
Browse content similar to A Date with the Falcon. Check below for episodes and series from the same categories and more!
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Is this the building? | 0:01:27 | 0:01:30 | |
Yeah, Max says it's all fixed. | 0:01:30 | 0:01:33 | |
There ought to be a Western Union boy along here any minute. | 0:01:33 | 0:01:36 | |
-Which room is he in? -Third floor. | 0:01:36 | 0:01:39 | |
This is hydrofluoric acid, gentlemen. | 0:01:49 | 0:01:51 | |
It is the most positive test as to the genuineness of a diamond. | 0:01:51 | 0:01:55 | |
A synthetic diamond has never been made that will stand that test. | 0:01:55 | 0:01:58 | |
Not until now, Mr Wallis. | 0:01:58 | 0:02:01 | |
You've seen me manufacture one of these stones right here. | 0:02:01 | 0:02:04 | |
The other one is a product of nature supplied by your association. | 0:02:04 | 0:02:08 | |
You may take one of them back. | 0:02:08 | 0:02:11 | |
Your diamond is worth 1,000. | 0:02:11 | 0:02:13 | |
Mine can be duplicated for about 25. | 0:02:13 | 0:02:16 | |
Be careful to pick the genuine stone. | 0:02:16 | 0:02:19 | |
-You might fool the naked eye, but not this eye-loupe. -We'll see. | 0:02:19 | 0:02:23 | |
-Are you an expert too, Mr O'Hara? -No, I'm from the police department. | 0:02:23 | 0:02:28 | |
I have to protect these gentlemen's interests - if they have any left. | 0:02:28 | 0:02:32 | |
My invention will never be used in that manner. If it were, it would ruin the diamond industry. | 0:02:32 | 0:02:37 | |
-So, what's the answer? -The defence industries are badly in need of commercial diamonds for drills | 0:02:37 | 0:02:42 | |
and other tools. My diamonds must serve for that purpose only. | 0:02:42 | 0:02:46 | |
You hope. | 0:02:46 | 0:02:47 | |
This is our stone. | 0:02:47 | 0:02:49 | |
No, this is. | 0:02:49 | 0:02:51 | |
Wait a minute... | 0:02:51 | 0:02:54 | |
Boys seem to be having some trouble. | 0:02:54 | 0:02:57 | |
-You're right! This is the genuine stone. -No, I think you're right. | 0:02:58 | 0:03:02 | |
This is the one. | 0:03:02 | 0:03:04 | |
Well, it looks like you're running a dead heat with Lady Nature. | 0:03:04 | 0:03:09 | |
We should have studied our diamond beforehand. | 0:03:09 | 0:03:12 | |
I have examined the original stone carefully. Let me look them over. I'll return the real one. | 0:03:12 | 0:03:17 | |
I'm gonna trade my wife's ring for a washing machine! | 0:03:17 | 0:03:21 | |
-This is your stone. -Are you sure, Mr Sampson? -Positive. | 0:03:23 | 0:03:27 | |
-We'd better report this to the association. -I think you're right. | 0:03:28 | 0:03:32 | |
-Suppose we meet you here at two o'clock tomorrow, Mr Sampson? -Fine. | 0:03:32 | 0:03:35 | |
-I shall be prepared to repeat the demonstration. -Thank you. | 0:03:35 | 0:03:39 | |
By the way, Inspector, you'd better arrange to have Mr Sampson guarded. | 0:03:41 | 0:03:45 | |
-Yeah. -That won't be necessary. | 0:03:45 | 0:03:48 | |
-I've kept this work a close secret. -I'm going to send over a bodyguard. | 0:03:48 | 0:03:52 | |
-You could be worth a lot of dough to somebody. -O'Hara's right. We must be careful. | 0:03:52 | 0:03:57 | |
-Well, just as you say. -See you tomorrow. -Goodbye. | 0:03:57 | 0:04:01 | |
So long. | 0:04:01 | 0:04:03 | |
-Mind if I have a pick at that phoney rock? -Not at all. You may keep it. | 0:04:03 | 0:04:07 | |
-I have more. -Yeah? Well, thanks. | 0:04:07 | 0:04:10 | |
That's quite a flasher, ain't it? | 0:04:10 | 0:04:13 | |
I want to show it to the guys. Well, thanks, Mr Sampson. | 0:04:13 | 0:04:17 | |
Stay right here till my man comes. Sit tight and I'll take care of you. | 0:04:17 | 0:04:21 | |
KNOCK AT DOOR | 0:04:31 | 0:04:33 | |
Who is it? | 0:04:42 | 0:04:44 | |
Telegram for Mr Waldo Sampson. | 0:04:44 | 0:04:46 | |
You'd better push it under the door. | 0:04:49 | 0:04:51 | |
Thank you. | 0:04:54 | 0:04:56 | |
-Mr Sampson? -Yes. -That ain't my finger in your ribs. Let's go quiet. | 0:05:59 | 0:06:03 | |
-But I... -Come on. | 0:06:03 | 0:06:05 | |
This is Bates, chief. Sampson ain't here. | 0:06:09 | 0:06:12 | |
How do I know where he went? | 0:06:12 | 0:06:14 | |
Well, after making a thorough examination, | 0:06:14 | 0:06:17 | |
I deduced the following facts. | 0:06:17 | 0:06:19 | |
First, he must have forgot the combination to his safe. | 0:06:19 | 0:06:23 | |
What do you mean, how do I know? | 0:06:23 | 0:06:25 | |
A guy don't blow his safe open if he remembers the numbers! | 0:06:25 | 0:06:27 | |
That's great(!) | 0:06:27 | 0:06:28 | |
Second, he must have forgot where he put something, | 0:06:28 | 0:06:32 | |
because he wrecked the place trying to find it. | 0:06:32 | 0:06:36 | |
But I came right over and he ain't here! | 0:06:36 | 0:06:39 | |
You've got nothing to worry about. | 0:06:40 | 0:06:42 | |
I'll get right on his trail. | 0:06:42 | 0:06:45 | |
When it runs out, meet me by the employment office on 6th Avenue. | 0:06:45 | 0:06:49 | |
I'll be on my way. Next time you see me, I'm apt to be married. | 0:07:03 | 0:07:07 | |
-Then again, you're apt not to be. -Mike! | 0:07:07 | 0:07:09 | |
-I haven't time to buy you a drink. -What's the rush? | 0:07:09 | 0:07:13 | |
-I'm meeting my fiancee's family. Goodbye. -Oh, let me buy you a drink! | 0:07:13 | 0:07:17 | |
Now look, Mike, what's on your mind? | 0:07:17 | 0:07:20 | |
Nothing! Just social! | 0:07:20 | 0:07:22 | |
Yeah? The last time you had that social look on your face, | 0:07:22 | 0:07:26 | |
-it took me three months to disentangle myself. -So suspicious! | 0:07:26 | 0:07:29 | |
-Same. -You didn't just happen to drop in here, did you? | 0:07:29 | 0:07:33 | |
No, Goldy told me where you were. It was like taking his teeth out. | 0:07:33 | 0:07:37 | |
-You should have told him why you wanted me. -I did. I hear you're in the market for an engagement ring. | 0:07:37 | 0:07:42 | |
I'm gonna send your gal some horse blinders for a wedding present. | 0:07:51 | 0:07:55 | |
I know her from somewhere. | 0:07:55 | 0:07:57 | |
-Atlantic City's always good. -What were we talking about? | 0:07:57 | 0:08:00 | |
-Your engagement. -Oh, yes, I'm ordering a ring. -You don't have to. | 0:08:00 | 0:08:04 | |
I'll sell you a diamond cheap. | 0:08:04 | 0:08:07 | |
-Take a look. -I thought the great O'Hara was above graft. | 0:08:07 | 0:08:11 | |
Just tell the great O'Hara what you think that rock is worth. | 0:08:11 | 0:08:14 | |
It's a beautiful stone. | 0:08:14 | 0:08:16 | |
