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RHYTHMIC DRUMMING | 0:00:02 | 0:00:07 | |
In the 1880s, the Sudan and Central Africa | 0:01:16 | 0:01:20 | |
suddenly burst into flames as Arab slavers | 0:01:20 | 0:01:23 | |
and great bands of Muslim fanatics | 0:01:23 | 0:01:25 | |
rallied behind the Mahdi - | 0:01:25 | 0:01:27 | |
a mystical figure who proclaimed himself the reincarnation of the Prophet Mohammad. | 0:01:27 | 0:01:32 | |
Their aim... | 0:01:32 | 0:01:34 | |
to conquer the Sudan and stop General Gordon's attempt | 0:01:34 | 0:01:37 | |
to stamp out the age-old trade in black gold - slaves. | 0:01:37 | 0:01:41 | |
Khartoum became a city under siege. | 0:01:41 | 0:01:44 | |
Across the Nile at Omdurman, | 0:01:44 | 0:01:47 | |
countless thousands of natives were gathered, | 0:01:47 | 0:01:49 | |
dooming a peace mission Gordon had undertaken for the Egyptian Khedive | 0:01:49 | 0:01:52 | |
and the English Queen. | 0:01:52 | 0:01:54 | |
HORN | 0:01:56 | 0:01:59 | |
From Omdurman, the Mahdi's riders swept through the land, | 0:01:59 | 0:02:02 | |
bringing sudden terror and death to a people who had thought themselves safe | 0:02:02 | 0:02:06 | |
under the protection of the legendary English general. | 0:02:06 | 0:02:10 | |
Darfur fell, then Bahr el Ghazal, | 0:02:10 | 0:02:13 | |
and a dozen more places along the upper reaches of the once-peaceful Nile. | 0:02:13 | 0:02:18 | |
An expedition was sent up by river as this seemed the quickest way | 0:02:19 | 0:02:23 | |
to relieve Gordon and the beleaguered city of Khartoum. | 0:02:23 | 0:02:26 | |
Thousands of men were conscripted by the British | 0:02:31 | 0:02:34 | |
to tow the heavy gunboats up the Nile, past Berber. | 0:02:34 | 0:02:38 | |
The natives pulled the steamers from the shore and from dhows, | 0:02:39 | 0:02:42 | |
but the British command had miscalculated | 0:02:42 | 0:02:45 | |
and the convoy of men and supplies was in trouble from the start. | 0:02:45 | 0:02:48 | |
The natives, chanting in unison, strained on the tow ropes, | 0:02:48 | 0:02:53 | |
but the boats made little progress. | 0:02:53 | 0:02:56 | |
The swift current and the low level of the river - | 0:02:56 | 0:02:59 | |
unexpected at that time of year - were the undoing of the expedition. | 0:02:59 | 0:03:03 | |
MEN CHANT, WHIPS CRACK | 0:03:03 | 0:03:06 | |
SHIP'S HORN BLARES | 0:03:13 | 0:03:15 | |
MEN CHANT | 0:03:15 | 0:03:17 | |
WHIPS CRACK | 0:03:19 | 0:03:22 | |
Even the light Arab dhows found difficulty | 0:03:34 | 0:03:37 | |
sailing against the swift-running Nile. | 0:03:37 | 0:03:40 | |
The heavy steamers moved hardly at all. | 0:03:53 | 0:03:56 | |
More men were recruited to pull on the ropes | 0:03:56 | 0:03:59 | |
and their native overseers were generous in their use of the whip. | 0:03:59 | 0:04:03 | |
Hundreds fell by the wayside and others were found | 0:04:03 | 0:04:05 | |
to replace them, but their efforts were not to be rewarded. | 0:04:05 | 0:04:09 | |
Finally, it was not possible for the British gunboats | 0:04:09 | 0:04:14 | |
to be manoeuvred through the shallows or the rapids. | 0:04:14 | 0:04:16 | |
As the reinforcements tried in vain to make their way upriver, | 0:04:16 | 0:04:19 | |
Gordon sent a despairing message. | 0:04:19 | 0:04:23 | |
"Now mark this", he said. | 0:04:23 | 0:04:25 | |
"If the expeditionary force - | 0:04:25 | 0:04:27 | |
"and I ask for no more than 200 men, does not come in ten days, | 0:04:27 | 0:04:32 | |
"the town may fall and I have done my best for the honour of our country". | 0:04:32 | 0:04:38 | |
Realising the English force would not reach Gordon in time, | 0:04:38 | 0:04:42 | |
a second relief column tried to cross the treacherous desert to Khartoum. | 0:04:42 | 0:04:47 | |
They left Korti and marched to Metemma, | 0:04:47 | 0:04:50 | |
but their progress was slow, | 0:04:50 | 0:04:52 | |
causing yet further delay in the relief of the besieged city. | 0:04:52 | 0:04:55 | |
DRUM BEATS | 0:04:55 | 0:04:57 | |
The news of the second British advance reached the Mahdi, | 0:05:12 | 0:05:15 | |
and soon tribes from all of Sudan assembled | 0:05:15 | 0:05:19 | |
and planned an overwhelming attack on the smaller enemy force. | 0:05:19 | 0:05:23 | |
The Mahdi's followers were armed only with primitive spears, | 0:05:30 | 0:05:33 | |
shields, and swords. | 0:05:33 | 0:05:35 | |
But they had the tactical advantages of numbers and surprise. | 0:05:35 | 0:05:39 | |
Before dawn, hundreds of the fiercest warriors | 0:05:54 | 0:05:57 | |
slowly crept forward, surrounding the British encampment. | 0:05:57 | 0:06:01 | |
They moved unseen and unheard, | 0:06:01 | 0:06:02 | |
in the stillness of the desert night. | 0:06:02 | 0:06:05 | |
The British were on their guard - | 0:06:11 | 0:06:12 | |
they were now deep in enemy territory | 0:06:12 | 0:06:15 | |
and they knew they could expect an attack, but they did not know | 0:06:15 | 0:06:19 | |
the size of the enemy force which would be thrown against them. | 0:06:19 | 0:06:22 | |
The only hope of the British was to make their way through | 0:06:26 | 0:06:29 | |
the enemy lines unseen and reach Khartoum without a battle. | 0:06:29 | 0:06:33 | |
By first light, | 0:06:35 | 0:06:37 | |
the Mahdi's dervishes had encircled the British defensive square. | 0:06:37 | 0:06:40 | |
Then, their blood-curdling war-cries | 0:06:41 | 0:06:44 | |
signalled the beginning of the onslaught. | 0:06:44 | 0:06:47 | |
SHOUTING AND GUNFIRE | 0:06:47 | 0:06:51 | |
We seem to be a bit outnumbered. | 0:08:01 | 0:08:02 | |
A wee bit. | 0:08:04 | 0:08:06 | |
Uh! | 0:08:29 | 0:08:31 | |
Get up! Warn Barash! | 0:08:32 | 0:08:35 | |
I'm not leaving, Sir. | 0:08:36 | 0:08:38 | |
Besides, I thought I was awaiting court martial. | 0:08:39 | 0:08:43 | |
I'm ordering you to get out and warn Barash. | 0:08:43 | 0:08:45 | |
Get out of here? | 0:08:50 | 0:08:51 | |
How? | 0:08:51 | 0:08:53 | |
You can get out of anywhere, Baker. | 0:08:53 | 0:08:55 | |
Good luck, Sir. | 0:08:59 | 0:09:00 | |
HE SHOUTS | 0:09:04 | 0:09:06 | |
Ah! | 0:09:06 | 0:09:07 | |
Ah! | 0:09:27 | 0:09:29 | |
Ah! | 0:09:33 | 0:09:35 | |
SHE SCREAMS | 0:09:45 | 0:09:47 | |
Come on! | 0:09:49 | 0:09:51 | |
Asua! | 0:09:51 | 0:09:53 | |
