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This programme contains some strong language. | 0:00:02 | 0:00:15 | |
I can't say what made me fall in love with Vietnam - | 0:01:06 | 0:01:11 | |
that a woman's voice can drug you... | 0:01:11 | 0:01:14 | |
..that everything is so intense. | 0:01:15 | 0:01:18 | |
The colours... | 0:01:19 | 0:01:21 | |
the taste... | 0:01:21 | 0:01:23 | |
even the rain. | 0:01:23 | 0:01:25 | |
Nothing like the filthy rain in London. | 0:01:25 | 0:01:28 | |
DISTANT GUNFIRE | 0:01:36 | 0:01:38 | |
They say whatever you're looking for, | 0:01:38 | 0:01:41 | |
you will find here. | 0:01:41 | 0:01:43 | |
They say you come to Vietnam | 0:01:43 | 0:01:45 | |
and you understand a lot in a few minutes, | 0:01:45 | 0:01:48 | |
but the rest has got to be lived. | 0:01:48 | 0:01:51 | |
The smell, that's the first thing that hits you, | 0:01:52 | 0:01:55 | |
promising everything in exchange for your soul. | 0:01:55 | 0:01:58 | |
And the heat. | 0:02:00 | 0:02:02 | |
Your shirt is straightaway a rag. | 0:02:03 | 0:02:05 | |
You can hardly remember your name | 0:02:05 | 0:02:08 | |
or what you came to escape from. | 0:02:08 | 0:02:10 | |
But at night, | 0:02:12 | 0:02:14 | |
there's a breeze. | 0:02:14 | 0:02:15 | |
The river is beautiful. | 0:02:15 | 0:02:18 | |
You could be forgiven for thinking there was no war, | 0:02:18 | 0:02:22 | |
that the gunshots were fireworks, | 0:02:22 | 0:02:24 | |
that only pleasure matters. | 0:02:24 | 0:02:26 | |
A pipe of opium... | 0:02:27 | 0:02:29 | |
or the touch of a girl | 0:02:29 | 0:02:31 | |
who might tell you she loves you. | 0:02:31 | 0:02:34 | |
THUD, SPLASH | 0:02:34 | 0:02:36 | |
And then something happens... | 0:02:37 | 0:02:40 | |
as you knew it would. | 0:02:40 | 0:02:42 | |
And nothing can ever be the same again. | 0:02:42 | 0:02:45 | |
Monsieur Fowler, | 0:02:47 | 0:02:50 | |
thank you for coming in. | 0:02:50 | 0:02:52 | |
I'm sorry to ask you at this hour. | 0:02:52 | 0:02:54 | |
Well, I know about as much as you do. | 0:02:55 | 0:02:58 | |
He's an American. He's about 30. | 0:02:58 | 0:03:00 | |
He works for the Economic Aid Mission | 0:03:00 | 0:03:02 | |
and I like him. | 0:03:02 | 0:03:04 | |
He's a very good chap. Serious. | 0:03:04 | 0:03:07 | |
Not like those noisy bastards down at the Continental. | 0:03:07 | 0:03:12 | |
He's a quiet American. | 0:03:12 | 0:03:14 | |
Yes, a VERY quiet American. | 0:03:14 | 0:03:18 | |
He's dead, isn't he? | 0:03:19 | 0:03:21 | |
Not guilty. I-I-I just put two and two together. | 0:03:23 | 0:03:28 | |
He was killed by a knife. | 0:03:52 | 0:03:54 | |
-< -Can you identify him? | 0:03:57 | 0:03:59 | |
Yes. | 0:04:01 | 0:04:03 | |
He was... | 0:04:03 | 0:04:05 | |
a friend. | 0:04:05 | 0:04:07 | |
To tell you the truth, I'm not completely sorry. | 0:04:07 | 0:04:10 | |
These Americans are causing a lot of trouble to us. | 0:04:10 | 0:04:13 | |
But still, a murder is a murder. | 0:04:14 | 0:04:18 | |
Anything to help us? | 0:04:18 | 0:04:20 | |
No. | 0:04:21 | 0:04:23 | |
Nothing at all. | 0:04:23 | 0:04:25 | |
Please. | 0:04:28 | 0:04:30 | |
BELL RINGS | 0:04:35 | 0:04:38 | |
THUNDER CLAPS | 0:04:38 | 0:04:40 | |
DOOR OPENS | 0:05:15 | 0:05:17 | |
DOOR CLOSES | 0:05:18 | 0:05:20 | |
OPENS DOOR | 0:05:32 | 0:05:33 | |
CLOSES DOOR | 0:05:35 | 0:05:37 | |
Pyle... | 0:05:48 | 0:05:49 | |
..est mort. | 0:05:54 | 0:05:56 | |
Assassinated. | 0:06:02 | 0:06:04 | |
How? | 0:06:08 | 0:06:10 | |
He was stabbed. | 0:06:12 | 0:06:14 | |
Pyle est mort. | 0:06:24 | 0:06:26 | |
Yes. | 0:06:26 | 0:06:28 | |
He was in love with me. | 0:06:30 | 0:06:32 | |
Yes, he was. | 0:06:34 | 0:06:36 | |
I'm so sorry, Phuong. | 0:06:40 | 0:06:42 | |
I go to my mother's. | 0:06:46 | 0:06:49 | |
I must think. | 0:06:53 | 0:06:55 | |
FOWLER: I met Pyle where you meet everybody - | 0:07:07 | 0:07:09 | |
at the Hotel Continental. | 0:07:09 | 0:07:11 | |
I'm there every morning at 11.00. | 0:07:11 | 0:07:14 | |
I'm English. I have habits. | 0:07:14 | 0:07:16 | |
I drink tea. | 0:07:16 | 0:07:18 | |
I'm a reporter, so I listen. | 0:07:18 | 0:07:21 | |
I have a lover. | 0:07:21 | 0:07:22 | |
I like to watch her arrive with her friends at the milk bar. | 0:07:22 | 0:07:26 | |
And there was Alden Pyle - | 0:07:28 | 0:07:30 | |
a face with no history and no problems. | 0:07:30 | 0:07:32 | |
The face we all had once. | 0:07:32 | 0:07:34 | |
I'm Alden Pyle. | 0:07:34 | 0:07:35 | |
I'm Thomas Fowler. | 0:07:35 | 0:07:37 | |
The London Times. | 0:07:37 | 0:07:38 | |
You've done your homework. | 0:07:38 | 0:07:40 | |
Well, I've read your articles. | 0:07:40 | 0:07:42 | |
May I join you? | 0:07:42 | 0:07:43 | |
Please. | 0:07:43 | 0:07:45 | |
And what brings you to Saigon, Mr Pyle? | 0:07:45 | 0:07:47 | |
Well, I'm with the Economic Aid Mission. | 0:07:47 | 0:07:49 | |
I'm on the medical side. | 0:07:49 | 0:07:50 | |
My speciality is eye disease. | 0:07:50 | 0:07:51 | |
Do you know trachoma? It's very common here. | 0:07:51 | 0:07:53 | |
It's actually very easy to treat and prevent. | 0:07:53 | 0:07:55 | |
You staying at the hotel? | 0:07:55 | 0:07:56 | |
No, I just dropped by | 0:07:56 | 0:07:58 | |
for a cup of tea on the way to the office. | 0:07:58 | 0:08:00 | |
This is really a stroke of luck for me. | 0:08:00 | 0:08:02 | |
You know, you're one of the few correspondents | 0:08:02 | 0:08:04 | |
who has a reputation | 0:08:04 | 0:08:05 | |
of actually going out into the field | 0:08:05 | 0:08:07 | |
to see what's happening. | 0:08:07 | 0:08:08 | |
Not any more. And besides... | 0:08:08 | 0:08:10 | |
I have never thought of myself | 0:08:10 | 0:08:11 | |
as a correspondent. | 0:08:11 | 0:08:13 | |
I am just a reporter. | 0:08:13 | 0:08:14 | |
I offer no point of view, | 0:08:14 | 0:08:16 | |
I take no action, | 0:08:16 | 0:08:17 | |
I don't get involved. | 0:08:17 | 0:08:18 | |
I just report what I see. | 0:08:18 | 0:08:20 | |
But you must have an opinion. | 0:08:20 | 0:08:22 | |
Even an opinion is a form of action. | 0:08:22 | 0:08:23 | |
Still, I'd really appreciate it if you could... | 0:08:23 | 0:08:25 | |
'Pyle was hungry | 0:08:25 | 0:08:26 | |
'for everything I could tell him about Vietnam | 0:08:26 | 0:08:28 | |
'and her fight for independence. | 0:08:28 | 0:08:31 | |
'Why were the French losing the war? | 0:08:31 | 0:08:33 | |
'And why were the communists winning? | 0:08:33 | 0:08:34 | |
'Then he saw Phuong.' | 0:08:37 | 0:08:39 | |
HE MOUTHS | 0:08:39 | 0:08:41 | |
'I should've realised how saving a country | 0:08:41 | 0:08:43 | |
'and saving a woman would be the same thing | 0:08:43 | 0:08:46 | |
'to someone like Pyle.' | 0:08:46 | 0:08:47 | |
PYLE: We've got to contain communism, | 0:08:47 | 0:08:49 | |
or what they call communism... | 0:08:49 | 0:08:50 | |
FOWLER: 'What could be done, what should be done, | 0:08:50 | 0:08:52 | |
'what he thought, what he dread. | 0:08:52 | 0:08:55 | |
'He made me remember there was a time | 0:08:55 | 0:08:57 | |
'when I had wanted to make a difference.' | 0:08:57 | 0:08:59 | |
..To watch liberty snuffed out? | 0:08:59 | 0:09:00 | |
"Liberty" is a very Western word. | 0:09:00 | 0:09:02 | |
How do you define it for the Vietnamese? | 0:09:02 | 0:09:05 | |
By giving people the freedom to choose. | 0:09:05 | 0:09:07 | |
OK, you give them the freedom to choose, | 0:09:07 | 0:09:09 | |
they vote, and they elect Ho Chi Minh. | 0:09:09 | 0:09:11 | |
Things are more complicated than they seem. | 0:09:11 | 0:09:13 | |
EXPLOSION | 0:09:13 | 0:09:14 | |
What was that? | 0:09:14 | 0:09:16 | |
A grenade. | 0:09:16 | 0:09:17 | |
WHISTLE BLOWS | 0:09:17 | 0:09:18 | |
Sounded like a car backfiring. | 0:09:18 | 0:09:19 | |
A week here, and you'll know the difference. | 0:09:19 | 0:09:22 | |
It's been a genuine pleasure meeting you. | 0:09:22 | 0:09:24 | |
Maybe we could eat dinner sometime. | 0:09:24 | 0:09:25 | |
Yes, I look forward to it. | 0:09:25 | 0:09:27 | |
Great. | 0:09:27 | 0:09:28 | |
Good morning. | 0:09:28 | 0:09:30 | |
MAN TALKS INDISTINCTLY | 0:09:30 | 0:09:32 | |
Morning, Hinh. | 0:09:33 | 0:09:35 | |
Anything new? | 0:09:35 | 0:09:36 | |
Oh, corruption, mendacity. | 0:09:36 | 0:09:39 | |
I said "new". | 0:09:39 | 0:09:41 | |
There is a rumour that the communists | 0:09:41 | 0:09:43 | |
are planning an attack in the north, at Phat Diem. | 0:09:43 | 0:09:46 | |
One of your contacts? | 0:09:46 | 0:09:48 | |
Yes, sir. | 0:09:49 | 0:09:51 | |
Oh... | 0:09:51 | 0:09:53 | |
and a telegram. | 0:09:53 | 0:09:54 | |
Oh. | 0:09:54 | 0:09:55 | |
From the London office. | 0:09:55 | 0:09:56 | |
Mr Stemins. | 0:09:56 | 0:09:57 | |
He says the paper has conducted a review | 0:09:57 | 0:10:00 | |
of the foreign desk. | 0:10:00 | 0:10:01 | |
He wants you based in London. | 0:10:01 | 0:10:04 | |
Christ. | 0:10:04 | 0:10:06 | |
I thought you liked London, sir. | 0:10:06 | 0:10:08 | |
I do, but I like it just where it is. | 0:10:08 | 0:10:11 | |
I don't want to bloody go there. | 0:10:11 | 0:10:13 | |
For what, a desk job? | 0:10:13 | 0:10:15 | |
They probably think it's cheaper | 0:10:15 | 0:10:17 | |
to let the wire services cover Vietnam. | 0:10:17 | 0:10:19 | |