I'd say about a thousand. | 0:08:16 | 0:08:18 | |
Take another look. | 0:08:18 | 0:08:21 | |
Well...1,500. | 0:08:23 | 0:08:25 | |
You can have it for 25 bucks. | 0:08:25 | 0:08:28 | |
-Phoney? -Yeah. | 0:08:28 | 0:08:30 | |
HE WHISTLES You must be a very worried man | 0:08:30 | 0:08:33 | |
-with stones like this in circulation. -That ain't the half of it. | 0:08:33 | 0:08:36 | |
-The guy that made that rock has been taken out of circulation. -Oh, I see. | 0:08:36 | 0:08:41 | |
That's why you're here. | 0:08:41 | 0:08:43 | |
-Thanks very much. I'm leaving town. -Now wait a minute. | 0:08:43 | 0:08:47 | |
Look... | 0:08:47 | 0:08:48 | |
I don't like this setup. A guy ain't safe with the Falcon in the picture. | 0:08:48 | 0:08:52 | |
Neither is a girl, if he's anything like he used to be. | 0:08:52 | 0:08:56 | |
-You'd better leave this to me. -OK. | 0:08:56 | 0:08:58 | |
You play your hand. If he passes, I'll be out front with Dutch. | 0:08:58 | 0:09:02 | |
So I send Bates over to this Sampson guy's laboratory. No Sampson. | 0:09:05 | 0:09:09 | |
We check on his hotel. He's moved out the night before. | 0:09:09 | 0:09:13 | |
-What do you make of that? -I don't want to make anything out of it. | 0:09:13 | 0:09:17 | |
-I faithfully promised my fiancee... -Falcon, you can't let me down. | 0:09:17 | 0:09:21 | |
You're the one guy that knows this diamond racket inside out. | 0:09:21 | 0:09:24 | |
Get thee behind me, O'Hara. | 0:09:24 | 0:09:26 | |
-Are you leaving? -I'm leaving the business if I don't find that guy. | 0:09:26 | 0:09:30 | |
-I may help you when I get back. -Don't let it worry you on your honeymoon. | 0:09:30 | 0:09:34 | |
I'll try not to. | 0:09:34 | 0:09:36 | |
-You don't seem to remember me, Mr Lawrence. -It's extraordinary. | 0:09:36 | 0:09:40 | |
I don't know how I could have forgotten, but I have. | 0:09:40 | 0:09:44 | |
-Won't you join me? -Thank you. | 0:09:44 | 0:09:46 | |
Where could it have been? | 0:09:49 | 0:09:51 | |
-Try to recall a certain Christmas in Bucharest. -Bucharest... | 0:09:51 | 0:09:55 | |
It was several years ago at a party given by the Duke of Warnburg. | 0:09:55 | 0:09:59 | |
Oh, yes! Yes, I remember now. | 0:09:59 | 0:10:02 | |
The night the Duchess lost her beautiful blue diamond necklace. | 0:10:02 | 0:10:06 | |
Very clever of you to find it on the Christmas tree | 0:10:06 | 0:10:08 | |
after the police had given up. | 0:10:08 | 0:10:10 | |
I wonder who hung it there. | 0:10:10 | 0:10:12 | |
What are you doing in this country? | 0:10:17 | 0:10:20 | |
Oh, I read somewhere that this is the land of opportunity. | 0:10:20 | 0:10:23 | |
-I bet you've found it so. -Quite. | 0:10:23 | 0:10:26 | |
I'm working on something now. | 0:10:26 | 0:10:29 | |
-There's enough for two, if you're interested. -You should count me out. | 0:10:29 | 0:10:33 | |
Would 50,000 as your share interest you? | 0:10:35 | 0:10:38 | |
That's TOO interesting. | 0:10:38 | 0:10:40 | |
Oh, I... | 0:10:42 | 0:10:44 | |
I think I'd better leave before I weaken. | 0:10:45 | 0:10:48 | |
Nice seeing you again, Rita. | 0:10:48 | 0:10:50 | |
Your girl is waiting for you while you're drooling over that cookie! | 0:10:53 | 0:10:57 | |
-Is Helen all set to take off? -She's all set to take a powder on you if you ain't home in a track record. | 0:10:57 | 0:11:02 | |
-We'll grab a cab and be there before you have time to say, "Yeah." -Yeah. | 0:11:02 | 0:11:07 | |
Waiter. Telephone, please. | 0:11:10 | 0:11:12 | |
Who was that dame? | 0:11:14 | 0:11:16 | |
-A very fascinating woman. -Every time you say that, we get into trouble. | 0:11:16 | 0:11:20 | |
-I think she was angry. -How angry? | 0:11:20 | 0:11:23 | |
-In the right mood, she's capable of almost anything! -Like what? | 0:11:23 | 0:11:27 | |
Yeah? Ain't you in enough trouble with one dame | 0:11:28 | 0:11:32 | |
without sticking your chin out to another? Oh, what's the use?! | 0:11:32 | 0:11:35 | |
-She ties in, Goldy. -With what? | 0:11:35 | 0:11:38 | |
The missing guy called Sampson. | 0:11:38 | 0:11:40 | |
Hey, you ain't getting yourself tangled up with something, are you? | 0:11:40 | 0:11:44 | |
-Not if I can help it. -What was you talking to O'Hara about? -Sampson. | 0:11:44 | 0:11:48 | |
Boss, if that dame had anything to do with the guy that was snatched | 0:11:48 | 0:11:52 | |
and she sees you getting chummy with O'Hara and she's dangerous... | 0:11:52 | 0:11:55 | |
BANG! BANG! | 0:11:55 | 0:11:57 | |
Just a motor backfire, bud! | 0:11:59 | 0:12:02 | |
That's what I thought. | 0:12:02 | 0:12:04 | |
But I could have been wrong! | 0:12:04 | 0:12:07 | |
He doesn't want to play on our team, Max. He seems to have changed. | 0:12:07 | 0:12:12 | |
-How much does he know? -Too much. | 0:12:12 | 0:12:15 | |
O'Hara has already contacted him. | 0:12:15 | 0:12:17 | |
-I don't care to run any risks. You understand me? -I always have. | 0:12:17 | 0:12:21 | |
Don't worry, Max. | 0:12:21 | 0:12:23 | |
-Wait here. I want to pick up a peace offering. -Hurry, will you? | 0:12:30 | 0:12:34 | |
What a guy. Bring her a load of heliotropes and she'll swoon. | 0:12:34 | 0:12:38 | |
-That's just till she gets him hooked. -It's a gift. Well, he can have it. | 0:12:38 | 0:12:43 | |
Dames! | 0:12:46 | 0:12:47 | |
Aren't you ashamed of yourself, Gay? | 0:12:47 | 0:12:49 | |
-You used to be my star customer. -Darling, I've been busy. | 0:12:49 | 0:12:52 | |
-What have you been doing? -Seeing a lady about a wedding. | 0:12:52 | 0:12:56 | |
-A wedding?! -Wrap up some roses for me, will you? | 0:12:56 | 0:12:59 | |
-I never thought they'd get you in that corner. -It's when I'm in a corner that I fight my best. | 0:12:59 | 0:13:04 | |
That's too bad. | 0:13:04 | 0:13:06 | |
You're too nice and undependable to be taken out of circulation. | 0:13:06 | 0:13:10 | |
-It's a crime. -Well, I can't solve it. It's a perfect crime. | 0:13:10 | 0:13:14 | |
-May I use your phone? -Go ahead. | 0:13:14 | 0:13:16 | |
Police headquarters? | 0:13:29 | 0:13:31 | |
Inspector Michael O'Hara, please. | 0:13:31 | 0:13:33 | |
Who's that? Joe? This is Gay Lawrence. Put Mike on, will you? | 0:13:39 | 0:13:43 | |
Good evening. What can I do for you? | 0:13:44 | 0:13:47 | |
I know a guy who's one jump ahead of the undertaker. What have you got? | 0:13:47 | 0:13:52 | |
Flowers for a sickroom or a funeral? | 0:13:52 | 0:13:54 | |
-I think he's gonna take a turn for the worse. -Aw! I'll take care of you in a moment. -Right. | 0:13:54 | 0:14:00 | |
