Browse content similar to Passchendaele. Check below for episodes and series from the same categories and more!
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This film contains violent, graphic scenes and strong language. | 0:00:07 | 0:00:15 | |
MAN WHISTLES | 0:01:49 | 0:01:50 | |
GUNFIRE | 0:02:15 | 0:02:18 | |
-Everybody good? -Yeah. -Oh, Jesus! | 0:02:20 | 0:02:23 | |
-Jesus! Jesus! Jesus! Jesus! -Hey! Hey! Hey! | 0:02:23 | 0:02:26 | |
Keep your head down. Look at me. Look at me. | 0:02:26 | 0:02:29 | |
You're going to be OK. | 0:02:29 | 0:02:32 | |
Where's he from? | 0:02:32 | 0:02:35 | |
13th skirt. | 0:02:35 | 0:02:36 | |
I thought the Black Watch were up around Hill 60 or somewhere. | 0:02:36 | 0:02:39 | |
-What the hell's he doing here? -Must've lost his head. | 0:02:39 | 0:02:43 | |
Must've lost his head... | 0:02:43 | 0:02:44 | |
-They in there, Sarge? -They would seem to be. | 0:02:51 | 0:02:55 | |
Who the hell would put a gun nest in a church? | 0:02:55 | 0:02:57 | |
Up round "Wipers" they put one in a bar. Think about that. | 0:02:57 | 0:03:00 | |
All right, listen up. | 0:03:00 | 0:03:01 | |
Highway, you and Skinner, you work your way up that side. | 0:03:01 | 0:03:04 | |
Peters, you come with me. We cover. We lead. | 0:03:04 | 0:03:07 | |
Everybody ready? | 0:03:07 | 0:03:08 | |
OK. | 0:03:11 | 0:03:13 | |
Let's go. | 0:03:16 | 0:03:18 | |
Skinner! Drag him out of there! | 0:03:33 | 0:03:35 | |
God damn it! Stay here. | 0:03:37 | 0:03:39 | |
Keep your head down. | 0:03:39 | 0:03:41 | |
No, please don't. No... | 0:03:41 | 0:03:42 | |
You're going to be all right, Highway. | 0:03:49 | 0:03:50 | |
You're going to be fine, Skinner. Give me your dressing. | 0:03:50 | 0:03:53 | |
-Ah, Sarge. -Stay down! | 0:03:53 | 0:03:55 | |
Get your head down! | 0:03:55 | 0:03:57 | |
My foot... | 0:03:57 | 0:03:59 | |
-This is kind of funny, eh? -For God's sake, Skinner... | 0:03:59 | 0:04:02 | |
Momma, Momma. | 0:04:06 | 0:04:07 | |
You're going to be OK. | 0:04:15 | 0:04:17 | |
I'm going to get you out of here. | 0:04:17 | 0:04:19 | |
HE SPEAKS GERMAN | 0:04:24 | 0:04:26 | |
Leave your rifle. Get in behind me. | 0:04:36 | 0:04:38 | |
-I'm going home. -What the hell are you doing? -Halt! | 0:04:43 | 0:04:46 | |
Get your hands up! | 0:04:46 | 0:04:48 | |
Wait! He's not doing anything. He's just clearing his pack. | 0:04:48 | 0:04:51 | |
GERMAN SOLDIERS SPEAK | 0:04:51 | 0:04:53 | |
No, no! Wait! Wait! Kamerad! | 0:04:53 | 0:04:54 | |
-Kamerad! -I'm going home! -No! | 0:04:54 | 0:04:56 | |
EXPLOSION | 0:05:13 | 0:05:14 | |
Kamerad? | 0:05:54 | 0:05:55 | |
Let's go, double line! | 0:06:21 | 0:06:23 | |
Bombers over here, gunners on the flanks! | 0:06:23 | 0:06:25 | |
Hey, we got a live one here! | 0:06:29 | 0:06:31 | |
-Where's Highway? -He went that way. | 0:06:33 | 0:06:36 | |
Sh... It's all right now. | 0:06:58 | 0:07:01 | |
You're all right now, Sergeant. | 0:07:01 | 0:07:04 | |
You're back home. You're safe. | 0:07:04 | 0:07:08 | |
You know, they have these birds of prey over there. | 0:07:18 | 0:07:22 | |
They call them kestrels. | 0:07:22 | 0:07:25 | |
And every time I look at you it's like I've got one | 0:07:25 | 0:07:28 | |
banging around right in here. | 0:07:28 | 0:07:30 | |
You're a patient, Sergeant. It's a common feeling. | 0:07:31 | 0:07:34 | |
Not to me, it isn't. | 0:07:34 | 0:07:36 | |
I don't even know your first name. | 0:07:36 | 0:07:38 | |
I'm not allowed to tell you that. | 0:07:38 | 0:07:41 | |
I know. | 0:07:41 | 0:07:43 | |
You should go back to sleep. | 0:07:44 | 0:07:45 | |
I don't sleep. | 0:07:45 | 0:07:48 | |
Then how can you have these nightmares? | 0:07:48 | 0:07:50 | |
I don't know. | 0:07:50 | 0:07:53 | |
Good night, Sergeant. | 0:07:53 | 0:07:55 | |
Good night, Kestrel. | 0:07:55 | 0:07:57 | |
What? | 0:09:09 | 0:09:11 | |
I think I should take this opportunity | 0:09:11 | 0:09:13 | |
to underscore the elusive relationship | 0:09:13 | 0:09:15 | |
between desire and social order. | 0:09:15 | 0:09:17 | |
You're crazy, aren't you? | 0:09:17 | 0:09:18 | |
Crazy for you. | 0:09:18 | 0:09:20 | |
What? | 0:09:20 | 0:09:21 | |
David? David? | 0:09:30 | 0:09:33 | |
-It's McKinnon. -Yeah, yeah. | 0:09:33 | 0:09:36 | |
HE GASPS | 0:09:36 | 0:09:37 | |
Oh, no! No, David. | 0:09:37 | 0:09:39 | |
-It's OK. -David? David? | 0:09:41 | 0:09:44 | |
-Just breathe. -You in yet? | 0:09:44 | 0:09:46 | |
David? | 0:09:47 | 0:09:49 | |
Are you OK? Let's go. | 0:09:58 | 0:10:03 | |
Hello, there, Mr Harper. | 0:10:30 | 0:10:32 | |
-Hello? -We're in here. | 0:10:44 | 0:10:47 | |
-David? -Mr McKinnon. | 0:10:51 | 0:10:54 | |
You didn't show up for work this morning. That's the third time this month. | 0:10:54 | 0:10:57 | |
Sarah, here, tells me you had an attack... | 0:10:57 | 0:11:00 | |
of your asthma things. | 0:11:00 | 0:11:02 | |
That's the truth, sir. I did. | 0:11:03 | 0:11:05 | |
But now you're all right? | 0:11:05 | 0:11:06 | |
I went down to the river. Sometimes the humidity helps. | 0:11:06 | 0:11:08 | |
Humidity. Good one. That's good. | 0:11:08 | 0:11:12 | |
I don't know how to put this, | 0:11:15 | 0:11:17 | |
but this job, I know it's only a local newspaper | 0:11:17 | 0:11:20 | |
and I know it's not going to change the outcome of the war or anything, | 0:11:20 | 0:11:23 | |
but it's a good job, and your father... | 0:11:23 | 0:11:25 | |
Well, you both understand | 0:11:26 | 0:11:28 | |
that I'm doing this for your father, don't you? | 0:11:28 | 0:11:31 | |
Well, I'll just see myself out. | 0:11:36 | 0:11:38 | |
I expect to see you in the morning. | 0:11:41 | 0:11:44 | |
I can't keep lying for you. | 0:11:48 | 0:11:50 | |
I'm not asking you to. | 0:11:50 | 0:11:52 | |
Were you with Cassie? | 0:11:52 | 0:11:53 | |
What if I was? | 0:11:53 | 0:11:55 | |
Friends don't get friends in trouble, David. | 0:11:57 | 0:12:00 | |
What would you know about friends? | 0:12:00 | 0:12:02 | |
All you've got is me and you don't even like me. | 0:12:02 | 0:12:05 | |
Why do you talk like that? | 0:12:05 | 0:12:07 | |
If there's anyone that doesn't like you, it's you, not me. | 0:12:07 | 0:12:10 | |
Is that supposed to pass for insight? | 0:12:10 | 0:12:14 | |
By the way, her dad hates me, too. | 0:12:14 | 0:12:18 | |
-Good evening. -Good evening, George. | 0:12:41 | 0:12:43 | |
Still no news? | 0:12:48 | 0:12:49 | |
Still missing in action. | 0:12:49 | 0:12:51 | |
It's not easy, I can tell you that much. | 0:12:51 | 0:12:55 | |
But I'm the Mayor. I can't be seen to falter. | 0:12:55 | 0:12:59 | |
And our son has a good head on his shoulders, so we remain hopeful. | 0:12:59 | 0:13:03 | |
Are you crazy? | 0:13:13 | 0:13:15 | |
I'm here to talk to your father. | 0:13:15 | 0:13:17 | |
Oh, hello. This is your friend. | 0:13:17 | 0:13:21 | |
-David, isn't it? -Yes, sir. | 0:13:21 | 0:13:23 | |
I wonder if I could have a word with you. | 0:13:23 | 0:13:25 | |
By all means. Come on in. | 0:13:25 | 0:13:27 | |
No, sir... I don't want to intrude. | 0:13:27 | 0:13:29 | |
Don't be silly. Come on. | 0:13:29 | 0:13:30 | |
Hello, everybody. | 0:13:37 | 0:13:39 | |
I'd like to introduce you to David, uh... | 0:13:39 | 0:13:41 | |
-Good Lord, I've forgotten your last name. -It's Mann, sir. | 0:13:41 | 0:13:44 | |
-David Mann. -Very honoured to meet you. | 0:13:44 | 0:13:46 | |
It appears that young David | 0:13:46 | 0:13:48 | |
has conceived of a passion for my daughter. | 0:13:48 | 0:13:52 | |
-Daddy, please! -A passion, is it? | 0:13:52 | 0:13:54 | |
-Well, then I'd be guessing you'd still be a student. -And you'd be wide of the mark. | 0:13:54 | 0:13:58 | |
David counts himself among the ranks of the working men. | 0:13:58 | 0:14:00 | |
I work for a newspaper. | 0:14:00 | 0:14:02 | |
But he's not a scribe. He sets type. | 0:14:02 | 0:14:04 | |
-He's a typesetter. -Phillip! | 0:14:04 | 0:14:06 | |
But you must be 18 years old and you're not in uniform. | 0:14:06 | 0:14:08 | |
Why is that? | 0:14:08 | 0:14:10 | |
It's a medical thing, sir. He's doing what he can. | 0:14:10 | 0:14:13 | |
Yes, well, he'll have to do better than that | 0:14:13 | 0:14:15 | |
if he wants to earn the respect of your father. | 0:14:15 | 0:14:17 | |
That's what I intend to do, sir, and I'm open to suggestions. | 0:14:17 | 0:14:21 | |
For God's sake, son. We're at war. Use your imagination. | 0:14:21 | 0:14:25 | |
I'm sorry. | 0:14:33 | 0:14:35 | |
I don't know, I'm not sure what I'm supposed to say. | 0:14:35 | 0:14:38 | |
There's no formula here, Sergeant. We're just talking. | 0:14:38 | 0:14:42 | |
You, uh, want to tell me about your nightmares? | 0:14:42 | 0:14:45 | |