How many stories have we given them? | 0:10:19 | 0:10:21 | |
This year? | 0:10:21 | 0:10:23 | |
Yes. | 0:10:23 | 0:10:24 | |
-< -Three. | 0:10:24 | 0:10:26 | |
No shit. | 0:10:26 | 0:10:28 | |
Maybe... | 0:10:41 | 0:10:42 | |
I should go up there. | 0:10:42 | 0:10:45 | |
-< -Where, sir? | 0:10:45 | 0:10:46 | |
Phat Diem. | 0:10:46 | 0:10:49 | |
It's not an easy place to get into | 0:10:49 | 0:10:51 | |
with the communist attack. | 0:10:51 | 0:10:53 | |
Send a cable to Stemins. | 0:10:53 | 0:10:55 | |
"Understand your current concern. Stop. | 0:10:55 | 0:11:00 | |
"Am working on a story of major proportions. | 0:11:00 | 0:11:03 | |
"Stop. Suggest I remain in Saigon | 0:11:03 | 0:11:06 | |
"until completed. Stop. | 0:11:06 | 0:11:09 | |
"Fowler." | 0:11:09 | 0:11:11 | |
Which story is that, sir? | 0:11:11 | 0:11:14 | |
I don't know. | 0:11:16 | 0:11:17 | |
But I'm sure that you know someone | 0:11:18 | 0:11:21 | |
who can get me in there. | 0:11:21 | 0:11:23 | |
WOMAN SINGS IN FRENCH ON RADIO | 0:11:29 | 0:11:32 | |
Ah! | 0:11:50 | 0:11:52 | |
Today our anniversary. Did you forget? | 0:11:53 | 0:11:55 | |
Can it be? Two years already? | 0:11:55 | 0:11:58 | |
-Yes. -Heh, heh. Yes. | 0:11:58 | 0:12:00 | |
Ah. Be careful with me. | 0:12:00 | 0:12:02 | |
I'm old and fragile. | 0:12:02 | 0:12:05 | |
Not so old. | 0:12:05 | 0:12:07 | |
Not so fragile. | 0:12:09 | 0:12:11 | |
Tom! | 0:12:19 | 0:12:21 | |
Thomas. | 0:12:21 | 0:12:22 | |
Thomas. | 0:12:22 | 0:12:25 | |
-< -Hello. | 0:12:25 | 0:12:26 | |
Hello again. | 0:12:26 | 0:12:27 | |
Say, I'm here with some friends. | 0:12:27 | 0:12:28 | |
I was wondering if you'd care to join us. | 0:12:28 | 0:12:29 | |
Phuong, this is Mr Pyle. | 0:12:29 | 0:12:31 | |
-< -Alden, please. | 0:12:31 | 0:12:32 | |
Enchantee. | 0:12:32 | 0:12:34 | |
SPEAKS FRENCH | 0:12:34 | 0:12:40 | |
Thomas, you know Joe, Joe Tunney, | 0:12:40 | 0:12:41 | |
from the American legation. | 0:12:41 | 0:12:42 | |
Yes, I know Joe. | 0:12:42 | 0:12:43 | |
Overthrown any small countries recently? | 0:12:43 | 0:12:45 | |
Fowler sees conspiracies everywhere. That's for sure. | 0:12:45 | 0:12:49 | |
Bill, say, is it true that the communists | 0:12:49 | 0:12:51 | |
are attacking Phat Diem? | 0:12:51 | 0:12:52 | |
Well, how the fuck should I know? | 0:12:52 | 0:12:54 | |
We only report victories. | 0:12:54 | 0:12:56 | |
The reason that I ask is because | 0:12:56 | 0:12:57 | |
one of our medical teams wasn't allowed past Nam Dinh. | 0:12:57 | 0:12:59 | |
I was thinking of going up there. | 0:12:59 | 0:13:01 | |
-PYLE: -It's a Catholic town, isn't it? | 0:13:01 | 0:13:02 | |
Yeah. | 0:13:02 | 0:13:03 | |
-BILL: -You got a date tonight? | 0:13:03 | 0:13:04 | |
-PYLE: -They're pretty strong against the communists. | 0:13:04 | 0:13:05 | |
Bill. | 0:13:05 | 0:13:06 | |
She's got a date every night. | 0:13:06 | 0:13:08 | |
Well, you got your piece of ass, I want mine. | 0:13:08 | 0:13:12 | |
Pyle, fellas, | 0:13:12 | 0:13:14 | |
let's go to the House of 500 Girls. | 0:13:14 | 0:13:17 | |
Oh, no. No, no, no. Thanks. | 0:13:17 | 0:13:19 | |
I was planning on taking Mr Fowler... | 0:13:19 | 0:13:21 | |
We've already got a table at the Arc en Ciel. | 0:13:21 | 0:13:23 | |
Oh, well, that's great. | 0:13:23 | 0:13:24 | |
You go eat at the Arc en Ciel, | 0:13:24 | 0:13:26 | |
and I'll get eaten next door. | 0:13:26 | 0:13:29 | |
Sounds like a plan. | 0:13:29 | 0:13:30 | |
Yeah. | 0:13:30 | 0:13:31 | |
Come on, Bill. Walk with me. | 0:13:31 | 0:13:33 | |
Thomas. | 0:13:33 | 0:13:34 | |
PEOPLE CHATTERING | 0:13:35 | 0:13:37 | |
FOWLER: Seems like a nice young man. | 0:13:48 | 0:13:50 | |
What does he do? | 0:13:50 | 0:13:52 | |
Something with medical aid. | 0:13:52 | 0:13:55 | |
-PYLE: -Where are we going? | 0:13:55 | 0:13:57 | |
You go and get us a table, | 0:13:58 | 0:14:00 | |
and I'll go and rescue our Mr Pyle. | 0:14:00 | 0:14:02 | |
Merci, monsieur. | 0:14:03 | 0:14:04 | |
Thank you. | 0:14:04 | 0:14:06 | |
WOMAN SINGING IN VIETNAMESE | 0:14:26 | 0:14:27 | |
WOMEN SHOUTING | 0:14:33 | 0:14:35 | |
-PYLE: -I'm just dropping him off. | 0:14:49 | 0:14:52 | |
I'm not staying. | 0:14:52 | 0:14:54 | |
No, no, no. | 0:14:54 | 0:14:55 | |
Please, please, please. No, come on. | 0:14:55 | 0:14:58 | |
Pyle, let's get out of here. | 0:14:58 | 0:15:00 | |
No, no, no. C'est fini. | 0:15:00 | 0:15:02 | |
Let me go. | 0:15:02 | 0:15:03 | |
Put your arm around this one. | 0:15:03 | 0:15:06 | |
If they think you've chosen one, | 0:15:06 | 0:15:08 | |
they'll let you go. | 0:15:08 | 0:15:09 | |
Put your arm around her. | 0:15:09 | 0:15:10 | |
Excusez-moi! Excusez-moi! | 0:15:10 | 0:15:12 | |
-GRANGER: -Who wants to be with me? | 0:15:12 | 0:15:14 | |
Good night, Granger! | 0:15:14 | 0:15:15 | |
Who wants to be with me? | 0:15:15 | 0:15:18 | |
WOMAN SINGS IN FRENCH | 0:15:18 | 0:15:20 | |
Miss Phuong, I'm so sorry. | 0:15:31 | 0:15:33 | |
Please forgive us for keeping you waiting. | 0:15:33 | 0:15:34 | |
I forgive you. | 0:15:34 | 0:15:36 | |
We had to make sure that Bill Granger got home. | 0:15:36 | 0:15:38 | |
Home. Ha ha ha! | 0:15:38 | 0:15:39 | |
Monsieur, a ticket? | 0:15:39 | 0:15:41 | |
Sorry? | 0:15:41 | 0:15:42 | |
Tickets for the taxi dancers. | 0:15:42 | 0:15:43 | |
With the girls here, you buy a ticket for a dance. | 0:15:43 | 0:15:46 | |
-PHUONG: -Buy a ticket, | 0:15:46 | 0:15:47 | |
maybe I dance with you. | 0:15:47 | 0:15:50 | |
-PYLE: -There you are. | 0:15:52 | 0:15:53 | |
Shall we? | 0:15:57 | 0:15:58 | |
SONG ENDS | 0:16:29 | 0:16:31 | |
NEW SONG BEGINS | 0:16:38 | 0:16:40 | |
Phong is a very beautiful name. | 0:16:50 | 0:16:52 | |
Phuong. | 0:16:52 | 0:16:54 | |
Phuong. | 0:16:54 | 0:16:55 | |
It means "phoenix". | 0:16:55 | 0:16:56 | |
Oh. | 0:16:56 | 0:16:58 | |
I thought it meant "flower," | 0:16:59 | 0:17:01 | |
like the ones in your hair. | 0:17:01 | 0:17:03 | |
Do you like my hair? | 0:17:03 | 0:17:05 | |
This is traditional style. | 0:17:05 | 0:17:07 | |
It's very nice. | 0:17:07 | 0:17:09 | |
Do you know Vietnamese? | 0:17:10 | 0:17:11 | |
Yeah, sure. Try me. | 0:17:11 | 0:17:14 | |
No, I don't. | 0:17:20 | 0:17:22 | |
I only know two words. I know, er... | 0:17:22 | 0:17:24 | |
-Mr Fowler? -Hello. | 0:17:29 | 0:17:32 | |
May I? | 0:17:32 | 0:17:33 | |
Of course. | 0:17:33 | 0:17:34 | |
Thanks. | 0:17:34 | 0:17:36 | |
Haven't seen you for a long time. | 0:17:36 | 0:17:39 | |
I'm away a lot. | 0:17:39 | 0:17:40 | |
Yes. | 0:17:40 | 0:17:41 | |
Who's he? | 0:17:46 | 0:17:47 | |
Your friend? | 0:17:47 | 0:17:48 | |
His name is Pyle. | 0:17:48 | 0:17:50 | |
He's with the American Economic Mission. | 0:17:50 | 0:17:52 | |
He's from Boston, in America. | 0:17:52 | 0:17:54 | |
He's a very bad dancer. | 0:17:54 | 0:17:56 | |
Yes. | 0:17:56 | 0:17:58 | |
SONG ENDS | 0:18:02 | 0:18:03 | |
He is married? | 0:18:03 | 0:18:05 | |
Not that I know of, no. | 0:18:05 | 0:18:07 | |
This is Miss Hei, Phuong's sister. | 0:18:10 | 0:18:12 | |
Alden Pyle. | 0:18:12 | 0:18:13 | |
Very happy to meet you. | 0:18:13 | 0:18:15 | |
Your father is a businessman? | 0:18:17 | 0:18:20 | |
Uh, no. | 0:18:20 | 0:18:21 | |
He's a professor. | 0:18:21 | 0:18:23 | |
My sister is very good dancer, yes? | 0:18:23 | 0:18:26 | |
Well, she's too good for me. | 0:18:26 | 0:18:28 | |
She's my only sister. | 0:18:28 | 0:18:30 | |
Your sister's a very pretty girl. | 0:18:37 | 0:18:40 | |
My sister is the most beautiful girl | 0:18:40 | 0:18:43 | |
in Saigon. | 0:18:43 | 0:18:45 | |
I don't doubt that at all. | 0:18:45 | 0:18:47 | |
Mr Fowler's a very lucky man. | 0:18:47 | 0:18:49 | |
-MISS HEI: -My father was very sad. | 0:18:49 | 0:18:51 | |
He had no grandchildren. | 0:18:51 | 0:18:55 | |
Would you like a drink? | 0:18:55 | 0:18:57 | |
No, thank you. | 0:18:57 | 0:18:59 | |
My friends. | 0:18:59 | 0:19:01 | |
So pleased to have met you. | 0:19:02 | 0:19:04 | |
I hope we meet again soon. | 0:19:04 | 0:19:06 | |
Perhaps you could arrange. | 0:19:06 | 0:19:07 | |
When I get back from the north. | 0:19:07 | 0:19:09 | |
You are going north? | 0:19:09 | 0:19:11 | |
Yes. | 0:19:11 | 0:19:12 | |
Then you must come and have dinner | 0:19:14 | 0:19:16 | |
with me and my sister | 0:19:16 | 0:19:18 | |
while Mr Fowler is gone | 0:19:18 | 0:19:19 | |
to cheer her up. | 0:19:19 | 0:19:21 | |
Well, thank you. I'd like that very much. | 0:19:21 | 0:19:23 | |
What a nice woman. | 0:19:30 | 0:19:31 | |
An absolute saint. | 0:19:31 | 0:19:32 | |
She used to work in office, | 0:19:32 | 0:19:34 | |
import-export. | 0:19:34 | 0:19:35 | |
Really? | 0:19:35 | 0:19:36 | |
She knows shorthand. | 0:19:36 | 0:19:38 | |
Does she? | 0:19:38 | 0:19:39 | |
Maybe you need someone. | 0:19:39 | 0:19:41 | |
Maybe, er, we could work something out. | 0:19:41 | 0:19:43 | |
Please forgive me for dancing with Miss Phuong | 0:19:50 | 0:19:52 | |
so many times. | 0:19:52 | 0:19:53 | |
That's all right. I like watching her dance. | 0:19:53 | 0:19:55 | |
She's a very good dancer. | 0:19:55 | 0:19:56 | |
She should be. She used to do it for a living. | 0:19:56 | 0:19:59 | |
What do you mean? | 0:20:00 | 0:20:02 | |
