Besieged
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Transcript
| Line | From | To | |
|---|---|---|---|
* | 0:00:02 | 0:00:07 | |
HARP-LIKE SOUND | 0:00:19 | 0:00:20 | |
CHANTING | 0:00:39 | 0:00:41 | |
# Africa! # | 0:02:28 | 0:02:30 | |
The difference between a leader and a boss? | 0:03:31 | 0:03:35 | |
This is how Alphonse walks. LAUGHTER | 0:03:45 | 0:03:48 | |
Doesn't stop! Doesn't care who's in his way! | 0:03:48 | 0:03:52 | |
Even turning is like so... | 0:04:01 | 0:04:03 | |
SHE MOUTHS | 0:04:05 | 0:04:07 | |
MAN SINGING | 0:04:49 | 0:04:52 | |
PLANE | 0:05:28 | 0:05:29 | |
CRIES OF DISTRESS | 0:05:32 | 0:05:35 | |
NO! | 0:05:46 | 0:05:48 | |
CREAKING | 0:05:53 | 0:05:55 | |
LOUD CREAKING | 0:06:16 | 0:06:18 | |
BANG | 0:06:26 | 0:06:27 | |
ALARM BLEEPS | 0:07:18 | 0:07:21 | |
PIANO PLAYING | 0:08:44 | 0:08:47 | |
PIANO PLAYING | 0:11:25 | 0:11:28 | |
LA-LA-ING IN TIME TO MUSIC | 0:11:30 | 0:11:33 | |
Got it now? And... | 0:11:33 | 0:11:36 | |
Thank you! | 0:13:15 | 0:13:18 | |
It was... It was most kind. | 0:13:19 | 0:13:21 | |
I mean, it was thoughtful of you to mend the hem of my trousers. | 0:13:21 | 0:13:26 | |
It's part of my work, Mr Kinsky. | 0:13:26 | 0:13:29 | |
Thank you all the same. | 0:13:33 | 0:13:36 | |
Goodnight. | 0:13:40 | 0:13:41 | |
Goodnight. | 0:13:45 | 0:13:46 | |
EERIE CREAKING | 0:13:56 | 0:13:59 | |
TAPPING | 0:14:01 | 0:14:03 | |
DOOR OPENS | 0:14:03 | 0:14:06 | |
UPBEAT MUSIC | 0:15:12 | 0:15:15 | |
SHE SINGS ALONG | 0:15:15 | 0:15:18 | |
-Morning, Shanderai. -Good morning, Mr Kinsky. | 0:15:28 | 0:15:33 | |
Ahem! | 0:15:45 | 0:15:47 | |
I don't think he has any friends. | 0:17:45 | 0:17:47 | |
He had a rich aunt. | 0:17:54 | 0:17:56 | |
You'll end up in bed with him. | 0:18:04 | 0:18:08 | |
So, come to bed with me? | 0:18:09 | 0:18:13 | |
Anyway, you tell me you are gay. | 0:18:13 | 0:18:16 | |
You're the only woman I could sleep with. | 0:18:16 | 0:18:20 | |
No. | 0:18:30 | 0:18:32 | |
I'm going home. | 0:18:44 | 0:18:47 | |
-I have an exam soon! -Me, too. | 0:18:50 | 0:18:52 | |
-THIS IS A WASTE OF TIME! -Sssh! | 0:18:52 | 0:18:55 | |
WAILS IN TIME TO BEAT | 0:19:03 | 0:19:06 | |
HE SINGS | 0:19:07 | 0:19:10 | |
AFRICAN GUITAR INTRO | 0:19:31 | 0:19:34 | |
NO! It is MY cupboard! | 0:20:15 | 0:20:19 | |
THUD | 0:20:55 | 0:20:57 | |
PIANO PLAYING ABOVE | 0:21:49 | 0:21:52 | |
I think this is yours. | 0:23:46 | 0:23:49 | |
It belonged to my aunt. | 0:23:49 | 0:23:52 | |
RESUMES PLAYING PIANO | 0:23:56 | 0:23:58 | |
I don't understand you! | 0:24:11 | 0:24:14 | |
I don't understand this music! | 0:24:14 | 0:24:17 | |
Eh...? | 0:24:17 | 0:24:19 | |
I rather... I rather hoped you'd like it. | 0:24:19 | 0:24:23 | |
It not possible I keep this. You know? | 0:24:24 | 0:24:27 | |
Why...? | 0:24:27 | 0:24:28 | |
