
Browse content similar to Tamara Drewe. Check below for episodes and series from the same categories and more!
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This programme contains very strong language | 0:00:18 | 0:00:25 | |
BIRDS TWITTER | 0:00:30 | 0:00:33 | |
MOOING | 0:00:39 | 0:00:42 | |
MOOING | 0:01:04 | 0:01:05 | |
'And love slipped the bonds of restraint. | 0:01:16 | 0:01:19 | |
'His touch | 0:01:19 | 0:01:21 | |
'was like a cosmic, "Yes".' | 0:01:21 | 0:01:24 | |
'"Fuck you," screamed Kelly. | 0:01:24 | 0:01:27 | |
'"Fuck you to hell." | 0:01:27 | 0:01:29 | |
'Scott stepped back from the cell door as the gob of spit flew. | 0:01:29 | 0:01:32 | |
'"Fuck you."' | 0:01:32 | 0:01:35 | |
'This matrix is what Hardy meant by "the ache of modernism".' | 0:01:35 | 0:01:40 | |
Crap. | 0:01:41 | 0:01:42 | |
'Inchcombe knew too well the dreadful mundanity of murder. | 0:01:42 | 0:01:46 | |
'But Patel was stricken. | 0:01:46 | 0:01:48 | |
'Inchcombe realised | 0:01:48 | 0:01:50 | |
'his lack of feeling was almost...' | 0:01:50 | 0:01:53 | |
Pathological. | 0:01:54 | 0:01:56 | |
"I've been wearing the wrong size all my life," says Katie. | 0:01:57 | 0:02:00 | |
"I was always popping out. Turns out I'm a 30 GG," she says. | 0:02:00 | 0:02:05 | |
"Now my bras finally fit." | 0:02:05 | 0:02:08 | |
SHE LAUGHS | 0:02:08 | 0:02:09 | |
"Though Simon prefers me without one." | 0:02:09 | 0:02:12 | |
SHE SIGHS | 0:02:15 | 0:02:17 | |
We could go round mine, if you like. | 0:02:17 | 0:02:19 | |
And watch your dad farting into a sofa? | 0:02:19 | 0:02:23 | |
A taxi? | 0:02:30 | 0:02:32 | |
In Ewedown? | 0:02:32 | 0:02:35 | |
-Come on. -Where are we going? | 0:02:35 | 0:02:37 | |
Nowhere. | 0:02:37 | 0:02:38 | |
-Glen, can I tempt you? -Oh, wow, thank you. | 0:02:44 | 0:02:48 | |
I often take something snacky to Nicholas this time of day. | 0:02:48 | 0:02:51 | |
-I know how the brain needs feeding. -Mm. | 0:02:51 | 0:02:54 | |
So, how you settling in? | 0:02:54 | 0:02:57 | |
Great. | 0:02:57 | 0:02:59 | |
The last writers' retreat I was at, I kind of froze my balls off. | 0:02:59 | 0:03:02 | |
Screeching fire doors and curried lasagne, | 0:03:02 | 0:03:05 | |
and a needy poet, from whom I still bear the scars. | 0:03:05 | 0:03:09 | |
Well, we try to keep it peaceful here. | 0:03:09 | 0:03:12 | |
-Far from the madding crowd. -May I? -Oh. | 0:03:12 | 0:03:15 | |
Well, it's paradise. | 0:03:15 | 0:03:17 | |
In Ewedown? What the f... are you doing there? | 0:03:19 | 0:03:22 | |
I haven't told her yet. | 0:03:22 | 0:03:24 | |
Why not? You keep saying you want to be with me. | 0:03:24 | 0:03:28 | |
Well, I can't tell her just like that. It's 25 years. | 0:03:28 | 0:03:32 | |
-'A marriage.' -Ah, come on, Nicholas. | 0:03:32 | 0:03:34 | |
Or I'm going to get in a taxi and find your farm... | 0:03:34 | 0:03:37 | |
-No. -..come up there and I'll drag you out. -No. | 0:03:37 | 0:03:40 | |
-'Don't.' -I want to be with you. I thought you'd be pleased. | 0:03:40 | 0:03:45 | |
Well, of course I'm pleased. | 0:03:45 | 0:03:47 | |
Nadia, go to the pub and stay there. I'll come when I can. | 0:03:47 | 0:03:51 | |
Are you going to tell her? | 0:03:51 | 0:03:54 | |
Just give me a couple of hours. | 0:03:54 | 0:03:56 | |
Cock pie. | 0:03:56 | 0:03:58 | |
-How's the worker? -Good, actually. | 0:03:58 | 0:04:01 | |
Just about to embark on forensics. | 0:04:01 | 0:04:03 | |
Well, give me your pages and I'll get started. | 0:04:03 | 0:04:06 | |
Reckon I might pack it in a bit early today. | 0:04:06 | 0:04:08 | |
Need to think about my blood smears. Might take a drive, have a pint. | 0:04:08 | 0:04:13 | |
Stir the old grey matter up. | 0:04:13 | 0:04:15 | |
Who were you talking to just then? | 0:04:15 | 0:04:18 | |
Judy. She said the Impala contract should be through in a day or two. | 0:04:18 | 0:04:23 | |
I could come with you. | 0:04:23 | 0:04:25 | |
-What? -For a drive. | 0:04:25 | 0:04:27 | |
-I don't know when we last went out. -Mm. This is absolutely yummy. | 0:04:27 | 0:04:31 | |
-Or we could go into Hadditon, get a meal? -Yes. | 0:04:31 | 0:04:35 | |
But what about the guests? | 0:04:35 | 0:04:37 | |
-Mary's got Casey to help. -I'm supposed to be thinking, | 0:04:37 | 0:04:39 | |
-you know, about... -You can run it by me. | 0:04:39 | 0:04:43 | |
I'm good at forensics. | 0:04:43 | 0:04:45 | |
GROANS SOFTLY | 0:04:45 | 0:04:46 | |
MOOING | 0:04:51 | 0:04:53 | |
MOANS SOFTLY | 0:04:53 | 0:04:55 | |
Andy, can I tempt you? | 0:04:55 | 0:04:57 | |
Oh, we've got a new academic. Glen, American. | 0:04:57 | 0:05:02 | |
He's working on Thomas Hardy. | 0:05:02 | 0:05:03 | |
Said he might have some farming questions. | 0:05:03 | 0:05:06 | |
-Needs an expert yokel, does he? -Would you mind? | 0:05:06 | 0:05:08 | |
Oh, and the writers are eating al fresco tonight. | 0:05:08 | 0:05:11 | |
Could you check there's no bird shit on the seats? Sorry. | 0:05:11 | 0:05:14 | |
You OK? | 0:05:14 | 0:05:16 | |
Yes. Nicholas and I are going out to dinner. | 0:05:16 | 0:05:20 | |
MUSIC: "The Fear" by Lily Allen | 0:05:22 | 0:05:25 | |
Now! | 0:05:30 | 0:05:32 | |
-TYRES SCREECH -Fucking bingo! | 0:05:33 | 0:05:35 | |
SHE SIGHS | 0:05:42 | 0:05:44 | |
What a dump. | 0:05:47 | 0:05:49 | |
Yeah. We could walk up the garage. | 0:06:21 | 0:06:24 | |
Oh. I'm supposed to be helping my mum up at Stonefield. | 0:06:24 | 0:06:28 | |
-They keep you busy. -Yeah. | 0:06:28 | 0:06:30 | |
You never stop, you. | 0:06:30 | 0:06:33 | |
Bet them writers are wankers. | 0:06:33 | 0:06:35 | |
It was called from Hearth To Heath, | 0:06:35 | 0:06:37 | |
The Doomsday And Revelation In Victorian Verse. | 0:06:37 | 0:06:40 | |
What was it about? | 0:06:40 | 0:06:41 | |
You know, pale poets on laudanum and dark towers and sunless seas. | 0:06:41 | 0:06:45 | |
-A little Sturm und Drang in a teacup. -Did it sell? | 0:06:45 | 0:06:48 | |
Of course, my kind of books aren't about sales, | 0:06:48 | 0:06:50 | |
that's not why I write, so...no. | 0:06:50 | 0:06:53 | |
-So, what are you working on next? -Thomas Hardy. | 0:06:55 | 0:06:59 | |
Is there anything left to say about that maudlin bore? | 0:06:59 | 0:07:02 | |
Excuse me, | 0:07:02 | 0:07:03 | |
but there's nothing dull about Hardy - that is a misconception. | 0:07:03 | 0:07:06 | |
At least you've been published. I'm seething with envy. | 0:07:06 | 0:07:10 | |
-I'd love to be published. -I publish myself on the internet. | 0:07:10 | 0:07:13 | |
Oh, do you earn money doing that? | 0:07:13 | 0:07:15 | |
No. | 0:07:15 | 0:07:16 | |
-What do you write? -Lesbian crime. | 0:07:16 | 0:07:18 | |
I'm here picking up tips from the master. | 0:07:19 | 0:07:22 | |
MOBILE BEEPS AND VIBRATES | 0:07:23 | 0:07:25 | |
-Beth? -Yeah? | 0:07:29 | 0:07:31 | |
-Why don't I just pop out on my own? -Well, I'm ready now. Come on. | 0:07:31 | 0:07:34 | |
Is that... | 0:07:34 | 0:07:36 | |
I mean, are you wearing that? | 0:07:36 | 0:07:39 | |
Oh. | 0:07:39 | 0:07:41 | |
It just looks a bit... | 0:07:41 | 0:07:43 | |
hot. | 0:07:43 | 0:07:45 | |
You know, Hadditon's always packed with pissed Londonites on a Friday. | 0:07:45 | 0:07:49 | |
I doubt we'd get a table. Let's do it properly next week. | 0:07:49 | 0:07:52 | |
Make an occasion. | 0:07:52 | 0:07:53 | |
I'm always taking you for granted. I'm vile, I know. | 0:07:53 | 0:07:58 | |
You should kick me, really. | 0:07:58 | 0:08:00 | |
Who is she? | 0:08:01 | 0:08:02 | |
What? | 0:08:02 | 0:08:04 | |
Oh, come on, Beth. | 0:08:06 | 0:08:07 | |
Tell me who. | 0:08:07 | 0:08:09 | |
Look, it's nothing. | 0:08:12 | 0:08:15 | |
It's been once or twice, that's all. It's just... | 0:08:15 | 0:08:17 | |
Beth, it's not anything. | 0:08:17 | 0:08:20 | |
-Who is she?! -So, she's on her way in, the bride and groom... | 0:08:20 | 0:08:23 | |
-Just a researcher on Radio 4. -What's her name? | 0:08:23 | 0:08:26 | |
-Nadia. Nadia Patel. -Patel? | 0:08:26 | 0:08:27 | |
She's in your book. | 0:08:27 | 0:08:29 | |
No. I met her when I was on Desert Island Discs. | 0:08:29 | 0:08:31 | |
-You put her in your book. -Just the name. -That was a year ago. | 0:08:31 | 0:08:34 | |
-Yes... -So, "once or twice"? | 0:08:34 | 0:08:35 | |
I was going to tell you. SHE LAUGHS WILDLY | 0:08:35 | 0:08:37 | |
-In the book, from your woman... -Shh! -Beth... | 0:08:37 | 0:08:41 | |
-I've had enough of this. -Beth, I'm a ruin, I know, | 0:08:41 | 0:08:44 | |
but I've been in a real state about this. | 0:08:44 | 0:08:47 | |
-I didn't want to hurt you. -Ohhhh! | 0:08:47 | 0:08:49 | |
How could you lie to my face? | 0:08:49 | 0:08:52 | |
Can we talk calmly? There are people out there. | 0:08:52 | 0:08:54 | |
-You looked me in the face and lied! -For God's sake, | 0:08:54 | 0:08:56 | |
we're surrounded by novelists. | 0:08:56 | 0:08:58 | |
-You bastard. -Beth... | 0:08:58 | 0:09:00 | |
we're like a pair of compasses... | 0:09:00 | 0:09:02 | |
-don't you dare. -..joined solidly at the top, | 0:09:02 | 0:09:04 | |
but with the ends able to roam in freedom. | 0:09:04 | 0:09:07 | |
PHONE BEEPS AND VIBRATES | 0:09:07 | 0:09:09 | |
That's her, isn't it? Are you keeping her waiting?! | 0:09:09 | 0:09:12 | |
We've talked about the creative mind, | 0:09:12 | 0:09:14 | |
and we agreed it needs a certain freedom to explore. | 0:09:14 | 0:09:17 | |
I can't live like this any more! It makes me feel worthless! | 0:09:17 | 0:09:20 | |
-Calm yourself down. -Go set up home with Patel! | 0:09:20 | 0:09:24 | |
-Will you please... -Do you love her? Is she young? | 0:09:24 | 0:09:27 | |
-For heaven's sake. -Is she?! -HE SHOUTS: Yes! | 0:09:27 | 0:09:29 | |
If you leave here tonight to be with her, don't come back. | 0:09:34 | 0:09:38 | |
Beth, you're making fools of us both. | 0:09:38 | 0:09:40 | |
Liar! | 0:09:42 | 0:09:44 | |
DOOR SLAMS | 0:09:49 | 0:09:50 | |
I didn't know they provided material too. | 0:09:52 | 0:09:56 | |
Beth does everything for him, you know. | 0:10:07 | 0:10:10 | |
Types his manuscript, deals with his agent, | 0:10:10 | 0:10:12 | |
makes his female characters convincing. | 0:10:12 | 0:10:14 | |
She even came up with the name Dr Inchcombe. | 0:10:14 | 0:10:16 | |
No wonder he's bored. | 0:10:16 | 0:10:19 | |
I hope she takes him to the fucking cleaners. | 0:10:19 | 0:10:22 | |
ENGINE STARTS | 0:10:30 | 0:10:32 | |
At the end of the day, this is why I'm glad I'm single. | 0:10:32 | 0:10:35 | |
SHE SNATCHES HER BREATH | 0:10:41 | 0:10:43 | |
Will she take him back? That's the question. | 0:10:48 | 0:10:51 | |
-Would you? -Well, I'd be torn. | 0:10:51 | 0:10:53 | |
-He's far too up himself. -Yeah, but what about their farm? | 0:10:53 | 0:10:56 | |
Splitting up all this? Must be worth a fortune. | 0:10:56 | 0:10:59 | |
'Nadia Patel. | 0:10:59 | 0:11:02 | |
'"Gazelle eyes. Tantric sex."' | 0:11:02 | 0:11:06 | |
She's very rash, making him choose. | 0:11:06 | 0:11:09 | |
-Why would he choose me? -SHE SOBS | 0:11:09 | 0:11:12 | |
-I thought you weren't going to come. -I was busy. Rowing with my wife. | 0:11:14 | 0:11:19 | |
-Where are we going? -Home. | 0:11:19 | 0:11:21 | |
-To your farm? -HE LAUGHS INCREDULOUSLY | 0:11:21 | 0:11:24 | |
-We could have gone on just as we were. -Yes. | 0:11:27 | 0:11:30 | |
-But you said you wanted to be with me. -Yes. | 0:11:30 | 0:11:33 | |
In London. | 0:11:33 | 0:11:35 | |
Now and then. | 0:11:35 | 0:11:37 | |
Big glass of Rioja, please. And I need a room. | 0:11:48 | 0:11:51 | |
Sure. How many nights? | 0:11:51 | 0:11:53 | |
Don't know. Just one? | 0:11:53 | 0:11:55 | |
Are you here for the writers' retreat? | 0:11:55 | 0:11:57 | |
No. | 0:11:57 | 0:11:58 | |
But I'm a writer. Well, journalist. | 0:11:58 | 0:12:01 | |
