The Life and Adventures of Nicholas Nickleby


The Life and Adventures of Nicholas Nickleby

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(BELLS JINGLE)

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Good morning, Mr Noggs.

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Mournful one for old Nickleby.

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Only fourpence, though.

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That will please him.

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Thank you.

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Good morning.

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(RINGING BELL)

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(KNOCKS ON DOOR)

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Ah. So our friend Mr Bray doesn't relish

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the thought of debtor's prison.

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I thought he'd send the money somehow.

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He hasn't.

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Hmm. I know something of that hand.

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My brother's dead,

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and the window and both children are in London,

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confound them!

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Anything else you want? Not now.

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I must go out.

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Reasonable. Very reasonable.

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Never did anything for me, and I never expected it,

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but the breath is no sooner out of his body,

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then the family looks here for support.

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What are they to me?

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I never saw them.

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That will cost you a pretty penny.

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I can't keep them.

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They must find something.

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If they won't do it for themselves,

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I shall.

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(BELLS JINGLE)

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Is Mrs Nickleby at home, girl?

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Hannah!

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Who is wanted?

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Are you Miss La what's her name?

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Creevy, La Creevy.

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A miniature, I presume,

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and a very strongly marked countenance for the purpose.

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I have no money to throw away on miniatures, ma'am,

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and no-one to give them to if I had.

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I came to see my sister-in-law Mrs Nickleby.

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Oh. Then you want the second floor.

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Hannah, show the gentleman up.

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What name?

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Nickleby.

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Mrs Nickleby, here's Mr Nickleby.

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Uncle Ralph.

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Good morning, sir.

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Nicholas, I suppose.

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And how do you do, ma'am?

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Ah. You must bear up against sorrow, ma'am.

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I always do.

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Mine was no common loss.

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'Twas no uncommon loss, ma'am.

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Husbands die everyday and wives, also.

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And brothers, too, sir.

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Yes, sir, and puppies and pug dogs likewise.

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(CRYING)

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When my wife died, ma'am, many years ago,

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I learned to survive the calamity.

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Doubtless, you will do the same.

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Well, ma'am, you say in your letter there's nothing left, hmm?

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And you spent what little you had

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in coming all the way to London to see what I can do for you.

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I'd hoped you might do something

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for your brother's children.

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It was his last wish.

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I don't know how it is,

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but whenever a man dies without property,

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he seems to think it gives him the right

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to dispose of other people's.

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And this is Kate.

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What sort of work is your daughter fitted for?

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She was the cleverest girl in a school of 25.

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Or was it 55? Well, anyway, I...

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we must try and get you apprenticed.

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And you, have you ever done anything?

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No, sir.

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I suppose you are willing to work.

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Of course I am.

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Then listen. This caught my eye this morning.

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You may thank your lucky stars.

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"Education at Mr Wackford Squeers' Academy,

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Dotheboys Hall," and so on and so on and so on.

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"NB: an able assistant wanted.

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"Annual salary £15.

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A master of arts would be preferred."

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There. Let him get that, and his fortune's made.

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If he doesn't like it, let him get something for himself.

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But he's not an NB,

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MA, Master of Arts.

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That, I think, can be got over.

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But it's so far away, Mama.

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Shh, Kate.

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Nicholas, I wish you would say something.

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If I'm fortunate to be appointed, sir,

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what will become of my mother, my sister?

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In that case but not otherwise,

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they will be provided for by me.

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Then I'll do anything you wish.

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I'm very pleased to hear it.

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We'll visit Mr Squeers tomorrow.

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He's in town and attends daily from 1:00 till 4:00

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at the Saracen's Head...

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Every wholesome luxury, Mr Snawley,

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that Yorkshire can afford.

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Every comfort of an home that a boy could wish for.

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A father in me and mother in Mrs Squeers.

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Could I have a few words with you?

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By all means.

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Up to what age will you keep the boys?

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Just as long as the quarterly payments are kept up.

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What are they, natural children?

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We have a good many of them. No. They ain't.

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The fact is, I'm not the father, Mr Squeers.

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I'm only the father-in-law, as you might say.

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I married the mother. Oh, is that it?

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£20 per annum, I believe, Mr Squeers.

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Guineas, Mr Snawley.

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Pounds for two, I think, Mr Squeers.

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Very well. Payment in advance of course.

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Uh, they ain't great eaters.

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Mr Squeers?

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Why, it's Mr... Yes, sir.

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Won't you be seated?

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Good day, Mr Snawley.

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Ralph Nickleby's my name.

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You've advertised for an able assistant.

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Here is my nephew Nicholas, straight from school

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with everything he learnt there fermenting in his head

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and nothing fermenting in his pocket.

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Hmm. I'm afraid, sir, I'm not master of arts.

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Well, that is an objection.

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Here. Let me put this matter in its true light.

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A young man, wholly ignorant of the world.

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Look at him. Think of the use he can be

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in half a dozen ways.

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Your uncle's recommendation has done it, Mr Nickleby.

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From this moment you are nominated to and installed

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in the office of first assistant master of Dotheboys Hall.

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Thank you, Mr Squeers, very much indeed, sir.

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And thank you, uncle, for getting me this opportunity.

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I shan't forget your kindness.

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You better go home and pack up,

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what you have to pack.

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The coach starts at 8:00 tomorrow morning.

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Be here the quarter before.

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(CRYING)

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Now, now, my little man.

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There's nothing to cry for.

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(CRIES)

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Ow! Ohh!

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(CRIES)

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MAN: all baggage ready for the York coach, please.

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All baggage ready, please.

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Your milk and water, sir.

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Twopenn'orth?

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Here's richness.

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When I say, "number one,"

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the boy nearest the window may take a drink.

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MRS NICKLEBY: And she never saw her son again,

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never in all her life.

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I was just saying to Kate...

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No. I won't listen to myself.

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Just you make yourself useful to this Mr Squires,

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as I know you will,

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and you'll rise to be a partner

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in the establishment in no time at all.

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Come on, come on, come on,

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hold that noise, boy! I want more breakfast.

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I'll give you more breakfast!

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Anybody else want more?

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No, sir.

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That's right. Subdue your appetites, my dears,

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and you've conquered human nature.

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Oh, there you are.

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Get them boys on top of the coach, will you?

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That can't be the schoolmaster surely.

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He does seem an odd-looking man.

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So was Dr Johnson. All these bookworms are.

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Well, I never expected...

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I expected to find you here, ma'am.

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A house of mine in town is empty.

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I can put you in there rent-free till it's let.

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Of all the kindness!

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Do you hear that, Kate?

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A house, and in town, too.

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That would be near you, I suppose.

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East end.

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Oh. Oh, well, all the same.

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After all, it's somewhere to live.

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My clerk Noggs will take you down there

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as soon as the coach is gone.

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Oh, thank you.

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Good morning. Most delightful of you.

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Furthermore, I've found a situation for Kate

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with a milliner and dressmaker.

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Milliner?

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And dressmaker, ma'am.

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Mantalini's, a very well-known house.

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The York coach is leaving now.

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Hurry up there.

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Goodbye, uncle. Goodbye, Nicholas.

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I trust you'll take care of them.

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Goodbye, mother.

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Kate, you'll write to me?

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Bless you, love. Goodbye.

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(BELL TOLLING)

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That's right, Nickleby. You get up on top.

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I'm afraid of one of them boys falling off,

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and that's £20 gone.

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All right behind it?

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All right. Let her go!

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(FANFARE)

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Goodbye. Goodbye.

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Goodbye. Goodbye.

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SQUEERS: Hello, there!

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(HORSE SNORTS)

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Here we are!

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NICHOLAS: Dotheboys Hall, sir?

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That's it. You needn't call it a hall down here.

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The fact is, it ain't one.

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Where the devil have you been, Smike?

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Please, sir. I fell asleep over the fire.

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Fire? What fire? Where's the fire?

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Only in the kitchen, sir.

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Missus said as I was sitting up,

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I might go in for a warm.

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Missus is a fool.

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We feel more wakeful in the cold.

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See to the pony, then the boxes, then the boys.

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Hurry up, Nickleby. This wind's fit to blow you down.

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(WIND HOWLING)

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It's cold enough up here,

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yet the boys is always getting fevers.

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Obstinacy, that's what it is.

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WOMAN: Is that my Squeery?

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There you are, my love.

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And how's my Squeery?

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Quite well, me love.

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And how are the pigs and the cows?

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All right, every one of them.

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That's a blessing.

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Boys are bobbish, I suppose.

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Oh, they're well enough.

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The new young man, my dear.

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Good evening.

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Hmm.

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Better give him a shakedown for tonight.

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Phoebe! Phoebe!

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Nickleby, come in here and take your things off.

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Phoebe!

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Cubby, Duncans.

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Ha! What they want writing letters to them boys,

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I don't know, when they can't read.

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What do you want? Have you...

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has nothing been heard about me, sir?

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Devil a bit. Not a word and never will be.

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A pretty thing. Left here all these years

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and nothing paid after the first 6.

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MRS SQUEERS: in here with them.

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We'll put you in your regular bedroom tomorrow.

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Let me see. Who sleeps in Brooks' bed, me dear?

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Brooks'? There's Jennings,

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little bolder, Graymarsh,

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and what's his name.

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So there is.

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Yes. Brooks is full.

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There's a place somewhere, I know.

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I think that Smike's turning silly.

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I hope not. He's a handy fella for rough work.

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That will do, Phoebe.

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Remember, Nickleby, 7:00 in the morning.

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I shall be ready, sir.

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The pump's in the yard.

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You'll find a bit of soap in the kitchen window.

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Blow that light out as soon as you can now.

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Candles cost money.

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Don't like the look of him,

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nasty, stuck-up monkey.

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Ha ha ha! Ha ha ha!

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(KNOCK ON DOOR) Come in.

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Thank you.

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(BELLS RINGING)

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Ah. You've had your breakfast.

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I've had some porridge, sir.

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(BELCHES)

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Then you're ready for work.

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I wasn't able to wash.

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Of course you wasn't. The pump's froze.

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Never mind. A dry polish is almost as good.

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Dreadful things.

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It's brimstone morning, and I can't find

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the school spoon anywhere.

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We purify the boys' blood now and then.

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Purify, fiddlesticks.

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We don't buy brimstone and treacle for that.

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They have it part because it keeps them from ailing

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and part because it spoils their appetites.

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It comes cheaper than breakfast and dinner.

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Here's the blessed thing.

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He were sleeping on it.

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A most invaluable woman, that.

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More than a mother to them boys.

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(WHIP)

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10 times more.

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She does things for them boys

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that half the mothers going

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wouldn't do for their own sons.

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I can well imagine that, sir.

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We had a boy died here early last winter,

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young Dorker.

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Mrs Squeers was as partial to that lad

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as he'd been her own.

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The attention that boy got in his illness,

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the motherly love what was showered on him.

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Dry toast and warm tea

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offered him every night and morning

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when he couldn't swallow anything.

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That's my son, that is.

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Little Wackford.

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The image of his mother and me

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and a bit more beside.

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Yes. That boy Dorker had a candle in his bed

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till the very night he died

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and the best dictionary set up to lay his head on.

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This is our shop, Nickleby.

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MRS SQUEERS: No, you don't.

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All at once, or I'll have the hide of you.

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Next boy, come on.

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Please, ma'am. That boy's got my clothes on.

0:16:140:16:17

That will do! You shut up

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and mind your own business!

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Now then. Is that physicking over?

0:16:230:16:26

Just over.

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Wackford, you can do that later.

0:16:290:16:31

Bring the basin and come with your mother.

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Hurry up. Places.

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And stop that snivelling,

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or I'll give you something to snivel for.

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Well, boys, I've paid my half-yearly visit to London,

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and you'll be glad to see I've come back

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as strong and as vigorous as ever.

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Hip, hip.

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(Mumbling) Hooray.

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That will do. First class.

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English and philosophy.

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Brooks, spell window.

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W-I...

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W-I-N, win, D-E-R, der, winder.

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Casement.

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Go out and clean them.

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We go on the practical mode of teaching.

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When a boy learns his subject,

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he goes out and does it.

0:17:190:17:20

Graymarsh, spell botany.

0:17:200:17:23

GRAYMARSH: B-O...

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B-O-T, bot,

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T-I-N, bottin,

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N-E-Y, bottiney,

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noun substantive, knowledge of plants.

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Out you go, and take the snow off the garden paths.

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You, what's your name, what's an horse?

0:17:450:17:48

It's a...a beast, sir.

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So it is. An horse is quadruped,

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and quadruped's Latin for beast.

0:17:520:17:54

See that you're perfect in that.

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Go and look after my horse

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and rub him down well, or I'll rub you down!

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It's washing day tomorrow,

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and I want the coppers filled.

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The rest of the class, go and draw water

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until somebody tells you to leave off.

0:18:050:18:08

Now that's our system, Nickleby.

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What do you think of it?

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It's a very useful one at any rate.

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You're right there.

0:18:120:18:13

Now just take the second class

0:18:130:18:15

and explain them some reading.

0:18:150:18:17

(INDISTINCT CHATTER)

0:18:170:18:20

"The Pilgrim's Progress."

0:18:200:18:24

"As I walked through the wilderness of this world,

0:18:240:18:27

"I lighted on certain place where was a den,

0:18:270:18:30

"and I laid me down in that place to sleep,

0:18:300:18:34

and as I slept, I dreamed a dream."

0:18:340:18:37

Demmit! What, Nickleby!

0:18:500:18:53

Of course, Demmit, I remember.

0:18:530:18:55

Your niece.

0:18:550:18:57

Follow me, my dear,

0:18:570:19:00

will you?

0:19:000:19:01

They all follow me,

0:19:010:19:03

always did, Demmit, always!

0:19:030:19:06

WOMAN: Mr Nickleby.

0:19:060:19:07

Good morning.

0:19:070:19:10

This is my niece, ma'am.

0:19:100:19:12

I spoke to you about a vacancy for her.

0:19:120:19:14

You remember? Just so.

0:19:140:19:16

What work can you do, child?

0:19:160:19:17

I can turn a hem, ma'am, or sew a seam.

0:19:170:19:20

And that is all?

0:19:200:19:21

She can learn. Oh, quite,

0:19:210:19:23

and I can do with another pair of hands.

0:19:230:19:25

We keep 20 young women constantly employed here.

0:19:250:19:28

Yes, and some of them demned handsome, too.

0:19:280:19:32

Mantalini, do you want to break my heart?

0:19:320:19:34

My senses' idol!

