The Unbearable Lightness of Being

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This film contains some scenes of a sexual nature.	0:00:00	0:00:06
BELL TOLLING	0:00:14	0:00:16
PIGEONS COOING	0:00:16	0:00:19
Ha ha ha ha ha!	0:00:22	0:00:24
Oh...	0:00:25	0:00:27
Ha! Ha ha ha ha!	0:00:28	0:00:30
Oh...	0:00:51	0:00:53
(Take off your clothes.)	0:00:56	0:00:58
What?	0:00:58	0:00:59
I said, take off your clothes.	0:01:04	0:01:06
But you saw everything last night.	0:01:17	0:01:19
Mm, but I need to check something.	0:01:20	0:01:23
Shh.	0:01:23	0:01:24
Only for three seconds.	0:01:27	0:01:28
The bastard.	0:01:48	0:01:49
How does he do it?	0:01:49	0:01:51
1	0:01:51	0:01:52
2	0:01:52	0:01:53
3.	0:01:53	0:01:55
I've got to go.	0:02:10	0:02:11
Don't you ever spend the night at the woman's place?	0:02:14	0:02:18
Never.	0:02:21	0:02:22
What about when a woman's at your place?	0:02:25	0:02:27
I tell her I get insomnia...	0:02:31	0:02:34
anything.	0:02:34	0:02:36
Besides, I have a very narrow bed.	0:02:37	0:02:39
Are you afraid of women, Doctor?	0:02:42	0:02:45
Of course.	0:02:49	0:02:50
I really like you, Tomas.	0:02:54	0:02:56
You are the complete opposite of kitsch.	0:02:56	0:02:59
In the kingdom of kitsch,	0:03:00	0:03:01
you would be...	0:03:01	0:03:04
a monster.	0:03:04	0:03:06
No, wait.	0:03:08	0:03:09
Sabina, I've got to go.	0:03:09	0:03:12
Ah!	0:03:12	0:03:13
Ha ha ha!	0:03:13	0:03:15
Oh...	0:03:22	0:03:24
Oh...oh...	0:03:24	0:03:25
No, wait. Wait.	0:03:28	0:03:30
Ha ha!	0:03:41	0:03:43
Now. What am I?	0:03:43	0:03:45
Ha ha ha ha!	0:03:47	0:03:48
Grrr...a monster.	0:03:48	0:03:50
Room 6.	0:05:17	0:05:19
HUMMING WITH BAND	0:05:36	0:05:42
Here we go.	0:05:54	0:05:56
DRILLING	0:05:58	0:06:02
HUMMING	0:06:02	0:06:06
WHISTLING	0:06:28	0:06:34
SPLASH!	0:07:49	0:07:51
SPEAKING CZECH	0:08:28	0:08:31
Groaning	0:09:10	0:09:15
Oh...	0:09:15	0:09:18
HE MOUTHS	0:10:50	0:10:52
HE MOUTHS	0:10:53	0:10:55
Oh, cognac.	0:10:55	0:10:56
Can you charge it to my room?	0:11:15	0:11:17
Yes, of course.	0:11:17	0:11:18
Oh, that's funny.	0:11:20	0:11:22
You're in Room 6.	0:11:24	0:11:26
So?	0:11:26	0:11:28
And my shift finishes at 6:00.	0:11:28	0:11:32
And at 6:00, I have to be back in Prague.	0:11:35	0:11:38
Well...	0:11:40	0:11:43
..around 6:00.	0:11:45	0:11:47
BELL TOLLS	0:11:47	0:11:49
Oh, I'll be back. Wait.	0:12:12	0:12:14
Wait.	0:12:14	0:12:16
SINGING	0:12:22	0:12:26
# Lo lo lo	0:12:30	0:12:32
# Lo lo lo lo lo... #	0:12:32	0:12:37
You know, this is my bench.	0:13:02	0:13:04
Your bench?	0:13:05	0:13:06
Yes, I come here every day to read, to this same bench.	0:13:06	0:13:10
Isn't that funny?	0:13:10	0:13:12
Yes.	0:13:13	0:13:16
What are you reading?	0:13:18	0:13:20
Anna Karenina, by Tolstoy.	0:13:20	0:13:21
Oh, yes,	0:13:23	0:13:25
that Anna Karenina.	0:13:25	0:13:27
Yeah.	0:13:27	0:13:28
I would have come earlier, but...my mother...	0:13:32	0:13:36
You live with your mother?	0:13:36	0:13:38
Well, I've checked out of my room.	0:13:48	0:13:51
Are you leaving?	0:13:51	0:13:52
Yes, it's getting late.	0:13:52	0:13:54
I just came for an operation.	0:13:56	0:13:59
A colleague of mine was supposed to come,	0:13:59	0:14:01
but he injured himself, so...	0:14:01	0:14:04
Well...	0:14:12	0:14:14
..maybe I'll come back sometime.	0:14:15	0:14:17
Why would you come back here?	0:14:18	0:14:20
It's so boring.	0:14:20	0:14:22
Nobody here reads. Nobody here discusses anything.	0:14:26	0:14:30
You know what I mean?	0:14:30	0:14:31
Yes.	0:14:33	0:14:34
Yes, I do.	0:14:35	0:14:36
Well.	0:14:40	0:14:41
STARTS ENGINE	0:14:42	0:14:45
Nice to meet you.	0:14:47	0:14:49
Good-bye.	0:14:49	0:14:50
BELLS TOLLING	0:14:58	0:15:02
Tomas.	0:15:17	0:15:18
Tomas.	0:15:22	0:15:23
Are you only searching for pleasure?	0:16:12	0:16:14
Or is every woman a new land	0:16:17	0:16:20
whose secrets you want to discover?	0:16:20	0:16:23
You want to know what she's going to say when she makes love?	0:16:30	0:16:33
Or how she will smile?	0:16:35	0:16:39
How she will whisper?	0:16:39	0:16:41
Groan...scream?	0:16:41	0:16:42
Maybe the very smallest... unimaginable details...	0:16:48	0:16:53
Tiny things that make one woman	0:16:57	0:17:00
totally unlike any other.	0:17:00	0:17:02
What's my detail, Doctor?	0:17:03	0:17:05
Your hat, Sabina.	0:17:12	0:17:13
The hat...	0:17:36	0:17:37
..comes from my grandfather's...	0:17:42	0:17:44
grandfather.	0:17:44	0:17:46
He lived a long, long time ago.	0:17:50	0:17:54
A long time ago.	0:18:04	0:18:06
Tomas.	0:18:14	0:18:15
What are you looking at?	0:18:17	0:18:19
Your eyes.	0:18:21	0:18:23
KNOCK ON DOOR	0:18:41	0:18:43
KNOCK ON DOOR	0:18:47	0:18:48
- Hello. - Hello.	0:19:03	0:19:05
So...	0:19:08	0:19:09
you are in Prague.	0:19:09	0:19:11
I just arrived.	0:19:11	0:19:13
I have friends to see. I'm here on some business.	0:19:15	0:19:18
Mm-hmm.	0:19:18	0:19:20
I'm looking for another job.	0:19:22	0:19:25
Ha...	0:19:25	0:19:27
Why don't you come in?	0:19:28	0:19:29
Are you alone?	0:19:30	0:19:31
Yeah.	0:19:31	0:19:33
Take off your clothes.	0:19:55	0:19:57
Achoo!	0:20:01	0:20:03
Achoo!	0:20:04	0:20:05
Excuse me.	0:20:05	0:20:07
I must have caught a cold on the train.	0:20:09	0:20:12
Perhaps I better take a look at you.	0:20:12	0:20:14
Come here.	0:20:14	0:20:16
My hands cold?	0:20:35	0:20:37
I'm very ticklish.	0:20:39	0:20:42
Does it hurt there?	0:20:42	0:20:43
Look up.	0:20:47	0:20:48
Down.	0:20:48	0:20:49
Left.	0:20:49	0:20:51
Right.	0:20:51	0:20:53
Ha ha...	0:20:53	0:20:54
Don't worry.	0:20:59	0:21:00
I'm a doctor.	0:21:02	0:21:03
A bit higher.	0:21:07	0:21:08
That's it.	0:21:10	0:21:11
Breathe.	0:21:14	0:21:16
BREATHES DEEPLY	0:21:16	0:21:19
Again.	0:21:19	0:21:26
Cough.	0:21:26	0:21:27
That's fine.	0:21:29	0:21:31
Up we go.	0:21:35	0:21:37
Everything looks fine.	0:21:48	0:21:50
Fine.	0:21:52	0:21:53
Open your mouth.	0:22:03	0:22:04
Tongue.	0:22:07	0:22:08
Ah! Mmm...	0:22:09	0:22:12
Ooh!	0:22:12	0:22:13
Mmm! Mm!	0:22:13	0:22:14
Ah!	0:22:27	0:22:29
Aah!	0:22:55	0:22:57
Aah!	0:22:58	0:23:00
Aah!	0:23:00	0:23:01
Aah!	0:23:01	0:23:03
RING	0:23:03	0:23:09
Hi.	0:24:33	0:24:34
Tomas?	0:24:57	0:24:59
They called from Geneva. They are still offering you that job.	0:24:59	0:25:02
Why should I go to Geneva? Everything's fine here.	0:25:02	0:25:05
Well...I hope so.	0:25:05	0:25:07
You think the Russians won't interfere?	0:25:09	0:25:11
Think about what happened in Hungary.	0:25:11	0:25:13
They couldn't. The world wouldn't allow it.	0:25:13	0:25:16
Besides, we have socialism with a human face.	0:25:16	0:25:19
Who could be against it?	0:25:19	0:25:22
Ah, my patient is here.	0:25:22	0:25:24
Which one? Pigs are not allowed.	0:25:24	0:25:27
I told him to wait in the truck.	0:25:27	0:25:29
But we will make an exception.	0:25:29	0:25:31
Hello, Doctor. You are not angry with me because I brought Mephisto?	0:25:34	0:25:38
Look, Doctor, a gift for you.	0:25:38	0:25:41
Wonderful.	0:25:41	0:25:42
Oh, thank you! Hmm.	0:25:42	0:25:44
So...Pavel.	0:25:44	0:25:46
Ha ha!	0:25:46	0:25:48
We operated a month ago.	0:25:48	0:25:50
Yeah.	0:25:50	0:25:51
- Any pains? - No.	0:25:51	0:25:53
Dizziness? Headaches?	0:25:53	0:25:55
No.	0:25:55	0:25:56
Good. You can get back to your farm.	0:25:56	0:25:59