She was a taxi dancer, a hostess, | 0:20:02 | 0:20:04 | |
here at the Arc en Ciel. | 0:20:04 | 0:20:06 | |
Oh. | 0:20:06 | 0:20:07 | |
I thought you said she came from a good family. | 0:20:07 | 0:20:09 | |
She did, but the father died, | 0:20:09 | 0:20:11 | |
so the sisters had to go out | 0:20:11 | 0:20:12 | |
-and earn a living. -Oh. | 0:20:12 | 0:20:14 | |
Well, that's too bad. | 0:20:14 | 0:20:15 | |
What? | 0:20:15 | 0:20:17 | |
Well, isn't that just a step up | 0:20:17 | 0:20:18 | |
from the girls across the street? | 0:20:18 | 0:20:20 | |
Oh, good God, no. Took me six months | 0:20:20 | 0:20:22 | |
to get her to go out on a date. | 0:20:22 | 0:20:24 | |
Oh. | 0:20:24 | 0:20:25 | |
EXPLOSION | 0:20:25 | 0:20:26 | |
Grenade. | 0:20:28 | 0:20:29 | |
A grenade. | 0:20:29 | 0:20:31 | |
WHISTLE BLOWS | 0:20:32 | 0:20:34 | |
So, are you married? | 0:20:34 | 0:20:36 | |
Yes, I am. | 0:20:36 | 0:20:37 | |
Hmm. | 0:20:37 | 0:20:38 | |
Bonsoir, mademoiselle. | 0:20:39 | 0:20:41 | |
But not to her. | 0:20:43 | 0:20:45 | |
There's something I haven't told you. | 0:21:23 | 0:21:25 | |
I got a telegram from the paper | 0:21:27 | 0:21:29 | |
asking me to go back to London. | 0:21:29 | 0:21:32 | |
So, when you go? | 0:21:33 | 0:21:36 | |
I've cabled them, | 0:21:36 | 0:21:39 | |
asking them to let me stay, but... | 0:21:39 | 0:21:42 | |
..if they stop paying me, | 0:21:44 | 0:21:47 | |
I'm not sure how we'll live. | 0:21:47 | 0:21:49 | |
I come with you to London. | 0:21:51 | 0:21:54 | |
I'd marry you if I could. | 0:21:54 | 0:21:57 | |
You know that? | 0:21:59 | 0:22:00 | |
Yes. | 0:22:00 | 0:22:03 | |
That's what I always tell my sister. | 0:22:03 | 0:22:06 | |
Do you think your wife will give divorce? | 0:22:17 | 0:22:20 | |
I doubt it. | 0:22:25 | 0:22:26 | |
FOWLER: 'When did everything change? | 0:22:37 | 0:22:39 | |
'Maybe there isn't one moment. | 0:22:40 | 0:22:43 | |
'A cable from London calling me home, or... | 0:22:46 | 0:22:49 | |
'or watching them dancing together, | 0:22:49 | 0:22:51 | |
'or what followed between us - she and I - | 0:22:51 | 0:22:55 | |
'through the long night.' | 0:22:55 | 0:22:57 | |
PEOPLE SHOUTING | 0:22:57 | 0:22:59 | |
'I was never brave, | 0:23:04 | 0:23:07 | |
'but there I was, heading north, | 0:23:07 | 0:23:11 | |
'the fear of losing Phuong more terrifying | 0:23:11 | 0:23:14 | |
'than the fear of any bullet.' | 0:23:14 | 0:23:16 | |
-FRENCH OFFICER: -The communists attacked four days ago. | 0:23:22 | 0:23:25 | |
We pushed them back only yesterday. | 0:23:26 | 0:23:29 | |
We think there is 300 in this village. | 0:23:29 | 0:23:32 | |
But you will not see them. | 0:23:34 | 0:23:35 | |
FOWLER: It's getting worse, isn't it? | 0:23:35 | 0:23:37 | |
How long can you keep going? | 0:23:37 | 0:23:40 | |
A few months maybe. | 0:23:40 | 0:23:42 | |
My men are counting bullets. | 0:23:42 | 0:23:44 | |
Silence. | 0:23:57 | 0:23:59 | |
DISTANT RUMBLE | 0:23:59 | 0:24:02 | |
Vite! Cachez-vous. | 0:24:02 | 0:24:04 | |
ENGINE RUMBLES | 0:24:09 | 0:24:11 | |
GUNSHOT | 0:24:18 | 0:24:19 | |
No, no, no, no! Don't shoot. Don't shoot! | 0:24:22 | 0:24:25 | |
Ho! | 0:24:25 | 0:24:26 | |
Pyle? | 0:24:26 | 0:24:27 | |
What the hell are you doing here? | 0:24:30 | 0:24:31 | |
-PYLE: -They wouldn't let my trachoma team | 0:24:31 | 0:24:33 | |
out of Nam Dinh, so I figured I might as well | 0:24:33 | 0:24:34 | |
see what was going on for myself. | 0:24:34 | 0:24:37 | |
You know, you're lucky to get here alive! | 0:24:37 | 0:24:40 | |
RADIO CHATTERING | 0:24:41 | 0:24:42 | |
It wasn't that hard after I hired a boat. | 0:24:42 | 0:24:44 | |
It wasn't that expensive, actually. | 0:24:44 | 0:24:46 | |
In the end, I just bought it. | 0:24:46 | 0:24:47 | |
You are mad. | 0:24:47 | 0:24:48 | |
-I'm mad? -Yes. | 0:24:48 | 0:24:50 | |
Have you ever seen anyone with trachoma, Thomas? | 0:24:50 | 0:24:52 | |
Yes, I suppose I have. | 0:24:52 | 0:24:53 | |
You know, it's not that easy to remain uninvolved. | 0:24:53 | 0:24:57 | |
Here. | 0:24:57 | 0:24:58 | |
FOWLER: "Not that easy to remain uninvolved." | 0:24:58 | 0:25:01 | |
'I had hidden for so long behind a typewriter. | 0:25:04 | 0:25:07 | |
'What we found there, | 0:25:09 | 0:25:11 | |
'what we saw | 0:25:11 | 0:25:13 | |
'in Phat Diem, | 0:25:13 | 0:25:16 | |
'what did that do... | 0:25:16 | 0:25:18 | |
'..to his zeal, | 0:25:19 | 0:25:20 | |
'to my detachment? | 0:25:20 | 0:25:22 | |
'The dead are not involved. | 0:25:24 | 0:25:25 | |
'The dead have no zeal. | 0:25:25 | 0:25:28 | |
'They are lying in wait. | 0:25:29 | 0:25:32 | |
'You see them, | 0:25:32 | 0:25:34 | |
'all their tenderness, | 0:25:34 | 0:25:37 | |
'and then they haunt you.' | 0:25:37 | 0:25:39 | |
Communists? | 0:25:41 | 0:25:42 | |
Clearly. This is not the work | 0:25:42 | 0:25:43 | |
of French soldiers. | 0:25:43 | 0:25:44 | |
FOWLER: It doesn't make sense. | 0:25:44 | 0:25:47 | |
The communists don't kill townspeople. | 0:25:47 | 0:25:51 | |
It is not in their interest. | 0:25:51 | 0:25:53 | |
-SOLDIER: -Maybe another faction. | 0:25:53 | 0:25:55 | |
There are so many of them. | 0:25:55 | 0:25:57 | |
Each with their own army. | 0:25:58 | 0:26:00 | |
What's that book you're always reading? | 0:26:13 | 0:26:15 | |
York Harding, "Dangers to Democracy". | 0:26:15 | 0:26:18 | |
-An American? -Yeah. | 0:26:18 | 0:26:20 | |
He was out here a couple of years back. | 0:26:20 | 0:26:22 | |
Was he here long? | 0:26:22 | 0:26:24 | |
I don't know. I heard him lecture once. | 0:26:24 | 0:26:26 | |
Joe actually met him. | 0:26:26 | 0:26:27 | |
He's the one that put forward the idea | 0:26:27 | 0:26:29 | |
of a third force to run Vietnam, | 0:26:29 | 0:26:31 | |
not the communists and not the French. | 0:26:31 | 0:26:33 | |
Not the Americans? | 0:26:33 | 0:26:34 | |
No, we're not colonialists. | 0:26:34 | 0:26:36 | |
Something that could really help these people. | 0:26:36 | 0:26:39 | |
You have a gun, either of you? | 0:26:39 | 0:26:41 | |
No. | 0:26:41 | 0:26:42 | |
They shall attack again tonight. | 0:26:42 | 0:26:44 | |
You don't want to be taken alive. | 0:26:44 | 0:26:47 | |
Believe me. | 0:26:47 | 0:26:48 | |
Shoot yourselves. | 0:26:50 | 0:26:52 | |
-Thank you. -Thanks. | 0:26:53 | 0:26:54 | |
Stay inside that bunker! | 0:26:55 | 0:26:58 | |
MAN SHOUTS IN FRENCH | 0:27:02 | 0:27:04 | |
Do you want something to eat? | 0:27:11 | 0:27:13 | |
No, thank you. | 0:27:13 | 0:27:15 | |
Come on. | 0:27:16 | 0:27:18 | |
You didn't come up to check your medical team. | 0:27:18 | 0:27:22 | |
Joe Tunney sent you, right? | 0:27:22 | 0:27:24 | |
A little intelligence work. | 0:27:24 | 0:27:27 | |
I've never been very good | 0:27:31 | 0:27:33 | |
at keeping secrets. | 0:27:33 | 0:27:35 | |
There is another reason why I came up here. | 0:27:35 | 0:27:37 | |
It's you. | 0:27:41 | 0:27:43 | |
Me? | 0:27:43 | 0:27:45 | |
Yep. | 0:27:45 | 0:27:47 | |
Um, you said that you might be coming up here. | 0:27:47 | 0:27:51 | |
Yeah. | 0:27:51 | 0:27:52 | |
COW MOOS | 0:27:52 | 0:27:53 | |
EXPLOSIONS | 0:27:53 | 0:27:56 | |
Um... | 0:27:57 | 0:27:59 | |
The thing is, it's about Phuong. | 0:28:01 | 0:28:03 | |
Um, well, I guess it started | 0:28:03 | 0:28:06 | |
that night when we were at the Arc en Ciel, | 0:28:06 | 0:28:08 | |
and I was dancing with her. | 0:28:08 | 0:28:10 | |
Ha ha. I didn't think you ever got close enough. | 0:28:10 | 0:28:13 | |
And then I had dinner with her | 0:28:13 | 0:28:15 | |
and her sister... | 0:28:15 | 0:28:17 | |
BOMB WHISTLES | 0:28:17 | 0:28:18 | |
..last Saturday and... | 0:28:18 | 0:28:20 | |
..just when I was | 0:28:22 | 0:28:24 | |
sitting there looking at her, | 0:28:24 | 0:28:26 | |
it all just became so clear to me. | 0:28:26 | 0:28:30 | |
I see. | 0:28:30 | 0:28:32 | |
Look, Tom, none of this was planned. | 0:28:32 | 0:28:34 | |
There's no way... | 0:28:34 | 0:28:35 | |
I never ever used to believe | 0:28:35 | 0:28:38 | |
in love at first sight. | 0:28:38 | 0:28:40 | |
But after seeing all those other girls | 0:28:40 | 0:28:42 | |
in that awful place and thinking that Phuong | 0:28:42 | 0:28:45 | |
could very easily become one of them, | 0:28:45 | 0:28:47 | |
I don't know, I want to protect her. | 0:28:47 | 0:28:49 | |
And what did she say | 0:28:49 | 0:28:50 | |
when you offered her your protection? | 0:28:50 | 0:28:52 | |
I haven't told her yet. | 0:28:52 | 0:28:54 | |
You haven't told her? | 0:28:54 | 0:28:55 | |
No. I didn't think it would be right. | 0:28:55 | 0:28:56 | |
I wanted to speak with you first. | 0:28:56 | 0:28:58 | |
MEN SHOUTING | 0:28:58 | 0:29:00 | |
Look, if you two had been married, | 0:29:00 | 0:29:02 | |
that'd be a completely different situation. | 0:29:02 | 0:29:04 | |
I could never marry her. Oh, shit. | 0:29:04 | 0:29:06 | |
My wife would never give me a divorce. | 0:29:06 | 0:29:08 | |
She's a Catholic. | 0:29:08 | 0:29:09 | |
BOMBS WHISTLE | 0:29:09 | 0:29:12 | |
It's getting closer. | 0:29:12 | 0:29:15 | |
They're walking it in. | 0:29:15 | 0:29:16 | |
BOMBS EXPLODING | 0:29:18 | 0:29:21 | |
MEN TALKING | 0:29:30 | 0:29:32 | |
-PYLE: -"Dear Thomas, | 0:29:38 | 0:29:39 | |
