50:070:50:10

MUSIC CONTINUES THROUGHOUT

0:50:100:50:12

D'you want a drink?

0:50:480:50:49

Er, I don't drink.

0:50:490:50:50

So what do you do?

0:50:500:50:54

-I dance.

-I can work with that.

0:50:540:50:57

Yo, babe. Wanna dance?

0:51:060:51:08

Shall we?

0:51:150:51:16

DJ INDISTINCT

0:51:370:51:40

Carly, Carly!

0:51:400:51:41

-DJ:

-Ladies, make way. Make way!

0:51:410:51:44

I swear they must get off on them uniforms!

0:51:440:51:46

Listen to what I'm saying,

0:51:460:51:48

it's the UK national champs, it's The Surge.

0:51:480:51:52

-Let's get the others.

-The dance floor's open.

0:51:520:51:54

Anybody wants to step up to the challenge...

0:51:540:51:59

Let's see what you can do, let's do this thing.

0:51:590:52:01

HIP-HOP MUSIC AND CHEERING

0:52:010:52:04

So what's the name of the game?

0:52:080:52:10

It's not a game, it's a battle.

0:52:100:52:11

Just throw down some moves.

0:52:110:52:14

Let's go!

0:52:140:52:16

See what I'm sayin', UK champs!

0:52:380:52:42

CHEERING

0:52:420:52:43

All right, what we got here?

0:52:430:52:46

Are we ready?

0:52:500:52:52

All right, let's go!

0:52:520:52:54

You see that?!

0:53:110:53:14

Ladies?

0:53:300:53:32

Woah!

0:53:320:53:34

Ladies are getting involved now.

0:53:350:53:37

Watch it, d'you know that...

0:53:410:53:43

Woo hoo!

0:53:490:53:51

Oh, oh, hold up!

0:53:510:53:54

Hold up, what is...

0:53:540:53:56

Topless ballet in the building!

0:53:570:53:59

I don't know, man, but it kinda works, too.

0:54:010:54:03

CHEERING

0:54:030:54:06

I think that's called a pirouette or summat,

0:54:070:54:09

I don't know, but it's all good.

0:54:090:54:11

See what Surge can do!

0:54:130:54:17

CHEERING

0:54:170:54:19

DJ LAUGHS

0:54:240:54:26

Oh, there's your girl, there's your girl!

0:54:260:54:30

Woah! We got an aerial!

0:54:490:54:52

DJ LAUGHS

0:54:570:55:00

360, baby!

0:55:000:55:01

I don't know the name of this crew,

0:55:240:55:26

but I'm looking for these two for real.

0:55:260:55:29

That one's cheeky!

0:55:290:55:31

MUSIC STOPS

0:57:040:57:07

You know what, don't touch him. You're not worth it.

0:57:090:57:12

You didn't mind touching me last night.

0:57:120:57:14

SCREAMING AND SHOUTING

0:57:170:57:19

TAXI HORN BLARES

0:57:430:57:46

SHE SOBS

0:57:500:57:53

It's OK.

0:58:020:58:05

Welcome to my world.

0:58:310:58:33

College fees don't leave a lot left over for fancy apartments.

0:58:370:58:41

MUSIC: "Life Is Beautiful" by Vega4

0:58:530:58:56

It does have one redeeming feature.

0:59:060:59:08

What?

0:59:100:59:12

Close your eyes.

0:59:160:59:18

Don't be silly.

0:59:180:59:19

Come on.

0:59:190:59:21

# When you run into my arms

0:59:270:59:31

# We steal a perfect moment... #

0:59:310:59:36

Open your eyes.

0:59:470:59:48

Wow!

0:59:510:59:52

It's not bad, is it?

0:59:520:59:55

It's beautiful.

0:59:550:59:56

This is where I do my street dancing.

1:00:041:00:07

SHE LAUGHS

1:00:071:00:08

What?

1:00:081:00:10

All right, check this out.

1:00:101:00:12

-SHE LAUGHS

-Honestly, what?! Ready?

1:00:121:00:14

SHE LAUGHS

1:00:211:00:24

All right, bit more practice!

1:00:241:00:26

I tell you, we'll beat those Surge guys.

1:00:261:00:29

No, we can't.

1:00:311:00:33

Who am I kidding? They're the best at what they do.

