
Browse content similar to The Body Snatcher. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
MILITARY MARCHING DRUM | 0:01:16 | 0:01:18 | |
A WOMAN SINGS "When ye gang awa', Jamie..." | 0:01:21 | 0:01:25 | |
# ..ye but think of me | 0:01:27 | 0:01:33 | |
# But, laddie, that's a time awa' | 0:01:33 | 0:01:39 | |
# A mither's like to die... # | 0:01:39 | 0:01:44 | |
Here's a bit of something for you. | 0:02:09 | 0:02:11 | |
DOG GROWLS | 0:02:11 | 0:02:13 | |
-Now, laddie. I only want to be friendly. -GATE OPENS | 0:02:13 | 0:02:17 | |
Here you are, Robbie. | 0:02:17 | 0:02:20 | |
Wait a minute, now. | 0:02:20 | 0:02:23 | |
He's been here since Wednesday, when we buried the lad. | 0:02:23 | 0:02:27 | |
Your son? He must have been a fine lad for the dog to love him so. | 0:02:27 | 0:02:32 | |
Aye, he was. Gentle with little things, like Robbie here. | 0:02:32 | 0:02:37 | |
Now I cannae get the dog to leave, but it's probably for the best. | 0:02:37 | 0:02:42 | |
I havnae the money for a grave-watcher. | 0:02:42 | 0:02:46 | |
Not much danger here in Edinburgh. | 0:02:46 | 0:02:50 | |
They're bold, the grave-robbers, and the daft doctors who drive them. | 0:02:50 | 0:02:54 | |
-I'm by way of being a medical myself. -A doctor? | 0:02:57 | 0:03:00 | |
Student. I've been studying under Dr MacFarlane. | 0:03:00 | 0:03:04 | |
That is, I've been studying until today. | 0:03:04 | 0:03:08 | |
Here we are, ma'am. | 0:03:26 | 0:03:28 | |
Thank you. | 0:03:28 | 0:03:30 | |
Come, little miss. | 0:03:35 | 0:03:38 | |
Cabman Gray will carry you safe enough. | 0:03:38 | 0:03:43 | |
-Would you like to give my horse a pat? -Yes. | 0:03:43 | 0:03:47 | |
He knows every little girl in Edinburgh. | 0:03:47 | 0:03:50 | |
As you run and play in the streets, | 0:03:50 | 0:03:52 | |
-he'll nicker at you as we go by. -I can't run and play. | 0:03:52 | 0:03:57 | |
I forgot. All the more reason for Fred to give you a hello. | 0:03:57 | 0:04:02 | |
He'll keep an eye out for you. Won't you, Fred? | 0:04:02 | 0:04:06 | |
There we are. | 0:04:06 | 0:04:09 | |
There, now. Safe in your own wee cab. | 0:04:13 | 0:04:16 | |
Watch sharp, little miss, for Fred to give you a hello. | 0:04:16 | 0:04:20 | |
I would like to see Dr MacFarlane. | 0:04:22 | 0:04:24 | |
It's all right, darling. Don't be afraid. | 0:04:55 | 0:04:58 | |
Dr MacFarlane. | 0:05:04 | 0:05:08 | |
I'm Mrs Marsh. This is my daughter, Georgina. | 0:05:08 | 0:05:12 | |
-Dr Maximillian sent me to you. -A famous colleague. | 0:05:12 | 0:05:16 | |
-Might you examine my little girl? -Delighted to do so. Come in. | 0:05:16 | 0:05:21 | |
Thank you, Doctor. | 0:05:21 | 0:05:23 | |
-Born paralysed? -No, it was an accident. | 0:05:32 | 0:05:35 | |
-Was the paralysis immediate? -No. | 0:05:35 | 0:05:38 | |
She seemed to get better, then six months later she had back pains. | 0:05:38 | 0:05:44 | |
-How long until complete paralysis? -Nearly a year. | 0:05:44 | 0:05:47 | |
-Any pain since? -Yes, Doctor. -Sporadic or constant? | 0:05:47 | 0:05:52 | |
It comes at intervals. They used to be months apart, | 0:05:52 | 0:05:56 | |
but they've been growing much more frequent. | 0:05:56 | 0:05:59 | |
Child, when you have this pain, where is it? | 0:06:03 | 0:06:07 | |
-I don't know. -Is it the middle of your back? -I don't know. | 0:06:07 | 0:06:11 | |
-Low down in your back? -I don't know. | 0:06:11 | 0:06:15 | |
Point to where it hurts. You can do that, can't you? | 0:06:17 | 0:06:21 | |
-Useless, ma'am! -Please, darling, don't be so stubborn. | 0:06:21 | 0:06:26 | |
Mother, he frightens me. KNOCK ON DOOR | 0:06:26 | 0:06:30 | |
-Excuse me, Dr MacFarlane. -Come in. | 0:06:31 | 0:06:35 | |
Can you can do something with this young lady? | 0:06:35 | 0:06:38 | |
I can't get a yes or no out of her. | 0:06:38 | 0:06:41 | |
-I only came to speak to you... -Test your bedside manner. | 0:06:41 | 0:06:46 | |
-Are you a doctor too? -Not yet. | 0:06:52 | 0:06:54 | |
You'll be a good one. I know all about doctors. | 0:06:56 | 0:06:59 | |
It's a nice chair you have. Useful, too. | 0:06:59 | 0:07:03 | |
-It isn't English, is it? -You want to ask me about my back, | 0:07:03 | 0:07:07 | |
-about where it hurts? -Why, yes. | 0:07:07 | 0:07:10 | |
Well, it's all around here and down my legs. | 0:07:10 | 0:07:15 | |
It aches as if I'd been walking an awfully long way. | 0:07:15 | 0:07:19 | |
That's funny, isn't it? Because I can't walk at all. | 0:07:19 | 0:07:24 | |
Would you mind if I lifted you onto that table in there? | 0:07:24 | 0:07:28 | |
-The child seems to take to the lad. -Yes, she does. | 0:07:34 | 0:07:38 | |
What accident was it, ma'am? | 0:07:38 | 0:07:41 | |
A carriage overturned. My husband was killed and Georgina was hurt. | 0:07:41 | 0:07:46 | |
-How long ago? -Three years. -Dr MacFarlane? | 0:07:46 | 0:07:49 | |
-Excuse me. -Certainly. | 0:07:49 | 0:07:52 | |
See that? | 0:08:06 | 0:08:07 | |
Fettes, wheel her into the hall. | 0:08:12 | 0:08:16 | |
It seems Dr Maximillian is right. | 0:08:21 | 0:08:24 | |
The violence of the accident caused a traumatic tumour, | 0:08:24 | 0:08:29 | |
a growth that presses on the nerve centres. | 0:08:29 | 0:08:32 | |
-Can anything be done? -Perhaps. | 0:08:32 | 0:08:35 | |
A very delicate operation, never performed before, but it could be done. | 0:08:35 | 0:08:41 | |
And you WILL try? You WILL operate? | 0:08:41 | 0:08:43 | |
-Not I, madam. -But wherever I've taken Georgina, | 0:08:48 | 0:08:52 | |
they've mentioned your name. You're our only hope. | 0:08:52 | 0:08:56 | |
Believe me, if I were only a doctor, I'd do it at once, but I've a school to run. | 0:08:56 | 0:09:02 | |
-But surely, for a child who cannot walk or run... -I regret it, madam. | 0:09:02 | 0:09:08 | |
To be responsible for training 30 doctors, to attend a thousand children like yours. | 0:09:08 | 0:09:14 | |
There's nothing I can say for one small child? | 0:09:14 | 0:09:20 | |
I am not heartless, madam. | 0:09:20 | 0:09:22 | |
I have every sympathy, but to see every case brought to me, I'd have no time to teach. | 0:09:22 | 0:09:29 | |
It's a great responsibility upon me, ma'am. | 0:09:29 | 0:09:34 | |
Fettes, see Mrs Marsh to the door. Good day to you, ma'am. | 0:09:34 | 0:09:38 | |
-Why did you want to see me? -I'm afraid I must give up medicine. | 0:09:50 | 0:09:56 | |
Give it up?! You're made for a doctor! | 0:09:56 | 0:10:00 | |
I have to. My father is a parish vicar, not much of a living... | 0:10:00 | 0:10:05 | |
You're good. I'll not let you quit. | 0:10:05 | 0:10:08 | |
I'll tell you what I'll do. | 0:10:08 | 0:10:10 | |
