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This film contains some scenes of a sexual nature. | 0:00:04 | 0:00:09 | |
Darling? | 0:01:11 | 0:01:13 | |
Oh, darling. | 0:01:48 | 0:01:50 | |
But sex. | 0:02:15 | 0:02:17 | |
You are 23. | 0:02:17 | 0:02:19 | |
Not an easy age for abstinence, is it? | 0:02:19 | 0:02:22 | |
Tolstoy does not approve of sexual relations. I know this. | 0:02:22 | 0:02:25 | |
He despises them, in fact. | 0:02:25 | 0:02:27 | |
Well, I don't mean to belabour the point, but... | 0:02:28 | 0:02:31 | |
last summer I arranged for a manservant who proceeded to ruin two housemaids, just like that. | 0:02:31 | 0:02:37 | |
-He was very upset. -This would not be a problem with me. I'm a vegetarian. | 0:02:37 | 0:02:41 | |
I am celibate. I'm also a vegetarian. | 0:02:41 | 0:02:44 | |
My dear boy, if you were to become Tolstoy's private secretary, you would be given a great gift. | 0:02:44 | 0:02:49 | |
Vladimir Grigorevich, please know that I understand what a privilege this position presents. | 0:02:49 | 0:02:55 | |
But since becoming a Tolstoyan, I have become so eager to learn... | 0:02:55 | 0:03:00 | |
To discuss ideas, to perfect my very soul. | 0:03:00 | 0:03:04 | |
Well, we have a lot to do if we are to get his work to the people. | 0:03:04 | 0:03:10 | |
-We? -Yes, we. | 0:03:10 | 0:03:11 | |
If we can encourage the spread of passive resistance - just think of it, Valentin. | 0:03:13 | 0:03:19 | |
Thousands of ordinary Russians | 0:03:19 | 0:03:22 | |
casting off centuries of political and spiritual oppression. | 0:03:22 | 0:03:26 | |
-In the name of truth and freedom. -Truth and freedom. | 0:03:26 | 0:03:28 | |
Yes, yes. But, still, there are many, many enemies. | 0:03:28 | 0:03:33 | |
-Enemies? -Come. | 0:03:33 | 0:03:36 | |
The Tsar's police. | 0:03:36 | 0:03:38 | |
You will be followed when you leave here, | 0:03:38 | 0:03:40 | |
and the Church will stop at nothing to bring him back into the fold. | 0:03:40 | 0:03:43 | |
And then, of course, there is the Countess. | 0:03:43 | 0:03:47 | |
Her dogged attachment to private property, her public criticism of our movement. | 0:03:47 | 0:03:53 | |
But the point is... He needs a man of your intellectual gifts around him. | 0:03:54 | 0:03:59 | |
Someone who understands his goals. And they still won't let me see him. | 0:03:59 | 0:04:03 | |
They keep me under house arrest. | 0:04:03 | 0:04:05 | |
I have another task for you, my dear. | 0:04:07 | 0:04:11 | |
I want you to keep a diary for me. | 0:04:11 | 0:04:14 | |
I need to know what goes on at Yasnaya Polyana. | 0:04:16 | 0:04:20 | |
You let me know who visits the house, any talk of the copyright | 0:04:20 | 0:04:23 | |
to his work, any contact with the Church - anything the countess says. | 0:04:23 | 0:04:28 | |
-Anything? -She's very, very dangerous. | 0:04:28 | 0:04:31 | |
Hup! | 0:04:34 | 0:04:35 | |
Godspeed, my boy. | 0:04:38 | 0:04:39 | |
-And remember what I said. -Mmmhmm. | 0:04:39 | 0:04:42 | |
Write everything down. | 0:04:42 | 0:04:43 | |
-Drive on! -Walk on. | 0:04:46 | 0:04:48 | |
-Good morning, Countess. -Are you rolling? -I am. -Countess? | 0:05:12 | 0:05:16 | |
Countess? | 0:05:16 | 0:05:18 | |
It doesn't matter. If my heart stopped beating, I'd still go riding today. | 0:05:23 | 0:05:27 | |
-Your pulse is my responsibility. -No. It's mine. -Fine. | 0:05:27 | 0:05:30 | |
If you must ride, I insist you wear a coat. Even the sun is cold today. | 0:05:30 | 0:05:34 | |
Oh, this! This is impossible! | 0:05:34 | 0:05:36 | |
These people are parasites! | 0:05:36 | 0:05:38 | |
"The Countess Tolstoy is estranged from her husband. They barely speak." | 0:05:38 | 0:05:44 | |
And they gossip about us in Paris. | 0:05:44 | 0:05:46 | |
-"They do not share a similar view of religion or politics." -You think that's inaccurate? | 0:05:46 | 0:05:50 | |
I think it's none of the world's bloody business. What are you doing? | 0:05:50 | 0:05:53 | |
Why do you write down everything we say? Don't do that. | 0:05:53 | 0:05:56 | |
Dushan Petrovich, you are scribbling again. | 0:05:56 | 0:05:59 | |
Oh, Leovochka, why do you insist on dressing like that? | 0:06:01 | 0:06:04 | |
-What do you mean, like what? -Like the man who looks after sheep. -It wasn't meant to offend you. | 0:06:04 | 0:06:08 | |
You're a count, for God's sake. | 0:06:08 | 0:06:11 | |
Darling, where are you going? | 0:06:11 | 0:06:13 | |
Riding with Sasha. Don't expect us for lunch. | 0:06:13 | 0:06:16 | |
-Lev Nikolayevich, you've forgotten your coat. -Dushan, are you fretting? | 0:06:16 | 0:06:19 | |
Yes, because you refuse to look after yourself. | 0:06:19 | 0:06:22 | |
That was the end of us... | 0:06:45 | 0:06:47 | |
Telyatinki was created by Vladimir Grigorevich | 0:07:05 | 0:07:08 | |
as a centre for the movement. We're all equals here, you know. | 0:07:08 | 0:07:12 | |
As Tolstoy teaches us. | 0:07:12 | 0:07:15 | |
This is a place of freedom. | 0:07:15 | 0:07:17 | |
It's a beautiful day. | 0:07:22 | 0:07:23 | |
Yes, but we'll pay for it. | 0:07:23 | 0:07:26 | |
Tool shed is there. That's the meeting room, and this is the dormitory. | 0:07:27 | 0:07:31 | |
I found it! | 0:07:31 | 0:07:33 | |
-Afternoon. -Yes, hello. | 0:07:33 | 0:07:36 | |
You are expected at Yasnaya Polyana in the morning - first thing. | 0:07:36 | 0:07:39 | |
-First thing? -You'll need to be on the road early. It's two hours away. | 0:07:39 | 0:07:43 | |
-I look forward to it. -Yes. | 0:07:43 | 0:07:45 | |
You're lucky. We're all envious. | 0:07:45 | 0:07:48 | |
DOOR CREAKS | 0:07:54 | 0:07:55 | |
I'll see you in the morning. | 0:07:55 | 0:07:58 | |
If we are spared. | 0:07:58 | 0:08:00 | |
Right. | 0:08:07 | 0:08:09 | |
And out. | 0:08:09 | 0:08:10 | |
In. | 0:08:13 | 0:08:14 | |
Emma, can you come? We need you in the house. | 0:08:17 | 0:08:20 | |
KNOCK ON DOOR | 0:08:20 | 0:08:22 | |
COCKEREL CROWS | 0:08:24 | 0:08:26 | |
Come in. | 0:08:26 | 0:08:27 | |
Brought you a glass of tea. | 0:08:32 | 0:08:34 | |
That's very kind of you. | 0:08:34 | 0:08:35 | |
It's your first day. | 0:08:39 | 0:08:41 | |
Enjoy it. | 0:08:41 | 0:08:43 | |
You met Sergeyenko? | 0:08:48 | 0:08:51 | |
Last night, yes. | 0:08:51 | 0:08:52 | |
What do you think? | 0:08:54 | 0:08:56 | |
I thought he seemed very sincere. | 0:08:56 | 0:08:58 | |
Thank you. | 0:08:58 | 0:08:59 | |
SHE SCOFFS | 0:08:59 | 0:09:00 | |
What? | 0:09:00 | 0:09:02 | |
-Is that what you think? -I think that... | 0:09:02 | 0:09:05 | |
I think I've just arrived. | 0:09:06 | 0:09:09 | |
-What was your name? -Masha. But you should still say what you think. | 0:09:09 | 0:09:12 | |
I mean, not just about him. | 0:09:12 | 0:09:15 | |
-Like we all should. -Yes. | 0:09:15 | 0:09:19 | |
Excuse me. | 0:09:25 | 0:09:26 | |
Thank you for the tea. | 0:09:29 | 0:09:32 | |
He's a sorry, old, tight-arsed stick-in-the-mud but, yes, he's sincere. | 0:09:37 | 0:09:43 | |
Hello? | 0:10:29 | 0:10:30 | |
Hello? | 0:10:38 | 0:10:39 | |
Ah, excuse me. | 0:10:40 | 0:10:42 | |
You. | 0:10:43 | 0:10:44 | |
You're the new secretary? | 0:10:44 | 0:10:46 | |
Yes. Valentin Fedorovich Bulgakov. | 0:10:46 | 0:10:48 | |
Papa is out. | 0:10:48 | 0:10:50 | |
You can wait upstairs in the library. | 0:10:50 | 0:10:52 | |
DOOR OPENS | 0:11:28 | 0:11:29 | |
I am so glad you're here! | 0:11:30 | 0:11:33 | |
I'm so glad. | 0:11:37 | 0:11:39 | |
HE SNEEZES | 0:11:40 | 0:11:42 | |
-God bless you. -Pardon me. I'm mortified. | 0:11:42 | 0:11:44 | |
I sneeze sometimes when I get nervous. | 0:11:44 | 0:11:47 | |
-Yes. -Now, Vladimir Grigorevich has already written about you at lengths. | 0:11:51 | 0:11:55 | |
I don't need that. What I do need is your help. | 0:11:55 | 0:11:59 | |
My manifesto against the government is hard work. | 0:11:59 | 0:12:02 | |
They commit their idiotic abuses faster than I can catalogue them. | 0:12:02 | 0:12:06 | |
And then there's the new book, the compendium. | 0:12:06 | 0:12:10 | |
Vladimir Grigorevich told me all about it. | 0:12:10 | 0:12:12 | |
He says that you say that all the world's religions share common truths. It's very exciting. | 0:12:12 | 0:12:16 | |
No, one truth. One single organizing principle. | 0:12:16 | 0:12:20 | |
-And can you guess what that is? -Um... | 0:12:20 | 0:12:22 | |
Love. Love. Simple. | 0:12:24 | 0:12:27 | |
Yeah, but I want to talk about you. | 0:12:27 | 0:12:30 | |
How are you? | 0:12:30 | 0:12:32 | |
And how was your journey? Come, sit down. | 0:12:32 | 0:12:34 | |
I was born on that sofa. | 0:12:34 | 0:12:37 | |
No, no, sit, sit. | 0:12:37 | 0:12:39 | |
Myself, my brother, my children - | 0:12:39 | 0:12:42 | |
five or six of them, at least. | 0:12:42 | 0:12:44 | |
