
Browse content similar to Perfect Sense. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This film contains very srong language | 0:00:20 | 0:00:32 | |
WOMAN: There is darkness... | 0:00:55 | 0:00:57 | |
..and there is light. | 0:01:02 | 0:01:04 | |
There are men and women. | 0:01:20 | 0:01:22 | |
There's food. | 0:01:26 | 0:01:27 | |
There are restaurants. | 0:01:34 | 0:01:37 | |
Disease. | 0:01:41 | 0:01:43 | |
There's work. | 0:01:50 | 0:01:53 | |
Traffic. | 0:01:59 | 0:02:01 | |
The days as we know them. | 0:02:04 | 0:02:06 | |
The world as we imagine the world. | 0:02:10 | 0:02:13 | |
Hey. | 0:02:32 | 0:02:34 | |
Hey. | 0:02:37 | 0:02:39 | |
How would you feel about heading home? | 0:02:45 | 0:02:48 | |
I've only just fallen asleep. | 0:02:50 | 0:02:52 | |
Well, you have, I haven't. | 0:02:52 | 0:02:55 | |
I have a tough time sleeping with someone else in the bed. | 0:02:56 | 0:02:59 | |
Are you kicking me out? | 0:03:02 | 0:03:04 | |
I have to go to work soon anyway. | 0:03:04 | 0:03:06 | |
We dance and drink all night, we go back to your place, you fuck me | 0:03:07 | 0:03:11 | |
and now you wake me up and kick me out? | 0:03:11 | 0:03:13 | |
I can't sleep with another person in the bed. | 0:03:13 | 0:03:15 | |
-That's funny. -That's just the way it is. | 0:03:17 | 0:03:20 | |
CRY OF SEAGULLS | 0:03:24 | 0:03:26 | |
I didn't know you'd started smoking again. | 0:03:28 | 0:03:30 | |
What do you feel like doing? | 0:03:42 | 0:03:44 | |
Throwing stones. | 0:03:45 | 0:03:47 | |
At what? | 0:03:49 | 0:03:50 | |
Seagulls. | 0:03:53 | 0:03:55 | |
Sweetheart. | 0:04:02 | 0:04:04 | |
-You'll find someone. -Shut up and throw. | 0:04:07 | 0:04:09 | |
I suppose I should go back to work. | 0:04:24 | 0:04:26 | |
Come on. | 0:04:31 | 0:04:33 | |
Poor baby. | 0:04:33 | 0:04:35 | |
Lebanon? | 0:05:24 | 0:05:26 | |
Morocco. | 0:05:28 | 0:05:30 | |
Morocco. | 0:05:31 | 0:05:33 | |
Now that's funny. | 0:05:38 | 0:05:41 | |
-What's funny? -Seeing you today. | 0:05:41 | 0:05:45 | |
Hilarious. | 0:05:45 | 0:05:46 | |
Come with me for a minute, will you? They want us at the hospital. | 0:05:46 | 0:05:49 | |
Aren't you going to ask why I haven't been to work? | 0:05:51 | 0:05:53 | |
-Well, you've been sick. -Not sick, just unhappy. | 0:05:53 | 0:05:57 | |
Well, it's the same thing. | 0:05:59 | 0:06:01 | |
Unhappy on account of a man. | 0:06:01 | 0:06:03 | |
No kidding? | 0:06:03 | 0:06:06 | |
So what are we wanted for? | 0:06:06 | 0:06:08 | |
Er, to see a patient. | 0:06:08 | 0:06:10 | |
-Why? -What's going on? | 0:06:10 | 0:06:12 | |
Well, we're just going to find out. | 0:06:12 | 0:06:14 | |
-You know he's really pissed off in there. -Excuse me. | 0:06:14 | 0:06:17 | |
When can I take him back home? | 0:06:17 | 0:06:18 | |
Oh, well, we just need to talk to him, so... | 0:06:20 | 0:06:22 | |
-He needs to explain it all again? -Well... | 0:06:22 | 0:06:25 | |
Look. Look, listen. | 0:06:25 | 0:06:26 | |
He called me up, right, and he told me he was coming home... | 0:06:26 | 0:06:29 | |