-I'll make you an assistant, pay your keep and tuition... -Only the best students are made assistants. | 0:10:10 | 0:10:17 | |
-But Richardson... -He has a glib tongue. | 0:10:17 | 0:10:21 | |
-You'll be a better doctor. I'll explain your duties. -Dr MacFarlane, | 0:10:21 | 0:10:28 | |
-I'd like a word with you. -I'll follow you, Fettes. | 0:10:28 | 0:10:32 | |
-Are you having Fettes for your assistant? -Yes, he's a good lad. | 0:10:38 | 0:10:42 | |
Aye, he is. That's why I ask you, MacFarlane. | 0:10:42 | 0:10:46 | |
You think it will spoil him? Wasn't I assistant to Knox? | 0:10:46 | 0:10:50 | |
Aye. | 0:10:53 | 0:10:54 | |
Did it spoil me, Meg, my lass? | 0:10:54 | 0:10:57 | |
Don't worry. | 0:11:00 | 0:11:03 | |
It'll do the boy no harm. | 0:11:10 | 0:11:13 | |
-I can't express my gratitude, sir. -I'm happy, knowing I'll have trained the great Dr Fettes. | 0:11:22 | 0:11:29 | |
As to your duties - keep the accounts | 0:11:29 | 0:11:33 | |
and give statements to students. | 0:11:33 | 0:11:35 | |
-Also, as you'll be living here... -< CRUNCH | 0:11:35 | 0:11:39 | |
Joseph! | 0:11:39 | 0:11:41 | |
Why are you sneaking about like a redskin? Make some noise! | 0:11:41 | 0:11:48 | |
-Let people know you're about. -Yes, Doctor. | 0:11:48 | 0:11:50 | |
Or I'll think you're spying on me. | 0:11:50 | 0:11:53 | |
-You know where we get the bodies for the section? -From the municipal council. | 0:11:57 | 0:12:01 | |
-They're the bodies of paupers. -So the law stipulates. | 0:12:01 | 0:12:06 | |
There aren't enough of them, Fettes. | 0:12:06 | 0:12:09 | |
< HORSE NICKERS | 0:12:25 | 0:12:28 | |
DOG SNARLS | 0:12:37 | 0:12:41 | |
GROWLING CONTINUES... | 0:12:43 | 0:12:45 | |
..AND IS SILENCED | 0:12:49 | 0:12:51 | |
HORSE AND CARRIAGE APPROACHES | 0:13:08 | 0:13:12 | |
HARD KNOCKING AT DOOR | 0:13:43 | 0:13:46 | |
Give me a hand. This is heavy. | 0:14:14 | 0:14:16 | |
You'll find this specimen in good condition. | 0:14:24 | 0:14:27 | |
He was as bright as a thrush, not a week long gone. | 0:14:27 | 0:14:31 | |
A likely lad, I'm told. | 0:14:31 | 0:14:34 | |
You're a new assistant? | 0:14:34 | 0:14:37 | |
Aye. I'm Donald Fettes. | 0:14:37 | 0:14:39 | |
-I'm very pleased to know you, Master Fettes. -Mr Gray? | 0:14:39 | 0:14:44 | |
That's right. Cabman Gray. | 0:14:44 | 0:14:47 | |
I've had dealings with MacFarlane in the past. | 0:14:47 | 0:14:51 | |
I always get on with his assistants, | 0:14:51 | 0:14:54 | |
providing that they understand my humble position. | 0:14:54 | 0:14:59 | |
-Dr MacFarlane said I should pay you. -Of course. | 0:14:59 | 0:15:02 | |
That's the soul of the business. | 0:15:02 | 0:15:06 | |
I have no doubt the key is in your pocket. | 0:15:06 | 0:15:09 | |
And the desk is over there. | 0:15:11 | 0:15:14 | |
My fee is as usual, | 0:15:21 | 0:15:24 | |
ten pounds. | 0:15:24 | 0:15:26 | |
Although it's none of my business, I'd make the proper entry. | 0:15:29 | 0:15:34 | |
"Received, one specimen, £10." | 0:15:34 | 0:15:37 | |
Shall we say from a MacDuff? A royal name. | 0:15:37 | 0:15:42 | |
Good night, Mr Gray. | 0:15:56 | 0:15:59 | |
My respects, Master Fettes. | 0:15:59 | 0:16:02 | |
And may this be the first of many profitable meetings. | 0:16:04 | 0:16:08 | |
< LAUGHTER | 0:16:11 | 0:16:14 | |
Well, my boy. Your first meeting with the redoubtable Gray. | 0:16:14 | 0:16:20 | |
It's a milestone in your medical career. | 0:16:20 | 0:16:23 | |
LAUGHTER | 0:16:29 | 0:16:31 | |
All right, gentlemen. That'll do. | 0:16:36 | 0:16:40 | |
Dr MacFarlane asked me to review the points he discussed. | 0:16:40 | 0:16:45 | |
First, the construction of the ribs and the haemoptyses. | 0:16:45 | 0:16:50 | |
Was this your doing, Servis? | 0:16:50 | 0:16:53 | |
Mr Fettes? | 0:16:57 | 0:17:00 | |
-A lady is asking for you. -What lady, Joseph? | 0:17:00 | 0:17:03 | |
If you gentlemen will excuse me... | 0:17:06 | 0:17:09 | |
-Good morning, Mr Fettes. -You asked to see me? | 0:17:16 | 0:17:18 | |
-I want you to help my girl. -I'm only a student. | 0:17:18 | 0:17:23 | |
Georgina said you were kind. Can you intercede for us with Dr MacFarlane? | 0:17:23 | 0:17:29 | |
I don't know if I can, Mrs Marsh. | 0:17:29 | 0:17:32 | |
-Did he tell you about Georgina? -Aye. | 0:17:32 | 0:17:35 | |
Then he told you it was progressive. | 0:17:35 | 0:17:38 | |
It will grow worse. Soon she will not be able to move at all. | 0:17:38 | 0:17:42 | |
And you won't ask him to help? | 0:17:46 | 0:17:49 | |
I didn't mean it that way, but I'm in no position to ask favours. | 0:17:49 | 0:17:52 | |
Ask this one favour. | 0:17:52 | 0:17:54 | |
Of course I will. | 0:17:56 | 0:17:59 | |
Georgina was right. You ARE a kind man, Mr Fettes. | 0:17:59 | 0:18:03 | |
I'll do what I can. | 0:18:03 | 0:18:06 | |
You will find us every morning on the ramparts. | 0:18:06 | 0:18:10 | |
I take her there for her airing. | 0:18:10 | 0:18:13 | |
In an adult, this muscle can apply 175lbs of pressure, | 0:18:13 | 0:18:17 | |
The human jaw has double that strength. | 0:18:17 | 0:18:21 | |
That is to chew our food and bite our enemies. | 0:18:21 | 0:18:24 | |
Life can't be all skittles and ladies. | 0:18:27 | 0:18:30 | |
-Yes, sir. -Time for luncheon. | 0:18:30 | 0:18:33 | |
I've a bit of beef to discuss. | 0:18:33 | 0:18:35 | |
I'll leave you to your own arrangements. | 0:18:35 | 0:18:39 | |
Richardson, I see you have that arm you wanted. | 0:18:39 | 0:18:43 | |
Yes, sir. This fella would have been a great one at hurling the bar. | 0:18:43 | 0:18:45 | |
Beautiful biceps. | 0:18:45 | 0:18:48 | |
-Burke and Hare could never have got the best of him! -What did you say? | 0:18:48 | 0:18:52 | |
-Just making a joke, sir. -It's a poor subject for jest for a medical student. | 0:18:52 | 0:18:56 | |
-What did you say to him imperial highness? -Nothing but a merry word about Burke and Hare. | 0:19:04 | 0:19:08 | |
There's nothing in that to get excited about. They're dead and buried. | 0:19:08 | 0:19:13 | |
HE WHISTLES "Wi' A Hundred Pipers" | 0:19:13 | 0:19:16 | |
They killed his wee doggy too. | 0:19:31 | 0:19:35 | |
Little Robbie. | 0:19:35 | 0:19:37 | |
-KNOCK AT DOOR -Come in. | 0:19:50 | 0:19:54 | |
Well, Fettes, where have you been? | 0:19:56 | 0:19:58 | |
I didn't see you at the afternoon session. | 0:19:58 | 0:20:02 | |
I don't think that I can go on, sir. | 0:20:02 | 0:20:05 | |
What do you mean? You've got your lodgings. It's all arranged. | 0:20:07 | 0:20:14 | |
I saw the woman whose son's body was delivered last night. | 0:20:14 | 0:20:18 | |
It was taken from Greyfriars. | 0:20:18 | 0:20:20 | |