-Right here. -Congratulations. | 0:12:44 | 0:12:46 | |
Well, I've read your essays. | 0:12:48 | 0:12:51 | |
How's the work progressing? | 0:12:52 | 0:12:54 | |
My boy, what is it? | 0:13:01 | 0:13:03 | |
Oh, I've upset you in some way. | 0:13:03 | 0:13:07 | |
-No. -Was it the sofa? I mean, it's only a sofa. | 0:13:07 | 0:13:09 | |
The sofa's wonderful. | 0:13:09 | 0:13:11 | |
I, I'm very happy. | 0:13:12 | 0:13:16 | |
You're very kind to me. | 0:13:16 | 0:13:18 | |
You see, I am no-one, and you are Lev Tolstoy. | 0:13:20 | 0:13:25 | |
And you ask me about my work! | 0:13:25 | 0:13:28 | |
I'll fetch you a glass of tea. | 0:13:30 | 0:13:32 | |
-Yes. -You rest. | 0:13:32 | 0:13:33 | |
Because there's work for both of us to do, together! | 0:13:35 | 0:13:38 | |
Yes. | 0:13:38 | 0:13:40 | |
God. | 0:13:43 | 0:13:45 | |
This machine, it really is the most extraordinary thing. | 0:13:47 | 0:13:49 | |
Mama, these people have nothing. | 0:13:49 | 0:13:51 | |
No, it's not for lack of land that the muzhiks live in poverty, | 0:13:51 | 0:13:54 | |
it's because they have no willpower and they drink too much. | 0:13:54 | 0:13:57 | |
I am not suggesting they be given land. | 0:13:57 | 0:14:00 | |
Private property is the root of the problem. | 0:14:00 | 0:14:02 | |
We should be giving ours away. | 0:14:02 | 0:14:04 | |
-God. Giving it to whom? -Yes, exactly. I mean, this is ridiculous. | 0:14:04 | 0:14:07 | |
You think because the peasants are poor, they're morally superior? | 0:14:07 | 0:14:10 | |
I believe that wealth corrupts us all. Yes, I do. | 0:14:10 | 0:14:14 | |
It's a keystone of the movement. | 0:14:14 | 0:14:16 | |
Oh, God, I know all about the movement. | 0:14:16 | 0:14:19 | |
If the peasants had money, they wouldn't | 0:14:19 | 0:14:21 | |
surround themselves, as we do, with footmen costing 10 roubles a month. | 0:14:21 | 0:14:25 | |
No, they'd spend it on drink and whores. | 0:14:25 | 0:14:28 | |
-Valentin Fedorovich. What do you think? -Tea. | 0:14:29 | 0:14:33 | |
You think that 50 years from now, people will eat | 0:14:33 | 0:14:35 | |
while grown men walk around waiting on them hand and foot? | 0:14:35 | 0:14:39 | |
-I think... -That's good. Bless you. | 0:14:39 | 0:14:42 | |
Stop scribbling. I mean, you all think he's Christ, don't you? | 0:14:42 | 0:14:47 | |
He thinks he's Christ. | 0:14:47 | 0:14:49 | |
I'm not... | 0:14:49 | 0:14:51 | |
I don't believe Lev Nikolayevich is Christ. | 0:14:51 | 0:14:54 | |
-Christ is Christ, but... -But what? | 0:14:54 | 0:14:56 | |
I do believe he's one of the prophets. God speaks through him. | 0:14:56 | 0:15:00 | |
I recognise the cadence in his voice. | 0:15:00 | 0:15:02 | |
Oh, God, this is unbearable. | 0:15:02 | 0:15:04 | |
No wonder I feel lonely. I'm surrounded by morons. | 0:15:04 | 0:15:07 | |
Ma, you're being ridiculous. | 0:15:07 | 0:15:09 | |
Oh, am I? I have to sit here and listen to this talk of love and God and equality, | 0:15:09 | 0:15:14 | |
knowing all the time, full well, that Count Generosity here is about to give away everything we own. | 0:15:14 | 0:15:20 | |
Now, why do you keep going on about this? | 0:15:20 | 0:15:22 | |
Why do you think that we should profit from the work I'm doing now, | 0:15:22 | 0:15:26 | |
which is only meant for the sake of the people? | 0:15:26 | 0:15:29 | |
Stop writing! | 0:15:29 | 0:15:31 | |
Stop writing now! | 0:15:31 | 0:15:35 | |
In defence of my gift, please let me demonstrate. | 0:15:47 | 0:15:50 | |
It's quite remarkable, really. | 0:15:50 | 0:15:53 | |
'In the same way now, a society of hunger, full of segregation...' | 0:15:58 | 0:16:04 | |
It's... It's your voice. | 0:16:08 | 0:16:11 | |
'But with my soul, that the existence...' | 0:16:11 | 0:16:14 | |
It's your voice! | 0:16:14 | 0:16:15 | |
It's wonderful, it's wonderful! | 0:16:15 | 0:16:17 | |
It's tiresome. | 0:16:17 | 0:16:20 | |
Another remarkable invention will supersede it. Please excuse me. | 0:16:20 | 0:16:24 | |
'No matter what all the learned men in the world say...' | 0:16:26 | 0:16:29 | |
Lev Nikolayevich is something of a Luddite, I fear. | 0:16:29 | 0:16:32 | |
'It is a crime. And one committed not once, but constantly. | 0:16:32 | 0:16:38 | |
'I knew that I, with my luxury, shall...' | 0:16:38 | 0:16:41 | |
NEEDLE SQUEAKS | 0:16:41 | 0:16:42 | |
MUSIC PLAYS | 0:16:49 | 0:16:51 | |
That's better. | 0:17:05 | 0:17:07 | |
That's nice. | 0:17:10 | 0:17:12 | |
That's very nice indeed. | 0:17:21 | 0:17:23 | |
Do your parents often speak to each other so bluntly? | 0:17:56 | 0:17:59 | |
Mama doesn't understand my father's goals. | 0:17:59 | 0:18:02 | |
Not since his work as a novelist became secondary. | 0:18:02 | 0:18:05 | |
His commitment to the spiritual life offends her. | 0:18:05 | 0:18:09 | |
They've fought about it for years. | 0:18:09 | 0:18:12 | |
Well, I'm sure she means well by it. | 0:18:12 | 0:18:14 | |
I see a fine young man before me. Clear eyes, nice features, | 0:18:18 | 0:18:22 | |
rather handsome in a peculiar sort of a way. | 0:18:22 | 0:18:25 | |
Thank you, Countess. | 0:18:25 | 0:18:26 | |
Oh, please, call me Sofya Andreyevna. | 0:18:26 | 0:18:28 | |
We don't stand on formality here, as you may have noticed. | 0:18:28 | 0:18:32 | |
No, no. So many young men nowadays spoil their good looks with loose living, but you, | 0:18:32 | 0:18:38 | |
oh, you're a real Tolstoyan, I can tell that. | 0:18:38 | 0:18:42 | |
Well, thank you. I have to say, I admire your husband immensely. | 0:18:42 | 0:18:46 | |
Oh, very good. Excellent. He likes that. | 0:18:46 | 0:18:50 | |
Well, his ideas are beautiful. | 0:18:50 | 0:18:52 | |
Social justice, the very concept... | 0:18:52 | 0:18:54 | |
Yes, he's very grateful for the help you've been giving him. He told me that himself. | 0:18:54 | 0:18:57 | |
I think he's rather surprised that a young man like you can be quite so diligent. | 0:18:57 | 0:19:01 | |
When he was your age, he was whoring in the Caucasus. | 0:19:01 | 0:19:04 | |
Couldn't get enough of it. | 0:19:04 | 0:19:06 | |
Yes, he wrote all about it. | 0:19:06 | 0:19:08 | |
He even gave me a copy, so I could read all the details. | 0:19:08 | 0:19:13 | |
-Would you like some more jam? -Yes, thank you. | 0:19:13 | 0:19:16 | |
-Have you read War And Peace? -Yes, many times. -Mmm. | 0:19:16 | 0:19:19 | |
Twice. | 0:19:21 | 0:19:22 | |
You know, when Lev was writing it... | 0:19:22 | 0:19:25 | |
Oh, this was ages ago, long before Chertkov created that monstrosity | 0:19:25 | 0:19:29 | |
at Telyatinki over all that fake religion and revolutionary nonsense. | 0:19:29 | 0:19:34 | |
-What do you think of Chertkov, by the way? -Well, I think that he's... | 0:19:34 | 0:19:38 | |
I think he's given me a wonderful opportunity. | 0:19:41 | 0:19:43 | |
Yes, but you can see what a pompous fool he is, | 0:19:43 | 0:19:45 | |
what a self-serving puritanical idiot? | 0:19:45 | 0:19:48 | |
-It's been very pleasant since he's been locked away in his house. -Right. | 0:19:48 | 0:19:52 | |
So, anyway, when he was writing it, in the mid-60s, he used to bring me pages to copy every day, | 0:19:54 | 0:20:00 | |
cos I was the only one who could understand his handwriting or his notes. | 0:20:00 | 0:20:03 | |
Do you know, I copied out War And Peace six times? | 0:20:03 | 0:20:06 | |
Six times? | 0:20:06 | 0:20:08 | |
I could understand his intentions, too. | 0:20:08 | 0:20:11 | |
So every afternoon, we'd have tea and we'd discuss changes. | 0:20:11 | 0:20:15 | |
And I'd say to him, "Natasha wouldn't speak to Prince Andrei like that. No woman would." | 0:20:15 | 0:20:19 | |
Or, "Pierre's too simple here. | 0:20:19 | 0:20:21 | |
"He's not an idiot." You know, things like that. | 0:20:21 | 0:20:24 | |
But I don't count any more. | 0:20:28 | 0:20:30 | |
DOOR CREAKS | 0:20:33 | 0:20:35 | |
DOOR CLOSES | 0:20:40 | 0:20:42 | |
You must help me, Vladimir Fedorovich. | 0:20:51 | 0:20:53 | |
-Val... -Oh, Valentin Fedorovich. | 0:20:53 | 0:20:56 | |
I only want what's best for my husband and my family. | 0:20:56 | 0:20:58 | |
If it was for me alone, I could tolerate the situation, | 0:20:58 | 0:21:01 | |
but I cannot stand by while they steal my children's inheritance. | 0:21:01 | 0:21:04 | |
Well, I don't believe anybody wants to do that. | 0:21:04 | 0:21:08 | |
I don't. | 0:21:08 | 0:21:09 | |
-Theft goes against the very principles of Tolstoy thought. -I have a little gift for you. | 0:21:09 | 0:21:13 | |
It's a diary. You know, everyone should always keep a diary. | 0:21:19 | 0:21:24 | |
-Yes, it's a very popular activity around here. -You're teasing us. | 0:21:25 | 0:21:29 | |
But I trust you'll write the truth. | 0:21:29 | 0:21:32 | |
Well, that may not be so easy. | 0:21:32 | 0:21:35 | |
