
Browse content similar to Sugar. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This programme contains some strong language. | 0:00:02 | 0:00:08 | |
Strike Three. | 0:00:48 | 0:00:50 | |
-I got it. -ALL: I got it. | 0:02:18 | 0:02:20 | |
-Fly ball. -ALL: Fly ball. | 0:02:20 | 0:02:22 | |
-Line drive. -ALL: Line drive. | 0:02:22 | 0:02:25 | |
-Ground ball. -ALL: Ground ball. | 0:02:25 | 0:02:29 | |
-Home run. -ALL: Home run. | 0:02:29 | 0:02:31 | |
-Home run. -ALL: Home run. | 0:02:31 | 0:02:33 | |
Home run! | 0:02:33 | 0:02:34 | |
PARTY MUSIC PLAYS | 0:02:34 | 0:02:36 | |
-What about this kid? -Torres? He has been with us about a week. | 0:03:08 | 0:03:11 | |
Got potential. | 0:03:11 | 0:03:14 | |
Are we going to sign him? | 0:03:14 | 0:03:16 | |
Soon, I hope. | 0:03:16 | 0:03:17 | |
Talking to his agent. They got two other offers, | 0:03:17 | 0:03:20 | |
from two other teams for about 100. | 0:03:20 | 0:03:22 | |
He is good. | 0:03:22 | 0:03:24 | |
What about him? | 0:03:29 | 0:03:30 | |
Miguel Santos? Great arm. | 0:03:30 | 0:03:33 | |
We signed him two years ago for 15. | 0:03:33 | 0:03:35 | |
Good deal. He throw any junk? | 0:03:35 | 0:03:37 | |
Not bad. | 0:03:47 | 0:03:49 | |
-Mind if I try something? -Go ahead. | 0:03:49 | 0:03:51 | |
Do you mind? May I? | 0:03:51 | 0:03:54 | |
Spike curve. | 0:03:58 | 0:03:59 | |
Gives you more rotation, more movement. | 0:04:00 | 0:04:02 | |
You try. | 0:04:02 | 0:04:04 | |
Just like that. Come on, let's go. | 0:04:08 | 0:04:10 | |
It's OK, son. | 0:04:23 | 0:04:25 | |
Things take time. You'll figure it out. | 0:04:25 | 0:04:27 | |
-Your performance... -ALL: Your performance... | 0:04:32 | 0:04:34 | |
-..in the mound -ALL: ..in the mound... | 0:04:34 | 0:04:36 | |
..is not...as good. As last year. | 0:04:36 | 0:04:41 | |
-What is the problem? -ALL: What is the problem? | 0:04:41 | 0:04:43 | |
-What is the problem? -ALL: What is the problem? | 0:04:43 | 0:04:45 | |
-I don't know. -ALL: I don't know. | 0:04:45 | 0:04:47 | |
-I don't know. -ALL: I don't know. | 0:04:47 | 0:04:48 | |
-Maybe mechanic -ALL: Maybe mechaninc. | 0:04:48 | 0:04:50 | |
-Maybe mechanic -ALL: Maybe mechanic. | 0:04:50 | 0:04:53 | |
-I want to give you a chance. -ALL: I want to give you a chance. | 0:04:53 | 0:04:55 | |
-I want to give you a chance. -ALL: I want to give you a chance. | 0:04:55 | 0:04:58 | |
-It's up to you. -ALL: It's up to you. | 0:04:58 | 0:04:59 | |
-It's up to you. -ALL: It's up to you. | 0:04:59 | 0:05:01 | |
-Thank you. -ALL: Thank you. | 0:05:01 | 0:05:03 | |
-Thank you. -ALL: Thank you. | 0:05:03 | 0:05:04 | |
-Thank you. -ALL: Thank you. | 0:05:04 | 0:05:06 | |
-I'll do my best. -ALL: I'll do my best. | 0:05:06 | 0:05:08 | |
-I'll do my best. -ALL: I'll do my best. | 0:05:08 | 0:05:10 | |
-I'll do my best. -ALL: I'll do my best. | 0:05:10 | 0:05:13 | |
Line drive. Line drive. | 0:15:50 | 0:15:52 | |
-Fly ball. -Fly ball. | 0:15:52 | 0:15:55 | |
-Home run. -Home run. | 0:15:55 | 0:15:57 | |
-I got it, I got it. -I got it, I got it. | 0:15:57 | 0:15:59 | |
# Take me out to the ball game | 0:16:01 | 0:16:03 | |
# Take me out to the ground | 0:16:03 | 0:16:06 | |
# Buy me some peanuts and Cracker Jacks | 0:16:06 | 0:16:09 | |
# I don't care if I never get back | 0:16:09 | 0:16:12 | |
# Let me root, root, root for the home team | 0:16:12 | 0:16:16 | |
# If they don't win it's a shame | 0:16:16 | 0:16:18 | |
# For it's one, two... # | 0:16:18 | 0:16:20 | |
MAMBO MUSIC PLAYS | 0:19:19 | 0:19:23 | |
