
Browse content similar to Night and the City. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This programme contains very strong language | 0:00:02 | 0:00:08 | |
AMBULANCE SIREN | 0:00:34 | 0:00:36 | |
Hold on, huh? | 0:00:39 | 0:00:40 | |
One, two, tres, quatros... | 0:00:40 | 0:00:42 | |
# THE SHAM AND THE PHAROAS: Wooly Bully | 0:00:42 | 0:00:44 | |
-CAR SCREECHES AND HONKS HORN -Jesus Christ. | 0:00:44 | 0:00:47 | |
Watch it, watch it, watch it, watch it. | 0:00:50 | 0:00:53 | |
"Hello, Mr Fabian, how are you?" I'm fair, and yourself? | 0:01:09 | 0:01:13 | |
Pull 400. That's the max, right? Go ahead, I'll let you pull five. | 0:01:13 | 0:01:17 | |
Take out five, mother fucker. | 0:01:17 | 0:01:19 | |
-Oh, Jesus Christ. Do it yourself, be my guest. -Just do it! | 0:01:19 | 0:01:23 | |
-Know what I mean, chief? -Shit. Fuck! Fucking New York. | 0:01:23 | 0:01:29 | |
Jesus, what is this city coming to? I can't even deposit a few bucks. | 0:01:31 | 0:01:34 | |
Hey, Harry, how you doing? | 0:02:12 | 0:02:14 | |
Hey, hey! | 0:02:14 | 0:02:15 | |
Hey, baby. | 0:02:18 | 0:02:20 | |
TELEPHONE RINGS IN DISTANCE | 0:02:20 | 0:02:21 | |
Hey, baby, baby, you got a phone call. Come on. | 0:02:21 | 0:02:25 | |
-Thank you. -I lost my wife because of you, you Jew bastard! | 0:02:25 | 0:02:29 | |
You piece of shit! | 0:02:29 | 0:02:31 | |
What are you doing? Hey, let me go. | 0:02:31 | 0:02:32 | |
-Get your hands off me. -I'll fucking kill you! -Let me go. | 0:02:32 | 0:02:36 | |
I just scrubbed this case today. | 0:02:36 | 0:02:38 | |
-Watch it! -Get off him. | 0:02:38 | 0:02:40 | |
THEY TALK OVER EACH OTHER | 0:02:40 | 0:02:41 | |
You're a bum, asshole! | 0:02:45 | 0:02:46 | |
POLICE SIREN | 0:02:46 | 0:02:48 | |
You still owe the fucking lot! | 0:02:48 | 0:02:49 | |
Slow down. Slow down. | 0:02:51 | 0:02:54 | |
THEY TALK OVER EACH OTHER | 0:02:54 | 0:02:55 | |
You can afford your seatbelt! | 0:02:55 | 0:02:57 | |
All right, come on. | 0:02:57 | 0:02:59 | |
You want me? You want me? Let me go. Let me go. | 0:02:59 | 0:03:03 | |
I want my wife back, you piece of shit. | 0:03:03 | 0:03:06 | |
I'll rip his fucking lungs out. | 0:03:06 | 0:03:08 | |
-Come on, man. -Let me go, let me go. -Come on. -Get in! | 0:03:08 | 0:03:11 | |
You want me? Let me go, let me go. | 0:03:11 | 0:03:14 | |
-And I'm not Jewish! Fucker. -Come on, you mother fucker! | 0:03:14 | 0:03:18 | |
What the hell was that? | 0:03:24 | 0:03:25 | |
What an animal. For this, I went to law school. | 0:03:25 | 0:03:27 | |
All of a sudden, out of the blue, boy. | 0:03:27 | 0:03:30 | |
Out of the blue, right Harry? | 0:03:30 | 0:03:32 | |
What? It's my fault, right? | 0:03:32 | 0:03:35 | |
THEY LAUGH | 0:03:35 | 0:03:37 | |
This is my fault we lost the case, right? | 0:03:37 | 0:03:39 | |
-I know you think it's my fault we lost the case, right? You think it's -MY -fault. | 0:03:39 | 0:03:44 | |
You see this? | 0:03:44 | 0:03:45 | |
Hey, you all right, pal? | 0:03:49 | 0:03:52 | |
You shouldn't bolt your drink, Harry. | 0:03:52 | 0:03:55 | |
What are you, my mother? | 0:03:55 | 0:03:57 | |
Not yours. | 0:03:57 | 0:03:59 | |
You want to rock me to sleep? You want to sing me a little lullaby? | 0:03:59 | 0:04:03 | |
-What d'you say to my wife? -What did I say to who? | 0:04:03 | 0:04:05 | |
-What are you talking to him like that for? -What? | 0:04:07 | 0:04:10 | |
What? | 0:04:10 | 0:04:11 | |
I'll talk to whoever I want. | 0:04:12 | 0:04:15 | |
Excuse me? Say that again. | 0:04:15 | 0:04:18 | |
Hey, yo, Phil, Phil, you see this? | 0:04:18 | 0:04:19 | |
Yo, Phil, you see this? | 0:04:19 | 0:04:21 | |
-Sanchez whacked some drunk Irishman or something. -What Irish? | 0:04:21 | 0:04:24 | |
It's in there. Rogan O'Grogan from white store. | 0:04:24 | 0:04:28 | |
Grogan, Ozone Park. Emmet Grogan. | 0:04:28 | 0:04:30 | |
-Phil, give me the phone, please. -Hey, what? | 0:04:30 | 0:04:32 | |
Just let me use the phone! Phil, come on. | 0:04:32 | 0:04:34 | |
OPERATOR: What city, please? | 0:04:36 | 0:04:38 | |
Yes, Ozone Park, please. And Emmet Gorgon, please. Gorgan. | 0:04:38 | 0:04:41 | |
Not Grogan, Gorgon, like Medusa and the Gorgons, you know, that's Greek mythology? | 0:04:41 | 0:04:45 | |
-555... -9130. | 0:04:45 | 0:04:47 | |
Yes, hello, Emmet Gorgon there, please? | 0:04:49 | 0:04:52 | |
Gorgan? Gorgan, yes, Emmet Gorgan, please. | 0:04:52 | 0:04:54 | |
Harry Fabian, attorney at law. | 0:04:54 | 0:04:56 | |
Yes, Harry Fabian. I'm just calling, | 0:04:56 | 0:04:59 | |
I read the paper, let me ask you something, how's the headaches? | 0:04:59 | 0:05:02 | |
What do you mean what headaches? Blurry vision, depression, insomnia, bruises. | 0:05:02 | 0:05:06 | |
What am I talking about? You know what got hit with last night? Registered weapons, my man. | 0:05:06 | 0:05:10 | |
Bim, bam, boom, bam. You're a tough kid with balls, I can tell over the phone, | 0:05:10 | 0:05:14 | |
but the law states a professional boxer's hands, you know what they are? | 0:05:14 | 0:05:18 | |
They are registered weapons, which you got hit with. | 0:05:18 | 0:05:21 | |
OK, so you got shoved. We're going to sue his ass. | 0:05:21 | 0:05:23 | |
You got a girl, going to get married? How much you make a year? | 0:05:23 | 0:05:26 | |
It's OK, I'm your attorney, it's legal confidence, it's like telling your priest. | 0:05:26 | 0:05:31 | |
You make 18,500. How are you going to get married on 18,500? | 0:05:31 | 0:05:34 | |
What are you going to live? In a labour camp? How much? Conservatively 200, 300. 100,000. | 0:05:34 | 0:05:39 | |
Mental anguish alone could get you that. You understand? | 0:05:39 | 0:05:42 | |
Mental anguish alone could get you that. | 0:05:42 | 0:05:45 | |
Tomorrow you're going to see this doctor, the best. | 0:05:45 | 0:05:47 | |
He can do like open-heart surgery with mittens. | 0:05:47 | 0:05:50 | |
No, no, no! Don't go see a regular doctor. | 0:05:50 | 0:05:53 | |
This is a specialist in legal medicine. He's a Manhattan doctor, Queen's doctors is a no no. | 0:05:53 | 0:05:57 | |
Just listen to your lawyer, Harry Fabian. | 0:05:57 | 0:06:00 | |
The attorneyship is called Fabian, Fabian and Fabian. Yes. | 0:06:00 | 0:06:04 | |
Good, you're very welcome. | 0:06:04 | 0:06:05 | |
You're very welcome. You're very welcome. Good. | 0:06:05 | 0:06:08 | |
Jesus. | 0:06:08 | 0:06:10 | |
What a fucking shyster. | 0:06:10 | 0:06:12 | |
Shyster? The kid's a victim. Phil, Phil! | 0:06:12 | 0:06:15 | |
I'm going to clean up and then you'll see. | 0:06:15 | 0:06:18 | |
-Drink this, get it over with. -What's that? -Cleaning fluid. Get it over with nice and easy. | 0:06:18 | 0:06:22 | |
Sanchez is a boom boom Grossman stable and you're going to sue him? | 0:06:22 | 0:06:25 | |
-Drink this now, it'll be a lot quicker. Go ahead. -Screw him. | 0:06:25 | 0:06:28 | |
You know what? He's the king of the victimisers. | 0:06:28 | 0:06:31 | |
-Is he here? I'll tell him to his face. -Is that right? | 0:06:31 | 0:06:33 | |
-Oh, yes. -Is that right? Go ahead. Serve him dinner. | 0:06:33 | 0:06:36 | |
Go on back and kick the shit out him, bad ass. | 0:06:36 | 0:06:39 | |
Go ahead, go ahead, tough guy. | 0:06:39 | 0:06:41 | |
Guy goes like this, five people die in Oklahoma. | 0:06:49 | 0:06:53 | |
LAUGHTER | 0:06:53 | 0:06:55 | |
I told him, there he is... | 0:06:55 | 0:06:57 | |
What's everybody laughing about? | 0:06:57 | 0:07:00 | |
I told him, I went over there, I told him, | 0:07:00 | 0:07:02 | |
"Boom Boom, I'll kick your ass!" | 0:07:02 | 0:07:05 | |
MUSIC: "Really Got A Hold On Me" By Smokey Robinson & The Miracles | 0:07:09 | 0:07:12 | |
OH! | 0:07:16 | 0:07:17 | |
SHE LAUGHS | 0:07:17 | 0:07:19 | |
I thought it was... | 0:07:19 | 0:07:21 | |
What are you doing? | 0:07:21 | 0:07:23 | |
Let's go to my place. | 0:07:23 | 0:07:25 | |
-Oh, I can't. -Then let's go to yours. | 0:07:25 | 0:07:27 | |
-What are you, crazy? -Well, where we going to go? | 0:07:27 | 0:07:30 | |
We're here. | 0:07:32 | 0:07:34 | |
ZIPS AND BUCKLES OPENING | 0:07:37 | 0:07:40 | |
Harry, I got to talk to you about something. | 0:07:56 | 0:07:58 | |
About what? | 0:07:58 | 0:08:01 | |
-I'm thinking about going out to California. -What? | 0:08:01 | 0:08:04 | |
Well, my brother-in-law's restaurant's going belly up, | 0:08:06 | 0:08:10 | |
and I can buy it real cheap. | 0:08:10 | 0:08:12 | |
-With Phil? -Phil? | 0:08:14 | 0:08:15 | |
No, I've got to get rid of him, I want my own place. | 0:08:15 | 0:08:19 | |
-Bad idea. -Why? | 0:08:19 | 0:08:21 | |
You're a New Yorker like me, | 0:08:21 | 0:08:23 | |
you'd freak out halfway through Holland Tunnel, bad idea. | 0:08:23 | 0:08:25 | |
-I don't know about that. -Bad idea. | 0:08:25 | 0:08:28 | |
Yeah? | 0:08:28 | 0:08:29 | |
Bad idea, bad idea, you're a New Yorker, you're a New Yorker. | 0:08:29 | 0:08:32 | |
A New Yorker. | 0:08:32 | 0:08:35 | |
You're a New Yorker. | 0:08:35 | 0:08:36 | |
CAR HORN | 0:08:56 | 0:08:58 | |
OK, now tell me again, what happened? | 0:09:06 | 0:09:08 | |
He said to me, "What'd you say?" | 0:09:08 | 0:09:11 | |
So I bust him in his head. | 0:09:11 | 0:09:13 | |
I says, "How's your hearing now?" | 0:09:13 | 0:09:15 | |
KNOCK AT THE DOOR | 0:09:15 | 0:09:16 | |
I'm sorry, Mr Fabian, I'm sorry. | 0:09:16 | 0:09:18 | |
Let's just talk about this tomorrow, OK? | 0:09:18 | 0:09:20 | |
We got to think of something other than a hard of hearing defence. | 0:09:20 | 0:09:23 | |
9 o'clock all right? Cos I got a 2.30 appointment now. | 0:09:23 | 0:09:26 | |
-I'll miss another day of work cos of you! -Is this Suite 201? | 0:09:26 | 0:09:29 | |
-Emmett Grogan? -Gorgon. | 0:09:29 | 0:09:30 | |
Gorgon, oh, right, yeah, Gorgon. | 0:09:30 | 0:09:33 | |
Come on in. | 0:09:33 | 0:09:35 | |
Gorgon. | 0:09:35 | 0:09:36 | |
You see Dr Pedro yet? | 0:09:36 | 0:09:38 | |
Yeah, you saw Dr Pedro. | 0:09:38 | 0:09:40 | |
Have a seat. | 0:09:42 | 0:09:44 | |
-How do you feel? -I feel great. | 0:09:44 | 0:09:47 | |
You feel terrible. | 0:09:47 | 0:09:49 | |
You feel like shit. | 0:09:49 | 0:09:51 | |
How much is two and two? | 0:09:51 | 0:09:52 | |
Four. | 0:09:52 | 0:09:54 | |
Five. You can't even add, you can't even add two and two. | 0:09:54 | 0:09:58 | |
-D'you want to make some money? -OK. | 0:09:58 | 0:10:00 | |
You feel terrible. | 0:10:00 | 0:10:02 | |
MUSIC: "You're A No-Good Heartbreaker by Aretha Franklin | 0:10:07 | 0:10:11 | |
Marty Fatass has been looking for you. | 0:10:17 | 0:10:19 | |
He's been in and out 10 times in the last hour. | 0:10:19 | 0:10:21 | |
-Where is he? -I don't know. | 0:10:21 | 0:10:22 | |
Harry, guess what me and Helen are doing, | 0:10:22 | 0:10:24 | |
we're taking off for two weeks. | 0:10:24 | 0:10:26 | |
Where you going? | 0:10:26 | 0:10:27 | |
Jamaica. You been to Jamaica? | 0:10:27 | 0:10:29 | |
Yeah, Jamaica, Queens. | 0:10:29 | 0:10:30 | |
No, Caribbean, got us a bungalow on the beach. | 0:10:30 | 0:10:34 | |
They come by once a day, grill your flesh and that's it. | 0:10:34 | 0:10:37 | |
It's going to be nothing but me, her and the moon for two weeks. | 0:10:37 | 0:10:40 | |
Buzz, buzz, buzz, buzz, buzz. | 0:10:40 | 0:10:43 | |
Sounds like paradise, mon. | 0:10:43 | 0:10:45 | |
-I can't wait. -Hell, I ain't even going to wear any clothes. | 0:10:45 | 0:10:49 | |
Harry the dancer. | 0:10:49 | 0:10:51 | |
Marty Fatass! | 0:10:51 | 0:10:54 | |
You got something for me? | 0:10:54 | 0:10:55 | |
I got something for you, you got something for me? | 0:10:55 | 0:10:57 | |
I only got 15, that's all I can raise. | 0:10:57 | 0:11:00 | |
No problem - I said two large, right? | 0:11:00 | 0:11:02 | |
You show up with 1500, that's three quarters, right? | 0:11:02 | 0:11:06 | |
-OK, OK! You God damned thief! -Me a thief? | 0:11:06 | 0:11:09 | |
You want a hack license with three counts of grand auto | 0:11:09 | 0:11:11 | |
and I'm a thief? | 0:11:11 | 0:11:13 | |
A guy like you, I should charge double, | 0:11:13 | 0:11:15 | |
You got some nerve. | 0:11:15 | 0:11:17 | |
All right, I got it. I made a mistake. | 0:11:17 | 0:11:19 | |
Me a thief... | 0:11:19 | 0:11:20 | |
-Harry, thank you, brother. -You're welcome. | 0:11:20 | 0:11:23 | |
What a deadbeat. | 0:11:23 | 0:11:24 | |
Would you get in a cab driven by that tonne of bad brains? | 0:11:24 | 0:11:28 | |
-Harry. -Hey, Tommy. See the paper? Tommy's column? | 0:11:28 | 0:11:31 | |
"Bet these teams only if you want to retire in Acapulco - | 0:11:31 | 0:11:35 | |
"Lakers, Celts, Knicks, Mets." | 0:11:35 | 0:11:36 | |
Collectively they lost by 32 points. | 0:11:36 | 0:11:39 | |
You're a sportswriter? Who do you like tonight? | 0:11:39 | 0:11:41 | |
Fucking Tommy, Phil - | 0:11:41 | 0:11:43 | |