I don't mean to pry. I'm just really nosy. | 0:12:01 | 0:12:04 | |
I'm from here. Sort of. | 0:12:04 | 0:12:07 | |
Well, it's a nice place. | 0:12:07 | 0:12:08 | |
I love it. I keep meaning to leave, but hard to get away. | 0:12:08 | 0:12:14 | |
My mum's house is just up the road. | 0:12:14 | 0:12:16 | |
-You're not staying with her? -She's... She died. | 0:12:16 | 0:12:19 | |
Have that on me. | 0:12:19 | 0:12:21 | |
And...here's your key. | 0:12:21 | 0:12:25 | |
Up the stairs, right in front. You can't miss it. | 0:12:25 | 0:12:28 | |
Thanks. | 0:12:28 | 0:12:29 | |
-Didn't think I'd see you tonight. -Bit of an atmosphere at Stonefield. | 0:12:33 | 0:12:37 | |
Tell me everything. | 0:12:37 | 0:12:40 | |
Marriage. Remind me never to try it. | 0:12:40 | 0:12:43 | |
Andy... | 0:12:43 | 0:12:45 | |
you're just a sex object. No-one would have you. | 0:12:45 | 0:12:48 | |
SHE SIGHS | 0:13:07 | 0:13:09 | |
COCK CROWS | 0:13:09 | 0:13:11 | |
So, the Hardiments have lived here for centuries, huh? | 0:13:11 | 0:13:14 | |
No. About 20 years. Still strangers by local standards. | 0:13:14 | 0:13:19 | |
DOOR SHUTS | 0:13:19 | 0:13:21 | |
Andy, come look at Ingrid. I... think she's coming into heat. | 0:13:29 | 0:13:33 | |
She's very nice, Beth. | 0:13:38 | 0:13:40 | |
Yeah. I owe her a lot. | 0:13:40 | 0:13:43 | |
Husband's kind of a sleazebag, huh? | 0:13:43 | 0:13:46 | |
We'd say prick here, actually. Or wanker. | 0:13:46 | 0:13:50 | |
That's good. We might even call him a fuck. | 0:13:50 | 0:13:53 | |
That's good too. | 0:13:55 | 0:13:57 | |
COCK CROWS, CHICKEN CLUCK | 0:13:57 | 0:14:01 | |
-Can I help? -It's going rotten underneath. | 0:14:03 | 0:14:06 | |
-Can I have a look at Ingrid? -it's...it's falling apart. | 0:14:06 | 0:14:09 | |
Come on, I can do that. Beth... | 0:14:09 | 0:14:11 | |
He won't last five minutes. | 0:14:13 | 0:14:14 | |
'Oh, Jesus. He's been translated into Icelandic and Swahili. | 0:14:28 | 0:14:33 | |
'What an output. | 0:14:36 | 0:14:39 | |
'I need my book to be a success. | 0:14:39 | 0:14:42 | |
'I need a tiny reward for all my endeavours. | 0:14:42 | 0:14:45 | |
'I need a dump.' | 0:14:49 | 0:14:51 | |
OUTSIDE DOOR OPENS | 0:14:59 | 0:15:01 | |
-Beth. -No, don't touch me. Don't you dare. | 0:15:08 | 0:15:11 | |
-I'm sorry. -Not good enough, not any more. | 0:15:11 | 0:15:13 | |
-I'm sorry. -You do what you like and then you're sorry? | 0:15:13 | 0:15:15 | |
I hate myself. | 0:15:15 | 0:15:17 | |
-I hate myself. -Where were you? | 0:15:17 | 0:15:20 | |
I drove her back to London. Took all night. | 0:15:20 | 0:15:23 | |
-You drove her home? -I finished it. She was in a state. | 0:15:23 | 0:15:27 | |
-So, it's over? -I'm sorry. | 0:15:29 | 0:15:31 | |
I don't know why I'm like this. SHE WEEPS | 0:15:34 | 0:15:36 | |
I couldn't manage without you. | 0:15:36 | 0:15:39 | |
THEY BOTH WEEP | 0:15:39 | 0:15:41 | |
-I've got to go to the bottle bank. -OK. | 0:16:03 | 0:16:07 | |
-Let's talk later. -Yeah. | 0:16:07 | 0:16:09 | |
-The goat's come into heat. -Has it? | 0:16:10 | 0:16:13 | |
I love you so much. | 0:16:15 | 0:16:17 | |
Me too. | 0:16:19 | 0:16:20 | |
I've just seen the Hardiments kiss and make up. | 0:16:43 | 0:16:46 | |
-The hat's on. -Looks like she's taking him back. | 0:16:46 | 0:16:49 | |
When the hat's on, it means don't speak. | 0:16:49 | 0:16:53 | |
So, peace is restored. | 0:16:53 | 0:16:56 | |
-ALARM BLARES -Oh, for fuck's sake! | 0:16:58 | 0:17:01 | |
I don't like cows. They exude bovine malice. | 0:17:01 | 0:17:06 | |
These girls are killing machines. | 0:17:06 | 0:17:09 | |
-They don't like Americans either. -Very funny. | 0:17:09 | 0:17:12 | |
-ALARM CONTINUES -It's Winnards Farm. | 0:17:13 | 0:17:16 | |
Lady there died a while back. Place is empty. | 0:17:16 | 0:17:18 | |
-Think it's being robbed? -Nah. | 0:17:18 | 0:17:21 | |
Probably just kids. | 0:17:21 | 0:17:23 | |
Nothing to do around here except make trouble. | 0:17:23 | 0:17:26 | |
What if it's bad guys? | 0:17:27 | 0:17:30 | |
Don't you have a blunderbuss or a fowling piece or something? | 0:17:30 | 0:17:33 | |
HE LAUGHS | 0:17:33 | 0:17:35 | |
Used to belong to my dad, this place. | 0:17:35 | 0:17:37 | |
-Really? -But it all went tits up. | 0:17:37 | 0:17:40 | |
The land was flogged to a consortium and the house sold to Londoners. | 0:17:40 | 0:17:44 | |
-The Drewes. -So, this is your ancestral pile? | 0:17:44 | 0:17:47 | |
Was. | 0:17:47 | 0:17:49 | |
Born in that room up there. | 0:17:49 | 0:17:52 | |
You must have been pretty resentful. | 0:17:52 | 0:17:54 | |
Oi! This farm's mine, big nose. | 0:17:56 | 0:17:59 | |
POUNDING AND GRUNTING | 0:18:04 | 0:18:06 | |
Hey, what are you doing? Who are you? | 0:18:07 | 0:18:11 | |
Andy, you moron. It's me. | 0:18:11 | 0:18:14 | |
Tam? | 0:18:14 | 0:18:16 | |
I didn't even recognise you. | 0:18:16 | 0:18:19 | |
Well, you won't do it that way. | 0:18:19 | 0:18:20 | |
Then help me. | 0:18:20 | 0:18:23 | |
Used to do some work for your mum. | 0:18:23 | 0:18:25 | |
Been keeping an eye out since she died. | 0:18:25 | 0:18:27 | |
What kind of work, graphics? | 0:18:27 | 0:18:29 | |
-No, I do horticulture now. -You're a gardener? | 0:18:29 | 0:18:31 | |
-HE SIGHS -Wow. | 0:18:31 | 0:18:33 | |
This is a great old house. | 0:18:33 | 0:18:36 | |
Thanks. Do you want to buy it? | 0:18:36 | 0:18:38 | |
I'm not the property-owning type, no. | 0:18:38 | 0:18:40 | |
I prefer my life to fit in hand luggage. | 0:18:40 | 0:18:42 | |
That why you're back? | 0:18:42 | 0:18:43 | |
-To flog it? -Yep. | 0:18:43 | 0:18:46 | |
Make a nice second home for some banker wankers. | 0:18:46 | 0:18:48 | |
Look, Andy, if you want it, why don't you just make me an offer? | 0:18:48 | 0:18:51 | |
Because, sadly, I'm still prey to the economic forces | 0:18:51 | 0:18:55 | |
that threw the peasant classes off the land. | 0:18:55 | 0:18:58 | |
Unlucky. | 0:18:58 | 0:19:00 | |
Tam. | 0:19:00 | 0:19:01 | |
What the fuck have you done to your nose? | 0:19:03 | 0:19:05 | |
Oh, come on, Andy. Aliens came and took it. | 0:19:05 | 0:19:09 | |
She's completely different. | 0:19:09 | 0:19:12 | |
What was she like before? What's the story? | 0:19:12 | 0:19:15 | |
-There isn't one. -Oh, come on. | 0:19:15 | 0:19:17 | |
It was nothing. Decade ago. Just a teenage thing. | 0:19:17 | 0:19:20 | |
You should find someone you're in love with. | 0:19:22 | 0:19:24 | |
-Stupid prick. -You saying you love me, frosty tits? | 0:19:24 | 0:19:27 | |
-You first. -You're the girl, you say it. | 0:19:27 | 0:19:28 | |
I love you. | 0:19:28 | 0:19:30 | |
Fuck off. I love you! | 0:19:30 | 0:19:34 | |
Romeo and Juliet, huh? | 0:19:34 | 0:19:36 | |
Something classy in the wood shed, huh? | 0:19:36 | 0:19:39 | |
THEY GIGGLE | 0:19:40 | 0:19:42 | |
BELL RINGS | 0:19:46 | 0:19:48 | |
-Would you do him? -No. | 0:19:48 | 0:19:50 | |
-What about him? -He's gay, you dobbin. | 0:19:50 | 0:19:53 | |
-So? -Oh. | 0:19:53 | 0:19:55 | |
Swipe. | 0:19:55 | 0:19:56 | |
Ben Sergeant. I'd walk through fire to do him. | 0:19:56 | 0:19:58 | |
-The drummer? -He's not just the drummer. | 0:19:58 | 0:20:02 | |
He writes all the lyrics. It's his band. He's the fucking genius. | 0:20:02 | 0:20:06 | |
Not Steve Culley, or any of these wankers. It's Ben. | 0:20:06 | 0:20:09 | |
OK, yeah. I...I'd do Ben. | 0:20:09 | 0:20:12 | |
I want to be her, in that dress, with him licking my teapot lids. | 0:20:12 | 0:20:17 | |
Yeah, me too. | 0:20:17 | 0:20:20 | |
So, has the muse shone on you, Greg? | 0:20:20 | 0:20:22 | |
I've been pretty distracted most recently | 0:20:22 | 0:20:24 | |
by those delicious cookie things Beth brought around this afternoon. | 0:20:24 | 0:20:28 | |
Oh, yes. Of course, we call them biscuits here. | 0:20:28 | 0:20:31 | |
And by the place itself, the people. | 0:20:31 | 0:20:33 | |
I sometimes wish I could get distracted. | 0:20:33 | 0:20:35 | |
Ten-page-a-day man, rain or shine. | 0:20:35 | 0:20:37 | |
Wow. That's scary. Ten pages a day, how do you do that? | 0:20:37 | 0:20:39 | |
Oh, Greg... | 0:20:39 | 0:20:41 | |
-Glen. -I wouldn't presume to give an academic tips. | 0:20:41 | 0:20:44 | |
Matter of fact, I read one of your books, another distraction. | 0:20:44 | 0:20:47 | |
I thought it was decent stuff. | 0:20:47 | 0:20:49 | |
Well, how do I do it? I just get on with it, Greg. | 0:20:49 | 0:20:55 | |
"We call them biscuits here." | 0:20:56 | 0:20:59 | |
-To the muse. OTHERS: -The muse. | 0:20:59 | 0:21:01 | |
However you find her. | 0:21:01 | 0:21:03 | |
Cheers. | 0:21:03 | 0:21:05 | |
Who's that? | 0:21:05 | 0:21:07 | |
That's Tamara Drewe. | 0:21:09 | 0:21:10 | |
-No, it isn't. -I met her with Andy. | 0:21:10 | 0:21:13 | |
Good God, what's happened to her? | 0:21:13 | 0:21:16 | |
She had a nose job, Dad. | 0:21:16 | 0:21:18 | |
-She's completely different. -That's what Andy said. -Poor Tamara. | 0:21:18 | 0:21:22 | |
She's such a sad girl. | 0:21:22 | 0:21:24 | |
She used to come help you wash the car, didn't she, Nicholas? | 0:21:24 | 0:21:27 | |
When she was a teenager. | 0:21:27 | 0:21:28 | |
She liked a bit of family after her dad left. | 0:21:28 | 0:21:30 | |
-Tamara Drewe that writes a column in one of the Sundays? -Used to. | 0:21:30 | 0:21:33 | |
-Writes for The Independent now. -Oh. | 0:21:33 | 0:21:35 | |
She spent weeks going on about her nose job. | 0:21:35 | 0:21:40 | |
-Was her old one an awful conk? -Yes. | 0:21:40 | 0:21:43 | |
She's poured herself into those shorts. | 0:21:43 | 0:21:46 | |
Hope they don't give her thrush. | 0:21:46 | 0:21:49 | |
Hello. Sorry to intrude. | 0:21:49 | 0:21:51 | |
-Hi, Tamara. -Poppy. | 0:21:51 | 0:21:54 | |
-How are you? -I love your new hooter. | 0:21:54 | 0:21:57 | |
Thanks. It's not actually new, it's just smaller. | 0:21:57 | 0:21:59 | |
Tamara. | 0:21:59 | 0:22:01 | |
So sorry about your mum. | 0:22:01 | 0:22:03 | |
-Thanks. -Are you staying down for long? -I'll have to. | 0:22:03 | 0:22:06 | |
-There's so much to be done. -Well, let us know if we can help. | 0:22:06 | 0:22:08 | |
Could you spare a pair of strong arms? | 0:22:08 | 0:22:11 | |
-I've got a skip coming tomorrow, and... -Nicholas? | 0:22:11 | 0:22:14 | |
I'm available. | 0:22:16 | 0:22:17 | |
-I do skips. -Nicholas? | 0:22:17 | 0:22:19 | |
-CORK POPS -Oh, bug... | 0:22:19 | 0:22:21 | |
Oh. Erm... Thank you, everyone. | 0:22:21 | 0:22:24 | |
You're very kind. | 0:22:24 | 0:22:26 | |
Is Andy around at all? | 0:22:26 | 0:22:28 | |
Oh, I can't spare Andy. | 0:22:28 | 0:22:30 | |
He's making a new coop for my Buff Orpingtons. | 0:22:30 | 0:22:33 | |
SHE LAUGHS | 0:22:33 | 0:22:34 | |
We'll soon have that dry, don't worry. | 0:22:34 | 0:22:37 | |
She's had Glen down there helping her all morning. | 0:22:37 | 0:22:39 | |
I hope she realises he's here to work. | 0:22:39 | 0:22:41 | |
Can't believe what a difference her nose makes. | 0:22:41 | 0:22:44 | |
I think it's a mistake. Taken away all her character. | 0:22:44 | 0:22:46 | |
-Come on, she looks ten times better. -Huh. | 0:22:46 | 0:22:49 | |
And she knows it. I found those shorts really irritating. | 0:22:49 | 0:22:52 | |
Going around with half her bum hanging out. I mean, why? | 0:22:52 | 0:22:54 | |
-To annoy people like you. -Hmm. | 0:22:54 | 0:22:56 | |
I might get a pair myself. | 0:22:56 | 0:22:58 | |
-Of course you wouldn't. -Why not? | 0:22:58 | 0:23:00 | |
Because you're not desperate, are you? | 0:23:00 | 0:23:03 | |
There was always something desperate about Tamara Drewe. | 0:23:03 | 0:23:06 | |
Why did you change your face? | 0:23:07 | 0:23:09 | |
Changing my face is the best thing I ever did. | 0:23:09 | 0:23:12 | |
I don't care what anybody else thinks. | 0:23:12 | 0:23:14 | |
