East of Sudan


East of Sudan

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RHYTHMIC DRUMMING

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In the 1880s, the Sudan and Central Africa

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suddenly burst into flames as Arab slavers

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and great bands of Muslim fanatics

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rallied behind the Mahdi -

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a mystical figure who proclaimed himself the reincarnation of the Prophet Mohammad.

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Their aim...

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to conquer the Sudan and stop General Gordon's attempt

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to stamp out the age-old trade in black gold - slaves.

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Khartoum became a city under siege.

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Across the Nile at Omdurman,

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countless thousands of natives were gathered,

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dooming a peace mission Gordon had undertaken for the Egyptian Khedive

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and the English Queen.

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HORN

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From Omdurman, the Mahdi's riders swept through the land,

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bringing sudden terror and death to a people who had thought themselves safe

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under the protection of the legendary English general.

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Darfur fell, then Bahr el Ghazal,

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and a dozen more places along the upper reaches of the once-peaceful Nile.

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An expedition was sent up by river as this seemed the quickest way

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to relieve Gordon and the beleaguered city of Khartoum.

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Thousands of men were conscripted by the British

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to tow the heavy gunboats up the Nile, past Berber.

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The natives pulled the steamers from the shore and from dhows,

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but the British command had miscalculated

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and the convoy of men and supplies was in trouble from the start.

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The natives, chanting in unison, strained on the tow ropes,

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but the boats made little progress.

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The swift current and the low level of the river -

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unexpected at that time of year - were the undoing of the expedition.

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MEN CHANT, WHIPS CRACK

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SHIP'S HORN BLARES

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MEN CHANT

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WHIPS CRACK

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Even the light Arab dhows found difficulty

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sailing against the swift-running Nile.

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The heavy steamers moved hardly at all.

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More men were recruited to pull on the ropes

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and their native overseers were generous in their use of the whip.

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Hundreds fell by the wayside and others were found

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to replace them, but their efforts were not to be rewarded.

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Finally, it was not possible for the British gunboats

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to be manoeuvred through the shallows or the rapids.

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As the reinforcements tried in vain to make their way upriver,

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Gordon sent a despairing message.

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"Now mark this", he said.

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"If the expeditionary force -

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"and I ask for no more than 200 men, does not come in ten days,

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"the town may fall and I have done my best for the honour of our country".

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Realising the English force would not reach Gordon in time,

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a second relief column tried to cross the treacherous desert to Khartoum.

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They left Korti and marched to Metemma,

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but their progress was slow,

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causing yet further delay in the relief of the besieged city.

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DRUM BEATS

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The news of the second British advance reached the Mahdi,

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and soon tribes from all of Sudan assembled

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and planned an overwhelming attack on the smaller enemy force.

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The Mahdi's followers were armed only with primitive spears,

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shields, and swords.

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But they had the tactical advantages of numbers and surprise.

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Before dawn, hundreds of the fiercest warriors

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slowly crept forward, surrounding the British encampment.

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They moved unseen and unheard,

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in the stillness of the desert night.

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The British were on their guard -

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they were now deep in enemy territory

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and they knew they could expect an attack, but they did not know

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the size of the enemy force which would be thrown against them.

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The only hope of the British was to make their way through

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the enemy lines unseen and reach Khartoum without a battle.

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By first light,

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the Mahdi's dervishes had encircled the British defensive square.

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Then, their blood-curdling war-cries

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signalled the beginning of the onslaught.

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SHOUTING AND GUNFIRE

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We seem to be a bit outnumbered.

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A wee bit.

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Uh!

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Get up! Warn Barash!

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I'm not leaving, Sir.

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Besides, I thought I was awaiting court martial.

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I'm ordering you to get out and warn Barash.

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Get out of here?

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How?

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You can get out of anywhere, Baker.

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Good luck, Sir.

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HE SHOUTS

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Ah!

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Ah!

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Ah!

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SHE SCREAMS

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Come on!

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Asua!

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This way!

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Over here!

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This isn't Noah's Ark, we don't need two of everything.

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Swim, son! That's it.

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Gotcha.

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Help - he's heavy.

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He's your catch, you pull him in yourself.

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MAN COUGHS

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Here, try sitting up.

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-Khartoum...

-Yes, all right, mate.

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Yeah, we're making for Khartoum.

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If Khartoum's still there.

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(HE COUGHS) Relief column...

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Yes, yes. We know all about it. Now you, save your strength, man.

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Save your strength.

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What the devil do you think you're doing?

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Getting rid of some dead weight.

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-Very dead.

-You'll do no such thing.

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Look, Miss... What's your name? Woodville!

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We're in the middle of a war, we're not punting on the Thames

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and we've got no Union Jacks to drape the bodies in, either.

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-Why can't we give him a decent burial?

-Because I say he's going over the side, that's why.

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Even with your military experience, you must appreciate we've got to get

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as far from Barash as possible by daylight, right?

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What sort of a Christian are you?

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The kind of Christian that prefers staying alive.

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His weight can't make that much difference to our speed.

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No? Haven't your feet told you what's happening in the bottom of the boat?

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Some of the heathen bullets hit below the water line. Very unsporting.

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Oh, please.

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All right - if you want to keep the Major on board,

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we'd better start bailing - and quick.

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-What with?

-Your pretty field boots, son - they'll do.

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-And you, too, Miss.

-I don't happen to be wearing field boots.