he took the Titanic over the iceberg, plus points. | 0:11:43 | 0:11:46 | |
Here he comes, go get him, Harry. | 0:11:46 | 0:11:48 | |
Everybody say hello. | 0:11:50 | 0:11:52 | |
Wallace "The Hurt" Fuwad. | 0:11:52 | 0:11:54 | |
Alphonse "Downtown" Brown. | 0:11:54 | 0:11:56 | |
Hey, Tessler, come and join us in like a half hour, | 0:11:56 | 0:11:59 | |
I'll give you an item. | 0:11:59 | 0:12:01 | |
"I'll give you an item." | 0:12:05 | 0:12:07 | |
Another war hero, it must be Audie Murphy day. | 0:12:07 | 0:12:11 | |
-Yeah? I spit on his grave. -Who you kidding? | 0:12:11 | 0:12:13 | |
You'll be kissing his ass in exactly 29 minutes. | 0:12:13 | 0:12:16 | |
28. | 0:12:16 | 0:12:17 | |
That is unless, you know, you got something, you know... | 0:12:18 | 0:12:21 | |
Somebody tips you about something for the early morning edition. | 0:12:21 | 0:12:24 | |
Like what? | 0:12:24 | 0:12:26 | |
That kid that got whacked by Sanchez in the disco | 0:12:26 | 0:12:28 | |
is suing Sanchez's ass, you can bet your ass on that. | 0:12:28 | 0:12:31 | |
Are you kidding me, you're taking Sanchez to court? | 0:12:31 | 0:12:33 | |
Boom Boom will eat your eyes out, | 0:12:33 | 0:12:35 | |
plus you'll lose, you jerk off, that kid didn't even get hurt. | 0:12:35 | 0:12:38 | |
They said it couldn't be done. | 0:12:38 | 0:12:41 | |
It's your life, Harry. | 0:12:44 | 0:12:46 | |
From an undisclosed source, right? I can't myself. | 0:12:46 | 0:12:49 | |
Totally, I didn't know that. | 0:12:49 | 0:12:50 | |
Just say I'm well placed. | 0:12:50 | 0:12:52 | |
Well placed. | 0:12:52 | 0:12:54 | |
MUSIC: "The Great Pretender" by Queen | 0:12:56 | 0:13:00 | |
Yeah! | 0:13:12 | 0:13:13 | |
Oh, yeah! | 0:13:13 | 0:13:15 | |
PHONE RINGS | 0:13:20 | 0:13:27 | |
Yo! | 0:13:27 | 0:13:28 | |
Hey, asshole, I wake you up? | 0:13:28 | 0:13:31 | |
Who's this? I know this voice. | 0:13:31 | 0:13:32 | |
'It's Grossman.' | 0:13:32 | 0:13:34 | |
Boom Boom? | 0:13:37 | 0:13:38 | |
What the fuck are you doing with Sanchez? | 0:13:38 | 0:13:41 | |
-'What do you mean?' -You know what I mean, asshole, | 0:13:41 | 0:13:43 | |
the case with this kid. | 0:13:43 | 0:13:45 | |
Boom Boom, you want to talk law, I'm 85 an hour. For you, 75. | 0:13:45 | 0:13:49 | |
'What the fuck are you doing?' | 0:13:49 | 0:13:51 | |
You know what I'm going to do to you if you don't drop this case? | 0:13:51 | 0:13:54 | |
Wait a second, Boom Boom, | 0:13:54 | 0:13:56 | |
I've got to turn on the tape recorder, hold on, hold on. | 0:13:56 | 0:13:59 | |
There, OK, what are you going to do to me? | 0:13:59 | 0:14:01 | |
What you want from me? | 0:14:04 | 0:14:06 | |
No, darling, entrapment is when they come on to you. | 0:14:07 | 0:14:10 | |
You go up to a cop, offer to clean his pipes for 50 bucks | 0:14:10 | 0:14:13 | |
you're not a plumber, they got you. | 0:14:13 | 0:14:14 | |
-But I don't do that! -Listen, let's try this, all right? | 0:14:14 | 0:14:18 | |
I'm you, you're me, you're a John, OK? | 0:14:18 | 0:14:20 | |
-LAUGHING: You're me? -Just shut up and watch. | 0:14:20 | 0:14:23 | |
Do you know where there's a party tonight? | 0:14:24 | 0:14:27 | |
What you got in there, sweet stuff? | 0:14:27 | 0:14:28 | |
Carmen, I'm serious, I'm tired of bailing you out. | 0:14:28 | 0:14:31 | |
KNOCK AT THE DOOR | 0:14:31 | 0:14:33 | |
Yeah? | 0:14:33 | 0:14:35 | |
You, Mother Teresa, hit it. | 0:14:36 | 0:14:38 | |
-Do as I tell you! -Don't you touch me! | 0:14:38 | 0:14:41 | |
Hit it, get out! | 0:14:41 | 0:14:43 | |
Carmen, look, I'll see you Tuesday morning, 9am. | 0:14:43 | 0:14:46 | |
That's the court date, stay off the street till then. | 0:14:46 | 0:14:49 | |
Maricon! | 0:14:49 | 0:14:50 | |
-What is this, Fabian? -You are? | 0:14:50 | 0:14:53 | |
John Bonney, Sanchez's attorney - what are you pulling? | 0:14:53 | 0:14:56 | |
Hey, my client got whacked by a world-ranked professional fighter. | 0:14:56 | 0:14:59 | |
-Bullshit. -Bullshit? I've got his medical here, Jack. | 0:14:59 | 0:15:02 | |
Who'd you send him to, Dr Pedro in East Harlem? | 0:15:02 | 0:15:04 | |
So? He's got as much right to practice medicine | 0:15:04 | 0:15:07 | |
-as you got to practice law. -More like as you got to practice law. | 0:15:07 | 0:15:11 | |
I got six years Bronx legal aid under my belt. | 0:15:11 | 0:15:13 | |
I represent more guys a week than you do in a year. | 0:15:13 | 0:15:16 | |
And a fine crew of taxpayers they are, too, I bet. | 0:15:16 | 0:15:18 | |
-Unlike Cuda Sanchez. -Sanchez is a professional athlete. | 0:15:18 | 0:15:21 | |
My point exactly, so do you want to settle or go to trial? | 0:15:21 | 0:15:24 | |
You fucking insect. | 0:15:24 | 0:15:26 | |
You can call me all the names you want, | 0:15:26 | 0:15:28 | |
-do you want to settle, or go to trial? -Yeah! | 0:15:28 | 0:15:31 | |
-What? You want to settle? -Let's go to trial. | 0:15:31 | 0:15:33 | |
That OK with you, councillor? Practice a little law? | 0:15:33 | 0:15:36 | |
Hey, you want to go to trial, OK, let's go to trial. | 0:15:36 | 0:15:39 | |
That's it. | 0:15:59 | 0:16:02 | |
Now a left hand. Hit hard. | 0:16:02 | 0:16:05 | |
I need a light heavy for a four rounder! | 0:16:36 | 0:16:39 | |
-Do you know where this kid, Sanchez is. I've got to talk to him. -Sanchez? -Yeah. | 0:16:54 | 0:16:58 | |
His lawyer wants to tie him up in the court for the next six months. | 0:16:58 | 0:17:02 | |
Sanchez... | 0:17:02 | 0:17:03 | |
These... Kids... | 0:17:03 | 0:17:05 | |
Tear a new asshole for Sanchez. | 0:17:05 | 0:17:08 | |
These are my boys. Sanchez won't get in the ring with them. | 0:17:08 | 0:17:11 | |
Sanchez won't be getting in the ring. The lawyer is supposed to work for you. | 0:17:11 | 0:17:15 | |
Sanchez is pretty good, isn't he? | 0:17:15 | 0:17:17 | |
Don't you listen, or what? | 0:17:17 | 0:17:19 | |
Fuck Sanchez! You watch these kids. | 0:17:19 | 0:17:22 | |
I could beat Sanchez. Yeah, me. | 0:17:23 | 0:17:25 | |
You could beat Sanchez! | 0:17:25 | 0:17:27 | |
I could beat Sanchez because I used to do some boxing myself. I boxed in Oxford. | 0:17:27 | 0:17:31 | |
-I quit when I killed somebody. -Yeah? | 0:17:31 | 0:17:33 | |
I went to Cocksford! | 0:17:33 | 0:17:35 | |
HE LAUGHS | 0:17:35 | 0:17:36 | |
Seriously... Is Sanchez around? When does he come in? | 0:17:36 | 0:17:39 | |
There he goes again with Sanchez. | 0:17:39 | 0:17:42 | |
-Look, you see everybody there, except that guy in the blue. -Ah-ha. | 0:17:42 | 0:17:46 | |
Everybody there, when they was in their prime, | 0:17:46 | 0:17:49 | |
fighting, Sanchez couldn't have even have sparred with them. | 0:17:49 | 0:17:53 | |
And they fought when the days were the days. | 0:17:54 | 0:17:58 | |
Ten, 20 fights a year. | 0:17:58 | 0:18:01 | |
See that guy there with the ears? | 0:18:04 | 0:18:06 | |
-He beat Tami Mauriello. -Tami Mauriello? | 0:18:06 | 0:18:09 | |
Tami used to come in here. | 0:18:09 | 0:18:11 | |
After ten you had ten arenas. | 0:18:11 | 0:18:14 | |
You'd fight ten, 20 times a year. | 0:18:14 | 0:18:16 | |
You'd go around a corner, you'd see a fight. | 0:18:16 | 0:18:19 | |
The Coliseum, St Nicks, Dykenum Oval, | 0:18:19 | 0:18:23 | |
Fort Hamilton, Star Casino... The Hippodrome... | 0:18:23 | 0:18:27 | |
Queensborough... You'd go off to White Plains. | 0:18:27 | 0:18:31 | |
There's nothing. | 0:18:31 | 0:18:33 | |
If you want to see a fight, you've got to watch TV. | 0:18:34 | 0:18:37 | |
Cable TV, pay TV! | 0:18:37 | 0:18:40 | |
How come there are no local arenas any more? | 0:18:40 | 0:18:43 | |
-You've got lots of fighters, right? -What the fuck am I? | 0:18:43 | 0:18:47 | |
It's a different class of people. | 0:18:47 | 0:18:49 | |
Fighters don't give a shit. | 0:18:49 | 0:18:51 | |
The managers... See that guy over there, he don't give a shit. | 0:18:51 | 0:18:55 | |
Trainers don't know shit. | 0:18:55 | 0:18:57 | |
Promoters, they're scumbags. | 0:18:57 | 0:19:00 | |
-Boom Boom Grossman? -He's the king of scumbags. | 0:19:00 | 0:19:04 | |
Hey, you know who used to come around here? Al Grossman. | 0:19:04 | 0:19:08 | |
-Who's Al Grossman? -The good one, the good brother. | 0:19:08 | 0:19:12 | |
That's Boom Boom's brother? | 0:19:12 | 0:19:14 | |
-He used to hang here. -Oh, yeah. Up until about six months ago. | 0:19:14 | 0:19:18 | |
He moved to some Jew retirement home in Coney Island. | 0:19:18 | 0:19:22 | |
He used to hang around here all the time. | 0:19:22 | 0:19:24 | |
Al Grossman... | 0:19:24 | 0:19:26 | |
He fought Tami Mauriello. | 0:19:26 | 0:19:28 | |
Not Tami Mauriello, Maxie Berger... Yes. | 0:19:28 | 0:19:32 | |
-He lives in Miami Beach. -Who does? | 0:19:32 | 0:19:35 | |
Who are we talking about! You bastard! | 0:19:35 | 0:19:38 | |
This is wild, you know. | 0:19:38 | 0:19:41 | |
I mean, I've never been in a boxing gym before. | 0:19:41 | 0:19:43 | |
This is wild. | 0:19:43 | 0:19:45 | |
OK, I've filled this out, give you 450 and form a corporation. | 0:19:53 | 0:19:56 | |
That's it, I'm a promoter? | 0:19:56 | 0:19:58 | |
-We run a check on you, you clear that and that's it. -You run a check on me? -Mm-hm. | 0:19:58 | 0:20:01 | |
-Into my past? -Mm-hm. -Because I was involved, OSS, CIA. I doubt they'll give you access. | 0:20:01 | 0:20:08 | |
Burma, Macao, national security... There are things. | 0:20:08 | 0:20:11 | |
-What should I call my corporation? -Bullshit Productions. | 0:20:11 | 0:20:14 | |
Bullshit Productions? | 0:20:14 | 0:20:16 | |
You want to see scars? I don't want to show you my scars. | 0:20:16 | 0:20:19 | |
Tiger cages, sweats in the night... Bullshit Productions? | 0:20:19 | 0:20:22 | |
Bullshit Production? I'll think about it. | 0:20:22 | 0:20:24 | |
Are you married? I'll run a check on you. | 0:20:24 | 0:20:26 | |
Bullshit Productions. I like it. | 0:20:26 | 0:20:30 | |
Just remember what I said. | 0:20:31 | 0:20:33 | |
Keep your nose clean until the court date. You understand, Mike? | 0:20:33 | 0:20:36 | |
If you want to take a walk in Central Park, leave the baseball bat at home. | 0:20:36 | 0:20:40 | |
-Harry, I told you. I didn't do anything. -I know, I know. | 0:20:40 | 0:20:43 | |
Just remember what I said, please. | 0:20:43 | 0:20:45 | |
Hey, is this Elaine's over there? | 0:20:47 | 0:20:49 | |
Yeah, that's Elaine's. | 0:20:49 | 0:20:51 | |
Ever go in there? It's heavy that place. I've always wanted to go in. | 0:20:51 | 0:20:54 | |
-So why don't you go in? -It's a heavyweight place. | 0:20:54 | 0:20:57 | |
So fucking what? You're a God damn lawyer, right? | 0:20:57 | 0:21:00 | |
An attorney... | 0:21:00 | 0:21:02 | |
Go hobnob a little, you know. | 0:21:02 | 0:21:03 | |
Look who's going in there now. A big limo. | 0:21:05 | 0:21:07 | |
So what? It's probably a star or something, you know. | 0:21:07 | 0:21:11 | |
A lot of stars go there, it's a classy place, you know. It's good. | 0:21:11 | 0:21:15 | |
-I want you to pay for this, OK? -I'll pay for it. I'll pay for it. | 0:21:15 | 0:21:18 | |
Your my client, so pay for it. | 0:21:19 | 0:21:21 | |
Yes? | 0:21:30 | 0:21:31 | |
Just a vodka and tonic, please. | 0:21:31 | 0:21:33 | |
-And have one for yourself. -No, I don't drink. Thanks. | 0:21:39 | 0:21:42 | |
So, this is Elaine's, huh? | 0:21:44 | 0:21:46 | |
It better be. | 0:21:46 | 0:21:48 | |
Where's all the movie stars? | 0:21:48 | 0:21:50 | |
Lunchtime's over. | 0:21:50 | 0:21:53 | |
Is that Regis Philbin? | 0:21:59 | 0:22:01 | |
Give them another round. | 0:22:04 | 0:22:06 | |
Give them what they want, give them another round. | 0:22:06 | 0:22:08 | |
You can top me off, too. | 0:22:08 | 0:22:12 | |
Excuse me, I don't mean to bother you. I've just got to tell you, | 0:22:26 | 0:22:29 | |
-you kill me, I love your show. -Thanks, thanks. | 0:22:29 | 0:22:31 | |
"Thanks" he said. It's a gift what you give people. | 0:22:31 | 0:22:34 | |
-It's on me. It's on me. Cheapest wine in the house. -Thanks. | 0:22:34 | 0:22:37 | |
I'm in entertainment too, I'm a boxing promoter. Harry Fabian, Bullshit Productions. | 0:22:37 | 0:22:41 | |
-Bullshit Productions, that's a lot of class, Harry. -I mean, Knockout Productions. | 0:22:41 | 0:22:45 | |
That's a joke I have with my secretary, Bullshit Productions. | 0:22:45 | 0:22:49 | |
The show is great. Kathy Lee is really funny. | 0:22:49 | 0:22:51 | |
-You two really work well together. -Thanks. | 0:22:51 | 0:22:53 | |
-I hope I'm not saying the wrong thing and this isn't your wife. -This is my wife. | 0:22:53 | 0:22:57 | |
This is your wife? I'm sorry, I'm sorry. | 0:22:57 | 0:23:00 | |
-No problem. -Harry, thanks for the wine. -Of course... | 0:23:00 | 0:23:03 | |
I meant you two have a good, professional working relationship together. That's what I meant. | 0:23:03 | 0:23:08 | |
I'm interfering. Be well, Mrs Philbin, Mr Philbin. | 0:23:08 | 0:23:11 | |