Nonsense. You've been listening to your friends at Telyatinki. | 0:21:35 | 0:21:39 | |
No, no, just write what you see around you. | 0:21:39 | 0:21:42 | |
What you see. | 0:21:42 | 0:21:45 | |
HE SNEEZES | 0:21:46 | 0:21:47 | |
You're finished for the day? | 0:22:02 | 0:22:05 | |
Yes, he didn't need me this afternoon. | 0:22:05 | 0:22:07 | |
I thought I'd come back here and lend a hand. | 0:22:07 | 0:22:12 | |
You know, Lev Nikolayevich considers himself a liberal, | 0:22:16 | 0:22:19 | |
but he doesn't approve of women doing physical labour. | 0:22:19 | 0:22:22 | |
Don't you find that reactionary? | 0:22:24 | 0:22:26 | |
No. I find it sweet. | 0:22:26 | 0:22:28 | |
I find you reactionary. | 0:22:28 | 0:22:31 | |
What do you talk about when you're with him? | 0:22:36 | 0:22:38 | |
We... | 0:22:39 | 0:22:41 | |
-Why are you blushing? -I'm not. | 0:22:43 | 0:22:45 | |
We talk about me. | 0:22:48 | 0:22:50 | |
-Really? -Yes. He wants to know about my family, my upbringing. | 0:22:50 | 0:22:55 | |
My connection to God and my relations with women. | 0:22:55 | 0:22:59 | |
Ooh, what relations are these? | 0:22:59 | 0:23:02 | |
All right, it's all right. | 0:23:16 | 0:23:17 | |
Well done. | 0:23:36 | 0:23:38 | |
I had a lover before I came here. | 0:23:45 | 0:23:48 | |
He was headmaster of the school where I taught. | 0:23:48 | 0:23:52 | |
He was married. | 0:23:52 | 0:23:54 | |
He was happily married. | 0:23:54 | 0:23:56 | |
It was difficult. We could make love only at school. | 0:23:56 | 0:24:00 | |
-At school? -In the gymnasium, | 0:24:00 | 0:24:03 | |
after the girls had gone. | 0:24:03 | 0:24:05 | |
I see. I see. | 0:24:05 | 0:24:07 | |
Oh, there you are. | 0:24:10 | 0:24:12 | |
-Have I upset you? -No. | 0:24:12 | 0:24:15 | |
No, I find you... I-I appreciate your frankness. | 0:24:16 | 0:24:20 | |
-But you disapprove of me? -No! | 0:24:20 | 0:24:22 | |
-I see it in your eyes. -Not at all. | 0:24:22 | 0:24:24 | |
No. I think sexual behaviour and... | 0:24:24 | 0:24:29 | |
intercourse, how two men, or two women, | 0:24:29 | 0:24:33 | |
or men and women, animals, | 0:24:33 | 0:24:35 | |
combine their physical parts, I find it completely neutral. | 0:24:35 | 0:24:39 | |
Listen to you. | 0:24:41 | 0:24:43 | |
You're a prig. | 0:24:43 | 0:24:45 | |
You're just like Sergeyenko. I mean, why else would they have hired you? | 0:24:45 | 0:24:49 | |
-That's not fair. -I don't care if it's fair. It's true. | 0:24:49 | 0:24:53 | |
That's it. | 0:24:53 | 0:24:56 | |
-I'm going. -Do as you like. | 0:24:56 | 0:24:58 | |
-Valentin Fedorovich? -Yes? | 0:25:02 | 0:25:05 | |
You forgot your horse. | 0:25:07 | 0:25:09 | |
Yes. | 0:25:11 | 0:25:12 | |
Where's Papa? | 0:25:42 | 0:25:43 | |
I had a dream last night about a Tartar girl I knew in the war. | 0:25:46 | 0:25:50 | |
A girl who died? | 0:25:50 | 0:25:52 | |
No, no, no. Just a girl I had sexual intercourse with. | 0:25:52 | 0:25:56 | |
Sometimes, we did it twice a day. | 0:25:56 | 0:25:58 | |
VALENTIN SNEEZES | 0:25:59 | 0:26:00 | |
God bless you. I've never forgotten our time together. | 0:26:00 | 0:26:04 | |
The positions of our bodies, and the taste of her. | 0:26:04 | 0:26:08 | |
It was a long time ago. | 0:26:08 | 0:26:10 | |
-Really, you mustn't torture yourself. -Torture? | 0:26:10 | 0:26:12 | |
You are a virgin, aren't you?! | 0:26:12 | 0:26:14 | |
Well, I try to be... | 0:26:14 | 0:26:16 | |
To what, to be a good Tolstoyan? | 0:26:16 | 0:26:18 | |
Let me assure you that I'm not a very good Tolstoyan myself. | 0:26:18 | 0:26:22 | |
You should think twice before asking my advice, on anything! | 0:26:22 | 0:26:25 | |
Torture?! | 0:26:27 | 0:26:28 | |
HE LAUGHS | 0:26:28 | 0:26:30 | |
Kalya was her name. | 0:26:40 | 0:26:42 | |
She's an old woman now. | 0:26:43 | 0:26:46 | |
White hair, old body, like me. | 0:26:46 | 0:26:49 | |
Hardly remember my name, I suspect. | 0:26:49 | 0:26:52 | |
She may even be dead. | 0:26:52 | 0:26:53 | |
Do you think all that meant something? | 0:26:55 | 0:26:58 | |
-What do you mean? -Well, I mean, that little romance - | 0:26:58 | 0:27:02 | |
was there some meaning to it? | 0:27:02 | 0:27:04 | |
Well, I think you would say... I mean, I think I've read where you say that | 0:27:04 | 0:27:08 | |
the physical body is not real. That it's all an illusion. | 0:27:08 | 0:27:12 | |
I say a lot of things. But what do you say? | 0:27:12 | 0:27:16 | |
What do you think? | 0:27:16 | 0:27:17 | |
I don't know. | 0:27:19 | 0:27:21 | |
I don't know either. | 0:27:23 | 0:27:24 | |
Oh, smell that. | 0:27:28 | 0:27:30 | |
-Lilac. -Precisely. | 0:27:30 | 0:27:31 | |
Lilac. | 0:27:31 | 0:27:33 | |
-Scent gets stronger when the sun goes down. -Does it? | 0:27:33 | 0:27:37 | |
Papa! | 0:27:37 | 0:27:39 | |
He's free! He's free! | 0:27:43 | 0:27:45 | |
He's coming back! | 0:27:48 | 0:27:49 | |
My friend. | 0:28:05 | 0:28:07 | |
-SOFYA: -He has come to try again to persuade your father | 0:28:07 | 0:28:11 | |
to change the will, to give the copyright as a gift to humanity. The reptile. | 0:28:11 | 0:28:15 | |
Papa's not in his right mind. He can't defend himself against these thieves. | 0:28:15 | 0:28:19 | |
You're a fine son, my darling. | 0:28:19 | 0:28:22 | |
None of this fake chastity or made-up religion. | 0:28:22 | 0:28:24 | |
I wish all my children had turned out like you. | 0:28:24 | 0:28:27 | |
Vladimir Grigorevich, what a surprise! | 0:28:30 | 0:28:33 | |
Sofya Andreyevna. | 0:28:33 | 0:28:35 | |
I'm happy to see you. | 0:28:35 | 0:28:37 | |
And I'm happy to make you happy. | 0:28:37 | 0:28:39 | |
Come, come, my friend. | 0:28:41 | 0:28:43 | |
Now, we have a great deal to talk about. | 0:28:43 | 0:28:46 | |
I'm happy to have a moment alone with you. There seems to be some confusion. | 0:28:51 | 0:28:55 | |
-What do you mean? -Well, you send me never-ending commentary on Tolstoy's | 0:28:55 | 0:28:59 | |
writing, and that's all very interesting, but not very useful. | 0:28:59 | 0:29:03 | |
See, I need to know what goes on with Sofya Andreyevna. | 0:29:03 | 0:29:06 | |
You must see by now how committed she is to undermining her husband's best intentions? | 0:29:06 | 0:29:11 | |
It's not quite so obvious to me. | 0:29:11 | 0:29:13 | |
The woman understands nothing of what we're doing. | 0:29:13 | 0:29:17 | |
We simply want to distribute Tolstoy's writing to the widest audience possible. | 0:29:17 | 0:29:22 | |
I can only be of limited use to the master if I don't know what's going on. | 0:29:24 | 0:29:28 | |
The survival of our movement depends upon it. | 0:29:28 | 0:29:31 | |
-You value our work? -I do. | 0:29:33 | 0:29:35 | |
The ideals we share? | 0:29:35 | 0:29:37 | |
It's why I'm here. | 0:29:37 | 0:29:39 | |
Very good. | 0:29:39 | 0:29:41 | |
-Good morning, darling. -Good morning. | 0:30:04 | 0:30:07 | |
Do you mind if I join you? | 0:30:07 | 0:30:09 | |
No, of course, of course, my dear. | 0:30:09 | 0:30:11 | |
You know, it's... | 0:30:32 | 0:30:34 | |
-It's quite insane, my darling, how people are making fun of you. -What are you talking about? | 0:30:34 | 0:30:40 | |
Even the muzhiks. I heard them laughing about it in the horse barn. | 0:30:40 | 0:30:44 | |
About what? | 0:30:44 | 0:30:45 | |
Laughing about what? | 0:30:45 | 0:30:48 | |
About the fact that you've developed a senile crush on a fat, middle-aged flatterer. | 0:30:49 | 0:30:55 | |
Your passion for Chertkov has become a standing joke. | 0:30:55 | 0:30:58 | |
I have a great affection for Vladimir Grigorevich. | 0:30:58 | 0:31:01 | |
-Let them laugh if they find it so amusing. -It's not amusing, darling. | 0:31:01 | 0:31:05 | |
It's sick. It's not normal. | 0:31:05 | 0:31:06 | |
I mean, you hang on his every word. | 0:31:06 | 0:31:08 | |
We have a great deal in common. | 0:31:08 | 0:31:10 | |
You have nothing in common! | 0:31:10 | 0:31:12 | |
You are a genius, and he is a sycophant and a pervert. | 0:31:12 | 0:31:16 | |
Because he understands what I'm trying to do? | 0:31:16 | 0:31:18 | |
-Because he tries to help me accomplish it? -He's just using you. | 0:31:18 | 0:31:22 | |
You just can't seem to see it. | 0:31:22 | 0:31:24 | |
This is absolute nonsense. | 0:31:24 | 0:31:26 | |
-That bald, obese, man... -It is impossible for you not to distract me! | 0:31:26 | 0:31:29 | |
Now, leave me alone, for God's sake. | 0:31:29 | 0:31:31 | |
You're like a spoiled child. | 0:31:31 | 0:31:33 | |
Do you love me, Leovochka? | 0:31:36 | 0:31:37 | |
Of course I do. | 0:31:37 | 0:31:39 | |
Then why do you betray me like this? | 0:31:39 | 0:31:41 | |
Why do you say that? | 0:31:41 | 0:31:43 | |
Because of the will. | 0:31:43 | 0:31:45 | |
The new will. | 0:31:45 | 0:31:47 | |
There's no new will. | 0:31:49 | 0:31:51 | |