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Well, have this, then.

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Oh!

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-Oh!

-Come on, come on - start bailing!

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Start bailing, get on with it.

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Why not try and beach her now?

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Because it's night, because we can't see, because there's rocks and sand bars,

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because we'd lose the boat if not our lives, that's why not!

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Now, come on - bail, damn it, bail!

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That's right - well done, boy.

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-What's your name?

-Asua, sir, and I'm not a boy.

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Are we going to sink?

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No, no.

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No, we're not going to sink.

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Here - come on. I'll do this.

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You lie down up here.

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Curl up.

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Go to sleep, hm?

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I promise you, we'll be all right.

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Go on, you go to sleep!

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All right.

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BANGS SIDE OF BOAT

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Up and out!

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It's not the Port of London but it's land, you can get ashore.

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Mr Murchison?

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SHE SCREAMS

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I'm sorry.

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Reminded me of the town drunk on a Saturday night.

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He always fell in the river, too.

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No!

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Come on lady, why not take it right off? You'll find it easier.

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Very gentlemanly of you to suggest it.

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That's me, every inch a gentleman.

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There you are, love, I told you we'd make it, didn't I?

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I'd not doubt you, sir.

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Al right, come on, first thing is to get the stores out of the boat.

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First thing is to give the major a decent burial.

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I don't think the major looks too impatient,

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our job is to keep the living alive.

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And you call yourself an officer and a gentleman?

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No, no I'm afraid the rank's not mine,

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just the first jacket I happened to pick up.

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Baker, Richard. Private,

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three times in Her Majesty Queen Victoria's army.

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Of which there's precious little left around here.

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I should have know it.

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Yes, I reckon you should.

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It's the uniform that makes the man, isn't it, Mr Murchison?

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-Well, come on, let's get...

-The major.

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As you wish, Miss Woodville.

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He died far from home, far from family,

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-in violence and bloodshed...

-Please!

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-and we commend his soul to your keeping...

-Oh!

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in the knowledge that whatever happens to each of us is your will.

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Murchison!

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Murchison! Help.

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Murchison! Over here, come on!

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Well, there you are, Miss Woodville,

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that's what comes of mis-timed piety.

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We've lost the boat and half the stores.

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We wouldn't have lost the boat

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if you'd beached it properly, private Baker.

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Lady, I'm a soldier, or was, not Admiral Nelson.

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Well, you've got the rifle, that's the most important thing, isn't it?

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Yeah, use it for a walking stick, the ammunition got away from us.

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How many bullets in that little pouch of yours, Mr Murchison?

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About two dozen.

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Oh, then we've got one pistol and two dozen bullets to last us

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while we 're waiting.

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You're not thinking of staying here, for goodness sake, why?

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Because I wouldn't like to see

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the vultures picking those ladylike bones.

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Don't try and frighten me, private Baker,

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and please don't frighten Asua,

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Her father was the Emir of Barash and his dying wish was that

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I should take her to General Gordon in Khartoum, and as her tutor,

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I intend to see his last wishes are carried out.

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That's why I've dressed her like an ordinary native child.

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Miss Woodville, how long have you been in Africa?

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Almost two months.

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Then let me give you a little lesson geography.

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Look,

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here is the Nile,

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here is Khartoum, here is Barash, where we started, Bargasil, Darfur,

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The little villages, I'd say we're about there.

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One to Khartoum by water that's 100 miles, it's a little far to swim.

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Then we'll go overland.

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Miss Woodville, I'm as keen to get to Khartoum as you are,

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perhaps more so, but which ever way we go by land we'll hit swamps,

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full of local gentry like...him.

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Not to mention the Mahdi's raiders, Arab slavers

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and hostile natives who've never read the ten commandments,

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and don't know about, "thou shalt not kill".

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There must be friendly natives as well?

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-There were.

-With missionaries among them?

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Those who've not been put in the pot for their pains.

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Barash wasn't the only town attacked in the Sudan, when the news

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of this reaches Khartoum, they'll be a gunboat on the river here.

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Sent to pick up survivors, so we're going to stay right here.

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Let Khartoum come to us.

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So.

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You make yourself really nice and at home

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and I'll make sure our paradise has no devils in it.

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And if I meet any missionaries unpotted,

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I'll let you know.

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Do you think he's right?

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Yes, although I dislike his manner just as much as you do.

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Asua, get my things.

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There you are, it's all ours. It's not Mayfair, but its home.

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What's all this packing in aid of?

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Well, you can stay and play Robinson Crusoe if you want,

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But I'm leaving. Asua!

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Where are you off to, may I ask?

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To civilisation, which is more than I've found here.

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Mr Murchison, you'd better trot along with them.

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Miss Woodville!

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And bring them back alive!

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Miss Woodville!

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Miss Woodville, I'll take this.

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Oh!

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They're quite harmless, now, you watch.

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-Oh, it's sweet.

-Ah, look!

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GUNFIRE

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GROWLING

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-We met a lion!

-You didn't!

-Yes!

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Shh! Hello, welcome back.

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SO you all decided to play Robinson Crusoe.

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I heard the artillery firing, did you have a nice little stroll?

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Very nice, thank you.

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Roar!

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You, you...

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Come on, hurry, hurry.

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Here it comes, everything in, quick!

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Come on, all of you! Come on!

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Come one in, home from home complete with running water, all of it cold.