PILOT: Ladies and gentlemen, from the flight deck, | 0:22:38 | 0:22:41 | |
we are still about 100 miles from the Phoenix airport. | 0:22:41 | 0:22:45 | |
Estimated time of arrival at the gate... | 0:22:45 | 0:22:48 | |
KNOCK AT DOOR | 0:23:21 | 0:23:23 | |
ADULT FILM SOUNDTRACK PLAYS | 0:23:38 | 0:23:41 | |
Are you boys ready? > | 0:24:15 | 0:24:17 | |
French toast, please. | 0:24:17 | 0:24:20 | |
Who's next? | 0:24:20 | 0:24:22 | |
ALL: French toast. | 0:24:22 | 0:24:24 | |
Remember that until you reach the top, there's always guys above you | 0:25:35 | 0:25:39 | |
hustling to keep you down here, and guys below you pushing to take your jobs. | 0:25:39 | 0:25:43 | |
We got 75 pitchers in this camp for less than 50 positions come April 3rd. | 0:25:43 | 0:25:48 | |
You do the maths. | 0:25:48 | 0:25:50 | |
You are going to work hard. | 0:25:50 | 0:25:53 | |
Bring over Leonard. | 0:26:17 | 0:26:18 | |
Welcome to America, son. | 0:26:46 | 0:26:47 | |
Time up. | 0:27:47 | 0:27:49 | |
CHEERING | 0:28:25 | 0:28:28 | |
CHEERING AND APPLAUSE | 0:28:47 | 0:28:49 | |
Good catch. | 0:29:27 | 0:29:30 | |
Thanks, man. | 0:29:30 | 0:29:31 | |
I just got lucky. | 0:29:34 | 0:29:36 | |
French toast, right? | 0:29:50 | 0:29:52 | |
Erm, no. Egg. | 0:29:52 | 0:29:54 | |
Egg, please. | 0:29:54 | 0:29:56 | |
Eggs. No problem, how do you like them? | 0:29:56 | 0:29:58 | |
Yes. | 0:29:58 | 0:30:02 | |
Erm, OK. | 0:30:02 | 0:30:04 | |
Scrambled, over-easy, sunny side up? | 0:30:04 | 0:30:08 | |
French toast. | 0:30:12 | 0:30:15 | |
No eggs? | 0:30:15 | 0:30:16 | |
You sure? | 0:30:16 | 0:30:19 | |
French toast, please. | 0:30:19 | 0:30:21 | |
All right, honey, French toast it is. | 0:30:21 | 0:30:24 | |
This is scrambled. | 0:30:35 | 0:30:38 | |
SHE SPEAKS SLOWLY: Scrambled. | 0:30:38 | 0:30:42 | |
Scrambled. | 0:30:42 | 0:30:45 | |
This is over-easy. | 0:30:45 | 0:30:47 | |
Over-easy. | 0:30:47 | 0:30:48 | |
OK, this one's a little trickier. | 0:30:48 | 0:30:51 | |
-Sunny... -Sunny. | 0:30:51 | 0:30:54 | |
-Side... -Side. | 0:30:54 | 0:30:56 | |
-Up. -Up. | 0:30:56 | 0:30:57 | |
Sunny side up. On the house. | 0:30:57 | 0:31:00 | |
Thank you. | 0:31:00 | 0:31:02 | |
You are welcome. | 0:31:02 | 0:31:04 | |
A lot of the ball players have stayed at our house. | 0:32:25 | 0:32:28 | |
We've had Dominicans and Venezuelan boys. | 0:32:28 | 0:32:31 | |
A Colombian and even one from Panama. | 0:32:31 | 0:32:34 | |
Last year, we had a boy, Junior Sanchez, nice boy. | 0:32:34 | 0:32:38 | |
Decent glove but he could not bunt to save his life. | 0:32:38 | 0:32:42 | |
2-12 in sacrifice situations. | 0:32:42 | 0:32:45 | |
He cost us at least two victories. | 0:32:45 | 0:32:47 | |
Earl, that's generous. | 0:32:47 | 0:32:49 | |
I'd say four or five. | 0:32:49 | 0:32:51 | |
OK, Miguel. You put your things down and I'll show you around. | 0:32:55 | 0:32:58 | |
This is the kitchen. | 0:33:00 | 0:33:03 | |
You help yourself to anything you'd like. | 0:33:03 | 0:33:05 | |
If there are special foods you like to eat, just write them down on the grocery list right here. | 0:33:05 | 0:33:11 | |
Oh, and this drawer here is a little funny. | 0:33:14 | 0:33:16 | |
You have to be careful or it will... | 0:33:16 | 0:33:18 | |
