
Browse content similar to Transsiberian. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This programme contains strong language | 0:00:14 | 0:00:20 | |
HORN BLASTS | 0:00:22 | 0:00:26 | |
FLIES BUZZ | 0:01:41 | 0:01:42 | |
Yes, probably. | 0:03:26 | 0:03:28 | |
'Ours is not a grey world. | 0:03:48 | 0:03:52 | |
'Under the bright light of truth, it's a world of clear contrasts.' | 0:03:52 | 0:03:57 | |
Black-and-white, good and evil, right and wrong. | 0:03:57 | 0:04:00 | |
There is always a choice. | 0:04:00 | 0:04:03 | |
But with faith, choice is an easy one. | 0:04:04 | 0:04:08 | |
What our church has done here, | 0:04:08 | 0:04:11 | |
what YOU have done here, over the past two weeks | 0:04:11 | 0:04:16 | |
is clearly right, undeniably good. | 0:04:16 | 0:04:19 | |
APPLAUSE | 0:04:19 | 0:04:21 | |
Just look at Jessie's photographs. | 0:04:25 | 0:04:28 | |
You tell me, is it not in the smiling face of a child | 0:04:28 | 0:04:34 | |
that we find the true wonder of God's grace? | 0:04:34 | 0:04:38 | |
APPLAUSE | 0:04:38 | 0:04:39 | |
So, tomorrow, | 0:04:42 | 0:04:44 | |
as we set off on our long journeys back home... | 0:04:44 | 0:04:49 | |
Sure you don't want to fly? It's not too late. | 0:04:49 | 0:04:51 | |
'Now I think it's time to reflect on this final thought. | 0:04:51 | 0:04:56 | |
'When you find yourself in the darkness of despair, | 0:04:56 | 0:05:00 | |
'when you're struggling to get back into the clear light of God's truth, | 0:05:00 | 0:05:06 | |
'remember what you learned here, about the simple power of compassion. | 0:05:06 | 0:05:11 | |
'When you light a lamp for someone else, | 0:05:12 | 0:05:16 | |
'you brighten your own path too.' | 0:05:16 | 0:05:19 | |
Honey, come on, let's go. | 0:05:33 | 0:05:34 | |
Hey there, little snoop. Shit, Roy. | 0:06:37 | 0:06:40 | |
I'm sorry. Just wanted to see if you wanted to get some... | 0:06:40 | 0:06:43 | |
shashlik and galupsi. | 0:06:43 | 0:06:45 | |
Galupsi? What's that? | 0:06:45 | 0:06:47 | |
Oh, wait. | 0:06:48 | 0:06:50 | |
Excuse me. | 0:06:50 | 0:06:51 | |
Excuse me. | 0:06:52 | 0:06:54 | |
That toilet's not working. | 0:06:54 | 0:06:56 | |
Excuse me. | 0:06:56 | 0:06:57 | |
Let me take care of this. | 0:06:57 | 0:06:59 | |
Uh, dobryj vyechyer, ma'am. | 0:06:59 | 0:07:02 | |
Er... | 0:07:02 | 0:07:03 | |
T, toilet... | 0:07:03 | 0:07:06 | |
Toileten? | 0:07:06 | 0:07:07 | |
No, no. She thinks I meant tea. No, ma'am. | 0:07:14 | 0:07:16 | |
Toilet. | 0:07:16 | 0:07:18 | |
Toileten. SHE SPEAKS ANGRILY IN RUSSIAN | 0:07:18 | 0:07:21 | |
SHE CHUCKLES | 0:07:31 | 0:07:34 | |
..And I'll have a beer | 0:07:41 | 0:07:43 | |
and the missus... Coke. ..will have a Coke. | 0:07:43 | 0:07:45 | |
Thanks. Thank you. | 0:07:45 | 0:07:47 | |
Is it necessary to smoke while we're eating? | 0:07:47 | 0:07:50 | |
We're not eating yet, Roy. | 0:07:50 | 0:07:52 | |
It affects my appetite when you... Well, I'll blow it this way. | 0:07:52 | 0:07:55 | |
Just blow it... HE SPEAKS RUSSIAN | 0:07:55 | 0:07:57 | |
They like to search between stations | 0:08:02 | 0:08:05 | |
so the rats cannot jump ship. | 0:08:05 | 0:08:08 | |
The rats? | 0:08:08 | 0:08:10 | |
Drug-dealers. | 0:08:10 | 0:08:12 | |
Oh. | 0:08:12 | 0:08:14 | |
Hey there, little fella. DOG BARKS | 0:08:15 | 0:08:17 | |
SPEAKS RUSSIAN | 0:08:17 | 0:08:19 | |
Did he scare you, sweetie? | 0:08:21 | 0:08:22 | |
Not really. | 0:08:22 | 0:08:24 | |
Best not to tangle with the police in China | 0:08:25 | 0:08:28 | |
and Russia. | 0:08:28 | 0:08:29 | |
Especially in Russia. | 0:08:31 | 0:08:33 | |
I know a man who was detained in Borovsk for 28 days | 0:08:33 | 0:08:39 | |
because his name had been misspelt on the visa. | 0:08:39 | 0:08:42 | |
They demanded 5,000 US. | 0:08:42 | 0:08:46 | |
Of course he refused to pay, out of principle. | 0:08:46 | 0:08:51 | |
What happened? | 0:08:51 | 0:08:54 | |
He paid. | 0:08:54 | 0:08:55 | |
With two toes from his right foot. | 0:08:55 | 0:08:58 | |
You mean...the police...? | 0:08:58 | 0:09:01 | |
Oui, monsieur, the police. | 0:09:01 | 0:09:05 | |
My compliments. | 0:09:08 | 0:09:10 | |
Bon voyage and good luck. | 0:09:10 | 0:09:14 | |
He was just putting us on. | 0:09:21 | 0:09:22 | |
No, I'm telling you, that's how it is. | 0:09:22 | 0:09:25 | |
It's like the Wild, Wild East out here. | 0:09:25 | 0:09:27 | |
Shit, there she is. | 0:09:27 | 0:09:29 | |
SHE GIGGLES | 0:09:29 | 0:09:31 | |
Bonsoir, mademoiselle. | 0:09:31 | 0:09:33 | |
RADIO PLAYS TINNY POP MUSIC | 0:09:38 | 0:09:40 | |
Oh, God, no. | 0:09:40 | 0:09:41 | |
How do you turn it off? I don't know. | 0:09:42 | 0:09:45 | |
Ask the bitch. Let's just make do. | 0:09:45 | 0:09:48 | |
# Think of me, babe, whenever | 0:09:48 | 0:09:50 | |
# Some sweet-talkin' girl comes along | 0:09:50 | 0:09:54 | |
# Singin' a song | 0:09:54 | 0:09:55 | |
# Don't mess around | 0:09:55 | 0:09:57 | |
# You just gotta be strong | 0:09:57 | 0:09:59 | |
# Just stop, cos I really love you | 0:09:59 | 0:10:03 | |
# Stop, I'll be thinking of you... # | 0:10:03 | 0:10:07 | |
MUSIC CONTINUES ON RADIO | 0:10:07 | 0:10:09 | |
You're drunk. No, I'm not. | 0:10:13 | 0:10:15 | |
Yes, you are. | 0:10:15 | 0:10:17 | |
So what? | 0:10:17 | 0:10:19 | |
Hey, no, no. SHE LAUGHS | 0:10:27 | 0:10:30 | |
I want you. | 0:10:36 | 0:10:38 | |
Oh, Roy, Roy, Roy. | 0:10:38 | 0:10:40 | |
Wait, wait. What? | 0:10:40 | 0:10:41 | |
I don't know where they are. | 0:10:41 | 0:10:43 | |
Are they in your wallet? | 0:10:43 | 0:10:45 | |
I just thought maybe this once we could leave it to fate. | 0:10:47 | 0:10:50 | |
Not this again. | 0:10:54 | 0:10:56 | |
Not now. Come on. | 0:10:56 | 0:10:58 | |
For Pete's sake. | 0:11:01 | 0:11:02 | |
It's OK. | 0:11:08 | 0:11:09 | |
I love you, Jess. | 0:11:15 | 0:11:18 | |
MALE VOICE SPEAKS SPANISH | 0:11:41 | 0:11:43 | |
Shh, Carlos, she's sleeping. | 0:11:58 | 0:12:00 | |
OK. | 0:12:06 | 0:12:07 | |
MUFFLED SPANISH | 0:12:15 | 0:12:17 | |
SHE CLEARS HER THROAT | 0:12:20 | 0:12:22 | |
Hello. | 0:12:23 | 0:12:24 | |
Hello. | 0:12:24 | 0:12:26 | |
Oh! | 0:12:26 | 0:12:28 | |
HE CHUCKLES | 0:12:28 | 0:12:29 | |
Sorry. | 0:12:29 | 0:12:30 | |
Oh great, you're up, honey. | 0:12:30 | 0:12:32 | |
This is Carlos and... | 0:12:32 | 0:12:34 | |
Oh, boy. | 0:12:34 | 0:12:36 | |
Abby. That's right. Abby. | 0:12:36 | 0:12:38 | |
Carlos and Abby, my wife, Jessie Nasser. Here you go. | 0:12:38 | 0:12:42 | |
So, where are we? | 0:12:42 | 0:12:44 | |
We just crossed the border in Zabaykalsk. | 0:12:44 | 0:12:47 | |
We're in Russia, Siberia. | 0:12:47 | 0:12:49 | |
First time for you? | 0:12:49 | 0:12:51 | |
Mm-hm. | 0:12:51 | 0:12:52 | |
Oh. | 0:12:52 | 0:12:53 | |
Here we go, they're changing the bogie. | 0:12:53 | 0:12:55 | |
Grab the camera - this is great! | 0:12:55 | 0:12:57 | |
Roy enjoys his trains, no? | 0:12:59 | 0:13:02 | |
Just a little, yeah. | 0:13:03 | 0:13:05 | |
I'll... | 0:13:11 | 0:13:13 | |
let you get dressed. | 0:13:13 | 0:13:15 | |
..they even change the gauge. | 0:13:29 | 0:13:32 | |
It's interesting what the Chinese and what the Russians do. | 0:13:32 | 0:13:36 | |
They made their tracks narrower. | 0:13:36 | 0:13:39 | |
You know, the Russian gauge 5.6 feet, | 0:13:39 | 0:13:42 | |
which is three inches wider than the Chinese, | 0:13:42 | 0:13:45 | |
so these Chinese wheels gotta go. | 0:13:45 | 0:13:48 | |
Where'd they come from? | 0:13:48 | 0:13:50 | |
Some machine tool factory in Moscow, I suppose. | 0:13:50 | 0:13:53 | |
No, them. Our new cabin-mates. Oh. | 0:13:53 | 0:13:57 | |
He said that they were teaching in Japan. | 0:13:57 | 0:13:59 | |
English and maybe some Spanish. | 0:13:59 | 0:14:01 | |
Honey, get a shot of that - they're raising the train. | 0:14:01 | 0:14:05 | |
Get a shot. | 0:14:05 | 0:14:07 | |
You know what, I suppose they keep the bogies over there. | 0:14:07 | 0:14:11 | |
I wonder how they get them onto that track, then under. | 0:14:11 | 0:14:15 | |
You know what, it's just amazing... | 0:14:15 | 0:14:17 | |
Hey. Our new friends. | 0:14:58 | 0:14:59 | |
Sit. | 0:14:59 | 0:15:01 | |
Thanks. Come on over. | 0:15:01 | 0:15:04 | |
We are going to get some vodka. ROY CHUCKLES | 0:15:04 | 0:15:07 | |
