
Browse content similar to A Single Man. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
(ATMOSPHERIC CLASSICAL MUSIC) | 0:00:13 | 0:00:18 | |
(TYRES SKIDDING FOLLOWED BY A CRASH) | 0:01:48 | 0:01:50 | |
(EVOCATIVE SOLO STRINGS THROUGHOUT) | 0:02:03 | 0:02:05 | |
(AMPLIFIED HEARTBEAT BECOMES RAPID) | 0:02:46 | 0:02:48 | |
(GASPS) | 0:02:49 | 0:02:51 | |
(BANGING FROM NEXT DOOR) | 0:02:51 | 0:02:54 | |
'Waking up begins with saying 'am' and 'now'.' | 0:02:54 | 0:02:57 | |
-(OUTSIDE) -Jennifer, I'm not going to tell you again! | 0:02:57 | 0:03:00 | |
(CLOCK TICKS LOUDLY) | 0:03:01 | 0:03:05 | |
(BREATHES DEEPLY AND LOUDLY) | 0:03:05 | 0:03:08 | |
(SEAGULLS CRY) | 0:03:08 | 0:03:10 | |
'For the past eight months waking up has actually hurt. | 0:03:18 | 0:03:22 | |
'Cold realisation that I am still here slowly sets in. | 0:03:26 | 0:03:30 | |
'I was never terribly fond of waking up. | 0:03:32 | 0:03:35 | |
'I was never one to jump out of bed and greet the day with a smile | 0:03:35 | 0:03:38 | |
'like Jim was. | 0:03:38 | 0:03:39 | |
'I used to want to punch him sometimes in the morning, | 0:03:39 | 0:03:42 | |
'he was so happy.' | 0:03:42 | 0:03:44 | |
'I always used to tell him that only fools greet the day with a smile, | 0:03:44 | 0:03:47 | |
'that only fools could possibly escape the simple truth | 0:03:47 | 0:03:50 | |
'that now isn't simply now, it's a cold reminder. | 0:03:50 | 0:03:55 | |
'One day later than yesterday, one year later than last year, | 0:03:55 | 0:04:01 | |
'and that sooner or later it will come. | 0:04:01 | 0:04:05 | |
'He used to laugh at me and then give me a kiss on the cheek. | 0:04:05 | 0:04:09 | |
'It takes time in the morning for me to become George, | 0:04:09 | 0:04:13 | |
'time to adjust to what is expected of George and how he is to behave. | 0:04:13 | 0:04:17 | |
'By the time I have dressed and put the final layer of polish | 0:04:18 | 0:04:22 | |
'on the now slightly stiff but quite perfect George... | 0:04:22 | 0:04:25 | |
'..I know fully what part I'm supposed to play.' | 0:04:27 | 0:04:30 | |
'Looking in the mirror staring back at me, | 0:04:41 | 0:04:43 | |
'isn't so much a face as the expression of a predicament.' | 0:04:43 | 0:04:48 | |
Just get through the goddamn day. | 0:04:48 | 0:04:51 | |
'A bit melodramatic, I guess, but then again... | 0:04:54 | 0:04:58 | |
'my heart has been broken. | 0:04:58 | 0:05:01 | |
'I feel as If I am sinking, drowning, can't breathe.' | 0:05:01 | 0:05:06 | |
(GASPS WITH PAIN) | 0:05:08 | 0:05:10 | |
(CLOCK TICKS LOUDLY) | 0:05:51 | 0:05:55 | |
-Aren't you going to say something? -Are you kidding? It's spectacular. | 0:05:58 | 0:06:02 | |
What are you doing? Stop it. Stop it. | 0:06:02 | 0:06:05 | |
I didn't think you're quite ready for life in a glasshouse. | 0:06:05 | 0:06:09 | |
Drapes, old man. | 0:06:09 | 0:06:10 | |
You're the one who's always saying that we're invisible. | 0:06:12 | 0:06:16 | |
That's not exactly what I meant. | 0:06:17 | 0:06:19 | |
(PHONE RINGS) | 0:06:24 | 0:06:27 | |
'For the first time in my life I can't see my future. | 0:06:41 | 0:06:44 | |
'Every day goes by in a haze, | 0:06:45 | 0:06:49 | |
'but today I have decided will be different.' | 0:06:49 | 0:06:53 | |
(PHONE RINGS) | 0:06:59 | 0:07:02 | |
Finally. You know it's been raining here all day | 0:07:02 | 0:07:04 | |
and I've been trapped in this house waiting for you to call. | 0:07:04 | 0:07:08 | |
'I'm sorry. I must have the wrong number. | 0:07:08 | 0:07:10 | |
'I'm calling for Mr George Falconer.' | 0:07:10 | 0:07:12 | |
I'm sorry, I was expecting someone else. Yes, sir, | 0:07:12 | 0:07:15 | |
you have indeed called the correct number. How may I help? | 0:07:15 | 0:07:18 | |
'This is Harold Ackerley. I'm Jim's cousin.' | 0:07:18 | 0:07:21 | |
Oh, of course. Yes, good evening, Mr Ackerley. | 0:07:21 | 0:07:24 | |
'I'm afraid I'm calling with some bad news.' | 0:07:24 | 0:07:26 | |
-Oh? -'There has been a car accident.' | 0:07:28 | 0:07:31 | |
(HEAVY RAIN THROUGHOUT) Accident? | 0:07:31 | 0:07:33 | |
'There's been a lot of snow here lately and the roads have been icy. | 0:07:33 | 0:07:36 | |
'On his way into town, Jim lost control of his car. | 0:07:37 | 0:07:41 | |
'It was instantaneous, apparently.' | 0:07:41 | 0:07:44 | |
Oh. | 0:07:46 | 0:07:48 | |
'It happened late yesterday but his parents didn't want to call you.' | 0:07:49 | 0:07:53 | |
I see. | 0:07:55 | 0:07:57 | |
'In fact, they don't know I'm calling you now, | 0:07:57 | 0:07:59 | |
'but I thought that you should know.' | 0:07:59 | 0:08:01 | |
Thank you. | 0:08:07 | 0:08:09 | |
'I know this must be quite a shock. It was for all of us.' | 0:08:09 | 0:08:14 | |
Yes, indeed. | 0:08:15 | 0:08:17 | |
Will there be a service? | 0:08:20 | 0:08:22 | |
'The day after tomorrow.' | 0:08:22 | 0:08:24 | |
Well, I suppose I should get off the phone and book a plane flight. | 0:08:27 | 0:08:33 | |
'The service is just for family.' | 0:08:33 | 0:08:36 | |
For family, of course. | 0:08:39 | 0:08:41 | |
Well, thank you for calling. | 0:08:44 | 0:08:46 | |
-Oh, Mr Ackerely? -'Yes?' | 0:08:47 | 0:08:49 | |
May I ask what happened to the dogs? | 0:08:49 | 0:08:51 | |
'Dogs? Er, there was a dog with him but he died. Was there another one?' | 0:08:51 | 0:08:57 | |
Yes. There was a small female. | 0:08:57 | 0:09:00 | |
'I don't know. I'm sorry. I haven't heard anyone mention another dog.' | 0:09:00 | 0:09:05 | |
Well, thank you for calling, Mr Ackerely. | 0:09:12 | 0:09:14 | |
-'Goodbye, Mr Falconer.' -(HANGS UP) | 0:09:14 | 0:09:16 | |
(FUMBLES HANDSET) | 0:09:17 | 0:09:20 | |
(SILENCE EXCEPT FOR RAIN POURING) | 0:10:16 | 0:10:20 | |
(PHONE RINGS) | 0:10:36 | 0:10:40 | |
(ORCHESTRAL MUSIC THROUGHOUT) | 0:10:41 | 0:10:44 | |
(BANGING FROM NEIGHBOUR'S HOUSE) | 0:10:44 | 0:10:48 | |
(SILENCE EXCEPT FOR BANGING) | 0:11:01 | 0:11:03 | |
(METAL DETECTOR BEEPS) | 0:11:12 | 0:11:14 | |
(CAR DRIVES PAST) | 0:11:20 | 0:11:22 | |
(CHATTER FROM OUTSIDE) | 0:12:21 | 0:12:24 | |
(PHONE RINGS) | 0:12:28 | 0:12:30 | |
(PHONE CONTINUES TO RING) | 0:12:51 | 0:12:53 | |
Hello, Charly. | 0:12:55 | 0:12:56 | |
How did you know it was me? | 0:12:56 | 0:12:58 | |
Charlotte, nobody else calls me before eight in the morning. | 0:12:58 | 0:13:01 | |
I didn't call too early, did I? You sound grumpy. | 0:13:01 | 0:13:05 | |
No. I have a headache. | 0:13:05 | 0:13:06 | |
'I was about to call you, actually. | 0:13:06 | 0:13:08 | |
'Is it too late to change my mind about tonight?' | 0:13:08 | 0:13:11 | |
No, of course not. I haven't seen you all week. | 0:13:11 | 0:13:14 | |
'I'm dying for a dose of you.' | 0:13:14 | 0:13:17 | |
I know. I'm sorry. | 0:13:17 | 0:13:18 | |
'So, great. I'll see you tonight. I have to run now I'm late for work.' | 0:13:19 | 0:13:23 | |
I'll call you later from school. | 0:13:23 | 0:13:25 | |
All right, I'll see you then. | 0:13:25 | 0:13:27 | |
-Bye, kiddo. -Bye, old man. | 0:13:27 | 0:13:30 | |
(CHUCKLES) | 0:13:35 | 0:13:37 | |
Good morning, Mr George. | 0:14:12 | 0:14:14 | |
-Sir, you don't look so good today. -Good morning, Alva. | 0:14:16 | 0:14:19 | |
No, I didn't sleep very well. | 0:14:19 | 0:14:21 | |
You forgot to take the bread out of the freezer. | 0:14:21 | 0:14:23 | |