Are you still looking for Sampson? | 0:14:00 | 0:14:03 | |
I'll give you one good tip and from then on, it's up to you. | 0:14:13 | 0:14:17 | |
BANG! BANG! | 0:14:19 | 0:14:22 | |
SHE SCREAMS | 0:14:22 | 0:14:24 | |
SHE SCREAMS | 0:14:27 | 0:14:29 | |
Help! Help! | 0:14:29 | 0:14:31 | |
Help! | 0:14:31 | 0:14:33 | |
-Help! -Anything I can do for you? | 0:14:33 | 0:14:35 | |
-Anybody hit? -No. -Then drop the dame and let's get out of here! | 0:14:38 | 0:14:41 | |
-Goldy... -Is this really the time?! | 0:14:41 | 0:14:44 | |
-I can't desert a lady in distress. -You think SHE'S in distress? | 0:14:44 | 0:14:48 | |
-Take a gander at that! -Goldy, that's just somebody trying to scare me. | 0:14:48 | 0:14:52 | |
They part my hair in the middle, trying to scare YOU! | 0:14:52 | 0:14:55 | |
-I've told Helen that I'll be along in a few minutes. -OK, but I doubt it. | 0:14:55 | 0:15:00 | |
Listen, give him five more minutes. It's just five minutes of eight. | 0:15:07 | 0:15:11 | |
-And our plane leaves at eight. I'm getting out of here. -Wait. | 0:15:11 | 0:15:15 | |
-The boss'll have a good excuse. -I'm fed up with excuses. | 0:15:15 | 0:15:19 | |
-Why did O'Hara call here? -How should I know? -Well, I know. | 0:15:19 | 0:15:22 | |
Gay's deep in a crime, and there's always a beautiful woman involved. | 0:15:22 | 0:15:26 | |
Why is that? Never an ugly criminal type. Always a glamorous woman! | 0:15:26 | 0:15:30 | |
-Now you're just gibbering. -After he promised to give up crime and women! | 0:15:30 | 0:15:34 | |
-There are plenty more planes. -And there are plenty other men. | 0:15:34 | 0:15:37 | |
-I guess I'll shop around. -Plenty of dames have tried to nail that guy, | 0:15:37 | 0:15:41 | |
-but have they got him to buy a ring? -Yes, three of them. -My error. -No, mine. I should know better. | 0:15:41 | 0:15:46 | |
-Smarter women than I have failed to land him. -They've been TOO smart. | 0:15:46 | 0:15:50 | |
-Now, you... -Oh, so now I'm dumb! | 0:15:50 | 0:15:53 | |
Hey! Wait! | 0:15:54 | 0:15:56 | |
Hello, darling. Little kiss? | 0:15:56 | 0:15:58 | |
-Goodbye. -What was that for? | 0:15:58 | 0:16:01 | |
-He called me a dumbbell. -How dames distort the truth! | 0:16:01 | 0:16:04 | |
-Let's calm ourselves. If I'm a little late... -A little?! We've got two minutes to catch our plane. | 0:16:04 | 0:16:09 | |
-Do you think we'll make it(?) -No. -Stay out of this! -I was clearing my throat. -Listen, darling... | 0:16:09 | 0:16:14 | |
we mustn't get ugly about this. Everything's going to be all right. | 0:16:14 | 0:16:18 | |
I just gave up a 50,000 deal because it would interfere with our trip. | 0:16:18 | 0:16:23 | |
-Some rich young widow, I presume? -No, just a dreary foreigner | 0:16:23 | 0:16:27 | |
-by the name of Rita Mara. -She sounds glamorous to me. -You couldn't be more mistaken. | 0:16:27 | 0:16:32 | |
She's a skinny old hag. | 0:16:32 | 0:16:34 | |
-Honest? -Honest. | 0:16:34 | 0:16:36 | |
We'll take the next plane, darling. Nothing can stop us now. | 0:16:40 | 0:16:43 | |
BUZZER | 0:16:43 | 0:16:46 | |
I'll get it. Are you in? | 0:16:46 | 0:16:49 | |
-Make him announce himself. -Announce himself? | 0:16:49 | 0:16:52 | |
I'm busy. | 0:16:52 | 0:16:54 | |
I don't want to see anyone unless it's very important. | 0:16:54 | 0:16:58 | |
OK. | 0:16:58 | 0:16:59 | |
-Is Mr Lawrence in? -Ain't you the dame he was talking to earlier? | 0:17:02 | 0:17:06 | |
-Yes, but... -He ain't in. -That's too bad. I had a friendly tip for him. | 0:17:06 | 0:17:11 | |
Yeah? OK, lady. | 0:17:11 | 0:17:13 | |
-Announce yourself. -Miss Rita Mara. | 0:17:13 | 0:17:16 | |
-Louder. -What do you mean? -Announce yourself. It's the boss's orders. | 0:17:16 | 0:17:20 | |
You gotta give out, with the thing. | 0:17:20 | 0:17:22 | |
MISS RITA MARA! | 0:17:22 | 0:17:24 | |
That might do it. Wait here. | 0:17:25 | 0:17:28 | |
I told you I was busy... | 0:17:30 | 0:17:32 | |
I don't want Helen to see her, so don't let her in. | 0:17:32 | 0:17:36 | |
Ask her to come back some other time. Tell her anything... | 0:17:36 | 0:17:39 | |
Oh, Miss Mara. | 0:17:39 | 0:17:41 | |
-Um...may I introduce Miss Reed? -How do you do? | 0:17:41 | 0:17:45 | |
How you've changed! | 0:17:49 | 0:17:51 | |
A skinny old hag, huh? | 0:17:53 | 0:17:55 | |
Is everyone mad here? | 0:18:00 | 0:18:03 | |
-Just as I was getting everything to run nice and smooth. -That's too bad. | 0:18:03 | 0:18:07 | |
-Why did you have to come to my apartment? -I came to invite you to take a little trip with me. | 0:18:07 | 0:18:12 | |
-Really? -Yes. | 0:18:12 | 0:18:14 | |
A friend of mine wants to see you. | 0:18:14 | 0:18:17 | |
Cigarette? | 0:18:17 | 0:18:18 | |
-No, thank you. -I'm sorry, but I can't go on trips with everyone. | 0:18:20 | 0:18:25 | |
Why not? | 0:18:25 | 0:18:27 | |
Thank you. Won't you change your mind now? | 0:18:29 | 0:18:33 | |
Come on, get going. | 0:18:33 | 0:18:35 | |
I shall be delighted. | 0:18:35 | 0:18:37 | |
-Skinny old hag, huh? -Don't you never relax? -50,000 deal...! | 0:18:43 | 0:18:47 | |
-Out of my way. I'm going in there. -The boss'll handle her. | 0:18:47 | 0:18:51 | |
That's what I'm afraid of! | 0:18:51 | 0:18:53 | |
-Goldy! -What's the matter? | 0:18:55 | 0:18:57 | |
He's gone. | 0:18:57 | 0:18:59 | |
This does it. I'm through! | 0:19:01 | 0:19:04 | |
You gonna let a dame like that shove you around? | 0:19:04 | 0:19:07 | |
-Maybe I'll do a little shoving of my own! -Now you're talking! | 0:19:07 | 0:19:10 | |
Where'd he go? You know him. | 0:19:10 | 0:19:13 | |
-Where would he take her? -You got me! I ain't got an idea. | 0:19:13 | 0:19:17 | |
Hey, what's this? | 0:19:17 | 0:19:19 | |
It's her handbag. Let's take a look. | 0:19:21 | 0:19:24 | |
I don't know anything and I don't want to find out anything. | 0:19:29 | 0:19:33 | |
-Is that why you telephoned O'Hara? -I just wanted to say goodbye. | 0:19:33 | 0:19:36 | |
Max just wants to say hello. | 0:19:36 | 0:19:39 | |
Get a load of that drunk! | 0:20:00 | 0:20:03 | |
-Oh, a wise guy, huh? -Better see what shape the driver's in. -OK. | 0:20:10 | 0:20:15 | |
-Pull over! -One crack about this ride and it'll be your last one. | 0:20:17 | 0:20:21 | |
-Anything wrong? -I just wonder if you're in better shape than your buddy in the back seat. | 0:20:27 | 0:20:32 | |
Sock him on the nose, Dutch. | 0:20:32 | 0:20:35 | |