We just need a small procedure to replace the bone flap.	0:25:59	0:26:03
What time shall I expect your visit tonight?	0:26:14	0:26:17
Ah...	0:26:19	0:26:20
I'm sorry, I can't make it tonight.	0:26:22	0:26:24
Too bad.	0:26:24	0:26:26
Um...how about tomorrow afternoon?	0:26:26	0:26:30
Tomorrow night.	0:26:30	0:26:31
So what I heard was right.	0:26:34	0:26:37
Somebody has moved into your place.	0:26:37	0:26:38
No.	0:26:38	0:26:40
I have my spies. Good-bye, Doctor.	0:26:40	0:26:43
Ah...	0:26:57	0:26:59
It's not here.	0:27:37	0:27:39
You must have come without your sock.	0:27:39	0:27:42
How could I have come without it?	0:27:42	0:27:43
I wouldn't wear only one sock.	0:27:43	0:27:45
You've been absent-minded lately, always in a hurry.	0:27:45	0:27:50
Always looking at your watch.	0:27:50	0:27:53
I'll lend you one of my stockings.	0:27:57	0:27:59
You want me to put this on?	0:28:26	0:28:27
It's cold out, Doctor.	0:28:27	0:28:29
Mm-hmm.	0:28:32	0:28:33
You think I'm doing something silly.	0:28:56	0:28:58
Maybe. How can I know?	0:29:00	0:29:03
What are we talking about?	0:29:05	0:29:07
Tereza.	0:29:09	0:29:10
If I had two lives...	0:29:16	0:29:18
with one, I'd have her stay at my place.	0:29:18	0:29:21
With the other, I'd kick her out.	0:29:21	0:29:23
Then I'd compare and see which was best.	0:29:23	0:29:26
But we only live once.	0:29:27	0:29:31
Life's so light...	0:29:32	0:29:34
like an outline we can't ever...	0:29:34	0:29:38
fill in...	0:29:38	0:29:40
or correct...	0:29:40	0:29:42
make any better.	0:29:42	0:29:44
It's frightening.	0:29:44	0:29:45
She's looking for something to do here in Prague, and I...	0:29:45	0:29:49
Now...	0:29:51	0:29:53
you want me to help her?	0:29:53	0:29:57
She is not qualified for anything, but she takes beautiful pictures.	0:29:57	0:30:01
I was wondering if you might...	0:30:01	0:30:03
You mean...	0:30:04	0:30:07
you want me to help you.	0:30:07	0:30:08
Come on in, Tereza.	0:30:39	0:30:40
Let's have some tea.	0:30:45	0:30:47
Yes. Why don't you fix it?	0:30:47	0:30:49
Yeah, sure.	0:30:51	0:30:52
Hee hee!	0:30:56	0:30:57
It's very messy around here.	0:31:11	0:31:13
I always try not to get too attached to a place,	0:31:13	0:31:16
to objects.	0:31:16	0:31:17
Or to people.	0:31:23	0:31:24
Hmm.	0:31:24	0:31:26
Tereza, come over here.	0:31:29	0:31:31
I want to show you some pictures.	0:31:34	0:31:37
You know Man Ray?	0:31:40	0:31:42
No.	0:31:42	0:31:44
I like...	0:31:46	0:31:48
I like this one very much.	0:31:48	0:31:51
Mmm.	0:31:52	0:31:54
This is Lee Miller.	0:31:59	0:32:03
She's so...	0:32:03	0:32:05
She's so beautiful.	0:32:06	0:32:08
Tomas says you're a photographer.	0:32:11	0:32:13
Well, I like to take pictures, but...	0:32:13	0:32:16
Take pictures of what's going on in the streets.	0:32:16	0:32:19
I'll help get them published.	0:32:19	0:32:20
Thanks, Sabina.	0:32:20	0:32:22
I love those pictures.	0:32:22	0:32:26
They were trying something different.	0:32:26	0:32:29
Searching for a new beauty.	0:32:30	0:32:33
Yes.	0:32:35	0:32:36
Something higher.	0:32:39	0:32:40
Here's the tea I made.	0:32:43	0:32:45
Aaah. Aaah.	0:33:06	0:33:07
What is it? Tereza?	0:33:12	0:33:14
Oh, I had a dream.	0:33:21	0:33:23
I was at her place.	0:33:33	0:33:34
Sabina's.	0:33:36	0:33:38
In her studio...	0:33:38	0:33:40
and you were making love to her.	0:33:40	0:33:42
In that big bed of hers.	0:33:45	0:33:47
You made me stand by a wall	0:33:51	0:33:54
and not move at all.	0:33:54	0:33:55
You made me watch.	0:33:57	0:33:59
And I had such pain from seeing you	0:34:08	0:34:12
that I started to pierce needles under my fingernails	0:34:12	0:34:16
to stop the pain in my heart.	0:34:16	0:34:18
It hurt so much.	0:34:19	0:34:21
Why did you do it to me?	0:34:24	0:34:26
It was just a dream.	0:34:31	0:34:33
Try to sleep.	0:34:40	0:34:42
Try to sleep.	0:34:42	0:34:44
I can't sleep.	0:34:44	0:34:45
Yes, you can. Come here.	0:34:45	0:34:46
I can't fall asleep.	0:34:48	0:34:49
You can sleep.	0:34:55	0:34:56
Sleep in my arms.	0:34:56	0:34:57
Like a baby bird.	0:35:03	0:35:05
Like a broom...	0:35:10	0:35:12
among brooms...	0:35:12	0:35:15
in a broom closet.	0:35:15	0:35:18
Like a tiny parrot.	0:35:26	0:35:28
Like a whistle.	0:35:33	0:35:35
Like a little song.	0:35:37	0:35:39
A song sung by a forest...	0:35:43	0:35:47
within a forest...	0:35:47	0:35:49
..a thousand years ago.	0:35:52	0:35:56
"HEY JUDE" SUNG IN CZECH	0:36:01	0:36:09
Oh!	0:36:59	0:37:01
ANNOUNCER TALKING IN CZECH	0:37:04	0:37:08
BAND PLAYS "THAT'LL BE THE DAY"	0:37:16	0:37:20
Look! They are here! Tereza's pictures!	0:37:23	0:37:26
Two full pages!	0:37:26	0:37:28
Thanks, Sabina!	0:37:28	0:37:30
Congratulations!	0:37:30	0:37:31
They're really great!	0:37:32	0:37:34
Tereza, this is my colleague Jiri,	0:37:35	0:37:37
and this is the chief.	0:37:37	0:37:38
- I'm pleased. - Hello.	0:37:38	0:37:40
Wonderful! You've really captured a new spirit here.	0:37:41	0:37:46
You can see how everything is changing.	0:37:48	0:37:50
Not everything. Look over there.	0:37:50	0:37:53
Our comrades with the Russians.	0:37:53	0:37:55
Some people never change.	0:37:57	0:37:59
Some people are always scoundrels.	0:37:59	0:38:02
How can you tell?	0:38:03	0:38:04
Does it show in a man's face?	0:38:04	0:38:08
Can we judge by a man's face	0:38:09	0:38:10
if he is a scoundrel or not?	0:38:10	0:38:12
Let's look at them and see.	0:38:12	0:38:14
Scoundrel.	0:38:19	0:38:20
- Scoundrel. - Scoundrel.	0:38:20	0:38:23
Scoundrel.	0:38:23	0:38:25
Scoundrel.	0:38:25	0:38:26
- Scoundrel. - Scoundrel.	0:38:27	0:38:29
- Definitely. - No doubt.	0:38:29	0:38:31
We know you.	0:38:33	0:38:35
Scoundrels.	0:38:35	0:38:37
What would you say about Tomas?	0:38:41	0:38:42
Hmmm.	0:38:44	0:38:45
He's definitely scoundrel.	0:38:45	0:38:47
Why?	0:38:47	0:38:48
Why?	0:38:49	0:38:50
Is it the mouth?	0:38:52	0:38:53
The sly eyes?	0:38:55	0:38:57
No, it's carefully hidden...	0:38:57	0:38:59
in the brain.	0:38:59	0:39:00
Such things are hidden in all of our brains.	0:39:00	0:39:04
So what makes the difference?	0:39:04	0:39:06
Maybe only one millionth part.	0:39:06	0:39:09
Maybe there is no difference.	0:39:09	0:39:11
These men don't even know if they're scoundrels or not.	0:39:11	0:39:14
Are you serious?	0:39:25	0:39:28
More than 100,000 people were imprisoned, tortured,	0:39:28	0:39:32
executed in their regime.	0:39:32	0:39:33
And now, these men cry out	0:39:33	0:39:36
that they didn't know anything...	0:39:36	0:39:39
that they were misled or manipulated.	0:39:39	0:39:44
That they were...innocent.	0:39:44	0:39:47
Not innocent,	0:39:47	0:39:48
but, um...	0:39:48	0:39:50
unaware, perhaps.	0:39:50	0:39:52
They had to know what they were doing.	0:39:52	0:39:55
Otherwise, it's unthinkable.	0:39:55	0:39:57
It doesn't matter whether they knew or not.	0:39:57	0:40:00
BAND PLAYS: "The Internationale"	0:40:00	0:40:06
- Boo! - Boo! - Boo!	0:40:08	0:40:11
THEY SING IN RUSSIAN	0:40:23	0:40:27
I've been thinking about Oedipus.	0:40:29	0:40:32
Good King Oedipus.	0:40:32	0:40:33
Is sleeping with your mother the same sort of crime?	0:40:33	0:40:36
When Oedipus realized that he had killed his father	0:40:39	0:40:42
unknowingly...	0:40:42	0:40:45
unknowingly killed his father...	0:40:45	0:40:47
