The Last Station


The Last Station

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This film contains some scenes of a sexual nature.

0:00:040:00:09

Darling?

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Oh, darling.

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But sex.

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You are 23.

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Not an easy age for abstinence, is it?

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Tolstoy does not approve of sexual relations. I know this.

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He despises them, in fact.

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Well, I don't mean to belabour the point, but...

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last summer I arranged for a manservant who proceeded to ruin two housemaids, just like that.

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-He was very upset.

-This would not be a problem with me. I'm a vegetarian.

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I am celibate. I'm also a vegetarian.

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My dear boy, if you were to become Tolstoy's private secretary, you would be given a great gift.

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Vladimir Grigorevich, please know that I understand what a privilege this position presents.

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But since becoming a Tolstoyan, I have become so eager to learn...

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To discuss ideas, to perfect my very soul.

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Well, we have a lot to do if we are to get his work to the people.

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-We?

-Yes, we.

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If we can encourage the spread of passive resistance - just think of it, Valentin.

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Thousands of ordinary Russians

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casting off centuries of political and spiritual oppression.

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-In the name of truth and freedom.

-Truth and freedom.

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Yes, yes. But, still, there are many, many enemies.

0:03:280:03:33

-Enemies?

-Come.

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The Tsar's police.

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You will be followed when you leave here,

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and the Church will stop at nothing to bring him back into the fold.

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And then, of course, there is the Countess.

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Her dogged attachment to private property, her public criticism of our movement.

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But the point is... He needs a man of your intellectual gifts around him.

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Someone who understands his goals. And they still won't let me see him.

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They keep me under house arrest.

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I have another task for you, my dear.

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I want you to keep a diary for me.

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I need to know what goes on at Yasnaya Polyana.

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You let me know who visits the house, any talk of the copyright

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to his work, any contact with the Church - anything the countess says.

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-Anything?

-She's very, very dangerous.

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Hup!

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Godspeed, my boy.

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-And remember what I said.

-Mmmhmm.

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Write everything down.

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-Drive on!

-Walk on.

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-Good morning, Countess.

-Are you rolling?

-I am.

-Countess?

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Countess?

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It doesn't matter. If my heart stopped beating, I'd still go riding today.

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-Your pulse is my responsibility.

-No. It's mine.

-Fine.

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If you must ride, I insist you wear a coat. Even the sun is cold today.

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Oh, this! This is impossible!

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These people are parasites!

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"The Countess Tolstoy is estranged from her husband. They barely speak."

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And they gossip about us in Paris.

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-"They do not share a similar view of religion or politics."

-You think that's inaccurate?

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I think it's none of the world's bloody business. What are you doing?

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Why do you write down everything we say? Don't do that.

0:05:530:05:56

Dushan Petrovich, you are scribbling again.

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Oh, Leovochka, why do you insist on dressing like that?

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-What do you mean, like what?

-Like the man who looks after sheep.

-It wasn't meant to offend you.

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You're a count, for God's sake.

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Darling, where are you going?

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Riding with Sasha. Don't expect us for lunch.

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-Lev Nikolayevich, you've forgotten your coat.

-Dushan, are you fretting?

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Yes, because you refuse to look after yourself.

0:06:190:06:22

That was the end of us...

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Telyatinki was created by Vladimir Grigorevich

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as a centre for the movement. We're all equals here, you know.

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As Tolstoy teaches us.

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This is a place of freedom.

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It's a beautiful day.

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Yes, but we'll pay for it.

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Tool shed is there. That's the meeting room, and this is the dormitory.

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I found it!

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-Afternoon.

-Yes, hello.

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You are expected at Yasnaya Polyana in the morning - first thing.

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-First thing?

-You'll need to be on the road early. It's two hours away.

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-I look forward to it.

-Yes.

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You're lucky. We're all envious.

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DOOR CREAKS

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I'll see you in the morning.

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If we are spared.

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Right.

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And out.

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In.

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Emma, can you come? We need you in the house.

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KNOCK ON DOOR

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COCKEREL CROWS

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Come in.

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Brought you a glass of tea.

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That's very kind of you.

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It's your first day.

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Enjoy it.

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You met Sergeyenko?

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Last night, yes.

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What do you think?

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I thought he seemed very sincere.

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Thank you.

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SHE SCOFFS

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What?

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-Is that what you think?

-I think that...

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I think I've just arrived.

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-What was your name?

-Masha. But you should still say what you think.

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I mean, not just about him.

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-Like we all should.

-Yes.

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Excuse me.

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Thank you for the tea.

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He's a sorry, old, tight-arsed stick-in-the-mud but, yes, he's sincere.

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Hello?

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Hello?

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Ah, excuse me.

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You.

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You're the new secretary?

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Yes. Valentin Fedorovich Bulgakov.

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Papa is out.

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You can wait upstairs in the library.

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DOOR OPENS

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I am so glad you're here!

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I'm so glad.

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HE SNEEZES

0:11:400:11:42

-God bless you.

-Pardon me. I'm mortified.

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I sneeze sometimes when I get nervous.

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-Yes.

-Now, Vladimir Grigorevich has already written about you at lengths.

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I don't need that. What I do need is your help.

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My manifesto against the government is hard work.

0:11:590:12:02

They commit their idiotic abuses faster than I can catalogue them.

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And then there's the new book, the compendium.

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Vladimir Grigorevich told me all about it.

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He says that you say that all the world's religions share common truths. It's very exciting.

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No, one truth. One single organizing principle.

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-And can you guess what that is?

-Um...

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Love. Love. Simple.

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Yeah, but I want to talk about you.

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How are you?

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And how was your journey? Come, sit down.

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I was born on that sofa.

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No, no, sit, sit.

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Myself, my brother, my children -

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five or six of them, at least.

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-Right here.

-Congratulations.

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Well, I've read your essays.

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How's the work progressing?

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My boy, what is it?

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Oh, I've upset you in some way.

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-No.

-Was it the sofa? I mean, it's only a sofa.

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The sofa's wonderful.

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I, I'm very happy.

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You're very kind to me.

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You see, I am no-one, and you are Lev Tolstoy.

0:13:200:13:25

And you ask me about my work!

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I'll fetch you a glass of tea.

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-Yes.

-You rest.

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Because there's work for both of us to do, together!

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Yes.

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God.

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This machine, it really is the most extraordinary thing.

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Mama, these people have nothing.

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No, it's not for lack of land that the muzhiks live in poverty,

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it's because they have no willpower and they drink too much.

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I am not suggesting they be given land.

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Private property is the root of the problem.

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We should be giving ours away.

0:14:020:14:04

-God. Giving it to whom?

-Yes, exactly. I mean, this is ridiculous.

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You think because the peasants are poor, they're morally superior?

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I believe that wealth corrupts us all. Yes, I do.

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It's a keystone of the movement.

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Oh, God, I know all about the movement.

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If the peasants had money, they wouldn't

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surround themselves, as we do, with footmen costing 10 roubles a month.

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No, they'd spend it on drink and whores.

0:14:250:14:28

-Valentin Fedorovich. What do you think?

-Tea.

0:14:290:14:33

You think that 50 years from now, people will eat

0:14:330:14:35

while grown men walk around waiting on them hand and foot?

0:14:350:14:39

-I think...

-That's good. Bless you.

0:14:390:14:42

Stop scribbling. I mean, you all think he's Christ, don't you?

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He thinks he's Christ.

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I'm not...

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I don't believe Lev Nikolayevich is Christ.

0:14:510:14:54

-Christ is Christ, but...

-But what?

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I do believe he's one of the prophets. God speaks through him.

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I recognise the cadence in his voice.

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Oh, God, this is unbearable.

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No wonder I feel lonely. I'm surrounded by morons.

0:15:040:15:07

Ma, you're being ridiculous.

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Oh, am I? I have to sit here and listen to this talk of love and God and equality,

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knowing all the time, full well, that Count Generosity here is about to give away everything we own.

0:15:140:15:20

Now, why do you keep going on about this?

0:15:200:15:22

Why do you think that we should profit from the work I'm doing now,

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which is only meant for the sake of the people?

0:15:260:15:29

Stop writing!

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Stop writing now!