-The less you say, the easier you'll be on yourself! -Is that so? | 0:20:36 | 0:20:40 | |
There were 14 hold-ups and three murders in town last night | 0:20:40 | 0:20:44 | |
and you're chasing a crowd that's only out for a good time. | 0:20:44 | 0:20:48 | |
-Shut up. -Let me see your licence. | 0:20:48 | 0:20:51 | |
He's just fishing for a bribe. Slip him a ten and let's be on our way. | 0:20:51 | 0:20:55 | |
What did you say? | 0:20:55 | 0:20:57 | |
I said I've seen tougher apes than you hide inside a uniform. | 0:20:58 | 0:21:03 | |
Get out of that car! | 0:21:04 | 0:21:06 | |
No. Don't want to. | 0:21:06 | 0:21:09 | |
Very clever. | 0:21:09 | 0:21:11 | |
You heard what he said. | 0:21:11 | 0:21:13 | |
Get out! | 0:21:13 | 0:21:15 | |
Cossack! | 0:21:15 | 0:21:17 | |
Now repeat what you just said in that car, buddy! | 0:21:18 | 0:21:21 | |
You heard him! | 0:21:21 | 0:21:23 | |
OK, get going. | 0:21:28 | 0:21:30 | |
Thank you, Officer. You saved my life. | 0:21:35 | 0:21:38 | |
Yoo-hoo! | 0:21:38 | 0:21:40 | |
Come on, get in there. | 0:21:40 | 0:21:42 | |
..80, 90, 100. | 0:21:45 | 0:21:48 | |
There's your bond. | 0:21:48 | 0:21:50 | |
-May I use your phone? -Yes, but don't call Honolulu. | 0:21:52 | 0:21:55 | |
PHONE RINGS | 0:21:58 | 0:22:01 | |
Yeah? | 0:22:01 | 0:22:03 | |
Hello, boss. No, she ain't here. She went to the other dame's hotel. | 0:22:03 | 0:22:07 | |
Hotel? What are you talking about? | 0:22:07 | 0:22:09 | |
The Mara girl left her pocketbook. | 0:22:09 | 0:22:11 | |
There was an envelope marked the Federal Hotel in it. | 0:22:11 | 0:22:15 | |
If you're still there, you'd better hotfoot it out the nearest window. | 0:22:15 | 0:22:19 | |
-I'm at the police station. -Did they raid the place? | 0:22:19 | 0:22:22 | |
I haven't been in a hotel! I'd better go over there and pick Helen up. | 0:22:22 | 0:22:27 | |
If she gets back before me, hold her. | 0:22:27 | 0:22:30 | |
Excuse me. | 0:22:50 | 0:22:52 | |
-Hiya. -Has a Miss Helen Reed been here? | 0:22:59 | 0:23:02 | |
-She left. Didn't you run into her? -I must have just missed her. -Boy, are you lucky! | 0:23:02 | 0:23:07 | |
-Was she perturbed? -I wouldn't know, but she was sure burned to a cinder. | 0:23:07 | 0:23:12 | |
The other dame ain't shown yet. | 0:23:14 | 0:23:17 | |
Dame? Oh, Miss Mara. | 0:23:17 | 0:23:19 | |
-I'll leave a note for her. Do you mind giving me some paper? -Sure. | 0:23:21 | 0:23:24 | |
-Thanks. -It's OK. Don't cost me nothing. | 0:23:35 | 0:23:38 | |
On second thoughts, I may as well go through with it. Give me a room. | 0:23:38 | 0:23:41 | |
It's your life, chum. | 0:23:41 | 0:23:43 | |
-Something not too high up, say... the fifth floor. -We ain't crowded. | 0:23:45 | 0:23:49 | |
(Don't sign it. You'll get into trouble. Don't. Don't.) | 0:23:56 | 0:23:59 | |
(Behind you.) | 0:24:03 | 0:24:05 | |
Oh, but, darling, I can explain everything... | 0:24:06 | 0:24:09 | |
-Darling, I can explain everything. -Let go or I'll call a cop! | 0:24:11 | 0:24:14 | |
-Darling, it's nothing. -Nothing? What do you consider something? | 0:24:14 | 0:24:18 | |
-Get going. -Never mind, driver. I think you're out of gasoline. | 0:24:20 | 0:24:25 | |
Buddy, you're positively psychic. | 0:24:25 | 0:24:27 | |
-Why, you heel! -At these prices, sister, a party can afford to be. | 0:24:27 | 0:24:32 | |
-Listen, darling... -Go on back to that skinny old hag! | 0:24:32 | 0:24:36 | |
That Mara woman got me out of there with an automatic in my ribs. | 0:24:36 | 0:24:39 | |
-I escaped and came to find you. -Ha-ha-ha! You liar! | 0:24:39 | 0:24:43 | |
It's a fact! You can feel my jaw - with your fingers, not your fist. | 0:24:43 | 0:24:47 | |
-How did you know I was here? -Goldy told me. -I might believe that, | 0:24:47 | 0:24:51 | |
-but I heard your conversation with that odious clerk. -That was a ruse. | 0:24:51 | 0:24:55 | |
-O'Hara's looking for someone in the hotel. -Why don't you and O'Hara get married? | 0:24:55 | 0:25:00 | |
That little man in there is worth a small fortune. | 0:25:00 | 0:25:03 | |
Darling, I was thinking of all the wonderful things I could buy you. A penthouse, furs, jewellery... | 0:25:03 | 0:25:08 | |
-A new car! -..new car. | 0:25:08 | 0:25:11 | |
Oh, I don't know. I'm so tired of chasing you. | 0:25:11 | 0:25:14 | |
Darling, if I promise to be back in five minutes, will you let me check? | 0:25:16 | 0:25:20 | |
-Gay... -Oh, all right. If you say no, that settles it. | 0:25:20 | 0:25:24 | |
-I guess we can get along without the money. -All right. | 0:25:25 | 0:25:29 | |
Go and have your fun. | 0:25:29 | 0:25:31 | |
That's the spirit. | 0:25:31 | 0:25:33 | |
-Wait here. -Yes, sir! | 0:25:34 | 0:25:36 | |
And the deadline's ten minutes. | 0:25:36 | 0:25:39 | |
You can time me. | 0:25:39 | 0:25:41 | |
If I see that female go in there, you'd better jump out of the window. | 0:25:41 | 0:25:45 | |
Yes, I'll jump, I promise. | 0:25:45 | 0:25:48 | |
He better stay on the ground floor! | 0:25:48 | 0:25:50 | |
-I'll take that room now. -Are you still alive? | 0:25:55 | 0:25:58 | |
-Not a scratch. -You do all right! -Send up an evening paper, will you? | 0:25:58 | 0:26:02 | |
-Are you gonna read? -This way, sir. | 0:26:02 | 0:26:04 | |
Something screwy going on here. | 0:26:11 | 0:26:14 | |
Fifth floor. This way, Officer. | 0:28:13 | 0:28:16 | |
-This guy's prowling around and then he goes into Sampson's room... -Wait. | 0:28:16 | 0:28:20 | |
That's Sampson. | 0:28:30 | 0:28:32 | |
Looks like he's asleep. | 0:28:35 | 0:28:37 | |
Yeah, for keeps. | 0:28:37 | 0:28:39 | |
Police headquarters. | 0:28:40 | 0:28:43 | |
Gay, what are you doing?! | 0:28:57 | 0:29:00 | |
Are you crazy? You'll get killed! | 0:29:02 | 0:29:04 | |
Will you get off that ledge? | 0:29:04 | 0:29:07 | |
Gay, get off that ledge this minute! Gay, what are you doing?! | 0:29:07 | 0:29:11 | |
Gay, get off that ledge this instant! | 0:29:11 | 0:29:15 | |
-Looks like another suicide. -No, that's my fiance. | 0:29:15 | 0:29:18 | |
-You told him to jump, didn't you? -Gay, get off the ledge this instant! | 0:29:18 | 0:29:23 | |
-Five bucks he don't. -You're on. | 0:29:25 | 0:29:28 | |
-Gay, will you please go inside this minute?! -You'll break your neck! | 0:29:28 | 0:29:33 | |
Gay! | 0:29:34 | 0:29:36 | |
-What do you think he's doing there? -Maybe he's a fresh-air fiend. | 0:29:36 | 0:29:39 | |
-Look, he's smoking! -What brand do you think he's advertising? | 0:29:42 | 0:29:47 | |