and was sleeping with his mother...	0:40:47	0:40:50
and that because of his crimes	0:40:50	0:40:52
plagues were ravaging his city,	0:40:52	0:40:56
he couldn't bear the sight of what he'd done.	0:40:56	0:40:59
He plucked out his own eyes and left.	0:40:59	0:41:02
He did not feel innocent.	0:41:03	0:41:05
He felt he had to punish himself.	0:41:05	0:41:08
But...	0:41:08	0:41:10
our leaders, unlike Oedipus,	0:41:10	0:41:12
they felt they were innocent.	0:41:12	0:41:14
And when the atrocities of the Stalinist period became known,	0:41:15	0:41:20
they cried, "We didn't know!	0:41:20	0:41:22
"We weren't aware of what was going on. Our conscience is clear."	0:41:22	0:41:25
But the important difference is...	0:41:25	0:41:28
they stayed in power.	0:41:33	0:41:36
And they should have plucked their eyes out.	0:41:36	0:41:41
All I'm saying is that	0:41:42	0:41:44
morality has changed since Oedipus.	0:41:44	0:41:47
MUSIC BECOMES JAZZIER	0:41:47	0:41:50
Come on.	0:42:26	0:42:27
Yes!	0:42:28	0:42:29
Why don't you write it down?	0:42:30	0:42:32
I'm not a writer.	0:42:32	0:42:33
It will be published. Our politics are in it.	0:42:33	0:42:38
I don't really care about politics.	0:42:38	0:42:41
What do you care about?	0:42:45	0:42:47
Is something bothering you?	0:43:12	0:43:14
No, why?	0:43:14	0:43:15
What's wrong?	0:43:21	0:43:23
Nothing.	0:43:23	0:43:25
No...	0:43:25	0:43:26
When I watched you dancing with another man...	0:43:26	0:43:30
I thought to myself, "He could be her lover."	0:43:32	0:43:35
You are jealous.	0:43:37	0:43:39
No, I'm not jealous.	0:43:41	0:43:42
You are.	0:43:42	0:43:44
I'm not.	0:43:45	0:43:46
I'm not jealous, Tereza.	0:43:46	0:43:48
He's jealous.	0:43:48	0:43:49
No, he isn't. Who's he?	0:43:49	0:43:51
He's jealous.	0:43:51	0:43:52
I'm not jealous.	0:43:52	0:43:54
He's jealous, he's jealous	0:43:54	0:43:56
Whatever you say, Tereza.	0:43:56	0:43:58
You're jealous.	0:43:58	0:43:59
I'm not.	0:43:59	0:44:01
Yes, you are.	0:44:01	0:44:02
You're jealous.	0:44:02	0:44:03
I'm not jealous.	0:44:03	0:44:04
You're jealous.	0:44:04	0:44:05
Doo be doo be doo be doo!	0:44:05	0:44:08
No!	0:44:08	0:44:10
You are!	0:44:10	0:44:12
I'm not.	0:44:12	0:44:13
You are!	0:44:13	0:44:14
Let go!	0:44:14	0:44:15
I won't let go! You're jealous!	0:44:15	0:44:18
You are!	0:44:18	0:44:19
I'm not!	0:44:19	0:44:20
No! No! No!	0:44:21	0:44:23
No! No! No! Ha ha ha ha!	0:44:23	0:44:27
Will you marry me?	0:44:27	0:44:28
What? No!	0:44:28	0:44:30
No!	0:44:30	0:44:32
Yes!	0:44:32	0:44:33
- No. - Yes.	0:44:33	0:44:35
- No. - Yes.	0:44:35	0:44:37
Yes? Ha!	0:44:37	0:44:38
Be my witness?	0:44:38	0:44:40
Of course!	0:44:40	0:44:41
I'll have to buy Mephisto a black tie.	0:44:41	0:44:45
Did you hear, Mephisto? A black tie.	0:44:45	0:44:47
My dear fiances,	0:44:50	0:44:51
I am welcoming you	0:44:51	0:44:53
from the deep bottom of my heart	0:44:53	0:44:56
on this very special day	0:44:56	0:44:59
when you freely decided to be legally man and wife.	0:44:59	0:45:04
I suppose that both of you know your duties	0:45:06	0:45:10
in supporting each other,	0:45:10	0:45:13
and I am sure both of you know	0:45:13	0:45:16
your own medical records?	0:45:16	0:45:18
I have to tell you this.	0:45:19	0:45:21
Don't think a life is a walk on a sunny meadow.	0:45:21	0:45:26
Life isn't a walk on a sunny meadow,	0:45:26	0:45:30
and life isn't a walk on a rose garden.	0:45:30	0:45:34
Our socialist country has done much for you.	0:45:34	0:45:40
Now it's up to you.	0:45:40	0:45:43
SQUEALING	0:45:43	0:45:46
Shh!	0:45:46	0:45:48
I make you laugh?	0:45:51	0:45:53
No...no.	0:45:53	0:45:55
SQUEALING	0:45:55	0:45:56
Shh!	0:45:56	0:45:59
You are laughing at me?	0:45:59	0:46:00
I'm sorry. I'm sorry.	0:46:02	0:46:04
SQUEALING	0:46:04	0:46:07
I refuse to go on.	0:46:07	0:46:09
In this country, is nothing sacred anymore?	0:46:09	0:46:12
If you can't be serious, you don't deserve to be married!	0:46:14	0:46:18
SINGING IN CZECH	0:46:18	0:46:22
Mmm!	0:46:59	0:47:01
Let's take one, Tomas.	0:47:02	0:47:04
It will make us happy.	0:47:04	0:47:06
Choose one.	0:47:06	0:47:08
This one.	0:47:11	0:47:13
Hey!	0:47:13	0:47:14
My nephew from the country's here!	0:47:16	0:47:18
Uncle!	0:47:20	0:47:22
Hey!	0:47:22	0:47:23
SPEAKING IN CZECH	0:47:29	0:47:32
Let's call him Tolstoy.	0:47:32	0:47:35
When I first met you,	0:47:35	0:47:37
you were reading Tolstoy.	0:47:37	0:47:40
It can't be Tolstoy.	0:47:42	0:47:43
It's a girl.	0:47:43	0:47:45
It's a girl!	0:47:45	0:47:47
How about Anna Karenina?	0:47:47	0:47:49
It doesn't look at all like Anna Karenina.	0:47:52	0:47:55
Look. It's a man's face.	0:47:55	0:47:57
It looks more like Anna's husband.	0:47:57	0:48:00
Let's call her Karenin.	0:48:02	0:48:04
Karenin.	0:48:26	0:48:28
Come on, Karenin. Let's go home.	0:48:28	0:48:30
Heh heh heh...	0:48:38	0:48:40
I like it very much.	0:48:46	0:48:49
King Oedipus.	0:48:49	0:48:50
It's a very good idea.	0:48:51	0:48:54
And with those changes, we can publish next week.	0:48:54	0:48:58
Eva, will you type this, please?	0:48:58	0:49:01
Now we can publish a piece like this.	0:49:10	0:49:13
It's fantastic. Think about it.	0:49:13	0:49:16
Complete rehabilitation of the people who were prosecuted.	0:49:16	0:49:19
Complete freedom of speech, of the press,	0:49:19	0:49:22
emancipation from the Russians.	0:49:22	0:49:24
That's all we wanted.	0:49:24	0:49:26
And you think the Russians will let us emancipate?	0:49:26	0:49:31
What can they do?	0:49:31	0:49:33
Nothing, Doctor.	0:49:33	0:49:35
Nothing, nothing, nothing!	0:49:35	0:49:37
Keep on writing.	0:49:40	0:49:41
Thanks, but surgery's easier.	0:49:41	0:49:44
DOG CRIES	0:51:36	0:51:39
Take me to them.	0:52:23	0:52:25
Oh, you're awake.	0:52:26	0:52:28
Take me to them.	0:52:33	0:52:35
To whom?	0:52:35	0:52:36
To the other women.	0:52:37	0:52:39
Take me to them when you make love to them.	0:52:44	0:52:48
I'll undress them for you.	0:52:48	0:52:49
I'd like to.	0:52:51	0:52:53
Really.	0:52:55	0:52:56
I'll give them a bath and bring them to you.	0:52:59	0:53:02
I'll do anything you like.	0:53:02	0:53:05
Other women's bodies will be our playthings.	0:53:06	0:53:09
Tereza, what are you talking about?	0:53:14	0:53:16
I know you see other women.	0:53:19	0:53:21
I know it!	0:53:21	0:53:22
You can't hide it from me.	0:53:22	0:53:24
Every day, I try to tell myself,	0:53:33	0:53:35
"Well, it's nothing."	0:53:35	0:53:38
"It's not important.	0:53:40	0:53:43
"He's just playing around. He can't resist it.	0:53:43	0:53:46
"But he loves me. I'm sure about that.	0:53:46	0:53:49
"He loves me."	0:53:49	0:53:52
"He loves me!"	0:53:52	0:53:54
But I can't stand it.	0:53:58	0:54:00
I tried hard.	0:54:00	0:54:01
I just can't.	0:54:01	0:54:03
Take me to them. Don't leave me alone!	0:54:03	0:54:06
Tereza, calm down.	0:54:06	0:54:08
Stop talking. Try to sleep.	0:54:08	0:54:10
You need some sleep now.	0:54:10	0:54:11
I don't want to sleep.	0:54:11	0:54:14
You're tired of me.	0:54:18	0:54:20
I know that.	0:54:20	0:54:23
PHONE RINGS	0:54:24	0:54:27
I can see it in your eyes.	0:54:27	0:54:29
DOG BARKS	0:54:34	0:54:38
RINGING	0:54:38	0:54:40
Hello.	0:54:43	0:54:45
Yes.	0:54:45	0:54:48
What?	0:54:48	0:54:49
Tereza!	0:54:49	0:54:50
ENGINE ROARS	0:54:50	0:54:53
