
Browse content similar to The Life and Adventures of Nicholas Nickleby. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
(BELLS JINGLE) | 0:01:24 | 0:01:26 | |
Good morning, Mr Noggs. | 0:01:34 | 0:01:36 | |
Mournful one for old Nickleby. | 0:01:36 | 0:01:38 | |
Only fourpence, though. | 0:01:38 | 0:01:40 | |
That will please him. | 0:01:40 | 0:01:42 | |
Thank you. | 0:01:42 | 0:01:43 | |
Good morning. | 0:01:43 | 0:01:46 | |
(RINGING BELL) | 0:01:46 | 0:01:48 | |
(KNOCKS ON DOOR) | 0:02:02 | 0:02:04 | |
Ah. So our friend Mr Bray doesn't relish | 0:02:05 | 0:02:07 | |
the thought of debtor's prison. | 0:02:07 | 0:02:08 | |
I thought he'd send the money somehow. | 0:02:08 | 0:02:09 | |
He hasn't. | 0:02:09 | 0:02:11 | |
Hmm. I know something of that hand. | 0:02:14 | 0:02:17 | |
My brother's dead, | 0:02:28 | 0:02:31 | |
and the window and both children are in London, | 0:02:31 | 0:02:33 | |
confound them! | 0:02:33 | 0:02:35 | |
Anything else you want? Not now. | 0:02:37 | 0:02:41 | |
I must go out. | 0:02:41 | 0:02:42 | |
Reasonable. Very reasonable. | 0:02:42 | 0:02:46 | |
Never did anything for me, and I never expected it, | 0:02:46 | 0:02:49 | |
but the breath is no sooner out of his body, | 0:02:49 | 0:02:50 | |
then the family looks here for support. | 0:02:50 | 0:02:52 | |
What are they to me? | 0:02:52 | 0:02:54 | |
I never saw them. | 0:02:54 | 0:02:55 | |
That will cost you a pretty penny. | 0:02:55 | 0:02:57 | |
I can't keep them. | 0:02:57 | 0:02:59 | |
They must find something. | 0:02:59 | 0:03:01 | |
If they won't do it for themselves, | 0:03:01 | 0:03:03 | |
I shall. | 0:03:03 | 0:03:04 | |
(BELLS JINGLE) | 0:03:19 | 0:03:22 | |
Is Mrs Nickleby at home, girl? | 0:03:22 | 0:03:24 | |
Hannah! | 0:03:24 | 0:03:26 | |
Who is wanted? | 0:03:26 | 0:03:28 | |
Are you Miss La what's her name? | 0:03:28 | 0:03:30 | |
Creevy, La Creevy. | 0:03:30 | 0:03:33 | |
A miniature, I presume, | 0:03:33 | 0:03:34 | |
and a very strongly marked countenance for the purpose. | 0:03:34 | 0:03:37 | |
I have no money to throw away on miniatures, ma'am, | 0:03:37 | 0:03:40 | |
and no-one to give them to if I had. | 0:03:40 | 0:03:42 | |
I came to see my sister-in-law Mrs Nickleby. | 0:03:42 | 0:03:44 | |
Oh. Then you want the second floor. | 0:03:44 | 0:03:46 | |
Hannah, show the gentleman up. | 0:03:46 | 0:03:48 | |
What name? | 0:03:54 | 0:03:55 | |
Nickleby. | 0:03:55 | 0:03:56 | |
Mrs Nickleby, here's Mr Nickleby. | 0:04:00 | 0:04:03 | |
Uncle Ralph. | 0:04:04 | 0:04:06 | |
Good morning, sir. | 0:04:06 | 0:04:07 | |
Nicholas, I suppose. | 0:04:07 | 0:04:09 | |
And how do you do, ma'am? | 0:04:09 | 0:04:11 | |
Ah. You must bear up against sorrow, ma'am. | 0:04:12 | 0:04:14 | |
I always do. | 0:04:14 | 0:04:16 | |
Mine was no common loss. | 0:04:16 | 0:04:18 | |
'Twas no uncommon loss, ma'am. | 0:04:18 | 0:04:19 | |
Husbands die everyday and wives, also. | 0:04:19 | 0:04:22 | |
And brothers, too, sir. | 0:04:22 | 0:04:23 | |
Yes, sir, and puppies and pug dogs likewise. | 0:04:23 | 0:04:25 | |
(CRYING) | 0:04:25 | 0:04:28 | |
When my wife died, ma'am, many years ago, | 0:04:28 | 0:04:30 | |
I learned to survive the calamity. | 0:04:30 | 0:04:32 | |
Doubtless, you will do the same. | 0:04:32 | 0:04:34 | |
Well, ma'am, you say in your letter there's nothing left, hmm? | 0:04:34 | 0:04:38 | |
And you spent what little you had | 0:04:38 | 0:04:40 | |
in coming all the way to London to see what I can do for you. | 0:04:40 | 0:04:44 | |
I'd hoped you might do something | 0:04:44 | 0:04:46 | |
for your brother's children. | 0:04:46 | 0:04:47 | |
It was his last wish. | 0:04:47 | 0:04:49 | |
I don't know how it is, | 0:04:49 | 0:04:51 | |
but whenever a man dies without property, | 0:04:51 | 0:04:53 | |
he seems to think it gives him the right | 0:04:53 | 0:04:54 | |
to dispose of other people's. | 0:04:54 | 0:04:56 | |
And this is Kate. | 0:05:00 | 0:05:02 | |
What sort of work is your daughter fitted for? | 0:05:02 | 0:05:05 | |
She was the cleverest girl in a school of 25. | 0:05:05 | 0:05:07 | |
Or was it 55? Well, anyway, I... | 0:05:07 | 0:05:10 | |
we must try and get you apprenticed. | 0:05:10 | 0:05:12 | |
And you, have you ever done anything? | 0:05:12 | 0:05:14 | |
No, sir. | 0:05:14 | 0:05:15 | |
I suppose you are willing to work. | 0:05:15 | 0:05:16 | |
Of course I am. | 0:05:16 | 0:05:17 | |
Then listen. This caught my eye this morning. | 0:05:17 | 0:05:19 | |
You may thank your lucky stars. | 0:05:19 | 0:05:21 | |
"Education at Mr Wackford Squeers' Academy, | 0:05:21 | 0:05:24 | |
Dotheboys Hall," and so on and so on and so on. | 0:05:24 | 0:05:26 | |
"NB: an able assistant wanted. | 0:05:26 | 0:05:30 | |
"Annual salary £15. | 0:05:30 | 0:05:33 | |
A master of arts would be preferred." | 0:05:33 | 0:05:35 | |
There. Let him get that, and his fortune's made. | 0:05:35 | 0:05:37 | |
If he doesn't like it, let him get something for himself. | 0:05:37 | 0:05:40 | |
But he's not an NB, | 0:05:40 | 0:05:42 | |
MA, Master of Arts. | 0:05:42 | 0:05:43 | |
That, I think, can be got over. | 0:05:43 | 0:05:46 | |
But it's so far away, Mama. | 0:05:46 | 0:05:47 | |
Shh, Kate. | 0:05:47 | 0:05:49 | |
Nicholas, I wish you would say something. | 0:05:49 | 0:05:51 | |
If I'm fortunate to be appointed, sir, | 0:05:51 | 0:05:53 | |
what will become of my mother, my sister? | 0:05:53 | 0:05:55 | |
In that case but not otherwise, | 0:05:55 | 0:05:56 | |
they will be provided for by me. | 0:05:56 | 0:05:58 | |
Then I'll do anything you wish. | 0:05:58 | 0:05:59 | |
I'm very pleased to hear it. | 0:05:59 | 0:06:01 | |
We'll visit Mr Squeers tomorrow. | 0:06:01 | 0:06:02 | |
He's in town and attends daily from 1:00 till 4:00 | 0:06:02 | 0:06:06 | |
at the Saracen's Head... | 0:06:06 | 0:06:07 | |
Every wholesome luxury, Mr Snawley, | 0:06:12 | 0:06:14 | |
that Yorkshire can afford. | 0:06:14 | 0:06:16 | |
Every comfort of an home that a boy could wish for. | 0:06:16 | 0:06:19 | |
A father in me and mother in Mrs Squeers. | 0:06:19 | 0:06:23 | |
Could I have a few words with you? | 0:06:23 | 0:06:25 | |
By all means. | 0:06:25 | 0:06:26 | |
Up to what age will you keep the boys? | 0:06:29 | 0:06:31 | |
Just as long as the quarterly payments are kept up. | 0:06:31 | 0:06:33 | |
What are they, natural children? | 0:06:33 | 0:06:36 | |
We have a good many of them. No. They ain't. | 0:06:36 | 0:06:39 | |
The fact is, I'm not the father, Mr Squeers. | 0:06:39 | 0:06:41 | |
I'm only the father-in-law, as you might say. | 0:06:41 | 0:06:44 | |
I married the mother. Oh, is that it? | 0:06:44 | 0:06:46 | |
£20 per annum, I believe, Mr Squeers. | 0:06:46 | 0:06:49 | |
Guineas, Mr Snawley. | 0:06:49 | 0:06:51 | |
Pounds for two, I think, Mr Squeers. | 0:06:51 | 0:06:53 | |
Very well. Payment in advance of course. | 0:06:53 | 0:06:56 | |
Uh, they ain't great eaters. | 0:06:56 | 0:06:58 | |
Mr Squeers? | 0:07:04 | 0:07:05 | |
Why, it's Mr... Yes, sir. | 0:07:05 | 0:07:09 | |
Won't you be seated? | 0:07:09 | 0:07:11 | |
Good day, Mr Snawley. | 0:07:11 | 0:07:13 | |
Ralph Nickleby's my name. | 0:07:13 | 0:07:15 | |
You've advertised for an able assistant. | 0:07:15 | 0:07:17 | |
Here is my nephew Nicholas, straight from school | 0:07:17 | 0:07:19 | |
with everything he learnt there fermenting in his head | 0:07:19 | 0:07:22 | |
and nothing fermenting in his pocket. | 0:07:22 | 0:07:24 | |
Hmm. I'm afraid, sir, I'm not master of arts. | 0:07:24 | 0:07:25 | |
Well, that is an objection. | 0:07:25 | 0:07:27 | |
Here. Let me put this matter in its true light. | 0:07:27 | 0:07:30 | |
A young man, wholly ignorant of the world. | 0:07:30 | 0:07:32 | |
Look at him. Think of the use he can be | 0:07:32 | 0:07:35 | |
in half a dozen ways. | 0:07:35 | 0:07:37 | |
Your uncle's recommendation has done it, Mr Nickleby. | 0:07:37 | 0:07:40 | |
From this moment you are nominated to and installed | 0:07:40 | 0:07:43 | |
in the office of first assistant master of Dotheboys Hall. | 0:07:43 | 0:07:47 | |
Thank you, Mr Squeers, very much indeed, sir. | 0:07:47 | 0:07:49 | |
And thank you, uncle, for getting me this opportunity. | 0:07:49 | 0:07:51 | |
I shan't forget your kindness. | 0:07:51 | 0:07:53 | |
You better go home and pack up, | 0:07:53 | 0:07:54 | |
what you have to pack. | 0:07:54 | 0:07:55 | |
The coach starts at 8:00 tomorrow morning. | 0:07:55 | 0:07:58 | |
Be here the quarter before. | 0:07:58 | 0:07:59 | |
(CRYING) | 0:07:59 | 0:08:01 | |
Now, now, my little man. | 0:08:01 | 0:08:02 | |
There's nothing to cry for. | 0:08:02 | 0:08:04 | |
(CRIES) | 0:08:04 | 0:08:05 | |
Ow! Ohh! | 0:08:05 | 0:08:06 | |
(CRIES) | 0:08:06 | 0:08:08 | |
MAN: all baggage ready for the York coach, please. | 0:08:10 | 0:08:13 | |
All baggage ready, please. | 0:08:13 | 0:08:15 | |
Your milk and water, sir. | 0:08:20 | 0:08:22 | |
Twopenn'orth? | 0:08:22 | 0:08:24 | |
Here's richness. | 0:08:28 | 0:08:31 | |
When I say, "number one," | 0:08:31 | 0:08:32 | |
the boy nearest the window may take a drink. | 0:08:32 | 0:08:35 | |
MRS NICKLEBY: And she never saw her son again, | 0:08:35 | 0:08:37 | |
never in all her life. | 0:08:37 | 0:08:39 | |
I was just saying to Kate... | 0:08:39 | 0:08:41 | |
No. I won't listen to myself. | 0:08:41 | 0:08:44 | |
Just you make yourself useful to this Mr Squires, | 0:08:44 | 0:08:46 | |
as I know you will, | 0:08:46 | 0:08:47 | |
and you'll rise to be a partner | 0:08:47 | 0:08:49 | |
in the establishment in no time at all. | 0:08:49 | 0:08:51 | |
Come on, come on, come on, | 0:08:51 | 0:08:53 | |
hold that noise, boy! I want more breakfast. | 0:08:53 | 0:08:55 | |
I'll give you more breakfast! | 0:08:55 | 0:08:56 | |
Anybody else want more? | 0:08:56 | 0:08:58 | |
No, sir. | 0:08:58 | 0:08:59 | |
That's right. Subdue your appetites, my dears, | 0:08:59 | 0:09:01 | |
and you've conquered human nature. | 0:09:01 | 0:09:02 | |
Oh, there you are. | 0:09:02 | 0:09:03 | |
Get them boys on top of the coach, will you? | 0:09:03 | 0:09:05 | |
That can't be the schoolmaster surely. | 0:09:05 | 0:09:07 | |
He does seem an odd-looking man. | 0:09:07 | 0:09:09 | |
So was Dr Johnson. All these bookworms are. | 0:09:09 | 0:09:12 | |
Well, I never expected... | 0:09:12 | 0:09:14 | |
I expected to find you here, ma'am. | 0:09:14 | 0:09:17 | |
A house of mine in town is empty. | 0:09:17 | 0:09:19 | |
I can put you in there rent-free till it's let. | 0:09:19 | 0:09:21 | |
Of all the kindness! | 0:09:21 | 0:09:23 | |
Do you hear that, Kate? | 0:09:23 | 0:09:24 | |
A house, and in town, too. | 0:09:24 | 0:09:26 | |
That would be near you, I suppose. | 0:09:26 | 0:09:27 | |
East end. | 0:09:27 | 0:09:28 | |
Oh. Oh, well, all the same. | 0:09:28 | 0:09:31 | |
After all, it's somewhere to live. | 0:09:31 | 0:09:32 | |
My clerk Noggs will take you down there | 0:09:32 | 0:09:34 | |
as soon as the coach is gone. | 0:09:34 | 0:09:35 | |
Oh, thank you. | 0:09:35 | 0:09:36 | |
Good morning. Most delightful of you. | 0:09:36 | 0:09:38 | |
Furthermore, I've found a situation for Kate | 0:09:38 | 0:09:39 | |
with a milliner and dressmaker. | 0:09:39 | 0:09:41 | |
Milliner? | 0:09:41 | 0:09:42 | |
And dressmaker, ma'am. | 0:09:42 | 0:09:43 | |
Mantalini's, a very well-known house. | 0:09:43 | 0:09:46 | |
The York coach is leaving now. | 0:09:46 | 0:09:48 | |
Hurry up there. | 0:09:48 | 0:09:49 | |
Goodbye, uncle. Goodbye, Nicholas. | 0:09:51 | 0:09:52 | |
I trust you'll take care of them. | 0:09:52 | 0:09:54 | |
Goodbye, mother. | 0:09:54 | 0:09:56 | |
Kate, you'll write to me? | 0:09:59 | 0:10:01 | |
Bless you, love. Goodbye. | 0:10:01 | 0:10:03 | |
(BELL TOLLING) | 0:10:03 | 0:10:05 | |
That's right, Nickleby. You get up on top. | 0:10:09 | 0:10:12 | |
I'm afraid of one of them boys falling off, | 0:10:12 | 0:10:14 | |
and that's £20 gone. | 0:10:14 | 0:10:15 | |
All right behind it? | 0:10:26 | 0:10:27 | |
All right. Let her go! | 0:10:27 | 0:10:29 | |
(FANFARE) | 0:10:31 | 0:10:32 | |
Goodbye. Goodbye. | 0:10:32 | 0:10:34 | |
Goodbye. Goodbye. | 0:10:34 | 0:10:37 | |
SQUEERS: Hello, there! | 0:10:47 | 0:10:50 | |
(HORSE SNORTS) | 0:10:50 | 0:10:51 | |
Here we are! | 0:10:51 | 0:10:53 | |
NICHOLAS: Dotheboys Hall, sir? | 0:10:53 | 0:10:55 | |
That's it. You needn't call it a hall down here. | 0:10:55 | 0:10:57 | |
The fact is, it ain't one. | 0:10:57 | 0:10:59 | |
Where the devil have you been, Smike? | 0:11:04 | 0:11:05 | |
Please, sir. I fell asleep over the fire. | 0:11:05 | 0:11:07 | |
Fire? What fire? Where's the fire? | 0:11:07 | 0:11:09 | |
Only in the kitchen, sir. | 0:11:09 | 0:11:11 | |
Missus said as I was sitting up, | 0:11:11 | 0:11:12 | |
I might go in for a warm. | 0:11:12 | 0:11:13 | |
Missus is a fool. | 0:11:13 | 0:11:15 | |
We feel more wakeful in the cold. | 0:11:15 | 0:11:16 | |
See to the pony, then the boxes, then the boys. | 0:11:16 | 0:11:19 | |
Hurry up, Nickleby. This wind's fit to blow you down. | 0:11:19 | 0:11:21 | |
(WIND HOWLING) | 0:11:21 | 0:11:23 | |
It's cold enough up here, | 0:11:28 | 0:11:29 | |
yet the boys is always getting fevers. | 0:11:29 | 0:11:32 | |
Obstinacy, that's what it is. | 0:11:32 | 0:11:33 | |
WOMAN: Is that my Squeery? | 0:11:33 | 0:11:35 | |
There you are, my love. | 0:11:35 | 0:11:36 | |
And how's my Squeery? | 0:11:36 | 0:11:38 | |
Quite well, me love. | 0:11:38 | 0:11:39 | |
And how are the pigs and the cows? | 0:11:39 | 0:11:41 | |
All right, every one of them. | 0:11:41 | 0:11:42 | |
That's a blessing. | 0:11:42 | 0:11:43 | |
Boys are bobbish, I suppose. | 0:11:43 | 0:11:45 | |
Oh, they're well enough. | 0:11:45 | 0:11:46 | |
The new young man, my dear. | 0:11:46 | 0:11:48 | |
Good evening. | 0:11:48 | 0:11:51 | |
Hmm. | 0:11:51 | 0:11:52 | |
Better give him a shakedown for tonight. | 0:11:52 | 0:11:53 | |
Phoebe! Phoebe! | 0:11:53 | 0:11:56 | |
Nickleby, come in here and take your things off. | 0:11:56 | 0:12:00 | |
Phoebe! | 0:12:00 | 0:12:01 | |
Cubby, Duncans. | 0:12:06 | 0:12:08 | |
Ha! What they want writing letters to them boys, | 0:12:08 | 0:12:11 | |
I don't know, when they can't read. | 0:12:11 | 0:12:14 | |
What do you want? Have you... | 0:12:19 | 0:12:23 | |
has nothing been heard about me, sir? | 0:12:23 | 0:12:25 | |
Devil a bit. Not a word and never will be. | 0:12:25 | 0:12:27 | |
A pretty thing. Left here all these years | 0:12:27 | 0:12:30 | |
and nothing paid after the first 6. | 0:12:30 | 0:12:32 | |
MRS SQUEERS: in here with them. | 0:12:32 | 0:12:34 | |
We'll put you in your regular bedroom tomorrow. | 0:12:39 | 0:12:42 | |
Let me see. Who sleeps in Brooks' bed, me dear? | 0:12:42 | 0:12:45 | |
Brooks'? There's Jennings, | 0:12:45 | 0:12:47 | |
little bolder, Graymarsh, | 0:12:47 | 0:12:50 | |
and what's his name. | 0:12:50 | 0:12:51 | |
So there is. | 0:12:51 | 0:12:52 | |
Yes. Brooks is full. | 0:12:52 | 0:12:53 | |
There's a place somewhere, I know. | 0:12:53 | 0:12:55 | |
I think that Smike's turning silly. | 0:12:56 | 0:12:59 | |
I hope not. He's a handy fella for rough work. | 0:12:59 | 0:13:02 | |
That will do, Phoebe. | 0:13:02 | 0:13:03 | |
Remember, Nickleby, 7:00 in the morning. | 0:13:05 | 0:13:08 | |
I shall be ready, sir. | 0:13:08 | 0:13:09 | |
The pump's in the yard. | 0:13:11 | 0:13:13 | |
You'll find a bit of soap in the kitchen window. | 0:13:13 | 0:13:15 | |
Blow that light out as soon as you can now. | 0:13:15 | 0:13:16 | |
Candles cost money. | 0:13:16 | 0:13:18 | |
