Browse content similar to The Fugitive. Check below for episodes and series from the same categories and more!
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The following photoplay is timeless. | 0:01:46 | 0:01:48 | |
The story is a true story. | 0:01:48 | 0:01:50 | |
It is also a very old story that is first told in the Bible. | 0:01:50 | 0:01:56 | |
It is timeless and topical. | 0:01:56 | 0:01:58 | |
It is still being played in many parts of the world. | 0:01:58 | 0:02:01 | |
This picture was made in our neighbouring republic of Mexico | 0:02:01 | 0:02:06 | |
at the kind invitation of the Mexican government | 0:02:06 | 0:02:09 | |
and motion picture industry. But the locale is not Mexico, | 0:02:09 | 0:02:14 | |
nor is it supposed to be confused with Mexico. | 0:02:14 | 0:02:17 | |
It is merely a small state, a thousand miles north or south of the Panama Canal | 0:02:17 | 0:02:23 | |
Who knows? | 0:02:23 | 0:02:25 | |
HINGES CREAK | 0:03:23 | 0:03:25 | |
Who are you? | 0:05:07 | 0:05:09 | |
Why are you here? | 0:05:10 | 0:05:12 | |
I belong here. | 0:05:15 | 0:05:18 | |
No. | 0:05:20 | 0:05:22 | |
No. | 0:05:25 | 0:05:27 | |
I know all the men in this village. | 0:05:28 | 0:05:32 | |
Are you from the...police? | 0:05:37 | 0:05:40 | |
I'm hiding from the police. | 0:05:40 | 0:05:42 | |
Oh... | 0:05:44 | 0:05:46 | |
You're a criminal. | 0:05:46 | 0:05:48 | |
Did you steal? | 0:05:48 | 0:05:51 | |
Or did you kill somebody? | 0:05:51 | 0:05:53 | |
No. | 0:05:53 | 0:05:55 | |
I'm a priest. | 0:05:59 | 0:06:01 | |
This was my church. | 0:06:01 | 0:06:03 | |
Please. | 0:06:07 | 0:06:09 | |
What's your name? | 0:06:16 | 0:06:18 | |
Maria Dolores. | 0:06:18 | 0:06:22 | |
And your baby's name? | 0:06:22 | 0:06:24 | |
My name. Maria Dolores. | 0:06:24 | 0:06:26 | |
And your husband? | 0:06:26 | 0:06:28 | |
I have no husband, Father. | 0:06:31 | 0:06:33 | |
This one has not been baptised. | 0:06:36 | 0:06:39 | |
Could you give her a name, Father? | 0:06:41 | 0:06:43 | |
So when she grows up to be married in a church | 0:06:43 | 0:06:47 | |
she can be called by name. | 0:06:47 | 0:06:50 | |
Will there be churches again, Father? | 0:06:52 | 0:06:55 | |
We must hope so. | 0:06:55 | 0:06:57 | |
In the village they have no hope. | 0:06:57 | 0:07:00 | |
They say the priests have all left us, | 0:07:00 | 0:07:04 | |
that the Church is dead. | 0:07:04 | 0:07:07 | |
In the village are many babies that have not been baptised. | 0:07:07 | 0:07:11 | |
Is that why you have been sent here, Father? | 0:07:11 | 0:07:15 | |
Perhaps. | 0:07:19 | 0:07:21 | |
But you are not afraid. | 0:07:22 | 0:07:24 | |
Yes. I am afraid. | 0:07:24 | 0:07:27 | |
Go and summon the others. Tell them to bring their babies. | 0:07:48 | 0:07:52 | |
They would not come for me, Father. | 0:07:52 | 0:07:56 | |
The men, yes. | 0:07:56 | 0:07:58 | |
The women, no. | 0:07:58 | 0:08:01 | |
Perhaps they will come for me. | 0:08:06 | 0:08:09 | |
BELL CLANGS | 0:08:29 | 0:08:31 | |
BELL CLANGS | 0:08:47 | 0:08:49 | |
BELL CLANGS | 0:09:05 | 0:09:07 | |
SHE MOUTHS | 0:09:07 | 0:09:09 | |
# Agua bendita | 0:10:25 | 0:10:29 | |
# Agua bendita | 0:10:29 | 0:10:32 | |
# Sol de la gloria | 0:10:32 | 0:10:36 | |
# Sol de la gloria | 0:10:36 | 0:10:38 | |
# Dulce promesa | 0:10:38 | 0:10:42 | |
# Dulce promesa | 0:10:42 | 0:10:43 | |
# Promesa | 0:10:43 | 0:10:50 | |
# Lava mi culpa | 0:10:50 | 0:10:56 | |
# Lava mi culpa | 0:10:56 | 0:10:59 | |
# Cuida mi alma | 0:10:59 | 0:11:02 | |
# Cuida mi alma | 0:11:02 | 0:11:04 | |
# Dame la luna | 0:11:04 | 0:11:06 | |
# Dame la luna | 0:11:06 | 0:11:08 | |
# Y la devocion | 0:11:08 | 0:11:10 | |
# Y la devocion | 0:11:10 | 0:11:13 | |
# Con este alma | 0:11:17 | 0:11:19 | |
# Con este alma | 0:11:19 | 0:11:23 | |
# Le salvaremos | 0:11:23 | 0:11:25 | |
# Le salvaremos | 0:11:25 | 0:11:27 | |
# Con tu esperanza | 0:11:27 | 0:11:30 | |
# Con tu esperanza | 0:11:30 | 0:11:32 | |
# Y tu caridad | 0:11:33 | 0:11:37 | |
# Agua bendita | 0:11:37 | 0:11:40 | |
# Agua bendita | 0:11:40 | 0:11:43 | |
# Cuerda del cielo | 0:11:43 | 0:11:47 | |
# Salva nuestra | 0:11:47 | 0:11:49 | |
# Salvanos, nuestra, nuestra | 0:11:49 | 0:11:54 | |
-# Felicidad -# Felicidad | 0:11:56 | 0:12:01 | |
CHORUS: # Agua bendita | 0:12:11 | 0:12:17 | |
# Cuerda del cielo | 0:12:17 | 0:12:23 | |
# Agua bendita... # | 0:12:23 | 0:12:28 | |
Maria Dolores, I baptise thee... | 0:12:40 | 0:12:43 | |
FOGHORN BLARES | 0:12:45 | 0:12:47 | |
FOGHORN BLARES | 0:13:36 | 0:13:39 | |
FOGHORN BLARES | 0:13:54 | 0:13:56 | |
Atteeention! | 0:16:10 | 0:16:13 | |
Detail... | 0:16:19 | 0:16:21 | |
diiis-mount! | 0:16:21 | 0:16:23 | |
Diiis-missed! | 0:16:27 | 0:16:30 | |
Where's the chief of police? | 0:16:50 | 0:16:52 | |
I wouldn't know. | 0:16:52 | 0:16:54 | |
You...get out of here! | 0:16:59 | 0:17:01 | |
All right. Bring these people in. | 0:17:01 | 0:17:04 | |
-Drunk and disorderly. -Fine five pesos. | 0:17:11 | 0:17:14 | |
-Drunk and disorderly. -Five pesos. -Alcohol in his possession. -20 pesos. | 0:17:14 | 0:17:20 | |
Your excellency, I have no money. | 0:17:20 | 0:17:22 | |
I am not "your excellency"! | 0:17:23 | 0:17:25 | |
Won't you people ever learn? | 0:17:25 | 0:17:27 | |
I'm an Indian like you are. | 0:17:27 | 0:17:29 | |