-Bye. -Enjoy the wine. | 0:23:11 | 0:23:13 | |
Sorry, I just want to ask you one more thing. | 0:23:14 | 0:23:17 | |
It's my only chance, I've got to take it. | 0:23:17 | 0:23:19 | |
Listen, I'm a boxing promoter, like I said. Here's my card. | 0:23:19 | 0:23:22 | |
-I'm also an attorney. -Harry... Harry, you want to get somebody on the show? | 0:23:22 | 0:23:25 | |
I wasn't thinking about that, but that's a good idea. | 0:23:25 | 0:23:28 | |
I was thinking I could invite you to a main event, when I have my boxing things. | 0:23:28 | 0:23:32 | |
-Call the office. -OK. -I'll be happy to come. | 0:23:32 | 0:23:34 | |
Once again, thanks. Nice to meet you. | 0:23:34 | 0:23:37 | |
Oh, Christ. | 0:23:38 | 0:23:40 | |
Look, I get a promoter's licence, 450. Right? | 0:23:41 | 0:23:45 | |
Then I rent some neighbourhood hall, like a disco. | 0:23:45 | 0:23:49 | |
Then a rent a ring, chairs, security, a publicist, | 0:23:49 | 0:23:51 | |
some advertising, ticket takers, a press conference... | 0:23:51 | 0:23:54 | |
We're talking, maybe 10,000 bucks, maybe 15. | 0:23:54 | 0:23:57 | |
Then I throw down a bond with the Commission for the purse, | 0:23:57 | 0:23:59 | |
the judges, ref, the ambulance... God forbid. Timekeepers, doctor. | 0:23:59 | 0:24:03 | |
So what am I saying, 450, 15 large, seven large. | 0:24:03 | 0:24:06 | |
22, maybe 25 grand all told. I could bring back the good old days, | 0:24:06 | 0:24:09 | |
local talent, local arena. | 0:24:09 | 0:24:11 | |
It's all the rage. It'll catch on like wildfire. | 0:24:11 | 0:24:14 | |
What do you think? | 0:24:14 | 0:24:16 | |
-What do you think? -Guy's in the john. | 0:24:16 | 0:24:18 | |
I'll be right back. I've got some ideas. | 0:24:18 | 0:24:21 | |
You know, I was thinking about what you were saying. I was listening. | 0:24:21 | 0:24:24 | |
-Give my regards to them. -All right. | 0:24:26 | 0:24:28 | |
-Where are you going to get 25,000? -Where? -Where? -I'll win on a game show. | 0:24:33 | 0:24:37 | |
Where did Edison get the light bulb? | 0:24:37 | 0:24:39 | |
He conned Ed and got the money, right? | 0:24:39 | 0:24:41 | |
What are you kidding me? I'll beat backers off with a club. | 0:24:41 | 0:24:44 | |
I have people interested already. I'll give you one name, one name. | 0:24:44 | 0:24:48 | |
Regis Philbin, the talk show host. | 0:24:48 | 0:24:50 | |
I must talk to you about something. | 0:24:50 | 0:24:53 | |
-It's you and me... -Cut the crap, I'm serious. | 0:24:53 | 0:24:56 | |
I'm maybe doing what comes naturally. | 0:24:56 | 0:24:58 | |
Hey, hey, Phil. You caught me, Phil. | 0:24:58 | 0:25:01 | |
I'm in love with your wife. | 0:25:01 | 0:25:03 | |
She's too good for you. | 0:25:03 | 0:25:05 | |
Case number 466-952. Grogan... Gorgon versus Sanchez. | 0:25:10 | 0:25:15 | |
Judge Parker presides. | 0:25:15 | 0:25:18 | |
Will counsel please approach the bench. | 0:25:21 | 0:25:23 | |
Now, Fabian, look at me. | 0:25:33 | 0:25:34 | |
Now turn around and see if you see what I see. | 0:25:36 | 0:25:40 | |
Will the defendant and the plaintiff, please rise. | 0:25:40 | 0:25:44 | |
Fabian... | 0:25:53 | 0:25:55 | |
Get the fuck out of my court. | 0:25:57 | 0:26:00 | |
Yes, your honour. | 0:26:06 | 0:26:07 | |
-What did I do, Harry? I didn't do nothing. -You were great, you were great. | 0:26:11 | 0:26:15 | |
You win some, you lose some. Anything? Money? | 0:26:15 | 0:26:18 | |
-The car. -We bought a car. -What do you mean you bought a car? | 0:26:20 | 0:26:23 | |
-You took ownership or ordered it? -I ordered it. -When? -Yesterday. | 0:26:23 | 0:26:26 | |
OK, what did you put down, 1,000? Call the bank and stop payment. | 0:26:26 | 0:26:29 | |
You want a car? Call John's Bodyshop on Queen's Boulevard. | 0:26:29 | 0:26:32 | |
Tell him you're my client. He'll get you an almost new Caddy for half what you paid. | 0:26:32 | 0:26:36 | |
-I wanted a Trans Am. -I want to live forever. | 0:26:36 | 0:26:39 | |
-Yeah. -You're welcome. | 0:26:39 | 0:26:41 | |
Listen, when you get outside, take a cab, not on the subway, | 0:26:41 | 0:26:44 | |
because the animals will go nuts on her down there. | 0:26:44 | 0:26:46 | |
Then wait a few blocks and take that brace off your neck. You're getting a rash. | 0:26:46 | 0:26:50 | |
-Harry, are you going to send me a bill? -You paid. -No, I didn't. -You paid me. -No, I didn't. | 0:26:50 | 0:26:56 | |
-Gorgon, whatever your name is. Have you ever boxed? -Boxed? -Have you ever boxed? | 0:26:56 | 0:27:00 | |
-Boxed. -A big white kid, change your name Irish Billy and put shamrocks on your trunks. | 0:27:00 | 0:27:04 | |
Lose about 90 pounds, you'll become a middleweight. | 0:27:04 | 0:27:07 | |
Come on, what did I do? | 0:27:08 | 0:27:10 | |
What did I do? | 0:27:10 | 0:27:12 | |
Hey, this is going to be great for you. | 0:27:12 | 0:27:15 | |
Hey, you're welcome, thank you for saying "thank you" after what I just did for you. | 0:27:15 | 0:27:19 | |
I just got this kid more God damn publicity. | 0:27:19 | 0:27:21 | |
The headlines will be "David and Goliath." | 0:27:21 | 0:27:23 | |
"Jack The Giant Killer." Picture them standing up in court. | 0:27:23 | 0:27:27 | |
Until now, superflyweight was a chink and greaser division. | 0:27:27 | 0:27:30 | |
No offence. What's going to happen now? Everybody will want to see Jack The Giant Killer fight. | 0:27:30 | 0:27:34 | |
That's right. He's a hero now, this kid. I did that. | 0:27:34 | 0:27:37 | |
Did you think I didn't know what I was doing? Tell Grossman it's on the house. | 0:27:37 | 0:27:41 | |
Tell him it's on the house. | 0:27:41 | 0:27:43 | |
Bless you, my son. The children thank you and God loves you. | 0:27:45 | 0:27:50 | |
Bless you, thank you. | 0:27:50 | 0:27:52 | |
Fucking cunt! | 0:27:52 | 0:27:53 | |
Eh, outside! | 0:27:54 | 0:27:56 | |
Move it, get your ass out! | 0:27:56 | 0:27:58 | |
Sleazy bitch! | 0:28:00 | 0:28:01 | |
Phil Masseros, the meanest bartender in New York. | 0:28:01 | 0:28:05 | |
The fucking guy just 86-ed a nun! | 0:28:05 | 0:28:07 | |
Last April she was the Easter bunny. | 0:28:07 | 0:28:09 | |
Fabian... It's a case. | 0:28:09 | 0:28:12 | |
Fabian, don't... | 0:28:14 | 0:28:15 | |
Oh, sister, I saw the whole thing. | 0:28:17 | 0:28:18 | |
I'm a lawyer. We'll sue his ass, OK? | 0:28:18 | 0:28:20 | |
Go fuck yourself! | 0:28:20 | 0:28:22 | |
-She just told me to go fuck myself. -I agree. -He agrees, this guy. | 0:28:22 | 0:28:25 | |
If Fabian saw a bird digging up a worm, he'd get the worm to sue for assault. | 0:28:25 | 0:28:30 | |
No, whiplash! | 0:28:30 | 0:28:32 | |
Harry Fabian, defender of worms. | 0:28:32 | 0:28:34 | |
I'm a good sport about it. What are your drinking? Johnny Walker? | 0:28:34 | 0:28:37 | |
Phil, Black Label on me. You'll never believe this. | 0:28:37 | 0:28:40 | |
I got a promoters licence. I'm inspired by you, man. | 0:28:40 | 0:28:43 | |
I'm taking a shot at promoting. Not on your level obviously. | 0:28:43 | 0:28:46 | |
To promoting! | 0:28:46 | 0:28:48 | |
ICE CLINKING | 0:28:48 | 0:28:50 | |
-This one's on you, eh? -Come on, Boom Boom. Don't. | 0:29:00 | 0:29:03 | |
I knew this guy once. | 0:29:13 | 0:29:15 | |
He was a pretty shitty fighter, but what he could do... | 0:29:15 | 0:29:18 | |
I saw him do this once. He could take a guy's face like this. | 0:29:18 | 0:29:21 | |
And then take his finger. | 0:29:24 | 0:29:26 | |
Like this. | 0:29:26 | 0:29:28 | |
And drive it to his fucking brains. | 0:29:30 | 0:29:33 | |
Want a refill, tough guy? | 0:29:49 | 0:29:52 | |
-Tommy, Tommy. -Hey, Harry. -Who'd Al Grossman fight? -Who? | 0:30:01 | 0:30:04 | |
Al Grossman. Boom Boom's brother. Who did he fight? | 0:30:04 | 0:30:07 | |
Al Grossman? Jeez, that's going back. | 0:30:07 | 0:30:09 | |
Who did he fight? Give me a name. Tommy fucking Morello or whoever. | 0:30:09 | 0:30:13 | |
Maxie Rosenbloom I think once. Old Slapsie Maxie. | 0:30:13 | 0:30:16 | |
What's the matter with you? | 0:30:16 | 0:30:18 | |
-Harry? -Will you help the children, my son... -What's the problem? | 0:30:18 | 0:30:23 | |
Say, Harry. Where you going? | 0:30:23 | 0:30:24 | |
SEAGULLS CALLING | 0:30:24 | 0:30:27 | |
Al Grossman? | 0:30:34 | 0:30:35 | |
Over there? | 0:30:37 | 0:30:39 | |
Thank you. | 0:30:39 | 0:30:41 | |
VOICES IN DISTANCE | 0:30:41 | 0:30:47 | |
..sticking him, sticking him. | 0:30:47 | 0:30:49 | |
And you know Tony. You should've known Tony. | 0:30:49 | 0:30:52 | |
I mean, he looks up at me. He says, | 0:30:52 | 0:30:55 | |
"Hey, Al? Where the fuck are we?" | 0:30:55 | 0:30:57 | |
LAUGHTER | 0:30:57 | 0:30:58 | |
I wish my father was alive just for today. Al Grossman. | 0:31:02 | 0:31:07 | |
This is Al Grossman! | 0:31:07 | 0:31:10 | |
My father worshipped the ground you walked on. He said the time | 0:31:10 | 0:31:13 | |
you fought Maxie Rosenbloom was the greatest fight he'd ever saw. | 0:31:13 | 0:31:17 | |
Which time? | 0:31:17 | 0:31:19 | |
-What? -Well, which fight? The first or the second? | 0:31:20 | 0:31:23 | |
Which do you think, Al? | 0:31:25 | 0:31:26 | |
LAUGHTER | 0:31:26 | 0:31:29 | |
Harry Fabian, attorney of law. It's an honour. | 0:31:31 | 0:31:34 | |
You are a legend. | 0:31:34 | 0:31:36 | |
-Can I talk to you, Al, for a minute? -Yeah. | 0:31:36 | 0:31:38 | |
'They gave me a nice apartment.' | 0:31:40 | 0:31:42 | |
-Right down by the ocean. -Uh-huh. | 0:31:42 | 0:31:44 | |
-This development, you know what it's called? -What? | 0:31:44 | 0:31:46 | |
Mountain View! HE LAUGHS | 0:31:46 | 0:31:49 | |
These developers, they've got another retirement compound. | 0:31:49 | 0:31:52 | |
-It's the same set-up. You know what they call that? -What? -Ocean View! | 0:31:52 | 0:31:55 | |
TANNOY ANNOUNCEMENT | 0:31:55 | 0:31:58 | |
Ah, what the fuck do I know? | 0:31:58 | 0:31:59 | |
Still have my health though. Thank God. | 0:31:59 | 0:32:03 | |
-Except for one thing. -What? -Do you know, whenever I... How old are you? | 0:32:03 | 0:32:07 | |
What, do you have trouble getting up? | 0:32:07 | 0:32:09 | |
What the fuck are you doing here? Al, this is like Altakaka City. | 0:32:09 | 0:32:13 | |
You're a New York guy. I watched you, you're like A man of 47. | 0:32:13 | 0:32:16 | |
-Come on! -What are you going to do? | 0:32:16 | 0:32:18 | |
Hook up with some little old pigeon? | 0:32:18 | 0:32:19 | |
Make a nice gefilte fish every night? Watch TV? | 0:32:19 | 0:32:22 | |
Go to a doctor, get a little surgical implant | 0:32:22 | 0:32:25 | |
with a little crank? | 0:32:25 | 0:32:26 | |
Play cards with a bunch of hearing aids? Give me a break! | 0:32:26 | 0:32:29 | |
It's the Greyhound station for death. Could you see Boom Boom here? | 0:32:29 | 0:32:32 | |
Hey, look. Don't fucking talk to me about that prick! | 0:32:32 | 0:32:35 | |
That I don't understand, Al. I'm going to tell you something. | 0:32:35 | 0:32:38 | |
-That makes me very depressed. -Well, I don't talk about him. | 0:32:38 | 0:32:41 | |
There's two guys in three divisions. | 0:32:41 | 0:32:43 | |
-They can't get a title crack and you know why? -Why? | 0:32:43 | 0:32:46 | |
They last signed up with that cocksucker! | 0:32:46 | 0:32:48 | |
Hey, my brother's an orthodontist. An orthodontist, you know? | 0:32:48 | 0:32:52 | |
-But he's still my brother, right? -Hey, I'm no angel. I was no angel. | 0:32:52 | 0:32:56 | |
When I was a kid, I pulled some armed robbery. I mean... | 0:32:56 | 0:32:59 | |
It was a different time, but... | 0:33:00 | 0:33:02 | |
Well, you know, I had a gun. | 0:33:02 | 0:33:04 | |
I said "Stick 'em up!" or some shit like that. | 0:33:04 | 0:33:06 | |
It was an honest robbery. I mean, not like today. | 0:33:06 | 0:33:10 | |
Need those? | 0:33:11 | 0:33:13 | |
No. | 0:33:13 | 0:33:15 | |
Just don't talk to me about Boom Boom. | 0:33:17 | 0:33:20 | |
-You know what his real name is? -Ira. -Yeah. | 0:33:20 | 0:33:22 | |
Who gives a fuck! | 0:33:22 | 0:33:24 | |
What do you think about what I'm saying? | 0:33:24 | 0:33:26 | |
Come to town, spot me my talent. Bring back the good old days, huh? | 0:33:26 | 0:33:29 | |
-What do you think? -Oh, they never were the good old days. | 0:33:29 | 0:33:32 | |
Maxie's always been a poor man's Al. | 0:33:32 | 0:33:36 | |
Whatever. But what do you think, huh? | 0:33:36 | 0:33:38 | |
HE SIGHS | 0:33:38 | 0:33:41 | |
-I'll do it on one condition. -What? -You've got to be honest with me. | 0:33:42 | 0:33:46 | |
Were you bullshitting me about your father? | 0:33:48 | 0:33:50 | |
Absolutely not, Mr Grossman. I swear on my goldfish's eyes | 0:33:50 | 0:33:54 | |
I was not bullshitting you. I swear... | 0:33:54 | 0:33:56 | |
I was lying out my ass. | 0:33:57 | 0:33:59 | |
Phil, there's a million guys out there I could be offering this to. | 0:34:06 | 0:34:10 | |