They consistently feature the image of a Canadian soldier and a cross. | 0:14:49 | 0:14:53 | |
Why is that, you imagine? | 0:14:53 | 0:14:56 | |
I don't sleep, so I don't really know how to answer that. | 0:14:56 | 0:15:01 | |
In 1915, in retreat outside Ypres, | 0:15:01 | 0:15:03 | |
German soldiers nailed a Canadian NCO to a barn door. | 0:15:03 | 0:15:06 | |
You were there, were you not? | 0:15:06 | 0:15:08 | |
Yes, sir, I did take part in that retreat but... | 0:15:08 | 0:15:12 | |
if they had time to stop and nail a guy to a door, | 0:15:12 | 0:15:14 | |
they're even better than I already know them to be. | 0:15:14 | 0:15:18 | |
Are you saying it didn't happen? | 0:15:18 | 0:15:19 | |
I'm saying artillery throws soldiers into positions you can't even imagine. | 0:15:19 | 0:15:23 | |
A man in a trench... | 0:15:23 | 0:15:25 | |
he's going to see what he needs to see. | 0:15:25 | 0:15:29 | |
Michael, you are a decorated soldier. | 0:15:31 | 0:15:34 | |
Yeah. Yeah, I am. | 0:15:34 | 0:15:36 | |
And I received that medal for sticking a 17-inch piece of steel into a boy's forehead. | 0:15:38 | 0:15:42 | |
As soon as you were well enough to walk, you went AWOL. | 0:15:42 | 0:15:45 | |
I went AWOL because I received a medal for sticking a piece of steel into a boy's forehead! | 0:15:45 | 0:15:49 | |
-This is insubordinate. -Understand your situation here, Sergeant. | 0:15:49 | 0:15:52 | |
We are trying to determine your status of discharge. | 0:15:52 | 0:15:55 | |
Your physical wounds have, for the most part, healed. | 0:15:55 | 0:15:57 | |
Dr Walker would like to give you a clean bill of health, | 0:15:57 | 0:16:01 | |
in which case you'd be sent back to the battlefield, | 0:16:01 | 0:16:03 | |
stand trial for desertion and more than likely be executed. | 0:16:03 | 0:16:06 | |
I'm going to end up back there one way or another. | 0:16:06 | 0:16:09 | |
-Michael, I'm trying to save your life. -I know that. | 0:16:12 | 0:16:15 | |
And I appreciate it, I do, but this... | 0:16:15 | 0:16:20 | |
Go on. | 0:16:26 | 0:16:27 | |
The house we grew up in... | 0:16:28 | 0:16:31 | |
..it was at the bottom of this hill, | 0:16:33 | 0:16:34 | |
and every time one of my brothers, uh... | 0:16:34 | 0:16:37 | |
-Died? -Yeah. | 0:16:37 | 0:16:40 | |
The telegraph guy, he'd bring the notification down the hill | 0:16:42 | 0:16:46 | |
and my mother never got any other news. | 0:16:46 | 0:16:48 | |
After all, three of my younger brothers one, two, three | 0:16:50 | 0:16:53 | |
and then me - AWOL... | 0:16:53 | 0:16:56 | |
And they don't say "Absent Without Leave", | 0:16:56 | 0:17:00 | |
they say "Missing In Action", which to her meant I was dead. | 0:17:00 | 0:17:03 | |
So when that telegraph guy came down the fourth time, it broke her heart. | 0:17:06 | 0:17:12 | |
She...she died of a broken heart. | 0:17:14 | 0:17:16 | |
Nurse Mann, would you please escort the sergeant back to the ward. | 0:17:22 | 0:17:26 | |
Major Nigel Bernard, Canadian Army Medical Corps, | 0:17:36 | 0:17:40 | |
re: patient T3-31, Sergeant Michael Dunne. | 0:17:40 | 0:17:43 | |
Physically, the patient nears repair. | 0:17:43 | 0:17:46 | |
Diagnosis remains, however, neurasthenia, | 0:17:46 | 0:17:49 | |
Dr Walker's dissent noted. | 0:17:49 | 0:17:52 | |
In light of his service record, the recommendation | 0:17:52 | 0:17:55 | |
is that the soldier be reassigned to the home front, | 0:17:55 | 0:17:57 | |
possibly in recruitment, in support of our ongoing effort. | 0:17:57 | 0:18:00 | |
I came to wish you luck. | 0:18:11 | 0:18:13 | |
It's not likely I'll see you again, is it? | 0:18:13 | 0:18:16 | |
I don't want to leave. | 0:18:18 | 0:18:20 | |
No, that's... That's not accurate. | 0:18:20 | 0:18:24 | |
I don't want to leave you. | 0:18:24 | 0:18:25 | |
I'm not what you think I am. | 0:18:25 | 0:18:27 | |
You don't know what I think you are. | 0:18:27 | 0:18:29 | |
You talk in your sleep. | 0:18:29 | 0:18:31 | |
I don't sleep. How can I talk? | 0:18:31 | 0:18:33 | |
You don't even know my first name. | 0:18:33 | 0:18:36 | |
No, I don't. No. | 0:18:36 | 0:18:38 | |
And that's a hell of a thing, that is. | 0:18:38 | 0:18:42 | |
Goodbye, Nurse Mann. | 0:18:49 | 0:18:51 | |
Bye. | 0:18:51 | 0:18:53 | |
It's Sarah. | 0:18:56 | 0:18:58 | |
-What? -Her name is Sarah. | 0:18:58 | 0:19:02 | |
Thanks. | 0:19:04 | 0:19:05 | |
Rigor, Sergeant. Rigor is our shibboleth. | 0:19:11 | 0:19:14 | |
No slight intended to my immediate predecessor, | 0:19:14 | 0:19:18 | |
but the sails on this ship are slack. | 0:19:18 | 0:19:20 | |
The home front is awash in saboteurs and provocateurs. | 0:19:20 | 0:19:23 | |
Odd those words sound French, what? Allies and all. | 0:19:23 | 0:19:27 | |
Be that as it may, our immediate concern is recruitment. | 0:19:27 | 0:19:31 | |
Minimum age - 18. | 0:19:31 | 0:19:33 | |
Infantry, Service and Medical Corps. | 0:19:33 | 0:19:34 | |
Minimum height - five foot three inches, | 0:19:34 | 0:19:36 | |
chest - 33 and one half inches. | 0:19:36 | 0:19:37 | |
Gunners... Carmichael, remove this. | 0:19:37 | 0:19:39 | |
Ah, yes, sir! | 0:19:39 | 0:19:41 | |
Capital asset, Carmichael. | 0:19:45 | 0:19:47 | |
Gunners, minimum height - five foot seven inches, | 0:19:47 | 0:19:49 | |
chest - 34 and one half inches, give or take, you understand. | 0:19:49 | 0:19:53 | |
Preference given to unmarried men. | 0:19:53 | 0:19:55 | |
The blind and the deaf are to be avoided, | 0:19:55 | 0:19:57 | |
and asthmatics are strictly ne touche pas, | 0:19:57 | 0:19:59 | |
given the problems associated with gas. | 0:19:59 | 0:20:02 | |
And on that note, may I say, in confidence... | 0:20:02 | 0:20:05 | |
I have seen acts of depravity, Dunne. | 0:20:08 | 0:20:12 | |
Kroonstad. Human depravity. But gas? | 0:20:12 | 0:20:17 | |
Even the Boer would not sink so low. | 0:20:17 | 0:20:18 | |
We use gas, sir. | 0:20:18 | 0:20:20 | |
Of course, we do. | 0:20:20 | 0:20:23 | |
Cut from the same cloth, you and I. | 0:20:24 | 0:20:27 | |
A rarefying experience, combat. | 0:20:28 | 0:20:30 | |
Something Carmichael will never encounter. | 0:20:30 | 0:20:32 | |
Blind as a bat, feet like a fried egg. | 0:20:32 | 0:20:34 | |
-Isn't that right, Carmichael? -More than right, sir. | 0:20:34 | 0:20:36 | |
You saw action in South Africa, sir? | 0:20:36 | 0:20:40 | |
I've studied your dossier, Sergeant. | 0:20:45 | 0:20:47 | |
But you can rest easy. | 0:20:47 | 0:20:49 | |
I have my eye on you. | 0:20:49 | 0:20:52 | |
Ladies and gentlemen, I present to you | 0:21:24 | 0:21:27 | |
a Distinguished Conduct Medal winner, | 0:21:27 | 0:21:29 | |
a proud member of Calgary's own 10th Battalion, | 0:21:29 | 0:21:31 | |
Second Brigade, First Canadian Division. | 0:21:31 | 0:21:33 | |
Please rise for Sergeant Michael Dunne! | 0:21:33 | 0:21:35 | |
I thought he'd be bigger. | 0:21:41 | 0:21:44 | |
-In what sense? -In the sense that he'd be bigger. -Please, please. | 0:21:44 | 0:21:48 | |
You're embarrassing the good sergeant. | 0:21:48 | 0:21:50 | |
Would all of those women who are present please resume your seats? | 0:21:50 | 0:21:53 | |
Thank you. | 0:21:56 | 0:21:59 | |
And all those men too old to serve, would you also resume your seats? | 0:21:59 | 0:22:03 | |
And all the boys who are not yet of age to serve, | 0:22:07 | 0:22:10 | |
would you take your seats as well? | 0:22:10 | 0:22:11 | |
And now, I ask you to look at the men who stand amongst you... | 0:22:18 | 0:22:24 | |
..and explain to Sergeant Dunne | 0:22:28 | 0:22:29 | |
why they are not doing their part for their King, | 0:22:29 | 0:22:34 | |
their country and their God! | 0:22:34 | 0:22:36 | |
Kamerad. | 0:22:45 | 0:22:47 | |
Eyes wide open. | 0:22:53 | 0:22:56 | |
Next. | 0:23:00 | 0:23:03 | |
Name? | 0:23:03 | 0:23:05 | |
David Mann. | 0:23:05 | 0:23:07 | |
What's your marital status, David? | 0:23:09 | 0:23:11 | |
-Single. -And you're of legal age? | 0:23:11 | 0:23:13 | |
-Look, I applied before. -Yeah, I see that. | 0:23:13 | 0:23:16 | |
According to this, you were rejected because you have asthma. | 0:23:16 | 0:23:18 | |
Do you now have medical clearance on that asthma? | 0:23:18 | 0:23:21 | |
I wouldn't be here, would I? | 0:23:21 | 0:23:22 | |
And this isn't Germany. | 0:23:22 | 0:23:24 | |
I don't carry documents with me. | 0:23:24 | 0:23:26 | |
You're in uniform, but you aren't at the front. | 0:23:26 | 0:23:28 | |
-Do you have anything to document that? -As a matter of fact, I do. | 0:23:28 | 0:23:30 | |
They diagnosed me as neurasthenic, which means "shell shock", | 0:23:30 | 0:23:34 | |