Like you. And like you. | 0:17:29 | 0:17:31 | |
And I'm proud of it. | 0:17:31 | 0:17:33 | |
Stand up straight. | 0:17:33 | 0:17:36 | |
Let him work it off cleaning out the cells. | 0:17:36 | 0:17:39 | |
Wearing a holy medal under his shirt. | 0:17:44 | 0:17:46 | |
60 days in the bull pen. | 0:18:01 | 0:18:03 | |
What of the rest? | 0:18:05 | 0:18:07 | |
All drunk. | 0:18:07 | 0:18:09 | |
-Dismiss them. -OK. Come on, outside. Come on. Hurry up. | 0:18:09 | 0:18:13 | |
Everybody outside. Hurry up. | 0:18:13 | 0:18:16 | |
CHEERING | 0:18:16 | 0:18:18 | |
Thank you for doing my work. | 0:18:26 | 0:18:28 | |
Somebody's got to carry on. Well, where were you? | 0:18:28 | 0:18:32 | |
With the governor. | 0:18:32 | 0:18:34 | |
He's in splendid health. | 0:18:34 | 0:18:36 | |
You don't look very happy. | 0:18:36 | 0:18:39 | |
The governor and I are friends. We understand each other. | 0:18:39 | 0:18:43 | |
He asked a few questions about you. | 0:18:43 | 0:18:45 | |
About me? What about me? | 0:18:45 | 0:18:47 | |
Well, he had a copy of your report on his desk. | 0:18:47 | 0:18:51 | |
You know how he feels about the clergy. | 0:18:51 | 0:18:54 | |
I feel the same way. We shot the last priest six months ago. | 0:18:54 | 0:18:58 | |
-The governor doesn't think so. -Well, he's wrong! | 0:18:58 | 0:19:02 | |
The last priest was shot six months ago. | 0:19:02 | 0:19:05 | |
Do you wish to argue with the governor? That's stupid. | 0:19:05 | 0:19:09 | |
He gets information we don't get. There's no doubt about it. | 0:19:09 | 0:19:13 | |
What's the name of this priest? | 0:19:13 | 0:19:17 | |
What's his village? What's his parish? Where was he born? | 0:19:17 | 0:19:21 | |
That's the trouble. Nobody knows anything when it comes to these traitors. | 0:19:21 | 0:19:26 | |
Nobody talks. No-one knows their name. | 0:19:26 | 0:19:30 | |
They go from village to village. People hide them. | 0:19:30 | 0:19:33 | |
Superstitious fools. They'd do anything to hide a priest. | 0:19:33 | 0:19:38 | |
How can we find a man without a photograph? | 0:19:38 | 0:19:41 | |
The governor says we have got one. | 0:19:41 | 0:19:43 | |
You can tell he's a priest by the collar, that's all. | 0:19:51 | 0:19:55 | |
The picture's the best we have. | 0:19:55 | 0:19:57 | |
They look alike. I've shot him a dozen times. | 0:19:57 | 0:20:00 | |
We must have him before the rains come. | 0:20:17 | 0:20:20 | |
I know how to get this man before the rains come. | 0:20:20 | 0:20:23 | |
Do you know what I'll do? Take hostages. | 0:20:23 | 0:20:26 | |
Take a hostage from every village. | 0:20:26 | 0:20:29 | |
And if the people don't report him, | 0:20:29 | 0:20:31 | |
if they don't turn him in, shoot the hostages. | 0:20:31 | 0:20:34 | |
Then take more. It'll cost lives, yes, | 0:20:34 | 0:20:37 | |
but we've got to drive these people out of the country. | 0:20:37 | 0:20:40 | |
HE PLAYS GUITARRILLO | 0:21:17 | 0:21:19 | |
# Pobrecito guajirito | 0:21:22 | 0:21:24 | |
# Pobrecito guajirito | 0:21:24 | 0:21:26 | |
# Que se queda sin cena | 0:21:26 | 0:21:33 | |
# Por en tarde enamorado | 0:21:36 | 0:21:38 | |
# Lo teniamos encerrado | 0:21:38 | 0:21:40 | |
# Y lo vamos a matar | 0:21:40 | 0:21:44 | |
# La vecina de Gonchuto | 0:21:47 | 0:21:49 | |
# Dice que le gusta mucho | 0:21:49 | 0:21:51 | |
# Porque es muy facil amar | 0:21:51 | 0:21:55 | |
# Pues cantaba siendo nueva | 0:21:59 | 0:22:01 | |
# A las cuatro de la gaviota | 0:22:01 | 0:22:03 | |
# Que teniamos amado? # | 0:22:03 | 0:22:08 | |
WHOOPING | 0:22:40 | 0:22:42 | |
GIRL SCREAMS | 0:22:50 | 0:22:52 | |
SCREAMING | 0:22:59 | 0:23:01 | |
HE LAUGHS | 0:25:27 | 0:25:29 | |
BABY CRIES | 0:25:34 | 0:25:36 | |
What are you doing here? | 0:26:22 | 0:26:24 | |
Why did you leave your village? | 0:26:24 | 0:26:28 | |
My father made me leave... | 0:26:28 | 0:26:30 | |
..after you left. | 0:26:32 | 0:26:34 | |
I meant to come back. | 0:26:37 | 0:26:39 | |
I had work to do. | 0:26:39 | 0:26:42 | |
We're making a better world, Maria Dolores... For him, too. | 0:26:42 | 0:26:46 | |
It's a girl... Like me. | 0:26:46 | 0:26:50 | |
What's her name? | 0:26:52 | 0:26:54 | |
My name. | 0:26:54 | 0:26:56 | |
Maria Dolores. | 0:26:56 | 0:26:59 | |
How do you live? | 0:27:12 | 0:27:14 | |
Do you work? | 0:27:14 | 0:27:16 | |
I work...in the canteen. | 0:27:23 | 0:27:26 | |
Ah, Lieutenant. | 0:27:27 | 0:27:30 | |
Ay, you, what are you doing here? Get out of here! | 0:27:30 | 0:27:34 | |
BABY CRIES | 0:27:34 | 0:27:36 | |
I've got them all corralled in the plaza. | 0:27:54 | 0:27:57 | |
Are you the head man of the village? | 0:28:22 | 0:28:25 | |
-Si, senor. -You know what we're here for, don't you? | 0:28:25 | 0:28:29 | |
We're looking for the priest. | 0:28:29 | 0:28:31 | |
Do you know what a priest is? | 0:28:31 | 0:28:33 | |
A traitor to the state. | 0:28:33 | 0:28:36 | |
Anyone who hides him is a traitor, too. | 0:28:36 | 0:28:40 | |
I know he's here. This was his village. | 0:28:40 | 0:28:43 | |
Up there was his church. | 0:28:43 | 0:28:46 | |
This is a very rich village. | 0:28:46 | 0:28:48 | |
It has lots of wax candles. | 0:28:48 | 0:28:50 | |
They were burned last night. There was water in the font. | 0:28:50 | 0:28:54 | |
Where's the priest? Point him out. | 0:28:56 | 0:28:59 | |
You superstitious fools. | 0:28:59 | 0:29:02 | |