Gay, stop making an exhibition of yourself! | 0:29:47 | 0:29:50 | |
SIREN WAILS | 0:29:50 | 0:29:53 | |
Come on. Break it up. Let us through. | 0:30:02 | 0:30:04 | |
Come on. Break it up. | 0:30:04 | 0:30:07 | |
He's on your left! | 0:30:09 | 0:30:12 | |
-He's on the left! -Grab him! Officer, grab him! | 0:30:12 | 0:30:15 | |
No, to your left! | 0:30:16 | 0:30:18 | |
Grab him! To your left! No, to your left! | 0:30:22 | 0:30:25 | |
-Look! -He's on the left. | 0:30:25 | 0:30:27 | |
That's my fiancee down there. She wants you to rescue me. | 0:30:27 | 0:30:32 | |
-What do you think about it? -Shall I come in and tell you? -I would. | 0:30:32 | 0:30:36 | |
CROWD: Aw! | 0:30:42 | 0:30:45 | |
Ah, he's yella! | 0:30:45 | 0:30:47 | |
Sure. I tagged him for a phoney. | 0:30:47 | 0:30:50 | |
-All right, what goes on? -We find some bird perched out on the ledge. | 0:30:50 | 0:30:54 | |
-Was it nesting? -We should rush over here to help you sort out a drunk! | 0:30:54 | 0:30:59 | |
-Oh, I forgot about the dead man. -You forgot? Who is it? | 0:30:59 | 0:31:02 | |
-It's Mr Sampson. -Sampson?! | 0:31:02 | 0:31:05 | |
It's him, all right. I might as well turn in my badge... | 0:31:10 | 0:31:14 | |
-I beg your pardon. -Oh, hello, Mike. | 0:31:19 | 0:31:21 | |
What are you doing here? Thought you weren't interested in this case. | 0:31:21 | 0:31:25 | |
-I'm not. I'm just...an innocent bystander. -Peculiar place to bystand. | 0:31:25 | 0:31:30 | |
He's the guy we caught sneaking in here. I don't want to poke my nose in, but I figure he's the killer. | 0:31:30 | 0:31:35 | |
-Yeah? -Yeah. -Why? No, don't tell me. | 0:31:35 | 0:31:38 | |
-Let me solve it. ..Look, Falcon... -Looks like he took a powder. | 0:31:38 | 0:31:41 | |
What? | 0:31:41 | 0:31:43 | |
-Overdose of sleeping pills, huh? -While he was fully dressed too. | 0:31:45 | 0:31:49 | |
-What did you say? -I said that your conclusion was the obvious one. | 0:31:49 | 0:31:53 | |
-Have you got a conclusion that ain't obvious? -Just a hunch. -What is it? | 0:31:53 | 0:31:57 | |
I suggest the sleeping tablets were forced on Sampson. | 0:31:57 | 0:32:00 | |
-Why don't you have an autopsy? -Want to hear my hunch? -Yes. | 0:32:00 | 0:32:04 | |
-You're under arrest. -Are you joking? | 0:32:04 | 0:32:07 | |
-Yeah, like he's sleeping! -Mike, you're not a fool... | 0:32:07 | 0:32:10 | |
I'm gonna have fun proving that to the Commissioner. Lock him up. | 0:32:10 | 0:32:14 | |
I'll be delighted, chief. Will you join me? | 0:32:14 | 0:32:17 | |
Mike, I've got a tip for you, if you'll pin up your hair and listen. | 0:32:17 | 0:32:21 | |
If you'll pin that up, I'll listen! | 0:32:21 | 0:32:23 | |
-What's the matter, Bates? Can't you take him? -Are you gonna come quiet? | 0:32:23 | 0:32:27 | |
Yes. Shh! | 0:32:27 | 0:32:29 | |
I won't even wake you up. | 0:32:29 | 0:32:31 | |
-CROWD TALK AT ONCE -Please let me through. | 0:32:35 | 0:32:39 | |
Main floor. Lobby. | 0:32:43 | 0:32:45 | |
Come on! | 0:32:45 | 0:32:46 | |
-Nice work, darling! -Clumsy! | 0:32:54 | 0:32:56 | |
Going up, buddy? | 0:32:56 | 0:32:58 | |
Come on. Let's get out of here. | 0:33:00 | 0:33:02 | |
Are you all right, darling? You go on home and I'll call you there. | 0:33:08 | 0:33:12 | |
I'm engaged to a maniac. | 0:33:14 | 0:33:16 | |
CROWD AGREES | 0:33:16 | 0:33:19 | |
'A dragnet has been spread by the police to apprehend Gay Lawrence | 0:33:21 | 0:33:25 | |
'for information about the murder of Waldo Sampson...' | 0:33:25 | 0:33:29 | |
TRAY RATTLES | 0:33:35 | 0:33:37 | |
-You'd better have some yourself. -It might make me nervous. | 0:33:39 | 0:33:42 | |
I may be a widow before I'm a bride. | 0:33:42 | 0:33:45 | |
TELEPHONE RINGS | 0:33:45 | 0:33:47 | |
Hello. | 0:33:47 | 0:33:49 | |
Oh, you. | 0:33:49 | 0:33:51 | |
So now it's murder. | 0:33:51 | 0:33:53 | |
O'Hara and 22,000 cops are looking for you. | 0:33:53 | 0:33:56 | |
Pay no attention to it, darling. | 0:33:56 | 0:33:58 | |
-Just meet me at the airport in one hour. -Shall I bring my machine gun? | 0:33:58 | 0:34:03 | |
-The police are probably waiting for you there. -Wrong, darling. | 0:34:03 | 0:34:06 | |
O'Hara will think I'm much too smart to leave town as we'd planned. | 0:34:06 | 0:34:09 | |
You're too smart for my own good. | 0:34:09 | 0:34:12 | |
And be sure that you're not followed. | 0:34:12 | 0:34:14 | |
-See you in an hour. -It'll seem like a year. And it's liable to be. | 0:34:15 | 0:34:20 | |
SMASH! | 0:34:22 | 0:34:24 | |
SMASH! | 0:34:25 | 0:34:27 | |
-I feel better now. -Me too! -Come on. Let's go. | 0:34:30 | 0:34:34 | |
Do you see him anywhere? | 0:34:42 | 0:34:44 | |
No. | 0:34:44 | 0:34:46 | |
Shall I have the bags put on board? | 0:34:46 | 0:34:48 | |
-I don't really expect to take this plane. -Don't give me riddles! | 0:34:48 | 0:34:52 | |
-What are we here for?! -We came here to see what happens next. | 0:34:52 | 0:34:56 | |
HE WHISTLES LIGHT-HEARTEDLY | 0:35:02 | 0:35:05 | |
Here he comes. | 0:35:08 | 0:35:10 | |
It looks as though we might be going somewhere, doesn't it, Goldy? | 0:35:10 | 0:35:15 | |
-Could be. -What'll you bet? I'll give you 10-1 we don't. | 0:35:15 | 0:35:18 | |
I'll take it. | 0:35:18 | 0:35:20 | |
-Don't be so cynical. Everything's going to be fine. -Fine and dandy. | 0:35:20 | 0:35:25 | |
-Here it comes! -Am I getting to be a bore? -You're getting to be a good detective. -Just takes time. | 0:35:25 | 0:35:30 | |
-Shall we go back downtown now? -Can't you give me a break? -Sure. I'll try to get you a life sentence. | 0:35:30 | 0:35:35 | |
-If I don't get this plane, I might lose my fiancee. -If you think he's kidding, stick around. | 0:35:35 | 0:35:40 | |
I know just how you feel. I've been chasing him too. | 0:35:40 | 0:35:44 | |
-He's got me. -He can have you. | 0:35:44 | 0:35:46 | |
-What am I to do? I could be held for murder. -Take your hands off me before I'm held for one! | 0:35:46 | 0:35:52 | |
I'll crack this case. | 0:35:52 | 0:35:54 | |
Anyway, I tried. Be careful, darling. | 0:35:58 | 0:36:01 | |
-Touching, ain't it? -Yeah, it touches me for a buck! | 0:36:03 | 0:36:07 | |
Oh. Goodbye, darling. | 0:36:09 | 0:36:12 | |
Thanks. It'll be a down payment on my straitjacket. | 0:36:19 | 0:36:23 | |
-How about a cigarette? -I have some, thanks. -I'll have one too. | 0:36:25 | 0:36:29 | |
Thanks. | 0:36:29 | 0:36:31 | |
You know, Mike, | 0:36:33 | 0:36:35 | |
-even the smartest men make mistakes. -Yeah, I've made a few myself. | 0:36:35 | 0:36:39 | |