0:19:340:19:36

Not for 20,000 hemispheres

0:19:360:19:38

populated with little, uh, ballet dancers.

0:19:380:19:42

Alfred.

0:19:420:19:44

Ahem.

0:19:440:19:46

The hours are from 9:00 to 9:00.

0:19:460:19:48

There's extra work when we're very full of business,

0:19:480:19:50

for which I allow payment as overtime.

0:19:500:19:52

Your wages shall average

0:19:520:19:53

from 5 to 7 shillings a week.

0:19:530:19:54

Yes, madame.

0:19:540:19:56

You can begin as soon as it's convenient.

0:19:560:19:57

She can begin now. Oh. Very well.

0:19:570:20:00

Come into the showroom.

0:20:000:20:01

There. Now you are provided for.

0:20:030:20:05

I'm very much obliged to you, uncle.

0:20:050:20:07

I've merely done my duty.

0:20:070:20:08

I hope that you'll do yours.

0:20:080:20:10

I'll do my best.

0:20:100:20:11

I'm very pleased to hear it.

0:20:110:20:12

You'll find your way home this evening?

0:20:120:20:14

Goodbye then.

0:20:140:20:15

Good day, ma'am.

0:20:150:20:16

Good day, Mr Nickleby.

0:20:160:20:18

Oh, Miss Knag, this young person is beginning here today.

0:20:190:20:22

Try her with some easy work at first.

0:20:220:20:24

Very good, madame. I quite understand.

0:20:240:20:26

And she might come into the showroom with you.

0:20:260:20:27

Her appearance will...

0:20:270:20:28

It will suit very well with mine.

0:20:280:20:30

How very clever of you to think of it.

0:20:300:20:33

That way.

0:20:330:20:35

Demmit! Who'd have thought old Nickleby

0:20:350:20:37

would have had such a demned pretty, young creature

0:20:370:20:40

for a niece, eh?

0:20:400:20:41

If it weren't for your wicked extravagance,

0:20:410:20:42

we wouldn't have to keep borrowing from him

0:20:420:20:44

or employing his poor relations.

0:20:440:20:47

My life and soul.

0:20:470:20:50

Ohh!

0:20:500:20:51

PARROT: Demmit! Demmit!

0:20:540:20:57

(SCREECHES)

0:20:570:20:59

You will work here, Miss Nickleby.

0:20:590:21:01

You better begin by hemming this petticoat.

0:21:030:21:06

If you want anything, come to me.

0:21:060:21:07

Thank you.

0:21:070:21:09

(TITTERING)

0:21:110:21:12

(WOMAN CLAPS)

0:21:120:21:13

(TITTERING STOPS)

0:21:130:21:15

Where are you from? From Devonshire.

0:21:200:21:22

Oh, I don't mean that.

0:21:220:21:23

Where did you work before?

0:21:230:21:25

Nowhere.

0:21:250:21:26

Oh, nowhere.

0:21:260:21:27

Oh, superior, aren't we?

0:21:270:21:29

(LAUGHTER)

0:21:290:21:30

(CLAPS)

0:21:300:21:32

That's enough! Dinner's over!

0:21:350:21:37

Rise.

0:21:380:21:39

For what we have received,

0:21:390:21:40

may the lord make us truly thankful. Amen.

0:21:400:21:43

Amen. Amen. Amen.

0:21:430:21:45

Nickleby, I'm going out.

0:21:530:21:55

You will have to take the rest of the classes by yourself.

0:21:550:21:58

You can do that, I suppose.

0:21:580:21:59

Yes, Mr Squeers.

0:21:590:22:00

Smike.

0:22:030:22:04

You needn't be afraid of me.

0:22:040:22:07

You've been here a long time, haven't you?

0:22:070:22:09

Since I was 5, they tell me, sir.

0:22:090:22:13

I don't know.

0:22:130:22:15

Don't you remember your mother your home?

0:22:150:22:19

No, I don't remember.

0:22:190:22:22

I don't remember anything.

0:22:220:22:24

Someone must have brought you here.

0:22:240:22:26

Your father perhaps. He wasn't my father.

0:22:260:22:30

I don't think he was.

0:22:300:22:34

I was afraid of him.

0:22:340:22:38

I was glad to leave him.

0:22:380:22:39

Glad? But surely, you're not happy here.

0:22:390:22:42

Happy?

0:22:450:22:47

PHOEBE: Smike!

0:22:470:22:48

Beg pardon, Mr Nickleby.

0:22:490:22:51

Smike, Miss Fanny's back,

0:22:510:22:53

and you're to fetch her box upstairs quick as you can.

0:22:530:22:56

# Fanny Squeers is jealous

0:22:590:23:02

# Fanny Squeers is jealous!

0:23:020:23:04

Oh, stop it, Wackford.

0:23:040:23:05

# Hilda Price has gone and got spliced

0:23:050:23:07

# So Fanny Squeers is jealous!

0:23:070:23:10

Is that you, Phoebe?

0:23:100:23:12

Where's that lazy hound of a Smike?

0:23:120:23:14

He were with Mr Nickleby.

0:23:140:23:16

Not there. Over here.

0:23:210:23:23

That will do. Go on outside.

0:23:260:23:29

# Hilda Price has gone and got spliced!

0:23:290:23:31

ow!

0:23:310:23:33

You'll never get spliced, you won't.

0:23:330:23:35

Phoebe! Yes, miss?

0:23:380:23:40

Was it a pretty wedding, Miss Fanny,

0:23:400:23:42

over to Miss Price's?

0:23:420:23:43

Come on.

0:23:430:23:44

She must have made a lovely bride

0:23:440:23:47

and done well by herself, too, hasn't she?

0:23:470:23:49

Well enough for her, I have no doubt.

0:23:490:23:51

Who is Mr... Nickleby?

0:23:510:23:54

He's the new assistant.

0:23:540:23:56

You ought to see him.

0:23:560:23:58

He's a real gentleman born

0:23:580:24:00

if ever there was one.

0:24:000:24:02

The way he talks and acts

0:24:020:24:05

and carries on.

0:24:050:24:06

And you've only to look at him.

0:24:060:24:09

Such beautiful eyes he's got

0:24:090:24:11

and such a sweet smile,

0:24:110:24:13

and as for his legs...

0:24:130:24:15

Phoebe, that's quite enough.

0:24:150:24:16

Oh, but, miss, you ought to see him for yourself.

0:24:160:24:21

First, write the address at the top

0:24:210:24:24

and then the date, 17TH of December, 1830.

0:24:240:24:29

(KNOCK ON DOOR)

0:24:290:24:30

Come in.

0:24:300:24:32

I'm sorry, father, but...

0:24:320:24:35

Oh.

0:24:350:24:36

I beg your pardon.

0:24:380:24:39

I thought my father was...or might be...

0:24:390:24:44

Dear me. How very awkward.

0:24:440:24:45

Mr Squeers is out.

0:24:450:24:46

Oh, how tiresome.

0:24:460:24:48

I'm sorry I intruded.

0:24:480:24:50

I'm sure...

0:24:500:24:51

It must look so very strange.

0:24:510:24:53

I only wanted my pen mended.

0:24:530:24:56

Perhaps I can do it for you.

0:24:560:24:57

Oh, no, no, no. I couldn't

0:24:570:24:59

put you to the trouble.

0:24:590:25:00

Hard nib or soft?

0:25:000:25:01

Such a sweet smile.

0:25:010:25:03

What did you say?

0:25:030:25:05

Dear me. I was thinking

0:25:050:25:06

of something else for the moment.

0:25:060:25:08

As soft as possible, if you please.

0:25:080:25:12

Oh. I quite forgot. I'm MISS Squeers.

0:25:120:25:15

I imagined that.

0:25:150:25:16

Did you really?

0:25:160:25:18

There's a strong family resemblance.

0:25:180:25:20

Oh, I beg your pardon.

0:25:220:25:23

Very awkward of me.

0:25:230:25:24

Oh, not at all. It's my fault, mine entirely.

0:25:240:25:28

Very...so embarrassing. I scarcely know what I...

0:25:280:25:31

Careful. You're biting your nib off now.

0:25:310:25:34

Oh.

0:25:340:25:35

Oh, dear me!

0:25:380:25:40

FANNY: What do you mean, "quick as you could"?

0:25:450:25:47

I sent for you 10 minutes gone.

0:25:470:25:49

Don't you run from me, you lying, little pig you!

0:25:490:25:52

Smike was having his supper.

0:26:000:26:01

I told him to finish it.

0:26:010:26:02

If you have any objections,

0:26:020:26:03

you better make them to me.

0:26:030:26:06

I didn't see you where there, Mr Nickleby.

0:26:060:26:10

It's quite all right of course

0:26:100:26:12

now that you explained.

0:26:120:26:14

There's no call to run away.

0:26:140:26:16

Pa's still out, and Ma's with him.

0:26:160:26:19

You can have a glass of port if you like.

0:26:190:26:22

Come and sit down. Thank you. I'm going to bed.

0:26:220:26:25

Nobody's kind to me!

0:26:250:26:27

I wish everybody was dead!

0:26:270:26:30

I wish I was dead, too!

0:26:300:26:32

(SOBBING)

0:26:320:26:34

(DOOR SLAMS)

0:26:370:26:38

(KNOCK ON DOOR)

0:26:460:26:47

Come in.

0:26:500:26:52

Mr Nickleby likes you, doesn't he, Smike?

0:27:060:27:09

Oh, yes, he does,

0:27:090:27:11

and you've been having a fine, idle time

0:27:110:27:14

since he's been here.

0:27:140:27:16

Wait till I tell father.

0:27:160:27:19

Just wait!

0:27:190:27:21

Smike!

0:27:320:27:34

Where the devil are you?

0:27:340:27:36

Smike!

0:27:360:27:38

Where's that Smike?

0:27:410:27:44

Is he hiding somewhere in here?

0:27:440:27:46

Smike!

0:27:460:27:47

He's not here, sir.

0:27:470:27:48

Where is he then?

0:27:480:27:50

At the bottom of the nearest pond for all I know.

0:27:500:27:53

Come on.

0:27:530:27:54

Someone knows where he is!

0:27:560:27:57

(GRUNT)

0:27:570:27:59

Sneaking off up the York Road, he was.

0:27:590:28:02

Oh, he was, was he?

0:28:020:28:04

Each boy, keep his seat.

0:28:040:28:06

Nickleby, to your place.

0:28:060:28:08

Stand a little out of the way, my dear.

0:28:110:28:13

I've hardly room enough.

0:28:130:28:15

Have you anything to say?

0:28:150:28:18

I was driven to do it.

0:28:180:28:20

Oh, driven, were you?

0:28:200:28:21

Then I'll have to spare you.

0:28:210:28:25

I'll flog you within an inch of your life

0:28:250:28:26

and spare you that.

0:28:260:28:28

Hee hee hee! Ha ha ha!

0:28:280:28:31

Let that boy go. Hold your tongue!

0:28:310:28:33

You've done him enough harm. Get back to your desk!

0:28:330:28:35

I've seen it these last few weeks,

0:28:350:28:36

nothing but blows and strikes.

0:28:360:28:38

I'm in my rights!

0:28:380:28:39

Your rights? To beat and starve these boys?

0:28:390:28:41

This isn't a school. It's a hell on earth.

0:28:410:28:43

You young scum!

0:28:430:28:46

Ohh! I...

0:28:460:28:47

MRS SQUEERS: Oh, help!

0:28:470:28:49

He's killing my Squeery!

0:28:490:28:51

Stop it, you dirty hound you. Stop it!

0:28:510:28:53

Help!

0:28:530:28:54

(SOBBING)

0:28:540:28:58

SQUEERS: Ow! Oh! Ow!

0:28:580:29:01

Ohh! Help!

0:29:010:29:02

He's killing my Squeery!

0:29:020:29:05

Ow!

0:29:050:29:07

Stop it! Help!

0:29:070:29:10

(SOBBING)

0:29:100:29:12

(WHEEZES)

0:29:160:29:18

Aah! Hoo hoo!

0:29:180:29:20

(SOBBING)

0:29:200:29:22

Come, Smike.

0:29:220:29:23

(MUMBLES)

0:29:230:29:24

(MRS SQUEERS MOANS)

0:29:280:29:29

He's dead! He's murdered!

0:29:310:29:34

My Squeery!

0:29:340:29:37

Squeery!

0:29:370:29:39

Squeery, say something.

0:29:390:29:41

(GROANS)

0:29:440:29:47

FANNY: "To Mr Ralph Nickleby, esquire.

0:29:580:30:02

"Sir, my pa requests me to write to you,

0:30:020:30:06

"the doctors being doubtful whether he will recover the use of his legs,

0:30:060:30:10

"which prevents his holding a pen.

0:30:100:30:13

When your nephew had done this to him"...

0:30:130:30:15

ohh! "And jumped upon him with his feet

0:30:150:30:18

"and also language,

0:30:180:30:20

"which I will not pollute my pen with describing,

0:30:200:30:24

"he assaulted my ma with dreadful violence

0:30:240:30:26

"and drove her back comb several inches into her head.

0:30:260:30:30

"The monster, having satiated his thirst for blood,

0:30:300:30:34

ran away."

0:30:340:30:35

"Taking with him a boy of desperate character,

0:30:350:30:38

who he had incited to rebellion."

0:30:380:30:41

"My pa begs that if he comes to you,

0:30:430:30:45

"you will let the assassin go,

0:30:450:30:47

"as he is sure to be hung before long,

0:30:470:30:50

"which will save us trouble

0:30:500:30:51

and be much more satisfactory."

0:30:510:30:54

Pretty.

0:30:560:30:58

Very pretty.

0:30:580:31:00

I recommend you against my convictions,

0:31:000:31:02

and what is the result?

0:31:020:31:04

Conduct for which you might hold up your hand

0:31:040:31:06

at the old bailey.

0:31:060:31:07

It isn't true! Nicholas, tell him!

0:31:070:31:08

He was ill-treating the boy.

0:31:080:31:09

I'd do the same again.

0:31:090:31:10

RALPH: Penitence.

0:31:100:31:11

I never would have believed it.

0:31:110:31:13

Mama, please.

0:31:130:31:14

What have you done with him?

0:31:140:31:16

Did you take this boy away, or didn't you?

0:31:160:31:19

The boy's in my charge until I can find him a home

0:31:190:31:20

or give him one myself.

0:31:200:31:22

The whole thing proved, even on his own confession.

0:31:220:31:24

One thing is proved. But uncle!