-You think it would work for me? -Maybe, if you did the wrinkles too. | 0:23:14 | 0:23:19 | |
-Oh, you're just coming on to me now. -SHE LAUGHS | 0:23:19 | 0:23:21 | |
In your column, you write about yourself. Does that come easily? | 0:23:26 | 0:23:28 | |
Not easily. It just feels right. | 0:23:28 | 0:23:32 | |
My first novel is definitely going to be autobiographical. | 0:23:32 | 0:23:34 | |
Your first novel? You're going to dash one off, just like that? | 0:23:34 | 0:23:38 | |
Ideally, I'd like to make it into fiction before I'm 30. | 0:23:38 | 0:23:41 | |
Then maybe a swimwear collection, chat show, pasta-sauce range. | 0:23:41 | 0:23:44 | |
What? | 0:23:44 | 0:23:46 | |
Life sure comes easy for the beautiful. | 0:23:46 | 0:23:48 | |
You know, before I had the nose job, | 0:23:51 | 0:23:53 | |
I had no problem being taken seriously. | 0:23:53 | 0:23:55 | |
Maybe when they removed that bit of cartilage, | 0:23:55 | 0:23:57 | |
they pulled out my brain by mistake. | 0:23:57 | 0:24:00 | |
What do you think? | 0:24:00 | 0:24:02 | |
Thank you. | 0:24:04 | 0:24:05 | |
She's single, you know. | 0:24:08 | 0:24:10 | |
Well, it's not exactly a relationship. | 0:24:10 | 0:24:12 | |
-We have an occasional thing. Zoe doesn't want to be... -Not Zoe. | 0:24:12 | 0:24:16 | |
Tamara. | 0:24:16 | 0:24:18 | |
You should get in there. | 0:24:18 | 0:24:21 | |
Marry the girl. Then you could live in your ancestral home again. | 0:24:21 | 0:24:23 | |
Nah. Not her type. | 0:24:23 | 0:24:25 | |
Andy, you know, the trouble with you is that you think like a loser. | 0:24:25 | 0:24:29 | |
I know this because I'm the loser | 0:24:29 | 0:24:31 | |
that all other losers come to for tips. | 0:24:31 | 0:24:33 | |
I am a loser's loser. | 0:24:33 | 0:24:35 | |
I'm a pedigree loser. | 0:24:35 | 0:24:36 | |
Had a graphics business, went bust. Then with my great business acumen, | 0:24:36 | 0:24:40 | |
I invested in a polytunnel full of ganja. | 0:24:40 | 0:24:43 | |
Spent six years stoned out of my box. | 0:24:43 | 0:24:45 | |
I'm only just getting it back together. | 0:24:45 | 0:24:47 | |
Besides...even if I was the last man in the world, | 0:24:47 | 0:24:52 | |
Tamara Drewe wouldn't have me. | 0:24:52 | 0:24:54 | |
Why not? | 0:24:54 | 0:24:56 | |
I dumped her. | 0:24:56 | 0:24:58 | |
-Oh, you are a loser. -I was 20. | 0:24:58 | 0:25:00 | |
And my mates thought I was cradle-snatching. | 0:25:00 | 0:25:04 | |
-And they used to call her Beaky. -Beaky? | 0:25:04 | 0:25:07 | |
Beaky? | 0:25:07 | 0:25:09 | |
HE GROANS | 0:25:13 | 0:25:15 | |
TAMARA: 'Boys know nothing.' | 0:25:33 | 0:25:35 | |
I've been reading Inchcombe's Dose. The bit where Dr Inchcombe | 0:25:35 | 0:25:40 | |
finds himself having thoughts about the dead guy's daughter. | 0:25:40 | 0:25:43 | |
You describe her light smattering of freckles and her striking profile. | 0:25:43 | 0:25:48 | |
So, who did you base her on? | 0:25:48 | 0:25:52 | |
Have you noticed me? | 0:25:53 | 0:25:55 | |
Because I've noticed you. | 0:25:55 | 0:25:58 | |
You're making yourself ridiculous. | 0:25:58 | 0:26:01 | |
Nichol-arse! | 0:26:04 | 0:26:05 | |
A man can dream, huh? | 0:26:06 | 0:26:09 | |
No. | 0:26:14 | 0:26:15 | |
HE SIGHS DEEPLY | 0:26:18 | 0:26:19 | |
Oh, write, you numbskull. | 0:26:23 | 0:26:25 | |
How's Thomas Hardy? | 0:26:31 | 0:26:33 | |
I'm wasting my sabbatical. | 0:26:33 | 0:26:35 | |
-Oh, dear. -I've been writing this book for ever. | 0:26:35 | 0:26:37 | |
Don't know why I can't finish it. | 0:26:37 | 0:26:40 | |
Two years behind on my delivery date, | 0:26:40 | 0:26:43 | |
and Fantail could ask for their chicken-shit advance back. | 0:26:43 | 0:26:46 | |
I can't write. I'm fucking constipated. | 0:26:46 | 0:26:49 | |
It's a disaster. | 0:26:50 | 0:26:52 | |
Crikey. | 0:26:52 | 0:26:53 | |
CAR HORN TOOTS | 0:26:53 | 0:26:55 | |
Oh. Sorry, Glen. I've got to grab Andy before he rushes off. | 0:26:55 | 0:26:59 | |
Tamara's asked him to do up her house. | 0:26:59 | 0:27:01 | |
Why? She knows how hard he works for me. | 0:27:01 | 0:27:04 | |
Is this all his fan mail? | 0:27:08 | 0:27:09 | |
Yeah. I do a couple of sessions a week to keep on top of it. | 0:27:11 | 0:27:14 | |
Pretty good at forging Nick's signature. | 0:27:14 | 0:27:16 | |
Why don't we have a proper chat about it? | 0:27:19 | 0:27:22 | |
-Always used to help Nicholas... -You'd do that? You have time? | 0:27:22 | 0:27:25 | |
I'll just, um... | 0:27:27 | 0:27:28 | |
Tam? | 0:27:32 | 0:27:33 | |
Tam? | 0:27:34 | 0:27:36 | |
Tam? | 0:27:37 | 0:27:38 | |
Got some colour charts for you to see. | 0:27:43 | 0:27:46 | |
What colour do you think it should be in here? | 0:27:50 | 0:27:53 | |
Well, I was thinking, um... | 0:27:55 | 0:27:58 | |
..this one for down here. | 0:28:00 | 0:28:01 | |
And, um... | 0:28:04 | 0:28:06 | |
-..this one for the bedroom. -OK. | 0:28:08 | 0:28:11 | |
So, what do you have to do to get a cup of tea around here? | 0:28:15 | 0:28:19 | |
Make it. Tea, sugar, fridge. | 0:28:19 | 0:28:22 | |
I'm off to work. | 0:28:24 | 0:28:26 | |
ROCK MUSIC PLAYS | 0:28:30 | 0:28:33 | |
Oi! | 0:28:35 | 0:28:37 | |
-This is our village! Our fucking field! -Go on. | 0:28:37 | 0:28:40 | |
-Get off! -Come on, bastard. Let us in! | 0:28:40 | 0:28:42 | |
Kiss your mother with that mouth? Fuck off. | 0:28:42 | 0:28:44 | |
Get on, shove it. | 0:28:44 | 0:28:46 | |
ROCK MUSIC | 0:28:49 | 0:28:50 | |
# This is a call for a domestic dispute | 0:29:01 | 0:29:04 | |
# She's got me in the corner and she's putting the boot | 0:29:04 | 0:29:08 | |
# This is a call for a domestic dispute | 0:29:08 | 0:29:11 | |
# She's got me by the collar and she's going to shoot | 0:29:11 | 0:29:14 | |
# This is a call for a domestic dispute | 0:29:14 | 0:29:17 | |
# There's gonna be a party in the back of the boot | 0:29:17 | 0:29:20 | |
# This is a call for a domestic dispute | 0:29:20 | 0:29:24 | |
# You'd better get a move on cos she's going to shoot | 0:29:24 | 0:29:27 | |
-# When I'm alone at night -Alone at night | 0:29:27 | 0:29:30 | |
-# Watching the satellite -Satellite | 0:29:30 | 0:29:34 | |
# I'm so scared that you will find me... # | 0:29:34 | 0:29:40 | |
FEEDBACK SQUEALS | 0:29:40 | 0:29:42 | |
Swipe is fucking finished! Steve Culley is a... | 0:29:42 | 0:29:45 | |
-FEEDBACK SQUEALS -Fuck off! | 0:29:45 | 0:29:49 | |
-Fran has been shagging that tosser! -Steve, stop it! -Come on, then. | 0:29:49 | 0:29:53 | |
SHE GROANS | 0:29:53 | 0:29:54 | |
-I'm Tamara Drewe. -What? | 0:29:54 | 0:29:56 | |
I'm supposed to be interviewing you, for The Independent. | 0:29:56 | 0:29:59 | |
It was scheduled for later, but... | 0:29:59 | 0:30:01 | |
is now a good time? | 0:30:01 | 0:30:04 | |
-CROWD CHANTS: -Swipe! Swipe! Swipe! Swipe! Swipe! Swipe! | 0:30:04 | 0:30:08 | |
Swipe! Swipe! Swipe! | 0:30:08 | 0:30:10 | |
-They should let us in for free. -Too right. | 0:30:12 | 0:30:15 | |
They come here, drink our water, use our fields. | 0:30:15 | 0:30:18 | |
And they leave all their crap in our drains. | 0:30:18 | 0:30:20 | |
Nice girlfriend, mate. | 0:30:20 | 0:30:22 | |
Ben. Ben! | 0:30:22 | 0:30:25 | |
-What are you doing? -That's Ben from Swipe! | 0:30:25 | 0:30:27 | |
And he's got his dog. Ben! | 0:30:27 | 0:30:30 | |
Ben! Ben! | 0:30:30 | 0:30:33 | |
That's Boss. | 0:30:53 | 0:30:55 | |
Up. | 0:30:56 | 0:30:57 | |
Boy. Come on. | 0:30:57 | 0:30:59 | |
-Hi, Boss. -There. | 0:30:59 | 0:31:01 | |
-Not allergic, are you? -To indie drummers? | 0:31:01 | 0:31:04 | |
Maybe. | 0:31:04 | 0:31:06 | |
Who the fuck's she? | 0:31:06 | 0:31:08 | |
I've seen her up at Stonefield. She's got a nose made of plastic. | 0:31:08 | 0:31:11 | |
So, who are your influences? | 0:31:14 | 0:31:18 | |
Everyone asks that. What do you want me to say? | 0:31:18 | 0:31:21 | |
Phil Collins? Animal from the Muppets? | 0:31:21 | 0:31:24 | |
-This your house? -Yeah. | 0:31:26 | 0:31:28 | |
-Do you want to buy it? -No. | 0:31:28 | 0:31:30 | |
I want something else. | 0:31:32 | 0:31:33 | |
How come she gets Ben? I've loved him since March. | 0:31:36 | 0:31:40 | |
-Would you like a beer? -Yeah. | 0:31:41 | 0:31:44 | |
-Maureen Tucker. -Who? | 0:31:46 | 0:31:48 | |
Moe Tucker. The Velvets. Five-foot-nothing. | 0:31:48 | 0:31:51 | |
Used to stand up to play. | 0:31:51 | 0:31:52 | |
Put the snare drum on its side and whacked it with mallets. Mentalist. | 0:31:52 | 0:31:56 | |
You write a lot of songs. That's rare for a drummer. | 0:31:56 | 0:31:58 | |
Well, everything you've heard about drummers is complete shit. | 0:31:58 | 0:32:01 | |
-You mean they don't spontaneously combust? -No. | 0:32:01 | 0:32:04 | |
Only sometimes. | 0:32:04 | 0:32:07 | |
TAPPING | 0:32:10 | 0:32:11 | |
DRUM "ORCHESTRA" | 0:32:21 | 0:32:25 | |
Any more questions? | 0:32:37 | 0:32:39 | |
ROCK MUSIC PLAYS FROM FESTIVAL | 0:32:40 | 0:32:44 | |
SHE GIGGLES | 0:32:48 | 0:32:50 | |
IMITATES GUNSHOTS | 0:32:52 | 0:32:55 | |
COCK CROWS | 0:33:02 | 0:33:04 | |
-MOOING -Jesus. Oh, my God! | 0:33:22 | 0:33:24 | |
Hello. | 0:33:34 | 0:33:36 | |
Who are you? | 0:33:36 | 0:33:38 | |
You know anything about this dog, Tam? | 0:33:48 | 0:33:51 | |
You want some breakfast, Tam? | 0:34:00 | 0:34:02 | |
Tam? | 0:34:04 | 0:34:06 | |
MOANING | 0:34:08 | 0:34:10 | |
SCREAMING | 0:34:13 | 0:34:15 | |
-How goes the opus? -Fine, Nicholas, just fine. | 0:34:31 | 0:34:34 | |
-It's his most obscure novel, The Well-Beloved. -Mm. | 0:34:36 | 0:34:40 | |
Most people have never even heard of it. | 0:34:40 | 0:34:42 | |
It's about a young guy of 20 | 0:34:42 | 0:34:44 | |
who falls in love with a beautiful young woman. | 0:34:44 | 0:34:47 | |
Then when he's 40, he meets the woman's daughter | 0:34:47 | 0:34:49 | |
and he falls in love with her. And finally, when he's 60, | 0:34:49 | 0:34:52 | |
-he meets her granddaughter. -Oh, he doesn't. | 0:34:52 | 0:34:55 | |
-Yeah. Falls in mystical love. -SHE GIGGLES | 0:34:55 | 0:34:58 | |
Hardy was the same in his life too. | 0:34:58 | 0:35:01 | |
Even as he aged, he only had eyes for young women. | 0:35:01 | 0:35:05 | |
It's like, in one essential way, he never grew up. | 0:35:05 | 0:35:07 | |
-In his trousers. -Yeah. | 0:35:07 | 0:35:09 | |
He was still at it in his 80s, you know. | 0:35:09 | 0:35:11 | |
Snow on the rooftop, fire in the cellar. | 0:35:11 | 0:35:15 | |
Why won't it come for you, Glen? | 0:35:15 | 0:35:16 | |
The way you talk about it is so engaging. | 0:35:16 | 0:35:19 | |
-Do you want to try? -Well, there's an academic style, you know? | 0:35:19 | 0:35:24 | |
Who are you writing for? Who's your ideal reader? | 0:35:24 | 0:35:27 | |
Cos if you wrote the way you spoke, you'd make me want to read Hardy. | 0:35:27 | 0:35:30 | |
-Really? -Yeah. | 0:35:30 | 0:35:32 | |
If you wrote like you were talking to a friend. Try it again. | 0:35:32 | 0:35:35 | |
ENGINE TURNS OVER | 0:35:35 | 0:35:37 | |
Oh. | 0:35:40 | 0:35:42 | |
-Oh! -SHE GIGGLES | 0:35:44 | 0:35:46 | |
No, no, no. It's not as if I'm avant-garde. | 0:35:54 | 0:35:56 | |
-I simply pander to popular taste. -Your books are far more than that. | 0:35:56 | 0:36:00 | |
Just airport fodder. I think I write them in my sleep sometimes. | 0:36:00 | 0:36:03 | |
I wish I wrote so well awake. | 0:36:03 | 0:36:05 | |
Your prose is so economical, so vivid, like the greats. | 0:36:05 | 0:36:09 | |
-Like Raymond Chandler. -Oh, come on. | 0:36:09 | 0:36:10 | |
-Graham Greene. -I'm just earning a crust. | 0:36:10 | 0:36:13 | |
You created Inchcombe. If only he were real. | 0:36:13 | 0:36:16 | |
-He's my kind of man. -Yes. | 0:36:16 | 0:36:18 | |
Sophisticated, jaded, but so vulnerable. | 0:36:18 | 0:36:21 | |
