
Browse content similar to Edge of Darkness. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
This film contain some violent scenes and very strong language. | 0:00:15 | 0:00:23 | |
Come on, Daddy, let's go play on the beach! | 0:01:06 | 0:01:09 | |
I'm getting my shoes off. Hang on. | 0:01:09 | 0:01:11 | |
Come on! | 0:01:11 | 0:01:12 | |
Just run right in it. Go on, run right in. | 0:01:12 | 0:01:15 | |
SHE SCREAMS | 0:01:19 | 0:01:20 | |
Yeah, it's cold, huh?! | 0:01:20 | 0:01:21 | |
SHE GIGGLES | 0:01:21 | 0:01:22 | |
It's gonna be a BIG castle. | 0:01:22 | 0:01:26 | |
Let me know if you strike oil, OK? | 0:01:28 | 0:01:30 | |
-Hi. -Hi, how are you? | 0:02:12 | 0:02:15 | |
I've been waiting here forever. | 0:02:15 | 0:02:17 | |
Ah, Dad! The train was on time. You're always early. | 0:02:17 | 0:02:21 | |
What, are you starting already? | 0:02:21 | 0:02:22 | |
Why, you can't take it? | 0:02:22 | 0:02:24 | |
Come on, let's go home. | 0:02:24 | 0:02:25 | |
SHE VOMITS | 0:02:36 | 0:02:39 | |
All right, honey? | 0:02:47 | 0:02:49 | |
You know, there's things you can tell me. | 0:03:06 | 0:03:09 | |
I'm not as bad at communication, and so on and so forth, | 0:03:09 | 0:03:12 | |
as you might think. | 0:03:12 | 0:03:13 | |
I've lived in the world. | 0:03:13 | 0:03:15 | |
I'm not pregnant. | 0:03:18 | 0:03:20 | |
No. No, I wasn't saying that. | 0:03:20 | 0:03:23 | |
Yeah, you were. | 0:03:23 | 0:03:25 | |
SHE LAUGHS | 0:03:25 | 0:03:27 | |
You seeing someone? | 0:03:30 | 0:03:33 | |
Yeah. | 0:03:33 | 0:03:34 | |
Someone with a name? | 0:03:37 | 0:03:39 | |
Nah, you wouldn't like him. | 0:03:41 | 0:03:42 | |
How do you know that? How do you know I wouldn't like him? | 0:03:42 | 0:03:45 | |
I wish you had someone. | 0:03:46 | 0:03:48 | |
Well, who says I don't have a honey stashed away somewhere? | 0:03:48 | 0:03:51 | |
YOU'RE my girl. | 0:04:02 | 0:04:04 | |
SOFT JAZZ PLAYS | 0:04:22 | 0:04:24 | |
CLATTERING | 0:04:50 | 0:04:51 | |
Hey, careful. Careful, it's hot. | 0:04:58 | 0:05:01 | |
SHE LAUGHS | 0:05:01 | 0:05:03 | |
Yeah, well, I'm not really sure how to cook it. | 0:05:03 | 0:05:05 | |
You finally got a vegetable, and I don't know if I can eat it. | 0:05:05 | 0:05:09 | |
You all right? You been to the doctor, yeah? | 0:05:09 | 0:05:12 | |
When was the last time YOU went? | 0:05:12 | 0:05:14 | |
I get a physical every year. | 0:05:14 | 0:05:16 | |
That's right, they make you. | 0:05:16 | 0:05:17 | |
Hey, careful. | 0:05:17 | 0:05:19 | |
So how'd you get time off work? | 0:05:19 | 0:05:21 | |
You don't even know what I do. | 0:05:21 | 0:05:23 | |
Of course I know what you do. | 0:05:23 | 0:05:25 | |
Dad, I'm a glorified intern. I can get off when I want. | 0:05:25 | 0:05:30 | |
I wanted to come home. | 0:05:30 | 0:05:33 | |
I'm glad you did. | 0:05:33 | 0:05:35 | |
Maybe you'll tell me what's bothering you. | 0:05:35 | 0:05:38 | |
I'm just tired, you know. I think I got a bug. | 0:05:38 | 0:05:42 | |
Yeah? Wanna lie down? Go on. Go upstairs, lie down. | 0:05:42 | 0:05:47 | |
I got your room all ready for you. | 0:05:47 | 0:05:49 | |
I know you do, Dad. | 0:05:49 | 0:05:50 | |
Or, er, ginger ale. That'll settle your stomach. I'll get some. | 0:05:50 | 0:05:54 | |
Always keep some ginger ale on hand. | 0:05:54 | 0:05:56 | |
Nah... | 0:05:56 | 0:05:57 | |
Yup. | 0:05:57 | 0:05:58 | |
Honey, hey. | 0:06:09 | 0:06:11 | |
Come on, honey. Come on. | 0:06:11 | 0:06:13 | |
-OK. -Dad? | 0:06:13 | 0:06:15 | |
-Yeah. -Oh, my God! | 0:06:15 | 0:06:16 | |
Oh, my God, Dad, I have to go to a doctor! | 0:06:16 | 0:06:19 | |
I gotta tell you something! I should have told you something! | 0:06:19 | 0:06:21 | |
What? | 0:06:21 | 0:06:22 | |
SHIVERING | 0:06:25 | 0:06:28 | |
OK, I gotcha. | 0:06:28 | 0:06:29 | |
Craven! | 0:06:31 | 0:06:33 | |
GUNSHOT | 0:06:33 | 0:06:35 | |
ENGINE REVS AND TYRES SCREECH | 0:06:37 | 0:06:40 | |
SHE GASPS FOR AIR | 0:06:40 | 0:06:42 | |
Jesus. | 0:06:42 | 0:06:43 | |
SHE GASPS FOR AIR | 0:06:47 | 0:06:49 | |
You're my girl. | 0:06:52 | 0:06:54 | |
I... | 0:06:54 | 0:06:55 | |
I know. | 0:06:55 | 0:06:57 | |
HE SOBS AND GASPS | 0:07:01 | 0:07:03 | |
Holy anoint... | 0:07:10 | 0:07:11 | |
PANTING | 0:07:11 | 0:07:12 | |
Love and mercy. | 0:07:12 | 0:07:14 | |
May the... may the grace of... | 0:07:14 | 0:07:15 | |
May the... may the... | 0:07:15 | 0:07:17 | |
SOBS VIOLENTLY | 0:07:17 | 0:07:25 | |
-Hey, there's Bill. -All right, I'll let him know. | 0:07:52 | 0:07:54 | |
About 5'9, 5'10. | 0:08:00 | 0:08:02 | |
Thinks he's white from what he could see through the eyes of ski mask. | 0:08:02 | 0:08:05 | |
Yelled out one word: "Craven." And then he fired. | 0:08:05 | 0:08:08 | |
Jesus Christ. | 0:08:08 | 0:08:10 | |
Hit Emma instead. Then he ran. Didn't pursue. | 0:08:11 | 0:08:16 | |
You want some water, coffee or something? | 0:08:44 | 0:08:46 | |
Want something stronger? | 0:08:49 | 0:08:51 | |
I know somewhere in here there's a bottle of Crown Royal | 0:08:51 | 0:08:54 | |
with dust all over it. | 0:08:54 | 0:08:55 | |
You're gonna put the first foot forward. | 0:09:01 | 0:09:04 | |
Tommy, I don't care if it's now. | 0:09:04 | 0:09:06 | |
I'll sit with you, OK? | 0:09:07 | 0:09:09 | |
Get out. Get out of here, he's not a basket case. Get out. | 0:09:11 | 0:09:15 | |
Somebody get him some coffee. | 0:09:15 | 0:09:16 | |
I wanna a glass of ginger ale. | 0:09:16 | 0:09:18 | |
Get him a ginger ale. | 0:09:18 | 0:09:20 | |
We'll get him, Tommy. | 0:09:26 | 0:09:28 | |
You know how we react to things like this. Officer involved. | 0:09:30 | 0:09:33 | |
"Officer involved." Well, we ought to do that for everybody, right? | 0:09:33 | 0:09:38 | |
Officer invo- Who the fuck do you think you are? | 0:09:38 | 0:09:40 | |
If you wanna get philosophical, I'll get philosophical with you. | 0:09:40 | 0:09:43 | |
Wanna get cleaned up? | 0:09:46 | 0:09:48 | |
No, I'm all right. | 0:09:48 | 0:09:49 | |
I want you to come stay with Carol and me. | 0:09:51 | 0:09:53 | |
No. | 0:09:53 | 0:09:54 | |
You can't stay here. | 0:09:55 | 0:09:57 | |
It's where I live. | 0:09:57 | 0:09:58 | |
Well, if you won't come... | 0:10:01 | 0:10:03 | |
Can't everybody just get out of here, finish what they gotta do and go? | 0:10:03 | 0:10:07 | |
This is someone armed and dangerous. | 0:10:07 | 0:10:08 | |
What do you think I am? | 0:10:08 | 0:10:10 | |
Can everyone get out? I don't like 'em gawking at me. Can they just go? | 0:10:13 | 0:10:16 | |
Finish what they gotta do and go. Get out. Get out! | 0:10:16 | 0:10:18 | |
HAMMERING | 0:10:28 | 0:10:31 | |
TAP SQUEAKS/WATER RUNNING | 0:10:31 | 0:10:33 | |
HAMMERING | 0:10:35 | 0:10:37 | |
HE EXHALES | 0:10:44 | 0:10:45 | |
TAP SQUEAKS | 0:11:15 | 0:11:17 | |
LIQUID DRAINS | 0:11:17 | 0:11:19 | |
PHONE RINGS | 0:11:56 | 0:11:58 | |
Emma... Craven's phone. | 0:12:05 | 0:12:07 | |
Hello? | 0:12:08 | 0:12:10 | |
CLICKING | 0:12:10 | 0:12:11 | |
(EMMA) 'Are you all right?' | 0:12:30 | 0:12:31 | |
'Dad, are you all right?' | 0:12:34 | 0:12:36 | |
Yeah, I'm fine. | 0:12:40 | 0:12:41 | |
(TOMMY) Who's my little girl? | 0:12:46 | 0:12:48 | |
Em. | 0:12:48 | 0:12:49 | |
HE CHUCKLES | 0:12:49 | 0:12:50 | |
-Who's my little sweetheart? -Em. | 0:12:50 | 0:12:52 | |
BANGING/GLASS SMASHING | 0:12:52 | 0:12:54 | |
Hurgh! | 0:12:54 | 0:12:57 | |
DUSTBIN ENGINE | 0:12:57 | 0:12:59 | |
DOGS BARKING | 0:12:59 | 0:13:01 | |
EXHALES/BREATHES HEAVILY | 0:13:01 | 0:13:03 | |
BIRDS SING/ENGINE CONTINUES | 0:13:04 | 0:13:06 | |
HE SIGHS | 0:13:20 | 0:13:22 | |
(RADIO) 'A fatal shooting last night | 0:13:22 | 0:13:23 | |
'of the daughter of a Boston police detective leads our news. | 0:13:23 | 0:13:26 | |
'Emma Craven, 24, an MIT graduate, | 0:13:26 | 0:13:28 | |
'was killed in front of her home in Roslindale | 0:13:28 | 0:13:30 | |
'by a man thought to be targeting her father.' | 0:13:30 | 0:13:33 | |
CLICKS RADIO OFF | 0:13:33 | 0:13:34 | |
ENGINE REVS | 0:13:34 | 0:13:37 | |
Kathy, from what I understand, | 0:13:37 | 0:13:38 | |
police don't have much to go on, right now. | 0:13:38 | 0:13:40 | |
'Lisa, there are still unanswered questions | 0:13:40 | 0:13:43 | |
when it comes to this case.' | 0:13:43 | 0:13:44 | |
'24-year-old Emma Craven was gunned down | 0:13:44 | 0:13:47 | |
outside of this Roslindale home on the porch just behind me.' | 0:13:47 | 0:13:50 | |
'Sources tell me the suspect in this case may be someone...' | 0:13:50 | 0:13:52 | |
Turn that shit off. | 0:13:52 | 0:13:54 | |
'..came across or had a run in with while he was working.' | 0:13:54 | 0:13:56 | |
'They also tell me that...' | 0:13:56 | 0:13:58 | |
You all right? | 0:13:58 | 0:13:59 | |
-Yeah, I'm fine. -'..himself, was the intended target of this shooting.' | 0:13:59 | 0:14:03 | |
None of your neighbours saw anything. | 0:14:03 | 0:14:05 | |
And the rain hasn't left much for forensics. | 0:14:05 | 0:14:07 | |
We're gonna need to go through your cases, Tommy. | 0:14:08 | 0:14:11 | |
You must have an instinct on this, something. | 0:14:12 | 0:14:15 | |
Not off the top of my head, no. | 0:14:15 | 0:14:17 | |
All right, well, they wanna see you upstairs first anyway, so... | 0:14:17 | 0:14:20 | |
-Yeah? -Yeah. | 0:14:20 | 0:14:21 | |
This is off subject. This is my daughter's phone. | 0:14:21 | 0:14:24 | |
I need a list of all her contacts. | 0:14:24 | 0:14:25 | |
I gotta talk to her friends, associates. | 0:14:25 | 0:14:27 | |
Janet can do that. Don't worry about it. | 0:14:27 | 0:14:29 | |
Blocked incomings, too. | 0:14:29 | 0:14:30 | |
KNOCKING ON DOOR | 0:14:30 | 0:14:31 | |
DOOR OPENING | 0:14:31 | 0:14:32 | |
-Tom. -DOOR CLOSING | 0:14:35 | 0:14:37 | |
I am so sorry for your loss. Anything you need from me and Mary. | 0:14:37 | 0:14:41 | |
-All right. -And let us know about the arrangements. | 0:14:41 | 0:14:43 | |
It'll be in the Globe and the Herald. I haven't been down, you know, to... | 0:14:43 | 0:14:47 | |
Yeah. | 0:14:47 | 0:14:49 | |
Thank you. | 0:14:49 | 0:14:50 | |
Uh, Bill Whitehouse is running things. | 0:14:51 | 0:14:54 | |
He has every resource this department possesses. | 0:14:54 | 0:14:57 | |