"I guess I'll be back in Saigon ahead of you, | 0:29:39 | 0:29:42 | |
"and I wanted to reassure you | 0:29:42 | 0:29:45 | |
"that I won't go to see Phuong | 0:29:45 | 0:29:47 | |
"until after you return. | 0:29:47 | 0:29:49 | |
"If you can make the next transport out, | 0:29:49 | 0:29:51 | |
"you should be back by the end of the week. | 0:29:51 | 0:29:54 | |
"I can check in with your assistant | 0:29:54 | 0:29:56 | |
"to see if you made it. | 0:29:56 | 0:29:58 | |
"If so... | 0:29:58 | 0:29:59 | |
"I'll come around to see you both together on Friday, | 0:29:59 | 0:30:02 | |
"say, 5.00?" | 0:30:02 | 0:30:03 | |
Anyone due to go out to Hong Kong? | 0:30:05 | 0:30:07 | |
Someone from Reuters, I believe. | 0:30:07 | 0:30:09 | |
Type this up, will you, | 0:30:09 | 0:30:10 | |
and ask him to cable it to London for me? | 0:30:10 | 0:30:12 | |
Your big story? | 0:30:12 | 0:30:14 | |
Yes. Massacre at Phat Diem. | 0:30:14 | 0:30:16 | |
Nobody did it, of course. | 0:30:16 | 0:30:18 | |
Not the French, not the communists, | 0:30:18 | 0:30:20 | |
but there are rumours. | 0:30:20 | 0:30:23 | |
What's going on? | 0:30:23 | 0:30:26 | |
I forgot. | 0:30:26 | 0:30:27 | |
-What? -It's a rally. | 0:30:27 | 0:30:30 | |
A new political party. | 0:30:30 | 0:30:32 | |
Bloody hell. | 0:30:32 | 0:30:33 | |
I think I better leave your car here, sir. | 0:30:33 | 0:30:35 | |
We can walk. | 0:30:35 | 0:30:37 | |
Isn't that Colonel The? | 0:31:09 | 0:31:11 | |
General The. | 0:31:11 | 0:31:13 | |
Who made him a general? | 0:31:13 | 0:31:14 | |
He did. | 0:31:14 | 0:31:15 | |
He broke away from the French | 0:31:15 | 0:31:17 | |
and formed his own army. | 0:31:17 | 0:31:19 | |
FOWLER: Hello. | 0:31:52 | 0:31:53 | |
Hi. | 0:31:53 | 0:31:54 | |
You have a dog. | 0:31:56 | 0:31:58 | |
Come in. | 0:32:00 | 0:32:01 | |
Thanks. | 0:32:01 | 0:32:03 | |
-WHISTLES TO DOG: -Come on. | 0:32:03 | 0:32:04 | |
Is Phuong...? | 0:32:09 | 0:32:10 | |
She's gone to see her sister. | 0:32:10 | 0:32:12 | |
Oh. | 0:32:12 | 0:32:14 | |
Would you like a whisky? | 0:32:15 | 0:32:17 | |
Oh, just a soda, thanks. | 0:32:17 | 0:32:19 | |
Does he have to do that? | 0:32:21 | 0:32:24 | |
Huh? | 0:32:24 | 0:32:25 | |
Duke, come here. Come here. | 0:32:25 | 0:32:27 | |
You called him Duke? | 0:32:27 | 0:32:29 | |
Yeah. Found this guy on the street. | 0:32:29 | 0:32:32 | |
Didn't I? Who could turn their back | 0:32:32 | 0:32:34 | |
on a mug like that, huh? | 0:32:34 | 0:32:36 | |
I saw you and Joe Tunney at the parade. | 0:32:36 | 0:32:39 | |
Go sit. | 0:32:39 | 0:32:40 | |
Did you go on to the rally? | 0:32:40 | 0:32:42 | |
Thanks. Uh, yeah, I did. | 0:32:42 | 0:32:44 | |
It was really something else. | 0:32:44 | 0:32:45 | |
I thought only American politicians | 0:32:45 | 0:32:47 | |
went in for that nonsense. | 0:32:47 | 0:32:48 | |
All that was missing was the ticker tape. | 0:32:48 | 0:32:51 | |
Well, they sure didn't forget the brass band. | 0:32:51 | 0:32:53 | |
He's a pretty impressive guy, that General The. | 0:32:53 | 0:32:56 | |
It doesn't trouble you | 0:32:56 | 0:32:57 | |
that he's a complete egomaniac? | 0:32:57 | 0:32:59 | |
Look, um, I don't want to talk | 0:32:59 | 0:33:01 | |
about Phuong behind her back. | 0:33:01 | 0:33:02 | |
I thought she was going to be here. | 0:33:02 | 0:33:05 | |
Her sister told me about her predicament. | 0:33:05 | 0:33:08 | |
And what predicament is that? | 0:33:08 | 0:33:10 | |
I think you know. | 0:33:10 | 0:33:11 | |
No. | 0:33:11 | 0:33:12 | |
Well, you can't marry her, | 0:33:12 | 0:33:14 | |
and by living with you, she can never have | 0:33:14 | 0:33:16 | |
a proper marriage to a Vietnamese man. | 0:33:16 | 0:33:18 | |
She doesn't need a proper marriage | 0:33:18 | 0:33:20 | |
with a Vietnamese man. | 0:33:20 | 0:33:21 | |
She's with me. | 0:33:21 | 0:33:23 | |
DOOR OPENS | 0:33:23 | 0:33:24 | |
There she is. | 0:33:24 | 0:33:26 | |
Hello, Phuong. | 0:33:26 | 0:33:29 | |
-PHUONG: -My sister is out. | 0:33:29 | 0:33:31 | |
Oh. | 0:33:31 | 0:33:32 | |
Hello. | 0:33:32 | 0:33:33 | |
Hello. It's very nice to see you. | 0:33:33 | 0:33:34 | |
Actually, it's you that Mr Pyle | 0:33:34 | 0:33:36 | |
has come to visit, Phuong. | 0:33:36 | 0:33:38 | |
So, why don't we all sit down? | 0:33:38 | 0:33:41 | |
Unless of course you want me to leave. | 0:33:41 | 0:33:43 | |
No. No, no, no, that wouldn't be right. | 0:33:43 | 0:33:45 | |
We shall sit down then. | 0:33:45 | 0:33:48 | |
Fire away. | 0:33:58 | 0:34:00 | |
Phuong... | 0:34:04 | 0:34:05 | |
..ever since I met you | 0:34:07 | 0:34:09 | |
and danced with you | 0:34:09 | 0:34:11 | |
and talked with you... | 0:34:11 | 0:34:13 | |
I haven't been able to get you | 0:34:14 | 0:34:16 | |
out of my thoughts | 0:34:16 | 0:34:17 | |
for more than a moment. | 0:34:17 | 0:34:19 | |
And... | 0:34:22 | 0:34:24 | |
I've fallen in love with you. | 0:34:24 | 0:34:27 | |
You fall in love with me? | 0:34:33 | 0:34:35 | |
Please, believe me when I say | 0:34:35 | 0:34:36 | |
I've never behaved like this before. | 0:34:36 | 0:34:38 | |
I apologise. | 0:34:38 | 0:34:39 | |
It is abrupt, | 0:34:39 | 0:34:41 | |
and it is ill-mannered, | 0:34:41 | 0:34:42 | |
but... | 0:34:42 | 0:34:44 | |
I'm in love with you. | 0:34:44 | 0:34:47 | |
Well, shouldn't you be on one knee? | 0:34:50 | 0:34:52 | |
Look, Phuong, I'm not a rich man, | 0:34:56 | 0:34:59 | |
but I do have assets... | 0:34:59 | 0:35:01 | |
Let's toss for her. | 0:35:01 | 0:35:01 | |
What can you offer her? | 0:35:01 | 0:35:03 | |
Oh, Christ. | 0:35:03 | 0:35:04 | |
Listen, I don't expect you to love me right away. | 0:35:04 | 0:35:06 | |
That'll come with time. | 0:35:06 | 0:35:07 | |
You can always make love to the chauffeur | 0:35:07 | 0:35:08 | |
while he's at the office. | 0:35:08 | 0:35:09 | |
You have no right to insult her! | 0:35:09 | 0:35:11 | |
Will you shut your bloody dog up? | 0:35:11 | 0:35:13 | |
You can come away with me right now. | 0:35:13 | 0:35:14 | |
Tell him to bugger off and take his dog with him. | 0:35:14 | 0:35:16 | |
DOG GROWLS | 0:35:16 | 0:35:18 | |
No. | 0:35:20 | 0:35:21 | |
She said no. | 0:35:25 | 0:35:27 | |
Yes. | 0:35:28 | 0:35:29 | |
Sit down, have a scotch. | 0:35:29 | 0:35:31 | |
No. I should go. | 0:35:31 | 0:35:32 | |
I'm so sorry. I-I apologise. | 0:35:32 | 0:35:34 | |
Do you want to smoke a pipe? | 0:35:34 | 0:35:35 | |
A pipe? | 0:35:35 | 0:35:37 | |
Opium. | 0:35:37 | 0:35:38 | |
No. | 0:35:38 | 0:35:39 | |
Why would I do that? | 0:35:39 | 0:35:41 | |
WHISTLES | 0:35:41 | 0:35:42 | |
THOMAS: "I know before we married | 0:35:59 | 0:36:01 | |
"you warned me your beliefs meant | 0:36:01 | 0:36:02 | |
"that there could never be a divorce. | 0:36:02 | 0:36:05 | |
"All the same, that's what I'm asking for now. | 0:36:05 | 0:36:09 | |
"The fact is, I love someone very much. | 0:36:09 | 0:36:13 | |
"I want you to feel affection, | 0:36:13 | 0:36:15 | |
"act before you have time to think | 0:36:15 | 0:36:17 | |
"and just cable me and tell me you agree." | 0:36:17 | 0:36:20 | |
I've just asked my wife for a divorce. | 0:36:27 | 0:36:31 | |
Your sister... | 0:36:36 | 0:36:38 | |
..was she really out? | 0:36:41 | 0:36:43 | |
I told you. | 0:36:43 | 0:36:45 | |
I thought perhaps she sent you back | 0:36:49 | 0:36:52 | |
so that you could meet Pyle. | 0:36:52 | 0:36:55 | |
He's very young. | 0:36:55 | 0:36:57 | |
That's not so important. | 0:36:59 | 0:37:03 | |
-HINH: -Good news. | 0:37:11 | 0:37:13 | |
They printed your story. | 0:37:14 | 0:37:16 | |
Got a cable from Stemins. | 0:37:16 | 0:37:19 | |
This got me a month's reprieve. | 0:37:19 | 0:37:22 | |
Page 10... | 0:37:22 | 0:37:24 | |
"French break communist siege." | 0:37:24 | 0:37:26 | |
They didn't use much, did they? | 0:37:27 | 0:37:29 | |
Nothing here about | 0:37:31 | 0:37:32 | |
the villagers that were killed. | 0:37:32 | 0:37:34 | |
What did the French paper say? | 0:37:34 | 0:37:35 | |
Headlines blaming it | 0:37:35 | 0:37:37 | |
on the communists, of course. | 0:37:37 | 0:37:39 | |
Well, a month is a month. | 0:37:39 | 0:37:42 | |
What else can you tell me about this General The? | 0:37:42 | 0:37:46 | |
He set himself up against | 0:37:48 | 0:37:49 | |
both the French and the communists. | 0:37:49 | 0:37:51 | |
Do you think he'd give me an interview | 0:37:53 | 0:37:55 | |
if I went up the holy mountain? | 0:37:55 | 0:37:57 | |
Difficult to say. | 0:37:57 | 0:37:59 | |
Perhaps if he thought | 0:37:59 | 0:38:01 | |
he could get his message across. | 0:38:01 | 0:38:02 | |
Well, the problem with that would be | 0:38:02 | 0:38:04 | |
getting it past the censor. | 0:38:04 | 0:38:06 | |
No, the real problem would be | 0:38:06 | 0:38:07 | |
to get close to the Cambodian border | 0:38:07 | 0:38:09 | |
and back before dark. | 0:38:09 | 0:38:10 | |
The communists control that road at night. | 0:38:10 | 0:38:13 | |
So many Europeans have been killed out there. | 0:38:13 | 0:38:15 | |
SPEAKS VIETNAMESE | 0:38:24 | 0:38:27 | |
I am Thomas Fowler of the London Times. | 0:38:27 | 0:38:29 | |
I'm here to interview General...General The. | 0:38:30 | 0:38:34 | |