0:15:310:15:35

In defence of my gift, please let me demonstrate.

0:15:470:15:50

It's quite remarkable, really.

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'In the same way now, a society of hunger, full of segregation...'

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It's... It's your voice.

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'But with my soul, that the existence...'

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It's your voice!

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It's wonderful, it's wonderful!

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It's tiresome.

0:16:170:16:20

Another remarkable invention will supersede it. Please excuse me.

0:16:200:16:24

'No matter what all the learned men in the world say...'

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Lev Nikolayevich is something of a Luddite, I fear.

0:16:290:16:32

'It is a crime. And one committed not once, but constantly.

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'I knew that I, with my luxury, shall...'

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NEEDLE SQUEAKS

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MUSIC PLAYS

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That's better.

0:17:050:17:07

That's nice.

0:17:100:17:12

That's very nice indeed.

0:17:210:17:23

Do your parents often speak to each other so bluntly?

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Mama doesn't understand my father's goals.

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Not since his work as a novelist became secondary.

0:18:020:18:05

His commitment to the spiritual life offends her.

0:18:050:18:09

They've fought about it for years.

0:18:090:18:12

Well, I'm sure she means well by it.

0:18:120:18:14

I see a fine young man before me. Clear eyes, nice features,

0:18:180:18:22

rather handsome in a peculiar sort of a way.

0:18:220:18:25

Thank you, Countess.

0:18:250:18:26

Oh, please, call me Sofya Andreyevna.

0:18:260:18:28

We don't stand on formality here, as you may have noticed.

0:18:280:18:32

No, no. So many young men nowadays spoil their good looks with loose living, but you,

0:18:320:18:38

oh, you're a real Tolstoyan, I can tell that.

0:18:380:18:42

Well, thank you. I have to say, I admire your husband immensely.

0:18:420:18:46

Oh, very good. Excellent. He likes that.

0:18:460:18:50

Well, his ideas are beautiful.

0:18:500:18:52

Social justice, the very concept...

0:18:520:18:54

Yes, he's very grateful for the help you've been giving him. He told me that himself.

0:18:540:18:57

I think he's rather surprised that a young man like you can be quite so diligent.

0:18:570:19:01

When he was your age, he was whoring in the Caucasus.

0:19:010:19:04

Couldn't get enough of it.

0:19:040:19:06

Yes, he wrote all about it.

0:19:060:19:08

He even gave me a copy, so I could read all the details.

0:19:080:19:13

-Would you like some more jam?

-Yes, thank you.

0:19:130:19:16

-Have you read War And Peace?

-Yes, many times.

-Mmm.

0:19:160:19:19

Twice.

0:19:210:19:22

You know, when Lev was writing it...

0:19:220:19:25

Oh, this was ages ago, long before Chertkov created that monstrosity

0:19:250:19:29

at Telyatinki over all that fake religion and revolutionary nonsense.

0:19:290:19:34

-What do you think of Chertkov, by the way?

-Well, I think that he's...

0:19:340:19:38

I think he's given me a wonderful opportunity.

0:19:410:19:43

Yes, but you can see what a pompous fool he is,

0:19:430:19:45

what a self-serving puritanical idiot?

0:19:450:19:48

-It's been very pleasant since he's been locked away in his house.

-Right.

0:19:480:19:52

So, anyway, when he was writing it, in the mid-60s, he used to bring me pages to copy every day,

0:19:540:20:00

cos I was the only one who could understand his handwriting or his notes.

0:20:000:20:03

Do you know, I copied out War And Peace six times?

0:20:030:20:06

Six times?

0:20:060:20:08

I could understand his intentions, too.

0:20:080:20:11

So every afternoon, we'd have tea and we'd discuss changes.

0:20:110:20:15

And I'd say to him, "Natasha wouldn't speak to Prince Andrei like that. No woman would."

0:20:150:20:19

Or, "Pierre's too simple here.

0:20:190:20:21

"He's not an idiot." You know, things like that.

0:20:210:20:24

But I don't count any more.

0:20:280:20:30

DOOR CREAKS

0:20:330:20:35

DOOR CLOSES

0:20:400:20:42

You must help me, Vladimir Fedorovich.

0:20:510:20:53

-Val...

-Oh, Valentin Fedorovich.

0:20:530:20:56

I only want what's best for my husband and my family.

0:20:560:20:58

If it was for me alone, I could tolerate the situation,

0:20:580:21:01

but I cannot stand by while they steal my children's inheritance.

0:21:010:21:04

Well, I don't believe anybody wants to do that.

0:21:040:21:08

I don't.

0:21:080:21:09

-Theft goes against the very principles of Tolstoy thought.

-I have a little gift for you.

0:21:090:21:13

It's a diary. You know, everyone should always keep a diary.

0:21:190:21:24

-Yes, it's a very popular activity around here.

-You're teasing us.

0:21:250:21:29

But I trust you'll write the truth.

0:21:290:21:32

Well, that may not be so easy.

0:21:320:21:35

Nonsense. You've been listening to your friends at Telyatinki.

0:21:350:21:39

No, no, just write what you see around you.

0:21:390:21:42

What you see.

0:21:420:21:45

HE SNEEZES

0:21:460:21:47

You're finished for the day?

0:22:020:22:05

Yes, he didn't need me this afternoon.

0:22:050:22:07

I thought I'd come back here and lend a hand.

0:22:070:22:12

You know, Lev Nikolayevich considers himself a liberal,

0:22:160:22:19

but he doesn't approve of women doing physical labour.

0:22:190:22:22

Don't you find that reactionary?

0:22:240:22:26

No. I find it sweet.

0:22:260:22:28

I find you reactionary.

0:22:280:22:31

What do you talk about when you're with him?

0:22:360:22:38

We...

0:22:390:22:41

-Why are you blushing?

-I'm not.

0:22:430:22:45

We talk about me.

0:22:480:22:50

-Really?

-Yes. He wants to know about my family, my upbringing.

0:22:500:22:55

My connection to God and my relations with women.

0:22:550:22:59

Ooh, what relations are these?

0:22:590:23:02

All right, it's all right.

0:23:160:23:17

Well done.

0:23:360:23:38

I had a lover before I came here.

0:23:450:23:48

He was headmaster of the school where I taught.

0:23:480:23:52

He was married.

0:23:520:23:54

He was happily married.

0:23:540:23:56

It was difficult. We could make love only at school.

0:23:560:24:00

-At school?

-In the gymnasium,

0:24:000:24:03

after the girls had gone.

0:24:030:24:05

I see. I see.

0:24:050:24:07

Oh, there you are.

0:24:100:24:12

-Have I upset you?

-No.

0:24:120:24:15

No, I find you... I-I appreciate your frankness.

0:24:160:24:20

-But you disapprove of me?

-No!

0:24:200:24:22

-I see it in your eyes.

-Not at all.

0:24:220:24:24

No. I think sexual behaviour and...

0:24:240:24:29

intercourse, how two men, or two women,

0:24:290:24:33

or men and women, animals,

0:24:330:24:35

combine their physical parts, I find it completely neutral.

0:24:350:24:39

Listen to you.

0:24:410:24:43

You're a prig.

0:24:430:24:45

You're just like Sergeyenko. I mean, why else would they have hired you?

0:24:450:24:49

-That's not fair.

-I don't care if it's fair. It's true.

0:24:490:24:53

That's it.

0:24:530:24:56

-I'm going.

-Do as you like.

0:24:560:24:58

-Valentin Fedorovich?

-Yes?

0:25:020:25:05

You forgot your horse.

0:25:070:25:09

Yes.

0:25:110:25:12

Where's Papa?

0:25:420:25:43

I had a dream last night about a Tartar girl I knew in the war.

0:25:460:25:50

A girl who died?

0:25:500:25:52

No, no, no. Just a girl I had sexual intercourse with.

0:25:520:25:56

Sometimes, we did it twice a day.

0:25:560:25:58

VALENTIN SNEEZES

0:25:590:26:00

God bless you. I've never forgotten our time together.

0:26:000:26:04

The positions of our bodies, and the taste of her.

0:26:040:26:08

It was a long time ago.

0:26:080:26:10

-Really, you mustn't torture yourself.

-Torture?