Don't like the look of him, | 0:13:24 | 0:13:26 | |
nasty, stuck-up monkey. | 0:13:26 | 0:13:28 | |
Ha ha ha! Ha ha ha! | 0:13:28 | 0:13:33 | |
(KNOCK ON DOOR) Come in. | 0:14:12 | 0:14:15 | |
Thank you. | 0:14:20 | 0:14:21 | |
(BELLS RINGING) | 0:14:26 | 0:14:28 | |
Ah. You've had your breakfast. | 0:14:40 | 0:14:42 | |
I've had some porridge, sir. | 0:14:42 | 0:14:44 | |
(BELCHES) | 0:14:44 | 0:14:45 | |
Then you're ready for work. | 0:14:45 | 0:14:46 | |
I wasn't able to wash. | 0:14:46 | 0:14:47 | |
Of course you wasn't. The pump's froze. | 0:14:47 | 0:14:49 | |
Never mind. A dry polish is almost as good. | 0:14:49 | 0:14:52 | |
Dreadful things. | 0:14:52 | 0:14:53 | |
It's brimstone morning, and I can't find | 0:14:53 | 0:14:54 | |
the school spoon anywhere. | 0:14:54 | 0:14:56 | |
We purify the boys' blood now and then. | 0:14:56 | 0:14:58 | |
Purify, fiddlesticks. | 0:14:58 | 0:15:00 | |
We don't buy brimstone and treacle for that. | 0:15:00 | 0:15:03 | |
They have it part because it keeps them from ailing | 0:15:03 | 0:15:05 | |
and part because it spoils their appetites. | 0:15:05 | 0:15:08 | |
It comes cheaper than breakfast and dinner. | 0:15:08 | 0:15:11 | |
Here's the blessed thing. | 0:15:11 | 0:15:13 | |
He were sleeping on it. | 0:15:13 | 0:15:16 | |
A most invaluable woman, that. | 0:15:16 | 0:15:19 | |
More than a mother to them boys. | 0:15:19 | 0:15:21 | |
(WHIP) | 0:15:21 | 0:15:22 | |
10 times more. | 0:15:22 | 0:15:24 | |
She does things for them boys | 0:15:24 | 0:15:26 | |
that half the mothers going | 0:15:26 | 0:15:27 | |
wouldn't do for their own sons. | 0:15:27 | 0:15:28 | |
I can well imagine that, sir. | 0:15:28 | 0:15:31 | |
We had a boy died here early last winter, | 0:15:31 | 0:15:33 | |
young Dorker. | 0:15:33 | 0:15:35 | |
Mrs Squeers was as partial to that lad | 0:15:35 | 0:15:38 | |
as he'd been her own. | 0:15:38 | 0:15:40 | |
The attention that boy got in his illness, | 0:15:40 | 0:15:42 | |
the motherly love what was showered on him. | 0:15:42 | 0:15:44 | |
Dry toast and warm tea | 0:15:44 | 0:15:46 | |
offered him every night and morning | 0:15:46 | 0:15:47 | |
when he couldn't swallow anything. | 0:15:47 | 0:15:50 | |
That's my son, that is. | 0:15:50 | 0:15:52 | |
Little Wackford. | 0:15:52 | 0:15:54 | |
The image of his mother and me | 0:15:54 | 0:15:55 | |
and a bit more beside. | 0:15:55 | 0:15:57 | |
Yes. That boy Dorker had a candle in his bed | 0:15:57 | 0:16:00 | |
till the very night he died | 0:16:00 | 0:16:01 | |
and the best dictionary set up to lay his head on. | 0:16:01 | 0:16:04 | |
This is our shop, Nickleby. | 0:16:06 | 0:16:08 | |
MRS SQUEERS: No, you don't. | 0:16:08 | 0:16:09 | |
All at once, or I'll have the hide of you. | 0:16:09 | 0:16:11 | |
Next boy, come on. | 0:16:13 | 0:16:14 | |
Please, ma'am. That boy's got my clothes on. | 0:16:14 | 0:16:17 | |
That will do! You shut up | 0:16:17 | 0:16:19 | |
and mind your own business! | 0:16:19 | 0:16:21 | |
Now then. Is that physicking over? | 0:16:23 | 0:16:26 | |
Just over. | 0:16:26 | 0:16:27 | |
Wackford, you can do that later. | 0:16:29 | 0:16:31 | |
Bring the basin and come with your mother. | 0:16:31 | 0:16:33 | |
Hurry up. Places. | 0:16:33 | 0:16:34 | |
And stop that snivelling, | 0:16:34 | 0:16:36 | |
or I'll give you something to snivel for. | 0:16:36 | 0:16:39 | |
Well, boys, I've paid my half-yearly visit to London, | 0:16:39 | 0:16:43 | |
and you'll be glad to see I've come back | 0:16:43 | 0:16:44 | |
as strong and as vigorous as ever. | 0:16:44 | 0:16:46 | |
Hip, hip. | 0:16:46 | 0:16:47 | |
(Mumbling) Hooray. | 0:16:47 | 0:16:49 | |
That will do. First class. | 0:16:49 | 0:16:53 | |
English and philosophy. | 0:16:53 | 0:16:55 | |
Brooks, spell window. | 0:16:55 | 0:16:59 | |
W-I... | 0:16:59 | 0:17:02 | |
W-I-N, win, D-E-R, der, winder. | 0:17:02 | 0:17:12 | |
Casement. | 0:17:13 | 0:17:14 | |
Go out and clean them. | 0:17:14 | 0:17:16 | |
We go on the practical mode of teaching. | 0:17:16 | 0:17:18 | |
When a boy learns his subject, | 0:17:18 | 0:17:19 | |
he goes out and does it. | 0:17:19 | 0:17:20 | |
Graymarsh, spell botany. | 0:17:20 | 0:17:23 | |
GRAYMARSH: B-O... | 0:17:23 | 0:17:26 | |
B-O-T, bot, | 0:17:26 | 0:17:31 | |
T-I-N, bottin, | 0:17:31 | 0:17:35 | |
N-E-Y, bottiney, | 0:17:35 | 0:17:40 | |
noun substantive, knowledge of plants. | 0:17:40 | 0:17:42 | |
Out you go, and take the snow off the garden paths. | 0:17:42 | 0:17:45 | |
You, what's your name, what's an horse? | 0:17:45 | 0:17:48 | |
It's a...a beast, sir. | 0:17:48 | 0:17:50 | |
So it is. An horse is quadruped, | 0:17:50 | 0:17:52 | |
and quadruped's Latin for beast. | 0:17:52 | 0:17:54 | |
See that you're perfect in that. | 0:17:54 | 0:17:56 | |
Go and look after my horse | 0:17:56 | 0:17:57 | |
and rub him down well, or I'll rub you down! | 0:17:57 | 0:18:00 | |
It's washing day tomorrow, | 0:18:00 | 0:18:02 | |
and I want the coppers filled. | 0:18:02 | 0:18:03 | |
The rest of the class, go and draw water | 0:18:03 | 0:18:05 | |
until somebody tells you to leave off. | 0:18:05 | 0:18:08 | |
Now that's our system, Nickleby. | 0:18:08 | 0:18:09 | |
What do you think of it? | 0:18:09 | 0:18:11 | |
It's a very useful one at any rate. | 0:18:11 | 0:18:12 | |
You're right there. | 0:18:12 | 0:18:13 | |
Now just take the second class | 0:18:13 | 0:18:15 | |
and explain them some reading. | 0:18:15 | 0:18:17 | |
(INDISTINCT CHATTER) | 0:18:17 | 0:18:20 | |
"The Pilgrim's Progress." | 0:18:20 | 0:18:24 | |
"As I walked through the wilderness of this world, | 0:18:24 | 0:18:27 | |
"I lighted on certain place where was a den, | 0:18:27 | 0:18:30 | |
"and I laid me down in that place to sleep, | 0:18:30 | 0:18:34 | |
and as I slept, I dreamed a dream." | 0:18:34 | 0:18:37 | |
Demmit! What, Nickleby! | 0:18:50 | 0:18:53 | |
Of course, Demmit, I remember. | 0:18:53 | 0:18:55 | |
Your niece. | 0:18:55 | 0:18:57 | |
Follow me, my dear, | 0:18:57 | 0:19:00 | |
will you? | 0:19:00 | 0:19:01 | |
They all follow me, | 0:19:01 | 0:19:03 | |
always did, Demmit, always! | 0:19:03 | 0:19:06 | |
WOMAN: Mr Nickleby. | 0:19:06 | 0:19:07 | |
Good morning. | 0:19:07 | 0:19:10 | |
This is my niece, ma'am. | 0:19:10 | 0:19:12 | |
I spoke to you about a vacancy for her. | 0:19:12 | 0:19:14 | |
You remember? Just so. | 0:19:14 | 0:19:16 | |
What work can you do, child? | 0:19:16 | 0:19:17 | |
I can turn a hem, ma'am, or sew a seam. | 0:19:17 | 0:19:20 | |
And that is all? | 0:19:20 | 0:19:21 | |
She can learn. Oh, quite, | 0:19:21 | 0:19:23 | |
and I can do with another pair of hands. | 0:19:23 | 0:19:25 | |
We keep 20 young women constantly employed here. | 0:19:25 | 0:19:28 | |
Yes, and some of them demned handsome, too. | 0:19:28 | 0:19:32 | |
Mantalini, do you want to break my heart? | 0:19:32 | 0:19:34 | |
My senses' idol! | 0:19:34 | 0:19:36 | |
Not for 20,000 hemispheres | 0:19:36 | 0:19:38 | |
populated with little, uh, ballet dancers. | 0:19:38 | 0:19:42 | |
Alfred. | 0:19:42 | 0:19:44 | |
Ahem. | 0:19:44 | 0:19:46 | |
The hours are from 9:00 to 9:00. | 0:19:46 | 0:19:48 | |
There's extra work when we're very full of business, | 0:19:48 | 0:19:50 | |
for which I allow payment as overtime. | 0:19:50 | 0:19:52 | |
Your wages shall average | 0:19:52 | 0:19:53 | |
from 5 to 7 shillings a week. | 0:19:53 | 0:19:54 | |
Yes, madame. | 0:19:54 | 0:19:56 | |
You can begin as soon as it's convenient. | 0:19:56 | 0:19:57 | |
She can begin now. Oh. Very well. | 0:19:57 | 0:20:00 | |
Come into the showroom. | 0:20:00 | 0:20:01 | |
There. Now you are provided for. | 0:20:03 | 0:20:05 | |
I'm very much obliged to you, uncle. | 0:20:05 | 0:20:07 | |
I've merely done my duty. | 0:20:07 | 0:20:08 | |
I hope that you'll do yours. | 0:20:08 | 0:20:10 | |
I'll do my best. | 0:20:10 | 0:20:11 | |
I'm very pleased to hear it. | 0:20:11 | 0:20:12 | |
You'll find your way home this evening? | 0:20:12 | 0:20:14 | |
Goodbye then. | 0:20:14 | 0:20:15 | |
Good day, ma'am. | 0:20:15 | 0:20:16 | |
Good day, Mr Nickleby. | 0:20:16 | 0:20:18 | |
Oh, Miss Knag, this young person is beginning here today. | 0:20:19 | 0:20:22 | |
Try her with some easy work at first. | 0:20:22 | 0:20:24 | |
Very good, madame. I quite understand. | 0:20:24 | 0:20:26 | |
And she might come into the showroom with you. | 0:20:26 | 0:20:27 | |
Her appearance will... | 0:20:27 | 0:20:28 | |
It will suit very well with mine. | 0:20:28 | 0:20:30 | |
How very clever of you to think of it. | 0:20:30 | 0:20:33 | |
That way. | 0:20:33 | 0:20:35 | |
Demmit! Who'd have thought old Nickleby | 0:20:35 | 0:20:37 | |
would have had such a demned pretty, young creature | 0:20:37 | 0:20:40 | |
for a niece, eh? | 0:20:40 | 0:20:41 | |
If it weren't for your wicked extravagance, | 0:20:41 | 0:20:42 | |
we wouldn't have to keep borrowing from him | 0:20:42 | 0:20:44 | |
or employing his poor relations. | 0:20:44 | 0:20:47 | |
My life and soul. | 0:20:47 | 0:20:50 | |
Ohh! | 0:20:50 | 0:20:51 | |
PARROT: Demmit! Demmit! | 0:20:54 | 0:20:57 | |
(SCREECHES) | 0:20:57 | 0:20:59 | |
You will work here, Miss Nickleby. | 0:20:59 | 0:21:01 | |
You better begin by hemming this petticoat. | 0:21:03 | 0:21:06 | |
If you want anything, come to me. | 0:21:06 | 0:21:07 | |
Thank you. | 0:21:07 | 0:21:09 | |
(TITTERING) | 0:21:11 | 0:21:12 | |
(WOMAN CLAPS) | 0:21:12 | 0:21:13 | |
(TITTERING STOPS) | 0:21:13 | 0:21:15 | |
Where are you from? From Devonshire. | 0:21:20 | 0:21:22 | |
Oh, I don't mean that. | 0:21:22 | 0:21:23 | |
Where did you work before? | 0:21:23 | 0:21:25 | |
Nowhere. | 0:21:25 | 0:21:26 | |
Oh, nowhere. | 0:21:26 | 0:21:27 | |
Oh, superior, aren't we? | 0:21:27 | 0:21:29 | |
(LAUGHTER) | 0:21:29 | 0:21:30 | |
(CLAPS) | 0:21:30 | 0:21:32 | |
That's enough! Dinner's over! | 0:21:35 | 0:21:37 | |
Rise. | 0:21:38 | 0:21:39 | |
For what we have received, | 0:21:39 | 0:21:40 | |
may the lord make us truly thankful. Amen. | 0:21:40 | 0:21:43 | |
Amen. Amen. Amen. | 0:21:43 | 0:21:45 | |
Nickleby, I'm going out. | 0:21:53 | 0:21:55 | |
You will have to take the rest of the classes by yourself. | 0:21:55 | 0:21:58 | |
You can do that, I suppose. | 0:21:58 | 0:21:59 | |
Yes, Mr Squeers. | 0:21:59 | 0:22:00 | |
Smike. | 0:22:03 | 0:22:04 | |
You needn't be afraid of me. | 0:22:04 | 0:22:07 | |
You've been here a long time, haven't you? | 0:22:07 | 0:22:09 | |
Since I was 5, they tell me, sir. | 0:22:09 | 0:22:13 | |
I don't know. | 0:22:13 | 0:22:15 | |
Don't you remember your mother your home? | 0:22:15 | 0:22:19 | |
No, I don't remember. | 0:22:19 | 0:22:22 | |
I don't remember anything. | 0:22:22 | 0:22:24 | |
Someone must have brought you here. | 0:22:24 | 0:22:26 | |
Your father perhaps. He wasn't my father. | 0:22:26 | 0:22:30 | |
I don't think he was. | 0:22:30 | 0:22:34 | |
I was afraid of him. | 0:22:34 | 0:22:38 | |
I was glad to leave him. | 0:22:38 | 0:22:39 | |
Glad? But surely, you're not happy here. | 0:22:39 | 0:22:42 | |
Happy? | 0:22:45 | 0:22:47 | |
PHOEBE: Smike! | 0:22:47 | 0:22:48 | |
Beg pardon, Mr Nickleby. | 0:22:49 | 0:22:51 | |
Smike, Miss Fanny's back, | 0:22:51 | 0:22:53 | |
and you're to fetch her box upstairs quick as you can. | 0:22:53 | 0:22:56 | |
# Fanny Squeers is jealous | 0:22:59 | 0:23:02 | |
# Fanny Squeers is jealous! | 0:23:02 | 0:23:04 | |
Oh, stop it, Wackford. | 0:23:04 | 0:23:05 | |
# Hilda Price has gone and got spliced | 0:23:05 | 0:23:07 | |
# So Fanny Squeers is jealous! | 0:23:07 | 0:23:10 | |
Is that you, Phoebe? | 0:23:10 | 0:23:12 | |
Where's that lazy hound of a Smike? | 0:23:12 | 0:23:14 | |
He were with Mr Nickleby. | 0:23:14 | 0:23:16 | |
Not there. Over here. | 0:23:21 | 0:23:23 | |
That will do. Go on outside. | 0:23:26 | 0:23:29 | |
# Hilda Price has gone and got spliced! | 0:23:29 | 0:23:31 | |
ow! | 0:23:31 | 0:23:33 | |
You'll never get spliced, you won't. | 0:23:33 | 0:23:35 | |
Phoebe! Yes, miss? | 0:23:38 | 0:23:40 | |
Was it a pretty wedding, Miss Fanny, | 0:23:40 | 0:23:42 | |
over to Miss Price's? | 0:23:42 | 0:23:43 | |
Come on. | 0:23:43 | 0:23:44 | |
She must have made a lovely bride | 0:23:44 | 0:23:47 | |
and done well by herself, too, hasn't she? | 0:23:47 | 0:23:49 | |
Well enough for her, I have no doubt. | 0:23:49 | 0:23:51 | |
Who is Mr... Nickleby? | 0:23:51 | 0:23:54 | |
He's the new assistant. | 0:23:54 | 0:23:56 | |
You ought to see him. | 0:23:56 | 0:23:58 | |
He's a real gentleman born | 0:23:58 | 0:24:00 | |
if ever there was one. | 0:24:00 | 0:24:02 | |
The way he talks and acts | 0:24:02 | 0:24:05 | |
and carries on. | 0:24:05 | 0:24:06 | |
And you've only to look at him. | 0:24:06 | 0:24:09 | |
Such beautiful eyes he's got | 0:24:09 | 0:24:11 | |
and such a sweet smile, | 0:24:11 | 0:24:13 | |
and as for his legs... | 0:24:13 | 0:24:15 | |
Phoebe, that's quite enough. | 0:24:15 | 0:24:16 | |
Oh, but, miss, you ought to see him for yourself. | 0:24:16 | 0:24:21 | |
First, write the address at the top | 0:24:21 | 0:24:24 | |
and then the date, 17TH of December, 1830. | 0:24:24 | 0:24:29 | |
(KNOCK ON DOOR) | 0:24:29 | 0:24:30 | |
Come in. | 0:24:30 | 0:24:32 | |
I'm sorry, father, but... | 0:24:32 | 0:24:35 | |
Oh. | 0:24:35 | 0:24:36 | |
I beg your pardon. | 0:24:38 | 0:24:39 | |
I thought my father was...or might be... | 0:24:39 | 0:24:44 | |
Dear me. How very awkward. | 0:24:44 | 0:24:45 | |
Mr Squeers is out. | 0:24:45 | 0:24:46 | |
Oh, how tiresome. | 0:24:46 | 0:24:48 | |
I'm sorry I intruded. | 0:24:48 | 0:24:50 | |
I'm sure... | 0:24:50 | 0:24:51 | |
It must look so very strange. | 0:24:51 | 0:24:53 | |
I only wanted my pen mended. | 0:24:53 | 0:24:56 | |
Perhaps I can do it for you. | 0:24:56 | 0:24:57 | |
Oh, no, no, no. I couldn't | 0:24:57 | 0:24:59 | |
put you to the trouble. | 0:24:59 | 0:25:00 | |
Hard nib or soft? | 0:25:00 | 0:25:01 | |
Such a sweet smile. | 0:25:01 | 0:25:03 | |
What did you say? | 0:25:03 | 0:25:05 | |
Dear me. I was thinking | 0:25:05 | 0:25:06 | |
of something else for the moment. | 0:25:06 | 0:25:08 | |
As soft as possible, if you please. | 0:25:08 | 0:25:12 | |
Oh. I quite forgot. I'm MISS Squeers. | 0:25:12 | 0:25:15 | |
I imagined that. | 0:25:15 | 0:25:16 | |
Did you really? | 0:25:16 | 0:25:18 | |
There's a strong family resemblance. | 0:25:18 | 0:25:20 | |
Oh, I beg your pardon. | 0:25:22 | 0:25:23 | |
Very awkward of me. | 0:25:23 | 0:25:24 | |
Oh, not at all. It's my fault, mine entirely. | 0:25:24 | 0:25:28 | |
Very...so embarrassing. I scarcely know what I... | 0:25:28 | 0:25:31 | |
Careful. You're biting your nib off now. | 0:25:31 | 0:25:34 | |
Oh. | 0:25:34 | 0:25:35 | |
Oh, dear me! | 0:25:38 | 0:25:40 | |
FANNY: What do you mean, "quick as you could"? | 0:25:45 | 0:25:47 | |
I sent for you 10 minutes gone. | 0:25:47 | 0:25:49 | |
Don't you run from me, you lying, little pig you! | 0:25:49 | 0:25:52 | |
Smike was having his supper. | 0:26:00 | 0:26:01 | |
I told him to finish it. | 0:26:01 | 0:26:02 | |
If you have any objections, | 0:26:02 | 0:26:03 | |
you better make them to me. | 0:26:03 | 0:26:06 | |
I didn't see you where there, Mr Nickleby. | 0:26:06 | 0:26:10 | |
It's quite all right of course | 0:26:10 | 0:26:12 | |
now that you explained. | 0:26:12 | 0:26:14 | |
There's no call to run away. | 0:26:14 | 0:26:16 | |
Pa's still out, and Ma's with him. | 0:26:16 | 0:26:19 | |
You can have a glass of port if you like. | 0:26:19 | 0:26:22 | |