So, how was Customs? | 0:15:07 | 0:15:09 | |
Jeez, you know, they really gave us a bit of a hard time, Carlos. | 0:15:09 | 0:15:13 | |
What? You two? | 0:15:13 | 0:15:15 | |
No way. Yeah. | 0:15:15 | 0:15:17 | |
They were suspicious of our passports. What? | 0:15:17 | 0:15:20 | |
May I see them, please? Sure. | 0:15:20 | 0:15:22 | |
OK. | 0:15:25 | 0:15:26 | |
This is why, Roy. Look. | 0:15:26 | 0:15:29 | |
They are brand-new. A new passport is easy to forge. | 0:15:29 | 0:15:33 | |
There are fewer stamps and visas to copy. Hold on. | 0:15:33 | 0:15:36 | |
Those are the real McCoy. We just got those. | 0:15:36 | 0:15:38 | |
Hold on, let me show you mine. | 0:15:38 | 0:15:40 | |
This is the real McCoy. | 0:15:42 | 0:15:45 | |
Oh. See? Well used. Yeah. | 0:15:45 | 0:15:48 | |
They are not accustomed to seeing new passports. | 0:15:48 | 0:15:50 | |
What's Canada like? | 0:15:50 | 0:15:52 | |
Let me tell you the secret to getting through Customs | 0:15:52 | 0:15:54 | |
and across borders. | 0:15:54 | 0:15:56 | |
HE SPEAKS SPANISH | 0:15:58 | 0:16:00 | |
Don't stand out. | 0:16:00 | 0:16:02 | |
You think it's obvious that we're Americans? | 0:16:03 | 0:16:06 | |
THEY LAUGH | 0:16:06 | 0:16:09 | |
No... She definitely looks American. | 0:16:09 | 0:16:11 | |
So, you've done this trip before? | 0:16:11 | 0:16:13 | |
Si. Train is cheaper than plane. | 0:16:13 | 0:16:16 | |
I don't like the cold, but... HE SPEAKS SPANISH | 0:16:16 | 0:16:19 | |
Huh? | 0:16:19 | 0:16:21 | |
The colder the better, no? | 0:16:21 | 0:16:23 | |
Si. | 0:16:23 | 0:16:24 | |
If she loves cold, she'd love Iowa cos it gets cold there. | 0:16:24 | 0:16:28 | |
Here they are. | 0:16:28 | 0:16:30 | |
Hey, do you think maybe it's a little early to...? | 0:16:30 | 0:16:33 | |
Early. You know... Roy, it's late. | 0:16:33 | 0:16:35 | |
It's 3am. Trains run on Moscow time. | 0:16:35 | 0:16:39 | |
We have much catching-up to do. | 0:16:39 | 0:16:41 | |
Not for me. | 0:16:41 | 0:16:42 | |
No? No. | 0:16:42 | 0:16:44 | |
But it'll melt the ice inside you. | 0:16:44 | 0:16:46 | |
ROY LAUGHS | 0:16:48 | 0:16:50 | |
Can I please bum one of those? | 0:16:53 | 0:16:54 | |
Melt the ice! | 0:16:54 | 0:16:56 | |
Cheers. | 0:16:56 | 0:16:57 | |
Na zdorovye! | 0:16:57 | 0:17:00 | |
He's got it. Hey, hey. | 0:17:00 | 0:17:01 | |
Na zdorovye. MEN: Na zdorovye! | 0:17:01 | 0:17:04 | |
Where are you from? | 0:17:04 | 0:17:07 | |
Nowhere really. Seattle. | 0:17:07 | 0:17:09 | |
So, you've been teaching English in Japan? | 0:17:10 | 0:17:13 | |
How was it? | 0:17:13 | 0:17:14 | |
It was all right. | 0:17:14 | 0:17:16 | |
I prefer South-East Asia. | 0:17:16 | 0:17:18 | |
I guess you've been travelling a long time. | 0:17:19 | 0:17:23 | |
About two years. | 0:17:23 | 0:17:25 | |
You ever miss home? | 0:17:25 | 0:17:27 | |
I never really had much of a home to miss. | 0:17:29 | 0:17:31 | |
Never thought about getting off the road? | 0:17:31 | 0:17:35 | |
You know, plant a root? | 0:17:35 | 0:17:37 | |
So, you were helping kids in China? | 0:17:39 | 0:17:43 | |
Yes, yeah. | 0:17:43 | 0:17:45 | |
Roy's church, our church, has a programme. | 0:17:45 | 0:17:50 | |
It's like a sister city thing. | 0:17:50 | 0:17:52 | |
That's nice. | 0:17:52 | 0:17:54 | |
It was nice. | 0:17:54 | 0:17:55 | |
It was a lot of work, but it felt good, you know? | 0:17:55 | 0:18:00 | |
I've never done anything like that before. | 0:18:00 | 0:18:02 | |
Like what? | 0:18:02 | 0:18:04 | |
You know... | 0:18:04 | 0:18:06 | |
lending a helping hand. | 0:18:06 | 0:18:08 | |
Helping someone who's down. | 0:18:09 | 0:18:11 | |
Roy's real good like that. He's good with people. | 0:18:11 | 0:18:14 | |
Da, da, da...! | 0:18:14 | 0:18:16 | |
He seems like he would be. | 0:18:16 | 0:18:18 | |
Oh, God. | 0:18:20 | 0:18:22 | |
SINGING AND FOLK MUSIC | 0:18:23 | 0:18:25 | |
LIVELY CHATTER | 0:18:33 | 0:18:35 | |
Look at this. | 0:18:35 | 0:18:37 | |
ROY GROANS | 0:18:37 | 0:18:39 | |
A tiger attack him. | 0:18:39 | 0:18:40 | |
JESSIE SQUEALS, LAUGHTER | 0:18:40 | 0:18:43 | |
There are tigers in Russia? | 0:18:43 | 0:18:45 | |
A lot of Siberian tigers. You can't see them. | 0:18:45 | 0:18:48 | |
Tony the Tiger attack me. | 0:18:48 | 0:18:50 | |
LAUGHTER | 0:18:50 | 0:18:51 | |
Hey, look at this. | 0:18:54 | 0:18:56 | |
A deer attacked me. | 0:18:56 | 0:18:58 | |
A deer? | 0:18:58 | 0:18:59 | |
Yeah, a John Deere power mower. | 0:18:59 | 0:19:02 | |
LAUGHTER | 0:19:02 | 0:19:04 | |
Gulag? | 0:19:15 | 0:19:17 | |
What did he do? | 0:19:20 | 0:19:22 | |
Wrote poetry. | 0:19:22 | 0:19:25 | |
Do Gulags still exist? | 0:19:25 | 0:19:27 | |
No, but once in Siberia were many Gulag. | 0:19:27 | 0:19:31 | |
If you want truth about America, you take a book. | 0:19:31 | 0:19:33 | |
You want truth about Russia, take shovel. | 0:19:33 | 0:19:37 | |
They are all buried here - scientists, priests, poets. | 0:19:37 | 0:19:44 | |
There is no God and there is no Siberia. | 0:19:44 | 0:19:47 | |
Oil! There is oil! | 0:19:47 | 0:19:49 | |
Oil! ALL TOAST | 0:19:49 | 0:19:52 | |
And you? A little poison for you? | 0:19:54 | 0:19:56 | |
I don't drink. Are you sure? | 0:19:56 | 0:19:59 | |
She's sure, Carlos. | 0:19:59 | 0:20:02 | |
That poison will kill you faster. | 0:20:02 | 0:20:04 | |
Thank you, Carlos. | 0:20:04 | 0:20:06 | |
I try and I try, but that is the one bad habit of hers | 0:20:06 | 0:20:11 | |
that I haven't been able to change. | 0:20:11 | 0:20:13 | |
Yet. | 0:20:13 | 0:20:14 | |
Kill off all my demons, Roy, | 0:20:17 | 0:20:20 | |
and my angels might die too. | 0:20:20 | 0:20:22 | |
Roy! | 0:20:27 | 0:20:28 | |
LAUGHTER | 0:20:28 | 0:20:30 | |
Cabron! | 0:20:30 | 0:20:32 | |
Cabron! | 0:20:32 | 0:20:34 | |
SNORING | 0:20:40 | 0:20:42 | |
WHISPERING AND SOFT MOANS | 0:20:50 | 0:20:52 | |
INDISTINCT CHATTER | 0:21:22 | 0:21:24 | |
Oh, I'm sorry, I'll come back. No, it's fine. | 0:21:42 | 0:21:44 | |
Stay. | 0:21:46 | 0:21:47 | |
You're hot? | 0:21:55 | 0:21:57 | |
Yeah, it's hot in here. | 0:21:57 | 0:21:58 | |
If we could just crack this window open. | 0:22:01 | 0:22:03 | |
I have tried already. We are shut in tight. | 0:22:03 | 0:22:06 | |
We'll just have to sweat it out. | 0:22:07 | 0:22:09 | |
It's good for resaca. | 0:22:11 | 0:22:13 | |
What's resaca? Hangover. | 0:22:15 | 0:22:18 | |
Oh. Well, I wouldn't know. | 0:22:18 | 0:22:21 | |
Did you get anything good? | 0:22:24 | 0:22:28 | |
Yeah, I think so. | 0:22:29 | 0:22:31 | |
Do you mind if I...take a look? | 0:22:31 | 0:22:35 | |
Wow! | 0:22:43 | 0:22:44 | |
Fotos mas guapas. | 0:22:44 | 0:22:46 | |
They're beautiful. | 0:22:48 | 0:22:50 | |
Look at this one. | 0:22:50 | 0:22:52 | |
You must sell them for much money. Don't you? | 0:22:54 | 0:22:56 | |
No, I don't sell them. | 0:22:56 | 0:22:58 | |
No? Why not? | 0:22:58 | 0:23:00 | |
It's more of just a hobby for now. | 0:23:00 | 0:23:03 | |
For now? | 0:23:03 | 0:23:05 | |
I don't know, I might do a book someday. | 0:23:07 | 0:23:09 | |
I don't know. | 0:23:09 | 0:23:11 | |
I want to show you something. | 0:23:17 | 0:23:19 | |
I don't want those strange Polacks looking in and getting ideas. | 0:23:23 | 0:23:27 | |
HE SPEAKS SPANISH | 0:23:27 | 0:23:30 | |
Wow. | 0:23:32 | 0:23:33 | |
No, no, not this one. | 0:23:35 | 0:23:37 | |
This one. | 0:23:37 | 0:23:39 | |
She is my favourite. | 0:23:39 | 0:23:40 | |
You see? all the others are smiling and this one so sad. | 0:23:40 | 0:23:44 | |
I love these things. | 0:23:49 | 0:23:51 | |
See? | 0:23:54 | 0:23:55 | |
It's sandalwood. | 0:23:56 | 0:23:59 | |
These are one of a kind. | 0:23:59 | 0:24:00 | |
Not for tourists. | 0:24:00 | 0:24:02 | |
They pay much money for these in Amsterdam. | 0:24:02 | 0:24:05 | |
Is it legal, reselling them? | 0:24:08 | 0:24:10 | |
Yeah. I mean, a little backsies to Customs now and again. | 0:24:10 | 0:24:13 | |
But it's legal. | 0:24:13 | 0:24:16 | |
They are matryoshkas - it means "mother". | 0:24:16 | 0:24:19 | |
See the belly? Mm-hm. | 0:24:19 | 0:24:21 | |
They celebrate fertility. | 0:24:21 | 0:24:24 | |
Now, there she is... | 0:24:24 | 0:24:27 | |
the little bambina. | 0:24:27 | 0:24:29 | |