I knew the woman and the little dog on the grave. | 0:20:20 | 0:20:23 | |
-He killed the dog. -That's why you won't be a doctor? | 0:20:23 | 0:20:28 | |
Not if I'm a party to things like that, Dr MacFarlane. | 0:20:28 | 0:20:31 | |
Fettes, I was an assistant once. | 0:20:35 | 0:20:39 | |
I had to deal with men like Gray. | 0:20:39 | 0:20:42 | |
Do you think I wanted to? Do you think I want to do it now? | 0:20:42 | 0:20:45 | |
But I must, and YOU must. | 0:20:45 | 0:20:48 | |
Ignorant men dam progress with stupid, unjust laws. | 0:20:49 | 0:20:54 | |
If that dam will not break, we find other courses. Do you understand? | 0:20:54 | 0:21:00 | |
-Yes, but this woman and her son... -He might be alive today | 0:21:00 | 0:21:05 | |
if more doctors worked with human specimens. | 0:21:05 | 0:21:09 | |
As for me, I'll let no man stop me when I know I'm right. | 0:21:09 | 0:21:14 | |
I need subjects for my students' enlightenment and my own knowledge. | 0:21:14 | 0:21:19 | |
If you're a real man and want to be a good doctor, | 0:21:19 | 0:21:23 | |
you will see it as I see it. | 0:21:23 | 0:21:25 | |
# When ye gang awa', Jamie | 0:21:30 | 0:21:34 | |
# Far across the sea, laddie | 0:21:35 | 0:21:41 | |
# When ye gang awa', Jamie | 0:21:41 | 0:21:46 | |
# What will ye send to me, laddie? # | 0:21:47 | 0:21:51 | |
-Evening, gentlemen. -How are you? | 0:22:12 | 0:22:15 | |
THE BOY SINGS | 0:22:18 | 0:22:20 | |
We'll have a stiffener of hot rum, so we meet this fellow on fairly equal terms for warmth. | 0:22:25 | 0:22:31 | |
A fine specimen, isn't he, Toddy MacFarlane? | 0:22:31 | 0:22:35 | |
Come, Toddy, sit down here with me. | 0:22:38 | 0:22:41 | |
Don't call me that confounded name. | 0:22:41 | 0:22:44 | |
Well, then, Dr MacFarlane. | 0:22:44 | 0:22:46 | |
I knew a time when you liked Toddy. Many are dead who called you by it. | 0:22:46 | 0:22:52 | |
Rough and wild ones. But sit down, with your friend. | 0:22:52 | 0:22:57 | |
We have professional matters to discuss. | 0:22:57 | 0:23:00 | |
Medicine? That'll keep. Sit down. | 0:23:00 | 0:23:04 | |
You wouldn't want it said that you refused a glass to an old friend. | 0:23:04 | 0:23:09 | |
We'll buy you a glass, Gray. | 0:23:12 | 0:23:14 | |
I'm a pretty bad fellow myself, but MacFarlane's the boy. | 0:23:16 | 0:23:19 | |
Oh, Toddy MacFarlane! | 0:23:21 | 0:23:24 | |
-Why don't you order for your friend? On second thoughts, -I -will. | 0:23:24 | 0:23:29 | |
A bowl of hot punch and a cut from the loin of pork. | 0:23:29 | 0:23:33 | |
Don't worry, waiter. | 0:23:33 | 0:23:35 | |
I'm with my friend, the great Dr MacFarlane. | 0:23:35 | 0:23:40 | |
He wants to sit here with the commonality. | 0:23:40 | 0:23:44 | |
You were talking of medical matters. Don't let me stop you. | 0:23:47 | 0:23:51 | |
-Talk on, Toddy. -I will not have you call me that! | 0:23:51 | 0:23:55 | |
You will not have it? | 0:23:55 | 0:23:57 | |
-Dr MacFarlane, remember the lady who came to see you yesterday, with the little girl? -Yes. | 0:24:03 | 0:24:08 | |
She came again to ask if you'd break your rule and operate? | 0:24:08 | 0:24:13 | |
-You're her only hope. -I'm a teacher. | 0:24:13 | 0:24:16 | |
A teacher, eh? Maybe you're afraid to be a doctor. | 0:24:16 | 0:24:22 | |
-Afraid? -That you're not as good as you say. | 0:24:22 | 0:24:25 | |
-I'm the best man for the job. -Do it, then. | 0:24:25 | 0:24:29 | |
I'd like for you to do the operation, Toddy. | 0:24:29 | 0:24:32 | |
Since when have you been this child's protector? | 0:24:32 | 0:24:36 | |
It's not the child I'm concerned with. It's you. | 0:24:36 | 0:24:41 | |
Prove that a lot of things I know haven't hurt Toddy MacFarlane. | 0:24:41 | 0:24:46 | |
-I'll not do it, Gray. -Yes, you will. | 0:24:46 | 0:24:50 | |
-To oblige Mr Fettes and myself. -No. | 0:24:50 | 0:24:54 | |
Maybe there's some private reasons between you and me that'll make you. Some long-lost friends, | 0:24:54 | 0:25:00 | |
eh, Toddy? | 0:25:00 | 0:25:02 | |
Say you'll do it for me and my friend, Mr Fettes. | 0:25:02 | 0:25:05 | |
It might be an interesting case. | 0:25:09 | 0:25:11 | |
-That's a good boy! -You only want me to do it because I don't want to! | 0:25:11 | 0:25:16 | |
-Isn't it, Gray? -Toddy hates me. -Don't call me that! | 0:25:16 | 0:25:21 | |
Ever see the lads play knife? | 0:25:21 | 0:25:24 | |
Toddy would like to do that all over my body. | 0:25:24 | 0:25:29 | |
We medicals have a better way. If we dislike it, we dissect it. | 0:25:29 | 0:25:34 | |
You'll never get rid of me that way, Toddy. | 0:25:34 | 0:25:38 | |
We have two bodies - very different bodies. | 0:25:38 | 0:25:41 | |
But we're closer than if we had the same skin, for I saved your skin, | 0:25:41 | 0:25:48 | |
and you'll not forget it. | 0:25:48 | 0:25:50 | |
He said it might be an interesting case. | 0:25:53 | 0:25:56 | |
-You have his promise? -Yes. But there will be great pain, | 0:25:56 | 0:26:01 | |
during and after. Great pain and shock. | 0:26:01 | 0:26:05 | |
Pain? Shock? | 0:26:05 | 0:26:08 | |
SHE'S brave enough, but I don't know about myself. | 0:26:08 | 0:26:12 | |
I wonder if I dare trust my child into any but God's hands. | 0:26:12 | 0:26:16 | |
I'd like to give you cause for courage. | 0:26:17 | 0:26:21 | |
Dr MacFarlane is the greatest man in medicine. | 0:26:21 | 0:26:25 | |
God gave him such gifts so that he could cure Georgina. | 0:26:25 | 0:26:30 | |
Thank you, Mr Fettes. | 0:26:30 | 0:26:32 | |
Throw it over here! | 0:26:32 | 0:26:34 | |
CHILDREN LAUGH | 0:26:37 | 0:26:40 | |
Mummy! Mummy! | 0:26:49 | 0:26:51 | |
-Take me to the wall. I hear him! -Hear him? | 0:26:51 | 0:26:54 | |
-The white horse who'll greet me when he sees me. -An old acquaintance, eh? | 0:26:54 | 0:26:59 | |
Put your arms around me and we'll go up and see it. | 0:27:01 | 0:27:05 | |
It was a brown horse, Mummy. | 0:27:14 | 0:27:16 | |
A cabbie said his horse would say hello next time he saw her. | 0:27:16 | 0:27:20 | |
Why do you want it to bid you good day? | 0:27:20 | 0:27:25 | |
-He was a nice horse. -Maybe it's because you haven't friends enough. | 0:27:25 | 0:27:31 | |
-Could that be it? -Of course I don't have friends. That's because I can't walk. | 0:27:31 | 0:27:37 | |
I've tried to get used to it. | 0:27:37 | 0:27:41 | |
Don't get used to the wrong things. Do you want to walk, run and play? | 0:27:41 | 0:27:46 | |
-You know how much she wants that. -Aye, but how much? | 0:27:46 | 0:27:50 | |
-I want it so much. -But you'll have great pain. | 0:27:50 | 0:27:55 | |
Greater pain than you've ever had. | 0:27:55 | 0:27:58 | |
Do you want it that much? | 0:27:58 | 0:28:00 | |