Cynical, but a man of total integrity. | 0:36:21 | 0:36:24 | |
But my books don't say anything remotely profound. | 0:36:24 | 0:36:27 | |
I can't pretend to be an intellectual, | 0:36:27 | 0:36:29 | |
not like the professor here, | 0:36:29 | 0:36:32 | |
illuminating our ignorance with his critical glow. | 0:36:32 | 0:36:36 | |
I love prose. I turn a decent plot. That's pretty much it. | 0:36:36 | 0:36:40 | |
-Excuse me. -People like crime fiction, | 0:36:40 | 0:36:42 | |
because no matter how violent or shocking, it comforts them. | 0:36:42 | 0:36:45 | |
Secretly, Nicholas hates all this. | 0:36:45 | 0:36:47 | |
These crime weekends really take it out of him. | 0:36:47 | 0:36:50 | |
Let me help. | 0:36:51 | 0:36:53 | |
Oh, well, they need dusting with this. | 0:36:53 | 0:36:56 | |
I went to my room today | 0:36:56 | 0:36:58 | |
and I wrote for three hours. The time, it just vanished. | 0:36:58 | 0:37:02 | |
That's great. That's brilliant. | 0:37:02 | 0:37:04 | |
I feel like a man who's just passed a gargantuan stool. | 0:37:04 | 0:37:07 | |
Oh, super. | 0:37:07 | 0:37:10 | |
Oh... | 0:37:10 | 0:37:12 | |
Sprig of mint on top. | 0:37:12 | 0:37:13 | |
..Of course, my life isn't like that, so I just make stuff up. | 0:37:13 | 0:37:17 | |
The real secret of being a writer is learning how to lie, | 0:37:17 | 0:37:21 | |
because that's what storytellers are, thieves and liars. | 0:37:21 | 0:37:25 | |
"The basis of all excellence is truth." Samuel Johnson. | 0:37:25 | 0:37:29 | |
GUITAR PLAYS | 0:37:34 | 0:37:37 | |
# I met a girl on a farm | 0:37:37 | 0:37:39 | |
-# Her name was Tamara... # -Ben, I'm trying to write. | 0:37:39 | 0:37:42 | |
# I wanted to write her a song but one thing caused me alarm... # | 0:37:42 | 0:37:46 | |
Please, Ben, it's a new story. | 0:37:46 | 0:37:48 | |
# Her name didn't rhyme with anything | 0:37:48 | 0:37:49 | |
# Not a single thing that I wanted to sing... # | 0:37:49 | 0:37:52 | |
-It's about my mum and dad. -# All she wants to do is type | 0:37:52 | 0:37:54 | |
# It's making me want a little bite | 0:37:54 | 0:37:57 | |
# So cook me pasta carbonara | 0:37:57 | 0:38:00 | |
# Cos I'm ravenous, Tamara | 0:38:00 | 0:38:02 | |
# Then shag me wearing your tiara. # | 0:38:02 | 0:38:04 | |
SHE GIGGLES | 0:38:04 | 0:38:06 | |
DOG SNIFFS AND BARKS | 0:38:13 | 0:38:15 | |
Oi! | 0:38:23 | 0:38:25 | |
-HE WHISTLES -Andy. | 0:38:25 | 0:38:27 | |
Let me dog in, will ya? | 0:38:27 | 0:38:30 | |
Cheers, mate. | 0:38:30 | 0:38:32 | |
-He must like kissing plastic. -He doesn't really love her. | 0:38:42 | 0:38:46 | |
He's just on the rebound from losing Fran. | 0:38:46 | 0:38:48 | |
Numbing his pain with loads of empty rampant sex. | 0:38:48 | 0:38:51 | |
What he really needs... | 0:38:51 | 0:38:53 | |
-Is a 15-year-old from Ewedown? -So? Stranger things happen. | 0:38:53 | 0:38:56 | |
He's only ten years older, and that's nothing. | 0:38:56 | 0:38:58 | |
-If he met me, if he just met me. -It'd be love, right? | 0:38:58 | 0:39:01 | |
Yeah. But I'd settle for sex. | 0:39:01 | 0:39:04 | |
Coo-er, in your parents' bedroom? | 0:39:04 | 0:39:07 | |
I suppose being an exhibitionist is part of his job, | 0:39:07 | 0:39:10 | |
strutting about on stage. | 0:39:10 | 0:39:11 | |
He doesn't strut. He's a drummer. | 0:39:11 | 0:39:14 | |
He sits on his ass. | 0:39:14 | 0:39:16 | |
He's very good-looking, isn't he? Poppy YouTubed him. | 0:39:16 | 0:39:19 | |
We both got quite hot and bothered. | 0:39:19 | 0:39:20 | |
-Is that his car? The yellow Porsche. -Yep. | 0:39:20 | 0:39:23 | |
Yeah, a bit brash, vrooming through the village. | 0:39:23 | 0:39:26 | |
Fancy our Tamara bagging a bona fide rock star. | 0:39:26 | 0:39:30 | |
She was such an ugly duckling. She must be thrilled to bits. | 0:39:30 | 0:39:35 | |
COCK CROWS | 0:39:35 | 0:39:38 | |
TYRES SCREECH | 0:39:42 | 0:39:44 | |
We're not open for another hour. | 0:39:55 | 0:39:58 | |
Good. | 0:39:58 | 0:39:59 | |
HEAVY BREATHING | 0:40:00 | 0:40:02 | |
I mean, she used to be so funny. So human. | 0:40:09 | 0:40:13 | |
What does she see in that London knob? | 0:40:13 | 0:40:15 | |
He even wears fucking make-up. How did she get so shallow? | 0:40:15 | 0:40:19 | |
Andy, are you really going on about her now? | 0:40:19 | 0:40:25 | |
-Oh. -Where are your manners? | 0:40:25 | 0:40:27 | |
I'm sorry. | 0:40:27 | 0:40:29 | |
Bide your time, you big prick. | 0:40:29 | 0:40:32 | |
MOANING AND GROANING | 0:40:35 | 0:40:37 | |
Oh! Oh! Ben! | 0:40:37 | 0:40:40 | |
TAMARA MOANS | 0:40:40 | 0:40:42 | |
MOOING | 0:40:42 | 0:40:44 | |
DOG WHINES AND GROWLS | 0:40:44 | 0:40:47 | |
DOG BARKS | 0:40:47 | 0:40:49 | |
Come here, you wretched beast! | 0:40:49 | 0:40:53 | |
Stinking animal! | 0:40:53 | 0:40:55 | |
Filthy hound! | 0:40:55 | 0:40:58 | |
Fuck soup. | 0:41:03 | 0:41:05 | |
-Here. -What's this? | 0:41:07 | 0:41:09 | |
What does it look like? | 0:41:09 | 0:41:11 | |
Ben. | 0:41:13 | 0:41:15 | |
Which finger? | 0:41:15 | 0:41:17 | |
Wherever you want. | 0:41:18 | 0:41:20 | |
That one's nice. | 0:41:24 | 0:41:26 | |
Stick it on that one. | 0:41:26 | 0:41:28 | |
MOOING | 0:41:28 | 0:41:29 | |
-Those girls could have aborted. -Calm down, Penny. I'll sort him out. | 0:41:29 | 0:41:33 | |
It beats me why you people want to live in the country. | 0:41:33 | 0:41:36 | |
-You've no sense of responsibility. -It's not our dog. | 0:41:36 | 0:41:39 | |
Hello, Penny. | 0:41:39 | 0:41:41 | |
-How's tricks? -Oh, Nicholas. -You're looking good. | 0:41:41 | 0:41:44 | |
-Terrific coat. -Oh, what, this old thing? -You look like royalty. | 0:41:44 | 0:41:48 | |
Well, I try. Can't wait for your next book. | 0:41:48 | 0:41:52 | |
Inchcombe's such a saucepot. Giles always says, | 0:41:52 | 0:41:55 | |
"What are you reading, Penny? | 0:41:55 | 0:41:56 | |
"You've got steam coming out of your ears." | 0:41:56 | 0:41:58 | |
RAUCOUS LAUGHTER | 0:41:58 | 0:41:59 | |
What's the ring saying, Ben? | 0:42:04 | 0:42:06 | |
"Hello, I'm a ring. Will you marry me?" | 0:42:09 | 0:42:13 | |
What? | 0:42:17 | 0:42:19 | |
I didn't know. | 0:42:19 | 0:42:21 | |
Didn't know what? | 0:42:21 | 0:42:23 | |
That you're in love with me. | 0:42:23 | 0:42:25 | |
The ring is saying, "I'm platinum with a long guarantee. | 0:42:27 | 0:42:31 | |
-"Will you marry me?" -SHE GIGGLES | 0:42:31 | 0:42:34 | |
Yes. | 0:42:34 | 0:42:35 | |
PHONE RINGS | 0:42:41 | 0:42:43 | |
-What? -'Oh, is Tamara there?' | 0:42:43 | 0:42:45 | |
-She is being proposed to. -SHE GIGGLES | 0:42:45 | 0:42:48 | |
POUNDING BEAT FROM CAR STEREO | 0:42:48 | 0:42:51 | |
CAR HORN BLARES | 0:42:51 | 0:42:53 | |
Shh. There are writers here trying to write. | 0:42:59 | 0:43:03 | |
HE GROANS | 0:43:03 | 0:43:06 | |
Hello. | 0:43:08 | 0:43:09 | |
Oh, this is, uh, a Buff Orpington. He's a bit peaky today. | 0:43:09 | 0:43:14 | |
They're not great layers, but they're very decorative. | 0:43:14 | 0:43:17 | |
We're fully organic here. | 0:43:17 | 0:43:20 | |
Though I like to think our champion product is the written word. | 0:43:20 | 0:43:25 | |
The famous Ben. COCK CROWS | 0:43:25 | 0:43:28 | |
Swipe, eh? | 0:43:28 | 0:43:30 | |
No, Swipe's over. I thought the whole world knew that. | 0:43:30 | 0:43:34 | |
It wasn't on Newsnight, no. | 0:43:34 | 0:43:36 | |
Ben's engaged to Tamara. | 0:43:36 | 0:43:37 | |
Isn't that lovely? He'd just popped the question when I rang. | 0:43:37 | 0:43:40 | |
And she said yes? | 0:43:40 | 0:43:42 | |
-We're delighted for you both. -DOG BARKS | 0:43:43 | 0:43:47 | |
Why is he on a fucking chain? | 0:43:47 | 0:43:49 | |
He was out of control. | 0:43:49 | 0:43:51 | |
How would you like to be chained up? | 0:43:51 | 0:43:53 | |
He was chasing livestock. He could have got shot. | 0:43:53 | 0:43:56 | |
They shoot him, I'll fucking shoot them. | 0:43:58 | 0:44:02 | |
Unbelievable. | 0:44:02 | 0:44:04 | |
Here, pooch. | 0:44:04 | 0:44:06 | |
I think the word is gobshite. | 0:44:06 | 0:44:09 | |
I hope he makes her happy. | 0:44:09 | 0:44:11 | |
It's hard for girls when their dads walk out. | 0:44:11 | 0:44:13 | |
Gives them bad taste in men. | 0:44:13 | 0:44:16 | |
What's that supposed to mean? | 0:44:16 | 0:44:18 | |
Oh, just saying Tamara's father left when she was a girl and... | 0:44:18 | 0:44:21 | |
That is ten-pence psychology. | 0:44:21 | 0:44:23 | |
You don't know what you're talking about. | 0:44:23 | 0:44:26 | |
Poor little man. | 0:44:28 | 0:44:30 | |
"My Buff Orpingtons. Oh, the written word." | 0:44:51 | 0:44:53 | |
-What a fucking freak. -It's a shame the ring doesn't fit. | 0:44:53 | 0:44:57 | |
Why didn't you bring one of mine along when you bought it? | 0:44:57 | 0:45:00 | |
I didn't know you then, did I? | 0:45:00 | 0:45:02 | |
So, when did you buy it? | 0:45:04 | 0:45:06 | |
Was it for someone else? | 0:45:08 | 0:45:11 | |
You bought it for Fran, didn't you? | 0:45:11 | 0:45:13 | |
So? | 0:45:13 | 0:45:15 | |
It's yours now. | 0:45:15 | 0:45:18 | |
She never wore it. She didn't want it. | 0:45:18 | 0:45:21 | |
Did you ask her to marry you? | 0:45:21 | 0:45:22 | |
Just as a gesture, when she started seeing Steve. That backfired. | 0:45:22 | 0:45:27 | |
Look, it's you I want to marry now. | 0:45:27 | 0:45:30 | |
Fuck the ring. It's just a consumerist piece of zinc. | 0:45:30 | 0:45:32 | |
What matters is that I love you. | 0:45:32 | 0:45:35 | |
Do you? | 0:45:35 | 0:45:36 | |
Yes. | 0:45:36 | 0:45:39 | |
With my whole heart. | 0:45:41 | 0:45:44 | |
And all the other stuff. | 0:45:44 | 0:45:46 | |
Like me brain, me entrails. | 0:45:48 | 0:45:51 | |
Me pancreas. | 0:45:53 | 0:45:55 | |
It all wants to marry you. | 0:45:55 | 0:45:57 | |
Hmm? | 0:46:00 | 0:46:02 | |
She wondered if you had a delivery date in mind. I said Easter-ish. | 0:46:02 | 0:46:05 | |
Oh, mind that cocoa, it's hot. | 0:46:05 | 0:46:07 | |
There's a few invites. You just tick the ones you want to go to. | 0:46:07 | 0:46:11 | |
Oh, and Tim wants to know | 0:46:11 | 0:46:14 | |
if you'll do your Christmas signing in Hadditon. | 0:46:14 | 0:46:17 | |
I know he's always ungrateful, but I think it's so important | 0:46:17 | 0:46:20 | |
to keep these little bookshops open, don't you? | 0:46:20 | 0:46:22 | |
Mm-hmm. | 0:46:22 | 0:46:24 | |
OWL HOOTS | 0:46:24 | 0:46:26 | |
Come in soon, my love. | 0:46:29 | 0:46:31 | |
Look at that cellulite. | 0:46:58 | 0:47:01 | |
She been sitting on a bead car seat or what? | 0:47:01 | 0:47:04 | |
"Her latest tattoo count was nine, | 0:47:04 | 0:47:07 | |
"including a Sumatran tiger and 'eternity' written in Sanskrit." | 0:47:07 | 0:47:12 | |
She'll be getting a bar code done next, right across there. | 0:47:12 | 0:47:15 | |
And Judy Garland's face right on there. | 0:47:15 | 0:47:18 | |
Nice baby, though. | 0:47:21 | 0:47:23 | |
I'd like one that colour. | 0:47:23 | 0:47:25 | |
Oi! Shut the fuck up! | 0:47:28 | 0:47:30 | |
That Ryan's a dick. | 0:47:30 | 0:47:33 | |
-I think he's cute. -No, you don't. Would you snog him? | 0:47:33 | 0:47:36 | |
Maybe. | 0:47:36 | 0:47:37 | |
Be like having a slug in your mouth. | 0:47:38 | 0:47:41 | |
-BRAKES SCREECH -Shit. | 0:47:41 | 0:47:42 | |
THEY LAUGH | 0:47:42 | 0:47:44 | |
Shut up, fat arse! It ain't funny. | 0:47:44 | 0:47:47 | |
-Ben. -Ben? | 0:47:47 | 0:47:48 | |
Come on, let's do some messing. | 0:47:48 | 0:47:50 | |
CHATTER | 0:47:53 | 0:47:56 | |
What about you, Glen? Sorry. Where will you be? | 0:47:56 | 0:47:59 | |
In London with a collection of spare academics. | 0:47:59 | 0:48:02 | |
We'll be decking the halls in our own erudite way. | 0:48:02 | 0:48:05 | |
I'll miss our chats. | 0:48:05 | 0:48:07 | |
Yeah. I've been in a state of writerly bliss these past weeks. | 0:48:07 | 0:48:10 | |