I come to you first out of respect and friendship. | 0:34:10 | 0:34:12 | |
Take a hike? Take a hike?! | 0:34:12 | 0:34:15 | |
With all due respect, a man comes to you, | 0:34:15 | 0:34:17 | |
offers you 20 large back on a 15,000 loan. | 0:34:17 | 0:34:19 | |
A man you've known for years, Phil! Take a hike?! | 0:34:19 | 0:34:23 | |
Come on! How could you say that to me? Phil. Really? How can you? | 0:34:23 | 0:34:27 | |
Bing, bang and a paper bag back to you, right from the ticket taker. | 0:34:27 | 0:34:30 | |
I won't even touch it. 2,000 seats at 15 a pop plus beer | 0:34:30 | 0:34:33 | |
and I won't make it back, Phil? Come on! With all due respect! | 0:34:33 | 0:34:37 | |
Can you get out of my face? | 0:34:37 | 0:34:38 | |
OK, look. I don't want to use the wrong word. | 0:34:38 | 0:34:40 | |
I won't say scared, that's not you. | 0:34:40 | 0:34:42 | |
But are you concerned about Grossman? | 0:34:42 | 0:34:44 | |
Just understand, normally I would be too. | 0:34:44 | 0:34:47 | |
But circumstances have turned out such that at present, you know what? | 0:34:47 | 0:34:51 | |
I fucking laugh at Grossman! | 0:34:51 | 0:34:53 | |
With all due respect, I fucking laugh at Grossman. | 0:34:53 | 0:34:56 | |
Grossman will not fucking come near me and I cannot tell you why | 0:34:56 | 0:34:59 | |
right now because it's a surprise, but hear this. Grossman's superman, | 0:34:59 | 0:35:03 | |
which he is not. And you know what I am? I am kryptonite. Trust me. | 0:35:03 | 0:35:07 | |
You saying I'm afraid of Grossman? | 0:35:07 | 0:35:08 | |
-Is that what you're saying? -I said that? Did I say that? | 0:35:08 | 0:35:11 | |
Phil, did I say that? | 0:35:11 | 0:35:13 | |
I would put hot flaming barbecue fucking skewers in my fucking eyes | 0:35:13 | 0:35:17 | |
before I would say that to you or about you. | 0:35:17 | 0:35:19 | |
Phil! To you or about you. | 0:35:19 | 0:35:22 | |
Drop all thoughts of that right now, Phil. | 0:35:22 | 0:35:24 | |
But let me take another tact when I'm standing here with you, OK? | 0:35:24 | 0:35:27 | |
Phil, listen. You are the most successful of all my peers. | 0:35:27 | 0:35:31 | |
This establishment is like legendary in its reputation and excellence. | 0:35:31 | 0:35:35 | |
But, but... And once again, | 0:35:35 | 0:35:37 | |
I have to be painstakingly careful in my choice of words here. | 0:35:37 | 0:35:40 | |
Didn't you ever, in the middle of the night, maybe say 4.30am, | 0:35:40 | 0:35:43 | |
did you ever want to be more than just a bartender? | 0:35:43 | 0:35:45 | |
-We know you're a legendary bartender, but... -Wait a minute. | 0:35:45 | 0:35:49 | |
What the fuck! Who the fuck do you think you're talking to, huh? | 0:35:49 | 0:35:52 | |
You asshole! | 0:35:52 | 0:35:54 | |
I mean, you don't even know what it's like to earn 15,000 | 0:35:54 | 0:35:57 | |
and you come in here, running down my husband?! | 0:35:57 | 0:36:00 | |
-You ambulance-chasing, shyster bastard! -YOU -don't even trust you! | 0:36:00 | 0:36:05 | |
Hey, Helen. Just say what you feel. Don't hold back. | 0:36:05 | 0:36:07 | |
We're all friends here. | 0:36:07 | 0:36:09 | |
You know what? Why don't you just... I'll tell you something, Harry. | 0:36:09 | 0:36:13 | |
You're so fucking smart, you go out and you get 7,500 | 0:36:13 | 0:36:16 | |
and Phil'll loan you 7,500 to match, OK? | 0:36:16 | 0:36:19 | |
I'll give you three days. | 0:36:22 | 0:36:24 | |
-Three days? -Go. | 0:36:25 | 0:36:26 | |
Go, go, go. | 0:36:26 | 0:36:28 | |
Bitch! | 0:36:32 | 0:36:35 | |
MUSIC: "Money" by Barrett Strong | 0:36:35 | 0:36:37 | |
# The best things in life are free | 0:36:37 | 0:36:40 | |
# But you can keep it for the birds and bees | 0:36:40 | 0:36:43 | |
# I need money | 0:36:43 | 0:36:46 | |
# That's what I want | 0:36:46 | 0:36:48 | |
# Hey, I need money | 0:36:48 | 0:36:50 | |
# That's what I want... # | 0:36:50 | 0:36:53 | |
-Hey, Gupy. -Harry! | 0:36:53 | 0:36:56 | |
-Is Faruz around? -He's right there. | 0:36:56 | 0:36:58 | |
Harry, my son! | 0:36:58 | 0:37:01 | |
Abdul Ben Fazul! | 0:37:01 | 0:37:04 | |
-Hey! I dreamt of you last night. -Me too! I dream about you last night. | 0:37:04 | 0:37:08 | |
-You did? -Yeah! Hey, Gupta. | 0:37:08 | 0:37:10 | |
SPEAKS IN ANOTHER LANGUAGE | 0:37:10 | 0:37:12 | |
-I dream you become rich man. -I dream -YOU -become rich man. | 0:37:12 | 0:37:16 | |
Harry, I'm not interested in boxing. | 0:37:16 | 0:37:18 | |
Faruz, you don't have to be interested in boxing. | 0:37:18 | 0:37:20 | |
You've got to be interested in getting back 9,000 on 75 guaranteed. | 0:37:20 | 0:37:24 | |
No, Harry. | 0:37:24 | 0:37:25 | |
-Please, guaranteed. -Harry! I got something better for me and you. | 0:37:25 | 0:37:29 | |
What? Faruz, I could be going to a thousand guys. | 0:37:29 | 0:37:32 | |
-I'm coming to you first, you hear? I'm going to you first. -Look. | 0:37:32 | 0:37:35 | |
Ever heard of these, Harry? Four heads, cable ready. | 0:37:35 | 0:37:38 | |
Plays dirty movies, cartoons for the children, everything. | 0:37:38 | 0:37:41 | |
Take it, take it. It's a gift. | 0:37:41 | 0:37:43 | |
-What, is this a gameshow? -A friend gave them to me. I give some to you. | 0:37:45 | 0:37:49 | |
-Sell them for 400, you keep 200. -Give me a break. | 0:37:49 | 0:37:52 | |
Faruz. | 0:37:56 | 0:37:57 | |
Harry, sell them for 400, you keep 200. | 0:37:57 | 0:38:01 | |
Yeah, right. | 0:38:01 | 0:38:03 | |
CHATTER AND TRAFFIC | 0:38:03 | 0:38:06 | |
-Lou, I'm talking about expanding your sports empire here. -Kick-boxing? | 0:38:06 | 0:38:11 | |
-No, not kick-boxing. Then without a dice. -What? | 0:38:11 | 0:38:14 | |
-I mean no dice. No dice. Like how you say? -You like VCRs? -No. | 0:38:14 | 0:38:19 | |
I've got a lot in the car. They go for 400 each at Trader Horn's. | 0:38:19 | 0:38:22 | |
-I give to you two for 700. Pick up Orient, everything. -Nah, nah. -650. | 0:38:22 | 0:38:27 | |
-Huh! -550. -Hm. -500. That's it, my final price. | 0:38:27 | 0:38:30 | |
-Oh, Mr Peck, please. -Shush! -Please, can I... | 0:38:30 | 0:38:32 | |
-I'm talking now. -Let me just explain... | 0:38:32 | 0:38:35 | |
You talked already, now me. Sit, sit! | 0:38:35 | 0:38:38 | |
Harry. | 0:38:39 | 0:38:41 | |
You say 2,000 seats at 15 a pop. | 0:38:41 | 0:38:45 | |
That's 30,000 plus beer and pretzels, whatever. Another three to five. | 0:38:45 | 0:38:49 | |
-Maybe more. That's bottom line. -Harry, you ever hear Murphy's Law? | 0:38:49 | 0:38:53 | |
Anything that can go wrong will go wrong. | 0:38:53 | 0:38:57 | |
-That law was dedicated to guys like you. -Mr Peck, come on. | 0:38:57 | 0:39:01 | |
You remember you came in here a few years ago? "Mr Peck! Mr Peck!" What? | 0:39:01 | 0:39:05 | |
You were going to buy two tonnes of rocks from the Berlin Wall. | 0:39:05 | 0:39:09 | |
Yeah, I was. Are you kidding? I would've cleaned up. | 0:39:09 | 0:39:11 | |
It's owning a piece of history. | 0:39:11 | 0:39:13 | |
No, you wouldn't. You've got rocks in your head. Nobody buys rocks. | 0:39:13 | 0:39:17 | |
What are you talking about? Look at the Berlin Wall today. | 0:39:17 | 0:39:20 | |
If I had invested then, you know how much I could have made? | 0:39:20 | 0:39:23 | |
I could have paid you back ten times. | 0:39:23 | 0:39:25 | |
-You know what that's all about? -What? | 0:39:25 | 0:39:28 | |
You'd be so good at something if you'd only slow down. | 0:39:28 | 0:39:31 | |
Slow down, Mr Peck? How can I slow down? I'm like a shark. | 0:39:31 | 0:39:35 | |
-I stop moving, I die. You know, that's the way. -Sharks got teeth! | 0:39:35 | 0:39:37 | |
Here, Harry. Come sit here. | 0:39:37 | 0:39:40 | |
Not too close, I got a cold. Listen. | 0:39:40 | 0:39:44 | |
Harry, I like you. You're a nice kid. | 0:39:44 | 0:39:47 | |
If you insist, I got to lend you. | 0:39:47 | 0:39:49 | |
I got to say yes. That's my business. | 0:39:49 | 0:39:52 | |
"But then what will happen?" Says my crystal ball. Something, something... | 0:39:52 | 0:39:57 | |
I don't know what. Maybe Grossman, | 0:39:57 | 0:39:59 | |
maybe the State Commissioner, but something. | 0:39:59 | 0:40:02 | |
And I'll be out my money. | 0:40:02 | 0:40:04 | |
You'll be in less than the best physical condition you'll ever | 0:40:04 | 0:40:07 | |
-be in, which I would hate to see. -I would hate to see that too. | 0:40:07 | 0:40:10 | |
Yeah? And we couldn't even be on speaking terms anymore. | 0:40:10 | 0:40:14 | |
Harry, listen. I like you. | 0:40:14 | 0:40:16 | |
But if I'm such a last resort, don't be so desperate. | 0:40:16 | 0:40:21 | |
PIANO MUSIC AND CHATTER | 0:40:26 | 0:40:28 | |
Where is that, er... Oh. | 0:41:19 | 0:41:24 | |
You really should alphabetize your albums, Harry. | 0:41:25 | 0:41:27 | |
JAZZ MUSIC PLAYING | 0:41:30 | 0:41:33 | |
-IMPERSONATES HARRY: -I pick my words carefully, but I mean, | 0:41:33 | 0:41:35 | |
you know, with all due respect. I mean, you know, | 0:41:35 | 0:41:38 | |
legendarily speaking. Are you in a bad mood or what? Hm? | 0:41:38 | 0:41:41 | |
See, he's confused. | 0:41:42 | 0:41:44 | |
He's thinking, you know, | 0:41:44 | 0:41:46 | |
"Should I bust the bitch in the face for humiliating me? | 0:41:46 | 0:41:50 | |
"Or should I thank her?" | 0:41:52 | 0:41:55 | |
"Yeah, you know, maybe I should thank her. | 0:41:55 | 0:41:58 | |
"Thank her for knocking down the loan to a reasonable amount | 0:41:58 | 0:42:01 | |
"That that little bastard is now obligated to | 0:42:01 | 0:42:04 | |
"if I come up with the rest." | 0:42:04 | 0:42:07 | |
What's that? | 0:42:08 | 0:42:10 | |
This is money. | 0:42:13 | 0:42:15 | |
This is money. | 0:42:15 | 0:42:18 | |
How much and for what? | 0:42:18 | 0:42:19 | |
This is 7,500. This is for you. | 0:42:19 | 0:42:22 | |
This is 5,000 for a friend of yours. | 0:42:22 | 0:42:26 | |
You get me something for this and then you get this. | 0:42:26 | 0:42:31 | |
-Where'd you get this? -Come on, Harry. | 0:42:32 | 0:42:34 | |
You know I kept every cent I could get my hands on. Look at this. | 0:42:34 | 0:42:38 | |
Here. You take this to Phil. You say, "Phil, here you go. | 0:42:38 | 0:42:42 | |
"Cough up your end." | 0:42:42 | 0:42:44 | |
-Who's my friend for the five? -You know The Blue Dolphin? | 0:42:44 | 0:42:48 | |
-What, on 11th street? -Yeah. | 0:42:48 | 0:42:50 | |
It's closed. Somebody bought it. It's been closed for six months. | 0:42:50 | 0:42:54 | |
You take this, you get me a liquor licence so I can open it. | 0:42:54 | 0:42:58 | |
-You want it? -Yeah. You're right, Harry. I'm a city girl. | 0:42:58 | 0:43:01 | |
What the fuck am I going to do in California? | 0:43:01 | 0:43:04 | |
I'd die in California. | 0:43:04 | 0:43:06 | |
-No, I've got to make my stuff happen here. It's just... -SHE SIGHS | 0:43:06 | 0:43:10 | |
It's just I can't stand it anymore, you know? | 0:43:10 | 0:43:13 | |
He's all over me all the time. But I can't get a liquor licence | 0:43:13 | 0:43:16 | |
in New York because of that felony convictions I got on the books. | 0:43:16 | 0:43:19 | |
It's like a... It's like a tattoo, you know? | 0:43:19 | 0:43:23 | |
Helen, you leave Phil, you leave town. | 0:43:23 | 0:43:25 | |
Ah, screw him. Look, take this. | 0:43:25 | 0:43:27 | |
-Get me a licence like you did for Marty Fatass. -Marty Fatass was a goddamned hack licence. | 0:43:27 | 0:43:31 | |
What you want is a whole different animal. | 0:43:31 | 0:43:33 | |
You're talking the State Liquor Authority now. | 0:43:33 | 0:43:36 | |
This is a whole different animal. | 0:43:36 | 0:43:38 | |
What, you haven't got a friend at fucking DSLA? | 0:43:38 | 0:43:41 | |
Why don't you just get it under another name or take on a partner? | 0:43:41 | 0:43:45 | |
Well... | 0:43:46 | 0:43:49 | |
You want to be my partner here? | 0:43:49 | 0:43:52 | |
-You want to be my partner? Hm? -Me? -Yeah. | 0:43:52 | 0:43:56 | |
Why on earth would anyone who knows me | 0:43:56 | 0:43:58 | |
willingly take me on as a partner? I mean, come on! | 0:43:58 | 0:44:00 | |
-You got more energy than Con Ed. -Oh, yeah? -Yeah. | 0:44:00 | 0:44:05 | |
You're an eternal optimist and... | 0:44:05 | 0:44:07 | |
-You got a good heart. -I do, huh? -Yeah. | 0:44:10 | 0:44:13 | |
-You don't fool me. -I don't, huh? -Yeah. | 0:44:14 | 0:44:17 | |
Come on, what do you say? | 0:44:22 | 0:44:25 | |
Oh, really... No, thanks. | 0:44:25 | 0:44:27 | |
I really think I want to take a shot at this other thing. | 0:44:27 | 0:44:30 | |
Yeah? Really? | 0:44:30 | 0:44:33 | |
Hm. | 0:44:33 | 0:44:36 | |
No problem. You know, you just er... | 0:44:36 | 0:44:39 | |
You just give me the licence and then you can have the money. | 0:44:39 | 0:44:43 | |
I was asking around. They said the best was when they had | 0:44:52 | 0:44:55 | |