and then all of a sudden his voice breaks and he bursts into tears. | 0:06:29 | 0:06:34 | |
Mm-hm. | 0:06:34 | 0:06:35 | |
And then he starts telling me that he doesn't see any meaning to life. | 0:06:35 | 0:06:39 | |
I mean, he's not usually like that. He's a truck driver. | 0:06:39 | 0:06:42 | |
OK. | 0:06:42 | 0:06:43 | |
And then he pulls over at the side and says he's fine again. | 0:06:43 | 0:06:46 | |
-Except, he cannae smell any more. -He can't smell any more? | 0:06:46 | 0:06:50 | |
Well, I told him to find a hospital | 0:06:50 | 0:06:53 | |
because, you know, that isn't normal, is it? | 0:06:53 | 0:06:55 | |
Hello, er... Donald. | 0:07:05 | 0:07:08 | |
Stephen Montgomery here again. | 0:07:08 | 0:07:10 | |
-Hi, I'm Susan. -Hello, Stephen. Hello, Susan. | 0:07:15 | 0:07:18 | |
-You can't smell any more? -That's right, Susan. | 0:07:19 | 0:07:22 | |
I can't smell any more. | 0:07:22 | 0:07:23 | |
But is your mood back to normal? | 0:07:23 | 0:07:26 | |
I've been sitting here for nearly 11 hours. My mood is not great. | 0:07:26 | 0:07:29 | |
But you don't feel any discomfort other than a lack of smell? | 0:07:31 | 0:07:34 | |
No, Susan. | 0:07:34 | 0:07:35 | |
And has anybody else in your family or at work had similar experiences? | 0:07:35 | 0:07:39 | |
I haven't got a clue cos I'm sitting here, aren't I? | 0:07:39 | 0:07:42 | |
-What do you want from me? -I just want your opinion. | 0:07:47 | 0:07:50 | |
I'm an epidemiologist, Stephen. So why am I talking to this guy? | 0:07:50 | 0:07:54 | |
Cos we've got seven more just like him in Aberdeen. | 0:07:54 | 0:07:57 | |
Five in Dundee. | 0:07:57 | 0:07:58 | |
11 right here in Glasgow. 18 in Edinburgh. | 0:07:58 | 0:08:02 | |
There's over 100 reported cases in England. | 0:08:02 | 0:08:04 | |
They've got them in France, Belgium, Italy, Spain. | 0:08:04 | 0:08:08 | |
They've all appeared in the last 24 hours. | 0:08:09 | 0:08:12 | |
How were they infected? | 0:08:16 | 0:08:18 | |
I'm not sure they are. | 0:08:18 | 0:08:20 | |
Meaning? | 0:08:20 | 0:08:23 | |
Well, all the early indications suggest no connection between them at all. | 0:08:23 | 0:08:28 | |
No contact. No pattern. Nothing. | 0:08:28 | 0:08:30 | |
GLASS MUTES VOICE | 0:08:31 | 0:08:33 | |
Is my wife still out there? Let me speak to my wife. | 0:08:36 | 0:08:39 | |
Please, let me speak to my wife. | 0:08:39 | 0:08:41 | |
GLASS MUTES VOICE | 0:08:44 | 0:08:46 | |
-STEPHEN: -Maybe it'll just go away. | 0:08:49 | 0:08:51 | |
-So we won't panic. -Hm. | 0:08:56 | 0:08:58 | |
CHATTER AND LAUGHTER | 0:09:01 | 0:09:03 | |
Michael, that's a table of 12 just sat down. | 0:09:07 | 0:09:10 | |
-Where are they, at the bar? -Yeah. | 0:09:10 | 0:09:11 | |
Where's that lobster and haggis? I need that right now. | 0:09:11 | 0:09:15 | |
-That's table five, mains. -You're an arsehole. | 0:09:15 | 0:09:17 | |
-What's the matter with you? -What? | 0:09:17 | 0:09:19 | |
-Those starters for table seven... -That girl was such a sweetheart. | 0:09:19 | 0:09:22 | |
-What girl? -"What girl?" | 0:09:22 | 0:09:24 | |
You just fucked her and dumped her, didn't you? | 0:09:24 | 0:09:26 | |