0:31:240:31:25

Let me say a world.

0:31:250:31:26

Of what I have done for you, my niece,

0:31:260:31:30

or I intended to do, I shall say nothing,

0:31:300:31:34

but this boy, headstrong and willful as he is,

0:31:340:31:37

shall not have one penny of my money!

0:31:370:31:39

Knowing full well the consequences,

0:31:390:31:41

he's come back to be a burden

0:31:410:31:42

on his sister's scanty wages.

0:31:420:31:45

Very well.

0:31:450:31:47

I have no wish to desert you, ma'am, or Kate,

0:31:470:31:51

but I will not help him or those who do help him.

0:31:510:31:56

But I can't renounce my own son,

0:31:560:31:59

even if he's done all you say.

0:31:590:32:01

Mama, you know he hasn't.

0:32:010:32:02

I don't know what to think.

0:32:020:32:04

Never mind. We can go to the work house

0:32:040:32:07

or the refuge for the destitute.

0:32:070:32:09

Wait, sir.

0:32:090:32:11

You needn't leave here.

0:32:110:32:12

I shall be gone in one minute.

0:32:120:32:14

No, Nicholas!

0:32:140:32:15

Don't go away again, please.

0:32:150:32:17

Kate, I never meant to stay here with you.

0:32:170:32:19

When I'm away, you will be helped.

0:32:190:32:21

Mother sees that,

0:32:210:32:22

and she's right.

0:32:220:32:24

Bless you, Kate.

0:32:270:32:28

I'm taking you at your word, sir,

0:32:320:32:34

but if you break it...

0:32:340:32:36

I beg your pardon.

0:33:020:33:04

I...I'm in your way perhaps.

0:33:040:33:06

Oh, no, not at all, thank you,

0:33:060:33:09

but if I'm in yours...

0:33:090:33:11

No.

0:33:110:33:12

There doesn't seem to be very much.

0:33:120:33:14

No. It's so hard to find work of any kind.

0:33:140:33:18

You understand of course,

0:33:380:33:39

my secretary must make himself master of foreign policy,

0:33:390:33:42

run his eye over all accounts of public meetings,

0:33:420:33:45

get up a few little arguments now and then

0:33:450:33:47

on the effects of returned cash payments,

0:33:470:33:49

the exportation of bullion,

0:33:490:33:51

the Emperor of Russia,

0:33:510:33:52

bank notes, and all that kind of thing,

0:33:520:33:54

and then of course wait in the lobby every night

0:33:540:33:56

in case I need fresh cramming,

0:33:560:33:58

and during debates, sit in the gallery

0:33:580:34:00

and point me out to people

0:34:000:34:02

as the celebrated Mr Gregsbury

0:34:020:34:04

and any other little eulogium that might strike you.

0:34:040:34:06

And for salary in round figures,

0:34:060:34:10

15 shillings a week and find yourself there.

0:34:100:34:14

15 shillings? That's not much.

0:34:140:34:17

(DING)

0:34:180:34:20

(KNOCK ON DOOR)

0:34:200:34:23

Door, Matthews.

0:34:230:34:25

I mean for the duties and responsibilities.

0:34:250:34:27

Door, Matthews!

0:34:270:34:29

Secretaries. Nothing else.

0:34:290:34:32

Tuition?

0:34:320:34:33

Mr and Mrs Kenwigs, to instruct the daughters in French.

0:34:370:34:42

A shilling per week per each Miss Kenwigs

0:34:420:34:45

and a shilling over until the baby can take it out in grammar.

0:34:450:34:48

Thank you.

0:34:480:34:50

My aunt's pen.

0:34:500:34:52

Le plume de ma tante.

0:34:520:34:55

GIRLS: Le plume de ma tante.

0:34:550:34:59

My uncle's...

0:34:590:35:00

Hold on a minute, sir.

0:35:000:35:01

Do you consider French a cheerful language?

0:35:010:35:04

Yes. I'd say that it was.

0:35:040:35:05

Oh. It's very much changed since my time, then,

0:35:050:35:07

very much. My uncle's...

0:35:070:35:09

What is the French for water?

0:35:090:35:11

L'eau. L'eau.

0:35:110:35:14

And you call that a cheerful language.

0:35:140:35:15

Ha ha ha!

0:35:150:35:17

Shall the gentleman go on, uncle?

0:35:170:35:18

Oh, yes, yes, let him go on.

0:35:180:35:21

My uncle's garden. Le jar...

0:35:210:35:24

(CRYING)

0:35:240:35:25

(CRYING)

0:35:330:35:35

The daughters I could manage, even the uncle,

0:35:390:35:43

but the baby was too much for me. Ha ha ha!

0:35:430:35:45

I must find real work somewhere,

0:35:450:35:48

and then there's Smike.

0:35:480:35:50

He can't go on hiding for ever

0:35:500:35:51

in one wretched, little room.

0:35:510:35:54

We're leaving London, Mr Noggs.

0:35:540:35:56

But I could look after the boy.

0:35:560:35:58

And bring down trouble on your own head?

0:35:580:36:00

Better you've never see him, know nothing of him.

0:36:000:36:03

I must go,

0:36:030:36:06

but there's one thing I wanted to ask.

0:36:060:36:09

It's about Kate and my mother.

0:36:090:36:11

If anything should happen... I'll let you know.

0:36:110:36:14

You didn't need to ask. Thank you.

0:36:140:36:19

I'll write to you.

0:36:190:36:21

I'll send an address as soon as I can.

0:36:210:36:24

Don't you forget then.

0:36:240:36:26

I'm not likely to.

0:36:260:36:28

I haven't so many friends

0:36:280:36:29

that I shall forget my best one.

0:36:290:36:31

(PENNYWHISTLE PLAYING)

0:36:370:36:39

Mind out there!

0:36:490:36:51

MAN: Madeline. Madeline.

0:36:520:36:55

Hurry up. We haven't all day, Madeline.

0:36:580:37:00

I'm just coming, father.

0:37:050:37:07

Let me take those.

0:37:120:37:13

We met before at the agency.

0:37:150:37:17

Yes.

0:37:190:37:21

I remember.

0:37:210:37:22

MAN: Madeline. What is it, Madeline? Who's...

0:37:220:37:26

This gentleman's just helping me, Father.

0:37:260:37:28

We have no money, young man,

0:37:280:37:29

it that's what you're hoping for. Please, Father.

0:37:290:37:31

Get the rest of the luggage, and let's be off.

0:37:310:37:33

MAN: Just a minute! Oh, no, you don't.

0:37:330:37:35

Trying to do a flit, eh,

0:37:350:37:36

trying to queer my pitch for me, eh?

0:37:360:37:37

I'm not too partial to that kind of lark, see?

0:37:370:37:39

Leave my father alone.

0:37:390:37:41

You have no right to. Let him go!

0:37:410:37:42

Stop that, my little lady.

0:37:420:37:44

Take your hands off her!

0:37:440:37:45

That will do, young shaver.

0:37:450:37:45

This is not your business!

0:37:450:37:46

I'll soon make it mine!

0:37:460:37:48

Please!

0:37:480:37:50

There's nothing you can do.

0:37:500:37:51

Here's my warrant of debts unpaid

0:37:510:37:53

to the sum of £1,700, detaining creditors...

0:37:530:37:55

yes, yes. There's no need

0:37:550:37:56

to cry my finances all over the town.

0:37:560:37:58

You will accompany me forthwith

0:37:580:37:59

and present yourself at the King's Bench Prison before noon.

0:37:590:38:02

He's not well. I must go with him.

0:38:020:38:03

If you wants to live with him, you can apply.

0:38:030:38:05

Go on.

0:38:050:38:07

Might as well use the hackney.

0:38:070:38:08

NICHOLAS: If there's anything I can do,

0:38:080:38:10

any message to friends.

0:38:100:38:12

No. There's nothing.

0:38:120:38:15

You're very kind.

0:38:150:38:17

I only wish I could do something, too.

0:38:170:38:18

Thank you.

0:38:180:38:19

MAN: Come on. Come on if you're coming.

0:38:190:38:21

Cheer up, governor.

0:38:280:38:29

Perhaps they'll live in the rules.

0:38:290:38:31

The rules?

0:38:310:38:32

Lodgings just outside the prison.

0:38:320:38:34

Pay so much a week for the privilege.

0:38:340:38:36

Giddyap there, doggie.

0:38:360:38:38

Only 12 more.

0:39:050:39:08

Tired, Smike?

0:39:080:39:09

No. I'm not tired.

0:39:090:39:10

Well, if you're not, I am.

0:39:100:39:12

Let's try in here.

0:39:120:39:13

Landlord!

0:39:230:39:24

I shouldn't have come with you.

0:39:290:39:31

I'm nothing but a trouble to you.

0:39:310:39:32

A trouble? You are far from that, Smike.

0:39:320:39:34

I'm only too glad of your company.

0:39:340:39:36

You haven't enough money even for yourself.

0:39:360:39:38

If it hadn't been for me...

0:39:380:39:41

Yes, gentlemen?

0:39:410:39:42

We're looking for some supper

0:39:420:39:43

and a room perhaps afterwards.

0:39:430:39:44

Supper? I'm a bit short tonight.

0:39:440:39:46

I'll tell you what. There's a gentleman in the parlour

0:39:460:39:48

who's ordered a beefsteak pudding and potatoes,

0:39:480:39:49

and there's more than he can manage.

0:39:490:39:51

If I ask leave, I have no doubt you could sup with him.

0:39:510:39:54

We're very dusty and dirty.

0:39:540:39:55

Oh, lord love you. Why, it's only Mr Crummles.

0:39:550:39:58

Smike.

0:39:580:40:00

Don't you believe what I've said?

0:40:000:40:02

Tried to go away when we were in London.

0:40:020:40:06

I couldn't.

0:40:060:40:07

You want a hot meal and a good sleep,

0:40:070:40:09

and I want no more talk of that kind,

0:40:090:40:10

understand, Smike?

0:40:100:40:12

LANDLORD: All right. I knew it would be.

0:40:120:40:14

Come this way, gentlemen.

0:40:140:40:16

Wait till you see them in here,

0:40:160:40:17

the way they're going on it.

0:40:170:40:19

Thrust, Parry. Thrust, Parry.

0:40:190:40:22

More fire, boys. Make the spark fly.

0:40:220:40:25

Under, over. Good work!

0:40:250:40:27

1, 2, into him.

0:40:270:40:30

1, 2, reverse!

0:40:300:40:33

1, 2. That's better.

0:40:330:40:35

Mr Vincent Crummles, this is the young gentleman, sir.

0:40:350:40:39

Aha.

0:40:390:40:42

Ha ha ha!

0:40:420:40:44

There's a picture. The little one has him.

0:40:440:40:47

If the big'un does not counter in 3 seconds,

0:40:470:40:49

he's a dead man. Bravo, boys, bravo.

0:40:490:40:52

That will be a double encore.

0:40:520:40:53

What do you think of that, sir? Very good indeed.

0:40:530:40:56

If only they were a little better match.

0:40:560:40:58

Match? Why, that's the essence of the combat,

0:40:580:41:00

that there should be a foot or two between them.

0:41:000:41:01

How else are you going to get up the sympathies of the audience?

0:41:010:41:04

I see. I beg your pardon.

0:41:040:41:05

Ah. The ample pleasures of the table.

0:41:050:41:07

Now, gents, draw up and make yourselves comfortable.

0:41:070:41:11

I'm glad you thought well of the combat.

0:41:110:41:12

We open at Portsmouth the day after tomorrow.

0:41:120:41:15

The company are there already.

0:41:150:41:16

My son, take your had off.

0:41:160:41:17

My sons and I are on our way to join them.

0:41:170:41:20

Where are you bound for?

0:41:210:41:22

We're making for the coast.

0:41:220:41:24

We thought if there were nothing ashore

0:41:240:41:25

we might get work aboard some ship or other.

0:41:250:41:27

With practiced hands as plentiful as oysters?

0:41:270:41:29

There's not a skipper would think you're worth your salt.

0:41:290:41:32

Tell me, has no other profession occurred to you

0:41:320:41:36

that a young man of your figure and address

0:41:360:41:37

could take up? Can't say it does.

0:41:370:41:39

No? Then I'll tell you one.

0:41:390:41:42

The stage! The stage?

0:41:420:41:45

The theatrical profession!

0:41:450:41:46

I'm in it myself, my wife is in it,

0:41:460:41:49

my children are in it.

0:41:490:41:50

I had a dog that lived and died in it from a puppy,

0:41:500:41:53

and my chaise-pony goes on in "timour the tartar."

0:41:530:41:56

I'll bring you out and your friend, too.

0:41:560:41:59

Capital countenance for the starved business.

0:41:590:42:02

Say the word.

0:42:020:42:03

But I've never acted a part in my life

0:42:030:42:04

except at school.

0:42:040:42:05

Genteel comedy in your walk and manner,

0:42:050:42:07

juvenile tragedy in your eye,

0:42:070:42:08

and touch-and-go farce in your laugh!

0:42:080:42:10

Could I live by it?

0:42:100:42:11

Live by it? Like a prince.

0:42:110:42:14

Why, with your salary and your friend,

0:42:140:42:16

you'd earn a pound a week.

0:42:160:42:18

Well, Smike, what do you...

0:42:180:42:20

Ah. The arms of Morpheus.

0:42:220:42:24

And with a run of good houses,

0:42:240:42:25

nearly double the money.

0:42:250:42:27

What do you say?

0:42:270:42:29

Good.

0:42:290:42:30

CRUMMLES: Here we are, my boy,

0:42:440:42:46

the home of the drama!

0:42:460:42:48

(NEIGHS)

0:42:490:42:51

Hurry, boys. We're late.

0:42:510:42:53

A good pony at bottom.

0:42:590:43:00

His mother was on the stage, too.

0:43:000:43:01

We'll find my wife rehearsing, no doubt.

0:43:010:43:03

Astonishing woman!

0:43:030:43:05

Mrs Crummles was the original blood drinker.

0:43:050:43:08

She had to give it up, though.

0:43:080:43:09

Did it disagree with her?

0:43:090:43:10

Not so much with her as with the audiences.

0:43:100:43:12

Ah, what a woman, what a woman!

0:43:120:43:14

Mother of 6 children, 3 of them alive,

0:43:140:43:16

and all upon the stage.

0:43:160:43:18

Extraordinary.

0:43:180:43:20

Extraordinary indeed.

0:43:200:43:21

Farewell!

0:43:210:43:23

Alone.