a Jew fighting an Italian. They'd line up for miles. | 0:44:55 | 0:44:58 | |
Also, I was thinking. What if I had an amateur night? Get a cop to fight | 0:44:58 | 0:45:02 | |
a fireman or a sanitation guy. | 0:45:02 | 0:45:03 | |
Drop some freebies off at the precinct, the firehouse, the dump? | 0:45:03 | 0:45:06 | |
Oh, fucking hell, man. This is it. No more bullshit, no more. | 0:45:06 | 0:45:10 | |
I can't stand it, man. I'm better than this. I'm no jerk. Well, I... | 0:45:10 | 0:45:13 | |
I am a jerk, but it's like playing possum so far. It's like light under | 0:45:13 | 0:45:17 | |
a bushel for me. I've been eating shit with a shovel. But this is it, | 0:45:17 | 0:45:21 | |
right? This is it, man. Fuck! Regis Philbin! Ho ho ho! | 0:45:21 | 0:45:24 | |
Do you know me? | 0:45:24 | 0:45:26 | |
People know me in the boxing world, but sometimes in an airport | 0:45:26 | 0:45:29 | |
or a hotel or a whorehouse, I'm just another schmuck. Another Harry. | 0:45:29 | 0:45:33 | |
That's why I carry this. Tch, tch, tch! American Express. | 0:45:33 | 0:45:37 | |
Don't leave home without it. | 0:45:37 | 0:45:39 | |
-D'you really think I have a good heart? -Yes. | 0:45:44 | 0:45:47 | |
-D'you really think so, too? -Yeah. -You bitch(!) | 0:45:47 | 0:45:50 | |
I tricked you, didn't I? | 0:45:50 | 0:45:52 | |
-'SLA.' -John Dugan, please. | 0:45:59 | 0:46:00 | |
Harry, I want to fly up a lady fiend, from Miami. | 0:46:00 | 0:46:04 | |
What lady friend? You turning sex beast on me now? | 0:46:04 | 0:46:06 | |
-'Dugan.' -Huh? -'Dugan.' | 0:46:06 | 0:46:08 | |
-Dugie! Baby in a box! -'Fabian, how are you?' | 0:46:08 | 0:46:11 | |
Good. Good. Very good. | 0:46:11 | 0:46:13 | |
-Listen, I've got to see you. -'No can do.' | 0:46:13 | 0:46:15 | |
What's 'no can do', a Chinese appetiser? I've got to see you. It's important. | 0:46:15 | 0:46:19 | |
-'About what?' -I'm getting married. I want you to be my best man. | 0:46:19 | 0:46:23 | |
-'Don't fuck with me, OK? What else?' -Why else would I call? -'Nothing else?' | 0:46:23 | 0:46:27 | |
-Nothing else. -'Where and when?' | 0:46:27 | 0:46:29 | |
Six o'clock good tonight? Mare Chiaro on Mulberry Street. | 0:46:29 | 0:46:33 | |
-'All right, I know it.' -Six o'clock? OK. | 0:46:33 | 0:46:35 | |
What is this, Al? Who's this woman? | 0:46:35 | 0:46:37 | |
I can't have my personnel on morals charges. | 0:46:37 | 0:46:40 | |
Hey, Harry, are you getting married? | 0:46:40 | 0:46:44 | |
Look at 'em! Look at 'em! | 0:46:44 | 0:46:48 | |
You got any frequent flyer miles? You sure? | 0:46:48 | 0:46:52 | |
Rock and roll, champ. | 0:46:52 | 0:46:54 | |
MUSIC: "The Great Pretender" by The Platters | 0:46:59 | 0:47:02 | |
-Dugie! -You getting married, Harry? -Not exactly. -I didn't think so. | 0:47:05 | 0:47:09 | |
I couldn't imagine being your best man. We don't even like each other. | 0:47:09 | 0:47:13 | |
I'm crazy about YOU. You just got a self image problem. | 0:47:13 | 0:47:16 | |
Anyway I have a friend getting married. | 0:47:16 | 0:47:18 | |
I want to give her a unique present, you know what I mean? | 0:47:18 | 0:47:21 | |
Can't do it anymore, Harry. They're watching me. | 0:47:21 | 0:47:24 | |
-I'm not sure. -I've got five large to spend, more or less? | 0:47:24 | 0:47:27 | |
You got 7,500 to spend, more or less? | 0:47:27 | 0:47:29 | |
-75? -75. | 0:47:29 | 0:47:31 | |
I don't have that. | 0:47:31 | 0:47:34 | |
What'd you bring me down here for? You waste my time. Come on! | 0:47:34 | 0:47:36 | |
Sit down. Come on. | 0:47:36 | 0:47:40 | |
Now it's 85, Harry. | 0:47:40 | 0:47:42 | |
-You're still a prick, aren't you? -Yeah. | 0:47:42 | 0:47:44 | |
Takes one to know one. | 0:47:44 | 0:47:47 | |
Got any blanks? I'll print my own. | 0:47:51 | 0:47:53 | |
You're a forger, huh, Harry? You got 1,500 for me? | 0:47:53 | 0:47:57 | |
It's in the paper. | 0:47:57 | 0:47:59 | |
So's your blank. | 0:48:01 | 0:48:03 | |
2,000, Harry. | 0:48:05 | 0:48:07 | |
Just do it right, Herman. | 0:48:07 | 0:48:09 | |
It's got to look right. It's got to look genuine. | 0:48:09 | 0:48:12 | |
(Oh, boy!) | 0:48:29 | 0:48:30 | |
SHE LAUGHS | 0:48:32 | 0:48:33 | |
Harry, you want to celebrate, or something? | 0:48:34 | 0:48:37 | |
I'm going to crash. | 0:48:37 | 0:48:38 | |
No! Come on! I know what. | 0:48:38 | 0:48:41 | |
-Do that American Express commercial. Come on. -Nah! | 0:48:41 | 0:48:45 | |
Come on, Harry. Do it once, please?! | 0:48:45 | 0:48:48 | |
-Ah! -Let me try it. | 0:48:48 | 0:48:50 | |
SHE IMPERSONATES HARRY: Hi. You know me? | 0:48:54 | 0:48:58 | |
In the boxing world, my name is a household word. | 0:48:58 | 0:49:02 | |
But sometimes in airports, restaurants, | 0:49:02 | 0:49:04 | |
whorehouses... | 0:49:04 | 0:49:05 | |
SHE LAUGHS | 0:49:05 | 0:49:06 | |
Come on, you do it! | 0:49:06 | 0:49:08 | |
-No! -Do it, do it , do it! | 0:49:08 | 0:49:11 | |
DO IT! | 0:49:11 | 0:49:12 | |
Hi, D'you know me? | 0:49:12 | 0:49:15 | |
In the boxing world, I'm a household name. | 0:49:15 | 0:49:18 | |
But in an airport, or a hotel, they treat me like everybody else. | 0:49:18 | 0:49:21 | |
Piece of shit. | 0:49:21 | 0:49:23 | |
SHE LAUGHS | 0:49:26 | 0:49:28 | |
You know something? | 0:49:28 | 0:49:30 | |
You're just like a... | 0:49:30 | 0:49:32 | |
..hero looking for a target. | 0:49:34 | 0:49:37 | |
Come in with me on this thing. | 0:49:39 | 0:49:41 | |
I'll bring you home, baby. | 0:49:41 | 0:49:43 | |
Huh? | 0:49:43 | 0:49:44 | |
-I can't. -What? | 0:49:44 | 0:49:47 | |
Come on, Harry. | 0:49:47 | 0:49:51 | |
You and me, beneath the tree. | 0:49:51 | 0:49:53 | |
Doing what comes naturally. | 0:49:53 | 0:49:56 | |
What's this? | 0:50:05 | 0:50:07 | |
What's what? | 0:50:07 | 0:50:09 | |
Where'd you get this? | 0:50:09 | 0:50:10 | |
-From my friend, the Chase Manhattan. -What d'you call them, Peck? | 0:50:10 | 0:50:13 | |
Do I look that desperate, Phil? | 0:50:13 | 0:50:15 | |
Hey, Helen. Did you see this? | 0:50:15 | 0:50:18 | |
Where did you get this? | 0:50:18 | 0:50:21 | |
-You might have underestimated my resourcefulness. -Fuck you. | 0:50:21 | 0:50:24 | |
But a deal's a deal, right? We're men of honour. | 0:50:24 | 0:50:27 | |
Honourable men go with honourable men. | 0:50:27 | 0:50:29 | |
Why the fuck would you raise 7,500? | 0:50:29 | 0:50:33 | |
-So, uh... -No problem. | 0:50:35 | 0:50:37 | |
Just tell me when you need it, you'll have it. | 0:50:37 | 0:50:40 | |
Well, how about right now? | 0:50:40 | 0:50:41 | |
I've got to rent a big place. I got to line up my meat, | 0:50:41 | 0:50:44 | |
-I got to lay down my bond. -How much is the bond? -Seven. -Seven? | 0:50:44 | 0:50:48 | |
You got that without me. | 0:50:48 | 0:50:50 | |
You don't have to lay out anything else till fight night, right? | 0:50:50 | 0:50:53 | |
Phil, you're leaving me with, like, 500 here. | 0:50:53 | 0:50:57 | |
You going to bust balls, Fabian? | 0:50:57 | 0:50:59 | |
I said I'd give it to you when you needed it. Did I not say that? | 0:50:59 | 0:51:02 | |
OK. yes, you DID say that. | 0:51:02 | 0:51:04 | |
And I DO believe you. Absolutely. | 0:51:04 | 0:51:06 | |
Nice people. Nice music. | 0:51:09 | 0:51:11 | |
Y'all got something to shave with, take a walk now. | 0:51:11 | 0:51:14 | |
These here? Radar hands. You got it, I'll find it. | 0:51:14 | 0:51:17 | |
Nice suit. Where'd you get it at, Marty's? Let's go. | 0:51:17 | 0:51:20 | |
-Yo, what we got here? -Father Time. | 0:51:20 | 0:51:23 | |
Too old to hold your hands up? | 0:51:23 | 0:51:25 | |
Hold your hands up! | 0:51:25 | 0:51:28 | |
You're scaring me, pops, you're scaring me. | 0:51:28 | 0:51:31 | |
-Scare you. -Shake a tail feather. | 0:51:31 | 0:51:34 | |
-Prick! -Radar hands. Let's move it! | 0:51:34 | 0:51:36 | |
MUSIC: "Forgiveness" by Lynn Davis | 0:51:36 | 0:51:39 | |
Harry, I'm going to break that bastard's face. | 0:52:11 | 0:52:14 | |
Oh, forget him. What do you think? Big enough or what? | 0:52:14 | 0:52:17 | |
-Forget him? -What do you think about the place? | 0:52:17 | 0:52:19 | |
-It's great, huh? -What? It's a fucking dance hall! | 0:52:19 | 0:52:22 | |
Yeah. It's great, though. It's great for a fight. | 0:52:22 | 0:52:25 | |
Let's dance. Come on, disco buddy! | 0:52:29 | 0:52:32 | |
-Harry, I'm having second thoughts about you. -Yeah, right. | 0:52:32 | 0:52:35 | |
I'm getting 'hocked in kopf' with this hubbub, Harold. | 0:52:45 | 0:52:48 | |
-His name is Harry. Harry. -It's Harry. -...Three times already. | 0:52:48 | 0:52:51 | |
OK, it's right over here. Right on the right. | 0:52:51 | 0:52:54 | |
There you go, Frieda. | 0:52:54 | 0:52:55 | |
HE WHISPERS | 0:53:01 | 0:53:02 | |
Hey, shyster, Boom Boom wants to talk to you. | 0:53:14 | 0:53:17 | |
Now. | 0:53:17 | 0:53:18 | |
Uh... I'll be right back. | 0:53:18 | 0:53:20 | |
Have the homemade soup. It's very good. | 0:53:20 | 0:53:23 | |
-You can order one for me, too. -Homemade, in whose home? | 0:53:23 | 0:53:27 | |
-What are you doing with him? -With who? -What's he doing with you? | 0:53:29 | 0:53:32 | |
He's got a bum heart. What are you doing with him? | 0:53:32 | 0:53:35 | |
-Take it easy. You still got registered hands. -Harry? | 0:53:35 | 0:53:39 | |
Hal. | 0:53:41 | 0:53:43 | |
-Let's go, Harry. -Yeah, let's go! | 0:53:44 | 0:53:46 | |
Hal... | 0:53:49 | 0:53:51 | |
-Donny, I need some help over here. -All right. Wait a minute. | 0:53:59 | 0:54:02 | |
-Ah, Fabian. -Mr Resnick. How are you? -How are you? | 0:54:02 | 0:54:05 | |
-This is Al Grossman. -Come on down to the office. Boxing, huh? | 0:54:05 | 0:54:08 | |
It takes balls, Mr Resnick, and you got balls by the dozen. | 0:54:08 | 0:54:11 | |
I could tell. Huh? It's a GREAT place. | 0:54:11 | 0:54:14 | |
-Al, give him a hand. -What am I doing here? | 0:54:14 | 0:54:17 | |
He wants 5,000 for the night, | 0:54:17 | 0:54:19 | |
so I'm giving him the VCRs as collateral. | 0:54:19 | 0:54:21 | |
What the hell is this? Oh, boy. | 0:54:21 | 0:54:24 | |
Aw, shit. | 0:54:26 | 0:54:28 | |
You know, Harry, I... | 0:54:32 | 0:54:33 | |
PHONE RINGS | 0:54:44 | 0:54:46 | |
'Champion Enterprises, can I help you? | 0:54:46 | 0:54:49 | |
-'Hold on, please.' -Listen, tell him we're here. | 0:54:49 | 0:54:53 | |
'Mr Grossman...' | 0:54:53 | 0:54:54 | |
Some place. BIG time! | 0:55:01 | 0:55:02 | |
PHONE RINGS | 0:55:02 | 0:55:06 | |
'Champion Enterprises, can I help you?' | 0:55:06 | 0:55:08 | |
Hey, Boom Boom, long time no see. Nice place. Hey, Cuda. | 0:55:08 | 0:55:13 | |
Coulda, woulda, shoulda. | 0:55:13 | 0:55:14 | |
Just kidding. | 0:55:14 | 0:55:16 | |
Listen, kid, I'm only kidding, man. | 0:55:16 | 0:55:18 | |
No hard feelings, OK? | 0:55:18 | 0:55:20 | |
You know, it's just the way it is. | 0:55:22 | 0:55:24 | |
Hey, take it easy. | 0:55:24 | 0:55:27 | |
Ow! Take it easy. | 0:55:27 | 0:55:28 | |
ELEVATOR BELL RINGS | 0:55:28 | 0:55:29 | |
Easy! One more fucking move, spic, | 0:55:31 | 0:55:33 | |
I'll step on your fucking head! | 0:55:33 | 0:55:35 | |
No! | 0:55:35 | 0:55:37 | |
What are you getting yourself into, Al? | 0:55:40 | 0:55:42 | |
You want to do strong-arm shit, Ira? | 0:55:46 | 0:55:49 | |
-You're a very foolish man, Al. -Yeah, well, that's OK. | 0:55:53 | 0:55:56 | |
-Come on. -What do you know about this little prick? | 0:55:56 | 0:56:00 | |
He's OK. | 0:56:00 | 0:56:01 | |
Well, I'd like to have a few words with Harry. | 0:56:04 | 0:56:07 | |
Go ahead. | 0:56:07 | 0:56:08 | |
Alone. | 0:56:08 | 0:56:10 | |
Please. | 0:56:10 | 0:56:13 | |
It's OK, Al. It's cool. Don't worry. | 0:56:15 | 0:56:19 | |
-Harry, Harry, Harry. -That's my name. | 0:56:21 | 0:56:24 | |
So you're really going to go through with this, huh? | 0:56:24 | 0:56:26 | |
Why don't I give you a little money | 0:56:26 | 0:56:29 | |
so you can forget it, huh? | 0:56:29 | 0:56:31 | |
I mean, fight game's tough. It's not for everybody. | 0:56:31 | 0:56:33 | |
How much do you want, Harry? | 0:56:35 | 0:56:37 | |
I want to tell you something. | 0:56:40 | 0:56:41 | |
Whatever anybody thinks of me, I paid my dues. | 0:56:41 | 0:56:44 | |
Six years of Legal Aid, I must have represented 15,000 poor people. | 0:56:44 | 0:56:48 | |
You do it fast. You never go to trial. | 0:56:48 | 0:56:50 | |
Cut the best deal on the spot, and move on. | 0:56:50 | 0:56:52 | |
In private practice, you can't shake that six year 'go-go' head. | 0:56:52 | 0:56:55 | |
With civil cases, you get somebody by the balls, | 0:56:55 | 0:56:58 | |
make them pay, you get the hell out. | 0:56:58 | 0:57:00 | |
Like a machine, like an animal, like with you. | 0:57:00 | 0:57:03 | |
All I ever do is take the money and run. That's all I ever do. | 0:57:03 | 0:57:06 | |
About ten years ago, I had these clients, | 0:57:06 | 0:57:09 | |