Here they come!	0:55:04	0:55:05
DOG BARKS	0:55:08	0:55:09
Tereza, stay there.	0:55:12	0:55:14
Karenin!	0:55:14	0:55:15
Tomas.	0:57:03	0:57:05
Tomas.	0:57:05	0:57:06
I'm going to Switzerland.	0:57:10	0:57:12
What?	0:57:12	0:57:13
To Geneva.	0:57:13	0:57:15
Good luck.	0:57:15	0:57:17
Good luck.	0:57:17	0:57:19
Be careful.	0:57:19	0:57:20
MACHINE GUN FIRE	0:57:28	0:57:30
SINGING	0:57:48	0:57:52
BELLS TOLLING	0:58:35	0:58:40
VIOLIN PLAYING	0:58:45	0:58:50
SINGING	0:59:06	0:59:09
CRASH	0:59:44	0:59:47
SIRENS	1:00:16	1:00:19
EXPLOSION	1:00:39	1:00:41
EXPLOSIONS	1:00:44	1:00:50
What country are you from?	1:01:00	1:01:02
The Netherlands.	1:01:02	1:01:03
Good. Take these.	1:01:03	1:01:05
Have them published, please.	1:01:10	1:01:12
Tereza!	1:01:14	1:01:16
Tereza!	1:01:33	1:01:34
Idi!	1:01:34	1:01:36
Idi!	1:01:37	1:01:40
Idi!	1:01:40	1:01:41
Have you gone mad?	1:01:45	1:01:48
Don't you realize that we love you?	1:01:54	1:01:57
That we always loved you?	1:02:02	1:02:05
That we came to protect you?	1:02:05	1:02:08
To protect?	1:02:10	1:02:11
To protect us from what?	1:02:13	1:02:15
Did you give your pictures to foreigners?	1:02:19	1:02:21
Yes, I did.	1:02:24	1:02:26
You could be shot for that!	1:02:26	1:02:29
They are identifying people from our photographs.	1:02:39	1:02:43
SPEAKING CZECH	1:02:43	1:02:46
Is it your camera?	1:02:49	1:02:51
- No. - I'm sure it's yours.	1:02:51	1:02:54
Who is this man?	1:02:54	1:02:55
Who is this man?	1:02:57	1:03:00
- Never seen him before. - It's you!	1:03:02	1:03:04
- No. - It's you!	1:03:04	1:03:07
It's you.	1:03:07	1:03:08
No.	1:03:14	1:03:15
No.	1:03:22	1:03:24
No.	1:03:25	1:03:26
CROWD CHANTING	1:03:46	1:03:48
No!	1:03:48	1:03:49
No! No!	1:03:49	1:03:50
No!	1:03:50	1:03:51
Good luck.	1:05:48	1:05:50
You, too.	1:05:50	1:05:51
The invasion of our country	1:06:14	1:06:18
constitutes a clear act of aggression	1:06:18	1:06:22
against an independent country.	1:06:22	1:06:24
Our Czech people had the right and the duty	1:06:24	1:06:28
to fight against the aggressor.	1:06:28	1:06:32
People who don't have the courage to fight	1:06:32	1:06:35
with arms in their hands	1:06:35	1:06:37
do not deserve freedom.	1:06:37	1:06:39
So why did you emigrate?	1:06:39	1:06:42
Go back and fight.	1:06:42	1:06:44
It's easy to tell other people to fight.	1:06:44	1:06:47
One day, everybody will be asked,	1:06:53	1:06:55
"What did you do against the communist regime?"	1:06:55	1:06:59
Excuse me.	1:07:09	1:07:10
Excuse me.	1:07:11	1:07:13
I wanted to ask you something.	1:07:13	1:07:15
Well, what do you want to ask?	1:07:16	1:07:18
Why did you do that back there?	1:07:18	1:07:21
Why do you want to know? Who are you?	1:07:21	1:07:24
My name is Franz.	1:07:24	1:07:26
I came to that meeting to listen.	1:07:27	1:07:29
No, no, I'm not from the police. I'm a professor at the university.	1:07:31	1:07:35
I have nothing in common with these people.	1:07:42	1:07:45
The only things holding them together are defeats	1:07:45	1:07:48
and the reproaches they address to one another.	1:07:48	1:07:50
It's hard to be in exile.	1:07:50	1:07:53
People feel abandoned. They feel a lack of understanding.	1:07:53	1:07:56
They feel at a loss, lonely.	1:07:56	1:07:59
Your country's occupied. Are you indifferent to that?	1:07:59	1:08:02
I can't stand pointing fingers and raised fists.	1:08:02	1:08:05
So what do you want to do?	1:08:05	1:08:07
I want to go to lunch. I'm hungry.	1:08:14	1:08:16
MUSIC PLAYS FAINTLY	1:08:19	1:08:22
Ha ha ha!	1:08:26	1:08:28
When I was a student in Paris,	1:08:31	1:08:34
I liked the demonstrations, the marches, the crowds, the shouting.	1:08:34	1:08:37
I liked to be part of it.	1:08:37	1:08:40
The whole world looked like a grand march	1:08:40	1:08:43
ever onward to a better world.	1:08:43	1:08:45
Me, too. I marched every year.	1:08:46	1:08:49
Really?	1:08:49	1:08:50
Yes, but I was forced to march.	1:08:50	1:08:53
Everybody was.	1:08:53	1:08:54
The May Day parade the girls dressed the same.	1:08:54	1:08:57
Everybody smiling, everybody throwing flowers.	1:08:57	1:09:01
Mmm.	1:09:01	1:09:02
I could never keep in step.	1:09:05	1:09:07
The girls behind me would step on my heels.	1:09:07	1:09:10
Ha ha ha!	1:09:10	1:09:12
What happened to your country is a tragedy.	1:09:21	1:09:23
You think so?	1:09:23	1:09:25
Of course. There was hope.	1:09:25	1:09:28
They killed it.	1:09:28	1:09:30
You're not going to become boring, are you?	1:09:30	1:09:33
Waiter?	1:09:37	1:09:39
- Can you stop that noise? - Noise?	1:09:44	1:09:46
Yes, what you call music.	1:09:48	1:09:51
I'll have to ask the manager.	1:09:51	1:09:53
Everywhere music's turning into noise.	1:09:55	1:09:58
Look.	1:10:00	1:10:02
These plastic flowers...	1:10:02	1:10:05
they even put them in water.	1:10:05	1:10:07
Ha ha ha!	1:10:07	1:10:08
And look out there.	1:10:08	1:10:11
Those buildings,	1:10:12	1:10:14
the uglification of the world.	1:10:14	1:10:17
The only place we can find beauty	1:10:17	1:10:21
is if its persecutors have overlooked it.	1:10:21	1:10:23
It's a planetary process...	1:10:27	1:10:29
..and I can't stand it.	1:10:31	1:10:33
Is anything wrong?	1:10:36	1:10:38
Wrong? No. Everything is fine.	1:10:38	1:10:41
Well, it's just that noise.	1:10:43	1:10:45
Could you stop it?	1:10:45	1:10:47
It sounds like dirty water.	1:10:47	1:10:50
I'm sorry, sir.	1:10:50	1:10:51
The other customers do like this noise.	1:10:51	1:10:54
How can they eat food and listen to shit?	1:10:55	1:10:58
Well, in that case,	1:11:03	1:11:04
we'll look for a place with better taste.	1:11:04	1:11:09
Thank you.	1:11:12	1:11:15
Well...	1:11:23	1:11:24
I hope you didn't mind leaving that place.	1:11:24	1:11:27
Just the opposite.	1:11:27	1:11:29
I like to leave places.	1:11:29	1:11:30
I like to leave.	1:11:33	1:11:34
So...	1:11:36	1:11:37
I hope you're not having a bad time.	1:11:39	1:11:41
Oh, not at all, no.	1:11:41	1:11:43
I have a train to catch in an hour.	1:11:43	1:11:46
You travel by train?	1:11:46	1:11:48
Always.	1:11:49	1:11:51
I love trains.	1:11:51	1:11:53
They are so erotic.	1:11:53	1:11:54
By the way, my wife owns an art gallery.	1:12:25	1:12:28
Maybe she could help you.	1:12:28	1:12:29
Oh, you are married?	1:12:30	1:12:32
Yes.	1:12:34	1:12:35
Watch out!	1:12:44	1:12:47
Be careful.	1:12:47	1:12:49
WHIMPERS	1:13:58	1:14:04
Ahem.	1:14:08	1:14:09
Well, welcome to Geneva.	1:14:12	1:14:14
Well, that's good work,	1:14:19	1:14:21
but it's too late.	1:14:21	1:14:24
Russians in Prague,	1:14:24	1:14:25
We've seen these everywhere.	1:14:25	1:14:27
The events are too remote now.	1:14:27	1:14:29
It's over.	1:14:29	1:14:32
But there, nothing is over.	1:14:32	1:14:34
Everybody. Everybody still demands that the Russians leave.	1:14:34	1:14:38
There are strikes all over the country, and protests,	1:14:38	1:14:43
but here, nobody seems to care anymore.	1:14:43	1:14:47
Here's the story about the nudists in France.	1:14:48	1:14:51
Oh, thank you.	1:14:51	1:14:52
Wait. Just have a look, superb photographs of Prague.	1:14:53	1:14:57
It's a pity we're just getting them now.	1:14:57	1:14:59
TELEPHONE RINGS	1:14:59	1:15:02
Have a look at mine.	1:15:02	1:15:04
They have nothing to do with yours.	1:15:04	1:15:06
Not at all.	1:15:19	1:15:20
They are the same.	1:15:20	1:15:22