This is the washer and the drier. | 0:33:21 | 0:33:23 | |
For your clothes. | 0:33:23 | 0:33:25 | |
You put the soap in here. Sopa. | 0:33:25 | 0:33:27 | |
And this one is just hot air. | 0:33:27 | 0:33:30 | |
This is your new cuarto. | 0:33:38 | 0:33:40 | |
Bedroom. | 0:33:40 | 0:33:42 | |
Do with it as you please. Except, no girls. | 0:33:42 | 0:33:45 | |
Chicas. | 0:33:45 | 0:33:47 | |
No chicas. | 0:33:47 | 0:33:49 | |
No drinking. | 0:33:49 | 0:33:51 | |
No chicas in the bedroom. | 0:33:54 | 0:33:56 | |
-I already told him that one. -OK. | 0:33:56 | 0:33:58 | |
What about quiet time? | 0:33:58 | 0:33:59 | |
Oh, right. There's no real curfew but you must be quiet after ten. | 0:33:59 | 0:34:05 | |
Ssh! After diez. | 0:34:06 | 0:34:09 | |
Ten. | 0:34:10 | 0:34:12 | |
OK. | 0:34:12 | 0:34:13 | |
Ce! | 0:34:13 | 0:34:14 | |
That's all we ask. | 0:34:14 | 0:34:16 | |
It's our job to keep you healthy and focused on baseball. | 0:34:16 | 0:34:20 | |
And we take pride in that. | 0:34:20 | 0:34:22 | |
Miguel? > | 0:34:55 | 0:34:57 | |
Time for dinner. > | 0:34:57 | 0:34:58 | |
Dear God, thank you for this meal we're about to eat. | 0:35:16 | 0:35:20 | |
And for blessing us with our new guest. | 0:35:20 | 0:35:23 | |
Thank you for guiding him safely on his journey from the Dominican Republic to Bridgetown. | 0:35:23 | 0:35:28 | |
And finally, Lord, please look kindly on our Swing this season. | 0:35:28 | 0:35:34 | |
May all of the players stay healthy. | 0:35:34 | 0:35:36 | |
Well, why not? | 0:35:36 | 0:35:38 | |
If there is anything you can do to help us win another championship, we'll take that too. | 0:35:38 | 0:35:43 | |
Amen. | 0:35:43 | 0:35:44 | |
ALL: Amen. | 0:35:44 | 0:35:45 | |
So, Miguel, do you eat meatloaf back home? | 0:35:48 | 0:35:51 | |
-I already told you, Michael, he does not speak any English. | 0:35:51 | 0:35:54 | |
I know, but I am curious to know what he thinks of the meatloaf. | 0:35:54 | 0:35:58 | |
What do you care? You didn't cook it! | 0:35:58 | 0:36:00 | |
I doubt they have meatloaf in the Dominican Republic, dear. | 0:36:00 | 0:36:02 | |
They probably have something similar but have another name for it. | 0:36:02 | 0:36:06 | |
I like. Thank you. | 0:36:20 | 0:36:24 | |
Very good, Miguel. | 0:36:24 | 0:36:26 | |
Starting at pitcher for the American League. | 0:37:15 | 0:37:18 | |
From Kansas City. | 0:37:18 | 0:37:20 | |
Miguel 'Sugar' Santos! | 0:37:20 | 0:37:25 | |
IMITATES CHEERING | 0:37:25 | 0:37:28 | |
Very nice. | 0:37:45 | 0:37:46 | |
You're right over there. | 0:38:46 | 0:38:47 | |
Dude, I was totally psyched when I saw your name on the squad. | 0:39:03 | 0:39:06 | |
Yeah, OK. | 0:39:06 | 0:39:08 | |
Good times. | 0:39:08 | 0:39:09 | |
TANNOY PLAYS ROCK MUSIC | 0:39:38 | 0:39:41 | |
Good evening, ladies and gentlemen, boys and girls. You're listening to Swing Time on WKBF. | 0:39:45 | 0:39:49 | |
Welcome to another exciting season of Swing baseball. | 0:39:49 | 0:39:53 | |
We have got some new faces that we'll get to see tonight. | 0:39:53 | 0:39:55 | |
Including Brad Johnson, the highly touted second baseman out of Stanford. | 0:39:55 | 0:39:59 | |
He'll make his pro debut. | 0:39:59 | 0:40:00 | |
It's a great night for Swing baseball and a great night for a bite and a brew after the game | 0:40:00 | 0:40:04 | |
at Harlems, your local pub and proud sponsor. | 0:40:04 | 0:40:07 | |