-Poor little baby. -Theresa, where's those salads? | 0:09:26 | 0:09:29 | |
OK, one oysters, one soup, an antipasti, two duck and a steak rare. | 0:09:29 | 0:09:33 | |
Yes, Chef. | 0:09:33 | 0:09:34 | |
I'd have made her breakfast. | 0:09:36 | 0:09:38 | |
Strawberries, heated the milk for her coffee. | 0:09:38 | 0:09:40 | |
But they don't want to fuck the nice guy. They want to fuck the arsehole. | 0:09:40 | 0:09:43 | |
-Next two checks at the same time. -Yes, Chef. | 0:09:43 | 0:09:46 | |
How about those ravioli, boys? How long on those? | 0:09:46 | 0:09:48 | |
-Three minutes, Chef. -Right, right, right. | 0:09:48 | 0:09:51 | |
-Chef. -OK, how do we know it's fresh? | 0:09:51 | 0:09:53 | |
-We smell it? -No, check the eyes. | 0:09:53 | 0:09:55 | |
They should be clear. The gills should be red. | 0:09:55 | 0:09:57 | |
-It should be firm. -And the smell? Fishy? | 0:09:57 | 0:09:59 | |
It can smell fishy. But if it does, it's not fresh. | 0:09:59 | 0:10:01 | |
It should smell like the sea. Does it smell like the sea? | 0:10:01 | 0:10:04 | |
-Mostly smells of fish. -Get me another fucking sea bass. | 0:10:04 | 0:10:07 | |
One day. | 0:10:09 | 0:10:11 | |
One day, son, you'll be in love. | 0:10:12 | 0:10:15 | |
And you'll be miserable. Table seven. That's your karma. | 0:10:16 | 0:10:19 | |
-Hot pot! -Truly in love and miserable. | 0:10:19 | 0:10:22 | |
Richard, I need that pot back! | 0:10:22 | 0:10:24 | |
Richard! | 0:10:24 | 0:10:25 | |
PHONE BUZZES | 0:10:49 | 0:10:51 | |
-Hi, Jen. -'Hi, sweetheart.' | 0:10:56 | 0:10:58 | |
Really? | 0:11:00 | 0:11:02 | |
-'Do you want to come with me?' -Of course I do. | 0:11:04 | 0:11:06 | |
'Great.' | 0:11:06 | 0:11:07 | |
'I can find someone else if you're busy.' | 0:11:21 | 0:11:23 | |
Don't worry, it might not be that serious. | 0:11:23 | 0:11:25 | |
I'll call you as soon as I know more. | 0:11:25 | 0:11:27 | |
OK? WOLF WHISTLE > | 0:11:27 | 0:11:30 | |
You wouldn't happen to have a spare cigarette? | 0:11:30 | 0:11:32 | |
-I'm on the phone. -'Who's that you're talking to?' | 0:11:32 | 0:11:34 | |
Oh, nothing. It's just a guy asking for a cigarette. | 0:11:34 | 0:11:37 | |
-'OK, I better go.' -Yeah. | 0:11:37 | 0:11:39 | |
-'Bye.' -Hmm. | 0:11:39 | 0:11:41 | |
-OK, OK. Bye. -Have you got a light? | 0:11:41 | 0:11:43 | |
How about board and lodging, while we're at it? | 0:11:46 | 0:11:49 | |
Nah, I don't even know your name. | 0:11:49 | 0:11:51 | |
Do you have one, though? | 0:11:53 | 0:11:55 | |
Shit. | 0:11:56 | 0:11:59 | |
Oh, dear. | 0:11:59 | 0:12:02 | |
-I'm Michael. -I work in the restaurant there. | 0:12:02 | 0:12:05 | |
-All right, sailor. -I'm a chef. | 0:12:07 | 0:12:09 | |
Good for you. | 0:12:09 | 0:12:11 | |
Come on, guys. What have we got? | 0:12:14 | 0:12:16 | |
We've checked all the Scottish cases but have no obvious matches. | 0:12:16 | 0:12:19 | |
No proteins mutating, no prions, nothing. | 0:12:19 | 0:12:21 | |
There's nothing to say it's a virus. Nothing that matches anything we know. | 0:12:21 | 0:12:25 | |