Nothing's wrong with the body.	1:15:23	1:15:25
It's normal...	1:15:25	1:15:28
and everything normal is beautiful.	1:15:28	1:15:30
You have a terrific sense of the female body.	1:15:33	1:15:36
These provocative poses.	1:15:38	1:15:41
You'd be a top-notch fashion photographer.	1:15:41	1:15:44
You ought to get a model,	1:15:44	1:15:45
make a portfolio for agencies.	1:15:45	1:15:48
I'll introduce you to the editor of our garden section.	1:15:48	1:15:52
Yeah, sure.	1:15:52	1:15:54
They always need shots of cactuses and roses.	1:15:54	1:15:57
Cactuses?	1:15:57	1:15:59
No.	1:16:00	1:16:01
You're too kind, really,	1:16:01	1:16:03
but I'd rather be a waitress or stay home.	1:16:03	1:16:07
But will you be fulfilled sitting at home?	1:16:07	1:16:11
GROWLING	1:16:11	1:16:13
DOG BARKS	1:16:15	1:16:18
What am I going to do,	1:16:19	1:16:21
take pictures of naked women?	1:16:21	1:16:25
Why does everybody want to see pictures of naked women?	1:16:30	1:16:33
Are they that interesting?	1:16:35	1:16:37
Hmm?	1:16:37	1:16:39
Blah!	1:16:55	1:16:57
See you later.	1:16:59	1:17:01
Are you working this afternoon?	1:17:01	1:17:04
Yes, I'll be back late. Will you be all right?	1:17:04	1:17:07
Yes, I suppose so.	1:17:07	1:17:08
Good.	1:17:13	1:17:14
Come with me to Amsterdam in two days.	1:18:21	1:18:23
I've seen Amsterdam.	1:18:23	1:18:26
You have?	1:18:26	1:18:27
A friend of mine sent me a post card from there.	1:18:28	1:18:32
It's taped up over my toilet.	1:18:32	1:18:35
Haven't you noticed?	1:18:35	1:18:36
Tell me, Franz...	1:18:41	1:18:43
why do you always take me to another city?	1:18:43	1:18:46
Why won't you make love to me in Geneva?	1:18:46	1:18:49
I told you.	1:18:49	1:18:50
Tell me again.	1:18:50	1:18:51
Because I couldn't go to bed with my wife.	1:18:52	1:18:55
You couldn't go from one bed to another?	1:18:55	1:18:58
- That's right. - Why?	1:18:58	1:19:00
I feel it would be humiliating to my wife,	1:19:02	1:19:05
to me, and to you.	1:19:05	1:19:07
It might seem ridiculous, but that's the way it is.	1:19:09	1:19:13
I have to go.	1:19:14	1:19:16
Say you'll come with me.	1:19:19	1:19:21
I'll come with you.	1:19:24	1:19:25
It's good to see you.	1:20:29	1:20:30
How are you?	1:20:38	1:20:39
Fine.	1:20:40	1:20:41
I'm fine.	1:20:43	1:20:44
- Did Tereza come with you? - Of course.	1:20:47	1:20:49
Good. How is she?	1:20:49	1:20:52
She's...so-so. She's OK.	1:20:52	1:20:54
She's looking for a job.	1:20:54	1:20:56
Good. I'd like to see her sometime.	1:20:59	1:21:01
Of course. What about you?	1:21:01	1:21:04
Fine.	1:21:04	1:21:05
I'm fine.	1:21:05	1:21:07
Good.	1:21:07	1:21:08
I met another man.	1:21:08	1:21:09
He's the best man I've ever met.	1:21:12	1:21:14
Ha ha ha! Oh.	1:21:14	1:21:16
He's bright, handsome, good...	1:21:18	1:21:20
And he's crazy about me.	1:21:24	1:21:26
Good.	1:21:26	1:21:27
And he's married.	1:21:27	1:21:28
Good.	1:21:28	1:21:29
There's only one thing.	1:21:31	1:21:33
He doesn't like my hat.	1:21:37	1:21:38
Your hat.	1:21:45	1:21:46
Your hat makes me want to cry, Sabina.	1:21:49	1:21:52
So...	1:22:05	1:22:06
I'll call you.	1:22:08	1:22:09
I'll see you soon.	1:22:10	1:22:11
CAMERA SHUTTER CLICKS	1:23:01	1:23:04
Naked women.	3:00:02	3:00:04
PHONE RINGS	3:00:11	3:00:14
Yes?	3:00:14	3:00:16
Oh, it's you!	3:00:16	3:00:17
Yes.	3:00:18	3:00:20
What?	3:00:20	3:00:21
Some woman said that I should do some...	3:00:21	3:00:25
..some nude shots.	3:00:26	3:00:28
Nude shots?	3:00:28	3:00:30
Yeah, nude shots.	3:00:30	3:00:32
For that,	3:00:36	3:00:38
we'd better have a drink first.	3:00:38	3:00:41
Take a glass.	3:00:47	3:00:49
GULPING	3:01:26	3:01:30
How is Tomas?	3:01:43	3:01:45
Fine.	3:01:45	3:01:47
Haven't you seen him?	3:01:49	3:01:51
No.	3:01:51	3:01:53
CAMERA CLICKS	3:02:45	3:02:50
Look at me.	3:04:16	3:04:17
Look up.	3:04:29	3:04:30
Look up.	3:04:30	3:04:31
THUNDER	3:04:41	3:04:45
RAIN PATTERING	3:04:45	3:04:47
CAMERA CLICKING	3:04:47	3:04:51
Take off your clothes.	3:06:14	3:06:16
What?	3:06:20	3:06:22
Now it's my turn.	3:06:22	3:06:24
I don't like to be naked.	3:06:25	3:06:28
I...	3:06:28	3:06:30
Take off your clothes.	3:06:30	3:06:32
Wait.	3:06:33	3:06:35
Ah! Oh!	3:06:56	3:06:58
Ha...	3:06:58	3:07:01
Ah!	3:07:01	3:07:02
Ha ha ha...	3:07:08	3:07:11
Ah! No! No!	3:07:15	3:07:18
CLICK	3:07:18	3:07:19
CLICK	3:07:36	3:07:37
Look at me, Tereza.	3:08:34	3:08:36
BREATHING DEEPLY	3:08:58	3:09:01
Ha ha ha ha...	3:09:50	3:09:52
Ha ha ha ha...	3:09:52	3:09:54
Ha ha ha ha!	3:09:57	3:10:00
Ha ha ha ha!	3:10:00	3:10:03
DOOR OPENS	3:10:13	3:10:15
Ah!	3:10:15	3:10:18
Ha ha ha ha!	3:10:18	3:10:19
Ha ha ha ha ha!	3:10:19	3:10:20
Tereza, meet Franz.	3:10:23	3:10:25
Ah!	3:10:28	3:10:30
She's a friend from Prague,	3:10:30	3:10:32
another crazy chick.	3:10:32	3:10:33
Ha ha!	3:10:33	3:10:34
She's modelling for me.	3:10:34	3:10:36
Or I am for her, or something.	3:10:36	3:10:40
I've left her.	3:10:40	3:10:42
What?	3:10:46	3:10:47
I've left my wife.	3:10:48	3:10:51
I've left my wife.	3:10:53	3:10:55
What did she say?	3:10:56	3:10:58
"Don't forget your tuxedo."	3:11:00	3:11:02
She even helped me pack.	3:11:02	3:11:05
We're still friends, I think.	3:11:05	3:11:06
I have to go home to get some more things,	3:11:06	3:11:10
my books, my tuxedo...	3:11:10	3:11:12
and I want to make sure she's all right.	3:11:12	3:11:15
We didn't argue.	3:11:15	3:11:17
I know you agree.	3:11:17	3:11:20
We have to live in a glass house with no secrets.	3:11:20	3:11:25
We couldn't live in lies anymore. We have to live in truth.	3:11:25	3:11:29
Sabina, would you mind if I stayed here for a while?	3:11:29	3:11:35
If it's no imposition.	3:11:35	3:11:38
Until I get my bearings.	3:11:39	3:11:41
If it's all right, I'll... I'll come back tomorrow...	3:11:46	3:11:50
and, uh...	3:11:50	3:11:52
Oh...	3:12:06	3:12:08
Oh, God.	3:12:08	3:12:11
Ha ha ha...	3:12:11	3:12:13
Ha ha...	3:12:13	3:12:15
Goodbye, Tereza.	3:12:47	3:12:49
See you again, I'm sure.	3:12:49	3:12:51
Listen, Tereza...	3:13:10	3:13:12
I want you to leave now.	3:13:22	3:13:25
I have things I must do.	3:13:25	3:13:28
Sabina?	3:13:48	3:13:49
Maybe I should have stayed.	3:15:05	3:15:08
Stop running.	3:15:09	3:15:11
Stop leaving.	3:15:13	3:15:15
Franz was such a good man.	3:15:19	3:15:21
So...	3:15:21	3:15:22
..what are you going to do now?	3:15:25	3:15:27
Leave.	3:15:27	3:15:29
Ha ha ha ha...	3:15:29	3:15:31
Ah, Sabina.	3:15:33	3:15:34
I don't know. I'll go to... Paris, maybe.	3:15:35	3:15:42
Or to America.	3:15:45	3:15:47
Come to me.	3:15:48	3:15:50
You want to see America?	3:15:59	3:16:02
Hmm?	3:16:04	3:16:06
Sometime.	3:16:08	3:16:09
Maybe I'm seeing you for the last time.	3:16:24	3:16:28
Maybe.	3:16:34	3:16:36
Karenin.	3:16:51	3:16:53
"Tomas, I know	3:17:11	3:17:14
"I'm supposed to help you, but I can't.	3:17:14	3:17:18
"instead of being your support,	3:17:18	3:17:21
"I'm your weight.	3:17:21	3:17:25
"Life is very heavy to me,	3:17:25	3:17:28
"and it is so light to you."	3:17:28	3:17:30
"I can't bear this lightness, this freedom.	3:17:34	3:17:36
"I'm not strong enough.	3:17:36	3:17:39
"In Prague,	3:17:39	3:17:42
"I only needed you for love.	3:17:42	3:17:44
"In Switzerland,	3:17:44	3:17:46
"I was dependent on you for everything.	3:17:46	3:17:51
