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BELL RINGS INSISTENTLY | 0:01:43 | 0:01:46 | |
Senor Reece is coming! | 0:01:46 | 0:01:49 | |
I beg your pardon? | 0:01:49 | 0:01:52 | |
Senor Reece is here, in Chicago. | 0:01:50 | 0:01:52 | |
Mr Reece, did you say? | 0:01:52 | 0:01:54 | |
He'll be at the hotel soon. | 0:01:54 | 0:01:56 | |
I assume he wants his usual accommodations. | 0:01:56 | 0:02:01 | |
Si, si. Just like always. | 0:01:59 | 0:02:01 | |
We'll have everything ready. | 0:02:01 | 0:02:02 | |
Right. | 0:02:02 | 0:02:04 | |
Tucker, Hamlyn! | 0:02:04 | 0:02:06 | |
Mr Reece is in town. | 0:02:10 | 0:02:13 | |
He'll want the south wing. | 0:02:13 | 0:02:16 | |
We already have people in that wing. | 0:02:16 | 0:02:18 | |
Move them. Notify the kitchen. They'll need extra waiters. | 0:02:18 | 0:02:23 | |
Yes, sir. | 0:02:23 | 0:02:27 | |
We'll put Mr Reece in 200A as usual. | 0:02:24 | 0:02:28 | |
The Vidals are in that suite. | 0:02:28 | 0:02:30 | |
-You are acquainted with -Miss -Vidal. -You -move them somewhere else. | 0:02:30 | 0:02:36 | |
You don't move people like the Vidals! | 0:02:36 | 0:02:40 | |
Bring Mr Reece's trunks. Press everything, evening clothes first. | 0:02:40 | 0:02:46 | |
Mr... | 0:02:46 | 0:02:48 | |
You know I cannot see you here. | 0:03:05 | 0:03:08 | |
My father will be back any minute. | 0:03:10 | 0:03:12 | |
I have to speak to your father. | 0:03:12 | 0:03:15 | |
My father? | 0:03:15 | 0:03:20 | |
It's a hotel situation. About the rooms. | 0:03:17 | 0:03:20 | |
May I wait inside? | 0:03:22 | 0:03:24 | |
Yes, of course. | 0:03:24 | 0:03:27 | |
I thought it was moonlight. I was wrong. | 0:03:44 | 0:03:48 | |
About what? | 0:03:48 | 0:03:52 | |
About you. You're just as pretty in here. | 0:03:50 | 0:03:52 | |
Please... | 0:03:52 | 0:03:54 | |
Your aunt doesn't speak English. | 0:03:54 | 0:03:56 | |
She can understand the expression in your eyes. | 0:03:56 | 0:04:01 | |
Did you understand the poem I sent? | 0:04:01 | 0:04:03 | |
What poem? | 0:04:03 | 0:04:06 | |
Papa, this is Senor Harris. | 0:04:13 | 0:04:16 | |
Yes, I know Mr Harris. | 0:04:14 | 0:04:16 | |
There's been a mistake about these rooms. They were already reserved. | 0:04:16 | 0:04:21 | |
I have another suite, larger, with a breeze from the lake... | 0:04:21 | 0:04:27 | |
We are comfortable here, young man. | 0:04:27 | 0:04:30 | |
Yes, sir. It's the manager's orders. Isn't there anything I could do...? | 0:04:30 | 0:04:37 | |
Oh, yes, there is. | 0:04:37 | 0:04:38 | |
You can tell me if you wrote this... "poetry"... to my daughter. | 0:04:40 | 0:04:46 | |
I'm in love with your daughter, I would like to marry her. | 0:04:46 | 0:04:50 | |
I could never approve of this marriage. | 0:05:05 | 0:05:07 | |
Our way of life is too different from yours. | 0:05:07 | 0:05:10 | |
I have no intention of being a hotel clerk all my life. | 0:05:10 | 0:05:13 | |
I came to Chicago to get into the cattle business. A man can make a fortune these days. | 0:05:13 | 0:05:17 | |
Money is no particular recommendation. | 0:05:17 | 0:05:21 | |
Maria, we are going home. Start packing | 0:05:21 | 0:05:24 | |
Be good enough to have my bill sent up. | 0:05:26 | 0:05:29 | |
Goodbye, young man. | 0:05:32 | 0:05:34 | |
And don't think that love can find a way. I know all the ways. | 0:05:37 | 0:05:42 | |
Here he comes. | 0:05:52 | 0:05:55 | |
(RINGS BELL) | 0:05:55 | 0:05:57 | |
Hi. | 0:06:02 | 0:06:04 | |
Mr Reece, it's a pleasure to have you with us again. | 0:06:04 | 0:06:09 | |
Pleasure to be here, Fowler. Take care of my men. | 0:06:06 | 0:06:09 | |
The boys will take you to your rooms Bring a large herd? | 0:06:09 | 0:06:13 | |
Worst trailing I ever saw. | 0:06:13 | 0:06:15 | |
Send up some whisky and a few dozen cold chickens. I'm sick of beef. | 0:06:15 | 0:06:21 | |
Yes, sir. | 0:06:21 | 0:06:23 | |
There'll be the usual party tonight. | 0:06:23 | 0:06:27 | |
All taken care of, Mr Reece. | 0:06:25 | 0:06:27 | |
Hot baths! We've been on the trail for two months. | 0:06:27 | 0:06:31 | |
HUBBUB | 0:06:31 | 0:06:33 | |
< First one into the bath, boys. | 0:06:33 | 0:06:36 | |
Senor Vidal! | 0:06:36 | 0:06:38 | |
Senor Reece! | 0:06:38 | 0:06:41 | |
What are you doing in Chicago? | 0:06:38 | 0:06:41 | |
Visiting. I'm going back to Mexico. | 0:06:39 | 0:06:41 | |
Got any cattle worth buying? | 0:06:41 | 0:06:44 | |
< I can sell you all you want. | 0:06:44 | 0:06:47 | |
Hold on to them till I get there. Hasta muy pronto, amigo! | 0:06:47 | 0:06:51 | |
Me darara mucho gusto en recibirlo. | 0:06:51 | 0:06:53 | |
EVERYONE SHOUTS AT ONCE | 0:06:53 | 0:06:56 | |
Maria. | 0:06:57 | 0:06:59 | |
< Maria! | 0:07:03 | 0:07:05 | |
We lost 87 head on the stock train between here and Wichita. | 0:07:15 | 0:07:19 | |
They got shaken off their feet, kicked to death. | 0:07:19 | 0:07:24 | |
You should have seen that road, it had rail gaps in it eight inches wide | 0:07:24 | 0:07:29 | |
If we'd trailed them then it would have been better, lose a few pounds, save a few cows. | 0:07:29 | 0:07:36 | |
What's the opera season like? | 0:07:36 | 0:07:38 | |
I beg your pardon? | 0:07:38 | 0:07:42 | |
Opera, OPERA! | 0:07:39 | 0:07:42 | |
I dunno, I guess it's all right. | 0:07:42 | 0:07:45 | |
You call yourself civilised and you don't know about the opera season? | 0:07:45 | 0:07:51 | |
I keep my mind on my business. | 0:07:51 | 0:07:53 | |
Fine. I have 2,476 head. What are the quotations? | 0:07:53 | 0:07:57 | |
2½, 2¾ cents a pound, average run of the herd. | 0:07:57 | 0:08:00 | |
