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Here is the true story of a group of free people who lived and loved | 0:00:14 | 0:00:19 | |
and fought to drive the invaders from their native soil. | 0:00:19 | 0:00:23 | |
One of the thousands of guerrilla bands who, hidden in the forests, | 0:00:32 | 0:00:37 | |
lived days of imperishable glory. | 0:00:37 | 0:00:42 | |
Their leader had been left behind by the army to organise them. | 0:00:44 | 0:00:52 | |
Semyon had taught at Oxford. | 0:00:52 | 0:00:55 | |
Yelena was a girl from the factories. | 0:00:55 | 0:00:59 | |
Sasha was an amiable drunk. Fedor was a blacksmith. | 0:00:59 | 0:01:04 | |
Dmitri was a farmer. | 0:01:04 | 0:01:07 | |
Petrov was the silent one. | 0:01:07 | 0:01:11 | |
16-year-old Mitya, a volunteer. His sister Olga, the little mother. | 0:01:11 | 0:01:17 | |
Later, Nina joined the group - a dancer from Moscow, as played by a famous ballerina. | 0:01:17 | 0:01:24 | |
By fall of that first year, Hitler's armies were en route to Moscow. | 0:01:24 | 0:01:29 | |
It was not wise to venture far off the highways. | 0:01:29 | 0:01:34 | |
For there, in the great Russian forests, were the guerrillas. | 0:01:34 | 0:01:38 | |
Now you see, you fool. Why didn't you stay home? | 0:03:12 | 0:03:17 | |
Dmitri comes in the wagon. Petrov comes from the lake. | 0:04:20 | 0:04:24 | |
Oh, good. Very fine. | 0:04:26 | 0:04:29 | |
I have written, "One oil tank blown up, single-handed." | 0:04:30 | 0:04:34 | |
Oh, it was not difficult. | 0:04:34 | 0:04:38 | |
As to your household duties, you will peel the potatoes for supper tonight. | 0:04:38 | 0:04:46 | |
Always the potatoes. | 0:04:46 | 0:04:49 | |
-It only seems as if always. -Did you write down that I found a derelict in the woods? | 0:04:49 | 0:04:55 | |
-Yes, comrade. -She looked so little. I slung her over my shoulder like a wounded deer. | 0:04:55 | 0:05:02 | |
You'd better get into the kitchen. The potatoes won't peel themselves. | 0:05:07 | 0:05:13 | |
Petrov, did you succeed? | 0:05:15 | 0:05:17 | |
Yes. Here it is. | 0:05:17 | 0:05:19 | |
How did you get it? | 0:05:19 | 0:05:22 | |
I watched the road where the German courier would come. I stretched a wire across. | 0:05:22 | 0:05:28 | |
-His motorcycle turned over and... -You shot him? | 0:05:28 | 0:05:32 | |
No, Semyon. | 0:05:32 | 0:05:34 | |
This despatch is better than I'd hoped. | 0:05:38 | 0:05:41 | |
Directly from German headquarters. | 0:05:41 | 0:05:44 | |
It's remarkable you managed to get it. | 0:05:45 | 0:05:48 | |
SASHA SINGS DRUNKENLY | 0:05:48 | 0:05:51 | |
Good evening, comrades. | 0:05:54 | 0:05:57 | |
Good evening, Sasha. | 0:05:57 | 0:06:00 | |
You have two pairs of boots, which means you finished off two fascists. | 0:06:00 | 0:06:04 | |
Yelena shot the boots. I only heard the shots. | 0:06:04 | 0:06:08 | |
I arrived in time to do the dirty job of transport. | 0:06:08 | 0:06:13 | |
-Sasha, you are drunk again. -Not while on duty, comrade. | 0:06:13 | 0:06:19 | |
-Only on the way home. -I have to report it. | 0:06:19 | 0:06:23 | |
Oh, don't do that, Semyon. Don't. | 0:06:23 | 0:06:26 | |
Look, I sleep off this tiny bit of drunkenness. | 0:06:26 | 0:06:31 | |
When Vladimir comes, I won't take a drop any more. | 0:06:31 | 0:06:35 | |
-Where the devil do you get a drink? -The Germans. | 0:06:35 | 0:06:39 | |
-You mean they come up and offer you a drink? -Well, not exactly. | 0:06:39 | 0:06:44 | |
First we have to lay them down on the ground. | 0:06:44 | 0:06:48 | |
-If the Germans take the trouble of bringing it from their far country... -Better give it to me. | 0:06:48 | 0:06:55 | |
You should be at look-out. Better rest for a minute. | 0:07:03 | 0:07:08 | |
Sayings are always true. | 0:07:08 | 0:07:10 | |
"He who drinks when he's already drunk plays the part of a wise man." | 0:07:10 | 0:07:16 | |
-What's this? Dmitri was to bring potatoes. -Books from Tolstoy Museum. | 0:07:16 | 0:07:22 | |
The fascists set fire to the building. | 0:07:22 | 0:07:26 | |
Curator was murdered. God's will. | 0:07:27 | 0:07:30 | |
The treasures of the museum. | 0:07:30 | 0:07:33 | |
-A first edition. -There are more in the wagon. | 0:07:33 | 0:07:37 | |
Now there is irony. | 0:07:37 | 0:07:40 | |
The Nazis spill their lives over books, and what to them could be more useless? | 0:07:40 | 0:07:46 | |
Well, then, hurry - let's bring them in. | 0:07:46 | 0:07:50 | |
Yelena, you're on household duties. | 0:07:50 | 0:07:53 | |
My congratulations for the deaths of two fascists. Now set the table. | 0:07:53 | 0:07:59 | |
Not enough salt. | 0:08:06 | 0:08:08 | |
-Is supper ready? -How could it be? The borscht needs more cooking. | 0:08:08 | 0:08:14 | |
I had to do the potatoes myself. This blacksmith came late to help. | 0:08:14 | 0:08:19 | |
-Much good a man in a kitchen does(!) -I sliced the bread. | 0:08:19 | 0:08:24 | |
-You should have done your duties. -How? | 0:08:24 | 0:08:27 | |
-I had to make tea and run back and forth. -Where to? | 0:08:27 | 0:08:32 | |
To the package on Fedor's bed. | 0:08:32 | 0:08:34 | |
He brought in a package - a big coat, and there's somebody in it. | 0:08:34 | 0:08:39 | |
Half dead from... What did the teacher say? | 0:08:39 | 0:08:43 | |
Exposure and no food. Teacher Semyon told me to give the package some hot tea. | 0:08:43 | 0:08:50 | |
-Tea? -Oh, not the new tea that we've used only twice. | 0:08:50 | 0:08:54 | |
Do you think I'd use it for someone who might die? | 0:08:54 | 0:08:59 | |
-The old tea, that we've used six times. -Oh. | 0:08:59 | 0:09:02 | |
Here is the good old borscht. | 0:09:04 | 0:09:07 | |
- You mean the same old borscht. - Always grumbling. | 0:09:07 | 0:09:11 | |
FOOTSTEPS ABOVE | 0:09:11 | 0:09:14 | |
Quiet! | 0:09:12 | 0:09:14 | |
FOOTSTEPS STOP | 0:09:14 | 0:09:17 | |
Get your guns. Put out the lights. | 0:09:24 | 0:09:27 | |
-Who is here? -Vladimir! -Stand to attention! | 0:09:40 | 0:09:45 | |
-Mitya! -He said attention. | 0:09:56 | 0:09:59 | |
Why is the entrance unguarded? | 0:09:59 | 0:10:02 | |
-Whose negligence is this? -I am responsible, Commander. | 0:10:02 | 0:10:06 | |
-I'm very sorry. -There is nothing wrong, little comrade. | 0:10:06 | 0:10:12 | |
Breathe on me. | 0:10:12 | 0:10:14 | |
You know you could be shot for this. | 0:10:22 | 0:10:25 | |
I am a dirty, stinking pig, my commander. That's the truth. But I swear, never again... | 0:10:25 | 0:10:32 | |
I've never known you to be drunk on duty, or to fail to be a good soldier in a tight spot. | 0:10:32 | 0:10:39 | |
I'll tell you your punishment tomorrow. Get up where you belong. | 0:10:39 | 0:10:43 | |
-Mitya, don't you want to kiss me? -Don't you see that I am in service? | 0:10:43 | 0:10:49 | |
-Who are you? -An old peasant. | 0:10:49 | 0:10:52 | |
I know him very well. | 0:10:52 | 0:10:53 | |
-It's ten days since he was with us. I can vouch for him. -Where is Sergei and Mikhail? -They died. | 0:10:53 | 0:11:00 | |
Oh. | 0:11:01 | 0:11:02 | |
Vladimir, supper will spoil. | 0:11:04 | 0:11:07 | |
-Now? -Yes. | 0:11:07 | 0:11:09 | |
-Mitya! -Little sister! | 0:11:10 | 0:11:13 | |
You must be chilled. I'll fetch the plates. | 0:11:13 | 0:11:16 | |