which means I'm mentally incompetent, and this is the paper that proves it. | 0:23:34 | 0:23:37 | |
Haven't you ever heard of patriotism? | 0:23:40 | 0:23:41 | |
Do you have a relative who's a nurse? | 0:23:48 | 0:23:50 | |
-A sister or something? And you live out on Stewart Avenue? -Maybe. | 0:23:50 | 0:23:54 | |
OK, as long as I'm sitting at this desk, | 0:23:54 | 0:23:58 | |
you will not be going to this war. | 0:23:58 | 0:24:00 | |
Next. | 0:24:01 | 0:24:02 | |
Name. | 0:24:07 | 0:24:08 | |
How's it feel, war hero? | 0:24:17 | 0:24:19 | |
You only got one arm. | 0:24:29 | 0:24:31 | |
Sad, ain't it? | 0:24:31 | 0:24:33 | |
How 'bout we get drunk? | 0:24:33 | 0:24:34 | |
Mikey, Mikey, Mikey! | 0:24:35 | 0:24:38 | |
Forget about the nurse! | 0:24:38 | 0:24:39 | |
There's a gaggle of women, all free and clear, | 0:24:39 | 0:24:41 | |
ready and willing to hike up their skirts. | 0:24:41 | 0:24:43 | |
-You want to know why? -Cos you give them money. | 0:24:43 | 0:24:45 | |
No, because I let them know | 0:24:45 | 0:24:46 | |
they're in the presence of a real life war hero. | 0:24:46 | 0:24:48 | |
-When did you become a war hero? -When I lost my arm. | 0:24:48 | 0:24:50 | |
You lost your arm in a lumber mill. | 0:24:50 | 0:24:51 | |
Which the ladies don't know, which is what I love about this war. | 0:24:51 | 0:24:54 | |
Got a postcard from Highway. | 0:24:54 | 0:24:58 | |
Seems like the Redskin's back on his feet, | 0:24:58 | 0:25:01 | |
and by the sounds of it, he's cutting a swath right through London. | 0:25:01 | 0:25:04 | |
-That's what I hear. -Hey, John. -Michael Dunne. | 0:25:04 | 0:25:08 | |
Lord God, it's good to see you in one piece. | 0:25:08 | 0:25:10 | |
-Oh, more or less. -On the house, my friend. Your call. | 0:25:10 | 0:25:14 | |
I'll have whatever you got underneath the counter. | 0:25:14 | 0:25:17 | |
I'll be back in a second. | 0:25:17 | 0:25:19 | |
Hey, Royster. To Dunne. | 0:25:19 | 0:25:21 | |
Well, well, well... | 0:25:23 | 0:25:24 | |
You two are so... Jesus-ly rhetorical. | 0:25:24 | 0:25:28 | |
This man who just left, | 0:25:28 | 0:25:30 | |
this man would not allow me to serve, and why? | 0:25:30 | 0:25:33 | |
He's been over there. He's run Fritz through with a bayonet. | 0:25:33 | 0:25:37 | |
-Johnny, what's this kid doing in here? -Time to go, son. | 0:25:37 | 0:25:40 | |
-Do I smell Kraut? -You calling me a Kraut, boy? | 0:25:40 | 0:25:44 | |
-You calling me a boy, Kraut? -I'm just a one-armed man. | 0:25:44 | 0:25:48 | |
What are you trying to do here, kid? | 0:25:48 | 0:25:49 | |
Mister, I'm just trying to save my soul... | 0:25:49 | 0:25:54 | |
Hey, leave the boy alone! | 0:25:59 | 0:26:03 | |
Let it go, Roy. | 0:26:03 | 0:26:04 | |
What, are you nuts? | 0:26:08 | 0:26:09 | |
He would have killed you. You know that? | 0:26:11 | 0:26:15 | |
You come with me. | 0:26:20 | 0:26:22 | |
Thank you for bringing him home. | 0:26:42 | 0:26:44 | |
You don't have to thank me. | 0:26:44 | 0:26:45 | |
It's, uh, a good excuse to see you again. | 0:26:45 | 0:26:48 | |
-Well, thank you anyway. -OK. | 0:26:48 | 0:26:52 | |
Hey... | 0:26:55 | 0:26:56 | |
..do you think maybe I could accompany you to a dance or... | 0:27:02 | 0:27:04 | |
I don't dance with soldiers. | 0:27:04 | 0:27:07 | |
I could lose the uniform. | 0:27:07 | 0:27:08 | |
I don't dance with naked soldiers. | 0:27:08 | 0:27:11 | |
I'm trying to flirt. | 0:27:11 | 0:27:13 | |
-And I'm not making it easy, am I? -No. | 0:27:13 | 0:27:17 | |
What if I asked your father for permission? | 0:27:17 | 0:27:19 | |
That would be difficult. | 0:27:19 | 0:27:22 | |
He doesn't like suitors? | 0:27:22 | 0:27:25 | |
No. My father's dead, Sergeant. | 0:27:25 | 0:27:28 | |
He was killed on Vimy Ridge. | 0:27:28 | 0:27:31 | |
Ah, Jesus. | 0:27:32 | 0:27:34 | |
I'm sorry. | 0:27:35 | 0:27:38 | |
I'm really sorry. | 0:27:38 | 0:27:42 | |
-Good night. -Good night. | 0:27:43 | 0:27:47 | |
Ah, Christ, that's harsh. | 0:28:21 | 0:28:23 | |
-Lot of rum over there, I guess. -Yeah, but they water it down. | 0:28:28 | 0:28:33 | |
-Plentiful though, no? -If there's a show on. -Battle, you mean? -Mm-hm. | 0:28:33 | 0:28:38 | |
Christ, that word's got a ring. | 0:28:38 | 0:28:43 | |
It's like... | 0:28:43 | 0:28:46 | |
It must be like top of the world. | 0:28:46 | 0:28:50 | |
And all the shit these Krauts get up to! | 0:28:50 | 0:28:53 | |
They crucified one of our guys, for God's sake! | 0:28:53 | 0:28:55 | |
That never happened. | 0:28:55 | 0:28:57 | |
-Still. -No, it's a good story. It just never happened. -Still... | 0:28:57 | 0:29:03 | |
You know... | 0:29:03 | 0:29:05 | |
I follow it. | 0:29:05 | 0:29:07 | |
Lot of people, they take it, leave it. But me? | 0:29:07 | 0:29:14 | |
Every day come five o'clock I got a paper in my hand, | 0:29:14 | 0:29:17 | |
nose right to the print. | 0:29:17 | 0:29:19 | |
Every step you two take, you and Highway, | 0:29:19 | 0:29:23 | |
I'm right there with it. | 0:29:23 | 0:29:25 | |
And it ain't just the liquor talking, but I am. | 0:29:25 | 0:29:29 | |
-You're what? -OK, Mikey. | 0:29:30 | 0:29:33 | |
-I am. -OK, you're what? | 0:29:33 | 0:29:37 | |
Proud. I'm proud of you. | 0:29:37 | 0:29:42 | |
And I'll tell you something else - if I didn't have this stump, | 0:29:42 | 0:29:46 | |
I'd be right there between you and Highway on the firing step, | 0:29:46 | 0:29:49 | |
right in the middle of it. | 0:29:49 | 0:29:51 | |
That'd be me. | 0:29:51 | 0:29:54 | |
SNORING | 0:30:06 | 0:30:09 | |
I know you don't dance with soldiers, | 0:30:19 | 0:30:21 | |
but do you think maybe you could go ride with one? | 0:30:21 | 0:30:23 | |
Did you carve this? | 0:31:19 | 0:31:20 | |
No. No, it was whiskey carved that. | 0:31:20 | 0:31:24 | |
I ran a mining camp up near Rocky Mountain House. | 0:31:24 | 0:31:28 | |
The gold ran dry about the same time the war started up, so... | 0:31:28 | 0:31:31 | |
I figured I'd go sign up and... go get killed. | 0:31:31 | 0:31:36 | |
Can I ask you something, Sergeant? | 0:31:36 | 0:31:38 | |
Do you think maybe you could call me, uh, you could call me Michael? | 0:31:38 | 0:31:44 | |
-Were you at Vimy Ridge? -I did attend that fight, yeah. | 0:31:45 | 0:31:50 | |
What was it like? | 0:31:50 | 0:31:53 | |
It was cold. | 0:31:58 | 0:31:59 | |
But we took that ridge and we held it. | 0:32:05 | 0:32:07 | |
Nobody else did that. | 0:32:07 | 0:32:09 | |
The British couldn't do it, the French couldn't do it. | 0:32:09 | 0:32:11 | |
It was just us, the Canadian Corps. | 0:32:11 | 0:32:12 | |
You should be proud of your father. | 0:32:12 | 0:32:15 | |
I am. | 0:32:18 | 0:32:19 | |
And it's not common, by the way. | 0:32:19 | 0:32:21 | |
What isn't? | 0:32:23 | 0:32:24 | |
This feeling. | 0:32:24 | 0:32:26 | |
Would you do something for me? | 0:32:35 | 0:32:37 | |
I think I'd do just about anything for you. | 0:32:37 | 0:32:42 | |
Tell me about this. | 0:32:42 | 0:32:44 | |
Paint me a picture of it. | 0:32:44 | 0:32:46 | |
I'm not a painter. | 0:32:46 | 0:32:48 | |
I'm not all that particular. | 0:32:48 | 0:32:50 | |
OK. | 0:32:50 | 0:32:52 | |
Um... | 0:32:53 | 0:32:55 | |
In this picture, there is a river and, there's a horse, | 0:33:01 | 0:33:04 | |
and there's a man sitting that horse, | 0:33:04 | 0:33:07 | |
and together they ford that river. | 0:33:07 | 0:33:10 | |
And all these things are in the foothills. | 0:33:10 | 0:33:14 | |
And the man rides to a place | 0:33:17 | 0:33:18 | |
he thought he knew like the back of his hand. | 0:33:18 | 0:33:20 | |
There's something about this day that's different. | 0:33:20 | 0:33:22 | |
Why this day? | 0:33:24 | 0:33:25 | |
There's a woman with him. | 0:33:27 | 0:33:30 | |
Is this woman frightened? | 0:33:30 | 0:33:32 | |
You'd have to ask her. | 0:33:32 | 0:33:34 | |
What about him? | 0:33:37 | 0:33:38 | |
Well, see, that's the thing. | 0:33:38 | 0:33:43 | |
He doesn't have a word for this, for what he feels. | 0:33:43 | 0:33:48 | |
All day long he searches for it, | 0:33:50 | 0:33:51 | |
and it's not till he's sitting next to the woman, | 0:33:51 | 0:33:53 | |
-and they're looking over a river, he can finally put a name to it. -You should stop. | 0:33:53 | 0:33:57 | |
In a heartbeat, I could fall so hard... | 0:34:04 | 0:34:08 | |
..but I'm-I'm not... | 0:34:11 | 0:34:14 | |
..I'm broken...somewhere. | 0:34:16 | 0:34:19 | |
Quite broken. | 0:34:19 | 0:34:21 | |
So, I'd start to think you were stupid for loving me. | 0:34:24 | 0:34:27 | |
Then I'd begin to resent you, and eventually, I would hate you. | 0:34:27 | 0:34:30 | |
-I should go. -Really, I'd... I really rather you didn't. | 0:34:44 | 0:34:51 | |