But it's fair to say it isn't obviously contagious. | 0:12:25 | 0:12:28 | |
It's fair to say it's spreading. | 0:12:28 | 0:12:30 | |
OK. | 0:12:30 | 0:12:32 | |
Could be environmental, it could be a toxin we know nothing about. | 0:12:32 | 0:12:35 | |
It could be terrorism. | 0:12:35 | 0:12:37 | |
OK, so it's not a contagion. | 0:12:39 | 0:12:40 | |
I'll tell them... probably disappear in a short while and don't panic. | 0:12:40 | 0:12:45 | |
Maybe they put something in the water. | 0:12:45 | 0:12:47 | |
'Overwhelmed with grief. | 0:13:13 | 0:13:16 | |
'People are hit with all that they've lost. | 0:13:17 | 0:13:20 | |
'Lovers they never had. | 0:13:23 | 0:13:25 | |
'All the departed friends. | 0:13:29 | 0:13:31 | |
'They think of all the people they've hurt. | 0:13:34 | 0:13:37 | |
'First, overwhelmed with grief. | 0:13:53 | 0:13:55 | |
'And then no sense of smell. | 0:13:59 | 0:14:01 | |
'That's the disease. | 0:14:04 | 0:14:06 | |
'They call it Severe Olfactory Syndrome. | 0:14:13 | 0:14:15 | |
'SOS.' | 0:14:18 | 0:14:19 | |
-TV: -This is a cause for concern and requires a heightened state of alert. | 0:14:21 | 0:14:25 | |
But it's not a cause for alarm. | 0:14:27 | 0:14:29 | |
NEWS REPORTS IN VARIOUS LANGUAGES | 0:14:29 | 0:14:30 | |
We stand ready for the arrival | 0:14:33 | 0:14:34 | |
of the first confirmed case of infection... | 0:14:34 | 0:14:36 | |
The World Health Organisation's stepping to level five | 0:14:36 | 0:14:40 | |
doesn't automatically mean that the human race... | 0:14:40 | 0:14:43 | |
'They say it isn't contagious. | 0:15:03 | 0:15:05 | |
'But who dare believe that?' | 0:15:08 | 0:15:11 | |
Nothing. | 0:15:36 | 0:15:38 | |
Well, shall we call it a night? | 0:15:44 | 0:15:46 | |
I don't know what the fuck we should call it. | 0:15:46 | 0:15:48 | |
Let's go chase some pretty ladies, huh? | 0:15:48 | 0:15:50 | |
-You chase, I'll pick up the pieces. -I don't feel like it. | 0:15:50 | 0:15:52 | |
Come on. You want to watch that, Rich. | 0:15:52 | 0:15:55 | |
That's what happens when you have too much high-class fanny. | 0:15:55 | 0:15:58 | |
He's been gorging himself on Europe's finest. | 0:15:58 | 0:16:01 | |
-I'm going to get the Entonox quick! -What's that? | 0:16:01 | 0:16:03 | |
Entonox. Laughing gas. Saint Nitrous. | 0:16:03 | 0:16:06 | |
Patron saint of pastry chefs. | 0:16:06 | 0:16:08 | |
Richard, don't. It'll make you feel... | 0:16:08 | 0:16:10 | |
James, leave him alone. | 0:16:10 | 0:16:11 | |
-Ssh. -James. | 0:16:11 | 0:16:13 | |
-I recommend it for you especially, sir. -Put it back. | 0:16:13 | 0:16:15 | |
What? Wait, wait, wait, wait, wait. Stop, stop, stop. | 0:16:15 | 0:16:18 | |
Sniff my finger? | 0:16:18 | 0:16:21 | |
Yeah? I can smell that. Oranges. | 0:16:21 | 0:16:23 | |
Wrong. Balls. | 0:16:23 | 0:16:25 | |
Man down! Man down! | 0:16:26 | 0:16:27 | |
Quickly, evacuate! Evacuate! | 0:16:27 | 0:16:29 | |
-Goodnight. -See you later. | 0:16:31 | 0:16:33 | |
-See you later, boss. -Cheers, boys. | 0:16:33 | 0:16:35 | |
Goodnight. | 0:16:35 | 0:16:37 | |