0:43:230:43:24

Alone in the African jungle

0:43:240:43:28

and married to an outlaw!

0:43:280:43:31

The first time I saw that admirable woman,

0:43:310:43:33

Nickleby, she stood on her head

0:43:330:43:35

on the butt end of a spear

0:43:350:43:36

surrounded by blazing fireworks.

0:43:360:43:38

Such grace...

0:43:380:43:39

(SNIFFS)

0:43:390:43:40

Coupled with such dignity.

0:43:400:43:41

I adored her from that moment.

0:43:410:43:42

MRS CRUMMLES: And yet another blow!

0:43:420:43:44

My daughter lost!

0:43:440:43:47

Wild beasts best me path!

0:43:470:43:49

Ohh!

0:43:490:43:52

Mrs Crummles, my darling,

0:43:520:43:53

allow me to introduce Mr Nicholas Nickleby

0:43:530:43:55

and his friend!

0:43:550:43:56

I'm very glad to meet you, sir.

0:43:560:43:58

Ohh! In half an hour, the sun will set,

0:43:580:44:03

and then, then where shall I be?

0:44:030:44:06

The end of act iv, scene 2,

0:44:060:44:08

"the mortal struggle."

0:44:080:44:09

A most heart-rending piece.

0:44:090:44:12

Ah. The infant phenomenon,

0:44:120:44:14

miss Ninetta Crummles, age 10.

0:44:140:44:18

She's practicing for our little ballet interlude,

0:44:180:44:20

"The Indian Savage And The Maiden."

0:44:200:44:22

The idol of every place we go into.

0:44:300:44:33

How old do you say she was?

0:44:330:44:35

She's 10.

0:44:350:44:38

Amazing.

0:44:380:44:39

Mr Folair, Mr Nickleby.

0:44:460:44:47

Very happy to know you, sir.

0:44:470:44:48

How do you do, sir?

0:44:480:44:49

Beautiful pirouette, darling.

0:44:490:44:51

Talent there, gentlemen.

0:44:510:44:54

Did you ever see such a setup?

0:44:540:44:56

Do you mean the infant phenomenon?

0:44:560:44:57

Infant, humbug, sir.

0:44:570:44:59

She's only 10 after all.

0:44:590:45:00

10? She's been 10 for the last 5 years at least,

0:45:000:45:04

but she's no taller.

0:45:040:45:06

Up late every night

0:45:060:45:07

and kept on a diet of gin and water unlimited from infancy.

0:45:070:45:11

CRUMMLES: Folair!

0:45:110:45:13

Onstage!

0:45:130:45:15

Onstage!

0:45:150:45:17

(INDISTINCT CHATTER)

0:45:170:45:19

Everybody's here, Mr Crummles.

0:45:270:45:30

Silence, please!

0:45:300:45:32

(BANG AND SCREAM)

0:45:320:45:34

Silence.

0:45:340:45:35

(SNIFFS)

0:45:350:45:36

Now, ladies and gentlemen,

0:45:360:45:38

we'll call "the mortal struggle" for tomorrow, Saturday.

0:45:380:45:41

On Monday morning, we shall read a new piece.

0:45:410:45:43

The name is not known yet,

0:45:430:45:44

but there will be good parts for everyone.

0:45:440:45:46

Mr Nickleby, a new performer

0:45:460:45:49

of genius and learning, will take care of that.

0:45:490:45:51

What? But I...

0:45:510:45:52

On Monday morning at 10:00 everybody, please.

0:45:520:45:55

WOMAN: Everyone at 10:00.

0:45:550:45:56

Mr Crummles, I can't write a play.

0:45:560:45:59

I'm afraid you misunderstood.

0:45:590:46:00

And by Monday morning?

0:46:000:46:02

My invention isn't equal to it.

0:46:020:46:03

Invention? What's that to do with it?

0:46:030:46:06

You said you could read French, didn't you?

0:46:060:46:07

Yes.

0:46:070:46:08

There. Turn that into English

0:46:080:46:10

and put your name on the title page.

0:46:100:46:11

What do you say, dear?

0:46:110:46:12

We must consider the question of suitable parts.

0:46:120:46:14

Quite, quite. I'll tell you what.

0:46:140:46:17

You shall study Romeo when you've done that piece.

0:46:170:46:19

Romeo? It'll do very well,

0:46:190:46:20

and you might get up Rover while you're about it

0:46:200:46:23

and Cassio and Jeremy Diddler.

0:46:230:46:25

Ah. The apothecary for you

0:46:250:46:29

and Polonius and Tony Lumpkin.

0:46:290:46:30

Oh, and Bottom The Weaver.

0:46:300:46:32

Well, I doubt if...

0:46:320:46:33

You can easily knock them off.

0:46:330:46:34

One part helps the other so much.

0:46:340:46:36

It's all there, cues and all.

0:46:360:46:39

Come along, my dear.

0:46:390:46:40

Miss Bray waiting to see you.

0:46:530:46:56

Bray?

0:46:560:46:57

Hmm. Daughter of the old man, I suppose,

0:46:570:47:00

or it's his sister.

0:47:000:47:01

Miss Bray.

0:47:060:47:07

I hadn't expected anyone so young or so...

0:47:090:47:12

you've come to clear the debt, I take it.

0:47:150:47:17

No.

0:47:190:47:21

I came to ask if you...

0:47:210:47:23

you and Mr Gride would give my father another chance,

0:47:230:47:26

set him free.

0:47:260:47:27

Set him free?

0:47:270:47:29

My dear child, your father has been arrested.

0:47:310:47:35

Nothing can free him now

0:47:350:47:36

until he's paid both his debts.

0:47:360:47:38

Surely you must know the law.

0:47:380:47:40

I know nothing of the law.

0:47:400:47:42

I only know that this imprisonment at his age...

0:47:420:47:45

but you're not in the prison itself surely.

0:47:450:47:47

You're in the rules.

0:47:470:47:48

It's not so bad there.

0:47:480:47:50

Bad enough, Mr Nickleby.

0:47:500:47:53

If you would only give us...

0:47:530:47:54

My dear Miss Bray, I've already told you I can do nothing.

0:47:540:47:56

As for Gride, he will tell you precisely the same.

0:47:560:47:59

Your father was once a man of wealth.

0:47:590:48:02

Before he squandered his money,

0:48:020:48:04

he should have thought of the consequences.

0:48:040:48:05

(BELL DINGS)

0:48:050:48:08

Now I have some work to do.

0:48:080:48:09

Good night, sir.

0:48:140:48:16

Good night, my dear.

0:48:160:48:17

(INDISTINCT CHATTERING)

0:48:220:48:24

MRS NICKLEBY: An old family friend saying to me...

0:48:310:48:33

what was his name now?

0:48:330:48:34

It began with a "V" and ended with a "C,"

0:48:340:48:36

but whether it was Watkins or...

0:48:360:48:39

No. It couldn't have been that.

0:48:390:48:40

Uncle, I...

0:48:400:48:42

Ah, my dear.

0:48:420:48:43

As you see, were just talking about you.

0:48:430:48:45

Kate, my love, you're to dine

0:48:450:48:47

with your uncle at half past 6:00 tomorrow.

0:48:470:48:48

I'm having a small party of business friends,

0:48:480:48:50

and your mother has promised me

0:48:500:48:51

you shall keep house for me.

0:48:510:48:52

I'm sure you won't mind obliging me.

0:48:520:48:54

I shall be very glad to of course, uncle,

0:48:540:48:56

but we don't finish work until 9:00.

0:48:560:48:58

I've already spoken to Madame Mantalini.

0:48:580:49:00

You may leave early. Oh.

0:49:000:49:01

Well, of all the fortunes.

0:49:010:49:03

Come in good time in a hackney coach.

0:49:030:49:04

I'll pay for it.

0:49:040:49:06

Good night and, uh, God bless you.

0:49:060:49:11

I have an idea your uncle has taken

0:49:110:49:12

a strong fancy to you.

0:49:120:49:14

That's quite clear.

0:49:140:49:15

Let me see. Your black silk frock

0:49:150:49:16

will be dressy enough

0:49:160:49:17

with that pretty, little scarf

0:49:170:49:19

and a plain band in your hair.

0:49:190:49:21

MAN: Well, if this is a discounting dinner, hawk.

0:49:210:49:24

All I have to say is devil take me

0:49:240:49:26

if it wouldn't be a good plan

0:49:260:49:28

to get discount every day.

0:49:280:49:29

You will have plenty of it in your time.

0:49:290:49:31

Nickleby will tell you that.

0:49:310:49:32

What do you say, Nickleby?

0:49:320:49:33

Am I to be a good customer?

0:49:330:49:35

It depends entirely, milord, on circumstances.

0:49:350:49:37

On your lordship's circumstances.

0:49:370:49:40

And here's our hostess wondering why the deuce

0:49:420:49:44

someone doesn't make love to her.

0:49:440:49:46

No. Indeed. I...I...

0:49:460:49:48

There. She can't look me in the face and deny it.

0:49:480:49:50

I'll hold any man £50 she can't.

0:49:500:49:53

Done! Within two minutes.

0:49:530:49:55

Pike, you're the timekeeper.

0:49:550:49:57

Please don't make me the subject of your bets.

0:49:570:50:00

(LAUGHTER)

0:50:000:50:01

Uncle, do ask them not.

0:50:010:50:04

RALPH: Why not, my dear, if the gentleman insists.

0:50:040:50:06

It is done in a moment.

0:50:060:50:07

Oh, I don't insist.

0:50:070:50:08

If miss Nickleby makes the denial, I lose,

0:50:080:50:11

but I'd be glad to see those bright eyes of hers,

0:50:110:50:14

especially as they favour the table so much.

0:50:140:50:17

So they do, and it's too bad of you.

0:50:170:50:19

(LAUGHTER)

0:50:190:50:21

How goes the enemy?

0:50:210:50:22

One minute gone. Bravo!

0:50:220:50:24

Won't you make an effort

0:50:240:50:25

for me, Miss Nickleby?

0:50:250:50:26

You needn't trouble yourself to inquire, my buck.

0:50:260:50:28

She and I understand each other.

0:50:280:50:30

Time? Minute and a half gone.

0:50:300:50:32

Get the money ready.

0:50:320:50:33

(LAUGHTER)

0:50:420:50:44

Ask my niece not to leave

0:50:490:50:50

until I have spoken to her.

0:50:500:50:53

Thanks. That's a girl of spirit.

0:50:530:50:56

We'll drink her health.

0:50:560:50:57

Miss Nickleby and those bright and beautiful eyes.

0:50:570:51:01

ALL: Miss Nickleby.

0:51:010:51:03

An unexpected pleasure...

0:51:030:51:04

your niece, I mean.

0:51:040:51:06

Designed to surprise you, Lord Frederick.

0:51:060:51:08

Nickleby knows well enough how to please a new client.

0:51:080:51:12

Speaking of clients, Mr Gride,

0:51:120:51:14

I was honoured yesterday by a visit from Bray's daughter.

0:51:140:51:17

She merely wants to set the whole course of law in reverse,

0:51:170:51:20

free her father without payment of his debts.

0:51:200:51:22

What an optimistic young lady.

0:51:220:51:24

Yes...but rather a good-looking one.

0:51:240:51:28

You see, Nickleby,

0:51:380:51:40

the estate is large enough,

0:51:400:51:42

but the ready cash is not.

0:51:420:51:43

That's the deadlock.

0:51:430:51:45

Now, I'm wondering...

0:51:450:51:47

you mean it's no go?

0:51:470:51:48

I never digest my dinner and business at the same time,

0:51:480:51:51

nor should you.

0:51:510:51:52

Come to my office one day.

0:51:520:51:53

You're a deuced good fellow, Nickleby.

0:51:530:51:55

Hawk said you'd come to the rescue.

0:51:550:51:57

The most knowing card in the pack,

0:51:570:51:58

I always called him. Eh, hawk?

0:51:580:52:01

Where the devil is he?

0:52:010:52:03

Ah, how delightfully studious.

0:52:100:52:13

And such eyelashes.

0:52:150:52:18

Upon my soul, they're perfect.

0:52:180:52:20

Now, why did I speak and destroy such a pretty little picture?

0:52:200:52:24

Let me go!

0:52:250:52:26

Oh, no. I want to talk to you.

0:52:260:52:28

Let me go!

0:52:280:52:29

Let me leave here, please. Just a moment.

0:52:350:52:37

Sit down, my dear.

0:52:440:52:46

I advise you, sir, to rejoin the party.

0:52:490:52:52

Hmm.

0:52:520:52:53

You wanted our young friend, didn't you?

0:52:530:52:55

If he'd found his way in here instead of me,

0:52:550:52:58

you would have been a little blinder

0:52:580:52:59

and a little deafer, eh?

0:52:590:53:01

Who brought him to you?

0:53:010:53:03

Without me, what chance would you have

0:53:030:53:05

to land him in that net of yours?

0:53:050:53:07

It's a large net, and rather full.

0:53:070:53:11

I shouldn't like anyone to be choked in the meshes.

0:53:110:53:13

Hmm.

0:53:130:53:15

Now, Kate.

0:53:180:53:19

I won't stay in this house a moment longer.

0:53:190:53:20

You must calm yourself, my dear.

0:53:200:53:23

Yes. Yes, you should go. Of course you shall.

0:53:230:53:25

What that man said was true.

0:53:250:53:27

You brought me here for...

0:53:270:53:28

for your business.

0:53:280:53:29

My dear child, how could I know this would happen?

0:53:290:53:32

I sent the fellow off quickly enough.

0:53:320:53:34

You saw that for yourself.

0:53:340:53:35

Think no more of it.

0:53:350:53:37

I shall say nothing of this to your mother.

0:53:380:53:41

After all, it was only an incident.

0:53:410:53:43

1,000. Many a thanks.

0:53:450:53:47

Thank you, milord.

0:53:470:53:49

Nickleby's losing by it. Take my word.

0:53:490:53:50

He wouldn't give those terms to everyone.

0:53:500:53:53

I wouldn't.

0:53:530:53:54

Heh heh!

0:53:540:53:55

That, um, niece of yours...

0:53:550:53:57

devilish pretty girl.

0:53:570:53:58

She's considered so, I believe.

0:53:580:54:00

(BELLS JINGLING)

0:54:000:54:01

Where does the beauty live, eh?

0:54:010:54:03

I should like to have another peep.

0:54:030:54:06

I'm sure, milord, no good would come of your knowing.

0:54:060:54:09

Oh, come.

0:54:090:54:11

You know you're going to make a fortune out of me.