I know. | 0:34:51 | 0:34:53 | |
I'm, uh... | 0:34:56 | 0:34:57 | |
I'm just going to going to sit here for a bit. | 0:34:57 | 0:35:03 | |
You can keep that horse. | 0:35:03 | 0:35:06 | |
'The soldier in the modern battlefield | 0:35:22 | 0:35:24 | |
'is beset with many challenges,' | 0:35:24 | 0:35:26 | |
most notably artillery. | 0:35:26 | 0:35:28 | |
Tissue damage results from shell fragments, | 0:35:28 | 0:35:32 | |
which are irregular in shape. | 0:35:32 | 0:35:33 | |
Wounds are therefore jagged or, at best, unpredictable. | 0:35:33 | 0:35:37 | |
In the soft parts, | 0:35:37 | 0:35:39 | |
wounds show deep and extensive attritions | 0:35:39 | 0:35:43 | |
and are marked by extensive effusion of blood and/or serum. | 0:35:43 | 0:35:47 | |
Invariably, shell fragments will introduce... | 0:35:47 | 0:35:51 | |
"..foreign matter into the wound, making infection inevitable." | 0:35:51 | 0:35:55 | |
Your father wrote this?! Jesus. | 0:35:55 | 0:35:58 | |
Pretty scary, eh? | 0:35:58 | 0:36:00 | |
-Are you scared? -No. Are you? -No. | 0:36:00 | 0:36:05 | |
Do you want to introduce some foreign matter into me? | 0:36:05 | 0:36:08 | |
Why should we wait? | 0:36:10 | 0:36:12 | |
'Contused wounds are vast erosions, | 0:36:22 | 0:36:26 | |
'large lesions forming a cul-de-sac... | 0:36:26 | 0:36:30 | |
'They are abrasions with torn surfaces | 0:36:30 | 0:36:34 | |
'and quivering and herniated muscles.' | 0:36:34 | 0:36:36 | |
They are doomed to suppuration | 0:36:36 | 0:36:38 | |
and are threatened by grave complications | 0:36:38 | 0:36:41 | |
such as gangrene and tetanus. | 0:36:41 | 0:36:43 | |
In summary, artillery shells | 0:36:43 | 0:36:46 | |
'will splinter, | 0:36:46 | 0:36:48 | |
'amputate, decapitate, bisect, | 0:36:48 | 0:36:51 | |
'quarter, or otherwise grossly mutilate | 0:36:51 | 0:36:54 | |
'the human frame. In the worst of cases,' | 0:36:54 | 0:36:57 | |
a direct explosion will obliterate the man. | 0:36:57 | 0:36:59 | |
The soldier will simply disappear. Thank you. | 0:36:59 | 0:37:06 | |
-Sergeant, you have anything to add to this subject? -No. | 0:37:16 | 0:37:18 | |
No, that's pretty much what it does. | 0:37:18 | 0:37:21 | |
So you agree artillery represents the greatest challenge to an individual on the battlefield? | 0:37:21 | 0:37:25 | |
Sergeant, do you agree? | 0:37:39 | 0:37:41 | |
No, sir. I'm sorry, I don't. Um... | 0:37:44 | 0:37:48 | |
The single greatest challenge to an individual on the battlefield | 0:37:48 | 0:37:53 | |
is trying to keep his matches dry. | 0:37:53 | 0:37:54 | |
"Keep your matches dry?" | 0:37:59 | 0:38:01 | |
One of the wittier phrases Dr Walker singles out as having | 0:38:01 | 0:38:03 | |
turned his lecture into a farce. | 0:38:03 | 0:38:05 | |
Sir, I didn't mean. | 0:38:05 | 0:38:06 | |
-Did I give you permission to speak? -No, sir, you did not. | 0:38:06 | 0:38:08 | |
-These are the drawings of your machine? -They are. | 0:38:08 | 0:38:11 | |
-You had a diagnosis, did you not? -Yes, sir. Neurasthenia. | 0:38:11 | 0:38:15 | |
And I think, we both know what that means. | 0:38:15 | 0:38:17 | |
Your draftsmanship is impressive. | 0:38:17 | 0:38:19 | |
You're holding them upside down. | 0:38:19 | 0:38:21 | |
So I am! | 0:38:21 | 0:38:23 | |
I'm not saying that you're a coward, Sergeant. | 0:38:25 | 0:38:27 | |
I'm simply saying that I have been keeping a very close eye on you, | 0:38:27 | 0:38:30 | |
and what I see disturbs me. | 0:38:30 | 0:38:32 | |
You'll notice I've left out certain mechanical secrets | 0:38:32 | 0:38:36 | |
that can only be revealed upon payment of one million dollars. | 0:38:36 | 0:38:40 | |
A lovely round figure. | 0:38:40 | 0:38:41 | |
And what exactly will this invention of yours accomplish? | 0:38:41 | 0:38:45 | |
-It will bring the war to an end in 48 hours. -Delightful. | 0:38:45 | 0:38:49 | |
And how exactly will it achieve that? | 0:38:49 | 0:38:51 | |
With this machine, | 0:38:51 | 0:38:53 | |
an individual can circle the globe in exactly 15 minutes. | 0:38:53 | 0:38:58 | |
Sparkling! We'll be in touch. | 0:38:58 | 0:39:03 | |
Thank you. Thank you... | 0:39:03 | 0:39:05 | |
No, I thank you! | 0:39:05 | 0:39:06 | |
-Thank you, very much. -No! Thank you! | 0:39:06 | 0:39:08 | |
The very ground we are standing on is shifting. | 0:39:10 | 0:39:13 | |
Civilization hangs in the balance so I offer a word of warning - | 0:39:13 | 0:39:17 | |
do not plough a foreign field. | 0:39:17 | 0:39:19 | |
Sir, I'm sorry, but I just don't see what this has to do with dry matches. | 0:39:19 | 0:39:22 | |
For God's sake, man! | 0:39:22 | 0:39:24 | |
We are talking about our nation's security, | 0:39:24 | 0:39:25 | |
which means we are talking about a certain lady named Sarah Mann, | 0:39:25 | 0:39:28 | |
on whose attendance, I am reliably informed, you have been dancing. | 0:39:28 | 0:39:32 | |
More specifically, we are talking about her father. | 0:39:32 | 0:39:35 | |
Her father was a soldier who fought on the same ridge I did. | 0:39:35 | 0:39:38 | |
The only difference I'm aware of is that he died and I didn't. | 0:39:38 | 0:39:40 | |
The only difference you're aware of? | 0:39:40 | 0:39:42 | |
Carmichael! | 0:39:42 | 0:39:44 | |
"Martin Mann was born in Ingolstadt, Bavaria. | 0:39:47 | 0:39:49 | |
"He returned to his native land in 1915, | 0:39:49 | 0:39:52 | |
"and was assigned to the Second Bavarian Reserve Regiment." | 0:39:52 | 0:39:56 | |
He fought for the enemy. | 0:39:56 | 0:39:57 | |
The blood is tainted, Sergeant. | 0:39:57 | 0:40:00 | |
Ottawa mandates that we must root out the Hun in sheep's clothing, | 0:40:00 | 0:40:03 | |
and root him out we will. | 0:40:03 | 0:40:05 | |
Like a pig. | 0:40:05 | 0:40:06 | |
-With regret our mandate is uncompromising. -You regret nothing. | 0:40:11 | 0:40:14 | |
I don't expect a woman to comprehend this, | 0:40:14 | 0:40:16 | |
but our country is rife with saboteurs. | 0:40:16 | 0:40:19 | |
When did nursing wounded soldiers become a threat to the homeland? | 0:40:19 | 0:40:22 | |
If I'm so dangerous, why don't you lock me up? | 0:40:22 | 0:40:24 | |
At the moment internment is not under consideration. | 0:40:24 | 0:40:26 | |
Listen to him! Listen to the sound of his voice! | 0:40:26 | 0:40:30 | |
How long has he been living in this country? | 0:40:30 | 0:40:32 | |
My duration of residency is hardly the point. | 0:40:32 | 0:40:34 | |
-I've lived here my entire life! I'm a Canadian! -Technically, yes. | 0:40:34 | 0:40:37 | |
But here's the sticky wicket. | 0:40:37 | 0:40:39 | |
Whereas I was born under the sun of the British Empire, | 0:40:39 | 0:40:43 | |
you, Miss Mann, were born under the cloud of Germany. | 0:40:43 | 0:40:47 | |
We could move. Start over. Or I could try to find another job. | 0:41:46 | 0:41:50 | |
Doing what? | 0:41:50 | 0:41:51 | |
I don't know. Cleaning maybe? | 0:41:53 | 0:41:55 | |
Cleaning... This is our home. | 0:41:55 | 0:41:59 | |
These are our neighbours. | 0:41:59 | 0:42:01 | |
You can't hate a dead man, David. | 0:42:01 | 0:42:04 | |
And where is that writ, oh, sister of mine? | 0:42:04 | 0:42:08 | |
Don't talk like that. You sound ridiculous. | 0:42:08 | 0:42:10 | |
I don't hate our father. He shames me. | 0:42:10 | 0:42:13 | |
There's a difference. | 0:42:13 | 0:42:15 | |
If I could kill him, I would. | 0:42:15 | 0:42:18 | |
He can only be killed once. | 0:42:18 | 0:42:21 | |
Well, I'm not just going to sit here. | 0:42:21 | 0:42:23 | |
-Where are you going? -What does it matter? | 0:42:23 | 0:42:26 | |
-Sarah? -I'm in here. | 0:43:03 | 0:43:05 | |
Where's your brother? | 0:43:11 | 0:43:13 | |
I don't know. He may have gone to Cassie's. | 0:43:13 | 0:43:16 | |
Or maybe our mother's grave. He does that quite often. | 0:43:16 | 0:43:20 | |
I'll take that horse and go find him. | 0:43:20 | 0:43:22 | |
I don't think you should stay here. | 0:43:22 | 0:43:24 | |
I want you to go to my place. | 0:43:24 | 0:43:27 | |
Why are you doing this? | 0:43:27 | 0:43:29 | |
Cos I fought on the same ridge your father died on. | 0:43:29 | 0:43:32 | |
It might have been me that killed him. | 0:43:32 | 0:43:34 | |
I know it probably wasn't, but it might have been. | 0:43:34 | 0:43:36 | |
Use that door. It's 213 Stephen Avenue. | 0:43:39 | 0:43:41 | |
-I'll come find you. -Thank you. | 0:43:41 | 0:43:44 | |
You mind if I have a word with you? | 0:43:52 | 0:43:54 | |
My nose... | 0:44:00 | 0:44:02 | |
Schmidt! Dead German! | 0:44:11 | 0:44:14 | |
Lutz! Dead German! | 0:44:17 | 0:44:21 | |
"Mutti... Ich liebe dich." | 0:44:27 | 0:44:32 | |
Will you stop that now? | 0:44:32 | 0:44:34 | |
Ah, come on, kid. Don't make me chase you. | 0:44:36 | 0:44:41 | |