-Keep smiling. -Goodnight, James. | 0:16:39 | 0:16:41 | |
-Got your own smokes tonight, sailor? -I'm still a chef. | 0:16:56 | 0:17:00 | |
My dad called everybody sailor. | 0:17:03 | 0:17:06 | |
He worked in the docks all his life. | 0:17:06 | 0:17:08 | |
He never went sailing anywhere, but he called everybody sailor. | 0:17:08 | 0:17:11 | |
All right. | 0:17:11 | 0:17:12 | |
Even people he didn't know. "Hello, sailor." "Goodbye, sailor." | 0:17:12 | 0:17:16 | |
Well, you can call me sailor, if you like. Or Michael. | 0:17:16 | 0:17:21 | |
When I was a child, I thought it was really embarrassing. | 0:17:21 | 0:17:24 | |
Now I'm doing it myself. | 0:17:24 | 0:17:26 | |
Are you hungry? | 0:17:27 | 0:17:29 | |
People aren't eating in restaurants these days and we've got a lot of spare food. | 0:17:31 | 0:17:35 | |
Hm. | 0:17:49 | 0:17:51 | |
This is... monkfish cheek. | 0:17:51 | 0:17:55 | |
Fish is my thing. | 0:17:57 | 0:17:59 | |
-Good? -Mmm. | 0:18:06 | 0:18:08 | |
Mm. | 0:18:11 | 0:18:12 | |
THEY LAUGH | 0:18:18 | 0:18:20 | |
-I'm a bit greedy when I eat. -Oh, that's all right. | 0:18:20 | 0:18:23 | |
I had a disorder when I was younger. | 0:18:23 | 0:18:25 | |
Just trying to catch up. | 0:18:25 | 0:18:27 | |
So what do you do... when you're not eating? | 0:18:32 | 0:18:35 | |
-Death and misery. -What? | 0:18:36 | 0:18:38 | |
I'm an epidemiologist. | 0:18:40 | 0:18:42 | |
I'll get you something sweet. | 0:18:44 | 0:18:46 | |
This is a mango jelly and chocolate macaroons. | 0:18:50 | 0:18:55 | |
And... | 0:18:56 | 0:18:57 | |
I didn't make these. | 0:19:00 | 0:19:01 | |
I can't remember what the fuck that's called, but it's got coconut in it. | 0:19:01 | 0:19:04 | |
God... | 0:19:06 | 0:19:08 | |
All that sailor stuff, it reminds me of him. | 0:19:09 | 0:19:11 | |
My dad. | 0:19:13 | 0:19:16 | |
I miss him so much. | 0:19:16 | 0:19:18 | |
We had so much fun together. He could always make me laugh. | 0:19:18 | 0:19:22 | |
Hey... Hey. | 0:19:22 | 0:19:23 | |
Let me get you... | 0:19:26 | 0:19:28 | |
Here. This is... This is clean. | 0:19:30 | 0:19:32 | |
Thank you. | 0:19:34 | 0:19:37 | |
OK. | 0:19:41 | 0:19:43 | |
SHE SOBS | 0:19:47 | 0:19:49 | |
Here, here. You're all right. | 0:19:52 | 0:19:54 | |
Do not stand so close. You never know. | 0:19:54 | 0:19:57 | |
-Oh, no, they say it's not contagious. -We don't know. | 0:19:57 | 0:20:00 | |
It's just something we tell people. | 0:20:00 | 0:20:02 | |
Look... Would you... Would you like me to take you back to your home? | 0:20:05 | 0:20:09 | |
Yeah? Come on. | 0:20:09 | 0:20:10 | |
You take the cloth. I'll get the... | 0:20:10 | 0:20:13 | |
Come on, come on. | 0:20:13 | 0:20:14 | |
RAIN FALLING | 0:20:14 | 0:20:16 | |
SHE SOBS | 0:20:21 | 0:20:23 | |
STIFLED SOBBING | 0:21:09 | 0:21:11 | |
HE SOBS | 0:21:32 | 0:21:34 | |
Oh... | 0:21:55 | 0:21:56 | |
-Hey. -It's gone. | 0:22:16 | 0:22:19 | |
The smell. | 0:22:20 | 0:22:22 | |
All gone. | 0:22:22 | 0:22:25 | |
Well, I think I'll... | 0:22:53 | 0:22:56 | |
That was a crazy evening. | 0:22:56 | 0:22:58 | |
Yeah. | 0:22:58 | 0:23:00 | |