0:54:110:54:12

Let me see her again,

0:54:120:54:13

and I'll never deal with anyone else.

0:54:130:54:15

If you could come back later...

0:54:150:54:16

but I had a letter,

0:54:160:54:18

just before Kate left this morning,

0:54:180:54:19

or didn't leave, rather.

0:54:190:54:22

Confound you, Nigel! I told you to show Mrs Nickleby...

0:54:220:54:25

Ooh, there you are, after all.

0:54:250:54:27

Kate, my dear.

0:54:270:54:28

I was sure if you had been engaged,

0:54:280:54:30

you'd have said so in the letter.

0:54:300:54:32

And in that case, of course,

0:54:320:54:33

you wouldn't have written it.

0:54:330:54:34

I couldn't quite make out why we had to come, but...

0:54:340:54:37

Ooh.

0:54:390:54:40

I beg your pardon.

0:54:400:54:42

(DOOR CLOSES)

0:54:420:54:43

Allow me to present my sister-in-law.

0:54:430:54:44

You're the mother of miss Nickleby,

0:54:440:54:46

the delightful creature we met when last we dined here?

0:54:460:54:49

No, I can't believe it.

0:54:490:54:51

Milady is too young for that.

0:54:510:54:53

MRS NICKLEBY: but I assure you...

0:54:530:54:54

Sir Mulberry Hawk.

0:54:540:54:56

Lord Verisopht.

0:54:560:54:58

A great pleasure. How do you do?

0:54:580:55:01

Milord, Sir Mulberry. Really, I...

0:55:010:55:04

Now that we've met Mom,

0:55:040:55:05

we must improve on the acquaintance.

0:55:050:55:07

I have a private box at the opera.

0:55:070:55:09

The opera!

0:55:090:55:11

If you and your daughter would do me the honour...

0:55:110:55:12

it's a new opera on Saturday,

0:55:120:55:14

first performance.

0:55:140:55:15

Come, now. A refusal is out of the question.

0:55:150:55:18

I'll send my carriage for you.

0:55:180:55:19

You're so very pressing. I scarcely know what to...

0:55:190:55:21

Kate, do you hear?

0:55:210:55:22

Yes, Mama, but...

0:55:220:55:23

Of course. We shall be delighted.

0:55:230:55:25

Capital. Now we must be off.

0:55:250:55:27

Good day, Nickleby.

0:55:270:55:28

I will see you out.

0:55:280:55:29

Eh? What?

0:55:290:55:32

Oh, are we going?

0:55:320:55:34

Good day, miss Nickleby.

0:55:340:55:36

Good day, Mrs Nickleby.

0:55:360:55:38

I shall look forward to Saturday.

0:55:380:55:42

Two more handsome, delightful gentlemen, I never saw.

0:55:420:55:45

And titles, both of them.

0:55:450:55:47

What a wicked girl not to tell your mother you'd met them.

0:55:470:55:50

I declare, you must have had some reason for it.

0:55:500:55:52

Please, Mama, must we go to the opera?

0:55:520:55:55

(WOMAN SINGING OPERA)

0:55:570:55:58

(MAN SINGING)

0:56:020:56:04

Delightful. Quite delightful.

0:56:090:56:11

And so different from Shakespeare.

0:56:110:56:13

I'm always ill after Shakespeare.

0:56:130:56:15

It's the most extraordinary thing.

0:56:150:56:17

This is the most happy evening for me, my dear.

0:56:170:56:19

Suppose we slip out for a little supper together?

0:56:190:56:22

Your mother won't miss you.

0:56:220:56:24

What do you say?

0:56:240:56:25

Why, Kate, my dear, you've gotten quite pale.

0:56:280:56:31

It's nothing, Mama. You imagined it.

0:56:310:56:33

I was thinking the same, Mrs Nickleby.

0:56:330:56:35

Your daughter needs country air.

0:56:350:56:38

Now, I have a little place near Windsor.

0:56:380:56:39

Windsor?

0:56:390:56:40

A few hundred acres.

0:56:400:56:41

Why not let her come down there next weekend?

0:56:410:56:44

Accompanied by yourself, of course.

0:56:440:56:45

Lord Frederick will be there, too.

0:56:450:56:47

Well, really, this is too kind.

0:56:470:56:50

Isn't it, Kate?

0:56:500:56:52

Just think of it. Hundreds of acres.

0:56:520:56:54

It could do you all the good in the world,

0:56:540:56:56

won't it, Lord Frederick? She's more than...

0:56:560:56:58

(SINGING CONTINUES LOUDER)

0:56:580:57:00

...just now, it occurred to me

0:57:000:57:01

it reminded me of the day you caught that dreadful cold

0:57:010:57:04

the very evening that gentleman called

0:57:040:57:05

whose father and mother married an Archbishop.

0:57:050:57:07

Or were they married by one?

0:57:070:57:09

I'm sure you must...

0:57:090:57:10

(CONTINUES INDISTINCTLY)

0:57:100:57:12

CRUMMLES: A glooming peace

0:57:180:57:20

this morning with it brings;

0:57:200:57:22

the sun for sorrow will not show his head.

0:57:220:57:26

Go hence to have more talk of these sad things;

0:57:260:57:29

some shall be pardoned and some punish-ed:

0:57:290:57:35

for never was a story of more woe

0:57:350:57:39

than this of Juliet and her Romeo.

0:57:390:57:45

(CHEERING AND APPLAUSE)

0:57:510:57:53

Capital, my boy, a prince of a Romeo. Take it.

0:58:170:58:21

I was quite swept off my feet, I was, really.

0:58:210:58:24

I'm out of stout, love. Would you be a dear?

0:58:240:58:26

Now I have another novelty.

0:58:260:58:27

What's that, the performing pony?

0:58:270:58:28

Oh, no, we never come to the ponies

0:58:280:58:30

till everything else has failed.

0:58:300:58:31

A bespeak, my boy.

0:58:310:58:33

A benefit night in your honour.

0:58:330:58:36

Excuse me. This just came on the London coach.

0:58:360:58:39

From Newman Noggs.

0:58:390:58:42

Is it bad news?

0:58:420:58:44

"No wish to alarm you,

0:58:440:58:45

"but your uncle being the man he is

0:58:450:58:47

"and his friends the men they are,

0:58:470:58:49

"events may soon occur which would put your sister in sore need of protection."

0:58:490:58:53

(CRUMMLES HUMMING)

0:58:530:58:55

Mr Crummles, I hope you'll forgive me.

0:58:560:58:59

I shall have to leave the company.

0:58:590:59:00

Leave? At the height of your success?

0:59:000:59:02

Nonsense.

0:59:020:59:03

I just heard from London.

0:59:030:59:04

Oh, a superior offer. I'll double it.

0:59:040:59:06

It's nothing of that kind. My sister needs me.

0:59:060:59:08

Oh? Short of money, I suppose,

0:59:080:59:09

and the mortgage threatening.

0:59:090:59:10

Ha ha! How often I've played in that situation.

0:59:100:59:13

My boy, after your bespeak,

0:59:130:59:15

you'll be able to send her every penny she needs,

0:59:150:59:16

more than that.

0:59:160:59:17

You're very kind, Mr Crummles,

0:59:170:59:19

but you don't understand.

0:59:190:59:20

It's not really a question of money.

0:59:200:59:21

Family affection.

0:59:210:59:22

Advice from a brother on an affair of the heart.

0:59:220:59:24

You must write her, my boy.

0:59:240:59:25

I'll help you with the letter myself.

0:59:250:59:26

You better read this.

0:59:260:59:28

What?

0:59:280:59:29

You can see how serious it is.

0:59:290:59:30

Seems so ungrateful of me.

0:59:300:59:31

If there was anything else I could do...

0:59:310:59:33

You must go.

0:59:330:59:35

You must go at once.

0:59:350:59:36

There's not a moment to lose.

0:59:360:59:38

What drama.

0:59:380:59:40

What drama!

0:59:400:59:41

If I could take the morning coach...

0:59:410:59:42

Yes, yes, by all means.

0:59:420:59:44

Attention, everyone!

0:59:440:59:46

Attention, everyone!

0:59:460:59:47

Smike, you'll be safe here with Mr Crummles, won't you?

0:59:470:59:51

I wanted to go with you.

0:59:510:59:53

I'm afraid you can't do that.

0:59:530:59:54

I'll send for you immediately things are more settled.

0:59:540:59:57

We shall see him off first thing tomorrow, the entire company.

0:59:571:00:00

Costumes from the funeral scene, ways and means, Act III.

1:00:001:00:03

Everyone much affected.

1:00:031:00:06

(SNIFFS)

1:00:061:00:07

And the infant phenomenon to present a bouquet.

1:00:071:00:10

Afterwards, a full rehearsal for the entire company.

1:00:101:00:12

"Romeo And Juliet"?

1:00:121:00:13

No, no. We have no Romeo.

1:00:131:00:15

(CRYING)

1:00:151:00:17

If you have tears, forbear to shed them now.

1:00:171:00:20

Save them for the departure.

1:00:201:00:21

Mr Crummles, at great personal sacrifice...

1:00:211:00:24

my Romeo was notorious.

1:00:241:00:26

I can well believe it.

1:00:261:00:28

It'll take more than that to save the day.

1:00:281:00:29

Off you go, my boy, and make ready.

1:00:291:00:31

And remember, our good wishes go with you every inch of the way.

1:00:311:00:34

Thank you, sir,

1:00:341:00:35

for all the goodness you've shown to Smike and me.

1:00:351:00:37

I know you'll look after him.

1:00:371:00:39

Thank you, everyone,

1:00:391:00:40

for all your help and your kindness.

1:00:401:00:42

I shall never forget you.

1:00:421:00:43

Adieu.

1:00:431:00:44

Goodbye.

1:00:441:00:45

We will see you off tomorrow.

1:00:451:00:47

Goodbye, Molly.

1:00:471:00:48

(WOMAN CRYING)

1:00:481:00:49

Born for the lamps, too.

1:00:511:00:53

Crudden, call the pony for tomorrow.

1:00:531:00:55

Yes, sir.

1:00:551:00:56

(SNIFFS)

1:00:561:00:58

Acton Court. 10 minutes, gentlemen.

1:01:081:01:11

(INDISTINCT CHATTER)

1:01:151:01:17

...the old woman thinks we are doing it for her health.

1:01:261:01:28

So they both come down to Windsor tomorrow, eh?

1:01:281:01:30

Yes. The old mare goes out to grass,

1:01:301:01:31

and then the little filly shows up aces.

1:01:311:01:34

(MEN CHUCKLING)

1:01:341:01:35

Come, let's give her the first glass of the new magnum.

1:01:351:01:38

Little Kate Nickleby!

1:01:381:01:40

(LAUGHTER)

1:01:401:01:41

MEN: Kate Nickleby!

1:01:411:01:43

Just a minute.

1:01:431:01:45

The little Jade,

1:01:451:01:46

she's a worthy imitation of her uncle Ralph.

1:01:461:01:48

Hanged back to be the more sought after.

1:01:481:01:50

That's going to raise the interest.

1:01:501:01:51

Will you come outside for a moment?

1:01:511:01:53

Upon me soul, a mysterious stranger.

1:01:531:01:55

Name your business here or nowhere.

1:01:551:01:57

The lady you named is my sister.

1:01:571:01:59

My business, you'll guess.

1:01:591:02:01

Are you coming outside?

1:02:031:02:05

No.

1:02:051:02:06

(CHUCKLES)

1:02:101:02:12

So much for the errand boy.

1:02:121:02:14

MAN: London coach just leaving, sir.

1:02:141:02:17

(HORN TOOTING)

1:02:171:02:20

I must say, Hawk,

1:02:241:02:26

I still think you should have accepted

1:02:261:02:27

the fellow's challenge.

1:02:271:02:28

And I still think otherwise.

1:02:281:02:29

He was within his rights, you know.

1:02:291:02:30

I'm not interested one way or the other.

1:02:301:02:32

Eh?

1:02:321:02:34

What the devil?

1:02:341:02:36

You going to answer for what you said?

1:02:361:02:37

To you, no!

1:02:371:02:38

You call yourself a gentleman?

1:02:381:02:40

Oh, go to the deuce!

1:02:401:02:41

Let go her head. You'd better.

1:02:411:02:44

Let her go, I tell you.

1:02:441:02:46

Get off!

1:02:461:02:47

Not till you...

1:02:471:02:48

Aah!

1:02:521:02:53

Aah!

1:03:071:03:09

(GRUNTING)

1:03:171:03:20

(KNOCKING ON DOOR)

1:03:301:03:31

All right. I'm just coming. I'm just coming.

1:03:351:03:38

Bless my soul!

1:03:431:03:45

Kate. I must...

1:03:451:03:47

Nicholas: I went away on one condition:

1:03:521:03:54

that you would care for my mother and Kate.

1:03:541:03:56

I left them to you,

1:03:561:03:57

and this is how you treat them.

1:03:571:03:58

Young girls like to imagine things.

1:03:581:04:01

Kate is no exception.

1:04:011:04:02

Kate imagined nothing.

1:04:021:04:03

She told me nothing of her trouble.

1:04:031:04:04

Your loose-tongued friends made it clear enough.

1:04:041:04:07

You broke your promise,

1:04:071:04:08

and one day, you'll pay for it.

1:04:081:04:10

I see...

1:04:101:04:11

an IOU of some kind,

1:04:111:04:13

due on some indefinite date.

1:04:131:04:15

You can sneer if you want to.

1:04:151:04:16

I may be young, I may have no money and no experience,

1:04:161:04:18

but I know the difference between good and evil,

1:04:181:04:20

and I know how people of your type come to an end.

1:04:201:04:23

(BELLS JINGLING)

1:04:231:04:24

From the very first, you took advantage of my helplessness.

1:04:241:04:27

I should have known better than to trust you a second...

1:04:271:04:28

I've heard enough!

1:04:281:04:30

As for your mother and your sister,

1:04:321:04:33

from now on, you can care for them. I fully intend to.

1:04:331:04:36

You will never make use of my sister again for your business schemes.

1:04:361:04:38

Of course, they will have to leave the home I've provided.

1:04:421:04:44

They have already left it!

1:04:441:04:45

They never want to see it again... or you.

1:04:451:04:48

I'll tell Mr Nickleby.

1:04:521:04:55

Some of those things you said...

1:04:551:04:57

oughtn't to have said them.

1:04:571:04:59

But they was good to hear.

1:04:591:05:01

It's easy enough to talk.