-Yes. -Then Dr MacFarlane will make you well. | 0:28:00 | 0:28:05 | |
LAUGHTER > | 0:28:16 | 0:28:19 | |
Gray's head... Is that it, Toddy? | 0:28:19 | 0:28:23 | |
Is that what you broke under the poker? | 0:28:23 | 0:28:26 | |
Broken it, and have done with him forever? | 0:28:26 | 0:28:30 | |
HE DROPS THE POKER | 0:28:30 | 0:28:32 | |
My poor lad! | 0:28:34 | 0:28:37 | |
-My poor lad that can never be free of him. -You're daft. | 0:28:37 | 0:28:42 | |
What's Gray? A man from whom I buy what I need. | 0:28:42 | 0:28:46 | |
-The rest is forgotten. -You may deny him, | 0:28:46 | 0:28:50 | |
-but you'll not be rid of him by saying the devil's dead. -Nonsense. | 0:28:50 | 0:28:55 | |
You're a fey creature, with mad ideas, | 0:28:55 | 0:28:59 | |
but you have a wildness that holds me to you. | 0:28:59 | 0:29:03 | |
No great lady can take my place? | 0:29:03 | 0:29:05 | |
KNOCK AT DOOR | 0:29:11 | 0:29:13 | |
KNOCK AT DOOR > | 0:29:17 | 0:29:20 | |
Come in. | 0:29:20 | 0:29:22 | |
Fettes, I didn't expect to see you on Sunday. | 0:29:25 | 0:29:28 | |
Do you want powders for that aching head? We drank a furious lot. | 0:29:28 | 0:29:34 | |
It's about the operation on the Marsh girl. | 0:29:34 | 0:29:38 | |
Do you hold me to a promise given in drink? | 0:29:38 | 0:29:42 | |
But...I met Mrs Marsh and told her. | 0:29:42 | 0:29:46 | |
-You irk me with your lack of understanding! -But you promised. | 0:29:46 | 0:29:51 | |
Not I, nor anyone, | 0:29:51 | 0:29:54 | |
knows enough about the spinal column's intricacies to ensure a successful operation. | 0:29:54 | 0:30:00 | |
-I'd have to study it. Have we any subjects? -No. | 0:30:00 | 0:30:04 | |
-Wilmot used the last spinal section. -You see? It's out of the question. | 0:30:04 | 0:30:10 | |
Yes, I suppose so. | 0:30:10 | 0:30:12 | |
STREET SINGER SINGS "I'll send you a brand new goun, Jeannie" | 0:30:16 | 0:30:20 | |
# The brawest in the toun, lassie | 0:30:20 | 0:30:27 | |
# And it shall be of silk and gold | 0:30:27 | 0:30:33 | |
# Wi' flounces to the knee, lassie | 0:30:34 | 0:30:39 | |
Do you know where Gray the Cabman lives? | 0:30:39 | 0:30:44 | |
-# That's nae gift at all, Jamie... -Thank you all the same. | 0:30:44 | 0:30:48 | |
# Silk and gold and all, laddie | 0:30:48 | 0:30:56 | |
# There's nae aucht gold in all the land | 0:30:56 | 0:31:04 | |
# I like when ye're awa', laddie. # | 0:31:04 | 0:31:11 | |
-< -Come in. | 0:32:00 | 0:32:03 | |
Oh... | 0:32:06 | 0:32:10 | |
It's the young doctor, come to see me. | 0:32:10 | 0:32:13 | |
I'm honoured, honoured. | 0:32:13 | 0:32:16 | |
Come in, come in. | 0:32:16 | 0:32:21 | |
Here, sir. Take this. | 0:32:21 | 0:32:23 | |
It's the most comfortable chair. | 0:32:23 | 0:32:26 | |
To what do I owe the honour of this visit? | 0:32:26 | 0:32:30 | |
-Some business of Dr MacFarlane's? -Dr MacFarlane didn't send me. | 0:32:30 | 0:32:36 | |
I came of my own accord. | 0:32:36 | 0:32:39 | |
What are the chances of your getting us a subject? | 0:32:43 | 0:32:49 | |
Well, that'd be difficult. Very difficult. | 0:32:49 | 0:32:54 | |
A dog bothered me during the last job. | 0:32:54 | 0:32:57 | |
People are so concerned about...dogs. | 0:32:57 | 0:33:01 | |
It raised the father and mother of a row. The kirkyard is guarded. | 0:33:01 | 0:33:07 | |
I wouldn't say it was impossible. | 0:33:07 | 0:33:10 | |
How soon? Dr MacFarlane is engaged in urgent research. | 0:33:10 | 0:33:15 | |
He can't wait. He'll have to. | 0:33:15 | 0:33:17 | |
-Can't you give me any idea? -How could I? | 0:33:17 | 0:33:21 | |
I'll do the best I can. After all, I am financially interested. | 0:33:21 | 0:33:27 | |
You may tell Toddy I'll do what I can when I can, | 0:33:27 | 0:33:31 | |
as he knows I will. | 0:33:31 | 0:33:33 | |
He must wait and see, as the children do. | 0:33:33 | 0:33:37 | |
If that's your answer, I suppose it will have to do. | 0:33:37 | 0:33:41 | |
# Mony a heart will break in twa | 0:33:49 | 0:33:54 | |
# Should he ne'er come back again | 0:33:54 | 0:34:00 | |
# Will ye no' come back again? | 0:34:03 | 0:34:10 | |
# Will ye no' come back again? # | 0:34:10 | 0:34:18 | |
There's bad news, boy, bad news. | 0:34:18 | 0:34:21 | |
We have to go out again. | 0:34:21 | 0:34:24 | |
# What will ye send to me, laddie? | 0:34:29 | 0:34:32 | |
# I'll send ye a brand new goun, Jeannie | 0:34:32 | 0:34:38 | |
# The brawest in the toun, lassie | 0:34:38 | 0:34:49 | |
# And it shall be of silk and gold | 0:34:49 | 0:34:57 | |
# Wi' flounces to the knee, lassie | 0:34:57 | 0:35:00 | |
# That's nae gift at all, Jamie | 0:35:00 | 0:35:06 | |
# Silk and gold and all... # | 0:35:06 | 0:35:12 | |
SUDDENLY CUTS OFF | 0:35:12 | 0:35:14 | |
RAPPING AT DOOR | 0:35:49 | 0:35:52 | |
-There, sooner than we thought. A stroke of luck you might say. -Good. | 0:36:09 | 0:36:15 | |
That's the street singer. I know her, I tell you, she was alive | 0:36:15 | 0:36:19 | |
only this evening, it's impossible she can be dead. | 0:36:19 | 0:36:23 | |
You could not have gotten this body fairly. | 0:36:23 | 0:36:27 | |
You're entirely mistaken. | 0:36:27 | 0:36:31 | |
You'd better give me my money and make the proper entry. | 0:36:31 | 0:36:35 | |
Goodnight, Doctor. | 0:36:52 | 0:36:55 | |
HE WHISTLES HAPPILY | 0:37:18 | 0:37:23 | |
-Good morning, Master Fettes. -Do you know the street singer who sang "When ye gang awa', Jamie"? | 0:37:23 | 0:37:28 | |
Every street singer knows it. | 0:37:28 | 0:37:31 | |
She was beautiful. A wild lass from the Highlands. | 0:37:31 | 0:37:35 | |
It's a wonder I hadn't noticed her. Oh, this girl. | 0:37:35 | 0:37:41 | |
Dr MacFarlane, she was murdered. | 0:37:41 | 0:37:45 | |
I saw Gray last night to ask for a specimen. | 0:37:45 | 0:37:48 | |
On my way, I saw this girl. | 0:37:48 | 0:37:51 | |
-I gave her money. She was alive and singing. -Well? | 0:37:51 | 0:37:54 | |
-Gray killed her. -We can't be sure. | 0:37:54 | 0:37:59 | |
I am, and I'll report it. It's like Burke and Hare all over again! | 0:37:59 | 0:38:06 | |
I wouldn't do that. | 0:38:06 | 0:38:08 | |
Grave-robbing is one thing. This is murder! | 0:38:08 | 0:38:13 | |
She may have been an epileptic. | 0:38:13 | 0:38:16 | |
Thrown a fit, fallen out of bed and cracked her skull. | 0:38:16 | 0:38:20 | |
-It's all explained. That bruise on her forehead. -I can't believe that. | 0:38:20 | 0:38:26 | |
Believe it or not, it's best to pretend you do. | 0:38:26 | 0:38:30 | |
You ordered the subject, received it and paid for it. | 0:38:30 | 0:38:34 | |
You are a party to murder. | 0:38:34 | 0:38:38 | |
-I didn't ask him to kill. -Who would believe that? | 0:38:38 | 0:38:41 | |