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I'm very grateful, don't think I'm not, but you don't think

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you're sleeping in here with us?

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Woman, this is not time for conventions, I'm dammed if I'm going

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-to sleep outside in the rain.

-I'm dammed if you're coming in here!

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-Get out!

-What are you doing? Don't do that!

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And that's about enough from you too, young lady.

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She was right, you know, old chap.

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I only wanted to sleep dry in the same hut, I didn't say bed.

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ANIMAL CALLS

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LION GROWLS

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SCREAMING

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What it What's the matter, Miss Woodville?

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Let me go!

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What are you doing?

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Oh, Mr Baker, I'm sorry, I was dreaming,

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I thought we were back in Barash and I was frightened.

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You don't need to apologise, we all get frightened,

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right now I'm frightened this hut's coming down... get out!

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You see?

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Just a minute, never let a lady go out without her dress.

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THUNDER

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-Go on.

-Quick, Asua, quick.

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Run, sweetheart, run.

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Hurry, Mr Baker!

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-He's asleep.

-If he's not drowned.

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It's wetter in here than it was outside.

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Allow me.

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Thank you.

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All part of the company service.

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THUNDER

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You're in the rain, Mr Baker.

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So I am.

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Well, we finally made it under one roof, old chap.

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What was the name of the document

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that first took absolute power away from the English king?

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-The Magna Carta.

-When was it signed?

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-1215.

-Who signed it?

0:29:070:29:08

The Caliph John.

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King John.

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King John.

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And where was it signed?

0:29:140:29:17

Er...

0:29:170:29:20

Miss Woodville!

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They're calling us!

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Where's Sir Galahad?

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He's gone off to catch the dinner.

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Fish again, I suppose.

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Well, I seem to remember you can be quite strong

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when you want to be, will you give me a hand?

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I would if I knew what you are trying to do.

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I'm trying to get us out of here.

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By completely destroying the boat?

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Look,

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matches, making fire,

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timbers, full of tar, tar make black smoke, gunboat sees black smoke,

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we all rescued, me velly clever!

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I wish I could be sure.

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So do I.

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Come on, let's give it a chance, now you put those pretty

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little hands that's right and pull like it was me you got hold of.

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All right, pull! Go on, pull!

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Harder,

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put your back in it!

0:30:310:30:36

Your back, I said.

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SCREAMS

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-Are you all right?

-Yes.

-But you could have been hurt.

-No, I'm fine.

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What kind of work is this to ask a lady to do it?

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I'm not hurt, truly. Just brush me down.

0:31:010:31:03

If you say so.

0:31:030:31:05

Mr Murchison could you tear yourself away just for a second?

0:31:070:31:13

Asua, Come along, we haven't finished our lessons yet.

0:31:130:31:17

Could we not wait a little longer?

0:31:170:31:19

Till Murchison sahib goes falling down?

0:31:190:31:22

Go on!

0:31:220:31:24

Might as well chuck stones at it.

0:32:150:32:18

Suppose that means fish again for dinner.

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'Asua!'

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Oh, no!

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Asua!

0:33:060:33:08

-What is it?

-Mr Baker, have you seen Asua, we can't find her anywhere!

0:33:080:33:12

-We've looked everywhere.

-Asua!

0:33:120:33:14

Asua.

0:33:210:33:23

Yes, Mr Baker, sir?

0:33:260:33:28

-Use the pistol.

-Useless, the bullets would just bounce off.

0:33:280:33:32

Asua, Don't be afraid, I'm close behind you.

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Will you try and do what I tell you?

0:33:360:33:41

-I will try, sir.

-Good.

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Now just start walking backwards towards me.

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Don't look round, keep going backwards.

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Take your time. Come on, well done.

0:34:060:34:09

There's a big tree only a few more steps behind you.

0:34:110:34:17

Keep going...

0:34:190:34:21

Are you all right?

0:34:300:34:33

Thank you, Mr Baker, sir.

0:34:330:34:36

The next time, pick a playmate your own size, huh?

0:34:390:34:43

Yes, sir.

0:34:430:34:44

Your paradise is a hell, private Baker, Asua, might have been killed.

0:35:040:35:08

Asua is your responsibility.

0:35:080:35:10

I am tired sitting here waiting for your mythical gunboat.

0:35:100:35:15

Yes, I'm disappointed in General Gordon myself. I'd have thought he'd

0:35:150:35:18

-sent his private yacht for us now.

-How many more of us have to be gored

0:35:180:35:22

or trampled on before you'll admit you made a mistake?

0:35:220:35:25

Take what's left of the stores and traipse off where ever you want.

0:35:250:35:28

I'm sick to death of being nursemaid to a nanny and two children.

0:35:280:35:32

Private Baker, you will apologise to Miss Woodville for that last remark.

0:35:320:35:37

And to me.

0:35:430:35:45

Would you call off your protector here, it's way past his bedtime?

0:35:470:35:51

You've a horrid tongue, Private Baker.

0:35:510:35:54

Lord knows I need it with the likes of you.

0:35:540:35:57

Private Baker, I ordered you to apologise.

0:35:570:36:01

Look, we're tired, worried, right?

0:36:010:36:03

But that's not good enough!

0:36:030:36:05

I said, apologise!

0:36:100:36:14

And we're gong to stay right here, like it or not!

0:36:200:36:23

Very brave of you, Private Baker,

0:36:230:36:25

to attack someone half your size, why don't you throw me in as well?