Why do I keep this? | 0:24:28 | 0:24:31 | |
I love you. | 0:24:34 | 0:24:36 | |
I absolutely... | 0:24:38 | 0:24:40 | |
I'm...in love with you. | 0:24:40 | 0:24:44 | |
I'm sorry. | 0:24:45 | 0:24:48 | |
I think I should go. | 0:24:48 | 0:24:51 | |
Marry me! | 0:25:05 | 0:25:07 | |
-Marry you?! -Marry me, yes, please! | 0:25:07 | 0:25:10 | |
-Marry you...? -Marry me! | 0:25:10 | 0:25:13 | |
You're crazy! | 0:25:13 | 0:25:15 | |
I've never felt anything like this before. I've never... | 0:25:18 | 0:25:22 | |
I've never said such... | 0:25:22 | 0:25:25 | |
I love you. | 0:25:25 | 0:25:28 | |
I love you. | 0:25:28 | 0:25:30 | |
We could go anywhere. | 0:25:30 | 0:25:33 | |
-I'll go anywhere with you. We could go to Africa. -Africa?! -Yes! | 0:25:33 | 0:25:38 | |
What do you know about Africa? | 0:25:38 | 0:25:41 | |
What do you know? | 0:25:41 | 0:25:44 | |
Let me go. | 0:25:44 | 0:25:46 | |
Please love me. | 0:25:50 | 0:25:53 | |
Love me! | 0:25:53 | 0:25:55 | |
I'll do anything for you. | 0:25:58 | 0:26:01 | |
What do I have to do to make you love me? | 0:26:01 | 0:26:04 | |
I'll do ANYTHING! | 0:26:04 | 0:26:06 | |
YOU GET MY HUSBAND OUT OF JAIL! | 0:26:06 | 0:26:10 | |
I'm sorry. I didn't realise you were married. | 0:26:23 | 0:26:27 | |
May I ask you why he's in jail? | 0:26:52 | 0:26:55 | |
Shanderai! Shanderai! | 0:28:39 | 0:28:43 | |
Shanderai! | 0:28:46 | 0:28:48 | |
Are you all right? | 0:28:48 | 0:28:51 | |
Shanderai! | 0:28:52 | 0:28:54 | |
PIANO PLAYING | 0:29:23 | 0:29:26 | |
MUSIC STOPS | 0:31:05 | 0:31:08 | |
No! | 0:31:39 | 0:31:40 | |
I believe this is yours. | 0:32:04 | 0:32:07 | |
Sorry. | 0:32:07 | 0:32:09 | |
It just slipped! | 0:32:09 | 0:32:11 | |
AFRICAN MUSIC | 0:32:19 | 0:32:22 | |
He said to the disciples, "People were eating and drinking, buying and selling, | 0:33:20 | 0:33:27 | |
"but the day Lot left Sodom... | 0:33:27 | 0:33:30 | |
"it rained fire and brimstone from Heaven and it destroyed them. | 0:33:32 | 0:33:38 | |
"Anyone who tries to preserve his life | 0:33:38 | 0:33:42 | |
"will lose it. | 0:33:42 | 0:33:44 | |
"And anyone who loses it will be kept safe." | 0:33:44 | 0:33:48 | |
Ebola... | 0:34:01 | 0:34:03 | |
Si. | 0:34:06 | 0:34:08 | |
JAZZ MUSIC | 0:34:10 | 0:34:13 | |
Mr Kinsky. | 0:35:19 | 0:35:21 | |
You want coffee? | 0:35:21 | 0:35:25 | |
Something? | 0:35:25 | 0:35:26 | |
No...no. | 0:35:27 | 0:35:29 | |
Thank you all the same. | 0:35:29 | 0:35:32 | |
Si? | 0:37:04 | 0:37:06 | |
Congratulations! | 0:37:21 | 0:37:22 | |
Shanderai! | 0:37:59 | 0:38:01 | |
I have to go out for the day. | 0:38:01 | 0:38:04 | |
Someone's coming to collect the tapestry from the music room, so just show them where it is. | 0:38:04 | 0:38:11 | |
-I suppose they'll need the ladder. -OK. | 0:38:11 | 0:38:15 | |
-DOORBELL RINGS -Oh! | 0:39:40 | 0:39:43 | |