Come and sit down. Thank you. I'm going to bed. | 0:26:22 | 0:26:25 | |
Nobody's kind to me! | 0:26:25 | 0:26:27 | |
I wish everybody was dead! | 0:26:27 | 0:26:30 | |
I wish I was dead, too! | 0:26:30 | 0:26:32 | |
(SOBBING) | 0:26:32 | 0:26:34 | |
(DOOR SLAMS) | 0:26:37 | 0:26:38 | |
(KNOCK ON DOOR) | 0:26:46 | 0:26:47 | |
Come in. | 0:26:50 | 0:26:52 | |
Mr Nickleby likes you, doesn't he, Smike? | 0:27:06 | 0:27:09 | |
Oh, yes, he does, | 0:27:09 | 0:27:11 | |
and you've been having a fine, idle time | 0:27:11 | 0:27:14 | |
since he's been here. | 0:27:14 | 0:27:16 | |
Wait till I tell father. | 0:27:16 | 0:27:19 | |
Just wait! | 0:27:19 | 0:27:21 | |
Smike! | 0:27:32 | 0:27:34 | |
Where the devil are you? | 0:27:34 | 0:27:36 | |
Smike! | 0:27:36 | 0:27:38 | |
Where's that Smike? | 0:27:41 | 0:27:44 | |
Is he hiding somewhere in here? | 0:27:44 | 0:27:46 | |
Smike! | 0:27:46 | 0:27:47 | |
He's not here, sir. | 0:27:47 | 0:27:48 | |
Where is he then? | 0:27:48 | 0:27:50 | |
At the bottom of the nearest pond for all I know. | 0:27:50 | 0:27:53 | |
Come on. | 0:27:53 | 0:27:54 | |
Someone knows where he is! | 0:27:56 | 0:27:57 | |
(GRUNT) | 0:27:57 | 0:27:59 | |
Sneaking off up the York Road, he was. | 0:27:59 | 0:28:02 | |
Oh, he was, was he? | 0:28:02 | 0:28:04 | |
Each boy, keep his seat. | 0:28:04 | 0:28:06 | |
Nickleby, to your place. | 0:28:06 | 0:28:08 | |
Stand a little out of the way, my dear. | 0:28:11 | 0:28:13 | |
I've hardly room enough. | 0:28:13 | 0:28:15 | |
Have you anything to say? | 0:28:15 | 0:28:18 | |
I was driven to do it. | 0:28:18 | 0:28:20 | |
Oh, driven, were you? | 0:28:20 | 0:28:21 | |
Then I'll have to spare you. | 0:28:21 | 0:28:25 | |
I'll flog you within an inch of your life | 0:28:25 | 0:28:26 | |
and spare you that. | 0:28:26 | 0:28:28 | |
Hee hee hee! Ha ha ha! | 0:28:28 | 0:28:31 | |
Let that boy go. Hold your tongue! | 0:28:31 | 0:28:33 | |
You've done him enough harm. Get back to your desk! | 0:28:33 | 0:28:35 | |
I've seen it these last few weeks, | 0:28:35 | 0:28:36 | |
nothing but blows and strikes. | 0:28:36 | 0:28:38 | |
I'm in my rights! | 0:28:38 | 0:28:39 | |
Your rights? To beat and starve these boys? | 0:28:39 | 0:28:41 | |
This isn't a school. It's a hell on earth. | 0:28:41 | 0:28:43 | |
You young scum! | 0:28:43 | 0:28:46 | |
Ohh! I... | 0:28:46 | 0:28:47 | |
MRS SQUEERS: Oh, help! | 0:28:47 | 0:28:49 | |
He's killing my Squeery! | 0:28:49 | 0:28:51 | |
Stop it, you dirty hound you. Stop it! | 0:28:51 | 0:28:53 | |
Help! | 0:28:53 | 0:28:54 | |
(SOBBING) | 0:28:54 | 0:28:58 | |
SQUEERS: Ow! Oh! Ow! | 0:28:58 | 0:29:01 | |
Ohh! Help! | 0:29:01 | 0:29:02 | |
He's killing my Squeery! | 0:29:02 | 0:29:05 | |
Ow! | 0:29:05 | 0:29:07 | |
Stop it! Help! | 0:29:07 | 0:29:10 | |
(SOBBING) | 0:29:10 | 0:29:12 | |
(WHEEZES) | 0:29:16 | 0:29:18 | |
Aah! Hoo hoo! | 0:29:18 | 0:29:20 | |
(SOBBING) | 0:29:20 | 0:29:22 | |
Come, Smike. | 0:29:22 | 0:29:23 | |
(MUMBLES) | 0:29:23 | 0:29:24 | |
(MRS SQUEERS MOANS) | 0:29:28 | 0:29:29 | |
He's dead! He's murdered! | 0:29:31 | 0:29:34 | |
My Squeery! | 0:29:34 | 0:29:37 | |
Squeery! | 0:29:37 | 0:29:39 | |
Squeery, say something. | 0:29:39 | 0:29:41 | |
(GROANS) | 0:29:44 | 0:29:47 | |
FANNY: "To Mr Ralph Nickleby, esquire. | 0:29:58 | 0:30:02 | |
"Sir, my pa requests me to write to you, | 0:30:02 | 0:30:06 | |
"the doctors being doubtful whether he will recover the use of his legs, | 0:30:06 | 0:30:10 | |
"which prevents his holding a pen. | 0:30:10 | 0:30:13 | |
When your nephew had done this to him"... | 0:30:13 | 0:30:15 | |
ohh! "And jumped upon him with his feet | 0:30:15 | 0:30:18 | |
"and also language, | 0:30:18 | 0:30:20 | |
"which I will not pollute my pen with describing, | 0:30:20 | 0:30:24 | |
"he assaulted my ma with dreadful violence | 0:30:24 | 0:30:26 | |
"and drove her back comb several inches into her head. | 0:30:26 | 0:30:30 | |
"The monster, having satiated his thirst for blood, | 0:30:30 | 0:30:34 | |
ran away." | 0:30:34 | 0:30:35 | |
"Taking with him a boy of desperate character, | 0:30:35 | 0:30:38 | |
who he had incited to rebellion." | 0:30:38 | 0:30:41 | |
"My pa begs that if he comes to you, | 0:30:43 | 0:30:45 | |
"you will let the assassin go, | 0:30:45 | 0:30:47 | |
"as he is sure to be hung before long, | 0:30:47 | 0:30:50 | |
"which will save us trouble | 0:30:50 | 0:30:51 | |
and be much more satisfactory." | 0:30:51 | 0:30:54 | |
Pretty. | 0:30:56 | 0:30:58 | |
Very pretty. | 0:30:58 | 0:31:00 | |
I recommend you against my convictions, | 0:31:00 | 0:31:02 | |
and what is the result? | 0:31:02 | 0:31:04 | |
Conduct for which you might hold up your hand | 0:31:04 | 0:31:06 | |
at the old bailey. | 0:31:06 | 0:31:07 | |
It isn't true! Nicholas, tell him! | 0:31:07 | 0:31:08 | |
He was ill-treating the boy. | 0:31:08 | 0:31:09 | |
I'd do the same again. | 0:31:09 | 0:31:10 | |
RALPH: Penitence. | 0:31:10 | 0:31:11 | |
I never would have believed it. | 0:31:11 | 0:31:13 | |
Mama, please. | 0:31:13 | 0:31:14 | |
What have you done with him? | 0:31:14 | 0:31:16 | |
Did you take this boy away, or didn't you? | 0:31:16 | 0:31:19 | |
The boy's in my charge until I can find him a home | 0:31:19 | 0:31:20 | |
or give him one myself. | 0:31:20 | 0:31:22 | |
The whole thing proved, even on his own confession. | 0:31:22 | 0:31:24 | |
One thing is proved. But uncle! | 0:31:24 | 0:31:25 | |
Let me say a world. | 0:31:25 | 0:31:26 | |
Of what I have done for you, my niece, | 0:31:26 | 0:31:30 | |
or I intended to do, I shall say nothing, | 0:31:30 | 0:31:34 | |
but this boy, headstrong and willful as he is, | 0:31:34 | 0:31:37 | |
shall not have one penny of my money! | 0:31:37 | 0:31:39 | |
Knowing full well the consequences, | 0:31:39 | 0:31:41 | |
he's come back to be a burden | 0:31:41 | 0:31:42 | |
on his sister's scanty wages. | 0:31:42 | 0:31:45 | |
Very well. | 0:31:45 | 0:31:47 | |
I have no wish to desert you, ma'am, or Kate, | 0:31:47 | 0:31:51 | |
but I will not help him or those who do help him. | 0:31:51 | 0:31:56 | |
But I can't renounce my own son, | 0:31:56 | 0:31:59 | |
even if he's done all you say. | 0:31:59 | 0:32:01 | |
Mama, you know he hasn't. | 0:32:01 | 0:32:02 | |
I don't know what to think. | 0:32:02 | 0:32:04 | |
Never mind. We can go to the work house | 0:32:04 | 0:32:07 | |
or the refuge for the destitute. | 0:32:07 | 0:32:09 | |
Wait, sir. | 0:32:09 | 0:32:11 | |
You needn't leave here. | 0:32:11 | 0:32:12 | |
I shall be gone in one minute. | 0:32:12 | 0:32:14 | |
No, Nicholas! | 0:32:14 | 0:32:15 | |
Don't go away again, please. | 0:32:15 | 0:32:17 | |
Kate, I never meant to stay here with you. | 0:32:17 | 0:32:19 | |
When I'm away, you will be helped. | 0:32:19 | 0:32:21 | |
Mother sees that, | 0:32:21 | 0:32:22 | |
and she's right. | 0:32:22 | 0:32:24 | |
Bless you, Kate. | 0:32:27 | 0:32:28 | |
I'm taking you at your word, sir, | 0:32:32 | 0:32:34 | |
but if you break it... | 0:32:34 | 0:32:36 | |
I beg your pardon. | 0:33:02 | 0:33:04 | |
I...I'm in your way perhaps. | 0:33:04 | 0:33:06 | |
Oh, no, not at all, thank you, | 0:33:06 | 0:33:09 | |
but if I'm in yours... | 0:33:09 | 0:33:11 | |
No. | 0:33:11 | 0:33:12 | |
There doesn't seem to be very much. | 0:33:12 | 0:33:14 | |
No. It's so hard to find work of any kind. | 0:33:14 | 0:33:18 | |
You understand of course, | 0:33:38 | 0:33:39 | |
my secretary must make himself master of foreign policy, | 0:33:39 | 0:33:42 | |
run his eye over all accounts of public meetings, | 0:33:42 | 0:33:45 | |
get up a few little arguments now and then | 0:33:45 | 0:33:47 | |
on the effects of returned cash payments, | 0:33:47 | 0:33:49 | |
the exportation of bullion, | 0:33:49 | 0:33:51 | |
the Emperor of Russia, | 0:33:51 | 0:33:52 | |
bank notes, and all that kind of thing, | 0:33:52 | 0:33:54 | |
and then of course wait in the lobby every night | 0:33:54 | 0:33:56 | |
in case I need fresh cramming, | 0:33:56 | 0:33:58 | |
and during debates, sit in the gallery | 0:33:58 | 0:34:00 | |
and point me out to people | 0:34:00 | 0:34:02 | |
as the celebrated Mr Gregsbury | 0:34:02 | 0:34:04 | |
and any other little eulogium that might strike you. | 0:34:04 | 0:34:06 | |
And for salary in round figures, | 0:34:06 | 0:34:10 | |
15 shillings a week and find yourself there. | 0:34:10 | 0:34:14 | |
15 shillings? That's not much. | 0:34:14 | 0:34:17 | |
(DING) | 0:34:18 | 0:34:20 | |
(KNOCK ON DOOR) | 0:34:20 | 0:34:23 | |
Door, Matthews. | 0:34:23 | 0:34:25 | |
I mean for the duties and responsibilities. | 0:34:25 | 0:34:27 | |
Door, Matthews! | 0:34:27 | 0:34:29 | |
Secretaries. Nothing else. | 0:34:29 | 0:34:32 | |
Tuition? | 0:34:32 | 0:34:33 | |
Mr and Mrs Kenwigs, to instruct the daughters in French. | 0:34:37 | 0:34:42 | |
A shilling per week per each Miss Kenwigs | 0:34:42 | 0:34:45 | |
and a shilling over until the baby can take it out in grammar. | 0:34:45 | 0:34:48 | |
Thank you. | 0:34:48 | 0:34:50 | |
My aunt's pen. | 0:34:50 | 0:34:52 | |
Le plume de ma tante. | 0:34:52 | 0:34:55 | |
GIRLS: Le plume de ma tante. | 0:34:55 | 0:34:59 | |
My uncle's... | 0:34:59 | 0:35:00 | |
Hold on a minute, sir. | 0:35:00 | 0:35:01 | |
Do you consider French a cheerful language? | 0:35:01 | 0:35:04 | |
Yes. I'd say that it was. | 0:35:04 | 0:35:05 | |
Oh. It's very much changed since my time, then, | 0:35:05 | 0:35:07 | |
very much. My uncle's... | 0:35:07 | 0:35:09 | |
What is the French for water? | 0:35:09 | 0:35:11 | |
L'eau. L'eau. | 0:35:11 | 0:35:14 | |
And you call that a cheerful language. | 0:35:14 | 0:35:15 | |
Ha ha ha! | 0:35:15 | 0:35:17 | |
Shall the gentleman go on, uncle? | 0:35:17 | 0:35:18 | |
Oh, yes, yes, let him go on. | 0:35:18 | 0:35:21 | |
My uncle's garden. Le jar... | 0:35:21 | 0:35:24 | |
(CRYING) | 0:35:24 | 0:35:25 | |
(CRYING) | 0:35:33 | 0:35:35 | |
The daughters I could manage, even the uncle, | 0:35:39 | 0:35:43 | |
but the baby was too much for me. Ha ha ha! | 0:35:43 | 0:35:45 | |
I must find real work somewhere, | 0:35:45 | 0:35:48 | |
and then there's Smike. | 0:35:48 | 0:35:50 | |
He can't go on hiding for ever | 0:35:50 | 0:35:51 | |
in one wretched, little room. | 0:35:51 | 0:35:54 | |
We're leaving London, Mr Noggs. | 0:35:54 | 0:35:56 | |
But I could look after the boy. | 0:35:56 | 0:35:58 | |
And bring down trouble on your own head? | 0:35:58 | 0:36:00 | |
Better you've never see him, know nothing of him. | 0:36:00 | 0:36:03 | |
I must go, | 0:36:03 | 0:36:06 | |
but there's one thing I wanted to ask. | 0:36:06 | 0:36:09 | |
It's about Kate and my mother. | 0:36:09 | 0:36:11 | |
If anything should happen... I'll let you know. | 0:36:11 | 0:36:14 | |
You didn't need to ask. Thank you. | 0:36:14 | 0:36:19 | |
I'll write to you. | 0:36:19 | 0:36:21 | |
I'll send an address as soon as I can. | 0:36:21 | 0:36:24 | |
Don't you forget then. | 0:36:24 | 0:36:26 | |
I'm not likely to. | 0:36:26 | 0:36:28 | |
I haven't so many friends | 0:36:28 | 0:36:29 | |
that I shall forget my best one. | 0:36:29 | 0:36:31 | |
(PENNYWHISTLE PLAYING) | 0:36:37 | 0:36:39 | |
Mind out there! | 0:36:49 | 0:36:51 | |
MAN: Madeline. Madeline. | 0:36:52 | 0:36:55 | |
Hurry up. We haven't all day, Madeline. | 0:36:58 | 0:37:00 | |
I'm just coming, father. | 0:37:05 | 0:37:07 | |
Let me take those. | 0:37:12 | 0:37:13 | |
We met before at the agency. | 0:37:15 | 0:37:17 | |
Yes. | 0:37:19 | 0:37:21 | |
I remember. | 0:37:21 | 0:37:22 | |
MAN: Madeline. What is it, Madeline? Who's... | 0:37:22 | 0:37:26 | |
This gentleman's just helping me, Father. | 0:37:26 | 0:37:28 | |
We have no money, young man, | 0:37:28 | 0:37:29 | |
it that's what you're hoping for. Please, Father. | 0:37:29 | 0:37:31 | |
Get the rest of the luggage, and let's be off. | 0:37:31 | 0:37:33 | |
MAN: Just a minute! Oh, no, you don't. | 0:37:33 | 0:37:35 | |
Trying to do a flit, eh, | 0:37:35 | 0:37:36 | |
trying to queer my pitch for me, eh? | 0:37:36 | 0:37:37 | |
I'm not too partial to that kind of lark, see? | 0:37:37 | 0:37:39 | |
Leave my father alone. | 0:37:39 | 0:37:41 | |
You have no right to. Let him go! | 0:37:41 | 0:37:42 | |
Stop that, my little lady. | 0:37:42 | 0:37:44 | |
Take your hands off her! | 0:37:44 | 0:37:45 | |
That will do, young shaver. | 0:37:45 | 0:37:45 | |
This is not your business! | 0:37:45 | 0:37:46 | |
I'll soon make it mine! | 0:37:46 | 0:37:48 | |
Please! | 0:37:48 | 0:37:50 | |
There's nothing you can do. | 0:37:50 | 0:37:51 | |
Here's my warrant of debts unpaid | 0:37:51 | 0:37:53 | |
to the sum of £1,700, detaining creditors... | 0:37:53 | 0:37:55 | |
yes, yes. There's no need | 0:37:55 | 0:37:56 | |
to cry my finances all over the town. | 0:37:56 | 0:37:58 | |
You will accompany me forthwith | 0:37:58 | 0:37:59 | |
and present yourself at the King's Bench Prison before noon. | 0:37:59 | 0:38:02 | |
He's not well. I must go with him. | 0:38:02 | 0:38:03 | |
If you wants to live with him, you can apply. | 0:38:03 | 0:38:05 | |
Go on. | 0:38:05 | 0:38:07 | |
Might as well use the hackney. | 0:38:07 | 0:38:08 | |
NICHOLAS: If there's anything I can do, | 0:38:08 | 0:38:10 | |
any message to friends. | 0:38:10 | 0:38:12 | |
No. There's nothing. | 0:38:12 | 0:38:15 | |
You're very kind. | 0:38:15 | 0:38:17 | |
I only wish I could do something, too. | 0:38:17 | 0:38:18 | |
Thank you. | 0:38:18 | 0:38:19 | |
MAN: Come on. Come on if you're coming. | 0:38:19 | 0:38:21 | |
Cheer up, governor. | 0:38:28 | 0:38:29 | |
Perhaps they'll live in the rules. | 0:38:29 | 0:38:31 | |
The rules? | 0:38:31 | 0:38:32 | |
Lodgings just outside the prison. | 0:38:32 | 0:38:34 | |
Pay so much a week for the privilege. | 0:38:34 | 0:38:36 | |
Giddyap there, doggie. | 0:38:36 | 0:38:38 | |
Only 12 more. | 0:39:05 | 0:39:08 | |
Tired, Smike? | 0:39:08 | 0:39:09 | |
No. I'm not tired. | 0:39:09 | 0:39:10 | |
Well, if you're not, I am. | 0:39:10 | 0:39:12 | |
Let's try in here. | 0:39:12 | 0:39:13 | |
Landlord! | 0:39:23 | 0:39:24 | |
I shouldn't have come with you. | 0:39:29 | 0:39:31 | |
I'm nothing but a trouble to you. | 0:39:31 | 0:39:32 | |
A trouble? You are far from that, Smike. | 0:39:32 | 0:39:34 | |
I'm only too glad of your company. | 0:39:34 | 0:39:36 | |
You haven't enough money even for yourself. | 0:39:36 | 0:39:38 | |
If it hadn't been for me... | 0:39:38 | 0:39:41 | |
Yes, gentlemen? | 0:39:41 | 0:39:42 | |
We're looking for some supper | 0:39:42 | 0:39:43 | |
and a room perhaps afterwards. | 0:39:43 | 0:39:44 | |
Supper? I'm a bit short tonight. | 0:39:44 | 0:39:46 | |
I'll tell you what. There's a gentleman in the parlour | 0:39:46 | 0:39:48 | |
who's ordered a beefsteak pudding and potatoes, | 0:39:48 | 0:39:49 | |
and there's more than he can manage. | 0:39:49 | 0:39:51 | |
If I ask leave, I have no doubt you could sup with him. | 0:39:51 | 0:39:54 | |
We're very dusty and dirty. | 0:39:54 | 0:39:55 | |
Oh, lord love you. Why, it's only Mr Crummles. | 0:39:55 | 0:39:58 | |
Smike. | 0:39:58 | 0:40:00 | |
Don't you believe what I've said? | 0:40:00 | 0:40:02 | |
Tried to go away when we were in London. | 0:40:02 | 0:40:06 | |
I couldn't. | 0:40:06 | 0:40:07 | |
You want a hot meal and a good sleep, | 0:40:07 | 0:40:09 | |
and I want no more talk of that kind, | 0:40:09 | 0:40:10 | |
understand, Smike? | 0:40:10 | 0:40:12 | |
LANDLORD: All right. I knew it would be. | 0:40:12 | 0:40:14 | |
Come this way, gentlemen. | 0:40:14 | 0:40:16 | |