This way! | 0:10:00 | 0:10:01 | |
Over here! | 0:11:02 | 0:11:04 | |
This isn't Noah's Ark, we don't need two of everything. | 0:11:06 | 0:11:09 | |
Swim, son! That's it. | 0:11:09 | 0:11:11 | |
Gotcha. | 0:11:11 | 0:11:12 | |
Help - he's heavy. | 0:11:15 | 0:11:17 | |
He's your catch, you pull him in yourself. | 0:11:17 | 0:11:19 | |
MAN COUGHS | 0:11:58 | 0:12:00 | |
Here, try sitting up. | 0:12:06 | 0:12:08 | |
-Khartoum... -Yes, all right, mate. | 0:12:11 | 0:12:13 | |
Yeah, we're making for Khartoum. | 0:12:13 | 0:12:15 | |
If Khartoum's still there. | 0:12:15 | 0:12:17 | |
(HE COUGHS) Relief column... | 0:12:17 | 0:12:19 | |
Yes, yes. We know all about it. Now you, save your strength, man. | 0:12:19 | 0:12:23 | |
Save your strength. | 0:12:23 | 0:12:26 | |
What the devil do you think you're doing? | 0:12:49 | 0:12:51 | |
Getting rid of some dead weight. | 0:12:51 | 0:12:53 | |
-Very dead. -You'll do no such thing. | 0:12:53 | 0:12:56 | |
Look, Miss... What's your name? Woodville! | 0:12:59 | 0:13:01 | |
We're in the middle of a war, we're not punting on the Thames | 0:13:01 | 0:13:05 | |
and we've got no Union Jacks to drape the bodies in, either. | 0:13:05 | 0:13:07 | |
-Why can't we give him a decent burial? -Because I say he's going over the side, that's why. | 0:13:07 | 0:13:11 | |
Even with your military experience, you must appreciate we've got to get | 0:13:11 | 0:13:15 | |
as far from Barash as possible by daylight, right? | 0:13:15 | 0:13:19 | |
What sort of a Christian are you? | 0:13:19 | 0:13:21 | |
The kind of Christian that prefers staying alive. | 0:13:21 | 0:13:24 | |
His weight can't make that much difference to our speed. | 0:13:24 | 0:13:26 | |
No? Haven't your feet told you what's happening in the bottom of the boat? | 0:13:26 | 0:13:30 | |
Some of the heathen bullets hit below the water line. Very unsporting. | 0:13:30 | 0:13:34 | |
Oh, please. | 0:13:34 | 0:13:36 | |
All right - if you want to keep the Major on board, | 0:13:38 | 0:13:41 | |
we'd better start bailing - and quick. | 0:13:41 | 0:13:43 | |
-What with? -Your pretty field boots, son - they'll do. | 0:13:43 | 0:13:48 | |
-And you, too, Miss. -I don't happen to be wearing field boots. | 0:13:48 | 0:13:52 | |
Well, have this, then. | 0:13:52 | 0:13:54 | |
Oh! | 0:13:54 | 0:13:56 | |
-Oh! -Come on, come on - start bailing! | 0:13:56 | 0:13:59 | |
Start bailing, get on with it. | 0:14:00 | 0:14:02 | |
Why not try and beach her now? | 0:14:02 | 0:14:04 | |
Because it's night, because we can't see, because there's rocks and sand bars, | 0:14:04 | 0:14:10 | |
because we'd lose the boat if not our lives, that's why not! | 0:14:10 | 0:14:13 | |
Now, come on - bail, damn it, bail! | 0:14:15 | 0:14:18 | |
That's right - well done, boy. | 0:14:24 | 0:14:26 | |
-What's your name? -Asua, sir, and I'm not a boy. | 0:14:27 | 0:14:31 | |
Are we going to sink? | 0:14:33 | 0:14:35 | |
No, no. | 0:14:36 | 0:14:37 | |
No, we're not going to sink. | 0:14:38 | 0:14:40 | |
Here - come on. I'll do this. | 0:14:41 | 0:14:43 | |
You lie down up here. | 0:14:47 | 0:14:49 | |
Curl up. | 0:14:49 | 0:14:51 | |
Go to sleep, hm? | 0:14:51 | 0:14:53 | |
I promise you, we'll be all right. | 0:14:54 | 0:14:56 | |
Go on, you go to sleep! | 0:15:02 | 0:15:04 | |
All right. | 0:15:21 | 0:15:23 | |
BANGS SIDE OF BOAT | 0:15:23 | 0:15:24 | |
Up and out! | 0:15:24 | 0:15:26 | |
It's not the Port of London but it's land, you can get ashore. | 0:15:36 | 0:15:39 | |
Mr Murchison? | 0:15:41 | 0:15:43 | |
SHE SCREAMS | 0:15:50 | 0:15:51 | |
I'm sorry. | 0:15:55 | 0:15:57 | |
Reminded me of the town drunk on a Saturday night. | 0:15:57 | 0:16:00 | |
He always fell in the river, too. | 0:16:00 | 0:16:04 | |
No! | 0:16:04 | 0:16:06 | |
Come on lady, why not take it right off? You'll find it easier. | 0:16:16 | 0:16:20 | |
Very gentlemanly of you to suggest it. | 0:16:20 | 0:16:22 | |
That's me, every inch a gentleman. | 0:16:22 | 0:16:24 | |
There you are, love, I told you we'd make it, didn't I? | 0:16:26 | 0:16:29 | |
I'd not doubt you, sir. | 0:16:29 | 0:16:31 | |
Al right, come on, first thing is to get the stores out of the boat. | 0:16:31 | 0:16:34 | |
First thing is to give the major a decent burial. | 0:16:34 | 0:16:36 | |
I don't think the major looks too impatient, | 0:16:36 | 0:16:39 | |
our job is to keep the living alive. | 0:16:39 | 0:16:41 | |
And you call yourself an officer and a gentleman? | 0:16:41 | 0:16:44 | |
No, no I'm afraid the rank's not mine, | 0:16:44 | 0:16:49 | |
just the first jacket I happened to pick up. | 0:16:49 | 0:16:51 | |
Baker, Richard. Private, | 0:16:51 | 0:16:53 | |
three times in Her Majesty Queen Victoria's army. | 0:16:53 | 0:16:56 | |
Of which there's precious little left around here. | 0:16:56 | 0:16:59 | |
I should have know it. | 0:16:59 | 0:17:01 | |
Yes, I reckon you should. | 0:17:01 | 0:17:02 | |
It's the uniform that makes the man, isn't it, Mr Murchison? | 0:17:02 | 0:17:06 | |
-Well, come on, let's get... -The major. | 0:17:06 | 0:17:09 | |
As you wish, Miss Woodville. | 0:17:11 | 0:17:14 | |
He died far from home, far from family, | 0:17:33 | 0:17:37 | |
-in violence and bloodshed... -Please! | 0:17:37 | 0:17:40 | |
-and we commend his soul to your keeping... -Oh! | 0:17:40 | 0:17:45 | |
in the knowledge that whatever happens to each of us is your will. | 0:17:45 | 0:17:50 | |
Murchison! | 0:18:04 | 0:18:06 | |
Murchison! Help. | 0:18:06 | 0:18:08 | |
Murchison! Over here, come on! | 0:18:11 | 0:18:13 | |
Well, there you are, Miss Woodville, | 0:18:32 | 0:18:34 | |
that's what comes of mis-timed piety. | 0:18:34 | 0:18:37 | |
We've lost the boat and half the stores. | 0:18:37 | 0:18:39 | |
We wouldn't have lost the boat | 0:18:39 | 0:18:41 | |
if you'd beached it properly, private Baker. | 0:18:41 | 0:18:43 | |
Lady, I'm a soldier, or was, not Admiral Nelson. | 0:18:43 | 0:18:46 | |
Well, you've got the rifle, that's the most important thing, isn't it? | 0:18:46 | 0:18:50 | |
Yeah, use it for a walking stick, the ammunition got away from us. | 0:18:50 | 0:18:54 | |
How many bullets in that little pouch of yours, Mr Murchison? | 0:18:54 | 0:18:57 | |