DOORBELL RINGS AGAIN | 0:39:46 | 0:39:49 | |
HE SINGS | 0:41:45 | 0:41:48 | |
NOTES SLOWLY PICKED OUT ON PIANO | 0:44:59 | 0:45:03 | |
KNOCK ON DOOR Come in! | 0:45:17 | 0:45:20 | |
I'll clean later. | 0:45:20 | 0:45:22 | |
No. Please. It's all right. | 0:45:22 | 0:45:25 | |
Shanderai, could you please pass me some of the manuscript paper? | 0:45:36 | 0:45:41 | |
Thank you. | 0:45:59 | 0:46:01 | |
There's not much to dust. | 0:46:01 | 0:46:04 | |
I know. | 0:46:04 | 0:46:07 | |
The carpet could do with a hoovering, though. | 0:46:07 | 0:46:11 | |
You sure I don't disturb you? | 0:46:22 | 0:46:25 | |
No. Go ahead. | 0:46:27 | 0:46:30 | |
The bookcase... | 0:46:41 | 0:46:45 | |
NOISY HOOVER | 0:46:47 | 0:46:50 | |
NOTES CAN BARELY BE HEARD | 0:46:57 | 0:47:00 | |
HUMS TUNE TO HIMSELF | 0:48:06 | 0:48:10 | |
FAST, URGENT TUNE | 0:48:24 | 0:48:27 | |
MUSIC SLOWS DOWN | 0:49:27 | 0:49:30 | |
RING | 0:49:32 | 0:49:33 | |
Uh...I'll get it. | 0:49:33 | 0:49:36 | |
RING | 0:49:36 | 0:49:38 | |
Si, pronto? | 0:49:39 | 0:49:41 | |
Father! | 0:49:41 | 0:49:43 | |
Yes! | 0:49:43 | 0:49:45 | |
You're here! ..What? | 0:49:45 | 0:49:48 | |
..Carry on. | 0:49:49 | 0:49:51 | |
HOOVER STARTS UP Wonderful! | 0:49:51 | 0:49:55 | |
Where? | 0:49:55 | 0:49:56 | |
I'll see you in one minute! | 0:49:57 | 0:50:00 | |
Bye! | 0:50:00 | 0:50:02 | |
Eh... | 0:50:09 | 0:50:11 | |
I must go out. | 0:50:12 | 0:50:15 | |
"My dear Shanderai... | 0:52:37 | 0:52:40 | |
"Good news of your husband. | 0:52:41 | 0:52:45 | |
"He is alive! | 0:52:45 | 0:52:48 | |
"He is being transferred from the military jail... | 0:52:50 | 0:52:54 | |
"..to an ordinary prison. | 0:52:56 | 0:52:59 | |
"His trial has been set for next week." | 0:52:59 | 0:53:03 | |
Who is this...? | 0:53:07 | 0:53:11 | |
Mister... | 0:53:23 | 0:53:25 | |
Kinsky! | 0:53:25 | 0:53:27 | |
Mr Kinsky! | 0:53:35 | 0:53:37 | |
Mr Kinsky! | 0:53:40 | 0:53:42 | |
Why? | 0:53:43 | 0:53:45 | |
PIANO PLAYING | 0:53:58 | 0:54:01 | |
PIANO PLAYING STOPS | 0:54:07 | 0:54:09 | |
AFRICAN MUSIC | 0:54:18 | 0:54:20 | |
DOORBELL RINGS | 0:55:59 | 0:56:02 | |
DOORBELL RINGS AGAIN | 0:56:09 | 0:56:12 | |
-Found you! -Agostino! -Let me in. | 0:56:16 | 0:56:19 | |
-No! -Please! -What are you doing here? -Let me in! -Ssssh! -Please! | 0:56:19 | 0:56:24 | |
BELL RINGS CONTINUOUSLY | 0:56:27 | 0:56:30 | |
HE HAMMERS ON DOOR | 0:56:30 | 0:56:33 | |
PIANO PLAYING | 0:56:39 | 0:56:42 | |
-He's good, your pianist. -Sssh! | 0:56:46 | 0:56:49 | |
-I can be a student for the rest of my life. -Was it so bad? -Dreadful. | 0:56:58 | 0:57:04 | |
Let's get drunk. Where's the whisky, the cognac? | 0:57:05 | 0:57:11 | |
AFRICAN MUSIC PLAYING | 0:57:11 | 0:57:14 | |
Let's go out. | 0:57:18 | 0:57:20 | |
Quiet! | 0:57:24 | 0:57:26 | |