It stays fresh that way. | 0:14:23 | 0:14:25 | |
It was a little too fresh this morning. | 0:14:25 | 0:14:27 | |
There are some papers on my desk which need to stay there | 0:14:27 | 0:14:29 | |
so please don't move them, and I'm afraid my pen leaked over the bed. | 0:14:29 | 0:14:33 | |
-It's OK, sir. -Alva? | 0:14:33 | 0:14:35 | |
Yes, sir? | 0:14:35 | 0:14:36 | |
Thank you. You're wonderful. | 0:14:36 | 0:14:39 | |
(SILENCE EXCEPT FOR SLOW-MOTION TICKING) | 0:14:53 | 0:14:57 | |
(SILENCE EXCEPT FOR ORCHESTRAL SCORE) | 0:15:19 | 0:15:24 | |
-(CAR RADIO) -'... and maintains closest surveillance | 0:15:47 | 0:15:50 | |
'of the Soviet military build-up on the island of Cuba. | 0:15:50 | 0:15:55 | |
'Within the past week, unmistakable evidence has established...' | 0:15:55 | 0:16:00 | |
(SLOW TICKING) | 0:16:06 | 0:16:10 | |
(HUSTLE AND BUSTLE OF STUDENTS) | 0:16:36 | 0:16:40 | |
-Professor Falconer? -Yes. | 0:17:07 | 0:17:08 | |
There was a student here asking for your address. | 0:17:08 | 0:17:11 | |
My address? | 0:17:11 | 0:17:12 | |
-Did you give it to him? -Yes, sir. I did. | 0:17:13 | 0:17:17 | |
I hope that's OK. I realise I probably shouldn't have but... | 0:17:18 | 0:17:21 | |
he was very nice. Before I knew it, he... (CHUCKLES) | 0:17:21 | 0:17:25 | |
Your hair looks great like that. It really suits you. | 0:17:26 | 0:17:29 | |
You always look so beautiful. Really fresh. You have such a lovely smile. | 0:17:30 | 0:17:36 | |
(HEART BEATS) | 0:17:36 | 0:17:39 | |
(INHALES DEEPLY) | 0:17:40 | 0:17:43 | |
-Arpege? -Sir? | 0:17:44 | 0:17:46 | |
Really beautiful. (PHONE RINGS) | 0:17:48 | 0:17:50 | |
-(RADIO) -'..that a series of offensive missile sites...' | 0:17:59 | 0:18:02 | |
-Morning, Don. -Good morning, George. | 0:18:02 | 0:18:05 | |
(VENDING MACHINE CLICKS) | 0:18:11 | 0:18:13 | |
-Good morning, George. -Good morning, Grant. | 0:18:19 | 0:18:23 | |
You look awful. What have you been doing? | 0:18:24 | 0:18:26 | |
Look around you, Grant. | 0:18:30 | 0:18:31 | |
Most of these students aspire to nothing more than a corporate job | 0:18:31 | 0:18:35 | |
and a desire to raise Coke-drinking, TV-watching children | 0:18:35 | 0:18:38 | |
who as soon as they can speak chant TV jingles | 0:18:38 | 0:18:40 | |
-and smash things with hammers. -You're scaring me today, George. | 0:18:40 | 0:18:43 | |
You can't tell me you have an easy time with these students? | 0:18:43 | 0:18:46 | |
They stare at me in a kind of bovine stupor | 0:18:46 | 0:18:48 | |
as if I were lecturing in a foreign language. | 0:18:48 | 0:18:50 | |
Remind me why we shouldn't all be annihilated? | 0:18:50 | 0:18:52 | |
You seem to think this is all a joke. Nuclear war is a real threat. | 0:18:52 | 0:18:56 | |
I don't understand how that doesn't concern you. | 0:18:56 | 0:18:58 | |
-You're serious, aren't you? -Yes, I'm serious. | 0:18:58 | 0:19:01 | |
George, did you read the article I gave you on bomb shelters? | 0:19:01 | 0:19:04 | |
We had three contractors work on ours | 0:19:04 | 0:19:05 | |
so none of them knows what we've got. | 0:19:05 | 0:19:07 | |
We're having the outside landscaped so no-one knows it's there. | 0:19:07 | 0:19:10 | |
Really? (BLEATING AND CLUCKING) | 0:19:10 | 0:19:13 | |
If word gets out you've got a better shelter, | 0:19:15 | 0:19:17 | |
-everyone will try to get in when something happens. -And so? | 0:19:17 | 0:19:20 | |
There will be no time for sentiment | 0:19:20 | 0:19:21 | |
when the Russians fire a missile at us. | 0:19:21 | 0:19:24 | |
If it's going to be a world with no time for sentiment | 0:19:24 | 0:19:26 | |
then it's not a world I want to live in. | 0:19:26 | 0:19:28 | |
(CLICK OF TYPING) | 0:19:28 | 0:19:31 | |
(OFFICE CHATTER) | 0:19:46 | 0:19:49 | |
After Many A Summer Dies The Swan. | 0:20:11 | 0:20:15 | |
I take it you've all read the Huxley novel | 0:20:19 | 0:20:23 | |
that I assigned more than three weeks ago? | 0:20:23 | 0:20:26 | |
How does the title relate to our story? | 0:20:29 | 0:20:31 | |
-Yes, Mr Mong. -It doesn't. I mean, | 0:20:32 | 0:20:35 | |
it's about a rich guy who's too afraid, too old for this girl... | 0:20:35 | 0:20:40 | |
(RICH ORCHESTRAL SCORE SWELLS) | 0:20:41 | 0:20:44 | |
(HEART POUNDS THROUGHOUT) | 0:20:49 | 0:20:53 | |
(STUDENTS LAUGH RAUCOUSLY) | 0:20:53 | 0:20:55 | |
Russ. | 0:21:08 | 0:21:09 | |
(CIGARETTE CRACKLES) | 0:21:17 | 0:21:19 | |
Yes, Mr Hirsch. | 0:21:40 | 0:21:42 | |
Sir, on page 79, Mr Propter says that the stupidest text in the Bible | 0:21:42 | 0:21:47 | |
is "they hated me without a cause". | 0:21:47 | 0:21:49 | |
Does that mean the Nazis were right to hate the Jews? | 0:21:49 | 0:21:51 | |
Is Huxley an anti-Semite? | 0:21:51 | 0:21:53 | |
No. | 0:21:53 | 0:21:55 | |
No, Mr Huxley is not an anti-Semite. | 0:22:02 | 0:22:04 | |
Of course the Nazis were wrong to hate the Jews, | 0:22:04 | 0:22:06 | |
but their hating the Jews was not without a cause. | 0:22:06 | 0:22:09 | |
It's just that the cause wasn't real. The cause was imagined. | 0:22:12 | 0:22:17 | |
The cause was fear. | 0:22:17 | 0:22:19 | |
Let's leave the Jews out of this just for a moment. | 0:22:21 | 0:22:24 | |
Let's think of another minority. One that can go unnoticed if it needs to. | 0:22:25 | 0:22:30 | |
There are all sorts of minorities, blondes, for example. | 0:22:33 | 0:22:37 | |
People with freckles. | 0:22:37 | 0:22:39 | |
But a minority is only thought of as one | 0:22:40 | 0:22:42 | |
when it constitutes some kind of threat to the majority. A real threat | 0:22:42 | 0:22:46 | |
or an imagined one. And therein lies the fear. | 0:22:46 | 0:22:51 | |
And if that minority is somehow invisible... | 0:22:52 | 0:22:55 | |
..then the fear is much greater. | 0:22:57 | 0:23:00 | |
And that fear is why the minority is persecuted. | 0:23:01 | 0:23:04 | |
So, you see, there always is a cause. The cause is fear. | 0:23:04 | 0:23:07 | |
Minorities are just people. | 0:23:07 | 0:23:09 | |
People like us. | 0:23:10 | 0:23:11 | |
I can see I've lost you a bit. | 0:23:19 | 0:23:20 | |
Tell you what? We're going to forget about Mr Huxley today. | 0:23:21 | 0:23:26 | |
We're going to talk about fear. | 0:23:26 | 0:23:28 | |
Fear, after all, is our real enemy. | 0:23:28 | 0:23:31 | |
Fear is taking over our world. | 0:23:31 | 0:23:34 | |
Fear is being used as a tool of manipulation in our society. | 0:23:34 | 0:23:37 | |
It's how politicians peddle policy. | 0:23:37 | 0:23:41 | |
It's how Madison Avenue sells us things you don't need. | 0:23:41 | 0:23:44 | |
Think about it. | 0:23:44 | 0:23:46 | |
The fear of being attacked. | 0:23:46 | 0:23:49 | |
The fear that there are communists lurking around every corner. | 0:23:49 | 0:23:52 | |
The fear that some Caribbean country | 0:23:52 | 0:23:54 | |
that doesn't believe in our way of life poses a threat. | 0:23:54 | 0:23:57 | |
The fear that black culture may take over the world. | 0:23:57 | 0:23:59 | |
The fear of Elvis Presley's hips! | 0:23:59 | 0:24:02 | |
Actually, maybe that one is a real fear. | 0:24:03 | 0:24:06 | |
Fear that our bad breath may ruin our friendships. | 0:24:08 | 0:24:12 | |
Fear of growing old and being alone. | 0:24:14 | 0:24:17 | |
(CLOCK TICKS) | 0:24:19 | 0:24:20 | |