CLICKS TONGUE | 0:23:27 | 0:23:29 | |
Good morning. | 0:23:29 | 0:23:31 | |
HE SNIFFS | 0:23:31 | 0:23:33 | |
Mmm. Well, it has its benefits. | 0:23:33 | 0:23:36 | |
Yep. HE SNIFFS | 0:23:37 | 0:23:39 | |
We were in the Algarve once, Maggie and me. | 0:23:44 | 0:23:46 | |
Came home, had a freezer full of food, there'd been a power cut. | 0:23:46 | 0:23:49 | |
Never smelt anything so disgusting in my life. | 0:23:49 | 0:23:52 | |
I'll never forget it. | 0:23:52 | 0:23:54 | |
Maybe you will. | 0:23:55 | 0:23:57 | |
Hm. | 0:23:59 | 0:24:01 | |
I've met someone. | 0:24:04 | 0:24:06 | |
-Oh, OK. -I'm pathetic. | 0:24:06 | 0:24:09 | |
Mm-hm. | 0:24:09 | 0:24:11 | |
I'm not even sure I like him. | 0:24:11 | 0:24:14 | |
OK. | 0:24:14 | 0:24:16 | |
I actually think he's a smooth arsehole. | 0:24:16 | 0:24:19 | |
Now... | 0:24:25 | 0:24:27 | |
It'll probably come back. | 0:24:28 | 0:24:31 | |
But at the moment our customers won't be able to smell, so... | 0:24:31 | 0:24:34 | |
It'll be like cooking for snotty-nosed people. | 0:24:34 | 0:24:37 | |
Bring out the big guns, all right? | 0:24:39 | 0:24:41 | |
Maybe a bit of saffron. | 0:24:42 | 0:24:45 | |
Oregano. | 0:24:52 | 0:24:53 | |
Richard, can you get me that green apple? | 0:24:56 | 0:24:59 | |
'Life goes on. | 0:25:02 | 0:25:04 | |
'The food becomes spicier... | 0:25:05 | 0:25:08 | |
'..saltier... | 0:25:08 | 0:25:10 | |
'more sweet... | 0:25:10 | 0:25:11 | |
'more sour. | 0:25:11 | 0:25:13 | |
'You get used to it. | 0:25:14 | 0:25:16 | |
'The greater loss are all the memories that are no longer triggered.' | 0:25:19 | 0:25:24 | |
Ooh-hoo! | 0:25:24 | 0:25:25 | |
'Smell and memory were connected in the brain. | 0:25:25 | 0:25:27 | |
'Cinnamon might have reminded you of your grandmother's apron. | 0:25:29 | 0:25:32 | |
'The scent of cut hay could evoke a childhood fear of cows. | 0:25:32 | 0:25:36 | |
'Diesel oil might bring back memories of your first ferry crossing. | 0:25:37 | 0:25:41 | |
'Without smell, an ocean of past images disappears.' | 0:25:43 | 0:25:47 | |
Whoa! | 0:26:10 | 0:26:11 | |
HE WHISTLES | 0:26:19 | 0:26:21 | |
WHISTLES AGAIN | 0:26:22 | 0:26:24 | |
I'm off work. | 0:26:28 | 0:26:31 | |
Congratulations. | 0:26:31 | 0:26:33 | |
-Are you OK? -Yeah. | 0:26:33 | 0:26:36 | |
Any more news on death and misery? | 0:26:36 | 0:26:39 | |
Not really. | 0:26:39 | 0:26:40 | |
I was a really good smeller. | 0:26:41 | 0:26:44 | |
-I bet you were. -I was. | 0:26:44 | 0:26:46 | |
Do you want a cigarette? | 0:26:47 | 0:26:49 | |
-No, thanks. -Something else, then? | 0:26:49 | 0:26:51 | |
-Like what? -Oh, er... are you hungry? | 0:26:52 | 0:26:55 | |
Nah. | 0:26:55 | 0:26:57 | |
I could cook you something special. | 0:26:57 | 0:27:00 | |
Or buy you a lollipop. | 0:27:00 | 0:27:02 | |
We could go for a coffee and eat apple pie and er... liquorice. | 0:27:02 | 0:27:05 | |
A glass of wine? | 0:27:06 | 0:27:08 | |
Some fresh air? | 0:27:09 | 0:27:10 | |
Come on. | 0:27:12 | 0:27:14 | |
VIOLIN MUSIC | 0:27:16 | 0:27:18 | |
My sister got married here a few years ago | 0:27:18 | 0:27:20 | |