God damn it! | 0:44:41 | 0:44:44 | |
Yah! Yah! | 0:44:58 | 0:44:59 | |
Nyah! | 0:45:03 | 0:45:05 | |
Oh, shit! | 0:45:05 | 0:45:06 | |
-Idiot! The hell's wrong with you? -Why don't you just kill me? | 0:45:19 | 0:45:23 | |
I don't want to kill you, I just want to talk to you. | 0:45:23 | 0:45:25 | |
You should have signed me up! | 0:45:25 | 0:45:26 | |
Oh, God, you want to go to war that badly? | 0:45:26 | 0:45:28 | |
Where do you think I already am? | 0:45:30 | 0:45:33 | |
Jesus! Look around you! | 0:45:33 | 0:45:36 | |
Everything you can see, everything you can imagine, | 0:45:36 | 0:45:38 | |
the entire god damned universe is at war! | 0:45:38 | 0:45:40 | |
And if that ever stopped, oh boy, that would be the end of history! | 0:45:40 | 0:45:44 | |
I don't know what you're talking about. | 0:45:44 | 0:45:48 | |
All I know is that you got to draw a line somewhere. | 0:45:48 | 0:45:51 | |
And I draw the line at my father. | 0:45:51 | 0:45:53 | |
-You think it's that simple? -You don't? -No. | 0:45:53 | 0:45:56 | |
No, I don't. | 0:45:58 | 0:46:02 | |
Lines are tricky... | 0:46:02 | 0:46:05 | |
There's so god damned many of them. | 0:46:05 | 0:46:07 | |
There's front line, sap line, behind the line, | 0:46:07 | 0:46:09 | |
lines you don't even know about, | 0:46:09 | 0:46:11 | |
lines you can't see till you cross them. | 0:46:11 | 0:46:14 | |
But once you do, you're not fit. You understand? | 0:46:14 | 0:46:17 | |
You're not fit for this world. | 0:46:17 | 0:46:19 | |
You live over there. You got men underneath you. | 0:46:19 | 0:46:22 | |
What the hell am I doing? | 0:46:28 | 0:46:31 | |
Christ didn't die for our sins. | 0:46:35 | 0:46:36 | |
He just laid down the template, that's all. | 0:46:36 | 0:46:38 | |
-I don't understand you. -If I have my way, you never will. | 0:46:41 | 0:46:45 | |
You're looking for romance, kid. | 0:46:45 | 0:46:47 | |
You're not going to find it in a trench. Get up. | 0:46:47 | 0:46:49 | |
I'm going to go find that horse. | 0:46:49 | 0:46:50 | |
-Sergeant. -Hi. -Hi. | 0:47:05 | 0:47:08 | |
I found your brother, and he's going to stay with a friend of mine, | 0:47:08 | 0:47:12 | |
I'm just on the corner. | 0:47:12 | 0:47:14 | |
Uh, you can have the bed. It hasn't been slept in. | 0:47:32 | 0:47:35 | |
This could get a little rocky. | 0:47:42 | 0:47:44 | |
You saw the morphine. | 0:47:44 | 0:47:45 | |
When I was 23, I robbed a bank in Fort McLeod. | 0:47:48 | 0:47:51 | |
-I don't do it every day. -I don't rob banks every day. | 0:47:51 | 0:47:53 | |
After my father left, um, I had trouble sleeping. | 0:47:55 | 0:47:59 | |
And there was this ready supply at the hospital. | 0:47:59 | 0:48:03 | |
I can't explain it. | 0:48:03 | 0:48:05 | |
You don't have to. | 0:48:05 | 0:48:07 | |
I've tried everything I can to do my part but... | 0:50:17 | 0:50:19 | |
But you were frustrated. | 0:50:19 | 0:50:21 | |
No, I understand that. | 0:50:21 | 0:50:23 | |
And I commend you, son. I commend your selflessness. | 0:50:23 | 0:50:26 | |
It would seem my daughter has indeed picked herself a fine young man. | 0:50:26 | 0:50:31 | |
Present this letter to the recruiting officer and your way should be clear. | 0:50:35 | 0:50:38 | |
And with that, you have my blessing on your union. | 0:50:38 | 0:50:40 | |
Oh, Daddy! | 0:50:40 | 0:50:44 | |
It tore my father in half, | 0:50:44 | 0:50:46 | |
this war. It just made our lives... | 0:50:46 | 0:50:51 | |
impossible. | 0:50:51 | 0:50:53 | |
So, I forced him to make a decision. | 0:50:53 | 0:50:55 | |
It was them or us. | 0:50:55 | 0:50:58 | |
I really didn't think he'd leave, | 0:50:58 | 0:51:03 | |
or that I was sending him to be killed. | 0:51:03 | 0:51:08 | |
Which seems to be killing my brother. | 0:51:08 | 0:51:13 | |
All this. For what? | 0:51:13 | 0:51:16 | |
I killed a kid. I killed a lot of men, | 0:51:21 | 0:51:26 | |
but I killed this one kid. | 0:51:26 | 0:51:30 | |
He had these blue eyes. | 0:51:30 | 0:51:34 | |
They were like water. | 0:51:37 | 0:51:39 | |
And I didn't have to kill him. I wasn't scared or... | 0:51:43 | 0:51:45 | |
I just killed him. | 0:51:51 | 0:51:52 | |
I'm going to have to answer for that... | 0:52:02 | 0:52:05 | |
..one way or another. | 0:52:06 | 0:52:10 | |
Congratulations, son! | 0:52:12 | 0:52:14 | |
-You've proven yourself a true patriot. -Excuse me, sir. | 0:52:14 | 0:52:17 | |
But I can't imagine Sergeant Dunne rejecting a candidate without cause. | 0:52:17 | 0:52:20 | |
And this form identifies the cause as asthma. | 0:52:20 | 0:52:23 | |
Do you have asthma, son? | 0:52:23 | 0:52:24 | |
-Not me, sir. -There you have it. Fit as a fiddle. | 0:52:24 | 0:52:26 | |
-But sir... -Shut up, Carmichael! | 0:52:26 | 0:52:28 | |
In your encounters with Sergeant Dunne | 0:52:28 | 0:52:30 | |
he bore no signs of ill health, did he? | 0:52:30 | 0:52:32 | |
And yet he is not in the field. | 0:52:32 | 0:52:34 | |
Why is that, do you imagine? | 0:52:34 | 0:52:35 | |
He told me he had neurasthenia. | 0:52:35 | 0:52:37 | |
The military is a curious and beautiful beast. | 0:52:40 | 0:52:44 | |
Neurasthenia is our way of saying that Sergeant Dunne is a coward. | 0:52:44 | 0:52:48 | |
I've always thought that, way down, somewhere, | 0:52:50 | 0:52:55 | |
it was all about sacrifice. | 0:52:55 | 0:52:56 | |
Why? I don't know. And now there's you. | 0:52:56 | 0:52:59 | |
If I asked you, would you kiss me? | 0:52:59 | 0:53:03 | |
Ask me. | 0:53:03 | 0:53:05 | |
There's only one rule... | 0:53:11 | 0:53:14 | |
..don't die. | 0:53:16 | 0:53:18 | |
-What are you doing? -I'm going. -Where? | 0:53:54 | 0:53:58 | |
-Where do you think? -Oh, God, David! Please don't. No. No. | 0:53:58 | 0:54:04 | |
-I won't have this. You're a boy. -I'm not a boy! -You have asthma! | 0:54:04 | 0:54:08 | |
-I'm not a cripple! -God, they can't let you... | 0:54:08 | 0:54:09 | |
David, please, talk to Sergeant Dunne. He'll tell you not to go. | 0:54:09 | 0:54:12 | |
-Really? -Yes, he would explain to them, they would let you out. | 0:54:12 | 0:54:15 | |
What makes you think they'd listen to him? | 0:54:15 | 0:54:17 | |
You think he's some kind of hero? | 0:54:17 | 0:54:19 | |
Is he missing an arm? A leg? Is he blind? | 0:54:19 | 0:54:23 | |
-Why isn't he still over there? -I don't know. | 0:54:23 | 0:54:26 | |
He's got neurasthenia! You know what that means in the army? | 0:54:26 | 0:54:29 | |
-It means the man's a coward. -No. No, he's not! -No, he's not? | 0:54:29 | 0:54:32 | |
Who do you think signed me up? | 0:54:32 | 0:54:37 | |
He's the reason I'm going to war. | 0:54:37 | 0:54:39 | |
(WHISPERS) Oh, my God... | 0:54:53 | 0:54:56 | |
Gentlemen, I'm honoured to have you in my home to observe this solemn | 0:54:56 | 0:54:59 | |
and hopeful occasion. | 0:54:59 | 0:55:01 | |
-I turn it over to you, Major. -Gentlemen... | 0:55:01 | 0:55:05 | |
The eastbound train carries our valiant youth | 0:55:05 | 0:55:07 | |
on the long road to glory. | 0:55:07 | 0:55:09 | |
-May God go with them. To the boys. -ALL: To the boys! | 0:55:09 | 0:55:12 | |
-To the men. -ALL: To the men! | 0:55:12 | 0:55:15 | |
Hear-hear. | 0:55:15 | 0:55:16 | |
This is how you raise an army? | 0:55:31 | 0:55:34 | |
You rake the very bottom and find the weak, the young, the sick | 0:55:34 | 0:55:37 | |
and you send them? | 0:55:37 | 0:55:38 | |
My brother is just a boy! He's not well. He's not fit! | 0:55:38 | 0:55:41 | |
Why do you want him? | 0:55:41 | 0:55:43 | |
Oh, you have nothing to say? Nothing at all? | 0:55:46 | 0:55:50 | |
This isn't out of the blue, Sergeant. | 0:55:51 | 0:55:54 | |
I'm not out of the blue. | 0:55:54 | 0:55:56 | |
I'm right here, right now and I'm asking you - | 0:55:56 | 0:55:58 | |
who will be there to watch over my brother? | 0:55:58 | 0:56:01 | |
You know, you can take any one of them - | 0:56:34 | 0:56:37 | |
artillery, gas, wire, rain, rats, the fucking bayonet... | 0:56:37 | 0:56:41 | |
Not one of these can you control. | 0:56:41 | 0:56:42 | |
The matches you can control. | 0:56:42 | 0:56:44 | |
You can have some effect upon them. | 0:56:44 | 0:56:46 | |
If you're in the middle of a barrage, | 0:56:46 | 0:56:48 | |
and you think a smoke might steady you up, | 0:56:48 | 0:56:50 | |
and you reach for those matches and they're wet... | 0:56:50 | 0:56:53 | |
well, sir, your whole world buckles. | 0:56:53 | 0:56:55 | |
It feels like it's coming apart at the seams. | 0:56:55 | 0:57:00 | |
And that's not farce. | 0:57:00 | 0:57:02 | |
That is not farce. | 0:57:02 | 0:57:05 | |
I need you to sign this. | 0:57:09 | 0:57:11 | |
McRae? | 0:57:21 | 0:57:22 | |