Fear that we're useless and that no-one cares what we have to say. | 0:24:24 | 0:24:28 | |
Have a good weekend. | 0:24:32 | 0:24:34 | |
Sir! May I talk to you for a minute? | 0:24:40 | 0:24:42 | |
Why don't you always talk to us like that? | 0:24:43 | 0:24:45 | |
I don't think it went over very well. | 0:24:45 | 0:24:47 | |
Man, fear of things gets to me all the time, | 0:24:47 | 0:24:49 | |
but you can't talk about it with anyone or you sound like a fool. | 0:24:49 | 0:24:53 | |
You can't even talk about it with Lois? | 0:24:53 | 0:24:54 | |
I don't think she's afraid of anything. | 0:24:54 | 0:24:56 | |
Everyone's afraid of something, Kenny. | 0:24:56 | 0:24:58 | |
What are you afraid of, sir? | 0:24:58 | 0:25:00 | |
Cars. | 0:25:00 | 0:25:02 | |
How can you live in Los Angeles and be afraid of cars? | 0:25:02 | 0:25:04 | |
Maybe you can't. | 0:25:04 | 0:25:06 | |
Sometimes my fear of things can almost paralyse me. | 0:25:06 | 0:25:10 | |
It's like I get panic-stricken and feel I might explode or something... | 0:25:10 | 0:25:14 | |
May I ask you a personal question, sir? | 0:25:15 | 0:25:17 | |
If you like. | 0:25:17 | 0:25:19 | |
Do you ever get high? | 0:25:19 | 0:25:21 | |
How old do I look to you? | 0:25:21 | 0:25:23 | |
Have you ever taken drugs? | 0:25:23 | 0:25:25 | |
Of course, Kenny. | 0:25:25 | 0:25:27 | |
Like what? | 0:25:27 | 0:25:28 | |
I don't feel I should be discussing this with you on campus, Mr Potter. | 0:25:29 | 0:25:33 | |
It's the only way I get by sometimes. | 0:25:33 | 0:25:36 | |
Have you ever tried mescaline? | 0:25:36 | 0:25:38 | |
Not my drug of choice. | 0:25:38 | 0:25:39 | |
I shaved off one of my eyebrows once on mescaline. Not a good look for me. | 0:25:39 | 0:25:43 | |
Sir? | 0:25:43 | 0:25:44 | |
I looked in the mirror, big mistake if you're high on mescaline. | 0:25:44 | 0:25:47 | |
I decided my eyebrows were taking over my face | 0:25:47 | 0:25:50 | |
and before I knew it, I'd shaved one off. | 0:25:50 | 0:25:52 | |
Wore a Band-aid for six weeks while the brow grew back. Embarrassing. | 0:25:52 | 0:25:55 | |
You didn't take it again after that? | 0:25:55 | 0:25:57 | |
Kenny, have you been listening to me? I shaved off my eyebrow. | 0:25:57 | 0:26:00 | |
I wanted an experience, Mr Potter, not a career on stage. | 0:26:00 | 0:26:04 | |
-If you ever want to get high, sir, I usually have some dope. -(LAUGHS) | 0:26:07 | 0:26:10 | |
You really are mad, aren't you? | 0:26:10 | 0:26:12 | |
I'm sorry, sir, I guess you don't feel comfortable talking like this. | 0:26:19 | 0:26:22 | |
What makes you say that? | 0:26:22 | 0:26:24 | |
Lois thinks you're kind of cagey. Like this morning, | 0:26:24 | 0:26:27 | |
when you were listening to all that crap we were talking about Huxley. | 0:26:27 | 0:26:30 | |
Not all of you. I didn't notice you open your mouth once. | 0:26:30 | 0:26:33 | |
I was watching you. | 0:26:33 | 0:26:35 | |
You let us ramble on and on and then you straighten us out, | 0:26:36 | 0:26:40 | |
but you never really tell us everything you know about something. | 0:26:40 | 0:26:43 | |
Well, maybe that's true, up to a point. | 0:26:44 | 0:26:48 | |
It's not that I want to be cagey. | 0:26:48 | 0:26:51 | |
It's just that I can't really discuss things completely openly at school. | 0:26:51 | 0:26:57 | |
Somebody would misunderstand. | 0:26:57 | 0:26:58 | |
I tried that today. Didn't really work out. | 0:27:00 | 0:27:03 | |
What was it you wanted to get, sir? | 0:27:09 | 0:27:11 | |
Nothing. I was on my way to the Dean's office. | 0:27:11 | 0:27:14 | |
You mean, you walked all the way down here just to talk to me? | 0:27:14 | 0:27:17 | |
Why not? | 0:27:17 | 0:27:18 | |
Well, I think you deserve something for that, sir. | 0:27:18 | 0:27:22 | |
-Here, sir, take your pick. -(CHUCKLES) | 0:27:22 | 0:27:24 | |
It's on me. | 0:27:24 | 0:27:25 | |
Thank you. | 0:27:26 | 0:27:27 | |
-I thought you'd probably pick blue. -Why blue? | 0:27:30 | 0:27:34 | |
Isn't blue supposed to be spiritual? | 0:27:34 | 0:27:35 | |
What makes you think I'm spiritual? | 0:27:35 | 0:27:37 | |
And you? Red? | 0:27:41 | 0:27:42 | |
What does red stand for? | 0:27:44 | 0:27:46 | |
A lot of things. Rage. Lust. | 0:27:46 | 0:27:48 | |
No kidding? | 0:27:50 | 0:27:51 | |
Well, sir, I guess I'll see you around. | 0:27:56 | 0:28:01 | |
(DIALLING TONE) | 0:28:59 | 0:29:01 | |
(SERGE GAINSBOURG SONG) | 0:29:01 | 0:29:04 | |
(PHONE RINGS) | 0:29:04 | 0:29:06 | |
(PHONE CONTINUES TO RING) | 0:29:12 | 0:29:13 | |
Hello? | 0:29:18 | 0:29:19 | |
What are you up to, kiddo? | 0:29:19 | 0:29:21 | |
Just trying to finish up a book. How's your day going? | 0:29:21 | 0:29:25 | |
'Quiet. I was just leaving school.' | 0:29:25 | 0:29:27 | |
'I wanted to know if you needed anything for tonight?' | 0:29:27 | 0:29:30 | |
Oh, thanks, you're sweet, but I think I'm all set. Oh. | 0:29:30 | 0:29:35 | |
'Be a darling...' | 0:29:35 | 0:29:37 | |
and pick up some gin for me? Tanqueray. | 0:29:37 | 0:29:40 | |
I love the colour of the bottle. | 0:29:40 | 0:29:42 | |
You love what's in it. What time do you want me? | 0:29:42 | 0:29:46 | |
Seven would be great if that's OK with you. | 0:29:46 | 0:29:49 | |
'Perfect. I'll see you then.' | 0:29:49 | 0:29:51 | |
See you then. Bye, Geo. | 0:29:51 | 0:29:53 | |
Bye, kiddo. | 0:29:53 | 0:29:55 | |
(HUMS CHEERFULLY) | 0:30:00 | 0:30:05 | |
Beautiful. | 0:30:16 | 0:30:18 | |
(TICKING) | 0:30:18 | 0:30:20 | |
(PANTS) | 0:30:58 | 0:31:01 | |
(BANGS ON THE WINDOW) | 0:31:05 | 0:31:06 | |
Yes, Mr Potter? | 0:31:11 | 0:31:12 | |
You going somewhere, sir? | 0:31:12 | 0:31:13 | |
That is usually why people get into their cars. | 0:31:13 | 0:31:16 | |
No, I mean, are you going on vacation or something? | 0:31:16 | 0:31:19 | |
-What? -I saw you cleaning out your office. | 0:31:19 | 0:31:21 | |
What exactly is it that you want, Kenny? | 0:31:26 | 0:31:29 | |
I was just hoping that | 0:31:30 | 0:31:31 | |
perhaps we could get together for a drink or something sometime. | 0:31:31 | 0:31:35 | |
And why is that? | 0:31:35 | 0:31:36 | |
I don't know, sir. Because I think you might like it. | 0:31:37 | 0:31:41 | |
And because you seem as though you could use a friend. | 0:31:41 | 0:31:45 | |
-Oh really? -Yes, sir, you do. | 0:31:45 | 0:31:47 | |
Well, you may be right, but it'll have to be another time. I'm late. | 0:31:52 | 0:31:57 | |
But thank you for the invitation. | 0:31:59 | 0:32:02 | |
And thank you for the talk earlier. | 0:32:02 | 0:32:04 | |
And stay off the mescaline. | 0:32:05 | 0:32:07 | |
-Hello, Mr Falconer. -Hello. How are you today? | 0:32:38 | 0:32:41 | |
I'm fine, sir. Do you need to get into your box? | 0:32:41 | 0:32:43 | |
-Yes, I do. Thank you. -Follow me. | 0:32:43 | 0:32:46 | |
Here you are, sir. | 0:32:54 | 0:32:56 | |
If you could please sign here. | 0:32:58 | 0:33:00 | |
Thank you. | 0:33:08 | 0:33:10 | |
(SILENCE EXCEPT FOR WIND BLOWING) | 0:33:48 | 0:33:51 | |
(BIRDSONG) | 0:33:55 | 0:33:59 | |
So explain your friend Charlotte for me. | 0:34:14 | 0:34:17 | |
What would you like to know? | 0:34:17 | 0:34:20 | |
I don't know. You seem very intimate, I guess. | 0:34:20 | 0:34:22 | |
Like you were once together, or something. | 0:34:24 | 0:34:27 | |
-You haven't slept with her, have you? -Yes. | 0:34:27 | 0:34:29 | |