# Oh say can you see | 0:40:07 | 0:40:12 | |
# By the dawn's early light | 0:40:12 | 0:40:16 | |
# What so proudly we hailed. # | 0:40:16 | 0:40:21 | |
Leading off for Wisconsin, the second baseman, Tim Lewis. | 0:40:21 | 0:40:26 | |
That's outside for ball four. | 0:41:17 | 0:41:19 | |
Santos is apparently feeling some butterflies for his first professional outing. | 0:41:19 | 0:41:22 | |
Hailing all the way from the Dominican Republic, | 0:41:22 | 0:41:24 | |
this young man wowed the organisation with his power in spring training. | 0:41:24 | 0:41:28 | |
But tonight, he is off to a rocky start. | 0:41:28 | 0:41:30 | |
Line drive hit into the air to left centre field and that is going to get into the gap and go for a double. | 0:43:02 | 0:43:08 | |
Santos has been nearly unhittable for the first six innings tonight. | 0:43:08 | 0:43:11 | |
That is just the second hit he's given up. | 0:43:11 | 0:43:15 | |
Foul ball towards third. This is going to eat up Ramirez and go out left. | 0:43:24 | 0:43:28 | |
You suck, Ramirez! | 0:43:28 | 0:43:29 | |
One man will score and Santos has given up his first run. | 0:43:29 | 0:43:34 | |
CROWD BOOS | 0:43:34 | 0:43:37 | |
Nice game, son. Enjoy this. | 0:43:42 | 0:43:44 | |
-You hear that, son? That's for you. -APPLAUSE | 0:43:54 | 0:43:57 | |
LOUD R&B MUSIC PLAYS | 0:44:16 | 0:44:18 | |
What's up, fellas? | 0:44:59 | 0:45:00 | |
Good game. | 0:45:00 | 0:45:02 | |
Flaco, what's up with this flaco? | 0:45:02 | 0:45:04 | |
Do you call this flaco? | 0:45:04 | 0:45:07 | |
MUSIC DROWNS OUT SPEECH | 0:46:07 | 0:46:10 | |
Dude, give me my keys. | 0:46:34 | 0:46:36 | |
You are not driving my car. | 0:46:36 | 0:46:41 | |
# Leaning, leaning, safe and secure from all alarms | 0:46:44 | 0:46:51 | |
# Leaning, leaning, | 0:46:51 | 0:46:55 | |
# Leaning on the everlasting arms | 0:46:55 | 0:47:00 | |
# What have I to dread, what have I to fear | 0:47:00 | 0:47:05 | |
# Leaning on the everlasting arms. # | 0:47:05 | 0:47:09 | |
How did you like the service? Our church? | 0:47:11 | 0:47:16 | |
Did you go to church in the Dominican Republic? | 0:47:16 | 0:47:19 | |
-I'm sorry... -It's OK. | 0:47:19 | 0:47:24 | |
You understand more than a lot of the folks round here, I'll bet. | 0:47:24 | 0:47:27 | |
Good luck tonight. | 0:47:27 | 0:47:30 | |
Very bad. Very bad word. | 0:47:34 | 0:47:37 | |
Mamanema. What does it mean? | 0:47:37 | 0:47:40 | |
It's like... | 0:47:40 | 0:47:42 | |
Oh, cocksucker! | 0:47:44 | 0:47:46 | |
-Cocksucker. -Yeah. We say cocksucker. | 0:47:46 | 0:47:49 | |
OK. Cocksucker. | 0:47:49 | 0:47:51 | |
Robinson Cano for the Yankees. | 0:47:57 | 0:47:59 | |
-And you? -Roberto Clemente. | 0:47:59 | 0:48:01 | |
-Who is that? -What? | 0:48:01 | 0:48:03 | |
Man, come on, you don't know about Clemente? | 0:48:03 | 0:48:06 | |
Is he Dominican? | 0:48:06 | 0:48:08 | |
He is Puerto Rican. | 0:48:08 | 0:48:10 | |
Man, this is tragic. | 0:48:10 | 0:48:11 | |
Do you know who Babe Ruth is? | 0:48:11 | 0:48:14 | |
Baby Ruth. | 0:48:14 | 0:48:16 | |
You like TV On The Radio? | 0:48:22 | 0:48:24 | |
TV what? | 0:48:24 | 0:48:25 | |
Check it out. | 0:48:25 | 0:48:27 | |
"Santos stings owls with 8ks." | 0:49:26 | 0:49:29 | |
What kind of shoddy journalism is that? | 0:49:29 | 0:49:31 | |
Do not even mention me. | 0:49:31 | 0:49:32 | |