1:00:341:00:38

So do something different.

1:00:381:00:39

What d'you mean?

1:00:391:00:41

Well, you've got five ballet dancers in your crew.

1:00:411:00:44

Use us.

1:00:441:00:46

What, put ballet and street together?

1:00:461:00:48

-Yeah, why not?

-It doesn't go.

1:00:481:00:51

How d'you know?

1:00:511:00:53

SHE LAUGHS

1:00:561:00:57

Come on.

1:00:571:00:59

What are you doing?

1:01:011:01:02

Put me down!

1:01:031:01:05

# Will you run back into my arms?

1:01:101:01:15

# Like you did when you were young

1:01:151:01:20

# Will you come back to me?

1:01:201:01:22

# And I will hold you tightly

1:01:221:01:30

# When the hurting kicks in

1:01:321:01:40

# Life is beautiful

1:01:411:01:45

# But it's complicated

1:01:481:01:53

# We barely make it

1:01:531:01:58

# We don't need

1:01:581:02:01

# To understand

1:02:011:02:05

# There are miracles

1:02:071:02:12

# Miracles

1:02:121:02:17

# Stand

1:02:351:02:39

# Where you are

1:02:391:02:41

# We let all these moments

1:02:421:02:49

# Pass us by

1:02:491:02:50

# It's amazing

1:03:121:03:14

# Where I'm standing

1:03:141:03:17

# There's a lot that we can give

1:03:191:03:26

# This is ours

1:03:291:03:32

# Just for the moment

1:03:321:03:35

# There's a lot that we can give

1:03:371:03:43

# It's amazing

1:03:471:03:51

# Where I'm standing

1:03:511:03:56

# There's a lot that we can give

1:03:561:04:03

# This is ours

1:04:061:04:08

# Just for the moment

1:04:081:04:11

# There's a lot that we can give... #

1:04:141:04:22

Can everyone come together? I've something to say.

1:04:381:04:41

To those of you who know Jay,

1:04:461:04:49

he didn't think we were good enough.

1:04:491:04:51

He didn't think we could beat The Surge.

1:04:521:04:54

-So he joined them.

-Low life.

1:04:541:04:56

And to the rest of you,

1:04:561:04:58

I've been trying to fit you into a Surge-shaped box.

1:04:581:05:00

And I'm sorry. We're never gonna fit.

1:05:001:05:03

We're going to do something different.

1:05:071:05:09

MUTTERING AND LAUGHTER

1:05:131:05:15

I want us to be ourselves.

1:05:151:05:18

Just be at OUR best.

1:05:181:05:19

Whether that's dancing ballet or dancing street.

1:05:211:05:24

All right.

1:05:241:05:25

We'll mix it all up. Make something beautiful.

1:05:251:05:28

And we'll win the competition because of who WE are.

1:05:281:05:31

So what are we called?

1:05:331:05:35

Breaking Point.

1:05:351:05:38

Letters of concern from Isabella's mother,

1:05:381:05:41

from Chloe's very rich and very generous father,

1:05:411:05:44

worried that your street dance experiment

1:05:441:05:46

is unsettling their daughter's training.

1:05:461:05:48

They needed to be "unsettled."

1:05:481:05:49

You are corrupting the discipline of our best students.

1:05:491:05:54

I don't like to question your methods, Helena,

1:05:541:05:56

but this seems wilfully perverse.

1:05:561:05:57

Is it a mid-life crisis?

1:05:571:06:00

Oh!

1:06:001:06:01

The street dancers were bouncing off the walls when they came in here,

1:06:011:06:04

literally bouncing.

1:06:041:06:05

Wouldn't you like to see that exuberance in our students?

1:06:051:06:09

Eh, non!

1:06:091:06:10

It could transform their performances.

1:06:101:06:13

And vandalise the college.

1:06:131:06:15

Look, I'm calling time on this, Helena.

1:06:151:06:17

We must focus on getting them into the best ballet companies.

1:06:171:06:19

And for that, they need fire.

1:06:191:06:22

Believe me, we all want the same thing.

1:06:221:06:25

Carry on. Just observing.

1:06:291:06:31

-Find this class useful, Thomas?

-It's invaluable, sir.

1:06:321:06:36

-Hm.

-Carly's excellent.

1:06:361:06:38

Chloe?