And? | 0:34:32 | 0:34:33 | |
A few times when we were younger. | 0:34:35 | 0:34:37 | |
I wouldn't say it mean nothing to me | 0:34:37 | 0:34:39 | |
but it certainly meant a great deal more to Charly. | 0:34:39 | 0:34:41 | |
It was a long time ago, in London. | 0:34:41 | 0:34:44 | |
I love Charly, and we are very close friends but that's all. | 0:34:45 | 0:34:49 | |
I'm confused. If you sleep with women, then why are you with me? | 0:34:49 | 0:34:53 | |
Because I fall in love with men. Because I fell in love with you. | 0:34:53 | 0:34:57 | |
Anyway, doesn't everyone sleep with women when they're young? | 0:34:59 | 0:35:02 | |
-I haven't. -You're joking. | 0:35:02 | 0:35:04 | |
No. I'm not. It was just never anything that really interested me. | 0:35:04 | 0:35:09 | |
Well, you're awfully modern, aren't you? | 0:35:09 | 0:35:11 | |
You know, I think that was the first thing I noticed about you. | 0:35:11 | 0:35:14 | |
How sure of yourself you were. | 0:35:15 | 0:35:18 | |
How can you be so sure about everything at your age? | 0:35:20 | 0:35:23 | |
You think I'm sure of myself? | 0:35:24 | 0:35:26 | |
Of course you are. | 0:35:26 | 0:35:28 | |
I'm finished now. Thank you. | 0:35:49 | 0:35:51 | |
Yes, Mr Falconer. | 0:35:56 | 0:35:59 | |
Something else we can help you with today? | 0:35:59 | 0:36:01 | |
Can't find my cheque book and I need some cash. | 0:36:01 | 0:36:04 | |
Not my day, I'm afraid. Excuse me a minute. | 0:36:04 | 0:36:06 | |
(ROMANTIC MUSIC) | 0:36:20 | 0:36:26 | |
Mummy says bushy eyebrows are pedestrian, | 0:36:58 | 0:37:01 | |
but I think yours are pretty. | 0:37:01 | 0:37:02 | |
I think yours are pretty too. | 0:37:04 | 0:37:05 | |
Why do you look so sad? | 0:37:05 | 0:37:08 | |
Would you like to meet Charlton Heston? | 0:37:08 | 0:37:09 | |
Ben Hur. | 0:37:11 | 0:37:12 | |
He's our scorpion. | 0:37:15 | 0:37:17 | |
Every night we throw in something new to him and watch him kill it. | 0:37:17 | 0:37:20 | |
Daddy says it's like the Coliseum | 0:37:20 | 0:37:23 | |
so my brother Tom put all the columns on here. | 0:37:23 | 0:37:25 | |
He wants to be a set designer. | 0:37:25 | 0:37:27 | |
He hasn't eaten the spider yet | 0:37:28 | 0:37:30 | |
cos he's still full from the moth we gave him last night. | 0:37:30 | 0:37:33 | |
Daddy says he wants to throw you into the Coliseum. | 0:37:33 | 0:37:36 | |
No kidding. Why? | 0:37:36 | 0:37:39 | |
Well, he says you're light in your loafers | 0:37:39 | 0:37:41 | |
but you aren't even wearing loafers. | 0:37:41 | 0:37:43 | |
I think my brother Tom's light in his loafers too, but he wears Keds. | 0:37:43 | 0:37:48 | |
He made me do a hair-conditioning treatment on my hair with eggs. | 0:37:50 | 0:37:55 | |
Does it look shiny? | 0:37:55 | 0:37:56 | |
Sweetheart, what are you doing bothering Mr Falconer? | 0:37:56 | 0:37:59 | |
She's not bothering me at all, Susan. How are you? | 0:37:59 | 0:38:01 | |
I'm glad to see you, George. | 0:38:02 | 0:38:04 | |
We're having a few people over tonight for drinks | 0:38:05 | 0:38:07 | |
and would love it if you'd join us. | 0:38:07 | 0:38:09 | |
Thank you, it's very kind of you but I have plans. | 0:38:09 | 0:38:13 | |
Another time. Jennifer, let's let Mr Falconer get back to his banking. | 0:38:13 | 0:38:17 | |
-Goodbye, George. -Goodbye, Susan. Bye, Jennifer. | 0:38:17 | 0:38:20 | |
-(CLICKS RIFLE) -May I help you, sir? | 0:38:28 | 0:38:31 | |
I'd like to buy some bullets for this gun, please. | 0:38:31 | 0:38:33 | |
Yes, sir. | 0:38:33 | 0:38:35 | |
This is a really old gun, sir. | 0:38:35 | 0:38:36 | |
We have a two-for-one sale on handguns. | 0:38:36 | 0:38:39 | |
-Perhaps one for the little lady? -No, thanks. Just the bullets, please. | 0:38:39 | 0:38:42 | |
There you go. Anything else? | 0:38:44 | 0:38:47 | |
-Er, no, thank you. -That'll be 2.29, sir. | 0:38:47 | 0:38:50 | |
(TILL REGISTER PINGS) | 0:38:56 | 0:38:57 | |
(DOG BARKS) | 0:39:17 | 0:39:19 | |
(DOG PANTS) | 0:39:26 | 0:39:28 | |
I'm sorry. I hope she didn't growl at you. | 0:39:30 | 0:39:33 | |
She goes a bit crazy sometimes when I have to leave her. | 0:39:33 | 0:39:35 | |
She's perfect. What's her name? | 0:39:35 | 0:39:37 | |
India. Scoot over! | 0:39:37 | 0:39:40 | |
Say hello, baby. | 0:39:45 | 0:39:47 | |
I used to have smooth fox terriers. You don't see them very often. | 0:39:50 | 0:39:54 | |
(INHALES DEEPLY, DOG PANTS) | 0:39:56 | 0:40:01 | |
Her ears smell like buttered toast. | 0:40:14 | 0:40:15 | |
She's still a puppy, isn't she? | 0:40:17 | 0:40:19 | |
-Well, have a nice evening. -You too. Good night, India. | 0:40:24 | 0:40:29 | |
-Whoa! -(BOTTLE SMASHES) | 0:40:39 | 0:40:42 | |
-Sorry for that. -It's OK. | 0:40:42 | 0:40:44 | |
It's my fault. I'll get you another pack. | 0:40:44 | 0:40:47 | |
It's OK, don't worry. | 0:40:47 | 0:40:49 | |
No, no, I insist. | 0:40:49 | 0:40:51 | |
Thank you. Sorry about the broken glass. | 0:40:55 | 0:40:59 | |
-There you go. -Thanks, man. | 0:40:59 | 0:41:01 | |
Hey, you want one? | 0:41:02 | 0:41:03 | |
No, thanks. | 0:41:05 | 0:41:06 | |
Actually, yes. Why not? Thank you. | 0:41:07 | 0:41:11 | |
(AMPLIFIED HEARTBEAT) | 0:41:29 | 0:41:32 | |
(AMPLIFIED EXHALING) | 0:41:37 | 0:41:40 | |
-Carlos. -What did you say? | 0:41:41 | 0:41:43 | |
Carlos. You asked me my name. | 0:41:43 | 0:41:46 | |
Are you OK? | 0:41:46 | 0:41:47 | |
Oh. Yeah. Yeah. I'm sorry. | 0:41:48 | 0:41:51 | |
(SEAGULLS CRY) | 0:42:29 | 0:42:33 | |
What are you doing? | 0:42:41 | 0:42:42 | |
Aren't we going somewhere? | 0:42:43 | 0:42:45 | |
No. But thanks. | 0:42:45 | 0:42:48 | |
I've never seen a sky like this before. | 0:42:56 | 0:42:59 | |
-Could I have another cigarette? -Sure. | 0:43:08 | 0:43:12 | |
You sure you don't want to go for a drive? | 0:43:38 | 0:43:40 | |
I'm sure. | 0:43:40 | 0:43:41 | |
-Where are you from? -Madrid. | 0:43:44 | 0:43:46 | |
Madrid? How did you get here? | 0:43:46 | 0:43:49 | |
It's a long story. I met a guy from LA at the hotel where I worked | 0:43:49 | 0:43:54 | |
who told me I could live with him and that he could get me an agent. | 0:43:54 | 0:43:57 | |
But I never realised that I have a Spanish accent. | 0:43:57 | 0:44:00 | |
(LAUGHS) I like your accent. You speak very well. | 0:44:00 | 0:44:05 | |
How did you learn English? | 0:44:06 | 0:44:08 | |
My mum had an American boyfriend when I was little. | 0:44:08 | 0:44:11 | |
Is your mother in Madrid? | 0:44:11 | 0:44:14 | |
Yes. She cuts hair. She cut my hair before I left. Do you like it? | 0:44:14 | 0:44:18 | |
I thought it made me look like James Dean. | 0:44:20 | 0:44:22 | |
You're better than James Dean. | 0:44:22 | 0:44:24 | |
Really? Thanks. | 0:44:24 | 0:44:27 | |
No-one has ever picked me up and not wanted something. | 0:44:31 | 0:44:33 | |
I think you picked me up. | 0:44:33 | 0:44:35 | |
This is kind of a serious day for me. | 0:44:36 | 0:44:39 | |
Come on. What could be so serious for a guy like you? | 0:44:40 | 0:44:43 | |
Oh, I'm just trying to get over an old love, I guess. | 0:44:44 | 0:44:48 | |
Well, my mother says that lovers are like buses. | 0:44:50 | 0:44:53 | |
You just have to wait a little while and another one comes along. | 0:44:53 | 0:44:57 | |
I have to go. | 0:45:02 | 0:45:04 | |