-Whom did you see at headquarters? -Whom did you talk to? | 0:11:16 | 0:11:20 | |
-Did you see Comrade Moshenkov? -> | 0:11:20 | 0:11:24 | |
We were as close to him as I am to you now. | 0:11:24 | 0:11:27 | |
Another general patted me on the shoulder and said, "How are you?" | 0:11:27 | 0:11:32 | |
Seriously, we would like to learn a few things. | 0:11:32 | 0:11:36 | |
Mitya here has said it - a general patted us on the shoulder. | 0:11:36 | 0:11:40 | |
-Did you bring the new parts for the field radio? -Yes, but we're not permitted to use it in future, | 0:11:40 | 0:11:47 | |
especially for the sending of messages. | 0:11:47 | 0:11:51 | |
It's particularly important that the Nazis do not discover us now. | 0:11:51 | 0:11:56 | |
-For any special reason? -Orders. I'll tell you when I'm permitted. | 0:11:56 | 0:12:01 | |
Olga, I have to report that your brother Mitya behaved excellently, | 0:12:02 | 0:12:07 | |
even though our way back was dangerous. | 0:12:07 | 0:12:11 | |
I cooked the dinner - the kasha, too. | 0:12:11 | 0:12:15 | |
-The kasha is very good! -Let him tell it. | 0:12:15 | 0:12:19 | |
-The kasha is unusually good. -I'm hungry. | 0:12:19 | 0:12:23 | |
-Who is this? -The package woke up! | 0:12:30 | 0:12:32 | |
-How do you feel? -All right. A little hungry. -That's easily fixed. | 0:12:32 | 0:12:37 | |
Our lives depend on secrecy. Has this become an open house? | 0:12:37 | 0:12:42 | |
Sit here. | 0:12:42 | 0:12:44 | |
-May I fetch the strange woman a plate for soup? -Of course. And stop acting like a general. | 0:12:44 | 0:12:51 | |
-Let's go on with supper. -First you had better tell us your name. | 0:12:51 | 0:12:57 | |
My name? Nina. Nina Ivanova. | 0:12:57 | 0:13:01 | |
Are you partisans? | 0:13:01 | 0:13:04 | |
Thank you. | 0:13:04 | 0:13:06 | |
-I am Mitya. -Mitya! Come here. | 0:13:06 | 0:13:10 | |
It is SHE who's answering who SHE is! | 0:13:14 | 0:13:17 | |
-How'd you get here? -Stalin requested a theatrical troupe to go to the front. | 0:13:17 | 0:13:24 | |
We were attacked and we scattered. | 0:13:24 | 0:13:27 | |
I set out to find my uncle in Tula. In the woods I became confused. And this good man found me. | 0:13:27 | 0:13:33 | |
-There's fighting at Tula. Why didn't you take her to safety farther back? -I was tired, comrade. | 0:13:36 | 0:13:43 | |
Working all last night and all day, I... | 0:13:43 | 0:13:46 | |
-But here... -Is it too much to ask for a place at your table? | 0:13:46 | 0:13:51 | |
-What can you do? Can you shoot a gun? -A gun? | 0:13:51 | 0:13:56 | |
-Can you kill? -Oh, I couldn't kill. | 0:13:56 | 0:13:59 | |
-What's your record, Yelena? -63. | 0:13:59 | 0:14:02 | |
Well, in the south there is a girl who has killed more than a hundred. | 0:14:02 | 0:14:08 | |
-You can cook? -Oh, no. | 0:14:08 | 0:14:10 | |
Can't cook? And you're a woman? | 0:14:10 | 0:14:13 | |
-Can you scrub? Mend clothes? -I never have. | 0:14:13 | 0:14:17 | |
-What CAN you do? -I'm a dancer. I can dance. | 0:14:17 | 0:14:21 | |
-SEMYON: -Really? A dancer? -That's exactly what we need(!) | 0:14:21 | 0:14:26 | |
HE IMITATES MACHINE-GUN FIRE | 0:14:26 | 0:14:30 | |
Sasha, you're a drunken fool. | 0:14:32 | 0:14:34 | |
Much better for all of us if the Comrade Leader had you shot. | 0:14:34 | 0:14:39 | |
- I was sent to relieve you. - How is our happy home underground? | 0:14:42 | 0:14:48 | |
The strange woman woke up. Commander will let her stay a while. | 0:14:48 | 0:14:52 | |
COMRADES SING IN THE DISTANCE | 0:14:52 | 0:14:58 | |
ACCORDION MUSIC | 0:14:58 | 0:15:04 | |
# When we dance you'll see him dancing | 0:15:04 | 0:15:08 | |
# When we sing he shakes the skies | 0:15:08 | 0:15:11 | |
# But at last when comes the parting | 0:15:12 | 0:15:16 | |
# He says nothing, only sighs | 0:15:16 | 0:15:19 | |
# Who knows why he's sighing? | 0:15:19 | 0:15:21 | |
# Oh, why is he sighing? | 0:15:21 | 0:15:23 | |
# Yes, why is he sighing? | 0:15:23 | 0:15:26 | |
# Oh, why is he sighing? # | 0:15:26 | 0:15:28 | |
ACCORDION SOLO | 0:15:28 | 0:15:31 | |
# Till he told my friends he loved me | 0:15:34 | 0:15:37 | |
# And that soon I would be his bride | 0:15:37 | 0:15:40 | |
# Then one day he left the village | 0:15:40 | 0:15:45 | |
# And he ran away to hide | 0:15:45 | 0:15:47 | |
# Who knows why he's hiding? | 0:15:47 | 0:15:50 | |
# Oh, why is he hiding? | 0:15:50 | 0:15:52 | |
# Yes, why is he hiding? | 0:15:52 | 0:15:55 | |
# Oh, why is he hiding? # | 0:15:55 | 0:15:57 | |
ACCORDION SOLO | 0:15:57 | 0:16:00 | |
# Now the postman he is bringing | 0:16:02 | 0:16:06 | |
# Letters strange as they can be | 0:16:06 | 0:16:08 | |
# On the pages there is nothing | 0:16:09 | 0:16:13 | |
# But some dots for me to see | 0:16:13 | 0:16:16 | |
# Who knows what they're saying? | 0:16:16 | 0:16:18 | |
# Oh, what are they saying? | 0:16:18 | 0:16:20 | |
# Yes, what are they saying? | 0:16:20 | 0:16:23 | |
# Oh, what are they saying? # | 0:16:23 | 0:16:25 | |
ACCORDION SOLO | 0:16:25 | 0:16:28 | |
# But one night I found him waiting | 0:16:30 | 0:16:34 | |
# Then at last my lips were kissed | 0:16:34 | 0:16:36 | |
# And I slapped his face for waiting | 0:16:37 | 0:16:41 | |
# One for every kiss I've missed | 0:16:41 | 0:16:43 | |
# Who knows what we're missing? | 0:16:43 | 0:16:46 | |
# Oh, what we've been missing | 0:16:46 | 0:16:48 | |
# Yes, what we've been missing | 0:16:48 | 0:16:51 | |
# Oh, what we've been missing... # | 0:16:51 | 0:16:53 | |
ACCORDION SOLO | 0:16:53 | 0:16:56 | |
"With what attention she pored over a sentimental lover. | 0:16:57 | 0:17:01 | |
"She drank in with what intense enjoyment | 0:17:01 | 0:17:05 | |
"each sweet, seductive fantasy. | 0:17:05 | 0:17:09 | |
"For these figures, life had come, through her dream's happy medium." | 0:17:09 | 0:17:14 | |
She fell in love with the hero of her dreams, who did not reciprocate. | 0:17:14 | 0:17:19 | |
Is a fictitious love story important today? | 0:17:19 | 0:17:23 | |
Yes, in this cruel today when the girls fight alongside the men, we can smile at Pushkin's time. | 0:17:23 | 0:17:30 | |
A young girl is considered audacious for writing a love letter. | 0:17:30 | 0:17:36 | |
-"I write you." -Yes. -"If I took an hour I could not make myself more plain. | 0:17:36 | 0:17:42 | |
"And now you have it in your power To punish me with your disdain." | 0:17:42 | 0:17:47 | |
Yes, that's it. | 0:17:47 | 0:17:49 | |
"But if you find you have for me The smallest drop of sympathy | 0:17:49 | 0:17:54 | |
"You will not leave me in such pain." | 0:17:54 | 0:17:57 | |
-Oh, please... -"Why did you ever come to call? | 0:17:57 | 0:18:02 | |
"For in this far-forgotten spot We never should have met at all | 0:18:02 | 0:18:06 | |
"And though this pain so burning hot I might have missed | 0:18:06 | 0:18:11 | |
"No, there is no other man To whom I could have given my love | 0:18:11 | 0:18:16 | |
"And I am yours by heaven's plan Determined in the courts above | 0:18:16 | 0:18:20 | |
"My life survives from the pledge | 0:18:20 | 0:18:24 | |
"For this sure meeting God would send..." | 0:18:24 | 0:18:28 | |
-Time to sleep. -Who must sleep? -We've been on duty over 20 hours. | 0:18:28 | 0:18:33 | |
-What sort of place is this? -A monastery, once. | 0:18:39 | 0:18:44 | |