-Does Chertkov have it? -There is no new will. -That's why he's here, isn't it? | 0:31:51 | 0:31:56 | |
You talk about it, you and your boyfriend. You have no heart for the people who really love you. | 0:31:56 | 0:32:01 | |
You'd rather be seduced by charlatans and deluded by flatterers, all in the name of love. | 0:32:01 | 0:32:06 | |
You can't even love your own children. You can't even love me. | 0:32:06 | 0:32:10 | |
-Where is it? -There is no new will! -Then promise me there never will be. | 0:32:10 | 0:32:15 | |
I have told you the truth. | 0:32:19 | 0:32:22 | |
Now let me work. | 0:32:24 | 0:32:27 | |
Will you? | 0:32:27 | 0:32:29 | |
I'll go to the station and I'll throw myself under a train. | 0:32:33 | 0:32:37 | |
Madam Tolstoy becomes Anna Karenina. | 0:32:37 | 0:32:38 | |
See how the press will like that. | 0:32:38 | 0:32:40 | |
This is unbearable. You don't need a husband, you need a Greek chorus! | 0:32:40 | 0:32:45 | |
Masha? | 0:33:04 | 0:33:06 | |
-Masha. -Ssh. | 0:33:35 | 0:33:37 | |
Move your book. | 0:34:01 | 0:34:03 | |
-What? -Your book. | 0:34:03 | 0:34:05 | |
I'm sorry. I'm sorry. | 0:34:06 | 0:34:08 | |
-Is it OK? -Mmm-hmm. | 0:34:29 | 0:34:32 | |
Yeah? | 0:34:32 | 0:34:34 | |
What? | 0:34:45 | 0:34:48 | |
What is it? | 0:34:48 | 0:34:50 | |
What is it? | 0:34:50 | 0:34:51 | |
You really are a virgin? | 0:34:51 | 0:34:54 | |
Oh, no, no, no. I'm teasing, I'm teasing! | 0:34:54 | 0:34:59 | |
-It was wonderful. -I could do it again. | 0:34:59 | 0:35:01 | |
-Let me try again. -It was wonderful. | 0:35:01 | 0:35:03 | |
-Really? -Yes. Hold me. | 0:35:03 | 0:35:07 | |
And up. | 0:35:15 | 0:35:18 | |
-That's good. Pull it, your side. -There. -Keep it tight. | 0:35:18 | 0:35:22 | |
That's it, stretch it so we can read it. | 0:35:22 | 0:35:26 | |
COCK CROWS | 0:35:35 | 0:35:37 | |
I'm sorry. | 0:35:42 | 0:35:43 | |
Why did you come here, Masha? | 0:36:02 | 0:36:04 | |
What do you mean? What do you mean? | 0:36:06 | 0:36:09 | |
You don't follow any of the rules here. | 0:36:09 | 0:36:11 | |
Because it's not about rules. | 0:36:12 | 0:36:16 | |
-Not for Tolstoy, anyway. -Valentin Fedorovich. | 0:36:17 | 0:36:21 | |
-What is it? -Open the door. | 0:36:21 | 0:36:24 | |
I'm...currently indisposed. | 0:36:24 | 0:36:26 | |
Yes, well, Lev Nikolayevich is downstairs. He wants to see you. | 0:36:26 | 0:36:30 | |
Tell Lev Nikolayevich I'll... | 0:36:30 | 0:36:33 | |
-..be down in a moment. -Yes. | 0:36:33 | 0:36:35 | |
And tell Maria Filipovna we could use another hand in the kitchen. | 0:36:35 | 0:36:38 | |
If I see her, I will. | 0:36:38 | 0:36:40 | |
If you see her, yes. | 0:36:40 | 0:36:42 | |
If you're going to behave like rabbits, you should go live in the woods. | 0:36:42 | 0:36:47 | |
Ssh! | 0:36:48 | 0:36:50 | |
I'll go first. | 0:36:52 | 0:36:53 | |
Give me five minutes, yes? | 0:36:53 | 0:36:56 | |
Come on. That's a boy! | 0:36:59 | 0:37:02 | |
That's my boy. | 0:37:04 | 0:37:05 | |
You too, come on. | 0:37:05 | 0:37:07 | |
You're wonderful, you're just wonderful, wonderful. | 0:37:07 | 0:37:09 | |
And you! | 0:37:09 | 0:37:12 | |
And you too, you too. | 0:37:16 | 0:37:18 | |
Look at the love in him. | 0:37:21 | 0:37:23 | |
It's like... | 0:37:23 | 0:37:24 | |
..Jesus, suffering the children. | 0:37:26 | 0:37:29 | |
-All that. -I know, an old man's a very ugly thing! | 0:37:29 | 0:37:32 | |
Hey, my boy! | 0:37:32 | 0:37:35 | |
Hey! Come and kiss me! | 0:37:35 | 0:37:37 | |
And who's this? Maria Filipovna! | 0:37:40 | 0:37:44 | |
Oh, you're both looking so well. | 0:37:44 | 0:37:47 | |
-Life here obviously agrees with you. -VALENTIN SNEEZES | 0:37:47 | 0:37:50 | |
God bless you, boy. What are you nervous about now? | 0:37:50 | 0:37:54 | |
Sit down. Sit down. | 0:37:54 | 0:37:57 | |
Oh, Masha, my dear. | 0:37:57 | 0:37:59 | |
Valentin tells me that you are the great treasure of Telyatinki. | 0:38:02 | 0:38:07 | |
He claims you're a very gifted teacher! | 0:38:07 | 0:38:09 | |
We're happy to have you with us. | 0:38:11 | 0:38:13 | |
-What are you doing? -What do you mean? | 0:38:18 | 0:38:20 | |
You just killed a living thing. | 0:38:20 | 0:38:22 | |
-Oh! -Do you have something to say? | 0:38:22 | 0:38:26 | |
-It's absurd, that's all. -What are you saying? | 0:38:27 | 0:38:30 | |
I'm sorry, but it's a mosquito. | 0:38:30 | 0:38:32 | |
Forgive him. He can't help it. He's a much better Tolstoyan than I am. | 0:38:32 | 0:38:37 | |
That's not the message we want to send. | 0:38:37 | 0:38:40 | |
Please, have your seat. | 0:38:41 | 0:38:43 | |
Very well. | 0:38:46 | 0:38:48 | |
Papa - from Mother, "Nerves dreadful, stop. Insomnia, stop. | 0:38:50 | 0:38:56 | |
"Pulse 100, stop. Please come home." | 0:38:56 | 0:39:00 | |
So... | 0:39:10 | 0:39:11 | |
..are you ill? | 0:39:11 | 0:39:13 | |
Or what is it? | 0:39:13 | 0:39:15 | |
Oh, I'm much better, now you're here. | 0:39:15 | 0:39:19 | |
It's no good, you know, all this. | 0:39:20 | 0:39:22 | |
You frightened everyone. | 0:39:22 | 0:39:24 | |
Really? No, I don't believe you. | 0:39:24 | 0:39:26 | |
Not you. | 0:39:26 | 0:39:28 | |
I'm your little bird. You know the sounds I make. | 0:39:29 | 0:39:32 | |
Then that was some sort of love call, I suppose? | 0:39:32 | 0:39:35 | |
Brought you back to me. | 0:39:35 | 0:39:37 | |
Why? | 0:39:39 | 0:39:41 | |
Why, why, why do you do it?! | 0:39:41 | 0:39:43 | |
We live in the country, you insist on making it an opera house - | 0:39:43 | 0:39:47 | |
-What's wrong with a little peace now and then? -Look at me! | 0:39:47 | 0:39:50 | |
This is who I am. | 0:39:50 | 0:39:52 | |
This is what you married. | 0:39:52 | 0:39:55 | |
We may be older, maybe we're old, | 0:39:55 | 0:39:58 | |
but I'm still your little chicken. | 0:39:58 | 0:40:02 | |
-And you're still my big cock. -Oh, for pity's sake! | 0:40:02 | 0:40:08 | |
Let me make you crow! | 0:40:08 | 0:40:09 | |
Cock-a-doodle-doo! | 0:40:11 | 0:40:14 | |
Cock-a-doodle-doo! | 0:40:14 | 0:40:16 | |
Oh, come on, let me make you sing. | 0:40:16 | 0:40:19 | |
No! | 0:40:19 | 0:40:20 | |
No! No, no, no! | 0:40:20 | 0:40:23 | |
Cock-a-doodle-doo! | 0:40:25 | 0:40:27 | |
THEY LAUGH | 0:40:27 | 0:40:29 | |
Cock-a-doodle-doo! | 0:40:30 | 0:40:32 | |
Cock-a-doodle-doo! | 0:40:38 | 0:40:40 | |
Let me make you sing! | 0:40:46 | 0:40:49 | |
Boc-boc-boc-boc! | 0:40:49 | 0:40:51 | |
-Do you love me? -I do, I do, I do. | 0:40:59 | 0:41:02 | |
I want you to love me. | 0:41:02 | 0:41:05 | |
I do. | 0:41:08 | 0:41:09 | |
Cock-a-doodle-doo! | 0:41:13 | 0:41:16 | |
Masha. | 0:41:46 | 0:41:48 | |
You wouldn't look at me. | 0:41:49 | 0:41:51 | |
It was difficult, in front of the others... | 0:41:53 | 0:41:55 | |
It wasn't difficult in your bed. When it was just you and me in front of God. | 0:41:55 | 0:42:00 | |
-I wasn't aware of God. -I made you forget God? -No. Never. | 0:42:00 | 0:42:04 | |
Yes. Only for a moment. | 0:42:04 | 0:42:06 | |
You forgot your rules and you remembered love. | 0:42:06 | 0:42:08 | |
You make it sound very simple. | 0:42:08 | 0:42:10 | |
It is simple. I mean, what we did is what men and women do. | 0:42:10 | 0:42:15 | |
It's what they have done, it's what they'll continue doing. | 0:42:15 | 0:42:18 | |
We touched each other. | 0:42:18 | 0:42:21 | |
When we stayed close together, something passed between us. | 0:42:21 | 0:42:26 | |
Something real. | 0:42:26 | 0:42:28 | |
And that's a betrayal of what? | 0:42:28 | 0:42:31 | |
Nothing. But you're afraid. | 0:42:31 | 0:42:36 | |
All your ideas. | 0:42:36 | 0:42:37 | |
She wants to question you about the new will. | 0:42:59 | 0:43:01 | |
But how does she even know it exists? | 0:43:01 | 0:43:05 | |
Well, she claims that Lev Nikolayevich said she could look at the draft. | 0:43:05 | 0:43:08 | |
Well, he is obviously not thinking clearly. | 0:43:08 | 0:43:13 | |
Now we have to contend with her petty grasping. | 0:43:13 | 0:43:16 | |
-It doesn't seem that petty to me. -I beg your pardon? | 0:43:16 | 0:43:19 | |
Uh... | 0:43:19 | 0:43:21 | |
He's her entire life. The work, in her mind, is theirs, together. | 0:43:23 | 0:43:27 | |
And you're her advocate? You have been taken in by her celebrity. I was worried about this. | 0:43:27 | 0:43:32 | |
I'm simply talking about their history. | 0:43:32 | 0:43:36 | |
-Nothing more. -We have to see her. | 0:43:36 | 0:43:38 | |
Act as if nothing has happened. | 0:43:38 | 0:43:40 | |
Nothing has happened. | 0:43:40 | 0:43:42 | |
Sofya Andreyevna. | 0:43:43 | 0:43:45 | |
At last, you honour us with a visit. | 0:43:45 | 0:43:48 | |
Well, I'm curious to see how things are progressing here at Telyatinki. | 0:43:48 | 0:43:52 | |
Well... | 0:43:52 | 0:43:53 | |