At what point in the game did you know you had your best stuff tonight? | 0:49:52 | 0:49:55 | |
He knew very early he was going to pitch good. 11 years. | 0:50:11 | 0:50:14 | |
And we pray that you will never forsake us. | 0:50:37 | 0:50:42 | |
And never leave us. | 0:50:42 | 0:50:44 | |
We ask this in Jesus' name. | 0:50:44 | 0:50:46 | |
Amen. | 0:50:46 | 0:50:48 | |
I have in my hands a rule book. | 0:50:48 | 0:50:51 | |
Hey, Miguel. | 0:50:54 | 0:50:55 | |
-Come on inside. -My first strike out. | 0:50:55 | 0:50:58 | |
Miguel, you're so sweet. | 0:50:58 | 0:51:00 | |
Congratulations. I heard you pitched awesome tonight. | 0:51:00 | 0:51:05 | |
Hey, everyone. This is Miguel. He's from the Dominican Republic. | 0:51:08 | 0:51:12 | |
And now he pitches for the Swing. | 0:51:12 | 0:51:14 | |
ALL: Hi, Miguel. | 0:51:14 | 0:51:15 | |
What's up, man? | 0:51:18 | 0:51:20 | |
You want to play? | 0:51:20 | 0:51:22 | |
No, no, thank you. | 0:51:22 | 0:51:25 | |
Come on, it's like soccer. You play soccer? | 0:51:25 | 0:51:27 | |
No. Baseball. | 0:51:27 | 0:51:28 | |
This is foosball. | 0:51:28 | 0:51:30 | |
Foosball. | 0:51:30 | 0:51:31 | |
Foosball. | 0:51:31 | 0:51:33 | |
Yeah, you got it. | 0:51:33 | 0:51:34 | |
I sued to be a pitcher in the little leagues. | 0:51:38 | 0:51:41 | |
I wasn't very good. | 0:51:41 | 0:51:42 | |
I heard that the beaches in the Dominican Republic are really beautiful. | 0:51:42 | 0:51:46 | |
All right, guys. | 0:51:53 | 0:51:54 | |
Let's get started. Everybody grab a seat. | 0:51:54 | 0:51:56 | |
All right. Glad you could come. | 0:52:03 | 0:52:05 | |
Last year we didn't have half as many people in our group so I think | 0:52:05 | 0:52:08 | |
this shows the great job we have been doing in spreading the word. | 0:52:08 | 0:52:12 | |
This year I want us to work harder. | 0:52:12 | 0:52:15 | |
I know a lot of you guys are studying for the SATs | 0:52:15 | 0:52:19 | |
or preparing college applications. | 0:52:19 | 0:52:20 | |
All of that is very important but we need to remember that our spiritual accomplishments are more important. | 0:52:20 | 0:52:28 | |
What we do in school or for a job, that's just a small part of who we are. | 0:52:28 | 0:52:33 | |
We are only here by the grace of God | 0:52:33 | 0:52:35 | |
so let's get out there and share that grace. | 0:52:35 | 0:52:38 | |
That was a nice play, kid, but how's your foot? | 0:55:26 | 0:55:28 | |
Take it easy, don't force it. | 0:55:28 | 0:55:29 | |
I'm OK. | 0:55:32 | 0:55:33 | |
Can you throw a couple? | 0:55:33 | 0:55:35 | |
Come on. | 0:55:35 | 0:55:36 | |
All right, kid. Let's give it a rest. | 0:55:46 | 0:55:48 | |
I'm OK, please. | 0:55:48 | 0:55:50 | |
I know you're OK but let's be sure. | 0:55:50 | 0:55:52 | |
Give me the ball, son. | 0:55:57 | 0:55:58 | |
That's it. | 0:55:58 | 0:56:01 | |
SYMPATHETIC APPLAUSE | 0:56:04 | 0:56:08 | |
You were pitching so well, Miguel. It's a real shame. | 0:56:09 | 0:56:12 | |
Don't worry about it. You're going to bounce right back. | 0:56:13 | 0:56:16 | |
-Where did you say you were from, Brad? -Berkeley. | 0:56:21 | 0:56:24 | |
Whole different world out there, huh? You like to surf? | 0:56:24 | 0:56:27 | |
Uh, no, you know, I've never tried it...but maybe I will, | 0:56:27 | 0:56:31 | |
some day. | 0:56:31 | 0:56:33 | |
What about you, Miguel? What's your family like? | 0:56:33 | 0:56:35 | |
My family? | 0:56:36 | 0:56:38 | |