Look at him. | 0:24:29 | 0:24:32 | |
Isn't that cute? | 0:24:32 | 0:24:33 | |
KNOCK ON DOOR Carlos? Uh... | 0:24:38 | 0:24:40 | |
Hold on. Carlos? | 0:24:40 | 0:24:43 | |
I had to lock it. | 0:24:53 | 0:24:54 | |
Fucking Polacks keep coming in like they are invited. | 0:24:54 | 0:24:58 | |
Hi, Abby. Hey. | 0:24:58 | 0:25:01 | |
KNOCK ON DOOR What did I tell you? | 0:25:03 | 0:25:07 | |
Next stop - Irkutsk. | 0:25:10 | 0:25:12 | |
Come on. Cool. Let's go! | 0:25:13 | 0:25:15 | |
BUZZ OF CHATTER | 0:25:32 | 0:25:33 | |
They have everything here. Mm-hm. Where's the baby? | 0:25:42 | 0:25:46 | |
The pirozhki's really good. | 0:25:46 | 0:25:49 | |
Should I get one? Yeah. | 0:25:49 | 0:25:51 | |
Wait, it's my treat. | 0:25:51 | 0:25:52 | |
Here they are. | 0:25:52 | 0:25:54 | |
Take a look at this, Carlos. | 0:25:54 | 0:25:56 | |
Wow! Coal-burners. | 0:25:56 | 0:25:59 | |
I'm in heaven! | 0:25:59 | 0:26:01 | |
ROY LAUGHS You like them? | 0:26:01 | 0:26:04 | |
So who said that? What? | 0:26:04 | 0:26:05 | |
"Kill all my demons and my angels might die too." | 0:26:05 | 0:26:10 | |
Tennessee Williams, I think. | 0:26:10 | 0:26:12 | |
I like it. Yeah? | 0:26:12 | 0:26:15 | |
So, you have a journal, are you a writer? No. No? | 0:26:18 | 0:26:21 | |
No, it's more like a travel diary. Uh-huh. | 0:26:21 | 0:26:25 | |
Well, I bet you've got some good stories. | 0:26:25 | 0:26:28 | |
I sure did. | 0:26:29 | 0:26:31 | |
Yeah, none of them I'm too proud of. | 0:26:32 | 0:26:36 | |
I left home when I was 16. Maybe for the same reasons as you. | 0:26:36 | 0:26:39 | |
Spun my wheels until my late 20s. | 0:26:41 | 0:26:44 | |
Never spent more than a week in one place. | 0:26:44 | 0:26:46 | |
No, wait, I'm wrong. | 0:26:48 | 0:26:50 | |
There was jail in Memphis for nine days | 0:26:50 | 0:26:54 | |
and detox, that was two weeks, I think. | 0:26:54 | 0:26:58 | |
This was all pre-Roy, of course. | 0:27:00 | 0:27:03 | |
So, how did you meet? How did we meet? | 0:27:05 | 0:27:07 | |
Well, Roy likes to say we met by accident. | 0:27:07 | 0:27:11 | |
I was drunk and I swerved into his truck head-on going 40mph. | 0:27:11 | 0:27:16 | |
Beautiful. I saw many like that in Rajasthan. | 0:27:18 | 0:27:21 | |
Where's, er...? India. | 0:27:21 | 0:27:23 | |
Oh, wow. You've been pretty much everywhere, huh? | 0:27:23 | 0:27:26 | |
Life is a journey, Roy. Not a destination. | 0:27:26 | 0:27:29 | |
I like that. It sounds like something Jess would say. | 0:27:30 | 0:27:33 | |
Really? Yeah. | 0:27:33 | 0:27:35 | |
She's still a bit... what's the word, restless. | 0:27:35 | 0:27:41 | |
OK, so this trip, the Trans-Siberian, it was her idea? | 0:27:41 | 0:27:45 | |
No, that was me. | 0:27:45 | 0:27:47 | |
You see, we never travel anywhere. | 0:27:47 | 0:27:50 | |
So, when the church gave us this chance, | 0:27:50 | 0:27:52 | |
I thought it would be a perfect opportunity | 0:27:52 | 0:27:55 | |
to impress her with a big adventure. | 0:27:55 | 0:27:57 | |
You know, make her happy. | 0:27:57 | 0:28:00 | |
She seems happy to me. | 0:28:00 | 0:28:03 | |
Well, to tell you the truth, Carlos, we've been having problems lately. | 0:28:03 | 0:28:09 | |
Marital problems. | 0:28:09 | 0:28:12 | |
Oh. I'm sorry to hear it. | 0:28:13 | 0:28:16 | |
I think she thinks I just play it a bit safe sometimes. | 0:28:16 | 0:28:21 | |
Before I met Jess, I thought I was the wild one. | 0:28:22 | 0:28:28 | |
ROY CHUCKLES | 0:28:28 | 0:28:29 | |
I'm not sure she expected to end up with a hardware store owner. | 0:28:29 | 0:28:34 | |
Much less one with a train set in his basement. But... | 0:28:34 | 0:28:38 | |
..I love her so... | 0:28:40 | 0:28:42 | |
Oh, Carlos, you got to check out this boiler. | 0:28:46 | 0:28:50 | |
What a beauty. | 0:28:54 | 0:28:56 | |
Isn't she gorgeous? | 0:28:57 | 0:28:59 | |
He came to the hospital every day. | 0:29:11 | 0:29:13 | |
There was no-one else. | 0:29:13 | 0:29:14 | |
I'd pretty much pissed off everyone else in my life by that point. | 0:29:14 | 0:29:18 | |
He said something to me one day I'll never forget. | 0:29:18 | 0:29:20 | |
He said, "No matter..." No, wait. | 0:29:20 | 0:29:23 | |
"No matter what your dream in life, no matter what your goal, | 0:29:23 | 0:29:27 | |
"keep your eye upon the doughnut and not upon the hole." | 0:29:27 | 0:29:30 | |
What's that supposed to mean? | 0:29:30 | 0:29:32 | |
I don't know, but it's so Roy. | 0:29:32 | 0:29:35 | |
I guess it's like, you know, | 0:29:35 | 0:29:37 | |
if you focus on the positive, you can do amazing things in your life. | 0:29:37 | 0:29:43 | |
Before we met, I was a bit too focused on the negative. | 0:29:44 | 0:29:47 | |
I'm not saying settling down solves everything, you know. | 0:29:50 | 0:29:53 | |
Roy and I are so different in many ways. | 0:29:53 | 0:29:55 | |
He wants kids for instance, a family, you know? | 0:29:57 | 0:30:01 | |
I mean, I do too, of course I do too. | 0:30:01 | 0:30:04 | |
It's just... | 0:30:04 | 0:30:05 | |
it's just such a huge thing to... Plant a root? | 0:30:05 | 0:30:09 | |
Yeah. | 0:30:13 | 0:30:15 | |
I want a family. | 0:30:18 | 0:30:20 | |
But I'd get it right, you know. | 0:30:20 | 0:30:22 | |
There's this place in Vancouver on a lake, | 0:30:22 | 0:30:25 | |
this cottage. | 0:30:25 | 0:30:27 | |
It's got this long wooden dock that you can go out and sit on. | 0:30:27 | 0:30:31 | |
Surrounded by the mountains. | 0:30:32 | 0:30:34 | |
It's quiet. | 0:30:34 | 0:30:35 | |
No-one else is around. | 0:30:35 | 0:30:38 | |
Sounds nice. | 0:30:38 | 0:30:39 | |
Is it a family place? | 0:30:39 | 0:30:41 | |
Yeah, my grandfather's. | 0:30:41 | 0:30:42 | |
Well, he actually sold it | 0:30:42 | 0:30:44 | |
to pay for his trips to Reno. | 0:30:44 | 0:30:46 | |
Oh. | 0:30:46 | 0:30:48 | |
I'm going to buy it back. | 0:30:49 | 0:30:50 | |
Wow, Vancouver on a lake - sounds expensive. | 0:30:52 | 0:30:55 | |
Yeah, I'm working on it. | 0:30:56 | 0:30:58 | |
With Carlos? | 0:30:58 | 0:31:00 | |
I'm sorry, that was none of my business. | 0:31:02 | 0:31:05 | |
We should get back on. Yeah. | 0:31:07 | 0:31:09 | |
Hey, it was good talking to you, Abby. | 0:31:12 | 0:31:14 | |
Yeah, you too. | 0:31:14 | 0:31:15 | |
Here. Thanks. | 0:31:15 | 0:31:17 | |
MUSIC PLAYS ON RADIO | 0:31:25 | 0:31:27 | |
KNOCK ON DOOR | 0:31:32 | 0:31:34 | |
Roy. Are you there? | 0:31:34 | 0:31:37 | |
HE SHOUTS IN RUSSIAN | 0:31:40 | 0:31:42 | |
Excuse me, have you seen my husband? | 0:31:50 | 0:31:53 | |
HE MUTTERS | 0:32:15 | 0:32:17 | |
You can't keep doing that. We have five more days before... | 0:32:24 | 0:32:26 | |
Roy's gone. | 0:32:26 | 0:32:28 | |
What? I just looked up and down the whole train, he's not on it. | 0:32:28 | 0:32:32 | |
Well, here, sit down. Didn't he get back on with you? | 0:32:32 | 0:32:35 | |
No. | 0:32:35 | 0:32:36 | |
Oh, shit. He looked at the old trains. | 0:32:36 | 0:32:39 | |
Then I left to get some food. | 0:32:39 | 0:32:42 | |
Maybe he didn't hear the bell. What am I going to do? | 0:32:42 | 0:32:46 | |
He's gotta be here somewhere. I'm sure he's fine. | 0:32:46 | 0:32:49 | |
We'll just have to ask around. | 0:32:49 | 0:32:51 | |
This is a fucking nightmare. | 0:32:51 | 0:32:53 | |
The station master will put him on next train. | 0:33:01 | 0:33:04 | |
You wait at station. | 0:33:04 | 0:33:05 | |
So, when's the next train? | 0:33:05 | 0:33:08 | |
HE RESPONDS IN RUSSIAN | 0:33:08 | 0:33:10 | |
There are delays. | 0:33:14 | 0:33:16 | |
Police are checking all trains from Novosibirsk. | 0:33:16 | 0:33:19 | |
They're checking trains? | 0:33:19 | 0:33:22 | |
Da, drugs. | 0:33:22 | 0:33:23 | |
OK, so when's the next train? | 0:33:23 | 0:33:27 | |
Zavtra. Zavtra? | 0:33:27 | 0:33:28 | |
Tomorrow. | 0:33:28 | 0:33:30 | |
He'll be OK. I guess. | 0:33:33 | 0:33:36 | |
We can't really do anything else about it. | 0:33:36 | 0:33:38 | |
Hey, Jessie, we're going to get off and wait with you. Oh, no. | 0:33:48 | 0:33:52 | |
Really, you don't have to do that. Please, we will die from train food. | 0:33:52 | 0:33:56 | |
A vegetable will be nice. | 0:33:56 | 0:33:57 | |
We've been at this longer than you | 0:33:57 | 0:33:59 | |
and it's just not safe for a woman by her herself. | 0:33:59 | 0:34:01 | |