Go out! Go out! Go out! | 0:57:26 | 0:57:29 | |
Out! | 0:57:30 | 0:57:32 | |
PIANO PLAYING CAN NOW BE HEARD | 0:57:34 | 0:57:37 | |
AFRICAN MUSIC | 0:57:39 | 0:57:43 | |
SLOW PIANO MUSIC | 0:58:41 | 0:58:44 | |
Va bene. Trentacinque. | 1:00:09 | 1:00:11 | |
Grazie. Bene. | 1:00:11 | 1:00:14 | |
Oh! | 1:00:31 | 1:00:33 | |
You OK, Mr Kinsky? | 1:00:38 | 1:00:41 | |
Yes. | 1:00:42 | 1:00:44 | |
Yes. I'm fine. | 1:00:44 | 1:00:47 | |
Are you sure? You seem... | 1:00:50 | 1:00:53 | |
Seem what? | 1:00:53 | 1:00:55 | |
Maybe something I can do for you? | 1:00:56 | 1:00:59 | |
No, thank you. | 1:00:59 | 1:01:02 | |
Well, as a matter of fact... | 1:01:09 | 1:01:12 | |
..I'll be giving a small concert next Friday for some friends. Perhaps you could help. | 1:01:13 | 1:01:20 | |
-Of course. -I'll be performing a piece I've composed. | 1:01:20 | 1:01:24 | |
You'll probably find it rather... trivial. | 1:01:24 | 1:01:28 | |
What is it? | 1:02:01 | 1:02:03 | |
I want to ask you something. | 1:02:03 | 1:02:06 | |
Yes? | 1:02:06 | 1:02:07 | |
Yes? | 1:02:09 | 1:02:11 | |
I...wanted to ask you... if you...eh... | 1:02:13 | 1:02:17 | |
What? | 1:02:17 | 1:02:19 | |
There's this friend of mine... | 1:02:20 | 1:02:23 | |
and it's his birthday on Friday. | 1:02:23 | 1:02:26 | |
So I wanted to give him a...present. I thought that maybe he could be at your concert. | 1:02:26 | 1:02:33 | |
Yes, of course. | 1:02:33 | 1:02:36 | |
The one that makes so much noise? | 1:02:36 | 1:02:38 | |
I meant to say sorry! | 1:02:41 | 1:02:44 | |
I didn't know he was coming. | 1:02:44 | 1:02:47 | |
He was very drunk cos he failed his exam. I said, "Quiet!" | 1:02:47 | 1:02:53 | |
But... | 1:02:53 | 1:02:55 | |
He's not my boyfriend! | 1:02:56 | 1:02:58 | |
HUMS TO HIMSELF | 1:03:03 | 1:03:06 | |
DOORBELL | 1:03:58 | 1:04:00 | |
Grazie. | 1:04:30 | 1:04:32 | |
CHILDREN SQUABBLE | 1:05:11 | 1:05:14 | |
Ssssh! | 1:05:17 | 1:05:19 | |
Shanderai! | 1:05:29 | 1:05:31 | |
Shanderai! Where are you going?! | 1:05:38 | 1:05:42 | |
Shanderai! | 1:06:13 | 1:06:15 | |
Shanderai! | 1:06:31 | 1:06:32 | |
Shanderai! | 1:06:34 | 1:06:36 | |
MUSIC SLOWS | 1:06:41 | 1:06:44 | |
My husband. | 1:06:50 | 1:06:53 | |
"Freedom. Arriving Sunday at dawn. Winston." | 1:06:53 | 1:06:57 | |
-We must give him a big party! -Si. | 1:07:00 | 1:07:04 | |
-You will make love for a week! Aren't you happy? -I don't know. | 1:07:07 | 1:07:12 | |
Why? | 1:07:12 | 1:07:13 | |
Shanderai! | 1:07:13 | 1:07:15 | |
CHILDREN'S VOICES FROM OUTSIDE | 1:07:34 | 1:07:37 | |
PIANO MUSIC QUICKENS | 1:07:55 | 1:07:58 | |
SOMEONE IS PLAYING THE PIANO | 1:08:48 | 1:08:52 | |
-Grazie. -Grazie. | 1:10:17 | 1:10:20 | |
MOTOR RACING ON TV | 1:11:29 | 1:11:32 | |
Hello! | 1:11:43 | 1:11:44 | |
Come in. Come in. | 1:11:45 | 1:11:48 | |