SPEAKS VIETNAMESE | 0:38:34 | 0:38:35 | |
Thomas Fowler of the London Times. | 0:38:35 | 0:38:39 | |
I'm here to see General The. | 0:38:39 | 0:38:42 | |
SHOUTS IN VIETNAMESE | 0:38:44 | 0:38:46 | |
SHOUTS IN VIETNAMESE | 0:38:49 | 0:38:51 | |
'September, October, November. | 0:38:51 | 0:38:55 | |
'I'd seen Pyle only once | 0:38:55 | 0:38:57 | |
'since he'd asked Phuong to marry him, | 0:38:57 | 0:38:59 | |
'at the Continental. | 0:38:59 | 0:39:01 | |
'He'd been polite, of course. | 0:39:01 | 0:39:03 | |
'How was I? How was Phuong? | 0:39:03 | 0:39:06 | |
'He'd been busy, he said, out of the city, | 0:39:06 | 0:39:09 | |
'working on his medical programme.' | 0:39:09 | 0:39:10 | |
-PYLE: -Thomas! | 0:39:10 | 0:39:11 | |
'So somehow I wasn't surprised to see him.' | 0:39:11 | 0:39:13 | |
Thomas! | 0:39:13 | 0:39:14 | |
'I was surprised to be pleased to see him.' | 0:39:14 | 0:39:18 | |
What brings you out to these parts? | 0:39:18 | 0:39:20 | |
Well, I was hoping to interview the general, | 0:39:20 | 0:39:22 | |
but they've thrown me out of the place. | 0:39:22 | 0:39:24 | |
Oh. | 0:39:24 | 0:39:25 | |
What's your excuse this time? | 0:39:25 | 0:39:27 | |
Well, this is like a test run for us. | 0:39:27 | 0:39:29 | |
The French, in a typically French way, | 0:39:29 | 0:39:31 | |
have been very uncooperative, | 0:39:31 | 0:39:33 | |
but General The has been good enough | 0:39:33 | 0:39:34 | |
to let us set up camp here. | 0:39:34 | 0:39:35 | |
I'll get him to let you in. | 0:39:37 | 0:39:39 | |
SPEAKING VIETNAMESE | 0:39:39 | 0:39:40 | |
-PYLE: -Joe Tunney's running aid programmes | 0:39:40 | 0:39:42 | |
with some of the businesspeople close to The. | 0:39:42 | 0:39:44 | |
Mr Muoi? | 0:39:44 | 0:39:45 | |
Mr Pyle. | 0:39:45 | 0:39:46 | |
Hello, how are you? | 0:39:46 | 0:39:48 | |
Good. | 0:39:48 | 0:39:49 | |
His name is Thomas Fowler. | 0:39:49 | 0:39:52 | |
He's looking for an interview with the general. | 0:39:52 | 0:39:54 | |
GUNFIRE | 0:39:56 | 0:39:58 | |
My name is Mr Muoi. | 0:40:08 | 0:40:10 | |
The general only has a few moments. | 0:40:10 | 0:40:12 | |
FOWLER: May I first ask you a question? | 0:40:12 | 0:40:15 | |
Please. | 0:40:15 | 0:40:16 | |
What is your relationship to the general? | 0:40:16 | 0:40:18 | |
-MUOI: -I'm a businessman and a patriot. | 0:40:18 | 0:40:21 | |
Many of the supplies and aid you see here | 0:40:23 | 0:40:25 | |
are the result of my efforts. | 0:40:25 | 0:40:27 | |
Shall we begin with the first question? | 0:40:27 | 0:40:29 | |
FOWLER: You say you've broken away | 0:40:29 | 0:40:31 | |
from the French and Vietnamese forces | 0:40:31 | 0:40:33 | |
with which you served. | 0:40:33 | 0:40:35 | |
Do any ties remain? | 0:40:35 | 0:40:37 | |
MUOI TRANSLATES | 0:40:37 | 0:40:38 | |
SPEAKS VIETNAMESE | 0:40:38 | 0:40:41 | |
-MUOI: -The French are colonialists. | 0:40:41 | 0:40:43 | |
Not to be trusted. | 0:40:43 | 0:40:47 | |
It will take | 0:40:51 | 0:40:53 | |
an independent Vietnamese leader | 0:40:53 | 0:40:54 | |
to rule our country. | 0:40:54 | 0:40:56 | |
How does the general expect to launch | 0:40:56 | 0:40:58 | |
a successful campaign against the larger forces | 0:40:58 | 0:41:01 | |
of the communists and the French | 0:41:01 | 0:41:02 | |
with so few men and supplies? | 0:41:02 | 0:41:04 | |
And who is providing the means | 0:41:04 | 0:41:07 | |
for the general to achieve this victory? | 0:41:07 | 0:41:09 | |
MUOI TRANSLATES | 0:41:09 | 0:41:11 | |
SPEAKS VIETNAMESE | 0:41:14 | 0:41:16 | |
Has he been fighting his war in the north? | 0:41:19 | 0:41:21 | |
There was a massacre at Phat Diem. | 0:41:38 | 0:41:40 | |
Were your forces present? | 0:41:40 | 0:41:43 | |
SPEAKS VIETNAMESE | 0:41:43 | 0:41:45 | |
SHOUTS | 0:41:53 | 0:41:54 | |
Regrettably, the general has just recalled | 0:41:56 | 0:41:58 | |
that, er, he has another urgent appointment, | 0:41:58 | 0:42:00 | |
so, please... | 0:42:00 | 0:42:01 | |
Thank you. | 0:42:01 | 0:42:03 | |
That was quick. | 0:42:15 | 0:42:16 | |
Things didn't go entirely according to plan. | 0:42:16 | 0:42:19 | |
Watch yourself with Joe. | 0:42:19 | 0:42:22 | |
I think he's up to something with General The. | 0:42:22 | 0:42:26 | |
Say, can I get a ride back to Saigon with you? | 0:42:27 | 0:42:30 | |
There's something wrong with my car. | 0:42:30 | 0:42:31 | |
Yes, of course you can. | 0:42:31 | 0:42:33 | |
Hello. | 0:42:33 | 0:42:34 | |
Some kind soul has had mine cleaned. | 0:42:34 | 0:42:37 | |
I heard a rumour that you've been recalled to London. | 0:42:46 | 0:42:48 | |
Really? | 0:42:50 | 0:42:51 | |
Who told you that? | 0:42:51 | 0:42:54 | |
Phuong's sister. | 0:42:54 | 0:42:55 | |
ENGINE RATTLES | 0:42:57 | 0:42:59 | |
Shit. | 0:43:01 | 0:43:02 | |
What is it? | 0:43:02 | 0:43:04 | |
We're out of petrol. | 0:43:04 | 0:43:06 | |
Some bugger up in the mountains | 0:43:06 | 0:43:08 | |
must have siphoned it off. | 0:43:08 | 0:43:10 | |
FOWLER: They might have some spare petrol | 0:43:21 | 0:43:23 | |
in that watch tower. | 0:43:23 | 0:43:25 | |
CAR DOOR OPENS | 0:43:25 | 0:43:26 | |
Hello! | 0:43:32 | 0:43:34 | |
FOWLER: It looks like it's deserted. | 0:43:42 | 0:43:45 | |
I'll go in and have a look. | 0:43:45 | 0:43:47 | |
OPENS DOOR | 0:43:51 | 0:43:53 | |
Hello? | 0:43:56 | 0:43:57 | |
Excusez-moi. | 0:44:13 | 0:44:14 | |
No. | 0:44:22 | 0:44:23 | |
Is everything OK? | 0:44:23 | 0:44:25 | |
FOWLER: Yes. Come up. | 0:44:25 | 0:44:27 | |
Hey... | 0:44:41 | 0:44:43 | |
Je vais fermer la porte. | 0:44:48 | 0:44:50 | |
OK? | 0:44:50 | 0:44:52 | |
Go easy. | 0:44:52 | 0:44:53 | |
Whoa-whoa. | 0:44:56 | 0:44:58 | |
-PYLE: -C'est bon. C'est pas necessaire. | 0:44:58 | 0:45:02 | |
What are you thinking? | 0:45:33 | 0:45:35 | |
I was wondering what she was doing right now. | 0:45:38 | 0:45:41 | |
WHISPERS: This morning | 0:45:50 | 0:45:51 | |
she met her friends for elevenses | 0:45:51 | 0:45:53 | |
at La Fontaine. | 0:45:53 | 0:45:56 | |
Ice cream and the latest gossip. | 0:45:56 | 0:45:59 | |
On her way home, | 0:46:01 | 0:46:02 | |
she stopped at the market | 0:46:02 | 0:46:04 | |
for fresh fish for dinner. | 0:46:04 | 0:46:06 | |
And now she's flipping through | 0:46:08 | 0:46:11 | |
the pages of magazines, | 0:46:11 | 0:46:14 | |
looking at photographs | 0:46:14 | 0:46:16 | |
of the royal family and film stars... | 0:46:16 | 0:46:18 | |
And listening to Bach's well tempered clavier. | 0:46:20 | 0:46:23 | |
I just got her started on Bach. | 0:46:25 | 0:46:28 | |
Have you had a lot of women, Thomas? | 0:46:34 | 0:46:37 | |
You start out by being promiscuous... | 0:46:39 | 0:46:43 | |
and end up like your grandfather, | 0:46:43 | 0:46:46 | |
faithful to one woman. | 0:46:46 | 0:46:48 | |
I know I'm not essential to Phuong... | 0:46:50 | 0:46:53 | |
But believe me when I tell you | 0:46:55 | 0:46:58 | |
that if I were to lose her... | 0:46:58 | 0:47:01 | |
..for me... | 0:47:02 | 0:47:04 | |
it would be the beginning of death. | 0:47:06 | 0:47:09 | |
DISTANT GUNFIRE | 0:47:12 | 0:47:14 | |
Somebody's had it. | 0:47:18 | 0:47:19 | |
There's 30 or 40 of these towers | 0:47:21 | 0:47:22 | |
between here and Saigon. | 0:47:22 | 0:47:25 | |
They only hit one or two a night, | 0:47:25 | 0:47:26 | |
so our odds aren't too bad. | 0:47:26 | 0:47:28 | |
SPEAKING VIETNAMESE | 0:47:28 | 0:47:31 | |
So, what do you think | 0:47:31 | 0:47:33 | |
they'd do if the communists attacked? | 0:47:33 | 0:47:35 | |
These two? | 0:47:35 | 0:47:36 | |
They'd fire a shot and run. | 0:47:36 | 0:47:38 | |
Why should they die for us? | 0:47:38 | 0:47:40 | |
Or the French? | 0:47:40 | 0:47:42 | |
What's that? | 0:47:42 | 0:47:44 | |
What? | 0:47:44 | 0:47:45 | |
I thought I saw something move. | 0:47:45 | 0:47:46 | |
FEMALE SHOUTS IN VIETNAMESE | 0:47:51 | 0:47:53 | |
Christ, they're here! | 0:47:53 | 0:47:55 | |
SHOUTS CONTINUE | 0:47:55 | 0:47:57 | |
FOWLER: As far as I can make out, | 0:47:59 | 0:48:01 | |
she's told them to give us up or else. | 0:48:01 | 0:48:03 | |
MAN SPEAKS IN VIETNAMESE | 0:48:05 | 0:48:07 | |
Stop. Give me that! | 0:48:09 | 0:48:11 | |
Shh. | 0:48:11 | 0:48:12 | |
Come on, Thomas. | 0:48:12 | 0:48:13 | |
What is it? | 0:48:21 | 0:48:23 | |
I think I twisted my ankle. | 0:48:23 | 0:48:24 | |
MEN SCREAM | 0:48:27 | 0:48:29 | |
PANTING AND GRUNTING | 0:48:39 | 0:48:41 | |
I'm gonna head up the road | 0:49:06 | 0:49:08 | |
to the next watch tower, | 0:49:08 | 0:49:10 | |
See if I can't find a French patrol. | 0:49:10 | 0:49:13 | |
Sit tight, OK? | 0:49:13 | 0:49:15 | |
I'll be right back. | 0:49:15 | 0:49:16 | |
DANCE MUSIC PLAYS | 0:49:29 | 0:49:32 | |
Hey! | 0:49:53 | 0:49:54 | |
Hey! | 0:49:54 | 0:49:55 | |
May I introduce myself? | 0:49:55 | 0:49:57 | |
Thomas Fowler. | 0:49:57 | 0:49:59 | |
PHUONG LAUGHS | 0:50:04 | 0:50:06 | |
Thomas. | 0:50:15 | 0:50:16 | |
Thomas. | 0:50:16 | 0:50:17 | |
I found a patrol. | 0:50:17 | 0:50:19 | |
If I had died... | 0:50:19 | 0:50:21 | |
..you could've had her. | 0:50:22 | 0:50:24 | |
CHATTERING | 0:50:30 | 0:50:32 | |
FOWLER: And I think you should inform your sources | 0:50:35 | 0:50:37 | |
that General The has a lot more men | 0:50:37 | 0:50:40 | |