Wait till you see them in here, | 0:40:16 | 0:40:17 | |
the way they're going on it. | 0:40:17 | 0:40:19 | |
Thrust, Parry. Thrust, Parry. | 0:40:19 | 0:40:22 | |
More fire, boys. Make the spark fly. | 0:40:22 | 0:40:25 | |
Under, over. Good work! | 0:40:25 | 0:40:27 | |
1, 2, into him. | 0:40:27 | 0:40:30 | |
1, 2, reverse! | 0:40:30 | 0:40:33 | |
1, 2. That's better. | 0:40:33 | 0:40:35 | |
Mr Vincent Crummles, this is the young gentleman, sir. | 0:40:35 | 0:40:39 | |
Aha. | 0:40:39 | 0:40:42 | |
Ha ha ha! | 0:40:42 | 0:40:44 | |
There's a picture. The little one has him. | 0:40:44 | 0:40:47 | |
If the big'un does not counter in 3 seconds, | 0:40:47 | 0:40:49 | |
he's a dead man. Bravo, boys, bravo. | 0:40:49 | 0:40:52 | |
That will be a double encore. | 0:40:52 | 0:40:53 | |
What do you think of that, sir? Very good indeed. | 0:40:53 | 0:40:56 | |
If only they were a little better match. | 0:40:56 | 0:40:58 | |
Match? Why, that's the essence of the combat, | 0:40:58 | 0:41:00 | |
that there should be a foot or two between them. | 0:41:00 | 0:41:01 | |
How else are you going to get up the sympathies of the audience? | 0:41:01 | 0:41:04 | |
I see. I beg your pardon. | 0:41:04 | 0:41:05 | |
Ah. The ample pleasures of the table. | 0:41:05 | 0:41:07 | |
Now, gents, draw up and make yourselves comfortable. | 0:41:07 | 0:41:11 | |
I'm glad you thought well of the combat. | 0:41:11 | 0:41:12 | |
We open at Portsmouth the day after tomorrow. | 0:41:12 | 0:41:15 | |
The company are there already. | 0:41:15 | 0:41:16 | |
My son, take your had off. | 0:41:16 | 0:41:17 | |
My sons and I are on our way to join them. | 0:41:17 | 0:41:20 | |
Where are you bound for? | 0:41:21 | 0:41:22 | |
We're making for the coast. | 0:41:22 | 0:41:24 | |
We thought if there were nothing ashore | 0:41:24 | 0:41:25 | |
we might get work aboard some ship or other. | 0:41:25 | 0:41:27 | |
With practiced hands as plentiful as oysters? | 0:41:27 | 0:41:29 | |
There's not a skipper would think you're worth your salt. | 0:41:29 | 0:41:32 | |
Tell me, has no other profession occurred to you | 0:41:32 | 0:41:36 | |
that a young man of your figure and address | 0:41:36 | 0:41:37 | |
could take up? Can't say it does. | 0:41:37 | 0:41:39 | |
No? Then I'll tell you one. | 0:41:39 | 0:41:42 | |
The stage! The stage? | 0:41:42 | 0:41:45 | |
The theatrical profession! | 0:41:45 | 0:41:46 | |
I'm in it myself, my wife is in it, | 0:41:46 | 0:41:49 | |
my children are in it. | 0:41:49 | 0:41:50 | |
I had a dog that lived and died in it from a puppy, | 0:41:50 | 0:41:53 | |
and my chaise-pony goes on in "timour the tartar." | 0:41:53 | 0:41:56 | |
I'll bring you out and your friend, too. | 0:41:56 | 0:41:59 | |
Capital countenance for the starved business. | 0:41:59 | 0:42:02 | |
Say the word. | 0:42:02 | 0:42:03 | |
But I've never acted a part in my life | 0:42:03 | 0:42:04 | |
except at school. | 0:42:04 | 0:42:05 | |
Genteel comedy in your walk and manner, | 0:42:05 | 0:42:07 | |
juvenile tragedy in your eye, | 0:42:07 | 0:42:08 | |
and touch-and-go farce in your laugh! | 0:42:08 | 0:42:10 | |
Could I live by it? | 0:42:10 | 0:42:11 | |
Live by it? Like a prince. | 0:42:11 | 0:42:14 | |
Why, with your salary and your friend, | 0:42:14 | 0:42:16 | |
you'd earn a pound a week. | 0:42:16 | 0:42:18 | |
Well, Smike, what do you... | 0:42:18 | 0:42:20 | |
Ah. The arms of Morpheus. | 0:42:22 | 0:42:24 | |
And with a run of good houses, | 0:42:24 | 0:42:25 | |
nearly double the money. | 0:42:25 | 0:42:27 | |
What do you say? | 0:42:27 | 0:42:29 | |
Good. | 0:42:29 | 0:42:30 | |
CRUMMLES: Here we are, my boy, | 0:42:44 | 0:42:46 | |
the home of the drama! | 0:42:46 | 0:42:48 | |
(NEIGHS) | 0:42:49 | 0:42:51 | |
Hurry, boys. We're late. | 0:42:51 | 0:42:53 | |
A good pony at bottom. | 0:42:59 | 0:43:00 | |
His mother was on the stage, too. | 0:43:00 | 0:43:01 | |
We'll find my wife rehearsing, no doubt. | 0:43:01 | 0:43:03 | |
Astonishing woman! | 0:43:03 | 0:43:05 | |
Mrs Crummles was the original blood drinker. | 0:43:05 | 0:43:08 | |
She had to give it up, though. | 0:43:08 | 0:43:09 | |
Did it disagree with her? | 0:43:09 | 0:43:10 | |
Not so much with her as with the audiences. | 0:43:10 | 0:43:12 | |
Ah, what a woman, what a woman! | 0:43:12 | 0:43:14 | |
Mother of 6 children, 3 of them alive, | 0:43:14 | 0:43:16 | |
and all upon the stage. | 0:43:16 | 0:43:18 | |
Extraordinary. | 0:43:18 | 0:43:20 | |
Extraordinary indeed. | 0:43:20 | 0:43:21 | |
Farewell! | 0:43:21 | 0:43:23 | |
Alone. | 0:43:23 | 0:43:24 | |
Alone in the African jungle | 0:43:24 | 0:43:28 | |
and married to an outlaw! | 0:43:28 | 0:43:31 | |
The first time I saw that admirable woman, | 0:43:31 | 0:43:33 | |
Nickleby, she stood on her head | 0:43:33 | 0:43:35 | |
on the butt end of a spear | 0:43:35 | 0:43:36 | |
surrounded by blazing fireworks. | 0:43:36 | 0:43:38 | |
Such grace... | 0:43:38 | 0:43:39 | |
(SNIFFS) | 0:43:39 | 0:43:40 | |
Coupled with such dignity. | 0:43:40 | 0:43:41 | |
I adored her from that moment. | 0:43:41 | 0:43:42 | |
MRS CRUMMLES: And yet another blow! | 0:43:42 | 0:43:44 | |
My daughter lost! | 0:43:44 | 0:43:47 | |
Wild beasts best me path! | 0:43:47 | 0:43:49 | |
Ohh! | 0:43:49 | 0:43:52 | |
Mrs Crummles, my darling, | 0:43:52 | 0:43:53 | |
allow me to introduce Mr Nicholas Nickleby | 0:43:53 | 0:43:55 | |
and his friend! | 0:43:55 | 0:43:56 | |
I'm very glad to meet you, sir. | 0:43:56 | 0:43:58 | |
Ohh! In half an hour, the sun will set, | 0:43:58 | 0:44:03 | |
and then, then where shall I be? | 0:44:03 | 0:44:06 | |
The end of act iv, scene 2, | 0:44:06 | 0:44:08 | |
"the mortal struggle." | 0:44:08 | 0:44:09 | |
A most heart-rending piece. | 0:44:09 | 0:44:12 | |
Ah. The infant phenomenon, | 0:44:12 | 0:44:14 | |
miss Ninetta Crummles, age 10. | 0:44:14 | 0:44:18 | |
She's practicing for our little ballet interlude, | 0:44:18 | 0:44:20 | |
"The Indian Savage And The Maiden." | 0:44:20 | 0:44:22 | |
The idol of every place we go into. | 0:44:30 | 0:44:33 | |
How old do you say she was? | 0:44:33 | 0:44:35 | |
She's 10. | 0:44:35 | 0:44:38 | |
Amazing. | 0:44:38 | 0:44:39 | |
Mr Folair, Mr Nickleby. | 0:44:46 | 0:44:47 | |
Very happy to know you, sir. | 0:44:47 | 0:44:48 | |
How do you do, sir? | 0:44:48 | 0:44:49 | |
Beautiful pirouette, darling. | 0:44:49 | 0:44:51 | |
Talent there, gentlemen. | 0:44:51 | 0:44:54 | |
Did you ever see such a setup? | 0:44:54 | 0:44:56 | |
Do you mean the infant phenomenon? | 0:44:56 | 0:44:57 | |
Infant, humbug, sir. | 0:44:57 | 0:44:59 | |
She's only 10 after all. | 0:44:59 | 0:45:00 | |
10? She's been 10 for the last 5 years at least, | 0:45:00 | 0:45:04 | |
but she's no taller. | 0:45:04 | 0:45:06 | |
Up late every night | 0:45:06 | 0:45:07 | |
and kept on a diet of gin and water unlimited from infancy. | 0:45:07 | 0:45:11 | |
CRUMMLES: Folair! | 0:45:11 | 0:45:13 | |
Onstage! | 0:45:13 | 0:45:15 | |
Onstage! | 0:45:15 | 0:45:17 | |
(INDISTINCT CHATTER) | 0:45:17 | 0:45:19 | |
Everybody's here, Mr Crummles. | 0:45:27 | 0:45:30 | |
Silence, please! | 0:45:30 | 0:45:32 | |
(BANG AND SCREAM) | 0:45:32 | 0:45:34 | |
Silence. | 0:45:34 | 0:45:35 | |
(SNIFFS) | 0:45:35 | 0:45:36 | |
Now, ladies and gentlemen, | 0:45:36 | 0:45:38 | |
we'll call "the mortal struggle" for tomorrow, Saturday. | 0:45:38 | 0:45:41 | |
On Monday morning, we shall read a new piece. | 0:45:41 | 0:45:43 | |
The name is not known yet, | 0:45:43 | 0:45:44 | |
but there will be good parts for everyone. | 0:45:44 | 0:45:46 | |
Mr Nickleby, a new performer | 0:45:46 | 0:45:49 | |
of genius and learning, will take care of that. | 0:45:49 | 0:45:51 | |
What? But I... | 0:45:51 | 0:45:52 | |
On Monday morning at 10:00 everybody, please. | 0:45:52 | 0:45:55 | |
WOMAN: Everyone at 10:00. | 0:45:55 | 0:45:56 | |
Mr Crummles, I can't write a play. | 0:45:56 | 0:45:59 | |
I'm afraid you misunderstood. | 0:45:59 | 0:46:00 | |
And by Monday morning? | 0:46:00 | 0:46:02 | |
My invention isn't equal to it. | 0:46:02 | 0:46:03 | |
Invention? What's that to do with it? | 0:46:03 | 0:46:06 | |
You said you could read French, didn't you? | 0:46:06 | 0:46:07 | |
Yes. | 0:46:07 | 0:46:08 | |
There. Turn that into English | 0:46:08 | 0:46:10 | |
and put your name on the title page. | 0:46:10 | 0:46:11 | |
What do you say, dear? | 0:46:11 | 0:46:12 | |
We must consider the question of suitable parts. | 0:46:12 | 0:46:14 | |
Quite, quite. I'll tell you what. | 0:46:14 | 0:46:17 | |
You shall study Romeo when you've done that piece. | 0:46:17 | 0:46:19 | |
Romeo? It'll do very well, | 0:46:19 | 0:46:20 | |
and you might get up Rover while you're about it | 0:46:20 | 0:46:23 | |
and Cassio and Jeremy Diddler. | 0:46:23 | 0:46:25 | |
Ah. The apothecary for you | 0:46:25 | 0:46:29 | |
and Polonius and Tony Lumpkin. | 0:46:29 | 0:46:30 | |
Oh, and Bottom The Weaver. | 0:46:30 | 0:46:32 | |
Well, I doubt if... | 0:46:32 | 0:46:33 | |
You can easily knock them off. | 0:46:33 | 0:46:34 | |
One part helps the other so much. | 0:46:34 | 0:46:36 | |
It's all there, cues and all. | 0:46:36 | 0:46:39 | |
Come along, my dear. | 0:46:39 | 0:46:40 | |
Miss Bray waiting to see you. | 0:46:53 | 0:46:56 | |
Bray? | 0:46:56 | 0:46:57 | |
Hmm. Daughter of the old man, I suppose, | 0:46:57 | 0:47:00 | |
or it's his sister. | 0:47:00 | 0:47:01 | |
Miss Bray. | 0:47:06 | 0:47:07 | |
I hadn't expected anyone so young or so... | 0:47:09 | 0:47:12 | |
you've come to clear the debt, I take it. | 0:47:15 | 0:47:17 | |
No. | 0:47:19 | 0:47:21 | |
I came to ask if you... | 0:47:21 | 0:47:23 | |
you and Mr Gride would give my father another chance, | 0:47:23 | 0:47:26 | |
set him free. | 0:47:26 | 0:47:27 | |
Set him free? | 0:47:27 | 0:47:29 | |
My dear child, your father has been arrested. | 0:47:31 | 0:47:35 | |
Nothing can free him now | 0:47:35 | 0:47:36 | |
until he's paid both his debts. | 0:47:36 | 0:47:38 | |
Surely you must know the law. | 0:47:38 | 0:47:40 | |
I know nothing of the law. | 0:47:40 | 0:47:42 | |
I only know that this imprisonment at his age... | 0:47:42 | 0:47:45 | |
but you're not in the prison itself surely. | 0:47:45 | 0:47:47 | |
You're in the rules. | 0:47:47 | 0:47:48 | |
It's not so bad there. | 0:47:48 | 0:47:50 | |
Bad enough, Mr Nickleby. | 0:47:50 | 0:47:53 | |
If you would only give us... | 0:47:53 | 0:47:54 | |
My dear Miss Bray, I've already told you I can do nothing. | 0:47:54 | 0:47:56 | |
As for Gride, he will tell you precisely the same. | 0:47:56 | 0:47:59 | |
Your father was once a man of wealth. | 0:47:59 | 0:48:02 | |
Before he squandered his money, | 0:48:02 | 0:48:04 | |
he should have thought of the consequences. | 0:48:04 | 0:48:05 | |
(BELL DINGS) | 0:48:05 | 0:48:08 | |
Now I have some work to do. | 0:48:08 | 0:48:09 | |
Good night, sir. | 0:48:14 | 0:48:16 | |
Good night, my dear. | 0:48:16 | 0:48:17 | |
(INDISTINCT CHATTERING) | 0:48:22 | 0:48:24 | |
MRS NICKLEBY: An old family friend saying to me... | 0:48:31 | 0:48:33 | |
what was his name now? | 0:48:33 | 0:48:34 | |
It began with a "V" and ended with a "C," | 0:48:34 | 0:48:36 | |
but whether it was Watkins or... | 0:48:36 | 0:48:39 | |
No. It couldn't have been that. | 0:48:39 | 0:48:40 | |
Uncle, I... | 0:48:40 | 0:48:42 | |
Ah, my dear. | 0:48:42 | 0:48:43 | |
As you see, were just talking about you. | 0:48:43 | 0:48:45 | |
Kate, my love, you're to dine | 0:48:45 | 0:48:47 | |
with your uncle at half past 6:00 tomorrow. | 0:48:47 | 0:48:48 | |
I'm having a small party of business friends, | 0:48:48 | 0:48:50 | |
and your mother has promised me | 0:48:50 | 0:48:51 | |
you shall keep house for me. | 0:48:51 | 0:48:52 | |
I'm sure you won't mind obliging me. | 0:48:52 | 0:48:54 | |
I shall be very glad to of course, uncle, | 0:48:54 | 0:48:56 | |
but we don't finish work until 9:00. | 0:48:56 | 0:48:58 | |
I've already spoken to Madame Mantalini. | 0:48:58 | 0:49:00 | |
You may leave early. Oh. | 0:49:00 | 0:49:01 | |
Well, of all the fortunes. | 0:49:01 | 0:49:03 | |
Come in good time in a hackney coach. | 0:49:03 | 0:49:04 | |
I'll pay for it. | 0:49:04 | 0:49:06 | |
Good night and, uh, God bless you. | 0:49:06 | 0:49:11 | |
I have an idea your uncle has taken | 0:49:11 | 0:49:12 | |
a strong fancy to you. | 0:49:12 | 0:49:14 | |
That's quite clear. | 0:49:14 | 0:49:15 | |
Let me see. Your black silk frock | 0:49:15 | 0:49:16 | |
will be dressy enough | 0:49:16 | 0:49:17 | |
with that pretty, little scarf | 0:49:17 | 0:49:19 | |
and a plain band in your hair. | 0:49:19 | 0:49:21 | |
MAN: Well, if this is a discounting dinner, hawk. | 0:49:21 | 0:49:24 | |
All I have to say is devil take me | 0:49:24 | 0:49:26 | |
if it wouldn't be a good plan | 0:49:26 | 0:49:28 | |
to get discount every day. | 0:49:28 | 0:49:29 | |
You will have plenty of it in your time. | 0:49:29 | 0:49:31 | |
Nickleby will tell you that. | 0:49:31 | 0:49:32 | |
What do you say, Nickleby? | 0:49:32 | 0:49:33 | |
Am I to be a good customer? | 0:49:33 | 0:49:35 | |
It depends entirely, milord, on circumstances. | 0:49:35 | 0:49:37 | |
On your lordship's circumstances. | 0:49:37 | 0:49:40 | |
And here's our hostess wondering why the deuce | 0:49:42 | 0:49:44 | |
someone doesn't make love to her. | 0:49:44 | 0:49:46 | |
No. Indeed. I...I... | 0:49:46 | 0:49:48 | |
There. She can't look me in the face and deny it. | 0:49:48 | 0:49:50 | |
I'll hold any man £50 she can't. | 0:49:50 | 0:49:53 | |
Done! Within two minutes. | 0:49:53 | 0:49:55 | |
Pike, you're the timekeeper. | 0:49:55 | 0:49:57 | |
Please don't make me the subject of your bets. | 0:49:57 | 0:50:00 | |
(LAUGHTER) | 0:50:00 | 0:50:01 | |
Uncle, do ask them not. | 0:50:01 | 0:50:04 | |
RALPH: Why not, my dear, if the gentleman insists. | 0:50:04 | 0:50:06 | |
It is done in a moment. | 0:50:06 | 0:50:07 | |
Oh, I don't insist. | 0:50:07 | 0:50:08 | |
If miss Nickleby makes the denial, I lose, | 0:50:08 | 0:50:11 | |
but I'd be glad to see those bright eyes of hers, | 0:50:11 | 0:50:14 | |
especially as they favour the table so much. | 0:50:14 | 0:50:17 | |
So they do, and it's too bad of you. | 0:50:17 | 0:50:19 | |
(LAUGHTER) | 0:50:19 | 0:50:21 | |
How goes the enemy? | 0:50:21 | 0:50:22 | |
One minute gone. Bravo! | 0:50:22 | 0:50:24 | |
Won't you make an effort | 0:50:24 | 0:50:25 | |
for me, Miss Nickleby? | 0:50:25 | 0:50:26 | |
You needn't trouble yourself to inquire, my buck. | 0:50:26 | 0:50:28 | |
She and I understand each other. | 0:50:28 | 0:50:30 | |
Time? Minute and a half gone. | 0:50:30 | 0:50:32 | |
Get the money ready. | 0:50:32 | 0:50:33 | |
(LAUGHTER) | 0:50:42 | 0:50:44 | |
Ask my niece not to leave | 0:50:49 | 0:50:50 | |
until I have spoken to her. | 0:50:50 | 0:50:53 | |
Thanks. That's a girl of spirit. | 0:50:53 | 0:50:56 | |
We'll drink her health. | 0:50:56 | 0:50:57 | |
Miss Nickleby and those bright and beautiful eyes. | 0:50:57 | 0:51:01 | |
ALL: Miss Nickleby. | 0:51:01 | 0:51:03 | |
An unexpected pleasure... | 0:51:03 | 0:51:04 | |
your niece, I mean. | 0:51:04 | 0:51:06 | |
Designed to surprise you, Lord Frederick. | 0:51:06 | 0:51:08 | |
Nickleby knows well enough how to please a new client. | 0:51:08 | 0:51:12 | |
Speaking of clients, Mr Gride, | 0:51:12 | 0:51:14 | |
I was honoured yesterday by a visit from Bray's daughter. | 0:51:14 | 0:51:17 | |
She merely wants to set the whole course of law in reverse, | 0:51:17 | 0:51:20 | |