1:06:461:06:48

Dope!

1:06:481:06:49

I mean, very educational.

1:06:491:06:52

Much more joie de vivre, n'est ce pas?

1:07:021:07:03

Well, I think I can see how that might put some attitude into their attitudes.

1:07:051:07:10

-HE CHUCKLES

-Very good. Please, carry on, Helena.

1:07:101:07:13

Monsieur, being dopey won't get them into the Royal Ballet.

1:07:131:07:16

Enough, Madame.

1:07:161:07:18

Is everything all right?

1:07:181:07:20

Yes, good. Good work.

1:07:201:07:24

You knew we'd gel eventually, didn't you?

1:07:241:07:26

Honestly? No.

1:07:261:07:28

Sometimes, you just have to try things.

1:07:291:07:32

MUSIC: "Tiny Dancer" by Ironik

1:07:341:07:38

# Yes, I see

1:07:391:07:41

# Hold me close You're just too far

1:07:431:07:46

# Or I can bring you in So you're up with the stars

1:07:461:07:48

# But still down to earth With my love, we're on Mars

1:07:481:07:50

# I can give you the chance To be what they can't

1:07:501:07:52

# I just want to be sure

1:07:521:07:53

# That you're not the type To just open doors

1:07:531:07:56

# I've gone so far To be what I can

1:07:561:07:59

# I've worked so hard To be where I am

1:07:591:08:01

# So I'll just hold you closer And won't let go

1:08:011:08:04

# I need to know how you feel too So hold me closer and don't let go

1:08:041:08:09

# I'm falling So please just don't let go

1:08:091:08:11

# Hold me closer tiny dancer

1:08:111:08:12

# Hold me closer Just hold me closer

1:08:121:08:14

# Count the headlights on the highway Yeah yeah yeah

1:08:141:08:21

-# Lay me down in sheets of linen

-Lay me down, just lay me down

1:08:211:08:24

# You had a busy day today

1:08:241:08:29

# Mr Munk is immaculate I ain't stylish

1:08:291:08:31

# I'm skylish Yes, my level's so up there

1:08:311:08:34

# My lady's adjacent I smell her fragrance

1:08:341:08:36

# And what's under my Armanis Goes up there

1:08:361:08:39

# Now I'm in the mood, full salute No bubberoose, jut apple juice

1:08:391:08:43

# She ain't ever got to tell me Hold her closer

1:08:431:08:46

# Cos the girls Getting close up

1:08:461:08:48

# Hold you closer and won't let go

1:08:481:08:51

# I need to know how you feel too

1:08:511:08:52

# So hold me closer and don't let go

1:08:521:08:55

# I'm falling So please just don't let go

1:08:551:08:57

-# Hold me closer tiny dancer

-Hold me closer, just hold me closer

1:08:571:09:01

# Count the headlights on the highway Yeah yeah yeah

1:09:011:09:06

-# Lay me down in sheets of linen

-Lay me down, just lay me down

1:09:061:09:09

# You had a busy day today

1:09:091:09:15

# M-U-S-I-C

1:09:181:09:20

# I've gone so far I've worked so hard

1:09:201:09:23

# Listen

1:09:231:09:24

# I hope you recognise What you really mean

1:09:241:09:26

# Without you I couldn't do the song I sing

1:09:261:09:29

# I hope you like it too Cos it's nothing but the truth

1:09:291:09:30

# You're not number one But you will be soon so I'll

1:09:301:09:34

# Hold you closer and won't let go

1:09:341:09:36

# I need to know how you feel too

1:09:361:09:38

# So hold me closer and don't let go

1:09:381:09:40

# I'm falling So please just don't let go

1:09:401:09:43

# Hold me closer, tiny dancer

1:09:431:09:47

# Count the headlights on the highway

1:09:471:09:52

# Lay me down in sheets of linen

1:09:521:09:57

# You had a busy day today

1:09:571:10:00

# Hold me closer, tiny dancer

1:10:011:10:03

# Hold me closer, just hold me closer

1:10:031:10:06

# Count the headlights on the highway Yeah, yeah, yeah

1:10:061:10:11

-# Lay me down in sheets of linen

-Lay me down

1:10:111:10:13

# Just lay me down, please

1:10:131:10:15

# Have a busy day today

1:10:151:10:18

# Yeah, yeah, yeah

1:10:181:10:19

# M-U-S-I-C, legend. #

1:10:191:10:23

The Royal Ballet list must be in.