than the hundred of their last count. | 0:50:40 | 0:50:41 | |
He's a story we should take seriously. | 0:50:41 | 0:50:44 | |
Never underestimate a patriot, sir. | 0:50:44 | 0:50:47 | |
What do you know about this Muoi chap? | 0:50:47 | 0:50:49 | |
Would he have the means to finance The's army? | 0:50:49 | 0:50:51 | |
Muoi. He owns a bicycle factory. | 0:50:51 | 0:50:53 | |
Well, I think Joe Tunney's plotting | 0:50:53 | 0:50:56 | |
with both he and The, | 0:50:56 | 0:50:58 | |
and it's more than just foreign aid programmes. | 0:50:58 | 0:51:01 | |
I'll see what I can find out, sir. | 0:51:01 | 0:51:03 | |
JAZZ MUSIC PLAYING | 0:51:03 | 0:51:05 | |
Things are under control at the office. | 0:51:08 | 0:51:11 | |
Try to get some rest. | 0:51:11 | 0:51:12 | |
Thank you, Hinh. | 0:51:12 | 0:51:13 | |
Mmm. Ahh! | 0:51:43 | 0:51:46 | |
I miss you! | 0:51:46 | 0:51:47 | |
Ow. Ow. | 0:51:47 | 0:51:48 | |
Are you all right? | 0:51:48 | 0:51:50 | |
I'm all in one piece. | 0:51:50 | 0:51:51 | |
You got a letter. | 0:51:51 | 0:51:52 | |
A letter? | 0:51:52 | 0:51:53 | |
-From London. -Yes? | 0:51:53 | 0:51:54 | |
I fetch it for you? | 0:51:54 | 0:51:56 | |
No. | 0:51:56 | 0:51:57 | |
Give me a kiss. | 0:51:57 | 0:51:59 | |
Give me one. | 0:51:59 | 0:52:00 | |
Mmm. | 0:52:00 | 0:52:02 | |
Mmm. | 0:52:02 | 0:52:04 | |
I will get it. | 0:52:04 | 0:52:06 | |
-PHUONG: -You look afraid. | 0:52:15 | 0:52:17 | |
I think I'd better have a brandy and soda. | 0:52:17 | 0:52:21 | |
KNOCK ON DOOR | 0:52:32 | 0:52:35 | |
Hello. | 0:52:37 | 0:52:39 | |
JAZZ MUSIC ENDS | 0:52:41 | 0:52:43 | |
Pyle. Come in, come in. | 0:52:43 | 0:52:45 | |
Thought I'd drop by and see how you're doing. | 0:52:48 | 0:52:50 | |
Very well, thanks. | 0:52:50 | 0:52:52 | |
Good. How's that leg? | 0:52:52 | 0:52:54 | |
I expect my tennis game will suffer, | 0:52:54 | 0:52:56 | |
but it wasn't much to begin with. | 0:52:56 | 0:52:58 | |
Ah, thank you. | 0:53:00 | 0:53:03 | |
I'm glad you dropped by. | 0:53:03 | 0:53:04 | |
We have to thank Mr Pyle, Phuong, | 0:53:04 | 0:53:07 | |
for saving my life. | 0:53:07 | 0:53:09 | |
Thank you. | 0:53:12 | 0:53:14 | |
How's your sister doing? | 0:53:14 | 0:53:16 | |
Sister? | 0:53:16 | 0:53:17 | |
Yes. Alden got her a job with Americans. | 0:53:17 | 0:53:21 | |
Oh, yes? | 0:53:21 | 0:53:22 | |
She likes it very much. Thank you. | 0:53:22 | 0:53:25 | |
-PYLE: -Good. I'm very glad to hear that. | 0:53:25 | 0:53:27 | |
Since you're both here, | 0:53:27 | 0:53:29 | |
now is as good a time as any to tell you | 0:53:29 | 0:53:31 | |
that I have received a letter from my wife | 0:53:31 | 0:53:35 | |
and she has more or less agreed | 0:53:35 | 0:53:37 | |
to give me a divorce. | 0:53:37 | 0:53:39 | |
LAUGHS | 0:53:39 | 0:53:41 | |
Ow! | 0:53:42 | 0:53:43 | |
Well, that's wonderful. | 0:53:45 | 0:53:46 | |
Come sit. | 0:53:51 | 0:53:53 | |
Oh, no, thank you. Um, I've got plans. | 0:53:53 | 0:53:56 | |
Thank you for dropping by. | 0:53:56 | 0:53:57 | |
All right, bye. | 0:53:59 | 0:54:01 | |
-PYLE: -Bye, Phuong. | 0:54:06 | 0:54:07 | |
-PHUONG: -Goodbye. | 0:54:07 | 0:54:08 | |
DOOR CLOSES | 0:54:08 | 0:54:09 | |
HINH SPEAKS VIETNAMESE | 0:54:12 | 0:54:15 | |
Sir, I... | 0:54:19 | 0:54:21 | |
I trusted you, Thomas. | 0:54:24 | 0:54:26 | |
Always a mistake when there's a woman involved. | 0:54:28 | 0:54:30 | |
Couldn't you have won without lying? | 0:54:30 | 0:54:33 | |
What is it, anyway? | 0:54:33 | 0:54:35 | |
My sister read the letter from your wife. | 0:54:35 | 0:54:39 | |
I show it to her | 0:54:39 | 0:54:41 | |
because I was so proud, | 0:54:41 | 0:54:45 | |
so happy. | 0:54:45 | 0:54:47 | |
How could you treat her like this? | 0:54:47 | 0:54:49 | |
"Dear Thomas, | 0:54:52 | 0:54:53 | |
"you always picked up women | 0:54:53 | 0:54:55 | |
like you picked up mud on your shoes." | 0:54:55 | 0:54:57 | |
I'm sorry, Phuong. | 0:54:57 | 0:54:59 | |
So then why did you lie to her? | 0:55:00 | 0:55:02 | |
Obviously because I wanted to keep her. | 0:55:02 | 0:55:04 | |
That's not love. | 0:55:04 | 0:55:05 | |
"Have you ever stopped to think | 0:55:10 | 0:55:11 | |
"how sad and lonely this girl will be in England, | 0:55:11 | 0:55:13 | |
especially when you decide to leave her?" | 0:55:13 | 0:55:15 | |
Shut up, for Christ's sake. | 0:55:15 | 0:55:16 | |
"I don't believe in divorce. | 0:55:19 | 0:55:21 | |
"My religion forbids it, | 0:55:21 | 0:55:23 | |
"and so the answer is no...no." | 0:55:23 | 0:55:28 | |
I was taught never to read other people's letters. | 0:55:28 | 0:55:32 | |
I was taught not to tell lies. | 0:55:32 | 0:55:34 | |
-PYLE: -Come on, Phuong. | 0:55:34 | 0:55:35 | |
SPEAKS VIETNAMESE | 0:55:35 | 0:55:39 | |
I don't speak Vietnamese. | 0:55:39 | 0:55:41 | |
Get lost. | 0:55:41 | 0:55:43 | |
You were right about Muoi. | 0:55:51 | 0:55:52 | |
He does have connections. | 0:55:52 | 0:55:54 | |
-Can we discuss this some other time, Hinh? -I am... | 0:55:54 | 0:55:57 | |
Crates from overseas have been moving | 0:55:57 | 0:55:59 | |
through his factory, bypassing French customs. | 0:55:59 | 0:56:01 | |
My sources have been unable to determine | 0:56:01 | 0:56:03 | |
what they contain. | 0:56:03 | 0:56:04 | |
He's probably got someone on the take. | 0:56:06 | 0:56:09 | |
He's an exporter, not an importer. | 0:56:09 | 0:56:11 | |
Yes, well, about that, we... | 0:56:11 | 0:56:13 | |
we'll do that tomorrow, OK? | 0:56:13 | 0:56:15 | |
No, a shipment just came in this afternoon. | 0:56:15 | 0:56:17 | |
It could be gone by the morning. | 0:56:17 | 0:56:19 | |
METAL CLANGS | 0:56:39 | 0:56:41 | |
MAN SPEAKS VIETNAMESE | 0:56:42 | 0:56:44 | |
DOOR OPENS | 0:57:17 | 0:57:18 | |
FOWLER: What is this "diolacton"? | 0:57:43 | 0:57:45 | |
-HINH: -We must leave immediately. | 0:57:45 | 0:57:46 | |
Go home. Rest. Go. Go. | 0:57:48 | 0:57:50 | |
What are you doing? | 0:57:53 | 0:57:54 | |
Trying to save your life. Go! | 0:57:54 | 0:57:56 | |
Phuong? | 0:58:08 | 0:58:09 | |
Phuong? | 0:58:24 | 0:58:25 | |
Good morning. | 0:58:36 | 0:58:37 | |
Can I help you? | 0:58:37 | 0:58:38 | |
I think you've done quite enough already! | 0:58:38 | 0:58:40 | |
Where's Pyle? | 0:58:40 | 0:58:43 | |
Alden? | 0:58:43 | 0:58:44 | |
He's not in the office this morning. | 0:58:44 | 0:58:46 | |
He does a lot of his work at home. | 0:58:46 | 0:58:47 | |
I know what he does at home. | 0:58:47 | 0:58:49 | |
What do you mean? | 0:58:49 | 0:58:50 | |
Ask her. | 0:58:50 | 0:58:51 | |
She fixed him up with my girl. | 0:58:51 | 0:58:53 | |
Now, now, we can't have scenes in the office. | 0:58:53 | 0:58:55 | |
I know I am behaving badly, | 0:58:55 | 0:58:56 | |
but I have every intention of behaving badly. | 0:58:56 | 0:58:58 | |
As a matter of fact, | 0:58:58 | 0:58:59 | |
this is exactly the kind of situation | 0:58:59 | 0:59:01 | |
where one should behave badly. | 0:59:01 | 0:59:03 | |
Could we please just lower our voice...? | 0:59:03 | 0:59:04 | |
Why don't you bugger off! | 0:59:04 | 0:59:05 | |
Thomas, there is a lady here. | 0:59:05 | 0:59:08 | |
This lady and I know each other quite well. | 0:59:08 | 0:59:10 | |
She tried to get a rake off from me, | 0:59:10 | 0:59:11 | |
but now she's getting one from Pyle. | 0:59:11 | 0:59:13 | |
We have a lot of work to do, Thomas. | 0:59:13 | 0:59:14 | |
If Pyle phones, tell him I called. | 0:59:14 | 0:59:16 | |
It would be polite to return the visit. | 0:59:16 | 0:59:19 | |
How did he get in here? | 0:59:23 | 0:59:24 | |
SOBBING | 0:59:28 | 0:59:30 | |
This is Boston? | 1:00:01 | 1:00:03 | |
-PYLE: -No, that's Niagara falls. | 1:00:03 | 1:00:05 | |
So is that. | 1:00:05 | 1:00:08 | |
This is Boston. | 1:00:08 | 1:00:10 | |
That's Fanueil Hall. | 1:00:10 | 1:00:11 | |
I can't wait to take you to my country. | 1:00:13 | 1:00:16 | |
My friend from school, | 1:00:26 | 1:00:29 | |
she go to airport with her boyfriend. | 1:00:29 | 1:00:33 | |
He said he take her to France. | 1:00:35 | 1:00:38 | |
But in the airport he disappear, | 1:00:43 | 1:00:47 | |
leave her there. | 1:00:47 | 1:00:50 | |
So many girls with French boyfriend. | 1:00:50 | 1:00:53 | |
No-one to marry them. | 1:00:55 | 1:00:57 | |
Well, that'll never happen to you. | 1:00:59 | 1:01:02 | |
I promise. | 1:01:16 | 1:01:17 | |
Hi. | 1:01:28 | 1:01:29 | |
Hi. | 1:01:29 | 1:01:30 | |
Have a nice Christmas? | 1:01:30 | 1:01:32 | |
One long party. | 1:01:32 | 1:01:33 | |
Did Phuong forget something? | 1:01:33 | 1:01:36 | |
Heard you came by the legation. | 1:01:36 | 1:01:38 | |
Yes. | 1:01:38 | 1:01:40 | |
Who's this? | 1:01:40 | 1:01:41 | |
It's a bodyguard. | 1:01:41 | 1:01:42 | |
We all have to have them now. | 1:01:42 | 1:01:44 | |
Are you married yet? | 1:01:44 | 1:01:46 | |
Um, no, I figured I'd wait until we got home | 1:01:46 | 1:01:48 | |
and do it properly. | 1:01:48 | 1:01:49 | |
You don't mind living here improperly? | 1:01:49 | 1:01:51 | |
You know, it's hard to talk to you | 1:01:51 | 1:01:53 | |
if you're going to be so cynical. | 1:01:53 | 1:01:55 | |
I just meant that it would be good | 1:01:55 | 1:01:55 | |
to do it with my parents there. | 1:01:55 | 1:01:57 | |