0:26:100:26:12

You are a virgin, aren't you?!

0:26:120:26:14

Well, I try to be...

0:26:140:26:16

To what, to be a good Tolstoyan?

0:26:160:26:18

Let me assure you that I'm not a very good Tolstoyan myself.

0:26:180:26:22

You should think twice before asking my advice, on anything!

0:26:220:26:25

Torture?!

0:26:270:26:28

HE LAUGHS

0:26:280:26:30

Kalya was her name.

0:26:400:26:42

She's an old woman now.

0:26:430:26:46

White hair, old body, like me.

0:26:460:26:49

Hardly remember my name, I suspect.

0:26:490:26:52

She may even be dead.

0:26:520:26:53

Do you think all that meant something?

0:26:550:26:58

-What do you mean?

-Well, I mean, that little romance -

0:26:580:27:02

was there some meaning to it?

0:27:020:27:04

Well, I think you would say... I mean, I think I've read where you say that

0:27:040:27:08

the physical body is not real. That it's all an illusion.

0:27:080:27:12

I say a lot of things. But what do you say?

0:27:120:27:16

What do you think?

0:27:160:27:17

I don't know.

0:27:190:27:21

I don't know either.

0:27:230:27:24

Oh, smell that.

0:27:280:27:30

-Lilac.

-Precisely.

0:27:300:27:31

Lilac.

0:27:310:27:33

-Scent gets stronger when the sun goes down.

-Does it?

0:27:330:27:37

Papa!

0:27:370:27:39

He's free! He's free!

0:27:430:27:45

He's coming back!

0:27:480:27:49

My friend.

0:28:050:28:07

-SOFYA:

-He has come to try again to persuade your father

0:28:070:28:11

to change the will, to give the copyright as a gift to humanity. The reptile.

0:28:110:28:15

Papa's not in his right mind. He can't defend himself against these thieves.

0:28:150:28:19

You're a fine son, my darling.

0:28:190:28:22

None of this fake chastity or made-up religion.

0:28:220:28:24

I wish all my children had turned out like you.

0:28:240:28:27

Vladimir Grigorevich, what a surprise!

0:28:300:28:33

Sofya Andreyevna.

0:28:330:28:35

I'm happy to see you.

0:28:350:28:37

And I'm happy to make you happy.

0:28:370:28:39

Come, come, my friend.

0:28:410:28:43

Now, we have a great deal to talk about.

0:28:430:28:46

I'm happy to have a moment alone with you. There seems to be some confusion.

0:28:510:28:55

-What do you mean?

-Well, you send me never-ending commentary on Tolstoy's

0:28:550:28:59

writing, and that's all very interesting, but not very useful.

0:28:590:29:03

See, I need to know what goes on with Sofya Andreyevna.

0:29:030:29:06

You must see by now how committed she is to undermining her husband's best intentions?

0:29:060:29:11

It's not quite so obvious to me.

0:29:110:29:13

The woman understands nothing of what we're doing.

0:29:130:29:17

We simply want to distribute Tolstoy's writing to the widest audience possible.

0:29:170:29:22

I can only be of limited use to the master if I don't know what's going on.

0:29:240:29:28

The survival of our movement depends upon it.

0:29:280:29:31

-You value our work?

-I do.

0:29:330:29:35

The ideals we share?

0:29:350:29:37

It's why I'm here.

0:29:370:29:39

Very good.

0:29:390:29:41

-Good morning, darling.

-Good morning.

0:30:040:30:07

Do you mind if I join you?

0:30:070:30:09

No, of course, of course, my dear.

0:30:090:30:11

You know, it's...

0:30:320:30:34

-It's quite insane, my darling, how people are making fun of you.

-What are you talking about?

0:30:340:30:40

Even the muzhiks. I heard them laughing about it in the horse barn.

0:30:400:30:44

About what?

0:30:440:30:45

Laughing about what?

0:30:450:30:48

About the fact that you've developed a senile crush on a fat, middle-aged flatterer.

0:30:490:30:55

Your passion for Chertkov has become a standing joke.

0:30:550:30:58

I have a great affection for Vladimir Grigorevich.

0:30:580:31:01

-Let them laugh if they find it so amusing.

-It's not amusing, darling.

0:31:010:31:05

It's sick. It's not normal.

0:31:050:31:06

I mean, you hang on his every word.

0:31:060:31:08

We have a great deal in common.

0:31:080:31:10

You have nothing in common!

0:31:100:31:12

You are a genius, and he is a sycophant and a pervert.

0:31:120:31:16

Because he understands what I'm trying to do?

0:31:160:31:18

-Because he tries to help me accomplish it?

-He's just using you.

0:31:180:31:22

You just can't seem to see it.

0:31:220:31:24

This is absolute nonsense.

0:31:240:31:26

-That bald, obese, man...

-It is impossible for you not to distract me!

0:31:260:31:29

Now, leave me alone, for God's sake.

0:31:290:31:31

You're like a spoiled child.

0:31:310:31:33

Do you love me, Leovochka?

0:31:360:31:37

Of course I do.

0:31:370:31:39

Then why do you betray me like this?

0:31:390:31:41

Why do you say that?

0:31:410:31:43

Because of the will.

0:31:430:31:45

The new will.

0:31:450:31:47

There's no new will.

0:31:490:31:51

-Does Chertkov have it?

-There is no new will.

-That's why he's here, isn't it?

0:31:510:31:56

You talk about it, you and your boyfriend. You have no heart for the people who really love you.

0:31:560:32:01

You'd rather be seduced by charlatans and deluded by flatterers, all in the name of love.

0:32:010:32:06

You can't even love your own children. You can't even love me.

0:32:060:32:10

-Where is it?

-There is no new will!

-Then promise me there never will be.

0:32:100:32:15

I have told you the truth.

0:32:190:32:22

Now let me work.

0:32:240:32:27

Will you?

0:32:270:32:29

I'll go to the station and I'll throw myself under a train.

0:32:330:32:37

Madam Tolstoy becomes Anna Karenina.

0:32:370:32:38

See how the press will like that.

0:32:380:32:40

This is unbearable. You don't need a husband, you need a Greek chorus!

0:32:400:32:45

Masha?

0:33:040:33:06

-Masha.

-Ssh.

0:33:350:33:37

Move your book.

0:34:010:34:03

-What?

-Your book.

0:34:030:34:05

I'm sorry. I'm sorry.

0:34:060:34:08

-Is it OK?

-Mmm-hmm.

0:34:290:34:32

Yeah?

0:34:320:34:34

What?

0:34:450:34:48

What is it?

0:34:480:34:50

What is it?

0:34:500:34:51

You really are a virgin?

0:34:510:34:54

Oh, no, no, no. I'm teasing, I'm teasing!

0:34:540:34:59

-It was wonderful.

-I could do it again.

0:34:590:35:01

-Let me try again.

-It was wonderful.

0:35:010:35:03

-Really?

-Yes. Hold me.

0:35:030:35:07

And up.

0:35:150:35:18

-That's good. Pull it, your side.

-There.

-Keep it tight.

0:35:180:35:22

That's it, stretch it so we can read it.

0:35:220:35:26

COCK CROWS

0:35:350:35:37

I'm sorry.

0:35:420:35:43

Why did you come here, Masha?

0:36:020:36:04

What do you mean? What do you mean?

0:36:060:36:09

You don't follow any of the rules here.

0:36:090:36:11

Because it's not about rules.

0:36:120:36:16

-Not for Tolstoy, anyway.

-Valentin Fedorovich.

0:36:170:36:21

-What is it?

-Open the door.

0:36:210:36:24

I'm...currently indisposed.

0:36:240:36:26

Yes, well, Lev Nikolayevich is downstairs. He wants to see you.

0:36:260:36:30

Tell Lev Nikolayevich I'll...

0:36:300:36:33

-..be down in a moment.

-Yes.

0:36:330:36:35

And tell Maria Filipovna we could use another hand in the kitchen.

0:36:350:36:38

If I see her, I will.

0:36:380:36:40

If you see her, yes.

0:36:400:36:42

If you're going to behave like rabbits, you should go live in the woods.

0:36:420:36:47

Ssh!

0:36:480:36:50

I'll go first.