Do you still believe what the priests told you? | 0:29:02 | 0:29:05 | |
All they wanted was money. What did they give you? | 0:29:05 | 0:29:09 | |
Anything to eat? Did they feed your children? No! | 0:29:09 | 0:29:13 | |
They filled you full of lies. | 0:29:13 | 0:29:15 | |
They talked about heaven, and said to be meek and humble. | 0:29:15 | 0:29:19 | |
Everything would be fine when you die. | 0:29:19 | 0:29:22 | |
They want you to die, not live. | 0:29:22 | 0:29:24 | |
They preach against the revolution because we want you to live, not die. | 0:29:24 | 0:29:29 | |
Where's the priest? Point him out. | 0:29:29 | 0:29:32 | |
There's a reward of £1,000 pesos. Point him out! | 0:29:34 | 0:29:37 | |
Why don't you trust me? | 0:29:39 | 0:29:41 | |
I'll find this priest. Do you know why? | 0:29:41 | 0:29:45 | |
We're taking hostages. Give up the priest, or we'll shoot them. | 0:29:45 | 0:29:50 | |
Can't you see I'm one of you? | 0:29:50 | 0:29:52 | |
I'm doing this for your own good. | 0:29:52 | 0:29:55 | |
This priest is a coward. | 0:29:55 | 0:29:57 | |
If he was half the man you think, he'd give himself up to save you. | 0:29:57 | 0:30:01 | |
Is it worth hiding a man like this? | 0:30:01 | 0:30:04 | |
Why don't you trust me? Give him up. | 0:30:04 | 0:30:06 | |
I don't want to see any of you die. | 0:30:06 | 0:30:09 | |
You're my own people. Can't you understand I want to give you everything? | 0:30:09 | 0:30:14 | |
All right. | 0:30:18 | 0:30:20 | |
I'll take you. | 0:30:20 | 0:30:22 | |
No! No! | 0:30:22 | 0:30:25 | |
No. | 0:30:25 | 0:30:27 | |
No. | 0:30:27 | 0:30:29 | |
Your excellency, take me. | 0:30:29 | 0:30:33 | |
Why should I take you? | 0:30:33 | 0:30:35 | |
He has a family. They need him. I'm no good. Take me. | 0:30:37 | 0:30:41 | |
If you're no good as a man, you're no good as a hostage. | 0:30:41 | 0:30:45 | |
What will you do now, Father? | 0:31:30 | 0:31:32 | |
I'll go to Puerto Grande. | 0:31:33 | 0:31:36 | |
Sell the mule. | 0:31:36 | 0:31:38 | |
Take a boat. Get out of the country. | 0:31:40 | 0:31:42 | |
It's better that I go, Maria Dolores. | 0:31:47 | 0:31:50 | |
I haven't been a good priest. | 0:31:52 | 0:31:55 | |
I don't understand, Father. | 0:31:57 | 0:32:00 | |
I'm afraid I don't understand myself. | 0:32:01 | 0:32:04 | |
Be careful of the police, Father. | 0:32:10 | 0:32:13 | |
Oh, what a fine mule. | 0:34:24 | 0:34:27 | |
A beautiful mule. | 0:34:27 | 0:34:30 | |
You must be rich. | 0:34:30 | 0:34:32 | |
Have you come a long way? | 0:34:32 | 0:34:35 | |
-How far is it to Puerto Grande? -Two or three days. | 0:34:35 | 0:34:39 | |
With a mule like that, maybe one day. | 0:34:39 | 0:34:43 | |
Why do you want to go to Puerto Grande? | 0:34:43 | 0:34:45 | |
I have business there. | 0:34:45 | 0:34:47 | |
What a beautiful bag. | 0:34:52 | 0:34:54 | |
What do you have in the bag? | 0:34:55 | 0:34:58 | |
Jewels? Money? | 0:34:58 | 0:35:00 | |
A pistol, maybe. | 0:35:04 | 0:35:06 | |
Who is that man? | 0:35:06 | 0:35:09 | |
El Gringo. A very brave man. | 0:35:09 | 0:35:11 | |
He held up a gringo bank - stole 100, killed two or three people. | 0:35:11 | 0:35:15 | |
-Very brave. -Who put that up there? | 0:35:15 | 0:35:19 | |
Why, the police. That's their business. | 0:35:19 | 0:35:21 | |
How long ago were they here? | 0:35:21 | 0:35:24 | |
Oh, two or three days. Don't worry. They won't come back. | 0:35:24 | 0:35:28 | |
Do you think I'm worried? | 0:35:28 | 0:35:30 | |
Why do you ask about the police? | 0:35:32 | 0:35:34 | |
I'm sorry if I offended you about the police. | 0:35:39 | 0:35:42 | |
Don't go. Stay. It's better. The river - it's nice. | 0:35:42 | 0:35:46 | |
It's too hot to travel! | 0:35:46 | 0:35:48 | |
Ah, you went so fast, you almost lost me. | 0:36:34 | 0:36:37 | |
-What do you want? -I'm going to Puerto Grande on business. | 0:36:37 | 0:36:41 | |
It's more safe to travel together. Me, I can protect you. | 0:36:41 | 0:36:45 | |
You wouldn't refuse me, would you, sir? | 0:36:45 | 0:36:48 | |
-Why did you call me sir? -I can see you are an educated man. | 0:36:48 | 0:36:52 | |
But you're tired. There's a place we can stop and you can sleep. | 0:36:52 | 0:36:57 | |
-I'm in a hurry. -Why? It's not good. It's dangerous to travel at night. | 0:36:57 | 0:37:01 | |
Gringos, wild animals, snakes - they eat you up. | 0:37:01 | 0:37:05 | |
-They never touch me because I am a poor man. -I am a poor man. | 0:37:05 | 0:37:09 | |
Oh, no, you have a mule, costly clothes, a rich bag full of money. | 0:37:09 | 0:37:14 | |
But you have no gun to protect you. | 0:37:14 | 0:37:16 | |
Oh, you have a light. | 0:37:27 | 0:37:29 | |
Isn't it beautiful? | 0:37:29 | 0:37:31 | |
A wax candle. | 0:37:33 | 0:37:35 | |
They cost a lot... real wax. | 0:37:35 | 0:37:37 | |
It's the kind they used to have in the churches. | 0:37:37 | 0:37:41 | |
I haven't seen one since the old days. | 0:37:41 | 0:37:43 | |
That makes everything fine. | 0:37:51 | 0:37:54 | |
It's nice to be comfortable. | 0:37:58 | 0:38:01 | |
It must be wonderful to be rich. | 0:38:01 | 0:38:03 | |
Go ahead, sleep. You're tired. | 0:38:05 | 0:38:08 | |
I will watch. | 0:38:08 | 0:38:10 | |
I'm never tired. | 0:38:10 | 0:38:12 | |
Why are you going to the city? | 0:38:14 | 0:38:16 | |