This was occupied by Comrade Mikhail, who died - a good soldier. You may use it tonight. | 0:18:44 | 0:18:51 | |
-Thank you for your kindness, comrade. -You're welcome, I'm sure. | 0:18:56 | 0:19:01 | |
A woman who knows nothing to be a housewife! | 0:19:03 | 0:19:07 | |
When you grow up, you'll admire such a woman. | 0:19:07 | 0:19:11 | |
Stop that confounded cat concert! | 0:19:11 | 0:19:14 | |
Shut up, you dirty blacksmith! You think I'm afraid of your muscles? | 0:19:14 | 0:19:20 | |
I'll punch you in the belly! | 0:19:20 | 0:19:23 | |
-Since when is this going on? -It never happened before, comrade. | 0:19:23 | 0:19:27 | |
Haven't you enough Germans to fight, you two? | 0:19:30 | 0:19:34 | |
We're gonna have more to do than quarrel like schoolboys. | 0:19:34 | 0:19:39 | |
We'll look these over in the morning. | 0:19:40 | 0:19:43 | |
-And where are you going? -Oh, I... I just thought... | 0:19:47 | 0:19:52 | |
I would steal into the village to see the old woman. | 0:19:52 | 0:19:57 | |
At first you would think that I'm a German invader! | 0:19:57 | 0:20:01 | |
Good night, all of you. | 0:20:01 | 0:20:04 | |
I don't know what possessed me. | 0:20:05 | 0:20:08 | |
Vladimir? | 0:20:13 | 0:20:15 | |
-I'll relieve Petrov on the watch. -You must be tired. | 0:20:15 | 0:20:20 | |
We have to be doubly cautious now. | 0:20:20 | 0:20:23 | |
But tonight? You were gone for a long time. | 0:20:23 | 0:20:26 | |
I've some plans to think through before I can rest. | 0:20:27 | 0:20:32 | |
Send her away! She'll spoil everything! | 0:20:32 | 0:20:36 | |
I beg your pardon. | 0:20:36 | 0:20:38 | |
-I'm happy you have returned safely. -I'm happy to be back. | 0:20:41 | 0:20:46 | |
-Good night, comrade. -Good night, comrade. | 0:20:48 | 0:20:52 | |
-You go down, Petrov. I'll watch. -Very well. | 0:21:00 | 0:21:04 | |
ARTILLERY IN DISTANCE | 0:21:04 | 0:21:07 | |
Comrade Commander... | 0:21:17 | 0:21:19 | |
I'd like to ask you that when the end comes, because the end is coming for us... | 0:21:19 | 0:21:25 | |
-What are you talking about? -I have watched you since you returned. I have seen there is something. | 0:21:25 | 0:21:33 | |
When a man has a load on his heart, he can easily recognise a load on another man's heart. | 0:21:33 | 0:21:40 | |
Listen, one day soon this message will come from the military front - | 0:21:42 | 0:21:48 | |
"Snow will fall." | 0:21:48 | 0:21:50 | |
And then it will really start. | 0:21:50 | 0:21:53 | |
The fate of this line and this whole front may depend on us. | 0:21:53 | 0:21:58 | |
Maybe it will pay, | 0:21:58 | 0:22:00 | |
maybe not. | 0:22:00 | 0:22:02 | |
Will you be afraid? | 0:22:02 | 0:22:05 | |
Comrade Commander, I wanted to ask from you that when the time comes, | 0:22:05 | 0:22:10 | |
put me in a place where I can kill the most of them. | 0:22:10 | 0:22:14 | |
I would like to be a bomb to be thrown among them - | 0:22:14 | 0:22:18 | |
to explode and kill one of them with every little splinter. | 0:22:18 | 0:22:23 | |
That is all. | 0:22:23 | 0:22:25 | |
Go get some sleep, comrade. | 0:22:28 | 0:22:30 | |
Sleep? | 0:22:30 | 0:22:32 | |
Who can sleep? | 0:22:32 | 0:22:34 | |
'For a week, the commander formulated his plan. | 0:22:38 | 0:22:42 | |
'In the stern necessities of war, the beauties of life, music and poetry, were put aside.' | 0:22:42 | 0:22:48 | |
-Mitya, anything in sight? -Nothing, Commander. | 0:22:48 | 0:22:52 | |
We'll place our artillery in the woods in an arc along the valley, | 0:22:53 | 0:22:58 | |
up to the village, well camouflaged. | 0:22:58 | 0:23:02 | |
I can't bear it any more. For a week now! She can't even make soup. | 0:23:02 | 0:23:07 | |
-Where are you going? -None of your business. -Why are you cruel to me? | 0:23:07 | 0:23:13 | |
-Good night, everybody. -Mitya! -Take these back. | 0:23:13 | 0:23:17 | |
Mitya! | 0:23:17 | 0:23:18 | |
-Where are you going? -Can't a man take a stroll?! | 0:23:18 | 0:23:23 | |
-Mitya! -Were you frightened? | 0:23:29 | 0:23:32 | |
I'm frightened by so many things, it doesn't matter. | 0:23:32 | 0:23:36 | |
Oh, Mitya. I could kill you! | 0:23:36 | 0:23:39 | |
Mitya, if I didn't love you so much, I could kill you. | 0:23:39 | 0:23:43 | |
Tell me about yourself. What's your aim in life? What's your dream? | 0:23:44 | 0:23:49 | |
-I want to be a geologist. -Oh, a geologist. Very interesting. | 0:23:49 | 0:23:54 | |
I attended the school of agriculture in our village. | 0:23:54 | 0:23:58 | |
I learned of the treasures in the Russian soil. | 0:23:58 | 0:24:02 | |
My father was with me in the same class. We sat side by side. | 0:24:02 | 0:24:07 | |
He was 50, and just starting to learn reading and writing. | 0:24:07 | 0:24:12 | |
He was such a good student. | 0:24:12 | 0:24:14 | |
Then came these beasts of Nazis and destroyed our village, our marvellous school. | 0:24:16 | 0:24:23 | |
The Nazis killed my father. They burned him in a storehouse with the other people. | 0:24:23 | 0:24:29 | |
They took away my mother. | 0:24:29 | 0:24:32 | |
I escaped with little Olga. | 0:24:32 | 0:24:35 | |
One day our commander will lead us to Berlin. | 0:24:41 | 0:24:45 | |
I'll be the one to put fire to the Nazi university. That's my dream. | 0:24:45 | 0:24:50 | |
-I'm so sorry for you, Mitya. -Don't be. I like this life. | 0:24:50 | 0:24:54 | |
I fight for Mother Russia. It's a great adventure. | 0:24:54 | 0:24:59 | |
Mitya, life owes you something, | 0:24:59 | 0:25:01 | |
something very beautiful. | 0:25:01 | 0:25:04 | |
One day you must receive a great medal - one you will not wear on your coat, but in your heart. | 0:25:04 | 0:25:11 | |
I wish I had something to give you. | 0:25:11 | 0:25:14 | |
Do you like the theatre? | 0:25:14 | 0:25:16 | |
-I never saw any. -No! -Our village was very small. No actors ever came there. | 0:25:16 | 0:25:23 | |
If I could only go, just once. | 0:25:23 | 0:25:26 | |
-Suppose a theatre came to you. -You're joking. | 0:25:26 | 0:25:30 | |
Why? I'm a ballerina from the Moscow theatre - and not a bad one. | 0:25:30 | 0:25:35 | |
Sit down here. I will make a little performance. | 0:25:35 | 0:25:39 | |
You're out there. | 0:25:43 | 0:25:45 | |
And here's the stage... footlights on. | 0:25:45 | 0:25:50 | |
The curtain is not yet up. In my dressing room I'm half crazy with excitement. | 0:25:50 | 0:25:56 | |
Olga, dear. Join us. Sit with Mitya. | 0:25:56 | 0:25:59 | |
-You should have brought it all the way. -Don't mind her. Continue. | 0:25:59 | 0:26:05 | |
I look in the mirror to see if I'm made up all right. | 0:26:05 | 0:26:09 | |
My bodice - do it up, please. | 0:26:09 | 0:26:12 | |
My tutu - is it fluffy? I want to be at my best. | 0:26:12 | 0:26:16 | |
And now it's almost starting. I'm in the wings and I'm trembling. | 0:26:17 | 0:26:23 | |
Do you know why I'm trembling? | 0:26:23 | 0:26:25 | |
Because you are out front. | 0:26:27 | 0:26:30 | |
You're the most important person in the world, because you are the audience. Are you proud? | 0:26:30 | 0:26:37 | |
Without you there is nothing. No success, no career, no performance. | 0:26:39 | 0:26:45 | |
Now... | 0:26:48 | 0:26:50 | |
Out front the overture begins. | 0:26:51 | 0:26:54 | |