0:36:520:36:53

Give me five minutes, yes?

0:36:530:36:56

Come on. That's a boy!

0:36:590:37:02

That's my boy.

0:37:040:37:05

You too, come on.

0:37:050:37:07

You're wonderful, you're just wonderful, wonderful.

0:37:070:37:09

And you!

0:37:090:37:12

And you too, you too.

0:37:160:37:18

Look at the love in him.

0:37:210:37:23

It's like...

0:37:230:37:24

..Jesus, suffering the children.

0:37:260:37:29

-All that.

-I know, an old man's a very ugly thing!

0:37:290:37:32

Hey, my boy!

0:37:320:37:35

Hey! Come and kiss me!

0:37:350:37:37

And who's this? Maria Filipovna!

0:37:400:37:44

Oh, you're both looking so well.

0:37:440:37:47

-Life here obviously agrees with you.

-VALENTIN SNEEZES

0:37:470:37:50

God bless you, boy. What are you nervous about now?

0:37:500:37:54

Sit down. Sit down.

0:37:540:37:57

Oh, Masha, my dear.

0:37:570:37:59

Valentin tells me that you are the great treasure of Telyatinki.

0:38:020:38:07

He claims you're a very gifted teacher!

0:38:070:38:09

We're happy to have you with us.

0:38:110:38:13

-What are you doing?

-What do you mean?

0:38:180:38:20

You just killed a living thing.

0:38:200:38:22

-Oh!

-Do you have something to say?

0:38:220:38:26

-It's absurd, that's all.

-What are you saying?

0:38:270:38:30

I'm sorry, but it's a mosquito.

0:38:300:38:32

Forgive him. He can't help it. He's a much better Tolstoyan than I am.

0:38:320:38:37

That's not the message we want to send.

0:38:370:38:40

Please, have your seat.

0:38:410:38:43

Very well.

0:38:460:38:48

Papa - from Mother, "Nerves dreadful, stop. Insomnia, stop.

0:38:500:38:56

"Pulse 100, stop. Please come home."

0:38:560:39:00

So...

0:39:100:39:11

..are you ill?

0:39:110:39:13

Or what is it?

0:39:130:39:15

Oh, I'm much better, now you're here.

0:39:150:39:19

It's no good, you know, all this.

0:39:200:39:22

You frightened everyone.

0:39:220:39:24

Really? No, I don't believe you.

0:39:240:39:26

Not you.

0:39:260:39:28

I'm your little bird. You know the sounds I make.

0:39:290:39:32

Then that was some sort of love call, I suppose?

0:39:320:39:35

Brought you back to me.

0:39:350:39:37

Why?

0:39:390:39:41

Why, why, why do you do it?!

0:39:410:39:43

We live in the country, you insist on making it an opera house -

0:39:430:39:47

-What's wrong with a little peace now and then?

-Look at me!

0:39:470:39:50

This is who I am.

0:39:500:39:52

This is what you married.

0:39:520:39:55

We may be older, maybe we're old,

0:39:550:39:58

but I'm still your little chicken.

0:39:580:40:02

-And you're still my big cock.

-Oh, for pity's sake!

0:40:020:40:08

Let me make you crow!

0:40:080:40:09

Cock-a-doodle-doo!

0:40:110:40:14

Cock-a-doodle-doo!

0:40:140:40:16

Oh, come on, let me make you sing.

0:40:160:40:19

No!

0:40:190:40:20

No! No, no, no!

0:40:200:40:23

Cock-a-doodle-doo!

0:40:250:40:27

THEY LAUGH

0:40:270:40:29

Cock-a-doodle-doo!

0:40:300:40:32

Cock-a-doodle-doo!

0:40:380:40:40

Let me make you sing!

0:40:460:40:49

Boc-boc-boc-boc!

0:40:490:40:51

-Do you love me?

-I do, I do, I do.

0:40:590:41:02

I want you to love me.

0:41:020:41:05

I do.

0:41:080:41:09

Cock-a-doodle-doo!

0:41:130:41:16

Masha.

0:41:460:41:48

You wouldn't look at me.

0:41:490:41:51

It was difficult, in front of the others...

0:41:530:41:55

It wasn't difficult in your bed. When it was just you and me in front of God.

0:41:550:42:00

-I wasn't aware of God.

-I made you forget God?

-No. Never.

0:42:000:42:04

Yes. Only for a moment.

0:42:040:42:06

You forgot your rules and you remembered love.

0:42:060:42:08

You make it sound very simple.

0:42:080:42:10

It is simple. I mean, what we did is what men and women do.

0:42:100:42:15

It's what they have done, it's what they'll continue doing.

0:42:150:42:18

We touched each other.

0:42:180:42:21

When we stayed close together, something passed between us.

0:42:210:42:26

Something real.

0:42:260:42:28

And that's a betrayal of what?

0:42:280:42:31

Nothing. But you're afraid.

0:42:310:42:36

All your ideas.

0:42:360:42:37

She wants to question you about the new will.

0:42:590:43:01

But how does she even know it exists?

0:43:010:43:05

Well, she claims that Lev Nikolayevich said she could look at the draft.

0:43:050:43:08

Well, he is obviously not thinking clearly.

0:43:080:43:13

Now we have to contend with her petty grasping.

0:43:130:43:16

-It doesn't seem that petty to me.

-I beg your pardon?

0:43:160:43:19

Uh...

0:43:190:43:21

He's her entire life. The work, in her mind, is theirs, together.

0:43:230:43:27

And you're her advocate? You have been taken in by her celebrity. I was worried about this.

0:43:270:43:32

I'm simply talking about their history.

0:43:320:43:36

-Nothing more.

-We have to see her.

0:43:360:43:38

Act as if nothing has happened.

0:43:380:43:40

Nothing has happened.

0:43:400:43:42

Sofya Andreyevna.

0:43:430:43:45

At last, you honour us with a visit.

0:43:450:43:48

Well, I'm curious to see how things are progressing here at Telyatinki.

0:43:480:43:52

Well...

0:43:520:43:53

-What is it?

-Your moustache is...

0:43:540:43:58

No, it's just a problem with the wax.

0:43:580:44:01

Vladimir Grigorevich, let me come straight to the point.

0:44:010:44:04

I don't wish to be your enemy.

0:44:040:44:06

On the contrary, I am delighted that my husband has found a friend who understands and shares his ideals.

0:44:060:44:13

I just want what's reasonable.

0:44:130:44:17

I want an opportunity to evaluate the new will.

0:44:170:44:21

If you agree, then I'm sure we can be friends.

0:44:210:44:24

You are very kind, Sofya Andreyevna,

0:44:240:44:27

but I can't help you.

0:44:270:44:29

Not without specific instructions from your husband.

0:44:290:44:32

Oh, he has agreed. Hasn't he, Valentin?

0:44:350:44:37

No witness you produce can change my position, I'm afraid.

0:44:370:44:42

But I will, of course, speak to Lev Nikolayevich at the first opportunity.

0:44:420:44:47

Very well.

0:44:490:44:51

I want us to be friends too, Sofya.

0:44:510:44:54

Lev Nikolayevich is the most valuable thing in the world, to both of us.

0:44:540:44:58

We should endeavour to set things right between us. Give him peace.

0:44:580:45:02

Let him work.

0:45:020:45:04

Yes.

0:45:040:45:06

Valentin Fedorovich, would you accompany me to the house, please?

0:45:130:45:16

I'll accompany the countess back to the house and be back in time for supper.

0:45:200:45:25

Masha will be overjoyed.

0:45:270:45:28

Valentin Fedorovich, you've been keeping something from me.

0:45:380:45:41

Have I?

0:45:410:45:43

You can tell me anything, Valentin.

0:45:430:45:45

I love a romance.

0:45:470:45:48

-It's nothing. Really, it's nothing.

-A young woman in your life is nothing?

0:45:510:45:55

-Masha is a friend.

-A lover?

0:45:550:45:58

A very... A very good friend.

0:45:580:46:01

See, you forget that I'm an experienced reader, so I can read your face, every letter.

0:46:010:46:08

It's beautifully clear.

0:46:080:46:10

Really?

0:46:100:46:12

Do you love her?

0:46:120:46:14

-I think perhaps I do.