About two dozen. | 0:18:57 | 0:19:00 | |
Oh, then we've got one pistol and two dozen bullets to last us | 0:19:00 | 0:19:04 | |
while we 're waiting. | 0:19:04 | 0:19:05 | |
You're not thinking of staying here, for goodness sake, why? | 0:19:05 | 0:19:09 | |
Because I wouldn't like to see | 0:19:09 | 0:19:11 | |
the vultures picking those ladylike bones. | 0:19:11 | 0:19:14 | |
Don't try and frighten me, private Baker, | 0:19:14 | 0:19:16 | |
and please don't frighten Asua, | 0:19:16 | 0:19:18 | |
Her father was the Emir of Barash and his dying wish was that | 0:19:18 | 0:19:21 | |
I should take her to General Gordon in Khartoum, and as her tutor, | 0:19:21 | 0:19:25 | |
I intend to see his last wishes are carried out. | 0:19:25 | 0:19:27 | |
That's why I've dressed her like an ordinary native child. | 0:19:27 | 0:19:30 | |
Miss Woodville, how long have you been in Africa? | 0:19:30 | 0:19:33 | |
Almost two months. | 0:19:33 | 0:19:34 | |
Then let me give you a little lesson geography. | 0:19:34 | 0:19:38 | |
Look, | 0:19:38 | 0:19:41 | |
here is the Nile, | 0:19:41 | 0:19:43 | |
here is Khartoum, here is Barash, where we started, Bargasil, Darfur, | 0:19:43 | 0:19:47 | |
The little villages, I'd say we're about there. | 0:19:47 | 0:19:51 | |
One to Khartoum by water that's 100 miles, it's a little far to swim. | 0:19:51 | 0:19:55 | |
Then we'll go overland. | 0:19:55 | 0:19:57 | |
Miss Woodville, I'm as keen to get to Khartoum as you are, | 0:19:57 | 0:20:01 | |
perhaps more so, but which ever way we go by land we'll hit swamps, | 0:20:01 | 0:20:05 | |
full of local gentry like...him. | 0:20:05 | 0:20:08 | |
Not to mention the Mahdi's raiders, Arab slavers | 0:20:11 | 0:20:14 | |
and hostile natives who've never read the ten commandments, | 0:20:14 | 0:20:18 | |
and don't know about, "thou shalt not kill". | 0:20:18 | 0:20:21 | |
There must be friendly natives as well? | 0:20:21 | 0:20:23 | |
-There were. -With missionaries among them? | 0:20:23 | 0:20:26 | |
Those who've not been put in the pot for their pains. | 0:20:26 | 0:20:29 | |
Barash wasn't the only town attacked in the Sudan, when the news | 0:20:29 | 0:20:33 | |
of this reaches Khartoum, they'll be a gunboat on the river here. | 0:20:33 | 0:20:37 | |
Sent to pick up survivors, so we're going to stay right here. | 0:20:37 | 0:20:40 | |
Let Khartoum come to us. | 0:20:40 | 0:20:43 | |
So. | 0:20:44 | 0:20:46 | |
You make yourself really nice and at home | 0:20:46 | 0:20:50 | |
and I'll make sure our paradise has no devils in it. | 0:20:50 | 0:20:53 | |
And if I meet any missionaries unpotted, | 0:20:56 | 0:20:59 | |
I'll let you know. | 0:20:59 | 0:21:01 | |
Do you think he's right? | 0:21:04 | 0:21:06 | |
Yes, although I dislike his manner just as much as you do. | 0:21:06 | 0:21:09 | |
Asua, get my things. | 0:21:12 | 0:21:16 | |
There you are, it's all ours. It's not Mayfair, but its home. | 0:21:40 | 0:21:44 | |
What's all this packing in aid of? | 0:21:46 | 0:21:48 | |
Well, you can stay and play Robinson Crusoe if you want, | 0:21:48 | 0:21:52 | |
But I'm leaving. Asua! | 0:21:52 | 0:21:54 | |
Where are you off to, may I ask? | 0:21:54 | 0:21:55 | |
To civilisation, which is more than I've found here. | 0:21:55 | 0:21:59 | |
Mr Murchison, you'd better trot along with them. | 0:22:01 | 0:22:05 | |
Miss Woodville! | 0:22:05 | 0:22:07 | |
And bring them back alive! | 0:22:07 | 0:22:09 | |
Miss Woodville! | 0:22:11 | 0:22:14 | |
Miss Woodville, I'll take this. | 0:22:15 | 0:22:19 | |
Oh! | 0:22:41 | 0:22:43 | |
They're quite harmless, now, you watch. | 0:22:46 | 0:22:50 | |
-Oh, it's sweet. -Ah, look! | 0:23:00 | 0:23:02 | |
GUNFIRE | 0:23:10 | 0:23:12 | |
GROWLING | 0:23:32 | 0:23:35 | |
-We met a lion! -You didn't! -Yes! | 0:23:58 | 0:24:01 | |
Shh! Hello, welcome back. | 0:24:01 | 0:24:05 | |
SO you all decided to play Robinson Crusoe. | 0:24:05 | 0:24:09 | |
I heard the artillery firing, did you have a nice little stroll? | 0:24:09 | 0:24:13 | |
Very nice, thank you. | 0:24:15 | 0:24:17 | |
Roar! | 0:24:17 | 0:24:18 | |
You, you... | 0:24:20 | 0:24:23 | |
Come on, hurry, hurry. | 0:24:27 | 0:24:30 | |
Here it comes, everything in, quick! | 0:24:35 | 0:24:38 | |
Come on, all of you! Come on! | 0:24:46 | 0:24:48 | |
Come one in, home from home complete with running water, all of it cold. | 0:24:50 | 0:24:54 | |
I'm very grateful, don't think I'm not, but you don't think | 0:24:54 | 0:24:57 | |
you're sleeping in here with us? | 0:24:57 | 0:24:59 | |
Woman, this is not time for conventions, I'm dammed if I'm going | 0:24:59 | 0:25:02 | |
-to sleep outside in the rain. -I'm dammed if you're coming in here! | 0:25:02 | 0:25:05 | |
-Get out! -What are you doing? Don't do that! | 0:25:06 | 0:25:10 | |
And that's about enough from you too, young lady. | 0:25:18 | 0:25:23 | |
She was right, you know, old chap. | 0:25:34 | 0:25:36 | |
I only wanted to sleep dry in the same hut, I didn't say bed. | 0:25:39 | 0:25:42 | |
ANIMAL CALLS | 0:26:23 | 0:26:27 | |
LION GROWLS | 0:26:47 | 0:26:51 | |
SCREAMING | 0:26:55 | 0:26:58 | |
What it What's the matter, Miss Woodville? | 0:27:00 | 0:27:02 | |
Let me go! | 0:27:02 | 0:27:04 | |
What are you doing? | 0:27:04 | 0:27:06 | |
Oh, Mr Baker, I'm sorry, I was dreaming, | 0:27:06 | 0:27:11 | |
I thought we were back in Barash and I was frightened. | 0:27:11 | 0:27:13 | |
You don't need to apologise, we all get frightened, | 0:27:13 | 0:27:18 | |
right now I'm frightened this hut's coming down... get out! | 0:27:18 | 0:27:23 | |
You see? | 0:27:31 | 0:27:34 | |
Just a minute, never let a lady go out without her dress. | 0:27:38 | 0:27:43 | |
THUNDER | 0:27:43 | 0:27:45 | |
-Go on. -Quick, Asua, quick. | 0:27:45 | 0:27:48 | |
Run, sweetheart, run. | 0:27:48 | 0:27:50 | |
Hurry, Mr Baker! | 0:27:58 | 0:28:00 | |
-He's asleep. -If he's not drowned. | 0:28:06 | 0:28:09 | |
It's wetter in here than it was outside. | 0:28:09 | 0:28:12 | |
Allow me. | 0:28:12 | 0:28:14 | |
Thank you. | 0:28:16 | 0:28:17 | |
All part of the company service. | 0:28:17 | 0:28:19 | |
THUNDER | 0:28:19 | 0:28:22 | |
You're in the rain, Mr Baker. | 0:28:24 | 0:28:28 | |
So I am. | 0:28:28 | 0:28:30 | |