-What is it? -Your moustache is... | 0:43:54 | 0:43:58 | |
No, it's just a problem with the wax. | 0:43:58 | 0:44:01 | |
Vladimir Grigorevich, let me come straight to the point. | 0:44:01 | 0:44:04 | |
I don't wish to be your enemy. | 0:44:04 | 0:44:06 | |
On the contrary, I am delighted that my husband has found a friend who understands and shares his ideals. | 0:44:06 | 0:44:13 | |
I just want what's reasonable. | 0:44:13 | 0:44:17 | |
I want an opportunity to evaluate the new will. | 0:44:17 | 0:44:21 | |
If you agree, then I'm sure we can be friends. | 0:44:21 | 0:44:24 | |
You are very kind, Sofya Andreyevna, | 0:44:24 | 0:44:27 | |
but I can't help you. | 0:44:27 | 0:44:29 | |
Not without specific instructions from your husband. | 0:44:29 | 0:44:32 | |
Oh, he has agreed. Hasn't he, Valentin? | 0:44:35 | 0:44:37 | |
No witness you produce can change my position, I'm afraid. | 0:44:37 | 0:44:42 | |
But I will, of course, speak to Lev Nikolayevich at the first opportunity. | 0:44:42 | 0:44:47 | |
Very well. | 0:44:49 | 0:44:51 | |
I want us to be friends too, Sofya. | 0:44:51 | 0:44:54 | |
Lev Nikolayevich is the most valuable thing in the world, to both of us. | 0:44:54 | 0:44:58 | |
We should endeavour to set things right between us. Give him peace. | 0:44:58 | 0:45:02 | |
Let him work. | 0:45:02 | 0:45:04 | |
Yes. | 0:45:04 | 0:45:06 | |
Valentin Fedorovich, would you accompany me to the house, please? | 0:45:13 | 0:45:16 | |
I'll accompany the countess back to the house and be back in time for supper. | 0:45:20 | 0:45:25 | |
Masha will be overjoyed. | 0:45:27 | 0:45:28 | |
Valentin Fedorovich, you've been keeping something from me. | 0:45:38 | 0:45:41 | |
Have I? | 0:45:41 | 0:45:43 | |
You can tell me anything, Valentin. | 0:45:43 | 0:45:45 | |
I love a romance. | 0:45:47 | 0:45:48 | |
-It's nothing. Really, it's nothing. -A young woman in your life is nothing? | 0:45:51 | 0:45:55 | |
-Masha is a friend. -A lover? | 0:45:55 | 0:45:58 | |
A very... A very good friend. | 0:45:58 | 0:46:01 | |
See, you forget that I'm an experienced reader, so I can read your face, every letter. | 0:46:01 | 0:46:08 | |
It's beautifully clear. | 0:46:08 | 0:46:10 | |
Really? | 0:46:10 | 0:46:12 | |
Do you love her? | 0:46:12 | 0:46:14 | |
-I think perhaps I do. -Yes. | 0:46:16 | 0:46:18 | |
It's not something they'd understand, these so-called disciples of my husband's. | 0:46:24 | 0:46:27 | |
They've never understood a word he's ever written. | 0:46:27 | 0:46:29 | |
What do they know about love? | 0:46:34 | 0:46:35 | |
I'm sorry. I'm sorry. | 0:47:13 | 0:47:16 | |
I'm sorry! Did I scare you? Are you all right? | 0:47:16 | 0:47:21 | |
-Fine. -I'm sorry. I got back as soon as I could. | 0:47:21 | 0:47:26 | |
It was a strange day. Lev Nikolayevich is... | 0:47:26 | 0:47:30 | |
I love to listen to him talk, but today I could barely concentrate. | 0:47:30 | 0:47:35 | |
All I could think about was you. | 0:47:37 | 0:47:40 | |
-I think I've confused you. -No. | 0:47:40 | 0:47:44 | |
-I think I've confused us both. -No. | 0:47:44 | 0:47:46 | |
I was stupid. I was afraid, but I'm not afraid anymore. | 0:47:49 | 0:47:53 | |
What are you...? | 0:47:53 | 0:47:55 | |
Masha. | 0:47:59 | 0:48:01 | |
I love you, Masha. | 0:48:01 | 0:48:03 | |
Masha! Masha! I have... | 0:48:34 | 0:48:40 | |
In my heart, | 0:48:43 | 0:48:45 | |
I have committed the act of copulation many times! | 0:48:45 | 0:48:49 | |
Please know it was never like it was with you. | 0:48:55 | 0:48:58 | |
I'll wait for you, then. | 0:49:04 | 0:49:07 | |
You will? | 0:49:07 | 0:49:08 | |
-Give me this. What?! -MASHA LAUGHS | 0:49:10 | 0:49:14 | |
What are you laughing at? | 0:49:14 | 0:49:15 | |
-IN AN AMERICAN ACCENT: -It's a problem with the wax! | 0:49:15 | 0:49:18 | |
I think I look just like him! | 0:49:23 | 0:49:25 | |
-You're happy. -Well, of course I am. | 0:49:29 | 0:49:33 | |
Love and be loved. That's the only reality there is in the world. | 0:49:33 | 0:49:37 | |
He said that? | 0:49:37 | 0:49:39 | |
Tolstoy said it, but I'm saying it. | 0:49:40 | 0:49:42 | |
I'm saying it, Masha, because you make me know it. | 0:49:44 | 0:49:48 | |
I look into your eyes, I can see the future. | 0:49:48 | 0:49:51 | |
I think you're the bravest person I've ever met. | 0:49:53 | 0:49:55 | |
You amaze me. | 0:49:58 | 0:50:01 | |
You believe more than I know how to. | 0:50:01 | 0:50:04 | |
I love you. | 0:50:06 | 0:50:07 | |
You're pure, Valya. | 0:50:13 | 0:50:14 | |
You're what I came here to find. | 0:50:19 | 0:50:21 | |
Ivan, who's wearing that awful perfume? | 0:50:38 | 0:50:41 | |
I understand this is difficult. It is a delicate situation. | 0:50:47 | 0:50:50 | |
-This way. -This must be discussed now. | 0:50:50 | 0:50:53 | |
It cannot wait any longer. | 0:50:53 | 0:50:55 | |
Whatever happens, Mother mustn't find out. | 0:50:57 | 0:50:59 | |
I hate to say it, but the Countess has become more and more dangerous. | 0:50:59 | 0:51:04 | |
Oh, not dangerous. She's concerned for the welfare of the family. | 0:51:04 | 0:51:08 | |
And we're concerned with the welfare of mankind. | 0:51:08 | 0:51:11 | |
-You've been more than reasonable. -Have I? | 0:51:16 | 0:51:19 | |
Of course you have. | 0:51:19 | 0:51:20 | |
She already controls the income from your property. | 0:51:20 | 0:51:23 | |
Listen to him. He has our best interests at heart. | 0:51:23 | 0:51:26 | |
We are speaking only of the rights to your words, your ideas. | 0:51:26 | 0:51:29 | |
With all love and respect, | 0:51:29 | 0:51:31 | |
the countess is too interested in making a profit from your work. | 0:51:31 | 0:51:34 | |
She's my wife. She's part of me. We've been together all these years. | 0:51:41 | 0:51:45 | |
But you're more than a husband and father. She must understand that. | 0:51:45 | 0:51:48 | |
The best interests of the people are one with your own. You belong to them. | 0:51:48 | 0:51:52 | |
She won't. She'll never understand. | 0:51:52 | 0:51:54 | |
She's unstable. I wonder if she isn't ill. | 0:51:57 | 0:52:00 | |
-It's sadly more than probable. -I know it's hard, Papa, but you must be realistic. | 0:52:00 | 0:52:04 | |
Her behaviour is extremely alarming. | 0:52:04 | 0:52:07 | |
Do you truly think she is fit to control the final disposition of this will? | 0:52:07 | 0:52:11 | |
-Well, I don't... I don't... -How dare... Argh! -God! | 0:52:11 | 0:52:14 | |
What are you doing?! | 0:52:17 | 0:52:19 | |
You're all plotting against me! In my own house, too! | 0:52:19 | 0:52:24 | |
I bear you 13 children. | 0:52:24 | 0:52:27 | |
How can you betray me like this? | 0:52:27 | 0:52:30 | |
Somebody, help me up. | 0:52:30 | 0:52:32 | |
Go ahead. Go ahead. | 0:52:37 | 0:52:39 | |
Why don't you give everything we've got to him? | 0:52:39 | 0:52:42 | |
Your fat little catamite! | 0:52:42 | 0:52:44 | |
"What will it be, my dearest darling, my Vladimir Grigorevich? | 0:52:44 | 0:52:47 | |
"My wife's heart on a platter? Her kidneys, with salt?" | 0:52:47 | 0:52:50 | |
"But of course, my dear Chertkov. | 0:52:50 | 0:52:52 | |
"Whatever pleases you. | 0:52:52 | 0:52:54 | |
"The china, the estate, permanent copyright on anything I've ever written? Anything for you, my love!" | 0:52:54 | 0:52:59 | |
-Give that to me. -No. -Give it to me, you little weasel! -Sofya! -Give it to me! | 0:53:05 | 0:53:12 | |
Can I not have some...? Can I not have some...? | 0:53:15 | 0:53:20 | |
You'll kill him, Mama. Well, that's what you want, isn't it? | 0:53:20 | 0:53:23 | |
You want him to die! | 0:53:23 | 0:53:25 | |
Lev... | 0:53:25 | 0:53:27 | |
It's all right, it's all right. Let's get him downstairs. | 0:53:30 | 0:53:34 | |
You don't deceive me for one moment. | 0:53:40 | 0:53:43 | |
I know exactly what you're doing. | 0:53:43 | 0:53:46 | |
I want to see the will. | 0:53:51 | 0:53:53 | |
It is my right as his wife in the sight of God. | 0:53:53 | 0:53:57 | |
What are you afraid of? | 0:53:57 | 0:53:59 | |
You. | 0:53:59 | 0:54:00 | |
I'm afraid of you. | 0:54:00 | 0:54:02 | |
The press are bloodthirsty, Sofya. Had I wished, I could have demolished you. | 0:54:05 | 0:54:09 | |
-You make it easy. -Then tell them anything you want. Go ahead. Ruin us! | 0:54:09 | 0:54:13 | |
I have too much respect for Lev Nikolayevich! You're lucky! | 0:54:13 | 0:54:17 | |
Why can't my husband see you for what you are? | 0:54:17 | 0:54:20 | |
If I had a wife like you, I would've blown my brains out! | 0:54:20 | 0:54:25 | |
Or gone to America. | 0:54:25 | 0:54:27 | |
SHE SOBS | 0:54:35 | 0:54:36 | |
EPIC OPERA PLAYS | 0:54:56 | 0:54:59 | |
I hope you're feeling better. | 0:55:10 | 0:55:12 | |
Do you like the opera? | 0:55:17 | 0:55:19 | |
Yes. | 0:55:19 | 0:55:21 | |