-Yes.

0:46:160:46:18

It's not something they'd understand, these so-called disciples of my husband's.

0:46:240:46:27

They've never understood a word he's ever written.

0:46:270:46:29

What do they know about love?

0:46:340:46:35

I'm sorry. I'm sorry.

0:47:130:47:16

I'm sorry! Did I scare you? Are you all right?

0:47:160:47:21

-Fine.

-I'm sorry. I got back as soon as I could.

0:47:210:47:26

It was a strange day. Lev Nikolayevich is...

0:47:260:47:30

I love to listen to him talk, but today I could barely concentrate.

0:47:300:47:35

All I could think about was you.

0:47:370:47:40

-I think I've confused you.

-No.

0:47:400:47:44

-I think I've confused us both.

-No.

0:47:440:47:46

I was stupid. I was afraid, but I'm not afraid anymore.

0:47:490:47:53

What are you...?

0:47:530:47:55

Masha.

0:47:590:48:01

I love you, Masha.

0:48:010:48:03

Masha! Masha! I have...

0:48:340:48:40

In my heart,

0:48:430:48:45

I have committed the act of copulation many times!

0:48:450:48:49

Please know it was never like it was with you.

0:48:550:48:58

I'll wait for you, then.

0:49:040:49:07

You will?

0:49:070:49:08

-Give me this. What?!

-MASHA LAUGHS

0:49:100:49:14

What are you laughing at?

0:49:140:49:15

-IN AN AMERICAN ACCENT:

-It's a problem with the wax!

0:49:150:49:18

I think I look just like him!

0:49:230:49:25

-You're happy.

-Well, of course I am.

0:49:290:49:33

Love and be loved. That's the only reality there is in the world.

0:49:330:49:37

He said that?

0:49:370:49:39

Tolstoy said it, but I'm saying it.

0:49:400:49:42

I'm saying it, Masha, because you make me know it.

0:49:440:49:48

I look into your eyes, I can see the future.

0:49:480:49:51

I think you're the bravest person I've ever met.

0:49:530:49:55

You amaze me.

0:49:580:50:01

You believe more than I know how to.

0:50:010:50:04

I love you.

0:50:060:50:07

You're pure, Valya.

0:50:130:50:14

You're what I came here to find.

0:50:190:50:21

Ivan, who's wearing that awful perfume?

0:50:380:50:41

I understand this is difficult. It is a delicate situation.

0:50:470:50:50

-This way.

-This must be discussed now.

0:50:500:50:53

It cannot wait any longer.

0:50:530:50:55

Whatever happens, Mother mustn't find out.

0:50:570:50:59

I hate to say it, but the Countess has become more and more dangerous.

0:50:590:51:04

Oh, not dangerous. She's concerned for the welfare of the family.

0:51:040:51:08

And we're concerned with the welfare of mankind.

0:51:080:51:11

-You've been more than reasonable.

-Have I?

0:51:160:51:19

Of course you have.

0:51:190:51:20

She already controls the income from your property.

0:51:200:51:23

Listen to him. He has our best interests at heart.

0:51:230:51:26

We are speaking only of the rights to your words, your ideas.

0:51:260:51:29

With all love and respect,

0:51:290:51:31

the countess is too interested in making a profit from your work.

0:51:310:51:34

She's my wife. She's part of me. We've been together all these years.

0:51:410:51:45

But you're more than a husband and father. She must understand that.

0:51:450:51:48

The best interests of the people are one with your own. You belong to them.

0:51:480:51:52

She won't. She'll never understand.

0:51:520:51:54

She's unstable. I wonder if she isn't ill.

0:51:570:52:00

-It's sadly more than probable.

-I know it's hard, Papa, but you must be realistic.

0:52:000:52:04

Her behaviour is extremely alarming.

0:52:040:52:07

Do you truly think she is fit to control the final disposition of this will?

0:52:070:52:11

-Well, I don't... I don't...

-How dare... Argh!

-God!

0:52:110:52:14

What are you doing?!

0:52:170:52:19

You're all plotting against me! In my own house, too!

0:52:190:52:24

I bear you 13 children.

0:52:240:52:27

How can you betray me like this?

0:52:270:52:30

Somebody, help me up.

0:52:300:52:32

Go ahead. Go ahead.

0:52:370:52:39

Why don't you give everything we've got to him?

0:52:390:52:42

Your fat little catamite!

0:52:420:52:44

"What will it be, my dearest darling, my Vladimir Grigorevich?

0:52:440:52:47

"My wife's heart on a platter? Her kidneys, with salt?"

0:52:470:52:50

"But of course, my dear Chertkov.

0:52:500:52:52

"Whatever pleases you.

0:52:520:52:54

"The china, the estate, permanent copyright on anything I've ever written? Anything for you, my love!"

0:52:540:52:59

-Give that to me.

-No.

-Give it to me, you little weasel!

-Sofya!

-Give it to me!

0:53:050:53:12

Can I not have some...? Can I not have some...?

0:53:150:53:20

You'll kill him, Mama. Well, that's what you want, isn't it?

0:53:200:53:23

You want him to die!

0:53:230:53:25

Lev...

0:53:250:53:27

It's all right, it's all right. Let's get him downstairs.

0:53:300:53:34

You don't deceive me for one moment.

0:53:400:53:43

I know exactly what you're doing.

0:53:430:53:46

I want to see the will.

0:53:510:53:53

It is my right as his wife in the sight of God.

0:53:530:53:57

What are you afraid of?

0:53:570:53:59

You.

0:53:590:54:00

I'm afraid of you.

0:54:000:54:02

The press are bloodthirsty, Sofya. Had I wished, I could have demolished you.

0:54:050:54:09

-You make it easy.

-Then tell them anything you want. Go ahead. Ruin us!

0:54:090:54:13

I have too much respect for Lev Nikolayevich! You're lucky!

0:54:130:54:17

Why can't my husband see you for what you are?

0:54:170:54:20

If I had a wife like you, I would've blown my brains out!

0:54:200:54:25

Or gone to America.

0:54:250:54:27

SHE SOBS

0:54:350:54:36

EPIC OPERA PLAYS

0:54:560:54:59

I hope you're feeling better.

0:55:100:55:12

Do you like the opera?

0:55:170:55:19

Yes.

0:55:190:55:21

I'm very sorry...about everything.

0:55:260:55:29

This aria is so beautiful.

0:55:350:55:37

It's about a woman who's been abandoned by the man she loves.

0:55:370:55:42

Everyone finds that very moving...in the opera.

0:55:420:55:47

THE DOOR OPENS

0:55:520:55:54

Our life together has become intolerable.

0:55:580:56:01

Sit down, Valentin.

0:56:010:56:04

-Really, I'm expected at Telyatinki.

-No, please. Come, enjoy your dinner.

0:56:040:56:07

We've just had a disagreement, like all married couples.

0:56:070:56:10

Despite good cause for it,

0:56:100:56:13

I have never stopped loving you.

0:56:130:56:14

-Of course.

-But God knows you don't make it easy.

0:56:140:56:18

Why should it be easy?

0:56:180:56:20

I am the work of your life, you the work of mine. That's what love is.

0:56:200:56:24

-I should go.

-No, sit down.

0:56:240:56:26

So, that's what love is, eh?

0:56:280:56:32

-Does that surprise you, boy?

-I thought it might be a touch quieter, but...

0:56:320:56:36

BOTH: Bless you.

0:56:360:56:38

He's right, though.

0:56:380:56:41

If we can't live a decent,

0:56:410:56:43

quiet life, if I can't work

0:56:430:56:46

and find some peace, then I shall go away.

0:56:460:56:49

-Go?

-Not to Chertkov, but I shall go.

0:56:490:56:53

-Go where?

-Dushan says you're killing me!

0:56:530:56:55

Then go! Go anywhere you please!

0:56:570:57:00

Go anywhere you please!

0:57:000:57:02

I hate you!

0:57:040:57:06

I hate what you've become!

0:57:060:57:08

-Go!

-Dushan!

0:57:080:57:13

SHE STRUGGLES FOR BREATH

0:57:130:57:15

Countess? Countess!

0:57:150:57:18

Is she all right?