I made one when I didn't tip you off about a fellow called Max. | 0:36:41 | 0:36:44 | |
Max who? | 0:36:44 | 0:36:46 | |
I don't know, but I think he knows plenty about the man in the hotel. | 0:36:46 | 0:36:50 | |
-Why didn't you tip me off? -I started to, but I was interrupted by a shot. | 0:36:50 | 0:36:55 | |
Yeah? Who done the shooting? | 0:36:55 | 0:36:57 | |
Whoever it was killed Waldo Sampson. | 0:36:57 | 0:37:00 | |
That's just a theory. | 0:37:00 | 0:37:02 | |
It wasn't a theory that made a hole in Goldy's hat. | 0:37:02 | 0:37:06 | |
-Does he always miss? -Give me 12 hours and you can ask him yourself. | 0:37:06 | 0:37:09 | |
And then you'd be in Mexico. | 0:37:09 | 0:37:11 | |
You aren't fooling me. You don't actually think that I'm guilty. | 0:37:11 | 0:37:15 | |
-You'll do till a better suspect comes along. -Give me those 12 hours | 0:37:15 | 0:37:19 | |
and I can keep my fiancee and you your job. That's what you wanted me for, isn't it? | 0:37:19 | 0:37:24 | |
Well, I'll tell you, Falcon, I'd look stupid if I let you get away. | 0:37:24 | 0:37:28 | |
-Or if you try to pin this on me! -I've been thinking about that too. | 0:37:28 | 0:37:33 | |
12 hours, Mike, eh? | 0:37:33 | 0:37:35 | |
CAR HORNS BEEP | 0:37:38 | 0:37:41 | |
-Waiting for a ticket, buddy? -Yeah. | 0:37:48 | 0:37:51 | |
Make it out to Michael O'Hara, Homicide Bureau, for impersonating an officer. | 0:37:51 | 0:37:56 | |
Herman... | 0:39:13 | 0:39:15 | |
TELEPHONE RINGS | 0:39:40 | 0:39:41 | |
Hello? Yeah, yeah, boss. | 0:39:41 | 0:39:44 | |
-Let me talk to him. -So? | 0:39:44 | 0:39:46 | |
Tell Helen to meet me at the cocktail lounge. | 0:39:46 | 0:39:49 | |
When she leaves the apartment, | 0:39:49 | 0:39:50 | |
I think someone will follow her, and I hope it isn't the police. | 0:39:50 | 0:39:54 | |
Now, what I want YOU to do is to follow them, see? | 0:39:54 | 0:39:58 | |
They'll be after me. When they pick me up, find out where they take me | 0:39:58 | 0:40:02 | |
and then call O'Hara. Get it? | 0:40:02 | 0:40:04 | |
-Yeah, I get it, but what is it? -What's he up to now? | 0:40:04 | 0:40:08 | |
-OK. -Let me talk to him! | 0:40:08 | 0:40:10 | |
Don't tell Helen anything, except that I want to buy her a drink. | 0:40:10 | 0:40:15 | |
And be prepared for any eventuality. | 0:40:15 | 0:40:17 | |
-Yeah, that's what I thought. -Let me talk to him! -OK. Goodbye. | 0:40:17 | 0:40:22 | |
Why couldn't I talk to him? I'm his future wife. | 0:40:24 | 0:40:27 | |
-Meet him at Jack & Joe's. -Why? -He wants to buy you a drink. | 0:40:27 | 0:40:31 | |
-Come on, what's behind all this? -Don't ask me! | 0:40:31 | 0:40:34 | |
All right. | 0:40:34 | 0:40:36 | |
Here I go again. Anyway, we have fun... | 0:40:36 | 0:40:39 | |
don't we? | 0:40:39 | 0:40:41 | |
Yeah, don't I? | 0:40:44 | 0:40:45 | |
Will you tell me what this is about? | 0:41:18 | 0:41:21 | |
I wanted to celebrate our marriage. | 0:41:21 | 0:41:24 | |
-Don't you think that little murder charge might interfere with our nuptials? -I'm not sure he's dead. | 0:41:24 | 0:41:29 | |
-Then why is he in the morgue? -I don't know. -Do you feel all right? | 0:41:29 | 0:41:33 | |
Yes, fine. I'll be right back. | 0:41:33 | 0:41:36 | |
CAR HORN BEEPS ONCE | 0:42:02 | 0:42:04 | |
In the car, buddy. | 0:42:10 | 0:42:12 | |
-Hello again. -Get in there. | 0:42:20 | 0:42:23 | |
Gay! | 0:42:24 | 0:42:26 | |
Gay! Help! Police! | 0:42:28 | 0:42:31 | |
-Help! Police! -What's the matter? | 0:42:33 | 0:42:35 | |
-That car! That car! -What about it? -They've got him in there. -Who? | 0:42:35 | 0:42:40 | |
-They've got the Falcon! -Somebody's got a bird? -Oh, will you...? | 0:42:40 | 0:42:44 | |
-The Falcon? What do you know about him? -Don't stand there like a paralysed idiot! Do something! | 0:42:44 | 0:42:49 | |
-All right, I will. Let's go down to headquarters. -Oh! | 0:42:49 | 0:42:52 | |
Don't pull anything this time. | 0:42:52 | 0:42:55 | |
-I'm sorry we had to be so rude. -Not at all. I've been looking for you. | 0:42:55 | 0:42:59 | |
-Really? -I decided it would be safer to be on your side. | 0:42:59 | 0:43:03 | |
-You should have thought of that before collaborating with Mr O'Hara. -I live and learn. -Anyway, you learn. | 0:43:03 | 0:43:09 | |
-Would you be interested in hearing some observations I made since I last saw you? -No. | 0:43:14 | 0:43:19 | |
-But I imagine Max would. -So I'm really going to meet Max at last. | 0:43:19 | 0:43:23 | |
Most people do. | 0:43:23 | 0:43:25 | |
At last. | 0:43:25 | 0:43:27 | |
RADIO: 'Will Linda dare to leave Chris | 0:43:27 | 0:43:30 | |
'and find happiness in Tony's arms? | 0:43:30 | 0:43:32 | |
'Or will she defy her own heart | 0:43:32 | 0:43:35 | |
'for the sake of Tiny Tim? | 0:43:35 | 0:43:37 | |
'And what of Millicent? Where will she get the money? | 0:43:37 | 0:43:41 | |
'Tune in tomorrow night and hear the next episode | 0:43:41 | 0:43:45 | |
'in this soul-searching drama of a woman's heart. | 0:43:45 | 0:43:48 | |
'Don't forget. Tomorrow!' | 0:43:48 | 0:43:51 | |
I hope I'll be here to remember! | 0:43:51 | 0:43:53 | |
So Max is an importer, eh? Is that a cover for smuggling? | 0:44:28 | 0:44:32 | |
You'd better ask him. | 0:44:32 | 0:44:34 | |
Hello, Falcon. | 0:44:42 | 0:44:44 | |
Hello, Max. | 0:44:44 | 0:44:46 | |
You probably recognise Mr Sampson... | 0:44:47 | 0:44:49 | |
-Yes. -Officially, he's dead. | 0:44:49 | 0:44:52 | |
Yes, and unofficially, he doesn't look very healthy. | 0:44:52 | 0:44:56 | |
I saw his twin brother. | 0:44:56 | 0:44:58 | |
So you weren't fooled? | 0:44:58 | 0:45:00 | |
No, but I think O'Hara was. | 0:45:00 | 0:45:03 | |
We were sure he would be. By the time he wakes up, | 0:45:03 | 0:45:06 | |
-we'll be out of the country. -And Waldo will be out of existence. | 0:45:06 | 0:45:10 | |
Don't exclude yourself. You should have listened to Rita. | 0:45:10 | 0:45:13 | |
-I was too anxious to leave town. -Is that so? What kept you? | 0:45:13 | 0:45:17 | |
-I forgot my toothbrush. -Really? | 0:45:17 | 0:45:20 | |
How unfortunate for you. | 0:45:20 | 0:45:22 | |
I just persuaded Mr Sampson to give us the formula for his process. | 0:45:22 | 0:45:25 | |
-I thought you would. -Dutch and I will collect tomorrow. We'll phone you here when we finish. | 0:45:25 | 0:45:30 | |
-I think you can close our deal with the Falcon. -I think so. | 0:45:30 | 0:45:35 | |
-We'll meet at your apartment. -Right. | 0:45:35 | 0:45:37 | |