I'm keeping you company. I'm protecting you. | 0:38:16 | 0:38:20 | |
I'm your guide. | 0:38:21 | 0:38:23 | |
You said you had business there. | 0:38:23 | 0:38:26 | |
Me?! When did I say that? Why should I tell you lies? | 0:38:26 | 0:38:30 | |
I'm giving up my time to help you, to guide you. | 0:38:32 | 0:38:36 | |
You would get lost. | 0:38:36 | 0:38:38 | |
You don't trust me, just because I'm trying to do you a good turn! | 0:38:38 | 0:38:42 | |
Because I'm trying to be a good Christian you don't trust me. | 0:38:46 | 0:38:50 | |
You don't trust me. | 0:38:54 | 0:38:56 | |
Ah, good wine. I never had wine like that before. | 0:39:39 | 0:39:42 | |
What a lovely taste. | 0:39:44 | 0:39:47 | |
It's against the law to have wine. See, I'm protecting you. | 0:39:47 | 0:39:52 | |
What's the matter? | 0:39:52 | 0:39:55 | |
It wasn't consecrated, was it? | 0:39:55 | 0:39:57 | |
The wine wasn't blessed... | 0:39:57 | 0:39:59 | |
was it, Father? | 0:39:59 | 0:40:01 | |
-Why do you call me "father"? -Don't be afraid. I'm a good Christian. | 0:40:01 | 0:40:06 | |
You're wrong. | 0:40:06 | 0:40:09 | |
I can find out easily, can't I? | 0:40:09 | 0:40:12 | |
All I have to say is, "Hear my confession, Father." | 0:40:12 | 0:40:15 | |
Bless me, Father, for I have sinned. | 0:40:18 | 0:40:21 | |
You cannot refuse a man in mortal sin, can you, Father? | 0:40:21 | 0:40:25 | |
The light! Don't! | 0:40:25 | 0:40:27 | |
Don't! Father! | 0:40:27 | 0:40:29 | |
Father! | 0:40:29 | 0:40:31 | |
Father! | 0:40:31 | 0:40:33 | |
FOGHORN BLARES | 0:40:59 | 0:41:01 | |
One third class. | 0:41:43 | 0:41:45 | |
FOGHORN BLARES | 0:41:45 | 0:41:47 | |
Well? | 0:41:52 | 0:41:54 | |
-My change. I have six pesos coming. -What change? | 0:41:54 | 0:41:58 | |
Do you accuse me of being a thief? | 0:41:58 | 0:42:00 | |
Move on. Move on! | 0:42:00 | 0:42:02 | |
HE BLOWS WHISTLE | 0:42:06 | 0:42:08 | |
FOGHORN BLARES | 0:42:37 | 0:42:40 | |
< Father? | 0:42:48 | 0:42:50 | |
< Father! | 0:42:58 | 0:43:00 | |
Please, Father. | 0:43:05 | 0:43:07 | |
Why do you call me "father"? | 0:43:19 | 0:43:21 | |
Don't you know me, Father? | 0:43:21 | 0:43:23 | |
I'm Luis. | 0:43:23 | 0:43:25 | |
You gave me first communion. | 0:43:25 | 0:43:28 | |
My mother, she...she is dying. | 0:43:28 | 0:43:30 | |
HORN BLARES | 0:43:30 | 0:43:32 | |
SHIP'S BELL RINGS | 0:43:47 | 0:43:50 | |
FOGHORN BLARES | 0:44:06 | 0:44:08 | |
INCIDENTAL MUSIC DROWNS SPEECH | 0:45:34 | 0:45:36 | |
I have no wine for the Mass. | 0:46:33 | 0:46:35 | |
Is there any in the house? | 0:46:37 | 0:46:40 | |
It's forbidden, Father. | 0:46:40 | 0:46:42 | |
I can't say Mass without wine. | 0:46:43 | 0:46:45 | |
It would be better if I went with him. | 0:47:13 | 0:47:15 | |
ANIMATED CONVERSATION | 0:47:19 | 0:47:21 | |
ORGAN-GRINDER PLAYS | 0:47:31 | 0:47:33 | |
ORGAN DROWNS SPEECH | 0:47:49 | 0:47:51 | |
HE MOUTHS | 0:47:51 | 0:47:56 | |
ORGAN-GRINDER STOPS PLAYING | 0:48:09 | 0:48:11 | |
MUSIC FROM RECORD PLAYER | 0:48:21 | 0:48:23 | |
BELL RINGS | 0:48:47 | 0:48:49 | |
He's a very big man. He's a cousin of the governor. | 0:48:49 | 0:48:53 | |
He can get you brandy. | 0:48:53 | 0:48:55 | |
-I don't want brandy. -What do you want? | 0:48:55 | 0:48:58 | |
-I told you - wine. -Wine is hard to get. | 0:48:58 | 0:49:01 | |
It's got to be wine. | 0:49:01 | 0:49:03 | |
So, you want some brandy, do you? | 0:49:06 | 0:49:08 | |
It's against the law. | 0:49:08 | 0:49:10 | |
Not brandy. I don't want brandy. | 0:49:10 | 0:49:12 | |
Isn't beer good enough for you? I could have you arrested. | 0:49:12 | 0:49:17 | |
-I wouldn't have troubled you if this man hadn't told me. -Hey! Just a minute. | 0:49:17 | 0:49:22 | |
Come here. | 0:49:22 | 0:49:24 | |
I'm not a hard man. Sit down. Sit down. | 0:49:24 | 0:49:27 | |
To the contrary, | 0:49:27 | 0:49:29 | |
I always try to oblige my friends... | 0:49:29 | 0:49:31 | |
when it is in my power and does no harm. | 0:49:31 | 0:49:34 | |
I have a position. | 0:49:34 | 0:49:36 | |
You understand? This drink comes to me legally. | 0:49:36 | 0:49:40 | |
-Of course. -I charge what they cost me. | 0:49:40 | 0:49:43 | |
-Of course. -Otherwise I would be a ruined man. | 0:49:43 | 0:49:46 | |
Of course, your excellency. | 0:49:46 | 0:49:49 | |
Are you a talker? | 0:49:49 | 0:49:51 | |
He's my cousin. Not directly, by marriage. | 0:49:51 | 0:49:54 | |
His wife is related to my uncle's sister. | 0:49:54 | 0:49:57 | |
I don't mind you're telling the right people, understand? | 0:49:57 | 0:50:01 | |
-Here. This is good stuff. -That's brandy, excellency. | 0:50:15 | 0:50:19 | |
-Very good brandy. -But I don't want brandy. I want wine. | 0:50:19 | 0:50:23 | |
In these days you take what you get. | 0:50:23 | 0:50:26 | |
I think I'd rather have my 20 pesos back. | 0:50:27 | 0:50:30 | |
-How much? -20 pesos. | 0:50:30 | 0:50:32 | |
Ugh! | 0:50:35 | 0:50:37 | |
How about two bottles of brandy? | 0:50:40 | 0:50:42 | |
One brandy and one wine, excellency, please. | 0:50:42 | 0:50:45 | |
-It's the finest brandy. -I'm a wine drinker. I long for wine. | 0:50:45 | 0:50:50 | |
How about a bottle of gin? | 0:50:50 | 0:50:52 | |
Oh, no. Wine, excellency, please. | 0:50:52 | 0:50:54 | |
I was saving this for the chief of police. He's a great lover of wine. | 0:51:09 | 0:51:14 | |