0:57:180:57:20

-Is she all right?

-Sofya.

0:57:200:57:22

Sofya, are you all right? Open your eyes. Open your eyes.

0:57:220:57:27

Oh, my back! Oh... Oh... Oh, my back!

0:57:290:57:34

You're lying on a fork. Sit up and you'll improve markedly.

0:57:360:57:41

If you'll be good enough to take her upstairs.

0:57:420:57:45

Masha.

0:58:060:58:08

I'm sorry.

0:58:200:58:22

HE SIGHS

0:58:230:58:25

It was terrible there today.

0:58:250:58:27

They loved each other so much, I'm sure of it, I'm sure they do, but...

0:58:270:58:31

You see what it becomes, and you just wish that you could...

0:58:310:58:34

Is something the matter?

0:58:380:58:41

Masha?

0:58:410:58:42

I'm going back to Moscow.

0:58:460:58:48

What?

0:58:480:58:50

Chertkov spoke with me this afternoon.

0:58:500:58:53

He said I could be more useful there.

0:58:530:58:56

-Which means...

-Which means he's punishing us.

0:58:560:58:59

He's punishing me.

0:58:590:59:01

He's punishing me for befriending Sofya Andreyevna.

0:59:010:59:04

This is Chertkov.

0:59:040:59:05

We've both disappointed him, but I don't care.

0:59:050:59:08

I don't care either, but you can't leave. I'm going to talk to him.

0:59:080:59:11

-I'm going to make him make you stay.

-No. I want to go.

-What?

0:59:110:59:16

I'm leaving the movement.

0:59:160:59:17

Sit down, sit down.

0:59:240:59:27

-You can't leave Tolstoy.

-I'm not.

-You can't leave.

-No, I'm not.

0:59:270:59:33

-When I read his confession, it moved me, Valya.

-Yes.

0:59:330:59:36

When he was searching for freedom.

0:59:360:59:40

Freedom from anger, freedom from attachment,

0:59:400:59:42

freedom from all the superstition and the nonsense of the church.

0:59:420:59:46

I mean, it moved me so much.

0:59:460:59:48

And that's what I thought it would be about.

0:59:480:59:50

I mean, isn't that what it's about?

0:59:500:59:53

Freedom and love?

0:59:530:59:55

They mix it all up.

0:59:581:00:00

Come with me.

1:00:051:00:08

Please?

1:00:101:00:12

I can't.

1:00:261:00:29

I'm going to my room.

1:00:381:00:39

Masha.

1:00:421:00:45

Masha, please. I can't.

1:00:521:00:55

I need you.

1:00:551:00:57

I know you do.

1:01:021:01:03

I know.

1:01:051:01:07

A-Y. A-Y.

1:01:201:01:27

What was it? I don't remember.

1:01:271:01:29

Was it your...?

1:01:311:01:33

No, no, no.

1:01:331:01:35

You rest now.

1:01:351:01:38

-Good afternoon, Lev Nikolayevich.

-Is it?

1:02:311:02:35

-Remember that this will ensure that your complete works will live in the public domain.

-Monumentous.

1:02:501:02:56

Your works are the birthright of the Russian people.

1:02:561:03:01

And now they will possess them forever.

1:03:011:03:05

Yes?

1:03:071:03:09

I need a pen.

1:03:091:03:11

Oh, of course, of course.

1:03:111:03:13

-I...

-What?

1:03:151:03:17

-I don't seem to have a pen.

-You're a secretary.

1:03:211:03:24

How can you not have a pen?

1:03:241:03:25

He's a secretary, too. Ask him.

1:03:251:03:28

-Valentin Fedorovich, do you have a pen?

-I...

1:03:281:03:34

Yes. Yes, I have a pen.

1:03:411:03:46

Are you all right?

1:03:591:04:03

I'm a conspirator.

1:04:031:04:05

Nothing more.

1:04:051:04:07

HE LAUGHS

1:04:071:04:08

-Lev Nikolayevich, may I ask you a question that has nothing to do with the work?

-Of course, my dear.

1:04:401:04:47

Do you love your wife?

1:04:471:04:49

You see, when I was courting Sofya, she was so young and so pure,

1:04:531:04:58

it just seemed impossible that I could ever have her.

1:04:581:05:02

I didn't want to tell her how I felt, and yet...

1:05:021:05:05

I wanted to tell her nothing else.

1:05:051:05:08

So I wrote down a string of letters, and asked her if she would decipher them.

1:05:081:05:13

At first, she was completely confused and thought it was some sort of game.

1:05:131:05:17

So I gave her a clue. One clue.

1:05:171:05:19

"The first two Ys...",

1:05:191:05:21

I said, "..stand for, 'Your youth'",

1:05:211:05:24

and that was all I said.

1:05:241:05:26

And then... the most miraculous thing happened.

1:05:261:05:32

She simply spoke the phrase.

1:05:321:05:34

"Your youth and your desire for happiness

1:05:361:05:40

"cruelly remind me of my age, and the impossibility of happiness for me."

1:05:401:05:45

The entire phrase, my phrase.

1:05:471:05:50

As if she'd read my mind.

1:05:501:05:52

In that moment, we both knew we would always be together.

1:05:541:05:58

And for the first few years,

1:05:581:06:02

we were incredibly, terrifyingly...

1:06:021:06:05

..happy.

1:06:081:06:09

And now this.

1:06:171:06:19

-I'm leaving Telyatinki.

-Really?

-Yes.

1:06:361:06:39

I'm going to Moscow.

1:06:391:06:42

She's leading you around by the nose, my boy.

1:06:421:06:45

-Look, you say that the movement is about love.

-Which it is.

1:06:451:06:48

The love that he teaches us.

1:06:481:06:50

-The love that binds all mankind together.

-I've never met mankind.

1:06:501:06:54

I've only ever met men or women.

1:06:541:06:57

-Imperfect men, imperfect women.

-Yes.

1:06:571:07:00

But Lev Nikolayevich also teaches us that love cannot be weak-minded.

1:07:001:07:04

It cannot be stupid.

1:07:041:07:06

Go. We will miss you.

1:07:091:07:13

Our naive sentimentalist.

1:07:131:07:16

HE SNORES

1:07:281:07:30

Leovochka?

1:07:321:07:34

Kashnikov wants to buy the rights to your work after your death.

1:07:401:07:44

Then I shall try and die as soon as is convenient.

1:07:441:07:47

Oh, come on, don't be silly.

1:07:471:07:49

Come, look. Look, he has offered one million rubles.

1:07:491:07:52

How can you not be pleased?

1:07:531:07:56

I don't write for publishers, I write for people.

1:07:561:07:58

-Well, where are you going?

-Valentin is in the library.

1:07:581:08:01

-He wants to see me.

-Fine!

1:08:011:08:03

Fine, go ahead and let your wretched family starve.

1:08:031:08:06

I don't see anyone starving in this house.

1:08:061:08:10

On the contrary,

1:08:101:08:11

our privilege revolts me.

1:08:111:08:14

Well, you're the first to the trough!

1:08:141:08:18

Always have been.

1:08:181:08:20

What is it, my boy? You look unhappy.

1:08:581:09:01

What do you want to tell me?

1:09:041:09:05

GUNSHOTS

1:09:061:09:08

Sofya! Sofya!

1:09:141:09:18

What are you doing?

1:09:241:09:26

How could you do this to me?

1:09:261:09:29

You're not well.

1:09:291:09:32

You just hurt me again and again.

1:09:321:09:35

You tear pieces off me until there's nothing left.

1:09:351:09:39

I don't know who I am any more.

1:09:411:09:43

I read your diary.

1:09:481:09:50

I know what you've done.

1:09:501:09:54

You behave like this, I have no choice.

1:09:541:09:56

Now give me the gun.

1:09:571:09:59

-No!

-Please, Countess.

-Give me the gun, please.

1:09:591:10:02

I'd like you to stay here tonight.

1:10:451:10:47

Yes, of course.

1:10:501:10:51

-Valentin, get up.

-What?

-He's leaving.

1:11:151:11:18

Shh!

1:11:231:11:25

Pack essentials only.

1:11:301:11:33

Nothing that isn't absolutely necessary.

1:11:331:11:36

Please, we must hurry.