This is a cop thing. Officer involved. | 0:14:57 | 0:15:01 | |
So will, er... will you take a leave of absence? | 0:15:03 | 0:15:07 | |
No. | 0:15:07 | 0:15:08 | |
Uh, Tom, we can't have you on this investigation. It's a rule. | 0:15:10 | 0:15:15 | |
Well, since it's me that's gotta figure out who would wanna kill me, | 0:15:15 | 0:15:19 | |
for reasons only I'd know about, then I'd rather get paid for it. | 0:15:19 | 0:15:22 | |
So the rules don't apply. | 0:15:22 | 0:15:23 | |
He's right, isn't he? | 0:15:27 | 0:15:29 | |
I think he is, yeah. | 0:15:29 | 0:15:30 | |
All right. | 0:15:32 | 0:15:33 | |
I gotta make a statement to the media. | 0:15:33 | 0:15:35 | |
Is there anything you want in there? You wanna stand with me? | 0:15:35 | 0:15:38 | |
No, thank you. | 0:15:38 | 0:15:39 | |
Well, they wanna see you, Tom. The media. | 0:15:39 | 0:15:41 | |
I don't want any part of it. | 0:15:41 | 0:15:43 | |
I'm not gonna sit in the murder room. | 0:15:51 | 0:15:52 | |
There's no point to it. There's no physical evidence. | 0:15:52 | 0:15:56 | |
If you had a gun or something... | 0:15:56 | 0:15:58 | |
Jesus. I can't think. | 0:15:58 | 0:16:00 | |
SIGHING | 0:16:00 | 0:16:02 | |
It'll come to me. | 0:16:02 | 0:16:03 | |
It'll come to me, but it's not gonna come to me here. | 0:16:05 | 0:16:07 | |
I gotta drive around. I gotta think. | 0:16:07 | 0:16:09 | |
Right. You do what you need to do. You keep me informed. I'll punch in. | 0:16:09 | 0:16:13 | |
I gotta go. Coroner wants to ID the body. | 0:16:14 | 0:16:16 | |
Are you up to it? | 0:16:16 | 0:16:17 | |
Yeah. I want my case files brought up. | 0:16:17 | 0:16:19 | |
Nothing this year makes any sense to me at all. | 0:16:19 | 0:16:22 | |
Tommy... | 0:16:22 | 0:16:23 | |
I'll have them sent to your house. | 0:16:28 | 0:16:30 | |
Sure. | 0:16:30 | 0:16:32 | |
Cause of death: injuries arising from gunshot wounds. | 0:16:38 | 0:16:41 | |
Massive haemorrhage. Heart seizure due to shock. | 0:16:41 | 0:16:45 | |
Tom, this is very difficult. | 0:16:52 | 0:16:54 | |
You may think you've done this before but it's not the same. | 0:16:57 | 0:16:59 | |
Let's get it over with. | 0:16:59 | 0:17:01 | |
Is this your daughter Emma Charlotte Craven? | 0:17:11 | 0:17:15 | |
Yes, it is. | 0:17:15 | 0:17:16 | |
Leave her alone! | 0:17:19 | 0:17:20 | |
Let me have some scissors. | 0:17:48 | 0:17:50 | |
What was that, Tom? | 0:17:50 | 0:17:52 | |
Uh, scissors. I need some scissors. | 0:17:52 | 0:17:54 | |
Um... | 0:17:56 | 0:17:57 | |
CHILDREN SHOUTING/BIRDS SINGING | 0:18:07 | 0:18:09 | |
INDISTINCT CHATTER | 0:18:17 | 0:18:19 | |
BOAT MOTORING/CHILDREN SHOUTING | 0:18:25 | 0:18:27 | |
'Don't cry, Dad.' | 0:18:46 | 0:18:48 | |
I'm not. | 0:18:49 | 0:18:50 | |
I don't know if I can make it. | 0:18:58 | 0:19:01 | |
'You have to.' | 0:19:02 | 0:19:03 | |
HE SIGHS | 0:19:03 | 0:19:05 | |
All right, Emma. all right. | 0:19:07 | 0:19:10 | |
..and you're wasting two guys here at my house, Bill. | 0:19:18 | 0:19:20 | |
If you want them in the neighbourhood, | 0:19:20 | 0:19:22 | |
have 'em going door to door. | 0:19:22 | 0:19:23 | |
'Someone's trying to kill you, Tom. They're staying.' | 0:19:23 | 0:19:26 | |
(EXHALES) I got nothing. Nothing. | 0:19:26 | 0:19:29 | |
I don't have enemies. | 0:19:29 | 0:19:31 | |
I never lived life or said what I thought enough to have enemies. | 0:19:31 | 0:19:34 | |
'You know I understand.' | 0:19:34 | 0:19:35 | |
I'm not starting a personal conversation with you, Bill, | 0:19:35 | 0:19:38 | |
don't get nervous. | 0:19:38 | 0:19:39 | |
And tell the two uniforms in the cruiser | 0:19:41 | 0:19:43 | |
to stop pissing in the bushes. | 0:19:43 | 0:19:44 | |
They can come in the house. | 0:19:44 | 0:19:45 | |
SIGHS | 0:19:49 | 0:19:50 | |
SEAGULL CRIES | 0:19:51 | 0:19:53 | |
WAVES CRASHING | 0:19:55 | 0:19:57 | |
CHILDREN YELLING | 0:19:57 | 0:19:59 | |
This is your beach. | 0:20:10 | 0:20:11 | |
C'mon, Daddy! Come on! Come ON, Daddy! | 0:20:43 | 0:20:47 | |
Come on, let's go play on the beach! Come with me, Daddy! | 0:20:47 | 0:20:51 | |
Come on, Daddy! | 0:20:51 | 0:20:52 | |
Come on, Daddy! Let's go play on the beach! | 0:20:54 | 0:20:58 | |
OK, sweetheart, I'll be right there. In a little while. | 0:21:00 | 0:21:04 | |
SIGHING | 0:21:50 | 0:21:52 | |
PHONE RINGING | 0:22:29 | 0:22:31 | |
Tom! | 0:23:04 | 0:23:05 | |
You ready for this? Ski mask found in a hedge five doors from you. | 0:23:07 | 0:23:11 | |
We got hair. Caucasian. It's in for DNA. | 0:23:11 | 0:23:14 | |
Keep me posted. | 0:23:17 | 0:23:18 | |
Where you going? | 0:23:18 | 0:23:20 | |
TYRES SCREECH | 0:23:21 | 0:23:23 | |
SIRENS/INDISTINCT SHOUTING | 0:23:50 | 0:23:53 | |
DOG BARKING | 0:23:53 | 0:23:55 | |
KNOCKS | 0:24:13 | 0:24:15 | |
KNOCKS LOUDER | 0:24:20 | 0:24:22 | |
(THUD) Argh! | 0:24:53 | 0:24:55 | |
GRUNTING/PUNCHING THROUGHOUT | 0:24:55 | 0:24:57 | |
Argh! | 0:25:20 | 0:25:22 | |
Mr Burnham. Mr Burnham, yeah? | 0:25:23 | 0:25:25 | |
Yeah. | 0:25:25 | 0:25:27 | |
Settle down, all right? | 0:25:27 | 0:25:28 | |
I'm not gonna hurt you. | 0:25:28 | 0:25:30 | |
See, you know my daughter. | 0:25:33 | 0:25:36 | |
What are you, her boyfriend or something? | 0:25:36 | 0:25:39 | |
Yeah. | 0:25:39 | 0:25:40 | |
All right. OK. | 0:25:40 | 0:25:41 | |
I'm Emma's father. I'm gonna let you go now. | 0:25:41 | 0:25:44 | |
You're gonna be all right. OK? | 0:25:44 | 0:25:46 | |
Yeah. | 0:25:46 | 0:25:47 | |
OK, be nice, OK? | 0:25:47 | 0:25:49 | |
Jesus Christ. | 0:25:49 | 0:25:50 | |
I'm sorry, but you gotta get the fuck out of here now. | 0:25:53 | 0:25:57 | |
Give me a minute, all right? I wanna ask you a couple of questions. | 0:25:57 | 0:26:01 | |
If you answered the door... What the hell are you so scared of? | 0:26:01 | 0:26:04 | |
Is this your handgun? | 0:26:06 | 0:26:09 | |
How did my daughter get a goddamn handgun? | 0:26:09 | 0:26:12 | |
Did you give it her? Is this your...? | 0:26:12 | 0:26:13 | |
I gave it to her. | 0:26:13 | 0:26:14 | |
All right. Why? | 0:26:16 | 0:26:19 | |
I didn't notice a shotgun in your list of weapons. You own one? | 0:26:21 | 0:26:24 | |
-You think that I...? -This is your pistol. | 0:26:24 | 0:26:26 | |
You licensed it in Vermont, it's illegal in Massachusetts. | 0:26:26 | 0:26:29 | |
I tell the police you opened the door with it, automatic year in jail. | 0:26:29 | 0:26:32 | |
Not that I don't have you by the balls | 0:26:32 | 0:26:33 | |
for trying to stick me in the doorway. | 0:26:33 | 0:26:35 | |
You'd be lying. | 0:26:35 | 0:26:37 | |
I don't care. | 0:26:37 | 0:26:38 | |
I know you. You're her dad. | 0:26:38 | 0:26:41 | |
You never came to visit her. Didn't even bother. | 0:26:41 | 0:26:44 | |
(Yeah...) | 0:26:47 | 0:26:49 | |
You worked with her. And I need to know what kind of trouble she was in. | 0:26:49 | 0:26:54 | |
I can't talk about that. There're security strictures. | 0:26:54 | 0:26:58 | |
Clearance to work where we do. | 0:26:58 | 0:26:59 | |
I can understand you won't help me. But I'm confused you won't help Emma. | 0:26:59 | 0:27:03 | |
Look, she's dead, man. There's no way to help Emma. | 0:27:03 | 0:27:07 | |
There are probably two fucking guys out there | 0:27:10 | 0:27:12 | |
watching and listening to us right fucking now. | 0:27:12 | 0:27:14 | |
Now, I'm sorry, but you gotta get the fuck out of here now. | 0:27:18 | 0:27:21 | |
Please. Or I'm dead. | 0:27:21 | 0:27:25 | |
There's something I need to give you. | 0:27:30 | 0:27:33 | |
Yeah? Yeah, sure, go ahead. | 0:27:33 | 0:27:36 | |
Here's the keys to her place. And her personal things. | 0:28:00 | 0:28:04 | |
Thanks. | 0:28:06 | 0:28:07 | |
Look, I'm gonna leave you alone now | 0:28:08 | 0:28:10 | |
until you realise you gotta talk to me, all right? | 0:28:10 | 0:28:13 | |
Yeah... I know you're a good guy, | 0:28:13 | 0:28:16 | |
or Emma wouldn't have had nothing to do with you. | 0:28:16 | 0:28:18 | |
Here's my card. It's got my cell on it, OK? Call. | 0:28:18 | 0:28:23 | |
You were right. I don't like him. | 0:29:42 | 0:29:45 | |
Why did you have a gun, honey? | 0:29:53 | 0:29:55 | |
SIGHS | 0:29:57 | 0:29:59 | |
CHILDREN CHATTER/DOGS BARKING | 0:30:23 | 0:30:25 | |
WHIRRING | 0:30:51 | 0:30:53 | |
WHIRRING GETS LOUDER | 0:30:55 | 0:30:58 | |
MACHINERY WHIRRS | 0:31:11 | 0:31:13 | |
MACHINERY STOPS/FOOTSTEPS | 0:31:21 | 0:31:23 | |
FOOTSTEPS STOP/WATER DRIPPING | 0:31:25 | 0:31:27 | |
SIREN PASSING | 0:31:30 | 0:31:31 | |
FOOTSTEPS | 0:31:31 | 0:31:33 | |
THUDDING SOUND | 0:31:43 | 0:31:44 | |
MACHINERY WHIRRS | 0:31:44 | 0:31:46 | |
HE GASPS | 0:31:51 | 0:31:53 | |
HE EXHALES | 0:31:53 | 0:31:55 | |
So what is it that I can do for you, Millroy? | 0:31:55 | 0:31:58 | |
What do you do usually, Jedburgh? | 0:31:58 | 0:32:01 | |
If someone has a national security problem, | 0:32:01 | 0:32:05 | |
they dial a number in northern Virginia. | 0:32:05 | 0:32:07 | |
And then I decide what happens next. | 0:32:07 | 0:32:10 | |
What's your problem? | 0:32:10 | 0:32:13 | |
You're a consultant in security. I'm merely consulting. | 0:32:13 | 0:32:16 | |
So consult. | 0:32:16 | 0:32:17 | |
There's a company called Northmoor. | 0:32:22 | 0:32:24 | |
They own a number of Defence Department contracts. | 0:32:24 | 0:32:27 | |
It's not an Agency front, if that's what you think. | 0:32:28 | 0:32:31 | |
-It's a real private company. -That is unusual. | 0:32:31 | 0:32:34 | |
They have private security. Autonomous security. | 0:32:34 | 0:32:36 | |
Well, I'm autonomous myself. | 0:32:36 | 0:32:39 | |
These are the facts: | 0:32:39 | 0:32:40 | |
One of their secure facilities was penetrated. | 0:32:42 | 0:32:44 | |
Three people died making their escape. | 0:32:44 | 0:32:46 | |
A fourth, an employee who may have been involved, has been killed. | 0:32:46 | 0:32:50 | |
By Northmoor security? | 0:32:50 | 0:32:51 | |
I didn't say that. No one would. | 0:32:51 | 0:32:54 | |
BLEEPING | 0:32:54 | 0:32:55 | |
-The fact is we don't know. -BLEEPING | 0:32:55 | 0:32:57 | |
She was shot dead five nights ago. | 0:33:03 | 0:33:06 | |