a Puerto Rican family from Bed-Stuy. | 0:57:09 | 0:57:11 | |
And the police, they were like looking for somebody. | 0:57:11 | 0:57:14 | |
So, they broke in, and they beat up everybody | 0:57:14 | 0:57:18 | |
in the whole fucking family. The kids, the grandmother, everybody. | 0:57:18 | 0:57:21 | |
They had the wrong house. | 0:57:21 | 0:57:23 | |
I took the New York City Police Department to court. | 0:57:23 | 0:57:28 | |
They gave me 10,000 and my clients 10,000 to go away. | 0:57:28 | 0:57:30 | |
10,000 to each of us to go AWAY. And I took it. | 0:57:30 | 0:57:34 | |
I took it. I don't know how much we could've gotten, you know? | 0:57:35 | 0:57:39 | |
I could've like taken the New York City Police Department to court, | 0:57:39 | 0:57:44 | |
and I didn't, you know? I mean, I could've, like, won. | 0:57:44 | 0:57:47 | |
I could've SCORED, you know? Not money, but scored. | 0:57:47 | 0:57:51 | |
Instead, I just took what they fucking gave me, | 0:57:51 | 0:57:54 | |
like a fucking asshole. | 0:57:54 | 0:57:55 | |
I'm tired of being an asshole, and being a schmuck, and laughed at, and everybody making fun. | 0:57:55 | 0:58:00 | |
They think I'm just a little fucking putz. I'm not like that. | 0:58:00 | 0:58:03 | |
-You know, why can't -I -have a piece? | 0:58:03 | 0:58:05 | |
-Why can't -I -be the man, for once? | 0:58:05 | 0:58:07 | |
I'm going to MAKE my stand, be a fucking boxing promoter. | 0:58:07 | 0:58:10 | |
If I go all the way, like just to get you over a barrel, | 0:58:10 | 0:58:14 | |
I'd do it all the time, right? | 0:58:14 | 0:58:15 | |
Right? Why should I? | 0:58:15 | 0:58:18 | |
Why should I settle for that? | 0:58:18 | 0:58:20 | |
Just for the record, though, I want to ask you something. | 0:58:23 | 0:58:27 | |
How much WERE you going to pay me? | 0:58:27 | 0:58:29 | |
You're not wearing a wire, are you? | 0:58:32 | 0:58:34 | |
No offence. I didn't think you were. | 0:58:36 | 0:58:39 | |
You want to go ahead with this, I can't make you stop. | 0:58:39 | 0:58:42 | |
But my brother Al, I mean, he's a world-class putz, | 0:58:45 | 0:58:48 | |
but what are you going to do? | 0:58:48 | 0:58:51 | |
He's my big brother. I love him. I worry about him. | 0:58:51 | 0:58:54 | |
He don't like me. He thinks I'm bad for boxing. | 0:58:54 | 0:58:57 | |
But who the hell cares, you know? | 0:58:57 | 0:58:59 | |
My point is, uh... You sure you're not wearing a wire? | 0:58:59 | 0:59:04 | |
-I said no. -Good. -All right? -Good. | 0:59:04 | 0:59:10 | |
Cos the point is... | 0:59:10 | 0:59:11 | |
If anything should happen to my brother. | 0:59:12 | 0:59:15 | |
I mean anything. If he gets the flu, | 0:59:15 | 0:59:20 | |
a heart attack. He's had TWO, you know. | 0:59:20 | 0:59:24 | |
If he gets as much as a fucking headache, | 0:59:24 | 0:59:27 | |
I will have you killed, Harry. | 0:59:27 | 0:59:31 | |
Fuck you with these registered weapons. | 0:59:32 | 0:59:34 | |
You will die, Harry. | 0:59:34 | 0:59:36 | |
So you take good care of my brother, huh? | 0:59:36 | 0:59:40 | |
Make sure he don't get too excited. | 0:59:40 | 0:59:42 | |
Let's rock and roll, champ. | 0:59:51 | 0:59:54 | |
I got four fucking hundred dollars to my fucking name. | 0:59:58 | 1:00:01 | |
I got to pay the printers, the doctors, the judges. | 1:00:01 | 1:00:03 | |
-Easy. Anything happens to you, I'm dead. -You got to pay Al. | 1:00:03 | 1:00:06 | |
You? I thought you LOVED boxing. Got any money I can borrow? | 1:00:06 | 1:00:09 | |
How about your girlfriend? She win at cards a lot? | 1:00:09 | 1:00:13 | |
I'll tell you who I like. That kid there. | 1:00:16 | 1:00:20 | |
And that kid over there. | 1:00:20 | 1:00:22 | |
That kid eating Fritos is good, too. | 1:00:22 | 1:00:24 | |
And that lightweight, you know? | 1:00:24 | 1:00:27 | |
-And, uh, these two kids here. -They got fast hands. | 1:00:27 | 1:00:31 | |
-They're brothers. -Whoa! The brother thing, I like. | 1:00:31 | 1:00:34 | |
Get them to fight each other. Cain and Abel. | 1:00:34 | 1:00:36 | |
I like that. This, I don't know. | 1:00:36 | 1:00:38 | |
Everybody's from uptown. It's like a night in Nairobi. | 1:00:38 | 1:00:42 | |
How about him? Adam Carrington, there. | 1:00:42 | 1:00:45 | |
And this kid, Battling Chan. Got to get Moshe Dayan? | 1:00:45 | 1:00:48 | |
-Oh, come on, now. Will you be serious? -I'm serious as cancer. | 1:00:50 | 1:00:53 | |
Wait a minute. Excuse me. | 1:00:53 | 1:00:56 | |
What do you MEAN, you're leaving me? | 1:00:56 | 1:00:59 | |
-Feel better now? -No, worse. | 1:01:05 | 1:01:08 | |
I'm sorry. I'm sorry, I'm sorry, I'm sorry. | 1:01:09 | 1:01:12 | |
Come here. Come over here. | 1:01:12 | 1:01:16 | |
Fuck you! | 1:01:18 | 1:01:20 | |
Let me kiss you, Helen. | 1:01:21 | 1:01:24 | |
I want to kiss you, Helen. | 1:01:24 | 1:01:27 | |
Just let me talk to you. Don't walk away from me. | 1:01:28 | 1:01:30 | |
-Just let me talk to you. -You go to hell. | 1:01:30 | 1:01:33 | |
Enough of this shit! | 1:01:33 | 1:01:34 | |
-Where'd you get the money for the liquor licence, Helen? -I earned it. | 1:01:34 | 1:01:39 | |
What do you mean? Like tips? You saved up your tips? | 1:01:39 | 1:01:41 | |
Don't you fucking touch me! | 1:01:41 | 1:01:44 | |
I kept sticking him, sticking him. | 1:01:59 | 1:02:02 | |
Finally, wham, boom! I hit him a hook. | 1:02:02 | 1:02:05 | |
Oh, Harry, I want you to meet Bobo Epstein. | 1:02:05 | 1:02:07 | |
-Bobo. -Tommy Carver. -Tommy. -Freddy, uh... Freddy. | 1:02:07 | 1:02:10 | |
-DiMario. -That's right. -And Jap Epstein. | 1:02:10 | 1:02:12 | |
-Jap. -They all got good boys. | 1:02:12 | 1:02:14 | |
-Who's got the brothers? -Me. -They fight each other? | 1:02:14 | 1:02:16 | |
-Heh. Not without knives. -THEY LAUGH | 1:02:16 | 1:02:19 | |
SIREN WAILS | 1:02:20 | 1:02:22 | |
-Helen, what are you doing here? -Hey! I did it. | 1:02:37 | 1:02:40 | |
-I'm FREE. -Jesus. What happened? | 1:02:40 | 1:02:43 | |
Oh, fucking Phil, you know. Yeah. | 1:02:43 | 1:02:46 | |
-Helen, listen, listen. -What? | 1:02:48 | 1:02:50 | |
This place in California, where's that at? | 1:02:50 | 1:02:52 | |
Somewheres out of Big Sur. Redwoods. | 1:02:52 | 1:02:55 | |
Maybe try it, after all. | 1:02:55 | 1:02:58 | |
You know, New York, Phil, with the licence... | 1:02:58 | 1:03:01 | |
There are so many factors around here, you should start fresh | 1:03:01 | 1:03:04 | |
-New York is a sewer, if you think about it. Jesus. -Come upstairs, you can tell me all about it. | 1:03:04 | 1:03:09 | |
No, I'm serious, shit happens, look what happened to you. | 1:03:09 | 1:03:12 | |
DOOR SLAMS | 1:03:18 | 1:03:20 | |
How can you tell me something like this? | 1:03:22 | 1:03:25 | |
Phil, I almost didn't. | 1:03:25 | 1:03:28 | |
I told myself, Boom Boom, keep your nose out of where it don't belong. | 1:03:28 | 1:03:32 | |
Then I said to myself, Phil's your friend, even then I said, | 1:03:32 | 1:03:37 | |
"Don't tell him Boom Boom." | 1:03:37 | 1:03:39 | |
But then I hear the straw that broke the camel's back. | 1:03:39 | 1:03:43 | |
You loaned this guy money, | 1:03:44 | 1:03:46 | |
I said to myself, enough is enough, Boom Boom. | 1:03:46 | 1:03:49 | |
Do your duty. Weather the storm of outrage. | 1:03:49 | 1:03:53 | |
Helen and Fabian. | 1:03:55 | 1:03:56 | |
Harry Fabian. | 1:03:56 | 1:03:59 | |
Where do you think he got the money? From the money store? | 1:03:59 | 1:04:02 | |
How did she get a liquor licence with her record? | 1:04:02 | 1:04:05 | |
She must know some funny phone numbers down there. | 1:04:05 | 1:04:08 | |
Or she knows somebody that knows some funny phone numbers. | 1:04:08 | 1:04:11 | |
I do this for you, you do this for me, come on, do you think I enjoy tell you all this? | 1:04:11 | 1:04:15 | |
This is like agony for me, this guy's a total fuck, | 1:04:15 | 1:04:19 | |
which I'm sure doesn't come as a big revelation to you. | 1:04:19 | 1:04:24 | |
I'm sorry, but you're better off hearing it from me, | 1:04:30 | 1:04:35 | |
you know what I mean? | 1:04:35 | 1:04:38 | |
You should put their records under their names, Harry. | 1:04:44 | 1:04:48 | |
You're right, absolutely right, so put the records, but put high wins and low losses, OK? | 1:04:48 | 1:04:53 | |
-Anything else? -I was just thinking, you know what you should do? | 1:04:53 | 1:04:57 | |
Put Irish before Steve Cotton, put Ice before between Al and Cole. | 1:04:57 | 1:05:01 | |
You finished? You want these things today or not? | 1:05:01 | 1:05:03 | |
Yeah, wait, let me finish, let's see. | 1:05:03 | 1:05:05 | |
I've got a great fucking idea, I should have thought of this before, | 1:05:05 | 1:05:08 | |
I cannot fucking believe this, this is a great, great idea. You know that sporting goods store, | 1:05:08 | 1:05:13 | |
Bojacks? One of the guys, Bo Feldlman, he sued his partner. I got him the store, more or less, | 1:05:13 | 1:05:18 | |
the guy still owes me. So I'll get all like a couple of hundred boxing gloves, right? | 1:05:18 | 1:05:23 | |
I'll say free boxing gloves to the first 200 customers, right? | 1:05:23 | 1:05:27 | |
And I'll put up here, "Get Punchy, New York!" | 1:05:27 | 1:05:30 | |
Great idea, great fucking idea voila! Finished! | 1:05:30 | 1:05:32 | |
OK, 300 posters, tickets, 2,000 tickets. | 1:05:32 | 1:05:37 | |
-2,001, one for yourself. -One? 1,500 dollars. | 1:05:37 | 1:05:40 | |
-That sound fair, I'll pay you right after the fight. -Bullshit! | 1:05:40 | 1:05:44 | |
Come on, Herman? Right after the fight, no good? | 1:05:44 | 1:05:46 | |
-OK, before the fight, happy? -Harry... | 1:05:46 | 1:05:48 | |
Herman, I'm going to write you a bad cheque, you want me to do that? What are you worried about? | 1:05:48 | 1:05:53 | |
My backer can't pay me until around the end of the fight, so what's the difference? | 1:05:53 | 1:05:57 | |
Take it out of the receipts, it'll be right there. | 1:05:57 | 1:05:59 | |
-Levon! -Why do we always go through this every time with you? | 1:05:59 | 1:06:02 | |
-I'm going to pay you. -I'm going to give Levon my ticket, Harry. | 1:06:02 | 1:06:05 | |
-OK, I don't give a shit. -You know what I mean? | 1:06:05 | 1:06:08 | |
Yeah, give it to anybody you want. How you doing? give him two tickets. | 1:06:08 | 1:06:11 | |
Come on, let's go, Radar hands here. | 1:06:11 | 1:06:14 | |
You got it, I'm going to find it. I like what I do, it feels so good. | 1:06:14 | 1:06:17 | |
All right, let's keep the line going. | 1:06:17 | 1:06:20 | |
Here to see Mr Resnick, I know the routine. | 1:06:20 | 1:06:23 | |
-Oh, it's Father Time again. -He's with me. | 1:06:23 | 1:06:25 | |
I got to check him for hardware. | 1:06:25 | 1:06:27 | |
Can't you hear? I'm with him. | 1:06:36 | 1:06:39 | |
He's with me, it's OK. | 1:06:41 | 1:06:43 | |
Go ahead in, Pops. | 1:06:47 | 1:06:48 | |
Fucking piece of shit! | 1:06:48 | 1:06:50 | |
-You did your homework, I'm proud of you. -Good, huh? | 1:06:53 | 1:06:55 | |
I'll do the same for you, all the security in the world here. | 1:06:55 | 1:06:58 | |
-I was going to use some of my own people. -No, it's on the house, comes with the place. -Really? | 1:06:58 | 1:07:02 | |
I handle everything, the bar, everything, is take care of for you. | 1:07:02 | 1:07:05 | |
-What do you mean? That's what I do for a living!. -I'm in a meeting! | 1:07:05 | 1:07:08 | |
-This scumbag is selling blow in the joint. -Get him out of here! | 1:07:08 | 1:07:11 | |
-Save this for later. -What do you mean you'll handle the bar? | 1:07:11 | 1:07:15 | |
I'm equipped for everything, I've got the chair, the ring, it all going into the rental. | 1:07:15 | 1:07:19 | |
-You take care of the gate and the fighters, it's that simple. -No, no, screw you, man. -Screw me? | 1:07:19 | 1:07:24 | |
-Yeah! That's the deal, man. -Wipe your ass with that! | 1:07:24 | 1:07:28 | |
Go to a Ukrainian fucking dancehall. | 1:07:28 | 1:07:30 | |
-Get the fuck out! -Don't touch me! | 1:07:30 | 1:07:32 | |
-Who are you to touch me? -Al, do you know whose brother this is? | 1:07:32 | 1:07:37 | |
This is Boom Boom's brother. I don't want to be swimming in blood over here. | 1:07:37 | 1:07:42 | |
Don't give me that pile of shit! | 1:07:42 | 1:07:44 | |
It's 9,000, you got it? | 1:07:44 | 1:07:46 | |
I've got a circus I could book that night, I don't need you! | 1:07:46 | 1:07:50 | |
You've just got to take it out of the gate. | 1:07:50 | 1:07:52 | |
I don't take anything out of the gate, it comes up front. | 1:07:52 | 1:07:55 | |
It's 3,000 for the insurance, that's the joke. | 1:07:55 | 1:07:57 | |
-OK, OK, now problem, let's go. You all right? -Yeah, I'm all right. -The 200 gloves is a nice touch. | 1:07:57 | 1:08:02 | |
Where the fuck else are we to go, we've got six days? | 1:08:02 | 1:08:05 | |