-Take it or leave it. -Thank you, excellency. Thank you. | 0:51:14 | 0:51:18 | |
Will you honour us by having a drink with us? | 0:51:19 | 0:51:22 | |
I don't mind. It's a hot night. I'll fix you up. | 0:51:22 | 0:51:26 | |
Ah, here we are. Here we are. | 0:51:29 | 0:51:31 | |
Ah, no. Wait, wait. | 0:51:34 | 0:51:36 | |
It's too hot for brandy. | 0:51:36 | 0:51:38 | |
I haven't had a glass of wine in a long time. | 0:51:38 | 0:51:42 | |
Come here. You don't mind if we sample it, do you? | 0:51:43 | 0:51:47 | |
Of course he don't mind. | 0:51:47 | 0:51:49 | |
He wants wine. You don't care where you drink it, eh, cousin? | 0:51:49 | 0:51:53 | |
-Ah, here we are. -If you'll excuse me, I think I'll have brandy. | 0:51:55 | 0:51:59 | |
THEY BOTH LAUGH | 0:51:59 | 0:52:01 | |
What did I tell you? Brandy is what he wanted all the time. I knew it. | 0:52:01 | 0:52:06 | |
Here's to a great man, our governor. | 0:52:07 | 0:52:10 | |
Very good. | 0:52:11 | 0:52:13 | |
To my cousin, on my mother's side. | 0:52:13 | 0:52:15 | |
HE SINGS: "Largo Al Factotum, The Barber Of Seville" by Rossini | 0:52:17 | 0:52:22 | |
# Figaro | 0:52:22 | 0:52:23 | |
# Figaro | 0:52:23 | 0:52:25 | |
# Figaro, figaro, figaro... # | 0:52:25 | 0:52:27 | |
Shut up! | 0:52:27 | 0:52:29 | |
# Figaro...! # | 0:52:29 | 0:52:31 | |
Care for another drink, excellency? | 0:52:31 | 0:52:35 | |
# If you cheat | 0:52:35 | 0:52:36 | |
# If you cheat | 0:52:36 | 0:52:39 | |
# I'll try the wine now | 0:52:39 | 0:52:41 | |
# It's smoother than the brandy. # | 0:52:41 | 0:52:44 | |
Excellency, here you are. | 0:52:44 | 0:52:46 | |
Please. | 0:52:46 | 0:52:48 | |
Cousin, what's wrong? | 0:52:48 | 0:52:50 | |
I'll take some of that wine home. | 0:52:50 | 0:52:52 | |
-What for? -For my friend. | 0:52:52 | 0:52:54 | |
Oh, you have a friend? | 0:52:54 | 0:52:56 | |
Once I had a friend myself. | 0:52:56 | 0:52:58 | |
My mother. | 0:52:58 | 0:53:00 | |
Sit down here, I'll tell you all about it. | 0:53:00 | 0:53:03 | |
Although now she's dead, you know. | 0:53:03 | 0:53:06 | |
Oh? With your permission? | 0:53:06 | 0:53:08 | |
Thank you. Thank you very much. | 0:53:08 | 0:53:11 | |
I think I'll try another one. | 0:53:13 | 0:53:15 | |
In fact, in the future I'll drink nothing else but wine. | 0:53:15 | 0:53:19 | |
How about yourself? | 0:53:19 | 0:53:21 | |
No, thank you. The brandy is much better. | 0:53:21 | 0:53:24 | |
That's right. | 0:53:24 | 0:53:26 | |
That's right! I'll try both. | 0:53:26 | 0:53:28 | |
# Oh-oh | 0:53:28 | 0:53:29 | |
# Oh, oh, oh, try both. # | 0:53:29 | 0:53:36 | |
WOMAN LAUGHS | 0:53:36 | 0:53:38 | |
Come in, come in. | 0:53:44 | 0:53:46 | |
Ah, never mind. We are having a little private party. | 0:53:46 | 0:53:50 | |
Care for a little drink? What have you got? | 0:53:50 | 0:53:53 | |
Wine and brandy. Try both. Very smooth. | 0:53:53 | 0:53:57 | |
What the gringos call a cocktail, I believe. | 0:53:57 | 0:54:00 | |
< Well, I don't mind. | 0:54:01 | 0:54:03 | |
This gentleman isn't drinking. | 0:54:05 | 0:54:07 | |
Oh, here, here. | 0:54:07 | 0:54:09 | |
Here, have a sip. | 0:54:09 | 0:54:12 | |
Have a sip. | 0:54:12 | 0:54:14 | |
That's the thing. | 0:54:14 | 0:54:16 | |
That'll cheer you up. | 0:54:16 | 0:54:18 | |
Another one. | 0:54:18 | 0:54:20 | |
Like a real man. | 0:54:20 | 0:54:22 | |
HE COUGHS | 0:54:23 | 0:54:25 | |
< ORGAN MUSIC | 0:54:26 | 0:54:28 | |
< GOVERNOR'S COUSIN: We want singing! | 0:54:31 | 0:54:34 | |
< GOVERNOR'S COUSIN SINGS | 0:54:35 | 0:54:38 | |
< # Figaro! | 0:54:38 | 0:54:40 | |
< # Figaro. # | 0:54:40 | 0:54:42 | |
CACOPHONY OF MUSIC AND SINGING | 0:54:42 | 0:54:45 | |
HE COUGHS | 0:54:59 | 0:55:01 | |
Brandy, eh? | 0:55:16 | 0:55:18 | |
Let's go. | 0:55:18 | 0:55:20 | |
Take him to the bull pen. | 0:55:25 | 0:55:28 | |
Attention! | 0:55:28 | 0:55:30 | |
-Another one? -Brandy, sir. | 0:55:32 | 0:55:34 | |
Brandy? I see no brandy. | 0:55:34 | 0:55:36 | |
-You can smell it. -I can smell your breath. | 0:55:36 | 0:55:40 | |
Take his name, Sergeant. | 0:55:40 | 0:55:42 | |
Get up! | 0:55:42 | 0:55:44 | |
Bull pen. | 0:55:47 | 0:55:49 | |
Haven't I seen you before? | 0:55:58 | 0:56:00 | |
Get up! | 0:56:20 | 0:56:22 | |
SHRIEKING AND WAILING | 0:56:28 | 0:56:30 | |
SHRIEKING CONTINUES | 0:56:35 | 0:56:37 | |
MARTIAL DRUM BEAT | 0:57:20 | 0:57:23 | |
What are you doing here, Father? | 0:58:01 | 0:58:03 | |
Who caught you? Who gets the reward? | 0:58:03 | 0:58:06 | |
-The man who caught me, I suppose. -Who? Who! -The police. | 0:58:06 | 0:58:10 | |
Traitors! So that's why they got me drunk. | 0:58:10 | 0:58:13 | |
Don't believe a soul these days. | 0:58:13 | 0:58:15 | |
Father, you're an educated man. Advise me. | 0:58:15 | 0:58:18 | |
-Where are they taking him? -Forget him. | 0:58:18 | 0:58:21 | |
I'm poor. I have much to worry about. | 0:58:21 | 0:58:23 | |
-It's your duty to help me. -Tell them now. They'll give you something. | 0:58:23 | 0:58:28 | |
Something! Why shouldn't I get it all, Father? It's mine. | 0:58:28 | 0:58:32 | |
Help me, advise me. | 0:58:32 | 0:58:35 | |
Hey, you. Come here. | 0:58:35 | 0:58:37 | |
The captain wants to see you. | 0:58:39 | 0:58:41 | |
-Where are they taking HIM? -Through the town. It impresses the people. | 0:58:41 | 0:58:46 | |
Stay away from that man. | 0:58:46 | 0:58:48 | |