Her father's a Boston detective. | 0:33:06 | 0:33:08 | |
The Boston police are working on the assumption | 0:33:08 | 0:33:11 | |
that her father was the target. | 0:33:11 | 0:33:12 | |
And what assumption are we working on? | 0:33:12 | 0:33:15 | |
That he wasn't. | 0:33:15 | 0:33:17 | |
Who killed her? | 0:33:19 | 0:33:20 | |
That's not the issue at this point. | 0:33:20 | 0:33:23 | |
National security is the issue. | 0:33:23 | 0:33:25 | |
I know your function, Jedburgh. This has to be cleaned up. | 0:33:27 | 0:33:31 | |
Whatever it takes? | 0:33:31 | 0:33:34 | |
Yes. | 0:33:34 | 0:33:35 | |
Are you absolutely sure you want me to look into this? | 0:33:36 | 0:33:39 | |
Cos you have to be absolutely sure. | 0:33:42 | 0:33:45 | |
She was killed. In Boston. | 0:33:49 | 0:33:51 | |
Yeah. | 0:33:51 | 0:33:52 | |
But this isn't part of that. | 0:33:54 | 0:33:55 | |
You think it's a funeral robbery? | 0:33:57 | 0:33:58 | |
Yeah. | 0:33:58 | 0:33:59 | |
Look, I don't want this getting mixed up in the other business. | 0:34:00 | 0:34:04 | |
I don't need the trouble, all right? | 0:34:04 | 0:34:06 | |
You do me a solid in Boston sometime. | 0:34:08 | 0:34:10 | |
Thanks. | 0:34:11 | 0:34:13 | |
PHONE KEYPADS BLEEPING | 0:34:16 | 0:34:20 | |
RINGING TONE) | 0:34:22 | 0:34:23 | |
FOOTSTEPS | 0:34:23 | 0:34:25 | |
PHONE RINGING | 0:34:29 | 0:34:32 | |
RINGING STOPS | 0:34:32 | 0:34:33 | |
-Hello? -Hello. | 0:34:33 | 0:34:34 | |
Er, my name is Tom Craven. | 0:34:34 | 0:34:37 | |
'Your number was in my daughter's phone records.' | 0:34:37 | 0:34:39 | |
I'm Emma's father. I'm a policeman. | 0:34:39 | 0:34:44 | |
I just wanna know what you were to Emma. Find out what happened. | 0:34:44 | 0:34:48 | |
It says in the papers what happened. | 0:34:48 | 0:34:50 | |
Someone tried to kill you and they got her. | 0:34:52 | 0:34:54 | |
Is that what you think happened? | 0:34:54 | 0:34:56 | |
'I run a shop. A luggage shop.' | 0:34:56 | 0:34:58 | |
I wanna keep running a shop. | 0:35:00 | 0:35:01 | |
Look, I'd like to talk to you in person. Will you do that? | 0:35:01 | 0:35:05 | |
About Northmoor? | 0:35:07 | 0:35:08 | |
Yeah, sure, about anything you want to talk about. | 0:35:08 | 0:35:11 | |
How do I know you're you? | 0:35:13 | 0:35:15 | |
'When you meet me | 0:35:15 | 0:35:16 | |
you'll know that I can't be anyone else but Emma's father. | 0:35:16 | 0:35:18 | |
Will you help me? | 0:35:22 | 0:35:23 | |
Look, I'm out of state. I'm at my grandmother's. | 0:35:25 | 0:35:28 | |
I have your number, I'll call you. | 0:35:28 | 0:35:29 | |
I'm here to see John Bennett. | 0:35:43 | 0:35:44 | |
Detective Craven. | 0:36:03 | 0:36:05 | |
Jack Bennett. | 0:36:06 | 0:36:07 | |
I'm sorry for your loss. | 0:36:08 | 0:36:09 | |
Thank you. | 0:36:09 | 0:36:11 | |
Can I say how shocked we all were to hear of Emma's death. | 0:36:11 | 0:36:13 | |
She was a valued member of our team. | 0:36:13 | 0:36:15 | |
I can't say I knew her very well personally, | 0:36:15 | 0:36:17 | |
but she is well thought of. | 0:36:17 | 0:36:19 | |
She is missed. | 0:36:19 | 0:36:21 | |
Thank you. | 0:36:21 | 0:36:22 | |
In the 60s, this hill was excavated. | 0:36:22 | 0:36:24 | |
It was a site for Nike nuclear missiles, | 0:36:24 | 0:36:26 | |
miles of tunnels and launch chambers. | 0:36:26 | 0:36:29 | |
I'm sure Emma told you. | 0:36:29 | 0:36:30 | |
No, she never talked about her work. | 0:36:30 | 0:36:33 | |
So Northmoor bought this from the federal government? | 0:36:33 | 0:36:35 | |
Well, we-we lease it. | 0:36:35 | 0:36:36 | |
For money? | 0:36:37 | 0:36:39 | |
Coffee? | 0:36:39 | 0:36:40 | |
Uh, I'll have a ginger ale. | 0:36:40 | 0:36:42 | |
Certainly. | 0:36:42 | 0:36:44 | |
-Annie, get Detective Craven a ginger ale, would you? -Of course. | 0:36:44 | 0:36:48 | |
Please. | 0:36:48 | 0:36:49 | |
You have interesting friends. | 0:37:04 | 0:37:06 | |
Yes. This facility, R & D, in general, | 0:37:07 | 0:37:11 | |
brings a great deal of money to Massachusetts. | 0:37:11 | 0:37:13 | |
As reflected in the tax breaks. | 0:37:13 | 0:37:15 | |
How can I help you? | 0:37:16 | 0:37:17 | |
I suppose I wanna know what my daughter did here. | 0:37:17 | 0:37:20 | |
In what sense? She didn't tell you about her work? | 0:37:20 | 0:37:24 | |
Perhaps because she was following your security protocols. | 0:37:24 | 0:37:27 | |
And what are they, in your understanding? | 0:37:27 | 0:37:30 | |
I don't understand anything. She never talked about her work. | 0:37:30 | 0:37:33 | |
Right. Well, you understand that most of what we do here | 0:37:33 | 0:37:36 | |
is classified. Almost everything we do. | 0:37:36 | 0:37:39 | |
What she did... | 0:37:39 | 0:37:40 | |
..despite her qualifications, your daughter was a trainee. | 0:37:40 | 0:37:44 | |
She was a full employee and there's a benefit package | 0:37:44 | 0:37:46 | |
which I suppose you should see personnel about. | 0:37:46 | 0:37:49 | |
I'm not interested in that just yet. | 0:37:49 | 0:37:51 | |
All our people are very well insured. | 0:37:51 | 0:37:53 | |
I'll bet they are. | 0:37:53 | 0:37:56 | |
Well, what we do here... | 0:37:58 | 0:37:59 | |
Northmoor is essentially a research facility. | 0:38:01 | 0:38:03 | |
We have a mandate from government | 0:38:03 | 0:38:05 | |
to develop a safe and clean energy source, | 0:38:05 | 0:38:07 | |
based on fusion technology. It's very green. | 0:38:07 | 0:38:10 | |
Weapons. | 0:38:10 | 0:38:11 | |
You make 'em. | 0:38:12 | 0:38:13 | |
Well, if we did, it would be classified. | 0:38:13 | 0:38:17 | |
I can tell you, because you're a policeman | 0:38:17 | 0:38:19 | |
and have access to this information, anyway, | 0:38:19 | 0:38:21 | |
Northmoor's an important part | 0:38:21 | 0:38:22 | |
of the nation's nuclear stockpile and maintenance programme. | 0:38:22 | 0:38:25 | |
We ensure that the nation's nuclear stockpile | 0:38:25 | 0:38:27 | |
remains ready for the president's order. | 0:38:27 | 0:38:30 | |
Not weapons, raw materials. | 0:38:30 | 0:38:32 | |
Emma was a part of this? | 0:38:32 | 0:38:33 | |
God, no. | 0:38:33 | 0:38:34 | |
As an intern, she didn't have any direct involvement. | 0:38:34 | 0:38:36 | |
She worked on the research floor. | 0:38:36 | 0:38:38 | |
We all very, very much regret Emma's death. | 0:38:40 | 0:38:44 | |
It must be especially painful for you in the circumstances. | 0:38:45 | 0:38:49 | |
You meant that she was shot instead of me. | 0:38:49 | 0:38:52 | |
As a parent, I can only guess at your pain, I think. | 0:38:52 | 0:38:57 | |
Though I'm sure I cannot imagine its full dimensions. | 0:38:57 | 0:39:00 | |
I've taken up enough of your time. | 0:39:01 | 0:39:03 | |
I'd like to talk to her friends, if any. | 0:39:03 | 0:39:05 | |
Yes, of course. I'll see what I can do. I'll tell personnel. | 0:39:05 | 0:39:08 | |
Get you a list, contact numbers, so forth. | 0:39:08 | 0:39:11 | |
Can I ask you a question? | 0:39:11 | 0:39:12 | |
What does it feel like? | 0:39:15 | 0:39:17 | |
Thanks. | 0:39:26 | 0:39:27 | |
PHONE RINGING | 0:39:30 | 0:39:32 | |
-Craven. -'You ready for this?' | 0:39:34 | 0:39:36 | |
I'm ready for anything. | 0:39:36 | 0:39:37 | |
'We have a DNA match.' | 0:39:37 | 0:39:39 | |
Really? Give me the skinny. | 0:39:39 | 0:39:42 | |
BANGING/INDISTINCT SHOUTING | 0:39:42 | 0:39:44 | |
Clear right! | 0:39:46 | 0:39:47 | |
Got a man down on the couch! | 0:39:47 | 0:39:50 | |
Give me one! Contact! Move it! | 0:39:50 | 0:39:52 | |
You're awfully calm, Tom. | 0:40:06 | 0:40:08 | |
Doesn't do me much good to be any other way. | 0:40:08 | 0:40:10 | |
No buzz off this guy, nothing? | 0:40:12 | 0:40:14 | |
This guy was a comer in his profession. This guy was a hit man. | 0:40:14 | 0:40:17 | |
What's the matter? | 0:40:24 | 0:40:26 | |
-Nothing. -Tell me what you were looking at. | 0:40:26 | 0:40:28 | |
Says in the evidence log the hair was two and a half inches. | 0:40:28 | 0:40:31 | |
So he cut his hair. | 0:40:31 | 0:40:33 | |
Not as recently as a week ago. | 0:40:33 | 0:40:35 | |
So what are you saying? | 0:40:35 | 0:40:36 | |
I'm not saying anything. | 0:40:36 | 0:40:39 | |
Hair can stick to a hat for a long time, years. | 0:40:39 | 0:40:42 | |
Decades. And why would a pro blow off two barrels of his shotgun | 0:40:42 | 0:40:46 | |
instead of saving one for his target? | 0:40:46 | 0:40:48 | |
Creeping up on a bereaved man at a murder scene | 0:41:18 | 0:41:21 | |
is not very bright. | 0:41:21 | 0:41:22 | |
Mr Craven, we have things to talk about. | 0:41:22 | 0:41:25 | |
Like your name and what you're doing here? | 0:41:25 | 0:41:27 | |
Like who shot your daughter. | 0:41:27 | 0:41:30 | |
You know who shot my daughter? | 0:41:32 | 0:41:34 | |
If I was looking for a man who might have shot your daughter | 0:41:34 | 0:41:37 | |
and I had a limited imagination, of which I do not, | 0:41:37 | 0:41:41 | |
I might have looked at the poor bastard you found today. | 0:41:41 | 0:41:45 | |
The known killer. | 0:41:45 | 0:41:46 | |
The unusually well known killer. | 0:41:46 | 0:41:49 | |
Makes you think. | 0:41:50 | 0:41:51 | |
What are you burning? | 0:41:54 | 0:41:55 | |
None of your business. | 0:41:55 | 0:41:57 | |
Yeah, go ahead. | 0:42:06 | 0:42:08 | |
-Cigar? -I'm not celebrating just now. | 0:42:12 | 0:42:15 | |
I know you don't smoke. I saw your DARPA file. | 0:42:15 | 0:42:18 | |
That's my way of telling you you got a DARPA file. | 0:42:18 | 0:42:20 | |
You gonna tell me what that is? | 0:42:22 | 0:42:24 | |
Defence Advanced Research Projects Agency. | 0:42:24 | 0:42:27 | |
Their slogan is "Scienta est Potentia". | 0:42:27 | 0:42:31 | |
And I know you know Latin. | 0:42:31 | 0:42:33 | |
Sta sursum. You know what that means, yeah? | 0:42:33 | 0:42:37 | |
Stand the fuck up. | 0:42:37 | 0:42:39 | |
Please do so. | 0:42:39 | 0:42:40 | |
Well, it seems you're no one in particular. | 0:43:03 | 0:43:06 | |
Just some English guy standing on my lawn | 0:43:06 | 0:43:08 | |
with a District of Columbia driver's license. | 0:43:08 | 0:43:11 | |
Thank you. | 0:43:11 | 0:43:12 | |
Is Northmoor part of DARPA? | 0:43:14 | 0:43:16 | |
Well, that's hard to tell. | 0:43:16 | 0:43:18 | |