Well, we finally made it under one roof, old chap. | 0:28:41 | 0:28:46 | |
What was the name of the document | 0:28:59 | 0:29:01 | |
that first took absolute power away from the English king? | 0:29:01 | 0:29:04 | |
-The Magna Carta. -When was it signed? | 0:29:04 | 0:29:07 | |
-1215. -Who signed it? | 0:29:07 | 0:29:08 | |
The Caliph John. | 0:29:09 | 0:29:11 | |
King John. | 0:29:11 | 0:29:12 | |
King John. | 0:29:12 | 0:29:14 | |
And where was it signed? | 0:29:14 | 0:29:17 | |
Er... | 0:29:17 | 0:29:20 | |
Miss Woodville! | 0:29:23 | 0:29:24 | |
They're calling us! | 0:29:24 | 0:29:26 | |
Where's Sir Galahad? | 0:29:33 | 0:29:36 | |
He's gone off to catch the dinner. | 0:29:36 | 0:29:39 | |
Fish again, I suppose. | 0:29:39 | 0:29:42 | |
Well, I seem to remember you can be quite strong | 0:29:42 | 0:29:44 | |
when you want to be, will you give me a hand? | 0:29:44 | 0:29:47 | |
I would if I knew what you are trying to do. | 0:29:47 | 0:29:50 | |
I'm trying to get us out of here. | 0:29:50 | 0:29:53 | |
By completely destroying the boat? | 0:29:53 | 0:29:55 | |
Look, | 0:29:55 | 0:29:58 | |
matches, making fire, | 0:29:58 | 0:30:01 | |
timbers, full of tar, tar make black smoke, gunboat sees black smoke, | 0:30:01 | 0:30:06 | |
we all rescued, me velly clever! | 0:30:06 | 0:30:07 | |
I wish I could be sure. | 0:30:07 | 0:30:10 | |
So do I. | 0:30:10 | 0:30:12 | |
Come on, let's give it a chance, now you put those pretty | 0:30:12 | 0:30:17 | |
little hands that's right and pull like it was me you got hold of. | 0:30:17 | 0:30:21 | |
All right, pull! Go on, pull! | 0:30:22 | 0:30:27 | |
Harder, | 0:30:27 | 0:30:31 | |
put your back in it! | 0:30:31 | 0:30:36 | |
Your back, I said. | 0:30:36 | 0:30:41 | |
SCREAMS | 0:30:48 | 0:30:50 | |
-Are you all right? -Yes. -But you could have been hurt. -No, I'm fine. | 0:30:54 | 0:30:58 | |
What kind of work is this to ask a lady to do it? | 0:30:58 | 0:31:01 | |
I'm not hurt, truly. Just brush me down. | 0:31:01 | 0:31:03 | |
If you say so. | 0:31:03 | 0:31:05 | |
Mr Murchison could you tear yourself away just for a second? | 0:31:07 | 0:31:13 | |
Asua, Come along, we haven't finished our lessons yet. | 0:31:13 | 0:31:17 | |
Could we not wait a little longer? | 0:31:17 | 0:31:19 | |
Till Murchison sahib goes falling down? | 0:31:19 | 0:31:22 | |
Go on! | 0:31:22 | 0:31:24 | |
Might as well chuck stones at it. | 0:32:15 | 0:32:18 | |
Suppose that means fish again for dinner. | 0:32:18 | 0:32:21 | |
'Asua!' | 0:32:54 | 0:32:56 | |
Oh, no! | 0:32:56 | 0:32:59 | |
Asua! | 0:33:06 | 0:33:08 | |
-What is it? -Mr Baker, have you seen Asua, we can't find her anywhere! | 0:33:08 | 0:33:12 | |
-We've looked everywhere. -Asua! | 0:33:12 | 0:33:14 | |
Asua. | 0:33:21 | 0:33:23 | |
Yes, Mr Baker, sir? | 0:33:26 | 0:33:28 | |
-Use the pistol. -Useless, the bullets would just bounce off. | 0:33:28 | 0:33:32 | |
Asua, Don't be afraid, I'm close behind you. | 0:33:32 | 0:33:36 | |
Will you try and do what I tell you? | 0:33:36 | 0:33:41 | |
-I will try, sir. -Good. | 0:33:41 | 0:33:43 | |
Now just start walking backwards towards me. | 0:33:43 | 0:33:47 | |
Don't look round, keep going backwards. | 0:33:53 | 0:33:57 | |
Take your time. Come on, well done. | 0:34:06 | 0:34:09 | |
There's a big tree only a few more steps behind you. | 0:34:11 | 0:34:17 | |
Keep going... | 0:34:19 | 0:34:21 | |
Are you all right? | 0:34:30 | 0:34:33 | |
Thank you, Mr Baker, sir. | 0:34:33 | 0:34:36 | |
The next time, pick a playmate your own size, huh? | 0:34:39 | 0:34:43 | |
Yes, sir. | 0:34:43 | 0:34:44 | |
Your paradise is a hell, private Baker, Asua, might have been killed. | 0:35:04 | 0:35:08 | |
Asua is your responsibility. | 0:35:08 | 0:35:10 | |
I am tired sitting here waiting for your mythical gunboat. | 0:35:10 | 0:35:15 | |
Yes, I'm disappointed in General Gordon myself. I'd have thought he'd | 0:35:15 | 0:35:18 | |
-sent his private yacht for us now. -How many more of us have to be gored | 0:35:18 | 0:35:22 | |
or trampled on before you'll admit you made a mistake? | 0:35:22 | 0:35:25 | |
Take what's left of the stores and traipse off where ever you want. | 0:35:25 | 0:35:28 | |
I'm sick to death of being nursemaid to a nanny and two children. | 0:35:28 | 0:35:32 | |
Private Baker, you will apologise to Miss Woodville for that last remark. | 0:35:32 | 0:35:37 | |
And to me. | 0:35:43 | 0:35:45 | |
Would you call off your protector here, it's way past his bedtime? | 0:35:47 | 0:35:51 | |
You've a horrid tongue, Private Baker. | 0:35:51 | 0:35:54 | |
Lord knows I need it with the likes of you. | 0:35:54 | 0:35:57 | |
Private Baker, I ordered you to apologise. | 0:35:57 | 0:36:01 | |
Look, we're tired, worried, right? | 0:36:01 | 0:36:03 | |
But that's not good enough! | 0:36:03 | 0:36:05 | |
I said, apologise! | 0:36:10 | 0:36:14 | |
And we're gong to stay right here, like it or not! | 0:36:20 | 0:36:23 | |
Very brave of you, Private Baker, | 0:36:23 | 0:36:25 | |
to attack someone half your size, why don't you throw me in as well? | 0:36:25 | 0:36:29 | |
When God made women, why didn't he give them common sense? | 0:36:29 | 0:36:32 | |
As well as the more obvious attributes. | 0:36:32 | 0:36:38 | |
It's a boat! It's a boat! | 0:36:53 | 0:36:55 | |
Miss Woodville, Miss Woodville! | 0:36:55 | 0:36:58 | |
On the river, it's a boat! Quick! | 0:36:58 | 0:37:00 | |
-It's a boat! -Over here, over here, over here, over here! It's a boat! | 0:37:02 | 0:37:07 | |
Over here! Here! | 0:37:07 | 0:37:09 | |
Mr Baker, your boat has come! | 0:37:23 | 0:37:27 | |
Is it? Does that look like a gunboat? | 0:37:27 | 0:37:31 | |
What are you doing? It's a boat. | 0:37:31 | 0:37:33 | |
It's an Arab slaver and she's seen us, thanks to you. | 0:37:33 | 0:37:37 | |
Come on, we're getting out of here quick! | 0:37:37 | 0:37:40 | |
Come on, give me your hand, Run! | 0:37:40 | 0:37:41 | |
Hurry, go on, run, grab your things, get that tinned stuff, go on. | 0:37:46 | 0:37:50 | |
Never mind that. | 0:37:54 | 0:37:55 | |
Smile, Miss Woodville, Come on, | 0:37:59 | 0:38:01 | |
we're going to find some adventures the hard way, come on! | 0:38:01 | 0:38:04 | |
Run, all of you. | 0:38:04 | 0:38:06 | |
How much longer? | 0:38:21 | 0:38:23 | |