Brandy, eh? | 0:58:48 | 0:58:51 | |
Very, very serious. | 0:58:53 | 0:58:55 | |
Against the law, you know. | 0:58:55 | 0:58:57 | |
Where's the evidence? | 0:58:58 | 0:59:01 | |
Oh, yes. | 0:59:03 | 0:59:05 | |
The lieutenant broke the bottle. Too bad. | 0:59:05 | 0:59:08 | |
Ask him where he got it. | 0:59:08 | 0:59:10 | |
At the Hotel Splendide. | 0:59:10 | 0:59:12 | |
A poor man like this? At the Splendide? | 0:59:12 | 0:59:15 | |
You got it from a stranger, didn't you? | 0:59:16 | 0:59:19 | |
Yes. | 0:59:19 | 0:59:21 | |
You don't know his name, do you? | 0:59:21 | 0:59:23 | |
No. | 0:59:23 | 0:59:25 | |
< HE CLICKS HEELS | 0:59:25 | 0:59:27 | |
He work all his time? | 0:59:29 | 0:59:31 | |
He's all right. | 0:59:31 | 0:59:33 | |
Dismissed. | 0:59:40 | 0:59:42 | |
All right, fella. All right. | 0:59:48 | 0:59:50 | |
Father, here I am. | 1:00:09 | 1:00:11 | |
TINKLE OF COINS | 1:00:11 | 1:00:13 | |
Father! | 1:00:16 | 1:00:18 | |
Father! | 1:00:18 | 1:00:20 | |
Father! | 1:00:39 | 1:00:41 | |
Father! | 1:00:46 | 1:00:48 | |
DOG BARKS | 1:00:58 | 1:01:00 | |
Father! | 1:01:06 | 1:01:08 | |
Father! | 1:01:08 | 1:01:10 | |
Did you see the priest? I mean, a man. | 1:01:10 | 1:01:13 | |
I was a rich man. I had a million pesos. | 1:01:13 | 1:01:16 | |
Why did I trust him? | 1:01:16 | 1:01:18 | |
Father! | 1:01:18 | 1:01:20 | |
MAN SINGS SONG | 1:02:07 | 1:02:10 | |
# Ya me voy porque tu ya no me quires | 1:02:12 | 1:02:19 | |
# Como yo te quiro | 1:02:19 | 1:02:25 | |
# Adios, chaparita... | 1:02:29 | 1:02:38 | |
# Yo me voy para tierras muy lejanas | 1:02:48 | 1:02:53 | |
# Y ya nunca volvere | 1:02:55 | 1:03:01 | |
# Adios, mi vida | 1:03:05 | 1:03:13 | |
# La causa de mi dolores | 1:03:15 | 1:03:27 | |
# La vere entre | 1:03:27 | 1:03:33 | |
# Las flores | 1:03:33 | 1:03:38 | |
# Y al cantarte mis dolores | 1:03:38 | 1:03:45 | |
# Mi carino, pues... | 1:03:45 | 1:03:51 | |
# Adios. # | 1:03:51 | 1:03:58 | |
It's OK, sister. Give the change to... | 1:04:33 | 1:04:36 | |
Good night, Father. | 1:04:56 | 1:04:58 | |
Please. | 1:05:20 | 1:05:22 | |
Father, we thought you had gone. | 1:05:23 | 1:05:27 | |
We thought you had left this land. | 1:05:27 | 1:05:30 | |
It was not to be. | 1:05:30 | 1:05:32 | |
You must get over the mountains. | 1:05:34 | 1:05:36 | |
That's the only way now. | 1:05:36 | 1:05:39 | |
I'll go with you. | 1:05:40 | 1:05:42 | |
We must start right away. | 1:05:42 | 1:05:44 | |
If I could sleep... | 1:05:46 | 1:05:48 | |
I'll get you some food. | 1:05:48 | 1:05:50 | |
But we must start right away. | 1:05:50 | 1:05:52 | |
Please. | 1:05:53 | 1:05:55 | |
I'm going with you because I know the way. | 1:06:19 | 1:06:22 | |
Besides, we will be in less danger. | 1:06:22 | 1:06:25 | |
They will think I'm your wife and Maria Dolores your baby. | 1:06:25 | 1:06:30 | |
I hope you're not offended, Father. | 1:06:37 | 1:06:40 | |
Are you? | 1:06:42 | 1:06:44 | |
You're not angry, Father? | 1:06:46 | 1:06:48 | |
BABY CRIES | 1:07:07 | 1:07:09 | |
Ssshh. | 1:07:16 | 1:07:18 | |
COCK CROWS | 1:07:29 | 1:07:31 | |
DOG BARKS | 1:07:41 | 1:07:45 | |
HORSES APPROACH | 1:07:48 | 1:07:50 | |
Father! | 1:07:54 | 1:07:56 | |
HORSES PASS BY | 1:07:56 | 1:07:59 | |
< WHOOPING | 1:08:04 | 1:08:06 | |
What's in there? | 1:08:37 | 1:08:39 | |
My baby. Please! She's asleep. | 1:08:39 | 1:08:41 | |
Keep watch for New Boots, will you? | 1:08:49 | 1:08:51 | |
What have you got under here? A priest, maybe? | 1:08:53 | 1:08:57 | |
Maybe a sergeant. | 1:08:58 | 1:09:00 | |
Maybe a drink for a sergeant, huh? | 1:09:00 | 1:09:03 | |
BABY CRIES | 1:09:29 | 1:09:31 | |
Viejo! | 1:09:39 | 1:09:42 | |
How about a little cup, eh? | 1:09:42 | 1:09:46 | |
MAN PLAYS GUITAR | 1:09:59 | 1:10:01 | |
Hey, what have you got in there? | 1:10:07 | 1:10:09 | |
A kiss for a sergeant maybe, huh? | 1:10:11 | 1:10:14 | |
Perhaps. | 1:10:21 | 1:10:23 | |
Awful noisy out here. Let's go inside. | 1:10:33 | 1:10:36 | |
Come on. What are you afraid of? | 1:10:37 | 1:10:39 | |
Don't you want me to dance for you? | 1:10:40 | 1:10:43 | |
Dance? | 1:10:43 | 1:10:45 | |
Sure. Why not? | 1:10:45 | 1:10:47 | |
I can't dance in this dress. | 1:10:48 | 1:10:50 | |
OK. | 1:10:50 | 1:10:52 | |
Go ahead. | 1:10:54 | 1:10:56 | |
Father! Father! | 1:11:08 | 1:11:10 | |
It's the police. | 1:11:10 | 1:11:12 | |
You must get away. | 1:11:12 | 1:11:14 | |
Out through the cornfield. | 1:11:14 | 1:11:16 | |
Get across the river and wait for me. | 1:11:16 | 1:11:19 | |
BABY CRIES | 1:11:27 | 1:11:29 | |
Ssshh! | 1:11:35 | 1:11:37 | |
Sssshhh. | 1:11:38 | 1:11:40 | |
GUITAR INTRO | 1:12:10 | 1:12:12 | |
# Baila come si fuera en una guerra | 1:12:34 | 1:12:36 | |
# Y no me quiso llorar | 1:12:36 | 1:12:38 | |
# Y no me quiso llorar | 1:12:38 | 1:12:41 | |
# Baila como si fuera en una guerra | 1:12:41 | 1:12:44 | |
# Y diga a su companera Vamonos a madrugar... # | 1:12:44 | 1:12:46 | |
Yeee-haa! | 1:12:47 | 1:12:50 | |
WHOOPING | 1:12:51 | 1:12:53 | |
# ..el caballos que estan en el camino... # | 1:12:54 | 1:12:57 | |
What kind of men are you? | 1:13:44 | 1:13:46 | |
Are you swine to be enticed by a girl who shows her legs? | 1:13:46 | 1:13:49 | |
I'll have your stripes, Sergeant. | 1:13:49 | 1:13:52 | |
And you. With your fancy dress and fair legs! What are you? | 1:13:52 | 1:13:56 | |