Could go down by morning. | 0:08:00 | 0:08:03 | |
Could go up too. | 0:08:01 | 0:08:03 | |
I've 80% grass roots, 10% half-fats, 10% canners. Sounds about right? | 0:08:03 | 0:08:08 | |
Low on canners. | 0:08:08 | 0:08:12 | |
High! I'm giving you the best. | 0:08:09 | 0:08:12 | |
I figure 2¾ for the whole lot. | 0:08:12 | 0:08:16 | |
We figured more like 2½, Tom. | 0:08:16 | 0:08:18 | |
2¾ or I feed them till they go to 3. Well? I'm heading for a hot bath. | 0:08:18 | 0:08:24 | |
The New York market's closed until tomorrow. | 0:08:24 | 0:08:29 | |
We'd better think it over. | 0:08:27 | 0:08:29 | |
You do that. | 0:08:29 | 0:08:31 | |
Paco, go and keep your eye on those cows - we're holding onto them. | 0:08:31 | 0:08:36 | |
This city has all the coal in the world and you can't get hot water! | 0:08:41 | 0:08:48 | |
Where's that boy? In the hall? | 0:08:48 | 0:08:49 | |
Boy! > | 0:08:49 | 0:08:52 | |
When I take a bath I want hot water and I mean hot water! | 0:08:52 | 0:08:56 | |
(MUTTERS) Hot water! | 0:08:56 | 0:08:58 | |
Tom, you ready to talk business now? | 0:09:08 | 0:09:11 | |
The boot's grown to my foot. | 0:09:13 | 0:09:16 | |
I think I'm beefsteak. | 0:09:17 | 0:09:19 | |
You were quiet out there. | 0:09:21 | 0:09:23 | |
Let the boys dicker. Makes it easier for a man to close the deal. | 0:09:23 | 0:09:28 | |
Give you 2½ cents for everything - if you want a deal. | 0:09:28 | 0:09:32 | |
You know me and cows. I'd as soon own them and be poor, than sell them and be rich. | 0:09:32 | 0:09:38 | |
You haven't time to wait for them to fatten. You need to start a new drive. | 0:09:38 | 0:09:44 | |
You need beef so bad your mouth's watering. | 0:09:44 | 0:09:48 | |
You can have the lot for 48,000. | 0:09:48 | 0:09:51 | |
You got a deal. | 0:09:51 | 0:09:53 | |
Now we can quit lying and do business! | 0:09:53 | 0:09:57 | |
Pull up a chair and open this whisky. Have a drink, Mike. Boy, more whisky. | 0:09:57 | 0:10:03 | |
Yes, sir! > | 0:10:03 | 0:10:05 | |
Tom, when will you get smart and stop beating yourself on that trail? | 0:10:05 | 0:10:11 | |
We could build up the biggest meat-packing business in town. | 0:10:11 | 0:10:16 | |
I could never play partners, Mike. Thinking about it makes me itchy all over. | 0:10:18 | 0:10:24 | |
Get some decent clothes on. We're going to the opera. | 0:10:25 | 0:10:30 | |
What about the party? | 0:10:30 | 0:10:33 | |
That's after the opera. | 0:10:31 | 0:10:33 | |
Pour it in, son. | 0:10:33 | 0:10:37 | |
WHOOPING > | 0:10:35 | 0:10:37 | |
Sounds like it's already started. | 0:10:37 | 0:10:40 | |
LAUGHTER > | 0:10:40 | 0:10:43 | |
(CHUCKLES) | 0:10:41 | 0:10:43 | |
WILL YOU CLOSE THAT DOOR OUT THERE? | 0:10:50 | 0:10:53 | |
(KNOCKS) | 0:11:04 | 0:11:06 | |
< Come in. | 0:11:06 | 0:11:08 | |
Mr Reece, I took the liberty of bringing these to you. | 0:11:11 | 0:11:15 | |
Crack one of them for me. | 0:11:15 | 0:11:18 | |
You're going back down the trail to Mexico? | 0:11:18 | 0:11:23 | |
If the Good Lord spares me. | 0:11:23 | 0:11:25 | |
If I ever get another drink. | 0:11:26 | 0:11:29 | |
CORK POPS | 0:11:30 | 0:11:33 | |
Mr Reece... | 0:11:33 | 0:11:35 | |
To the brim, boy. | 0:11:35 | 0:11:38 | |
Yes, sir. Er, Mr Reece,... | 0:11:38 | 0:11:40 | |
..I'm a farmer. | 0:11:42 | 0:11:44 | |
Well, you had me fooled. | 0:11:44 | 0:11:48 | |
No, what I mean is, I was raised on a farm and I know about animals. | 0:11:48 | 0:11:54 | |
I'm keen on the cattle business, that's why I came to Chicago. | 0:11:54 | 0:12:00 | |
I'd like to work for you, sir. | 0:12:00 | 0:12:03 | |
Cockroach. | 0:12:03 | 0:12:05 | |
Why go trail-herding? | 0:12:07 | 0:12:10 | |
Well, all my life I've dreamt of going into the cattle business. | 0:12:10 | 0:12:16 | |
I hate Chicago, I'd like to live in the open. You know what I mean. | 0:12:17 | 0:12:24 | |
Lying under the stars listening to the boys singing round the camp fire? | 0:12:24 | 0:12:30 | |
And your faithful old horse grazing by your side. | 0:12:30 | 0:12:35 | |
You do much riding? | 0:12:36 | 0:12:39 | |
Me? Well, I bet I could ride all day and all night. | 0:12:39 | 0:12:43 | |
Is that a fact? I bet you like horses. | 0:12:43 | 0:12:48 | |
I sure do. | 0:12:48 | 0:12:49 | |
I thought so. Well, you're an idiot. | 0:12:49 | 0:12:54 | |
A dreamy idiot, the worst kind. You know what the trail is really like? | 0:12:54 | 0:13:00 | |
Dust storms, cloudbursts, a man's a fool to want that life. | 0:13:00 | 0:13:05 | |
That hogwash about horses - their loyalty, intelligence - | 0:13:05 | 0:13:10 | |
..you know a horse has a brain the size of a walnut? | 0:13:10 | 0:13:14 | |
They're mean and stupid. | 0:13:14 | 0:13:17 | |
< Not enough sense to move away from a hot fire. | 0:13:17 | 0:13:20 | |
No sensible man loves a horse. He tolerates it because riding's easier. | 0:13:20 | 0:13:27 | |
Pour me more whisky. | 0:13:28 | 0:13:30 | |
There's no horse ever... | 0:13:30 | 0:13:35 | |
-Did you ever -taste -horse? | 0:13:41 | 0:13:44 | |
No. | 0:13:44 | 0:13:46 | |
< Hasn't got a flavour, just tastes like horse. | 0:13:46 | 0:13:50 | |
As for cattle, those miserable slab-sided fleabags - pour yourself a drink. | 0:13:50 | 0:13:57 | |
No matter what you say to me, I want that job. | 0:13:57 | 0:14:01 | |
Try another outfit. | 0:14:01 | 0:14:03 | |
I have tried. | 0:14:03 | 0:14:07 | |
A tenderfoot's a responsibility. | 0:14:04 | 0:14:07 | |
It's not your responsibility. > | 0:14:07 | 0:14:11 | |