It's my mother's maiden name. | 0:57:22 | 0:57:26 | |
I'm going back and you're going to assign me to the Fighting 10th. | 0:57:26 | 0:57:30 | |
You're going to try and protect that boy? | 0:57:32 | 0:57:35 | |
You really are neurasthenic, aren't you? | 0:57:41 | 0:57:43 | |
Cut from the same cloth, you and I. | 0:57:43 | 0:57:48 | |
You know I'll track you down. | 0:57:50 | 0:57:52 | |
Be my guest. | 0:57:52 | 0:57:54 | |
Miss Mann? | 0:59:02 | 0:59:05 | |
Come in. | 0:59:05 | 0:59:08 | |
Oh, hello, Cassie. | 0:59:08 | 0:59:10 | |
How could anyone do this? | 0:59:10 | 0:59:12 | |
-I don't know. -Why are you packing? | 0:59:14 | 0:59:19 | |
I can't find a job, so I can't afford the upkeep. | 0:59:20 | 0:59:23 | |
I could talk to my father. | 0:59:23 | 0:59:25 | |
I mean, you're almost family. | 0:59:25 | 0:59:26 | |
How is that, do you imagine? | 0:59:26 | 0:59:28 | |
-You haven't heard from David? -No. | 0:59:30 | 0:59:33 | |
I haven't heard from him either, | 0:59:33 | 0:59:35 | |
which is strange, considering we're engaged. | 0:59:35 | 0:59:38 | |
-You're engaged? -That's the whole reason he joined up. | 0:59:38 | 0:59:41 | |
Cos my father has his ways and David had to prove himself. | 0:59:41 | 0:59:44 | |
Is that why Dunne signed him up? | 0:59:44 | 0:59:46 | |
You mean that Sergeant? God, no. He had nothing to do with it. | 0:59:46 | 0:59:49 | |
I don't understand. | 0:59:51 | 0:59:52 | |
He wasn't going to sign David up come hell or high water. | 0:59:52 | 0:59:55 | |
I had to get my father to write this medical thing saying... | 0:59:55 | 0:59:58 | |
-So, it wasn't Sergeant Dunne? -No. | 0:59:58 | 1:00:00 | |
It was the other one. The British one. | 1:00:00 | 1:00:02 | |
Oh, my God! | 1:00:02 | 1:00:04 | |
I'm sorry, I...I don't... | 1:00:05 | 1:00:08 | |
What have you done? | 1:00:08 | 1:00:11 | |
-What do you mean? -Your father doesn't want David to come home. | 1:00:11 | 1:00:15 | |
He wants him to stay over there | 1:00:15 | 1:00:16 | |
with a white cross to mark his spot for the rest of time. | 1:00:16 | 1:00:19 | |
What are you saying? | 1:00:20 | 1:00:22 | |
'Dearest Sarah, I'm not sure if you'll get this. | 1:00:41 | 1:00:44 | |
'I don't know if I'm all that good at painting these pictures, | 1:00:44 | 1:00:47 | |
'but I am trying. | 1:00:47 | 1:00:49 | |
'In this picture there is a river and there is a horse | 1:00:49 | 1:00:53 | |
'and there is a man sitting that horse, | 1:00:53 | 1:00:55 | |
'and all these things are in the Foothills. | 1:00:55 | 1:00:58 | |
'And when this man closes his eyes he can see a woman kissing him | 1:00:58 | 1:01:04 | |
'as like as to smother him. | 1:01:04 | 1:01:08 | |
'And this man knows that kings may die | 1:01:08 | 1:01:10 | |
'and countries may crumble, | 1:01:10 | 1:01:11 | |
'but if people look close enough, | 1:01:11 | 1:01:14 | |
'they just might, as I have, Sarah, | 1:01:14 | 1:01:16 | |
'they just might find something to believe in. | 1:01:16 | 1:01:20 | |
'I have to go now, but before I do, | 1:01:20 | 1:01:24 | |
'remember that rule - don't die.' | 1:01:24 | 1:01:28 | |
Hyah! | 1:02:15 | 1:02:17 | |
Go on. Hyah! Hyah! | 1:02:17 | 1:02:21 | |
Let him go! Let him go! | 1:02:32 | 1:02:35 | |
OK, sound off! | 1:03:19 | 1:03:21 | |
What's in the bag, Lieutenant? | 1:03:21 | 1:03:23 | |
In a minute. Sound off! | 1:03:23 | 1:03:25 | |
Highway. | 1:03:25 | 1:03:26 | |
-Gale. -Golding. | 1:03:26 | 1:03:27 | |
-Hitchel. -Hart. -Miles. | 1:03:27 | 1:03:29 | |
Johnson. | 1:03:29 | 1:03:30 | |
-Mann. -McRae. | 1:03:30 | 1:03:33 | |
Here we go! A little gift from the CO. | 1:03:33 | 1:03:36 | |
A Last Supper kind of thing. | 1:03:36 | 1:03:37 | |
Let's get yourselves together, gentlemen! | 1:03:37 | 1:03:40 | |
Get that bird plucked. I need to check in with HQ | 1:03:40 | 1:03:43 | |
-Nice form. Had practise with that? -Just around the house. | 1:03:45 | 1:03:50 | |
You want me to give you a hand with that? | 1:03:50 | 1:03:53 | |
For the last god damned time - I don't need your help. | 1:03:53 | 1:03:57 | |
Hey, MPs. | 1:04:00 | 1:04:02 | |
-The RSM's with them. -Form up! | 1:04:02 | 1:04:05 | |
McRae! | 1:04:11 | 1:04:13 | |
HQ. | 1:04:37 | 1:04:39 | |
Private McRae, sir. | 1:04:43 | 1:04:46 | |
Last time I met you, your name was Michael Dunne. | 1:04:49 | 1:04:51 | |
April 22nd, Kitchener's Wood. | 1:04:51 | 1:04:54 | |
820 men went in. 174 came out. | 1:04:54 | 1:04:57 | |
Lieutenant Hanson, Second Field Artillery. | 1:04:57 | 1:05:00 | |
Immediate response. | 1:05:00 | 1:05:01 | |
We were getting mauled, Major Bingham. | 1:05:01 | 1:05:03 | |
Dunne here had a bullet in his thigh. | 1:05:03 | 1:05:05 | |
Crawled across a field of corpses to get us support. | 1:05:05 | 1:05:07 | |
Should have been a VC. | 1:05:07 | 1:05:09 | |
Unacceptable. I want a "yes" within an hour. | 1:05:09 | 1:05:12 | |
-Mr Watchman. -Sir. | 1:05:14 | 1:05:16 | |
You mind having that conversation with Lieutenant Maxwell? | 1:05:16 | 1:05:19 | |
Outside, if you could? | 1:05:19 | 1:05:20 | |
Yes, sir. | 1:05:20 | 1:05:23 | |
Major, you want to step forward? | 1:05:23 | 1:05:25 | |
Turns out you falsified some records. | 1:05:33 | 1:05:35 | |
Somewhat aggressively, according to Dobson-Hughes, here. | 1:05:35 | 1:05:38 | |
And he wants your head, so...what do I do? | 1:05:38 | 1:05:40 | |
-You have to turn him in, Colonel. -I wasn't asking you, Major. | 1:05:40 | 1:05:43 | |
What do I do with you, Dunne? | 1:05:43 | 1:05:45 | |
I suppose he's right, sir. | 1:05:46 | 1:05:48 | |
All right, then. That's what I'll do. | 1:05:48 | 1:05:51 | |
But I'm not going to turn you in to the military police. | 1:05:51 | 1:05:53 | |
I'm going to turn you into a platoon leader. | 1:05:53 | 1:05:55 | |
And you will hold your tongue, Major. | 1:05:55 | 1:05:57 | |
Maxwell will come back to HQ with us, and Dunne... | 1:05:57 | 1:05:59 | |
you're going to take over Number 2 platoon. | 1:05:59 | 1:06:02 | |
This party we call Passchendaele | 1:06:05 | 1:06:07 | |
started three months ago, but it's been raining ever since, | 1:06:07 | 1:06:10 | |
so the battlefield's like a bowl of stew. | 1:06:10 | 1:06:12 | |
And the whole thing's stalled, so the job of breaking out | 1:06:12 | 1:06:15 | |
falls to the only outfit in this entire circus | 1:06:15 | 1:06:17 | |
that seems capable of getting anything done, and that's us - | 1:06:17 | 1:06:19 | |
the Canadian Corps. | 1:06:19 | 1:06:21 | |
You know they got a name for us? The enemy? | 1:06:24 | 1:06:27 | |
They call us "storm troopers." Major Bingham? | 1:06:27 | 1:06:30 | |
The assault has two thrusts. | 1:06:30 | 1:06:33 | |
On the right, brigades from 2nd Division | 1:06:33 | 1:06:35 | |
will clear the village of Passchendaele. | 1:06:35 | 1:06:37 | |
On the left, the Little Black Devils | 1:06:37 | 1:06:39 | |
and the 7th Battalion, with us in support, | 1:06:39 | 1:06:41 | |
will attack along the Mosselmarkt-Meetcheele Road. | 1:06:41 | 1:06:44 | |
This is the assault front. this is our support line. | 1:06:44 | 1:06:46 | |
and this is battalion headquarters. And we have three objectives - | 1:06:46 | 1:06:49 | |
Venture Farm, | 1:06:49 | 1:06:51 | |
Vindictive Crossroads | 1:06:51 | 1:06:53 | |
and Hill 52. That's where we stop and dig in. | 1:06:53 | 1:06:56 | |
There are your battle orders. | 1:06:56 | 1:06:58 | |
You got any questions? | 1:07:00 | 1:07:02 | |
No, sir. | 1:07:02 | 1:07:03 | |
Well, I got one. | 1:07:03 | 1:07:06 | |
You were free and clear of this freak show. | 1:07:06 | 1:07:08 | |
Why'd you come back? | 1:07:08 | 1:07:09 | |
For love, sir. | 1:07:12 | 1:07:13 | |
That's a sorry bastard reason. | 1:07:16 | 1:07:17 | |
Good luck, Dunne. | 1:07:17 | 1:07:19 | |
With respect, sir, | 1:07:22 | 1:07:24 | |
I feel compelled to lodge a formal complaint! | 1:07:24 | 1:07:27 | |
This is no time for personal vendettas, Major. | 1:07:27 | 1:07:30 | |
In case you haven't noticed, we're neck deep in hell | 1:07:30 | 1:07:32 | |
and Currie's projecting 16,000 casualties. | 1:07:32 | 1:07:34 | |
The General's never wrong, so I need soldiers. | 1:07:34 | 1:07:37 | |
Now I'm not sure I count you as one. | 1:07:37 | 1:07:39 | |
But I'm going to keep you close. It might improve your chances. | 1:07:39 | 1:07:44 | |
I bow to your superior judgment, sir. | 1:07:44 | 1:07:47 | |
Not sure what I should say to the men. | 1:07:56 | 1:07:58 | |
-You know, sir, I didn't ask for this. -I know. | 1:07:58 | 1:08:02 | |
It's funny, though. You come all this way... | 1:08:02 | 1:08:04 | |
You got a light? | 1:08:04 | 1:08:06 | |
We need a stretcher bearer here! | 1:08:10 | 1:08:12 | |