-Come on, Dutch. -Oh, your hat. -Thank you. | 0:45:37 | 0:45:41 | |
-Sorry we won't meet again. -That's one nice thing about my murder. | 0:45:41 | 0:45:45 | |
-Won't you sit down? -Oh, thanks. | 0:45:48 | 0:45:50 | |
You'd better step on it. They look like they'd slit your throat for a cigarette butt. | 0:45:52 | 0:45:57 | |
OK, but don't crash the joint until some of my men get there. | 0:45:57 | 0:46:01 | |
Maybe it's on the level, maybe not. Take a couple of lads and find out. | 0:46:01 | 0:46:06 | |
-Is the Falcon there? -Goldy says the mob's got him. -What mob? | 0:46:06 | 0:46:09 | |
-How should I know?! Nobody tells me nothing! -Embarrassing, ain't it? | 0:46:09 | 0:46:13 | |
Yeah. | 0:46:13 | 0:46:14 | |
-Are you going to fix the window? -No, I'm going to fix you. -Oh. | 0:46:45 | 0:46:49 | |
Oh, no. | 0:46:54 | 0:46:56 | |
Not one of those things again. | 0:46:56 | 0:46:58 | |
Still works, brother. | 0:46:58 | 0:47:00 | |
How trite! | 0:47:05 | 0:47:07 | |
They say the best people are using concrete these days. | 0:47:07 | 0:47:11 | |
Always smart, aren't you? | 0:47:11 | 0:47:13 | |
You're a trusting soul, Rita. | 0:47:13 | 0:47:16 | |
-Am I? -Yes, you've just let Max walk out of here with a fortune. | 0:47:16 | 0:47:19 | |
-He collects the money and you collect a couple of murders. -You won't talk your way out of this. | 0:47:19 | 0:47:24 | |
-Neither will you when the police get here. -What do you mean? | 0:47:24 | 0:47:28 | |
If Max tips off the police and they find you holding Sampson. | 0:47:28 | 0:47:32 | |
Don't listen to him. | 0:47:32 | 0:47:35 | |
Worried, Rita? | 0:47:37 | 0:47:39 | |
Aren't you? | 0:47:39 | 0:47:41 | |
Not if I'm going to live until your friend Max telephones. | 0:47:41 | 0:47:44 | |
You won't. | 0:47:44 | 0:47:47 | |
-Drunk driver, huh? -What did you say? -I suppose you'll say it's my fault! | 0:48:06 | 0:48:10 | |
-You chump! -Let me see your licence. -Let's see your badge. | 0:48:10 | 0:48:13 | |
-You think you own the road. I ought to take a poke at you. -Try me. | 0:48:13 | 0:48:18 | |
WOMEN SCREAM | 0:48:18 | 0:48:21 | |
Oh! | 0:48:33 | 0:48:35 | |
Turn it off. What goes on here? | 0:48:39 | 0:48:42 | |
-That man is drunk. He ran into my car and attacked me. -Oh! | 0:48:42 | 0:48:46 | |
-You heard this gentleman. What do you say? -Ask anybody. Who was to blame? | 0:48:46 | 0:48:50 | |
-You. I saw you cut in. -He was doing a good 50. | 0:48:50 | 0:48:54 | |
-Come on, you. -You don't know who he is. He's a killer. | 0:48:54 | 0:48:57 | |
-You can see the man is blind drunk. -I appeal to the public's fairness. | 0:48:57 | 0:49:02 | |
-Don't you two answer. Am I drunk? -ALL: Yes. | 0:49:02 | 0:49:05 | |
-Come on, you. -Wait a minute. He's Murder Incorporated! -Sure, sure(!) | 0:49:05 | 0:49:09 | |
-I'm as sober as a judge. -I'll put you before one, we'll find out. | 0:49:09 | 0:49:13 | |
CROWD LAUGHS | 0:49:13 | 0:49:15 | |
Open up. Police. | 0:49:20 | 0:49:22 | |
BANG! BANG! | 0:49:22 | 0:49:24 | |
Stand back, boys. | 0:49:24 | 0:49:26 | |
Drop that gun. | 0:49:40 | 0:49:43 | |
Am I seeing things? | 0:49:43 | 0:49:45 | |
Get these guys loose. | 0:49:46 | 0:49:48 | |
Thanks, Officer. | 0:49:58 | 0:50:00 | |
All right, boys, reach! | 0:50:04 | 0:50:07 | |
-Don't be a chump, Falcon. -Your guns. | 0:50:08 | 0:50:10 | |
Let's get out of here. Well, come on, snap out of it! | 0:50:20 | 0:50:24 | |
You'll have to forgive me for misjudging you. | 0:50:55 | 0:50:59 | |
-I could forgive you for almost anything. -I hope we make it. | 0:50:59 | 0:51:03 | |
-It isn't the money now. It's him. -I'll take the money. | 0:51:03 | 0:51:07 | |
You'll take half the money. | 0:51:07 | 0:51:09 | |
Naturally. | 0:51:09 | 0:51:11 | |
Here we are. Third house down. | 0:51:11 | 0:51:14 | |
They're still here. | 0:51:20 | 0:51:23 | |
I'll turn the formula over to you for a million dollars. | 0:51:27 | 0:51:31 | |
You know it's only valuable in the hands of an unscrupulous party. | 0:51:31 | 0:51:35 | |
Well, you're getting it. | 0:51:35 | 0:51:37 | |
Because I'm in somewhat of a hurry to leave the country, | 0:51:38 | 0:51:41 | |
I'll let you have it at a bargain. | 0:51:41 | 0:51:44 | |
250,000. | 0:51:44 | 0:51:46 | |
-Take it or leave it. -I'll take it. | 0:51:46 | 0:51:48 | |
Rita! | 0:51:49 | 0:51:50 | |
Don't move. | 0:51:50 | 0:51:52 | |
I'm beginning to understand. | 0:51:54 | 0:51:58 | |
Don't do anything foolish... | 0:51:59 | 0:52:01 | |
Now you're dealing with me. | 0:52:05 | 0:52:08 | |
No, with me. Sit down, Rita. | 0:52:09 | 0:52:11 | |
Police headquarters. | 0:52:15 | 0:52:17 | |
-Hold that phone up for me. Do you mind? -Would it matter if I did? | 0:52:17 | 0:52:22 | |
-I'm afraid not. -Would 50,000...? -Save it for your lawyers. ..Hello. | 0:52:22 | 0:52:26 | |
This is the Falcon for O'Hara... Stay where you are, Rita. | 0:52:26 | 0:52:30 | |
Yes, right away. | 0:52:31 | 0:52:34 | |
Tell him to come to 59 West 23rd Street... | 0:52:34 | 0:52:37 | |
-He hasn't got it. -The formula? -It's not on him. | 0:52:47 | 0:52:50 | |
Dutch. | 0:52:52 | 0:52:53 | |
OK, OK, we'll start all over again. | 0:52:56 | 0:53:00 | |
Whom did he meet when he ducked out of that cocktail bar? | 0:53:00 | 0:53:04 | |
WHOM do you think I am, a swami? | 0:53:04 | 0:53:07 | |
-Will you please DO something? -We are doing something! | 0:53:07 | 0:53:10 | |
If your boyfriend's on the level, you ain't got much to worry about. | 0:53:10 | 0:53:14 | |
-If he ain't, you got nothing to worry about! -Of course he is! | 0:53:14 | 0:53:18 | |
-Well? -The Falcon just phoned. | 0:53:18 | 0:53:21 | |
-Where is he? -59 West 23rd Street. He says to come over. -He gets around! | 0:53:21 | 0:53:25 | |
Don't stand there, you oaf! | 0:53:25 | 0:53:28 | |
-Maybe the worst thing I could do to that guy is let you catch up with him! -Then I shall go myself. | 0:53:28 | 0:53:33 | |
-Put her on ice. -Oh, no, you don't! -Let's waste our time. | 0:53:33 | 0:53:36 | |
-You heard the Inspector. -Don't you dare touch me! | 0:53:36 | 0:53:40 | |
-This'll cost you your badge! -I've heard that before. | 0:53:40 | 0:53:43 | |
All right. Now say six long, slick, slim, slippery saplings. | 0:53:48 | 0:53:52 | |
-Come again? -Slix long, slix, slippery slap... Go on! | 0:53:52 | 0:53:56 | |
Walk that line! | 0:53:56 | 0:53:58 | |
-He can't be drunk. -So I'm innocent? Walk that line. | 0:54:06 | 0:54:10 | |
A wise guy, eh? | 0:54:14 | 0:54:16 | |