1:05:011:05:03

I have to make good my words.

1:05:031:05:05

Miss Bray is here.

1:05:111:05:13

Who?

1:05:131:05:15

Miss Bray?

1:05:151:05:16

Are you in or out? You didn't tell me.

1:05:161:05:18

Perhaps you don't want to see anybody.

1:05:181:05:21

Well, my dear?

1:05:231:05:25

I had to come, Mr Nickleby.

1:05:251:05:27

It's my father's health.

1:05:271:05:29

For some time now, he's not been very strong,

1:05:291:05:31

and yesterday, he had an attack.

1:05:311:05:34

The doctor always told him to be careful of his heart.

1:05:341:05:35

Dear me.

1:05:351:05:37

If this imprisonment has to go on,

1:05:371:05:38

I don't know what might happen.

1:05:381:05:39

You don't expect me to cancel the debt,

1:05:391:05:41

to say nothing of Gride?

1:05:411:05:42

Oh, no.

1:05:421:05:44

If you could see your way to...

1:05:441:05:46

reduce the interest, I suppose.

1:05:461:05:49

Yes.

1:05:491:05:50

Father can earn nothing.

1:05:501:05:53

The little I manage to make is...

1:05:531:05:55

barely enough to keep us in the rules,

1:05:551:05:58

out of the prison itself.

1:05:581:06:00

After paying the interest to you and Mr Gride,

1:06:001:06:03

what chance have we to pay off the debts?

1:06:031:06:05

How can we ever be free?

1:06:051:06:07

Child, child, you must not distress yourself.

1:06:071:06:11

You would do a great deal to free your father, wouldn't you?

1:06:131:06:17

Yes.

1:06:171:06:19

Perhaps something can be managed.

1:06:191:06:23

Something even more practical

1:06:231:06:24

than a reduction in the interest.

1:06:241:06:27

I shall come in tomorrow or the day after...

1:06:271:06:30

that's very kind of you. Thank you.

1:06:301:06:32

Have a word or two with your father,

1:06:321:06:35

and then, of course, we shall have to see Mr Gride.

1:06:351:06:38

MAN: how much?

1:06:541:06:55

I thought two pounds a week.

1:06:551:06:56

Ha ha ha!

1:06:561:06:57

Is that asking for so very much?

1:06:571:06:59

Might as well ask for the moon.

1:06:591:07:01

Good morning, sir.

1:07:011:07:02

Good morning.

1:07:021:07:04

I'll wait till you finish with the young gentleman.

1:07:041:07:06

What is this one under tuition,

1:07:061:07:08

knowledge of French required?

1:07:081:07:09

Dancing master. Now, sir?

1:07:091:07:11

Just a moment, young man.

1:07:111:07:13

Am I to understand you are seeking employment?

1:07:131:07:16

If I can find it, sir.

1:07:161:07:17

And you speak French?

1:07:171:07:18

Fairly well, sir.

1:07:181:07:19

Education... a great thing.

1:07:191:07:22

I never had any.

1:07:221:07:25

Come along with me. But I...

1:07:251:07:26

not another word.

1:07:261:07:28

(BELLS TOLLING)

1:07:301:07:32

I saw it in "the times" that you were in London again.

1:07:341:07:36

Regular as the clock, sir.

1:07:361:07:38

What do you think of Wackford Jr.

1:07:381:07:40

As a specimen of Dotheboys Hall feeding?

1:07:401:07:43

I brought him up to show parents and guardians.

1:07:431:07:45

He's flesh. He's firmness.

1:07:451:07:47

Look at them tears, sir.

1:07:471:07:49

There is oiliness.

1:07:491:07:50

Yeah, he looks well, indeed.

1:07:501:07:53

And are you quite recovered

1:07:531:07:54

from that young scoundrel's attack?

1:07:541:07:55

I've only just started, sir.

1:07:551:07:56

I was one blessed bruise from here to there.

1:07:561:07:59

Vinegar and brown paper from morning till night.

1:07:591:08:01

You might have thought I was a big brown paper parcel

1:08:011:08:03

chock full of nothing else but grounds.

1:08:031:08:05

I should like a word with you.

1:08:051:08:07

Wackford, run and buy yourself a tart.

1:08:071:08:11

Pastry makes their flesh shine.

1:08:111:08:13

Parents like it.

1:08:131:08:15

Now, sir?

1:08:151:08:16

I suppose you're not dolt enough to forgive or forget

1:08:161:08:20

the violence done to you by that nephew of mine...

1:08:201:08:22

Devil a bit.

1:08:221:08:23

Or to lose an opportunity of repaying him.

1:08:231:08:25

Show me one.

1:08:251:08:26

Where is he?

1:08:261:08:27

I know where he is.

1:08:271:08:29

We shan't lose track of him.

1:08:291:08:30

Tell me, who was this boy he took with him?

1:08:301:08:32

Was he young or old?

1:08:321:08:33

He might have been nigh 20

1:08:331:08:35

and was just beginning to be useful about the place.

1:08:351:08:37

I had hopes of him even earning me a bit in the village.

1:08:371:08:40

Perhaps he will yet.

1:08:401:08:42

My nephew will find it harder than he thinks

1:08:421:08:44

to get the better of me.

1:08:441:08:46

Mother! Kate!

1:08:481:08:49

What happened?

1:08:491:08:51

Everything's happened. Everything is settled.

1:08:511:08:52

Did you speak to your uncle?

1:08:521:08:53

Yes, but never mind about that.

1:08:531:08:55

Don't you want to hear my news?

1:08:551:08:56

I only wish we could.

1:08:561:08:57

I went to the agency.

1:08:571:08:58

Lo and behold, there he was.

1:08:581:09:00

Kate: Who was?

1:09:001:09:01

Mr Cheeryble, the chubbiest, tubbiest,

1:09:011:09:03

most wonderful old gentleman you've ever seen.

1:09:031:09:05

I never have seen him.

1:09:051:09:06

I'll show him to you.

1:09:061:09:07

Oh.

1:09:071:09:08

White cravat, double chin.

1:09:081:09:11

Very portly.

1:09:121:09:13

(LAUGHING)

1:09:131:09:14

(DEEP VOICE) Young man,

1:09:141:09:15

you are looking for work, are you not?

1:09:151:09:17

And you speak French, do you not?

1:09:171:09:19

But how do you know that?

1:09:191:09:20

Not another word, young man.

1:09:201:09:21

Follow me.

1:09:211:09:22

(NORMAL VOICE) And off we go...

1:09:221:09:23

into the city,

1:09:231:09:24

down Threadneedle Street,

1:09:241:09:25

off to the left, off to the right,

1:09:251:09:27

and up front of his door.

1:09:271:09:28

Open the door,

1:09:281:09:30

and what do you think's inside?

1:09:301:09:31

Another Mr Cheeryble...

1:09:311:09:32

white cravat, double chin,

1:09:321:09:34

very portly.

1:09:341:09:35

Twins! As you say, madam.

1:09:351:09:37

And the first Mr Cheeryble says

1:09:371:09:39

to the second Mr Cheeryble...

1:09:391:09:40

(DEEP VOICE) "Brother Ned,

1:09:401:09:42

here's just the young gentleman we've been looking for."

1:09:421:09:43

Oh! Oh!

1:09:431:09:44

"And he even speaks French, brother Ned."

1:09:441:09:46

Oh, but what has that got to do with...

1:09:461:09:47

Shh. Silk importers. Do half their business with France.

1:09:471:09:49

"Young man, we offer you the vacant stool

1:09:491:09:52

"in our counting house

1:09:521:09:53

at a salary of 120 pounds a year."

1:09:531:09:57

Oh, 120?

1:09:571:09:58

"Just to start with, of course.

1:09:581:10:00

"And as they're looking for somewhere to live, brother Charles,

1:10:001:10:02

why can't they have the little cottage at Bow?"

1:10:021:10:04

Cottage?

1:10:041:10:05

A real home again.

1:10:051:10:06

Bow...it's the sweetest little village.

1:10:061:10:08

Oh!

1:10:081:10:10

What is it, Smike?

1:10:181:10:20

Are you sure they'll want me?

1:10:201:10:21

Of course they will. This is your home now.

1:10:211:10:24

I'm sure I heard a hackney.

1:10:311:10:33

Here we are, mother. This is Smike,

1:10:331:10:35

just back from Portsmouth.

1:10:351:10:36

Any friend of Nicholas is more than welcome.

1:10:361:10:38

And this is my sister, Kate.

1:10:381:10:40

I've heard so much about you.

1:10:401:10:42

We're only just settling in,

1:10:421:10:43

so I hope you'll forgive us

1:10:431:10:44

if there's not much in the house, I mean.

1:10:441:10:46

(NICHOLAS CHUCKLES)

1:10:461:10:47

MRS NICKLEBY: Well, now, Nicholas,

1:10:471:10:48

much as you'd like me to stand here talking,

1:10:481:10:49

I have so much to do.

1:10:491:10:50

Then we mustn't keep you, mother.

1:10:501:10:51

So like your dear papa.

1:10:511:10:53

Never able to keep his thoughts on one subject

1:10:531:10:55

for two minutes together.

1:10:551:10:56

Now, what was I saying? Oh, yes.

1:10:561:10:58

Flowers for Miss La Verzey's room.

1:10:581:11:00

You know, a fine Saturday morning like this

1:11:001:11:03

always puts me in mind of...

1:11:031:11:04

(MEN TALKING INDISTINCTLY)

1:11:041:11:06

I'll wager no-one dragged you so far out of the city

1:11:061:11:08

this last 10 years. Here we are.

1:11:081:11:10

They must have been profiteers.

1:11:121:11:14

Mrs Nickleby.

1:11:141:11:15

It's, yes. Good morning.

1:11:151:11:17

I am Frank Cheeryble, and this is mister...

1:11:171:11:19

Cheeryble?

1:11:191:11:20

Not one of the brothers, surely?

1:11:201:11:21

A nephew, ma'am, but also in the firm.

1:11:211:11:23

And this is Mr Linkinwater,

1:11:231:11:24

our confidential clerk.

1:11:241:11:26

How nice.

1:11:261:11:27

Kate's my daughter.

1:11:271:11:27

Mr Cheeryble, Mr Linkin.

1:11:271:11:29

Oh, I've got it wrong.

1:11:291:11:31

Well, now do come inside.

1:11:311:11:33

We were strolling by this way, and we thought we'd call to see

1:11:331:11:35

if you were settling in comfortably.

1:11:351:11:36

Of course, in Devonshire, the earwigs always used to fall in

1:11:361:11:39

one's tea on Sunday evenings.

1:11:391:11:41

What in the world? Pardon me. Oh!

1:11:411:11:44

Let me help you. There.

1:11:441:11:46

Oh.

1:11:461:11:47

Very kind of you.

1:11:471:11:49

I want to get to the kitchen.

1:11:491:11:51

Oh, but I haven't introduced them.

1:11:551:11:57

Heh heh heh!

1:11:571:11:58

Isn't there some work you can put me to?

1:11:581:12:00

Please come in and sit down.

1:12:001:12:01

No, no, miss Nickleby, I insist on helping.

1:12:011:12:04

Now...what can I do?

1:12:051:12:07

Well, if you could put the books away.

1:12:071:12:09

Oh! That doesn't sound very arduous.

1:12:091:12:12

I'm a very good furniture mover, you know.

1:12:121:12:13

And as for hanging pictures, well...

1:12:131:12:15

oh, no. I must dust them first.

1:12:151:12:17

Oh, forgive my ignorance.

1:12:171:12:19

In my bookshelves, they only get dusted if they're taken out.

1:12:191:12:22

So the dry and dusty authors

1:12:221:12:23

get dustier, still, I suppose.

1:12:231:12:25

Naturally. It's a very good system.

1:12:251:12:27

You can tell at a glance what's worth reading and what isn't.

1:12:271:12:31

Oh, Miss La Creevy did that.

1:12:341:12:35

It can't be you, surely.

1:12:351:12:37

It is.

1:12:371:12:38

I should never have guessed it

1:12:381:12:39

were it not for the brooch.

1:12:391:12:41

She's no flatterer, this Miss La...uh...

1:12:411:12:43

NICHOLAS: Creevy.

1:12:431:12:44

Better not let her hear you.

1:12:441:12:45

Kate, Nicholas,

1:12:451:12:47

Mr Lavenderwater's found out how to light the boiler.

1:12:471:12:50

Isn't it the cleverest thing?

1:12:501:12:52

Well, Mr Cheeryble,

1:12:521:12:53

that's Kate's miniature you have there.

1:12:531:12:55

Isn't it a most delightful likeness?

1:12:551:12:57

This is Miss La Creevy.

1:12:571:12:58

Oh, I...

1:12:581:13:00

I was just admiring your work.

1:13:001:13:02

NICHOLAS: Especially the brooch.

1:13:021:13:04

Quite the sweetest portrait I've ever done.

1:13:071:13:11

Now, come, everyone.

1:13:111:13:13

It's homemade cordial. At least, I think it is.

1:13:131:13:17

Well, did you collect the money?

1:13:171:13:19

I couldn't. His lordship wasn't in.

1:13:191:13:22

At this hour?

1:13:221:13:23

Wasn't Hawk there?

1:13:231:13:25

Gone abroad.

1:13:251:13:27

Or going.

1:13:271:13:29

Abroad? Hawk?

1:13:291:13:32

Had to run for it after the duel.

1:13:321:13:35

What are you babbling about, man? What duel?

1:13:351:13:38

What story is this that you've been fobbed off with?

1:13:381:13:40

No story. They had an argument, him and Lord Verisopht,

1:13:401:13:43

about Hawk's accident.

1:13:431:13:45

Accident. Attempted murder.

1:13:451:13:47

Go on.

1:13:471:13:49

Go on!

1:13:491:13:50

His lordship said Hawk was to blame.

1:13:501:13:53

Well, they'd been drinking.

1:13:531:13:55

Tempers ran high. So they fought it out.

1:13:551:13:57

Pistols.

1:13:571:13:59

His lordship lost.

1:13:591:14:02

You mean to tell me that he's...

1:14:021:14:04

dead as a doornail.

1:14:041:14:07

That's why he wasn't in.

1:14:071:14:09

Dead.

1:14:101:14:11

Your nephew has lost an enemy,

1:14:131:14:16

and you have lost 6,000 pounds.

1:14:161:14:17

That's enough!

1:14:171:14:18

(BELLS JINGLING)

1:14:181:14:20

Buried him at Twickenham.