Ulyanovskaya. | 0:34:01 | 0:34:03 | |
Ulyanovskaya. Five minutes. OK? | 0:34:03 | 0:34:07 | |
OK, let's go. | 0:34:07 | 0:34:09 | |
You need some help? No, it's OK. | 0:34:09 | 0:34:12 | |
OK. Come on, girls. | 0:34:12 | 0:34:14 | |
Hotel. Very, very nice. | 0:34:17 | 0:34:20 | |
Big rooms. | 0:34:20 | 0:34:22 | |
Oh! Magic words. Let's go. | 0:34:22 | 0:34:24 | |
HE SPEAKS RUSSIAN | 0:34:25 | 0:34:28 | |
Niet. I am sorry, we will try tomorrow. | 0:34:31 | 0:34:34 | |
Look, don't you understand? He'll be here tomorrow. | 0:34:34 | 0:34:38 | |
Mrs Nasser... I want to know he's OK now. | 0:34:38 | 0:34:40 | |
This happen many, times with tourist. This is Russia. | 0:34:40 | 0:34:43 | |
PHONE RINGS | 0:34:43 | 0:34:44 | |
Everything OK? He doesn't know a thing. | 0:34:50 | 0:34:52 | |
Just that the first train from Irkutsk gets in at noon. | 0:34:52 | 0:34:56 | |
I'm sure he's on it. I'm sure he's fine. Yeah, I know. | 0:34:56 | 0:34:59 | |
Hey, hey, hey. | 0:34:59 | 0:35:01 | |
Let's not worry about Roy, OK? Carlos. | 0:35:01 | 0:35:03 | |
I'm sorry? | 0:35:03 | 0:35:05 | |
Roy is a big man. Big man can take care of himself, OK? | 0:35:05 | 0:35:08 | |
Come on. No thanks. Not this time. | 0:35:08 | 0:35:12 | |
No, thank you. Si, si, si. | 0:35:12 | 0:35:14 | |
Now I bring you news from the kitchen. | 0:35:14 | 0:35:16 | |
They have vegetables. | 0:35:16 | 0:35:18 | |
Bad news. | 0:35:18 | 0:35:20 | |
It's a potato. ABBY LAUGHS | 0:35:20 | 0:35:22 | |
Solo. One potato. But don't be sad. | 0:35:22 | 0:35:26 | |
We have so many things to do as we starve to death. | 0:35:26 | 0:35:29 | |
CARLOS AND ABBY LAUGH | 0:35:29 | 0:35:31 | |
This town is rock and roll, man. | 0:35:31 | 0:35:34 | |
What do you think? Should we stay a few more days to see everything? | 0:35:34 | 0:35:38 | |
Oh, God. Please, no. | 0:35:38 | 0:35:40 | |
WAITRESS SPEAKS RUSSIAN Oh, potato. | 0:35:40 | 0:35:42 | |
Mm. | 0:35:43 | 0:35:45 | |
Delicious potato. | 0:35:45 | 0:35:46 | |
One of a kind, huh? | 0:35:48 | 0:35:50 | |
What? | 0:35:50 | 0:35:52 | |
Your matryoshka dolls. | 0:35:52 | 0:35:53 | |
Carlos told me they were one of a kind. | 0:35:53 | 0:35:55 | |
It's a salt shaker. | 0:35:55 | 0:35:57 | |
I'm going to bed. | 0:35:59 | 0:36:01 | |
Good night. | 0:36:01 | 0:36:03 | |
Did I say something? | 0:36:05 | 0:36:07 | |
No, she didn't know I had the dolls. | 0:36:07 | 0:36:10 | |
We had a little problem with Customs not so long ago. | 0:36:10 | 0:36:13 | |
She wanted me to stop. | 0:36:13 | 0:36:16 | |
But you didn't. | 0:36:16 | 0:36:18 | |
Yep. Sometimes I'm careless. | 0:36:18 | 0:36:22 | |
And I need the money, OK? | 0:36:22 | 0:36:24 | |
Cheap imitation, by the way. | 0:36:24 | 0:36:27 | |
Carlos, isn't she a bit young to be tramping round the world | 0:36:27 | 0:36:30 | |
with someone like you? | 0:36:30 | 0:36:32 | |
I should find someone older to tramp around with? | 0:36:32 | 0:36:34 | |
No, I just mean she's a good girl. Ah. | 0:36:34 | 0:36:37 | |
So, I'm what? The big bad wolf? | 0:36:37 | 0:36:40 | |
You're irresponsible. | 0:36:40 | 0:36:42 | |
Hipocrita. | 0:36:42 | 0:36:44 | |
You understand? No. | 0:36:44 | 0:36:47 | |
Roy told me about your bad girl past. | 0:36:47 | 0:36:50 | |
Hm-hm-mm. Why this trip, Jessie? | 0:36:50 | 0:36:53 | |
I understand Roy. | 0:36:53 | 0:36:55 | |
He likes choo-choo trains. But you? | 0:36:55 | 0:36:58 | |
Why are you here? | 0:36:58 | 0:37:00 | |
What are you looking for? | 0:37:00 | 0:37:02 | |
A little bit of excitement, | 0:37:02 | 0:37:03 | |
like you had before, when you were the chica mala? | 0:37:03 | 0:37:06 | |
And there was nothing to hold you down, no compromise. | 0:37:06 | 0:37:12 | |
When life was just | 0:37:12 | 0:37:14 | |
"sensaciones". | 0:37:14 | 0:37:17 | |
Man, I sure wish I'd met you back in the day. | 0:37:21 | 0:37:24 | |
Si? | 0:37:24 | 0:37:26 | |
Yeah. | 0:37:26 | 0:37:27 | |
Nothing cleared the head back then better than a good pointless fuck. | 0:37:29 | 0:37:34 | |
I'm tired, I'm turning in. | 0:37:43 | 0:37:44 | |
Buenos noches. | 0:37:50 | 0:37:53 | |
KNOCK ON DOOR | 0:38:13 | 0:38:15 | |
Guess what. | 0:38:25 | 0:38:27 | |
What? Our shower is broken. | 0:38:27 | 0:38:29 | |
Can I use yours? | 0:38:30 | 0:38:32 | |
I brought my own towel. | 0:38:35 | 0:38:38 | |
Spasiba. De nada. | 0:38:42 | 0:38:44 | |
Are you going sight-seeing? No. | 0:38:44 | 0:38:48 | |
I'm waiting for a call from the front desk. | 0:38:55 | 0:38:57 | |
SHOWER RUNS | 0:38:57 | 0:38:59 | |
About my husband. | 0:39:00 | 0:39:01 | |
Is Abby sleeping? | 0:39:09 | 0:39:11 | |
PHONE RINGS | 0:39:29 | 0:39:30 | |
Hello. MAN: 'Mrs Nasser?' | 0:39:30 | 0:39:33 | |
Yes. I have found a hotel in Irkutsk that has an American guest. | 0:39:33 | 0:39:36 | |
They will call back shortly. Oh, great. That's great. | 0:39:36 | 0:39:40 | |
Thank you so much. I'll be right down, OK? | 0:39:40 | 0:39:43 | |
They've found Roy. Key's on the table, OK? | 0:39:45 | 0:39:48 | |
SHOUTING, GLASS SMASHES | 0:39:52 | 0:39:55 | |
ALL SPEAK IN RUSSIAN | 0:39:59 | 0:40:02 | |
Mrs Nasser, American is not Mr Nasser. | 0:40:21 | 0:40:24 | |
Not Roy? You just said they found him. | 0:40:24 | 0:40:26 | |
Maybe he is not in Irkutsk. No, no, he is in Irkutsk. | 0:40:26 | 0:40:29 | |
He got off the train in Irkutsk... | 0:40:29 | 0:40:31 | |
We made a lot of calls, you must wait. PHONE RINGS | 0:40:31 | 0:40:35 | |
We must wait and see. Wait and see. | 0:40:35 | 0:40:38 | |
Have they found him? | 0:40:38 | 0:40:40 | |
Not yet. | 0:40:40 | 0:40:42 | |
Shame. | 0:40:42 | 0:40:43 | |
The first train is at noon. | 0:40:43 | 0:40:46 | |
Yeah, yeah, he's on it. | 0:40:46 | 0:40:48 | |
OK. Great. Then we have four hours. | 0:40:48 | 0:40:51 | |
What should we see? | 0:40:52 | 0:40:55 | |
The bauxite mine or the toothpick factory? | 0:40:55 | 0:40:59 | |
Neither. | 0:40:59 | 0:41:01 | |
You like to photograph beautiful things, right? | 0:41:01 | 0:41:05 | |
I am going to show you something guapisimo. | 0:41:05 | 0:41:07 | |
PHONE RINGS Come on, get a coat. | 0:41:07 | 0:41:11 | |
Mrs Nasser, it's for you. | 0:41:11 | 0:41:12 | |
Roy? ROY: 'Hi, sweetie.' | 0:41:16 | 0:41:18 | |
Roy. | 0:41:18 | 0:41:20 | |
'What an adventure, huh? | 0:41:20 | 0:41:22 | |
'Wow.' | 0:41:22 | 0:41:24 | |
I was pretty worried, Roy. 'I'm fine, honey, I'm fine. | 0:41:24 | 0:41:27 | |
'I had a couple of roubles so I was able to get a hotel. | 0:41:27 | 0:41:31 | |
'Now they're saying I won't get in till 4.30.' | 0:41:31 | 0:41:33 | |
4.30? That late? | 0:41:33 | 0:41:35 | |
'I'm not complaining. | 0:41:35 | 0:41:36 | |
'Gives me a few more hours to check out these old coal-burners. | 0:41:36 | 0:41:39 | |
'This place is a treasure trove, sweetie. | 0:41:39 | 0:41:42 | |
'How are you doing, by the way?' I'm fine, Roy, just fine. | 0:41:42 | 0:41:45 | |
'It is incredible. | 0:41:45 | 0:41:46 | |
'They've got this old Soviet shunting loco here...' | 0:41:46 | 0:41:49 | |
PHONE CUTS OUT | 0:41:49 | 0:41:51 | |
4.30 now? Uh-huh. | 0:41:55 | 0:41:58 | |
Well, then you have no choice. | 0:41:58 | 0:42:00 | |
Vamanos. | 0:42:00 | 0:42:02 | |
He says... SHE SPEAKS RUSSIAN | 0:42:10 | 0:42:12 | |
Shit. Is there a bus that goes there? | 0:42:12 | 0:42:15 | |
Or a car? Machina? GIRL TRANSLATES FOR MAN | 0:42:15 | 0:42:19 | |
MAN SPEAKS RUSSIAN | 0:42:19 | 0:42:22 | |
It would be very, very expensive - almost 1,000. | 0:42:23 | 0:42:26 | |
I have the money. When? | 0:42:26 | 0:42:29 | |
HE SPEAKS RUSSIAN | 0:42:29 | 0:42:33 | |
Tonight. His brother can take you. | 0:42:33 | 0:42:36 | |
How many passenger? | 0:42:36 | 0:42:38 | |
One. | 0:42:40 | 0:42:42 | |
Bus, or a time machine? | 0:42:56 | 0:42:58 | |
It's incredible. | 0:42:59 | 0:43:02 | |
SHE SPEAKS RUSSIAN | 0:43:15 | 0:43:16 | |
No? | 0:43:16 | 0:43:18 | |
What did he say? | 0:43:32 | 0:43:33 | |
I have no idea, but he pointed that way. | 0:43:33 | 0:43:37 | |
BIRD CALL | 0:43:51 | 0:43:53 | |
Come on. | 0:43:55 | 0:43:56 | |
Wait. | 0:44:00 | 0:44:01 | |
Are you sure this is the right way? | 0:44:06 | 0:44:08 | |
Yes. | 0:44:08 | 0:44:09 | |