Everything is my responsbility. | 0:14:08 | 0:14:12 | |
Could you put the studs in my dress shirt? Can't be late for the opera. | 0:14:14 | 0:14:20 | |
Yes, sir. | 0:14:20 | 0:14:22 | |
I thought I saw a spider up there. | 0:14:31 | 0:14:35 | |
(SINGS OPERATICALLY) | 0:14:38 | 0:14:42 | |
Mike, isn't that the most beautiful thing you ever heard? | 0:14:55 | 0:14:59 | |
Opera sounds bad no matter who sings it. | 0:14:59 | 0:15:03 | |
LAUGHTER | 0:15:03 | 0:15:05 | |
Boss, this is the best party you ever threw! | 0:15:05 | 0:15:09 | |
Better than last year? | 0:15:09 | 0:15:12 | |
-She -wasn't here then. | 0:15:10 | 0:15:12 | |
Thank you for that extra money. We weren't expecting it. | 0:15:12 | 0:15:15 | |
Thank my friend here, he overpaid. | 0:15:15 | 0:15:18 | |
LAUGHTER | 0:15:18 | 0:15:21 | |
Well, well, well, leaving a little early? | 0:15:23 | 0:15:28 | |
(LAUGHS) | 0:15:29 | 0:15:32 | |
We got the poker game set up. | 0:15:32 | 0:15:37 | |
Let's go to work. You ladies mind? | 0:15:33 | 0:15:37 | |
Mike, come on. | 0:15:37 | 0:15:40 | |
Hate to bleed you, Tom. I'll raise that 100. | 0:15:42 | 0:15:46 | |
Up to you, Reece. | 0:15:46 | 0:15:48 | |
I'll call you. | 0:15:49 | 0:15:51 | |
Three kings. | 0:15:53 | 0:15:55 | |
Beats me. | 0:15:57 | 0:15:59 | |
(GIGGLES) Oh! Oh! | 0:15:59 | 0:16:03 | |
(SQUEALS) | 0:16:03 | 0:16:05 | |
50 on the filly. | 0:16:07 | 0:16:09 | |
You got a bet. | 0:16:08 | 0:16:09 | |
(SCREAMS) Take your hands off me. > | 0:16:09 | 0:16:13 | |
This is not my night, I guess. | 0:16:13 | 0:16:15 | |
< Your deal. | 0:16:26 | 0:16:28 | |
Want to buy some chips, Tom? | 0:16:40 | 0:16:43 | |
Not right now. | 0:16:43 | 0:16:45 | |
Excuse me, gentlemen. | 0:16:46 | 0:16:48 | |
I'd like to pay my bill. | 0:16:55 | 0:16:57 | |
I'm leaving tomorrow and I want to pay while I still can. | 0:16:57 | 0:17:02 | |
Divide what's over amongst the help. | 0:17:02 | 0:17:05 | |
We figured you'd stay a week. | 0:17:05 | 0:17:08 | |
So did I. I don't usually lose quite so fast. See you next time. | 0:17:08 | 0:17:14 | |
If you don't have any money, how will you buy cattle? | 0:17:14 | 0:17:17 | |
My credit's still good. | 0:17:17 | 0:17:25 | |
Mr Reece, could you use some money? | 0:17:19 | 0:17:25 | |
What if I could? | 0:17:25 | 0:17:28 | |
You might take me with you as a partner if I invested some money. | 0:17:28 | 0:17:34 | |
How much you got? | 0:17:34 | 0:17:37 | |
3,800. | 0:17:37 | 0:17:39 | |
I beg your pardon? | 0:17:39 | 0:17:41 | |
£3,800. My father gave it to me when he sold the farm. | 0:17:41 | 0:17:45 | |
Where is it? | 0:17:45 | 0:17:49 | |
Right here in the safe. | 0:17:47 | 0:17:49 | |
Well, get it out, boy. | 0:17:50 | 0:17:53 | |
Yes, sir! | 0:17:51 | 0:17:53 | |
There they are, gents, all spades. | 0:17:56 | 0:17:59 | |
KNOCK AT DOOR | 0:17:59 | 0:18:01 | |
Where d'you get money at this hour? | 0:18:01 | 0:18:04 | |
An honest man has friends wherever he goes - you wouldn't know about that. | 0:18:04 | 0:18:10 | |
Mr Reece? Mr Harris would like to see you. | 0:18:10 | 0:18:14 | |
Harris? | 0:18:14 | 0:18:17 | |
The desk clerk. | 0:18:15 | 0:18:18 | |
Excuse me, gentlemen. | 0:18:18 | 0:18:20 | |
You want to see me? | 0:18:27 | 0:18:34 | |
I wrote out a contract about our partnership. | 0:18:30 | 0:18:34 | |
Contract? What for? | 0:18:34 | 0:18:37 | |
So we both know what the deal was. | 0:18:37 | 0:18:40 | |
I've never signed a contract or welched on a deal in my life. | 0:18:42 | 0:18:47 | |
Do you think I'd sell my reputation for 3,800? | 0:18:47 | 0:18:51 | |
No, I didn't think that. It's just... | 0:18:51 | 0:18:55 | |
You go home and get some sleep cos we're pulling out first thing in the morning. | 0:18:55 | 0:19:03 | |
I hope you don't think I didn't trust you. | 0:19:03 | 0:19:07 | |
Forget it! | 0:19:07 | 0:19:08 | |
By the way, my name's Tom. | 0:19:12 | 0:19:16 | |
Thanks. Mine's Frank. | 0:19:16 | 0:19:18 | |
Thanks. | 0:19:50 | 0:19:52 | |
STONE THUDS | 0:20:02 | 0:20:07 | |
< Stampede, come on, let's go. The train leaves in ten minutes. | 0:20:03 | 0:20:07 | |
Mendoza, wake up. | 0:20:10 | 0:20:12 | |
What? | 0:20:12 | 0:20:16 | |
We're heading south. | 0:20:14 | 0:20:16 | |
So soon? What happened? You lose all the money so quick? | 0:20:16 | 0:20:21 | |
I won it back - most of it at least. We're getting out while I'm ahead. | 0:20:21 | 0:20:27 | |
I hear you got a partner. | 0:20:27 | 0:20:32 | |
Who told you that? | 0:20:29 | 0:20:32 | |
< Hi, Tom! | 0:20:30 | 0:20:32 | |
He did. > | 0:20:32 | 0:20:34 | |
He's all excited about the trail. | 0:20:35 | 0:20:39 | |
He's got a girl in Guadalupe. | 0:20:39 | 0:20:42 | |
How are you feeling, Tom? | 0:20:44 | 0:20:46 | |
Got a headache... Now, look, boy. | 0:20:46 | 0:20:48 | |
My name's Frank. | 0:20:48 | 0:20:51 | |
I borrowed money from you last night. I'm paying you back now. | 0:20:53 | 0:20:58 | |
I don't want it. We're partners. | 0:20:58 | 0:21:00 | |
I was drinking last night. I made a mistake. | 0:21:00 | 0:21:05 | |
I don't want a partner. Take this money and go back to the hotel. | 0:21:05 | 0:21:10 | |
I quit my job at the hotel. | 0:21:10 | 0:21:14 | |
Why d'you do a fool thing like that? | 0:21:14 | 0:21:17 | |
TRAIN WHISTLE BLOWS | 0:21:17 | 0:21:19 | |
Because you got a girl in Mexico? | 0:21:19 | 0:21:22 | |
You made a deal with me and I paid for a share of your outfit. | 0:21:22 | 0:21:29 | |
I've ridden this country for 20 years. I've sweated every track between here and the Rio Grande. | 0:21:29 | 0:21:36 | |