Why are you here? | 0:43:20 | 0:43:21 | |
Your daughter was flagged | 0:43:21 | 0:43:22 | |
as a possible terrorist threat to the United States of America. | 0:43:22 | 0:43:25 | |
I said "flagged," I didn't say she was. | 0:43:27 | 0:43:30 | |
Funny, the Boston Police Department didn't come up with that. | 0:43:34 | 0:43:37 | |
Funny if they had. | 0:43:37 | 0:43:38 | |
What the fuck are you burning out there? Fucking Christ. | 0:43:38 | 0:43:43 | |
My English friend, Mr Davenport here, | 0:43:43 | 0:43:45 | |
about six feet tall, 220 pounds, is enjoying his cigar. | 0:43:45 | 0:43:49 | |
JEDBURGH CHUCKLES | 0:43:49 | 0:43:50 | |
WOMAN: Is he putting it out? I can't sleep because of the smell. | 0:43:50 | 0:43:54 | |
You said my daughter was a terrorist. | 0:43:54 | 0:43:57 | |
I didn't. But someone did. | 0:43:57 | 0:44:00 | |
Who are you, Mr Jedburgh? | 0:44:02 | 0:44:04 | |
I'm a friend of the court. | 0:44:04 | 0:44:06 | |
And I'm a bit fucking cold out here. | 0:44:06 | 0:44:08 | |
Pills, pills, pills. | 0:44:11 | 0:44:14 | |
Not like when we were kids, | 0:44:14 | 0:44:16 | |
when it was pills, pills, pills in a very different context. | 0:44:16 | 0:44:19 | |
You're not much of a partier, are you, Craven? | 0:44:23 | 0:44:26 | |
I mean, what do you do for fun? | 0:44:26 | 0:44:28 | |
What do you mean, recently? | 0:44:28 | 0:44:30 | |
What's your interest in my daughter's death? | 0:44:33 | 0:44:35 | |
Well, I don't like the look of it. I mean, what do you think? | 0:44:35 | 0:44:38 | |
Do you recognise them? | 0:44:54 | 0:44:55 | |
Should I? | 0:44:57 | 0:44:59 | |
They broke into a US classified nuclear research facility. | 0:44:59 | 0:45:02 | |
Then they drowned in the Connecticut River | 0:45:02 | 0:45:05 | |
when they were making their escape. | 0:45:05 | 0:45:06 | |
Now, I know that sounds bollocks, but it's not. | 0:45:06 | 0:45:09 | |
Northmoor isn't federal. I checked. | 0:45:09 | 0:45:12 | |
So if you're saying my daughter was involved with these people | 0:45:12 | 0:45:15 | |
the most you could get her for is trespassing. | 0:45:15 | 0:45:17 | |
Her apartment was tossed. Her computer was stolen. | 0:45:17 | 0:45:22 | |
And do the police know that you know that? | 0:45:22 | 0:45:25 | |
No. | 0:45:27 | 0:45:28 | |
You're a smart fucker. | 0:45:32 | 0:45:35 | |
What does Northmoor do? What have they done? | 0:45:35 | 0:45:39 | |
The people who drowned belonged to Nightflower. | 0:45:39 | 0:45:42 | |
You know, treehuggers, militants, New Age fuckups. | 0:45:42 | 0:45:45 | |
Sometimes they blow shit up. Infrequently, and not very well. | 0:45:45 | 0:45:50 | |
You can look them up, | 0:45:50 | 0:45:52 | |
the organisation itself, but not the dead guys. They're classified. | 0:45:52 | 0:45:56 | |
She wasn't an activist. Not the type. My daughter was not a joiner. | 0:45:58 | 0:46:02 | |
She was more like me. | 0:46:02 | 0:46:04 | |
If she did anything, whatever she did, she would have done it alone. | 0:46:04 | 0:46:08 | |
There's a point when anybody can become an activist. | 0:46:08 | 0:46:13 | |
I mean, you see something happen that's so wrong you have to act, | 0:46:13 | 0:46:17 | |
even if it means the end of you. | 0:46:17 | 0:46:19 | |
Now, let's just say she was involved. | 0:46:21 | 0:46:24 | |
Her companions died, and she came home. | 0:46:24 | 0:46:28 | |
She didn't say anything. | 0:46:28 | 0:46:31 | |
She meant to, she wanted to, but she didn't make it. | 0:46:31 | 0:46:34 | |
I'm gonna advise my department of one - which is me - | 0:46:39 | 0:46:45 | |
to allow you to continue your investigation. | 0:46:45 | 0:46:47 | |
Even though you sometimes burn the evidence in your own back garden. | 0:46:47 | 0:46:51 | |
And you, an officer of the court. | 0:46:51 | 0:46:55 | |
I'm not gonna arrest anyone. | 0:46:55 | 0:46:57 | |
I never do. | 0:46:59 | 0:47:02 | |
You gonna try and stop me? | 0:47:02 | 0:47:04 | |
It depends. | 0:47:05 | 0:47:07 | |
I'll see you around. | 0:47:16 | 0:47:18 | |
You know, sometimes I feel like Diogenes. | 0:47:20 | 0:47:24 | |
You know, the guy who walked around with a lamp | 0:47:24 | 0:47:27 | |
looking for an honest man. | 0:47:27 | 0:47:28 | |
How'd it turn out? | 0:47:30 | 0:47:31 | |
What, for him? I don't remember. | 0:47:31 | 0:47:36 | |
But you and I did pretty good. | 0:47:36 | 0:47:38 | |
Bonne chance. | 0:47:39 | 0:47:40 | |
I thought you were gonna wait until I was a nice guy. | 0:48:06 | 0:48:09 | |
As a career move, I seriously need to be seen telling you to fuck off. | 0:48:11 | 0:48:14 | |
You have no idea. You don't understand. Go home. Go home... | 0:48:14 | 0:48:17 | |
There's nothing you can do to me. | 0:48:21 | 0:48:24 | |
There are times when you don't have a choice what kind of guy you are. | 0:48:24 | 0:48:27 | |
And you understand that cos you're doing it right now. | 0:48:27 | 0:48:29 | |
May I? | 0:48:31 | 0:48:32 | |
You drinking the good stuff because your job's going so well? | 0:48:37 | 0:48:40 | |
Is this an intervention? | 0:48:40 | 0:48:42 | |
If it is, I'd like to call people who don't whack me around | 0:48:42 | 0:48:45 | |
because I'm afraid for my life. | 0:48:45 | 0:48:46 | |
I assumed you'd be some kind of scientist. | 0:48:55 | 0:48:57 | |
Didn't think your daughter'd go for a grease monkey? | 0:48:57 | 0:49:00 | |
Something like that, yeah. If you wanna beat yourself up. | 0:49:02 | 0:49:06 | |
Well, what if I said she said I reminded her of you? | 0:49:06 | 0:49:09 | |
Except drinky. | 0:49:09 | 0:49:12 | |
Something to do with the absence of bullshit | 0:49:12 | 0:49:14 | |
and no patience for Broadway musicals. | 0:49:14 | 0:49:16 | |
You're looking at me like I'm crazy. | 0:49:18 | 0:49:20 | |
Somebody shot my girlfriend. Have you factored that in? | 0:49:20 | 0:49:23 | |
What do you know about Nightflower? | 0:49:23 | 0:49:25 | |
You see any granola or C4 in my cabinets? | 0:49:26 | 0:49:29 | |
Politics don't interest me. | 0:49:30 | 0:49:32 | |
What did interest you? | 0:49:32 | 0:49:33 | |
Emma. | 0:49:36 | 0:49:37 | |
Look, I'm under contract. I have a five-year contract. I'm surveilled. | 0:49:42 | 0:49:48 | |
I'm gonna lose my fucking job if I talk to you, no matter who's dead. | 0:49:48 | 0:49:51 | |
How did my daughter get people through the security | 0:49:53 | 0:49:56 | |
at a classified nuclear R & D facility? | 0:49:56 | 0:49:59 | |
There's a rumour she had help. | 0:49:59 | 0:50:01 | |
You. | 0:50:01 | 0:50:03 | |
No. I passed a polygraph at work. | 0:50:03 | 0:50:05 | |
What happened? Come on, level with me here. | 0:50:09 | 0:50:12 | |
I'm not a cop now, it's just you and me. What happened? | 0:50:12 | 0:50:15 | |
You got somewhere else we can talk? | 0:50:19 | 0:50:21 | |
You didn't pass the polygraph, you know. They just told you you did. | 0:50:25 | 0:50:28 | |
Emma was writing to Senator Pine. | 0:50:29 | 0:50:32 | |
At some point she went to this greaseball local, a lawyer, | 0:50:32 | 0:50:35 | |
to see about getting out of her security. | 0:50:35 | 0:50:37 | |
What was the name of the lawyer? | 0:50:37 | 0:50:39 | |
-Sampson or Sanderman. -Sanderman. | 0:50:39 | 0:50:43 | |
Anyway, so nobody could help her. | 0:50:43 | 0:50:45 | |
And whistleblowers always sound like psychos, | 0:50:45 | 0:50:48 | |
and Pine didn't get back to her. | 0:50:48 | 0:50:50 | |
And so all of a sudden, it was these Nightflower assholes. | 0:50:50 | 0:50:53 | |
She got them in through the cooling tunnels. | 0:50:53 | 0:50:56 | |
I mean, she didn't go in herself. But she was there. | 0:50:56 | 0:51:00 | |
How was Emma exposed to radiation? | 0:51:02 | 0:51:04 | |
She wasn't. | 0:51:04 | 0:51:07 | |
That's what I'm saying, she didn't go in the tunnels, I mean, | 0:51:07 | 0:51:10 | |
they were exposed, but she couldn't have been exposed, | 0:51:10 | 0:51:13 | |
she wasn't in the tunnels. | 0:51:13 | 0:51:15 | |
What happened to the people that went in? | 0:51:15 | 0:51:18 | |
There's a protocol. It's Bennett, he's insane. | 0:51:18 | 0:51:22 | |
In case of a breach, they release irradiated steam. | 0:51:22 | 0:51:26 | |
Now, I can't prove this, and you can't prove it. | 0:51:26 | 0:51:29 | |
I mean, these are clever, clever fuckers, right? | 0:51:29 | 0:51:33 | |
You're a cop. You gotta help me. | 0:51:33 | 0:51:36 | |
Yeah, sure. Yeah, I will help you. | 0:51:36 | 0:51:37 | |
Come with me, tell me the truth. We'll get you deposed by a lawyer | 0:51:37 | 0:51:40 | |
No, no. | 0:51:40 | 0:51:42 | |
No, I'm sorry, no. | 0:51:42 | 0:51:44 | |
I like you, you're Emma's dad. But you have to go. | 0:51:44 | 0:51:48 | |
all right. | 0:51:52 | 0:51:53 | |
You can always change your mind. | 0:51:53 | 0:51:54 | |
In the meantime, here, this is yours. | 0:51:56 | 0:51:59 | |
It's loaded. | 0:52:00 | 0:52:02 | |
That's illegal in Massachusetts. | 0:52:05 | 0:52:07 | |
Everything's illegal in Massachusetts. | 0:52:07 | 0:52:11 | |
RAIN/CARS PASSING | 0:52:11 | 0:52:13 | |
DOORS CLOSING | 0:52:32 | 0:52:34 | |
ENGINE REVS | 0:52:34 | 0:52:36 | |
SIREN THROUGHOUT | 0:52:51 | 0:52:53 | |
PHONE BLEEPING | 0:52:58 | 0:53:00 | |
SIREN | 0:53:00 | 0:53:02 | |
TYRES SCREECH | 0:53:28 | 0:53:30 | |
GRUNTING/GLASS SHATTERING | 0:54:06 | 0:54:09 | |
TRUCK PASSING | 0:54:09 | 0:54:10 | |
ENGINE REVS | 0:54:34 | 0:54:36 | |
SIREN | 0:54:40 | 0:54:42 | |
SIREN/ENGINE REVVING | 0:54:50 | 0:54:52 | |
TYRES SCREECH | 0:55:27 | 0:55:28 | |
HORN | 0:55:28 | 0:55:29 | |
TYRES SCREECH/HORNS | 0:55:29 | 0:55:31 | |
SIRENS CONTINUE/TYRES SCREECH | 0:55:31 | 0:55:33 | |
ENGINE REVS | 0:55:33 | 0:55:35 | |
-GLASS SHATTERS -Uh! | 0:56:04 | 0:56:05 | |
Urgh! | 0:56:05 | 0:56:06 | |
Urgh! | 0:56:09 | 0:56:11 | |
-GUN CLICKS -Urgh! | 0:56:14 | 0:56:16 | |
(PANTING) | 0:56:16 | 0:56:18 | |
What does it feel like? | 0:56:28 | 0:56:30 | |
Hm? | 0:56:30 | 0:56:31 | |
PHONE RINGING | 0:56:35 | 0:56:38 | |
(SHUDDERS) | 0:56:43 | 0:56:45 | |
GUN CLICKS/PHONE RINGS | 0:56:45 | 0:56:47 | |
TRAFFIC PASSES/PHONE RINGS | 0:56:49 | 0:56:51 | |
-(TV) 'Good evening, Senator. -Good evening.' | 0:56:56 | 0:56:58 | |