Thanks. But I'm going away. | 0:45:10 | 0:45:13 | |
(HUBBUB FROM NEIGHBOURS' PARTY) | 0:45:37 | 0:45:40 | |
(JAZZ MUSIC PLAYS) | 0:46:00 | 0:46:02 | |
(JAZZ RECORD ENDS) | 0:46:07 | 0:46:09 | |
It's your turn to change it. | 0:46:09 | 0:46:11 | |
Yeah. I'm not changing it. It's your turn. | 0:46:11 | 0:46:14 | |
Besides, you never like what I put on. | 0:46:14 | 0:46:16 | |
I'll give you five dollars if you change it. I'm too old to get up. | 0:46:16 | 0:46:19 | |
You're only old when it's convenient for you to be old. | 0:46:19 | 0:46:22 | |
What are you reading anyway? | 0:46:22 | 0:46:24 | |
Oh, God, not that depressing crap again. | 0:46:24 | 0:46:26 | |
It's for my class. And what highbrow work of fiction might you be reading? | 0:46:26 | 0:46:32 | |
(LAUGHS) Don't be so smug. | 0:46:34 | 0:46:36 | |
(SIGHS) What a life he has. Don't you just envy him? | 0:46:39 | 0:46:44 | |
Why, because he can sniff anyone's ass he wants? | 0:46:44 | 0:46:46 | |
Nice. No, because he just does what he wants. | 0:46:48 | 0:46:52 | |
Like yesterday, I was standing in the front yard, | 0:46:52 | 0:46:55 | |
and Susan came over to talk and that little brat of hers, Christopher, | 0:46:55 | 0:46:58 | |
came running over waving that damned gun of his around. | 0:46:58 | 0:47:01 | |
Our little dog walked right up, hiked his leg | 0:47:01 | 0:47:05 | |
and peed over Christopher's tennis shoes. | 0:47:05 | 0:47:07 | |
-(LAUGHS) -And all over Christopher actually. | 0:47:07 | 0:47:10 | |
Of course, I had to act like I was upset. | 0:47:10 | 0:47:13 | |
So perfectly executed, I wish you'd seen it. | 0:47:13 | 0:47:16 | |
After all the times those kids have tortured that poor dog. | 0:47:16 | 0:47:19 | |
I mean, you should take a lesson from them. | 0:47:19 | 0:47:22 | |
They don't stay up all night worrying. | 0:47:22 | 0:47:24 | |
They've figured out how to get the two of us | 0:47:24 | 0:47:26 | |
to do exactly what they want. | 0:47:26 | 0:47:28 | |
They're basically very sophisticated little parasites | 0:47:28 | 0:47:32 | |
when you think about it. | 0:47:32 | 0:47:33 | |
Well, the dumbest creatures are the happiest. Look at your mother. | 0:47:33 | 0:47:36 | |
They really just live in the moment. | 0:47:39 | 0:47:42 | |
Like now. What could be better than being tucked up here with you? | 0:47:43 | 0:47:48 | |
If I died right now...it'd be OK. | 0:47:51 | 0:47:55 | |
Well, it wouldn't be OK with me so shut up and go and change the record. | 0:47:57 | 0:48:01 | |
Good answer. | 0:48:03 | 0:48:04 | |
Oh, I was thinking about taking them to Denver next week | 0:48:05 | 0:48:08 | |
if it's OK with you. | 0:48:08 | 0:48:09 | |
My mom, she loves them. | 0:48:11 | 0:48:12 | |
Probably that recognition of a similar mind. | 0:48:12 | 0:48:15 | |
(THEY CHUCKLE) | 0:48:15 | 0:48:19 | |
You stay there, old man. | 0:48:19 | 0:48:21 | |
(MUSIC FROM THE PARTY DRIFTS IN) | 0:48:24 | 0:48:27 | |
MUSIC: "EBBEN NE ANDRO LONTANA" - CATALANI PLAYS THROUGHOUT | 0:48:35 | 0:48:41 | |
(LOUD TICKING) | 0:49:20 | 0:49:24 | |
(SIGHS DEEPLY) | 0:49:29 | 0:49:31 | |
(SIGHS IN FRUSTRATION) | 0:50:30 | 0:50:32 | |
(BUMPS AGAINST SHOWER WALL) | 0:50:45 | 0:50:47 | |
(PHONE RINGS) | 0:51:34 | 0:51:36 | |
(SIGHS) | 0:51:41 | 0:51:43 | |
No, I did not forget the gin. | 0:51:57 | 0:51:59 | |
I'll see you in ten minutes. | 0:51:59 | 0:52:01 | |
(FAKES MACHINE-GUN FIRING) | 0:52:34 | 0:52:38 | |
(SILENCE EXCEPT FOR ARIA) | 0:52:38 | 0:52:42 | |
Christopher, would you like it if I killed you? | 0:52:43 | 0:52:46 | |
I don't know. | 0:52:46 | 0:52:47 | |
Well, if you keep this up we're going to find out, | 0:52:47 | 0:52:50 | |
so why don't you go home and stop shooting people? | 0:52:50 | 0:52:53 | |
(DOORBELL) | 0:53:14 | 0:53:17 | |
(HEARTBEAT AMPLIFIED) | 0:53:20 | 0:53:22 | |
I'm so happy to see you. | 0:53:22 | 0:53:25 | |
(DRIVING RAIN) | 0:53:25 | 0:53:28 | |
Come on in. | 0:53:29 | 0:53:31 | |
It smells wonderful. I'm very hungry. Where's Louisa? | 0:53:33 | 0:53:36 | |
I gave her the night off. I'm cooking myself. | 0:53:36 | 0:53:39 | |
-You are? -Yes, and I'm trying something new. | 0:53:39 | 0:53:41 | |
Charly, darling, you cooking is new. | 0:53:41 | 0:53:43 | |
Don't be smart. I'm in a good mood tonight and I'm going to be fun. | 0:53:43 | 0:53:46 | |
I've already made two New Year resolutions. Resolution one, | 0:53:46 | 0:53:50 | |
no more talk about awful ex-husbands and children who don't give a damn. | 0:53:50 | 0:53:54 | |
-And the other one? -One what? | 0:53:54 | 0:53:56 | |
Resolution. | 0:53:56 | 0:53:57 | |
Oh, resolution two. More smoking and more drinking and screw it all! | 0:53:57 | 0:54:01 | |
So, come on, mix me up a drink. | 0:54:01 | 0:54:03 | |
I'll have a gin and tonic, please, and watch out, baby. | 0:54:03 | 0:54:07 | |
Coming up. | 0:54:07 | 0:54:08 | |
It was sweet of you to come tonight. | 0:54:12 | 0:54:14 | |
You know, sweet had nothing to do with it. | 0:54:14 | 0:54:17 | |
I needed to see you. | 0:54:17 | 0:54:18 | |
Oh, Geo, come off it. | 0:54:19 | 0:54:22 | |
Whenever you do something sweet, you're too ashamed to admit it. | 0:54:22 | 0:54:25 | |
Here's to our early New Year's resolutions. | 0:54:25 | 0:54:28 | |
-(THEY CLINK GLASSES) -Cheers. | 0:54:31 | 0:54:33 | |
What are your resolutions, by the way? | 0:54:34 | 0:54:36 | |
To let go of the past. Completely, entirely, and for ever. | 0:54:37 | 0:54:43 | |
Mmm, light me up, will you? | 0:54:43 | 0:54:46 | |
Darling, you don't look well. | 0:54:53 | 0:54:56 | |
Do you remember that little heart attack you had last year? | 0:54:56 | 0:54:59 | |
-Wasn't a heart attack. -Whatever it was, darling, | 0:54:59 | 0:55:01 | |
-you don't look so hot. -I'm fine. | 0:55:01 | 0:55:05 | |
Have never felt better. I'm a little tired. I haven't been sleeping. | 0:55:05 | 0:55:09 | |
Geo, it's normal. You were with Jim for 16 years. | 0:55:09 | 0:55:12 | |
I think about Richard every day. It's hard being alone. | 0:55:12 | 0:55:17 | |
At least you have a job and a life. | 0:55:18 | 0:55:22 | |
Let's have a bit of dinner, shall we? | 0:55:22 | 0:55:25 | |
Because I've worked so very hard. | 0:55:25 | 0:55:29 | |
What are you talking about? | 0:55:29 | 0:55:31 | |
Seriously, there's no such thing as old any more. | 0:55:31 | 0:55:33 | |
The other day, one of my students called me a "senior citizen". | 0:55:33 | 0:55:37 | |
I wouldn't mind if "old" didn't exist, | 0:55:37 | 0:55:39 | |
but I'm not sure "senior" is what I'm aiming for either. | 0:55:39 | 0:55:41 | |
It's all becoming so bland. It's not why I came to America. | 0:55:41 | 0:55:44 | |
It's a complete breakdown of culture and manners. | 0:55:44 | 0:55:47 | |
The young ones have no manners. | 0:55:47 | 0:55:49 | |
The other day at the car wash, a young man looked me up and down | 0:55:49 | 0:55:53 | |
and asked me if I was a natural blonde. | 0:55:53 | 0:55:56 | |
-What did you say? -I looked him straight in the eye and said, | 0:55:56 | 0:55:59 | |
"Well, let's just say if I stood on my head | 0:55:59 | 0:56:01 | |
"I'd be a natural brunette with lovely breath." | 0:56:01 | 0:56:03 | |
-You didn't! (LAUGHS) -I did! (LAUGHS) | 0:56:03 | 0:56:07 | |
And the amusing thing was that it went right over his head. | 0:56:07 | 0:56:11 | |