You figure you bought that? | 0:21:36 | 0:21:39 | |
I bought what you sold. | 0:21:37 | 0:21:39 | |
And the arrow holes in my hide? | 0:21:39 | 0:21:42 | |
I believed you when you said you never welched on a deal. | 0:21:42 | 0:21:46 | |
I'm trying to give your money back. | 0:21:46 | 0:21:49 | |
That's not our deal. | 0:21:49 | 0:21:52 | |
< He's right. | 0:21:50 | 0:21:52 | |
How do you know? | 0:21:51 | 0:21:52 | |
If not, you would have killed him. | 0:21:52 | 0:21:56 | |
You called me Tom. I'd prefer you'd call me Reece. | 0:22:02 | 0:22:06 | |
Any time you want your money back, you ask for it. | 0:22:06 | 0:22:10 | |
TRAIN WHISTLES | 0:22:24 | 0:22:27 | |
What about this fellow Reece? | 0:22:30 | 0:22:32 | |
He's all right if you're all right. | 0:22:32 | 0:22:35 | |
When's he pay off? End of the run? | 0:22:35 | 0:22:37 | |
You ask for what's coming in the middle of a river, he'll pay you off - in dry bills. | 0:22:37 | 0:22:44 | |
SHOUTING | 0:22:58 | 0:23:00 | |
< What you say, fellas? You looked a little scary last time. | 0:23:00 | 0:23:05 | |
We've been in Chicago - barrel fever | 0:23:05 | 0:23:08 | |
Reece only gave us one night - but what a night! | 0:23:08 | 0:23:12 | |
Get my telegram? | 0:23:12 | 0:23:14 | |
We pick up the horses outside town. I brought yours. | 0:23:14 | 0:23:18 | |
Did you hire the extra hand? | 0:23:18 | 0:23:23 | |
Say hello to Doc Bender. He used to be marshal of Wichita. | 0:23:19 | 0:23:23 | |
Hi. | 0:23:23 | 0:23:25 | |
You got a reputation, Bender. I want a cowhand not a gunslinger. | 0:23:41 | 0:23:46 | |
I'm a cowhand now. I like cows better than I like people. | 0:23:46 | 0:23:50 | |
All right. Let's get going. | 0:23:52 | 0:23:54 | |
Paco, get him something to wear. He can't go on the trail like this. | 0:23:58 | 0:24:03 | |
I'll buy some clothes, if you don't mind waiting. | 0:24:03 | 0:24:06 | |
Nobody's waiting for you. You gotta keep moving. | 0:24:06 | 0:24:11 | |
See if there's a spare rig in the chuck wagon. | 0:24:11 | 0:24:15 | |
Come on, Harris. | 0:24:16 | 0:24:19 | |
Beats me how women go for cowboys. | 0:24:19 | 0:24:22 | |
Women like the smell of a horse on a man. Makes them giggle. | 0:24:22 | 0:24:28 | |
Smell of a horse never did me no good. Just makes them move away. | 0:24:28 | 0:24:33 | |
Maybe you been associating with the wrong horses. Good-looking boots. | 0:24:33 | 0:24:39 | |
Move 'em out. | 0:24:43 | 0:24:45 | |
EVERYONE CALLS OUT | 0:25:16 | 0:25:18 | |
How's the water supply been? | 0:25:20 | 0:25:23 | |
Not bad, boss. | 0:25:21 | 0:25:23 | |
Pick your horses. Start riding them, get the fat off them. | 0:25:39 | 0:25:45 | |
< Those that haven't been broke, start breaking them. | 0:25:45 | 0:25:50 | |
These go on any special way? | 0:25:57 | 0:26:01 | |
Yeah, like an apron. | 0:25:59 | 0:26:01 | |
Shake your tail, there won't be anything left fit to ride. | 0:26:46 | 0:26:52 | |
Ha! | 0:27:23 | 0:27:24 | |
Bring that horse back. | 0:27:35 | 0:27:37 | |
If you can't ride him, carry him. | 0:27:44 | 0:27:47 | |
Here comes Harris! | 0:27:50 | 0:27:52 | |
Here he comes again. | 0:27:57 | 0:27:59 | |
(GROANS) | 0:28:55 | 0:28:57 | |
(YELLS) What is that? | 0:29:06 | 0:29:08 | |
Salt water and whisky. Best way to toughen it up. Any better? | 0:29:08 | 0:29:14 | |
Yeah. Burns instead of just aching. | 0:29:14 | 0:29:16 | |
Supposed to. Fries your hide. | 0:29:16 | 0:29:21 | |
You look half-dead. | 0:29:21 | 0:29:24 | |
Don't you ever get a day off? | 0:29:24 | 0:29:26 | |
You got to learn to sleep in your saddle. | 0:29:26 | 0:29:31 | |
That's it! | 0:29:35 | 0:29:38 | |
Oh! | 0:29:36 | 0:29:39 | |
Harris. > | 0:29:44 | 0:29:47 | |
I told you to ride night-herd. | 0:29:47 | 0:29:49 | |
Capper's doing it for me. | 0:29:49 | 0:29:51 | |
Do your own job. | 0:29:51 | 0:29:53 | |
If you can't pull your weight, have your money back. | 0:29:56 | 0:30:00 | |
I told you I didn't want the money back. | 0:30:00 | 0:30:05 | |
Then go to work. | 0:30:05 | 0:30:07 | |
CLANGING | 0:30:28 | 0:30:30 | |
This filly in Chicago, she says to me, | 0:31:50 | 0:31:54 | |
"You stay here with me, I'll take care of you." | 0:31:54 | 0:32:01 | |
Why didn't you take her up on it? | 0:32:01 | 0:32:03 | |
Who wants to live in Chicago? | 0:32:03 | 0:32:06 | |
Turn this boy loose around a woman, he's got enough lies for a year. | 0:32:06 | 0:32:12 | |
Joe, tell the boys about the time you ate them Indians. | 0:32:15 | 0:32:19 | |
I ain't ate but one Indian in my life. Then it was just a haunch. | 0:32:19 | 0:32:24 | |
Being a town marshal, I figured that was a good job. | 0:32:27 | 0:32:34 | |
What made you give it up? | 0:32:34 | 0:32:36 | |
Same old story. | 0:32:38 | 0:32:40 | |
Man gets a reputation with a gun, you just got to do too much killing. | 0:32:40 | 0:32:47 | |
In Wichita, two of them jumped me in the dark, I had to shoot them both. | 0:32:50 | 0:32:56 | |
They was just a couple of drunken saddlebums wanting excitement. | 0:32:56 | 0:33:01 | |
That's when I quit my job as marshal. That's no way to live. | 0:33:02 | 0:33:07 | |
Can't understand it. Something smells good. | 0:33:11 | 0:33:13 | |
You'd think you was being poisoned. | 0:33:13 | 0:33:17 | |
You got a visitor. | 0:33:19 | 0:33:21 | |
Them snakes. I found one in my boot yesterday. | 0:33:22 | 0:33:26 | |
Wait. | 0:33:26 | 0:33:29 | |
You ever see a more comfortable picture in your life? | 0:33:29 | 0:33:33 | |
Come to think of it, I don't believe I did. | 0:33:37 | 0:33:40 | |