I don't know. Ask him. | 0:38:23 | 0:38:26 | |
THEY CONVERSE IN ARABIC | 0:38:42 | 0:38:45 | |
All right, let's rest. Come on. | 0:39:16 | 0:39:19 | |
Look, elephants! | 0:39:26 | 0:39:29 | |
Oh, yes, they're lovely! | 0:39:29 | 0:39:32 | |
And the monkeys! | 0:39:33 | 0:39:35 | |
-It's the biggest zoo in the world. -You know what they're saying? | 0:39:37 | 0:39:41 | |
What a big zoo to keep poor humans in. | 0:39:41 | 0:39:43 | |
I wish they'd come closer. | 0:39:57 | 0:39:59 | |
If we hide down here and are very quiet perhaps the monkeys | 0:40:01 | 0:40:04 | |
will come down from the trees. | 0:40:04 | 0:40:06 | |
THEY SPEAK ARABIC | 0:41:35 | 0:41:37 | |
You can take your hand OFF my waist now, Mr Baker. | 0:41:45 | 0:41:51 | |
How do you manage to do it? | 0:42:12 | 0:42:14 | |
Do what? | 0:42:14 | 0:42:16 | |
Collect so many admirers. | 0:42:16 | 0:42:19 | |
They're putting on a show for us! | 0:43:12 | 0:43:14 | |
Just like a circus! | 0:43:14 | 0:43:16 | |
Yeah, they can sing, too! | 0:43:16 | 0:43:18 | |
-They can? -Oh, yes! | 0:43:19 | 0:43:21 | |
Mind you, they have terrible voices. | 0:43:21 | 0:43:23 | |
You've offended them! | 0:43:25 | 0:43:27 | |
I always thought hippopotami were thick-skinned. | 0:43:29 | 0:43:32 | |
He LAUGHS | 0:43:32 | 0:43:33 | |
Oh-oh! Joke over. | 0:43:33 | 0:43:36 | |
Come on, on your feet! On we go. | 0:43:38 | 0:43:40 | |
Think you can make it up those rocks? | 0:43:48 | 0:43:51 | |
Come on, then, Miss Woodville. | 0:43:55 | 0:43:57 | |
Hitch up those skirts. | 0:43:57 | 0:43:58 | |
You think the Arabs are still behind us, don't you? | 0:44:06 | 0:44:09 | |
Come on, climb. | 0:44:09 | 0:44:11 | |
Why should they bother with a small party like us? | 0:44:27 | 0:44:31 | |
Small, | 0:44:31 | 0:44:32 | |
but valuable, Miss Woodville. | 0:44:32 | 0:44:34 | |
What could we have that could be possibly of any value to them? | 0:44:37 | 0:44:42 | |
Look,... | 0:44:42 | 0:44:43 | |
Do you know the market price of a white woman in these parts? | 0:44:44 | 0:44:48 | |
A woman with fair hair? | 0:44:48 | 0:44:50 | |
I'm sorry. | 0:44:52 | 0:44:53 | |
I shouldn't have said that. I apologise. | 0:44:53 | 0:44:56 | |
First time you've done THAT. | 0:44:56 | 0:44:58 | |
-What? -Apologise. | 0:44:58 | 0:45:00 | |
And the first time you've nothing to apologise for. | 0:45:00 | 0:45:04 | |
You're an odd one, aren't you? | 0:45:04 | 0:45:06 | |
I've met a few women in my time. | 0:45:06 | 0:45:09 | |
But you confound me. | 0:45:09 | 0:45:12 | |
You really do. | 0:45:12 | 0:45:14 | |
Come on. | 0:45:15 | 0:45:16 | |
Oh! | 0:45:21 | 0:45:23 | |
Right. Up we go! | 0:45:25 | 0:45:28 | |
SHE SCREAMS | 0:45:37 | 0:45:38 | |
They're gone! | 0:45:56 | 0:45:58 | |
Come on, get a fire going! | 0:46:38 | 0:46:40 | |
It's my fault. It's my fault! | 0:46:50 | 0:46:52 | |
Come on, go and get a blanket. | 0:46:52 | 0:46:54 | |
SHE SOBS | 0:46:54 | 0:46:55 | |
Oh, God! | 0:46:59 | 0:47:01 | |
I thought I had hold of her hand, but I let it slip. | 0:47:01 | 0:47:04 | |
My fault! | 0:47:04 | 0:47:07 | |
Don't blame yourself. It was an accident. | 0:47:07 | 0:47:09 | |
Here. Can YOU do this? It's my arm, it got... | 0:47:09 | 0:47:13 | |
I tried to catch her, but I wasn't quick enough! | 0:47:13 | 0:47:16 | |
Oh, this is useless! | 0:47:16 | 0:47:19 | |
Oh, God, please don't let her die! | 0:47:19 | 0:47:22 | |
Please, please, please don't let her die. | 0:47:22 | 0:47:25 | |
Please, God. | 0:47:25 | 0:47:26 | |
You keep praying. Keep pumping, too. | 0:47:26 | 0:47:29 | |
Please, God, please! | 0:47:32 | 0:47:34 | |
Please. Please, God! | 0:47:34 | 0:47:36 | |
Here, let me. | 0:47:36 | 0:47:37 | |
Look! Look! | 0:48:02 | 0:48:04 | |
She's alive! She's breathing! | 0:48:07 | 0:48:09 | |
Look, look, look! | 0:48:09 | 0:48:10 | |
-Murchison! -Murchison! | 0:48:10 | 0:48:13 | |
Murchison! | 0:48:13 | 0:48:15 | |
The blame isn't yours. | 0:48:58 | 0:49:00 | |
It was MY fault. | 0:49:00 | 0:49:02 | |
I hate to see you like this.. | 0:49:07 | 0:49:10 | |
..because... | 0:49:11 | 0:49:12 | |
..I love you. | 0:49:14 | 0:49:16 | |
Please don't cry. | 0:49:19 | 0:49:21 | |
I think you're the most wonderful, | 0:49:22 | 0:49:25 | |
most beautiful woman I've ever met. | 0:49:25 | 0:49:28 | |
And with all my heart, | 0:49:28 | 0:49:30 | |
I love you. | 0:49:30 | 0:49:32 | |
You mustn't, Mr Murchison. | 0:49:32 | 0:49:34 | |
You wouldn't, if you knew all about me. | 0:49:34 | 0:49:38 | |
Thank you. | 0:49:39 | 0:49:40 | |
No, please... | 0:49:42 | 0:49:44 | |
Don't go. | 0:49:45 | 0:49:47 | |
Am I to die, Mr Baker, sir? | 0:49:56 | 0:49:59 | |
What? | 0:50:02 | 0:50:03 | |
And leave me to the tender mercies of Miss Woodville? | 0:50:03 | 0:50:07 | |
She might ask me when Magna Carta was signed. | 0:50:07 | 0:50:09 | |
And I don't know the answer to that, either. | 0:50:09 | 0:50:14 | |
It hurts very much, sir. | 0:50:14 | 0:50:16 | |
Mr Murchison? | 0:51:02 | 0:51:05 | |
Mr Murchison?! | 0:51:05 | 0:51:06 | |
Are you awake? | 0:51:09 | 0:51:10 | |
Yes. | 0:51:12 | 0:51:13 | |
Don't look now, but we have visitors. | 0:51:14 | 0:51:16 | |
You get together what you can of the gear. | 0:51:18 | 0:51:22 | |
I'll go calling on Miss Woodville. | 0:51:22 | 0:51:24 | |
Miss Woodville. It's all right. Don't be alarmed. | 0:51:36 | 0:51:39 | |
There's a party of natives | 0:51:39 | 0:51:42 | |
on the cliff, up above us. | 0:51:42 | 0:51:43 | |
I'm sure it'll be all right, | 0:51:43 | 0:51:46 | |
but we're just going to... | 0:51:46 | 0:51:48 | |
get out. | 0:51:48 | 0:51:49 | |
Just get your things together. | 0:51:49 | 0:51:51 | |
Follow me. Keep close behind me, now. | 0:51:51 | 0:51:53 | |
Keep walking. | 0:52:04 | 0:52:06 | |
Don't look up, whatever happens. | 0:52:06 | 0:52:08 | |
Obviously, | 0:52:12 | 0:52:14 | |
a bit out of practice. | 0:52:14 | 0:52:15 | |
Now, listen you! Emshi! | 0:52:18 | 0:52:20 | |
HE SPEAK SWAHILI | 0:52:23 | 0:52:25 | |
You go play somewhere else. | 0:52:25 | 0:52:27 | |
Right? | 0:52:27 | 0:52:28 | |
Come on. Let's keep going. | 0:52:28 | 0:52:31 | |
We'll all get killed, Mr Baker! | 0:52:31 | 0:52:33 | |
Not unless their aim improves. | 0:52:33 | 0:52:35 | |