1:10:241:10:27

Rebecca!

1:10:291:10:30

CHEERING AND WHOOPING

1:10:301:10:33

What day are the street dance finals?

1:10:341:10:36

Who submitted them for this date?

1:10:361:10:39

Does it matter? It's the Royal Ballet.

1:10:391:10:42

-The same day as their street dance performance.

-Is that an issue?

1:10:421:10:45

-It was Madame Fleurie, wasn't it?

-We all want the same thing, Helena.

1:10:471:10:51

DOOR OPENS

1:10:511:10:54

Well done, young lady. Helena.

1:10:571:11:00

I didn't know, Carly.

1:11:001:11:03

So what are you gonna do about it, then?

1:11:041:11:05

Unfortunately, there's not much I can do.

1:11:051:11:08

This has been the plan all along, hasn't it?

1:11:081:11:11

Get some mugs in to liven up your deadweight dancers, then drop 'em.

1:11:121:11:17

I didn't plan this.

1:11:171:11:18

Carly, there's something you have to understand.

1:11:181:11:21

These auditions are their street dance final.

1:11:211:11:24

And what about ours?

1:11:241:11:26

Helena, why did you take me to the ballet

1:11:261:11:28

and feed me that "this is dance" rubbish,

1:11:281:11:30

knowing you'd shaft us in a second?

1:11:301:11:33

We know.

1:11:501:11:52

They don't have to do their audition.

1:11:531:11:56

Of course they do.

1:11:561:11:57

They've been training for this their whole lives.

1:11:571:12:00

Carly, we can do both.

1:12:001:12:02

-We'll do the auditions and be there easily by four.

-D'you think?

1:12:021:12:06

Yes, definitely.

1:12:061:12:08

Then go and rehearse. Be brilliant.

1:12:081:12:12

We'll brain you if you don't get in.

1:12:121:12:14

-We'll be there.

-Go on.

1:12:241:12:28

What if they don't make it?

1:12:331:12:36

Are we ready?

1:14:001:14:01

CHEERING AND APPLAUSE

1:14:011:14:03

Yo, are we having fun?

1:14:031:14:05

-CHEERING AND APPLAUSE

-Good, good, good! Having a good time?

1:14:051:14:09

Now there's only two crews left.

1:14:091:14:11

So next on stage, reigning champions, The Surge!

1:14:111:14:14

CHEERING AND APPLAUSE

1:14:141:14:16

We're on next and they're not here yet!

1:14:161:14:18

I knew it.

1:14:181:14:20

-Why don't we just go on, anyway?

-What?! Are you stupid?

1:14:201:14:24

Come on, guys!

1:14:241:14:25

If we start tearing each other apart again, it's all been for nothing.

1:14:251:14:29

-She's right.

-Yeah, man. Come on, guys.

1:14:291:14:31

CLOCK TICKS

1:14:341:14:36

If we wanna be with them, we have to go now.

1:14:361:14:40

Looking good.

1:14:441:14:46

Your old friend Michael's on the audition panel.

1:14:461:14:49

CROWD CHANTS Surge, Surge!

1:14:521:14:55

HIP-HOP MUSIC

1:15:011:15:03

CHEERING AND APPLAUSE

1:15:031:15:06

CHEERING AND APPLAUSE

1:17:421:17:44

MUSIC STOPS

1:17:531:17:55

CHEERING AND APPLAUSE

1:17:551:17:57

CROWD CHANTS Surge, Surge!

1:17:591:18:01

Who liked The Surge?

1:18:041:18:06

CHEERING AND APPLAUSE

1:18:061:18:07

Don't get too happy, though, they ain't won just yet.

1:18:071:18:10

It's time for our last crew, Breaking Point!

1:18:101:18:14

CHEERING AND APPLAUSE

1:18:141:18:17

Come on, Breaking Point, don't be shy.

1:18:171:18:20

CROWD CHANT Breaking Point, Breaking Point!

1:18:221:18:26

Come on!

1:18:291:18:31

CROWD SHOUTS

1:18:311:18:32

On stage now, or you're disqualified.

1:18:331:18:37

CROWD: ..five, six, seven...