How will we know how to get back? | 0:44:14 | 0:44:16 | |
You've been dropping breadcrumbs, right? | 0:44:16 | 0:44:18 | |
Ha-ha(!) | 0:44:18 | 0:44:20 | |
Carlos. | 0:44:39 | 0:44:40 | |
I think we should head back. | 0:44:42 | 0:44:45 | |
Two more minutes. | 0:44:45 | 0:44:48 | |
How do you know? | 0:44:48 | 0:44:50 | |
Carlos? | 0:45:06 | 0:45:07 | |
Carlos! | 0:45:13 | 0:45:15 | |
Help! | 0:45:19 | 0:45:21 | |
You see. | 0:45:35 | 0:45:36 | |
What did I tell you? | 0:45:36 | 0:45:38 | |
Hey, Carlos. | 0:45:42 | 0:45:44 | |
HE YELLS | 0:45:45 | 0:45:48 | |
You put that in your book. BIRD CALL | 0:45:50 | 0:45:53 | |
Was I right? Esta guapo, eh? | 0:46:14 | 0:46:17 | |
Wow. | 0:46:18 | 0:46:20 | |
A-mazing. | 0:46:26 | 0:46:27 | |
Thank you. | 0:46:34 | 0:46:35 | |
Let me take one of you. | 0:46:44 | 0:46:45 | |
No, I look stupid in photos. Just one. | 0:46:45 | 0:46:48 | |
OK. | 0:46:50 | 0:46:51 | |
Thank you. Lovely. Can I have it back? | 0:46:58 | 0:47:01 | |
Beautiful. OK, I'll do it. | 0:47:01 | 0:47:03 | |
Thank you. | 0:47:07 | 0:47:08 | |
What are you doing? | 0:47:16 | 0:47:17 | |
TIMBERS CRACK | 0:48:13 | 0:48:15 | |
I can't do this. | 0:48:25 | 0:48:26 | |
Why? | 0:48:26 | 0:48:28 | |
I'm stupid, I'm sorry, Carlos. | 0:48:28 | 0:48:30 | |
What? Sorry. | 0:48:30 | 0:48:32 | |
Where is the chica mala now? | 0:48:36 | 0:48:37 | |
Come on. | 0:48:39 | 0:48:41 | |
No-one will know. | 0:48:41 | 0:48:43 | |
You little tease. Fucking tease. | 0:48:48 | 0:48:51 | |
Fucking... | 0:48:51 | 0:48:53 | |
HE LAUGHS Get the fuck off! | 0:48:53 | 0:48:55 | |
Where are you going? | 0:48:55 | 0:48:57 | |
Come on, wait. | 0:48:58 | 0:49:00 | |
I will not hurt you, I swear. | 0:49:00 | 0:49:04 | |
Jessie. | 0:49:04 | 0:49:06 | |
It's OK. | 0:49:06 | 0:49:08 | |
Where are you going? | 0:49:08 | 0:49:10 | |
It's OK! SHE CRIES OUT | 0:49:10 | 0:49:13 | |
HE LAUGHS I'm not going to hurt you. | 0:49:13 | 0:49:16 | |
HE EXCLAIMS IN PAIN Ai, ai, ai. | 0:49:16 | 0:49:19 | |
Give me... Ah, fuck! | 0:49:19 | 0:49:22 | |
De puta madre. | 0:49:23 | 0:49:24 | |
HE SHOUTS OUT IN SPANISH | 0:49:25 | 0:49:28 | |
Huh? | 0:49:30 | 0:49:31 | |
Fucking tease. | 0:49:31 | 0:49:33 | |
Fucking bitch! | 0:49:38 | 0:49:39 | |
Stay away from me... | 0:49:41 | 0:49:43 | |
Stay away from me. | 0:49:43 | 0:49:45 | |
I will not hurt you. | 0:49:57 | 0:49:59 | |
BIRD CAWS | 0:50:17 | 0:50:20 | |
THEY CHAT IN RUSSIAN | 0:51:56 | 0:51:58 | |
I will not hurt you. | 0:52:01 | 0:52:03 | |
SHE SOBS | 0:52:17 | 0:52:19 | |
KNOCK AT DOOR Hello? | 0:52:22 | 0:52:25 | |
It is porter. I take your baggage? | 0:52:25 | 0:52:28 | |
They're on the bed. | 0:52:28 | 0:52:31 | |
Hey! | 0:53:07 | 0:53:08 | |
Oh, boy, does that feel good. | 0:53:21 | 0:53:24 | |
Car two, cabin four. | 0:53:24 | 0:53:27 | |
I'm so sorry. | 0:53:27 | 0:53:29 | |
You? | 0:53:29 | 0:53:31 | |
Hey, I'm the one who screwed up. | 0:53:31 | 0:53:33 | |
Honey? You OK? | 0:53:35 | 0:53:39 | |
Hey? You all right? | 0:53:39 | 0:53:42 | |
I'm just cold. | 0:53:42 | 0:53:44 | |
Wear your coat. | 0:53:44 | 0:53:46 | |
It's in my bag. | 0:53:46 | 0:53:47 | |
You are so silly. | 0:53:47 | 0:53:49 | |
Come on, let's get on the train. | 0:53:49 | 0:53:51 | |
Can you believe it's snowing? | 0:53:51 | 0:53:53 | |
You know the guy I'm staying with, Carlos, do you know where he is? | 0:53:53 | 0:53:57 | |
He left this morning by bus with an American woman, Nasser. | 0:53:57 | 0:54:01 | |
Did they say when they were going to be back? | 0:54:05 | 0:54:07 | |
They ARE back. | 0:54:07 | 0:54:09 | |
She just left to the station to meet her husband train. | 0:54:09 | 0:54:13 | |
Spasiba, tovarish. It means comrade. | 0:54:13 | 0:54:16 | |
Our new cabin-mate's been teaching me some Russian. | 0:54:16 | 0:54:20 | |
I had them phone the hotel in Moscow, | 0:54:20 | 0:54:22 | |
and they know we're going to be a day late. | 0:54:22 | 0:54:25 | |
But there's still two days | 0:54:25 | 0:54:29 | |
to see Red Square and the Kremlin... | 0:54:29 | 0:54:32 | |
Well, you really didn't sleep a wink, did you? | 0:54:34 | 0:54:37 | |
Was it that bad? | 0:54:37 | 0:54:38 | |
What? | 0:54:40 | 0:54:41 | |
Your hotel. Sweetie, I swear to you, | 0:54:41 | 0:54:44 | |
mine was like a gulag. | 0:54:44 | 0:54:47 | |
You know the stock room in the basement at the store? | 0:54:47 | 0:54:51 | |
It was half that size. | 0:54:51 | 0:54:52 | |
No windows. And... Oh, here we go! | 0:54:52 | 0:54:55 | |
And, er, this is the best part. | 0:54:55 | 0:54:59 | |
The phone rings three o'clock in the morning. | 0:54:59 | 0:55:02 | |
It's reception asking, "Do you want a prostitute?" | 0:55:02 | 0:55:07 | |
I mean, apparently it's normal here. | 0:55:07 | 0:55:09 | |
But it threw me for a loop. | 0:55:09 | 0:55:11 | |
ROY CONTINUES TO CHAT | 0:55:11 | 0:55:13 | |
...she was sweet. Good at what she did. | 0:55:15 | 0:55:17 | |
Just kidding you. | 0:55:17 | 0:55:18 | |
Sweetie? | 0:55:18 | 0:55:20 | |
You all right? | 0:55:20 | 0:55:22 | |
You sure you're OK, sweetie? Yeah. | 0:55:24 | 0:55:26 | |
Yeah. | 0:55:30 | 0:55:32 | |
I am now. | 0:55:33 | 0:55:35 | |
Oh! | 0:55:39 | 0:55:40 | |
There he is. Where you been, tovareesh? | 0:55:40 | 0:55:42 | |
Tovarish. | 0:55:42 | 0:55:44 | |
Ah, tovarish. | 0:55:44 | 0:55:46 | |
You must be Jessie. | 0:55:46 | 0:55:47 | |
Yeah, this is Ilya Grinko. | 0:55:47 | 0:55:49 | |
He's our new bunk-mate. | 0:55:49 | 0:55:52 | |
Hi. | 0:55:52 | 0:55:53 | |
My colleague tells me he is too busy, he cannot join me for dinner. | 0:55:53 | 0:55:58 | |
May I ask you to accept my invitation? | 0:55:58 | 0:56:00 | |
I am... | 0:56:00 | 0:56:02 | |
STRUGGLES FOR WORD ..famished. | 0:56:02 | 0:56:04 | |
Famished is right. We're happy to join you. | 0:56:04 | 0:56:08 | |
Is that all right, sweetie? Is the dining car even open? | 0:56:08 | 0:56:11 | |
I'm afraid my watch does not work. Mine's fine. | 0:56:11 | 0:56:15 | |
And, oh, we're in luck - it's almost five. | 0:56:15 | 0:56:18 | |
Almost five. | 0:56:18 | 0:56:20 | |
Here I am trying to explain the situation to the station master. | 0:56:22 | 0:56:26 | |
And Ilya appears out of nowhere and starts translating. | 0:56:26 | 0:56:30 | |
Your husband is lucky guy. | 0:56:30 | 0:56:32 | |
His English is excellent, don't you think, honey? | 0:56:32 | 0:56:35 | |
My son encouraged me. | 0:56:35 | 0:56:38 | |
He...liked your country. | 0:56:38 | 0:56:40 | |
He was going to be in Diplomatic Service. | 0:56:40 | 0:56:43 | |
HE SPEAKS RUSSIAN | 0:56:47 | 0:56:49 | |
Hold on there, Ilya, can policeman drink while on duty? | 0:56:49 | 0:56:53 | |
Well, we won't tell my boss, eh? | 0:56:53 | 0:56:55 | |
No, thanks. | 0:56:55 | 0:56:57 | |
Don't be shy. | 0:56:57 | 0:56:59 | |
You're a cop? | 0:56:59 | 0:57:00 | |
A detective, Jess. Da, with FSKM. | 0:57:00 | 0:57:02 | |
Like your Bureau of Narcotics. | 0:57:02 | 0:57:04 | |
Ilya is on his way to a big conference in Moscow, | 0:57:04 | 0:57:08 | |
all the way from Vladivostok. | 0:57:08 | 0:57:10 | |
In Soviet days, official like me would get plane ticket first class. | 0:57:10 | 0:57:15 | |
Now seven days on train. Na zdorovye. Na zdorovye. | 0:57:15 | 0:57:20 | |
Hold on there, Ilya. Don't tell me you miss the USSR? | 0:57:20 | 0:57:25 | |
The USSR was a dark, evil empire. | 0:57:25 | 0:57:28 | |
Maybe so, but then we were people living in the darkness. | 0:57:28 | 0:57:33 | |
Now we are a people dying in the light. | 0:57:33 | 0:57:35 | |
Which is better? | 0:57:35 | 0:57:37 | |
When it was USSR, a man lived to age 65 years. | 0:57:37 | 0:57:40 | |
Now it is 58 years. | 0:57:40 | 0:57:42 | |
I know this fact very well. | 0:57:42 | 0:57:44 | |
I am 58. | 0:57:44 | 0:57:45 | |
In Russia now, we say there only two kinds of people. | 0:57:45 | 0:57:48 | |
Those who leave in private jet. | 0:57:48 | 0:57:52 | |
Those who leave in coffin. | 0:57:52 | 0:57:55 | |
Which are you? | 0:57:56 | 0:57:57 | |
I am too old to leave. | 0:57:57 | 0:58:00 | |
Just do my job. | 0:58:00 | 0:58:02 | |
Which is catching the bad guys, huh, Ilya? | 0:58:02 | 0:58:05 | |
Right, Roy. | 0:58:05 | 0:58:07 | |
Who are they? | 0:58:07 | 0:58:08 | |