WHAT ARE YOU DOING?! | 0:52:36 | 0:52:37 | |
This man, | 0:52:37 | 0:52:39 | |
son of General Gordon! | 0:52:39 | 0:52:41 | |
HE SPEAKS SWAHILI | 0:52:41 | 0:52:44 | |
General Gordon. | 0:52:44 | 0:52:45 | |
And we all friends. | 0:52:45 | 0:52:47 | |
What's the word? | 0:52:47 | 0:52:48 | |
R-r-r-rafiqi. | 0:52:49 | 0:52:52 | |
Rafiqi! Friends! Right?! | 0:52:52 | 0:52:54 | |
Come on. On we go. | 0:52:54 | 0:52:57 | |
I suspect you were using the wrong word, Mr Baker. | 0:52:59 | 0:53:02 | |
Don't any of you heathens speak English?! | 0:53:02 | 0:53:05 | |
I speak. | 0:53:07 | 0:53:09 | |
English, | 0:53:11 | 0:53:12 | |
Arabic, | 0:53:12 | 0:53:14 | |
and Swahili. | 0:53:14 | 0:53:15 | |
I am Kimrasi. | 0:53:24 | 0:53:26 | |
Brother to the king of the Bogoro. | 0:53:26 | 0:53:28 | |
Good. | 0:53:28 | 0:53:30 | |
Well, you call up your friends up there, | 0:53:30 | 0:53:33 | |
before this little game gets out of hand. | 0:53:33 | 0:53:35 | |
Gun, please. | 0:53:35 | 0:53:37 | |
First, we talk. | 0:53:38 | 0:53:40 | |
Gun?! | 0:53:40 | 0:53:41 | |
Yes. Of course. | 0:53:46 | 0:53:47 | |
Careful, careful. | 0:53:47 | 0:53:49 | |
Go on, run! | 0:53:51 | 0:53:52 | |
Run, Murchison! | 0:53:52 | 0:53:54 | |
Gun, quick. | 0:54:13 | 0:54:14 | |
All right. Since you put it so nicely(!) | 0:54:16 | 0:54:18 | |
We come in peace. | 0:54:22 | 0:54:23 | |
With gun in hand? | 0:54:24 | 0:54:26 | |
We will pay for your help! | 0:54:28 | 0:54:29 | |
Well? | 0:54:33 | 0:54:36 | |
I was a slave to the Arabs. | 0:54:36 | 0:54:39 | |
Five years. | 0:54:39 | 0:54:41 | |
Before I escaped, the English used to deal with my master. | 0:54:41 | 0:54:44 | |
THEY did not offer to help ME. | 0:54:44 | 0:54:47 | |
The little one is not English. | 0:54:55 | 0:54:56 | |
Take your hands off her! | 0:55:08 | 0:55:10 | |
Follow me! | 0:55:20 | 0:55:22 | |
What are they going to do? | 0:55:29 | 0:55:30 | |
You want to use civilisation when you've found it. | 0:55:30 | 0:55:33 | |
Even speaking the Queen's English. | 0:55:33 | 0:55:35 | |
DRUMMING AND CHANTING | 0:55:44 | 0:55:45 | |
They don't seem like the others. | 0:56:35 | 0:56:38 | |
Ceremonial dancers. Dressed to kill. | 0:56:38 | 0:56:40 | |
The little one not English needs a doctor. | 0:56:59 | 0:57:01 | |
Dr Mganga. | 0:57:01 | 0:57:03 | |
Well, they... | 0:57:13 | 0:57:15 | |
They must be peaceful, if they've got missionary doctors. | 0:57:16 | 0:57:20 | |
Do you know what 'Mganga' means in Swahili? | 0:57:20 | 0:57:22 | |
Let's try and get through here. | 0:57:24 | 0:57:26 | |
Excuse me. | 0:57:30 | 0:57:32 | |
Excuse me, please. | 0:57:32 | 0:57:33 | |
Mganga! | 0:57:36 | 0:57:37 | |
Inside. | 0:57:37 | 0:57:38 | |
SHE SCREAMS | 0:57:42 | 0:57:44 | |
ARABIC MUSIC | 0:57:44 | 0:57:46 | |
NO! NO! | 0:57:46 | 0:57:47 | |
Don't touch her! | 0:57:47 | 0:57:49 | |
We've no choice! | 0:57:49 | 0:57:52 | |
Unless something's done, she'll die. | 0:57:52 | 0:57:54 | |
This child...If anything happens to her... | 0:57:54 | 0:57:57 | |
We, too, have children. | 0:57:57 | 0:57:59 | |
Now we must leave here. | 0:58:00 | 0:58:02 | |
Come on, do not stop. | 0:58:02 | 0:58:04 | |
DRUMMING AND CHANTING | 0:58:10 | 0:58:11 | |
Kimrisi, I would like to present the king with these binoculars. | 0:58:56 | 0:59:01 | |
And, certainly, when we get to Khartoum, with his help, | 0:59:19 | 0:59:22 | |
General Gordon will load him with many more gifts. | 0:59:22 | 0:59:24 | |
This is Gordon Pasha's favourite son. | 0:59:24 | 0:59:26 | |
And if anything happens to us, | 0:59:26 | 0:59:28 | |
Gordon Pasha will destroy this village, and your whole tribe. | 0:59:28 | 0:59:32 | |
Please, TELL him that. | 0:59:32 | 0:59:35 | |
THEY SPEAK SWAHILI | 0:59:44 | 0:59:48 | |
Gordon Pasha is starving. | 0:59:56 | 0:59:57 | |
Khartoum will be crushed by the Mahdis. | 0:59:57 | 1:00:00 | |
Everywhere the Mahdi kills, the drums say so. | 1:00:00 | 1:00:03 | |
The drums lie! General Gordon will scatter his enemies | 1:00:03 | 1:00:06 | |
like the lion scatters the jackals! | 1:00:06 | 1:00:09 | |
HE SPEAKS SWAHILI | 1:00:10 | 1:00:13 | |
The king says, "If this is true, why do you come alone, | 1:00:21 | 1:00:26 | |
"in rags, to our country?" | 1:00:26 | 1:00:28 | |
"From whom do you run?" | 1:00:28 | 1:00:30 | |
This is my wife. | 1:00:34 | 1:00:35 | |
Mr Baker, you're taking... | 1:00:35 | 1:00:36 | |
Be quiet! SHUT UP! | 1:00:36 | 1:00:38 | |
HE WHISPERS | 1:00:40 | 1:00:43 | |
HE SPEAKS SWAHILI | 1:00:45 | 1:00:46 | |
Kimrasi. | 1:00:58 | 1:00:59 | |
Was the king convinced about us? | 1:00:59 | 1:01:02 | |
I told him she must be your wife, | 1:01:02 | 1:01:04 | |
to behave with so much anger. | 1:01:04 | 1:01:06 | |
Yes, but will he help us? | 1:01:06 | 1:01:09 | |
Gondoko believe that people are good, | 1:01:09 | 1:01:11 | |
because they are not strong enough to be bad. | 1:01:11 | 1:01:14 | |
Unless what you say is true, | 1:01:14 | 1:01:16 | |
Arab strong, and Gordon is only good. | 1:01:17 | 1:01:20 | |
But you know what the Arabs are like. They took you as a slave. | 1:01:20 | 1:01:24 | |
Arabs are like great sickness. | 1:01:24 | 1:01:27 | |
Some, it takes. | 1:01:27 | 1:01:29 | |
Others, it leaves. | 1:01:29 | 1:01:31 | |
Always, it has been so. | 1:01:31 | 1:01:33 | |
Will you go in, please? | 1:01:37 | 1:01:40 | |
Go ahead! | 1:01:40 | 1:01:41 | |
-I'm not carrying you over the threshold. -Aw! | 1:01:41 | 1:01:44 | |
A man may have many wives. | 1:01:48 | 1:01:51 | |
A wife, only one man. | 1:01:51 | 1:01:52 | |
You sleep over here. | 1:01:52 | 1:01:54 | |
How DARE you let them think we were married! | 1:01:56 | 1:01:59 | |
And then slapped me, as though we were! | 1:01:59 | 1:02:02 | |
Miss Woodville, it's a question of whose harem you prefer. | 1:02:02 | 1:02:05 | |
Mine, or King Gondoko's? | 1:02:05 | 1:02:08 | |
-I'm sure I can still soon fix them. -Oh, no, Mr Baker! | 1:02:08 | 1:02:11 | |
I'm sure this time you've made the RIGHT decision. | 1:02:11 | 1:02:15 | |
Oh! | 1:02:17 | 1:02:18 | |
DRUMMING | 1:02:22 | 1:02:24 | |
Are they going on all night? | 1:02:41 | 1:02:43 | |
Apparently. | 1:02:48 | 1:02:49 | |
Well... | 1:03:07 | 1:03:09 | |