SNAKE RATTLES | 0:33:43 | 0:33:45 | |
Harris, want to see a prairie eel? | 0:33:48 | 0:33:51 | |
(SCREAMS) | 0:33:49 | 0:33:52 | |
COMMOTION | 0:33:52 | 0:33:54 | |
Cut it out. | 0:33:57 | 0:33:59 | |
Charlie, this is for you. It's a girl snake. | 0:33:59 | 0:34:03 | |
I like 'em with bigger hips. | 0:34:03 | 0:34:06 | |
I said to cut it out. > | 0:34:06 | 0:34:08 | |
He got me. He got me. | 0:34:11 | 0:34:14 | |
Go get him. | 0:34:24 | 0:34:26 | |
I got his legs. I got him here. | 0:34:30 | 0:34:33 | |
What are you trying to do? Pump that poison into your heart? | 0:34:34 | 0:34:39 | |
Leave me alone. | 0:34:39 | 0:34:41 | |
Must have got him in the vein. | 0:34:45 | 0:34:47 | |
Oh, my God. | 0:34:49 | 0:34:51 | |
(GROANS) | 0:34:57 | 0:34:59 | |
Some day there'll be fences all up and down this trail. | 0:35:11 | 0:35:16 | |
I'd rather fight Indians than those miserable fences. | 0:35:16 | 0:35:20 | |
Joe would be rather fighting Indians Makes him hungry thinking about it. | 0:35:20 | 0:35:25 | |
Cut it out. I was near starving. I didn't even know that Injun. | 0:35:25 | 0:35:31 | |
I only kept one haunch. | 0:35:33 | 0:35:36 | |
Which haunch you keep, Joe? | 0:35:36 | 0:35:38 | |
The left one, of course. Right one is the working haunch, they're tough | 0:35:38 | 0:35:43 | |
CHUCKLING | 0:35:43 | 0:35:45 | |
How long from here to Guadalupe? | 0:35:46 | 0:35:50 | |
Eight, maybe nine, days. | 0:35:50 | 0:35:52 | |
I've been dreaming about those Mexican gals. | 0:35:54 | 0:35:58 | |
I wouldn't take 400 for what I dreamed last night. | 0:35:58 | 0:36:01 | |
You talk in your sleep. I wish you'd dream about something else. | 0:36:01 | 0:36:08 | |
You think of something better to dream about, I'll dream about it. | 0:36:08 | 0:36:14 | |
< (DEATH RATTLE) | 0:36:14 | 0:36:17 | |
COYOTES HOWL | 0:36:26 | 0:36:28 | |
He's dead, boss. | 0:36:36 | 0:36:38 | |
Get some shovels. | 0:37:03 | 0:37:06 | |
Make it deep so the coyotes can't get him. | 0:37:08 | 0:37:12 | |
Keep away from there. | 0:37:25 | 0:37:27 | |
You killed him, aren't you satisfied? Why steal his boots? | 0:37:30 | 0:37:35 | |
-I -killed him? | 0:37:35 | 0:37:38 | |
I'll bust you wide open. | 0:37:38 | 0:37:40 | |
You're not busting anybody. | 0:37:51 | 0:37:53 | |
If somebody does something stupid, don't make it worse. | 0:37:53 | 0:37:58 | |
If you don't like what goes on, too bad. Nobody said you'd like it. | 0:37:58 | 0:38:04 | |
Get out there and start digging. | 0:38:04 | 0:38:06 | |
Anybody know the right words? | 0:38:34 | 0:38:37 | |
When something like this happens, people start asking "How come?" | 0:38:50 | 0:38:55 | |
Was it his fault or somebody else's fault? | 0:38:55 | 0:39:02 | |
That isn't for us to say. We don't know all the answers. > | 0:39:02 | 0:39:07 | |
All we know is the man's dead. | 0:39:07 | 0:39:09 | |
In the long run I don't think it would have made any difference. | 0:39:11 | 0:39:15 | |
If it hadn't been a snake, it would have been a steer or a Comanche... | 0:39:15 | 0:39:20 | |
..or his horse might have stumbled in a prairie-dog hole. | 0:39:20 | 0:39:28 | |
He was a good man with cattle and always did the best he knew how. | 0:39:40 | 0:39:45 | |
Hope somebody says the same over me. | 0:39:46 | 0:39:49 | |
Fill it in. | 0:39:50 | 0:39:52 | |
Amigos! Alli esta mi Mexico! | 0:41:00 | 0:41:02 | |
After seven weeks it will be good to have chicken again. | 0:41:25 | 0:41:29 | |
< What are all the decorations for? | 0:41:31 | 0:41:34 | |
< Some kind of fiesta. | 0:41:32 | 0:41:34 | |
Donde esta el rancho del Senor Vidal? | 0:41:40 | 0:41:43 | |
Se comienza al salido del pueblo. | 0:41:43 | 0:41:45 | |
He says when we leave this town there ain't nothing else but. | 0:41:45 | 0:41:51 | |
We're going to Vidal's spread to pick up a herd. | 0:42:05 | 0:42:08 | |
I'm going too. | 0:42:08 | 0:42:10 | |
What for? | 0:42:10 | 0:42:12 | |
I'm your partner. | 0:42:11 | 0:42:12 | |
You mean you got personal business? I forgot about Miss Vidal. | 0:42:12 | 0:42:18 | |
You men, do your drinking now. | 0:42:18 | 0:42:21 | |
Any man who starts a fight will have to finish it with me. | 0:42:21 | 0:42:25 | |
ALL WHOOP | 0:42:25 | 0:42:27 | |
Welcome, Senores. | 0:43:09 | 0:43:13 | |
Senor Vidal. Glad to be here. | 0:43:11 | 0:43:14 | |
This is Paco Mendoza. | 0:43:14 | 0:43:16 | |
Senor Mendoza. | 0:43:14 | 0:43:16 | |
Mucho gusto, Senor Vidal. | 0:43:15 | 0:43:16 | |
Frank Harris. | 0:43:16 | 0:43:17 | |
I know Senor Harris. He writes poetry. | 0:43:17 | 0:43:22 | |
He does? | 0:43:22 | 0:43:24 | |
I used to. | 0:43:24 | 0:43:26 | |
Come in, please. | 0:43:26 | 0:43:29 | |
May I present el Senor Reece. | 0:43:41 | 0:43:44 | |
El Senor Harris. | 0:43:44 | 0:43:47 | |
El Senor Mendoza. | 0:43:47 | 0:43:48 | |
My sister, Dona Luisa, my daughter Maria... | 0:43:48 | 0:43:52 | |
Senorita. | 0:43:52 | 0:43:55 | |
-..and her -husband -Don Manuel Ariaga. | 0:43:52 | 0:43:55 | |
Would you care for a drink? | 0:44:00 | 0:44:03 | |
I'd like to get down to business. I thought we'd look over the beef. | 0:44:03 | 0:44:08 | |
Manuel, please bring our horses. > | 0:44:08 | 0:44:12 | |
-This -way, Senor. | 0:44:13 | 0:44:15 | |
How much longer will this take? | 0:44:34 | 0:44:36 | |
We're staying till it's finished. | 0:44:36 | 0:44:39 | |
I hope you are satisfied, Senor. | 0:44:52 | 0:44:54 | |
Looks like pretty good beef. | 0:44:54 | 0:44:56 | |
Best there is. | 0:44:55 | 0:44:56 | |