Who are the bad guys? Ten years ago it was easy. | 0:58:08 | 0:58:12 | |
Drivers bring heroin from Kabul in back of truck. | 0:58:12 | 0:58:15 | |
We catch them. So, they get smart. | 0:58:15 | 0:58:18 | |
They add special chemical to heroin, mould it into objects. | 0:58:18 | 0:58:22 | |
Souvenirs, handicrafts, small toys. | 0:58:22 | 0:58:26 | |
They pay people - mules, I think you call them - | 0:58:26 | 0:58:30 | |
who can travel easily with drugs. | 0:58:30 | 0:58:32 | |
They use students, old babushkas, | 0:58:32 | 0:58:36 | |
people who look innocent but are really not. | 0:58:36 | 0:58:39 | |
Mm? These are bad guys. | 0:58:39 | 0:58:41 | |
Hey, Jess, Abby and... Shoot. | 0:58:43 | 0:58:47 | |
What was his name? The Spaniard. | 0:58:47 | 0:58:49 | |
Carlos. | 0:58:51 | 0:58:52 | |
The backpackers you told me about who shared your cabin? | 0:58:52 | 0:58:55 | |
Yes, Abby and Carlos. | 0:58:55 | 0:58:57 | |
Do you think they could have been mules? The past year, | 0:58:57 | 0:59:00 | |
this line has become major trafficking route. | 0:59:00 | 0:59:02 | |
You know, Ilya, now that I think about it, | 0:59:02 | 0:59:05 | |
this couple seemed to know an awful lot about forging passports | 0:59:05 | 0:59:08 | |
and sneaking over borders and what-not, | 0:59:08 | 0:59:10 | |
this Abby and Carlos. | 0:59:10 | 0:59:12 | |
At least, that's what they said their names were. | 0:59:12 | 0:59:16 | |
This couple, did they seem suspicious to you, Jessie? | 0:59:16 | 0:59:20 | |
No, just young. | 0:59:21 | 0:59:23 | |
And they were going where? Moscow? | 0:59:23 | 0:59:25 | |
They never said. | 0:59:25 | 0:59:28 | |
So, you left them on the train | 0:59:28 | 0:59:31 | |
when you got off, in Ulyanovskaya? | 0:59:31 | 0:59:34 | |
Yeah. | 0:59:36 | 0:59:38 | |
SHE COUGHS AND VOMITS | 0:59:40 | 0:59:42 | |
Are you feeling better? | 0:59:53 | 0:59:54 | |
Yeah. | 0:59:54 | 0:59:56 | |
Good. You're lucky you didn't have that Russian vodka. | 0:59:58 | 1:00:02 | |
In the end, you're lucky you're not drinking, you know? | 1:00:02 | 1:00:05 | |
So, what did you think of Ilya? | 1:00:05 | 1:00:07 | |
I know what you're thinking. He's a persistent SOB, | 1:00:09 | 1:00:13 | |
but betcha he always gets his man. | 1:00:13 | 1:00:16 | |
Hey, buddy, we were just talking about you. | 1:00:16 | 1:00:19 | |
Only good, I hope. | 1:00:19 | 1:00:21 | |
Oh, yeah. Oh, please. | 1:00:21 | 1:00:22 | |
Allow me. No, that's OK. I got it. | 1:00:22 | 1:00:24 | |
Jessie, let me. Let him get it. | 1:00:24 | 1:00:26 | |
It's OK. It's fine, I... Let go. He's got it. OK. | 1:00:26 | 1:00:30 | |
Thank you. | 1:00:30 | 1:00:31 | |
She's a headstrong woman, you know how that goes. | 1:00:31 | 1:00:34 | |
Hey, how many days to Moscow, Ilya? | 1:00:36 | 1:00:39 | |
Three more days, Roy. | 1:00:39 | 1:00:41 | |
ROY WHOOPS Amazing! | 1:00:41 | 1:00:42 | |
You want to stay on train for ever? | 1:00:42 | 1:00:44 | |
Well, as long as possible. | 1:00:44 | 1:00:45 | |
Guess what? What? Our shower is broken. | 1:00:45 | 1:00:49 | |
They found Roy. | 1:00:49 | 1:00:50 | |
Key's on the table, OK? | 1:00:50 | 1:00:53 | |
ILYA TEACHES ROY RUSSIAN | 1:00:58 | 1:01:00 | |
For now that's good. Sweetie. | 1:01:00 | 1:01:03 | |
Can you hit the lights? | 1:01:03 | 1:01:05 | |
I have my eye things on. | 1:01:05 | 1:01:07 | |
CARLOS: 'No, not this one. This one. | 1:02:13 | 1:02:17 | |
'All the others are smiling but this one is so sad.' | 1:02:17 | 1:02:21 | |
SHE HYPERVENTILATES | 1:02:41 | 1:02:43 | |
BANGING | 1:02:45 | 1:02:47 | |
WOMAN SPEAKS RUSSIAN | 1:03:03 | 1:03:04 | |
Toilet's clogged. | 1:03:12 | 1:03:14 | |
Are you going to fix it? | 1:03:14 | 1:03:17 | |
SHE SHOUTS IN RUSSIAN | 1:03:44 | 1:03:46 | |
It was an accident. | 1:03:53 | 1:03:54 | |
I'm going to go grab some photos, OK? I'll keep an eye on you. | 1:04:32 | 1:04:35 | |
I'll be fine. | 1:04:35 | 1:04:37 | |
Oh, no! I'm not making the same mistake twice. | 1:04:37 | 1:04:42 | |
Hey. HE CHUCKLES | 1:05:03 | 1:05:05 | |
Ah, Jessie. | 1:05:27 | 1:05:28 | |
Taking some pictures, I see. | 1:05:28 | 1:05:30 | |
I am not photographer. | 1:05:32 | 1:05:35 | |
But I suggest that side of platform. | 1:05:35 | 1:05:37 | |
That looks heavy. Please allow me. | 1:05:39 | 1:05:42 | |
Oh, no, it's not, it's fine. Take my tea. | 1:05:42 | 1:05:45 | |
Now, there is very nice picture. | 1:05:48 | 1:05:54 | |
Bright colours, babushkas, Russian faces. | 1:05:54 | 1:05:57 | |
Take. Take, take. | 1:05:57 | 1:05:59 | |
Take more. | 1:06:03 | 1:06:05 | |
I believe we have time. | 1:06:06 | 1:06:08 | |
Why do you wear it if it doesn't work? | 1:06:10 | 1:06:13 | |
It was my son's. | 1:06:13 | 1:06:16 | |
I gave it to him when he graduated university. | 1:06:16 | 1:06:19 | |
He died of bone cancer. | 1:06:19 | 1:06:22 | |
Oh, I'm very sorry. Ah. | 1:06:24 | 1:06:27 | |
To live life is not always to walk through a meadow, eh? | 1:06:27 | 1:06:32 | |
Still we find ways to survive. | 1:06:32 | 1:06:35 | |
My colleagues in Krasnoyarsk, | 1:06:37 | 1:06:39 | |
they searched the Vostok, the train you got off. | 1:06:39 | 1:06:44 | |
They could not find Carlos and Abby. | 1:06:44 | 1:06:47 | |
Maybe they got off somewhere between. | 1:06:47 | 1:06:49 | |
Maybe. | 1:06:49 | 1:06:51 | |
PHONE RINGS | 1:06:51 | 1:06:52 | |
Ah, my phone. | 1:06:52 | 1:06:53 | |
I got it now, thanks. | 1:06:53 | 1:06:56 | |
Da. | 1:07:01 | 1:07:03 | |
DOOR OPENS | 1:07:23 | 1:07:24 | |
Jessie. | 1:07:24 | 1:07:26 | |
This is my colleague, Kolzak Yushenkov. | 1:07:26 | 1:07:30 | |
He is also detective, we are travelling together. | 1:07:30 | 1:07:34 | |
Right. | 1:07:35 | 1:07:36 | |
Jessie, would you come with us, please? | 1:07:36 | 1:07:39 | |
My husband will wonder where I am. | 1:08:05 | 1:08:07 | |
He knows you cannot be far. | 1:08:07 | 1:08:10 | |
There are few places one can hide on this train, no? | 1:08:10 | 1:08:14 | |
This Carlos and Abby | 1:08:15 | 1:08:17 | |
perhaps they got off train with you in Ulyanovskaya? | 1:08:17 | 1:08:20 | |
No. | 1:08:20 | 1:08:22 | |
No? | 1:08:22 | 1:08:24 | |
You are certain? | 1:08:24 | 1:08:27 | |
In Russia, we have expression - | 1:08:31 | 1:08:34 | |
"With lies, you may go ahead in the world, | 1:08:34 | 1:08:39 | |
"but you may never go back." | 1:08:39 | 1:08:40 | |
Do you understand this, Jessie? | 1:08:42 | 1:08:44 | |
I have spoken with police in Ulyanovskaya. | 1:08:48 | 1:08:51 | |
They have spoken with manager of hotel. | 1:08:51 | 1:08:54 | |
This witness saw you having dinner with a Spaniard. | 1:08:55 | 1:09:01 | |
DOG BARKS | 1:09:04 | 1:09:05 | |
ARGUMENT IN RUSSIAN | 1:09:05 | 1:09:09 | |
Jess? | 1:09:34 | 1:09:36 | |
Are you OK? | 1:09:36 | 1:09:38 | |
Yeah. Yeah. | 1:09:38 | 1:09:41 | |
Yeah, I'm fine. Hey. | 1:09:41 | 1:09:43 | |
What are these? | 1:09:43 | 1:09:45 | |
What are they doing in your camera bag? Did you buy them? | 1:09:49 | 1:09:53 | |
No? Where...where'd they come from? | 1:09:56 | 1:09:58 | |
Carlos. | 1:09:58 | 1:10:00 | |
Carlos? | 1:10:00 | 1:10:02 | |
Yeah. | 1:10:02 | 1:10:03 | |
He gave these to you? | 1:10:03 | 1:10:05 | |
Yeah. | 1:10:05 | 1:10:06 | |
DOG BARKS | 1:10:06 | 1:10:07 | |
Jess. | 1:10:11 | 1:10:13 | |
No. | 1:10:13 | 1:10:15 | |
He didn't. Jess. | 1:10:15 | 1:10:16 | |
Oh, God! | 1:10:16 | 1:10:17 | |
It's OK, baby. It's OK. | 1:10:20 | 1:10:22 | |
It's OK. | 1:10:22 | 1:10:24 | |
SHE SOBS | 1:10:24 | 1:10:26 | |
Heroin. | 1:10:51 | 1:10:53 | |
Oh, Lord. | 1:10:53 | 1:10:54 | |
How did Carlos get the dolls into your bag? | 1:10:58 | 1:11:02 | |
He came into my room. | 1:11:03 | 1:11:05 | |
I let him, his shower wasn't working. | 1:11:05 | 1:11:06 | |
He wanted to use mine so I left the room | 1:11:06 | 1:11:09 | |
and saw police searching the hotel. | 1:11:09 | 1:11:11 | |
Carlos must have seen them too. | 1:11:11 | 1:11:13 | |
I...think he got scared and... | 1:11:13 | 1:11:16 | |
That must have been when he... | 1:11:16 | 1:11:18 | |
..did it. | 1:11:19 | 1:11:21 | |
What then? | 1:11:22 | 1:11:24 | |
I went to the lobby and I waited for a call from Roy. | 1:11:24 | 1:11:26 | |
It was there that I saw the two of them leave and go off together. | 1:11:26 | 1:11:31 | |