"What would happen if you abandoned me?"	3:17:51	3:17:55
"I'm weak.	3:17:56	3:17:59
"I'm going back to the country of the weak.	3:17:59	3:18:03
"Goodbye."	3:18:03	3:18:06
"I'm sorry, but I've taken Karenin."	3:18:14	3:18:17
KNOCK ON DOOR	3:18:19	3:18:21
And your camera.	3:18:33	3:18:34
Ah, cognac?	3:19:03	3:19:04
POUNDS ON HOOD	3:21:22	3:21:24
HELICOPTER WHIRRS ABOVE	3:21:35	3:21:40
TRUMPETS PLAY DOLEFULLY	3:22:32	3:22:37
KNOCK ON DOOR	3:23:35	3:23:37
WHIMPERING	3:23:37	3:23:40
Are you all right?	3:24:13	3:24:15
Yes, fine.	3:24:17	3:24:19
And Karenin?	3:24:19	3:24:23
Fine, too.	3:24:23	3:24:24
What are you going to do here?	3:24:28	3:24:31
I'll find something.	3:24:33	3:24:35
Oh, Tomas.	3:25:48	3:25:51
Tomas.	3:25:51	3:25:52
Tomas.	3:25:54	3:25:56
Tomas.	3:25:56	3:25:58
Oh...	3:26:00	3:26:02
Oh!	3:26:02	3:26:04
Oh...	3:26:04	3:26:07
Oh...	3:26:07	3:26:10
I really don't like to do this. I shouldn't have to do this.	3:26:17	3:26:21
You remember the article you wrote about King Oedipus?	3:26:21	3:26:26
How communist leaders should have put out their eyes?	3:26:26	3:26:30
Yes, I'd almost forgotten.	3:26:30	3:26:32
Well, they haven't.	3:26:34	3:26:36
They've prepared this little letter...	3:26:38	3:26:41
sort of retraction.	3:26:41	3:26:43
Say you got it wrong, you really didn't understand...	3:26:43	3:26:46
You sign. That's all.	3:26:46	3:26:48
Don't misunderstand. They're not asking for a public declaration.	3:26:51	3:26:56
They're just prudent bureaucrats.	3:26:56	3:26:59
They've given me their word.	3:26:59	3:27:01
They won't publish anything.	3:27:01	3:27:04
I need you, Tomas.	3:27:05	3:27:09
I hope I can keep you.	3:27:11	3:27:13
You're not a writer, saviour of the country.	3:27:13	3:27:17
You're a doctor. A scientist.	3:27:17	3:27:20
This article's so terribly important to you?	3:27:22	3:27:25
It couldn't be less important.	3:27:27	3:27:29
- Hi, Tomas. - Hi.	3:27:53	3:27:56
Tomas.	3:28:02	3:28:05
Hello, Jiri!	3:28:05	3:28:07
It's nice to see you back. How are you?	3:28:07	3:28:10
Thanks, fine.	3:28:10	3:28:12
So...are you going to sign the...thing?	3:28:12	3:28:17
What thing?	3:28:17	3:28:19
Mmm...your, um...	3:28:19	3:28:22
retraction.	3:28:22	3:28:24
What do you know about my retraction?	3:28:26	3:28:29
Have you read it?	3:28:30	3:28:32
No.	3:28:32	3:28:34
But you know how things work.	3:28:34	3:28:38
Who told you I had agreed to go along with it?	3:28:40	3:28:43
See you.	3:28:50	3:28:51
Ha ha ha ha...	3:28:51	3:28:53
I suppose a lot of them have signed these letters.	3:29:13	3:29:17
They're kept on file.	3:29:17	3:29:19
They know they can be published at any moment,	3:29:19	3:29:22
so they keep quiet, see?	3:29:22	3:29:26
They can't say anything anymore.	3:29:26	3:29:29
They accept everything.	3:29:29	3:29:30
Cowardice slowly becomes a rule of life.	3:29:33	3:29:37
Yes, I have the feeling	3:29:39	3:29:41
that everyone would be very happy to see me sign.	3:29:41	3:29:44
Everyone... everyone but me.	3:29:44	3:29:47
So...what can I do for you?	3:30:31	3:30:34
There is nothing you can do for me, Doctor.	3:30:36	3:30:40
I represent the Ministry of the Interior.	3:30:40	3:30:45
Everybody at the Ministry regrets seeing you here.	3:30:48	3:30:52
You are one of our best brain specialists.	3:30:52	3:30:56
Just between us,	3:30:56	3:30:57
maybe I shouldn't say it,	3:30:57	3:31:00
we don't all agree with the drastic tactics	3:31:00	3:31:03
that are removing our top specialists from their posts.	3:31:03	3:31:08
One can only be sorry about all this.	3:31:10	3:31:13
May I?	3:31:15	3:31:17
Please.	3:31:17	3:31:18
You had a very good position in Geneva,	3:31:21	3:31:24
and you came back to our country.	3:31:24	3:31:26
We very much appreciate your having returned,	3:31:26	3:31:29
but your place is at the operating table.	3:31:29	3:31:32
I couldn't agree more.	3:31:32	3:31:34
Everybody agrees.	3:31:34	3:31:36
Then... tell me, Doctor...	3:31:36	3:31:39
do you really think	3:31:39	3:31:42
that communists should pluck out their own eyes?	3:31:42	3:31:45
You, who have healed so many people?	3:31:47	3:31:50
That wasn't what I meant.	3:31:50	3:31:52
But that's how everyone understood it.	3:31:52	3:31:54
And we can only regret it.	3:31:54	3:31:57
How can you let people think	3:31:57	3:32:00
that you, a doctor,	3:32:00	3:32:03
want to deprive human beings of their right to see?	3:32:03	3:32:07
Maybe someone inspired this article?	3:32:09	3:32:11
No, no-one.	3:32:11	3:32:13
Did you know the publishers?	3:32:13	3:32:14
No.	3:32:14	3:32:16
- You never spoke? - Once, they asked me over to discuss the article.	3:32:16	3:32:21
Who was it you talked to?	3:32:21	3:32:23
One of the editors.	3:32:23	3:32:24
What was his name?	3:32:24	3:32:26
I don't remember.	3:32:38	3:32:41
I've no idea.	3:32:41	3:32:43
What did he look like?	3:32:47	3:32:49
I can't remember.	3:32:49	3:32:51
Tell me the truth, Doctor.	3:32:51	3:32:54
He was tall...	3:32:57	3:32:58
with...short, blond hair.	3:32:58	3:33:02
A little stooped, hmm?	3:33:09	3:33:11
Perhaps.	3:33:12	3:33:14
And how did he react?	3:33:14	3:33:17
What did he say exactly?	3:33:17	3:33:19
He asked me to make some changes.	3:33:19	3:33:22
So...	3:33:22	3:33:24
you might have been manipulated, Doctor.	3:33:24	3:33:30
Used.	3:33:31	3:33:33
Whether you meant to or not,	3:33:33	3:33:35
your article contributed to	3:33:35	3:33:37
the anti-communist hysteria.	3:33:37	3:33:39
Nobody requires a doctor to understand politics.	3:33:41	3:33:45
Of course, we can't allow a politically suspicious man	3:33:51	3:33:56
to operate on brains.	3:33:56	3:33:59
We have here another declaration.	3:34:03	3:34:07
I would advise you to sign.	3:34:09	3:34:12
"This temporary error..."	3:34:20	3:34:22
"..due to bad influences from so-called intellectuals..."	3:34:23	3:34:27
"..doesn't in any way put in doubt	3:34:29	3:34:32
"my faithfulness to the Communist Party	3:34:32	3:34:35
"or my admiration for the Soviet Union."	3:34:35	3:34:38
Of course, Doctor, it's only a proposition,	3:34:38	3:34:41
a first draft.	3:34:41	3:34:43
If there is something you want to change...	3:34:43	3:34:46
after all, it's your statement.	3:34:46	3:34:47
Just a paper to keep in their files.	3:34:51	3:34:53
It's nothing.	3:34:53	3:34:54
Just in case someone reproaches them	3:34:54	3:34:56
for letting you work here.	3:34:56	3:34:59
Good evening, Excellency.	3:36:18	3:36:20
Why do they call him Excellency?	3:36:28	3:36:31
He was an ambassador in Vienna...before.	3:36:31	3:36:34
Oh.	3:36:34	3:36:35
Give me a cognac.	3:36:49	3:36:52
Ah. Ha.	3:36:55	3:36:56
- Are you 18? - Yes.	3:36:56	3:36:59
May I see your identification card?	3:36:59	3:37:03
Haaa.	3:37:07	3:37:08
Ugh! Drunk.	3:37:08	3:37:10
Give me a drink.	3:37:11	3:37:13
Give me a drink.	3:37:17	3:37:18
All right.	3:37:20	3:37:23
You have beautiful legs!	3:37:23	3:37:25
I watched you in the street.	3:37:27	3:37:29
Ugh.	3:37:39	3:37:41
Ow!	3:37:53	3:37:56
Stay here. I want to look at you.	3:37:56	3:37:58
I love you!	3:37:58	3:38:00
Ohhh!	3:38:00	3:38:03
Tsk, tsk, tsk.	3:38:03	3:38:05
Madame.	3:38:26	3:38:27
You have no right to serve alcohol to minors.	3:38:27	3:38:31
That was lemonade.	3:38:31	3:38:33
Do you think I did not see	3:38:33	3:38:36