I'm very sorry...about everything. | 0:55:26 | 0:55:29 | |
This aria is so beautiful. | 0:55:35 | 0:55:37 | |
It's about a woman who's been abandoned by the man she loves. | 0:55:37 | 0:55:42 | |
Everyone finds that very moving...in the opera. | 0:55:42 | 0:55:47 | |
THE DOOR OPENS | 0:55:52 | 0:55:54 | |
Our life together has become intolerable. | 0:55:58 | 0:56:01 | |
Sit down, Valentin. | 0:56:01 | 0:56:04 | |
-Really, I'm expected at Telyatinki. -No, please. Come, enjoy your dinner. | 0:56:04 | 0:56:07 | |
We've just had a disagreement, like all married couples. | 0:56:07 | 0:56:10 | |
Despite good cause for it, | 0:56:10 | 0:56:13 | |
I have never stopped loving you. | 0:56:13 | 0:56:14 | |
-Of course. -But God knows you don't make it easy. | 0:56:14 | 0:56:18 | |
Why should it be easy? | 0:56:18 | 0:56:20 | |
I am the work of your life, you the work of mine. That's what love is. | 0:56:20 | 0:56:24 | |
-I should go. -No, sit down. | 0:56:24 | 0:56:26 | |
So, that's what love is, eh? | 0:56:28 | 0:56:32 | |
-Does that surprise you, boy? -I thought it might be a touch quieter, but... | 0:56:32 | 0:56:36 | |
BOTH: Bless you. | 0:56:36 | 0:56:38 | |
He's right, though. | 0:56:38 | 0:56:41 | |
If we can't live a decent, | 0:56:41 | 0:56:43 | |
quiet life, if I can't work | 0:56:43 | 0:56:46 | |
and find some peace, then I shall go away. | 0:56:46 | 0:56:49 | |
-Go? -Not to Chertkov, but I shall go. | 0:56:49 | 0:56:53 | |
-Go where? -Dushan says you're killing me! | 0:56:53 | 0:56:55 | |
Then go! Go anywhere you please! | 0:56:57 | 0:57:00 | |
Go anywhere you please! | 0:57:00 | 0:57:02 | |
I hate you! | 0:57:04 | 0:57:06 | |
I hate what you've become! | 0:57:06 | 0:57:08 | |
-Go! -Dushan! | 0:57:08 | 0:57:13 | |
SHE STRUGGLES FOR BREATH | 0:57:13 | 0:57:15 | |
Countess? Countess! | 0:57:15 | 0:57:18 | |
Is she all right? | 0:57:18 | 0:57:20 | |
-Is she all right? -Sofya. | 0:57:20 | 0:57:22 | |
Sofya, are you all right? Open your eyes. Open your eyes. | 0:57:22 | 0:57:27 | |
Oh, my back! Oh... Oh... Oh, my back! | 0:57:29 | 0:57:34 | |
You're lying on a fork. Sit up and you'll improve markedly. | 0:57:36 | 0:57:41 | |
If you'll be good enough to take her upstairs. | 0:57:42 | 0:57:45 | |
Masha. | 0:58:06 | 0:58:08 | |
I'm sorry. | 0:58:20 | 0:58:22 | |
HE SIGHS | 0:58:23 | 0:58:25 | |
It was terrible there today. | 0:58:25 | 0:58:27 | |
They loved each other so much, I'm sure of it, I'm sure they do, but... | 0:58:27 | 0:58:31 | |
You see what it becomes, and you just wish that you could... | 0:58:31 | 0:58:34 | |
Is something the matter? | 0:58:38 | 0:58:41 | |
Masha? | 0:58:41 | 0:58:42 | |
I'm going back to Moscow. | 0:58:46 | 0:58:48 | |
What? | 0:58:48 | 0:58:50 | |
Chertkov spoke with me this afternoon. | 0:58:50 | 0:58:53 | |
He said I could be more useful there. | 0:58:53 | 0:58:56 | |
-Which means... -Which means he's punishing us. | 0:58:56 | 0:58:59 | |
He's punishing me. | 0:58:59 | 0:59:01 | |
He's punishing me for befriending Sofya Andreyevna. | 0:59:01 | 0:59:04 | |
This is Chertkov. | 0:59:04 | 0:59:05 | |
We've both disappointed him, but I don't care. | 0:59:05 | 0:59:08 | |
I don't care either, but you can't leave. I'm going to talk to him. | 0:59:08 | 0:59:11 | |
-I'm going to make him make you stay. -No. I want to go. -What? | 0:59:11 | 0:59:16 | |
I'm leaving the movement. | 0:59:16 | 0:59:17 | |
Sit down, sit down. | 0:59:24 | 0:59:27 | |
-You can't leave Tolstoy. -I'm not. -You can't leave. -No, I'm not. | 0:59:27 | 0:59:33 | |
-When I read his confession, it moved me, Valya. -Yes. | 0:59:33 | 0:59:36 | |
When he was searching for freedom. | 0:59:36 | 0:59:40 | |
Freedom from anger, freedom from attachment, | 0:59:40 | 0:59:42 | |
freedom from all the superstition and the nonsense of the church. | 0:59:42 | 0:59:46 | |
I mean, it moved me so much. | 0:59:46 | 0:59:48 | |
And that's what I thought it would be about. | 0:59:48 | 0:59:50 | |
I mean, isn't that what it's about? | 0:59:50 | 0:59:53 | |
Freedom and love? | 0:59:53 | 0:59:55 | |
They mix it all up. | 0:59:58 | 1:00:00 | |
Come with me. | 1:00:05 | 1:00:08 | |
Please? | 1:00:10 | 1:00:12 | |
I can't. | 1:00:26 | 1:00:29 | |
I'm going to my room. | 1:00:38 | 1:00:39 | |
Masha. | 1:00:42 | 1:00:45 | |
Masha, please. I can't. | 1:00:52 | 1:00:55 | |
I need you. | 1:00:55 | 1:00:57 | |
I know you do. | 1:01:02 | 1:01:03 | |
I know. | 1:01:05 | 1:01:07 | |
A-Y. A-Y. | 1:01:20 | 1:01:27 | |
What was it? I don't remember. | 1:01:27 | 1:01:29 | |
Was it your...? | 1:01:31 | 1:01:33 | |
No, no, no. | 1:01:33 | 1:01:35 | |
You rest now. | 1:01:35 | 1:01:38 | |
-Good afternoon, Lev Nikolayevich. -Is it? | 1:02:31 | 1:02:35 | |
-Remember that this will ensure that your complete works will live in the public domain. -Monumentous. | 1:02:50 | 1:02:56 | |
Your works are the birthright of the Russian people. | 1:02:56 | 1:03:01 | |
And now they will possess them forever. | 1:03:01 | 1:03:05 | |
Yes? | 1:03:07 | 1:03:09 | |
I need a pen. | 1:03:09 | 1:03:11 | |
Oh, of course, of course. | 1:03:11 | 1:03:13 | |
-I... -What? | 1:03:15 | 1:03:17 | |
-I don't seem to have a pen. -You're a secretary. | 1:03:21 | 1:03:24 | |
How can you not have a pen? | 1:03:24 | 1:03:25 | |
He's a secretary, too. Ask him. | 1:03:25 | 1:03:28 | |
-Valentin Fedorovich, do you have a pen? -I... | 1:03:28 | 1:03:34 | |
Yes. Yes, I have a pen. | 1:03:41 | 1:03:46 | |
Are you all right? | 1:03:59 | 1:04:03 | |
I'm a conspirator. | 1:04:03 | 1:04:05 | |
Nothing more. | 1:04:05 | 1:04:07 | |
HE LAUGHS | 1:04:07 | 1:04:08 | |
-Lev Nikolayevich, may I ask you a question that has nothing to do with the work? -Of course, my dear. | 1:04:40 | 1:04:47 | |
Do you love your wife? | 1:04:47 | 1:04:49 | |
You see, when I was courting Sofya, she was so young and so pure, | 1:04:53 | 1:04:58 | |
it just seemed impossible that I could ever have her. | 1:04:58 | 1:05:02 | |
I didn't want to tell her how I felt, and yet... | 1:05:02 | 1:05:05 | |
I wanted to tell her nothing else. | 1:05:05 | 1:05:08 | |
So I wrote down a string of letters, and asked her if she would decipher them. | 1:05:08 | 1:05:13 | |
At first, she was completely confused and thought it was some sort of game. | 1:05:13 | 1:05:17 | |
So I gave her a clue. One clue. | 1:05:17 | 1:05:19 | |
"The first two Ys...", | 1:05:19 | 1:05:21 | |
I said, "..stand for, 'Your youth'", | 1:05:21 | 1:05:24 | |
and that was all I said. | 1:05:24 | 1:05:26 | |
And then... the most miraculous thing happened. | 1:05:26 | 1:05:32 | |
She simply spoke the phrase. | 1:05:32 | 1:05:34 | |
"Your youth and your desire for happiness | 1:05:36 | 1:05:40 | |
"cruelly remind me of my age, and the impossibility of happiness for me." | 1:05:40 | 1:05:45 | |
The entire phrase, my phrase. | 1:05:47 | 1:05:50 | |
As if she'd read my mind. | 1:05:50 | 1:05:52 | |
In that moment, we both knew we would always be together. | 1:05:54 | 1:05:58 | |
And for the first few years, | 1:05:58 | 1:06:02 | |
we were incredibly, terrifyingly... | 1:06:02 | 1:06:05 | |
..happy. | 1:06:08 | 1:06:09 | |
And now this. | 1:06:17 | 1:06:19 | |
-I'm leaving Telyatinki. -Really? -Yes. | 1:06:36 | 1:06:39 | |
I'm going to Moscow. | 1:06:39 | 1:06:42 | |
She's leading you around by the nose, my boy. | 1:06:42 | 1:06:45 | |
-Look, you say that the movement is about love. -Which it is. | 1:06:45 | 1:06:48 | |
The love that he teaches us. | 1:06:48 | 1:06:50 | |
-The love that binds all mankind together. -I've never met mankind. | 1:06:50 | 1:06:54 | |
I've only ever met men or women. | 1:06:54 | 1:06:57 | |
-Imperfect men, imperfect women. -Yes. | 1:06:57 | 1:07:00 | |
But Lev Nikolayevich also teaches us that love cannot be weak-minded. | 1:07:00 | 1:07:04 | |
It cannot be stupid. | 1:07:04 | 1:07:06 | |
Go. We will miss you. | 1:07:09 | 1:07:13 | |
Our naive sentimentalist. | 1:07:13 | 1:07:16 | |
HE SNORES | 1:07:28 | 1:07:30 | |
Leovochka? | 1:07:32 | 1:07:34 | |
Kashnikov wants to buy the rights to your work after your death. | 1:07:40 | 1:07:44 | |
Then I shall try and die as soon as is convenient. | 1:07:44 | 1:07:47 | |
Oh, come on, don't be silly. | 1:07:47 | 1:07:49 | |
Come, look. Look, he has offered one million rubles. | 1:07:49 | 1:07:52 | |
How can you not be pleased? | 1:07:53 | 1:07:56 | |
I don't write for publishers, I write for people. | 1:07:56 | 1:07:58 | |
-Well, where are you going? -Valentin is in the library. | 1:07:58 | 1:08:01 | |
-He wants to see me. -Fine! | 1:08:01 | 1:08:03 | |
Fine, go ahead and let your wretched family starve. | 1:08:03 | 1:08:06 | |
I don't see anyone starving in this house. | 1:08:06 | 1:08:10 | |
On the contrary, | 1:08:10 | 1:08:11 | |