1:18:371:18:38

Buck up, babe. They'll be here.

1:18:381:18:40

CHATTER

1:18:401:18:43

CHEERING AND APPLAUSE

1:18:431:18:46

CROWD JEER

1:18:491:18:51

OK, must be an additional item here.

1:18:541:18:57

JEERING

1:18:571:19:00

CROWD: Who are you? Who are you? Who are you? Who are you?

1:19:021:19:08

GIGGLING AND CHATTER

1:19:081:19:12

JEERING

1:19:121:19:15

HIP-HOP MUSIC

1:19:151:19:17

CHEERING AND APPLAUSE

1:19:181:19:21

When did Eddie learn those moves?

1:19:241:19:26

A bit of old school!

1:19:261:19:28

-Go, Eddie!

-Go on, Eddie!

1:19:371:19:39

WHOOPING AND CHEERING

1:19:511:19:53

CHEERING AND APPLAUSE

1:20:021:20:04

Eddie!

1:20:041:20:05

Where are they?

1:20:121:20:13

-They've gone.

-Gone? Gone where?

1:20:131:20:16

To their performance.

1:20:161:20:17

What?!

1:20:171:20:18

To that thing? That-that nothing?

1:20:181:20:21

No, not that "nothing," Madame. That dance.

1:20:211:20:24

-You have ruined their career.

-What the hell is going on?

1:20:241:20:27

Ask her. I wash my hands.

1:20:271:20:30

You start talking.

1:20:301:20:32

CLASSICAL MUSIC

1:20:321:20:34

DOOR OPENS

1:20:341:20:36

Michael.

1:20:361:20:37

Helena!

1:20:371:20:38

CHEERING AND APPLAUSE

1:20:381:20:40

They love it!

1:20:431:20:45

CROWD: More, more!

1:20:491:20:51

SHE LAUGHS

1:20:511:20:53

BOOING

1:20:581:21:00

CHEERING AND APPLAUSE

1:21:101:21:13

ENGINE REVS TYRES SCREECH

1:21:171:21:19

What is this? Street auditioning?

1:21:191:21:22

I heard they ditched you, Carly.

1:21:271:21:29

Bad luck.

1:21:291:21:32

Get your hands off me.

1:21:321:21:33

Too bad we won't be seeing you on that winner's podium.

1:21:331:21:36

Who cares?

1:21:361:21:37

We don't need some tacky bit of metal to prove we're winners.

1:21:371:21:40

You can say it, but I know you don't mean it, Carly.

1:21:401:21:44

I feel sorry for you, Jay.

1:21:451:21:47

A bit part player in someone else's crew for the sake of winning.

1:21:471:21:52

I thought you had more ambition.

1:21:531:21:55

Can I have the next dance?

1:21:561:21:58

SHE SHRIEKS

1:21:581:22:00

EXCITED CHATTER

1:22:001:22:03

CHEERING AND APPLAUSE

1:22:131:22:15

OK, Breaking Point, this is your last chance.

1:22:181:22:21

MUSIC: "Romeo and Juliet" by Prokofiev

1:22:511:22:55

HE CHUCKLES

1:23:021:23:04

-What...?

-Not serious?!

1:23:041:23:05

BOOING

1:23:191:23:20

Bruv, we've won this!

1:23:431:23:46

PROKOFIEV ENDS HIP-HOP BEAT STARTS

1:23:541:23:59

CHEERING AND APPLAUSE

1:23:591:24:01

MUSIC: "Sugar Plum Fairy" by Tchaikovsky

1:25:001:25:03

CHEERING AND APPLAUSE

1:25:291:25:31

HIP-HOP BEAT CONTINUES

1:25:311:25:35

HIP-HOP PROKOFIEV FUSION

1:25:371:25:40

CHEERING AND APPLAUSE

1:26:251:26:29

CHEERING AND APPLAUSE

1:26:501:26:53

CHEERING AND APPLAUSE

1:27:501:27:52

CROWD: Breaking Point! Breaking Point!