1:11:361:11:38

-Where will you go?

-Your coat, Papa.

1:11:381:11:40

We don't need a plan, we just go.

1:11:401:11:42

A lantern, I think. It's very dark tonight.

1:11:421:11:44

And the apparatus for giving an enema.

1:11:441:11:47

Everything's ready.

1:11:551:11:56

-Ow!

-Dushan, you all right?

1:12:011:12:04

-Please, go steady.

-You all right?

1:12:041:12:08

Papa?

1:12:081:12:09

He's changed his mind.

1:12:131:12:15

He's going back to the house.

1:12:151:12:17

Do you want to go back?

1:12:471:12:50

No.

1:12:521:12:54

This life is behind me now.

1:12:541:12:58

-Help me up.

-Yes, of course.

1:13:131:13:15

Give this to Sofya.

1:13:251:13:26

Yes.

1:13:261:13:28

-Be well, be well.

-SHE SOBS

1:13:341:13:36

Don't cry, don't cry.

1:13:461:13:47

I'll send for you when I can.

1:13:471:13:50

Drive on.

1:14:021:14:03

-He's gone. For good?

-I think so, yes.

1:14:271:14:32

Oh, Sasha, darling, I know you know where your father is.

1:14:351:14:38

So, darling, please, this is not a time to play games, please?

1:14:381:14:42

Countess, I have this for you.

1:14:421:14:45

'My position in the house has become intolerable.

1:14:541:14:59

'What I'm doing now is what people have commonly done,

1:14:591:15:04

'leave their worldly life behind to spend their last days in peace and solitude.'

1:15:041:15:09

THE COUNTESS SCREAMS

1:15:121:15:14

The pond!

1:15:171:15:18

-Mama!

-Countess!

1:15:201:15:22

-Please, Mama!

-'Please understand this, and don't come after me, even if you find out where I am.

1:15:221:15:28

'Your coming would only make our position worse, and would not alter my decision.'

1:15:281:15:34

Mother!

1:15:341:15:35

'I beg you to forgive me for everything I've done to you,

1:15:371:15:41

'just as I forgive you with all my soul for everything you've done to me.'

1:15:411:15:46

Countess!

1:15:541:15:56

Mama! Mama!

1:16:021:16:06

Mama!

1:16:081:16:09

I have her!

1:16:091:16:10

Here! Here! Take her! Take her!

1:16:131:16:17

Ivan, go to the house. Get a doctor, quickly, quickly! Turn her.

1:16:241:16:27

Turn her over, come on. Oh, God!

1:16:271:16:32

SHE COUGHS

1:16:341:16:36

Ivan, go to the station. Find out which train he took.

1:16:531:16:57

For God's sake!

1:16:571:16:59

Come, come. Let's get you to bed. Ready, and up. There we...

1:17:011:17:06

Thank you.

1:17:101:17:11

Here, tea.

1:17:341:17:35

She's exhausted herself.

1:17:371:17:39

She slept for nearly four hours.

1:17:391:17:41

Well, I'm glad she can sleep. The pain subsides a little.

1:17:411:17:45

The noise subsides a little.

1:17:451:17:48

KNOCK ON DOOR

1:17:501:17:52

Come in.

1:17:521:17:53

A message, miss.

1:17:531:17:55

-For me?

-From your father.

1:17:551:17:59

'My darling Sasha, I have stopped to rest at Shamardino.

1:18:021:18:06

'I'll wait for you to join me here.

1:18:061:18:09

'Please ask Valentin to stay and look after your mother.

1:18:091:18:12

'When you arrive,

1:18:121:18:14

'we'll continue the journey south together. Your loving father.'

1:18:141:18:18

-They've all gone.

-I'm here.

1:18:341:18:37

Aaw! You're writing to your girl.

1:18:411:18:44

Oh, how lovely.

1:18:441:18:46

I'm not sure she is my girl.

1:18:461:18:49

-But you believe you'll see her again?

-I very much hope so.

1:18:501:18:53

Yes. Yes.

1:18:531:18:55

I know you know where he is, Valentin.

1:18:551:19:00

Sofya Andreyevna...

1:19:011:19:03

I won't ask you to betray his trust.

1:19:031:19:05

I just need you to go to him. I do.

1:19:051:19:08

I have to see him. I have to talk to him.

1:19:081:19:12

I won't make a scene. You can promise him that.

1:19:121:19:16

I just want to see him.

1:19:171:19:19

"Tolstoy abandons home, whereabouts unknown.

1:19:321:19:35

"The sage of Yasnaya Polyana takes flight."

1:19:351:19:38

I hope it's not too much for him.

1:19:411:19:44

Where are we?

1:19:521:19:53

It's all right. Everything's fine.

1:19:531:19:55

Let me take your temperature. Come on.

1:19:581:20:02

Be mindful of these steps.

1:20:301:20:33

We've come to the end of the world.

1:20:461:20:48

This is the station master.

1:21:101:21:12

He's very kindly said we may have his home for as long as we want it.

1:21:121:21:15

-There are no inns nearby, so we are lucky.

-Yes, very lucky.

1:21:151:21:19

You'll be comfortable here, Papa.

1:21:191:21:21

The rest of us, we'll find cots, or sleep in the station.

1:21:211:21:25

-And then we'll be on our way.

-Yes. Yes, Papa. We'll be on our way.

1:21:251:21:30

Excuse me?

1:21:371:21:38

KNOCKS ON GLASS

1:21:381:21:41

I'd like to send a telegram, please.

1:21:411:21:43

At Astapovo. Stop.

1:21:451:21:47

Tolstoy ill. Stop.

1:21:471:21:50

Temperature high.

1:21:521:21:54

You can send it to Countess Sofya Andreyevna Tolstoya,

1:21:541:21:58

Yasnaya Polyana, Tula Province.

1:21:581:22:01

(Please come back. Please come back.)

1:22:011:22:04

Concern for Lev Nikolayevich's health has been expressed

1:22:151:22:19

by people as diverse as Mr Henry James and Mr Joseph Conrad.

1:22:191:22:23

Lev Nikolayevich's temperature currently stands

1:22:231:22:26

at 40 degrees Celsius, that is 104 degrees Fahrenheit.

1:22:261:22:29

His blood pressure, which is hypertonic, is 180 over 100.

1:22:291:22:33

However, it should be added,

1:22:331:22:35

Lev Nikolayevich's manner and mental acuity is as great as ever...

1:22:351:22:39

Bulgakov!

1:22:391:22:40

-Where is he? Take me to him.

-This way.

1:22:401:22:44

He left. It's astonishing. He actually finally left.

1:22:441:22:46

He was very sick, too sick to travel.

1:22:461:22:48

It's a triumph for the movement.

1:22:481:22:51

He looks so small.

1:23:001:23:02

Papa.

1:23:041:23:05

Oh, it's you.

1:23:071:23:09

My dear friend.

1:23:091:23:12

What is all of this?

1:23:131:23:15

Well, I needed to see you.

1:23:151:23:17

Thank you.

1:23:191:23:21

COUGHS We have so much to do.

1:23:211:23:23

Have you seen Sofya?

1:23:251:23:27

I've made a point not to.

1:23:281:23:31

She'll come.

1:23:311:23:33

I don't know when she'll come, but she'll come. I know that.

1:23:331:23:36

And we'll be ready.

1:23:361:23:38

Ready for what?

1:23:381:23:39

I'm sorry, but I'm afraid it's time for your enema.

1:23:431:23:45

Don't apologise, my friend.

1:23:451:23:47

Your enemas have become the news of the world.

1:23:471:23:50

Good morning, gentlemen.

1:24:441:24:46

I'm sure you will all be as relieved as I am

1:24:501:24:53

that Lev Nikolayevich slept a relatively peaceful night.

1:24:531:24:57

His temperature remains 40 degrees Celsius.

1:24:571:25:00

And his blood pressure is also hypertonic.

1:25:001:25:03

That having been said, however,

1:25:031:25:06

his mind remains agile and full of fortitude.

1:25:061:25:09

-It's the countess!

-Of course, we have to remember...

1:25:091:25:12

-Is she here?

-It's the countess.

-Let's see.

-Where is she?