-I hope I get to come back. -Oh, me too. We'd love to have you. | 0:48:10 | 0:48:13 | |
-You know, these are the best mince pies I've ever had. -Aw! | 0:48:13 | 0:48:17 | |
If it were possible to have an orgasm from food, | 0:48:17 | 0:48:19 | |
these mince pies would do it. | 0:48:19 | 0:48:22 | |
Golly. | 0:48:22 | 0:48:23 | |
She keeps this here for Andy. | 0:48:32 | 0:48:34 | |
-What if she's got an alarm? -Soon find out. | 0:48:34 | 0:48:37 | |
-What if they come back? -If you're too chicken, go home. | 0:48:37 | 0:48:41 | |
-What the fuck are we doing here? -It's kind of research. | 0:49:13 | 0:49:17 | |
I want to write about them. They're funny. | 0:49:17 | 0:49:19 | |
Come on, Ben. | 0:49:19 | 0:49:21 | |
2001 was the best year. I just sold my last three cases. | 0:49:21 | 0:49:25 | |
-It's a perfect wine for the price. -Besides, I want to show you off. | 0:49:25 | 0:49:29 | |
What am I, arm candy? | 0:49:29 | 0:49:31 | |
More like arm fungus with that face. | 0:49:31 | 0:49:34 | |
I got her this gorgeous Rajasthani Ghagra skirt. | 0:49:34 | 0:49:39 | |
Divine. She'll probably loathe it! | 0:49:39 | 0:49:43 | |
-But if she does, I'll have it. -Glen. | 0:49:43 | 0:49:45 | |
-Hi. -Meet Ben. Ben, Glen. | 0:49:45 | 0:49:48 | |
-Hi, Ben. -Ben's my fiance. -You're getting married? | 0:49:48 | 0:49:50 | |
-Uh-huh. -OK. Beautiful dress, magazine photo shoot. | 0:49:50 | 0:49:52 | |
Everything the aspiring novelist needs. | 0:49:52 | 0:49:55 | |
-I knew you'd be pleased. -Have a mince pie? No. | 0:49:55 | 0:49:59 | |
Congratulations. | 0:49:59 | 0:50:01 | |
-Can we get the fuck out of here? -Wait. | 0:50:01 | 0:50:05 | |
In field of Tares, you made Fred a corporal, | 0:50:07 | 0:50:10 | |
but there's no such thing in the Royal Artillery. | 0:50:10 | 0:50:13 | |
They call them bombardiers. | 0:50:13 | 0:50:15 | |
-Oh, thank you for that. -Very good. | 0:50:15 | 0:50:18 | |
Sorry. | 0:50:20 | 0:50:21 | |
-Hello. -Tamara. | 0:50:21 | 0:50:23 | |
Would you make that out for Ben? | 0:50:23 | 0:50:26 | |
-To Ben. -My fiance. | 0:50:26 | 0:50:29 | |
We're getting married in the summer. | 0:50:29 | 0:50:31 | |
So I hear. | 0:50:31 | 0:50:34 | |
My heartiest... | 0:50:37 | 0:50:41 | |
commiserations, Tamara. | 0:50:41 | 0:50:44 | |
Merry Christmas... | 0:50:44 | 0:50:46 | |
Nichol-arse. | 0:50:46 | 0:50:48 | |
Casey, look. | 0:50:51 | 0:50:53 | |
The sticks. | 0:50:55 | 0:50:57 | |
No, don't touch. | 0:50:58 | 0:51:00 | |
Pour Homme. | 0:51:04 | 0:51:06 | |
SHE GIGGLES | 0:51:06 | 0:51:08 | |
Smells like men. | 0:51:08 | 0:51:10 | |
Live the dream, Case. | 0:51:12 | 0:51:14 | |
Live the dream, Jode. His boots! | 0:51:14 | 0:51:17 | |
# This is a call for a domestic dispute | 0:51:17 | 0:51:20 | |
# She's got me in the corner and she's... # | 0:51:20 | 0:51:23 | |
Ben. | 0:51:25 | 0:51:27 | |
Oh, my God. | 0:51:29 | 0:51:31 | |
Look... | 0:51:34 | 0:51:35 | |
stop going on about it. | 0:51:35 | 0:51:37 | |
I've invested a lot of time into this house. | 0:51:37 | 0:51:40 | |
-Why don't you sell it, then? -Because I've started writing. | 0:51:40 | 0:51:43 | |
You can write anywhere. | 0:51:43 | 0:51:46 | |
Yes, we've done it! | 0:51:46 | 0:51:48 | |
THEY GIGGLE | 0:51:49 | 0:51:51 | |
No, Ben, this is proper. It's not just stuff for the paper. | 0:51:51 | 0:51:54 | |
It's about my teens, and it's actually working for me here. | 0:51:54 | 0:51:57 | |
I'm glad it's memory lane for you, but it's doing my fucking head in. | 0:51:57 | 0:52:00 | |
I want some London. Some noise, some urban. | 0:52:00 | 0:52:03 | |
I've had enough. | 0:52:03 | 0:52:05 | |
Are you with me or what? | 0:52:05 | 0:52:06 | |
-Of course, I'm with you. -It's depressing here. It's boring. | 0:52:06 | 0:52:10 | |
And every time I look out the window, I see Andy Cobb's arse. | 0:52:11 | 0:52:15 | |
What's that about? | 0:52:15 | 0:52:17 | |
GEESE SQUAWK | 0:52:17 | 0:52:19 | |
Oi! | 0:52:22 | 0:52:23 | |
Tammy says you got Christmas geese. | 0:52:23 | 0:52:26 | |
Yep. | 0:52:26 | 0:52:28 | |
We're leaving, thank fuck. | 0:52:30 | 0:52:32 | |
-Well, give us one, then. -Right now? | 0:52:33 | 0:52:36 | |
Yeah. | 0:52:36 | 0:52:39 | |
That one's spare. | 0:52:39 | 0:52:41 | |
-Help yourself. -You having a laugh? | 0:52:41 | 0:52:44 | |
-What? -It's fucking alive. | 0:52:44 | 0:52:46 | |
I suppose you'd better kill it, then. | 0:52:46 | 0:52:49 | |
How? | 0:52:50 | 0:52:51 | |
Gently put its head down there. | 0:52:55 | 0:52:58 | |
Quick in the back of skull with this. Pluck it while it's warm. | 0:52:58 | 0:53:01 | |
Little pot to catch all the blood. | 0:53:01 | 0:53:03 | |
You enjoy that? | 0:53:05 | 0:53:06 | |
No. | 0:53:06 | 0:53:08 | |
But in my low-wage economy, this flock's worth a lot. | 0:53:08 | 0:53:11 | |
You are one sick fuck, Andy. | 0:53:14 | 0:53:17 | |
-Grow up. -What, mate? | 0:53:18 | 0:53:20 | |
I said... | 0:53:20 | 0:53:21 | |
grow up. | 0:53:21 | 0:53:23 | |
Little drummer boy. | 0:53:23 | 0:53:25 | |
Tam phoned this morning. | 0:53:41 | 0:53:43 | |
Told me to finish the house. | 0:53:45 | 0:53:47 | |
Goes on the market in the spring, and that's it. Over. | 0:53:47 | 0:53:51 | |
Why does the asshole always get the girl? | 0:53:53 | 0:53:56 | |
Come on, or you'll miss that train. | 0:53:58 | 0:54:00 | |
DRUM BEAT | 0:54:02 | 0:54:04 | |
PHONE RINGS | 0:54:16 | 0:54:19 | |
Andy. | 0:54:20 | 0:54:21 | |
So, what about this shed? Am I dismantling it or mending it? | 0:54:21 | 0:54:26 | |
Hang on. | 0:54:26 | 0:54:27 | |
I don't know. The shed. What do you think? | 0:54:32 | 0:54:36 | |
I recommend preserving it. | 0:54:36 | 0:54:39 | |
Really? | 0:54:39 | 0:54:41 | |
Always useful, a good shed. | 0:54:41 | 0:54:43 | |
Well, then, keep it. | 0:54:45 | 0:54:48 | |
Oh... | 0:55:01 | 0:55:03 | |
Classy job, Uncle Andy. | 0:55:03 | 0:55:06 | |
It's, like, transformed. | 0:55:07 | 0:55:11 | |
Ben won't like this. | 0:55:11 | 0:55:13 | |
Bit boring. | 0:55:13 | 0:55:15 | |
Bit old folks. | 0:55:15 | 0:55:17 | |
I like those curtains. And I like that. | 0:55:17 | 0:55:20 | |
No, don't like those lamps, or that paper. | 0:55:20 | 0:55:24 | |
I'd have gold leaf embossed all round there, | 0:55:24 | 0:55:27 | |
and a wall of flamingo. | 0:55:27 | 0:55:29 | |
-Ben would like that. -That's a lovely chair. | 0:55:29 | 0:55:32 | |
What's under here? | 0:55:34 | 0:55:35 | |
SHE TURNS ON COMPUTER | 0:55:40 | 0:55:42 | |
I'd have a bead curtain. | 0:55:45 | 0:55:47 | |
And the bathroom needs to be darker, like deep chocolate or velvet plum. | 0:55:47 | 0:55:53 | |
And I'd bathe in scented oils. | 0:55:53 | 0:55:55 | |
And then I'd be ready for Ben. | 0:56:00 | 0:56:03 | |
It won't just be a shag, Case. It'll be an event. | 0:56:04 | 0:56:08 | |
I'll be wearing, like, a gossamer shirt and a bra set, Prada. | 0:56:08 | 0:56:14 | |
And he'll be wearing a black T-shirt. | 0:56:14 | 0:56:16 | |
And it'll be all taut over his buff bod. | 0:56:18 | 0:56:21 | |
And underneath, Calvin Klein boxers, black. | 0:56:21 | 0:56:25 | |
And he'll have a tattoo of my name, and lush pecs. | 0:56:25 | 0:56:30 | |
And I'll smell of Allure by Chanel. | 0:56:30 | 0:56:32 | |
And he tries to resist me but I'm a vision. | 0:56:35 | 0:56:39 | |
And it will be like, ah... | 0:56:39 | 0:56:41 | |
But also respectful. | 0:56:41 | 0:56:44 | |
And my V plates will melt into nothing. | 0:56:44 | 0:56:46 | |
Are you listening? | 0:56:48 | 0:56:50 | |
-I like this. -What? | 0:56:50 | 0:56:52 | |
There's this bit where Tamara's dad takes her out for dinner, | 0:56:52 | 0:56:56 | |
and she thinks it's some big treat, but what he's doing, right, | 0:56:56 | 0:56:59 | |
is telling her that he's leaving them, and she... | 0:56:59 | 0:57:01 | |
right, she's gutted. | 0:57:01 | 0:57:03 | |
She yaks up her food into her napkin and puts it on his plate. | 0:57:03 | 0:57:06 | |
-So? -It's painful. | 0:57:06 | 0:57:09 | |
But funny. It's about her, Plastic Fantastic. | 0:57:09 | 0:57:14 | |
-Jode, she's sad. -Sad? | 0:57:14 | 0:57:18 | |
She's a lucky cow. | 0:57:18 | 0:57:19 | |
I've been re-reading Inchcombe Etherised, | 0:57:23 | 0:57:27 | |
one of Nicholas's early books. | 0:57:27 | 0:57:29 | |
There's a character, Theo, who's an adulterer. | 0:57:29 | 0:57:32 | |
And Theo has a list of golden rules called Lulling The Spouse. | 0:57:32 | 0:57:38 | |
"To allay suspicion," he says, "you must first arouse it." | 0:57:38 | 0:57:43 | |
Nicholas rang me earlier to say he was going to be late home. | 0:57:43 | 0:57:46 | |
Yeah, I just bumped into Raoul and Celia. | 0:57:46 | 0:57:49 | |
I said, "Oh, that's nice." | 0:57:49 | 0:57:52 | |
And thought, "Have you?" | 0:57:52 | 0:57:55 | |
And I couldn't shake the suspicion. | 0:57:55 | 0:57:57 | |
-So after an hour, I phoned Raoul. -PHONE RINGS | 0:57:57 | 0:58:01 | |
Hello? Yeah, he's right here. | 0:58:01 | 0:58:04 | |
And he put Nicholas straight on the line. | 0:58:04 | 0:58:07 | |
Hello. | 0:58:07 | 0:58:09 | |
He's been telling the truth a lot recently. | 0:58:09 | 0:58:13 | |
Is he lulling me? | 0:58:13 | 0:58:16 | |
I might remind him that in Inchcombe Etherised, | 0:58:20 | 0:58:24 | |
Theo's wife runs him through with a carving knife. | 0:58:24 | 0:58:27 | |
KNOCKING | 0:58:33 | 0:58:35 | |
-What are you doing? -Just messing. | 0:58:41 | 0:58:43 | |
I got three Valentines. | 0:58:43 | 0:58:45 | |
One from Mum, one from that peanut Ryan, | 0:58:45 | 0:58:48 | |
and a mystery one from Ben. | 0:58:48 | 0:58:50 | |
I sent you that. | 0:58:50 | 0:58:52 | |
Is that theirs? | 0:58:52 | 0:58:55 | |
It's my mum's. They don't drink this shit. | 0:58:55 | 0:58:57 | |
Come upstairs and look at what I'm doing. | 0:58:57 | 0:58:59 | |
I've got into her e-mails. We have to get Ben to come back. | 0:59:01 | 0:59:05 | |
I'm sending him a Valentine. | 0:59:05 | 0:59:07 | |
-No, you're not. -From her address. | 0:59:07 | 0:59:09 | |
Then he'll think it's from Tamara, dipshit. | 0:59:09 | 0:59:11 | |
But I know it'll be from me. | 0:59:11 | 0:59:14 | |
Subject - hot love. | 0:59:14 | 0:59:17 | |
Oh, God. Jody. | 0:59:17 | 0:59:20 | |
Contacts. Where are you, Ben? | 0:59:20 | 0:59:24 | |
Look, there's that bloke my mum works for, Nicholas Hardiment. | 0:59:24 | 0:59:27 | |
Let's put him on. Who else? | 0:59:27 | 0:59:29 | |
-Uncle Andy. -Andy Cobb. | 0:59:29 | 0:59:32 | |
Come to Winnards Farm. | 0:59:32 | 0:59:36 | |
I'll give you | 0:59:36 | 0:59:38 | |
the biggest shagging of your life. | 0:59:38 | 0:59:41 | |
Love, Tamara. | 0:59:41 | 0:59:42 | |
Kiss, kiss, kiss. | 0:59:42 | 0:59:44 | |
-Don't ever, ever send that. -I just did. | 0:59:44 | 0:59:47 | |
What the fuck is this? | 0:59:50 | 0:59:51 | |
"Come to Winnards Farm... | 0:59:52 | 0:59:55 | |
"..and I'll give you the biggest shagging of your life." | 0:59:56 | 1:00:00 | |
"I'll give you the biggest shagging of your life." | 1:00:00 | 1:00:04 | |
DRUM BEAT | 1:00:05 | 1:00:06 | |
Are you listening to me? Ben, will you stop drumming?! | 1:00:06 | 1:00:09 | |
I didn't write that e-mail. Why don't you believe me? | 1:00:09 | 1:00:12 | |
When Fran started fucking Steve Culley, | 1:00:12 | 1:00:15 | |
at least she had the decency not to tell the whole world. | 1:00:15 | 1:00:17 | |
What's that supposed to mean? | 1:00:17 | 1:00:18 | |
She must want a foursome or something. | 1:00:20 | 1:00:24 | |
You fancy a foursome with Nicholas Hardiment? | 1:00:24 | 1:00:27 | |
Bugger that. What was she thinking? | 1:00:27 | 1:00:30 | |
Well, maybe she's trying to make you jealous. | 1:00:30 | 1:00:33 | |
Or maybe she's trying to make the boyfriend jealous. | 1:00:33 | 1:00:36 | |
Or maybe she's just trying to give him a really big hint | 1:00:36 | 1:00:39 | |