It is the fiesta of Santa Margarita. I hope you and your men will come. | 0:44:56 | 0:45:03 | |
If we get the branding done, it will be a pleasure. | 0:45:03 | 0:45:05 | |
The boys could stand some amusement. | 0:45:05 | 0:45:09 | |
You did not get my letter. | 0:45:24 | 0:45:26 | |
I left Chicago the day after you. | 0:45:26 | 0:45:28 | |
I wrote to you to explain. I never expected to see you again. | 0:45:28 | 0:45:34 | |
Why didn't you wait? | 0:45:34 | 0:45:36 | |
You must leave now. I am not permitted to see you alone. | 0:45:36 | 0:45:42 | |
Answer me. Why didn't you wait? | 0:45:42 | 0:45:44 | |
I should explain, Manuel, that Senor Harris is a friend from Chicago. | 0:45:44 | 0:45:50 | |
And I should explain to you, Maria, that you are my wife. | 0:45:51 | 0:45:56 | |
-You will, of course, not wish to see her again -alone. | 0:45:56 | 0:46:03 | |
Senor Reece is waiting for you. | 0:46:03 | 0:46:05 | |
The final event is the game of the cattle. | 0:46:39 | 0:46:44 | |
LOW BELLOW | 0:46:53 | 0:46:55 | |
Mendoza, what's this about? | 0:47:11 | 0:47:12 | |
Crazy game. Stay out of it. That's an outlaw bull. | 0:47:12 | 0:47:17 | |
He's a real killer. Horns are painted red. > | 0:47:17 | 0:47:21 | |
Man has to put a ring over his horn. Sometimes he does it. Sometimes he gets killed. | 0:47:21 | 0:47:26 | |
Not for me. | 0:47:26 | 0:47:28 | |
Don Manuel Ariaga challenges anyone who wishes to compete. | 0:47:32 | 0:47:36 | |
Perhaps one of the Americanos would like to take a chance. | 0:47:39 | 0:47:43 | |
I wouldn't go in there for a bottle of whisky and a redhead. | 0:48:00 | 0:48:05 | |
GROWLS | 0:48:08 | 0:48:10 | |
NEIGHING | 0:48:41 | 0:48:43 | |
NEIGHING | 0:48:49 | 0:48:51 | |
Now for the American caballero. > | 0:49:48 | 0:49:50 | |
I'll bet ten on the American. > | 0:49:50 | 0:49:54 | |
100 silver dollars. | 0:49:54 | 0:49:56 | |
Anybody else wants an advance? | 0:49:56 | 0:49:59 | |
Harris, come here. | 0:50:00 | 0:50:03 | |
I'm playing this one myself. | 0:50:03 | 0:50:06 | |
Why didn't you say before? | 0:50:06 | 0:50:10 | |
I didn't have any money up before. | 0:50:08 | 0:50:10 | |
Are you trying to show off? | 0:50:10 | 0:50:12 | |
Getting killed trying to make money is one thing. Getting killed to impress a female is stupid. | 0:50:12 | 0:50:19 | |
Paco. No, take him away, I don't want him. | 0:50:22 | 0:50:25 | |
You crazy, Tom? | 0:50:25 | 0:50:28 | |
I don't want him cut up. | 0:50:27 | 0:50:29 | |
Next contestant is Don Tomas Reece. | 0:50:38 | 0:50:40 | |
Open it up. | 0:50:40 | 0:50:43 | |
CHEERING | 0:52:54 | 0:52:56 | |
Senor. | 0:53:09 | 0:53:12 | |
BELL TOLLS | 0:53:51 | 0:53:54 | |
I could not let you go without seeing you - without talking with you alone. | 0:53:54 | 0:54:00 | |
My father was troubled about us in Chicago. | 0:54:03 | 0:54:07 | |
As soon as we returned, Manuel and I were betrothed. | 0:54:07 | 0:54:13 | |
In this country, children have no say. | 0:54:13 | 0:54:16 | |
You love him? | 0:54:16 | 0:54:18 | |
I am not a child any more, Frank. I cannot have everything. | 0:54:18 | 0:54:23 | |
I want you to tell me, do you love him? | 0:54:23 | 0:54:27 | |
BELL TOLLS | 0:54:45 | 0:54:47 | |
What's the matter with you? | 0:54:57 | 0:54:59 | |
I need a drink. | 0:54:58 | 0:54:59 | |
Stay away. Charlie's inside asking for trouble. | 0:54:59 | 0:55:03 | |
He's going to get himself carved up. | 0:55:03 | 0:55:05 | |
Doesn't he need any help? | 0:55:05 | 0:55:08 | |
You want to help him? Then you help him. | 0:55:08 | 0:55:11 | |
Get one of their knives in the belly and you won't hold your guts in. | 0:55:11 | 0:55:15 | |
I'm not gonna run out on him. | 0:55:15 | 0:55:18 | |
You're a good boy (!) | 0:55:18 | 0:55:20 | |
# TRADITIONAL SOLEMN MEXICAN TUNE | 0:55:29 | 0:55:36 | |
< GIGGLING | 0:56:04 | 0:56:06 | |
(LAUGHS LOUDLY) | 0:56:11 | 0:56:14 | |
Joe, wake up. Charlie's in trouble. He's gonna get his throat cut. | 0:57:26 | 0:57:32 | |
That's his problem. | 0:57:32 | 0:57:34 | |
You gotta help me. | 0:57:37 | 0:57:39 | |
Charlie's trying to grab somebody's woman. | 0:57:39 | 0:57:43 | |
No reason for us to get hurt. | 0:57:43 | 0:57:45 | |
If a man picks a fight, he's gotta fight it. The fun's in the picking, not the fight. | 0:57:45 | 0:57:52 | |
Doc, help me, Charlie's in trouble. He's in a saloon and four guys are gonna jump him. | 0:57:52 | 0:57:59 | |
Four of them? | 0:57:59 | 0:58:00 | |
What do you say? | 0:58:00 | 0:58:02 | |
I don't like the odds. | 0:58:02 | 0:58:06 | |
We gonna let him get killed? > | 0:58:06 | 0:58:08 | |
All right, Harris. | 0:58:08 | 0:58:10 | |
Suppose you shut up and go to bed. | 0:58:12 | 0:58:14 | |
-What are -you -gonna do? | 0:58:14 | 0:58:17 | |
I'm going to bed, same as you. | 0:58:17 | 0:58:19 | |
What happens to him? | 0:58:19 | 0:58:21 | |
He's old enough to get himself out of trouble. | 0:58:21 | 0:58:26 | |
I got a herd of cows to worry about. | 0:58:26 | 0:58:28 | |
A man's life means nothing to you? All you care about is your cattle. | 0:58:28 | 0:58:34 | |
You're the most miserable bunch of men I ever saw. | 0:58:38 | 0:58:41 | |
Not one shred of decency in you. | 0:58:43 | 0:58:46 | |
-I thought I'd be living with some -men. | 0:58:46 | 0:58:50 | |
Not just a pack of animals. | 0:58:50 | 0:58:53 | |
I'm sorry we don't measure up to your way of thinking. | 0:58:53 | 0:58:57 | |
Nobody cares what you thought the trail was going to be like. | 0:58:57 | 0:59:02 | |
You wanted to play cowboy but the game's rough. | 0:59:02 | 0:59:07 | |