I had a cable from head office. | 1:01:57 | 1:02:00 | |
They want me back. | 1:02:00 | 1:02:02 | |
Oh, that's, uh... | 1:02:02 | 1:02:04 | |
So it's good that Phuong went off with you. | 1:02:04 | 1:02:06 | |
If I'd had to leave, she might've ended up | 1:02:06 | 1:02:08 | |
as another piece of ass for someone like Granger. | 1:02:08 | 1:02:10 | |
At least I know you'll treat her right. | 1:02:10 | 1:02:12 | |
So, er, does this mean | 1:02:12 | 1:02:14 | |
that we can still be friends? | 1:02:14 | 1:02:17 | |
I don't see why not. | 1:02:17 | 1:02:19 | |
So, what is diolacton, anyway? | 1:02:27 | 1:02:31 | |
-< -You know about that? | 1:02:31 | 1:02:33 | |
Shouldn't I? | 1:02:33 | 1:02:34 | |
Well, er, diolacton is a milk-based plastic. | 1:02:34 | 1:02:37 | |
It's used for the frames in the eyeglasses. | 1:02:37 | 1:02:40 | |
Are you still in touch with General The? | 1:02:40 | 1:02:42 | |
Well, we keep the channels open. | 1:02:42 | 1:02:45 | |
And Muoi? | 1:02:45 | 1:02:46 | |
Mr Muoi's been very helpful in helping us | 1:02:46 | 1:02:48 | |
get all our supplies through customs. | 1:02:48 | 1:02:49 | |
You know, the French have started to charge us... | 1:02:49 | 1:02:51 | |
You asked me for advice once. | 1:02:51 | 1:02:53 | |
Well, here it is. | 1:02:53 | 1:02:54 | |
Leave the bloody third force to Joe, | 1:02:54 | 1:02:56 | |
forget York Harding, | 1:02:56 | 1:02:58 | |
and go home with Phuong. | 1:02:58 | 1:03:00 | |
And would you shut the door on the way out, please? | 1:03:03 | 1:03:05 | |
FOWLER: Morning, Larry. What is it today? | 1:03:22 | 1:03:25 | |
Ah, you know, some cockamamie assignment. | 1:03:25 | 1:03:27 | |
-WOMAN: -Hey, we should go. | 1:03:31 | 1:03:33 | |
-SECOND WOMAN: -You think so? | 1:03:33 | 1:03:34 | |
Joe Tunney said to be out of here | 1:03:34 | 1:03:35 | |
by ten to eleven. It's five-of now. | 1:03:35 | 1:03:36 | |
What is it, anyway? | 1:03:36 | 1:03:38 | |
I'm not sure. | 1:03:38 | 1:03:39 | |
Is it a demonstration? | 1:03:39 | 1:03:41 | |
I don't know, but if Joe Tunney says... | 1:03:41 | 1:03:44 | |
SCREAMING | 1:04:01 | 1:04:04 | |
SPEAKS VIETNAMESE | 1:04:29 | 1:04:30 | |
My friend is in there! | 1:04:30 | 1:04:33 | |
SIREN WAILS | 1:06:10 | 1:06:12 | |
-HINH: -Did you cut your hand, sir? | 1:06:22 | 1:06:24 | |
Yes. | 1:06:30 | 1:06:32 | |
How is it down there? | 1:06:34 | 1:06:36 | |
30 dead. | 1:06:36 | 1:06:38 | |
Probably 20 more by morning. | 1:06:38 | 1:06:41 | |
They've started arresting communist sympathisers. | 1:06:43 | 1:06:45 | |
There was a woman... | 1:06:47 | 1:06:48 | |
..with a baby. | 1:06:50 | 1:06:51 | |
She covered it with her hat. | 1:06:56 | 1:06:59 | |
This man... | 1:07:12 | 1:07:13 | |
he died... | 1:07:13 | 1:07:15 | |
..right in front of his family. | 1:07:17 | 1:07:19 | |
Pyle... | 1:07:29 | 1:07:31 | |
Did you see him? | 1:07:33 | 1:07:35 | |
He spoke Vietnamese. | 1:07:38 | 1:07:41 | |
Vietnamese. | 1:07:42 | 1:07:46 | |
Like it was his, you know, | 1:07:46 | 1:07:49 | |
native language. | 1:07:49 | 1:07:51 | |
Larry. Larry! | 1:07:53 | 1:07:55 | |
Come over here! Get this! | 1:07:55 | 1:07:56 | |
Move it. Right here! Right here! | 1:07:56 | 1:07:58 | |
On this side! No, over here. No! | 1:07:58 | 1:08:00 | |
Get this! Right here! | 1:08:00 | 1:08:02 | |
Get it right here! Over here! | 1:08:02 | 1:08:03 | |
No, no, no! | 1:08:03 | 1:08:04 | |
SPEAKING VIETNAMESE | 1:08:04 | 1:08:06 | |
CONVERSE IN VIETNAMESE | 1:08:12 | 1:08:14 | |
Understand? | 1:08:21 | 1:08:22 | |
Now go make yourself useful somewhere else! | 1:08:22 | 1:08:24 | |
-PYLE: -'Diolactin is a milk-based plastic. | 1:08:24 | 1:08:26 | |
'We use it for the frames in the eyeglasses. | 1:08:26 | 1:08:29 | |
'Mr Muoi's been very helpful in helping us | 1:08:29 | 1:08:32 | |
'get all of our supplies through customs.' | 1:08:32 | 1:08:34 | |
"Casein plastics. | 1:08:34 | 1:08:36 | |
"Made from milk protein." | 1:08:36 | 1:08:39 | |
-PYLE: -'York Harding, Dangers to Democracy. | 1:08:39 | 1:08:42 | |
'He's the one who put forward the idea of a third force.' | 1:08:42 | 1:08:44 | |
"Used in the manufacture | 1:08:44 | 1:08:45 | |
"of imitation tortoiseshell and jade. | 1:08:45 | 1:08:49 | |
"Trade name, diolacton. | 1:08:49 | 1:08:51 | |
"Also used as a plasticiser | 1:08:51 | 1:08:55 | |
"in explosive compounds." | 1:08:55 | 1:08:58 | |
-PYLE: -'Joe Tunney's running aid programmes | 1:08:58 | 1:09:00 | |
'with some of the businesspeople close to The.' | 1:09:00 | 1:09:03 | |
Muoi... | 1:09:03 | 1:09:05 | |
and The... | 1:09:05 | 1:09:07 | |
-MUOI: -'It will take an independent Vietnamese leader to rule our country.' | 1:09:07 | 1:09:10 | |
FOWLER: The Americans have been supplying them | 1:09:10 | 1:09:13 | |
with materials to make bombs. | 1:09:13 | 1:09:16 | |
-TUNNEY: -'Fowler sees conspiracies everywhere.' | 1:09:18 | 1:09:22 | |
I have some contacts who would like to speak to your friend. | 1:09:22 | 1:09:27 | |
Joe Tunney? | 1:09:27 | 1:09:29 | |
Pyle? | 1:09:31 | 1:09:33 | |
They feel he can give them | 1:09:33 | 1:09:36 | |
important information about all this. | 1:09:36 | 1:09:39 | |
You're saying Pyle is OSS? | 1:09:39 | 1:09:42 | |
I believe the new name is CIA. | 1:09:42 | 1:09:45 | |
Anyone can speak to him. | 1:09:50 | 1:09:52 | |
It's not so easy. | 1:09:52 | 1:09:53 | |
He's followed by protectors. | 1:09:53 | 1:09:56 | |
But if you ask to meet with him, | 1:09:56 | 1:09:59 | |
man to man, | 1:09:59 | 1:10:01 | |
he would come alone. | 1:10:01 | 1:10:03 | |
SIREN WAILS | 1:10:03 | 1:10:05 | |
These contacts, are they communists? | 1:10:09 | 1:10:12 | |
Officially, no. | 1:10:12 | 1:10:13 | |
Unofficially, yes. | 1:10:13 | 1:10:16 | |
I don't know. | 1:10:16 | 1:10:18 | |
Suppose you invite him to dinner | 1:10:18 | 1:10:20 | |
at the Vieux Moulin, say, between 9.00, 9.30. | 1:10:20 | 1:10:24 | |
It's quiet near there. | 1:10:24 | 1:10:26 | |
My friends can speak to him undisturbed. | 1:10:26 | 1:10:30 | |
Maybe he's engaged. | 1:10:30 | 1:10:32 | |
At 6.30... | 1:10:32 | 1:10:34 | |
my contacts will have someone in the street | 1:10:34 | 1:10:37 | |
outside your apartment. | 1:10:37 | 1:10:39 | |
All you have to do, | 1:10:39 | 1:10:41 | |
if you decide to invite him to dinner, | 1:10:41 | 1:10:44 | |
go to the window and open a book. | 1:10:44 | 1:10:47 | |
What will they do to him? | 1:10:51 | 1:10:53 | |
I promise you | 1:10:53 | 1:10:54 | |
my contact will act as gently | 1:10:54 | 1:10:57 | |
as the situation allows. | 1:10:57 | 1:10:59 | |
Sooner or later, Mr Fowler, | 1:11:03 | 1:11:05 | |
one has to take sides | 1:11:05 | 1:11:08 | |
if one is to remain human. | 1:11:08 | 1:11:10 | |
Pyle... | 1:11:28 | 1:11:30 | |
I need to speak to you | 1:11:30 | 1:11:32 | |
about what happened this morning | 1:11:32 | 1:11:34 | |
in the Place Garnier. | 1:11:34 | 1:11:36 | |
INDISTINCT VOICES | 1:11:53 | 1:11:56 | |
Phuong. | 1:12:01 | 1:12:03 | |
A letter for you. | 1:12:03 | 1:12:05 | |
MEN CONVERSE IN VIETNAMESE | 1:12:05 | 1:12:07 | |
Thank you. | 1:12:07 | 1:12:08 | |
Just give me a few minutes, all right? | 1:12:08 | 1:12:10 | |
SPEAKING VIETNAMESE | 1:12:16 | 1:12:18 | |
DOOR CLOSES | 1:12:35 | 1:12:37 | |
KNOCK ON DOOR | 1:12:44 | 1:12:46 | |
KNOCKING PERSISTS | 1:12:48 | 1:12:50 | |
Come in. | 1:12:53 | 1:12:55 | |
I got your message. | 1:12:59 | 1:13:01 | |
So I see. | 1:13:01 | 1:13:03 | |
Lie down, lie down. | 1:13:03 | 1:13:05 | |
I'd love a drink. | 1:13:09 | 1:13:10 | |
I've only got hard liquor | 1:13:10 | 1:13:12 | |
and you're probably on duty. | 1:13:12 | 1:13:13 | |
As a matter of fact, I've noticed | 1:13:13 | 1:13:15 | |
you're rarely off-duty these days. | 1:13:15 | 1:13:17 | |
Whisky would be fine. | 1:13:17 | 1:13:18 | |
People change. | 1:13:18 | 1:13:19 | |
Or maybe they just never were | 1:13:19 | 1:13:22 | |
what we thought they were. | 1:13:22 | 1:13:24 | |
Hmm? | 1:13:24 | 1:13:25 | |
Who of us is, Thomas? | 1:13:25 | 1:13:27 | |
Who of us is? | 1:13:27 | 1:13:28 | |
So, I suppose you want to talk about General The. | 1:13:35 | 1:13:38 | |
Yes. and Mr Muoi... | 1:13:38 | 1:13:40 | |
and diolacton. | 1:13:40 | 1:13:43 | |
Well, we met with The this afternoon. | 1:13:47 | 1:13:49 | |
He's in Saigon? | 1:13:49 | 1:13:51 | |
Come to see how his explosives worked(?) | 1:13:51 | 1:13:53 | |
You know, his original target was a military parade. | 1:13:53 | 1:13:56 | |
I don't mind telling you that we were pretty tough on him. | 1:13:56 | 1:13:58 | |
Did you tell him | 1:13:58 | 1:13:59 | |
you weren't going to support him any more? | 1:13:59 | 1:14:01 | |
We told him that if he steps out of line again... | 1:14:01 | 1:14:02 | |
He tried to kill you on the road to Saigon. | 1:14:02 | 1:14:04 | |
No. He tried to kill you. | 1:14:04 | 1:14:08 | |
And you knew? | 1:14:09 | 1:14:10 | |
Well, I suspected he might try something, | 1:14:10 | 1:14:13 | |
or one of his officers might, | 1:14:13 | 1:14:15 | |
so I tagged along just in case. | 1:14:15 | 1:14:17 | |
Then you're a fool if you think | 1:14:17 | 1:14:18 | |
you can control General The. | 1:14:18 | 1:14:20 | |
In a war, you use the tools you've got, | 1:14:20 | 1:14:22 | |