Can you hear the music, Mitya? | 0:26:54 | 0:26:58 | |
MUSIC IS HEARD | 0:26:58 | 0:27:01 | |
It's very beautiful. | 0:27:02 | 0:27:05 | |
Now the curtain is rising... | 0:27:09 | 0:27:12 | |
flooding the stage with light. | 0:27:14 | 0:27:18 | |
I'm standing in the middle of the stage on one point. | 0:27:18 | 0:27:22 | |
It's very difficult, but I can do it for almost one minute. | 0:27:22 | 0:27:26 | |
Mitya... | 0:27:37 | 0:27:39 | |
Halt still. | 0:27:42 | 0:27:44 | |
Halt still. | 0:27:51 | 0:27:53 | |
Drueben bei ihr. | 0:27:54 | 0:27:57 | |
Was ist das? | 0:28:06 | 0:28:09 | |
Was macht ihr hier? | 0:28:10 | 0:28:13 | |
-Wer seid ihr? Und wie seid ihr hergekommen? -What is he asking? | 0:28:13 | 0:28:18 | |
-Wer seid ihr? -(What can I tell him?) | 0:28:18 | 0:28:21 | |
It's cold outside and Little Brother and I found shelter. | 0:28:21 | 0:28:25 | |
-He's 15. A boy. -I'll kill you. -Mitya! -He doesn't understand. I'll kill you! | 0:28:25 | 0:28:32 | |
Aha. Und was ist das? Ein Guerillanest? | 0:28:41 | 0:28:46 | |
Und wo sind die anderen? | 0:28:46 | 0:28:49 | |
- Hier drin? - No-one is here. | 0:28:51 | 0:28:54 | |
Ein Guerrillanest, so? Vielleicht gerade das eine was wir sucht. | 0:29:09 | 0:29:14 | |
Das ist eine richtige Entdeckung. | 0:29:14 | 0:29:17 | |
Der Kommander wird das gefallen. | 0:29:17 | 0:29:20 | |
Guerrillas, ja! | 0:29:20 | 0:29:22 | |
-I got them! -Commander, we've captured a German. -Good work. | 0:29:46 | 0:29:50 | |
-What's your name? -Ihr Name. | 0:29:56 | 0:29:59 | |
-Answer when you're spoken to. -You might hurt your knuckles. | 0:29:59 | 0:30:04 | |
-Your name. -Ihr Name. | 0:30:04 | 0:30:06 | |
Johann Staub. | 0:30:06 | 0:30:09 | |
-Your regiment. -Ihr Regiment. | 0:30:09 | 0:30:11 | |
-Infantry Regiment zwei und dreizig. -32nd Infantry. -Lie. 45th Mechanised. | 0:30:11 | 0:30:17 | |
-Your commander. -Ihr Kommandant. | 0:30:17 | 0:30:20 | |
-Don't you know? Von Rundholz. -Ja. | 0:30:21 | 0:30:24 | |
-Where are you stationed? -Wo steht ihr? -Vitvik. | 0:30:24 | 0:30:29 | |
Lie! Yasnaya Polyana. | 0:30:29 | 0:30:31 | |
-How many of you? -Wie stark? ..5,000. -Lie! 2,000! | 0:30:31 | 0:30:35 | |
-How many tanks? -Wie viele Tanks? ..200. -75! Lies! | 0:30:35 | 0:30:40 | |
-Finish him! -MITYA: It's my right! | 0:30:40 | 0:30:43 | |
-Don't waste your ammunition. This is much simpler. -Vladimir! | 0:30:43 | 0:30:48 | |
Does the sight offend you? | 0:30:50 | 0:30:52 | |
Then go where you won't see. This is our affair. You're not one of us. | 0:30:54 | 0:30:59 | |
Don't do it, comrade. | 0:31:07 | 0:31:10 | |
This man is a prisoner of war. He was captured in his uniform. | 0:31:10 | 0:31:15 | |
According to international agreement, he's entitled to a trial. | 0:31:15 | 0:31:20 | |
-International agreement with Nazis? -Do they have trials before killing thousands of unarmed people? | 0:31:20 | 0:31:27 | |
-We are guerrillas. We hunt and are hunted. What prisoners? -Listen. | 0:31:27 | 0:31:33 | |
In this world of blood and misery, there must be some place | 0:31:33 | 0:31:37 | |
where the laws of justice and humanity are preserved. | 0:31:37 | 0:31:41 | |
Do as you wish. But I would be very proud if it would be this place. | 0:31:41 | 0:31:46 | |
Tomorrow. Our work in the forest will take all night. Lock him up and stay on guard. | 0:31:46 | 0:31:53 | |
-Mitya, come with us. Stay out of mischief. -I threw your soup on him! | 0:31:53 | 0:31:58 | |
March. | 0:31:58 | 0:32:00 | |
Dahin. | 0:32:00 | 0:32:02 | |
-I've brought you some hot tea. -That's very kind of you. | 0:32:06 | 0:32:11 | |
Over here, then. | 0:32:11 | 0:32:14 | |
-Mind your step. Why aren't you asleep? -I was restless. -And unhappy? -A little. | 0:32:16 | 0:32:23 | |
-How did you guess? -I look at you a good deal - more than you suspect. | 0:32:23 | 0:32:28 | |
-EXPLOSION -What is that? | 0:32:28 | 0:32:32 | |
-The Germans have brought heavy guns to the village. The front is only six miles away. -So near. | 0:32:32 | 0:32:39 | |
Is it the war that makes you unhappy? | 0:32:45 | 0:32:48 | |
Why do they make me an outsider? | 0:32:48 | 0:32:51 | |
-He especially. He hardly even looks at me. -He has grave problems. | 0:32:51 | 0:32:58 | |
And the others? Is it because I can't shoot a gun like Yelena? | 0:32:58 | 0:33:03 | |
Because I'm frightened. | 0:33:03 | 0:33:06 | |
I can't bear the thought of all this murder and killing and death. | 0:33:06 | 0:33:12 | |
You are from a strange world. | 0:33:12 | 0:33:14 | |
A world of music and poetry and dancing. They're afraid of you. | 0:33:14 | 0:33:20 | |
But I want to be one of them. | 0:33:20 | 0:33:23 | |
You are warm to me. | 0:33:24 | 0:33:27 | |
I understand you from what you are. | 0:33:29 | 0:33:32 | |
A person of light, such life, | 0:33:32 | 0:33:36 | |
out of place in this region of death. | 0:33:36 | 0:33:40 | |
DISTANT BOMBING | 0:33:40 | 0:33:43 | |
Come on. You're getting cold. | 0:33:45 | 0:33:47 | |
Thank you again for the tea. | 0:33:47 | 0:33:50 | |
-Thank you. I understand now. -Bless you. | 0:33:50 | 0:33:54 | |
Ich suche Wasser. Ich bin durstig. Bitte schreien Sie nicht. | 0:34:36 | 0:34:41 | |
Schau meine Finger. Sie bloten. | 0:34:47 | 0:34:51 | |
Kamerad... | 0:34:51 | 0:34:54 | |
Leide Fraulein, lassen Sie mich eine minuten nur ausroden. | 0:34:54 | 0:35:00 | |
Dan gehe ich! | 0:35:00 | 0:35:02 | |
Halt still! | 0:35:04 | 0:35:06 | |
What is it? What's happened? | 0:35:32 | 0:35:35 | |
-SEMYON: -The German. Somebody shot him. | 0:35:35 | 0:35:39 | |
Who did it, Comrade Nina? | 0:35:42 | 0:35:44 | |
Nina? It must have been Nina. | 0:35:44 | 0:35:47 | |
I...I came to say, in the name of the whole detachment, | 0:35:51 | 0:35:56 | |
please accept appreciation for a courageous action | 0:35:56 | 0:36:01 | |
in a dangerous situation. | 0:36:01 | 0:36:05 | |
I...I know that for you it was especially difficult. | 0:36:05 | 0:36:11 | |
Semyon told you? | 0:36:11 | 0:36:13 | |
No. | 0:36:13 | 0:36:15 | |
One knows and feels a lot of things... | 0:36:16 | 0:36:20 | |
of which it's untimely to speak now. | 0:36:20 | 0:36:24 | |
You must understand that this place with us is no proper place for you, | 0:36:27 | 0:36:32 | |
for your own good and safety. | 0:36:32 | 0:36:35 | |
I hope, however, that for the time being, you will feel that... | 0:36:35 | 0:36:40 | |
you're one of us. | 0:36:40 | 0:36:43 | |
Well... Good night. | 0:36:44 | 0:36:47 | |
Or good morning. | 0:36:47 | 0:36:50 | |
'Constantly the guerrilla bands harassed the enemy, | 0:37:03 | 0:37:07 | |
'emerging from their hiding places, stealing like shadows through the woods. | 0:37:07 | 0:37:13 | |
'Night was their time for action. Tonight, Vladimir's band was astir, | 0:37:16 | 0:37:22 | |
'leaving Fedor on guard at home.' | 0:37:22 | 0:37:25 | |
Here, Fedor. Potato soup and bread. When will you bring me a nice, fat hen? | 0:37:25 | 0:37:32 | |
Hen? What for, Olinka? | 0:37:32 | 0:37:34 | |
I want to make chicken soup. Mitya likes it very much. | 0:37:34 | 0:37:39 | |
Well, the time will come when we will have a fat hen in the pot. | 0:37:39 | 0:37:44 | |
If not now, then soon. We are going to sit around the table again... | 0:37:44 | 0:37:50 | |