I'm going back to help Charlie. Who's coming with me? | 0:59:07 | 0:59:11 | |
Nobody's leaving. Go and start trouble, we'll lose more men. | 0:59:11 | 0:59:17 | |
Forget about what's really bothering you. Starting a fight won't help you get that girl back. | 0:59:19 | 0:59:26 | |
That doesn't work either. I'm going back and there's nothing you can do. | 0:59:28 | 0:59:33 | |
< Harris. | 0:59:33 | 0:59:35 | |
Aaargh! | 0:59:40 | 0:59:42 | |
The fire! | 1:00:21 | 1:00:23 | |
I see it. | 1:00:23 | 1:00:25 | |
You had enough? | 1:00:28 | 1:00:30 | |
No. | 1:00:30 | 1:00:32 | |
Enough! | 1:00:36 | 1:00:38 | |
You don't even fight like a man. | 1:00:52 | 1:00:55 | |
Fighting's no game with me. | 1:00:55 | 1:00:57 | |
I'll remember that. Next time I'll use a crowbar. | 1:00:57 | 1:01:02 | |
You just do that, son. | 1:01:02 | 1:01:04 | |
Peggy, I want some hot coffee. | 1:01:07 | 1:01:11 | |
Move 'em out! | 1:01:22 | 1:01:24 | |
How's the arm, Charlie? | 1:01:31 | 1:01:35 | |
All right, boss. It's my drinking arm. | 1:01:32 | 1:01:35 | |
He got cut up a little. Not enough to teach him a lesson. | 1:01:35 | 1:01:40 | |
Harris gonna make a good cowboy, eh? | 1:01:46 | 1:01:48 | |
You think I've been rough on him? | 1:01:48 | 1:01:54 | |
My father used to say that to my mother. | 1:01:50 | 1:01:54 | |
He always treated me too hard - but he liked me very much. | 1:01:54 | 1:01:59 | |
Capper! | 1:02:58 | 1:03:01 | |
Just leave it there for the coyotes. He can't keep up with the herd. | 1:03:08 | 1:03:14 | |
Get a cow to feed him. | 1:03:14 | 1:03:15 | |
I don't want that on my saddle. | 1:03:15 | 1:03:18 | |
-This calf is worth 20. What are -you -worth? | 1:03:18 | 1:03:23 | |
Take him back to the herd, Capper. | 1:03:20 | 1:03:23 | |
C'mon, cow-cow. | 1:03:27 | 1:03:29 | |
You're learning. | 1:03:32 | 1:03:35 | |
That a cow's more important than a man? I don't like your rules. | 1:03:35 | 1:03:40 | |
Harris,... I've been meaning to talk to you about something. | 1:03:40 | 1:03:48 | |
What? | 1:03:48 | 1:03:50 | |
That girl back there. | 1:03:50 | 1:03:53 | |
Those things can be pretty rough but a deal like that never does work out in the long run. | 1:03:53 | 1:04:00 | |
You got too much going against it. | 1:04:00 | 1:04:03 | |
So just mark it off as a part of growing up. | 1:04:03 | 1:04:08 | |
I think you're better off. | 1:04:08 | 1:04:13 | |
You do, huh? | 1:04:13 | 1:04:14 | |
Maybe it's none of my business. | 1:04:15 | 1:04:18 | |
That's right. It's none of your business. | 1:04:18 | 1:04:21 | |
Curtis, look! Indians! | 1:04:49 | 1:04:51 | |
They've been following us for three hours. They want strays. | 1:04:51 | 1:04:55 | |
I'll bed the herd down. We'll make camp up there. | 1:05:03 | 1:05:07 | |
Esta bien, compadre. | 1:05:07 | 1:05:09 | |
Paco. | 1:05:31 | 1:05:33 | |
How many men you got with the herd? | 1:05:45 | 1:05:48 | |
Two, just like always. | 1:05:46 | 1:05:49 | |
You better put a couple more on. | 1:05:49 | 1:05:52 | |
Where's Harris? | 1:05:52 | 1:05:54 | |
He went out after some strays - 30 or 40. | 1:05:54 | 1:05:57 | |
What you send him out for? | 1:05:57 | 1:06:00 | |
He went by himself. | 1:06:00 | 1:06:02 | |
I want two more men down there. | 1:06:06 | 1:06:10 | |
Harris back yet? | 1:06:37 | 1:06:40 | |
Not yet. | 1:06:38 | 1:06:40 | |
Reece, Indians. | 1:06:55 | 1:06:58 | |
Comanches. | 1:07:05 | 1:07:07 | |
Wait till they get in range. | 1:07:37 | 1:07:40 | |
Must makes you feel kinda hungry. | 1:07:43 | 1:07:45 | |
Shut up, will ya? | 1:07:45 | 1:07:47 | |
They're not heading this way. They're after something else. | 1:07:52 | 1:07:58 | |
Harris must be down in that arroyo. | 1:08:15 | 1:08:18 | |
They're gonna hit him and run off with those strays. | 1:08:18 | 1:08:22 | |
That how come they passed us? | 1:08:20 | 1:08:22 | |
They got a better deal. | 1:08:22 | 1:08:24 | |
Kill one man and get 40 head. | 1:08:24 | 1:08:28 | |
We wouldn't stand a chance. | 1:08:28 | 1:08:31 | |
Fine time to play cowboy. | 1:08:31 | 1:08:34 | |
While they're busy with Harris we could get away with the herd. | 1:08:34 | 1:08:37 | |
He's a goner anyway. | 1:08:37 | 1:08:40 | |
< Paco. | 1:08:40 | 1:08:41 | |
We'll stampede the herd into that arroyo and drive those Indians off. | 1:08:44 | 1:08:49 | |
You'll never get the cattle back. | 1:08:49 | 1:08:53 | |
I too like this boy, but we have to think about the herd. | 1:08:53 | 1:08:58 | |
It's my herd, isn't it? | 1:08:58 | 1:09:00 | |
GUNSHOT | 1:09:25 | 1:09:26 | |
NEIGHS | 1:09:43 | 1:09:45 | |
It's all right. | 1:11:13 | 1:11:15 | |
You can't ride with that. | 1:11:17 | 1:11:19 | |
What's the matter with you? Why are you scattering our herd? | 1:11:22 | 1:11:25 | |
You're still wearing your hair. | 1:11:25 | 1:11:27 | |
I could have fought them one by one. | 1:11:27 | 1:11:30 | |
I wish I'd let you try. | 1:11:33 | 1:11:35 | |
Reece's going to be riding that wagon for a while. I'm taking over the herd. | 1:11:35 | 1:11:41 | |
Mendoza's taking over. | 1:11:41 | 1:11:43 | |
I'm the partner, not Mendoza. Doc, take him to the wagon. | 1:11:43 | 1:11:49 | |
We gotta work till we get that herd rounded up. | 1:11:49 | 1:11:52 | |
Si, Senor. | 1:11:56 | 1:11:57 | |
I oughtta tear him apart. | 1:12:03 | 1:12:05 | |
He's young. Full of frijoles. | 1:12:05 | 1:12:07 | |
What can go wrong? I'll keep an eye on things. | 1:12:07 | 1:12:11 | |
We'll cut him some splints. | 1:12:12 | 1:12:14 | |
Let's keep moving. We can't rest now | 1:12:25 | 1:12:28 | |
THUNDERING HOOVES | 1:12:33 | 1:12:35 | |