Yeah, like, who do you live with back home? | 0:56:38 | 0:56:40 | |
I live with my mother, | 0:56:41 | 0:56:43 | |
sister, | 0:56:43 | 0:56:45 | |
brother and...the word? | 0:56:45 | 0:56:49 | |
-Grandmother. -..and grandmother. | 0:56:49 | 0:56:51 | |
-What about your father, Miguel? -My father, he die. | 0:56:51 | 0:56:55 | |
Miguel, honey, I'm so sorry. | 0:56:56 | 0:56:58 | |
You have other child? | 0:57:05 | 0:57:07 | |
We have a son. | 0:57:07 | 0:57:08 | |
Anne's older brother. | 0:57:08 | 0:57:10 | |
He's in Iraq. | 0:57:10 | 0:57:12 | |
-Do you like it here? -I like. | 0:57:18 | 0:57:20 | |
-Very different. -Yeah, I bet. | 0:57:21 | 0:57:23 | |
You travelled a long way, huh? | 0:57:23 | 0:57:24 | |
God must have something very special in mind for you. | 0:57:24 | 0:57:28 | |
What happened here? | 0:57:30 | 0:57:32 | |
Oh. | 0:57:32 | 0:57:34 | |
When I... When I boy... | 0:57:34 | 0:57:39 | |
I try to... I don't know... | 0:57:39 | 0:57:44 | |
-Tell me in Spanish. -Spanish? -Yeah. | 0:57:44 | 0:57:46 | |
Um... | 0:58:30 | 0:58:31 | |
Uh, sorry... | 0:58:31 | 0:58:33 | |
I just, um... | 0:58:33 | 0:58:36 | |
Sorry. | 0:58:36 | 0:58:37 | |
I should probably help clean up inside. | 0:58:40 | 0:58:43 | |
We have another meeting Thursday, if you can come. | 0:58:46 | 0:58:48 | |
If you... | 1:02:15 | 1:02:17 | |
..if you no play baseball, what you do? | 1:02:17 | 1:02:19 | |
I like history, so maybe I go to grad school, | 1:02:21 | 1:02:24 | |
maybe teach some day. | 1:02:24 | 1:02:27 | |
You went to a...university? | 1:02:27 | 1:02:29 | |
I went to Stanford. I studied history | 1:02:29 | 1:02:33 | |
and, uh, baseball. | 1:02:33 | 1:02:36 | |
What about you, man? Did you go to school back in the DR? | 1:02:39 | 1:02:42 | |
Yes, later. What called? | 1:02:42 | 1:02:45 | |
High school. | 1:02:46 | 1:02:48 | |
Later, high school, | 1:02:48 | 1:02:49 | |
but I sign when I has second year. | 1:02:49 | 1:02:52 | |
Hey, Brad, we're up for BP, let's go. | 1:02:56 | 1:02:58 | |
GOSPEL SINGING ON TELEVISION | 1:03:12 | 1:03:16 | |
CREAKING | 1:03:56 | 1:03:58 | |
Um, these are grandma's, from the other night. | 1:04:01 | 1:04:04 | |
We missed you at our meeting Thursday. | 1:04:10 | 1:04:12 | |
Sorry. I forget. | 1:04:13 | 1:04:15 | |
That's OK. Maybe next time. | 1:04:15 | 1:04:18 | |
Want a seat? | 1:04:26 | 1:04:28 | |
Um, I have to go, actually, so... | 1:04:28 | 1:04:31 | |
OK. Go. | 1:04:31 | 1:04:33 | |
HAMMERING | 1:04:37 | 1:04:40 | |
-Feeling better, huh? -Welcome back. | 1:04:56 | 1:04:59 | |
CHATTERING | 1:04:59 | 1:05:03 | |
Hey, there was an injury to the Wichita second baseman, | 1:05:06 | 1:05:09 | |
so they called up Brad this morning. | 1:05:09 | 1:05:10 | |
He left you this. | 1:05:10 | 1:05:12 | |
This is Sal, he's our new middle relief man. | 1:05:23 | 1:05:26 | |
He's got a nasty cutter. You could learn a thing or two from him, Santos. | 1:05:26 | 1:05:30 | |
OK. | 1:05:30 | 1:05:31 | |
Time! | 1:06:04 | 1:06:05 | |
COMMENTATOR: Sutton's going to make the call to pull Santos, | 1:06:06 | 1:06:10 | |
here in the fourth and bringing in new reliever, Salvador Torres, for his Bridgetown debut. | 1:06:10 | 1:06:14 | |
Take a time out for the pitching change. Swing trail 5-2. | 1:06:14 | 1:06:18 | |
'Now pitching for your Swing, number 22, Salvador Torres.' | 1:06:30 | 1:06:36 | |