what else you put into his lemonade?	3:38:36	3:38:38
What are you talking about?	3:38:38	3:38:41
I've been watching you for some time now.	3:38:41	3:38:44
Then be grateful you're watching a beauty,	3:38:44	3:38:47
and keep your mouth shut.	3:38:47	3:38:49
You stay out of this.	3:38:49	3:38:51
What business is it of yours?	3:38:51	3:38:54
And what business is it of yours, my friend?	3:38:56	3:38:59
Well...	3:39:03	3:39:05
Thanks.	3:39:19	3:39:20
Don't mention it.	3:39:22	3:39:23
That man comes here all the time.	3:39:23	3:39:26
He's...	3:39:26	3:39:28
He's terribly unpleasant.	3:39:28	3:39:30
Promise me you won't think about him anymore.	3:39:30	3:39:34
I promise.	3:39:35	3:39:37
I like hearing you make me promises.	3:39:39	3:39:41
What is a beautiful girl like you doing in this terrible part of Prague?	3:39:43	3:39:47
What are you doing here?	3:39:47	3:39:49
I'm living here. I'm an engineer.	3:39:49	3:39:53
I just stopped here by chance.	3:39:53	3:39:56
I live very near here.	3:40:04	3:40:06
TAPPING	3:40:50	3:40:52
You're a doctor, aren't you?	3:40:52	3:40:54
Yes.	3:40:54	3:40:56
May I see you for a moment?	3:40:56	3:40:57
I have windows to do.	3:40:57	3:40:59
Oh, don't worry about it.	3:40:59	3:41:01
Come.	3:41:01	3:41:03
Come in.	3:41:03	3:41:04
Don't worry about the window.	3:41:08	3:41:11
I'll tell them all the work has been done.	3:41:11	3:41:14
A glass of wine?	3:41:16	3:41:18
Thank you. That would be very nice.	3:41:20	3:41:22
Sit down.	3:41:22	3:41:24
I've heard so much about you.	3:41:32	3:41:34
When I saw you, I said to myself,	3:41:34	3:41:37
"What a coincidence."	3:41:37	3:41:40
"He's the one who can help me."	3:41:40	3:41:42
Of course, I'll pay for the consultation.	3:41:42	3:41:45
I've had a pain in my back	3:41:47	3:41:50
for a few months,	3:41:50	3:41:53
and I would like to get your opinion about it.	3:41:53	3:41:56
Take off your clothes.	3:42:10	3:42:12
Everything?	3:42:35	3:42:37
Everything.	3:42:37	3:42:39
It's, uh...	3:43:37	3:43:40
here.	3:43:40	3:43:41
SNIFFING	3:44:04	3:44:06
SOBBING	3:44:15	3:44:17
What's the matter?	3:44:20	3:44:22
Tell me what's wrong.	3:44:24	3:44:26
What's wrong?	3:44:26	3:44:27
What's wrong?	3:44:29	3:44:31
You forgot to wash your hair.	3:44:31	3:44:33
What are you talking about, Tereza?	3:44:33	3:44:35
Your hair smells of a...	3:44:37	3:44:40
What?	3:44:41	3:44:43
Of another woman's sex!	3:44:43	3:44:45
I thought you had come back here for me.	3:44:51	3:44:55
I did come back here for you, Tereza.	3:44:55	3:44:57
Then why do you keep seeing other women?	3:44:57	3:45:02
- I don't know what to say to you. - I know, I know.	3:45:02	3:45:05
You've explained it a thousand times.	3:45:05	3:45:09
A thousand times.	3:45:09	3:45:10
There is love and there is sex,	3:45:11	3:45:13
and sex is entertainment, like football.	3:45:13	3:45:17
I know it's light.	3:45:17	3:45:18
I wish I could believe you, but...	3:45:21	3:45:23
How can someone make love without being in love?	3:45:23	3:45:27
I just don't know.	3:45:27	3:45:28
Let me try.	3:45:32	3:45:33
Oh, no.	3:45:35	3:45:37
You'd reject me if I tried.	3:45:38	3:45:40
I wish I could be like you...	3:45:44	3:45:47
..insensitive...	3:45:48	3:45:50
..strong...	3:45:52	3:45:54
Strong.	3:45:56	3:45:57
VOICES ARGUING IN CZECH	3:46:01	3:46:04
Oh, hello.	3:46:45	3:46:46
I just tried...	3:46:46	3:46:48
Come in.	3:46:48	3:46:49
It's a very simple place.	3:46:53	3:46:55
- I hope you don't mind. - No, not at all.	3:46:55	3:46:59
All these books are yours?	3:46:59	3:47:02
Yes.	3:47:02	3:47:04
What do you want to drink?	3:47:04	3:47:06
- Anything. - Wine?	3:47:06	3:47:08
No. Coffee?	3:47:08	3:47:09
OK. I'll go fix some.	3:47:09	3:47:12
Shall I take your coat?	3:47:45	3:47:48
Yes.	3:47:48	3:47:49
Sit down.	3:47:55	3:47:57
Thank you.	3:47:57	3:47:58
I'm very glad you came here.	3:48:09	3:48:10
I didn't want to come here.	3:48:16	3:48:18
Of course not.	3:48:20	3:48:22
CREAKING	3:48:36	3:48:38
CREAKING	3:48:41	3:48:42
There is somebody here,	3:48:42	3:48:45
behind that curtain.	3:48:45	3:48:47
You're being silly.	3:48:51	3:48:52
Draw aside the curtain.	3:48:52	3:48:55
I told you, you're being silly.	3:48:55	3:48:57
So why don't you draw aside the curtain, please?	3:48:57	3:49:02
Look. Nothing.	3:49:24	3:49:27
And over here.	3:49:27	3:49:29
I can feel that you want it.	3:50:20	3:50:22
What are you looking at?	3:50:55	3:50:57
But be careful.	3:52:03	3:52:05
It was very well set up,	3:52:06	3:52:09
a young, provocative drunkard,	3:52:09	3:52:12
then the other one,	3:52:12	3:52:15
the one who attacked you.	3:52:15	3:52:18
Then the third one, who gained your confidence	3:52:18	3:52:21
just because he took your side.	3:52:21	3:52:27
The engineer?	3:52:27	3:52:29
The so-called engineer.	3:52:29	3:52:32
Why do you look afraid?	3:52:34	3:52:37
You have nothing to be afraid of.	3:52:37	3:52:39
But I went to see him...	3:52:39	3:52:40
..at his place,	3:52:42	3:52:44
with my dog and a friend.	3:52:44	3:52:48
He offered us some...some coffee.	3:52:48	3:52:50
How do you know it was his place?	3:52:50	3:52:54
They have a lot of places they can use.	3:52:54	3:52:58
Pretty cheap place for an engineer.	3:53:02	3:53:04
You know what they do	3:53:06	3:53:08
with foreign diplomats?	3:53:08	3:53:11
A beautiful girl,	3:53:11	3:53:13
an apartment,	3:53:13	3:53:14
a hidden camera.	3:53:14	3:53:16
Then they blackmail the poor man.	3:53:17	3:53:20
And he does what he is told to do.	3:53:22	3:53:25
That's Vienna in '61.	3:53:31	3:53:34
That's me there,	3:53:34	3:53:37
just behind Kennedy and Khrushchev.	3:53:37	3:53:39
I'm in the back. You can hardly see me.	3:53:39	3:53:43
Are you sure he was from the police?	3:53:43	3:53:46
I'm not sure of anything.	3:53:46	3:53:48
Anybody can be from the police.	3:53:48	3:53:52
LAUGHTER	3:53:52	3:53:54
Maybe your engineer is a real engineer.	3:53:54	3:53:57
Ah!	3:53:57	3:53:59
Who knows?	3:54:00	3:54:02
They know.	3:54:06	3:54:07
And now they have what they wanted.	3:54:11	3:54:14
Now you are afraid.	3:54:20	3:54:23
CRYING SOFTLY	3:54:36	3:54:40
Tomas.	3:55:24	3:55:26
I don't want to stay here. I want to go away,	3:55:33	3:55:37
to leave.	3:55:37	3:55:40
To leave?	3:55:40	3:55:41
Again?	3:55:43	3:55:44
We left here once.	3:55:51	3:55:53
We were in Switzerland. Then we left Switzerland.	3:55:53	3:55:56
Now you want to leave again. Why?	3:55:56	3:55:59
I don't understand.	3:55:59	3:56:00
Prague has grown so ugly.	3:56:00	3:56:02
CRYING	3:56:02	3:56:04
No.	3:56:04	3:56:06
I know there's another reason.	3:56:07	3:56:10
FOOTSTEPS	3:56:10	3:56:14
Oh...	3:56:14	3:56:15
Please tell me.	3:56:18	3:56:20
I want to leave. I want to leave.	3:56:22	3:56:26
They've taken our passports.	3:56:30	3:56:32
There's nowhere we can go.	3:56:35	3:56:38
We can't go anywhere.	3:56:38	3:56:40
Maybe we can.	3:56:44	3:56:47
HUMMING	3:56:57	3:57:01
Ha ha ha!	3:57:14	3:57:15
SNORTS	3:57:15	3:57:17
Mephisto is big now. Huh? Look, look.	3:57:17	3:57:20
Look, Karenin.	3:57:20	3:57:21
Mephisto's here.	3:57:21	3:57:23
Ah!	3:57:33	3:57:34
Phooey.	3:57:34	3:57:36
Ha ha ha ha ha!	3:57:36	3:57:39
COW MOOING	3:57:39	3:57:41
Karenin prefers Mephisto to dogs.	3:57:47	3:57:49
She thinks other dogs are silly.	3:57:49	3:57:53