1:25:121:25:16

-It is the countess!

-Which car is it?

-The Countess!

1:25:161:25:20

She's coming this way.

1:25:441:25:45

Not before she stops to tell them lies, catalogue my atrocities.

1:25:451:25:49

Let me talk to her.

1:25:491:25:51

-I want to see my husband.

-Yes. I'll...

1:25:511:25:56

I want to see him now!

1:25:561:25:59

-Countess! Countess!

-Oh, Valentin.

1:25:591:26:01

I want to see him, please.

1:26:011:26:04

-I'm not sure now is the right time, Countess.

-Yes, it is.

1:26:041:26:06

It's the right time for me.

1:26:061:26:09

It might be a better idea, countess, I think, if you waited...

1:26:111:26:15

He only left because of you. Countess!

1:26:151:26:17

I want to see my husband.

1:26:241:26:26

He's too weak to see you, Mother.

1:26:261:26:29

He's not too weak to see you. Not too weak to see that...

1:26:291:26:32

Do you really want to do this here?

1:26:321:26:34

So I am the leper outside the gate,

1:26:341:26:36

while he sleeps with the devil himself.

1:26:361:26:38

Chertkov is here because Father asked him to be here.

1:26:381:26:41

-Is that true?

-Yes.

1:26:441:26:46

Well, did you tell him that I nearly drowned in the pond?

1:26:501:26:53

We didn't need to. It's been in all the papers.

1:26:531:26:57

-Please, let me take you back.

-What did he say?

1:26:571:27:00

He said that if you killed yourself, he'd be upset.

1:27:001:27:03

He'd be "upset"?!

1:27:051:27:07

Horribly upset.

1:27:071:27:09

But he could not have acted other than he did.

1:27:091:27:12

I want to see him.

1:27:121:27:13

-He's my husband. He's not your husband.

-You're unbearable.

1:27:171:27:20

And you are a stonehearted bitch of a daughter.

1:27:201:27:23

I lost five children! Why couldn't one of them have been you?!

1:27:261:27:29

SHE SOBS

1:27:291:27:33

(Are you finished?)

1:27:331:27:36

Valentin, would you take me back, please?

1:27:411:27:44

Yes, of course.

1:27:441:27:46

Please, make way. Make way. Make way!

1:27:491:27:51

(I've behaved rather badly, haven't I?)

1:27:531:27:55

No, countess. No, don't worry.

1:27:551:27:58

Here. For you.

1:29:071:29:09

-Is this clean?

-Of course it's clean.

1:29:171:29:19

Dushan, what's the matter?

1:29:221:29:24

Listen to him.

1:29:241:29:26

I'm supposed to be a doctor, for God's sake.

1:29:261:29:28

Sofya? Sofya?

1:29:301:29:34

What is it?

1:29:341:29:36

What is it?

1:29:361:29:37

She's come, hasn't she?

1:29:421:29:44

-She's here.

-You're imagining things.

1:29:461:29:48

Sasha!

1:29:481:29:50

Where is your mother?

1:29:501:29:52

She's at home.

1:29:541:29:57

If she wants to see me, I can't refuse her.

1:29:591:30:02

Yes.

1:30:021:30:04

Is she going to come here?

1:30:041:30:08

I don't...

1:30:081:30:10

There's no way to...

1:30:101:30:11

There's no way to what?

1:30:141:30:16

I'd like to send another telegram, please.

1:30:361:30:39

At Astapovo. Stop.

1:30:401:30:42

Tolstoy ill. Stop.

1:30:431:30:45

Heartbreaking. Stop. Please come.

1:30:461:30:48

You can send it to Masha... Maria Filipovna Melinova.

1:30:511:30:55

-You lied to him!

-Keep your voice down.

1:30:591:31:03

He wants to see her. You heard him say it.

1:31:031:31:05

-And what exactly do you think she'll bring him?

-I don't know.

1:31:051:31:08

They've been married for 48 years.

1:31:081:31:10

I'll tell you what she'll bring. Vanity, fuss, and noise.

1:31:101:31:13

-She promised me she would not...

-Promised you what? What, what?

1:31:131:31:16

You've seen her at close quarters, my boy.

1:31:161:31:18

Do you think she's capable of restraining herself from acting like a mad woman?

1:31:181:31:22

They have a life together. Why deny that?

1:31:221:31:24

You have become a victim of her romantic nonsense.

1:31:241:31:26

And you wilfully forget that she wants to destroy everything we do.

1:31:261:31:31

She travels here with that unctuous little priest.

1:31:311:31:33

-We'll keep the priest away.

-These people are vultures, Valentin.

1:31:331:31:37

And they wait to descend till the very last moment,

1:31:371:31:39

to welcome him back to the Church, this is their fantasy.

1:31:391:31:42

-Keep the priest away.

-A deathbed recantation.

1:31:421:31:44

Do you have any idea the damage that that will do?

1:31:441:31:49

Everything that he has dreamed of,

1:31:491:31:50

everything that we have worked for will be gone.

1:31:501:31:55

A simple, noble death,

1:31:571:31:59

is what we want.

1:31:591:32:03

That's what he wants.

1:32:031:32:05

No, you want to create an icon.

1:32:071:32:10

And you want people to kneel in front of an image that you create.

1:32:101:32:14

But he doesn't want that. He never has wanted that.

1:32:141:32:17

It'll give him no peace.

1:32:171:32:18

He wants to see her. Let her come.

1:32:201:32:22

I will do everything in my power to prevent that.

1:32:251:32:28

That image you want to create,

1:32:311:32:33

it's going to look more like you than him.

1:32:331:32:37

Valentin?

1:33:381:33:39

It can't be right. His fever is down.

1:33:571:33:59

Yes.

1:33:591:34:00

But, his pulse,

1:34:021:34:04

you see, it's...

1:34:041:34:06

HE GROANS

1:34:061:34:09

My dear.

1:34:131:34:15

Shall I call her?

1:34:201:34:21

He wouldn't know who she is anyway.

1:34:221:34:25

Yes!

1:34:251:34:26

FOOTSTEPS APPROACH

1:34:431:34:46

Bring a coat. It's cold.

1:34:501:34:52

Countess. Countess, could you give me some information?

1:35:021:35:05

Countess, is he dying?

1:35:051:35:07

Is he dead?

1:35:071:35:09

Leovochka! Leovochka, my darling.

1:35:201:35:24

Oh, my darling, please forgive me, please!

1:35:241:35:26

I'm a fool. I'm a selfish woman, but I love you, darling.

1:35:261:35:31

Please believe me.

1:35:311:35:34

Please, please understand me,

1:35:341:35:37

and please forgive my wickedness and my badness.

1:35:371:35:40

Mother!

1:35:401:35:42

Control yourself.

1:35:421:35:44

-Am I shouting?

-You have to control yourself.

1:35:451:35:48

Yes. Yes, I will.

1:35:521:35:54

You don't speak, but I hear you.

1:36:091:36:13

Do you love me, Leovochka?

1:36:151:36:18

I never stopped, my little bird.

1:36:231:36:25

And you will never stop?

1:36:291:36:31

No. Never.

1:36:331:36:36

Nor ever leave me again.

1:36:391:36:41

No, never again. Good.

1:36:461:36:49

Good.

1:36:501:36:52

Let's go home.

1:36:531:36:55

GASPS AND SPLUTTERS

1:37:261:37:29

First cessation.

1:37:291:37:31

CROAKS

1:37:391:37:41

Second cessation.

1:37:431:37:45

Oh!

1:37:511:37:52

Ten minutes after six in the morning...

1:38:321:38:36

..a great soul passed from our world.

1:38:401:38:41

Lev Nikolayevich Tolstoy...

1:38:431:38:46

ALL SING

1:38:491:38:52

Masha!

1:39:401:39:42

Masha.

1:39:491:39:52

-I'm sorry, but he is gone.

-I know.

1:39:551:39:58

But I came for you, Valya.

1:40:011:40:04

I came for you too.

1:40:051:40:06

-God go with you, Sofya Andreyevna.

-God bless you!

1:40:551:40:58

We'll pray for you, Countess!

1:41:021:41:04

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1:42:511:42:54

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1:42:541:42:57

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