RIPPLE OF APPLAUSE | 1:06:36 | 1:06:38 | |
Strike one! | 1:06:46 | 1:06:47 | |
CHEERING | 1:06:47 | 1:06:50 | |
Strike two! | 1:06:58 | 1:06:59 | |
CHEERING | 1:06:59 | 1:07:03 | |
Strike three! | 1:07:06 | 1:07:08 | |
RAUCOUS CHEERING | 1:07:08 | 1:07:10 | |
COMMENTATOR: A stellar debut for Torres, as he baffles Lester | 1:07:11 | 1:07:14 | |
-with a nasty cutter, for the final out. -Welcome to America, kid! | 1:07:14 | 1:07:18 | |
MEN SING IN SPANISH | 1:07:35 | 1:07:38 | |
CATCALLING | 1:07:59 | 1:08:03 | |
You started dropping your arm, in the third. | 1:08:08 | 1:08:11 | |
I think that was the problem. | 1:08:11 | 1:08:12 | |
He lost control of his breaking pitches and they just zeroed in on his fastball, | 1:08:12 | 1:08:18 | |
which isn't as fast as it used to be. | 1:08:18 | 1:08:22 | |
But you need to learn self control. Can you understand what I'm saying? | 1:09:16 | 1:09:19 | |
You need to know that your actions have consequences, | 1:09:19 | 1:09:24 | |
so we're going to take the cost of that water unit that you bust up out of your cheque. | 1:09:24 | 1:09:29 | |
That's not anything that your family back home are going to be too proud of, is it? | 1:09:29 | 1:09:34 | |
So you need to think about channelling that frustration | 1:09:34 | 1:09:37 | |
you are feeling onto the field, in the practise. | 1:09:37 | 1:09:39 | |
Channel it into working harder, so... | 1:09:39 | 1:09:41 | |
I am work hard. Every day I work hard. | 1:09:41 | 1:09:45 | |
Work harder! Think you're the only one that works hard? | 1:09:45 | 1:09:48 | |
Look, I know you think I don't know what you're going through, but I do. | 1:09:54 | 1:09:58 | |
I've been on the mound before, I've played through pain. I've been in your exact situation before. | 1:09:58 | 1:10:03 | |
And I've struggled, too. | 1:10:03 | 1:10:05 | |
Boy, I... | 1:10:05 | 1:10:06 | |
These are really going to amp you up. This your first time? | 1:10:26 | 1:10:29 | |
Take a half, OK? No more. | 1:10:29 | 1:10:31 | |
You've got to ease into it. | 1:10:31 | 1:10:33 | |
Half. | 1:10:34 | 1:10:35 | |
Anyone finds these, you didn't get them from me, OK? | 1:10:35 | 1:10:39 | |
-What's up, Mick! -What's up, Sal! | 1:10:39 | 1:10:41 | |
Strike! | 1:11:10 | 1:11:11 | |
APPLAUSE | 1:11:11 | 1:11:14 | |
'In the first, Santos struck out two out of three. I don't want to jinx this, | 1:11:14 | 1:11:18 | |
'but this looks like the Santos we saw earlier this season.' | 1:11:18 | 1:11:21 | |
Strike! | 1:11:30 | 1:11:31 | |
APPLAUSE | 1:11:31 | 1:11:33 | |
'Swing and a miss - strike three. | 1:11:39 | 1:11:40 | |
'Santos has struck out five through the first two innings. | 1:11:40 | 1:11:44 | |
'He is dominating the Loons, using all of his pitches | 1:11:44 | 1:11:47 | |
'and, after two, we've got no score.' | 1:11:47 | 1:11:49 | |
ECHOING: You OK? | 1:12:00 | 1:12:02 | |
'Top of the fifth and Santos is struggling with his control. | 1:12:34 | 1:12:38 | |
'Not sure what's happening down there, but he seems to be talking to himself.' | 1:12:38 | 1:12:42 | |
Strike! | 1:13:08 | 1:13:09 | |
APPLAUSE | 1:13:09 | 1:13:12 | |
-You're out of here! -Puerto Rican piece of shit! | 1:14:21 | 1:14:24 | |
-Fuck you, cocksucker! -Dude, you don't even belong here! | 1:14:24 | 1:14:28 | |
Get off of me! | 1:14:28 | 1:14:29 | |
I'm sorry. | 1:15:35 | 1:15:36 | |