Jessie. | 1:11:41 | 1:11:43 | |
Why did you tell me they did not get off train with you? | 1:11:43 | 1:11:49 | |
I just got scared. | 1:11:52 | 1:11:54 | |
Why? | 1:11:54 | 1:11:55 | |
I got scared for Abby. | 1:11:55 | 1:11:58 | |
I got to know Abby, she's a good girl, OK? | 1:11:58 | 1:12:01 | |
So, when you asked me those questions, I froze. | 1:12:01 | 1:12:04 | |
I didn't want anything to happen to her because of what Carlos did. | 1:12:04 | 1:12:08 | |
She's not part of it. | 1:12:09 | 1:12:10 | |
She didn't even know Carlos had the dolls. | 1:12:10 | 1:12:13 | |
How do you know this? | 1:12:14 | 1:12:15 | |
He told me. | 1:12:15 | 1:12:18 | |
He...showed me the dolls. | 1:12:18 | 1:12:20 | |
When you were alone with him? | 1:12:20 | 1:12:22 | |
Yes. | 1:12:26 | 1:12:28 | |
And later, when I found the dolls in my bag... | 1:12:28 | 1:12:33 | |
ROY CLEARS HIS THROAT She got... She panicked, Ilya. | 1:12:33 | 1:12:37 | |
You'd just told her about how the smugglers operate | 1:12:37 | 1:12:40 | |
and she got scared. | 1:12:40 | 1:12:42 | |
It could happen to anyone. | 1:12:42 | 1:12:44 | |
Da. | 1:12:44 | 1:12:46 | |
Fear can drive one to irrational acts. | 1:12:47 | 1:12:51 | |
In Russia we know this very well. | 1:12:51 | 1:12:53 | |
Our history has a history of irrational acts. | 1:12:53 | 1:12:57 | |
So...that's it? | 1:12:59 | 1:13:02 | |
Mmm...apart from, I'm afraid, one formality. | 1:13:02 | 1:13:06 | |
Ah! | 1:13:19 | 1:13:22 | |
I was right. Very beautiful. | 1:13:22 | 1:13:25 | |
Is it OK? | 1:13:25 | 1:13:27 | |
Yeah. | 1:13:27 | 1:13:28 | |
What will you do If you find them, Ilya? | 1:13:34 | 1:13:37 | |
First we must find them, Roy. 'Hey, Carlos.' | 1:13:37 | 1:13:40 | |
HE YELLS | 1:13:40 | 1:13:42 | |
Ah, this is very nice one. | 1:13:42 | 1:13:46 | |
This is...Ulyanovskaya? | 1:13:46 | 1:13:50 | |
Which church? | 1:13:51 | 1:13:53 | |
I-I didn't get the name. | 1:13:57 | 1:14:00 | |
Ah. | 1:14:02 | 1:14:04 | |
This is very nice one. | 1:14:04 | 1:14:05 | |
Like... Hey, Carlos. | 1:14:05 | 1:14:08 | |
..a Russian symbol, no? | 1:14:08 | 1:14:10 | |
HE MUTTERS IN RUSSIAN | 1:14:10 | 1:14:12 | |
We can take care of that. | 1:14:14 | 1:14:16 | |
I am very sorry for inconvenience. We will arrive in Moscow tomorrow. | 1:14:16 | 1:14:20 | |
I will stay in Kolzak's cabin tonight. | 1:14:20 | 1:14:22 | |
Spokoynoy noch-eh. | 1:14:24 | 1:14:25 | |
Spokoynoy nochi. Good night. Spokoynoy nochi. | 1:14:25 | 1:14:28 | |
Spokoynoy nochi. HE LAUGHS | 1:14:28 | 1:14:31 | |
I'm sorry. | 1:14:37 | 1:14:38 | |
Jess, I love you. | 1:14:42 | 1:14:44 | |
That means we should be able to tell each other everything. | 1:14:44 | 1:14:48 | |
No secrets. | 1:14:51 | 1:14:53 | |
HE YELLS You put that in your book. | 1:15:15 | 1:15:17 | |
HORSE NEIGHS | 1:15:53 | 1:15:54 | |
Guess who's not at her station for once? | 1:16:11 | 1:16:15 | |
Of course, there's no...milk or sugar. | 1:16:15 | 1:16:19 | |
But at least she turned off the music. | 1:16:20 | 1:16:23 | |
Hey. | 1:16:27 | 1:16:29 | |
We did the right thing, OK? | 1:16:30 | 1:16:32 | |
Yeah... | 1:16:37 | 1:16:38 | |
Yeah. | 1:16:38 | 1:16:40 | |
I know. | 1:16:40 | 1:16:41 | |
Ooh. | 1:16:44 | 1:16:46 | |
Want me to go get you some sugar from the dining car? | 1:16:46 | 1:16:48 | |
That would be sweet. | 1:16:48 | 1:16:51 | |
OK. | 1:16:52 | 1:16:53 | |
SHE SCREAMS | 1:17:06 | 1:17:07 | |
Give me your hand! I got you! | 1:17:23 | 1:17:25 | |
You're OK. You're OK. | 1:17:36 | 1:17:38 | |
Ilya... | 1:18:21 | 1:18:24 | |
Wh...? | 1:18:24 | 1:18:26 | |
What is going on here? What...? | 1:18:29 | 1:18:32 | |
There are some problems with your wife's story. | 1:18:32 | 1:18:35 | |
Ilya. | 1:18:39 | 1:18:41 | |
Wh...where are the other cars? | 1:18:41 | 1:18:44 | |
Who the hell are you?! GUN COCKS | 1:18:44 | 1:18:46 | |
Kolzak. He SPEAKS RUSSIAN | 1:18:46 | 1:18:51 | |
Roy, Jessie. | 1:18:51 | 1:18:54 | |
It is best to sit. | 1:18:54 | 1:18:56 | |
Your wife was seen leaving Ulyanovskaya | 1:19:06 | 1:19:11 | |
on a bus with a Spaniard. | 1:19:11 | 1:19:14 | |
Now perhaps your wife can tell us where is Carlos? | 1:19:17 | 1:19:21 | |
Hmm? | 1:19:22 | 1:19:24 | |
Hm? | 1:19:27 | 1:19:28 | |
Ah... | 1:19:32 | 1:19:34 | |
It seems, Roy, your wife has problems with the truth. | 1:19:34 | 1:19:39 | |
Don't tell me about my wife. | 1:19:39 | 1:19:42 | |
I know about my wife. | 1:19:42 | 1:19:44 | |
Who are you? | 1:19:44 | 1:19:47 | |
I am Detective Ilya Grinko, Narcotic Division. And this... | 1:19:47 | 1:19:51 | |
Bullshit! | 1:19:51 | 1:19:52 | |
You're not a detective, you're a liar! | 1:19:52 | 1:19:55 | |
If you please. | 1:20:18 | 1:20:20 | |
Where are we going? | 1:20:23 | 1:20:24 | |
On a short walk. But, Ilya, we don't have any coat... | 1:20:24 | 1:20:28 | |
Roy! Roy. | 1:20:28 | 1:20:29 | |
My glasses. Let's go. | 1:20:29 | 1:20:32 | |
We're Americans. | 1:20:32 | 1:20:34 | |
Let's go. | 1:20:34 | 1:20:35 | |
Please sit. | 1:21:04 | 1:21:06 | |
Remove your shoes. | 1:21:10 | 1:21:12 | |
What? And socks. | 1:21:12 | 1:21:14 | |
Ilya, wait a minute, | 1:21:14 | 1:21:16 | |
we're freezing to death. GUN COCKS | 1:21:16 | 1:21:18 | |
Oh... OK. | 1:21:18 | 1:21:19 | |
OK. | 1:21:19 | 1:21:21 | |
WOMAN MOANS | 1:21:33 | 1:21:35 | |
They found her back in Ulyanovskaya. She was looking for her... | 1:21:43 | 1:21:47 | |
HE CLEARS HIS THROAT ..boyfriend. | 1:21:47 | 1:21:50 | |
Ilya, what do you want? | 1:21:51 | 1:21:53 | |
You have your drugs. | 1:21:53 | 1:21:54 | |
Not my drugs, Roy. | 1:21:54 | 1:21:57 | |
You think this is about couple kilos heroin? | 1:21:57 | 1:21:59 | |
His boss moves 20, 50 kilos heroin every day. | 1:21:59 | 1:22:04 | |
SHE SHRIEKS | 1:22:04 | 1:22:05 | |
He expects sometimes his mules to run off with deliveries. | 1:22:05 | 1:22:08 | |
He does not expect them to steal money. That he does not like. | 1:22:08 | 1:22:13 | |
SHE SCREAMS No, don't! Stop! | 1:22:13 | 1:22:15 | |
Stop! | 1:22:15 | 1:22:16 | |
Whatever Carlos was involved in, she isn't. | 1:22:18 | 1:22:21 | |
Please. | 1:22:21 | 1:22:22 | |
You American women. | 1:22:24 | 1:22:27 | |
You describe Abby how? | 1:22:27 | 1:22:30 | |
Good girl, no? | 1:22:30 | 1:22:32 | |
Does good girl recruit boyfriend? | 1:22:32 | 1:22:36 | |
Does she pretend to love him... | 1:22:36 | 1:22:39 | |
It's not true. ..so that he will stick knife, this knife, | 1:22:39 | 1:22:43 | |
so she can steal his money? | 1:22:43 | 1:22:45 | |
Does good girl do that, Jessie? | 1:22:45 | 1:22:47 | |
Murder a man | 1:22:47 | 1:22:50 | |
then deny it? | 1:22:50 | 1:22:52 | |
No. It's not true. | 1:22:53 | 1:22:56 | |
I am Detective, Roy. | 1:22:58 | 1:22:59 | |
I know only facts. | 1:22:59 | 1:23:01 | |
One, Abby does not know where Carlos is. | 1:23:01 | 1:23:03 | |
Two, she does not have the money. So... | 1:23:03 | 1:23:07 | |
this is my theory. | 1:23:07 | 1:23:09 | |
Find Carlos, | 1:23:09 | 1:23:12 | |
find the money. | 1:23:12 | 1:23:14 | |
ABBY SCREAMS AND SOBS | 1:23:14 | 1:23:16 | |
Oh, no! | 1:23:20 | 1:23:22 | |
SHE SCREAMS | 1:23:22 | 1:23:24 | |
SHE SOBS We took a bus. | 1:23:24 | 1:23:26 | |
We took a bus out of town. | 1:23:28 | 1:23:31 | |
We got off at some village somewhere. | 1:23:33 | 1:23:36 | |
I took some photos. | 1:23:39 | 1:23:41 | |
And then... | 1:23:43 | 1:23:45 | |
..then... | 1:23:55 | 1:23:56 | |
..we came back. | 1:24:01 | 1:24:04 | |
He got off in town and I went back to the hotel. I didn't see him again. | 1:24:04 | 1:24:08 | |
SHE SCREAMS I don't know where he is! | 1:24:08 | 1:24:11 | |
Please! I don't. I don't know where he is. I don't! | 1:24:11 | 1:24:15 | |
I am a fair man. | 1:24:27 | 1:24:28 | |
Kolzak, less so. | 1:24:28 | 1:24:30 | |
He wanted to tie your feet. | 1:24:30 | 1:24:32 | |
I think there is no need. | 1:24:32 | 1:24:35 | |
You are not criminals. | 1:24:35 | 1:24:38 | |
You must have a lot of questions for each other. | 1:24:38 | 1:24:42 | |
So, I will give you small moment to talk. | 1:24:42 | 1:24:45 | |
Is there anything... | 1:25:33 | 1:25:36 | |
anything at all you can say to help us? | 1:25:36 | 1:25:40 | |
Jessie. | 1:25:42 | 1:25:43 | |