free her father without payment of his debts. | 0:51:20 | 0:51:22 | |
What an optimistic young lady. | 0:51:22 | 0:51:24 | |
Yes...but rather a good-looking one. | 0:51:24 | 0:51:28 | |
You see, Nickleby, | 0:51:38 | 0:51:40 | |
the estate is large enough, | 0:51:40 | 0:51:42 | |
but the ready cash is not. | 0:51:42 | 0:51:43 | |
That's the deadlock. | 0:51:43 | 0:51:45 | |
Now, I'm wondering... | 0:51:45 | 0:51:47 | |
you mean it's no go? | 0:51:47 | 0:51:48 | |
I never digest my dinner and business at the same time, | 0:51:48 | 0:51:51 | |
nor should you. | 0:51:51 | 0:51:52 | |
Come to my office one day. | 0:51:52 | 0:51:53 | |
You're a deuced good fellow, Nickleby. | 0:51:53 | 0:51:55 | |
Hawk said you'd come to the rescue. | 0:51:55 | 0:51:57 | |
The most knowing card in the pack, | 0:51:57 | 0:51:58 | |
I always called him. Eh, hawk? | 0:51:58 | 0:52:01 | |
Where the devil is he? | 0:52:01 | 0:52:03 | |
Ah, how delightfully studious. | 0:52:10 | 0:52:13 | |
And such eyelashes. | 0:52:15 | 0:52:18 | |
Upon my soul, they're perfect. | 0:52:18 | 0:52:20 | |
Now, why did I speak and destroy such a pretty little picture? | 0:52:20 | 0:52:24 | |
Let me go! | 0:52:25 | 0:52:26 | |
Oh, no. I want to talk to you. | 0:52:26 | 0:52:28 | |
Let me go! | 0:52:28 | 0:52:29 | |
Let me leave here, please. Just a moment. | 0:52:35 | 0:52:37 | |
Sit down, my dear. | 0:52:44 | 0:52:46 | |
I advise you, sir, to rejoin the party. | 0:52:49 | 0:52:52 | |
Hmm. | 0:52:52 | 0:52:53 | |
You wanted our young friend, didn't you? | 0:52:53 | 0:52:55 | |
If he'd found his way in here instead of me, | 0:52:55 | 0:52:58 | |
you would have been a little blinder | 0:52:58 | 0:52:59 | |
and a little deafer, eh? | 0:52:59 | 0:53:01 | |
Who brought him to you? | 0:53:01 | 0:53:03 | |
Without me, what chance would you have | 0:53:03 | 0:53:05 | |
to land him in that net of yours? | 0:53:05 | 0:53:07 | |
It's a large net, and rather full. | 0:53:07 | 0:53:11 | |
I shouldn't like anyone to be choked in the meshes. | 0:53:11 | 0:53:13 | |
Hmm. | 0:53:13 | 0:53:15 | |
Now, Kate. | 0:53:18 | 0:53:19 | |
I won't stay in this house a moment longer. | 0:53:19 | 0:53:20 | |
You must calm yourself, my dear. | 0:53:20 | 0:53:23 | |
Yes. Yes, you should go. Of course you shall. | 0:53:23 | 0:53:25 | |
What that man said was true. | 0:53:25 | 0:53:27 | |
You brought me here for... | 0:53:27 | 0:53:28 | |
for your business. | 0:53:28 | 0:53:29 | |
My dear child, how could I know this would happen? | 0:53:29 | 0:53:32 | |
I sent the fellow off quickly enough. | 0:53:32 | 0:53:34 | |
You saw that for yourself. | 0:53:34 | 0:53:35 | |
Think no more of it. | 0:53:35 | 0:53:37 | |
I shall say nothing of this to your mother. | 0:53:38 | 0:53:41 | |
After all, it was only an incident. | 0:53:41 | 0:53:43 | |
1,000. Many a thanks. | 0:53:45 | 0:53:47 | |
Thank you, milord. | 0:53:47 | 0:53:49 | |
Nickleby's losing by it. Take my word. | 0:53:49 | 0:53:50 | |
He wouldn't give those terms to everyone. | 0:53:50 | 0:53:53 | |
I wouldn't. | 0:53:53 | 0:53:54 | |
Heh heh! | 0:53:54 | 0:53:55 | |
That, um, niece of yours... | 0:53:55 | 0:53:57 | |
devilish pretty girl. | 0:53:57 | 0:53:58 | |
She's considered so, I believe. | 0:53:58 | 0:54:00 | |
(BELLS JINGLING) | 0:54:00 | 0:54:01 | |
Where does the beauty live, eh? | 0:54:01 | 0:54:03 | |
I should like to have another peep. | 0:54:03 | 0:54:06 | |
I'm sure, milord, no good would come of your knowing. | 0:54:06 | 0:54:09 | |
Oh, come. | 0:54:09 | 0:54:11 | |
You know you're going to make a fortune out of me. | 0:54:11 | 0:54:12 | |
Let me see her again, | 0:54:12 | 0:54:13 | |
and I'll never deal with anyone else. | 0:54:13 | 0:54:15 | |
If you could come back later... | 0:54:15 | 0:54:16 | |
but I had a letter, | 0:54:16 | 0:54:18 | |
just before Kate left this morning, | 0:54:18 | 0:54:19 | |
or didn't leave, rather. | 0:54:19 | 0:54:22 | |
Confound you, Nigel! I told you to show Mrs Nickleby... | 0:54:22 | 0:54:25 | |
Ooh, there you are, after all. | 0:54:25 | 0:54:27 | |
Kate, my dear. | 0:54:27 | 0:54:28 | |
I was sure if you had been engaged, | 0:54:28 | 0:54:30 | |
you'd have said so in the letter. | 0:54:30 | 0:54:32 | |
And in that case, of course, | 0:54:32 | 0:54:33 | |
you wouldn't have written it. | 0:54:33 | 0:54:34 | |
I couldn't quite make out why we had to come, but... | 0:54:34 | 0:54:37 | |
Ooh. | 0:54:39 | 0:54:40 | |
I beg your pardon. | 0:54:40 | 0:54:42 | |
(DOOR CLOSES) | 0:54:42 | 0:54:43 | |
Allow me to present my sister-in-law. | 0:54:43 | 0:54:44 | |
You're the mother of miss Nickleby, | 0:54:44 | 0:54:46 | |
the delightful creature we met when last we dined here? | 0:54:46 | 0:54:49 | |
No, I can't believe it. | 0:54:49 | 0:54:51 | |
Milady is too young for that. | 0:54:51 | 0:54:53 | |
MRS NICKLEBY: but I assure you... | 0:54:53 | 0:54:54 | |
Sir Mulberry Hawk. | 0:54:54 | 0:54:56 | |
Lord Verisopht. | 0:54:56 | 0:54:58 | |
A great pleasure. How do you do? | 0:54:58 | 0:55:01 | |
Milord, Sir Mulberry. Really, I... | 0:55:01 | 0:55:04 | |
Now that we've met Mom, | 0:55:04 | 0:55:05 | |
we must improve on the acquaintance. | 0:55:05 | 0:55:07 | |
I have a private box at the opera. | 0:55:07 | 0:55:09 | |
The opera! | 0:55:09 | 0:55:11 | |
If you and your daughter would do me the honour... | 0:55:11 | 0:55:12 | |
it's a new opera on Saturday, | 0:55:12 | 0:55:14 | |
first performance. | 0:55:14 | 0:55:15 | |
Come, now. A refusal is out of the question. | 0:55:15 | 0:55:18 | |
I'll send my carriage for you. | 0:55:18 | 0:55:19 | |
You're so very pressing. I scarcely know what to... | 0:55:19 | 0:55:21 | |
Kate, do you hear? | 0:55:21 | 0:55:22 | |
Yes, Mama, but... | 0:55:22 | 0:55:23 | |
Of course. We shall be delighted. | 0:55:23 | 0:55:25 | |
Capital. Now we must be off. | 0:55:25 | 0:55:27 | |
Good day, Nickleby. | 0:55:27 | 0:55:28 | |
I will see you out. | 0:55:28 | 0:55:29 | |
Eh? What? | 0:55:29 | 0:55:32 | |
Oh, are we going? | 0:55:32 | 0:55:34 | |
Good day, miss Nickleby. | 0:55:34 | 0:55:36 | |
Good day, Mrs Nickleby. | 0:55:36 | 0:55:38 | |
I shall look forward to Saturday. | 0:55:38 | 0:55:42 | |
Two more handsome, delightful gentlemen, I never saw. | 0:55:42 | 0:55:45 | |
And titles, both of them. | 0:55:45 | 0:55:47 | |
What a wicked girl not to tell your mother you'd met them. | 0:55:47 | 0:55:50 | |
I declare, you must have had some reason for it. | 0:55:50 | 0:55:52 | |
Please, Mama, must we go to the opera? | 0:55:52 | 0:55:55 | |
(WOMAN SINGING OPERA) | 0:55:57 | 0:55:58 | |
(MAN SINGING) | 0:56:02 | 0:56:04 | |
Delightful. Quite delightful. | 0:56:09 | 0:56:11 | |
And so different from Shakespeare. | 0:56:11 | 0:56:13 | |
I'm always ill after Shakespeare. | 0:56:13 | 0:56:15 | |
It's the most extraordinary thing. | 0:56:15 | 0:56:17 | |
This is the most happy evening for me, my dear. | 0:56:17 | 0:56:19 | |
Suppose we slip out for a little supper together? | 0:56:19 | 0:56:22 | |
Your mother won't miss you. | 0:56:22 | 0:56:24 | |
What do you say? | 0:56:24 | 0:56:25 | |
Why, Kate, my dear, you've gotten quite pale. | 0:56:28 | 0:56:31 | |
It's nothing, Mama. You imagined it. | 0:56:31 | 0:56:33 | |
I was thinking the same, Mrs Nickleby. | 0:56:33 | 0:56:35 | |
Your daughter needs country air. | 0:56:35 | 0:56:38 | |
Now, I have a little place near Windsor. | 0:56:38 | 0:56:39 | |
Windsor? | 0:56:39 | 0:56:40 | |
A few hundred acres. | 0:56:40 | 0:56:41 | |
Why not let her come down there next weekend? | 0:56:41 | 0:56:44 | |
Accompanied by yourself, of course. | 0:56:44 | 0:56:45 | |
Lord Frederick will be there, too. | 0:56:45 | 0:56:47 | |
Well, really, this is too kind. | 0:56:47 | 0:56:50 | |
Isn't it, Kate? | 0:56:50 | 0:56:52 | |
Just think of it. Hundreds of acres. | 0:56:52 | 0:56:54 | |
It could do you all the good in the world, | 0:56:54 | 0:56:56 | |
won't it, Lord Frederick? She's more than... | 0:56:56 | 0:56:58 | |
(SINGING CONTINUES LOUDER) | 0:56:58 | 0:57:00 | |
...just now, it occurred to me | 0:57:00 | 0:57:01 | |
it reminded me of the day you caught that dreadful cold | 0:57:01 | 0:57:04 | |
the very evening that gentleman called | 0:57:04 | 0:57:05 | |
whose father and mother married an Archbishop. | 0:57:05 | 0:57:07 | |
Or were they married by one? | 0:57:07 | 0:57:09 | |
I'm sure you must... | 0:57:09 | 0:57:10 | |
(CONTINUES INDISTINCTLY) | 0:57:10 | 0:57:12 | |
CRUMMLES: A glooming peace | 0:57:18 | 0:57:20 | |
this morning with it brings; | 0:57:20 | 0:57:22 | |
the sun for sorrow will not show his head. | 0:57:22 | 0:57:26 | |
Go hence to have more talk of these sad things; | 0:57:26 | 0:57:29 | |
some shall be pardoned and some punish-ed: | 0:57:29 | 0:57:35 | |
for never was a story of more woe | 0:57:35 | 0:57:39 | |
than this of Juliet and her Romeo. | 0:57:39 | 0:57:45 | |
(CHEERING AND APPLAUSE) | 0:57:51 | 0:57:53 | |
Capital, my boy, a prince of a Romeo. Take it. | 0:58:17 | 0:58:21 | |
I was quite swept off my feet, I was, really. | 0:58:21 | 0:58:24 | |
I'm out of stout, love. Would you be a dear? | 0:58:24 | 0:58:26 | |
Now I have another novelty. | 0:58:26 | 0:58:27 | |
What's that, the performing pony? | 0:58:27 | 0:58:28 | |
Oh, no, we never come to the ponies | 0:58:28 | 0:58:30 | |
till everything else has failed. | 0:58:30 | 0:58:31 | |
A bespeak, my boy. | 0:58:31 | 0:58:33 | |
A benefit night in your honour. | 0:58:33 | 0:58:36 | |
Excuse me. This just came on the London coach. | 0:58:36 | 0:58:39 | |
From Newman Noggs. | 0:58:39 | 0:58:42 | |
Is it bad news? | 0:58:42 | 0:58:44 | |
"No wish to alarm you, | 0:58:44 | 0:58:45 | |
"but your uncle being the man he is | 0:58:45 | 0:58:47 | |
"and his friends the men they are, | 0:58:47 | 0:58:49 | |
"events may soon occur which would put your sister in sore need of protection." | 0:58:49 | 0:58:53 | |
(CRUMMLES HUMMING) | 0:58:53 | 0:58:55 | |
Mr Crummles, I hope you'll forgive me. | 0:58:56 | 0:58:59 | |
I shall have to leave the company. | 0:58:59 | 0:59:00 | |
Leave? At the height of your success? | 0:59:00 | 0:59:02 | |
Nonsense. | 0:59:02 | 0:59:03 | |
I just heard from London. | 0:59:03 | 0:59:04 | |
Oh, a superior offer. I'll double it. | 0:59:04 | 0:59:06 | |
It's nothing of that kind. My sister needs me. | 0:59:06 | 0:59:08 | |
Oh? Short of money, I suppose, | 0:59:08 | 0:59:09 | |
and the mortgage threatening. | 0:59:09 | 0:59:10 | |
Ha ha! How often I've played in that situation. | 0:59:10 | 0:59:13 | |
My boy, after your bespeak, | 0:59:13 | 0:59:15 | |
you'll be able to send her every penny she needs, | 0:59:15 | 0:59:16 | |
more than that. | 0:59:16 | 0:59:17 | |
You're very kind, Mr Crummles, | 0:59:17 | 0:59:19 | |
but you don't understand. | 0:59:19 | 0:59:20 | |
It's not really a question of money. | 0:59:20 | 0:59:21 | |
Family affection. | 0:59:21 | 0:59:22 | |
Advice from a brother on an affair of the heart. | 0:59:22 | 0:59:24 | |
You must write her, my boy. | 0:59:24 | 0:59:25 | |
I'll help you with the letter myself. | 0:59:25 | 0:59:26 | |
You better read this. | 0:59:26 | 0:59:28 | |
What? | 0:59:28 | 0:59:29 | |
You can see how serious it is. | 0:59:29 | 0:59:30 | |
Seems so ungrateful of me. | 0:59:30 | 0:59:31 | |
If there was anything else I could do... | 0:59:31 | 0:59:33 | |
You must go. | 0:59:33 | 0:59:35 | |
You must go at once. | 0:59:35 | 0:59:36 | |
There's not a moment to lose. | 0:59:36 | 0:59:38 | |
What drama. | 0:59:38 | 0:59:40 | |
What drama! | 0:59:40 | 0:59:41 | |
If I could take the morning coach... | 0:59:41 | 0:59:42 | |
Yes, yes, by all means. | 0:59:42 | 0:59:44 | |
Attention, everyone! | 0:59:44 | 0:59:46 | |
Attention, everyone! | 0:59:46 | 0:59:47 | |
Smike, you'll be safe here with Mr Crummles, won't you? | 0:59:47 | 0:59:51 | |
I wanted to go with you. | 0:59:51 | 0:59:53 | |
I'm afraid you can't do that. | 0:59:53 | 0:59:54 | |
I'll send for you immediately things are more settled. | 0:59:54 | 0:59:57 | |
We shall see him off first thing tomorrow, the entire company. | 0:59:57 | 1:00:00 | |
Costumes from the funeral scene, ways and means, Act III. | 1:00:00 | 1:00:03 | |
Everyone much affected. | 1:00:03 | 1:00:06 | |
(SNIFFS) | 1:00:06 | 1:00:07 | |
And the infant phenomenon to present a bouquet. | 1:00:07 | 1:00:10 | |
Afterwards, a full rehearsal for the entire company. | 1:00:10 | 1:00:12 | |
"Romeo And Juliet"? | 1:00:12 | 1:00:13 | |
No, no. We have no Romeo. | 1:00:13 | 1:00:15 | |
(CRYING) | 1:00:15 | 1:00:17 | |
If you have tears, forbear to shed them now. | 1:00:17 | 1:00:20 | |
Save them for the departure. | 1:00:20 | 1:00:21 | |
Mr Crummles, at great personal sacrifice... | 1:00:21 | 1:00:24 | |
my Romeo was notorious. | 1:00:24 | 1:00:26 | |
I can well believe it. | 1:00:26 | 1:00:28 | |
It'll take more than that to save the day. | 1:00:28 | 1:00:29 | |
Off you go, my boy, and make ready. | 1:00:29 | 1:00:31 | |
And remember, our good wishes go with you every inch of the way. | 1:00:31 | 1:00:34 | |
Thank you, sir, | 1:00:34 | 1:00:35 | |
for all the goodness you've shown to Smike and me. | 1:00:35 | 1:00:37 | |
I know you'll look after him. | 1:00:37 | 1:00:39 | |
Thank you, everyone, | 1:00:39 | 1:00:40 | |
for all your help and your kindness. | 1:00:40 | 1:00:42 | |
I shall never forget you. | 1:00:42 | 1:00:43 | |
Adieu. | 1:00:43 | 1:00:44 | |
Goodbye. | 1:00:44 | 1:00:45 | |
We will see you off tomorrow. | 1:00:45 | 1:00:47 | |
Goodbye, Molly. | 1:00:47 | 1:00:48 | |
(WOMAN CRYING) | 1:00:48 | 1:00:49 | |
Born for the lamps, too. | 1:00:51 | 1:00:53 | |
Crudden, call the pony for tomorrow. | 1:00:53 | 1:00:55 | |
Yes, sir. | 1:00:55 | 1:00:56 | |
(SNIFFS) | 1:00:56 | 1:00:58 | |
Acton Court. 10 minutes, gentlemen. | 1:01:08 | 1:01:11 | |
(INDISTINCT CHATTER) | 1:01:15 | 1:01:17 | |
...the old woman thinks we are doing it for her health. | 1:01:26 | 1:01:28 | |
So they both come down to Windsor tomorrow, eh? | 1:01:28 | 1:01:30 | |
Yes. The old mare goes out to grass, | 1:01:30 | 1:01:31 | |
and then the little filly shows up aces. | 1:01:31 | 1:01:34 | |
(MEN CHUCKLING) | 1:01:34 | 1:01:35 | |
Come, let's give her the first glass of the new magnum. | 1:01:35 | 1:01:38 | |
Little Kate Nickleby! | 1:01:38 | 1:01:40 | |
(LAUGHTER) | 1:01:40 | 1:01:41 | |
MEN: Kate Nickleby! | 1:01:41 | 1:01:43 | |
Just a minute. | 1:01:43 | 1:01:45 | |
The little Jade, | 1:01:45 | 1:01:46 | |
she's a worthy imitation of her uncle Ralph. | 1:01:46 | 1:01:48 | |
Hanged back to be the more sought after. | 1:01:48 | 1:01:50 | |
That's going to raise the interest. | 1:01:50 | 1:01:51 | |
Will you come outside for a moment? | 1:01:51 | 1:01:53 | |
Upon me soul, a mysterious stranger. | 1:01:53 | 1:01:55 | |
Name your business here or nowhere. | 1:01:55 | 1:01:57 | |
The lady you named is my sister. | 1:01:57 | 1:01:59 | |
My business, you'll guess. | 1:01:59 | 1:02:01 | |
Are you coming outside? | 1:02:03 | 1:02:05 | |
No. | 1:02:05 | 1:02:06 | |
(CHUCKLES) | 1:02:10 | 1:02:12 | |
So much for the errand boy. | 1:02:12 | 1:02:14 | |
MAN: London coach just leaving, sir. | 1:02:14 | 1:02:17 | |
(HORN TOOTING) | 1:02:17 | 1:02:20 | |
I must say, Hawk, | 1:02:24 | 1:02:26 | |
I still think you should have accepted | 1:02:26 | 1:02:27 | |
the fellow's challenge. | 1:02:27 | 1:02:28 | |
And I still think otherwise. | 1:02:28 | 1:02:29 | |
He was within his rights, you know. | 1:02:29 | 1:02:30 | |
I'm not interested one way or the other. | 1:02:30 | 1:02:32 | |