1:28:011:28:03

# Watch me while I stand here

1:28:251:28:26

# Watch my feet, my stance My body language

1:28:261:28:30

# I'm not someone to be messed with I'm a fox on a mission

1:28:301:28:34

# You know you're challenging The best here

1:28:341:28:37

# It's gonna be real hard But I'm gonna be OK

1:28:371:28:39

# As long as I try real hard I'm always gonna find my way

1:28:391:28:44

# I'm 'a find my way

1:28:441:28:48

# I'm 'a stand up like a soldier

1:28:481:28:50

# I'm 'a get them till it's over

1:28:501:28:54

# I'll keep marching to the beat Till there's bruises on my feet

1:28:541:28:57

# Now I'm falling to my knees

1:28:571:29:00

# Cos I'm gonna take this all the way

1:29:001:29:03

# It's now or never I'll break what's in my way

1:29:031:29:06

# I'm 'a stand up like a soldier

1:29:061:29:09

# Tonight I'm gonna take over

1:29:091:29:12

# Cos I know everything's Gonna be all right

1:29:121:29:15

# Now you're standing here Right by my side

1:29:151:29:18

# And we dance on, dance on We're gonna dance on

1:29:181:29:21

# Ain't gonna work for life When we know we can dance on

1:29:211:29:24

# Everything's gonna be OK

1:29:241:29:27

# The streets will lighten up my way

1:29:271:29:30

# So we dance on, dance on We're gonna dance on

1:29:301:29:33

# Ain't gonna work for life When we know we can dance on

1:29:331:29:36

# Not in a million years did I think My feet would bring me this far

1:29:361:29:39

# So much frustration, sleepless nights, now that I'm in charge

1:29:391:29:42

# At first no one gave me The time of day

1:29:421:29:43

# I'm on my own to show the way

1:29:431:29:44

# My sisters, brothers from other mothers, can we take this all the way

1:29:441:29:48

# They kicked us to the kerb These days are so hard to get heard

1:29:481:29:50

# We gonna stand up like a soldier Get everything we deserve

1:29:501:29:53

# At first everyone was cautious When we brought in something new

1:29:531:29:56

# After weeks of practising We knew exactly what to do

1:29:561:29:59

# I'm 'a stand up like a soldier

1:29:591:30:02

# I'm 'a get them till it's over

1:30:021:30:05

# I'll keep marching to the beat Till there's bruises on my feet

1:30:051:30:09

# Now I'm falling to my knees

1:30:091:30:10

# Cos I'm gonna take this All the way

1:30:101:30:14

# It's now or never I'll break what's in my way

1:30:141:30:17

# I'm 'a stand up like a soldier Tonight I'm gonna take over

1:30:171:30:22

# Cos I know everything's Gonna be all right

1:30:221:30:25

# Now you're standing here Right at my side

1:30:251:30:28

# And we dance on, dance on We're gonna dance on

1:30:281:30:31

# Ain't gonna work for life When we know we can dance on

1:30:311:30:35

# Everything's gonna be OK The streets will lighten up my way

1:30:351:30:40

# So we dance on, dance on We're gonna dance on

1:30:401:30:43

# Ain't gonna work for life When we know we can dance on

1:30:431:30:46

# Everything's gonna be all right

1:30:461:30:49

# Now you're standing here right at my side

1:30:491:30:52

# And we dance on, dance on we gonna dance on

1:30:521:30:55

# Ain't gonna work for life when we know we can dance on

1:30:551:30:58

# Everything's gonna be OK

1:30:581:31:00

# The streets will lighten up my way So we dance on, dance on

1:31:001:31:05

# We gonna dance on Ain't gonna work for life

1:31:051:31:08

-# When we know we can dance on.

-#

1:31:081:31:11

# Ooh, come and getcha some

1:31:111:31:13

# Come and getcha some

1:31:131:31:16

# Oh, come and getcha some come and getcha some

1:31:161:31:19

# Oh, come and getcha some come and getcha candy

1:31:191:31:22

# Oh, come and getcha some come and getcha some

1:31:221:31:26

# Oh, come and getcha some come and getcha some

1:31:261:31:30

# Candy

1:31:301:31:31

# Oh, come and getcha some come and getcha some

1:31:311:31:34

# Oh, come and getcha some come and getcha candy. #

1:31:341:31:38

Subtitles by Red Bee Media Ltd

1:31:381:31:41

Dancing drama. A London dance crew training for the UK Street Dance Championships are forced to work with ballet dancers from the Royal Dance School in return for rehearsal space. With no common ground and with passions riding high, they realise they need to find a way to join forces to win.


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