We're still alive! | 1:03:09 | 1:03:11 | |
Only keeping up the marital appearances. | 1:03:15 | 1:03:19 | |
Well, please don't. | 1:03:19 | 1:03:20 | |
Friendly little thing, aren't you(?) | 1:03:23 | 1:03:25 | |
I'd say you're the most bad-tempered, | 1:03:27 | 1:03:29 | |
cantankerous, | 1:03:29 | 1:03:31 | |
obstinate... | 1:03:31 | 1:03:33 | |
..marvellous woman I've EVER met. | 1:03:35 | 1:03:37 | |
I think I must be falling in love with you. | 1:03:41 | 1:03:44 | |
Well, please don't. I... | 1:03:46 | 1:03:50 | |
I don't deserve it. | 1:03:50 | 1:03:51 | |
Deserve? | 1:03:52 | 1:03:53 | |
HE LAUGHS What's that got to do with it? | 1:03:55 | 1:03:57 | |
-I -lied to you when I said I'd been in Africa for two months. | 1:03:57 | 1:04:01 | |
I guessed that. | 1:04:01 | 1:04:03 | |
Two weeks, more like, the way you went blundering off into the bush. | 1:04:03 | 1:04:06 | |
More like two years. | 1:04:06 | 1:04:08 | |
Most of it was misery. | 1:04:11 | 1:04:13 | |
A father who called himself an archaeologist. | 1:04:13 | 1:04:16 | |
The only digging he did was in Cairo bars. | 1:04:16 | 1:04:18 | |
When he died, he left me without a penny. | 1:04:20 | 1:04:22 | |
You don't owe me an explanation. | 1:04:22 | 1:04:24 | |
I do. | 1:04:24 | 1:04:27 | |
When Asua's mother died, | 1:04:30 | 1:04:32 | |
her father was looking for someone to... | 1:04:32 | 1:04:36 | |
to be with him. | 1:04:36 | 1:04:37 | |
So, you see, I'm not quite the innocent governess you imagined. | 1:04:40 | 1:04:44 | |
Did you love him? | 1:04:44 | 1:04:45 | |
He was good to me, and I loved Asua. | 1:04:48 | 1:04:51 | |
Well, then, there's nothing to regret but his death, is there? | 1:04:51 | 1:04:54 | |
Oh, I don't exactly wear a halo myself, you know. | 1:04:59 | 1:05:02 | |
I'm Private Baker, all right. | 1:05:04 | 1:05:07 | |
Three times busted sergeant, like I said. | 1:05:07 | 1:05:11 | |
Once busted, you get prison. | 1:05:11 | 1:05:13 | |
Like I didn't say. | 1:05:13 | 1:05:16 | |
Oh, it's a great place, the Army. | 1:05:16 | 1:05:20 | |
Lose yourself, | 1:05:20 | 1:05:21 | |
keep out of trouble. | 1:05:23 | 1:05:24 | |
Baker! Miss Woodsville. | 1:05:45 | 1:05:47 | |
It's Asua, come quickly. | 1:05:47 | 1:05:49 | |
-What? -Asua... | 1:05:49 | 1:05:50 | |
Asua! | 1:05:52 | 1:05:53 | |
Miss Woodville! | 1:05:53 | 1:05:54 | |
Oh, Asua. | 1:05:54 | 1:05:57 | |
Oh! | 1:05:57 | 1:05:59 | |
I'm better now. | 1:05:59 | 1:06:00 | |
I can't believe it... by a witch doctor! | 1:06:00 | 1:06:04 | |
Well, why not? | 1:06:04 | 1:06:05 | |
We have them in London too. | 1:06:05 | 1:06:07 | |
Only they wear striped trousers. | 1:06:07 | 1:06:09 | |
Where are we, Mr Baker, sir? | 1:06:09 | 1:06:11 | |
I'd say right in the consulting room, but we're going to get you out. | 1:06:11 | 1:06:14 | |
Come on, Murchison, let's take a look around. Now, you get better and get strong! | 1:06:14 | 1:06:18 | |
Or you'll have some more of the treatment, eh? | 1:06:18 | 1:06:20 | |
Yes. | 1:06:20 | 1:06:22 | |
THEY ARGUE IN SWAHILI | 1:06:25 | 1:06:28 | |
HUBBUB OF ARGUMENT | 1:06:39 | 1:06:42 | |
Morning. | 1:06:55 | 1:06:56 | |
Nice day. | 1:06:56 | 1:06:58 | |
Don't let us interrupt the House of Commons. | 1:06:59 | 1:07:02 | |
SPEAKS SWAHILI | 1:07:11 | 1:07:13 | |
What about that wall there, eh? | 1:07:19 | 1:07:21 | |
Do you think we'll make it? | 1:07:21 | 1:07:24 | |
It's a bit high, hey? | 1:07:24 | 1:07:27 | |
You always have this many guards? | 1:07:33 | 1:07:35 | |
Only when there is valuable property to protect. | 1:07:35 | 1:07:39 | |
HE SPEAKS SWAHILI | 1:07:40 | 1:07:43 | |
Khartoum has fallen. | 1:07:47 | 1:07:49 | |
Gordon Pasha's head parade on a pike on the Mahdist camp. | 1:07:49 | 1:07:53 | |
I don't believe it. | 1:07:54 | 1:07:55 | |
So much for your lion who scattered jackals. | 1:07:55 | 1:07:58 | |
The Arab slave are only a day away. | 1:07:58 | 1:08:00 | |
Our turn is coming, and yours. | 1:08:00 | 1:08:02 | |
They search for two English soldier and a white woman. | 1:08:02 | 1:08:05 | |
Then fight. | 1:08:05 | 1:08:07 | |
With spears against guns? | 1:08:07 | 1:08:09 | |
With anything. | 1:08:09 | 1:08:11 | |
Isn't it better than slavery? | 1:08:11 | 1:08:13 | |
Do you think of us or only yourself? | 1:08:13 | 1:08:16 | |
Of both! | 1:08:16 | 1:08:17 | |
Gondoko will not fight. | 1:08:17 | 1:08:19 | |
Well then, at least move out of here! | 1:08:19 | 1:08:22 | |
Don't let it be scooped up like fish in a net. | 1:08:22 | 1:08:24 | |
Gondoko will not fight or run. | 1:08:36 | 1:08:38 | |
He will barter you to the Arab slaver for gold. | 1:08:38 | 1:08:41 | |
Take this, before it's too late. | 1:08:41 | 1:08:44 | |
Come with us. | 1:08:44 | 1:08:45 | |
My wife and child will be sold. | 1:08:47 | 1:08:50 | |
Go back to your hut, now, before it's too late. | 1:08:50 | 1:08:54 | |
HE SPEAKS SWAHILI | 1:09:20 | 1:09:22 | |
Aargh! | 1:10:25 | 1:10:27 | |
Huh! | 1:10:42 | 1:10:43 | |
That should wake the neighbours. Come on! | 1:10:45 | 1:10:48 | |
SHE SQUEALS | 1:10:58 | 1:10:59 | |
Come on - run, run, run! | 1:11:00 | 1:11:02 | |
SPEAKS SWAHILI | 1:11:14 | 1:11:16 | |
SPEAKS SWAHILI | 1:11:27 | 1:11:29 | |
Back here. | 1:11:31 | 1:11:32 | |
HE SPEAKS SWAHILI | 1:11:33 | 1:11:34 | |
HE SPEAKS SWAHILI | 1:11:39 | 1:11:42 | |
Why don't they throw their spears? | 1:11:42 | 1:11:44 | |
To keep us alive... | 1:11:44 | 1:11:46 | |
to sell us to the Arabs. | 1:11:46 | 1:11:48 | |
HE SHOUTS IN SWAHILI | 1:12:06 | 1:12:08 | |
HE SPEAKS SWAHILI | 1:12:27 | 1:12:28 | |
HE SPEAKS SWAHILI | 1:12:32 | 1:12:33 | |
HE SPEAKS SWAHILI | 1:12:42 | 1:12:43 | |
HE SPEAKS SWAHILI | 1:12:57 | 1:12:58 | |
You wait there. | 1:13:05 | 1:13:07 | |
Mr Murchison, you have hidden talents. | 1:13:32 | 1:13:35 | |
Gondoko forget that I know what it is to be a slave. | 1:13:42 | 1:13:45 | |
Is that all that's going with us? | 1:14:25 | 1:14:27 | |
What about the others? | 1:14:28 | 1:14:30 | |
They will not come. They celebrate their freedom from Gondoko. | 1:14:30 | 1:14:34 | |
Freedom...till the slavers come in the morning. | 1:14:34 | 1:14:37 | |
In his heart, each believe it will be his neighbour the slaver takes... | 1:14:41 | 1:14:45 | |
not him. | 1:14:45 | 1:14:47 | |