'Senator, two days ago, you gave a speech | 0:56:58 | 0:57:00 | |
in which you criticised your colleague, Senator Stafford, | 0:57:00 | 0:57:03 | |
for his position...' | 0:57:03 | 0:57:04 | |
-'We all have positions, Gordon. -But, Senator...' | 0:57:04 | 0:57:07 | |
'I think the American people are asking, with good reason, | 0:57:07 | 0:57:10 | |
whether the price they have paid for their security is too high.' | 0:57:10 | 0:57:13 | |
'With respect, that's an answer one would expect.' | 0:57:13 | 0:57:15 | |
'But how does it jibe, senator, with your support | 0:57:15 | 0:57:18 | |
of secret research facilities in Massachusetts?' | 0:57:18 | 0:57:21 | |
'I am curious about what you just asked me.' | 0:57:21 | 0:57:24 | |
'Now, if you're asking about this administration's failed policy | 0:57:24 | 0:57:28 | |
-with regards to... -Senator, what can you tell me about Northmoor?' | 0:57:28 | 0:57:31 | |
'I'm not familiar with the business practices.' | 0:57:31 | 0:57:33 | |
'The parent company's one of your biggest corporate donors.' | 0:57:33 | 0:57:36 | |
'All I can say about my donors is that they're completely vetted | 0:57:36 | 0:57:39 | |
and above board.' | 0:57:39 | 0:57:41 | |
'Senator, there is a serious and growing petition movement | 0:57:41 | 0:57:44 | |
to ban military research and development in Massachusetts.' | 0:57:44 | 0:57:47 | |
'I understand that. I understand that.' | 0:57:47 | 0:57:49 | |
'But people have to realise the importance of R & D of every kind | 0:57:49 | 0:57:54 | |
to the Massachusetts economy.' | 0:57:54 | 0:57:55 | |
'Now to hark back to your question about Senator Stafford.' | 0:57:55 | 0:57:59 | |
'I fully agree with his desire to expand oversight of R & D.' | 0:57:59 | 0:58:03 | |
'But let's not throw out the baby with the bathwater...' | 0:58:03 | 0:58:06 | |
SEAGULLS CRYING/CAR DOOR OPENING | 0:58:13 | 0:58:15 | |
FERRY HORN | 0:58:25 | 0:58:28 | |
I never had kids. | 0:58:31 | 0:58:33 | |
Maybe it's better not to have had one, than to see one die. | 0:58:34 | 0:58:38 | |
No. | 0:58:39 | 0:58:40 | |
It was worth everything to have her. | 0:58:43 | 0:58:45 | |
Public drinking is illegal in Massachusetts. | 0:58:48 | 0:58:50 | |
Everything's illegal in Massachusetts. | 0:58:50 | 0:58:53 | |
Payback for the Tea Party. | 0:58:53 | 0:58:55 | |
You ever had wine before? | 0:58:57 | 0:58:59 | |
No, not with any pleasure. | 0:58:59 | 0:59:01 | |
Besides, with you, I think I'd have to switch glasses | 0:59:01 | 0:59:03 | |
when you weren't looking. | 0:59:03 | 0:59:05 | |
HE CHUCKLES | 0:59:05 | 0:59:07 | |
My daughter was irradiated. | 0:59:09 | 0:59:12 | |
I don't know how exactly, | 0:59:12 | 0:59:14 | |
but I think it was our friends at Northmoor. | 0:59:14 | 0:59:16 | |
Later, she was gunned down at my home. | 0:59:16 | 0:59:18 | |
And I want to know what you think about that. | 0:59:18 | 0:59:20 | |
I had a source says Nightflower people | 0:59:23 | 0:59:24 | |
were intentionally exposed to radiation while in the tunnels. | 0:59:24 | 0:59:28 | |
But that source is dead now. | 0:59:28 | 0:59:30 | |
He wasn't a bad guy. | 0:59:30 | 0:59:33 | |
No. | 0:59:33 | 0:59:35 | |
Now, you know better than anyone, cases like these are never solved. | 0:59:35 | 0:59:39 | |
They're simply too complicated, too much hard work. | 0:59:39 | 0:59:42 | |
There's a lot going on out there in this world. | 0:59:43 | 0:59:45 | |
And you just never can connect A to B. | 0:59:45 | 0:59:48 | |
How do you know that? | 0:59:49 | 0:59:51 | |
Because I'm usually the guy that stops you connecting A to B. | 0:59:51 | 0:59:54 | |
It's part of what I do. | 0:59:54 | 0:59:55 | |
FERRY HORN | 0:59:59 | 1:00:01 | |
If I was an employee at Northmoor | 1:00:03 | 1:00:06 | |
and I wanted to blow the whistle on something, | 1:00:06 | 1:00:09 | |
what would I be blowing the whistle on? | 1:00:09 | 1:00:11 | |
Well, let's take a walk and we can talk about it. | 1:00:11 | 1:00:13 | |
I'm not walking into the dark with you. | 1:00:13 | 1:00:17 | |
You're a wise man. | 1:00:17 | 1:00:18 | |
Are you on my side? | 1:00:21 | 1:00:22 | |
Well, that's hard to tell. | 1:00:22 | 1:00:24 | |
You know that Scott Fitzgerald thing | 1:00:25 | 1:00:27 | |
about an artist who's a man who has two opposing ideas in his head | 1:00:27 | 1:00:31 | |
and, you know, he believes in them both simultaneously? | 1:00:31 | 1:00:35 | |
I heard of it, yeah. | 1:00:35 | 1:00:36 | |
Well, that's sort of the beginning of it. | 1:00:36 | 1:00:38 | |
So what's that like, not being anyone in particular? | 1:00:41 | 1:00:45 | |
I don't know what it means to have lost a child. | 1:00:49 | 1:00:51 | |
But I know what it means never to have had one. | 1:00:52 | 1:00:55 | |
Yeah. You got nobody left to bury you. | 1:01:00 | 1:01:04 | |
Yeah. | 1:01:05 | 1:01:06 | |
Oh, by the way, | 1:01:18 | 1:01:20 | |
thanks for not killing me. | 1:01:20 | 1:01:22 | |
Detective Craven, how do you feel about a suspect being identified? | 1:01:36 | 1:01:39 | |
You're here later than everybody else. | 1:01:42 | 1:01:45 | |
Is that because you got a lousy boss? | 1:01:45 | 1:01:47 | |
I'm so sorry for you. I'm sorry I have to be here. | 1:01:50 | 1:01:55 | |
It's all right, take it easy. | 1:01:55 | 1:01:57 | |
You got a business card or something? | 1:01:57 | 1:01:59 | |
Thanks. | 1:02:00 | 1:02:01 | |
Look, go on home, honey. | 1:02:04 | 1:02:06 | |
It's too late to be out here. I'll call you. | 1:02:06 | 1:02:09 | |
INDISTINCT CHATTER | 1:02:17 | 1:02:19 | |
I knew this would be the outcome. | 1:02:27 | 1:02:29 | |
Mr Sanderman? | 1:02:29 | 1:02:31 | |
I'm sorry, I didn't mean to... did I interrupt? | 1:02:31 | 1:02:33 | |
-Uh, no. -I'm Thomas Craven. | 1:02:33 | 1:02:34 | |
Detective Thomas Craven, Boston Police Department. | 1:02:34 | 1:02:37 | |
I know who you are. I'm sorry for your troubles. | 1:02:37 | 1:02:40 | |
Thank you. I understand my daughter was a client of yours. | 1:02:40 | 1:02:44 | |
Yes. I mean, no. | 1:02:44 | 1:02:46 | |
We had a consultation. She never formally became my client. | 1:02:46 | 1:02:50 | |
Oh. It says in her phone calendar | 1:02:50 | 1:02:53 | |
that you and she had dinner on the 18th of last month. | 1:02:53 | 1:02:56 | |
Yeah, I asked her on a date, yes. | 1:02:56 | 1:02:58 | |
Well, how'd it go? | 1:02:58 | 1:03:00 | |
Fine. Fine. She was a nice girl. Smart as a... | 1:03:00 | 1:03:07 | |
Sorry, I have to go. | 1:03:09 | 1:03:10 | |
I'll come with you. | 1:03:10 | 1:03:12 | |
Can I ask you what this is about? | 1:03:13 | 1:03:14 | |
She came to your office. She wanted to blow the whistle on something. | 1:03:14 | 1:03:18 | |
You know what that's from, when cops used to blow their whistles? | 1:03:18 | 1:03:21 | |
-I can't talk about that. -I don't want you to. | 1:03:21 | 1:03:23 | |
But then later on that night, you invited her out to dinner. | 1:03:23 | 1:03:27 | |
Gee, you're really nervous, Mr Sanderman. | 1:03:27 | 1:03:29 | |
-I... -And you're about two seconds away | 1:03:29 | 1:03:30 | |
from telling me how inappropriate all this is. | 1:03:30 | 1:03:33 | |
Let me say, I know you couldn't represent her | 1:03:33 | 1:03:35 | |
in a non-disclosure contract. | 1:03:35 | 1:03:36 | |
But you probably suggested further discussion | 1:03:36 | 1:03:39 | |
over a nice plate of spaghetti and meatballs? | 1:03:39 | 1:03:41 | |
You had agendas: one, you wanted to have sex with her. | 1:03:41 | 1:03:44 | |
Hey, I'm not passing judgment here, OK? | 1:03:44 | 1:03:46 | |
And two, and really, Mr Sanderman, you wanted to know more | 1:03:46 | 1:03:49 | |
about what security breach she represented. | 1:03:49 | 1:03:51 | |
I have to get to a deposition in Springfield. | 1:03:51 | 1:03:53 | |
You represent Northmoor in local matters. | 1:04:08 | 1:04:11 | |
My daughter came to you, but you're Northmoor's attorney. | 1:04:11 | 1:04:14 | |
This is highly irregular... | 1:04:14 | 1:04:15 | |
You organised western Mass for Senator Pine | 1:04:15 | 1:04:17 | |
who put your name forward for district court judge. | 1:04:17 | 1:04:20 | |
You were about to say something? | 1:04:21 | 1:04:22 | |
I don't have anything to say. | 1:04:22 | 1:04:24 | |
You are out of your depth, far from your jurisdiction. | 1:04:24 | 1:04:26 | |
If you don't talk, I'll tell the Globe and Herald, | 1:04:26 | 1:04:29 | |
my daughter came to talk about Northmoor. | 1:04:29 | 1:04:31 | |
You were Northmoor's attorney, yet failed to disclose it. | 1:04:31 | 1:04:33 | |
You'll be in the middle of a story | 1:04:33 | 1:04:35 | |
saying how my daughter was the target, not me. | 1:04:35 | 1:04:37 | |
Is that where you want to be? On what evidence? | 1:04:37 | 1:04:40 | |
I'll forge a fucking diary, I don't care. | 1:04:40 | 1:04:42 | |
Getting you in trouble's good enough. Listen, this is not about police. | 1:04:42 | 1:04:46 | |
This isn't about arresting, all that shit. | 1:04:46 | 1:04:48 | |
This is about me knowing what I have to and that you gotta tell me. | 1:04:48 | 1:04:51 | |
Now, I wanna see the senator. | 1:04:51 | 1:04:53 | |
See the senator? Who the fuck do you think you are? | 1:04:53 | 1:04:56 | |
I'm the guy with nothing to lose and doesn't give a shit. | 1:04:56 | 1:04:59 | |
You tell him that. And fasten your fucking seat belt. | 1:04:59 | 1:05:02 | |
BOAT ENGINE PASSING | 1:05:03 | 1:05:05 | |
'Look, Daddy. Lots of ABC's.' | 1:05:08 | 1:05:11 | |
KNOCKING | 1:05:11 | 1:05:13 | |
-BREATHING HEAVILY -Hi. | 1:05:19 | 1:05:21 | |
I wanna go to her apartment. | 1:05:23 | 1:05:24 | |
I wanna see her things. | 1:05:25 | 1:05:27 | |
That's not a good idea right now. | 1:05:28 | 1:05:30 | |
I'm sorry. | 1:05:32 | 1:05:34 | |
I am so scared. | 1:05:34 | 1:05:36 | |
Look, I would take you for a cup of coffee, something to eat. | 1:05:36 | 1:05:39 | |
But we have to just talk now. | 1:05:39 | 1:05:41 | |
I'd like to ask you things about her, personal things maybe I never knew, | 1:05:41 | 1:05:44 | |
but there's no time now... | 1:05:44 | 1:05:45 | |
Look, I can't take this, OK? I, er... | 1:05:47 | 1:05:51 | |