that she's not getting enough. | 1:00:39 | 1:00:40 | |
Or maybe she's just a bit kinky. Or maybe she's crazy. | 1:00:40 | 1:00:44 | |
Or maybe she was off her face. | 1:00:44 | 1:00:46 | |
She was pissed. | 1:00:46 | 1:00:48 | |
'I wasn't pissed or depraved or anything.' | 1:00:48 | 1:00:50 | |
It's OK. It's OK. | 1:00:50 | 1:00:52 | |
'Can you go and look at the house? Just make sure no-one's been in.' | 1:00:52 | 1:00:54 | |
-No problem. -'Thanks.' | 1:00:54 | 1:00:56 | |
Ben's really pissed off. | 1:00:56 | 1:00:58 | |
-He's massively got the hump. -Have I? | 1:00:58 | 1:01:00 | |
I've just asked Andy to have a look at Winnards. | 1:01:00 | 1:01:03 | |
I've got to go, I'm sorry. | 1:01:03 | 1:01:05 | |
-Are you a fucking idiot? -What? | 1:01:05 | 1:01:07 | |
Are you thick? Isn't it obvious who wrote that e-mail? | 1:01:07 | 1:01:10 | |
-That tosser Andy Cobb. -Andy wouldn't do that. | 1:01:10 | 1:01:12 | |
Going through your stuff. Probably got your pants on right now. | 1:01:12 | 1:01:15 | |
-Don't... -I bet it was him who nicked my black T-shirt. | 1:01:15 | 1:01:18 | |
-Of course he didn't. -Jump to his defence. | 1:01:18 | 1:01:20 | |
He hasn't done anything. | 1:01:20 | 1:01:21 | |
-Boss. Boss! -DOG BARKS | 1:01:21 | 1:01:23 | |
What are you doing? | 1:01:25 | 1:01:27 | |
You know Fran's having a baby. | 1:01:27 | 1:01:29 | |
She wanted to see me. I wasn't going to, but now... | 1:01:29 | 1:01:31 | |
Why not? | 1:01:33 | 1:01:34 | |
Come on, Boss, let's go for a crap. | 1:01:34 | 1:01:37 | |
Come on, Mum, she's just stirring shit. Tamara's always done that. | 1:01:39 | 1:01:42 | |
-Yes, but why? -You know how subversive she is. | 1:01:42 | 1:01:45 | |
She once sent me a Valentine from Prince Harry and I believed it. | 1:01:45 | 1:01:49 | |
It's her sense of humour. She likes causing trouble. | 1:01:49 | 1:01:52 | |
At school, she used to give us first-years tips on how to shoplift. | 1:01:52 | 1:01:55 | |
She taught you how to shoplift? | 1:01:55 | 1:01:58 | |
Mum, she's marrying Ben Sergeant. | 1:01:58 | 1:02:00 | |
Why would she look at an old git like Dad? | 1:02:00 | 1:02:03 | |
Hmm. I just don't get the joke. | 1:02:03 | 1:02:05 | |
And why is your father on the e-mail? And Andy? | 1:02:05 | 1:02:08 | |
It's so tasteless. Help me out with these, would you? | 1:02:08 | 1:02:11 | |
-I have to work on my thesis on the Taliban. -Taliban, I know. | 1:02:11 | 1:02:15 | |
What do you make of that e-mail from Tamara? | 1:02:19 | 1:02:22 | |
Don't make any sense. | 1:02:22 | 1:02:24 | |
That London boyfriend's trying to fuck her up. That's my theory. | 1:02:24 | 1:02:28 | |
She could do so much better. | 1:02:28 | 1:02:30 | |
I couldn't agree more. | 1:02:30 | 1:02:34 | |
-It's Ben. -Who's the daddy? | 1:02:37 | 1:02:40 | |
"Steve Culley and Fran Redmond announced they were expecting. | 1:02:40 | 1:02:45 | |
"But in a Valentine-tryst shocker, | 1:02:45 | 1:02:49 | |
"Fran is snapped with ex Ben Sergeant. | 1:02:49 | 1:02:51 | |
-"Ben and Fran, we say, 'Get a room.'" -He's back with Fran? | 1:02:51 | 1:02:54 | |
After you sent that e-mail, Jode. | 1:02:54 | 1:02:56 | |
No way. No way. | 1:02:56 | 1:02:58 | |
There's Plastic. | 1:02:59 | 1:03:01 | |
-Oh, my God, what have I done? -What have you done? | 1:03:01 | 1:03:05 | |
What if Ben's dumped her? | 1:03:05 | 1:03:07 | |
What if he never comes back? | 1:03:09 | 1:03:11 | |
I'll never see Ben again and it's all my fault. | 1:03:35 | 1:03:38 | |
-What's all your fault? -None of your business. | 1:03:38 | 1:03:41 | |
I'm bloody sick of you looking like a wet weekend. | 1:03:41 | 1:03:44 | |
-Who's Ben? -No-one. -What have you done? | 1:03:44 | 1:03:46 | |
-Nothing. -You in trouble? -No, leave me alone. | 1:03:46 | 1:03:49 | |
You take care with boys, Jody. You know what can happen. | 1:03:49 | 1:03:53 | |
What can happen?! | 1:03:56 | 1:03:57 | |
What can ever, ever happen in a place like this?! | 1:03:57 | 1:04:01 | |
Hello. I thought you were in London with Ben from Swipe. | 1:04:09 | 1:04:13 | |
-I'm looking for Andy. -Well, he's not up at Stonefield. | 1:04:13 | 1:04:16 | |
So, where's this shag you've been offering me? | 1:04:16 | 1:04:19 | |
-Fuck off. -Come on. I saw that e-mail. | 1:04:19 | 1:04:21 | |
Well, I didn't send it. And I wouldn't shag you | 1:04:21 | 1:04:24 | |
if you were the last man left after a nuclear winter. | 1:04:24 | 1:04:27 | |
I'll come round tomorrow, then, about three? | 1:04:27 | 1:04:30 | |
Drop dead, you smug prick. | 1:04:30 | 1:04:32 | |
-Watch out. -HORN HONKS | 1:04:36 | 1:04:38 | |
SHE SOBS | 1:05:13 | 1:05:15 | |
Yeah, I'll probably stay at the library another hour or two. | 1:05:25 | 1:05:28 | |
..Yeah. | 1:05:28 | 1:05:30 | |
Yeah, just checking some law reports. | 1:05:33 | 1:05:35 | |
You're a marvel. | 1:05:36 | 1:05:38 | |
OK. | 1:05:40 | 1:05:42 | |
KNOCK ON DOOR | 1:05:42 | 1:05:44 | |
Hello. | 1:05:58 | 1:05:59 | |
So. | 1:06:02 | 1:06:04 | |
Nicholas. | 1:06:04 | 1:06:06 | |
You can tell me to leave. | 1:06:15 | 1:06:17 | |
You can throw me right out. | 1:06:20 | 1:06:22 | |
Just say the word, and I'll go. | 1:06:27 | 1:06:31 | |
SHE EXHALES DEEPLY | 1:06:50 | 1:06:51 | |
Do you smoke after sex? | 1:07:00 | 1:07:03 | |
-I don't know, I've never looked. -SHE GIGGLES | 1:07:03 | 1:07:06 | |
I used to watch you out of my window, | 1:07:07 | 1:07:09 | |
helping your daughter skateboard up the lane. | 1:07:09 | 1:07:13 | |
Bit of an obvious crush, wasn't it? | 1:07:13 | 1:07:15 | |
Is that why I'm here? To expurgate the crush? | 1:07:15 | 1:07:20 | |
I don't know. | 1:07:20 | 1:07:21 | |
Or as revenge on your ex? | 1:07:21 | 1:07:23 | |
I don't know, Nicholas. Why ARE you here? | 1:07:23 | 1:07:27 | |
I should have thought that was obvious. | 1:07:27 | 1:07:30 | |
SHE LAUGHS | 1:07:30 | 1:07:33 | |
Since you climbed over that stile in the summer... | 1:07:33 | 1:07:36 | |
..I haven't thought about very much else. | 1:07:37 | 1:07:39 | |
-When can we do this again? -What about Beth? | 1:07:46 | 1:07:50 | |
-Beth and I have this kind of open... -Bullshit. | 1:07:50 | 1:07:52 | |
-Thursday? -Isn't life complicated enough? | 1:07:52 | 1:07:55 | |
Don't put me in your column. | 1:07:55 | 1:07:58 | |
In your dreams. | 1:07:58 | 1:08:00 | |
-SHE CHUCKLES -'Structure can be so sterile.' | 1:08:07 | 1:08:10 | |
I always think of it as a three-dimensional form... | 1:08:10 | 1:08:13 | |
-Oh. -Oh, here he is. | 1:08:13 | 1:08:15 | |
Oh, poor you. Was it awful? I was starting to worry. | 1:08:15 | 1:08:19 | |
Terrible. Didn't move till well past Chiswick, but look. | 1:08:19 | 1:08:23 | |
-I popped into Fortnum's. -My favourite teas. | 1:08:23 | 1:08:27 | |
-Ah... -SHE GIGGLES | 1:08:27 | 1:08:29 | |
My goodness, you feel like my buzzy toothbrush after I've charged it up. | 1:08:29 | 1:08:33 | |
-You should go to London more often. -Well, maybe I will. | 1:08:33 | 1:08:36 | |
Sorry, everybody. Traffic was a pig. Do carry on. What have I missed? | 1:08:36 | 1:08:40 | |
Well, I'm trying this magic realist bit at the end of chapter three. | 1:08:40 | 1:08:43 | |
-Oh, that sounds very innovative. -Oh, you think so? | 1:08:43 | 1:08:46 | |
Yes. I think I've always been waiting for the magic realist crime novel. | 1:08:46 | 1:08:50 | |
Wuthering Heights, it's kind of Angel of the North. | 1:08:50 | 1:08:53 | |
ANIMATED CHATTER | 1:08:53 | 1:08:56 | |
So after two years of radio silence, I contact my editor, | 1:09:04 | 1:09:09 | |
and she loves, I mean, she loves the chapters I did in the fall. | 1:09:09 | 1:09:14 | |
Oh, Glen! | 1:09:14 | 1:09:16 | |
I tried writing at the library | 1:09:16 | 1:09:19 | |
but I could feel that awful paralysis descending again. | 1:09:19 | 1:09:22 | |
I missed everything that I've been, you know, finding here. | 1:09:22 | 1:09:26 | |
Oh, my God. | 1:09:26 | 1:09:29 | |
It's so beautiful. | 1:09:29 | 1:09:31 | |
-Well, I'm very glad you've come back. -In a few solid weeks... | 1:09:31 | 1:09:35 | |
Holy cow! | 1:09:35 | 1:09:37 | |
-Idiots! -Ha-ha! | 1:09:39 | 1:09:41 | |
Morons! | 1:09:41 | 1:09:43 | |
Ha-ha! | 1:09:43 | 1:09:44 | |
Hey, writers, let's egg the self-regarding sacks of shit. | 1:09:46 | 1:09:51 | |
It's half term, they're just bored. | 1:09:51 | 1:09:54 | |
There's this theory that Hardy gave his wife syphilis, you know. | 1:09:56 | 1:09:59 | |
No evidence, but the symptoms fit. Poor woman, | 1:09:59 | 1:10:02 | |
she starts to get eccentric and then she moves her bed up to their attic. | 1:10:02 | 1:10:05 | |
Bastard. | 1:10:05 | 1:10:06 | |
Meanwhile, Hardy falls in love with a woman 39 years younger than him. | 1:10:06 | 1:10:10 | |
-I don't believe it. -Yeah, he was 65 and she was 26. | 1:10:10 | 1:10:14 | |
-Geoff. -Glen. | 1:10:14 | 1:10:16 | |
-Henry James? -Thomas Hardy. | 1:10:16 | 1:10:18 | |
That's it, a Hardy book. Coming well? | 1:10:18 | 1:10:21 | |
-Yes, actually. -He gave his wife syphilis. | 1:10:21 | 1:10:23 | |
Jolly good. | 1:10:23 | 1:10:25 | |
Oh, he... | 1:10:27 | 1:10:28 | |
He's completely distracted. He's up and down to London all the time. | 1:10:28 | 1:10:31 | |
This latest Inchcombe's taking everything he's got. | 1:10:31 | 1:10:35 | |
It's really preying on him. | 1:10:35 | 1:10:36 | |
Is it any good? Because I keep changing things and... | 1:10:38 | 1:10:42 | |
Shh. | 1:10:42 | 1:10:43 | |
It's brutally candid. | 1:10:47 | 1:10:51 | |
You lay yourself completely bare. | 1:10:51 | 1:10:52 | |
SHE SNIGGERS | 1:10:52 | 1:10:54 | |
It's a bit over-written. It needs a good edit, but... | 1:10:57 | 1:11:01 | |
..it's very moving. | 1:11:03 | 1:11:05 | |
Thank you. | 1:11:06 | 1:11:08 | |
So, | 1:11:08 | 1:11:10 | |
have I done my duty? | 1:11:10 | 1:11:12 | |
Admirably. | 1:11:12 | 1:11:14 | |
Now do I get my treat? | 1:11:14 | 1:11:16 | |
You are so cheesy. | 1:11:17 | 1:11:19 | |
BELL RINGS | 1:11:21 | 1:11:24 | |
Zero Ben sightings in two whole months. | 1:11:26 | 1:11:29 | |
Last time I saw Plastic, she looked like a minger. | 1:11:29 | 1:11:34 | |
All red-eyed and gutted. | 1:11:34 | 1:11:36 | |
Ben's a love rat. | 1:11:36 | 1:11:38 | |
You've got to face it, she should move on. | 1:11:38 | 1:11:40 | |
She's probably topped herself. | 1:11:40 | 1:11:42 | |
-I would, if Ben dumped me. -Jode, don't say that. | 1:11:42 | 1:11:45 | |
What if she's done something? | 1:11:46 | 1:11:48 | |
Like got in the bath with her heated tongs? | 1:11:48 | 1:11:50 | |
Like taken a stack of pills. | 1:11:50 | 1:11:52 | |
Think she might be lying there, all choked in vomit and drug froth? | 1:11:52 | 1:11:56 | |
That'd be dire. | 1:11:56 | 1:11:57 | |
-If we find her, we'll get in the papers. -Oh, my God! | 1:11:57 | 1:12:00 | |
Rock chick dead at Winnards Farm. | 1:12:00 | 1:12:02 | |
What's Uncle Andy doing here? | 1:12:17 | 1:12:19 | |
Arse biscuits. | 1:12:30 | 1:12:33 | |
No answer. | 1:12:42 | 1:12:44 | |
She could've been there days. She could be all putrid, like, rancid. | 1:12:44 | 1:12:48 | |
Oh, no, going to chuck. | 1:12:48 | 1:12:50 | |
-All bloated and all greeny. -Uncle Andy'll find her by the smell. | 1:12:50 | 1:12:54 | |
Ugh. Shh. | 1:12:54 | 1:12:56 | |
Andy. | 1:12:56 | 1:12:58 | |
-Oh, bollocks, she's alive. -Haven't seen you for a while. | 1:12:58 | 1:13:01 | |
Thought you might be ill or something or depressed. | 1:13:01 | 1:13:04 | |
-I've had my head down, writing. -Come for a drink. | 1:13:04 | 1:13:08 | |
-Let's lighten up. -I'd love to, but... | 1:13:08 | 1:13:10 | |
I'm kind of on one with my writing, and... | 1:13:10 | 1:13:13 | |
Can we do it soon, though? | 1:13:15 | 1:13:17 | |
I really would like to. Just not right now. | 1:13:17 | 1:13:21 | |