Well, you played with your emotions | 1:16:05 | 1:16:07 | |
and your emotions got the best of you. | 1:16:07 | 1:16:09 | |
The true test of our character as athletes is how we come back. | 1:16:09 | 1:16:14 | |
So, it's up to you. Hey, Hardy, don't you wander off! | 1:16:14 | 1:16:17 | |
I want to talk to you about that accountant. | 1:16:17 | 1:16:19 | |
So...er... Anyway, I'm | 1:16:22 | 1:16:26 | |
putting Sal in your slot in the rotation. | 1:16:26 | 1:16:29 | |
I'd like to see how you handle a relief spot. | 1:16:29 | 1:16:32 | |
'Game time is 7.05. The first 3,000 people in attendance that night | 1:16:32 | 1:16:36 | |
'will receive a free beer mug, courtesy of our friends at Harlow's.' | 1:16:36 | 1:16:41 | |
ANSWERING MACHINE MESSAGE | 1:17:02 | 1:17:05 | |
Honey, you don't have to do that. | 1:17:19 | 1:17:21 | |
No problem. I want to help. | 1:17:21 | 1:17:23 | |
Thank you, Miguel. | 1:17:24 | 1:17:25 | |
Thank you, Helen. | 1:17:45 | 1:17:46 | |
You know, your English is very good now, Miguel. | 1:17:49 | 1:17:51 | |
You, too. | 1:17:51 | 1:17:52 | |
Thank you. | 1:18:09 | 1:18:10 | |
'This is 151st Street - Yankee Stadium. | 1:21:59 | 1:22:04 | |
-Want room. -For how long? | 1:24:03 | 1:24:05 | |
I don't know. | 1:24:07 | 1:24:09 | |
300 a week - one week in advance. | 1:24:09 | 1:24:13 | |
300, now. | 1:24:15 | 1:24:18 | |
These also, please. | 1:24:23 | 1:24:25 | |
75... Hey, amigo! | 1:33:40 | 1:33:42 | |
You owe money. | 1:33:42 | 1:33:43 | |
A whole week. | 1:33:43 | 1:33:44 | |
I know. I have tomorrow. No problem. | 1:33:44 | 1:33:48 | |
Yes, problem. | 1:33:48 | 1:33:49 | |
You don't have it by tomorrow, you have a big problem. | 1:33:49 | 1:33:52 | |
MUFFLED SHOUTING AND BANGING | 1:34:01 | 1:34:05 | |
WOMAN AND MAN SHOUT AT EACH OTHER IN SPANISH | 1:34:25 | 1:34:28 | |
ARGUMENT BECOMES INCREASINGLY HEATED | 1:34:32 | 1:34:37 | |
DOOR SLAMS | 1:34:37 | 1:34:39 | |
"I'm sorry, we don't serve coloured people." | 1:37:38 | 1:37:42 | |
"That's OK. | 1:37:47 | 1:37:48 | |
"I don't eat coloured people." | 1:37:48 | 1:37:50 | |
HORN BEEPS | 1:38:07 | 1:38:09 | |
-Fuck you, man! -Fuck you, too, man! | 1:38:09 | 1:38:12 | |
SHE WHISPERS | 1:39:27 | 1:39:29 | |
UPBEAT LATINO MUSIC PLAYS | 1:39:34 | 1:39:38 | |
LIVELY MUSIC FADES | 1:39:44 | 1:39:47 | |
MUSIC: "HALLELUJAH" (SPANISH VERSION) | 1:39:51 | 1:39:55 | |
Strike one! | 1:43:48 | 1:43:49 | |
Strike two! | 1:44:10 | 1:44:11 | |
Strike three! | 1:44:25 | 1:44:26 | |
APPLAUSE AND CHEERING | 1:44:26 | 1:44:29 | |
MUSIC: "ALL BY MYSELF" by Moby | 1:45:00 | 1:45:02 | |
# Lordy, don't leave me | 1:45:02 | 1:45:06 | |
# All by myself | 1:45:06 | 1:45:11 | |
# Lordy, don't leave me | 1:45:11 | 1:45:15 | |
# All by myself | 1:45:15 | 1:45:19 | |
# Lordy, don't leave me | 1:45:19 | 1:45:24 | |
# All by myself | 1:45:24 | 1:45:28 | |
# Lordy, don't leave me | 1:45:28 | 1:45:32 | |
# All by myself | 1:45:32 | 1:45:37 | |
# Sometimes I'm all | 1:45:37 | 1:45:42 | |
# Down on both levels | 1:45:42 | 1:45:45 | |
# Whoa, in this world | 1:45:45 | 1:45:52 | |
# Whoa, in this world | 1:45:54 | 1:46:01 | |
# Whoa, in this world | 1:46:03 | 1:46:09 | |
# Lordy, don't leave me | 1:46:12 | 1:46:16 | |
# All by myself | 1:46:16 | 1:46:21 | |
# Lordy, don't leave me... # | 1:46:21 | 1:46:23 | |
Addition subtitles for the deaf and hard of hearing by Red Bee Media Ltd. | 1:46:23 | 1:46:27 |