0:36:250:36:29

When God made women, why didn't he give them common sense?

0:36:290:36:32

As well as the more obvious attributes.

0:36:320:36:38

It's a boat! It's a boat!

0:36:530:36:55

Miss Woodville, Miss Woodville!

0:36:550:36:58

On the river, it's a boat! Quick!

0:36:580:37:00

-It's a boat!

-Over here, over here, over here, over here! It's a boat!

0:37:020:37:07

Over here! Here!

0:37:070:37:09

Mr Baker, your boat has come!

0:37:230:37:27

Is it? Does that look like a gunboat?

0:37:270:37:31

What are you doing? It's a boat.

0:37:310:37:33

It's an Arab slaver and she's seen us, thanks to you.

0:37:330:37:37

Come on, we're getting out of here quick!

0:37:370:37:40

Come on, give me your hand, Run!

0:37:400:37:41

Hurry, go on, run, grab your things, get that tinned stuff, go on.

0:37:460:37:50

Never mind that.

0:37:540:37:55

Smile, Miss Woodville, Come on,

0:37:590:38:01

we're going to find some adventures the hard way, come on!

0:38:010:38:04

Run, all of you.

0:38:040:38:06

How much longer?

0:38:210:38:23

I don't know. Ask him.

0:38:230:38:26

THEY CONVERSE IN ARABIC

0:38:420:38:45

All right, let's rest. Come on.

0:39:160:39:19

Look, elephants!

0:39:260:39:29

Oh, yes, they're lovely!

0:39:290:39:32

And the monkeys!

0:39:330:39:35

-It's the biggest zoo in the world.

-You know what they're saying?

0:39:370:39:41

What a big zoo to keep poor humans in.

0:39:410:39:43

I wish they'd come closer.

0:39:570:39:59

If we hide down here and are very quiet perhaps the monkeys

0:40:010:40:04

will come down from the trees.

0:40:040:40:06

THEY SPEAK ARABIC

0:41:350:41:37

You can take your hand OFF my waist now, Mr Baker.

0:41:450:41:51

How do you manage to do it?

0:42:120:42:14

Do what?

0:42:140:42:16

Collect so many admirers.

0:42:160:42:19

They're putting on a show for us!

0:43:120:43:14

Just like a circus!

0:43:140:43:16

Yeah, they can sing, too!

0:43:160:43:18

-They can?

-Oh, yes!

0:43:190:43:21

Mind you, they have terrible voices.

0:43:210:43:23

You've offended them!

0:43:250:43:27

I always thought hippopotami were thick-skinned.

0:43:290:43:32

He LAUGHS

0:43:320:43:33

Oh-oh! Joke over.

0:43:330:43:36

Come on, on your feet! On we go.

0:43:380:43:40

Think you can make it up those rocks?

0:43:480:43:51

Come on, then, Miss Woodville.

0:43:550:43:57

Hitch up those skirts.

0:43:570:43:58

You think the Arabs are still behind us, don't you?

0:44:060:44:09

Come on, climb.

0:44:090:44:11

Why should they bother with a small party like us?

0:44:270:44:31

Small,

0:44:310:44:32

but valuable, Miss Woodville.

0:44:320:44:34

What could we have that could be possibly of any value to them?

0:44:370:44:42

Look,...

0:44:420:44:43

Do you know the market price of a white woman in these parts?

0:44:440:44:48

A woman with fair hair?

0:44:480:44:50

I'm sorry.

0:44:520:44:53

I shouldn't have said that. I apologise.

0:44:530:44:56

First time you've done THAT.

0:44:560:44:58

-What?

-Apologise.

0:44:580:45:00

And the first time you've nothing to apologise for.

0:45:000:45:04

You're an odd one, aren't you?

0:45:040:45:06

I've met a few women in my time.

0:45:060:45:09

But you confound me.

0:45:090:45:12

You really do.

0:45:120:45:14

Come on.

0:45:150:45:16

Oh!

0:45:210:45:23

Right. Up we go!

0:45:250:45:28

SHE SCREAMS

0:45:370:45:38

They're gone!

0:45:560:45:58

Come on, get a fire going!

0:46:380:46:40

It's my fault. It's my fault!

0:46:500:46:52

Come on, go and get a blanket.

0:46:520:46:54

SHE SOBS

0:46:540:46:55

Oh, God!

0:46:590:47:01

I thought I had hold of her hand, but I let it slip.

0:47:010:47:04

My fault!

0:47:040:47:07

Don't blame yourself. It was an accident.

0:47:070:47:09

Here. Can YOU do this? It's my arm, it got...

0:47:090:47:13

I tried to catch her, but I wasn't quick enough!

0:47:130:47:16

Oh, this is useless!

0:47:160:47:19

Oh, God, please don't let her die!

0:47:190:47:22

Please, please, please don't let her die.

0:47:220:47:25

Please, God.

0:47:250:47:26

You keep praying. Keep pumping, too.

0:47:260:47:29

Please, God, please!

0:47:320:47:34

Please. Please, God!

0:47:340:47:36

Here, let me.

0:47:360:47:37

Look! Look!

0:48:020:48:04

She's alive! She's breathing!

0:48:070:48:09

Look, look, look!

0:48:090:48:10

-Murchison!

-Murchison!

0:48:100:48:13

Murchison!

0:48:130:48:15

The blame isn't yours.