in our nice new homes, and we will talk about this war as if about a nightmare. | 0:37:50 | 0:37:57 | |
Everybody will praise the nice chicken soup Big Olga will make. | 0:37:58 | 0:38:02 | |
-In those days, I'll be married to Mitya. -Married to Mitya?! | 0:38:02 | 0:38:08 | |
Married to your brother? The law doesn't allow that. | 0:38:08 | 0:38:12 | |
That's what Mitya said. Who made such a law? | 0:38:12 | 0:38:16 | |
Who makes all the laws? I don't know. | 0:38:16 | 0:38:19 | |
If he can't marry me, he should marry someone like me. | 0:38:19 | 0:38:24 | |
A good housewife. Certainly not that strange woman. | 0:38:24 | 0:38:28 | |
Why did the Comrade Commander take her with him tonight? | 0:38:28 | 0:38:32 | |
-To teach her, I suppose. -Well, she did shoot a German. | 0:38:32 | 0:38:37 | |
-Will they blow up the train? -I hope so. | 0:38:37 | 0:38:41 | |
-Will they kill a lot of Germans? -Perhaps. -Good. | 0:38:41 | 0:38:45 | |
Will we hear it here? | 0:38:45 | 0:38:47 | |
Likely they'll hear it in Berlin! | 0:38:47 | 0:38:50 | |
He's set dynamite under the rails. | 0:38:56 | 0:39:00 | |
An armoured train, just as Vladimir thought. | 0:39:14 | 0:39:18 | |
-The light? -Green. You can trust Comrade Yelena. | 0:39:18 | 0:39:23 | |
We'll stay here. | 0:39:23 | 0:39:26 | |
Let's get back now. The ammunition train won't be far behind. | 0:39:34 | 0:39:38 | |
Stay covered. | 0:39:51 | 0:39:53 | |
-They've set the signal at red. -Good. -The guard train has stopped. | 0:39:59 | 0:40:03 | |
-It's coming back. -They've gotten suspicious. -There is still time. | 0:40:10 | 0:40:15 | |
Down. | 0:41:28 | 0:41:29 | |
(Petrov! Over here.) > | 0:42:29 | 0:42:32 | |
I'm sorry I cried out. I was frightened. | 0:42:57 | 0:43:01 | |
-When you kiss me... -So much? | 0:43:16 | 0:43:20 | |
Even more. | 0:43:20 | 0:43:22 | |
-Did I sleep? -For a long time. | 0:43:23 | 0:43:27 | |
I don't remember. | 0:43:27 | 0:43:30 | |
-Where is Petrov? -Here, Nina. -We took turns on guard. The Germans were about all night. | 0:43:30 | 0:43:36 | |
A fine soldier I am. | 0:43:36 | 0:43:39 | |
Dreaming I was somewhere... | 0:43:39 | 0:43:42 | |
I don't know where. | 0:43:45 | 0:43:47 | |
Yes. | 0:43:47 | 0:43:49 | |
-You too? -Yes. | 0:43:49 | 0:43:52 | |
-Truly? -Truly. | 0:43:52 | 0:43:55 | |
In the sky, beyond even... | 0:43:55 | 0:43:58 | |
Higher. | 0:43:58 | 0:44:00 | |
A Messerschmitt. | 0:44:07 | 0:44:09 | |
-Really a German? -Really a German. | 0:44:09 | 0:44:14 | |
He's over the front lines now at Tula. | 0:44:16 | 0:44:20 | |
-It's safe to go home. The roads should be clear by now. -We'll be along. | 0:44:32 | 0:44:38 | |
They caught him. | 0:44:42 | 0:44:45 | |
Ah! | 0:44:56 | 0:44:57 | |
-They really... -The look in your eyes. | 0:44:59 | 0:45:04 | |
Please don't be angry with me. | 0:45:04 | 0:45:06 | |
I saw the look when you exploded the train | 0:45:06 | 0:45:10 | |
and when you almost killed the German. | 0:45:10 | 0:45:13 | |
-What look? -As if to kill something, to destroy something, gave you... | 0:45:15 | 0:45:18 | |
Forgive me. ..Gave you happiness. | 0:45:19 | 0:45:24 | |
Before this war, I was an engineer. | 0:45:30 | 0:45:34 | |
I built things. | 0:45:34 | 0:45:38 | |
Some factories, some bridges. | 0:45:38 | 0:45:42 | |
All my life was spent in building. | 0:45:42 | 0:45:46 | |
I never thought I'd do anything else. | 0:45:46 | 0:45:50 | |
I loved the things I built. | 0:45:51 | 0:45:54 | |
I was at Dnieperstroy. I helped with the great dam. | 0:46:02 | 0:46:08 | |
Out of the imagination of man it was built, | 0:46:10 | 0:46:14 | |
and with the labour of many hands. | 0:46:14 | 0:46:17 | |
The whole nation looked to it and waited breathlessly. | 0:46:17 | 0:46:22 | |
At last, it stood - complete, mighty and beautiful, | 0:46:22 | 0:46:27 | |
bringing light where there'd never been any light before. | 0:46:27 | 0:46:32 | |
and power, that other things might be created. | 0:46:32 | 0:46:36 | |
Poets wrote poems for the great dam. Composers wrote music. Children across the land were named for it. | 0:46:36 | 0:46:43 | |
It was our own creation, and I'd helped build it. | 0:46:43 | 0:46:48 | |
And when the Germans came, I helped destroy it. | 0:46:54 | 0:46:58 | |
Imagine if the professor could tell us what happened to me then. | 0:47:07 | 0:47:12 | |
Semyon Ivanovich would phrase it neatly. | 0:47:12 | 0:47:16 | |
"When you destroy something you greatly loved... | 0:47:16 | 0:47:21 | |
"you learn to love to destroy." | 0:47:21 | 0:47:25 | |
And do you? Does it give you happiness? | 0:47:25 | 0:47:29 | |
Sometimes when I destroy something that's been built...I could weep. | 0:47:29 | 0:47:35 | |
I destroy something else and the feeling goes away. | 0:47:35 | 0:47:40 | |
Let me in your arms. Darling! | 0:47:40 | 0:47:42 | |
Nina, Ninotchka. | 0:47:42 | 0:47:44 | |
Where do you come from? | 0:47:44 | 0:47:47 | |
Your eyes are as wonderful as a forgotten dream. | 0:47:47 | 0:47:51 | |
"The strange woman." That's what little Olga calls you. | 0:47:53 | 0:47:58 | |
Am I all right for you? | 0:47:58 | 0:48:01 | |
-You? -A woman has to know. | 0:48:01 | 0:48:04 | |
-Am I all right? -You're perfect. | 0:48:04 | 0:48:07 | |
Never mind perfect. Am I all right? | 0:48:07 | 0:48:10 | |
Yes, you're all right. | 0:48:10 | 0:48:13 | |
There is nothing that I cannot do for you. | 0:48:13 | 0:48:17 | |
You can always tell me why your heart is sore, and I can mend it. | 0:48:17 | 0:48:23 | |
You will never send me away from you now. | 0:48:23 | 0:48:27 | |
Will you? | 0:48:27 | 0:48:30 | |
I am yours. There is no-one else. You can do anything with me. | 0:48:30 | 0:48:36 | |
But you will not send me away. Will you? | 0:48:36 | 0:48:39 | |
I'll never send you away from me. | 0:48:39 | 0:48:43 | |
Until the day I die. | 0:48:43 | 0:48:46 | |
I promise. | 0:48:46 | 0:48:48 | |
This morning, Natassia here and I have figured out | 0:48:54 | 0:49:00 | |
how we can make order in the whole world. | 0:49:00 | 0:49:03 | |
The Germans like to fight. Let them go and fight Japan. | 0:49:03 | 0:49:08 | |
Let them kill each other. And we will have peace in the world. | 0:49:08 | 0:49:13 | |
"I'll get that girl for you. | 0:49:13 | 0:49:16 | |
"How she can dance, how she sings, | 0:49:16 | 0:49:20 | |
"makes beautiful embroidery with golden thread. | 0:49:20 | 0:49:24 | |
"Not even the Turkish shah has a wife like her..." | 0:49:24 | 0:49:28 | |
-Good morning, friends. -Good morning, comrade. | 0:49:28 | 0:49:32 | |
The train blew nicely. You all did well. | 0:49:32 | 0:49:35 | |
The signals worked perfectly. | 0:49:35 | 0:49:38 | |
-Anything to report? -Very little. As you ordered, we all rushed home. | 0:49:45 | 0:49:50 | |
We've stayed here. The Nazis kept circling about. | 0:49:50 | 0:49:55 | |
Yes, that's why it wasn't advisable for us to come back before. | 0:49:55 | 0:50:00 | |
-Have you all had breakfast? -It's been kept warm. I'll bring it. | 0:50:00 | 0:50:05 | |
-Good to be home again. -Go on with whatever you were doing. Are you reading? | 0:50:05 | 0:50:11 | |
We were in the midst of a most, shall I say, significant tale from Lermontov - The Hero Of Our Time. | 0:50:11 | 0:50:19 | |