Someone else might recognise her. She was very well known. | 0:38:41 | 0:38:46 | |
We should do what we always do: dissection. | 0:38:46 | 0:38:50 | |
I'll help you, of course. | 0:38:50 | 0:38:52 | |
I want the whole centrum myself, | 0:38:52 | 0:38:56 | |
for spinal work. You know why. | 0:38:56 | 0:39:00 | |
Have a drop. It will help. | 0:39:16 | 0:39:18 | |
I couldn't swallow. | 0:39:18 | 0:39:21 | |
How long has it been? | 0:39:21 | 0:39:23 | |
Only 20 minutes. | 0:39:23 | 0:39:25 | |
Only 20 minutes... | 0:39:25 | 0:39:28 | |
Now, watch closely, gentlemen. | 0:39:37 | 0:39:40 | |
This is the heart of the matter. | 0:39:40 | 0:39:43 | |
-Wait, doctor, wait, the child is fainting. -Good, so much the better. | 0:39:43 | 0:39:50 | |
-Pulse? -Slow. Not too alarming. -Let us proceed. | 0:39:50 | 0:39:53 | |
The final step. | 0:39:53 | 0:39:55 | |
Push the ganglia to one side | 0:39:55 | 0:39:59 | |
and make the osseous incision here. | 0:39:59 | 0:40:03 | |
So, it's done. | 0:40:05 | 0:40:08 | |
The repair is effected. | 0:40:09 | 0:40:11 | |
Nothing left to do but replace the tissue | 0:40:11 | 0:40:14 | |
and let nature heal what is no longer a defect, | 0:40:14 | 0:40:19 | |
-merely a wound. -Bravo. | 0:40:19 | 0:40:23 | |
In a second, you can consider her YOUR patient, Fettes. | 0:40:23 | 0:40:28 | |
-Doctor... -What's wrong with you? | 0:40:35 | 0:40:38 | |
Creeping about! What do you want? | 0:40:38 | 0:40:42 | |
-Mr Gray... -I don't want to speak with him. | 0:40:42 | 0:40:45 | |
Say there will be no more business between us. | 0:40:45 | 0:40:48 | |
Good afternoon, Toddy. | 0:40:48 | 0:40:51 | |
Well, I'm to have the pleasure of speaking to him myself. You can go. | 0:40:51 | 0:40:56 | |
That wasn't a friendly thing I heard, Toddy. | 0:41:01 | 0:41:05 | |
That has nothing to do with it. | 0:41:05 | 0:41:07 | |
I'm doing more lecturing and less dissection. It's for the students. | 0:41:07 | 0:41:12 | |
You know what you want and what you don't. | 0:41:12 | 0:41:16 | |
There's the end of our business. | 0:41:16 | 0:41:19 | |
But we'll still be friends, Toddy. | 0:41:19 | 0:41:22 | |
I'll be stopping by to see you and Meg, for auld lang syne. | 0:41:22 | 0:41:27 | |
I suppose I can't prevent that, | 0:41:27 | 0:41:30 | |
for auld lang syne. | 0:41:30 | 0:41:33 | |
And do you think you're getting rid of me, Toddy? | 0:41:38 | 0:41:43 | |
HE LAUGHS | 0:41:43 | 0:41:45 | |
I would like to speak to you. | 0:41:53 | 0:41:57 | |
-I presume you shall. This won't be my last visit. -Alone. | 0:41:57 | 0:42:01 | |
-I saw something. I heard... -What did you hear? -I know... | 0:42:01 | 0:42:05 | |
Maybe some other time. | 0:42:05 | 0:42:08 | |
You'll have ample opportunity. | 0:42:08 | 0:42:12 | |
-Good afternoon, Master Fettes. -Good afternoon. | 0:42:12 | 0:42:18 | |
I just saw Gray. What was he laughing at? | 0:42:18 | 0:42:21 | |
Perhaps his horse tickled him in the rib. | 0:42:21 | 0:42:25 | |
Mrs Marsh says the incision has healed clean and fine, | 0:42:25 | 0:42:30 | |
but Georgina has no desire to walk. | 0:42:30 | 0:42:33 | |
When she's ready, bring her to me. | 0:42:33 | 0:42:36 | |
-Do you know what happiness you've brought to them? -That's the way of it, Fettes. Bring the lassie to me. | 0:42:36 | 0:42:44 | |
Don't you want to find the white horse? | 0:42:49 | 0:42:52 | |
-You can't do it from there. You have to walk. -I can't! | 0:42:52 | 0:42:57 | |
You can't? Don't bribe her with childishness. Let her walk. | 0:42:57 | 0:43:03 | |
Her spine's all right. I know it is! | 0:43:03 | 0:43:06 | |
-She must WANT to walk. -She's a cripple. Of course she does! | 0:43:06 | 0:43:11 | |
Child, get up out of that chair and walk! | 0:43:11 | 0:43:15 | |
I ask you to do a simple thing. Raise yourself with your hands to a standing posture, | 0:43:18 | 0:43:24 | |
then step out with your left foot. | 0:43:24 | 0:43:28 | |
Try it. I say, try it. | 0:43:28 | 0:43:31 | |
Lift yourself up now. | 0:43:31 | 0:43:34 | |
Good. Now step out. | 0:43:36 | 0:43:38 | |
-Step out! -I can't. | 0:43:38 | 0:43:41 | |
I can't. My legs won't move! | 0:43:41 | 0:43:45 | |
-Nonsense. They will! -Georgina's a good child, a brave child. | 0:43:45 | 0:43:50 | |
You saw her in the operation. | 0:43:50 | 0:43:53 | |
-She says she can't move. -But everything's in place. -She would if she could. | 0:43:53 | 0:44:00 | |
Then, all my surgery is no good. | 0:44:00 | 0:44:02 | |
There's something wrong with the child. | 0:44:02 | 0:44:06 | |
Something I don't know. | 0:44:06 | 0:44:08 | |
Something I can't diagnose. | 0:44:08 | 0:44:11 | |
I can do nothing for her. | 0:44:11 | 0:44:15 | |
See Mrs Marsh home. I'll be at Hobbs'. | 0:44:15 | 0:44:18 | |
-Join me there later. -Yes, sir. | 0:44:18 | 0:44:21 | |
Do you have a fare for me - a gentleman taken with his wine? | 0:44:40 | 0:44:43 | |
-MacFarlane will want to be freighted home. -Dr MacFarlane? | 0:44:43 | 0:44:49 | |
-He's as stiff as the bodies he deals with. -I'll look in on him. | 0:44:49 | 0:44:54 | |
-Toddy. -Oh, it's you, Gray. Come in. Have a glass with me. | 0:45:04 | 0:45:11 | |
Uncommon friendly tonight, Toddy - more like the old days. | 0:45:11 | 0:45:16 | |
I want someone to talk to. Fettes went off with the widow. | 0:45:16 | 0:45:21 | |
You know something of the human body. | 0:45:21 | 0:45:24 | |
I've had...some experience. | 0:45:24 | 0:45:27 | |
You'll understand. The backbone is a lot of little blocks. | 0:45:27 | 0:45:32 | |
The blocks are held together, so it works like that whip of yours. | 0:45:32 | 0:45:37 | |
-You know that? -I've never had it explained by a learned man. | 0:45:37 | 0:45:42 | |
I set them, patched the muscles, put the nerves straight. | 0:45:42 | 0:45:46 | |
I did it and I did it right, but she won't walk. | 0:45:46 | 0:45:50 | |
-Oh, it's the girl Fettes was talking about. -The same. | 0:45:50 | 0:45:56 | |
Look here, Gray. I fitted them together, like this, | 0:45:56 | 0:46:00 | |
so that it was right, and yet she won't walk. | 0:46:03 | 0:46:09 | |
You can't build life putting blocks together. | 0:46:09 | 0:46:12 | |
I'm an anatomist. I know how things work. | 0:46:12 | 0:46:15 | |
You're a fool, and no doctor. You only know the dead. | 0:46:15 | 0:46:19 | |
-I am. I teach medicine. -Like Knox and I taught you? | 0:46:19 | 0:46:24 | |
In cellars and graveyards? | 0:46:24 | 0:46:27 | |
-Did Knox say what makes the blood flow? -The heart pumps it. | 0:46:27 | 0:46:31 | |
And why are things remembered and forgot? | 0:46:31 | 0:46:35 | |