0:48:580:49:00

It was MY fault.

0:49:000:49:02

I hate to see you like this..

0:49:070:49:10

..because...

0:49:110:49:12

..I love you.

0:49:140:49:16

Please don't cry.

0:49:190:49:21

I think you're the most wonderful,

0:49:220:49:25

most beautiful woman I've ever met.

0:49:250:49:28

And with all my heart,

0:49:280:49:30

I love you.

0:49:300:49:32

You mustn't, Mr Murchison.

0:49:320:49:34

You wouldn't, if you knew all about me.

0:49:340:49:38

Thank you.

0:49:390:49:40

No, please...

0:49:420:49:44

Don't go.

0:49:450:49:47

Am I to die, Mr Baker, sir?

0:49:560:49:59

What?

0:50:020:50:03

And leave me to the tender mercies of Miss Woodville?

0:50:030:50:07

She might ask me when Magna Carta was signed.

0:50:070:50:09

And I don't know the answer to that, either.

0:50:090:50:14

It hurts very much, sir.

0:50:140:50:16

Mr Murchison?

0:51:020:51:05

Mr Murchison?!

0:51:050:51:06

Are you awake?

0:51:090:51:10

Yes.

0:51:120:51:13

Don't look now, but we have visitors.

0:51:140:51:16

You get together what you can of the gear.

0:51:180:51:22

I'll go calling on Miss Woodville.

0:51:220:51:24

Miss Woodville. It's all right. Don't be alarmed.

0:51:360:51:39

There's a party of natives

0:51:390:51:42

on the cliff, up above us.

0:51:420:51:43

I'm sure it'll be all right,

0:51:430:51:46

but we're just going to...

0:51:460:51:48

get out.

0:51:480:51:49

Just get your things together.

0:51:490:51:51

Follow me. Keep close behind me, now.

0:51:510:51:53

Keep walking.

0:52:040:52:06

Don't look up, whatever happens.

0:52:060:52:08

Obviously,

0:52:120:52:14

a bit out of practice.

0:52:140:52:15

Now, listen you! Emshi!

0:52:180:52:20

HE SPEAK SWAHILI

0:52:230:52:25

You go play somewhere else.

0:52:250:52:27

Right?

0:52:270:52:28

Come on. Let's keep going.

0:52:280:52:31

We'll all get killed, Mr Baker!

0:52:310:52:33

Not unless their aim improves.

0:52:330:52:35

WHAT ARE YOU DOING?!

0:52:360:52:37

This man,

0:52:370:52:39

son of General Gordon!

0:52:390:52:41

HE SPEAKS SWAHILI

0:52:410:52:44

General Gordon.

0:52:440:52:45

And we all friends.

0:52:450:52:47

What's the word?

0:52:470:52:48

R-r-r-rafiqi.

0:52:490:52:52

Rafiqi! Friends! Right?!

0:52:520:52:54

Come on. On we go.

0:52:540:52:57

I suspect you were using the wrong word, Mr Baker.

0:52:590:53:02

Don't any of you heathens speak English?!

0:53:020:53:05

I speak.

0:53:070:53:09

English,

0:53:110:53:12

Arabic,

0:53:120:53:14

and Swahili.

0:53:140:53:15

I am Kimrasi.

0:53:240:53:26

Brother to the king of the Bogoro.

0:53:260:53:28

Good.

0:53:280:53:30

Well, you call up your friends up there,

0:53:300:53:33

before this little game gets out of hand.

0:53:330:53:35

Gun, please.

0:53:350:53:37

First, we talk.

0:53:380:53:40

Gun?!

0:53:400:53:41

Yes. Of course.

0:53:460:53:47

Careful, careful.

0:53:470:53:49

Go on, run!

0:53:510:53:52

Run, Murchison!

0:53:520:53:54

Gun, quick.

0:54:130:54:14

All right. Since you put it so nicely(!)

0:54:160:54:18

We come in peace.

0:54:220:54:23

With gun in hand?

0:54:240:54:26

We will pay for your help!

0:54:280:54:29

Well?

0:54:330:54:36

I was a slave to the Arabs.

0:54:360:54:39

Five years.

0:54:390:54:41

Before I escaped, the English used to deal with my master.

0:54:410:54:44

THEY did not offer to help ME.

0:54:440:54:47

The little one is not English.

0:54:550:54:56

Take your hands off her!

0:55:080:55:10

Follow me!

0:55:200:55:22

What are they going to do?

0:55:290:55:30

You want to use civilisation when you've found it.

0:55:300:55:33

Even speaking the Queen's English.

0:55:330:55:35

DRUMMING AND CHANTING

0:55:440:55:45

They don't seem like the others.

0:56:350:56:38

Ceremonial dancers. Dressed to kill.

0:56:380:56:40

The little one not English needs a doctor.

0:56:590:57:01

Dr Mganga.

0:57:010:57:03

Well, they...

0:57:130:57:15

They must be peaceful, if they've got missionary doctors.

0:57:160:57:20

Do you know what 'Mganga' means in Swahili?

0:57:200:57:22

Let's try and get through here.

0:57:240:57:26

Excuse me.

0:57:300:57:32

Excuse me, please.

0:57:320:57:33

Mganga!

0:57:360:57:37

Inside.

0:57:370:57:38

SHE SCREAMS

0:57:420:57:44

ARABIC MUSIC

0:57:440:57:46

NO! NO!