-I'll going to kill him. -We make matches. I'm not promoting this, Christ! | 1:08:05 | 1:08:10 | |
I owe Herman to print and I've got to pay this fucking dick. | 1:08:10 | 1:08:13 | |
Al, you OK? You shouldn't get excited. | 1:08:13 | 1:08:17 | |
Shouldn't get excited. | 1:08:17 | 1:08:19 | |
You kiss everybody's ass and I shouldn't get excited? | 1:08:19 | 1:08:22 | |
Whose ass did I kiss? Whose ass? I'm saving your life. | 1:08:22 | 1:08:25 | |
Jumping in saying, "Fine," to everybody. You're always with the hands, the hands. | 1:08:25 | 1:08:29 | |
-I've got to kiss ass to keep you out of trouble. -Me? -Yeah. | 1:08:29 | 1:08:32 | |
-I'm standing up for you, puissant. You let everybody walk all over you! -Who? -Everybody!! | 1:08:32 | 1:08:36 | |
Come on, that's not true, what are you talking about? | 1:08:36 | 1:08:39 | |
-You couldn't promote a fucking pillow fight. -You all right? -Yeah. | 1:08:39 | 1:08:43 | |
-Take another pill. Al. -I'm OK. I'm, OK. | 1:08:43 | 1:08:47 | |
You get too excited, you get too excited. Jeez. | 1:08:47 | 1:08:50 | |
9,000, the cocksucker, I can't fucking believe it! | 1:08:51 | 1:08:54 | |
Always remember to tell the customers what great wines we have by the glass, OK? | 1:09:01 | 1:09:05 | |
Hey, Harry, come in, come on, hey, | 1:09:06 | 1:09:10 | |
Harry, you got to come in! Come on! | 1:09:10 | 1:09:14 | |
Please. Come on in. | 1:09:16 | 1:09:18 | |
Hey. Everybody, this is Harry Fabian, you know? | 1:09:18 | 1:09:21 | |
How are you? | 1:09:21 | 1:09:23 | |
Want you to know this face, memorise it, | 1:09:23 | 1:09:25 | |
you are never to accept money from this man. He is family. | 1:09:25 | 1:09:29 | |
Do you want to bring Mr Fabian a cup of coffee? | 1:09:29 | 1:09:32 | |
-Looks great! -Yeah. | 1:09:35 | 1:09:37 | |
Very nice. Promising. | 1:09:37 | 1:09:39 | |
-Helen, listen. Yeah? -This is the bottom for me | 1:09:39 | 1:09:43 | |
to come to you like this. I need a loan, about 5,000, | 1:09:43 | 1:09:46 | |
I'll pay your back 6.5 on the night of the fight, | 1:09:46 | 1:09:49 | |
I swear on my mother's eyes! | 1:09:49 | 1:09:51 | |
-I mean, these people are fucking me around. I'm stuck. -I don't have it. | 1:09:51 | 1:09:55 | |
If you had come to me yesterday, I would have had it, | 1:09:55 | 1:09:59 | |
it's just...you see that? That's your loan. | 1:09:59 | 1:10:03 | |
That is a cruvinet, keeps open wine fresh so I can serve glasses | 1:10:03 | 1:10:07 | |
of the good stuff without ditching the bottles. | 1:10:07 | 1:10:10 | |
Anyway, there's your loan money. It has something to do with nitrogen balance. | 1:10:10 | 1:10:15 | |
That wine cooler cost 16 grand. | 1:10:15 | 1:10:17 | |
Yeah, there are like only ten in all of Manhattan. | 1:10:20 | 1:10:22 | |
I can see why. | 1:10:22 | 1:10:23 | |
Yeah. Anyway, I'm almost tap city my self, Harry. | 1:10:23 | 1:10:27 | |
So, why don't you ask Phil? | 1:10:27 | 1:10:30 | |
Because it's a good deal, it really is, I just don't have it. | 1:10:30 | 1:10:36 | |
So, Hey, harry, you want to see great art? | 1:10:41 | 1:10:44 | |
Look, I'm going to go, OK? | 1:10:44 | 1:10:46 | |
Good luck. Yeah, Thanks for trying to help. | 1:10:47 | 1:10:50 | |
-Hey, if Phil can't come through then come back. -OK. | 1:10:50 | 1:10:52 | |
I can make some calls, I can try. | 1:10:52 | 1:10:56 | |
-It's not good, Phil. -What? | 1:11:15 | 1:11:18 | |
The loan, I appreciate it but save your money, it's just not good. | 1:11:18 | 1:11:22 | |
What are you talking about? | 1:11:22 | 1:11:23 | |
I need 12 grand if I need a dime, that fucking disco. | 1:11:23 | 1:11:27 | |
Now they want to hold me up for nine, it's over, it's just impossible. | 1:11:27 | 1:11:31 | |
It's very tight out there. Very tight. | 1:11:31 | 1:11:33 | |
I don't know what the fuck they're doing. | 1:11:33 | 1:11:37 | |
So? We'll make it 12,000. | 1:11:37 | 1:11:41 | |
You're shitting me? | 1:11:42 | 1:11:43 | |
Why not? Long as you know I want 14.5 back. | 1:11:43 | 1:11:45 | |
Phil, you know what? You're OK? | 1:11:45 | 1:11:48 | |
It's still going to have to wait till a day or so before the fights. | 1:11:48 | 1:11:51 | |
It's a lot of money. | 1:11:51 | 1:11:53 | |
You know what? I'm gonna tell you something. | 1:11:53 | 1:11:55 | |
They broke the fuckin' mould with you, Phil, really. Thank you very much. | 1:11:55 | 1:11:59 | |
Did you hear the news? What? | 1:11:59 | 1:12:01 | |
Helen walked out on me. | 1:12:01 | 1:12:04 | |
Ah, Jesus, what a cunt. I'm sorry, Phil. | 1:12:04 | 1:12:07 | |
You know what else? | 1:12:07 | 1:12:09 | |
What? | 1:12:09 | 1:12:11 | |
She's opening up some joint on 11th Street. | 1:12:11 | 1:12:14 | |
Hey, you know, fuck her, then, it's better that way | 1:12:16 | 1:12:19 | |
if she's that kind of person. To begin with. | 1:12:19 | 1:12:22 | |
Can't fucking believe it. Christ. | 1:12:22 | 1:12:25 | |
Man, I am really sorry. | 1:12:25 | 1:12:26 | |
I'm really sorry but, you know, I'm sorry for her more | 1:12:27 | 1:12:30 | |
because a person like that, you can always leave them, | 1:12:30 | 1:12:33 | |
but they have to live with themselves. | 1:12:33 | 1:12:36 | |
You gotta live with yourself. You make your own bed, right, Harry? | 1:12:36 | 1:12:40 | |
-Exactly, now you got to lie in it. -Exactly. | 1:12:40 | 1:12:42 | |
You know what I can't figure out? How did she ever get a liquor licence? | 1:12:45 | 1:12:48 | |
They're so fucked up down there, God knows. She lucked out, I guess. | 1:12:48 | 1:12:52 | |
When you're hot, you're hot, you know how it is. You can't give it away. Crazy. | 1:12:52 | 1:12:55 | |
You know what, Harry? I want to throw you a good luck party. | 1:12:55 | 1:12:59 | |
-How many kids you got fighting? 10? -12. | 1:12:59 | 1:13:03 | |
I'm going to blow you the dinner here the night before. Pre-fight night. | 1:13:03 | 1:13:08 | |
-Good publicity. You, Al, the kids. -Really? -Why not? | 1:13:08 | 1:13:11 | |
Better protect my investment, right? Maybe even get a write up. | 1:13:11 | 1:13:16 | |
Good for there place. No booze, though, cos of the kids. | 1:13:16 | 1:13:19 | |
Why don't we make it Monday night early so they can get out early? | 1:13:19 | 1:13:22 | |
-They got weigh-in Tuesday, right? -Yeah, right. -OK. | 1:13:22 | 1:13:26 | |
Let's make it six on' clock. | 1:13:26 | 1:13:28 | |
Throw a dinner for them, I'll have the money for you, what do you say? | 1:13:28 | 1:13:32 | |
Mr Phil, Mr Phil. | 1:13:37 | 1:13:39 | |
Hey, Harry, what are friends for? Huh? | 1:13:41 | 1:13:45 | |
Thank you, Phil. | 1:13:45 | 1:13:47 | |
-Whoa! I won't forget this, Phil! -De nada. | 1:13:50 | 1:13:53 | |
Yeah, State Liquor Authority, please. | 1:14:09 | 1:14:12 | |
Hey! Come here, here's a dollar. | 1:14:12 | 1:14:13 | |
I want you to ask for Mr Bo Feldman and give me the phone back, OK? | 1:14:15 | 1:14:20 | |
Bo Feldman. | 1:14:23 | 1:14:25 | |
Yo! Mr Feldman there? The man say, who calling? | 1:14:25 | 1:14:29 | |
Tell him the Athletic Department at Tildon High. | 1:14:29 | 1:14:32 | |
Athletic Department, Tildon High. My name's Rolo. | 1:14:32 | 1:14:35 | |
Yeah, I'm a fucking teacher! | 1:14:36 | 1:14:38 | |
Yo, Bo, Harry! | 1:14:38 | 1:14:40 | |
What's Shacks doing there, clearing out his desk? | 1:14:41 | 1:14:45 | |
Ha-ha, Bo, how much do you owe me? | 1:14:45 | 1:14:48 | |
No, I can wait or we can do this. | 1:14:48 | 1:14:52 | |
How are you fixed for boxing gloves? | 1:14:52 | 1:14:54 | |
As many as you've got. Today? | 1:14:54 | 1:14:58 | |
Right away? Good, OK. | 1:14:58 | 1:15:01 | |
MUSIC: "Cool Jerk" by The Capitols | 1:15:01 | 1:15:04 | |
Phil, they brought their managers and their girlfriends, | 1:15:05 | 1:15:08 | |
I couldn't say no. They'll sit on each other's laps, OK? | 1:15:08 | 1:15:11 | |
In the back, round the bend, table's over there. | 1:15:11 | 1:15:14 | |
How you doing? | 1:15:16 | 1:15:18 | |
Tessler, why don't you join us in about half an hour? | 1:15:18 | 1:15:21 | |
I'll give you an item there. | 1:15:21 | 1:15:23 | |
Give me an item? | 1:15:23 | 1:15:25 | |
TAPS FORK ON GLASS | 1:15:31 | 1:15:35 | |
A toast, a toast, a toast to you all. | 1:15:35 | 1:15:39 | |
No, to hell with you all, to me all! | 1:15:39 | 1:15:41 | |
LAUGHTER | 1:15:41 | 1:15:42 | |
But seriously, to fame and fortune for us all! | 1:15:42 | 1:15:45 | |
CHEERING | 1:15:45 | 1:15:47 | |
And here he is, our gracious host, Phil Nassaros, legendary bartender. | 1:15:47 | 1:15:53 | |
Mr Grossman, Boom Boom sent | 1:16:05 | 1:16:07 | |
to see how long you planned to stay in New York. | 1:16:07 | 1:16:10 | |
He's a little concerned. Doesn't know if you've got money. | 1:16:10 | 1:16:14 | |
Where you're living, believe me, he respects your privacy. | 1:16:14 | 1:16:17 | |
that's why he sent me. He just wants to make sure you're happy. | 1:16:17 | 1:16:20 | |
Yeah, yeah, | 1:16:20 | 1:16:21 | |
Goodnight. Don't be late. | 1:16:21 | 1:16:23 | |
Wasn't she with somebody else? | 1:16:23 | 1:16:26 | |
Never mind. See you in the morning OK. Good luck. | 1:16:26 | 1:16:30 | |
Good luck, get to bed on time. Make sure they get to bed on time. | 1:16:30 | 1:16:34 | |
-Great. Bed on time. -Thanks, Harry. -Pleasure to have you. | 1:16:34 | 1:16:39 | |
-He's going to win tomorrow, be a champ. -Nice, huh? | 1:16:39 | 1:16:43 | |
It went great, great. | 1:16:43 | 1:16:46 | |
So, you got something for me? | 1:16:47 | 1:16:51 | |
Listen, there's a little delay. I'll have to for you tomorrow morning. | 1:16:51 | 1:16:55 | |
-Tomorrow? It's cutting it kind of close here. -No, no. | 1:16:55 | 1:16:58 | |
The delay was at the bank. | 1:16:58 | 1:16:59 | |
Just have your weigh-in, pay your bond, | 1:16:59 | 1:17:01 | |
and I'll meet you here after that, OK? | 1:17:01 | 1:17:04 | |
Got to pay these guys or I'm fucked, man, you know, it's like, uh... | 1:17:04 | 1:17:08 | |
No problem, it's the 11th hour here. I said I'd have it, OK? | 1:17:08 | 1:17:11 | |
-OK, I'm saying cos... -I know, I know. | 1:17:11 | 1:17:13 | |
DOORBELL BUZZES REPEATEDLY | 1:17:17 | 1:17:21 | |
Hi, long time no see, huh? | 1:17:41 | 1:17:44 | |
What happened? | 1:17:44 | 1:17:45 | |
What's the matter? | 1:17:45 | 1:17:47 | |
No, I don't know, nothing happened. | 1:17:47 | 1:17:50 | |
You just got me out of a deep sleep. Yeah, everything's OK? | 1:17:50 | 1:17:53 | |
What could be wrong? | 1:17:53 | 1:17:56 | |
-No, I thought maybe I'd come by and make you some breakfast, huh? -Yeah. | 1:17:56 | 1:18:00 | |
Yeah? OK. | 1:18:00 | 1:18:02 | |
Yeah, Odyssey? Delivery. Two coffees, two orange juice. | 1:18:05 | 1:18:09 | |
Harry, you want eggs? | 1:18:09 | 1:18:12 | |
No eggs. Two rolls with butter. | 1:18:12 | 1:18:15 | |
Uh-huh. Fabian. | 1:18:15 | 1:18:16 | |
15 Cornelia Street. 2C. | 1:18:16 | 1:18:20 | |
You know I'm opening tonight, Harry? | 1:18:24 | 1:18:26 | |
Yeah, I'm having a fight tonight. | 1:18:26 | 1:18:29 | |
Wow, Harry Fabian, that's great. | 1:18:29 | 1:18:34 | |
It's a big night for the both of use, I guess. | 1:18:36 | 1:18:39 | |
Looks that way, yeah. | 1:18:39 | 1:18:40 | |
You know, Harry, I couldn't have done it without you. | 1:18:43 | 1:18:48 | |
I couldn't have done it without you, too, you know? | 1:18:48 | 1:18:53 | |
-I feel great. You, you feel good? -Yeah, I'm good. | 1:18:53 | 1:18:58 | |
You know, I've got you a little something. | 1:19:04 | 1:19:11 | |
What's this? What are you doing? | 1:19:11 | 1:19:14 | |
You didn't, why... | 1:19:14 | 1:19:18 | |
Wait a minute, what is this? | 1:19:18 | 1:19:19 | |
Oh, Jesus Christ! | 1:19:22 | 1:19:26 | |
Jesus Christ, these are beautiful. | 1:19:28 | 1:19:31 | |
Yeah? | 1:19:31 | 1:19:32 | |
These are beautiful. | 1:19:32 | 1:19:36 | |
What you do this for? | 1:19:36 | 1:19:38 | |
I'm happy, I've never felt, | 1:19:41 | 1:19:44 | |
I never felt happy like this before. | 1:19:44 | 1:19:48 | |
You're my friend, my pal. | 1:19:48 | 1:19:51 | |
I don't have a lot of friends, you know? You're my buddy. | 1:19:53 | 1:19:57 | |
That's why I got it for you. | 1:19:57 | 1:20:00 | |
It's, its', look at that, "Harry Fabian" up in lights. | 1:20:03 | 1:20:07 | |
Santiago, 142! | 1:20:19 | 1:20:23 | |
CHEERING | 1:20:23 | 1:20:25 | |
Sugar Ray Robinson. | 1:20:25 | 1:20:27 | |
-Drink some more water. -I did! | 1:20:30 | 1:20:33 | |
-Morales flunked his CAT scan. -What does that mean? | 1:20:33 | 1:20:35 | |
-Give him another test. -I'm not letting him fight. | 1:20:35 | 1:20:39 | |
-I got another fight? -Just go down to the gym. | 1:20:39 | 1:20:41 | |
I'm not letting this one fight. | 1:20:41 | 1:20:43 | |
-Oh, Christ. What am I going to do? -I'll get another guy. -Get him down. | 1:20:43 | 1:20:47 | |
-Listen, run water on your fingertips. -I can't! | 1:20:49 | 1:20:52 | |