-The nerve centre, the brain. -What makes a thought start? -The brain! | 0:46:35 | 0:46:41 | |
You don't know and you never will. | 0:46:41 | 0:46:43 | |
Not from Knox nor me would you learn that. | 0:46:43 | 0:46:47 | |
Look. Look at yourself. | 0:46:47 | 0:46:50 | |
Could you be a healing man, with the things those eyes have seen? | 0:46:50 | 0:46:55 | |
You've a lot of knowledge, but no understanding. | 0:46:55 | 0:47:00 | |
-You'll not get that from me. -I AM a doctor, a good one. | 0:47:00 | 0:47:04 | |
-I could make her walk, but she won't. -Have another glass. | 0:47:04 | 0:47:09 | |
I'll take you home. Now you know you're Knox's man and my friend. | 0:47:09 | 0:47:16 | |
-Forever. -I'm my own man. I'll have no more to do with you. What do you hold over me? | 0:47:16 | 0:47:22 | |
I stood in the witness box and took what should have been coming to YOU. | 0:47:26 | 0:47:30 | |
I ran through the streets with the mob yelling for my blood | 0:47:30 | 0:47:34 | |
because you were afraid. You still are. | 0:47:34 | 0:47:37 | |
No, I'm not. Shout it from the housetops. | 0:47:37 | 0:47:41 | |
Dr Knox is a gentleman in London. | 0:47:41 | 0:47:44 | |
Aye. There's something in what you say. | 0:47:46 | 0:47:49 | |
Yes, and if you've any regard for your neck, | 0:47:49 | 0:47:53 | |
stay away from my house, my school and from me! | 0:47:53 | 0:47:57 | |
Well, I've no wish for a rope cravat. | 0:47:57 | 0:48:02 | |
I never liked the smell o' hemp. | 0:48:02 | 0:48:06 | |
So I'll bid you good night, Dr MacFarlane. | 0:48:06 | 0:48:12 | |
THE DOOR SLAMS | 0:48:32 | 0:48:34 | |
Ah, Dr MacFarlane's man. | 0:48:34 | 0:48:37 | |
A surprise visit. Come in. | 0:48:37 | 0:48:39 | |
Come in. | 0:48:39 | 0:48:41 | |
You're welcome to my little nest. | 0:48:49 | 0:48:52 | |
Joseph, is it not? | 0:48:52 | 0:48:54 | |
Yes, that's right. | 0:48:54 | 0:48:57 | |
-You have something to say to me? -Yes. | 0:48:59 | 0:49:03 | |
Something very private? | 0:49:03 | 0:49:07 | |
That's very interesting. Take a chair, Joseph. | 0:49:07 | 0:49:10 | |
CAT MEOWS | 0:49:20 | 0:49:23 | |
-Can anyone hear what we say? -Only Brother. | 0:49:28 | 0:49:32 | |
I know you kill people to sell bodies. | 0:49:32 | 0:49:36 | |
You say you came here for your own account? | 0:49:38 | 0:49:41 | |
No-one knows you are here? | 0:49:41 | 0:49:44 | |
Give me money, or I tell the police you murder the subjects. | 0:49:44 | 0:49:48 | |
Well, Joseph, you shall have money. | 0:49:53 | 0:49:56 | |
Why should you not? | 0:49:56 | 0:49:58 | |
I don't suppose Dr MacFarlane is over-lavish with his pay? | 0:50:00 | 0:50:05 | |
-No. -Here, have a glass of this. | 0:50:05 | 0:50:08 | |
You want money? Then you shall have it. | 0:50:11 | 0:50:15 | |
Let me see... | 0:50:15 | 0:50:17 | |
Five, five... | 0:50:18 | 0:50:21 | |
And in gold, six. | 0:50:22 | 0:50:24 | |
Shall we say...sixteen pounds, Joseph? | 0:50:29 | 0:50:32 | |
Yes. | 0:50:32 | 0:50:35 | |
I made you give me money, but you smile. Aren't you angry? | 0:50:37 | 0:50:43 | |
No, Joseph! Here, have some more brandy. | 0:50:43 | 0:50:47 | |
I'll wager it's better than the doctor's, eh? Drink up, man! | 0:50:47 | 0:50:53 | |
I have an idea, a splendid idea. | 0:50:53 | 0:50:56 | |
So good an idea, we must drink on it. | 0:50:56 | 0:51:02 | |
I admire you. It took courage to come here. I need such a man. | 0:51:02 | 0:51:07 | |
But drink, Joseph, drink! | 0:51:07 | 0:51:11 | |
You and I should work together. | 0:51:11 | 0:51:16 | |
Sell bodies to the doctors together? We dig them up? | 0:51:16 | 0:51:20 | |
We'll do no digging. The kirkyards are guarded. | 0:51:20 | 0:51:26 | |
-We'll Burke them. -Burke them? | 0:51:26 | 0:51:31 | |
-You're lately come to Scotland? -Yes. | 0:51:31 | 0:51:35 | |
But you may have heard the peddlers of verse try their names down the street. | 0:51:35 | 0:51:40 | |
# The rough young dogs the hellish pair | 0:51:40 | 0:51:43 | |
# The villain Burke, the meagre Hare. # | 0:51:43 | 0:51:46 | |
Never heard of it, what did they do? | 0:51:46 | 0:51:48 | |
18 people they killed and sold the bodies to Dr Knox - | 0:51:48 | 0:51:52 | |
£10 for a large, £8 for a small. That's good business! | 0:51:52 | 0:51:56 | |
Where did they get the people? | 0:51:56 | 0:51:58 | |
That was Hare's end. | 0:51:58 | 0:51:59 | |
Oh, you should have seen him. When he saw some old dame | 0:51:59 | 0:52:03 | |
deep in drink how he cousined her. | 0:52:03 | 0:52:06 | |
"Good day to you, Madam. Would you like a little glass of something before you take your rest? | 0:52:06 | 0:52:12 | |
"Come with me to my house and you shall be my guest. | 0:52:12 | 0:52:15 | |
"You shall have ports to drink if you like." Oh, how he cousined them. | 0:52:15 | 0:52:20 | |
He can't do that. | 0:52:20 | 0:52:22 | |
When he get them there, then what? | 0:52:22 | 0:52:25 | |
# Nor did they handle axe or knife to take the victim's life away | 0:52:25 | 0:52:30 | |
# No sooner done than in the chest | 0:52:30 | 0:52:32 | |
# They crammed their late-visit welcome guest. # | 0:52:32 | 0:52:35 | |
I don't understand the song. Tell me plain how they did it? | 0:52:35 | 0:52:40 | |
I'll show you how... I'll show you how they Burked them. | 0:52:40 | 0:52:47 | |
No... | 0:52:47 | 0:52:50 | |
Put your hand down. How can I show you, man? | 0:52:50 | 0:52:55 | |
This is how they did it, Joseph. | 0:52:55 | 0:52:58 | |
HE HUMS "Highland Laddie" | 0:54:42 | 0:54:47 | |
HE RIPS UP MATERIAL | 0:54:56 | 0:54:59 | |
SPLASH | 0:55:03 | 0:55:06 | |
You've no need to be anxious, Meg. MacFarlane will be back in time. | 0:55:26 | 0:55:31 | |
-I can keep you company. -I call that no good fortune. | 0:55:31 | 0:55:36 | |
There was a time, lass, when I used to bring the doctor to your door, | 0:55:36 | 0:55:42 | |
that you weren't so cold to your old friend Gray. | 0:55:42 | 0:55:46 | |
Why are you at him all the time? | 0:55:46 | 0:55:49 | |
He's my friend. I like to see my friends. | 0:55:49 | 0:55:53 | |
I like to visit them. | 0:55:53 | 0:55:55 | |
A DOOR OPENS Well, he's come home. | 0:55:55 | 0:55:59 | |
You've no need to stay. | 0:55:59 | 0:56:02 | |
Gray, what are you doing here? | 0:56:07 | 0:56:10 | |
-Having a glass with my old crony. -Crony indeed! | 0:56:10 | 0:56:14 | |
-Get out, Gray. -I brought you a present. In very good condition. | 0:56:14 | 0:56:20 | |
-I ordered nothing from you. -This is a gift. | 0:56:20 | 0:56:23 | |
-I take no gifts from you. -You'll take this one. | 0:56:23 | 0:56:27 | |
-I told you to get out. -Toddy, that's not friendly. I want to discuss business. | 0:56:27 | 0:56:34 | |
You are not to come here again for any reason, | 0:56:34 | 0:56:38 | |