0:57:460:57:47

Don't touch her!

0:57:470:57:49

We've no choice!

0:57:490:57:52

Unless something's done, she'll die.

0:57:520:57:54

This child...If anything happens to her...

0:57:540:57:57

We, too, have children.

0:57:570:57:59

Now we must leave here.

0:58:000:58:02

Come on, do not stop.

0:58:020:58:04

DRUMMING AND CHANTING

0:58:100:58:11

Kimrisi, I would like to present the king with these binoculars.

0:58:560:59:01

And, certainly, when we get to Khartoum, with his help,

0:59:190:59:22

General Gordon will load him with many more gifts.

0:59:220:59:24

This is Gordon Pasha's favourite son.

0:59:240:59:26

And if anything happens to us,

0:59:260:59:28

Gordon Pasha will destroy this village, and your whole tribe.

0:59:280:59:32

Please, TELL him that.

0:59:320:59:35

THEY SPEAK SWAHILI

0:59:440:59:48

Gordon Pasha is starving.

0:59:560:59:57

Khartoum will be crushed by the Mahdis.

0:59:571:00:00

Everywhere the Mahdi kills, the drums say so.

1:00:001:00:03

The drums lie! General Gordon will scatter his enemies

1:00:031:00:06

like the lion scatters the jackals!

1:00:061:00:09

HE SPEAKS SWAHILI

1:00:101:00:13

The king says, "If this is true, why do you come alone,

1:00:211:00:26

"in rags, to our country?"

1:00:261:00:28

"From whom do you run?"

1:00:281:00:30

This is my wife.

1:00:341:00:35

Mr Baker, you're taking...

1:00:351:00:36

Be quiet! SHUT UP!

1:00:361:00:38

HE WHISPERS

1:00:401:00:43

HE SPEAKS SWAHILI

1:00:451:00:46

Kimrasi.

1:00:581:00:59

Was the king convinced about us?

1:00:591:01:02

I told him she must be your wife,

1:01:021:01:04

to behave with so much anger.

1:01:041:01:06

Yes, but will he help us?

1:01:061:01:09

Gondoko believe that people are good,

1:01:091:01:11

because they are not strong enough to be bad.

1:01:111:01:14

Unless what you say is true,

1:01:141:01:16

Arab strong, and Gordon is only good.

1:01:171:01:20

But you know what the Arabs are like. They took you as a slave.

1:01:201:01:24

Arabs are like great sickness.

1:01:241:01:27

Some, it takes.

1:01:271:01:29

Others, it leaves.

1:01:291:01:31

Always, it has been so.

1:01:311:01:33

Will you go in, please?

1:01:371:01:40

Go ahead!

1:01:401:01:41

-I'm not carrying you over the threshold.

-Aw!

1:01:411:01:44

A man may have many wives.

1:01:481:01:51

A wife, only one man.

1:01:511:01:52

You sleep over here.

1:01:521:01:54

How DARE you let them think we were married!

1:01:561:01:59

And then slapped me, as though we were!

1:01:591:02:02

Miss Woodville, it's a question of whose harem you prefer.

1:02:021:02:05

Mine, or King Gondoko's?

1:02:051:02:08

-I'm sure I can still soon fix them.

-Oh, no, Mr Baker!

1:02:081:02:11

I'm sure this time you've made the RIGHT decision.

1:02:111:02:15

Oh!

1:02:171:02:18

DRUMMING

1:02:221:02:24

Are they going on all night?

1:02:411:02:43

Apparently.

1:02:481:02:49

Well...

1:03:071:03:09

We're still alive!

1:03:091:03:11

Only keeping up the marital appearances.

1:03:151:03:19

Well, please don't.

1:03:191:03:20

Friendly little thing, aren't you(?)

1:03:231:03:25

I'd say you're the most bad-tempered,

1:03:271:03:29

cantankerous,

1:03:291:03:31

obstinate...

1:03:311:03:33

..marvellous woman I've EVER met.

1:03:351:03:37

I think I must be falling in love with you.

1:03:411:03:44

Well, please don't. I...

1:03:461:03:50

I don't deserve it.

1:03:501:03:51

Deserve?

1:03:521:03:53

HE LAUGHS What's that got to do with it?

1:03:551:03:57

-I

-lied to you when I said I'd been in Africa for two months.

1:03:571:04:01

I guessed that.

1:04:011:04:03

Two weeks, more like, the way you went blundering off into the bush.

1:04:031:04:06

More like two years.

1:04:061:04:08

Most of it was misery.

1:04:111:04:13

A father who called himself an archaeologist.

1:04:131:04:16

The only digging he did was in Cairo bars.

1:04:161:04:18

When he died, he left me without a penny.

1:04:201:04:22

You don't owe me an explanation.

1:04:221:04:24

I do.

1:04:241:04:27

When Asua's mother died,

1:04:301:04:32

her father was looking for someone to...

1:04:321:04:36

to be with him.

1:04:361:04:37

So, you see, I'm not quite the innocent governess you imagined.

1:04:401:04:44

Did you love him?

1:04:441:04:45

He was good to me, and I loved Asua.

1:04:481:04:51

Well, then, there's nothing to regret but his death, is there?

1:04:511:04:54

Oh, I don't exactly wear a halo myself, you know.

1:04:591:05:02

I'm Private Baker, all right.