our privilege revolts me. | 1:08:11 | 1:08:14 | |
Well, you're the first to the trough! | 1:08:14 | 1:08:18 | |
Always have been. | 1:08:18 | 1:08:20 | |
What is it, my boy? You look unhappy. | 1:08:58 | 1:09:01 | |
What do you want to tell me? | 1:09:04 | 1:09:05 | |
GUNSHOTS | 1:09:06 | 1:09:08 | |
Sofya! Sofya! | 1:09:14 | 1:09:18 | |
What are you doing? | 1:09:24 | 1:09:26 | |
How could you do this to me? | 1:09:26 | 1:09:29 | |
You're not well. | 1:09:29 | 1:09:32 | |
You just hurt me again and again. | 1:09:32 | 1:09:35 | |
You tear pieces off me until there's nothing left. | 1:09:35 | 1:09:39 | |
I don't know who I am any more. | 1:09:41 | 1:09:43 | |
I read your diary. | 1:09:48 | 1:09:50 | |
I know what you've done. | 1:09:50 | 1:09:54 | |
You behave like this, I have no choice. | 1:09:54 | 1:09:56 | |
Now give me the gun. | 1:09:57 | 1:09:59 | |
-No! -Please, Countess. -Give me the gun, please. | 1:09:59 | 1:10:02 | |
I'd like you to stay here tonight. | 1:10:45 | 1:10:47 | |
Yes, of course. | 1:10:50 | 1:10:51 | |
-Valentin, get up. -What? -He's leaving. | 1:11:15 | 1:11:18 | |
Shh! | 1:11:23 | 1:11:25 | |
Pack essentials only. | 1:11:30 | 1:11:33 | |
Nothing that isn't absolutely necessary. | 1:11:33 | 1:11:36 | |
Please, we must hurry. | 1:11:36 | 1:11:38 | |
-Where will you go? -Your coat, Papa. | 1:11:38 | 1:11:40 | |
We don't need a plan, we just go. | 1:11:40 | 1:11:42 | |
A lantern, I think. It's very dark tonight. | 1:11:42 | 1:11:44 | |
And the apparatus for giving an enema. | 1:11:44 | 1:11:47 | |
Everything's ready. | 1:11:55 | 1:11:56 | |
-Ow! -Dushan, you all right? | 1:12:01 | 1:12:04 | |
-Please, go steady. -You all right? | 1:12:04 | 1:12:08 | |
Papa? | 1:12:08 | 1:12:09 | |
He's changed his mind. | 1:12:13 | 1:12:15 | |
He's going back to the house. | 1:12:15 | 1:12:17 | |
Do you want to go back? | 1:12:47 | 1:12:50 | |
No. | 1:12:52 | 1:12:54 | |
This life is behind me now. | 1:12:54 | 1:12:58 | |
-Help me up. -Yes, of course. | 1:13:13 | 1:13:15 | |
Give this to Sofya. | 1:13:25 | 1:13:26 | |
Yes. | 1:13:26 | 1:13:28 | |
-Be well, be well. -SHE SOBS | 1:13:34 | 1:13:36 | |
Don't cry, don't cry. | 1:13:46 | 1:13:47 | |
I'll send for you when I can. | 1:13:47 | 1:13:50 | |
Drive on. | 1:14:02 | 1:14:03 | |
-He's gone. For good? -I think so, yes. | 1:14:27 | 1:14:32 | |
Oh, Sasha, darling, I know you know where your father is. | 1:14:35 | 1:14:38 | |
So, darling, please, this is not a time to play games, please? | 1:14:38 | 1:14:42 | |
Countess, I have this for you. | 1:14:42 | 1:14:45 | |
'My position in the house has become intolerable. | 1:14:54 | 1:14:59 | |
'What I'm doing now is what people have commonly done, | 1:14:59 | 1:15:04 | |
'leave their worldly life behind to spend their last days in peace and solitude.' | 1:15:04 | 1:15:09 | |
THE COUNTESS SCREAMS | 1:15:12 | 1:15:14 | |
The pond! | 1:15:17 | 1:15:18 | |
-Mama! -Countess! | 1:15:20 | 1:15:22 | |
-Please, Mama! -'Please understand this, and don't come after me, even if you find out where I am. | 1:15:22 | 1:15:28 | |
'Your coming would only make our position worse, and would not alter my decision.' | 1:15:28 | 1:15:34 | |
Mother! | 1:15:34 | 1:15:35 | |
'I beg you to forgive me for everything I've done to you, | 1:15:37 | 1:15:41 | |
'just as I forgive you with all my soul for everything you've done to me.' | 1:15:41 | 1:15:46 | |
Countess! | 1:15:54 | 1:15:56 | |
Mama! Mama! | 1:16:02 | 1:16:06 | |
Mama! | 1:16:08 | 1:16:09 | |
I have her! | 1:16:09 | 1:16:10 | |
Here! Here! Take her! Take her! | 1:16:13 | 1:16:17 | |
Ivan, go to the house. Get a doctor, quickly, quickly! Turn her. | 1:16:24 | 1:16:27 | |
Turn her over, come on. Oh, God! | 1:16:27 | 1:16:32 | |
SHE COUGHS | 1:16:34 | 1:16:36 | |
Ivan, go to the station. Find out which train he took. | 1:16:53 | 1:16:57 | |
For God's sake! | 1:16:57 | 1:16:59 | |
Come, come. Let's get you to bed. Ready, and up. There we... | 1:17:01 | 1:17:06 | |
Thank you. | 1:17:10 | 1:17:11 | |
Here, tea. | 1:17:34 | 1:17:35 | |
She's exhausted herself. | 1:17:37 | 1:17:39 | |
She slept for nearly four hours. | 1:17:39 | 1:17:41 | |
Well, I'm glad she can sleep. The pain subsides a little. | 1:17:41 | 1:17:45 | |
The noise subsides a little. | 1:17:45 | 1:17:48 | |
KNOCK ON DOOR | 1:17:50 | 1:17:52 | |
Come in. | 1:17:52 | 1:17:53 | |
A message, miss. | 1:17:53 | 1:17:55 | |
-For me? -From your father. | 1:17:55 | 1:17:59 | |
'My darling Sasha, I have stopped to rest at Shamardino. | 1:18:02 | 1:18:06 | |
'I'll wait for you to join me here. | 1:18:06 | 1:18:09 | |
'Please ask Valentin to stay and look after your mother. | 1:18:09 | 1:18:12 | |
'When you arrive, | 1:18:12 | 1:18:14 | |
'we'll continue the journey south together. Your loving father.' | 1:18:14 | 1:18:18 | |
-They've all gone. -I'm here. | 1:18:34 | 1:18:37 | |
Aaw! You're writing to your girl. | 1:18:41 | 1:18:44 | |
Oh, how lovely. | 1:18:44 | 1:18:46 | |
I'm not sure she is my girl. | 1:18:46 | 1:18:49 | |
-But you believe you'll see her again? -I very much hope so. | 1:18:50 | 1:18:53 | |
Yes. Yes. | 1:18:53 | 1:18:55 | |
I know you know where he is, Valentin. | 1:18:55 | 1:19:00 | |
Sofya Andreyevna... | 1:19:01 | 1:19:03 | |
I won't ask you to betray his trust. | 1:19:03 | 1:19:05 | |
I just need you to go to him. I do. | 1:19:05 | 1:19:08 | |
I have to see him. I have to talk to him. | 1:19:08 | 1:19:12 | |
I won't make a scene. You can promise him that. | 1:19:12 | 1:19:16 | |
I just want to see him. | 1:19:17 | 1:19:19 | |
"Tolstoy abandons home, whereabouts unknown. | 1:19:32 | 1:19:35 | |
"The sage of Yasnaya Polyana takes flight." | 1:19:35 | 1:19:38 | |
I hope it's not too much for him. | 1:19:41 | 1:19:44 | |
Where are we? | 1:19:52 | 1:19:53 | |
It's all right. Everything's fine. | 1:19:53 | 1:19:55 | |
Let me take your temperature. Come on. | 1:19:58 | 1:20:02 | |
Be mindful of these steps. | 1:20:30 | 1:20:33 | |
We've come to the end of the world. | 1:20:46 | 1:20:48 | |
This is the station master. | 1:21:10 | 1:21:12 | |
He's very kindly said we may have his home for as long as we want it. | 1:21:12 | 1:21:15 | |
-There are no inns nearby, so we are lucky. -Yes, very lucky. | 1:21:15 | 1:21:19 | |
You'll be comfortable here, Papa. | 1:21:19 | 1:21:21 | |
The rest of us, we'll find cots, or sleep in the station. | 1:21:21 | 1:21:25 | |
-And then we'll be on our way. -Yes. Yes, Papa. We'll be on our way. | 1:21:25 | 1:21:30 | |
Excuse me? | 1:21:37 | 1:21:38 | |
KNOCKS ON GLASS | 1:21:38 | 1:21:41 | |
I'd like to send a telegram, please. | 1:21:41 | 1:21:43 | |
At Astapovo. Stop. | 1:21:45 | 1:21:47 | |
Tolstoy ill. Stop. | 1:21:47 | 1:21:50 | |
Temperature high. | 1:21:52 | 1:21:54 | |
You can send it to Countess Sofya Andreyevna Tolstoya, | 1:21:54 | 1:21:58 | |
Yasnaya Polyana, Tula Province. | 1:21:58 | 1:22:01 | |
(Please come back. Please come back.) | 1:22:01 | 1:22:04 | |
Concern for Lev Nikolayevich's health has been expressed | 1:22:15 | 1:22:19 | |
by people as diverse as Mr Henry James and Mr Joseph Conrad. | 1:22:19 | 1:22:23 | |
Lev Nikolayevich's temperature currently stands | 1:22:23 | 1:22:26 | |
at 40 degrees Celsius, that is 104 degrees Fahrenheit. | 1:22:26 | 1:22:29 | |
His blood pressure, which is hypertonic, is 180 over 100. | 1:22:29 | 1:22:33 | |
However, it should be added, | 1:22:33 | 1:22:35 | |
Lev Nikolayevich's manner and mental acuity is as great as ever... | 1:22:35 | 1:22:39 | |
Bulgakov! | 1:22:39 | 1:22:40 | |
-Where is he? Take me to him. -This way. | 1:22:40 | 1:22:44 | |
He left. It's astonishing. He actually finally left. | 1:22:44 | 1:22:46 | |
He was very sick, too sick to travel. | 1:22:46 | 1:22:48 | |
It's a triumph for the movement. | 1:22:48 | 1:22:51 | |
He looks so small. | 1:23:00 | 1:23:02 | |
Papa. | 1:23:04 | 1:23:05 | |
Oh, it's you. | 1:23:07 | 1:23:09 | |
My dear friend. | 1:23:09 | 1:23:12 | |
What is all of this? | 1:23:13 | 1:23:15 | |
Well, I needed to see you. | 1:23:15 | 1:23:17 | |
Thank you. | 1:23:19 | 1:23:21 | |
COUGHS We have so much to do. | 1:23:21 | 1:23:23 | |
Have you seen Sofya? | 1:23:25 | 1:23:27 | |
I've made a point not to. | 1:23:28 | 1:23:31 | |
She'll come. | 1:23:31 | 1:23:33 | |
I don't know when she'll come, but she'll come. I know that. | 1:23:33 | 1:23:36 | |
And we'll be ready. | 1:23:36 | 1:23:38 | |
Ready for what? | 1:23:38 | 1:23:39 | |
I'm sorry, but I'm afraid it's time for your enema. | 1:23:43 | 1:23:45 | |
Don't apologise, my friend. | 1:23:45 | 1:23:47 | |
Your enemas have become the news of the world. | 1:23:47 | 1:23:50 | |
Good morning, gentlemen. | 1:24:44 | 1:24:46 | |
I'm sure you will all be as relieved as I am | 1:24:50 | 1:24:53 | |