1:14:241:14:25

Get out!

1:14:251:14:26

(KNOCK KNOCK)

1:14:441:14:47

Are you at home?

1:14:471:14:48

No!

1:14:481:14:49

News, Mr Nickleby.

1:14:521:14:53

Wackford's done it, he has.

1:14:531:14:55

I seen him, didn't I, father?

1:14:551:14:56

You did, my boy,

1:14:561:14:57

and you shall have the best button-over jacket

1:14:571:14:59

the new boys bring down as a reward.

1:14:591:15:01

And another thing...

1:15:011:15:02

I found the very man for you.

1:15:021:15:04

You might remember Mr Snawley.

1:15:041:15:06

He's done it!

1:15:091:15:11

His capital B's and D's are exactly like mine.

1:15:111:15:15

And not a figure scratched out.

1:15:151:15:18

There ain't such a young man in all London.

1:15:181:15:19

Well said, Tim.

1:15:191:15:21

I'm certain our young friend will succeed in no time.

1:15:211:15:24

Didn't I say so, brother Charles?

1:15:241:15:25

Brother Ned, you did.

1:15:251:15:27

Come into our room, Mr Nickleby.

1:15:271:15:29

Just look at those B's and D's, Mr Ned.

1:15:291:15:32

I have only to look at your face, my dear fellow.

1:15:321:15:33

They're written there as plain as on the ledger.

1:15:331:15:36

(CHUCKLING)

1:15:361:15:37

We have to go to the continent.

1:15:371:15:39

So, for the next month or two,

1:15:391:15:40

Frank will be in charge here.

1:15:401:15:42

He will have much to occupy him.

1:15:421:15:45

So we want you to take off his hands

1:15:451:15:47

a little matter he's been attending to.

1:15:471:15:49

It concerns a father and child.

1:15:491:15:51

They're in financial distress, Mr Nickleby.

1:15:511:15:53

The mother was an old friend of ours.

1:15:531:15:56

She's been dead now some years.

1:15:561:15:58

We're anxious to help for her sake and the girl's.

1:15:581:16:01

But if her father knew, he'd make her life a misery.

1:16:011:16:04

Yes, brother Charles.

1:16:041:16:05

Yes, brother Ned.

1:16:051:16:06

He resented our friendship with the mother.

1:16:061:16:07

In fact, he seems to resent everything.

1:16:071:16:10

So we're doing what we can without his knowledge.

1:16:101:16:12

The child has some artistic talent,

1:16:121:16:14

and we have become...

1:16:141:16:15

dealers in the fine arts. Eh, brother Ned?

1:16:151:16:17

Yes, brother Charles.

1:16:171:16:18

(CHUCKLES)

1:16:181:16:21

(MAN SHOUTING)

1:16:211:16:23

Excuse me, sir.

1:16:281:16:29

I'm looking for Mr Bray's lodging.

1:16:291:16:31

Next landing.

1:16:351:16:36

Thank you.

1:16:361:16:37

Lodgings, he says.

1:16:391:16:41

Ha! Yes.

1:16:411:16:43

With a turnkey for the landlord.

1:16:431:16:46

(DOOR OPENS)

1:16:591:17:00

You're miss Bray.

1:17:031:17:05

I never thought we'd meet again.

1:17:061:17:08

I didn't even know your name,

1:17:081:17:09

where to find you.

1:17:091:17:11

It seemed too much to hope for a third time.

1:17:111:17:14

You were so kind that day.

1:17:141:17:18

I had no chance to thank you.

1:17:181:17:20

Bray: Who is it, Madeline? What do they want?

1:17:201:17:23

I'm from your friends, the Cheerybles, the dealers.

1:17:231:17:26

I shall be coming in future.

1:17:261:17:28

Miss Bray, many times since, I...

1:17:281:17:31

Madeline. Madeline!

1:17:311:17:34

Yes, Father.

1:17:341:17:36

Please come in.

1:17:361:17:37

You may remember this gentleman, father.

1:17:391:17:41

He helped us the day we...

1:17:411:17:43

left home.

1:17:431:17:44

Never mind that. What's his business here?

1:17:441:17:45

I've called about a pair of handscreens.

1:17:451:17:48

My employers ask you to proceed with them.

1:17:481:17:49

And I'm to pay for the two drawings with many thanks.

1:17:491:17:52

See the money's right, Madeline.

1:17:521:17:53

Open it, my dear.

1:17:531:17:55

It's quite right, Father, I'm sure.

1:17:551:17:57

Sure?

1:17:571:17:58

How can you be sure?

1:17:581:18:00

5 pounds.

1:18:011:18:03

Well, is that right?

1:18:031:18:04

Yes.

1:18:041:18:05

Well, get it changed. Get me a newspaper.

1:18:051:18:07

Buy me some grapes. There'll be other things,

1:18:071:18:09

but you can go out again later.

1:18:091:18:11

What are you waiting for?

1:18:111:18:13

A receipt?

1:18:131:18:14

No, sir. There's no need for that.

1:18:141:18:16

No need? What do you mean?

1:18:161:18:18

Do you think you bring your paltry money here as a gift? Is that it?

1:18:181:18:22

Father.

1:18:221:18:23

Give him a receipt.

1:18:231:18:25

Just because you can't appreciate the time and taste

1:18:271:18:29

bestowed on the goods you deal in,

1:18:291:18:30

I suppose you think you give your money away.

1:18:301:18:32

Good day, sir.

1:18:321:18:34

Thank you.

1:18:361:18:37

The way my father spoke to you...

1:18:461:18:48

he's been very ill.

1:18:481:18:49

He's worse than usual, is all.

1:18:491:18:51

I've forgotten it already.

1:18:511:18:52

Thank you.

1:18:521:18:53

Miss Bray?

1:18:531:18:54

Miss Bray, I'm not very good

1:18:541:18:57

at disguising my feelings.

1:18:571:18:59

My interest isn't confined to my mission here.

1:18:591:19:03

If there's anything I can do for you at any time,

1:19:031:19:06

I want you to know you have only to call on me.

1:19:061:19:09

I still don't understand it.

1:19:201:19:23

Ralph Nickleby become a charitable institution.

1:19:231:19:26

Now, now.

1:19:261:19:28

What is that to you?

1:19:281:19:29

You're getting the money Bray owes you paid in full.

1:19:291:19:31

That's more than you ever expected.

1:19:311:19:33

And more than Bray or his daughter expected, either,

1:19:331:19:35

I warrant.

1:19:351:19:37

His daughter!

1:19:391:19:40

Of course!

1:19:401:19:42

Good-looking as well as optimistic, eh?

1:19:421:19:45

Does Bray suspect your intentions?

1:19:451:19:47

He should do. Heh heh heh!

1:19:471:19:48

I've asked his daughter's hand in marriage.

1:19:481:19:52

Marriage?

1:19:521:19:53

Oh, so that's the story, is it?

1:19:531:19:57

Somebody to grace your table, eh?

1:19:571:19:59

One who can't run away like your little niece did

1:19:591:20:03

when the clients start their wagers.

1:20:031:20:06

Married for business as well as pleasure, eh?

1:20:061:20:09

Good day, Mr Gride. (GRIDE CHUCKLING)

1:20:091:20:12

Ah, Miss Bray.

1:20:171:20:20

Or may I now presume to call you Madeline?

1:20:201:20:21

Going out, my dear?

1:20:211:20:22

I was, for my father.

1:20:221:20:24

Do, then.

1:20:241:20:25

I trust I'll have time enough to enjoy your society

1:20:251:20:29

in more congenial surroundings.

1:20:291:20:31

(KNOCK ON DOOR)

1:20:321:20:34

BRAY: Come in.

1:20:341:20:35

Well, Bray,

1:20:381:20:40

I've come for my answer. Shh!

1:20:401:20:45

The girl may hear you. She's gone out.

1:20:451:20:48

Besides, if she hadn't, what would it matter?

1:20:481:20:51

You've had time enough to give her...

1:20:511:20:53

a hint of your wishes.

1:20:531:20:55

A hint?

1:20:551:20:57

Do you think I have to hint to my own daughter?

1:20:571:20:59

I was about to add that a hint from you

1:20:591:21:01

is doubtless the equivalent of a command.

1:21:011:21:04

Do I take it as settled, then?

1:21:041:21:07

I don't know.

1:21:071:21:09

It seems a cruel thing.

1:21:091:21:11

Cruel? It would make a good marriage.

1:21:111:21:13

Why, hundreds do it every year.

1:21:131:21:16

The girl might fancy a younger man, I suppose.

1:21:161:21:19

She would like to fall in love.

1:21:191:21:20

Can't she see what this means to you?

1:21:201:21:24

You're an ill man, Bray,

1:21:241:21:25

but you're not too ill to recover.

1:21:251:21:28

If only you had your freedom.

1:21:281:21:30

Gaiety is your element...

1:21:301:21:31

France, with the money to support you there in luxury.

1:21:311:21:35

And what's the reverse side of the picture?

1:21:351:21:38

A pauper's grave out there.

1:21:381:21:40

She understands that well enough.

1:21:401:21:41

Then she understands her plain duty.

1:21:411:21:43

Nicholas, I thought you'd never be home.

1:21:431:21:45

Oh, my dear, I'm so glad you've come.

1:21:451:21:47

I really didn't know what to do for the best.

1:21:471:21:48

It was only this afternoon.

1:21:481:21:50

I wasn't in, and mama couldn't stop them.

1:21:501:21:52

Stop who? What's happened?

1:21:521:21:53

Smike's gone.

1:21:531:21:54

Gone? What do you mean?

1:21:541:21:55

Taken away.

1:21:551:21:56

Two men came.

1:21:561:21:57

That schoolmaster was one of them.

1:21:571:21:58

Squeers!

1:21:581:21:59

And a Mr Snawley, the other one said his name was.

1:21:591:22:01

A most unpleasant man.

1:22:011:22:02

He said he was Smike's father.

1:22:021:22:04

He had a birth certificate to prove it,

1:22:041:22:05

and letters, too.

1:22:051:22:06

He's going to hand him back to Mr Squeers.

1:22:061:22:09

Poor soul.

1:22:091:22:10

He was just planting the window box there,

1:22:101:22:12

and the look on his face, I'll never forget it...

1:22:121:22:14

not Mr Snawley's face, I don't think.

1:22:141:22:16

But perhaps now I should call him young Mr Snawley,

1:22:161:22:18

being the son of that...

1:22:181:22:20

Oh, Mama, what kind of a father

1:22:201:22:21

to send him back to Squeers?

1:22:211:22:22

You should have stopped them.

1:22:221:22:23

But they were so violent.

1:22:231:22:25

(KNOCK ON DOOR)

1:22:251:22:26

Oh! Who's that?

1:22:261:22:26

KATE: Mr Noggs!

1:22:261:22:28

I've come to warn you about the boy.

1:22:281:22:32

He's gone already. He's gone.

1:22:321:22:33

...halfway to Hampshire by now.

1:22:331:22:34

I mean, Yorkshire.

1:22:341:22:37

But there's no coach till tomorrow.

1:22:371:22:39

The Saracen's Head!

1:22:411:22:42

I've never thrashed a boy in a coach before.

1:22:461:22:49

There's inconvenience in it,

1:22:491:22:50

but the novelty gives it a sort of relish, too.

1:22:501:22:53

Not feeling quite so bumpish, are you, now?

1:22:531:22:55

I must go home.

1:22:551:22:57

You'll be home very soon, you will,

1:22:571:22:59

in the peaceful village of Dotheboys.

1:22:591:23:00

Ha ha ha!

1:23:001:23:03

Your mother will be fit to jump out of her skin,

1:23:031:23:04

Wackford, when she hears about this.

1:23:041:23:06

I caught hold of his leg when you brought him in, didn't I?

1:23:061:23:08

Like a good'un.

1:23:081:23:09

You always do as your father does,

1:23:091:23:11

and when you die,

1:23:111:23:13

you'll go right up to Heaven,

1:23:131:23:14

with no questions asked.

1:23:141:23:15

What a girl.

1:23:151:23:16

What a delicious girl.

1:23:161:23:18

I'll teach you to stop running off.

1:23:181:23:21

(LAUGHING)

1:23:211:23:23

(LAUGHTER)

1:23:271:23:29

You can't put a finger on me.

1:23:321:23:33

I know the law.

1:23:331:23:34

He is to come back with me, he is.

1:23:341:23:36

NICHOLAS: I thrashed you once.

1:23:361:23:37

If that's not enough...

1:23:371:23:38

(YELLING)

1:23:381:23:40

SQUEERS: There, there. Do get up.

1:23:421:23:44

Come on, get up.

1:23:441:23:45

Come, Smike. I'll help you.

1:23:451:23:46

Ohh.

1:23:461:23:47

You haven't heard the last of this!

1:23:471:23:49

So, kidnapping boys, would you?

1:23:491:23:51

Heaven bless me. He...

1:23:511:23:54

There's laws against kidnapping!

1:23:561:23:57

I got a witness!

1:23:571:23:59

Wackford knows the nature of an oath!

1:23:591:24:02

Wait till the next assizes!

1:24:021:24:03

(YELLING)

1:24:031:24:05

Where are you?

1:24:051:24:06

Poor boy.

1:24:121:24:15

It seems impossible.

1:24:151:24:17

Why? What is it?

1:24:171:24:19

All those years back...

1:24:191:24:22

Poor boy.

1:24:251:24:27

Now, come, Smike.

1:24:271:24:28

I'm not hungry.

1:24:281:24:29

But you must eat to build up your strength.

1:24:291:24:31

Nicholas will be angry with you,

1:24:311:24:33

and I shall be angry, too.

1:24:331:24:36

You won't be angry.

1:24:361:24:37

Yes, I shall.

1:24:371:24:39

Now are you going to finish it for me?

1:24:391:24:41

Come in. Come in.

1:24:431:24:45

Supper's nearly ready.

1:24:451:24:46

Nicholas, my dear.

1:24:461:24:47

Oh, why you're not with them.

1:24:471:24:48

He's not with you, I mean.

1:24:481:24:49

He had to stay behind to see someone.

1:24:491:24:51

A message came this afternoon.

1:24:511:24:52

Then that explains everything,

1:24:521:24:53

I suppose.

1:24:531:24:56

Well, this is a pleasure. Heh heh heh!

1:24:561:25:00

Kate's in the garden, Mr Cheeryble.

1:25:001:25:02

Why don't you go out there

1:25:021:25:03

and tell her you're in here?

1:25:031:25:04

That is, I mean, well...