SNORT	3:57:53	3:57:54
Ha ha...	3:57:54	3:57:56
Do you know why I love Mephisto?	3:57:59	3:58:02
Because he's very bright,	3:58:02	3:58:04
but at the same time,	3:58:04	3:58:06
he doesn't know anything.	3:58:06	3:58:09
After all, he doesn't know	3:58:10	3:58:12
that life is impossible here now.	3:58:12	3:58:15
Nothing left here.	3:58:16	3:58:19
The church is gone.	3:58:19	3:58:21
No place to drink beer now.	3:58:22	3:58:25
It's good... very good.	3:58:30	3:58:33
SLURP	3:58:34	3:58:36
If you two ever change your mind...	3:58:36	3:58:39
..it won't be easy to leave.	3:58:42	3:58:45
We'll never leave.	3:58:45	3:58:47
DOG BARKS	3:59:23	3:59:25
Yah!	4:00:07	4:00:09
Ha ha ha!	4:00:09	4:00:11
Can I help you?	4:00:11	4:00:15
Uh!	4:00:15	4:00:16
Ha ha ha!	4:00:19	4:00:21
Aah!	4:00:21	4:00:23
Ah!	4:00:23	4:00:24
MOOING	4:00:26	4:00:29
COWBELLS RINGING	4:00:35	4:00:36
Look at Karenin.	4:00:36	4:00:37
I don't like the way she's running.	4:00:37	4:00:40
Yes, you're right.	4:00:40	4:00:42
WHISTLES	4:00:43	4:00:46
Karenin, come on.	4:00:46	4:00:48
Come on. Come on, girl.	4:00:48	4:00:50
Come on.	4:00:50	4:00:51
Come on.	4:00:51	4:00:53
Let's have a look at her.	4:00:53	4:00:56
WHIMPERING	4:00:56	4:00:58
What is that?	4:00:59	4:01:01
It's from the vet.	4:01:04	4:01:06
It's the result of the tests.	4:01:06	4:01:08
What did they say?	4:01:08	4:01:10
Cancer.	4:01:12	4:01:13
Oh, look at that. Look at it.	4:01:19	4:01:22
Oh, it smells so good. Look.	4:01:22	4:01:25
Come on, Karenin.	4:01:25	4:01:27
Look, Tereza loves it, too.	4:01:27	4:01:29
Oh, look at that.	4:01:29	4:01:31
Oh, oh...	4:01:31	4:01:32
Grr.	4:01:32	4:01:34
Mm...mmm...	4:01:39	4:01:42
mmm...	4:01:42	4:01:43
Oh, she's smiling.	4:01:43	4:01:45
Oh, Karenin,	4:01:45	4:01:46
it's so good to see you eat again.	4:01:46	4:01:50
I was forced to love my mother.	4:01:59	4:02:02
But not to love this dog.	4:02:05	4:02:07
You know, Tomas...	4:02:09	4:02:12
..maybe...maybe I love her more	4:02:15	4:02:18
than I love you.	4:02:18	4:02:20
Not more.	4:02:21	4:02:23
I mean in a better way.	4:02:24	4:02:27
I'm not jealous of her.	4:02:27	4:02:29
I don't want her to be different.	4:02:31	4:02:35
I don't ask her for anything back.	4:02:38	4:02:41
I don't think we should wait.	4:02:46	4:02:49
DOG WHIMPERS	4:02:49	4:02:52
If we do, she'll have to go through terrible pain.	4:02:52	4:02:57
Yeah.	4:03:01	4:03:02
You should do it yourself.	4:03:02	4:03:05
Yeah.	4:03:05	4:03:07
Look.	4:03:55	4:03:57
She's smiling.	4:03:57	4:03:59
She's smiling.	4:03:59	4:04:02
Just hold her and talk to her.	4:04:14	4:04:18
Don't be scared.	4:04:25	4:04:28
Don't be scared, Karenin.	4:04:28	4:04:30
You won't feel any pain there.	4:04:32	4:04:34
It'll be beautiful there.	4:04:34	4:04:36
You'll have cows to chase.	4:04:37	4:04:40
DOG WHIMPERS	4:04:40	4:04:42
And Mephisto will be there.	4:04:42	4:04:44
Mephisto will be there.	4:04:44	4:04:46
Don't be scared.	4:04:46	4:04:49
Don't be scared.	4:04:53	4:04:55
Don't be scared.	4:04:55	4:04:58
Don't be scared.	4:05:00	4:05:02
Aaah!	4:06:42	4:06:46
SPEAKING CZECH	4:06:46	4:06:48
Tomas!	4:06:48	4:06:50
Tomas!	4:06:50	4:06:52
Aah...	4:06:52	4:06:54
- What happened? - Shoulder.	4:06:54	4:06:57
Now, lie down. Lie down.	4:06:57	4:07:00
Arrrr...	4:07:00	4:07:01
Not this way. Come on!	4:07:01	4:07:03
Turn around.	4:07:03	4:07:05
All right, let go.	4:07:07	4:07:09
Let go!	4:07:09	4:07:11
Hold that arm.	4:07:11	4:07:13
Errr...	4:07:13	4:07:14
You've dislocated your shoulder,	4:07:14	4:07:16
and I'm going to put it back for you.	4:07:16	4:07:20
It's going to hurt.	4:07:20	4:07:22
Yaaah!	4:07:22	4:07:24
You ready?	4:07:24	4:07:26
Aaggghh!	4:07:26	4:07:29
And again.	4:07:29	4:07:30
Oorrrhh!	4:07:30	4:07:32
One more time. Come on.	4:07:32	4:07:35
Ah!	4:07:35	4:07:36
Whew.	4:07:43	4:07:45
Do you feel better?	4:07:46	4:07:48
Your wife is damn beautiful today.	4:08:05	4:08:08
You dumb idiot. Tereza is always pretty.	4:08:08	4:08:11
Yes, I know,	4:08:11	4:08:13
but especially today.	4:08:13	4:08:15
Seeing you in this dress	4:08:15	4:08:17
makes me want to dance with you.	4:08:17	4:08:20
Yes! Let's all go and dance!	4:08:20	4:08:22
Sure, but where?	4:08:22	4:08:24
I know where.	4:08:24	4:08:26
We can go to Milos' Tavern.	4:08:26	4:08:28
It's 40 kilometres away.	4:08:28	4:08:30
I'll drive.	4:08:30	4:08:31
I'll drink.	4:08:31	4:08:33
And we'll take you and Mephisto,	4:08:33	4:08:36
the dancing pig.	4:08:36	4:08:37
SNORTS	4:08:37	4:08:39
And all the women will faint	4:08:39	4:08:41
when they get an eyeful of those two pigs	4:08:41	4:08:45
walking in together. Ha ha ha!	4:08:45	4:08:48
Yai!	4:08:48	4:08:50
Let's go!	4:08:55	4:08:56
THUNDER	4:08:56	4:08:59
SINGING IN CZECH	4:08:59	4:09:04
PIANIST AND VIOLINIST PLAY: "Sentimental Journey"	4:09:20	4:09:25
PIG SQUEALS	4:09:52	4:09:55
Ha ha ha ha!	4:09:55	4:09:58
YELLING IN CZECH	4:09:58	4:10:00
Shh!	4:10:00	4:10:02
Shh!	4:10:02	4:10:04
No pigs allowed.	4:10:04	4:10:06
Ah, come on!	4:10:06	4:10:08
He's wearing a tie!	4:10:08	4:10:10
No. Everyone who comes here must order a drink.	4:10:10	4:10:14
Only one?	4:10:14	4:10:16
Did you hear that, Mephisto?	4:10:16	4:10:18
Ha ha ha ha!	4:10:18	4:10:19
Wine for everybody	4:10:19	4:10:21
and beer for him...	4:10:21	4:10:23
SNORTS	4:10:23	4:10:24
A large one. Make it a pilsner.	4:10:24	4:10:28
When Mephisto drink wine,	4:10:28	4:10:30
he goes crazy.	4:10:30	4:10:33
Ha ha ha ha!	4:10:33	4:10:34
Ha ha ha!	4:10:34	4:10:36
APPLAUSE AS SONG ENDS	4:10:49	4:10:53
There's no girls for me...	4:10:55	4:10:57
..cept you, Tereza.	4:10:59	4:11:01
MUSICIANS PLAY	4:11:01	4:11:04
Tomas...	4:11:20	4:11:22
No, no, I can't drink.	4:11:22	4:11:24
Ah...	4:11:24	4:11:25
I must not. I'm driving.	4:11:25	4:11:27
Ho ho ho! Driving.	4:11:27	4:11:30
Listen.	4:11:30	4:11:31
Why not spend the night here,	4:11:33	4:11:35
you and Tereza.	4:11:35	4:11:38
You take the truck tomorrow.	4:11:38	4:11:41
Ah.	4:11:43	4:11:44
MEPHISTO SQUEALS	4:11:51	4:11:53
Hey!	4:11:55	4:11:57
SPEAKING CZECH	4:11:57	4:12:00
Ha ha ha!	4:12:00	4:12:01
BURPING	4:12:01	4:12:04
Ya-ha!	4:12:06	4:12:08
SEAGULLS CALLING	4:12:25	4:12:28
Nice.	4:13:14	4:13:15
WHISTLING	4:13:29	4:13:30
Excuse me.	4:13:36	4:13:38
Hey, Sam.	4:13:45	4:13:47
I got a special delivery here for you, from Europe.	4:13:47	4:13:51
I'll see you, Sabina.	4:13:51	4:13:54
See you.	4:13:54	4:13:55
BELL RINGS IN DISTANCE	4:14:19	4:14:22
What is it?	4:14:22	4:14:24
Bad news?	4:14:25	4:14:27
Some friends died.	4:14:30	4:14:32
They were coming back	4:14:37	4:14:39
from spending the night in some small hotel there,	4:14:39	4:14:44
gone there to dance, and they...	4:14:44	4:14:46
It was raining, and...	4:14:46	4:14:51
the brakes on their truck didn't work.	4:14:51	4:14:53
They were killed instantly.	4:14:56	4:14:58
I was...	4:15:02	4:15:04
I was their closest friend.	4:15:09	4:15:12
Sorry. Damn shame.	4:15:12	4:15:14
Come to our place for dinner tonight,	4:15:17	4:15:20
if you feel up to it.	4:15:20	4:15:22
MUSICIANS PLAY TANGO	4:15:46	4:15:50
Tomas...	4:17:47	4:17:48
What are you thinking?	4:17:53	4:17:55
I'm thinking how happy I am.	4:18:00	4:18:03

The Unbearable Lightness of Being

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