-and you're getting out now. -I wouldn't do it, Toddy. | 0:56:38 | 0:56:41 | |
It might become known when Dr MacFarlane finds his anatomy school without subjects, | 0:56:46 | 0:56:52 | |
he provides them himself from the midst of his own household. | 0:56:52 | 0:56:58 | |
What are you talking about? | 0:56:58 | 0:57:01 | |
Take a look downstairs, Toddy. | 0:57:01 | 0:57:03 | |
Take a look downstairs. | 0:57:06 | 0:57:11 | |
-Where's Fettes? -I'll get him. | 0:57:13 | 0:57:17 | |
-Fettes, were you down here when Gray came? -No. | 0:57:31 | 0:57:35 | |
Bring that candle over here. | 0:57:35 | 0:57:38 | |
A member of his household. | 0:57:55 | 0:57:58 | |
The more things are wrong, the more we must act as if things were right. | 0:57:58 | 0:58:02 | |
-Do as you did with the singer. -No. | 0:58:02 | 0:58:06 | |
-What do you mean? -I'll have no more to do with it. | 0:58:06 | 0:58:10 | |
You can't begin and then stop. | 0:58:10 | 0:58:12 | |
The entry of the girl's body is in your writing. I'll attend to Gray. | 0:58:12 | 0:58:19 | |
-You're not going! -He must leave me alone. -No! No! | 0:58:19 | 0:58:24 | |
-Mistress Cameron, this is no place for you. -You must leave. | 0:58:30 | 0:58:36 | |
-I can't. You heard MacFarlane. -Save yourself. Look at MacFarlane. | 0:58:36 | 0:58:41 | |
-He's a great man. -Is it a great man whom Gray can order to his bidding, | 0:58:41 | 0:58:47 | |
and who, for shame, dare not acknowledge his wife, | 0:58:47 | 0:58:51 | |
so that I must play maidservant for the world's sake and for his success? | 0:58:51 | 0:58:56 | |
He could have been a great man, a good man, and a fine doctor | 0:58:56 | 0:59:01 | |
but there was always the shame of the old life to hold him back, | 0:59:01 | 0:59:06 | |
and Gray, Gray to hound him to his death. | 0:59:06 | 0:59:11 | |
-You're overexcited, Mistress Cameron. -I'm cold as ice. | 0:59:11 | 0:59:17 | |
-But Gray's only a resurrection man. -If he were only that. | 0:59:17 | 0:59:22 | |
He's evil. You will come to know him as MacFarlane does. MacFarlane was to Knox as you are to him. | 0:59:22 | 0:59:30 | |
That's how he met Gray and roistered with him. | 0:59:30 | 0:59:34 | |
Aye, and Gray even brought him to my door, and my love. | 0:59:34 | 0:59:40 | |
There's all that between them and more. | 0:59:40 | 0:59:42 | |
Burke and Hare and Knox. | 0:59:42 | 0:59:44 | |
-But that's long since. -Gray can't threaten me with that. | 0:59:44 | 0:59:47 | |
Gray has not need to threaten you. Do you remember the trail? | 0:59:47 | 0:59:51 | |
I heard my parents speak of it. It was a famous case. | 0:59:51 | 0:59:55 | |
Do you remember the porter who testified against Burke? | 0:59:55 | 0:59:58 | |
-Aye. -They didn't tell you how that porter cried out in the witness box | 0:59:58 | 1:00:02 | |
when the King's Counsellor pressed him hard. | 1:00:02 | 1:00:05 | |
How he cried out that he was shielding a gentleman of consequence. | 1:00:05 | 1:00:09 | |
That porter was Gray. | 1:00:09 | 1:00:12 | |
And the gentleman of consequence, who could swallow the shame of it, | 1:00:12 | 1:00:15 | |
-who took my last paltry savings to hire Gray... -MacFarlane. | 1:00:15 | 1:00:19 | |
Listen to me. I'm one part in love with MacFarlane, and one part fey. | 1:00:19 | 1:00:26 | |
-You're a Lowlander, and don't know what Highlanders call the second sight. -I've heard of it. | 1:00:26 | 1:00:33 | |
It's a gift to my people, and I see MacFarlane and Gray. | 1:00:33 | 1:00:38 | |
The pit yawns for them. | 1:00:38 | 1:00:42 | |
I would have you away from them and safe from the torment. | 1:00:42 | 1:00:45 | |
CAT MEOWS | 1:00:52 | 1:00:55 | |
-This is unexpected, Toddy. -I wanted to see you. | 1:01:21 | 1:01:24 | |
You weren't here, so I waited. What do you want of me, Gray? | 1:01:24 | 1:01:29 | |
Want of you? I want nothing of you, Toddy. | 1:01:29 | 1:01:34 | |
I must be rid of you. You've become an evil cancer, rotting my mind. | 1:01:36 | 1:01:40 | |
-You've made a disease of me, eh? -The only cure is to cut you out. | 1:01:41 | 1:01:47 | |
I'll not leave till I'm sure that I'm rid of you. | 1:01:47 | 1:01:51 | |
-If there's no other way... -You're not threatening a friend? -We've never been friends. | 1:01:51 | 1:01:56 | |
-Here, have a drink of something good. -I've drunk enough. | 1:01:58 | 1:02:04 | |
Another little drop will never do you any harm. | 1:02:04 | 1:02:08 | |
You're getting old and it's a hard life, driving a cab in Edinburgh. | 1:02:08 | 1:02:14 | |
-I have other means of sustenance. -The resurrection business may end. | 1:02:14 | 1:02:20 | |
What I was going to say is this... | 1:02:20 | 1:02:23 | |
Wouldn't you be more comfortable at Leith? | 1:02:23 | 1:02:27 | |
Would you bribe me to let you be? | 1:02:27 | 1:02:30 | |
I'd make you rich. | 1:02:30 | 1:02:32 | |
That wouldn't be as much fun as to have you come and beg. | 1:02:37 | 1:02:41 | |
-Beg? Beg of you, you graveyard rat? -Aye, that is my pleasure. | 1:02:41 | 1:02:47 | |
I beg of you... | 1:02:47 | 1:02:49 | |
-I would lose the fun of having you come back and beg again. -But why? | 1:02:49 | 1:02:54 | |
It would hurt me to see you no more. You're a pleasure to me. | 1:02:54 | 1:03:00 | |
-A pleasure to torment me? -No, to know I can force you to my will. | 1:03:00 | 1:03:05 | |
I am a small man, a humble man. And, being poor, | 1:03:05 | 1:03:10 | |
I have had to do much that I did not want to do. | 1:03:10 | 1:03:13 | |
So long as the great Dr MacFarlane comes to my whistle, | 1:03:13 | 1:03:17 | |
that long am I a man, and if I have not that, I have nothing. | 1:03:17 | 1:03:23 | |
Then I am only a cab man and a grave robber. | 1:03:23 | 1:03:27 | |
You'll never get rid of me, Toddy. | 1:03:27 | 1:03:31 | |
Let be, Toddy. Let be. I've no wish to hurt you. | 1:03:58 | 1:04:03 | |
No, Toddy, you'll never get rid of me. | 1:04:14 | 1:04:19 | |
Don't force me to kill you, Toddy. | 1:04:19 | 1:04:22 | |
My pride has need of you. | 1:04:22 | 1:04:25 | |
That's better, Toddy. | 1:04:38 | 1:04:41 | |
That's more reasonable. | 1:04:41 | 1:04:44 | |
HORSE APPROACHES | 1:05:20 | 1:05:23 | |
Where's Fettes? | 1:05:47 | 1:05:49 | |
He's gone. | 1:05:49 | 1:05:52 | |
I sent him away. I'll not see another boy made miserable like you. | 1:05:52 | 1:05:57 | |
You've been with Gray? | 1:05:59 | 1:06:02 | |
Aye. | 1:06:02 | 1:06:04 | |
You'd better look at the face. | 1:06:04 | 1:06:06 | |
Look at it, Meg. | 1:06:08 | 1:06:10 | |
I'm rid of him forever. He'll not come again, whining and bullying. | 1:06:16 | 1:06:20 | |