1:25:041:25:07

you see, you can,

1:25:071:25:08

if you make up your mind to it.

1:25:081:25:10

Only because you made me.

1:25:101:25:11

Is there anything else you'd like?

1:25:111:25:13

Then I'll go in.

1:25:131:25:15

Oh. It's you.

1:25:151:25:16

I couldn't knock at this bedroom door.

1:25:161:25:19

Better, I hope? Yes, thank you.

1:25:191:25:21

Good. Then you'll forgive me

1:25:211:25:23

if I steal her away from you.

1:25:231:25:25

Tell me, Miss Nickleby,

1:25:301:25:31

do you believe that history repeats itself? Why do you ask that?

1:25:311:25:34

I was thinking of the last family that lived in this cottage.

1:25:341:25:37

They were a mother, son, and daughter, too.

1:25:371:25:39

I only hope that life here

1:25:391:25:41

will be as kind to you and your family as it was to them.

1:25:411:25:44

It has been kind already.

1:25:441:25:46

It's brought us new friends... your uncles,

1:25:461:25:48

Mr Linkinwater, and...you.

1:25:481:25:52

But what happened to the other family?

1:25:531:25:55

Do tell me.

1:25:551:25:57

Well, the mother lived here to a ripe old age,

1:25:571:25:59

the son made a career in the city,

1:25:591:26:01

and the daughter met a young man and married him.

1:26:011:26:04

She always said that this cottage

1:26:041:26:06

brought her a lifetime of happiness.

1:26:061:26:08

You seem to have known her quite well.

1:26:081:26:10

She was my mother.

1:26:101:26:12

I think that history does repeat itself sometimes.

1:26:121:26:15

Don't you...Kate?

1:26:151:26:18

5 years old, eh?

1:26:291:26:32

When the schoolmaster first took him in.

1:26:321:26:35

And the man that brought him wasn't his father.

1:26:351:26:38

Yes, it all fits.

1:26:381:26:40

What does?

1:26:401:26:41

Date, facts, everything.

1:26:411:26:45

Answer him if you can, Mr Ralph Nickleby.

1:26:451:26:49

Smike? And Uncle Ralph?

1:26:491:26:52

You mean there's some connection?

1:26:521:26:53

Do I? Perhaps I do.

1:26:531:26:56

Well, we shall soon know.

1:26:561:26:58

I'll have a free hand tomorrow.

1:26:581:27:00

He hasn't asked you to the wedding, has he?

1:27:001:27:02

Wedding? Who?

1:27:021:27:04

Didn't you know?

1:27:051:27:07

Your uncle! Getting married.

1:27:071:27:09

20 years since his wife died.

1:27:091:27:12

Now he suddenly decides to take another.

1:27:121:27:14

Married? Uncle Ralph?

1:27:141:27:16

Your doing in one way, you know.

1:27:161:27:17

You stopped him using your sister as a bait for his business.

1:27:171:27:21

If he marries Miss Bray, he's got her for good.

1:27:211:27:23

Not Miss Bray who lives in Southwark,

1:27:231:27:25

in the rules of the prison.

1:27:251:27:26

That's the one. But she couldn't!

1:27:261:27:29

She can't know what he is.

1:27:291:27:31

She knows,

1:27:311:27:33

but old Bray's deep in debt,

1:27:331:27:36

and even my generous employer

1:27:361:27:37

couldn't leave his father-in-law in the King's Bench.

1:27:371:27:40

(DOOR OPENS)

1:28:141:28:16

You.

1:28:211:28:22

I heard of your marriage.

1:28:271:28:29

I came to beg you to reconsider it.

1:28:291:28:31

You don't understand.

1:28:311:28:33

I understand everything. I know what you're doing.

1:28:331:28:36

But I know my uncle, too. No-one better.

1:28:361:28:40

Your uncle?

1:28:401:28:41

If what he's done to his own family isn't enough...

1:28:411:28:43

to my mother, my sister, to me.

1:28:431:28:45

You can't marry him. You don't know what it would mean.

1:28:451:28:48

My father's dying in this place.

1:28:481:28:51

I must get him out of it.

1:28:511:28:54

I won't disguise it.

1:28:541:28:55

I've been through great unhappiness.

1:28:551:28:58

If you'd only wait, just a week or two.

1:28:581:29:00

My employers are abroad. They're expected back soon.

1:29:021:29:04

I'm sure if they knew, they'd... No.

1:29:041:29:06

No, I've taken so much from them.

1:29:061:29:09

Besides, if I were to disappoint Father now...

1:29:101:29:14

You haven't seen him as I have,

1:29:151:29:16

growing weaker every day.

1:29:161:29:19

He's better already at the thought of leaving here.

1:29:191:29:23

I won't put it off, even for an hour.

1:29:231:29:26

He's playing on your feelings.

1:29:261:29:28

I'm his daughter.

1:29:291:29:30

I'm not unhappy now.

1:29:331:29:35

I'm happy at all I can achieve for him so easily.

1:29:371:29:40

How can you be happy? How can you ever be?

1:29:401:29:43

Miss Bray,

1:29:431:29:44

Madeline, I have no right to interfere, I know that,

1:29:441:29:47

but from the first moment I saw you, at the agency,

1:29:471:29:50

I've held you in the deepest regard.

1:29:501:29:52

And since then, I've come to...

1:29:521:29:53

No. No. I beg of you.

1:29:531:29:56

I'm not here because of that, believe me.

1:29:561:29:58

It's not from any thought of my own feelings.

1:29:581:30:00

I don't presume to imagine

1:30:001:30:01

you've even spared me a thought.

1:30:011:30:02

Why should you?

1:30:021:30:04

I have, many times.

1:30:041:30:07

You must go.

1:30:081:30:09

What are you doing here?

1:30:121:30:14

I'm here to save miss Bray if I can, from you.

1:30:141:30:16

It's no business of yours.

1:30:161:30:17

You'd better go while you can save your skin!

1:30:171:30:21

If you were a younger man...

1:30:211:30:22

Please!

1:30:221:30:23

I'm ready to come. No, I won't let you.

1:30:251:30:27

I must. I must!

1:30:271:30:29

Come.

1:30:291:30:30

Kate, speak to her.

1:30:331:30:35

If there's anything I can say to beg you to listen to my brother...

1:30:351:30:39

The girl, too.

1:30:391:30:40

A whole parcel of them.

1:30:401:30:42

I advise you to leave here, my lady.

1:30:441:30:47

I can use force with your brother.

1:30:471:30:49

You can use force with me.

1:30:491:30:51

I've no doubt you'd like to.

1:30:511:30:52

Will you go?

1:30:521:30:54

No, I'll not go!

1:30:541:30:56

From the moment we came to London,

1:30:561:30:57

you thought you could do as you liked with us.

1:30:571:30:59

Mama trusted you. We all did.

1:30:591:31:01

We found you out now,

1:31:011:31:02

and we're free of your charity.

1:31:021:31:04

I'm not afraid of you.

1:31:041:31:06

If you won't get out, I'll have you turned out, the pair of you!

1:31:061:31:09

Where's Bray?

1:31:091:31:10

No, let me, please! Bray!

1:31:101:31:12

RALPH: Bray!

1:31:141:31:16

If you don't want that daughter of yours to change her mind...

1:31:161:31:18

(KNOCKING ON DOOR)

1:31:181:31:20

Are you there?

1:31:201:31:21

Father!

1:31:211:31:23

Father!

1:31:281:31:29

Father! Father! Ohh!

1:31:311:31:35

(PEOPLE MURMURING)

1:31:421:31:43

You will leave that girl here.

1:31:461:31:48

She's free now.

1:31:481:31:49

There's nothing you can do to touch her.

1:31:491:31:51

(DOOR OPENS)

1:32:051:32:07

(DOOR CLOSES)

1:32:081:32:09

RALPH: Noggs.

1:32:091:32:10

Take down this letter.

1:32:181:32:19

"To Mr Squeers,

1:32:241:32:26

the Saracen's Head, Snow Hill."

1:32:261:32:29

Hmm.

1:32:291:32:31

"I have decided

1:32:311:32:34

"to finance any legal action you may care to take

1:32:341:32:40

against my nephew."

1:32:401:32:42

Ho ho! Ho!

1:32:441:32:46

He isn't there?

1:32:461:32:47

Who isn't?

1:32:471:32:48

Mr Squeers.

1:32:481:32:50

He is at Bow Street police station.

1:32:501:32:51

You are lying.

1:32:511:32:52

Oh, no, I'm not.

1:32:521:32:54

And Mr Squeers hasn't been lying, either.

1:32:541:32:57

Mr Squeers has confessed to conspiracy

1:32:571:33:01

with regard to a birth certificate

1:33:011:33:03

and certain letters purporting to prove

1:33:031:33:06

that a Mr Snawley was the father.

1:33:061:33:08

I don't know what you're talking about. Don't you?

1:33:081:33:10

Mr Squeers says otherwise.

1:33:101:33:12

So does Mr Snawley.

1:33:121:33:14

So do the police.

1:33:141:33:15

Hold your tongue, you treacherous, sneaking...

1:33:151:33:17

I've held my tongue for 15 years,

1:33:171:33:20

stood by helpless while you ruined many another

1:33:201:33:23

as once you ruined me.

1:33:231:33:25

You ruined yourself.

1:33:251:33:27

You would sell your soul if you had one for a little gin.

1:33:271:33:29

But I wouldn't sell my own flesh and blood.

1:33:291:33:31

And it's not only little Kate I'm thinking of.

1:33:311:33:34

I've seen the boy, Smike,

1:33:341:33:36

the living image of his mother,

1:33:361:33:38

of your wife. My wife?

1:33:381:33:41

Didn't know I knew that, did you.

1:33:411:33:42

That you had a son?

1:33:421:33:43

Your wife died, but the child lived,

1:33:431:33:46

and you had to keep his birth a secret

1:33:461:33:48

or the money would have gone to him.

1:33:481:33:50

You put him out with a poor family, didn't you,

1:33:501:33:51

to bring up as their own?

1:33:511:33:52

You paid them well for it, haven't you, ever since?

1:33:521:33:55

Well, they didn't keep the boy.

1:33:551:33:57

It isn't true.

1:33:571:33:58

They put him to school in Yorkshire.

1:33:581:34:00

They put him in Dotheboys Hall.

1:34:001:34:03

They cheated me.

1:34:031:34:04

Yes. They cheated you,

1:34:041:34:07

just as you've cheated hundreds of others.

1:34:071:34:12

In the gutter for this.

1:34:131:34:15

And I'll deal with you, too.

1:34:151:34:16

Will you? Will you?

1:34:161:34:18

I've waited all these years

1:34:181:34:20

for a chance to settle our account,

1:34:201:34:22

and now at last it's come.

1:34:221:34:25

The police have been here,

1:34:251:34:26

and I've told them everything.

1:34:261:34:29

There'll be another charge against you now...

1:34:291:34:31

depriving your own son of his birthright,

1:34:311:34:33

robbing him of a fortune.

1:34:331:34:34

They will transport you for that, you know.

1:34:341:34:37

Ha ha ha!

1:34:371:34:38

They will confiscate every penny you've got!

1:34:381:34:41

Ha ha ha!

1:34:411:34:43

You can't escape now.

1:34:431:34:44

It doesn't matter where you go.

1:34:441:34:46

Off to see a lawyer, is that it?

1:34:461:34:48

See if he can help you.

1:34:481:34:49

Or are you going to bring the boy home?

1:34:491:34:52

Own him as your own son,

1:34:521:34:53

give him back the money?

1:34:531:34:55

No use, no good.

1:34:551:34:56

Nothing can help you now... money or lawyers!

1:34:561:34:59

It doesn't matter where you go!

1:34:591:35:00

You are too late!

1:35:001:35:01

Ha ha ha!

1:35:011:35:03

Too late! Ha ha ha!

1:35:031:35:06

(DOOR OPENS)

1:35:071:35:08

There's such a change in him.

1:35:151:35:16

What did the doctor say?

1:35:181:35:19

There is nothing we can do.

1:35:191:35:22

Only wait.

1:35:221:35:24

(SOBS)

1:35:241:35:25

It's me, Smike.

1:35:341:35:36

Don't let her know.

1:35:381:35:40

I...I...

1:35:401:35:42

I didn't mean to keep it.

1:35:421:35:45

Keep what?

1:35:451:35:46

Kate.

1:35:531:35:55

He loves her.

1:36:021:36:04

She loves him.

1:36:081:36:11

Couldn't...bear... to see it.

1:36:121:36:17

Forgive me.

1:36:241:36:25

(THUNDER)

1:37:551:37:57

(RINGING)

1:38:121:38:14

NOGGS, VOICE-OVER: I've seen the boy, Smike.

1:38:491:38:51

The very image of his mother, of your wife.

1:38:511:38:55

Ha ha ha!

1:38:551:38:56

They will transport you for that.

1:38:561:38:59

Ha ha ha!

1:39:031:39:05

It doesn't matter what you do.

1:39:051:39:09

You can't save yourself.

1:39:091:39:10

You are too late.

1:39:101:39:14

Too late.

1:39:141:39:15

Transport you.

1:39:211:39:23

Cannot escape.

1:39:231:39:26

Yes, just as you cheated others.

1:39:261:39:29

Depriving your own son of his birthright,

1:39:331:39:37

robbing him of a fortune.

1:39:371:39:38

Nothing can help you now... money or lawyers.

1:39:381:39:43

No escape.

1:39:431:39:45

You are too late.

1:39:491:39:52

Too late.

1:39:521:39:54

Too late.

1:39:541:39:56

Ha ha ha!

1:39:561:39:58

Ha ha ha!

1:39:581:40:01

And let us try to remember always

1:40:591:41:02

the beautiful words of the marriage service we have just heard.

1:41:021:41:06

For richer, for poorer, in sickness and in health,

1:41:061:41:11

to love and to cherish,

1:41:111:41:14

til death us do...

1:41:141:41:15

...I didn't have 3 bridegrooms.

1:41:151:41:17

Not that I was ever short of suitors.

1:41:171:41:18

I must have had a dozen at least.

1:41:181:41:20

Let me see. There was young Lukin, Mogley, Tipslark...

1:41:201:41:24

he was hung afterwards.

1:41:241:41:25

Then there was Cabbery, Smifser,

1:41:251:41:28

the young gentleman who went to the same dancing school.

1:41:281:41:31

Oh. And my poor, dear husband, of course.

1:41:311:41:34

Email [email protected]

1:42:031:42:06

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