You had a mouth on you even back in London. | 0:56:11 | 0:56:14 | |
Do you remember that old lesbian who threw her drink over your head | 0:56:14 | 0:56:17 | |
because you asked her if she was hung like a doughnut?! | 0:56:17 | 0:56:19 | |
(RAUCOUS LAUGHTER) | 0:56:19 | 0:56:23 | |
Oh, Geo, we could always go back to London. The two of us. | 0:56:29 | 0:56:34 | |
-No, thanks. -You know you miss it. | 0:56:34 | 0:56:37 | |
I miss it sometimes. | 0:56:37 | 0:56:39 | |
Maybe if Jim had lived. He loved being in England. | 0:56:39 | 0:56:42 | |
He asked to stay last time we were there. | 0:56:42 | 0:56:44 | |
Do you really think you would have moved? | 0:56:44 | 0:56:47 | |
Don't know. It's silly to talk about it. It's only a fantasy. | 0:56:48 | 0:56:52 | |
What's this? | 0:57:00 | 0:57:01 | |
My mother's wedding ring. Found it in a drawer I was cleaning out. | 0:57:01 | 0:57:07 | |
Oh. | 0:57:11 | 0:57:13 | |
Charly, my dear, you and I are both in need of another drink. | 0:57:13 | 0:57:16 | |
(ICE CLINKS IN THEIR GLASSES) | 0:57:33 | 0:57:35 | |
MUSIC: "Stormy Weather" by Etta James | 0:57:39 | 0:57:43 | |
# Don't know why | 0:57:54 | 0:57:58 | |
# There's no sun up in the sky | 0:57:58 | 0:58:02 | |
# Stormy weather | 0:58:02 | 0:58:08 | |
# Since my man and I | 0:58:08 | 0:58:11 | |
# Ain't together | 0:58:11 | 0:58:15 | |
# Keeps raining all of the time | 0:58:15 | 0:58:22 | |
# Oh, yeah, life is bare | 0:58:22 | 0:58:29 | |
# Gloom and misery everywhere | 0:58:29 | 0:58:33 | |
# Stormy weather, stormy weather | 0:58:33 | 0:58:39 | |
# And I just can't get my poor self together... # | 0:58:39 | 0:58:44 | |
Wait, wait, wait! | 0:58:44 | 0:58:46 | |
(RECORD STOPS ABRUPTLY) | 0:58:50 | 0:58:52 | |
I love this! | 0:58:54 | 0:58:55 | |
You're insane. | 0:58:56 | 0:58:57 | |
Come on, old man. | 0:58:57 | 0:58:59 | |
MUSIC: "Green Onions" by Booker T & The MGs | 0:58:59 | 0:59:01 | |
(LAUGHS) | 0:59:14 | 0:59:16 | |
(GIGGLES) | 0:59:34 | 0:59:35 | |
Whoo! | 0:59:35 | 0:59:37 | |
(LAUGHTER) | 0:59:39 | 0:59:42 | |
Don't move. | 1:00:15 | 1:00:17 | |
(SIGHS DEEPLY) | 1:00:21 | 1:00:23 | |
Thank you. | 1:00:24 | 1:00:26 | |
-Very smooth cigarette move. -I've always wanted to do that. | 1:00:36 | 1:00:41 | |
You don't even smoke. | 1:00:41 | 1:00:43 | |
Not for the last 16 years. Jim hated it. | 1:00:43 | 1:00:46 | |
What's to stop me now? It's not as if it's going to kill me? | 1:00:46 | 1:00:49 | |
This is so nice, lying here with you. | 1:00:55 | 1:00:59 | |
Don't you ever miss this? | 1:01:00 | 1:01:03 | |
What we could have been to each other? | 1:01:03 | 1:01:06 | |
Having a real relationship and kids? | 1:01:06 | 1:01:09 | |
I had... I had Jim. | 1:01:12 | 1:01:13 | |
No, I mean a real relationship. | 1:01:13 | 1:01:17 | |
Geo, let's be honest, what you and Jim had together was wonderful but... | 1:01:17 | 1:01:22 | |
wasn't it really just a substitute for something else? | 1:01:22 | 1:01:25 | |
Is that what you really think after all of these years? Hmm? | 1:01:28 | 1:01:32 | |
You think Jim was just some kind of substitute for real love? | 1:01:32 | 1:01:37 | |
Jim was not a substitute for anything. You understand? | 1:01:41 | 1:01:47 | |
And there is no substitute for Jim, anywhere! | 1:01:47 | 1:01:50 | |
And by the way, what is so real about your relationship with Richard? | 1:01:50 | 1:01:53 | |
He left you after nine years! Jim and I were together for 16 years | 1:01:53 | 1:01:59 | |
and if he hadn't died we'd still be together! | 1:01:59 | 1:02:01 | |
-What the hell is not real about that?! -I'm sorry, I'm sorry. | 1:02:01 | 1:02:05 | |
I know how much the two of you loved each other. | 1:02:05 | 1:02:09 | |
I suppose I'm just jealous that you and I never had that kind of love. | 1:02:09 | 1:02:12 | |
Actually I've never had that kind of love with anybody. | 1:02:15 | 1:02:18 | |
I don't think Richard ever loved me, except for the way I looked. | 1:02:20 | 1:02:24 | |
And Clay, I don't know. You raise a child and love it | 1:02:24 | 1:02:28 | |
and then when they're old enough they just leave. | 1:02:28 | 1:02:30 | |
Charly, there is nothing wrong with your life. | 1:02:30 | 1:02:33 | |
You like feeling sorry for yourself. It's one of your great pleasures. | 1:02:33 | 1:02:36 | |
And it's not one of yours? You're as pathetic as I am. | 1:02:36 | 1:02:40 | |
Feeling sorry for myself is not one of my pleasures. | 1:02:40 | 1:02:42 | |
It's not one of mine. I don't like feeling sorry for myself. | 1:02:42 | 1:02:45 | |
I tried to hold onto Richard for so long | 1:02:45 | 1:02:47 | |
even when it was obvious to everyone but me that it was over. | 1:02:47 | 1:02:50 | |
Now Clay is grown up. What am I doing here, Geo? Tell me, what?! | 1:02:50 | 1:02:53 | |
You have plenty of friends. You'll be fine. | 1:02:53 | 1:02:56 | |
Yes, I have friends. But none of them need me. And yes, I have you, | 1:02:56 | 1:02:59 | |
and if you weren't such a goddamn poof we could have all been happy! | 1:02:59 | 1:03:03 | |
I only have you now because you lost Jim. | 1:03:08 | 1:03:10 | |
Soon I'll lose you to someone else. It's not as easy for a woman. | 1:03:10 | 1:03:14 | |
I did everything the way I was supposed to | 1:03:14 | 1:03:15 | |
and all I have to keep me company is a bottle of gin. | 1:03:15 | 1:03:18 | |
Maybe you should try doughnuts with your gin. | 1:03:18 | 1:03:21 | |
Screw you! | 1:03:21 | 1:03:23 | |
Charlotte, you are dramatic. | 1:03:25 | 1:03:28 | |
I swear, you almost had me. | 1:03:28 | 1:03:29 | |
A tiny tear was beginning to form in the corner of my eye. | 1:03:29 | 1:03:33 | |
Now stop it. You are still breathtakingly beautiful... | 1:03:33 | 1:03:38 | |
..when you can be bothered to get out of bed | 1:03:39 | 1:03:41 | |
and stop whimpering about everything for five minutes. | 1:03:41 | 1:03:45 | |
Go to London. Change your life. If you're not happy being a woman, | 1:03:45 | 1:03:49 | |
stop acting like one. | 1:03:49 | 1:03:50 | |
You have all the answers. | 1:03:50 | 1:03:53 | |
I don't have any of them, actually. | 1:03:53 | 1:03:55 | |
If you're so smart, why don't you do something new with your life? | 1:03:55 | 1:03:58 | |
Take that position at Stanford? You complain about that school | 1:03:58 | 1:04:01 | |
-but you could go anywhere you want. -What I've done has been worthwhile. | 1:04:01 | 1:04:04 | |
I'm sorry, I'm sorry, I shouldn't have said that. | 1:04:04 | 1:04:10 | |
As much as I dread it, I think I will go back to London. | 1:04:10 | 1:04:12 | |
Why do you dread it? | 1:04:12 | 1:04:14 | |
When I lived in London last I was young, fresh, I was everything. | 1:04:14 | 1:04:19 | |
Coming to America was such a dream, it was the icing on the cake. | 1:04:19 | 1:04:22 | |
Going home is defeat. | 1:04:22 | 1:04:25 | |
None of it really worked out the way I planned. | 1:04:25 | 1:04:28 | |
Most things don't work out the way people plan. | 1:04:28 | 1:04:30 | |
You're living in the past. You need to start thinking about your future. | 1:04:32 | 1:04:36 | |
Living in the past is my future. It doesn't have to be yours. | 1:04:36 | 1:04:40 | |
You're a man. | 1:04:40 | 1:04:42 | |
And you're a bore tonight. | 1:04:43 | 1:04:46 | |