Sure. | 1:13:21 | 1:13:23 | |
What is he doing here? | 1:13:32 | 1:13:35 | |
Oh, he just came by on the off-chance. | 1:13:35 | 1:13:37 | |
Off-chance of what? | 1:13:37 | 1:13:39 | |
Something about the roofing for the shed. | 1:13:39 | 1:13:42 | |
-Do you think he's in with a chance? -No way. | 1:13:46 | 1:13:49 | |
Why not? He's fit. I'd do him. | 1:13:49 | 1:13:51 | |
Jody, he's my uncle. | 1:13:51 | 1:13:53 | |
She'd be mad not to have him. Bet he goes like a train. | 1:13:53 | 1:13:56 | |
SHE SIGHS | 1:13:56 | 1:13:58 | |
Let's go, my knickers are wet. | 1:14:02 | 1:14:04 | |
Wait, wait. | 1:14:04 | 1:14:05 | |
Oh, my God! | 1:14:09 | 1:14:12 | |
Nicholas, go. | 1:14:15 | 1:14:17 | |
"Prolific author of intelligent crime novels." | 1:14:25 | 1:14:29 | |
Fucking D-list. How could she do that after Ben? | 1:14:29 | 1:14:31 | |
-He's not even a proper celeb. -Maybe she's numbing the pain. | 1:14:31 | 1:14:35 | |
Trying to tear love... | 1:14:35 | 1:14:36 | |
Shut up. She's just a slag. She went out and pulled a married man. | 1:14:36 | 1:14:40 | |
Like that bitch that went off with my dad. | 1:14:40 | 1:14:44 | |
I know who I feel sorry for. | 1:14:45 | 1:14:48 | |
Then there'll be the divorce and acrimony, | 1:14:52 | 1:14:55 | |
-and Beth's world will fall apart. -Yeah. | 1:14:55 | 1:14:57 | |
But maybe one day, she'll put the bitterness behind her | 1:14:57 | 1:15:01 | |
and find a new love. | 1:15:01 | 1:15:04 | |
Don't be daft. She's old, you sop. | 1:15:04 | 1:15:06 | |
See? | 1:15:06 | 1:15:08 | |
That's D-list's car. | 1:15:08 | 1:15:11 | |
This is where he hides his car when he goes to shag Plastic. | 1:15:13 | 1:15:16 | |
-Yeah. Dirty git. -Big old turd. | 1:15:16 | 1:15:19 | |
-He's a rotten cheater. -Like my dad. | 1:15:19 | 1:15:22 | |
Come on, Case. Let's fuck him up. | 1:15:23 | 1:15:27 | |
Shit salad. | 1:15:31 | 1:15:33 | |
Oh, poor you. What a drag. | 1:15:36 | 1:15:39 | |
Yes, it's a frightful bore. | 1:15:39 | 1:15:41 | |
-'I'll hold off on the paella, then.' -You're a marvel. See you soon. | 1:15:41 | 1:15:45 | |
Did you... | 1:15:45 | 1:15:46 | |
Beth, can I use the printer? | 1:15:50 | 1:15:52 | |
Nicholas is stuck on the motorway with a flat tire. | 1:15:52 | 1:15:55 | |
-But I couldn't hear traffic, just rooks. -Hmm. | 1:15:56 | 1:16:00 | |
Sorry, did you want me to read something? | 1:16:01 | 1:16:03 | |
No. Can I use the printer? | 1:16:03 | 1:16:05 | |
ROOKS SQUAWK | 1:16:05 | 1:16:07 | |
Nicholas, someone knows. | 1:16:09 | 1:16:12 | |
-Maybe we should... -Who cares? | 1:16:12 | 1:16:15 | |
Casey, pap them. Pap them. | 1:16:24 | 1:16:28 | |
PHONE CAMERA CLICKS | 1:16:30 | 1:16:33 | |
Fucking bingo. | 1:16:33 | 1:16:35 | |
Hello, Casey, how are you? Hello. | 1:16:40 | 1:16:43 | |
-All right. -Waiting for the bus? | 1:16:43 | 1:16:45 | |
-Bus got scrapped. -Oh, so it did. | 1:16:45 | 1:16:47 | |
Well, hope it doesn't rain. | 1:16:47 | 1:16:49 | |
-Gutted for her. -Me too. | 1:16:52 | 1:16:54 | |
Fat arse though, hasn't she? | 1:16:55 | 1:16:57 | |
-Send her the photo, Case. -I can't. | 1:17:00 | 1:17:03 | |
-Why not? -What if it ruins her life? | 1:17:03 | 1:17:04 | |
We've got to do something. Plastic's an idiot. | 1:17:04 | 1:17:06 | |
-She fucked it up with Ben. -WE fucked it up with Ben, Jode. | 1:17:06 | 1:17:10 | |
It's like... | 1:17:12 | 1:17:14 | |
We've got to rescue her from D-list. | 1:17:17 | 1:17:20 | |
-Casey. -What? | 1:17:48 | 1:17:50 | |
She's back in touch with him. She's got an e-mail from Ben. | 1:17:50 | 1:17:54 | |
"Tamara, Fran's baby has come." | 1:17:54 | 1:17:58 | |
Case, he says it's a little brown girl with curly black hair. | 1:17:58 | 1:18:00 | |
Oh, cute. | 1:18:00 | 1:18:02 | |
"I think we can safely say it's Steven Culley's, not mine. | 1:18:02 | 1:18:06 | |
"Truth is, I feel free. | 1:18:06 | 1:18:09 | |
"Gig in Paris for a few days. | 1:18:09 | 1:18:11 | |
"If I bring him down, would you have Boss?" | 1:18:11 | 1:18:14 | |
Yes. Yes, he's coming back! | 1:18:14 | 1:18:18 | |
-What are you doing? -"Dear, Ben, | 1:18:18 | 1:18:21 | |
"I have found a reliable dog lover in the village." | 1:18:21 | 1:18:23 | |
-Who? -"Please call Jody..." -You can't send that. | 1:18:23 | 1:18:27 | |
"..on 07700 900929." | 1:18:27 | 1:18:29 | |
-I'm getting him back down here! -For who? | 1:18:29 | 1:18:32 | |
-You?! -Why not me? | 1:18:32 | 1:18:33 | |
Are you mental? | 1:18:33 | 1:18:35 | |
Reliable dog lover? You're making a great big mess.. | 1:18:35 | 1:18:38 | |
I'm making something happen! Otherwise my whole life will go by | 1:18:38 | 1:18:42 | |
and I'll be 34 and washed up like my mum. | 1:18:42 | 1:18:45 | |
And no-one decent will ever even have snogged me. | 1:18:45 | 1:18:48 | |
If you do this, you're on your own. | 1:18:48 | 1:18:51 | |
Fuck off, then. | 1:18:51 | 1:18:53 | |
You twat. | 1:18:53 | 1:18:55 | |
There's the festival brochure. You're in the Lanson marquee. | 1:18:59 | 1:19:02 | |
And I've marked a few bits, in case you want to read. | 1:19:02 | 1:19:05 | |
You're a marvel. Cheers. | 1:19:05 | 1:19:07 | |
I could come with you. | 1:19:07 | 1:19:10 | |
Oh, don't. You hate festivals. | 1:19:10 | 1:19:12 | |
But it's only Hadditon. I'll come. | 1:19:12 | 1:19:15 | |
It'll be completely boring. You'll hate it. | 1:19:15 | 1:19:18 | |
Stay here. | 1:19:18 | 1:19:19 | |
CLASSICAL MUSIC PLAYS, HE LAUGHS | 1:19:28 | 1:19:31 | |
Wanker! | 1:19:40 | 1:19:41 | |
Right. | 1:19:44 | 1:19:45 | |
-SHE CHUCKLES -Finished. | 1:19:46 | 1:19:47 | |
I'm doing this cake in celebration. Well done. | 1:19:47 | 1:19:51 | |
-Well, to Hardy. -PHONE BEEPS | 1:19:51 | 1:19:53 | |
Yeah, even though I can't bear the man for what he did to his wife. | 1:19:53 | 1:19:57 | |
Oh, thanks, Andy. Just pop them over there. | 1:19:57 | 1:20:00 | |
How do I find out who sent this? | 1:20:05 | 1:20:06 | |
It says, "number withheld". | 1:20:13 | 1:20:16 | |
Did you know? | 1:20:18 | 1:20:19 | |
I couldn't tell you. | 1:20:23 | 1:20:25 | |
I'm sorry, Beth. | 1:20:25 | 1:20:27 | |
Her. | 1:20:33 | 1:20:35 | |
Oh, my God. | 1:20:35 | 1:20:37 | |
Oh, this is just... this is just horrible. | 1:20:37 | 1:20:40 | |
-Right under my nose. -Oh, it's so shitty. -I feel sick. | 1:20:40 | 1:20:44 | |
So insulting. You do not deserve to be treated like this. | 1:20:44 | 1:20:46 | |
If you're kind to me, I'll cry. | 1:20:46 | 1:20:48 | |
And I don't want to cry, I must be very clear. | 1:20:48 | 1:20:51 | |
If there's anything that I can do... | 1:20:51 | 1:20:53 | |
I have to do it by myself. | 1:20:53 | 1:20:55 | |
SHE WEEPS | 1:20:58 | 1:21:00 | |
Oh, come on. Come on, Beth. Come on. | 1:21:00 | 1:21:03 | |
-I trod in the sponge mix. -SHE SOBS | 1:21:03 | 1:21:05 | |
Jody? This is Ben Sergeant. | 1:21:11 | 1:21:14 | |
Yeah, that's right. I love dogs. | 1:21:14 | 1:21:17 | |
Yeah, so I'll see you at Winnards Farm at two o'clock. | 1:21:17 | 1:21:21 | |
Yeah. Perfect. | 1:21:21 | 1:21:24 | |
SHE GASPS | 1:21:25 | 1:21:27 | |
Andy. | 1:21:32 | 1:21:34 | |
Hey, how are you? | 1:21:34 | 1:21:36 | |
I wondered if you wanted to go for that drink? | 1:21:38 | 1:21:41 | |
-I need a friend at the mo... -You and Nicholas Hardiment. | 1:21:41 | 1:21:44 | |
That's a nice piece of work, isn't it? | 1:21:44 | 1:21:46 | |
I get it from his point of view. He's always been a cheating wanker. | 1:21:46 | 1:21:50 | |
Loves having his cake and eating it. | 1:21:50 | 1:21:53 | |
But since when did your standards drop so low? | 1:21:54 | 1:21:57 | |
You could have anyone. All you have to do is bat your eyes. | 1:21:57 | 1:22:00 | |
-Andy. -I care a lot about Beth. | 1:22:00 | 1:22:02 | |
She helped me out when I was at rock bottom. | 1:22:02 | 1:22:05 | |
I'm not going to split them up. It's just... | 1:22:05 | 1:22:07 | |
A bit of fun? | 1:22:07 | 1:22:09 | |
It's none of your bloody business. | 1:22:09 | 1:22:12 | |
-Andy Cobb knows. -Cock pie. Has he told Beth? | 1:22:14 | 1:22:17 | |
I don't know, but he might. And I wouldn't blame him. | 1:22:17 | 1:22:19 | |
-I suppose it has to come out sometime. -Does it? | 1:22:19 | 1:22:21 | |
It's a good thing. | 1:22:21 | 1:22:23 | |
Feels like a relief. We can think about our plans for the future. | 1:22:23 | 1:22:25 | |
-What future? -I know it's been hard for you, | 1:22:25 | 1:22:28 | |
sharing me with Beth. | 1:22:28 | 1:22:29 | |
But I'm yours now. I'm going to leave her. | 1:22:29 | 1:22:31 | |
Mr Hardiment. | 1:22:31 | 1:22:33 | |
It's time. | 1:22:33 | 1:22:35 | |
I want a new life...with you. | 1:22:36 | 1:22:38 | |
It's a nice dog, Mum. | 1:22:42 | 1:22:44 | |
Well, I don't like having dog hair and slobber all over the place. | 1:22:44 | 1:22:47 | |
But I said yes. | 1:22:47 | 1:22:49 | |
No dogs, no way, and that's final. | 1:22:49 | 1:22:52 | |
You loser, I hate you! You want to ruin my life! | 1:22:52 | 1:22:54 | |
Live the dream, Jody. | 1:22:57 | 1:22:59 | |
Well, it all runs very smoothly. | 1:22:59 | 1:23:00 | |
I start a book in the summer and publish it the following spring. | 1:23:00 | 1:23:04 | |
Bit of a factory, really. | 1:23:04 | 1:23:06 | |
So, you've finished Like The Night, | 1:23:06 | 1:23:08 | |
which is the 17th of the Inchcombe adventures. | 1:23:08 | 1:23:11 | |
And we all assume you're planning the next one already. | 1:23:11 | 1:23:14 | |
Well... | 1:23:14 | 1:23:15 | |
..there isn't going to be a next one. | 1:23:17 | 1:23:19 | |
AUDIENCE MEMBERS GASP | 1:23:19 | 1:23:20 | |
Frankly, I'm sick to death of Inchcombe. | 1:23:20 | 1:23:23 | |
In fact, I'm about to kill him off. | 1:23:23 | 1:23:25 | |
AUDIENCE MURMUR | 1:23:25 | 1:23:27 | |
Well, I think that's what we call in the trade | 1:23:27 | 1:23:29 | |
a bit of a bombshell for your fans here. | 1:23:29 | 1:23:32 | |
Yes, but I'm moving on to fresh pastures. | 1:23:32 | 1:23:37 | |
-WOMAN: -No. | 1:23:37 | 1:23:38 | |
Inchcombe is about to meet a very sticky end, | 1:23:38 | 1:23:41 | |
and it's one murder I'm really looking forward to. | 1:23:41 | 1:23:44 | |
Now, at this point, we should get some questions, I think. | 1:23:44 | 1:23:49 | |
And I'm... Yes, there's a lady over there. | 1:23:49 | 1:23:52 | |
You write a lot about adultery, | 1:23:55 | 1:23:57 | |
is that from personal experience? | 1:23:57 | 1:24:00 | |
Madam... | 1:24:00 | 1:24:03 | |
what a...saucy question. | 1:24:03 | 1:24:07 | |
There's no need for an author's work to be autobiographical... | 1:24:07 | 1:24:09 | |
Why do you cheat persistently on your wife? | 1:24:09 | 1:24:11 | |
Because she lets me. | 1:24:19 | 1:24:22 | |
Tamara! | 1:24:23 | 1:24:24 | |
-Wh...? -Nicholas, this has got to stop. | 1:24:26 | 1:24:28 | |
You're right. I can't go on using her, lying to her. | 1:24:28 | 1:24:30 | |
-It won't be fun but I've got to do it. -Listen... | 1:24:30 | 1:24:32 | |
I don't feel alive. I haven't been living for years. | 1:24:32 | 1:24:35 | |
-She's smothered me like a blanket. -Nicholas, listen to me. | 1:24:35 | 1:24:38 | |
It was fun, but it's wrong and it's over. | 1:24:38 | 1:24:41 | |
-I'm in love with you. -I'm sorry. | 1:24:44 | 1:24:47 | |
No. | 1:24:47 | 1:24:48 | |
No. No. No. You can't end it. Tamara... | 1:24:48 | 1:24:52 | |
-Fuck supper! -Will you keep it down? | 1:24:52 | 1:24:54 | |
-My God, you're cold-hearted. -No, I'm not. | 1:24:54 | 1:24:57 | |
-You don't feel a thing. -I do. | 1:24:57 | 1:24:58 | |
I do feel. I feel like I'm blazing away inside all the time. | 1:24:58 | 1:25:03 | |
Why do I do these things? What am I doing with you? | 1:25:03 | 1:25:07 | |
-There's someone else, isn't there? -For God's sake. | 1:25:07 | 1:25:10 | |