and right now he's the best we have. | 1:14:22 | 1:14:25 | |
Yes, and in the meantime, even more people must die. | 1:14:25 | 1:14:28 | |
Last year, the US Government | 1:14:28 | 1:14:29 | |
gave 210 million in military assistance | 1:14:29 | 1:14:32 | |
to the French in Indochina. | 1:14:32 | 1:14:33 | |
If we are going to stop communism | 1:14:33 | 1:14:35 | |
and underwrite a third way, | 1:14:35 | 1:14:38 | |
we need to give the people a leader who they admire. | 1:14:38 | 1:14:40 | |
Tomorrow morning, when Congress | 1:14:40 | 1:14:42 | |
reads the reports and sees the photographs | 1:14:42 | 1:14:44 | |
of the communist atrocities in the square, | 1:14:44 | 1:14:45 | |
they are going to give us that support. | 1:14:45 | 1:14:47 | |
The French aren't going to stop the communists. | 1:14:47 | 1:14:49 | |
They haven't got the brains | 1:14:49 | 1:14:51 | |
and they haven't got the guts. | 1:14:51 | 1:14:52 | |
How did I fit into all this? | 1:14:55 | 1:14:58 | |
Am I part of your cover? | 1:14:58 | 1:15:01 | |
Or a source of information? | 1:15:02 | 1:15:04 | |
Or did you have your eye on Phuong | 1:15:06 | 1:15:08 | |
all the time? | 1:15:08 | 1:15:10 | |
You and Phuong, I never planned | 1:15:10 | 1:15:11 | |
for any of that to happen. | 1:15:11 | 1:15:13 | |
Believe me, it would have been easier | 1:15:13 | 1:15:15 | |
if I never met either one of you. | 1:15:15 | 1:15:16 | |
But you did, | 1:15:16 | 1:15:18 | |
and you lied to us. | 1:15:18 | 1:15:20 | |
What do you want me to tell you, Thomas? | 1:15:20 | 1:15:22 | |
That I take no action, | 1:15:22 | 1:15:23 | |
that I have no opinion? | 1:15:23 | 1:15:25 | |
Tell me that you don't mean any of this. | 1:15:28 | 1:15:31 | |
Tell me that you were only obeying orders | 1:15:31 | 1:15:34 | |
or...or tell me | 1:15:34 | 1:15:36 | |
that after what you saw in the square - | 1:15:36 | 1:15:37 | |
those children | 1:15:37 | 1:15:38 | |
who did nothing and hurt no-one - | 1:15:38 | 1:15:40 | |
tell me that you were so confused and horrified | 1:15:40 | 1:15:42 | |
at how brutal and insane these actions are... | 1:15:42 | 1:15:46 | |
Tell me how your love for Phuong | 1:15:46 | 1:15:48 | |
has caused you to have some doubts. | 1:15:48 | 1:15:50 | |
But it is because of Phuong | 1:15:50 | 1:15:51 | |
that I am even more determined. | 1:15:51 | 1:15:53 | |
Let's just look at Phuong. | 1:15:53 | 1:15:55 | |
This beauty, | 1:15:55 | 1:15:57 | |
this daughter of a professor. | 1:15:57 | 1:15:58 | |
Taxi dancer, mistress of an older European man. | 1:15:58 | 1:16:01 | |
Well, that pretty well describes | 1:16:01 | 1:16:02 | |
the whole country, doesn't it? | 1:16:02 | 1:16:04 | |
Look, Thomas, we are here | 1:16:04 | 1:16:05 | |
to save Vietnam from all of that. | 1:16:05 | 1:16:08 | |
What happened in the square today makes me sick. | 1:16:08 | 1:16:10 | |
But in the long run, I'm going to save lives. | 1:16:10 | 1:16:13 | |
It's you, isn't it? | 1:16:15 | 1:16:18 | |
Joe Tunney, | 1:16:18 | 1:16:19 | |
the staff at the legation, | 1:16:19 | 1:16:21 | |
Mr Muoi, General The, | 1:16:21 | 1:16:24 | |
they all take their fucking orders | 1:16:24 | 1:16:27 | |
from you, Pyle. | 1:16:27 | 1:16:28 | |
York Harding prattles on about a third force | 1:16:28 | 1:16:31 | |
in that book you carry around. | 1:16:31 | 1:16:33 | |
You've actually gone out and made one. | 1:16:34 | 1:16:37 | |
I don't think you see the big picture, Thomas. | 1:16:37 | 1:16:40 | |
No, I do not see the big picture. | 1:16:41 | 1:16:44 | |
FOWLER: Do you know this poem? | 1:16:55 | 1:16:57 | |
"I walk down the street, and I don't give a damn. | 1:16:57 | 1:17:00 | |
"The people, they stare, and they ask who I am. | 1:17:00 | 1:17:03 | |
"And if by chance I should run over a cat, | 1:17:03 | 1:17:07 | |
"I can pay for the damage if ever so bad." | 1:17:07 | 1:17:12 | |
We can disagree and remain friends, | 1:17:13 | 1:17:15 | |
can't we, Thomas? | 1:17:15 | 1:17:16 | |
Yes. | 1:17:21 | 1:17:23 | |
Look, er, I'm sorry. | 1:17:24 | 1:17:26 | |
Let's have dinner | 1:17:26 | 1:17:27 | |
and put all this mess behind us. | 1:17:27 | 1:17:30 | |
Nine o'clock, Vieux Moulin, OK? | 1:17:30 | 1:17:33 | |
That sounds great. | 1:17:33 | 1:17:35 | |
You know, I miss our conversations. | 1:17:35 | 1:17:37 | |
Vieux Moulin it is. | 1:17:37 | 1:17:40 | |
All right, then. | 1:17:40 | 1:17:41 | |
Um, I'll tell Phuong | 1:17:41 | 1:17:42 | |
that she can have dinner with her sister. | 1:17:42 | 1:17:45 | |
I'll get her to meet me here afterward. | 1:17:45 | 1:17:47 | |
Look, if, uh... | 1:17:52 | 1:17:54 | |
if you can't make it, | 1:17:54 | 1:17:56 | |
come straight here. | 1:17:56 | 1:17:57 | |
I'll wait for you. | 1:17:57 | 1:17:59 | |
All right. I'll see you soon, Thomas. | 1:17:59 | 1:18:02 | |
DOOR CLOSES | 1:18:02 | 1:18:04 | |
ACCORDION MUSIC PLAYS | 1:18:36 | 1:18:38 | |
Walk. | 1:19:44 | 1:19:45 | |
CHAIR SQUEAKS | 1:19:53 | 1:19:55 | |
Uhh. I need to talk to somebody who speaks English. | 1:19:55 | 1:19:59 | |
See, it's my son's birthday tonight. | 1:19:59 | 1:20:03 | |
SHOUTING IN VIETNAMESE | 1:20:03 | 1:20:05 | |
We need to ask you some questions. | 1:20:10 | 1:20:12 | |
Look, I'm from the American legation. | 1:20:12 | 1:20:14 | |
I'm just trying to help people see. | 1:20:14 | 1:20:15 | |
DOG BARKS | 1:20:15 | 1:20:17 | |
The thing is, I, er... | 1:20:20 | 1:20:22 | |
I got a cable from my wife. | 1:20:22 | 1:20:25 | |
My boy has polio. | 1:20:29 | 1:20:30 | |
They don't know if he's going to make it. | 1:20:30 | 1:20:33 | |
I don't care if he's crippled. | 1:20:37 | 1:20:39 | |
I just don't want him to die. | 1:20:39 | 1:20:41 | |
GASPING | 1:21:13 | 1:21:15 | |
GROANING | 1:21:15 | 1:21:17 | |
I'm sorry. I've just got to get some air. | 1:21:21 | 1:21:23 | |
MAN ON RADIO: 'At least 2,000 people were killed | 1:22:08 | 1:22:11 | |
'and scores of others injured. | 1:22:11 | 1:22:13 | |
'In the wake of last week's | 1:22:13 | 1:22:15 | |
'devastating bomb blast in Saigon, | 1:22:15 | 1:22:17 | |
'French officials report that...' | 1:22:17 | 1:22:18 | |
KNOCK ON DOOR | 1:22:18 | 1:22:21 | |
Phuong? | 1:22:21 | 1:22:23 | |
I'm sorry to bother you, | 1:22:25 | 1:22:27 | |
but, er, would you mind | 1:22:27 | 1:22:28 | |
to come downstairs with me for a moment? | 1:22:28 | 1:22:30 | |
What do you want? | 1:22:30 | 1:22:32 | |
There's something I would like to show you. | 1:22:32 | 1:22:34 | |
It seems Monsieur Pyle | 1:22:36 | 1:22:38 | |
came to see you the night he died. | 1:22:38 | 1:22:41 | |
So what, Vigot? | 1:22:41 | 1:22:42 | |
You said he did not. | 1:22:42 | 1:22:44 | |
By the way... | 1:22:46 | 1:22:48 | |
we found Pyle's dog. | 1:22:48 | 1:22:51 | |
They cut his throat. | 1:22:51 | 1:22:52 | |
RUBBING FLOOR | 1:22:54 | 1:22:56 | |
You see here? | 1:22:56 | 1:22:57 | |
Pyle's dog | 1:22:57 | 1:22:59 | |
had cement between its toes. | 1:22:59 | 1:23:01 | |
This was poured | 1:23:01 | 1:23:03 | |
on the afternoon of his murder. | 1:23:03 | 1:23:05 | |
So what does that prove? | 1:23:05 | 1:23:07 | |
Monsieur Bertrand of the Vieux Moulin | 1:23:09 | 1:23:11 | |
told me that night | 1:23:11 | 1:23:13 | |
you asked for a table for one, | 1:23:13 | 1:23:17 | |
not two. | 1:23:17 | 1:23:18 | |
I have nothing more to add | 1:23:20 | 1:23:21 | |
to my original statement. | 1:23:21 | 1:23:23 | |
Nothing? | 1:23:26 | 1:23:28 | |
You know I didn't kill him, Vigot. | 1:23:32 | 1:23:35 | |
There's a war on. | 1:23:39 | 1:23:42 | |
People are dying every day. | 1:23:42 | 1:23:45 | |
DANCE MUSIC PLAYS | 1:24:04 | 1:24:06 | |
Ask another girl. | 1:25:03 | 1:25:04 | |
I don't want another girl. | 1:25:06 | 1:25:08 | |
Will you come back now, Phuong? | 1:25:38 | 1:25:40 | |
Will you come back to me? | 1:25:41 | 1:25:43 | |
To London? | 1:25:43 | 1:25:44 | |
No. | 1:25:44 | 1:25:46 | |
Not to London. | 1:25:46 | 1:25:48 | |
Then I don't come back. | 1:25:49 | 1:25:52 | |
Please, I... | 1:25:52 | 1:25:53 | |
I can't take you to London... | 1:25:55 | 1:25:57 | |
..because I'm not going. | 1:25:59 | 1:26:00 | |
I'm not leaving you. | 1:26:02 | 1:26:04 | |
Never. | 1:26:10 | 1:26:12 | |
Will you come back to me? | 1:26:15 | 1:26:17 | |
Will you take down my hair? | 1:26:50 | 1:26:53 | |
Yes. | 1:26:53 | 1:26:54 | |
Do you miss him? | 1:27:12 | 1:27:14 | |
Yes. | 1:27:21 | 1:27:23 | |
I'm sorry. | 1:27:24 | 1:27:26 | |
Why are you sorry? | 1:27:28 | 1:27:30 | |
I don't know. | 1:27:30 | 1:27:33 | |
I just feel that... | 1:27:35 | 1:27:37 | |
I ought to apologise to someone. | 1:27:37 | 1:27:40 | |
Not to me. | 1:27:43 | 1:27:45 | |
Never to me. | 1:27:47 | 1:27:49 | |
'They say you come to Vietnam | 1:27:57 | 1:27:59 | |
'and understand a lot in a few minutes. | 1:27:59 | 1:28:03 | |
'The rest has got to be lived. | 1:28:03 | 1:28:06 | |
'They say whatever it was you were looking for | 1:28:06 | 1:28:10 | |
'you will find here. | 1:28:10 | 1:28:12 | |
'They say there is a ghost in every house, | 1:28:13 | 1:28:18 | |
'and if you can make peace with him, | 1:28:18 | 1:28:20 | |
'he will stay quiet.' | 1:28:20 | 1:28:22 |