-We were at the point when the hero, the magnificent soldier, is about to steal away with Bella. -Stop it! | 0:50:20 | 0:50:28 | |
-What the devil's the matter? -I thought we'd do something great. | 0:50:28 | 0:50:33 | |
Just to look on while they dynamite the tracks, then run home and hide - is that my duty? | 0:50:33 | 0:50:40 | |
-Stop raving, you silly boy. -You call me a silly boy? | 0:50:40 | 0:50:45 | |
-What kind of a commander are you? -Mitya! | 0:50:45 | 0:50:49 | |
Perhaps reading wasn't a good idea. | 0:50:56 | 0:50:59 | |
If it's action you want, you'll get enough to satisfy even Mitya. | 0:50:59 | 0:51:04 | |
Tonight someone must go through the German lines to carry a message to our military command. | 0:51:04 | 0:51:11 | |
Commander... | 0:51:11 | 0:51:13 | |
My commander, send me. | 0:51:13 | 0:51:16 | |
-No, Mitya. -Let me know that you forgive me. Please send me. | 0:51:16 | 0:51:22 | |
That's a good spirit, Mitya. But I need every man here. | 0:51:22 | 0:51:27 | |
It must be a woman. She'll have more chance to get through. | 0:51:27 | 0:51:32 | |
Well, commander. There are only two of us here. Which do you say? | 0:51:33 | 0:51:39 | |
I am willing to go. | 0:51:44 | 0:51:47 | |
Which do you say? | 0:51:47 | 0:51:50 | |
This needs an experienced combatant. | 0:51:56 | 0:51:59 | |
A seasoned soldier who must go through. Yelena, I assign you. | 0:51:59 | 0:52:04 | |
KNOCK ON DOOR | 0:52:07 | 0:52:09 | |
I'm ready. | 0:52:11 | 0:52:13 | |
Have you memorised the message? | 0:52:13 | 0:52:15 | |
Red 152. White 3. Yellow 57. Green 1,000. Purple 55. | 0:52:15 | 0:52:20 | |
Good. | 0:52:20 | 0:52:22 | |
That is code to tell the strength of our forces and those of the Germans in Yasnaya Polyana. | 0:52:22 | 0:52:29 | |
You know perfectly your directions? | 0:52:29 | 0:52:32 | |
I ride through the woods, then walk through Nazi land to the camp of guerrilla leader Seminov. | 0:52:32 | 0:52:39 | |
I deliver this message to the commander and bring one back here. | 0:52:39 | 0:52:44 | |
-What troubles you, comrade? -Nothing. | 0:52:44 | 0:52:47 | |
-Have I offended you? -No, Commander. There is nothing. | 0:52:47 | 0:52:51 | |
I will deliver this message. Have I ever failed you in my duty? | 0:52:51 | 0:52:57 | |
-You've never failed me in anything. -Then why are you concerned I will fail this time? | 0:52:57 | 0:53:03 | |
I'm not. | 0:53:03 | 0:53:06 | |
They're all ready at the stable. | 0:53:07 | 0:53:09 | |
-Is it all right that I start, without any more discussion? -Yes. | 0:53:09 | 0:53:15 | |
-Good luck. -And to you, Commander. | 0:53:16 | 0:53:18 | |
Mama! | 0:53:51 | 0:53:53 | |
Mamuchka! | 0:53:53 | 0:53:55 | |
Olinka, I'm here. Go back to sleep. | 0:53:55 | 0:53:58 | |
(Wer kann das sein? | 0:54:05 | 0:54:08 | |
(Nicht einer von uns. Die unseren reiten nicht. | 0:54:08 | 0:54:13 | |
(Ich wette ich kann den Reiter abknallen. Ganz nicht. So weit. | 0:54:17 | 0:54:22 | |
(Ich wette zwei Mark.) | 0:54:22 | 0:54:26 | |
-Vladimir. -What are you doing? -I can't sleep. | 0:55:05 | 0:55:09 | |
I thought there was...something. Just now I jumped with fright. | 0:55:09 | 0:55:14 | |
-You were dreaming. -And you? ..Let me. | 0:55:14 | 0:55:17 | |
Restless. | 0:55:17 | 0:55:19 | |
-Is Yelena all right, do you think? -Why shouldn't she be? | 0:55:21 | 0:55:25 | |
I saw how she looked. She thinks it is because of us that you sent her. | 0:55:25 | 0:55:30 | |
Nonsense. Any commander in my place would have done the same thing. Ridiculous to suppose otherwise. | 0:55:30 | 0:55:38 | |
Well...Sometimes a woman can be ridiculous. | 0:55:38 | 0:55:44 | |
What was Yelena to you? | 0:55:46 | 0:55:48 | |
If you want to tell me. | 0:55:48 | 0:55:51 | |
Yelena? Nothing. We were comrades. | 0:55:51 | 0:55:55 | |
Well... | 0:55:56 | 0:55:58 | |
Yelena... | 0:55:58 | 0:56:02 | |
But I can tell you there was no love as WE understand it. | 0:56:02 | 0:56:07 | |
Not one part of it. | 0:56:07 | 0:56:09 | |
Then my being here has not been a trouble to you? | 0:56:09 | 0:56:14 | |
I'll tell you. I try to remember when I didn't know you, and I can't. | 0:56:17 | 0:56:22 | |
I can only remember an emptiness, hatred, death. | 0:56:22 | 0:56:27 | |
-Waiting... -For what, I didn't know. -I always knew, for you. | 0:56:27 | 0:56:31 | |
-To have found you only now... -Is so wonderful. -..Is agony. | 0:56:31 | 0:56:36 | |
You've done a dreadful thing to me, Nina. | 0:56:36 | 0:56:40 | |
You've taught me to love life again. | 0:56:40 | 0:56:42 | |
KNOCKING < Sasha! | 0:56:45 | 0:56:48 | |
What is it, Fedor? | 0:56:50 | 0:56:52 | |
I hear something from the forest, as if a horse is running. | 0:56:52 | 0:56:56 | |
Stay here. | 0:57:03 | 0:57:05 | |
HORSE NEIGHS | 0:57:08 | 0:57:10 | |
Fresh blood, Commander. | 0:57:21 | 0:57:24 | |
Now and ever and unto ages of ages, amen. | 0:57:27 | 0:57:32 | |
May God establish the soul of his servant Yelena Kamarova, | 0:57:32 | 0:57:38 | |
brave soldier and good woman... | 0:57:38 | 0:57:40 | |
She wished so much to see the snow. | 0:57:40 | 0:57:43 | |
In this world, very few of us can choose the time of our entrance or exit. | 0:57:43 | 0:57:50 | |
Here's some bread, a little chocolate. | 0:57:51 | 0:57:55 | |
-Are you sure you want to go? -Yelena is dead, and I feel responsible. | 0:57:57 | 0:58:02 | |
Yelena is dead because she stopped a German bullet. | 0:58:02 | 0:58:06 | |
-You know the way? -I know the map you drew, and I have your compass. | 0:58:06 | 0:58:11 | |
-The code? -Like anything you will ever tell me - learned by heart. | 0:58:11 | 0:58:16 | |
Go to the house of Fedor's wife, near the village. | 0:58:16 | 0:58:20 | |
-Bring the message to me there tomorrow. -You're going alone? | 0:58:20 | 0:58:25 | |
With Petrov. Lighten your heart. | 0:58:25 | 0:58:27 | |
-You're a soldier now. Be brave and cautious. -Nothing else, Commander? | 0:58:27 | 0:58:33 | |
Hurry. | 0:58:34 | 0:58:36 | |
-Mitya. -Yes, Commander. -Mitya! | 0:58:39 | 0:58:42 | |
-Go with her. -Very good, Commander. | 0:58:42 | 0:58:45 | |
I assure you, comrade, I will guard with my life the woman we both love. | 0:58:46 | 0:58:52 | |
Nina! | 0:58:52 | 0:58:53 | |
Children! | 0:58:54 | 0:58:56 | |
There's only one thing you must remember - not to get captured. | 0:59:11 | 0:59:15 | |
If you're captured, I can't help you. That's the law of the guerrillas. | 0:59:15 | 0:59:20 | |
-So tell me how NOT to get captured. -I'll see that you're not. | 0:59:20 | 0:59:25 | |
But if you are captured, you must not talk - not a word to the Germans. | 0:59:25 | 0:59:31 | |
BOMBING IN DISTANCE | 0:59:35 | 0:59:39 | |
I report Nina Ivanova on an important mission. | 1:00:19 | 1:00:23 | |
-Nina Ivanova from Moscow, from the theatre? -Yes, sir. -One of our most beloved artists. | 1:00:23 | 1:00:29 | |
Forgive me for not recognising you. | 1:00:29 | 1:00:32 | |
It was clever of Vladimir to send two of you. It is safer. Who will deliver the message? | 1:00:32 | 1:00:39 | |
Red 152. White 3... | 1:00:39 | 1:00:40 | |
SOLDIERS SPEAK GERMAN > | 1:00:40 | 1:00:44 | |
LOUD LAUGHTER | 1:00:52 | 1:00:54 | |
< Tell Fedor not to come home. It is better if he doesn't see this. | 1:01:00 | 1:01:05 | |