Talk to me, huh? Talk to me. | 1:05:51 | 1:05:54 | |
I introduced her to them. | 1:06:01 | 1:06:03 | |
Introduced her to who, honey? | 1:06:03 | 1:06:06 | |
Nightflower. | 1:06:06 | 1:06:07 | |
Fuck, you know? | 1:06:08 | 1:06:09 | |
Corporations this, corporations that. | 1:06:09 | 1:06:12 | |
Just keep it straight. | 1:06:12 | 1:06:14 | |
They had a little shack on the river. Nightflower. | 1:06:17 | 1:06:19 | |
ANIMAL SQUEAKING | 1:06:19 | 1:06:21 | |
I am so afraid. | 1:06:21 | 1:06:22 | |
Who are you afraid of? | 1:06:22 | 1:06:24 | |
They came to my house. These guys in black suits. | 1:06:26 | 1:06:29 | |
They were asking about Emma. I lied my ass off. | 1:06:29 | 1:06:33 | |
What were they doing at Northmoor that Emma wanted to expose? | 1:06:33 | 1:06:36 | |
Bennett's the motherfucker. all right? | 1:06:36 | 1:06:38 | |
It's Bennett. That's all she wanted to say, he was insane. | 1:06:38 | 1:06:42 | |
She realised he was completely insane. | 1:06:42 | 1:06:44 | |
OK, whether he was this, that, whatever, | 1:06:44 | 1:06:46 | |
what were they doing at Northmoor? | 1:06:46 | 1:06:48 | |
Why did Emma go to Nightflower? | 1:06:48 | 1:06:49 | |
She couldn't go to the papers because of her contract. | 1:06:49 | 1:06:52 | |
The senator wouldn't help. And you are not hearing this from me. | 1:06:52 | 1:06:55 | |
all right? You are not. I run a luggage store. | 1:06:55 | 1:06:59 | |
I got a three-year-old. | 1:06:59 | 1:07:01 | |
I'm not hearing this from you. | 1:07:01 | 1:07:03 | |
What were they doing at Northmoor that Emma wanted to expose? | 1:07:03 | 1:07:06 | |
She had this for you. | 1:07:14 | 1:07:15 | |
In case. | 1:07:16 | 1:07:17 | |
I never wanted... | 1:07:19 | 1:07:20 | |
I'm just a person. You know? I'm just a fucking person. | 1:07:21 | 1:07:25 | |
OK, honey, I know. Go back to your baby, OK? | 1:07:25 | 1:07:29 | |
I never saw you. | 1:07:29 | 1:07:31 | |
All right? Go on. | 1:07:32 | 1:07:34 | |
SHE SIGHS | 1:07:38 | 1:07:40 | |
I gotta tell you something else first. | 1:07:42 | 1:07:44 | |
What? | 1:07:44 | 1:07:45 | |
She thought they poisoned her. | 1:07:50 | 1:07:51 | |
You know... | 1:08:02 | 1:08:03 | |
I always liked this town. | 1:08:06 | 1:08:08 | |
When she moved out here... | 1:08:09 | 1:08:12 | |
..she said it reminded her of Paris in the 20s, you know. | 1:08:12 | 1:08:15 | |
Cos we got a very traditional home in Boston and... | 1:08:15 | 1:08:18 | |
Maybe it wasn't what she wanted out of life, you know? | 1:08:19 | 1:08:22 | |
What was the name of her contact at Nightflower? | 1:08:27 | 1:08:29 | |
Tell me that and we're done. | 1:08:29 | 1:08:31 | |
No, I'm done now. | 1:08:32 | 1:08:34 | |
In her phone records, there was a guy called Robinson. Is that the guy? | 1:08:34 | 1:08:38 | |
Yeah. | 1:08:40 | 1:08:41 | |
Now I'm done. | 1:08:41 | 1:08:43 | |
LOUD BANGING/GLASS SHATTERING | 1:08:46 | 1:08:48 | |
MELISSA CHOKING/TYRES SCREECHING | 1:08:57 | 1:08:59 | |
ENGINE REVVING/TYRES SCREECHING | 1:09:03 | 1:09:05 | |
GUNSHOTS | 1:09:09 | 1:09:10 | |
GLASS SHATTERING | 1:09:10 | 1:09:12 | |
TYRES SCREECHING | 1:09:17 | 1:09:19 | |
LOUD SPLASH | 1:09:22 | 1:09:24 | |
TANNOY INDISTINCT | 1:09:38 | 1:09:40 | |
We've stabilised her. | 1:09:44 | 1:09:45 | |
She's in a coma, although we weren't able to save her leg. | 1:09:45 | 1:09:49 | |
She has a child. Is there anybody...? | 1:09:52 | 1:09:54 | |
Her parents just arrived. | 1:09:54 | 1:09:56 | |
-Thanks. -Thanks, doc. | 1:09:57 | 1:10:00 | |
Go ahead. I'll keep you posted. | 1:10:06 | 1:10:10 | |
Thanks. | 1:10:11 | 1:10:12 | |
WOMAN SOBBING | 1:10:14 | 1:10:16 | |
BLEEPING | 1:10:43 | 1:10:44 | |
'My name is Emma Charlotte Craven.' | 1:10:54 | 1:10:56 | |
I work at Northmoor Massachusetts as a research assistant.' | 1:10:56 | 1:11:01 | |
'I know that I am violating the security conditions of my workplace | 1:11:01 | 1:11:04 | |
and I know I am committing a crime.' | 1:11:04 | 1:11:07 | |
'But I'm doing this | 1:11:07 | 1:11:08 | |
because I've exhausted every legal avenue that is available to me | 1:11:08 | 1:11:12 | |
and no one would listen.' | 1:11:12 | 1:11:14 | |
'So now I have to do what's right.' | 1:11:14 | 1:11:16 | |
'Northmoor is breaking the law. They are making nuclear weapons.' | 1:11:16 | 1:11:20 | |
'But these are not American nuclear weapons.' | 1:11:20 | 1:11:22 | |
'They are weapons designed to foreign specifications | 1:11:22 | 1:11:25 | |
and built with foreign materials.' | 1:11:25 | 1:11:27 | |
'So, obviously, if these bombs were ever to be used | 1:11:27 | 1:11:30 | |
they would be traced directly back to another country | 1:11:30 | 1:11:33 | |
and not the United States.' | 1:11:33 | 1:11:35 | |
'I've stolen documents, images, blueprints.' | 1:11:35 | 1:11:39 | |
'But we need proof of the weapons themselves.' | 1:11:39 | 1:11:42 | |
'So I'm showing a team of people how to get into the Northmoor facility | 1:11:42 | 1:11:47 | |
to video the evidence.' | 1:11:47 | 1:11:48 | |
'I'm recording all this because I'm very scared.' | 1:11:50 | 1:11:53 | |
-EXHALES -'I'm under constant surveillance.' | 1:11:53 | 1:11:56 | |
'My phone is tapped, and I'm being followed.' | 1:11:56 | 1:11:59 | |
'So chances are that if you're watching this, | 1:11:59 | 1:12:02 | |
I'll already be dead.' | 1:12:02 | 1:12:04 | |
'I love you, Dad.' | 1:12:07 | 1:12:08 | |
(Fuck.) | 1:12:17 | 1:12:19 | |
WIND BLOWING/BIRDS SINGING | 1:12:24 | 1:12:27 | |
WIND BLOWING | 1:12:28 | 1:12:30 | |
HELICOPTER ENGINE | 1:13:06 | 1:13:08 | |
Next time a contractor asks to run his own security, | 1:13:22 | 1:13:25 | |
what should I say? | 1:13:25 | 1:13:26 | |
I suppose that would be up to you. | 1:13:26 | 1:13:29 | |
This is called a containment situation. I wonder why. | 1:13:29 | 1:13:31 | |
The problem is there are things uncontained | 1:13:31 | 1:13:33 | |
and some of them will never go back in the box. | 1:13:33 | 1:13:35 | |
You're scared about Craven, wisely so. | 1:13:35 | 1:13:38 | |
But here's the damage control analysis: | 1:13:38 | 1:13:40 | |
apart from Craven, three sets of parents have lost their kids. | 1:13:40 | 1:13:43 | |
And now you have an employee | 1:13:43 | 1:13:44 | |
who tries to run over a single mother | 1:13:44 | 1:13:46 | |
only to be shot in the head by the same cop you previously bereaved. | 1:13:46 | 1:13:49 | |
I don't know what you're talking about. | 1:13:49 | 1:13:51 | |
You know the thing about the dead? | 1:13:51 | 1:13:53 | |
They've got lovers, friends, relatives, | 1:13:53 | 1:13:55 | |
a billion loose ends, estimated. | 1:13:55 | 1:13:57 | |
Let's start at the beginning of this debacle. | 1:13:57 | 1:13:59 | |
Nightflower is a pack of paranoid, anti-corporate, | 1:13:59 | 1:14:02 | |
hubristic freaks. | 1:14:02 | 1:14:03 | |
They think you're the devil if you give them ice cream. | 1:14:03 | 1:14:05 | |
D'you think three of their people reading as drowned | 1:14:05 | 1:14:08 | |
is gonna read as an accident? | 1:14:08 | 1:14:10 | |
It WAS an accident. | 1:14:10 | 1:14:12 | |
The man involved in the other incident was a Bosnian | 1:14:12 | 1:14:14 | |
who, as far as paperwork is concerned, is alive and well | 1:14:14 | 1:14:17 | |
in London at this moment. | 1:14:17 | 1:14:19 | |
I can do my job. It seems I can also do yours. | 1:14:19 | 1:14:23 | |
What you're doing is not my job. | 1:14:23 | 1:14:25 | |
Isn't it? | 1:14:25 | 1:14:27 | |
Even if the drownings were accidental, | 1:14:27 | 1:14:29 | |
the bodies were recovered by a radiation team | 1:14:29 | 1:14:31 | |
-and disposed of secretly. -By your people, not mine. | 1:14:31 | 1:14:33 | |
You said they were contaminated terrorists. | 1:14:33 | 1:14:35 | |
Not American citizens, and you contaminated them. | 1:14:35 | 1:14:38 | |
One of them is the only child of a mom with multiple sclerosis. | 1:14:38 | 1:14:41 | |
When she's on TV saying, | 1:14:41 | 1:14:42 | |
"Last thing I knew they were breaking into Northmoor..." | 1:14:42 | 1:14:45 | |
Do you know what I'm saying, Bennett? | 1:14:45 | 1:14:47 | |
Do you understand what you have done? | 1:14:47 | 1:14:49 | |
What's worse, me doing it - if anything has been done - | 1:14:49 | 1:14:52 | |
or you covering it up? | 1:14:52 | 1:14:53 | |
I'm just a private individual, a citizen, a man. | 1:14:53 | 1:14:56 | |
You, on the other hand, are the United States government. | 1:14:56 | 1:15:00 | |
What I am is the guy whose only fuck up | 1:15:00 | 1:15:02 | |
was letting you have your own security fiefdom. | 1:15:02 | 1:15:04 | |
Whatever they say, there was never a break in. | 1:15:06 | 1:15:08 | |
Northmoor's never had a security breach, never had an accident, | 1:15:08 | 1:15:12 | |
and Northmoor does NOT make weapons. | 1:15:12 | 1:15:15 | |
Least of all, | 1:15:15 | 1:15:16 | |
things supposed in certain contingencies best known to you | 1:15:16 | 1:15:19 | |
to look like Jihadist dirty bombs. | 1:15:19 | 1:15:22 | |
I wouldn't worry about it more. | 1:15:23 | 1:15:26 | |
"Fuck you, it's classified" still works, as I'm far as I'm concerned. | 1:15:26 | 1:15:31 | |
Are you even here, Mr Bennett? Are we even talking? | 1:15:38 | 1:15:40 | |
I'm at my house in Virginia. I've got food poisoning. Where are you? | 1:15:40 | 1:15:44 | |
Oh, I'm not here. | 1:15:44 | 1:15:46 | |
Is Robinson keeping his part of the bargain? | 1:15:47 | 1:15:49 | |
-Mr Robinson? -Yes. | 1:15:58 | 1:16:01 | |
Mr Allan C. Robinson, Junior? | 1:16:01 | 1:16:02 | |
-Yes. -Could you remove your glasses, please, sir? | 1:16:02 | 1:16:05 | |
Urgh! | 1:16:07 | 1:16:08 | |
Argh! | 1:16:08 | 1:16:09 | |
Oof! | 1:16:09 | 1:16:10 | |
PUNCHING/GRUNTING THROUGHOUT | 1:16:12 | 1:16:14 | |
My daughter was Emma Craven. | 1:16:16 | 1:16:18 | |
She wasn't killed in your amphibious little operation | 1:16:18 | 1:16:20 | |
against the corporate Satan. | 1:16:20 | 1:16:22 | |
No, she was killed later. On my front porch. | 1:16:22 | 1:16:25 | |
Come here! | 1:16:25 | 1:16:26 | |
GROANING | 1:16:26 | 1:16:27 | |
I wanna know why you, | 1:16:27 | 1:16:28 | |
with your concerns about the planet and human race, | 1:16:28 | 1:16:31 | |