-Not the narcissist drummer? -Goodbye. | 1:25:10 | 1:25:13 | |
It's that ignorant lunk, isn't it? That muscle-bound wastrel, Andy Cobb. | 1:25:13 | 1:25:18 | |
Andy Cobb is a far better man than you. | 1:25:18 | 1:25:22 | |
Go on. | 1:25:25 | 1:25:28 | |
HE GROANS | 1:25:28 | 1:25:31 | |
Mr Hardiment, will you sign this? | 1:25:31 | 1:25:34 | |
I love your books. | 1:25:34 | 1:25:36 | |
Thank you. | 1:25:53 | 1:25:55 | |
Hello? | 1:26:02 | 1:26:04 | |
It's Jody Long about the dog. | 1:26:07 | 1:26:09 | |
Ben? | 1:26:13 | 1:26:14 | |
Hello? | 1:26:20 | 1:26:22 | |
Ben? | 1:26:25 | 1:26:26 | |
Ben? | 1:26:32 | 1:26:33 | |
SWIPE RINGTONE | 1:26:38 | 1:26:42 | |
You going to answer that? | 1:26:47 | 1:26:49 | |
Jody, what are you doing not fucking answering? | 1:26:51 | 1:26:54 | |
DOG BARKS | 1:26:54 | 1:26:56 | |
Ben's dog is here. It's loose. | 1:26:56 | 1:26:59 | |
It means Ben must be up at Winnards. | 1:26:59 | 1:27:01 | |
Boss! | 1:27:02 | 1:27:04 | |
Dog minder? | 1:27:05 | 1:27:07 | |
You've been breaking in, sending e-mails | 1:27:07 | 1:27:10 | |
and fucking people off. | 1:27:10 | 1:27:12 | |
Did you nick my black T-shirt? | 1:27:12 | 1:27:14 | |
I just wanted to meet you. Just once. | 1:27:14 | 1:27:17 | |
-Just to tell you stuff. -Stuff? What stuff? | 1:27:17 | 1:27:20 | |
Like, I love you. | 1:27:20 | 1:27:22 | |
I really, really love you. | 1:27:22 | 1:27:25 | |
That's really nice. | 1:27:25 | 1:27:28 | |
I used to lie awake thinking about you being here. | 1:27:29 | 1:27:32 | |
In Ewedown. | 1:27:32 | 1:27:34 | |
In the bum-hole of nowhere. | 1:27:34 | 1:27:36 | |
When you left, I couldn't bear it. | 1:27:38 | 1:27:40 | |
I just wanted to make you come back. | 1:27:41 | 1:27:43 | |
Do you still love me, Jody? | 1:27:48 | 1:27:51 | |
Even though I want to lock you up? | 1:27:51 | 1:27:53 | |
What would you do for me, then? | 1:27:54 | 1:27:57 | |
Would you do anything, like a proper fan? | 1:27:57 | 1:27:59 | |
Let's see then, shall we? | 1:28:01 | 1:28:03 | |
I bet that bitch wants a baby. She'll find out. | 1:28:04 | 1:28:06 | |
Nicholas doesn't do children. He'll leave it all up to her. Oh. | 1:28:06 | 1:28:09 | |
-That'll age her. -Beth. | 1:28:09 | 1:28:11 | |
Suppose he discovers fatherhood. They do, these men. | 1:28:11 | 1:28:14 | |
Second-time around, they get all nappy-happy. | 1:28:14 | 1:28:17 | |
I was barely 20 when I got pregnant. I've never done anything. God! | 1:28:17 | 1:28:21 | |
Yes, you have. Look at this place. | 1:28:21 | 1:28:23 | |
I've let him walk all over me. Why? Why have I done that? | 1:28:23 | 1:28:25 | |
-I've wasted my life. -No. | 1:28:25 | 1:28:27 | |
What about the work you've done here? | 1:28:27 | 1:28:29 | |
-Work? -Yes. | 1:28:29 | 1:28:30 | |
What, breeding goats? Baking fucking biscuits? It's meaningless! | 1:28:30 | 1:28:34 | |
SHE SOBS | 1:28:34 | 1:28:35 | |
Beth. | 1:28:35 | 1:28:37 | |
When I was lost with my book, you helped me more than you know. | 1:28:37 | 1:28:40 | |
You asked me who I was writing it for. | 1:28:40 | 1:28:42 | |
You. | 1:28:42 | 1:28:45 | |
Excuse me. | 1:29:07 | 1:29:08 | |
May I speak with my wife? | 1:29:11 | 1:29:12 | |
No, you may not. | 1:29:12 | 1:29:15 | |
Beth. Beth. | 1:29:17 | 1:29:19 | |
It's over. | 1:29:20 | 1:29:22 | |
I've finished it. | 1:29:23 | 1:29:26 | |
She's been chasing me. | 1:29:26 | 1:29:28 | |
I think there's something unhinged about her. | 1:29:28 | 1:29:30 | |
-This wild crush. -DOG BARKS | 1:29:30 | 1:29:32 | |
Ben Sergeant's bloody dog again. Go on, get out. | 1:29:32 | 1:29:36 | |
Back to that tart at Winnards Farm. Go on. Bugger off! | 1:29:36 | 1:29:40 | |
Beth. | 1:29:42 | 1:29:44 | |
You know I'm sorry. | 1:29:44 | 1:29:47 | |
I want you to leave. I want a divorce. | 1:29:47 | 1:29:50 | |
No, you don't. Don't be ridiculous. | 1:29:50 | 1:29:52 | |
-Now, look... -And I want this place. | 1:29:52 | 1:29:54 | |
You can't. | 1:29:54 | 1:29:56 | |
Watch me. I will. | 1:29:56 | 1:29:59 | |
That's it, lovely. Keep it going. Stop. Couple of sugars. | 1:30:01 | 1:30:05 | |
Stir it. | 1:30:07 | 1:30:08 | |
That is a very good cup of tea. Which is lucky for you, Jody. | 1:30:17 | 1:30:21 | |
Had it been shit, | 1:30:21 | 1:30:22 | |
I'd be on the phone to the extremely scary local cops right now. | 1:30:22 | 1:30:24 | |
Please don't tell my mum. | 1:30:24 | 1:30:26 | |
I know it's boring round here, but for fuck's sakes. | 1:30:26 | 1:30:29 | |
I'm going to get out as soon as I can. | 1:30:29 | 1:30:30 | |
I'm going to work in Vegas as a croupier. Vegas or a cruise liner. | 1:30:30 | 1:30:34 | |
Aim high, Jody. That's what I say. Aim high. | 1:30:34 | 1:30:39 | |
Ben? | 1:30:45 | 1:30:46 | |
-You've had an infestation. -Of what? | 1:30:50 | 1:30:53 | |
Jody. | 1:30:53 | 1:30:54 | |
DOG SNIFFLES | 1:31:09 | 1:31:10 | |
COWS MOO | 1:31:10 | 1:31:12 | |
Hey, Greg! I want a word with you. | 1:31:14 | 1:31:18 | |
It's Glen, asshole. | 1:31:18 | 1:31:21 | |
-You fucking devious bastard. -I'm devious? | 1:31:21 | 1:31:24 | |
-I'm a bastard? -You think I haven't noticed | 1:31:24 | 1:31:27 | |
you've been worming your way in? | 1:31:27 | 1:31:29 | |
You keep your hands off my wife, you low-rent pedant. | 1:31:29 | 1:31:34 | |
You've abused Beth long enough with all of your goddamn lies. | 1:31:34 | 1:31:38 | |
I want you out of my house. | 1:31:38 | 1:31:39 | |
-It's Beth's. She made this place. -And I fucking paid for it. | 1:31:39 | 1:31:42 | |
I've given Beth all this. What can you give her? | 1:31:42 | 1:31:45 | |
-I can give her integrity. -Obscure literary shit, | 1:31:45 | 1:31:49 | |
not worth ten pence. | 1:31:49 | 1:31:51 | |
You know, if I made my fortune fantasising about rapes and murders, | 1:31:51 | 1:31:54 | |
-I wouldn't be so proud. -You cretin. | 1:31:54 | 1:31:57 | |
Fuck you. | 1:31:57 | 1:31:59 | |
Beth will come to her senses. | 1:31:59 | 1:32:01 | |
You need an income to run Stonefield, and mine's bigger than yours. | 1:32:01 | 1:32:05 | |
HE PANTS | 1:32:10 | 1:32:12 | |
Get up, Nicholas, come on. Let's talk about this like grown men. | 1:32:12 | 1:32:16 | |
Oh, my God. | 1:32:22 | 1:32:24 | |
Nicholas. | 1:32:24 | 1:32:25 | |
Nic... | 1:32:25 | 1:32:27 | |
Get up. | 1:32:27 | 1:32:29 | |
STAMPEDE OF HOOVES | 1:32:31 | 1:32:33 | |
Nicholas. | 1:32:36 | 1:32:38 | |
Get up. | 1:32:38 | 1:32:40 | |
Run. Come on. Get up. | 1:32:40 | 1:32:42 | |
DOG BARKS | 1:32:42 | 1:32:45 | |
Nicholas... | 1:32:48 | 1:32:50 | |
Nicholas. | 1:32:50 | 1:32:51 | |
DOG BARKS | 1:33:03 | 1:33:06 | |
It was you? | 1:33:25 | 1:33:27 | |
It was you who sent the e-mail? | 1:33:28 | 1:33:30 | |
Jody's explained that she did it out of a deep love for me. | 1:33:30 | 1:33:34 | |
-Tammy. -Ben. | 1:33:38 | 1:33:40 | |
I think you should have this back. | 1:33:51 | 1:33:53 | |
I'm sorry. | 1:33:54 | 1:33:55 | |
Jody! The dog! | 1:33:57 | 1:34:00 | |
DOG BARKS | 1:34:00 | 1:34:02 | |
DISTANT GUNSHOT | 1:34:32 | 1:34:34 | |
Got him. | 1:34:42 | 1:34:44 | |
The beast. | 1:34:44 | 1:34:46 | |
Nicholas. | 1:35:13 | 1:35:15 | |
God. | 1:35:18 | 1:35:19 | |
Oh, God. Nicholas. | 1:35:19 | 1:35:21 | |
Bitch. Brazen. | 1:35:21 | 1:35:23 | |
Brazen. | 1:35:23 | 1:35:24 | |
-Beth. -That is brazen. -Beth, don't look! | 1:35:24 | 1:35:28 | |
Please, don't look! BETH SCREAMS | 1:35:28 | 1:35:31 | |
Nicholas?! | 1:35:32 | 1:35:33 | |
No! | 1:35:36 | 1:35:38 | |
SHE SCREAMS | 1:35:38 | 1:35:40 | |
No! | 1:35:40 | 1:35:42 | |
No, but you can see it. It's broken. It's smashed. | 1:35:42 | 1:35:46 | |
..No, I haven't, but it's obvious. | 1:35:47 | 1:35:49 | |
Yes, his wife. Yes, she is. | 1:35:52 | 1:35:56 | |
Thank you, thank you. I will. | 1:35:56 | 1:35:58 | |
They're on their way. | 1:36:00 | 1:36:01 | |
Beth, help is coming. | 1:36:03 | 1:36:06 | |
Agh! | 1:36:06 | 1:36:08 | |
It's broken. | 1:36:13 | 1:36:15 | |
CAR APPROACHES | 1:36:36 | 1:36:38 | |
DOOR OPENS | 1:36:40 | 1:36:42 | |
Tamara. | 1:36:44 | 1:36:46 | |
Listen. | 1:36:46 | 1:36:48 | |
SHE SOBS I'm sorry. | 1:36:51 | 1:36:54 | |
Come on. Are you blaming yourself? | 1:36:54 | 1:36:58 | |
It was an accident. | 1:37:01 | 1:37:02 | |
SHE WAILS | 1:37:02 | 1:37:06 | |
I'd better get back up Stonefield. | 1:37:17 | 1:37:20 | |
Come with me. We'll get this sorted. | 1:37:20 | 1:37:22 | |
Then get Ben to take you back to London. | 1:37:27 | 1:37:31 | |
I don't want to be with Ben. | 1:37:31 | 1:37:33 | |
Put it on the back seat. | 1:37:50 | 1:37:52 | |
INDISTINCT CHATTER OVER POLICE RADIO | 1:37:56 | 1:37:58 | |
What are you doing? | 1:38:03 | 1:38:05 | |
I figured it was best, you know, that I take off. | 1:38:05 | 1:38:07 | |
She doesn't want writers around the place now. | 1:38:07 | 1:38:10 | |
And police, autopsies, not my thing. | 1:38:10 | 1:38:12 | |
-You can't run away. -I'm not running away. | 1:38:12 | 1:38:14 | |
I've finished my book. My time here is up. Destiny calls. | 1:38:14 | 1:38:18 | |
Beth is asking for you. | 1:38:18 | 1:38:19 | |
Really? | 1:38:19 | 1:38:21 | |
She's on her own over there. | 1:38:21 | 1:38:24 | |
Glen, she doesn't need a writer around the place. | 1:38:24 | 1:38:29 | |
She needs a man. | 1:38:29 | 1:38:31 | |
I'm so sorry. | 1:38:41 | 1:38:42 | |
It was my fault. I let the dog go. | 1:38:44 | 1:38:46 | |
-No. No. -I shooed him away. | 1:38:46 | 1:38:49 | |
The police said it was an accident, but if I'd caught him, | 1:38:49 | 1:38:52 | |
-tied him up... -No, it wasn't your fault. | 1:38:52 | 1:38:54 | |
What I don't understand is why was he in that field? He hated cows. | 1:38:54 | 1:38:57 | |
And when he saw them coming, why didn't he get out of their way? | 1:38:57 | 1:39:00 | |
Beth, I have to tell you that... | 1:39:00 | 1:39:04 | |
You live in the country. | 1:39:16 | 1:39:18 | |
You share it with those dangerous beasts, | 1:39:18 | 1:39:20 | |
and when they get scared, they run. | 1:39:20 | 1:39:23 | |
Like we do. | 1:39:23 | 1:39:25 | |
Oh, Glen. | 1:39:26 | 1:39:28 | |
Stay with me. | 1:39:30 | 1:39:32 | |
BIRDS TWITTER | 1:39:51 | 1:39:53 | |
Kind of suits you. | 1:40:04 | 1:40:06 | |
Don't say anything. | 1:40:06 | 1:40:08 | |
I always did like the old one. | 1:40:08 | 1:40:10 | |
-You did it on purpose, didn't you? -What? | 1:40:14 | 1:40:16 | |
Made this place so beautiful I'd never be able to leave. | 1:40:16 | 1:40:20 | |
Been dying to get rid of you. | 1:40:20 | 1:40:22 | |
This is my house. | 1:40:23 | 1:40:25 | |
-I was born in that room. -So you were. | 1:40:25 | 1:40:29 | |
Welcome home. | 1:40:30 | 1:40:32 | |
BEN SOBS | 1:40:55 | 1:40:57 | |
SHE MOUTHS | 1:41:12 | 1:41:13 | |
MOUTHS | 1:41:13 | 1:41:15 | |
SHE MOUTHS | 1:41:15 | 1:41:17 | |
PHONE CAMERA CLICKS | 1:41:22 | 1:41:25 | |
SWIPE SONG PLAYS | 1:41:30 | 1:41:34 | |
# This is a call for a domestic dispute | 1:41:34 | 1:41:37 | |
# There's gonna be a party in the back of the boot | 1:41:37 | 1:41:40 | |
# This is a call for a domestic dispute | 1:41:40 | 1:41:43 | |
# Better get a move on cos she's going to shoot | 1:41:43 | 1:41:46 | |
-# When I'm alone at night -Alone at night | 1:41:46 | 1:41:50 | |
-# Watching the satellite -Satellite | 1:41:50 | 1:41:53 | |
# I'm so scared that you will find me | 1:41:53 | 1:41:59 | |
-# Turn all the lights down low -Lights down low | 1:41:59 | 1:42:02 | |
-# As low as the lights will go -Lights will go | 1:42:02 | 1:42:06 | |
# You shine your torch so bright It blinds me | 1:42:06 | 1:42:12 | |
# So stop your sobbing now Coming to find you | 1:42:12 | 1:42:16 | |
# Stop your sobbing now Seconds behind you | 1:42:16 | 1:42:19 | |
# Stop your sobbing now Do what you need | 1:42:19 | 1:42:24 | |
# This is a load for me. # | 1:42:24 | 1:42:28 |