1:05:041:05:07

Three times busted sergeant, like I said.

1:05:071:05:11

Once busted, you get prison.

1:05:111:05:13

Like I didn't say.

1:05:131:05:16

Oh, it's a great place, the Army.

1:05:161:05:20

Lose yourself,

1:05:201:05:21

keep out of trouble.

1:05:231:05:24

Baker! Miss Woodsville.

1:05:451:05:47

It's Asua, come quickly.

1:05:471:05:49

-What?

-Asua...

1:05:491:05:50

Asua!

1:05:521:05:53

Miss Woodville!

1:05:531:05:54

Oh, Asua.

1:05:541:05:57

Oh!

1:05:571:05:59

I'm better now.

1:05:591:06:00

I can't believe it... by a witch doctor!

1:06:001:06:04

Well, why not?

1:06:041:06:05

We have them in London too.

1:06:051:06:07

Only they wear striped trousers.

1:06:071:06:09

Where are we, Mr Baker, sir?

1:06:091:06:11

I'd say right in the consulting room, but we're going to get you out.

1:06:111:06:14

Come on, Murchison, let's take a look around. Now, you get better and get strong!

1:06:141:06:18

Or you'll have some more of the treatment, eh?

1:06:181:06:20

Yes.

1:06:201:06:22

THEY ARGUE IN SWAHILI

1:06:251:06:28

HUBBUB OF ARGUMENT

1:06:391:06:42

Morning.

1:06:551:06:56

Nice day.

1:06:561:06:58

Don't let us interrupt the House of Commons.

1:06:591:07:02

SPEAKS SWAHILI

1:07:111:07:13

What about that wall there, eh?

1:07:191:07:21

Do you think we'll make it?

1:07:211:07:24

It's a bit high, hey?

1:07:241:07:27

You always have this many guards?

1:07:331:07:35

Only when there is valuable property to protect.

1:07:351:07:39

HE SPEAKS SWAHILI

1:07:401:07:43

Khartoum has fallen.

1:07:471:07:49

Gordon Pasha's head parade on a pike on the Mahdist camp.

1:07:491:07:53

I don't believe it.

1:07:541:07:55

So much for your lion who scattered jackals.

1:07:551:07:58

The Arab slave are only a day away.

1:07:581:08:00

Our turn is coming, and yours.

1:08:001:08:02

They search for two English soldier and a white woman.

1:08:021:08:05

Then fight.

1:08:051:08:07

With spears against guns?

1:08:071:08:09

With anything.

1:08:091:08:11

Isn't it better than slavery?

1:08:111:08:13

Do you think of us or only yourself?

1:08:131:08:16

Of both!

1:08:161:08:17

Gondoko will not fight.

1:08:171:08:19

Well then, at least move out of here!

1:08:191:08:22

Don't let it be scooped up like fish in a net.

1:08:221:08:24

Gondoko will not fight or run.

1:08:361:08:38

He will barter you to the Arab slaver for gold.

1:08:381:08:41

Take this, before it's too late.

1:08:411:08:44

Come with us.

1:08:441:08:45

My wife and child will be sold.

1:08:471:08:50

Go back to your hut, now, before it's too late.

1:08:501:08:54

HE SPEAKS SWAHILI

1:09:201:09:22

Aargh!

1:10:251:10:27

Huh!

1:10:421:10:43

That should wake the neighbours. Come on!

1:10:451:10:48

SHE SQUEALS

1:10:581:10:59

Come on - run, run, run!

1:11:001:11:02

SPEAKS SWAHILI

1:11:141:11:16

SPEAKS SWAHILI

1:11:271:11:29

Back here.

1:11:311:11:32

HE SPEAKS SWAHILI

1:11:331:11:34

HE SPEAKS SWAHILI

1:11:391:11:42

Why don't they throw their spears?

1:11:421:11:44

To keep us alive...

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to sell us to the Arabs.

1:11:461:11:48

HE SHOUTS IN SWAHILI

1:12:061:12:08

HE SPEAKS SWAHILI

1:12:271:12:28

HE SPEAKS SWAHILI

1:12:321:12:33

HE SPEAKS SWAHILI

1:12:421:12:43

HE SPEAKS SWAHILI

1:12:571:12:58

You wait there.

1:13:051:13:07

Mr Murchison, you have hidden talents.

1:13:321:13:35

Gondoko forget that I know what it is to be a slave.

1:13:421:13:45

Is that all that's going with us?

1:14:251:14:27

What about the others?

1:14:281:14:30

They will not come. They celebrate their freedom from Gondoko.

1:14:301:14:34

Freedom...till the slavers come in the morning.

1:14:341:14:37

In his heart, each believe it will be his neighbour the slaver takes...

1:14:411:14:45

not him.

1:14:451:14:47

But they're mad! We must talk to them.

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It's no good, I have talked to them!

1:14:501:14:52

The Arab has put fear in their hearts

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and they say there's no use fleeing him.

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What can I do?

1:14:591:15:00

Nothing Kimrasi, come with us.

1:15:001:15:02

We have a chance, the Relief Column.

1:15:021:15:05

Now, can we make it to the Nile.

1:15:051:15:07

If we hurry.

1:15:071:15:08

The Arabs are on horses and we're on foot.

1:15:081:15:11

How will the Arabs know which way we've gone?

1:15:151:15:18

Would you not tell,

1:15:191:15:21

if it could save you from slavery?