But they're mad! We must talk to them. | 1:14:47 | 1:14:50 | |
It's no good, I have talked to them! | 1:14:50 | 1:14:52 | |
The Arab has put fear in their hearts | 1:14:52 | 1:14:56 | |
and they say there's no use fleeing him. | 1:14:56 | 1:14:59 | |
What can I do? | 1:14:59 | 1:15:00 | |
Nothing Kimrasi, come with us. | 1:15:00 | 1:15:02 | |
We have a chance, the Relief Column. | 1:15:02 | 1:15:05 | |
Now, can we make it to the Nile. | 1:15:05 | 1:15:07 | |
If we hurry. | 1:15:07 | 1:15:08 | |
The Arabs are on horses and we're on foot. | 1:15:08 | 1:15:11 | |
How will the Arabs know which way we've gone? | 1:15:15 | 1:15:18 | |
Would you not tell, | 1:15:19 | 1:15:21 | |
if it could save you from slavery? | 1:15:21 | 1:15:23 | |
Horses stopped. | 1:16:48 | 1:16:49 | |
How far to the Nile? | 1:17:03 | 1:17:05 | |
Too far. | 1:17:05 | 1:17:07 | |
Are you certain? | 1:17:07 | 1:17:09 | |
At least horses can't climb rocks. | 1:17:13 | 1:17:15 | |
I wish you would be wrong just sometimes. | 1:17:51 | 1:17:54 | |
-Well, there's no use trying to outrun them. -Well, what else is there? | 1:17:54 | 1:17:57 | |
Look, there's a big herd of elephant over there, | 1:17:57 | 1:18:00 | |
can we get round the back of them without disturbing them? | 1:18:00 | 1:18:03 | |
-Yes. -Come on, let's try. | 1:18:03 | 1:18:05 | |
Come on, Mr Baker, come on, jump! | 1:19:35 | 1:19:37 | |
I don't know - elephants, boats, rafts...how do you do it, Mr Baker? | 1:19:38 | 1:19:43 | |
Just a natural-born escaper. Here, let me. | 1:19:43 | 1:19:46 | |
You see, we are punting on the Thames after all. | 1:19:47 | 1:19:50 | |
So we are. | 1:19:50 | 1:19:52 | |
Your place...on the cushion! | 1:19:52 | 1:19:54 | |
OH! | 1:19:54 | 1:19:56 | |
We'll travel by day and hide by night until we get past Khartoum. | 1:19:56 | 1:20:01 | |
That is if we get that far. | 1:20:01 | 1:20:03 | |
SOMEONE CALLS OUT IN SWAHILI | 1:20:03 | 1:20:05 | |
(Get down! Get down!) | 1:20:22 | 1:20:24 | |
Not a sound, | 1:20:24 | 1:20:26 | |
not even if we're challenged. | 1:20:26 | 1:20:28 | |
Looks like you've been praying again. | 1:20:33 | 1:20:35 | |
It looks deserted. | 1:20:42 | 1:20:43 | |
Where are the Mahdist troops? | 1:20:45 | 1:20:47 | |
Shh! | 1:20:47 | 1:20:49 | |
GUNFIRE IN THE DISTANCE | 1:20:49 | 1:20:53 | |
That's where they are. | 1:20:59 | 1:21:01 | |
The Relief Column? | 1:21:01 | 1:21:03 | |
Yeah. | 1:21:03 | 1:21:05 | |
Sounds like fighting round Matema. | 1:21:05 | 1:21:07 | |
Stand ready. | 1:22:32 | 1:22:33 | |
'Stand ready!' | 1:22:33 | 1:22:36 | |
'100 yards... | 1:22:40 | 1:22:42 | |
'Fire!' | 1:22:42 | 1:22:44 | |
They've taken Matema. | 1:23:44 | 1:23:45 | |
Miss Woodville! Miss Woodville! | 1:23:47 | 1:23:50 | |
Well? | 1:23:54 | 1:23:55 | |
Well, the British are here all right, | 1:23:55 | 1:23:57 | |
but not for much longer by the look of it. | 1:23:57 | 1:23:59 | |
What are we going to do? | 1:23:59 | 1:24:01 | |
I don't know...I'm afraid I'm clean out of ideas. | 1:24:01 | 1:24:04 | |
And elephants. | 1:24:04 | 1:24:06 | |
I was stationed in this town. | 1:24:06 | 1:24:08 | |
Behind the building with the black flag is the arsenal. | 1:24:08 | 1:24:12 | |
If we strolled in and blew it sky-high, | 1:24:12 | 1:24:15 | |
it would even-up the odds a bit, wouldn't it? | 1:24:15 | 1:24:17 | |
Blow it up, eh? All right then, | 1:24:20 | 1:24:23 | |
favourite son of Gordon Pasha. | 1:24:23 | 1:24:26 | |
Let's have a go! | 1:24:27 | 1:24:28 | |
Take care of yourself... | 1:24:34 | 1:24:36 | |
and keep a lighted candle in the window. | 1:24:36 | 1:24:39 | |
What have we got into? | 1:24:58 | 1:25:00 | |
Let's try another way. | 1:25:02 | 1:25:04 | |
Prison guards. | 1:25:21 | 1:25:22 | |
Those prisoners in there... | 1:25:22 | 1:25:24 | |
reinforcements ready-made. | 1:25:24 | 1:25:27 | |
Kimrasi, you speak Arabic. | 1:25:27 | 1:25:29 | |
HE SPEAKS ARABIC | 1:25:34 | 1:25:37 | |
That's appreciation for you. Come on! | 1:26:15 | 1:26:17 | |
Baker, I found the magazines back here. | 1:26:20 | 1:26:22 | |
Get out! Go on, out of here! | 1:26:26 | 1:26:28 | |
Get 'em all out. Out, quick! | 1:26:28 | 1:26:29 | |
Go on, get out. | 1:26:29 | 1:26:31 | |
I wish he'd hurry up. | 1:26:56 | 1:26:58 | |
Wait, where'd you get that? | 1:27:39 | 1:27:40 | |
I always keep one around... | 1:27:40 | 1:27:42 | |
in case of emergencies. | 1:27:42 | 1:27:43 | |
Ha-ha! | 1:27:43 | 1:27:45 | |
ALL: HOORAY! | 1:27:47 | 1:27:49 | |
Mr Murchison? | 1:27:59 | 1:28:01 | |
Yes, sir? | 1:28:03 | 1:28:04 | |
General's compliments and his personal congratulations | 1:28:04 | 1:28:08 | |
-on extraordinary valour under fire. -Thank you very much, sir. | 1:28:08 | 1:28:11 | |
Which is Private Baker? | 1:28:11 | 1:28:13 | |
Er, that's me, sir. Baker, Richard, Private, sir. | 1:28:13 | 1:28:15 | |
Ah, we've been looking for you. | 1:28:15 | 1:28:17 | |
You're under arrest. Guard. | 1:28:17 | 1:28:19 | |
Private Baker, you are charged with deserting your post | 1:28:19 | 1:28:22 | |
while awaiting court martial. | 1:28:22 | 1:28:23 | |
< Mr Baker! Oh! | 1:28:23 | 1:28:25 | |
This man is under arrest. | 1:28:27 | 1:28:28 | |
But that's absolute nonsense! | 1:28:28 | 1:28:30 | |
You must be mistaken. That's ridiculous. | 1:28:30 | 1:28:32 | |
You can make statements to the court martial in Cairo. | 1:28:32 | 1:28:35 | |
Permission to embrace the lady, sir? | 1:28:35 | 1:28:37 | |
What, here? In front of all these people? | 1:28:37 | 1:28:40 | |
In front of the whole perishing army. | 1:28:43 | 1:28:46 | |
Don't worry, we've got out of worse than this. | 1:28:56 | 1:28:58 | |
Excuse me, madam. | 1:28:58 | 1:29:00 | |
Bring him down to the gun boat. | 1:29:00 | 1:29:02 | |
Excuse me, sir....that gun boat, | 1:29:02 | 1:29:07 | |
might I ask, sir, where it's been? | 1:29:07 | 1:29:10 | |
Up the Nile beyond Khartoum picking up survivors from various towns. | 1:29:10 | 1:29:13 | |
THEY LAUGH HEARTILY | 1:29:15 | 1:29:18 | |
I don't see what's so funny. | 1:29:18 | 1:29:20 | |
No, sir. I'm sorry, sir, I don't imagine you would, sir. | 1:29:20 | 1:29:23 | |
THEY CONTINUE TO LAUGH | 1:29:23 | 1:29:25 | |
Subtitles by Red Bee Media | 1:30:07 | 1:30:10 |