Can't we just feel sorry for ourselves a little bit longer? | 1:04:46 | 1:04:50 | |
-Let's have another drink. Please? -I don't think so. I have to go. | 1:04:50 | 1:04:53 | |
-Walk me out. -No! -Come on, I have to go. -This was such fun! | 1:04:53 | 1:04:56 | |
-Come on. -No. | 1:04:56 | 1:04:58 | |
When will I see you again? | 1:05:06 | 1:05:09 | |
-Aren't you going to England? -No, I'll never do that! | 1:05:09 | 1:05:13 | |
It's far too much effort. | 1:05:13 | 1:05:15 | |
Besides, I don't think Jim would want me to leave you here all alone. | 1:05:15 | 1:05:20 | |
Don't worry about me, I'll be fine. I've got all the answers. Remember? | 1:05:20 | 1:05:25 | |
What are you doing this weekend? | 1:05:25 | 1:05:27 | |
I think I might just be very quiet. | 1:05:28 | 1:05:30 | |
You never really did take me seriously, did you, George? | 1:05:32 | 1:05:36 | |
I tried to, Charly. Remember? A long time ago. | 1:05:36 | 1:05:40 | |
It didn't really work out, did it? | 1:05:40 | 1:05:43 | |
Good night, Charly. | 1:05:44 | 1:05:46 | |
Sleep tight. | 1:05:53 | 1:05:54 | |
(AMPLIFIED TICKING) | 1:06:21 | 1:06:24 | |
MUSIC: "Blue Moon" by Jo Stafford | 1:06:31 | 1:06:34 | |
Patrick! Beer and a packet of Lucky Strikes, please. | 1:06:36 | 1:06:41 | |
(LAUGHTER) | 1:06:45 | 1:06:47 | |
(HAPPY CHATTER) | 1:07:10 | 1:07:12 | |
Excuse me. | 1:07:22 | 1:07:24 | |
It's too hot in there. | 1:07:38 | 1:07:40 | |
Yes, it is. | 1:07:40 | 1:07:42 | |
-Would you like a cigarette? -No, thanks, I don't smoke. | 1:07:42 | 1:07:46 | |
This place is really crowded? | 1:07:46 | 1:07:48 | |
Well, it is Saturday night but it's not usually as bad as this. | 1:07:48 | 1:07:52 | |
People normally stop by, pick someone up and head down to the beach. | 1:07:52 | 1:07:56 | |
(LAUGHS) Yeah. It's pretty wild out there. | 1:07:56 | 1:07:59 | |
I'm surprised the cops don't break it up. | 1:07:59 | 1:08:01 | |
Is it always like that? | 1:08:01 | 1:08:02 | |
Since the war ended. It's pretty great actually. Kind of pagan. | 1:08:02 | 1:08:08 | |
-I'm Jim. -I'm George. Pleased to meet you, Jim. | 1:08:09 | 1:08:12 | |
I'm sorry, I'm supposed to meet some friends but I can't find them. | 1:08:12 | 1:08:15 | |
I just needed to get out of the house. | 1:08:15 | 1:08:17 | |
The lure of a cold beer got me. | 1:08:17 | 1:08:20 | |
-Do you live nearby? -Canyon. | 1:08:20 | 1:08:23 | |
-Been here long? -Since '38. | 1:08:23 | 1:08:25 | |
-Where are you from? -Colorado. | 1:08:25 | 1:08:29 | |
I really like it here. It's close to the beach. | 1:08:29 | 1:08:33 | |
I think I might stay after I'm discharged. | 1:08:33 | 1:08:36 | |
I don't know, maybe I'm a bit of a pagan. | 1:08:36 | 1:08:40 | |
(RAIN STARTS) | 1:08:40 | 1:08:41 | |
Oh! | 1:08:41 | 1:08:44 | |
-After you. -Shall we? | 1:08:44 | 1:08:46 | |
(JAZZ PLAYS) | 1:08:48 | 1:08:50 | |
Sorry. | 1:08:52 | 1:08:53 | |
-Well, hello. -Hi. | 1:09:00 | 1:09:04 | |
Do you want to buy me a drink? | 1:09:04 | 1:09:08 | |
I think I'm taken. | 1:09:08 | 1:09:09 | |
Too bad. Too bad. | 1:09:11 | 1:09:14 | |
Want another beer? | 1:09:16 | 1:09:19 | |
(LOUD TICKING) | 1:09:19 | 1:09:22 | |
(SIGHS) | 1:09:33 | 1:09:35 | |
(RUSTLING BUSHES) | 1:09:45 | 1:09:46 | |
-(TV) -'In Cuba itself, 100,000 men were put under emergency orders | 1:10:03 | 1:10:06 | |
'as they have been during past invasions...' | 1:10:06 | 1:10:10 | |
Patrick, a bottle of Scotch and a pack of Lucky Strikes to go, please. | 1:10:13 | 1:10:17 | |
Patrick. Cancel that. | 1:10:26 | 1:10:28 | |
Well, hello, Mr Potter. | 1:10:39 | 1:10:41 | |
Hello, sir. | 1:10:41 | 1:10:43 | |
-What are we drinking? -Scotch. | 1:10:44 | 1:10:47 | |
OK. | 1:10:47 | 1:10:49 | |
I come here all the time. I live just round the corner, | 1:10:55 | 1:10:58 | |
-but then you knew that. -On Camphor Tree Lane. | 1:10:58 | 1:11:00 | |
You're still carrying that around. | 1:11:07 | 1:11:09 | |
One must always appreciate life's little gifts. | 1:11:11 | 1:11:14 | |
So what are you doing here? | 1:11:18 | 1:11:20 | |
-Just out for a ride on my bike. -That all? | 1:11:20 | 1:11:22 | |
I don't know. | 1:11:23 | 1:11:24 | |
Were you looking for me? | 1:11:24 | 1:11:26 | |
Maybe. I don't know. | 1:11:26 | 1:11:29 | |
I feel like my head's stopped up with stuff. | 1:11:29 | 1:11:31 | |
What kind of stuff? | 1:11:31 | 1:11:32 | |
Like the stuff you were talking about in class. | 1:11:32 | 1:11:35 | |
That is definitely not important. | 1:11:35 | 1:11:36 | |
No, it IS important. Your class is great. | 1:11:36 | 1:11:39 | |
But somehow we always seem to get stuck talking about the past. | 1:11:39 | 1:11:43 | |
The past just doesn't matter to me. | 1:11:43 | 1:11:45 | |
And the present? | 1:11:45 | 1:11:47 | |
I can't wait for the present to be over. It's a total drag. | 1:11:47 | 1:11:50 | |
(LAUGHS) | 1:11:50 | 1:11:51 | |
Well, tonight's the exception. | 1:11:51 | 1:11:54 | |
What? | 1:11:55 | 1:11:57 | |
Tonight, yes. The present, no. Let's drink to tonight. | 1:11:57 | 1:12:01 | |
-(THEY CLINK GLASSES) -Tonight. | 1:12:01 | 1:12:03 | |
So if the past doesn't matter and the present's a drag, | 1:12:05 | 1:12:08 | |
what about the future? | 1:12:08 | 1:12:10 | |
What future? Cuba might just blow us up. | 1:12:10 | 1:12:12 | |
Death is the future. | 1:12:12 | 1:12:15 | |
I'm sorry. I don't mean to be depressing. | 1:12:15 | 1:12:17 | |
It's not depressing, it's true. It may not be your immediate future, | 1:12:17 | 1:12:20 | |
but it's what we all share. Death is the future. | 1:12:20 | 1:12:24 | |
You're right, I guess. | 1:12:24 | 1:12:26 | |
So if one is not enjoying one's present, | 1:12:26 | 1:12:28 | |
there isn't a great deal to suggest that the future should be any better. | 1:12:28 | 1:12:32 | |
Yeah, I've thought that before. | 1:12:32 | 1:12:34 | |
But the thing is, you just never know. Look at tonight. | 1:12:34 | 1:12:39 | |
Actually I feel really alone most of the time. | 1:12:44 | 1:12:48 | |
-You do? -Yeah. | 1:12:48 | 1:12:51 | |
I've always felt this way. I mean, we're born alone, we die alone. | 1:12:51 | 1:12:56 | |
And while we're here, | 1:12:56 | 1:12:57 | |
we're absolutely, completely sealed in our own bodies. Really weird. | 1:12:57 | 1:13:03 | |
Kind of freaks me out to think about it. | 1:13:04 | 1:13:06 | |
We can only experience the outside world | 1:13:06 | 1:13:09 | |
through our own slanted perception of it. | 1:13:09 | 1:13:13 | |
Who knows what you're really like? I just see what I think you're like. | 1:13:13 | 1:13:17 | |
I'm exactly what I appear to be... | 1:13:17 | 1:13:19 | |
..if you look closely. | 1:13:21 | 1:13:23 | |
(SIGHS DEEPLY) | 1:13:27 | 1:13:30 | |
You know the only thing that has made the whole thing worthwhile | 1:13:30 | 1:13:34 | |
has been those few times | 1:13:34 | 1:13:37 | |
when I've been able to really, truly connect with another human being. | 1:13:37 | 1:13:42 | |
I had a hunch about you, sir. | 1:13:44 | 1:13:45 | |
You did? | 1:13:45 | 1:13:46 | |
Yes, sir. I had a hunch you might be a real romantic. | 1:13:46 | 1:13:51 | |
You know, everyone keeps telling you that when you're older, | 1:13:56 | 1:14:00 | |
you'll have all this experience, like it's some great thing. | 1:14:00 | 1:14:03 | |
Hmm, it's a load of shit. | 1:14:03 | 1:14:05 | |