1:15:211:15:23

Horses stopped.

1:16:481:16:49

How far to the Nile?

1:17:031:17:05

Too far.

1:17:051:17:07

Are you certain?

1:17:071:17:09

At least horses can't climb rocks.

1:17:131:17:15

I wish you would be wrong just sometimes.

1:17:511:17:54

-Well, there's no use trying to outrun them.

-Well, what else is there?

1:17:541:17:57

Look, there's a big herd of elephant over there,

1:17:571:18:00

can we get round the back of them without disturbing them?

1:18:001:18:03

-Yes.

-Come on, let's try.

1:18:031:18:05

Come on, Mr Baker, come on, jump!

1:19:351:19:37

I don't know - elephants, boats, rafts...how do you do it, Mr Baker?

1:19:381:19:43

Just a natural-born escaper. Here, let me.

1:19:431:19:46

You see, we are punting on the Thames after all.

1:19:471:19:50

So we are.

1:19:501:19:52

Your place...on the cushion!

1:19:521:19:54

OH!

1:19:541:19:56

We'll travel by day and hide by night until we get past Khartoum.

1:19:561:20:01

That is if we get that far.

1:20:011:20:03

SOMEONE CALLS OUT IN SWAHILI

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(Get down! Get down!)

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Not a sound,

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not even if we're challenged.

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Looks like you've been praying again.

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It looks deserted.

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Where are the Mahdist troops?

1:20:451:20:47

Shh!

1:20:471:20:49

GUNFIRE IN THE DISTANCE

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That's where they are.

1:20:591:21:01

The Relief Column?

1:21:011:21:03

Yeah.

1:21:031:21:05

Sounds like fighting round Matema.

1:21:051:21:07

Stand ready.

1:22:321:22:33

'Stand ready!'

1:22:331:22:36

'100 yards...

1:22:401:22:42

'Fire!'

1:22:421:22:44

They've taken Matema.

1:23:441:23:45

Miss Woodville! Miss Woodville!

1:23:471:23:50

Well?

1:23:541:23:55

Well, the British are here all right,

1:23:551:23:57

but not for much longer by the look of it.

1:23:571:23:59

What are we going to do?

1:23:591:24:01

I don't know...I'm afraid I'm clean out of ideas.

1:24:011:24:04

And elephants.

1:24:041:24:06

I was stationed in this town.

1:24:061:24:08

Behind the building with the black flag is the arsenal.

1:24:081:24:12

If we strolled in and blew it sky-high,

1:24:121:24:15

it would even-up the odds a bit, wouldn't it?

1:24:151:24:17

Blow it up, eh? All right then,

1:24:201:24:23

favourite son of Gordon Pasha.

1:24:231:24:26

Let's have a go!

1:24:271:24:28

Take care of yourself...

1:24:341:24:36

and keep a lighted candle in the window.

1:24:361:24:39

What have we got into?

1:24:581:25:00

Let's try another way.

1:25:021:25:04

Prison guards.

1:25:211:25:22

Those prisoners in there...

1:25:221:25:24

reinforcements ready-made.

1:25:241:25:27

Kimrasi, you speak Arabic.

1:25:271:25:29

HE SPEAKS ARABIC

1:25:341:25:37

That's appreciation for you. Come on!

1:26:151:26:17

Baker, I found the magazines back here.

1:26:201:26:22

Get out! Go on, out of here!

1:26:261:26:28

Get 'em all out. Out, quick!

1:26:281:26:29

Go on, get out.

1:26:291:26:31

I wish he'd hurry up.

1:26:561:26:58

Wait, where'd you get that?

1:27:391:27:40

I always keep one around...

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in case of emergencies.

1:27:421:27:43

Ha-ha!

1:27:431:27:45

ALL: HOORAY!

1:27:471:27:49

Mr Murchison?

1:27:591:28:01

Yes, sir?

1:28:031:28:04

General's compliments and his personal congratulations

1:28:041:28:08

-on extraordinary valour under fire.

-Thank you very much, sir.

1:28:081:28:11

Which is Private Baker?

1:28:111:28:13

Er, that's me, sir. Baker, Richard, Private, sir.

1:28:131:28:15

Ah, we've been looking for you.

1:28:151:28:17

You're under arrest. Guard.

1:28:171:28:19

Private Baker, you are charged with deserting your post

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while awaiting court martial.

1:28:221:28:23

< Mr Baker! Oh!

1:28:231:28:25

This man is under arrest.

1:28:271:28:28

But that's absolute nonsense!

1:28:281:28:30

You must be mistaken. That's ridiculous.

1:28:301:28:32

You can make statements to the court martial in Cairo.

1:28:321:28:35

Permission to embrace the lady, sir?

1:28:351:28:37

What, here? In front of all these people?

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In front of the whole perishing army.

1:28:431:28:46

Don't worry, we've got out of worse than this.

1:28:561:28:58

Excuse me, madam.

1:28:581:29:00

Bring him down to the gun boat.

1:29:001:29:02

Excuse me, sir....that gun boat,

1:29:021:29:07

might I ask, sir, where it's been?

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Up the Nile beyond Khartoum picking up survivors from various towns.

1:29:101:29:13

THEY LAUGH HEARTILY

1:29:151:29:18

I don't see what's so funny.

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No, sir. I'm sorry, sir, I don't imagine you would, sir.

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THEY CONTINUE TO LAUGH

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