that Lev Nikolayevich slept a relatively peaceful night. | 1:24:53 | 1:24:57 | |
His temperature remains 40 degrees Celsius. | 1:24:57 | 1:25:00 | |
And his blood pressure is also hypertonic. | 1:25:00 | 1:25:03 | |
That having been said, however, | 1:25:03 | 1:25:06 | |
his mind remains agile and full of fortitude. | 1:25:06 | 1:25:09 | |
-It's the countess! -Of course, we have to remember... | 1:25:09 | 1:25:12 | |
-Is she here? -It's the countess. -Let's see. -Where is she? | 1:25:12 | 1:25:16 | |
-It is the countess! -Which car is it? -The Countess! | 1:25:16 | 1:25:20 | |
She's coming this way. | 1:25:44 | 1:25:45 | |
Not before she stops to tell them lies, catalogue my atrocities. | 1:25:45 | 1:25:49 | |
Let me talk to her. | 1:25:49 | 1:25:51 | |
-I want to see my husband. -Yes. I'll... | 1:25:51 | 1:25:56 | |
I want to see him now! | 1:25:56 | 1:25:59 | |
-Countess! Countess! -Oh, Valentin. | 1:25:59 | 1:26:01 | |
I want to see him, please. | 1:26:01 | 1:26:04 | |
-I'm not sure now is the right time, Countess. -Yes, it is. | 1:26:04 | 1:26:06 | |
It's the right time for me. | 1:26:06 | 1:26:09 | |
It might be a better idea, countess, I think, if you waited... | 1:26:11 | 1:26:15 | |
He only left because of you. Countess! | 1:26:15 | 1:26:17 | |
I want to see my husband. | 1:26:24 | 1:26:26 | |
He's too weak to see you, Mother. | 1:26:26 | 1:26:29 | |
He's not too weak to see you. Not too weak to see that... | 1:26:29 | 1:26:32 | |
Do you really want to do this here? | 1:26:32 | 1:26:34 | |
So I am the leper outside the gate, | 1:26:34 | 1:26:36 | |
while he sleeps with the devil himself. | 1:26:36 | 1:26:38 | |
Chertkov is here because Father asked him to be here. | 1:26:38 | 1:26:41 | |
-Is that true? -Yes. | 1:26:44 | 1:26:46 | |
Well, did you tell him that I nearly drowned in the pond? | 1:26:50 | 1:26:53 | |
We didn't need to. It's been in all the papers. | 1:26:53 | 1:26:57 | |
-Please, let me take you back. -What did he say? | 1:26:57 | 1:27:00 | |
He said that if you killed yourself, he'd be upset. | 1:27:00 | 1:27:03 | |
He'd be "upset"?! | 1:27:05 | 1:27:07 | |
Horribly upset. | 1:27:07 | 1:27:09 | |
But he could not have acted other than he did. | 1:27:09 | 1:27:12 | |
I want to see him. | 1:27:12 | 1:27:13 | |
-He's my husband. He's not your husband. -You're unbearable. | 1:27:17 | 1:27:20 | |
And you are a stonehearted bitch of a daughter. | 1:27:20 | 1:27:23 | |
I lost five children! Why couldn't one of them have been you?! | 1:27:26 | 1:27:29 | |
SHE SOBS | 1:27:29 | 1:27:33 | |
(Are you finished?) | 1:27:33 | 1:27:36 | |
Valentin, would you take me back, please? | 1:27:41 | 1:27:44 | |
Yes, of course. | 1:27:44 | 1:27:46 | |
Please, make way. Make way. Make way! | 1:27:49 | 1:27:51 | |
(I've behaved rather badly, haven't I?) | 1:27:53 | 1:27:55 | |
No, countess. No, don't worry. | 1:27:55 | 1:27:58 | |
Here. For you. | 1:29:07 | 1:29:09 | |
-Is this clean? -Of course it's clean. | 1:29:17 | 1:29:19 | |
Dushan, what's the matter? | 1:29:22 | 1:29:24 | |
Listen to him. | 1:29:24 | 1:29:26 | |
I'm supposed to be a doctor, for God's sake. | 1:29:26 | 1:29:28 | |
Sofya? Sofya? | 1:29:30 | 1:29:34 | |
What is it? | 1:29:34 | 1:29:36 | |
What is it? | 1:29:36 | 1:29:37 | |
She's come, hasn't she? | 1:29:42 | 1:29:44 | |
-She's here. -You're imagining things. | 1:29:46 | 1:29:48 | |
Sasha! | 1:29:48 | 1:29:50 | |
Where is your mother? | 1:29:50 | 1:29:52 | |
She's at home. | 1:29:54 | 1:29:57 | |
If she wants to see me, I can't refuse her. | 1:29:59 | 1:30:02 | |
Yes. | 1:30:02 | 1:30:04 | |
Is she going to come here? | 1:30:04 | 1:30:08 | |
I don't... | 1:30:08 | 1:30:10 | |
There's no way to... | 1:30:10 | 1:30:11 | |
There's no way to what? | 1:30:14 | 1:30:16 | |
I'd like to send another telegram, please. | 1:30:36 | 1:30:39 | |
At Astapovo. Stop. | 1:30:40 | 1:30:42 | |
Tolstoy ill. Stop. | 1:30:43 | 1:30:45 | |
Heartbreaking. Stop. Please come. | 1:30:46 | 1:30:48 | |
You can send it to Masha... Maria Filipovna Melinova. | 1:30:51 | 1:30:55 | |
-You lied to him! -Keep your voice down. | 1:30:59 | 1:31:03 | |
He wants to see her. You heard him say it. | 1:31:03 | 1:31:05 | |
-And what exactly do you think she'll bring him? -I don't know. | 1:31:05 | 1:31:08 | |
They've been married for 48 years. | 1:31:08 | 1:31:10 | |
I'll tell you what she'll bring. Vanity, fuss, and noise. | 1:31:10 | 1:31:13 | |
-She promised me she would not... -Promised you what? What, what? | 1:31:13 | 1:31:16 | |
You've seen her at close quarters, my boy. | 1:31:16 | 1:31:18 | |
Do you think she's capable of restraining herself from acting like a mad woman? | 1:31:18 | 1:31:22 | |
They have a life together. Why deny that? | 1:31:22 | 1:31:24 | |
You have become a victim of her romantic nonsense. | 1:31:24 | 1:31:26 | |
And you wilfully forget that she wants to destroy everything we do. | 1:31:26 | 1:31:31 | |
She travels here with that unctuous little priest. | 1:31:31 | 1:31:33 | |
-We'll keep the priest away. -These people are vultures, Valentin. | 1:31:33 | 1:31:37 | |
And they wait to descend till the very last moment, | 1:31:37 | 1:31:39 | |
to welcome him back to the Church, this is their fantasy. | 1:31:39 | 1:31:42 | |
-Keep the priest away. -A deathbed recantation. | 1:31:42 | 1:31:44 | |
Do you have any idea the damage that that will do? | 1:31:44 | 1:31:49 | |
Everything that he has dreamed of, | 1:31:49 | 1:31:50 | |
everything that we have worked for will be gone. | 1:31:50 | 1:31:55 | |
A simple, noble death, | 1:31:57 | 1:31:59 | |
is what we want. | 1:31:59 | 1:32:03 | |
That's what he wants. | 1:32:03 | 1:32:05 | |
No, you want to create an icon. | 1:32:07 | 1:32:10 | |
And you want people to kneel in front of an image that you create. | 1:32:10 | 1:32:14 | |
But he doesn't want that. He never has wanted that. | 1:32:14 | 1:32:17 | |
It'll give him no peace. | 1:32:17 | 1:32:18 | |
He wants to see her. Let her come. | 1:32:20 | 1:32:22 | |
I will do everything in my power to prevent that. | 1:32:25 | 1:32:28 | |
That image you want to create, | 1:32:31 | 1:32:33 | |
it's going to look more like you than him. | 1:32:33 | 1:32:37 | |
Valentin? | 1:33:38 | 1:33:39 | |
It can't be right. His fever is down. | 1:33:57 | 1:33:59 | |
Yes. | 1:33:59 | 1:34:00 | |
But, his pulse, | 1:34:02 | 1:34:04 | |
you see, it's... | 1:34:04 | 1:34:06 | |
HE GROANS | 1:34:06 | 1:34:09 | |
My dear. | 1:34:13 | 1:34:15 | |
Shall I call her? | 1:34:20 | 1:34:21 | |
He wouldn't know who she is anyway. | 1:34:22 | 1:34:25 | |
Yes! | 1:34:25 | 1:34:26 | |
FOOTSTEPS APPROACH | 1:34:43 | 1:34:46 | |
Bring a coat. It's cold. | 1:34:50 | 1:34:52 | |
Countess. Countess, could you give me some information? | 1:35:02 | 1:35:05 | |
Countess, is he dying? | 1:35:05 | 1:35:07 | |
Is he dead? | 1:35:07 | 1:35:09 | |
Leovochka! Leovochka, my darling. | 1:35:20 | 1:35:24 | |
Oh, my darling, please forgive me, please! | 1:35:24 | 1:35:26 | |
I'm a fool. I'm a selfish woman, but I love you, darling. | 1:35:26 | 1:35:31 | |
Please believe me. | 1:35:31 | 1:35:34 | |
Please, please understand me, | 1:35:34 | 1:35:37 | |
and please forgive my wickedness and my badness. | 1:35:37 | 1:35:40 | |
Mother! | 1:35:40 | 1:35:42 | |
Control yourself. | 1:35:42 | 1:35:44 | |
-Am I shouting? -You have to control yourself. | 1:35:45 | 1:35:48 | |
Yes. Yes, I will. | 1:35:52 | 1:35:54 | |
You don't speak, but I hear you. | 1:36:09 | 1:36:13 | |
Do you love me, Leovochka? | 1:36:15 | 1:36:18 | |
I never stopped, my little bird. | 1:36:23 | 1:36:25 | |
And you will never stop? | 1:36:29 | 1:36:31 | |
No. Never. | 1:36:33 | 1:36:36 | |
Nor ever leave me again. | 1:36:39 | 1:36:41 | |
No, never again. Good. | 1:36:46 | 1:36:49 | |
Good. | 1:36:50 | 1:36:52 | |
Let's go home. | 1:36:53 | 1:36:55 | |
GASPS AND SPLUTTERS | 1:37:26 | 1:37:29 | |
First cessation. | 1:37:29 | 1:37:31 | |
CROAKS | 1:37:39 | 1:37:41 | |
Second cessation. | 1:37:43 | 1:37:45 | |
Oh! | 1:37:51 | 1:37:52 | |
Ten minutes after six in the morning... | 1:38:32 | 1:38:36 | |
..a great soul passed from our world. | 1:38:40 | 1:38:41 | |
Lev Nikolayevich Tolstoy... | 1:38:43 | 1:38:46 | |
ALL SING | 1:38:49 | 1:38:52 | |
Masha! | 1:39:40 | 1:39:42 | |
Masha. | 1:39:49 | 1:39:52 | |
-I'm sorry, but he is gone. -I know. | 1:39:55 | 1:39:58 | |
But I came for you, Valya. | 1:40:01 | 1:40:04 | |
I came for you too. | 1:40:05 | 1:40:06 | |
-God go with you, Sofya Andreyevna. -God bless you! | 1:40:55 | 1:40:58 | |
We'll pray for you, Countess! | 1:41:02 | 1:41:04 | |
Subtitles by Red Bee Media Ltd | 1:42:51 | 1:42:54 | |
E-mail [email protected] | 1:42:54 | 1:42:57 |