I think I've actually got sillier and sillier. | 1:14:05 | 1:14:07 | |
-Really? -Absolutely. | 1:14:07 | 1:14:09 | |
So all your experience is useless? | 1:14:09 | 1:14:14 | |
No, I wouldn't say that. In the words of our friend Mr Huxley, | 1:14:14 | 1:14:17 | |
"Experience is not what happens to a man, | 1:14:17 | 1:14:19 | |
"it's what a man does with what happens to him." | 1:14:19 | 1:14:22 | |
-Let's go swimming. -OK. | 1:14:24 | 1:14:25 | |
-(SNICKERS) -What? | 1:14:25 | 1:14:28 | |
It was a test. I thought you were bluffing about being silly, | 1:14:28 | 1:14:31 | |
so I said to myself, | 1:14:31 | 1:14:34 | |
"I'll suggest doing something completely outrageous | 1:14:34 | 1:14:37 | |
"and if he resists, if he even hesitates, | 1:14:37 | 1:14:40 | |
"then I know he's full of shit." | 1:14:40 | 1:14:41 | |
Well, I wasn't. Were you? | 1:14:43 | 1:14:45 | |
Hell, no! | 1:14:46 | 1:14:48 | |
Come on, sir. I'll help you down. | 1:15:05 | 1:15:08 | |
Let's go! | 1:15:09 | 1:15:10 | |
(WAVES CRASH) | 1:15:10 | 1:15:14 | |
Whoo! | 1:15:37 | 1:15:38 | |
Whoo! Come on, sir! | 1:15:55 | 1:15:57 | |
(BOTH SHOUT IN DELIGHT) | 1:16:00 | 1:16:03 | |
(WAVES GET STRONGER) | 1:16:19 | 1:16:22 | |
(BUBBLES) | 1:16:25 | 1:16:27 | |
Agh! | 1:16:31 | 1:16:34 | |
That's enough for now, sir. | 1:16:42 | 1:16:44 | |
-I'm fine. -Well, I'm cold. Come on. | 1:16:45 | 1:16:48 | |
(BOTH PANT HEAVILY) | 1:16:58 | 1:17:01 | |
Can we go back to your place, sir? | 1:17:01 | 1:17:02 | |
Of course. Where else? | 1:17:02 | 1:17:06 | |
-Where else? -Are you out of your mind? | 1:17:06 | 1:17:08 | |
What's the matter? | 1:17:08 | 1:17:09 | |
You can't go home like that. | 1:17:10 | 1:17:12 | |
We're invisible, don't you know that? | 1:17:12 | 1:17:14 | |
You know, sir, they ought not to let you out on your own. | 1:17:15 | 1:17:18 | |
You're liable to get into real trouble. | 1:17:18 | 1:17:20 | |
Oh, I excel at it. | 1:17:20 | 1:17:23 | |
Your forehead's bleeding. | 1:17:23 | 1:17:25 | |
The bathroom's just down the hall if you'd like to take a shower. | 1:17:48 | 1:17:52 | |
Aren't you taking a shower too, sir? | 1:17:52 | 1:17:53 | |
I'm fine. I'm English. We like to be cold and wet. | 1:17:53 | 1:17:57 | |
First, I think we need to take care of that cut, sir. | 1:17:57 | 1:18:00 | |
Do you have any Band-aids? | 1:18:00 | 1:18:01 | |
Going camping, sir? | 1:18:05 | 1:18:07 | |
I'm fine, really. | 1:18:07 | 1:18:09 | |
Stay there. I'll be right back. | 1:18:09 | 1:18:11 | |
Sit up. | 1:18:53 | 1:18:56 | |
Tilt your head back. | 1:18:56 | 1:18:58 | |
(UNWRAPS THE PLASTER) | 1:19:08 | 1:19:10 | |
Well, sir, I'm afraid this time you don't have the excuse of mescaline | 1:19:22 | 1:19:25 | |
-to explain your Band-aid. -(CHUCKLES) | 1:19:25 | 1:19:29 | |
I think we should get you out of those wet clothes. | 1:19:29 | 1:19:31 | |
Yes, sir. | 1:19:34 | 1:19:35 | |
(PULLS CLOTHES OFF) | 1:19:52 | 1:19:54 | |
(PULLS SHOWER CURTAIN ACROSS) | 1:20:31 | 1:20:33 | |
(RUNNING WATER) | 1:20:33 | 1:20:35 | |
(STRIKES A MATCH) | 1:20:47 | 1:20:48 | |
(PUTS ON A JAZZ RECORD) | 1:21:00 | 1:21:02 | |
-You're not too cold? -I'm great. | 1:21:04 | 1:21:07 | |
Would you like a drink? | 1:21:07 | 1:21:09 | |
I'll have a beer, sir, if you have one. | 1:21:09 | 1:21:10 | |
I'm afraid that's all we have. | 1:21:10 | 1:21:13 | |
Two beers, coming up. | 1:21:13 | 1:21:15 | |
You live here by yourself, sir? | 1:21:28 | 1:21:30 | |
I do now. I used to share this place with a friend who was an architect. | 1:21:30 | 1:21:34 | |
Man, guys my age dream about the kind of set-up you've got here. | 1:21:34 | 1:21:38 | |
I mean, what more can you want? | 1:21:38 | 1:21:41 | |
You get to be left alone and come and go as you please. | 1:21:41 | 1:21:45 | |
Is that your idea of a perfect life? | 1:21:46 | 1:21:48 | |
What's the matter, sir? Don't you believe me? | 1:21:48 | 1:21:50 | |
If you're so keen on the idea of living by yourself, | 1:21:50 | 1:21:52 | |
-where does Lois fit into this plan? -Lois? | 1:21:52 | 1:21:55 | |
What's she got to do with anything? | 1:21:55 | 1:21:57 | |
I got the impression that you and she were together. | 1:21:57 | 1:22:00 | |
Not really. She's kind of cool and we're good friends, | 1:22:03 | 1:22:07 | |
but I think what you really want to ask me is if we sleep together. | 1:22:07 | 1:22:14 | |
-And do you? -We did. Once. | 1:22:14 | 1:22:17 | |
Why only once? | 1:22:17 | 1:22:18 | |
I didn't say only once, I said once. | 1:22:18 | 1:22:22 | |
Come on, last thing I want to talk about right now is Lois. | 1:22:22 | 1:22:25 | |
What time is it? | 1:22:25 | 1:22:26 | |
Mmm, my watch seems to have stopped. | 1:22:26 | 1:22:31 | |
Do you want me to go? | 1:22:38 | 1:22:39 | |
You must be kidding! Go and get us another beer. | 1:22:39 | 1:22:43 | |
Is that an order, sir? | 1:22:44 | 1:22:46 | |
Damn right it is. | 1:22:48 | 1:22:50 | |
Pathetic! (BOTTLE BANGS) | 1:23:00 | 1:23:02 | |
Did you say something, sir? | 1:23:04 | 1:23:06 | |
Why are you here? | 1:23:09 | 1:23:10 | |
Why did you go to the office | 1:23:13 | 1:23:15 | |
and ask the secretary for my address? | 1:23:15 | 1:23:18 | |
I just wanted to see you some place other than school. | 1:23:20 | 1:23:25 | |
Why? | 1:23:25 | 1:23:26 | |
Sometimes I think I'm crazy | 1:23:29 | 1:23:31 | |
cos I see things so differently to everyone else. | 1:23:31 | 1:23:34 | |
I feel like I can talk to you. | 1:23:34 | 1:23:36 | |
To be honest, sir, I was also worried about you today. | 1:23:38 | 1:23:40 | |
Me? What's there to worry about? | 1:23:45 | 1:23:49 | |
I'm fine. (CHUCKLES) | 1:23:49 | 1:23:52 | |
I'm fine. | 1:24:03 | 1:24:05 | |
(CRACKLING FIRE AND RUMBLING OCEAN) | 1:24:10 | 1:24:12 | |
(POUNDING HEARTBEAT) | 1:24:27 | 1:24:30 | |
(LABOURED BREATHING) | 1:24:30 | 1:24:32 | |
(GASPS FOR AIR) | 1:25:00 | 1:25:02 | |
(LOUD TICKING) | 1:25:02 | 1:25:05 | |
(AMPLIFIED FLAPPING OF OWL'S WINGS) | 1:26:19 | 1:26:22 | |
(WAVES IN THE DISTANCE) | 1:26:33 | 1:26:36 | |
'A few times in my life, I've had moments of absolute clarity. | 1:26:41 | 1:26:47 | |
'When for a few brief seconds, the silence drowns out the noise | 1:26:49 | 1:26:54 | |
'and I can feel...rather than think. | 1:26:54 | 1:26:58 | |
'And things seem so sharp and the world seems so fresh. | 1:26:58 | 1:27:04 | |
'It's as though it had all just come into existence.' | 1:27:04 | 1:27:08 | |
(FIRE ROARS) | 1:27:20 | 1:27:23 | |
(EXHALES DEEPLY) | 1:27:25 | 1:27:27 | |
'I can never make these moments last. | 1:27:27 | 1:27:30 | |
'I cling to them, but, like everything, they fade. | 1:27:30 | 1:27:33 | |
'I have lived my life on these moments. | 1:27:35 | 1:27:37 | |
'They pull me back to the present. | 1:27:39 | 1:27:41 | |
'And I realise that everything is exactly the way it's meant to be.' | 1:27:43 | 1:27:48 | |
(SOLO STRINGS CRESCENDO) | 1:27:56 | 1:27:58 | |
(WHIMPERS IN PAIN) | 1:28:00 | 1:28:03 | |
(CRIES OUT IN PAIN) | 1:28:03 | 1:28:04 | |
CRASHES TO THE FLOOR) | 1:28:04 | 1:28:07 | |
(TICKING) | 1:28:09 | 1:28:12 | |
(TICKING STOPS SUDDENLY) | 1:28:35 | 1:28:37 | |
(RASPING BREATH) | 1:29:36 | 1:29:38 | |
'And just like that, it came.' | 1:30:01 | 1:30:06 | |
Subtitles by Red Bee Media Ltd | 1:30:17 | 1:30:19 |