What are you? | 1:14:00 | 1:14:02 | |
Tell me. | 1:14:02 | 1:14:04 | |
I don't know, Juan Raphael. | 1:14:19 | 1:14:21 | |
What kind of a woman am I? | 1:14:22 | 1:14:24 | |
Did I hurt you, Maria Dolores? | 1:14:31 | 1:14:34 | |
No, Juan Raphael. | 1:14:41 | 1:14:44 | |
No. | 1:14:45 | 1:14:47 | |
GUNSHOTS | 1:14:48 | 1:14:51 | |
They've found the priest. Let's go. | 1:14:52 | 1:14:55 | |
HE BLOWS WHISTLE | 1:14:55 | 1:14:57 | |
BABY CRIES | 1:15:04 | 1:15:06 | |
Maria, quiet! | 1:15:06 | 1:15:08 | |
Go on, Father. Beat it. | 1:15:18 | 1:15:20 | |
POLICE WHISTLE | 1:15:21 | 1:15:23 | |
GUNSHOTS | 1:15:27 | 1:15:29 | |
BABY CRIES | 1:16:03 | 1:16:05 | |
WHOOPING | 1:16:09 | 1:16:12 | |
Get on the other side of that road. | 1:16:18 | 1:16:20 | |
Get the priest! | 1:16:20 | 1:16:22 | |
See anything? | 1:17:03 | 1:17:05 | |
WHOOPING | 1:17:49 | 1:17:51 | |
Five years. | 1:19:42 | 1:19:44 | |
It's a long time. | 1:19:44 | 1:19:46 | |
I know from experience. | 1:19:46 | 1:19:48 | |
You've shown great courage, Father. | 1:19:48 | 1:19:50 | |
Oh, no. | 1:19:50 | 1:19:52 | |
No, it wasn't courage, Doctor. | 1:19:52 | 1:19:55 | |
It was only pride. | 1:19:55 | 1:19:57 | |
Yes, I see it now. | 1:19:57 | 1:19:59 | |
It was pride. | 1:19:59 | 1:20:01 | |
The first year, well, the whole thing seemed fantastic. | 1:20:02 | 1:20:07 | |
I couldn't believe there was any real reason to leave the country. | 1:20:07 | 1:20:12 | |
Things like that have happened before. | 1:20:12 | 1:20:15 | |
I thought I'd stay a month and see if things got better. | 1:20:15 | 1:20:19 | |
And another month. And another month. | 1:20:19 | 1:20:22 | |
-You know how time goes by. -Yes. | 1:20:22 | 1:20:24 | |
Then I began to lose grace. | 1:20:26 | 1:20:28 | |
I began to have pride. | 1:20:29 | 1:20:31 | |
I began to think I was a brave man. | 1:20:33 | 1:20:35 | |
Who knows? A martyr. | 1:20:36 | 1:20:39 | |
I suddenly realised I was the only priest left in the country. | 1:20:40 | 1:20:44 | |
Those who weren't shot had left. | 1:20:44 | 1:20:47 | |
I can't blame them. They were quite right to go. | 1:20:47 | 1:20:50 | |
But in my growing pride, I couldn't understand that. | 1:20:50 | 1:20:56 | |
-Dangerous. -Don't be so hard on yourself, Father. | 1:20:56 | 1:21:00 | |
A man is entitled to a little pride. | 1:21:00 | 1:21:02 | |
Not in my profession. | 1:21:04 | 1:21:06 | |
I was building a fine lie and wearing it like a proud cloak. | 1:21:06 | 1:21:10 | |
The strange thing is that, | 1:21:13 | 1:21:15 | |
all the time, | 1:21:15 | 1:21:18 | |
I knew in here I wasn't cut out to be a martyr. | 1:21:18 | 1:21:21 | |
When the real test came, | 1:21:21 | 1:21:23 | |
I couldn't measure up. | 1:21:23 | 1:21:25 | |
I didn't have the courage. | 1:21:25 | 1:21:27 | |
I was afraid to give myself up. | 1:21:27 | 1:21:29 | |
I let men die for me. | 1:21:33 | 1:21:35 | |
Innocent people. | 1:21:35 | 1:21:37 | |
Doctor, it's time for Father's nap. | 1:21:37 | 1:21:40 | |
Thank you. | 1:21:40 | 1:21:42 | |
Thank you, Doctor. | 1:21:49 | 1:21:51 | |
WINDOW OPENS | 1:22:13 | 1:22:15 | |
Father, don't be frightened, Father. I'm your friend. | 1:22:23 | 1:22:27 | |
I'm here on an errand of mercy. | 1:22:27 | 1:22:29 | |
-Have you brought the police with you? -The police? | 1:22:29 | 1:22:33 | |
No, I'm here to do good. Believe me, Father. | 1:22:33 | 1:22:36 | |
I want to make up for my sins. | 1:22:36 | 1:22:38 | |
I have two mules outside. | 1:22:38 | 1:22:40 | |
Hurry, Father. The man is dying. | 1:22:40 | 1:22:44 | |
What man? | 1:22:44 | 1:22:46 | |
The gringo. The Americano. The man the police want. | 1:22:46 | 1:22:50 | |
He robbed a bank. | 1:22:50 | 1:22:52 | |
You know the man I mean. | 1:22:52 | 1:22:54 | |
He's dying, Father. He wants you to come. | 1:22:54 | 1:22:58 | |
You cannot refuse a man who is dying, Father. | 1:22:58 | 1:23:01 | |
He has so much to confess. | 1:23:01 | 1:23:04 | |
He's never betrayed his friends. | 1:23:04 | 1:23:06 | |
Neither have I. | 1:23:06 | 1:23:09 | |
Neither have I! | 1:23:09 | 1:23:11 | |
You don't trust me. | 1:23:11 | 1:23:13 | |
Go away. Do you think I'm a fool? | 1:23:13 | 1:23:15 | |
The man is dying. He wants a priest. | 1:23:15 | 1:23:18 | |
You're lying. | 1:23:18 | 1:23:20 | |
No. No. | 1:23:20 | 1:23:23 | |
I'll prove it. | 1:23:23 | 1:23:25 | |
No, the other side. | 1:23:39 | 1:23:41 | |
-Will he still be alive? -Yes! Yes, yes, Father. | 1:23:52 | 1:23:55 | |
Father, did you call? | 1:24:00 | 1:24:03 | |
Father? | 1:24:07 | 1:24:09 | |
Beat it, Father. | 1:24:42 | 1:24:44 | |
When did you last receive the sacraments? | 1:24:44 | 1:24:48 | |
Ten... | 1:24:48 | 1:24:50 | |
15 years, I guess. | 1:24:50 | 1:24:52 | |
Beat it, Father. | 1:24:53 | 1:24:56 | |
Don't you want to confess? | 1:24:56 | 1:24:58 | |
No. | 1:25:01 | 1:25:03 | |
No. | 1:25:03 | 1:25:05 | |
You did when you wrote this. | 1:25:05 | 1:25:07 | |
I...I didn't write that, Father. | 1:25:09 | 1:25:12 | |
Beat it. | 1:25:13 | 1:25:15 | |
Get out of here. Don't be a sap. | 1:25:15 | 1:25:18 | |
-Remember... -Get away. | 1:25:19 | 1:25:21 | |
You're dying. | 1:25:21 | 1:25:23 | |
You're given this chance to confess. You won't have another. | 1:25:23 | 1:25:28 | |
-Father... -Yes? | 1:25:33 | 1:25:35 | |