stayed silent about the drowning of your people. Why's that? | 1:16:31 | 1:16:34 | |
GRUNTING People with families. | 1:16:34 | 1:16:36 | |
All of them had kids. | 1:16:36 | 1:16:38 | |
And one of them was my daughter. | 1:16:38 | 1:16:40 | |
Nah, I'm not gonna hit you again. She wouldn't want me to. | 1:16:41 | 1:16:45 | |
Then again, she's not here because of you, you son of a bitch. | 1:16:45 | 1:16:49 | |
GRUNTING | 1:16:49 | 1:16:51 | |
We got a serious situation here, Mr Robinson. | 1:16:54 | 1:16:58 | |
They know who you are, and you're not dead. | 1:16:58 | 1:17:00 | |
Not dead, shot, hurt, poisoned, nothing. | 1:17:00 | 1:17:03 | |
Now, I figure that's because you cut a deal. | 1:17:03 | 1:17:05 | |
But you're gonna cut another deal with me. | 1:17:05 | 1:17:08 | |
You're gonna tell me everything. Come on. | 1:17:08 | 1:17:10 | |
Urgh! No! | 1:17:10 | 1:17:12 | |
ELECTRONIC BLEEPING | 1:17:22 | 1:17:24 | |
BLEEPING INTENSIFIES | 1:17:31 | 1:17:33 | |
I need to know about the properties of the substance | 1:17:42 | 1:17:44 | |
you gave Emma Craven. | 1:17:44 | 1:17:46 | |
I'd rather not discuss it in those terms. | 1:17:46 | 1:17:48 | |
Is it something she could've encountered in her work? | 1:17:48 | 1:17:52 | |
Any exposure, if there were an exposure, | 1:17:52 | 1:17:54 | |
would be consistent with a documentable procedural failure | 1:17:54 | 1:17:56 | |
on her part. | 1:17:56 | 1:17:58 | |
Is it something that could've remained in her effects | 1:17:58 | 1:18:01 | |
and been transferred to her father | 1:18:01 | 1:18:03 | |
without much collateral contamination? | 1:18:03 | 1:18:05 | |
Do you mean, could it have poisoned her father, as well? | 1:18:05 | 1:18:08 | |
Yes. | 1:18:09 | 1:18:11 | |
What, in your opinion, would be the consequences | 1:18:12 | 1:18:15 | |
if Craven opens his mouth? | 1:18:15 | 1:18:16 | |
It's unsurvivable. | 1:18:20 | 1:18:23 | |
So be it, then. | 1:18:26 | 1:18:28 | |
Do you see a soul in there? | 1:18:34 | 1:18:36 | |
I beg your pardon? | 1:18:36 | 1:18:38 | |
You can button your shirt. | 1:18:38 | 1:18:40 | |
Now, as we discussed yesterday, | 1:18:40 | 1:18:42 | |
there will be some erratic behaviour. | 1:18:42 | 1:18:44 | |
I regret to say that this probably means | 1:18:44 | 1:18:47 | |
that you'll have less time... | 1:18:47 | 1:18:48 | |
I know what it means. | 1:18:48 | 1:18:49 | |
I've been having aural hallucinations. | 1:18:53 | 1:18:56 | |
My father's voice calling my name as I start to sleep. | 1:18:56 | 1:18:58 | |
Bastard's been dead for 40 years, suddenly he's yelling at me again. | 1:19:00 | 1:19:04 | |
I come awake. | 1:19:04 | 1:19:05 | |
You're not sleeping? | 1:19:05 | 1:19:07 | |
No, I'm not sleeping. I start to sleep and then I jolt awake. | 1:19:07 | 1:19:10 | |
There's something about the darkness. I don't like it. | 1:19:11 | 1:19:17 | |
I'm not a counsellor. | 1:19:17 | 1:19:18 | |
I know you wanna banter with me. I don't do that. | 1:19:18 | 1:19:21 | |
I can only give you the facts. | 1:19:21 | 1:19:23 | |
Well, we all know what the facts are. | 1:19:23 | 1:19:26 | |
We live a while and then we die sooner than we planned. | 1:19:26 | 1:19:30 | |
CAR HORNS/TRAFFIC NOISE | 1:19:32 | 1:19:34 | |
-Standard procedure with the senator. -Yeah, I get it. | 1:19:39 | 1:19:41 | |
You know, you didn't really let the side stand with you. | 1:19:43 | 1:19:45 | |
You got a lot of brothers out there. | 1:19:45 | 1:19:47 | |
Yeah, I know. I like a private funeral. | 1:19:47 | 1:19:50 | |
The senator gets in his moods. Not too good today. | 1:19:50 | 1:19:53 | |
That's too bad, I was jumping for joy (!) | 1:19:53 | 1:19:56 | |
Are you hungry? We have some sandwiches, a cup of tea. | 1:20:01 | 1:20:06 | |
No, thank you, sir. | 1:20:06 | 1:20:07 | |
Well, it's always a pleasure to meet a combat veteran. | 1:20:07 | 1:20:11 | |
You left as a master sergeant of a heavy weapons platoon. | 1:20:11 | 1:20:15 | |
-Yes, sir. -How'd you do that at 20? | 1:20:15 | 1:20:19 | |
Everybody else was dead. | 1:20:19 | 1:20:21 | |
Did you have trouble adjusting when you came home? | 1:20:23 | 1:20:26 | |
-No. -Really? | 1:20:26 | 1:20:28 | |
No. People talk about trauma and so forth. | 1:20:28 | 1:20:31 | |
I figure you pretty much come out of combat the same way you went in. | 1:20:31 | 1:20:34 | |
I know that's not a very kind thing to say, but that's my observation. | 1:20:34 | 1:20:38 | |
I know there's a lot of big bucks | 1:20:38 | 1:20:40 | |
in this post-traumatic stress thing. | 1:20:40 | 1:20:42 | |
But combat's pretty much like anything else. | 1:20:42 | 1:20:45 | |
It can help put perspective on things when you're scared shitless. | 1:20:45 | 1:20:48 | |
What is the nature of our appointment, Detective Craven? | 1:20:48 | 1:20:51 | |
I was hoping you could tell me that. | 1:20:51 | 1:20:53 | |
How am I supposed to tell you what you want to see me about? | 1:20:53 | 1:20:56 | |
Because you're seeing me less than 48 hours | 1:20:56 | 1:20:58 | |
after I talked to your attorney. | 1:20:58 | 1:21:00 | |
Your daughter did come to me with allegations about Northmoor. | 1:21:02 | 1:21:07 | |
She sent me a letter. | 1:21:07 | 1:21:08 | |
What'd the letter contain? | 1:21:08 | 1:21:10 | |
It touched on national security matters that are classified. | 1:21:10 | 1:21:14 | |
What happened to the letter? | 1:21:16 | 1:21:17 | |
That's also classified. | 1:21:17 | 1:21:20 | |
But protocol would be to turn it over to the committee | 1:21:20 | 1:21:23 | |
that does oversight on the area your daughter's letter touched upon. | 1:21:23 | 1:21:27 | |
Prompting an investigation on my daughter. | 1:21:27 | 1:21:30 | |
Opening up a DARPA file on her, treating her like a terrorist? | 1:21:30 | 1:21:33 | |
I'm not involved in security matters. | 1:21:33 | 1:21:35 | |
I did write to your daughter | 1:21:35 | 1:21:37 | |
advising her that she might be in breach of security. | 1:21:37 | 1:21:40 | |
Oh. So you didn't help her? | 1:21:40 | 1:21:45 | |
I'm very glad to see you, detective, as both a veteran | 1:21:45 | 1:21:47 | |
and as a police officer of your many years of service. | 1:21:47 | 1:21:50 | |
But I have to tell you that your daughter, | 1:21:50 | 1:21:51 | |
and we have to say this despite her terrible accident, | 1:21:51 | 1:21:54 | |
was in violation of... | 1:21:54 | 1:21:58 | |
..almost everything she could be in violation of. | 1:21:58 | 1:22:00 | |
What did she allege? | 1:22:00 | 1:22:01 | |
That's classified. | 1:22:01 | 1:22:03 | |
Detective, a very important part of the Massachusetts economy | 1:22:04 | 1:22:07 | |
is research and development. | 1:22:07 | 1:22:09 | |
I think you're in a position, senator, regarding Northmoor, | 1:22:09 | 1:22:13 | |
where you had better decide whether you're hanging on the cross | 1:22:13 | 1:22:16 | |
or banging in the nails. | 1:22:16 | 1:22:18 | |
Here. | 1:22:18 | 1:22:19 | |
These deaths are the result of a conspiracy | 1:22:22 | 1:22:24 | |
by one of your major campaign contributors. | 1:22:24 | 1:22:27 | |
But your daughter, her death was an accident. | 1:22:28 | 1:22:31 | |
No, she was poisoned with thallium by Mr Bennett. | 1:22:31 | 1:22:34 | |
I think I'm scaring you. | 1:22:36 | 1:22:37 | |
There's not much upside to scaring a senator | 1:22:37 | 1:22:40 | |
except to provide some perspective. | 1:22:40 | 1:22:42 | |
I'm gonna go, but I'm gonna leave you these. | 1:22:42 | 1:22:44 | |
I want you to call everybody involved. | 1:22:44 | 1:22:46 | |
Tell them I know everything I need | 1:22:46 | 1:22:48 | |
to throw a box of tarantulas at this situation. | 1:22:48 | 1:22:50 | |
-If you have information... -Shut up. | 1:22:50 | 1:22:52 | |
I'm not interested in talking any more shit. | 1:22:52 | 1:22:54 | |
Investigate this at a national level. | 1:22:54 | 1:22:56 | |
Do that, maybe you'll come out of this all right. I don't know. | 1:22:56 | 1:23:00 | |
I don't think you knew the people you're in business with | 1:23:00 | 1:23:02 | |
killed my daughter. | 1:23:02 | 1:23:04 | |
But now that you do know... | 1:23:04 | 1:23:06 | |
..what are you gonna do about it? | 1:23:06 | 1:23:08 | |
Good afternoon, senator. | 1:23:08 | 1:23:09 | |
TRAFFIC NOISES/INDISTINCT CHATTER | 1:23:17 | 1:23:19 | |
TYRES SCREECHING | 1:23:42 | 1:23:44 | |
ENGINE REVVING | 1:24:18 | 1:24:20 | |
LOUD CRASH | 1:24:20 | 1:24:22 | |
Get out of the vehicle. | 1:24:26 | 1:24:28 | |
What the fuck do you think you just did? | 1:24:30 | 1:24:32 | |
You just rear-ended an unmarked cruiser. | 1:24:32 | 1:24:34 | |
I made an observation that you're armed. | 1:24:34 | 1:24:36 | |
-Through smoked glass and our coats? -Yeah, I'm funny that way. | 1:24:36 | 1:24:39 | |
Get out of the car now or you're gonna make a move | 1:24:39 | 1:24:41 | |
for something on the inside of your jackets. | 1:24:41 | 1:24:44 | |
Get out of the car. | 1:24:45 | 1:24:47 | |
SIRENS WAIL | 1:24:48 | 1:24:50 | |
All right, on your knees. Hands on your heads. | 1:24:52 | 1:24:54 | |
SIRENS GET LOUDER | 1:24:54 | 1:24:57 | |
TYRES SCREECHING/SIRENS STOP | 1:24:57 | 1:24:58 | |
What you got, Tommy? | 1:25:00 | 1:25:01 | |
These guys are armed. They were following me, rear-ended my car. | 1:25:01 | 1:25:04 | |
You got some ID there? | 1:25:05 | 1:25:07 | |
Thanks. | 1:25:07 | 1:25:08 | |
They're not law enforcement. Imagine that. | 1:25:11 | 1:25:15 | |
What are you? | 1:25:15 | 1:25:16 | |
You don't think this'll get straightened out? | 1:25:16 | 1:25:18 | |
Not for a while. | 1:25:18 | 1:25:19 | |
These fuckers got automatic weapons. | 1:25:19 | 1:25:22 | |
You just made a serious mistake. | 1:25:22 | 1:25:25 | |
Did you shoot my daughter? | 1:25:29 | 1:25:30 | |
I'm the supposed target of the killer. | 1:25:33 | 1:25:36 | |
So you're gonna follow me, armed, with no credentials, | 1:25:36 | 1:25:39 | |
into the city of Boston? You're out of your fucking mind. | 1:25:39 | 1:25:41 | |
Welcome to hell. | 1:25:43 | 1:25:44 | |
(TV) 'A strange new twist in the Emma Craven case.' | 1:25:46 | 1:25:48 | |