His heart would break seeing what these pigs do to us. | 1:01:05 | 1:01:09 | |
MAN: Everlasting fire burns their souls. | 1:01:09 | 1:01:13 | |
But what have you learned? Is the disposal of equipment the same? | 1:01:13 | 1:01:18 | |
Yes. Tanks at the airfield. Trucks and guns in the streets and barracks. | 1:01:18 | 1:01:22 | |
The oil tanks - any new depots? | 1:01:22 | 1:01:25 | |
Yes. Behind the railroad station. | 1:01:25 | 1:01:28 | |
DOOR OPENS | 1:01:28 | 1:01:30 | |
-Well! -Commander, I report that we've arrived safely. | 1:01:35 | 1:01:39 | |
Up here. | 1:01:39 | 1:01:41 | |
How are you? Was it difficult? Did you bring the message? | 1:01:41 | 1:01:45 | |
We proceeded down the right road, but the Germans tanks came along, | 1:01:45 | 1:01:51 | |
so we went through the marsh. | 1:01:51 | 1:01:53 | |
-So you arrived at the camp. -Yes, darling. -The colonel received us. | 1:01:53 | 1:01:57 | |
-He said, "Good work." -Did you deliver the code? -Yes, darling. | 1:01:57 | 1:02:02 | |
-Then this other partisan... -Stop, Mitya. | 1:02:02 | 1:02:06 | |
-What is the message? -"The snow will fall tomorrow." -"The snow will fall tomorrow." | 1:02:06 | 1:02:12 | |
Peculiar message. It's been snowing all day. | 1:02:12 | 1:02:17 | |
So...It's tomorrow. | 1:02:17 | 1:02:20 | |
German soldiers! | 1:02:21 | 1:02:23 | |
Get out, quick. Remove the ladder. | 1:02:23 | 1:02:27 | |
What is this? Don't you even say a greeting to German soldiers? | 1:02:42 | 1:02:47 | |
You are to get out of this house at once. Our soldiers need it. | 1:02:49 | 1:02:53 | |
Why are you looking at me? | 1:02:55 | 1:02:58 | |
-Maybe you don't like it. -We will freeze to death outside. | 1:02:58 | 1:03:02 | |
You still have too much warm clothing. The German army needs it. | 1:03:02 | 1:03:07 | |
Take off this coat. | 1:03:12 | 1:03:14 | |
That sweater's not Russian. Where'd you get it? Who's his wet nurse? | 1:03:20 | 1:03:25 | |
-Show me your ID card. -I lost it. -That's a lie. Every man has an ID. | 1:03:25 | 1:03:30 | |
He's just a boy from a neighbouring village. | 1:03:30 | 1:03:34 | |
So? What happens here? Why have you all met here? | 1:03:35 | 1:03:40 | |
Are there more of you? | 1:03:46 | 1:03:48 | |
HE SPITS | 1:03:48 | 1:03:50 | |
You dare to spit on a German officer. For this I will finish you right away! Tell me your name! | 1:03:52 | 1:03:59 | |
-Tell me your name! -In my country, a hero has no name. | 1:03:59 | 1:04:04 | |
Hauptquartier. | 1:04:04 | 1:04:06 | |
A hero? So? At headquarters you will see about heroes! | 1:04:06 | 1:04:10 | |
Vladimir! | 1:04:13 | 1:04:15 | |
What will happen? | 1:04:15 | 1:04:18 | |
Wohin gehst du? | 1:04:41 | 1:04:43 | |
They'll hang him! They're dragging people to the gallows to watch! | 1:04:50 | 1:04:56 | |
-It's true. -What are you going to do? -Do? | 1:04:59 | 1:05:03 | |
-Nothing. -You can't mean that. | 1:05:05 | 1:05:08 | |
That message was an order. Tomorrow the snow will fall. | 1:05:08 | 1:05:12 | |
-You've done more dangerous things! -It can't be done. -He saved your life! | 1:05:12 | 1:05:18 | |
Petrov, you ask him. I can't bear this. | 1:05:21 | 1:05:25 | |
-Comrade... -We can't save him. -What can we lose? Only our lives. -No. Everything. | 1:05:25 | 1:05:31 | |
Do you think I want to sacrifice this boy? He's like a brother to me. | 1:05:31 | 1:05:36 | |
Nina Ivanova... | 1:05:37 | 1:05:40 | |
I forbid you to betray with a single word or gesture that you know him. | 1:05:40 | 1:05:46 | |
That is a command. | 1:05:46 | 1:05:48 | |
Are you able to comply with it? | 1:05:48 | 1:05:51 | |
Yes. | 1:05:51 | 1:05:53 | |
You may go. | 1:05:53 | 1:05:55 | |
TRUMPETER PLAYS A FANFARE | 1:06:12 | 1:06:15 | |
This boy is guilty of activities against us. | 1:06:22 | 1:06:27 | |
He admits to being a partisan, but after intense questioning, he has refused to divulge information. | 1:06:27 | 1:06:35 | |
In spite of this, his life can still be saved, | 1:06:35 | 1:06:39 | |
even at this last moment, | 1:06:39 | 1:06:43 | |
and so can all of you be spared, | 1:06:43 | 1:06:46 | |
if any of you can give me information about the group to which this boy belongs. | 1:06:46 | 1:06:53 | |
Will anyone speak to save this boy's life? | 1:06:53 | 1:06:56 | |
Young lad, I give you one last chance. | 1:07:08 | 1:07:11 | |
Tell me your name, your group, and where the guerrillas can be found. | 1:07:11 | 1:07:16 | |
Name your leader, and tell me your hiding place, or you will hang. | 1:07:16 | 1:07:21 | |
You have five seconds in which to answer. | 1:07:21 | 1:07:26 | |
I will answer. You cannot hang a nation. Death to the German invaders. Kill them! | 1:07:43 | 1:07:49 | |
Burn them! Poison them! | 1:07:49 | 1:07:51 | |
Mitya! | 1:07:55 | 1:07:57 | |
HE SOBS | 1:07:57 | 1:08:00 | |
Mitya! | 1:08:02 | 1:08:04 | |
Mitya! Where's Mitya? | 1:08:06 | 1:08:08 | |
Tell me what happened to him. Why hasn't he come back with you? | 1:08:11 | 1:08:16 | |
You tell me. What happened to him? | 1:08:16 | 1:08:19 | |
The same thing that's happened to a hundred, thousand and million Russian brothers. | 1:08:26 | 1:08:33 | |
I want you to know that very few of us could have faced his fate | 1:08:33 | 1:08:38 | |
with such brave self-sacrifice. | 1:08:38 | 1:08:42 | |
Go with Nina. | 1:08:50 | 1:08:52 | |
Did they really? Mitya! | 1:09:01 | 1:09:04 | |
Comrades, a few instructions. | 1:09:04 | 1:09:06 | |
Petrov, check the field radio. Sasha, meet Duchenko's detachment at the lake. | 1:09:06 | 1:09:13 | |
Fedor, meet Semanov's group at the swamp. Semyon, the map. | 1:09:13 | 1:09:17 | |
-Comrade Commander... -Yes? | 1:09:27 | 1:09:29 | |
I only want to say... | 1:09:29 | 1:09:32 | |
that I give my poor life freely into your hands. | 1:09:32 | 1:09:37 | |
Oh, my. What a big hero. | 1:09:38 | 1:09:41 | |
Well...at least not such a fat one. | 1:09:41 | 1:09:45 | |
How could he leave me?! Did he say something to you? | 1:09:59 | 1:10:04 | |
Yes, he did. He sent you a message. | 1:10:04 | 1:10:07 | |
What? Did you see him? Were you with him? | 1:10:07 | 1:10:11 | |
Until the last minute. | 1:10:11 | 1:10:14 | |
He looked at me and smiled. | 1:10:16 | 1:10:18 | |
-Smiled? -Yes, smiled. | 1:10:18 | 1:10:22 | |
So calmly, so beautifully, as only he could smile. | 1:10:22 | 1:10:26 | |
Olinka, I don't know whether you would understand my words. | 1:10:28 | 1:10:34 | |
He was happy. | 1:10:34 | 1:10:37 | |
And in the last minute, his eyes transferred a message. I heard it. | 1:10:37 | 1:10:42 | |
The message he sent to all of us is that we shouldn't weep for him, | 1:10:42 | 1:10:47 | |
for he has given his life bravely, | 1:10:47 | 1:10:50 | |
and you should always remember him the way I'd seen him. | 1:10:50 | 1:10:55 | |
I saw a big, beautiful, shining medal above his heart. | 1:10:57 | 1:11:03 | |
For he's going to be one of our great, great heroes. | 1:11:03 | 1:11:07 | |
In every school of our land, his picture will be on a wall. | 1:11:07 | 1:11:12 | |
All the teachers will make speeches about his bravery. | 1:11:12 | 1:11:17 | |
And all the children on the benches will look at Mitya's picture | 1:11:17 | 1:11:21 | |
and they all will envy him for having given up his life for his country so courageously. | 1:11:21 | 1:11:28 | |