-What is this, an art gallery? Come on, piss! -Cut it out. | 1:20:53 | 1:20:57 | |
-Come on, this is the easy part! Piss, piss, piss! Come on. -I can't. | 1:20:57 | 1:21:02 | |
Give me that. | 1:21:02 | 1:21:03 | |
On the house. | 1:21:10 | 1:21:11 | |
-How the fuck do I know who painted it? -Just curious! Jeez. | 1:21:11 | 1:21:15 | |
-More good news. The brother's flunked a piss test. Cocaine. -FUCK! | 1:21:16 | 1:21:21 | |
-Take your pee. Fuck! -Can't you make it down to the gym? | 1:21:21 | 1:21:24 | |
I'll do it myself. | 1:21:24 | 1:21:26 | |
Put down King Kong King. King Kong King, OK? | 1:21:28 | 1:21:33 | |
I need two welterweights for a six-rounder! | 1:21:37 | 1:21:40 | |
I need two welterweights for a six-rounder, middleweight for eight. | 1:21:40 | 1:21:45 | |
Anybody interested? | 1:21:45 | 1:21:46 | |
-Is Phil here? -Phil? He's doing some business somewheres. | 1:21:48 | 1:21:52 | |
-Where's somewheres? I'm a little late. -He hasn't been in. | 1:21:52 | 1:21:55 | |
-He's coming in, right? -I guess. | 1:21:55 | 1:21:58 | |
Guess! | 1:21:58 | 1:21:59 | |
Sure he's not in the back, the office, the kitchen? | 1:22:03 | 1:22:07 | |
-I'd have seen him. -Yeah, but I'm supposed to meet him. | 1:22:07 | 1:22:10 | |
I'm a little late. | 1:22:10 | 1:22:12 | |
-Drink? -No, I don't want it. | 1:22:12 | 1:22:14 | |
Hey, Phil! | 1:22:39 | 1:22:41 | |
-Hey, Phil, where you been, man? -Why? -Why? Come on, Phil. | 1:22:41 | 1:22:47 | |
-You're fucking with me now. -What you talking about? | 1:22:47 | 1:22:50 | |
-I'm talking about the money! -What money? What? | 1:22:50 | 1:22:53 | |
Oh, you're serious? I thought you were joking about that. | 1:22:53 | 1:22:57 | |
You thought I'd loan you 12,000 bucks? | 1:22:57 | 1:23:00 | |
Fuck with me! | 1:23:02 | 1:23:04 | |
Fuck with my wife! | 1:23:04 | 1:23:07 | |
Ow, ow! Fuck, man! | 1:23:07 | 1:23:10 | |
-Watch it, watch it! -Piece of shit! | 1:23:10 | 1:23:14 | |
SHOUTING | 1:23:14 | 1:23:17 | |
Hey, knock it off! | 1:23:21 | 1:23:23 | |
Stop! | 1:23:23 | 1:23:25 | |
Here's your 12,000, cocksucker! | 1:23:31 | 1:23:34 | |
You're in Hell! Dead on Earth. | 1:23:36 | 1:23:39 | |
Prick. | 1:23:39 | 1:23:42 | |
-Both go on the outside, eh? -Father Time, badass from the heydays! | 1:23:54 | 1:24:01 | |
Stay out of my face, you fucking orangutan. | 1:24:01 | 1:24:04 | |
Delivery from Bojack's club, where you want 'em? | 1:24:04 | 1:24:06 | |
Stick 'em in his mouth! | 1:24:06 | 1:24:08 | |
Over there. The heydays! Old days! Ha-ha-ha! | 1:24:08 | 1:24:12 | |
-Keep it up, I'll show you some old days. -That's a good one! | 1:24:14 | 1:24:17 | |
I like that one. | 1:24:17 | 1:24:19 | |
Listen, I can't, I just got to talk to you for a minute. | 1:24:19 | 1:24:24 | |
Give me five minutes of your time. | 1:24:24 | 1:24:26 | |
Mr Peck, if you give me five minutes, | 1:24:26 | 1:24:28 | |
I can just explain to you what I need. | 1:24:28 | 1:24:32 | |
I can give you the money back 24 hours from now. | 1:24:32 | 1:24:35 | |
Mr Peck, it's a matter of life and death. | 1:24:35 | 1:24:37 | |
As you know, Mr Peck feels very nervous about this. | 1:24:37 | 1:24:40 | |
It's just a 24 hour loan, really, that's it! | 1:24:40 | 1:24:44 | |
-So you understand, if there's a problem, it'll be yours. -No problem. | 1:24:44 | 1:24:47 | |
Absolutely. | 1:24:47 | 1:24:48 | |
-We'll have a few people to make sure. -Loan officers, good, perfect. | 1:24:48 | 1:24:52 | |
Thank you. Mr Peck, thank you very much. Thank you. | 1:24:52 | 1:24:57 | |
BELL RINGS | 1:24:57 | 1:24:59 | |
Make sure those curtains don't cover those lights. | 1:25:04 | 1:25:08 | |
Father Time be bad in his day, but his day is history! | 1:25:08 | 1:25:12 | |
Go eat a fuckin' banana. | 1:25:13 | 1:25:16 | |
Father Time should be eating a banana. Keep him regular! | 1:25:16 | 1:25:20 | |
Father Time be dealing with time marching on. | 1:25:22 | 1:25:26 | |
-All right, you son of a bitch. Put 'em up, you cocksucker! -All right, fuckhead. | 1:25:26 | 1:25:30 | |
Get up. You want Father Time? Come on! | 1:25:34 | 1:25:37 | |
I'll show you the good old fucking days! I'll show you how it was in the old days! | 1:25:37 | 1:25:43 | |
What you doing?! | 1:25:44 | 1:25:45 | |
Stop it, guys. Please! | 1:25:48 | 1:25:50 | |
Stop, stop! | 1:25:50 | 1:25:51 | |
Stop it, stop it! | 1:25:53 | 1:25:55 | |
Get up! What the fuck you doing? | 1:25:55 | 1:25:58 | |
Al, Al, Al! | 1:26:00 | 1:26:03 | |
-Take a pill, Al! -What's he doing? | 1:26:04 | 1:26:07 | |
-Al! -What's he doing? | 1:26:08 | 1:26:11 | |
Al, please, Al! | 1:26:13 | 1:26:15 | |
Oh, no. Al. | 1:26:19 | 1:26:23 | |
-I didn't do nothing, man. He beat me! -Wake up, Al. -He beat me, I didn't do nothing! | 1:26:23 | 1:26:27 | |
-I didn't do nothing! -Can anybody help? | 1:26:28 | 1:26:31 | |
Call an ambulance. Call something. Anybody know CPR or something? | 1:26:31 | 1:26:34 | |
Anybody know anything? Somebody help me! This guy's dying! What do I do? | 1:26:34 | 1:26:41 | |
Come on, man. Don't do this, don't fucking die! | 1:26:47 | 1:26:51 | |
Al, wake up, wake up, wake up! Wake up! | 1:26:51 | 1:26:55 | |
Wake up! Wake up! | 1:26:55 | 1:26:57 | |
HE BREATHES HEAVILY | 1:26:57 | 1:27:00 | |
Oh! | 1:27:00 | 1:27:01 | |
Oh no! | 1:27:07 | 1:27:08 | |
This is tragic. This is terrible. | 1:27:22 | 1:27:25 | |
Terrible... See what happened? | 1:27:25 | 1:27:27 | |
What a fine man, a leader! A fine man... | 1:27:27 | 1:27:30 | |
This is tragedy. This is terrible, terrible! | 1:27:30 | 1:27:32 | |
See what happened? The victim, that was... | 1:27:32 | 1:27:36 | |
What, what? But I wasn't even there.. | 1:27:36 | 1:27:39 | |
I grieve for him, I wasn't even there! | 1:27:39 | 1:27:41 | |
I just want be understood, hey, because if I could Boom Boom, | 1:27:41 | 1:27:44 | |
do it any way, please... don't you think... | 1:27:44 | 1:27:46 | |
Please, he was like my father to me. | 1:27:46 | 1:27:48 | |
No, I mean he was more, more... Because... | 1:27:48 | 1:27:51 | |
No, it's is not my fault, no. This city, you know, is... | 1:27:51 | 1:27:55 | |
Hey, Helen. | 1:28:04 | 1:28:05 | |
Helen... | 1:28:10 | 1:28:12 | |
Hey, Helen... | 1:28:12 | 1:28:13 | |
I fucked you over, that's a forged license. | 1:28:16 | 1:28:19 | |
Oh, really? | 1:28:19 | 1:28:20 | |
Yeah, I found out about it about three this afternoon. | 1:28:21 | 1:28:25 | |
They showed up. | 1:28:25 | 1:28:27 | |
-Some people, you know. -Oh... | 1:28:27 | 1:28:29 | |
Helen, swear to God, I didn't mean to do what I just done | 1:28:31 | 1:28:34 | |
-I'm an ass hole. -You did the best you could by me, I guess. | 1:28:34 | 1:28:38 | |
Under the circumstances. | 1:28:38 | 1:28:40 | |
-What happened to you? -Phil heard. | 1:28:42 | 1:28:44 | |
Look, I got 12,000 here. | 1:28:46 | 1:28:50 | |
This is all I got. Maybe I can make a pool. | 1:28:52 | 1:28:54 | |
Pay someone down there. | 1:28:54 | 1:28:56 | |
There's other guys besides Dugan, you know... | 1:28:56 | 1:28:59 | |
Al Grossman died. | 1:29:03 | 1:29:05 | |
Fights are off. It's all over. | 1:29:05 | 1:29:07 | |
I'm a dead man, too, now. | 1:29:09 | 1:29:10 | |
Take it back to Peck. You don't need him on your ass, too, do you? | 1:29:16 | 1:29:21 | |
I worked out something with my brother-in-law. | 1:29:23 | 1:29:26 | |
I'm going to swap this place | 1:29:26 | 1:29:28 | |
for his out in California. | 1:29:28 | 1:29:30 | |
Good. Good for you. | 1:29:30 | 1:29:32 | |
Want to come out there with me, Harry? | 1:29:34 | 1:29:37 | |
Keep me from going crazy! | 1:29:37 | 1:29:40 | |
Look, I know you. | 1:29:41 | 1:29:43 | |
And I know that you wouldn't hurt me if you could've helped it. | 1:29:43 | 1:29:47 | |
Helen, you're killing me here. | 1:29:50 | 1:29:52 | |
I guess it's kill Harry week, huh? | 1:29:52 | 1:29:53 | |
Come on out with me. | 1:29:53 | 1:29:56 | |
Come on. | 1:29:56 | 1:29:58 | |
Lay low. | 1:29:58 | 1:29:59 | |
Boom Boom'll cool out. | 1:30:00 | 1:30:03 | |
You need to buy some time, Harry. | 1:30:03 | 1:30:05 | |
-I'm so tired of running, Helen. -Then stop. | 1:30:07 | 1:30:11 | |
Give me a kiss. | 1:30:14 | 1:30:15 | |
Hey, Harry... | 1:30:44 | 1:30:45 | |
Where are they? | 1:30:57 | 1:30:58 | |
There they go, the motherfuckers. | 1:31:01 | 1:31:03 | |
CAR HORNS BEEP | 1:31:35 | 1:31:36 | |
Stop it, stop it! Stop that! I'm here, I'm here! All right? | 1:32:55 | 1:32:59 | |
I'm here! I'm here! | 1:32:59 | 1:33:01 | |
You beat on ladies, you fuck? She's a good chick. | 1:33:01 | 1:33:03 | |
You want to kill me? I don't give a shit, I don't give a shit! | 1:33:03 | 1:33:06 | |
I loved Al so much, you know what I got for it? What the fuck I got? | 1:33:06 | 1:33:09 | |
This is what I got from the guy who beat Al to death, | 1:33:09 | 1:33:12 | |
the guy you cowards should really be after. | 1:33:12 | 1:33:14 | |
This is me doing your fucking job, | 1:33:14 | 1:33:16 | |
with my bare goddam hands, standing between some giant fucking animal | 1:33:16 | 1:33:19 | |
who hated Al from the get-go, beat him to death. | 1:33:19 | 1:33:22 | |
This is me, using my body to save his fucking life. | 1:33:22 | 1:33:25 | |
He's laying, I'm holding my face in my hands, saying, | 1:33:25 | 1:33:28 | |
"Don't you die, daddy, please, don't you die." | 1:33:28 | 1:33:30 | |
He's laying, I'm holding his face in my hands, | 1:33:30 | 1:33:33 | |
this big bastard's kicking me. | 1:33:33 | 1:33:34 | |
Holding his head, bastard's kicking me, nobody's doing nothing. | 1:33:34 | 1:33:37 | |
"Don't you fuckin' die, Al, please, man. | 1:33:37 | 1:33:39 | |
"I won't let them kill you, man, won't let them kill you." | 1:33:39 | 1:33:42 | |
Where the fuck were you when we needed you, when Al needed you? | 1:33:42 | 1:33:47 | |
You see this? You see this? | 1:33:47 | 1:33:49 | |
What do you think? Me and Al were in this for | 1:33:50 | 1:33:52 | |
the fucking money, man? The money? | 1:33:52 | 1:33:55 | |
There's the money. | 1:33:55 | 1:33:57 | |
I got kicked, punched and smacked six ways from fucking Sunday, man. | 1:33:57 | 1:34:00 | |
I held a dying man in my arms, | 1:34:00 | 1:34:03 | |
so fuck you! Fuck you! Fuck you! | 1:34:03 | 1:34:06 | |
-How'd I do here? -I don't know. | 1:34:07 | 1:34:09 | |
GUNSHOTS RING OUT | 1:34:11 | 1:34:12 | |
HELEN SCREAMS | 1:34:12 | 1:34:13 | |
Are we even? Are we even, huh? | 1:34:20 | 1:34:23 | |
Are we even? | 1:34:23 | 1:34:25 | |
Are we even? Are we even, huh? | 1:34:25 | 1:34:28 | |
SIRENS WAIL | 1:34:33 | 1:34:36 | |
-The restaurant, where is it, Big Sur? -Yeah, around there. | 1:34:51 | 1:34:53 | |
Everybody there's into punishment food, right? | 1:34:53 | 1:34:56 | |
Beans, yeast, whole grains. Fly in the face to that. | 1:34:56 | 1:34:59 | |
Go high cholesterol - deli, egg rolls, chicken fat. | 1:34:59 | 1:35:02 | |
They'll kill each other to fall off the health wagon. | 1:35:02 | 1:35:05 | |
Natural food is not natural, believe me. | 1:35:05 | 1:35:07 | |
We'll call it Greenstreets, you know, like Sydney Greenstreet. | 1:35:07 | 1:35:10 | |
I'm calling it Helens. | 1:35:10 | 1:35:12 | |
That's good, too. Get pictures of famous Helens - Keller, | 1:35:12 | 1:35:15 | |
Reddy, Of Troy. Six years down the line, all goes well, | 1:35:15 | 1:35:18 | |
you run for mayor like Eastwood, or President, like Reagan. | 1:35:18 | 1:35:20 | |
Enough, enough. | 1:35:20 | 1:35:22 | |
You know what I'm doing, saying all this, Helen? | 1:35:22 | 1:35:25 | |
Know what this is? Guess what this is? | 1:35:25 | 1:35:27 | |
This my Harry Fabian imitation. | 1:35:27 | 1:35:31 | |
Pretty good, right? | 1:35:31 | 1:35:33 | |
SIRENS WAIL | 1:35:33 | 1:35:34 | |
Boxing. Jesus, I must have been out of my mind(!) | 1:35:34 | 1:35:37 | |
# Oh yes I am the great pretender | 1:35:37 | 1:35:42 | |
# Pretending that I'm doing well | 1:35:44 | 1:35:49 | |
# My need is such | 1:35:51 | 1:35:54 | |
# I pretend too much | 1:35:54 | 1:35:58 | |
# I'm lonely but no-one can tell | 1:35:58 | 1:36:03 | |
# Oh yes | 1:36:03 | 1:36:06 | |
# I am the great pretender | 1:36:06 | 1:36:11 | |
# Adrift in a world of my own | 1:36:11 | 1:36:16 | |
# I play the game but to my real shame | 1:36:17 | 1:36:24 | |
# You've left me to dream all alone | 1:36:24 | 1:36:29 | |
# Too real is this feeling of make-believe | 1:36:31 | 1:36:37 | |
# Too real when I feel what my heart can't conceal | 1:36:37 | 1:36:44 | |
# Oh-h yes I am the great pretender | 1:36:45 | 1:36:51 | |
# Just laughing and gay like a clown | 1:36:53 | 1:36:58 | |
# I seem to be What I'm not you see | 1:36:59 | 1:37:05 | |
# I'm wearing my heart like a crown | 1:37:05 | 1:37:10 | |
# Pretending that you're still around. # | 1:37:12 | 1:37:18 | |
Subtitles by Red Bee Media Ltd | 1:37:18 | 1:37:20 |