Eh? | 1:02:32 | 1:02:34 | |
What the devil? | 1:02:34 | 1:02:36 | |
You going to answer for what you said? | 1:02:36 | 1:02:37 | |
To you, no! | 1:02:37 | 1:02:38 | |
You call yourself a gentleman? | 1:02:38 | 1:02:40 | |
Oh, go to the deuce! | 1:02:40 | 1:02:41 | |
Let go her head. You'd better. | 1:02:41 | 1:02:44 | |
Let her go, I tell you. | 1:02:44 | 1:02:46 | |
Get off! | 1:02:46 | 1:02:47 | |
Not till you... | 1:02:47 | 1:02:48 | |
Aah! | 1:02:52 | 1:02:53 | |
Aah! | 1:03:07 | 1:03:09 | |
(GRUNTING) | 1:03:17 | 1:03:20 | |
(KNOCKING ON DOOR) | 1:03:30 | 1:03:31 | |
All right. I'm just coming. I'm just coming. | 1:03:35 | 1:03:38 | |
Bless my soul! | 1:03:43 | 1:03:45 | |
Kate. I must... | 1:03:45 | 1:03:47 | |
Nicholas: I went away on one condition: | 1:03:52 | 1:03:54 | |
that you would care for my mother and Kate. | 1:03:54 | 1:03:56 | |
I left them to you, | 1:03:56 | 1:03:57 | |
and this is how you treat them. | 1:03:57 | 1:03:58 | |
Young girls like to imagine things. | 1:03:58 | 1:04:01 | |
Kate is no exception. | 1:04:01 | 1:04:02 | |
Kate imagined nothing. | 1:04:02 | 1:04:03 | |
She told me nothing of her trouble. | 1:04:03 | 1:04:04 | |
Your loose-tongued friends made it clear enough. | 1:04:04 | 1:04:07 | |
You broke your promise, | 1:04:07 | 1:04:08 | |
and one day, you'll pay for it. | 1:04:08 | 1:04:10 | |
I see... | 1:04:10 | 1:04:11 | |
an IOU of some kind, | 1:04:11 | 1:04:13 | |
due on some indefinite date. | 1:04:13 | 1:04:15 | |
You can sneer if you want to. | 1:04:15 | 1:04:16 | |
I may be young, I may have no money and no experience, | 1:04:16 | 1:04:18 | |
but I know the difference between good and evil, | 1:04:18 | 1:04:20 | |
and I know how people of your type come to an end. | 1:04:20 | 1:04:23 | |
(BELLS JINGLING) | 1:04:23 | 1:04:24 | |
From the very first, you took advantage of my helplessness. | 1:04:24 | 1:04:27 | |
I should have known better than to trust you a second... | 1:04:27 | 1:04:28 | |
I've heard enough! | 1:04:28 | 1:04:30 | |
As for your mother and your sister, | 1:04:32 | 1:04:33 | |
from now on, you can care for them. I fully intend to. | 1:04:33 | 1:04:36 | |
You will never make use of my sister again for your business schemes. | 1:04:36 | 1:04:38 | |
Of course, they will have to leave the home I've provided. | 1:04:42 | 1:04:44 | |
They have already left it! | 1:04:44 | 1:04:45 | |
They never want to see it again... or you. | 1:04:45 | 1:04:48 | |
I'll tell Mr Nickleby. | 1:04:52 | 1:04:55 | |
Some of those things you said... | 1:04:55 | 1:04:57 | |
oughtn't to have said them. | 1:04:57 | 1:04:59 | |
But they was good to hear. | 1:04:59 | 1:05:01 | |
It's easy enough to talk. | 1:05:01 | 1:05:03 | |
I have to make good my words. | 1:05:03 | 1:05:05 | |
Miss Bray is here. | 1:05:11 | 1:05:13 | |
Who? | 1:05:13 | 1:05:15 | |
Miss Bray? | 1:05:15 | 1:05:16 | |
Are you in or out? You didn't tell me. | 1:05:16 | 1:05:18 | |
Perhaps you don't want to see anybody. | 1:05:18 | 1:05:21 | |
Well, my dear? | 1:05:23 | 1:05:25 | |
I had to come, Mr Nickleby. | 1:05:25 | 1:05:27 | |
It's my father's health. | 1:05:27 | 1:05:29 | |
For some time now, he's not been very strong, | 1:05:29 | 1:05:31 | |
and yesterday, he had an attack. | 1:05:31 | 1:05:34 | |
The doctor always told him to be careful of his heart. | 1:05:34 | 1:05:35 | |
Dear me. | 1:05:35 | 1:05:37 | |
If this imprisonment has to go on, | 1:05:37 | 1:05:38 | |
I don't know what might happen. | 1:05:38 | 1:05:39 | |
You don't expect me to cancel the debt, | 1:05:39 | 1:05:41 | |
to say nothing of Gride? | 1:05:41 | 1:05:42 | |
Oh, no. | 1:05:42 | 1:05:44 | |
If you could see your way to... | 1:05:44 | 1:05:46 | |
reduce the interest, I suppose. | 1:05:46 | 1:05:49 | |
Yes. | 1:05:49 | 1:05:50 | |
Father can earn nothing. | 1:05:50 | 1:05:53 | |
The little I manage to make is... | 1:05:53 | 1:05:55 | |
barely enough to keep us in the rules, | 1:05:55 | 1:05:58 | |
out of the prison itself. | 1:05:58 | 1:06:00 | |
After paying the interest to you and Mr Gride, | 1:06:00 | 1:06:03 | |
what chance have we to pay off the debts? | 1:06:03 | 1:06:05 | |
How can we ever be free? | 1:06:05 | 1:06:07 | |
Child, child, you must not distress yourself. | 1:06:07 | 1:06:11 | |
You would do a great deal to free your father, wouldn't you? | 1:06:13 | 1:06:17 | |
Yes. | 1:06:17 | 1:06:19 | |
Perhaps something can be managed. | 1:06:19 | 1:06:23 | |
Something even more practical | 1:06:23 | 1:06:24 | |
than a reduction in the interest. | 1:06:24 | 1:06:27 | |
I shall come in tomorrow or the day after... | 1:06:27 | 1:06:30 | |
that's very kind of you. Thank you. | 1:06:30 | 1:06:32 | |
Have a word or two with your father, | 1:06:32 | 1:06:35 | |
and then, of course, we shall have to see Mr Gride. | 1:06:35 | 1:06:38 | |
MAN: how much? | 1:06:54 | 1:06:55 | |
I thought two pounds a week. | 1:06:55 | 1:06:56 | |
Ha ha ha! | 1:06:56 | 1:06:57 | |
Is that asking for so very much? | 1:06:57 | 1:06:59 | |
Might as well ask for the moon. | 1:06:59 | 1:07:01 | |
Good morning, sir. | 1:07:01 | 1:07:02 | |
Good morning. | 1:07:02 | 1:07:04 | |
I'll wait till you finish with the young gentleman. | 1:07:04 | 1:07:06 | |
What is this one under tuition, | 1:07:06 | 1:07:08 | |
knowledge of French required? | 1:07:08 | 1:07:09 | |
Dancing master. Now, sir? | 1:07:09 | 1:07:11 | |
Just a moment, young man. | 1:07:11 | 1:07:13 | |
Am I to understand you are seeking employment? | 1:07:13 | 1:07:16 | |
If I can find it, sir. | 1:07:16 | 1:07:17 | |
And you speak French? | 1:07:17 | 1:07:18 | |
Fairly well, sir. | 1:07:18 | 1:07:19 | |
Education... a great thing. | 1:07:19 | 1:07:22 | |
I never had any. | 1:07:22 | 1:07:25 | |
Come along with me. But I... | 1:07:25 | 1:07:26 | |
not another word. | 1:07:26 | 1:07:28 | |
(BELLS TOLLING) | 1:07:30 | 1:07:32 | |
I saw it in "the times" that you were in London again. | 1:07:34 | 1:07:36 | |
Regular as the clock, sir. | 1:07:36 | 1:07:38 | |
What do you think of Wackford Jr. | 1:07:38 | 1:07:40 | |
As a specimen of Dotheboys Hall feeding? | 1:07:40 | 1:07:43 | |
I brought him up to show parents and guardians. | 1:07:43 | 1:07:45 | |
He's flesh. He's firmness. | 1:07:45 | 1:07:47 | |
Look at them tears, sir. | 1:07:47 | 1:07:49 | |
There is oiliness. | 1:07:49 | 1:07:50 | |
Yeah, he looks well, indeed. | 1:07:50 | 1:07:53 | |
And are you quite recovered | 1:07:53 | 1:07:54 | |
from that young scoundrel's attack? | 1:07:54 | 1:07:55 | |
I've only just started, sir. | 1:07:55 | 1:07:56 | |
I was one blessed bruise from here to there. | 1:07:56 | 1:07:59 | |
Vinegar and brown paper from morning till night. | 1:07:59 | 1:08:01 | |
You might have thought I was a big brown paper parcel | 1:08:01 | 1:08:03 | |
chock full of nothing else but grounds. | 1:08:03 | 1:08:05 | |
I should like a word with you. | 1:08:05 | 1:08:07 | |
Wackford, run and buy yourself a tart. | 1:08:07 | 1:08:11 | |
Pastry makes their flesh shine. | 1:08:11 | 1:08:13 | |
Parents like it. | 1:08:13 | 1:08:15 | |
Now, sir? | 1:08:15 | 1:08:16 | |
I suppose you're not dolt enough to forgive or forget | 1:08:16 | 1:08:20 | |
the violence done to you by that nephew of mine... | 1:08:20 | 1:08:22 | |
Devil a bit. | 1:08:22 | 1:08:23 | |
Or to lose an opportunity of repaying him. | 1:08:23 | 1:08:25 | |
Show me one. | 1:08:25 | 1:08:26 | |
Where is he? | 1:08:26 | 1:08:27 | |
I know where he is. | 1:08:27 | 1:08:29 | |
We shan't lose track of him. | 1:08:29 | 1:08:30 | |
Tell me, who was this boy he took with him? | 1:08:30 | 1:08:32 | |
Was he young or old? | 1:08:32 | 1:08:33 | |
He might have been nigh 20 | 1:08:33 | 1:08:35 | |
and was just beginning to be useful about the place. | 1:08:35 | 1:08:37 | |
I had hopes of him even earning me a bit in the village. | 1:08:37 | 1:08:40 | |
Perhaps he will yet. | 1:08:40 | 1:08:42 | |
My nephew will find it harder than he thinks | 1:08:42 | 1:08:44 | |
to get the better of me. | 1:08:44 | 1:08:46 | |
Mother! Kate! | 1:08:48 | 1:08:49 | |
What happened? | 1:08:49 | 1:08:51 | |
Everything's happened. Everything is settled. | 1:08:51 | 1:08:52 | |
Did you speak to your uncle? | 1:08:52 | 1:08:53 | |
Yes, but never mind about that. | 1:08:53 | 1:08:55 | |
Don't you want to hear my news? | 1:08:55 | 1:08:56 | |
I only wish we could. | 1:08:56 | 1:08:57 | |
I went to the agency. | 1:08:57 | 1:08:58 | |
Lo and behold, there he was. | 1:08:58 | 1:09:00 | |
Kate: Who was? | 1:09:00 | 1:09:01 | |
Mr Cheeryble, the chubbiest, tubbiest, | 1:09:01 | 1:09:03 | |
most wonderful old gentleman you've ever seen. | 1:09:03 | 1:09:05 | |
I never have seen him. | 1:09:05 | 1:09:06 | |
I'll show him to you. | 1:09:06 | 1:09:07 | |
Oh. | 1:09:07 | 1:09:08 | |
White cravat, double chin. | 1:09:08 | 1:09:11 | |
Very portly. | 1:09:12 | 1:09:13 | |
(LAUGHING) | 1:09:13 | 1:09:14 | |
(DEEP VOICE) Young man, | 1:09:14 | 1:09:15 | |
you are looking for work, are you not? | 1:09:15 | 1:09:17 | |
And you speak French, do you not? | 1:09:17 | 1:09:19 | |
But how do you know that? | 1:09:19 | 1:09:20 | |
Not another word, young man. | 1:09:20 | 1:09:21 | |
Follow me. | 1:09:21 | 1:09:22 | |
(NORMAL VOICE) And off we go... | 1:09:22 | 1:09:23 | |
into the city, | 1:09:23 | 1:09:24 | |
down Threadneedle Street, | 1:09:24 | 1:09:25 | |
off to the left, off to the right, | 1:09:25 | 1:09:27 | |
and up front of his door. | 1:09:27 | 1:09:28 | |
Open the door, | 1:09:28 | 1:09:30 | |
and what do you think's inside? | 1:09:30 | 1:09:31 | |
Another Mr Cheeryble... | 1:09:31 | 1:09:32 | |
white cravat, double chin, | 1:09:32 | 1:09:34 | |
very portly. | 1:09:34 | 1:09:35 | |
Twins! As you say, madam. | 1:09:35 | 1:09:37 | |
And the first Mr Cheeryble says | 1:09:37 | 1:09:39 | |
to the second Mr Cheeryble... | 1:09:39 | 1:09:40 | |
(DEEP VOICE) "Brother Ned, | 1:09:40 | 1:09:42 | |
here's just the young gentleman we've been looking for." | 1:09:42 | 1:09:43 | |
Oh! Oh! | 1:09:43 | 1:09:44 | |
"And he even speaks French, brother Ned." | 1:09:44 | 1:09:46 | |
Oh, but what has that got to do with... | 1:09:46 | 1:09:47 | |
Shh. Silk importers. Do half their business with France. | 1:09:47 | 1:09:49 | |
"Young man, we offer you the vacant stool | 1:09:49 | 1:09:52 | |
"in our counting house | 1:09:52 | 1:09:53 | |
at a salary of 120 pounds a year." | 1:09:53 | 1:09:57 | |
Oh, 120? | 1:09:57 | 1:09:58 | |
"Just to start with, of course. | 1:09:58 | 1:10:00 | |
"And as they're looking for somewhere to live, brother Charles, | 1:10:00 | 1:10:02 | |
why can't they have the little cottage at Bow?" | 1:10:02 | 1:10:04 | |
Cottage? | 1:10:04 | 1:10:05 | |
A real home again. | 1:10:05 | 1:10:06 | |
Bow...it's the sweetest little village. | 1:10:06 | 1:10:08 | |
Oh! | 1:10:08 | 1:10:10 | |
What is it, Smike? | 1:10:18 | 1:10:20 | |
Are you sure they'll want me? | 1:10:20 | 1:10:21 | |
Of course they will. This is your home now. | 1:10:21 | 1:10:24 | |
I'm sure I heard a hackney. | 1:10:31 | 1:10:33 | |
Here we are, mother. This is Smike, | 1:10:33 | 1:10:35 | |
just back from Portsmouth. | 1:10:35 | 1:10:36 | |
Any friend of Nicholas is more than welcome. | 1:10:36 | 1:10:38 | |
And this is my sister, Kate. | 1:10:38 | 1:10:40 | |
I've heard so much about you. | 1:10:40 | 1:10:42 | |
We're only just settling in, | 1:10:42 | 1:10:43 | |
so I hope you'll forgive us | 1:10:43 | 1:10:44 | |
if there's not much in the house, I mean. | 1:10:44 | 1:10:46 | |
(NICHOLAS CHUCKLES) | 1:10:46 | 1:10:47 | |
MRS NICKLEBY: Well, now, Nicholas, | 1:10:47 | 1:10:48 | |
much as you'd like me to stand here talking, | 1:10:48 | 1:10:49 | |
I have so much to do. | 1:10:49 | 1:10:50 | |
Then we mustn't keep you, mother. | 1:10:50 | 1:10:51 | |
So like your dear papa. | 1:10:51 | 1:10:53 | |
Never able to keep his thoughts on one subject | 1:10:53 | 1:10:55 | |
for two minutes together. | 1:10:55 | 1:10:56 | |
Now, what was I saying? Oh, yes. | 1:10:56 | 1:10:58 | |
Flowers for Miss La Verzey's room. | 1:10:58 | 1:11:00 | |
You know, a fine Saturday morning like this | 1:11:00 | 1:11:03 | |
always puts me in mind of... | 1:11:03 | 1:11:04 | |
(MEN TALKING INDISTINCTLY) | 1:11:04 | 1:11:06 | |
I'll wager no-one dragged you so far out of the city | 1:11:06 | 1:11:08 | |
this last 10 years. Here we are. | 1:11:08 | 1:11:10 | |
They must have been profiteers. | 1:11:12 | 1:11:14 | |
Mrs Nickleby. | 1:11:14 | 1:11:15 | |
It's, yes. Good morning. | 1:11:15 | 1:11:17 | |
I am Frank Cheeryble, and this is mister... | 1:11:17 | 1:11:19 | |
Cheeryble? | 1:11:19 | 1:11:20 | |
Not one of the brothers, surely? | 1:11:20 | 1:11:21 | |
A nephew, ma'am, but also in the firm. | 1:11:21 | 1:11:23 | |
And this is Mr Linkinwater, | 1:11:23 | 1:11:24 | |
our confidential clerk. | 1:11:24 | 1:11:26 | |
How nice. | 1:11:26 | 1:11:27 | |
Kate's my daughter. | 1:11:27 | 1:11:27 | |
Mr Cheeryble, Mr Linkin. | 1:11:27 | 1:11:29 | |
Oh, I've got it wrong. | 1:11:29 | 1:11:31 | |
Well, now do come inside. | 1:11:31 | 1:11:33 | |
We were strolling by this way, and we thought we'd call to see | 1:11:33 | 1:11:35 | |
if you were settling in comfortably. | 1:11:35 | 1:11:36 | |
Of course, in Devonshire, the earwigs always used to fall in | 1:11:36 | 1:11:39 | |
one's tea on Sunday evenings. | 1:11:39 | 1:11:41 | |
What in the world? Pardon me. Oh! | 1:11:41 | 1:11:44 | |
Let me help you. There. | 1:11:44 | 1:11:46 | |
Oh. | 1:11:46 | 1:11:47 | |
Very kind of you. | 1:11:47 | 1:11:49 | |
I want to get to the kitchen. | 1:11:49 | 1:11:51 | |
Oh, but I haven't introduced them. | 1:11:55 | 1:11:57 | |
Heh heh heh! | 1:11:57 | 1:11:58 | |
Isn't there some work you can put me to? | 1:11:58 | 1:12:00 | |
Please come in and sit down. | 1:12:00 | 1:12:01 | |
No, no, miss Nickleby, I insist on helping. | 1:12:01 | 1:12:04 | |
Now...what can I do? | 1:12:05 | 1:12:07 | |
Well, if you could put the books away. | 1:12:07 | 1:12:09 | |
Oh! That doesn't sound very arduous. | 1:12:09 | 1:12:12 | |
I'm a very good furniture mover, you know. | 1:12:12 | 1:12:13 | |
And as for hanging pictures, well... | 1:12:13 | 1:12:15 | |
oh, no. I must dust them first. | 1:12:15 | 1:12:17 | |
Oh, forgive my ignorance. | 1:12:17 | 1:12:19 | |
In my bookshelves, they only get dusted if they're taken out. | 1:12:19 | 1:12:22 | |
So the dry and dusty authors | 1:12:22 | 1:12:23 | |
get dustier, still, I suppose. | 1:12:23 | 1:12:25 | |
Naturally. It's a very good system. | 1:12:25 | 1:12:27 | |
You can tell at a glance what's worth reading and what isn't. | 1:12:27 | 1:12:31 | |
Oh, Miss La Creevy did that. | 1:12:34 | 1:12:35 | |
It can't be you, surely. | 1:12:35 | 1:12:37 | |
It is. | 1:12:37 | 1:12:38 | |
I should never have guessed it | 1:12:38 | 1:12:39 | |
were it not for the brooch. | 1:12:39 | 1:12:41 | |
She's no flatterer, this Miss La...uh... | 1:12:41 | 1:12:43 | |
NICHOLAS: Creevy. | 1:12:43 | 1:12:44 | |
Better not let her hear you. | 1:12:44 | 1:12:45 | |
Kate, Nicholas, | 1:12:45 | 1:12:47 | |
Mr Lavenderwater's found out how to light the boiler. | 1:12:47 | 1:12:50 | |
Isn't it the cleverest thing? | 1:12:50 | 1:12:52 | |
Well, Mr Cheeryble, | 1:12:52 | 1:12:53 | |
that's Kate's miniature you have there. | 1:12:53 | 1:12:55 | |
Isn't it a most delightful likeness? | 1:12:55 | 1:12:57 | |
This is Miss La Creevy. | 1:12:57 | 1:12:58 | |
Oh, I... | 1:12:58 | 1:13:00 | |
I was just admiring your work. | 1:13:00 | 1:13:02 | |