'As you know, a suspect has been identified in her murder.' | 1:25:48 | 1:25:51 | |
'But there are new developments today involving her father.' | 1:25:51 | 1:25:54 | |
'Two men have been arrested in Boston.' | 1:25:54 | 1:25:56 | |
'Police say the men were taken into custody | 1:25:56 | 1:25:58 | |
after their car crashed in the back of an unmarked police car | 1:25:58 | 1:26:02 | |
driven by Boston Police Detective Thomas Craven, | 1:26:02 | 1:26:04 | |
the father of Emma Craven.' | 1:26:04 | 1:26:06 | |
'This all happened on Arlington Street.' | 1:26:06 | 1:26:08 | |
'Robert Down of Dover, Maryland | 1:26:08 | 1:26:10 | |
and Thomas Hannaham of Washington D.C | 1:26:10 | 1:26:12 | |
were also found armed with automatic weapons...' | 1:26:12 | 1:26:14 | |
Bennett. | 1:26:14 | 1:26:15 | |
We need to abort right now. | 1:26:15 | 1:26:17 | |
'We can't risk dealing with Craven yet.' | 1:26:17 | 1:26:20 | |
It's too late. It's already been done. | 1:26:20 | 1:26:23 | |
(TV) '..not explain why they had automatic weapons in their car.' | 1:26:23 | 1:26:26 | |
-You wanna try? -Hm hm. | 1:26:45 | 1:26:47 | |
Hold your hair back. Your mother'll kill me if I get it messed up. | 1:26:54 | 1:26:57 | |
There you go. | 1:26:57 | 1:26:59 | |
Also on your chin. | 1:26:59 | 1:27:01 | |
Little moustache. | 1:27:01 | 1:27:02 | |
Perfect. Now you need your razor. | 1:27:04 | 1:27:07 | |
Here you go. Don't cut yourself. | 1:27:07 | 1:27:09 | |
Comb. | 1:27:09 | 1:27:11 | |
That'll work. | 1:27:11 | 1:27:13 | |
All right, now watch. | 1:27:13 | 1:27:14 | |
Painless. | 1:27:33 | 1:27:34 | |
Wash it off. | 1:27:34 | 1:27:36 | |
And one more. | 1:27:36 | 1:27:37 | |
CAR ENGINE | 1:28:01 | 1:28:03 | |
COUGHS | 1:28:06 | 1:28:09 | |
KNOCKING | 1:28:09 | 1:28:10 | |
COUGHS | 1:28:14 | 1:28:16 | |
Can I come in, Tom? | 1:28:22 | 1:28:24 | |
-You all right? -Yeah. | 1:28:27 | 1:28:28 | |
Remember that trooper out at the airport, | 1:28:48 | 1:28:50 | |
busted Whitey and got demoted and transferred? | 1:28:50 | 1:28:53 | |
HE SIGHS | 1:28:55 | 1:28:57 | |
He knew what was going on. | 1:28:57 | 1:28:58 | |
But he couldn't prove it, and nobody wanted to know about it. | 1:28:58 | 1:29:03 | |
Finally he shot himself. Remember that? | 1:29:03 | 1:29:05 | |
I don't think you'd shoot yourself. | 1:29:08 | 1:29:10 | |
But what's coming is worse than that. | 1:29:13 | 1:29:15 | |
It isn't what it is, Tommy. It is never what it is. | 1:29:17 | 1:29:22 | |
It is what it can be made to look like. | 1:29:22 | 1:29:24 | |
There's a DA in Hampshire County | 1:29:27 | 1:29:29 | |
gonna charge you with the death of your daughter's boyfriend. | 1:29:29 | 1:29:33 | |
He don't have a case. | 1:29:33 | 1:29:35 | |
That doesn't matter. | 1:29:35 | 1:29:36 | |
It'll be five years of people thinking you did it. | 1:29:38 | 1:29:42 | |
You'll go broke, you'll lose the house. | 1:29:42 | 1:29:44 | |
Then they'll go after your pension. | 1:29:44 | 1:29:46 | |
If you win the case, then there'll be a civil suit | 1:29:46 | 1:29:49 | |
and by that point you won't be able to afford a lawyer. | 1:29:49 | 1:29:51 | |
What are they offering you? | 1:29:51 | 1:29:53 | |
I got kids, Tommy. | 1:29:59 | 1:30:02 | |
I don't. | 1:30:04 | 1:30:05 | |
But even if you did, right? | 1:30:09 | 1:30:11 | |
Even if you did? | 1:30:14 | 1:30:16 | |
Yep, even if I did. | 1:30:16 | 1:30:17 | |
VOMITING | 1:30:31 | 1:30:33 | |
COUGHING | 1:30:33 | 1:30:35 | |
You know, Bill... | 1:31:08 | 1:31:09 | |
..no one expects you to be perfect. | 1:31:10 | 1:31:12 | |
But there's just a few basic things you gotta get right. | 1:31:14 | 1:31:17 | |
Always do the best you can by your family. | 1:31:19 | 1:31:22 | |
Go to work every day. Always speak your mind. | 1:31:22 | 1:31:25 | |
Never hurt anyone that doesn't deserve it. | 1:31:25 | 1:31:27 | |
And never take anything from the bad guys. | 1:31:29 | 1:31:33 | |
That's all. It's not much to ask. | 1:31:33 | 1:31:36 | |
FLOORBOARD CREAKING/CLICKING | 1:31:42 | 1:31:44 | |
Hello, Craven. | 1:31:48 | 1:31:49 | |
ELECTRIC CHARGES Argh! | 1:31:56 | 1:31:57 | |
THUD | 1:31:57 | 1:31:58 | |
MACHINERY WHIRRING | 1:32:20 | 1:32:22 | |
METAL CLANKING | 1:32:23 | 1:32:25 | |
CLANGING | 1:32:42 | 1:32:44 | |
Urgh! | 1:32:45 | 1:32:47 | |
DOOR OPENING | 1:32:48 | 1:32:50 | |
BOTH GRUNTING | 1:33:05 | 1:33:07 | |
Oof! | 1:33:14 | 1:33:15 | |
HE COUGHS | 1:33:23 | 1:33:25 | |
HE GRUNTS I need your car. | 1:33:44 | 1:33:47 | |
LOUD ENGINE NOISE | 1:33:47 | 1:33:49 | |
WATER RUNNING | 1:34:02 | 1:34:05 | |
MOANING | 1:34:05 | 1:34:06 | |
BREATHES HEAVILY | 1:34:19 | 1:34:21 | |
HE INHALES | 1:34:23 | 1:34:24 | |
Not yet. | 1:34:25 | 1:34:27 | |
PHONE RINGING | 1:34:40 | 1:34:42 | |
Go ahead. | 1:34:48 | 1:34:49 | |
Hold on. | 1:34:51 | 1:34:53 | |
I'll call you back. | 1:34:56 | 1:34:57 | |
GUNSHOT | 1:34:57 | 1:34:58 | |
Derek. Derek! | 1:35:07 | 1:35:09 | |
You're all fucked up, Craven. You're all done. Sit down. | 1:35:18 | 1:35:23 | |
Lie down. Be dead. | 1:35:23 | 1:35:25 | |
-GUNSHOT -Argh! | 1:35:25 | 1:35:28 | |
Argh! | 1:35:28 | 1:35:29 | |
Fuck. | 1:35:29 | 1:35:31 | |
GRUNTING | 1:35:31 | 1:35:32 | |
Say, "Craven." | 1:35:32 | 1:35:33 | |
Fuck you. | 1:35:33 | 1:35:35 | |
-GUNSHOT -Argh, you fuck! | 1:35:35 | 1:35:37 | |
"Craven." Say it. | 1:35:37 | 1:35:39 | |
Fuck. Craven. | 1:35:39 | 1:35:41 | |
Louder! | 1:35:41 | 1:35:42 | |
Craven! | 1:35:42 | 1:35:43 | |
-Louder! -Craven! | 1:35:43 | 1:35:44 | |
GUNSHOT/GLASS SHATTERS | 1:35:45 | 1:35:47 | |
GUNSHOTS | 1:35:55 | 1:35:56 | |
I'm sorry you had to see that, honey. | 1:36:03 | 1:36:04 | |
GUNSHOT Urgh! | 1:36:04 | 1:36:05 | |
-GUNSHOT -Urgh! | 1:36:05 | 1:36:07 | |
MOANING | 1:36:16 | 1:36:18 | |
CHOKING | 1:36:22 | 1:36:24 | |
SPLUTTERING/GROANING) | 1:36:24 | 1:36:29 | |
VOMITING/CHOKING | 1:36:41 | 1:36:44 | |
Deep down... | 1:37:09 | 1:37:11 | |
..you know you deserve this. | 1:37:13 | 1:37:19 | |
CHOKING | 1:37:21 | 1:37:23 | |
GUN FALLS TO FLOOR | 1:37:40 | 1:37:41 | |
Got a cop of almost 30 years spotless service | 1:37:45 | 1:37:48 | |
and there's not one person who can explain his instability | 1:37:48 | 1:37:51 | |
without lying. | 1:37:51 | 1:37:52 | |
Who has executed the director of the nuclear research facility | 1:37:52 | 1:37:55 | |
where his daughter was employed. | 1:37:55 | 1:37:58 | |
OK. Ideas. | 1:37:58 | 1:38:00 | |
Your scenario is this: | 1:38:07 | 1:38:10 | |
He was accidentally poisoned by his own daughter. | 1:38:10 | 1:38:12 | |
But he blamed Bennett. | 1:38:16 | 1:38:17 | |
How do we know that? | 1:38:17 | 1:38:19 | |
Testimony of an altercation that happened at Northmoor | 1:38:19 | 1:38:22 | |
while he was there. | 1:38:22 | 1:38:23 | |
Testimony from the senator. | 1:38:23 | 1:38:25 | |
I can easily testify that he was unstable, he came to my house. | 1:38:25 | 1:38:28 | |
That's right. He made wild allegations, he was armed. | 1:38:28 | 1:38:32 | |
You know, you was really lucky to live. | 1:38:32 | 1:38:35 | |
That's true. That's very true. | 1:38:35 | 1:38:37 | |
Now the real story here, gentlemen, | 1:38:37 | 1:38:38 | |
is: "United States Senator Escapes Assassination." | 1:38:38 | 1:38:43 | |
Right. That's the lead story. | 1:38:43 | 1:38:44 | |
That'll wipe the rest out of the media. | 1:38:44 | 1:38:46 | |
Anyone who looks at the rest of this | 1:38:46 | 1:38:48 | |
is gonna see that something happened, | 1:38:48 | 1:38:51 | |
but no one's gonna be able to figure it out. | 1:38:51 | 1:38:53 | |
That's your objective. | 1:38:53 | 1:38:55 | |
To make it so convoluted that anyone can have a theory. | 1:38:55 | 1:38:58 | |
But no one's got the facts. | 1:38:58 | 1:39:00 | |
That's quite good, Jedburgh. | 1:39:00 | 1:39:02 | |
Senator, I've been making things unintelligible | 1:39:02 | 1:39:04 | |
for the past 30 years. | 1:39:04 | 1:39:07 | |
And by the way, it's Captain Jedburgh to you. | 1:39:07 | 1:39:11 | |
Captain? Of what? | 1:39:11 | 1:39:14 | |
Very little he can tell you about. | 1:39:16 | 1:39:18 | |
Right. Well, it seems we have a good starting point. | 1:39:21 | 1:39:24 | |
What's the prognosis on Craven? | 1:39:24 | 1:39:26 | |
Well, you know he's terminal. | 1:39:26 | 1:39:29 | |
We're all terminal, Millroy. Even middle management. | 1:39:29 | 1:39:32 | |
But how fast is he being terminal? | 1:39:32 | 1:39:34 | |
He's incapable of speech. | 1:39:34 | 1:39:36 | |
Thank God for that. | 1:39:36 | 1:39:37 | |
BOTH LAUGH | 1:39:37 | 1:39:39 | |
I understand you had a chance to terminate Detective Craven | 1:39:43 | 1:39:46 | |
and did not do so. | 1:39:46 | 1:39:48 | |
You come to me, I look at things, I decide. | 1:39:48 | 1:39:52 | |
Jedburgh, we've got to get the senator out to the press. | 1:39:52 | 1:39:55 | |
I've decided what this country is. | 1:39:59 | 1:40:02 | |
What? | 1:40:02 | 1:40:04 | |
People who deserve better. | 1:40:04 | 1:40:07 | |
Yeah, we all appreciate Captain Jedburgh. | 1:40:08 | 1:40:11 | |
Yet we would have not got to this extremity | 1:40:11 | 1:40:13 | |
had he done what the situation dictated. | 1:40:13 | 1:40:15 | |
Senator, I don't think you really understand | 1:40:15 | 1:40:18 | |
what side of the situation you're on. | 1:40:18 | 1:40:20 | |
Well, I think we've had a successful meeting. | 1:40:26 | 1:40:28 | |
GUNSHOTS | 1:40:28 | 1:40:29 | |
I am a United States senator. | 1:40:35 | 1:40:41 | |
By what standard? | 1:40:41 | 1:40:42 | |
GUNSHOT | 1:40:42 | 1:40:43 | |
You got a family? | 1:40:55 | 1:40:57 | |
(Yeah.) | 1:40:57 | 1:40:58 | |
Kids? | 1:40:58 | 1:41:00 | |
Yeah. | 1:41:00 | 1:41:01 | |
GUNSHOT/THUD | 1:41:05 | 1:41:07 | |
PANTING | 1:41:08 | 1:41:10 | |
PHONES RINGING/INDISTINCT CHATTER | 1:41:22 | 1:41:24 | |
WHEEZES/MACHINE BLEEPING | 1:41:44 | 1:41:46 | |
RHYTHMIC PULSING | 1:41:49 | 1:41:51 | |
PULSING GETS LOUDER | 1:41:54 | 1:41:56 | |
WHEEZES/PULSING STOPS | 1:42:08 | 1:42:10 | |
MOANS/MACHINE BLEEPING | 1:42:33 | 1:42:35 | |
CLICK/BLEEPING STOPS | 1:42:37 | 1:42:39 | |
FAINT HOSPITAL NOISES | 1:43:12 | 1:43:14 | |
HOSPITAL NOISES GRADUALLY INCREASE IN VOLUME | 1:43:19 | 1:43:22 |