-I need a doctor! -We all need a doctor. | 1:08:34 | 1:08:37 | |
Here. Put him down here, soldier. | 1:08:37 | 1:08:41 | |
Oh, my God. | 1:09:04 | 1:09:05 | |
We have to take his jacket off. | 1:09:10 | 1:09:12 | |
What are you doing here? | 1:09:16 | 1:09:18 | |
It's what I'm good at. And where else was I going to go? | 1:09:18 | 1:09:22 | |
Anywhere but here, Sarah. Jesus. | 1:09:22 | 1:09:24 | |
-I volunteered out of Regina. -How? -Royster helped me. | 1:09:24 | 1:09:27 | |
-How'd you get here? -It took me a month to catch up to you. | 1:09:27 | 1:09:31 | |
It's OK. You'll be fine. | 1:09:31 | 1:09:33 | |
-How's David? -He's OK. He's with me. We're keeping our heads down. | 1:09:33 | 1:09:37 | |
Oh, God. | 1:09:37 | 1:09:38 | |
They're going to make you leave. | 1:09:38 | 1:09:40 | |
My shift is over soon. | 1:09:40 | 1:09:42 | |
OK. Piccadilly and King's Cross. I'll meet you there. | 1:09:42 | 1:09:46 | |
You can go now, soldier. | 1:09:46 | 1:09:47 | |
Clear the truck! We've got enough for everyone here! | 1:09:50 | 1:09:53 | |
WAILING | 1:09:53 | 1:09:56 | |
GROANS | 1:09:56 | 1:09:58 | |
Make way! Coming through! | 1:10:00 | 1:10:03 | |
-Fall in! -Yes, sir! | 1:10:03 | 1:10:08 | |
-Are you worried? -Yeah. | 1:10:47 | 1:10:49 | |
Don't be. We're just a support company. | 1:10:49 | 1:10:53 | |
We won't even see action. | 1:10:53 | 1:10:55 | |
What about David? | 1:10:55 | 1:10:56 | |
If I could get you to him I would, it's not safe past here. | 1:10:56 | 1:11:00 | |
But I promise you this, I will bring your brother home. | 1:11:00 | 1:11:02 | |
Look what I made you come back to! | 1:11:02 | 1:11:04 | |
It wasn't you, Sarah. | 1:11:04 | 1:11:06 | |
I was going to end up back here one way or another. | 1:11:06 | 1:11:08 | |
-DISTANT: -All companies A through F, battle muster, we're heading in! -Men, fall in! | 1:12:57 | 1:13:03 | |
I have to go. | 1:13:03 | 1:13:05 | |
Can you give this to David? | 1:13:11 | 1:13:14 | |
And remember the rule. | 1:13:16 | 1:13:17 | |
You're going to see me again. | 1:13:17 | 1:13:20 | |
-All right, this is it. -This is what? | 1:15:00 | 1:15:02 | |
-This is our trench. -Where? | 1:15:02 | 1:15:05 | |
-Right here. -Here? | 1:15:05 | 1:15:09 | |
String out. Two to a crater, let's go! | 1:15:09 | 1:15:11 | |
-Shit. You got any matches? -I gave them all to you. | 1:15:35 | 1:15:39 | |
-What? -I gave them all to you. -Yeah, but don't you have a reserve? | 1:15:39 | 1:15:43 | |
Well, they're reserve matches. | 1:15:43 | 1:15:45 | |
-Those will do. -OK. | 1:15:45 | 1:15:48 | |
Uh, they're wet too, though. | 1:15:48 | 1:15:51 | |
I just don't understand you can say you don't like Sudbury | 1:15:54 | 1:15:57 | |
when you've never even been there. | 1:15:57 | 1:15:59 | |
I don't have to go there. I'm a Skin. Skins just know. | 1:15:59 | 1:16:02 | |
Fuck you and the stolen horse you rode in on. | 1:16:02 | 1:16:04 | |
PLAYS HARMONICA | 1:16:08 | 1:16:12 | |
-SQUEAKING -Oh! God damn it! | 1:16:28 | 1:16:31 | |
Fuck! | 1:16:31 | 1:16:32 | |
-This is insane! -Yeah. | 1:16:35 | 1:16:38 | |
It's what you signed up for. | 1:16:38 | 1:16:39 | |
No...sir. Wrong. I signed up to kill Germans. | 1:16:39 | 1:16:43 | |
No, you didn't. You signed up to kill your father. | 1:16:43 | 1:16:48 | |
Hey, I've been carrying this around since Calgary. | 1:16:48 | 1:16:53 | |
Your sister wanted me to give it to you. | 1:16:53 | 1:16:55 | |
What the hell's wrong with me? | 1:17:01 | 1:17:03 | |
I haven't even written her. | 1:17:07 | 1:17:09 | |
And my own sister? | 1:17:10 | 1:17:13 | |
What if something happened to me? How would I atone for that? | 1:17:13 | 1:17:16 | |
If that's what you're looking for, | 1:17:16 | 1:17:18 | |
you've really come to the wrong place. | 1:17:18 | 1:17:21 | |
How can you say that? | 1:17:21 | 1:17:23 | |
Come on, David. Look around you. You see any poets in this shit? | 1:17:23 | 1:17:26 | |
We're all in a slaughter yard | 1:17:26 | 1:17:27 | |
and there isn't a single guy here who knows why. | 1:17:27 | 1:17:29 | |
No. No. You wouldn't be here if you believed that. | 1:17:29 | 1:17:33 | |
I'm only here because of your sister. | 1:17:35 | 1:17:38 | |
Listen to me. | 1:17:38 | 1:17:41 | |
Forests burn cos they have to. | 1:17:41 | 1:17:44 | |
And oceans, they go up and down cos they have to. | 1:17:44 | 1:17:47 | |
I don't think we're that different. | 1:17:47 | 1:17:49 | |
If you want to get through this, you've got to start seeing it for what it is - | 1:17:49 | 1:17:52 | |
it's something we do all the time cos we're good at it. | 1:17:52 | 1:17:56 | |
And we're good at it cos we're used to it. | 1:17:56 | 1:17:59 | |
And we're used to it cos we do it all the time. | 1:17:59 | 1:18:03 | |
You better hang on to something. | 1:18:08 | 1:18:11 | |
The guns are coming. | 1:18:11 | 1:18:14 | |
-Everyone synchronized? -ALL: Yes, sir. | 1:18:21 | 1:18:23 | |
Our assault starts...now. | 1:18:23 | 1:18:26 | |
EXPLOSIONS Fire! | 1:18:28 | 1:18:30 | |
Fire! | 1:18:30 | 1:18:31 | |
Fire! | 1:18:31 | 1:18:32 | |
Fire! | 1:18:32 | 1:18:35 | |
Fire! | 1:18:43 | 1:18:44 | |
Fire! | 1:18:44 | 1:18:46 | |
Bore 800! | 1:18:46 | 1:18:48 | |
-Come on! Come on! -Bore 800! | 1:18:48 | 1:18:52 | |
Bore 800! | 1:18:52 | 1:18:54 | |
-Fire! -Fire! | 1:18:54 | 1:18:58 | |
Forward posts reporting. | 1:19:00 | 1:19:01 | |
7th and Devils in No Man's Land, sir. | 1:19:01 | 1:19:03 | |
Fifty yards, light resistance. | 1:19:03 | 1:19:05 | |
German counter-fire reported, sir. | 1:19:05 | 1:19:07 | |
Get me Divisional Headquarters. | 1:19:07 | 1:19:08 | |
I want to know if they've heard anything further... | 1:19:08 | 1:19:11 | |
-Make sure the lines are OK. -Is everyone all right? | 1:19:15 | 1:19:18 | |
Light? Somebody bring me a light. | 1:19:18 | 1:19:20 | |
Look at all this fucking mud, eh! | 1:19:28 | 1:19:33 | |
We got a real problem. | 1:19:35 | 1:19:37 | |
-No matches? -Oui. | 1:19:37 | 1:19:38 | |
-How does it look, you think? Are we going in? -I don't know. | 1:19:40 | 1:19:44 | |
It's too early to tell. | 1:19:44 | 1:19:46 | |
Keep your head down, kid. | 1:19:46 | 1:19:48 | |
Oh, shit. Fuck. | 1:19:50 | 1:19:51 | |
GASPS | 1:19:51 | 1:19:55 | |
-Field dressing! -Fire crew! | 1:19:57 | 1:19:58 | |
-Mr Watchman. -Where's the fire crew! | 1:19:58 | 1:20:01 | |
-Stretcher! -One second, sir. | 1:20:01 | 1:20:04 | |
Dobson-Hughes, you're acting 2IC. | 1:20:04 | 1:20:07 | |
Eyes here. Eyes here! | 1:20:07 | 1:20:09 | |
Come here. It's all right. It's all right. You're OK. | 1:20:15 | 1:20:18 | |
Objectives consolidated, both flanks. | 1:20:18 | 1:20:20 | |
Field of fire 200 yards. | 1:20:20 | 1:20:22 | |
Venture and Vindictive have fallen. | 1:20:22 | 1:20:24 | |
So far, so good. | 1:20:24 | 1:20:26 | |
So far, so good? | 1:20:26 | 1:20:30 | |
So far, so good, yeah? | 1:20:30 | 1:20:32 | |
We'll get you out of here soon. | 1:20:32 | 1:20:36 | |
You're OK. OK. | 1:20:40 | 1:20:43 | |
-You're all right. -Yeah. | 1:20:43 | 1:20:47 | |
OK. | 1:20:47 | 1:20:49 | |
Flare sighted, SOS. | 1:20:56 | 1:20:58 | |
Devil's left flank under counter-attack, sir. | 1:20:58 | 1:21:01 | |
Get me 8th Battalion. | 1:21:01 | 1:21:02 | |
Line's down, sir. | 1:21:04 | 1:21:06 | |
-Something's wrong. -What? | 1:21:12 | 1:21:14 | |
Second flare sighted. Left flank, 8th. | 1:21:17 | 1:21:20 | |
3rd SOS flare sighted, left flank. | 1:21:20 | 1:21:23 | |
The 8th is taking a beating, sir. | 1:21:23 | 1:21:25 | |
-Is your company ready? -Yes, sir. | 1:21:25 | 1:21:27 | |
All right, Major. In you go. Give 'em hell. | 1:21:27 | 1:21:30 | |
There's a runner headed this way. | 1:21:33 | 1:21:35 | |
Shit. All right, this is it, boys! | 1:21:35 | 1:21:39 | |
We're going in! Check your gear! | 1:21:39 | 1:21:41 | |
You don't need this, | 1:21:43 | 1:21:46 | |
and you don't need this, | 1:21:46 | 1:21:48 | |
and you don't need this coat. | 1:21:48 | 1:21:50 | |
Where are you going? | 1:21:51 | 1:21:52 | |
Don't leave me. Jesus, please, don't leave me. | 1:21:52 | 1:21:56 | |
It's OK. I'm right here. | 1:21:59 | 1:22:02 | |
The Devils are being hammered, sir. There's a crack in the line. | 1:22:04 | 1:22:08 | |
Reload! God damn it! | 1:22:15 | 1:22:17 | |
Where's the fucking relief? | 1:22:17 | 1:22:19 | |
If you can get past the mud, the country's quite beautiful, no? | 1:22:25 | 1:22:29 | |
Would you kindly shut up? | 1:22:29 | 1:22:31 | |
-Hey, is that a hawk? -No, it's a kestrel. | 1:22:31 | 1:22:35 | |
-What the hell's a kestrel? -It's a hawk. | 1:22:35 | 1:22:38 | |
We need some relief! | 1:22:42 | 1:22:44 | |
Aaah! | 1:22:44 | 1:22:46 | |