-I'm gonna take you for a little talk with O'Hara. -Take it easy! | 0:54:16 | 0:54:20 | |
Take your hands off me! Let go of me, you big baboon. | 0:54:20 | 0:54:24 | |
Goldy, what are you doing here? | 0:54:24 | 0:54:27 | |
Assault and battery, drunk and disorderly, reckless driving, | 0:54:27 | 0:54:30 | |
operating a car while intoxicated and resisting an officer. Otherwise, they ain't got a thing on me. | 0:54:30 | 0:54:35 | |
-Where's O'Hara? -Went for the Falcon. -Who tipped him? -The Falcon. | 0:54:35 | 0:54:39 | |
-The Falcon?! I'm all mixed up. -You're telling us! | 0:54:39 | 0:54:43 | |
Oh, yeah? We'll wait for O'Hara. | 0:54:43 | 0:54:45 | |
-Now wait a minute... -This is ridiculous! | 0:54:45 | 0:54:49 | |
-Oh, hello, Mike. -Hello, Falcon. How are things going? | 0:55:13 | 0:55:17 | |
-So you came. -I never miss a party. | 0:55:17 | 0:55:20 | |
-You missed this one. The host has left. -Friend of yours? | 0:55:20 | 0:55:23 | |
-This is Max. -You forgot to tell me you was going to knock him off. | 0:55:23 | 0:55:28 | |
-It's a long story and I haven't got time now... -Aw! | 0:55:28 | 0:55:31 | |
-Where's Bates? -Goldy put him on a wild goose chase. | 0:55:31 | 0:55:34 | |
-Bates has got Waldo Sampson and he isn't dead. -Bates? -No, Waldo Sampson. | 0:55:34 | 0:55:39 | |
Too bad. They're burying him. I'm gonna give a party too. | 0:55:39 | 0:55:42 | |
-You're making a great mistake. I was an innocent bystander. -Sure... | 0:55:42 | 0:55:47 | |
Gay! Darling, are you all right? | 0:55:49 | 0:55:51 | |
-Sure. -Why the handcuffs? -I'm just carrying them for O'Hara. | 0:55:51 | 0:55:54 | |
Only a little murder rap. | 0:55:54 | 0:55:56 | |
You think you're a detective, just because your arches are broken down. | 0:55:56 | 0:56:00 | |
Get up, you! Lady, leave my feet out of this. | 0:56:01 | 0:56:04 | |
-Get this dame out of here. -Yes, sir. | 0:56:04 | 0:56:07 | |
-Oh, no, you don't! -Come on, lady. | 0:56:07 | 0:56:09 | |
-Cut that out. -No! | 0:56:09 | 0:56:11 | |
Come on, get in there. | 0:56:11 | 0:56:13 | |
-Hey, what is all this?! -Bates, for once, I'm glad to see you. | 0:56:16 | 0:56:20 | |
-How did you round them up? -Needles took us to Dutch's, where we found your girlfriend... | 0:56:20 | 0:56:26 | |
-Is that a crack? -Hey! | 0:56:26 | 0:56:29 | |
-This guy is dead! -Chief, while I still understand it myself, | 0:56:30 | 0:56:34 | |
-this is Waldo Sampson. -I suppose the stiff was his twin brother(!) | 0:56:34 | 0:56:38 | |
-Yeah, that was Herman. -Who? | 0:56:38 | 0:56:40 | |
The twin brother. | 0:56:40 | 0:56:42 | |
-Let me sit down! -You aren't nearly as dumb as you think you are, Mike. | 0:56:42 | 0:56:47 | |
They wanted it to look like Waldo was dead, to put us off the track | 0:56:47 | 0:56:51 | |
-while they got the formula from him. -How did YOU get wise? | 0:56:51 | 0:56:54 | |
-I had two clues - a fake telegram sent by Max, signed Herman... -Yeah. | 0:56:54 | 0:56:59 | |
..and Waldo's photo in Herman's watch. | 0:56:59 | 0:57:02 | |
Waldo's photo in Herman's watch? | 0:57:02 | 0:57:04 | |
That's right. A man doesn't usually carry his picture about with him. | 0:57:04 | 0:57:08 | |
-Get the idea? -Give him time! | 0:57:08 | 0:57:10 | |
Then who knocked off Max, or ain't he dead either? | 0:57:10 | 0:57:14 | |
This charming lady over there, Miss Rita Mara. | 0:57:14 | 0:57:18 | |
Why did you knock him off? | 0:57:18 | 0:57:20 | |
Ask the Falcon. It's something he specialises in. | 0:57:20 | 0:57:24 | |
-I framed what appeared to be a double cross. -On who? -Everybody. | 0:57:24 | 0:57:28 | |
-Including me. -Here is where it gets mixed up... -Never mind! | 0:57:28 | 0:57:32 | |
-Get them all out, so I got room to think! -You'll need more than room. | 0:57:32 | 0:57:37 | |
Come on, get going. Make it snappy. | 0:57:37 | 0:57:40 | |
Let's go. It's getting dull. | 0:57:40 | 0:57:42 | |
-Wait. Nobody's leaving till I get that phoney. -Here we DON'T go again! | 0:57:42 | 0:57:47 | |
-Where is it? -Didn't they have it? | 0:57:47 | 0:57:49 | |
I searched them and took Dutch's joint apart. I even found termites. | 0:57:49 | 0:57:53 | |
Hey, give me two minutes with Dutch and Needles and I'll get the dope. | 0:57:53 | 0:57:58 | |
-How? -You take a piece of paper, a match... -Now it's arson? | 0:57:58 | 0:58:02 | |
No, I'll make a fire. We take off Dutch's shoe, heat up his toes. | 0:58:02 | 0:58:06 | |
When it gets warm, he'll talk! | 0:58:06 | 0:58:08 | |
-What's this? -I dunno. -Where did you get it? | 0:58:08 | 0:58:11 | |
-I got in a fight with Max. When I reached for his gun, all I got was that paper. -This is ALL you got? | 0:58:11 | 0:58:16 | |
Is this Chinese writing? | 0:58:16 | 0:58:18 | |
That's it. That's my formula. | 0:58:18 | 0:58:21 | |
Darling, I love you! | 0:58:21 | 0:58:24 | |
-Oh! It was practically nothing... -It's the luck of the stupid. | 0:58:24 | 0:58:27 | |
-Looks like this puts you in the clear. -Thanks, Mike. | 0:58:29 | 0:58:33 | |
Oh, no! I'll take that key. We're leaving and don't try to stop us. | 0:58:33 | 0:58:37 | |
Are you gonna come quiet, Falcon? | 0:58:37 | 0:58:39 | |
So long, gents. | 0:58:42 | 0:58:44 | |
You're on your own now. What a break for crime! | 0:58:44 | 0:58:47 | |
All right, you can go, Herman. | 0:58:50 | 0:58:52 | |
I'm Waldo. | 0:58:52 | 0:58:54 | |
Well, darling, we're on our way at last. Isn't it wonderful? | 0:59:04 | 0:59:07 | |
10,000 feet above any possibility of trouble. | 0:59:07 | 0:59:11 | |
I can hardly believe it! | 0:59:11 | 0:59:13 | |
Why, Homer Bilkie! Hello, Homer! | 0:59:17 | 0:59:20 | |
-What happened the night you went out for cigarettes? -You're mistaken. | 0:59:20 | 0:59:24 | |
Aren't you Homer Bilkie? The fella that took me home from that backstage party at the Empire? | 0:59:24 | 0:59:29 | |
No, I'm not. How could I be? | 0:59:29 | 0:59:32 | |
I don't go to backstage parties. | 0:59:32 | 0:59:34 | |
My fiancee doesn't approve. | 0:59:34 | 0:59:36 | |
Oh. I get it. | 0:59:36 | 0:59:38 | |
I guess I was mistaken. | 0:59:38 | 0:59:40 | |
Homer has a mole on his nose. | 0:59:42 | 0:59:44 | |
Warm, isn't it, Homer? | 0:59:51 | 0:59:54 | |
Darling, I swear I've never seen her before in my life. | 0:59:54 | 0:59:57 | |
-If I'm not telling the truth, I hope we crash. -Uh-oh! | 0:59:57 | 1:00:01 | |
-What do you want? -A parachute! | 1:00:01 | 1:00:03 | |
Subtitles by BBC Broadcast | 1:00:05 | 1:00:09 |