Come on, it's nearly dawn, mount up | 1:12:46 | 1:12:48 | |
Get off my bedroll, Curtis. | 1:12:55 | 1:12:58 | |
I'm exhausted. I ain't moving. | 1:12:59 | 1:13:02 | |
I'll teach you some manners. | 1:13:02 | 1:13:05 | |
You'll learn some than you teach! | 1:13:05 | 1:13:07 | |
Cut it out. | 1:13:24 | 1:13:26 | |
We're gonna see what you had for breakfast. | 1:13:47 | 1:13:50 | |
Get back up the hill. | 1:13:56 | 1:13:59 | |
Slack off, Harris, the boys are getting pretty mean. | 1:14:23 | 1:14:28 | |
We rounded up most of the herd. | 1:14:28 | 1:14:31 | |
How many head did we lose? | 1:14:31 | 1:14:35 | |
Just over 200. | 1:14:33 | 1:14:35 | |
That's a lot of cows. | 1:14:35 | 1:14:39 | |
It's too bad for you. | 1:14:36 | 1:14:40 | |
Why? | 1:14:40 | 1:14:44 | |
We found my cows. Yours got lost. | 1:14:41 | 1:14:44 | |
That's very interesting. How did you separate yours from mine? | 1:14:46 | 1:14:52 | |
Easy. I used a crowbar. | 1:14:52 | 1:14:55 | |
Boys, move 'em out! | 1:15:07 | 1:15:10 | |
How far is it into town? | 1:16:19 | 1:16:22 | |
Just over the hill. | 1:16:20 | 1:16:22 | |
Like to draw my time when we get in. Think I'll stay a while. | 1:16:26 | 1:16:32 | |
I thought you weren't going back? | 1:16:32 | 1:16:38 | |
If I wasn't a marshal, I could live here peaceful. | 1:16:34 | 1:16:38 | |
There was a fella, Sam Hacker, no-good cuss, but we were friends. | 1:16:38 | 1:16:45 | |
Miss the old son of a gun. | 1:16:45 | 1:16:47 | |
You're getting old, Doc. | 1:16:47 | 1:16:50 | |
A man has to have something besides a gun and a saddle. You can't make it by yourself. | 1:16:50 | 1:16:58 | |
I wish you luck, Doc. I hope it turns out peaceful. | 1:16:58 | 1:17:02 | |
I'll see you next time. | 1:17:02 | 1:17:04 | |
HERDING CRIES | 1:17:17 | 1:17:19 | |
MOOING | 1:17:55 | 1:17:57 | |
Twelve cars loaded. | 1:18:05 | 1:18:07 | |
Twelve cars. All right, keep 'em moving. | 1:18:07 | 1:18:11 | |
Did you hear about Doc Bender? He's dead. He killed himself. | 1:18:25 | 1:18:30 | |
You're crazy. | 1:18:30 | 1:18:32 | |
He was in a saloon with a friend of his, Sam Hacker. | 1:18:32 | 1:18:38 | |
This Hacker fella pulled a gun. Doc had to kill the guy. | 1:18:38 | 1:18:42 | |
What happened to Doc? | 1:18:42 | 1:18:44 | |
He hung himself. At the livery stable. Nobody can figure out why. | 1:18:44 | 1:18:49 | |
< Thirteen cars loaded. | 1:18:49 | 1:18:52 | |
Right, thirteen. | 1:18:50 | 1:18:53 | |
Doc won his fight fair and square. Why kill himself? | 1:18:53 | 1:18:57 | |
Nothing we can do about it. | 1:18:57 | 1:18:59 | |
Mendoza! | 1:19:02 | 1:19:05 | |
Yeah. > | 1:19:03 | 1:19:05 | |
We got cattle to load. We need the next string of cars now. | 1:19:05 | 1:19:10 | |
You just don't give a damn, do you? | 1:19:24 | 1:19:27 | |
You're a fine one to talk. | 1:19:27 | 1:19:30 | |
I saw you bury a man once. It makes no difference, you said. | 1:19:30 | 1:19:35 | |
Maybe I changed my mind. Maybe watching you made me change it. | 1:19:35 | 1:19:41 | |
If you had anything worth saving I'd beat you till you couldn't stand up. | 1:19:41 | 1:19:47 | |
You haven't gotten tough - just miserable. | 1:19:50 | 1:19:54 | |
TRAIN WHISTLES | 1:20:13 | 1:20:15 | |
Boss, we're gonna lose some cattle. we got three down steers in one car. | 1:20:22 | 1:20:29 | |
Harris, give Capper a hand. | 1:20:29 | 1:20:32 | |
MOOING | 1:21:06 | 1:21:08 | |
There's four down now. | 1:21:10 | 1:21:12 | |
I see 'em. | 1:21:12 | 1:21:15 | |
You crazy? They'll rip you open. I wouldn't go down there. | 1:21:15 | 1:21:21 | |
Not your cows. | 1:21:21 | 1:21:23 | |
You made this fella tough. Now you don't like what you made. | 1:21:50 | 1:21:56 | |
He would have been all right if it wasn't for that girl. | 1:21:56 | 1:22:00 | |
Come on, play. | 1:22:00 | 1:22:03 | |
He learn how to handle cows. Maybe he will learn how to handle women. | 1:22:04 | 1:22:11 | |
That crazy Harris is with the cattle trying to pry them off the floor. | 1:22:11 | 1:22:18 | |
What d'you leave him there for? | 1:22:18 | 1:22:20 | |
I ain't the ramrod. He is. | 1:22:20 | 1:22:24 | |
Where are you going? | 1:22:27 | 1:22:28 | |
I'm tired of burying people. | 1:22:28 | 1:22:30 | |
I suppose this one's one of mine. | 1:24:30 | 1:24:32 | |
All depends if we can save it. | 1:24:32 | 1:24:35 | |
Let's go. | 1:24:37 | 1:24:40 | |
Slab-sided fleabags! | 1:24:59 | 1:25:02 | |
About those cattle we lost. | 1:25:06 | 1:25:10 | |
Maybe I made a mistake. | 1:25:10 | 1:25:11 | |
Yeah? | 1:25:11 | 1:25:13 | |
I don't think they were all yours. I'd say about 50/50. | 1:25:13 | 1:25:18 | |
That sounds like a fair split. | 1:25:19 | 1:25:23 | |
Let's go. | 1:25:23 | 1:25:25 | |
WHOOPING | 1:25:26 | 1:25:28 | |
(RINGS BELL) | 1:25:32 | 1:25:35 | |
Mr Reece, good to see you. | 1:25:35 | 1:25:37 | |
Good to be here. My partner, Frank Harris. | 1:25:37 | 1:25:39 | |
Hello, Fowler. | 1:25:39 | 1:25:41 | |
He used to be in the hotel business himself. | 1:25:43 | 1:25:47 | |
I have your rooms all ready. How long do you plan to stay? | 1:25:47 | 1:25:51 | |
One week, maybe two. | 1:25:51 | 1:25:55 | |
Make that three weeks. | 1:26:07 | 1:26:09 | |
Ring if there's anything you want. > | 1:26:09 | 1:26:12 | |
Plenty of hot water and whisky. | 1:26:10 | 1:26:12 | |
< Make that double, Fowler. | 1:26:12 | 1:26:15 | |
WHOOPING | 1:26:15 | 1:26:17 | |
Pour it in, son. | 1:26:22 | 1:26:24 | |
Tom. | 1:26:24 | 1:26:27 | |
Frank. | 1:26:25 | 1:26:27 | |
(BOTH LAUGH) | 1:26:33 | 1:26:36 |