NICHOLAS: Especially the brooch. | 1:13:02 | 1:13:04 | |
Quite the sweetest portrait I've ever done. | 1:13:07 | 1:13:11 | |
Now, come, everyone. | 1:13:11 | 1:13:13 | |
It's homemade cordial. At least, I think it is. | 1:13:13 | 1:13:17 | |
Well, did you collect the money? | 1:13:17 | 1:13:19 | |
I couldn't. His lordship wasn't in. | 1:13:19 | 1:13:22 | |
At this hour? | 1:13:22 | 1:13:23 | |
Wasn't Hawk there? | 1:13:23 | 1:13:25 | |
Gone abroad. | 1:13:25 | 1:13:27 | |
Or going. | 1:13:27 | 1:13:29 | |
Abroad? Hawk? | 1:13:29 | 1:13:32 | |
Had to run for it after the duel. | 1:13:32 | 1:13:35 | |
What are you babbling about, man? What duel? | 1:13:35 | 1:13:38 | |
What story is this that you've been fobbed off with? | 1:13:38 | 1:13:40 | |
No story. They had an argument, him and Lord Verisopht, | 1:13:40 | 1:13:43 | |
about Hawk's accident. | 1:13:43 | 1:13:45 | |
Accident. Attempted murder. | 1:13:45 | 1:13:47 | |
Go on. | 1:13:47 | 1:13:49 | |
Go on! | 1:13:49 | 1:13:50 | |
His lordship said Hawk was to blame. | 1:13:50 | 1:13:53 | |
Well, they'd been drinking. | 1:13:53 | 1:13:55 | |
Tempers ran high. So they fought it out. | 1:13:55 | 1:13:57 | |
Pistols. | 1:13:57 | 1:13:59 | |
His lordship lost. | 1:13:59 | 1:14:02 | |
You mean to tell me that he's... | 1:14:02 | 1:14:04 | |
dead as a doornail. | 1:14:04 | 1:14:07 | |
That's why he wasn't in. | 1:14:07 | 1:14:09 | |
Dead. | 1:14:10 | 1:14:11 | |
Your nephew has lost an enemy, | 1:14:13 | 1:14:16 | |
and you have lost 6,000 pounds. | 1:14:16 | 1:14:17 | |
That's enough! | 1:14:17 | 1:14:18 | |
(BELLS JINGLING) | 1:14:18 | 1:14:20 | |
Buried him at Twickenham. | 1:14:24 | 1:14:25 | |
Get out! | 1:14:25 | 1:14:26 | |
(KNOCK KNOCK) | 1:14:44 | 1:14:47 | |
Are you at home? | 1:14:47 | 1:14:48 | |
No! | 1:14:48 | 1:14:49 | |
News, Mr Nickleby. | 1:14:52 | 1:14:53 | |
Wackford's done it, he has. | 1:14:53 | 1:14:55 | |
I seen him, didn't I, father? | 1:14:55 | 1:14:56 | |
You did, my boy, | 1:14:56 | 1:14:57 | |
and you shall have the best button-over jacket | 1:14:57 | 1:14:59 | |
the new boys bring down as a reward. | 1:14:59 | 1:15:01 | |
And another thing... | 1:15:01 | 1:15:02 | |
I found the very man for you. | 1:15:02 | 1:15:04 | |
You might remember Mr Snawley. | 1:15:04 | 1:15:06 | |
He's done it! | 1:15:09 | 1:15:11 | |
His capital B's and D's are exactly like mine. | 1:15:11 | 1:15:15 | |
And not a figure scratched out. | 1:15:15 | 1:15:18 | |
There ain't such a young man in all London. | 1:15:18 | 1:15:19 | |
Well said, Tim. | 1:15:19 | 1:15:21 | |
I'm certain our young friend will succeed in no time. | 1:15:21 | 1:15:24 | |
Didn't I say so, brother Charles? | 1:15:24 | 1:15:25 | |
Brother Ned, you did. | 1:15:25 | 1:15:27 | |
Come into our room, Mr Nickleby. | 1:15:27 | 1:15:29 | |
Just look at those B's and D's, Mr Ned. | 1:15:29 | 1:15:32 | |
I have only to look at your face, my dear fellow. | 1:15:32 | 1:15:33 | |
They're written there as plain as on the ledger. | 1:15:33 | 1:15:36 | |
(CHUCKLING) | 1:15:36 | 1:15:37 | |
We have to go to the continent. | 1:15:37 | 1:15:39 | |
So, for the next month or two, | 1:15:39 | 1:15:40 | |
Frank will be in charge here. | 1:15:40 | 1:15:42 | |
He will have much to occupy him. | 1:15:42 | 1:15:45 | |
So we want you to take off his hands | 1:15:45 | 1:15:47 | |
a little matter he's been attending to. | 1:15:47 | 1:15:49 | |
It concerns a father and child. | 1:15:49 | 1:15:51 | |
They're in financial distress, Mr Nickleby. | 1:15:51 | 1:15:53 | |
The mother was an old friend of ours. | 1:15:53 | 1:15:56 | |
She's been dead now some years. | 1:15:56 | 1:15:58 | |
We're anxious to help for her sake and the girl's. | 1:15:58 | 1:16:01 | |
But if her father knew, he'd make her life a misery. | 1:16:01 | 1:16:04 | |
Yes, brother Charles. | 1:16:04 | 1:16:05 | |
Yes, brother Ned. | 1:16:05 | 1:16:06 | |
He resented our friendship with the mother. | 1:16:06 | 1:16:07 | |
In fact, he seems to resent everything. | 1:16:07 | 1:16:10 | |
So we're doing what we can without his knowledge. | 1:16:10 | 1:16:12 | |
The child has some artistic talent, | 1:16:12 | 1:16:14 | |
and we have become... | 1:16:14 | 1:16:15 | |
dealers in the fine arts. Eh, brother Ned? | 1:16:15 | 1:16:17 | |
Yes, brother Charles. | 1:16:17 | 1:16:18 | |
(CHUCKLES) | 1:16:18 | 1:16:21 | |
(MAN SHOUTING) | 1:16:21 | 1:16:23 | |
Excuse me, sir. | 1:16:28 | 1:16:29 | |
I'm looking for Mr Bray's lodging. | 1:16:29 | 1:16:31 | |
Next landing. | 1:16:35 | 1:16:36 | |
Thank you. | 1:16:36 | 1:16:37 | |
Lodgings, he says. | 1:16:39 | 1:16:41 | |
Ha! Yes. | 1:16:41 | 1:16:43 | |
With a turnkey for the landlord. | 1:16:43 | 1:16:46 | |
(DOOR OPENS) | 1:16:59 | 1:17:00 | |
You're miss Bray. | 1:17:03 | 1:17:05 | |
I never thought we'd meet again. | 1:17:06 | 1:17:08 | |
I didn't even know your name, | 1:17:08 | 1:17:09 | |
where to find you. | 1:17:09 | 1:17:11 | |
It seemed too much to hope for a third time. | 1:17:11 | 1:17:14 | |
You were so kind that day. | 1:17:14 | 1:17:18 | |
I had no chance to thank you. | 1:17:18 | 1:17:20 | |
Bray: Who is it, Madeline? What do they want? | 1:17:20 | 1:17:23 | |
I'm from your friends, the Cheerybles, the dealers. | 1:17:23 | 1:17:26 | |
I shall be coming in future. | 1:17:26 | 1:17:28 | |
Miss Bray, many times since, I... | 1:17:28 | 1:17:31 | |
Madeline. Madeline! | 1:17:31 | 1:17:34 | |
Yes, Father. | 1:17:34 | 1:17:36 | |
Please come in. | 1:17:36 | 1:17:37 | |
You may remember this gentleman, father. | 1:17:39 | 1:17:41 | |
He helped us the day we... | 1:17:41 | 1:17:43 | |
left home. | 1:17:43 | 1:17:44 | |
Never mind that. What's his business here? | 1:17:44 | 1:17:45 | |
I've called about a pair of handscreens. | 1:17:45 | 1:17:48 | |
My employers ask you to proceed with them. | 1:17:48 | 1:17:49 | |
And I'm to pay for the two drawings with many thanks. | 1:17:49 | 1:17:52 | |
See the money's right, Madeline. | 1:17:52 | 1:17:53 | |
Open it, my dear. | 1:17:53 | 1:17:55 | |
It's quite right, Father, I'm sure. | 1:17:55 | 1:17:57 | |
Sure? | 1:17:57 | 1:17:58 | |
How can you be sure? | 1:17:58 | 1:18:00 | |
5 pounds. | 1:18:01 | 1:18:03 | |
Well, is that right? | 1:18:03 | 1:18:04 | |
Yes. | 1:18:04 | 1:18:05 | |
Well, get it changed. Get me a newspaper. | 1:18:05 | 1:18:07 | |
Buy me some grapes. There'll be other things, | 1:18:07 | 1:18:09 | |
but you can go out again later. | 1:18:09 | 1:18:11 | |
What are you waiting for? | 1:18:11 | 1:18:13 | |
A receipt? | 1:18:13 | 1:18:14 | |
No, sir. There's no need for that. | 1:18:14 | 1:18:16 | |
No need? What do you mean? | 1:18:16 | 1:18:18 | |
Do you think you bring your paltry money here as a gift? Is that it? | 1:18:18 | 1:18:22 | |
Father. | 1:18:22 | 1:18:23 | |
Give him a receipt. | 1:18:23 | 1:18:25 | |
Just because you can't appreciate the time and taste | 1:18:27 | 1:18:29 | |
bestowed on the goods you deal in, | 1:18:29 | 1:18:30 | |
I suppose you think you give your money away. | 1:18:30 | 1:18:32 | |
Good day, sir. | 1:18:32 | 1:18:34 | |
Thank you. | 1:18:36 | 1:18:37 | |
The way my father spoke to you... | 1:18:46 | 1:18:48 | |
he's been very ill. | 1:18:48 | 1:18:49 | |
He's worse than usual, is all. | 1:18:49 | 1:18:51 | |
I've forgotten it already. | 1:18:51 | 1:18:52 | |
Thank you. | 1:18:52 | 1:18:53 | |
Miss Bray? | 1:18:53 | 1:18:54 | |
Miss Bray, I'm not very good | 1:18:54 | 1:18:57 | |
at disguising my feelings. | 1:18:57 | 1:18:59 | |
My interest isn't confined to my mission here. | 1:18:59 | 1:19:03 | |
If there's anything I can do for you at any time, | 1:19:03 | 1:19:06 | |
I want you to know you have only to call on me. | 1:19:06 | 1:19:09 | |
I still don't understand it. | 1:19:20 | 1:19:23 | |
Ralph Nickleby become a charitable institution. | 1:19:23 | 1:19:26 | |
Now, now. | 1:19:26 | 1:19:28 | |
What is that to you? | 1:19:28 | 1:19:29 | |
You're getting the money Bray owes you paid in full. | 1:19:29 | 1:19:31 | |
That's more than you ever expected. | 1:19:31 | 1:19:33 | |
And more than Bray or his daughter expected, either, | 1:19:33 | 1:19:35 | |
I warrant. | 1:19:35 | 1:19:37 | |
His daughter! | 1:19:39 | 1:19:40 | |
Of course! | 1:19:40 | 1:19:42 | |
Good-looking as well as optimistic, eh? | 1:19:42 | 1:19:45 | |
Does Bray suspect your intentions? | 1:19:45 | 1:19:47 | |
He should do. Heh heh heh! | 1:19:47 | 1:19:48 | |
I've asked his daughter's hand in marriage. | 1:19:48 | 1:19:52 | |
Marriage? | 1:19:52 | 1:19:53 | |
Oh, so that's the story, is it? | 1:19:53 | 1:19:57 | |
Somebody to grace your table, eh? | 1:19:57 | 1:19:59 | |
One who can't run away like your little niece did | 1:19:59 | 1:20:03 | |
when the clients start their wagers. | 1:20:03 | 1:20:06 | |
Married for business as well as pleasure, eh? | 1:20:06 | 1:20:09 | |
Good day, Mr Gride. (GRIDE CHUCKLING) | 1:20:09 | 1:20:12 | |
Ah, Miss Bray. | 1:20:17 | 1:20:20 | |
Or may I now presume to call you Madeline? | 1:20:20 | 1:20:21 | |
Going out, my dear? | 1:20:21 | 1:20:22 | |
I was, for my father. | 1:20:22 | 1:20:24 | |
Do, then. | 1:20:24 | 1:20:25 | |
I trust I'll have time enough to enjoy your society | 1:20:25 | 1:20:29 | |
in more congenial surroundings. | 1:20:29 | 1:20:31 | |
(KNOCK ON DOOR) | 1:20:32 | 1:20:34 | |
BRAY: Come in. | 1:20:34 | 1:20:35 | |
Well, Bray, | 1:20:38 | 1:20:40 | |
I've come for my answer. Shh! | 1:20:40 | 1:20:45 | |
The girl may hear you. She's gone out. | 1:20:45 | 1:20:48 | |
Besides, if she hadn't, what would it matter? | 1:20:48 | 1:20:51 | |
You've had time enough to give her... | 1:20:51 | 1:20:53 | |
a hint of your wishes. | 1:20:53 | 1:20:55 | |
A hint? | 1:20:55 | 1:20:57 | |
Do you think I have to hint to my own daughter? | 1:20:57 | 1:20:59 | |
I was about to add that a hint from you | 1:20:59 | 1:21:01 | |
is doubtless the equivalent of a command. | 1:21:01 | 1:21:04 | |
Do I take it as settled, then? | 1:21:04 | 1:21:07 | |
I don't know. | 1:21:07 | 1:21:09 | |
It seems a cruel thing. | 1:21:09 | 1:21:11 | |
Cruel? It would make a good marriage. | 1:21:11 | 1:21:13 | |
Why, hundreds do it every year. | 1:21:13 | 1:21:16 | |
The girl might fancy a younger man, I suppose. | 1:21:16 | 1:21:19 | |
She would like to fall in love. | 1:21:19 | 1:21:20 | |
Can't she see what this means to you? | 1:21:20 | 1:21:24 | |
You're an ill man, Bray, | 1:21:24 | 1:21:25 | |
but you're not too ill to recover. | 1:21:25 | 1:21:28 | |
If only you had your freedom. | 1:21:28 | 1:21:30 | |
Gaiety is your element... | 1:21:30 | 1:21:31 | |
France, with the money to support you there in luxury. | 1:21:31 | 1:21:35 | |
And what's the reverse side of the picture? | 1:21:35 | 1:21:38 | |
A pauper's grave out there. | 1:21:38 | 1:21:40 | |
She understands that well enough. | 1:21:40 | 1:21:41 | |
Then she understands her plain duty. | 1:21:41 | 1:21:43 | |
Nicholas, I thought you'd never be home. | 1:21:43 | 1:21:45 | |
Oh, my dear, I'm so glad you've come. | 1:21:45 | 1:21:47 | |
I really didn't know what to do for the best. | 1:21:47 | 1:21:48 | |
It was only this afternoon. | 1:21:48 | 1:21:50 | |
I wasn't in, and mama couldn't stop them. | 1:21:50 | 1:21:52 | |
Stop who? What's happened? | 1:21:52 | 1:21:53 | |
Smike's gone. | 1:21:53 | 1:21:54 | |
Gone? What do you mean? | 1:21:54 | 1:21:55 | |
Taken away. | 1:21:55 | 1:21:56 | |
Two men came. | 1:21:56 | 1:21:57 | |
That schoolmaster was one of them. | 1:21:57 | 1:21:58 | |
Squeers! | 1:21:58 | 1:21:59 | |
And a Mr Snawley, the other one said his name was. | 1:21:59 | 1:22:01 | |
A most unpleasant man. | 1:22:01 | 1:22:02 | |
He said he was Smike's father. | 1:22:02 | 1:22:04 | |
He had a birth certificate to prove it, | 1:22:04 | 1:22:05 | |
and letters, too. | 1:22:05 | 1:22:06 | |
He's going to hand him back to Mr Squeers. | 1:22:06 | 1:22:09 | |
Poor soul. | 1:22:09 | 1:22:10 | |
He was just planting the window box there, | 1:22:10 | 1:22:12 | |
and the look on his face, I'll never forget it... | 1:22:12 | 1:22:14 | |
not Mr Snawley's face, I don't think. | 1:22:14 | 1:22:16 | |
But perhaps now I should call him young Mr Snawley, | 1:22:16 | 1:22:18 | |
being the son of that... | 1:22:18 | 1:22:20 | |
Oh, Mama, what kind of a father | 1:22:20 | 1:22:21 | |
to send him back to Squeers? | 1:22:21 | 1:22:22 | |
You should have stopped them. | 1:22:22 | 1:22:23 | |
But they were so violent. | 1:22:23 | 1:22:25 | |
(KNOCK ON DOOR) | 1:22:25 | 1:22:26 | |
Oh! Who's that? | 1:22:26 | 1:22:26 | |
KATE: Mr Noggs! | 1:22:26 | 1:22:28 | |
I've come to warn you about the boy. | 1:22:28 | 1:22:32 | |
He's gone already. He's gone. | 1:22:32 | 1:22:33 | |
...halfway to Hampshire by now. | 1:22:33 | 1:22:34 | |
I mean, Yorkshire. | 1:22:34 | 1:22:37 | |
But there's no coach till tomorrow. | 1:22:37 | 1:22:39 | |
The Saracen's Head! | 1:22:41 | 1:22:42 | |
I've never thrashed a boy in a coach before. | 1:22:46 | 1:22:49 | |
There's inconvenience in it, | 1:22:49 | 1:22:50 | |
but the novelty gives it a sort of relish, too. | 1:22:50 | 1:22:53 | |
Not feeling quite so bumpish, are you, now? | 1:22:53 | 1:22:55 | |
I must go home. | 1:22:55 | 1:22:57 | |
You'll be home very soon, you will, | 1:22:57 | 1:22:59 | |
in the peaceful village of Dotheboys. | 1:22:59 | 1:23:00 | |
Ha ha ha! | 1:23:00 | 1:23:03 | |
Your mother will be fit to jump out of her skin, | 1:23:03 | 1:23:04 | |
Wackford, when she hears about this. | 1:23:04 | 1:23:06 | |
I caught hold of his leg when you brought him in, didn't I? | 1:23:06 | 1:23:08 | |
Like a good'un. | 1:23:08 | 1:23:09 | |
You always do as your father does, | 1:23:09 | 1:23:11 | |
and when you die, | 1:23:11 | 1:23:13 | |
you'll go right up to Heaven, | 1:23:13 | 1:23:14 | |
with no questions asked. | 1:23:14 | 1:23:15 | |
What a girl. | 1:23:15 | 1:23:16 | |
What a delicious girl. | 1:23:16 | 1:23:18 | |
I'll teach you to stop running off. | 1:23:18 | 1:23:21 | |
(LAUGHING) | 1:23:21 | 1:23:23 | |
(LAUGHTER) | 1:23:27 | 1:23:29 | |
You can't put a finger on me. | 1:23:32 | 1:23:33 | |
I know the law. | 1:23:33 | 1:23:34 | |
He is to come back with me, he is. | 1:23:34 | 1:23:36 | |
NICHOLAS: I thrashed you once. | 1:23:36 | 1:23:37 | |
If that's not enough... | 1:23:37 | 1:23:38 | |
(YELLING) | 1:23:38 | 1:23:40 | |
SQUEERS: There, there. Do get up. | 1:23:42 | 1:23:44 | |
Come on, get up. | 1:23:44 | 1:23:45 | |
Come, Smike. I'll help you. | 1:23:45 | 1:23:46 | |
Ohh. | 1:23:46 | 1:23:47 | |
You haven't heard the last of this! | 1:23:47 | 1:23:49 | |
So, kidnapping boys, would you? | 1:23:49 | 1:23:51 | |
Heaven bless me. He... | 1:23:51 | 1:23:54 | |
There's laws against kidnapping! | 1:23:56 | 1:23:57 | |
I got a witness! | 1:23:57 | 1:23:59 | |
Wackford knows the nature of an oath! | 1:23:59 | 1:24:02 | |
Wait till the next assizes! | 1:24:02 | 1:24:03 | |
(YELLING) | 1:24:03 | 1:24:05 | |
Where are you? | 1:24:05 | 1:24:06 | |
Poor boy. | 1:24:12 | 1:24:15 | |
It seems impossible. | 1:24:15 | 1:24:17 | |
Why? What is it? | 1:24:17 | 1:24:19 | |
All those years back... | 1:24:19 | 1:24:22 | |
Poor boy. | 1:24:25 | 1:24:27 | |
Now, come, Smike. | 1:24:27 | 1:24:28 | |
I'm not hungry. | 1:24:28 | 1:24:29 | |
But you must eat to build up your strength. | 1:24:29 | 1:24:31 | |
Nicholas will be angry with you, | 1:24:31 | 1:24:33 | |
and I shall be angry, too. | 1:24:33 | 1:24:36 | |
You won't be angry. | 1:24:36 | 1:24:37 | |
Yes, I shall. | 1:24:37 | 1:24:39 | |