Father, | 1:25:35 | 1:25:37 | |
I can't get...get my gun | 1:25:37 | 1:25:41 | |
under my shoulder. | 1:25:41 | 1:25:43 | |
Get my gun, Father, you're going to need it. | 1:25:44 | 1:25:47 | |
You have no gun. | 1:25:49 | 1:25:51 | |
Lie still, it's not there. | 1:25:52 | 1:25:54 | |
Listen to me. | 1:25:54 | 1:25:56 | |
You believed once. | 1:25:56 | 1:25:58 | |
Try and understand. | 1:25:58 | 1:26:00 | |
This is your chance. Like the last moment. Like the thief on the cross. | 1:26:00 | 1:26:05 | |
You've sinned but that only belongs to this life. | 1:26:05 | 1:26:09 | |
Forget about me, Father. | 1:26:09 | 1:26:11 | |
Skip it. Skip it! Take care... | 1:26:11 | 1:26:13 | |
Uggh! | 1:26:22 | 1:26:24 | |
Oh, merciful father, | 1:26:28 | 1:26:30 | |
the souls of the departed | 1:26:30 | 1:26:33 | |
through the mercy of God, rest in peace. | 1:26:33 | 1:26:37 | |
Amen. | 1:26:37 | 1:26:39 | |
# Promesa | 1:26:43 | 1:26:50 | |
# Lava mi culpa | 1:26:51 | 1:26:54 | |
# Lava mi culpa | 1:26:54 | 1:26:58 | |
# Cuida mi alma | 1:26:58 | 1:27:01 | |
# Cuida mi alma | 1:27:01 | 1:27:04 | |
# Dame la luna | 1:27:04 | 1:27:06 | |
# Dame la luna | 1:27:06 | 1:27:07 | |
# Y la devocion | 1:27:07 | 1:27:10 | |
# Y la devocion | 1:27:10 | 1:27:15 | |
# Con este alma | 1:27:18 | 1:27:21 | |
# Con este alma | 1:27:21 | 1:27:23 | |
# Le salvaremos | 1:27:23 | 1:27:26 | |
# Le salvaremos. # | 1:27:26 | 1:27:27 | |
Have you finished? | 1:27:27 | 1:27:29 | |
Yes, I've finished. | 1:27:29 | 1:27:31 | |
You've been tried and found guilty. | 1:27:52 | 1:27:55 | |
-Couldn't I have been present at my own trial? -It wouldn't have mattered. | 1:27:55 | 1:28:00 | |
-I... -In the morning. | 1:28:00 | 1:28:02 | |
I brought you a lamp. | 1:28:02 | 1:28:04 | |
It's hard to be alone on a night like this. | 1:28:09 | 1:28:12 | |
I'd rather be alone. | 1:28:12 | 1:28:14 | |
I have so much to think about. | 1:28:14 | 1:28:17 | |
May I ask you a question, Lieutenant? | 1:28:20 | 1:28:23 | |
When did you lose your faith? | 1:28:23 | 1:28:25 | |
When I found a better one. | 1:28:25 | 1:28:27 | |
Look, Priest, | 1:28:27 | 1:28:29 | |
I have nothing against you as a man. | 1:28:29 | 1:28:32 | |
Oh, I know that. | 1:28:32 | 1:28:34 | |
I'm the sort of man you lock up every day | 1:28:34 | 1:28:36 | |
and give money to. | 1:28:36 | 1:28:39 | |
I hate your arguments. | 1:28:39 | 1:28:41 | |
If you see somebody in pain, | 1:28:41 | 1:28:43 | |
you say, "Perhaps pain is a good thing." | 1:28:43 | 1:28:46 | |
Now you're shivering in your boots because you're afraid of pain. | 1:28:46 | 1:28:50 | |
But I'm not a saint. | 1:28:50 | 1:28:53 | |
I'm not even a brave man. | 1:28:53 | 1:28:55 | |
I'm a coward. | 1:28:56 | 1:28:58 | |
The priesthood is large. It's tremendous. | 1:28:59 | 1:29:03 | |
I was always too small for it. | 1:29:03 | 1:29:05 | |
THUNDER CLAPS | 1:29:05 | 1:29:07 | |
Do you know what's very strange? | 1:29:16 | 1:29:18 | |
I'm beginning not to be afraid. | 1:29:19 | 1:29:22 | |
Even you believe in God. | 1:29:24 | 1:29:26 | |
-That's not true. -Of course you believe. That's why you're afraid. | 1:29:26 | 1:29:30 | |
-You want to kill God but you can't do it. -That's a lot of nonsense. | 1:29:30 | 1:29:35 | |
Don't tell me you're not afraid. | 1:29:35 | 1:29:37 | |
-Listen, do you want to die? -No. | 1:29:37 | 1:29:40 | |
I can help. I'll go to the governor. | 1:29:40 | 1:29:42 | |
Renounce your faith. Tell the people you've been telling them lies. | 1:29:42 | 1:29:47 | |
I'm sorry, Lieutenant. | 1:29:47 | 1:29:49 | |
In the village | 1:30:01 | 1:30:04 | |
there's an Indian woman, | 1:30:04 | 1:30:06 | |
Maria Dolores. | 1:30:07 | 1:30:09 | |
Yes, a good woman. | 1:30:09 | 1:30:11 | |
You baptised her child, didn't you? | 1:30:12 | 1:30:15 | |
Yes. | 1:30:15 | 1:30:17 | |
Can I get you some brandy? | 1:30:20 | 1:30:22 | |
It'll make it easier in the morning. | 1:30:22 | 1:30:24 | |
That's very kind of you but no thanks. | 1:30:24 | 1:30:27 | |
It'll make you forget. | 1:30:27 | 1:30:29 | |
No. | 1:30:29 | 1:30:31 | |
I want to live my death. | 1:30:31 | 1:30:33 | |
Father! | 1:30:58 | 1:31:00 | |
Father! | 1:31:03 | 1:31:05 | |
CHORAL SINGING | 1:31:08 | 1:31:10 | |
BUGLE PLAYS REVEILLE | 1:32:28 | 1:32:30 | |
Ready. | 1:32:54 | 1:32:56 | |
Get going. | 1:33:04 | 1:33:06 | |
Well? That's the last one, eh? | 1:33:19 | 1:33:21 | |
If you want me, I'll be in the Hotel Splendide. | 1:33:23 | 1:33:26 | |
Squad, ho! | 1:33:34 | 1:33:36 | |
About face! | 1:33:37 | 1:33:39 | |
Are you all right? | 1:33:56 | 1:33:58 | |
Yes, thank you. | 1:33:58 | 1:34:00 | |
Forward, huh! | 1:34:10 | 1:34:13 | |
Your blessing, Father. Your blessing. | 1:34:46 | 1:34:49 | |
-You can't sell a blessing. -Forward! | 1:34:49 | 1:34:52 | |
Go home and pray. Give the money to the poor. | 1:34:52 | 1:34:55 | |
March! | 1:34:55 | 1:34:57 | |
MUTTERED PRAYERS | 1:35:29 | 1:35:31 | |
GUNSHOT | 1:35:46 | 1:35:48 | |
GUNSHOT | 1:35:55 | 1:35:57 | |
KNOCK ON DOOR | 1:36:14 | 1:36:16 | |
KNOCK ON DOOR | 1:36:20 | 1:36:22 | |
I am the new priest. | 1:36:38 | 1:36:40 | |
I am Father Serra. | 1:36:40 | 1:36:42 | |
Subtitles by Lisa Bloomer and Patrick McDonnell, ITFC, for BBC Subtitling - 2000 | 1:37:02 | 1:37:08 | |
E-mail us at [email protected] | 1:37:08 | 1:37:13 |