No matter what you say to me right now, | 1:25:44 | 1:25:47 | |
I will still love you, you understand? | 1:25:47 | 1:25:50 | |
No matter what you say. | 1:25:51 | 1:25:53 | |
God. | 1:26:03 | 1:26:04 | |
Oh, Roy. | 1:26:09 | 1:26:10 | |
OK. | 1:26:15 | 1:26:17 | |
Let's go. | 1:26:17 | 1:26:19 | |
Go where? | 1:26:21 | 1:26:22 | |
There's got to be another way out. | 1:26:22 | 1:26:24 | |
We have no shoes, they have guns, they'll kill us. | 1:26:24 | 1:26:27 | |
Don't leave me, please. | 1:26:27 | 1:26:29 | |
We can't just leave her. | 1:26:29 | 1:26:31 | |
She's why we're here. | 1:26:31 | 1:26:33 | |
It's not true... | 1:26:33 | 1:26:35 | |
It's not true. | 1:26:35 | 1:26:37 | |
Please don't go. | 1:26:37 | 1:26:38 | |
Help me. | 1:26:38 | 1:26:41 | |
Please. Jess! | 1:26:41 | 1:26:43 | |
A door. | 1:26:43 | 1:26:44 | |
No. It's a door! | 1:26:44 | 1:26:46 | |
Please don't leave me. | 1:26:46 | 1:26:48 | |
Please, help me. It's OK. | 1:26:48 | 1:26:50 | |
Where's Carlos? | 1:26:52 | 1:26:53 | |
Where is he? | 1:26:53 | 1:26:55 | |
It's open. | 1:26:55 | 1:26:56 | |
Where's Carlos? Jess, hurry! Where's Carlos? | 1:26:56 | 1:26:58 | |
Where is he? Where is he? | 1:26:58 | 1:27:00 | |
Where is he? Where is he?! Jess! Where is he? | 1:27:00 | 1:27:02 | |
ABBY SCREAMS | 1:27:02 | 1:27:04 | |
HE EXCLAIMS IN RUSSIAN | 1:27:08 | 1:27:11 | |
This way. | 1:27:11 | 1:27:13 | |
There. I see daylight. | 1:27:22 | 1:27:24 | |
I gotta break it. | 1:27:39 | 1:27:40 | |
Get me that pipe. OK. | 1:27:40 | 1:27:42 | |
GUNSHOTS | 1:27:44 | 1:27:46 | |
Jessie! | 1:27:46 | 1:27:48 | |
Here. | 1:27:49 | 1:27:51 | |
Good enough. | 1:27:52 | 1:27:54 | |
HE YELLS | 1:27:56 | 1:27:58 | |
Chinese-made crap we sell in the store. | 1:27:58 | 1:28:01 | |
Help me. | 1:28:03 | 1:28:05 | |
Go! Go, go, go. | 1:28:08 | 1:28:10 | |
Go. | 1:28:10 | 1:28:11 | |
SHE GASPS | 1:28:13 | 1:28:14 | |
There it is! | 1:28:29 | 1:28:30 | |
SHE GASPS | 1:28:42 | 1:28:43 | |
OK. Come on, come on. | 1:28:46 | 1:28:47 | |
DOOR BANGS OPEN | 1:28:57 | 1:28:59 | |
Hi. HE SPEAKS RUSSIAN | 1:28:59 | 1:29:01 | |
Roy. | 1:29:04 | 1:29:06 | |
Shit! | 1:29:07 | 1:29:10 | |
Shit, Roy. Push him out. | 1:29:10 | 1:29:12 | |
What?! Push him out. | 1:29:12 | 1:29:15 | |
She's powered-up, I've gotta get her moving. | 1:29:20 | 1:29:23 | |
I worked a simulator once at the Rail Museum in Des Moines. | 1:29:23 | 1:29:26 | |
Great. Gauges were in English. | 1:29:26 | 1:29:28 | |
Oh, shit. | 1:29:28 | 1:29:30 | |
Roy. | 1:29:31 | 1:29:33 | |
Shit. | 1:29:33 | 1:29:34 | |
Shut, go. What? Shut...shut all the doors! | 1:29:34 | 1:29:37 | |
Shut all the doors! OK. | 1:29:37 | 1:29:40 | |
OK, that's the throttle. | 1:29:40 | 1:29:42 | |
Brakes. Just need the brakes. | 1:29:43 | 1:29:45 | |
That's it, sweetheart. | 1:30:04 | 1:30:06 | |
Yeah! | 1:30:11 | 1:30:13 | |
HORN BLARES | 1:30:13 | 1:30:14 | |
ENGINE POWERS DOWN She's stalling. | 1:30:21 | 1:30:24 | |
Where's the fuel pump? | 1:30:24 | 1:30:26 | |
PIPED MUSIC STARTS | 1:30:26 | 1:30:28 | |
Come on! | 1:30:33 | 1:30:35 | |
Oh, no. | 1:30:38 | 1:30:40 | |
He's coming. Stall him. | 1:30:48 | 1:30:49 | |
Shit! Jess, hold the door. | 1:30:49 | 1:30:53 | |
No! | 1:30:53 | 1:30:54 | |
SHE CRIES OUT No! | 1:30:57 | 1:30:59 | |
Oh! Oh, God. | 1:31:10 | 1:31:12 | |
Are you OK? | 1:31:12 | 1:31:13 | |
GUN COCKS | 1:31:13 | 1:31:15 | |
DOOR OPENS Kolzak! | 1:31:17 | 1:31:19 | |
You listen to me. | 1:31:25 | 1:31:27 | |
You must take responsibility. | 1:31:29 | 1:31:31 | |
He will kill Roy, OK? | 1:31:31 | 1:31:33 | |
Where is Carlos? | 1:31:33 | 1:31:35 | |
Where is he? | 1:31:35 | 1:31:37 | |
Where is he? | 1:31:39 | 1:31:41 | |
And you think this American bluff, this game? | 1:31:41 | 1:31:43 | |
He will shoot him. In the head. | 1:31:45 | 1:31:47 | |
You must tell me now, where is Carlos? | 1:31:49 | 1:31:52 | |
He's dead. Where is he?! | 1:31:52 | 1:31:53 | |
I killed him! | 1:31:53 | 1:31:55 | |
TRAIN HORN BLARES | 1:32:02 | 1:32:04 | |
GROANING | 1:32:31 | 1:32:33 | |
WATCH TICKS | 1:32:40 | 1:32:41 | |
KOLZAK SPEAKS RUSSIAN | 1:32:45 | 1:32:47 | |
VOICES APPROACH | 1:32:54 | 1:32:55 | |
Oh, no, no. | 1:33:00 | 1:33:01 | |
HE CHUCKLES | 1:33:15 | 1:33:17 | |
No. | 1:33:23 | 1:33:24 | |
GUNSHOT | 1:33:26 | 1:33:28 | |
WEAKLY: Help me. | 1:34:08 | 1:34:09 | |
It's him... He's... | 1:34:09 | 1:34:12 | |
It's him. | 1:34:12 | 1:34:14 | |
He was going to kill us. | 1:34:25 | 1:34:27 | |
He was going to kill us. | 1:34:31 | 1:34:32 | |
Wait, listen. Listen. | 1:34:39 | 1:34:41 | |
He was... | 1:34:43 | 1:34:45 | |
He was trying... | 1:34:45 | 1:34:47 | |
You got the statements? | 1:35:11 | 1:35:13 | |
Mr Nasser? | 1:35:16 | 1:35:18 | |
Yeah. Come on in, fellas. | 1:35:18 | 1:35:20 | |
These three were mid-level ops in an Uzbeki gang, | 1:35:20 | 1:35:24 | |
run by a fella named Rukshan. | 1:35:24 | 1:35:27 | |
He pours junk into the States via Japan. | 1:35:27 | 1:35:30 | |
And your pal made sure that nobody interfered with the operation. | 1:35:30 | 1:35:34 | |
Including, of course, | 1:35:34 | 1:35:35 | |
his own guys at the NPD. | 1:35:35 | 1:35:37 | |
He's a marked man now. | 1:35:37 | 1:35:39 | |
On both sides. | 1:35:39 | 1:35:41 | |
The good news is, Mrs Nasser, that your photo | 1:35:41 | 1:35:43 | |
may make it possible for us and the Russian police | 1:35:43 | 1:35:46 | |
to put this whole operation behind bars. Way to go, sweetie. | 1:35:46 | 1:35:50 | |
Oh, yeah, sorry about the camera. | 1:35:51 | 1:35:53 | |
Now... | 1:35:55 | 1:35:57 | |
may I give you a word of advice? | 1:35:57 | 1:35:59 | |
Something my mom always used to tell me. | 1:36:01 | 1:36:04 | |
Don't you be talking to strangers. | 1:36:04 | 1:36:06 | |
ROY LAUGHS | 1:36:06 | 1:36:08 | |
Carlos Ximenez, from Barcelona. | 1:36:08 | 1:36:12 | |
Those are his priors - theft, possession, sexual assault. | 1:36:12 | 1:36:16 | |
Trafficking was a new bag for him. | 1:36:17 | 1:36:20 | |
You think you'll find him? | 1:36:20 | 1:36:21 | |
Someone will. Us first, if he's lucky. | 1:36:21 | 1:36:24 | |
And her? | 1:36:25 | 1:36:27 | |
Abby Brunel, 20 years old. | 1:36:27 | 1:36:30 | |
Last known address, Seattle. | 1:36:30 | 1:36:32 | |
Haven't been able to track down any family. | 1:36:32 | 1:36:34 | |
Just another lost kid, | 1:36:34 | 1:36:35 | |
made the mistake of falling for the wrong guy. | 1:36:35 | 1:36:38 | |
Well, like you told us in your statements, which... | 1:36:38 | 1:36:41 | |
Ah, here we go. | 1:36:41 | 1:36:42 | |
Nicely printed out in easy-to-read English. | 1:36:42 | 1:36:46 | |
What's going to happen to her? | 1:36:46 | 1:36:48 | |
As soon as she's fit, she'll be sent back to the States | 1:36:48 | 1:36:51 | |
at the taxpayer's expense. | 1:36:51 | 1:36:53 | |
Now, your signature here means that you swear it's all truthful. | 1:36:53 | 1:36:58 | |
Just, right here, Mr Nasser. | 1:37:08 | 1:37:10 | |
Roy. | 1:37:31 | 1:37:33 | |
I need to see her. | 1:37:34 | 1:37:37 | |
SOFTLY: Hi. | 1:38:03 | 1:38:05 | |
I want to tell you something, OK? | 1:38:10 | 1:38:12 | |
Here you are, sir. Thank you, ma'am. | 1:38:17 | 1:38:20 | |
Are you all right? | 1:38:21 | 1:38:24 | |
Mm-hm. | 1:38:24 | 1:38:25 | |
What did you say to her? | 1:38:30 | 1:38:32 | |
Just something you once told me... | 1:38:37 | 1:38:40 | |
in the hospital. | 1:38:40 | 1:38:41 | |
You're kidding, the doughnut thing? | 1:38:45 | 1:38:47 | |
HE CHUCKLES | 1:38:47 | 1:38:49 | |
Honey, I don't even know what that means. | 1:38:49 | 1:38:51 | |
I just was trying to cheer you up, make you look on the bright side. | 1:38:51 | 1:38:56 | |
I know. | 1:38:59 | 1:39:02 | |
Hm! | 1:39:09 | 1:39:10 | |
Yeah... | 1:39:14 | 1:39:15 | |
It's sure going to be nice to be back home. | 1:39:17 | 1:39:22 | |
HE SIGHS | 1:39:22 | 1:39:24 | |
CHILD GIGGLES | 1:39:26 | 1:39:28 | |
CHILD BABBLES | 1:39:28 | 1:39:31 | |
Max! | 1:39:33 | 1:39:34 | |
Max. Come here. | 1:39:34 | 1:39:36 | |
Leave her alone. | 1:39:36 | 1:39:37 | |
I'm sorry. | 1:39:37 | 1:39:39 | |
It's OK. Stay in your seat, honey. | 1:39:39 | 1:39:41 | |
It's OK. | 1:39:52 | 1:39:53 | |
BIRD CAWS | 1:39:56 | 1:39:58 |