I want you to take her away today, toward the north. | 1:11:35 | 1:11:40 | |
-The women and children of the village are going. -But I'm staying. | 1:11:40 | 1:11:45 | |
My darling, in a short time we're going to be so terribly busy here | 1:11:45 | 1:11:50 | |
that a little girl, and you too, would be in the way. | 1:11:50 | 1:11:54 | |
I have no more secrets from you. | 1:11:54 | 1:11:57 | |
The moment we've awaited is near. You brought the order to begin it. | 1:11:57 | 1:12:02 | |
I brought your sentence of death! | 1:12:02 | 1:12:05 | |
Tonight the whole Russian front will start to go. | 1:12:05 | 1:12:09 | |
We're going to begin our revenge - for Mitya and Yelena. | 1:12:09 | 1:12:14 | |
You said until the day you die! | 1:12:14 | 1:12:16 | |
Take her. I want to spare the little girl and there's no-one else. | 1:12:16 | 1:12:22 | |
God bless you, for taking her | 1:12:22 | 1:12:26 | |
and for having been with us for a while. | 1:12:26 | 1:12:29 | |
And you? | 1:12:29 | 1:12:31 | |
There's an old saying. "Bullets spare those who are in love." | 1:12:31 | 1:12:36 | |
< Commander. | 1:12:36 | 1:12:38 | |
The radios are checked. Duchenko's detachment are here, asking for you. | 1:12:38 | 1:12:43 | |
Take your things. Nina's taking Olga away with the village people. | 1:12:43 | 1:12:48 | |
LIVELY CHATTER | 1:12:50 | 1:12:54 | |
My comrades of the guerrilla detachments of this section. | 1:12:56 | 1:13:00 | |
This map is not here for a geography lesson. | 1:13:00 | 1:13:04 | |
LAUGHTER | 1:13:04 | 1:13:07 | |
Pay strict attention to it to make clear what I'm going to tell you. | 1:13:07 | 1:13:12 | |
Here is our hideaway. | 1:13:12 | 1:13:14 | |
And here past the valley is the village of Yasnaya Polyana. | 1:13:14 | 1:13:19 | |
Here is the city of Tula, with Nazi positions | 1:13:19 | 1:13:24 | |
and our positions. | 1:13:24 | 1:13:26 | |
Many weeks ago you received an order from the command in Moscow - | 1:13:26 | 1:13:31 | |
not one step further back. | 1:13:31 | 1:13:34 | |
Now the order we've been waiting for has come. Counter-attack! | 1:13:34 | 1:13:39 | |
Tula. By order of the head of divisional staff, by next morning, | 1:13:39 | 1:13:45 | |
there will begin an attack designed to roll back the Nazis, | 1:13:45 | 1:13:50 | |
to roll them back from Tula, and from Moscow. | 1:13:50 | 1:13:54 | |
While our brothers of the Red Army attack, we too have our work to do. | 1:13:54 | 1:13:59 | |
In Yasnaya Polyana is based the bulk of the Nazis' reserve forces. | 1:13:59 | 1:14:04 | |
They must not be there when our army's attack comes through. | 1:14:04 | 1:14:10 | |
It's our privilege to handle them, | 1:14:10 | 1:14:12 | |
to attack these forces, draw them off and retreat before them, | 1:14:12 | 1:14:17 | |
drawing them away from the village, through the forest, to where we now stand. | 1:14:17 | 1:14:24 | |
It's hard for Russians to retreat, but retreat can lead to victory. | 1:14:24 | 1:14:29 | |
I assure you that such is true now. | 1:14:29 | 1:14:32 | |
You will hear the order "retreat". | 1:14:32 | 1:14:35 | |
Your ears will burn just as my throat will gag when I deliver it. | 1:14:35 | 1:14:40 | |
But when I say "retreat", I will be thinking "attack", and so must you. | 1:14:40 | 1:14:45 | |
For our backward movement carries forward the cause of our country. | 1:14:45 | 1:14:51 | |
ARTILLERY FIRE | 1:14:52 | 1:14:55 | |
Two German tanks have appeared! We're not ready yet! | 1:14:58 | 1:15:03 | |
Go tell it to the Germans! Oh, shut up! | 1:15:03 | 1:15:07 | |
They're coming, comrade. | 1:15:07 | 1:15:09 | |
Petrov! | 1:15:35 | 1:15:37 | |
MACHINE-GUN FIRE | 1:15:41 | 1:15:44 | |
His life has stopped them. | 1:16:13 | 1:16:16 | |
RADIO SIGNAL | 1:16:17 | 1:16:19 | |
Guerrilla detachment, Yasni Polyana. | 1:16:25 | 1:16:28 | |
Message from the military front. Proceed. | 1:16:28 | 1:16:32 | |
Leader of the detachment, Comrade Vladimir...commendation for drawing off German reserves... | 1:16:32 | 1:16:39 | |
from Yasnaya Polyana. Our full attack is now commencing. | 1:16:39 | 1:16:43 | |
In no event are you to cease engaging the enemy | 1:16:43 | 1:16:47 | |
till our operations reach a successful conclusion. | 1:16:47 | 1:16:51 | |
-Comrade General Goborev. -Message received and will be complied with. -Message received and complied with. | 1:16:51 | 1:16:59 | |
Instruct Comrade Semanov to take charge. Come with me. | 1:16:59 | 1:17:03 | |
Duchenko's people will cover us until the last moment. | 1:17:04 | 1:17:08 | |
If a breakthrough occurs, the enemy will come this way. Dmitri! | 1:17:08 | 1:17:13 | |
-How are things? -Ready. | 1:17:13 | 1:17:15 | |
We'll have to fire so intensely they'll think a whole troop is here. | 1:17:15 | 1:17:20 | |
Let them send 30 German tanks against three Russian soldiers. | 1:17:20 | 1:17:26 | |
-Nina! -I came back! -Nina! -Don't scold me! | 1:17:29 | 1:17:33 | |
-Welcome! -I thought you'd be angry. | 1:17:33 | 1:17:36 | |
This must be the most important thing for you. You'll help me. | 1:17:36 | 1:17:41 | |
They're beginning to break through. | 1:17:43 | 1:17:46 | |
Come on! | 1:17:56 | 1:17:59 | |
I'll fix you! | 1:17:59 | 1:18:01 | |
Get away! It's my shot! It's mine! | 1:18:03 | 1:18:07 | |
It's mine! It's mine! | 1:18:07 | 1:18:09 | |
Sasha! | 1:18:14 | 1:18:16 | |
I...guess it's your shot, comrade. | 1:18:17 | 1:18:21 | |
No, comrade. It's OUR shot. | 1:18:23 | 1:18:27 | |
-You're the greatest gift I could receive from life. -And you're mine. | 1:19:07 | 1:19:12 | |
-Darling, we have forgotten something. -What? | 1:19:38 | 1:19:42 | |
We've been fighting together. | 1:19:42 | 1:19:45 | |
And I wasn't very bad, | 1:19:45 | 1:19:47 | |
as a companion or a soldier. Let me be really one of you. | 1:19:47 | 1:19:52 | |
Then take the oath. I, Nina Ivanova, a citizen of the Soviet Socialist Republics... | 1:19:52 | 1:19:57 | |
I, Nina Ivanova, a citizen of the Soviet Socialist Republics... | 1:19:57 | 1:20:03 | |
Solemnly swear to be an honest, disciplined and valiant fighter. | 1:20:03 | 1:20:08 | |
Solemnly swear to be an honest, disciplined and valiant fighter. | 1:20:08 | 1:20:13 | |
I swear to my last breath... WORDS DROWNED BY ARTILLERY FIRE | 1:20:13 | 1:20:19 | |
..Swear to my last breath to be faithful to my Soviet motherland. | 1:20:19 | 1:20:24 | |
I swear to defend her courageously, with wisdom, honour and dignity, without sparing my blood or my life. | 1:20:24 | 1:20:31 | |
I swear to defend her courageously, with wisdom, honour and dignity, | 1:20:31 | 1:20:35 | |
without sparing my blood or my life. | 1:20:35 | 1:20:38 | |
-Until final victory over the enemy is attained. -Until final victory over the enemy is attained. | 1:20:38 | 1:20:45 | |
'Without sparing their blood or their lives, | 1:20:51 | 1:20:55 | |
'multiply this little group by countless thousands. | 1:20:55 | 1:20:59 | |
'Multiply this spirit, and this is why the hordes of Hitler fled back, | 1:20:59 | 1:21:04 | |
'turning their evil faces towards the setting sun of their defeat.' | 1:21:04 | 1:21:09 | |
Subtitles by BBC Broadcast | 1:21:21 | 1:21:25 | |
E-mail us at [email protected] | 1:21:25 | 1:21:29 |