-Incoming! -Here comes the relief! -It's here! | 1:22:53 | 1:22:56 | |
Relief's here! | 1:22:56 | 1:22:58 | |
It's coming, boy! It's coming! | 1:23:00 | 1:23:02 | |
Company commander. Where is he? | 1:23:02 | 1:23:04 | |
Dead. All dead. Everyone with a stripe is down. | 1:23:04 | 1:23:06 | |
-Where the hell are you going? -I've had the shit kicked out of me for eight straight hours, sir! | 1:23:06 | 1:23:11 | |
-You will not leave this position! -Sorry. | 1:23:11 | 1:23:13 | |
-Hey! -Hey! Hey! Come on! | 1:23:13 | 1:23:15 | |
You can't leave us strung out here! You're 800. We're just a company. 60 guys. | 1:23:15 | 1:23:19 | |
-You want me to stay, you're going to have to shoot me. -Beat it! | 1:23:19 | 1:23:24 | |
Where are you going? | 1:23:28 | 1:23:29 | |
-What the hell's going on? -Don't leave! | 1:23:29 | 1:23:33 | |
Get back here! | 1:23:33 | 1:23:35 | |
HQ. Little Black Devils pulling out. | 1:23:35 | 1:23:37 | |
Situation critical. Stress. Critical. | 1:23:37 | 1:23:40 | |
The Alleymen are regrouping. | 1:23:58 | 1:24:00 | |
-I see them. -They're going to counterattack. | 1:24:00 | 1:24:03 | |
We don't have enough guys! Fuck! | 1:24:03 | 1:24:05 | |
We got what we got. | 1:24:15 | 1:24:17 | |
Two to a crater! | 1:24:17 | 1:24:19 | |
Horne, Miles, to my right! Lewis gunners on the flanks! | 1:24:19 | 1:24:22 | |
-Let's move. -Go! Go! | 1:24:22 | 1:24:25 | |
Two down there. | 1:24:25 | 1:24:26 | |
-Get her down. Get her down. -Let's go! | 1:24:29 | 1:24:31 | |
-Nothing from 'A' Company? -Still down, sir. | 1:24:31 | 1:24:33 | |
-British Third Brigade is stalled. Fusiliers are being routed. -Rout them all to hell. | 1:24:33 | 1:24:37 | |
Black Devils have pulled out. Our flank will be open, sir. | 1:24:37 | 1:24:39 | |
-And our whole fucking line will collapse. Follow me. I want to talk to the Devils. -Yes, sir. | 1:24:39 | 1:24:44 | |
Hey. | 1:25:03 | 1:25:05 | |
Enemy target marker! | 1:25:07 | 1:25:09 | |
Hold it! | 1:25:09 | 1:25:11 | |
That's a second marker! | 1:25:11 | 1:25:12 | |
Hey. | 1:25:15 | 1:25:17 | |
Thanks. | 1:25:22 | 1:25:24 | |
Bring on the hell. | 1:25:24 | 1:25:25 | |
Here come the guns! | 1:25:27 | 1:25:29 | |
-What are you doing? -My gun's stuck! Fuck! | 1:25:47 | 1:25:51 | |
Horne? | 1:25:51 | 1:25:53 | |
Christ! | 1:25:53 | 1:25:55 | |
Steady! Hold it! | 1:26:07 | 1:26:10 | |
Hold it! | 1:26:10 | 1:26:11 | |
Can't shoot me. | 1:26:18 | 1:26:20 | |
-Too fucking many of them! -Hold it! | 1:26:25 | 1:26:27 | |
-They're awfully close, Sergeant. -Steady! | 1:26:27 | 1:26:31 | |
Mon tabernac! | 1:26:31 | 1:26:33 | |
Steady! Steady! | 1:26:35 | 1:26:38 | |
You fuck, fucking, fuckers. | 1:26:38 | 1:26:39 | |
Come on, come on. | 1:26:39 | 1:26:41 | |
Come on, come on. | 1:26:44 | 1:26:46 | |
NOW! | 1:26:46 | 1:26:49 | |
Fuck! Fuck! Fuck! Fuck! | 1:27:19 | 1:27:21 | |
They're fucking on top of us! | 1:27:23 | 1:27:25 | |
Hey, we're up! We're up! | 1:27:27 | 1:27:30 | |
Allez, allez, allez! | 1:27:30 | 1:27:31 | |
I sent you a support company - 60 men. | 1:27:38 | 1:27:40 | |
You pulled out a whole fucking battalion? Jesus Christ! | 1:27:40 | 1:27:43 | |
Sir. 60 men? It's impossible. | 1:27:43 | 1:27:46 | |
They'll be overrun. Then we'll be overrun. We have to withdraw! | 1:27:46 | 1:27:49 | |
We don't withdraw a fucking inch! | 1:27:49 | 1:27:51 | |
We don't give ground, we don't lose an objective and we don't give up a single gun! | 1:27:51 | 1:27:55 | |
But, Colonel, if the enemy breaks through, we'll be in danger! | 1:27:55 | 1:27:58 | |
Lieutenant Hanson, you're acting 2IC. | 1:28:03 | 1:28:06 | |
Let's go. | 1:28:06 | 1:28:07 | |
Here we go. | 1:28:11 | 1:28:13 | |
Come on! | 1:28:48 | 1:28:50 | |
God damn it! The whole battalion! | 1:29:34 | 1:29:37 | |
-'When do you want this order for, sir?' -NOW! | 1:29:37 | 1:29:39 | |
Every last one of them! Get them in there now! | 1:29:39 | 1:29:42 | |
All eyes here! They're piling up out there. | 1:29:42 | 1:29:45 | |
So all personnel not immediately engaged report outside for triage. | 1:29:45 | 1:29:48 | |
Shoot! | 1:30:07 | 1:30:11 | |
God damn it! | 1:30:11 | 1:30:13 | |
Shoot the god damn rifle! | 1:30:16 | 1:30:18 | |
Form up! | 1:30:28 | 1:30:30 | |
Form up! Let's move! | 1:30:30 | 1:30:33 | |
Hold the line! Hold that line! | 1:30:33 | 1:30:36 | |
They're turning. Up and down the line. | 1:30:41 | 1:30:44 | |
Yeah, they'll be back. Load up. | 1:30:44 | 1:30:46 | |
Reload! Reload! | 1:30:46 | 1:30:49 | |
Reload! | 1:30:49 | 1:30:50 | |
-Sound off! Miles? -Dead. | 1:31:06 | 1:31:08 | |
-Cahill? -Dead. | 1:31:08 | 1:31:10 | |
-Horne? -Really dead. | 1:31:10 | 1:31:11 | |
Mann? | 1:31:11 | 1:31:13 | |
David Mann? | 1:31:16 | 1:31:19 | |
David Mann? | 1:31:27 | 1:31:29 | |
-Nein, nein. -Deutsch? | 1:31:29 | 1:31:31 | |
Nein Deutsch. N-n-n-talk Deutsch. | 1:31:31 | 1:31:35 | |
Artillerie! | 1:31:35 | 1:31:36 | |
Jeez! | 1:31:48 | 1:31:49 | |
What are you doing, Mikey? | 1:32:02 | 1:32:05 | |
-Cover fire! -Covering fire! | 1:32:10 | 1:32:13 | |
Come on. Come on. | 1:32:16 | 1:32:19 | |
Get your asses moving! | 1:37:09 | 1:37:12 | |
Set him down. Set him down. | 1:37:14 | 1:37:16 | |
You're OK. | 1:37:16 | 1:37:18 | |
You made it. You're OK. | 1:37:18 | 1:37:20 | |
Hey, they're forming up! | 1:37:20 | 1:37:21 | |
-Give me some morphine. -Don't we get any fucking relief? | 1:37:21 | 1:37:25 | |
Sarge, here. | 1:37:25 | 1:37:26 | |
-You need some water. -Anybody got ammunition? | 1:37:26 | 1:37:29 | |
-I'm out. -Spent. -Ah, here they come again! We need some relief! Damn it! | 1:37:29 | 1:37:32 | |
It's battalion! They're here! | 1:37:32 | 1:37:35 | |
-Here come the relief! -The whole god damn battalion's here! | 1:37:35 | 1:37:37 | |
Stretcher-bearers! Both these men! | 1:37:37 | 1:37:39 | |
Battalion's in line, sir, and the line is holding. | 1:38:01 | 1:38:04 | |
Objectives are secure. | 1:38:04 | 1:38:05 | |
Aid posts reporting still more wounded en route, | 1:38:05 | 1:38:08 | |
so let's make room for 'em. | 1:38:08 | 1:38:10 | |
We did it, by the way. We took Passchendaele. | 1:38:10 | 1:38:13 | |
Nurse, I need an assessment over there. | 1:38:39 | 1:38:41 | |
He's OK. | 1:38:53 | 1:38:55 | |
David's OK. | 1:38:55 | 1:38:56 | |
Look at you. | 1:39:00 | 1:39:03 | |
Yeah, look at me, all broken up like this. | 1:39:03 | 1:39:07 | |
-I think maybe you're forgetting the rule. -Mm-hm. | 1:39:07 | 1:39:13 | |
No, I'm just trying to finish that picture. | 1:39:15 | 1:39:19 | |
But I don't think I'm all that good at these pictures, so... | 1:39:19 | 1:39:23 | |
maybe, maybe this man could just write to her? | 1:39:23 | 1:39:26 | |
And will he? | 1:39:28 | 1:39:30 | |
Yes, Sarah. He will. | 1:39:30 | 1:39:33 | |
He'll sit at this little table, | 1:39:33 | 1:39:36 | |
and what he'll write is, | 1:39:36 | 1:39:39 | |
"In this picture, there is a river | 1:39:41 | 1:39:43 | |
"and there is a horse... | 1:39:43 | 1:39:45 | |
"..and there is a man sitting that horse, | 1:39:47 | 1:39:49 | |
"and together, they ford that river." | 1:39:49 | 1:39:53 | |
"And all these things are in the foothills." | 1:39:57 | 1:40:01 | |
I think you're forgetting the rule. | 1:40:03 | 1:40:05 | |
No, I'm going to cross that river. | 1:40:05 | 1:40:10 | |
Michael, don't... | 1:40:10 | 1:40:12 | |
Cos I have you. | 1:40:12 | 1:40:15 | |
Mike. | 1:40:21 | 1:40:24 | |
# After the guns are silent | 1:42:56 | 1:43:01 | |
# After your wounds have healed | 1:43:01 | 1:43:05 | |
# After those crosses | 1:43:05 | 1:43:09 | |
# Have been planted in all those fields | 1:43:09 | 1:43:14 | |
# After that long boat ride | 1:43:14 | 1:43:18 | |
# All the way across the sea | 1:43:18 | 1:43:24 | |
# And after this train | 1:43:24 | 1:43:28 | |
# Carries me | 1:43:28 | 1:43:32 | |
# I will love you | 1:43:33 | 1:43:37 | |
# After the war | 1:43:37 | 1:43:42 | |
# Love you | 1:43:42 | 1:43:44 | |
# For always | 1:43:44 | 1:43:46 | |
# Forever more | 1:43:46 | 1:43:51 | |
# I will love you | 1:43:51 | 1:43:57 | |
# After the war | 1:43:57 | 1:44:00 | |
# Forever | 1:44:00 | 1:44:02 | |
# For always | 1:44:02 | 1:44:04 | |
# And more | 1:44:04 | 1:44:08 | |
# I will love you | 1:44:10 | 1:44:15 | |
# After the war | 1:44:15 | 1:44:19 | |
# I love you | 1:44:19 | 1:44:22 | |
# For always | 1:44:22 | 1:44:25 | |
# Forever more | 1:44:25 | 1:44:29 | |
# I will love you | 1:44:29 | 1:44:33 | |
# After the war | 1:44:34 | 1:44:38 | |
# Forever | 1:44:38 | 1:44:40 | |
# For always | 1:44:40 | 1:44:43 | |
# And more. # | 1:44:43 | 1:44:50 | |
Subtitles by Red Bee Media Ltd | 1:44:50 | 1:44:53 |