Now he'll serve a good purpose, and tomorrow, | 1:06:20 | 1:06:25 | |
when he's been dissected and demonstrated, there's an end to him. | 1:06:25 | 1:06:31 | |
The next day, I'll take his horse and cab to sell at Penicuik fair. | 1:06:31 | 1:06:37 | |
Then, not a trace left... | 1:06:37 | 1:06:40 | |
rid of him forever. | 1:06:40 | 1:06:42 | |
No, Toddy, | 1:06:42 | 1:06:46 | |
you are not rid of him. | 1:06:46 | 1:06:51 | |
CHILDREN LAUGH | 1:06:51 | 1:06:54 | |
-Good morning. -Good morning, Mr Fettes. | 1:06:57 | 1:07:01 | |
- I thought this was a school day. -I left last night. | 1:07:01 | 1:07:05 | |
Left Dr MacFarlane?! | 1:07:05 | 1:07:08 | |
Play by yourself, darling. I'd like to speak to Mr Fettes. | 1:07:08 | 1:07:13 | |
This is serious. What's happened? It isn't because of Georgina? | 1:07:17 | 1:07:22 | |
No. I feel I have learnt nothing. | 1:07:22 | 1:07:26 | |
He taught the mathematics, but not the poetry, of medicine. | 1:07:26 | 1:07:30 | |
HORSE APPROACHES | 1:07:33 | 1:07:36 | |
Mummy! | 1:07:42 | 1:07:44 | |
I feel he had me on a road that led to knowledge, but not healing. | 1:07:44 | 1:07:49 | |
-If he could heal, Georgina would be walking. -I think it was the pain. | 1:07:49 | 1:07:55 | |
Mummy, I'm sure it's the white horse. | 1:08:02 | 1:08:07 | |
She's afraid that if she stands, the pain will come again. | 1:08:07 | 1:08:12 | |
Mummy! I can't see over the wall. | 1:08:25 | 1:08:30 | |
Georgina...you're standing. | 1:08:34 | 1:08:37 | |
-You'll not need that. -I wanted to see the horse. -I have to tell Dr MacFarlane. | 1:08:41 | 1:08:48 | |
KNOCK AT DOOR > | 1:08:48 | 1:08:50 | |
The child has walked. I must tell Dr MacFarlane. | 1:08:54 | 1:08:58 | |
-He's not at home. -Where can I find him? | 1:08:58 | 1:09:01 | |
You don't want to find him. I'll tell him. | 1:09:01 | 1:09:05 | |
I must tell him. Where is he? | 1:09:05 | 1:09:08 | |
There's no standing between a fool and his folly. | 1:09:08 | 1:09:13 | |
-He's at the Fisherman's Tryst, the inn at Penicuik. -I know the inn. | 1:09:13 | 1:09:18 | |
-Use MacFarlane's horse and gig. -I'll be there in an hour. | 1:09:18 | 1:09:23 | |
He couldn't get the better of old Angus, the horse dealer. | 1:09:23 | 1:09:27 | |
A sound horse, a closed carriage, | 1:09:27 | 1:09:30 | |
and I got his price down to £4/10/-. | 1:09:30 | 1:09:33 | |
and worth every bit of ten pounds. | 1:09:33 | 1:09:37 | |
Surely a man who had won so great a victory would buy the loser a drink. | 1:09:37 | 1:09:43 | |
-The man who bought the horse bought you a brandy. -That's civil of him. | 1:09:50 | 1:09:55 | |
# To the lords of convention, 'twas Claver who spoke | 1:09:55 | 1:09:58 | |
# Ere the king's crown go down, there are crowns to be broke | 1:09:58 | 1:10:02 | |
# So each cavalier who loves honour and me, | 1:10:02 | 1:10:04 | |
# Let him follow the bonnets of Bonnie Dundee. # | 1:10:04 | 1:10:07 | |
-Doctor, the Marsh girl stood and walked. -What's that? | 1:10:07 | 1:10:12 | |
She couldn't walk far, but she took a step or two. | 1:10:12 | 1:10:16 | |
-I knew it. I knew it. The moment I was rid of him. -Who? -Gray. | 1:10:16 | 1:10:21 | |
I'm rid of him. | 1:10:21 | 1:10:24 | |
What do you mean about Gray? | 1:10:24 | 1:10:26 | |
I've been able to induce him to leave Edinburgh. | 1:10:26 | 1:10:30 | |
He'll bother me no more. | 1:10:30 | 1:10:33 | |
Drink. | 1:10:33 | 1:10:36 | |
Here's to a good riddance. I'll be a new man, and a better teacher. | 1:10:36 | 1:10:43 | |
Doctors from my school will perform miracles. | 1:10:43 | 1:10:47 | |
# Saddle my horses and call up my men | 1:10:47 | 1:10:49 | |
# Fling all your gates open and let us gae free | 1:10:49 | 1:10:53 | |
# For it's up with the bonnets of Bonnie Dundee | 1:10:53 | 1:10:55 | |
# Come fill up my cup, come fill up my can | 1:10:55 | 1:10:58 | |
# Come saddle my horses and call up my men | 1:10:58 | 1:11:01 | |
# Fling all your gates open and let us gae free | 1:11:01 | 1:11:04 | |
# For it's up with the bonnets of Bonnie Dundee. # | 1:11:04 | 1:11:08 | |
Shh! Still your song. The Praedies are here. | 1:11:08 | 1:11:11 | |
They've buried their sister in Glencorse kirkyard. | 1:11:11 | 1:11:14 | |
Glencorse. That's a lonely cemetery. | 1:11:18 | 1:11:22 | |
-Not a soul for miles. -They'll be thinking of that. | 1:11:22 | 1:11:25 | |
-It's us I'm thinking about. -You've no thought of going there? | 1:11:25 | 1:11:30 | |
Gray's not the only man who can handle a shovel. I've had practice. | 1:11:30 | 1:11:34 | |
-You couldn't do that, Doctor. -I have a new course of lectures. | 1:11:36 | 1:11:41 | |
We need subjects to demonstrate. | 1:11:41 | 1:11:44 | |
-Come on. -No. -I must have subjects. It's the only way I can teach. | 1:11:44 | 1:11:49 | |
The law shall not stop me, nor make me deal with creatures like Gray. | 1:11:49 | 1:11:55 | |
We'll do our own dirty work. Come. | 1:11:55 | 1:11:58 | |
Let me take over, Fettes. | 1:12:25 | 1:12:29 | |
So we can't do without Gray? Hah! | 1:12:40 | 1:12:42 | |
So I'll never be rid of him, eh? | 1:12:42 | 1:12:45 | |
HORSE WHINNIES | 1:12:47 | 1:12:50 | |
THUNDERCLAP | 1:12:54 | 1:12:57 | |
-Shall we put it on the back? -No. There's no room. | 1:12:59 | 1:13:03 | |
Fettes...keep it off me, will you? | 1:13:23 | 1:13:28 | |
Fettes! | 1:13:49 | 1:13:51 | |
-GRAY'S VOICE ECHOES: -'Toddy.' | 1:13:54 | 1:13:57 | |
'Toddy.' | 1:13:57 | 1:14:01 | |
'Toddy... Toddy.' | 1:14:01 | 1:14:07 | |
'Toddy. Toddy.' | 1:14:15 | 1:14:17 | |
'Toddy. Toddy.' | 1:14:17 | 1:14:22 | |
'Toddy...!' | 1:14:22 | 1:14:27 | |
-Whoa. -What's the matter? | 1:14:30 | 1:14:35 | |
-Did you hear something, Fettes? -Nothing but the wind. | 1:14:35 | 1:14:40 | |
Come on. | 1:14:43 | 1:14:46 | |
'Never... Never get rid of me. Never get rid of me. Never get rid of me. | 1:14:51 | 1:14:55 | |
'Never get rid of me. Never get rid of me. | 1:14:55 | 1:14:57 | |
'Never get rid of me. Never get rid of me. Never get rid of me. Never get rid of me. Never get rid of me. | 1:14:57 | 1:15:10 | |
-'Never get rid of me. Never get rid of me. Never! Never! Never!' -Whoa. Whoa. | 1:15:10 | 1:15:17 | |
Fettes, let's have that light. | 1:15:20 | 1:15:21 | |
It's changed. Fettes, I swear, it's changed. | 1:15:27 | 1:15:31 | |
-Changed to what? -Hurry with the lamp. | 1:15:31 | 1:15:35 | |
This is not a woman. Hold the lamp up. I must see her face. | 1:15:40 | 1:15:44 | |
-Gray. -Dr MacFarlane! | 1:15:53 | 1:15:56 | |
-Gray! -HORSE NEIGHS | 1:15:56 | 1:16:00 | |
HE SCREAMS | 1:16:21 | 1:16:23 | |
Subtitles by D Van-Cauter and C Morrison, ITFC, for BBC Subtitling 1999 | 1:17:49 | 1:17:52 |