An incredible thing has happened. | 1:11:53 | 1:11:56 | |
I heard from my husband. | 1:11:58 | 1:12:01 | |
He is alive. | 1:12:02 | 1:12:05 | |
He's been freed! He's free! | 1:12:05 | 1:12:08 | |
That's marvellous news. You must...you must be very happy. | 1:12:11 | 1:12:16 | |
Yes. | 1:12:16 | 1:12:18 | |
Uh... | 1:12:19 | 1:12:21 | |
I wanted to ask you if... | 1:12:23 | 1:12:26 | |
..it would be OK that Winston... stays downstairs for a few days. | 1:12:28 | 1:12:34 | |
Of course. Of course. | 1:12:38 | 1:12:41 | |
When is he arriving? | 1:12:46 | 1:12:49 | |
Very early tomorrow morning. | 1:12:49 | 1:12:53 | |
That's very exciting for you. | 1:12:58 | 1:13:01 | |
He's a brave man, you know. | 1:13:10 | 1:13:13 | |
A brave man. | 1:13:13 | 1:13:16 | |
I respect him very much. | 1:13:17 | 1:13:20 | |
Mmm. | 1:13:20 | 1:13:22 | |
Found the ball. | 1:13:22 | 1:13:24 | |
I look forward to meeting him. | 1:13:45 | 1:13:48 | |
To our Lord, who, once again, has given us proof of his mercy. And to you... | 1:14:29 | 1:14:36 | |
for all your... all your kindness, your help... and your tenacity. | 1:14:36 | 1:14:42 | |
I hope you'll invite me to one of your concerts. I don't really give concerts. | 1:15:02 | 1:15:08 | |
What? I don't play in public. | 1:15:08 | 1:15:12 | |
Why not? Oh... | 1:15:12 | 1:15:15 | |
One of the finest pianists of our day - Vladimir Horovitz - | 1:15:17 | 1:15:22 | |
stopped playing at the peak of his career, | 1:15:22 | 1:15:25 | |
became convinced that his fingers were made of glass. Each time he struck, | 1:15:25 | 1:15:31 | |
he was terrified the finger might just shatter. | 1:15:31 | 1:15:36 | |
Franco Ferrara, wonderful Italian conductor, | 1:15:37 | 1:15:41 | |
every time he mounted the podium, | 1:15:41 | 1:15:43 | |
he'd sense this... this terrible force... | 1:15:43 | 1:15:48 | |
pushing him backwards. | 1:15:48 | 1:15:51 | |
He just fainted away... just fainted. | 1:15:51 | 1:15:55 | |
You faint? No, no. | 1:15:55 | 1:15:58 | |
- That's why you don't give concerts! - I don't...I don't faint. | 1:15:58 | 1:16:03 | |
Whooops! | 1:16:05 | 1:16:06 | |
Aaah! | 1:16:38 | 1:16:40 | |
No! I've had enough! Yes, yes, yes, yes. | 1:16:44 | 1:16:47 | |
Oh, well! We've all had enough. | 1:16:47 | 1:16:50 | |
What about YOU? Why don't you play in public? | 1:16:54 | 1:16:59 | |
Me? | 1:17:01 | 1:17:03 | |
I'm just... | 1:17:04 | 1:17:07 | |
not good enough. | 1:17:07 | 1:17:10 | |
LAUGHTER | 1:17:10 | 1:17:11 | |
DOORBELL | 1:24:38 | 1:24:40 | |
DOORBELL RINGS AGAIN | 1:24:50 | 1:24:54 | |
RING | 1:25:02 | 1:25:04 | |
RING | 1:25:04 | 1:25:06 | |
RING | 1:25:06 | 1:25:08 | |
RING | 1:25:13 | 1:25:15 | |
RING | 1:25:15 | 1:25:17 | |
RING | 1:25:25 | 1:25:29 | |
RING | 1:25:49 | 1:25:51 | |
Subtitles on 888 by Janice Hamilton, BBC Scotland, 1999 | 1:27:39 | 1:27:43 |