Now are you going to finish it for me? | 1:24:39 | 1:24:41 | |
Come in. Come in. | 1:24:43 | 1:24:45 | |
Supper's nearly ready. | 1:24:45 | 1:24:46 | |
Nicholas, my dear. | 1:24:46 | 1:24:47 | |
Oh, why you're not with them. | 1:24:47 | 1:24:48 | |
He's not with you, I mean. | 1:24:48 | 1:24:49 | |
He had to stay behind to see someone. | 1:24:49 | 1:24:51 | |
A message came this afternoon. | 1:24:51 | 1:24:52 | |
Then that explains everything, | 1:24:52 | 1:24:53 | |
I suppose. | 1:24:53 | 1:24:56 | |
Well, this is a pleasure. Heh heh heh! | 1:24:56 | 1:25:00 | |
Kate's in the garden, Mr Cheeryble. | 1:25:00 | 1:25:02 | |
Why don't you go out there | 1:25:02 | 1:25:03 | |
and tell her you're in here? | 1:25:03 | 1:25:04 | |
That is, I mean, well... | 1:25:04 | 1:25:07 | |
you see, you can, | 1:25:07 | 1:25:08 | |
if you make up your mind to it. | 1:25:08 | 1:25:10 | |
Only because you made me. | 1:25:10 | 1:25:11 | |
Is there anything else you'd like? | 1:25:11 | 1:25:13 | |
Then I'll go in. | 1:25:13 | 1:25:15 | |
Oh. It's you. | 1:25:15 | 1:25:16 | |
I couldn't knock at this bedroom door. | 1:25:16 | 1:25:19 | |
Better, I hope? Yes, thank you. | 1:25:19 | 1:25:21 | |
Good. Then you'll forgive me | 1:25:21 | 1:25:23 | |
if I steal her away from you. | 1:25:23 | 1:25:25 | |
Tell me, Miss Nickleby, | 1:25:30 | 1:25:31 | |
do you believe that history repeats itself? Why do you ask that? | 1:25:31 | 1:25:34 | |
I was thinking of the last family that lived in this cottage. | 1:25:34 | 1:25:37 | |
They were a mother, son, and daughter, too. | 1:25:37 | 1:25:39 | |
I only hope that life here | 1:25:39 | 1:25:41 | |
will be as kind to you and your family as it was to them. | 1:25:41 | 1:25:44 | |
It has been kind already. | 1:25:44 | 1:25:46 | |
It's brought us new friends... your uncles, | 1:25:46 | 1:25:48 | |
Mr Linkinwater, and...you. | 1:25:48 | 1:25:52 | |
But what happened to the other family? | 1:25:53 | 1:25:55 | |
Do tell me. | 1:25:55 | 1:25:57 | |
Well, the mother lived here to a ripe old age, | 1:25:57 | 1:25:59 | |
the son made a career in the city, | 1:25:59 | 1:26:01 | |
and the daughter met a young man and married him. | 1:26:01 | 1:26:04 | |
She always said that this cottage | 1:26:04 | 1:26:06 | |
brought her a lifetime of happiness. | 1:26:06 | 1:26:08 | |
You seem to have known her quite well. | 1:26:08 | 1:26:10 | |
She was my mother. | 1:26:10 | 1:26:12 | |
I think that history does repeat itself sometimes. | 1:26:12 | 1:26:15 | |
Don't you...Kate? | 1:26:15 | 1:26:18 | |
5 years old, eh? | 1:26:29 | 1:26:32 | |
When the schoolmaster first took him in. | 1:26:32 | 1:26:35 | |
And the man that brought him wasn't his father. | 1:26:35 | 1:26:38 | |
Yes, it all fits. | 1:26:38 | 1:26:40 | |
What does? | 1:26:40 | 1:26:41 | |
Date, facts, everything. | 1:26:41 | 1:26:45 | |
Answer him if you can, Mr Ralph Nickleby. | 1:26:45 | 1:26:49 | |
Smike? And Uncle Ralph? | 1:26:49 | 1:26:52 | |
You mean there's some connection? | 1:26:52 | 1:26:53 | |
Do I? Perhaps I do. | 1:26:53 | 1:26:56 | |
Well, we shall soon know. | 1:26:56 | 1:26:58 | |
I'll have a free hand tomorrow. | 1:26:58 | 1:27:00 | |
He hasn't asked you to the wedding, has he? | 1:27:00 | 1:27:02 | |
Wedding? Who? | 1:27:02 | 1:27:04 | |
Didn't you know? | 1:27:05 | 1:27:07 | |
Your uncle! Getting married. | 1:27:07 | 1:27:09 | |
20 years since his wife died. | 1:27:09 | 1:27:12 | |
Now he suddenly decides to take another. | 1:27:12 | 1:27:14 | |
Married? Uncle Ralph? | 1:27:14 | 1:27:16 | |
Your doing in one way, you know. | 1:27:16 | 1:27:17 | |
You stopped him using your sister as a bait for his business. | 1:27:17 | 1:27:21 | |
If he marries Miss Bray, he's got her for good. | 1:27:21 | 1:27:23 | |
Not Miss Bray who lives in Southwark, | 1:27:23 | 1:27:25 | |
in the rules of the prison. | 1:27:25 | 1:27:26 | |
That's the one. But she couldn't! | 1:27:26 | 1:27:29 | |
She can't know what he is. | 1:27:29 | 1:27:31 | |
She knows, | 1:27:31 | 1:27:33 | |
but old Bray's deep in debt, | 1:27:33 | 1:27:36 | |
and even my generous employer | 1:27:36 | 1:27:37 | |
couldn't leave his father-in-law in the King's Bench. | 1:27:37 | 1:27:40 | |
(DOOR OPENS) | 1:28:14 | 1:28:16 | |
You. | 1:28:21 | 1:28:22 | |
I heard of your marriage. | 1:28:27 | 1:28:29 | |
I came to beg you to reconsider it. | 1:28:29 | 1:28:31 | |
You don't understand. | 1:28:31 | 1:28:33 | |
I understand everything. I know what you're doing. | 1:28:33 | 1:28:36 | |
But I know my uncle, too. No-one better. | 1:28:36 | 1:28:40 | |
Your uncle? | 1:28:40 | 1:28:41 | |
If what he's done to his own family isn't enough... | 1:28:41 | 1:28:43 | |
to my mother, my sister, to me. | 1:28:43 | 1:28:45 | |
You can't marry him. You don't know what it would mean. | 1:28:45 | 1:28:48 | |
My father's dying in this place. | 1:28:48 | 1:28:51 | |
I must get him out of it. | 1:28:51 | 1:28:54 | |
I won't disguise it. | 1:28:54 | 1:28:55 | |
I've been through great unhappiness. | 1:28:55 | 1:28:58 | |
If you'd only wait, just a week or two. | 1:28:58 | 1:29:00 | |
My employers are abroad. They're expected back soon. | 1:29:02 | 1:29:04 | |
I'm sure if they knew, they'd... No. | 1:29:04 | 1:29:06 | |
No, I've taken so much from them. | 1:29:06 | 1:29:09 | |
Besides, if I were to disappoint Father now... | 1:29:10 | 1:29:14 | |
You haven't seen him as I have, | 1:29:15 | 1:29:16 | |
growing weaker every day. | 1:29:16 | 1:29:19 | |
He's better already at the thought of leaving here. | 1:29:19 | 1:29:23 | |
I won't put it off, even for an hour. | 1:29:23 | 1:29:26 | |
He's playing on your feelings. | 1:29:26 | 1:29:28 | |
I'm his daughter. | 1:29:29 | 1:29:30 | |
I'm not unhappy now. | 1:29:33 | 1:29:35 | |
I'm happy at all I can achieve for him so easily. | 1:29:37 | 1:29:40 | |
How can you be happy? How can you ever be? | 1:29:40 | 1:29:43 | |
Miss Bray, | 1:29:43 | 1:29:44 | |
Madeline, I have no right to interfere, I know that, | 1:29:44 | 1:29:47 | |
but from the first moment I saw you, at the agency, | 1:29:47 | 1:29:50 | |
I've held you in the deepest regard. | 1:29:50 | 1:29:52 | |
And since then, I've come to... | 1:29:52 | 1:29:53 | |
No. No. I beg of you. | 1:29:53 | 1:29:56 | |
I'm not here because of that, believe me. | 1:29:56 | 1:29:58 | |
It's not from any thought of my own feelings. | 1:29:58 | 1:30:00 | |
I don't presume to imagine | 1:30:00 | 1:30:01 | |
you've even spared me a thought. | 1:30:01 | 1:30:02 | |
Why should you? | 1:30:02 | 1:30:04 | |
I have, many times. | 1:30:04 | 1:30:07 | |
You must go. | 1:30:08 | 1:30:09 | |
What are you doing here? | 1:30:12 | 1:30:14 | |
I'm here to save miss Bray if I can, from you. | 1:30:14 | 1:30:16 | |
It's no business of yours. | 1:30:16 | 1:30:17 | |
You'd better go while you can save your skin! | 1:30:17 | 1:30:21 | |
If you were a younger man... | 1:30:21 | 1:30:22 | |
Please! | 1:30:22 | 1:30:23 | |
I'm ready to come. No, I won't let you. | 1:30:25 | 1:30:27 | |
I must. I must! | 1:30:27 | 1:30:29 | |
Come. | 1:30:29 | 1:30:30 | |
Kate, speak to her. | 1:30:33 | 1:30:35 | |
If there's anything I can say to beg you to listen to my brother... | 1:30:35 | 1:30:39 | |
The girl, too. | 1:30:39 | 1:30:40 | |
A whole parcel of them. | 1:30:40 | 1:30:42 | |
I advise you to leave here, my lady. | 1:30:44 | 1:30:47 | |
I can use force with your brother. | 1:30:47 | 1:30:49 | |
You can use force with me. | 1:30:49 | 1:30:51 | |
I've no doubt you'd like to. | 1:30:51 | 1:30:52 | |
Will you go? | 1:30:52 | 1:30:54 | |
No, I'll not go! | 1:30:54 | 1:30:56 | |
From the moment we came to London, | 1:30:56 | 1:30:57 | |
you thought you could do as you liked with us. | 1:30:57 | 1:30:59 | |
Mama trusted you. We all did. | 1:30:59 | 1:31:01 | |
We found you out now, | 1:31:01 | 1:31:02 | |
and we're free of your charity. | 1:31:02 | 1:31:04 | |
I'm not afraid of you. | 1:31:04 | 1:31:06 | |
If you won't get out, I'll have you turned out, the pair of you! | 1:31:06 | 1:31:09 | |
Where's Bray? | 1:31:09 | 1:31:10 | |
No, let me, please! Bray! | 1:31:10 | 1:31:12 | |
RALPH: Bray! | 1:31:14 | 1:31:16 | |
If you don't want that daughter of yours to change her mind... | 1:31:16 | 1:31:18 | |
(KNOCKING ON DOOR) | 1:31:18 | 1:31:20 | |
Are you there? | 1:31:20 | 1:31:21 | |
Father! | 1:31:21 | 1:31:23 | |
Father! | 1:31:28 | 1:31:29 | |
Father! Father! Ohh! | 1:31:31 | 1:31:35 | |
(PEOPLE MURMURING) | 1:31:42 | 1:31:43 | |
You will leave that girl here. | 1:31:46 | 1:31:48 | |
She's free now. | 1:31:48 | 1:31:49 | |
There's nothing you can do to touch her. | 1:31:49 | 1:31:51 | |
(DOOR OPENS) | 1:32:05 | 1:32:07 | |
(DOOR CLOSES) | 1:32:08 | 1:32:09 | |
RALPH: Noggs. | 1:32:09 | 1:32:10 | |
Take down this letter. | 1:32:18 | 1:32:19 | |
"To Mr Squeers, | 1:32:24 | 1:32:26 | |
the Saracen's Head, Snow Hill." | 1:32:26 | 1:32:29 | |
Hmm. | 1:32:29 | 1:32:31 | |
"I have decided | 1:32:31 | 1:32:34 | |
"to finance any legal action you may care to take | 1:32:34 | 1:32:40 | |
against my nephew." | 1:32:40 | 1:32:42 | |
Ho ho! Ho! | 1:32:44 | 1:32:46 | |
He isn't there? | 1:32:46 | 1:32:47 | |
Who isn't? | 1:32:47 | 1:32:48 | |
Mr Squeers. | 1:32:48 | 1:32:50 | |
He is at Bow Street police station. | 1:32:50 | 1:32:51 | |
You are lying. | 1:32:51 | 1:32:52 | |
Oh, no, I'm not. | 1:32:52 | 1:32:54 | |
And Mr Squeers hasn't been lying, either. | 1:32:54 | 1:32:57 | |
Mr Squeers has confessed to conspiracy | 1:32:57 | 1:33:01 | |
with regard to a birth certificate | 1:33:01 | 1:33:03 | |
and certain letters purporting to prove | 1:33:03 | 1:33:06 | |
that a Mr Snawley was the father. | 1:33:06 | 1:33:08 | |
I don't know what you're talking about. Don't you? | 1:33:08 | 1:33:10 | |
Mr Squeers says otherwise. | 1:33:10 | 1:33:12 | |
So does Mr Snawley. | 1:33:12 | 1:33:14 | |
So do the police. | 1:33:14 | 1:33:15 | |
Hold your tongue, you treacherous, sneaking... | 1:33:15 | 1:33:17 | |
I've held my tongue for 15 years, | 1:33:17 | 1:33:20 | |
stood by helpless while you ruined many another | 1:33:20 | 1:33:23 | |
as once you ruined me. | 1:33:23 | 1:33:25 | |
You ruined yourself. | 1:33:25 | 1:33:27 | |
You would sell your soul if you had one for a little gin. | 1:33:27 | 1:33:29 | |
But I wouldn't sell my own flesh and blood. | 1:33:29 | 1:33:31 | |
And it's not only little Kate I'm thinking of. | 1:33:31 | 1:33:34 | |
I've seen the boy, Smike, | 1:33:34 | 1:33:36 | |
the living image of his mother, | 1:33:36 | 1:33:38 | |
of your wife. My wife? | 1:33:38 | 1:33:41 | |
Didn't know I knew that, did you. | 1:33:41 | 1:33:42 | |
That you had a son? | 1:33:42 | 1:33:43 | |
Your wife died, but the child lived, | 1:33:43 | 1:33:46 | |
and you had to keep his birth a secret | 1:33:46 | 1:33:48 | |
or the money would have gone to him. | 1:33:48 | 1:33:50 | |
You put him out with a poor family, didn't you, | 1:33:50 | 1:33:51 | |
to bring up as their own? | 1:33:51 | 1:33:52 | |
You paid them well for it, haven't you, ever since? | 1:33:52 | 1:33:55 | |
Well, they didn't keep the boy. | 1:33:55 | 1:33:57 | |
It isn't true. | 1:33:57 | 1:33:58 | |
They put him to school in Yorkshire. | 1:33:58 | 1:34:00 | |
They put him in Dotheboys Hall. | 1:34:00 | 1:34:03 | |
They cheated me. | 1:34:03 | 1:34:04 | |
Yes. They cheated you, | 1:34:04 | 1:34:07 | |
just as you've cheated hundreds of others. | 1:34:07 | 1:34:12 | |
In the gutter for this. | 1:34:13 | 1:34:15 | |
And I'll deal with you, too. | 1:34:15 | 1:34:16 | |
Will you? Will you? | 1:34:16 | 1:34:18 | |
I've waited all these years | 1:34:18 | 1:34:20 | |
for a chance to settle our account, | 1:34:20 | 1:34:22 | |
and now at last it's come. | 1:34:22 | 1:34:25 | |
The police have been here, | 1:34:25 | 1:34:26 | |
and I've told them everything. | 1:34:26 | 1:34:29 | |
There'll be another charge against you now... | 1:34:29 | 1:34:31 | |
depriving your own son of his birthright, | 1:34:31 | 1:34:33 | |
robbing him of a fortune. | 1:34:33 | 1:34:34 | |
They will transport you for that, you know. | 1:34:34 | 1:34:37 | |
Ha ha ha! | 1:34:37 | 1:34:38 | |
They will confiscate every penny you've got! | 1:34:38 | 1:34:41 | |
Ha ha ha! | 1:34:41 | 1:34:43 | |
You can't escape now. | 1:34:43 | 1:34:44 | |
It doesn't matter where you go. | 1:34:44 | 1:34:46 | |
Off to see a lawyer, is that it? | 1:34:46 | 1:34:48 | |
See if he can help you. | 1:34:48 | 1:34:49 | |
Or are you going to bring the boy home? | 1:34:49 | 1:34:52 | |
Own him as your own son, | 1:34:52 | 1:34:53 | |
give him back the money? | 1:34:53 | 1:34:55 | |
No use, no good. | 1:34:55 | 1:34:56 | |
Nothing can help you now... money or lawyers! | 1:34:56 | 1:34:59 | |
It doesn't matter where you go! | 1:34:59 | 1:35:00 | |
You are too late! | 1:35:00 | 1:35:01 | |
Ha ha ha! | 1:35:01 | 1:35:03 | |
Too late! Ha ha ha! | 1:35:03 | 1:35:06 | |
(DOOR OPENS) | 1:35:07 | 1:35:08 | |
There's such a change in him. | 1:35:15 | 1:35:16 | |
What did the doctor say? | 1:35:18 | 1:35:19 | |
There is nothing we can do. | 1:35:19 | 1:35:22 | |
Only wait. | 1:35:22 | 1:35:24 | |
(SOBS) | 1:35:24 | 1:35:25 | |
It's me, Smike. | 1:35:34 | 1:35:36 | |
Don't let her know. | 1:35:38 | 1:35:40 | |
I...I... | 1:35:40 | 1:35:42 | |
I didn't mean to keep it. | 1:35:42 | 1:35:45 | |
Keep what? | 1:35:45 | 1:35:46 | |
Kate. | 1:35:53 | 1:35:55 | |
He loves her. | 1:36:02 | 1:36:04 | |
She loves him. | 1:36:08 | 1:36:11 | |
Couldn't...bear... to see it. | 1:36:12 | 1:36:17 | |
Forgive me. | 1:36:24 | 1:36:25 | |
(THUNDER) | 1:37:55 | 1:37:57 | |
(RINGING) | 1:38:12 | 1:38:14 | |
NOGGS, VOICE-OVER: I've seen the boy, Smike. | 1:38:49 | 1:38:51 | |
The very image of his mother, of your wife. | 1:38:51 | 1:38:55 | |
Ha ha ha! | 1:38:55 | 1:38:56 | |
They will transport you for that. | 1:38:56 | 1:38:59 | |
Ha ha ha! | 1:39:03 | 1:39:05 | |
It doesn't matter what you do. | 1:39:05 | 1:39:09 | |
You can't save yourself. | 1:39:09 | 1:39:10 | |
You are too late. | 1:39:10 | 1:39:14 | |
Too late. | 1:39:14 | 1:39:15 | |
Transport you. | 1:39:21 | 1:39:23 | |
Cannot escape. | 1:39:23 | 1:39:26 | |
Yes, just as you cheated others. | 1:39:26 | 1:39:29 | |
Depriving your own son of his birthright, | 1:39:33 | 1:39:37 | |
robbing him of a fortune. | 1:39:37 | 1:39:38 | |
Nothing can help you now... money or lawyers. | 1:39:38 | 1:39:43 | |
No escape. | 1:39:43 | 1:39:45 | |
You are too late. | 1:39:49 | 1:39:52 | |
Too late. | 1:39:52 | 1:39:54 | |
Too late. | 1:39:54 | 1:39:56 | |
Ha ha ha! | 1:39:56 | 1:39:58 | |
Ha ha ha! | 1:39:58 | 1:40:01 | |
And let us try to remember always | 1:40:59 | 1:41:02 | |
the beautiful words of the marriage service we have just heard. | 1:41:02 | 1:41:06 | |
For richer, for poorer, in sickness and in health, | 1:41:06 | 1:41:11 | |
to love and to cherish, | 1:41:11 | 1:41:14 | |
til death us do... | 1:41:14 | 1:41:15 | |
...I didn't have 3 bridegrooms. | 1:41:15 | 1:41:17 | |
Not that I was ever short of suitors. | 1:41:17 | 1:41:18 | |
I must have had a dozen at least. | 1:41:18 | 1:41:20 | |
Let me see. There was young Lukin, Mogley, Tipslark... | 1:41:20 | 1:41:24 | |
he was hung afterwards. | 1:41:24 | 1:41:25 | |
Then there was Cabbery, Smifser, | 1:41:25 | 1:41:28 | |
the young gentleman who went to the same dancing school. | 1:41:28 | 1:41:31 | |
Oh. And my poor, dear husband, of course. | 1:41:31 | 1:41:34 | |
Email [email protected] | 1:42:03 | 1:42:06 |