and I came to stay for a month and... | 0:27:20 | 0:27:22 | |
-Met a guy. -And then a good job came up. | 0:27:23 | 0:27:26 | |
And now, ladies and gentlemen. | 0:27:26 | 0:27:28 | |
We'll call upon a new smell. | 0:27:28 | 0:27:30 | |
The scent of the forest after the spring rain. | 0:27:30 | 0:27:33 | |
We imagine the path underneath our feet. | 0:27:33 | 0:27:36 | |
We see the green moist colour surrounding us. | 0:27:36 | 0:27:41 | |
And we feel the wet branches against our faces. | 0:27:41 | 0:27:45 | |
And now imagine... | 0:27:48 | 0:27:51 | |
-Oh... -We pass between the trees. | 0:27:51 | 0:27:53 | |
-I'm not going on my own. Come on. -Oh, no. | 0:27:53 | 0:27:55 | |
And we begin drawing in the air. | 0:27:55 | 0:27:58 | |
Deep inside. | 0:27:58 | 0:28:00 | |
And enjoy the moment. | 0:28:00 | 0:28:02 | |
The humidity level is high. | 0:28:06 | 0:28:08 | |
PLAYS DRAMATIC TUNE | 0:28:08 | 0:28:09 | |
At the lower end there is the moss, the fungi, the rotten leaves. | 0:28:14 | 0:28:20 | |
The middle tone is the tall, fresh grass. | 0:28:25 | 0:28:29 | |
A crisp and almost invigorating scent. | 0:28:29 | 0:28:33 | |
PLUCKS HIGH NOTES | 0:28:33 | 0:28:35 | |
And at the top we feel not only the leaves and the rainwater, | 0:28:35 | 0:28:39 | |
but also the sky. | 0:28:39 | 0:28:41 | |
HIGH, RINGING NOTE | 0:28:41 | 0:28:43 | |
On a day like this... we can smell the sky itself. | 0:28:43 | 0:28:47 | |
MELLOW TUNE | 0:28:49 | 0:28:51 | |
What shall we do now? | 0:29:01 | 0:29:03 | |
Well, now you could invite me back to your place. | 0:29:06 | 0:29:08 | |
Don't know if I will. | 0:29:10 | 0:29:12 | |
Well, you... you can just start walking home... | 0:29:14 | 0:29:17 | |
..and I'll follow you. | 0:29:17 | 0:29:19 | |
SHE LAUGHS | 0:29:32 | 0:29:34 | |
Oh. THEY LAUGH | 0:30:05 | 0:30:07 | |
HE SNIFFS | 0:30:21 | 0:30:23 | |
Mm. | 0:30:27 | 0:30:28 | |
I should have made a bigger effort to sniff you | 0:30:28 | 0:30:31 | |
the first time we were lying here. | 0:30:31 | 0:30:33 | |
Mm. | 0:30:35 | 0:30:37 | |
A pity. | 0:30:37 | 0:30:39 | |
What do you want? | 0:30:46 | 0:30:48 | |
What do I want? | 0:30:49 | 0:30:51 | |
Yeah. | 0:30:52 | 0:30:54 | |
Well, soon I'd like to close my eyes and try and go to sleep. | 0:30:57 | 0:31:00 | |
Which is a big deal for me cos usually I... I can't sleep in bed with someone. | 0:31:02 | 0:31:06 | |
I need to be by myself. | 0:31:26 | 0:31:28 | |
OK? | 0:31:28 | 0:31:30 | |
-Now? -Now, yes. | 0:31:30 | 0:31:33 | |
You want me to leave? | 0:31:33 | 0:31:35 | |
I live here, so I guess you'll have to. | 0:31:35 | 0:31:38 | |
-Now? -Yes, please. | 0:31:38 | 0:31:40 | |
Did I say something wrong? | 0:31:42 | 0:31:45 | |
Ah... Let me give you my... card, | 0:32:06 | 0:32:10 | |
in case you want to, you know... call me or something. | 0:32:10 | 0:32:15 | |
You have a card? | 0:32:15 | 0:32:16 | |
I had a catering company that didn't do very well. | 0:32:16 | 0:32:20 | |
Not very many clients. Lots of cards. | 0:32:20 | 0:32:23 | |
You can call me. | 0:32:29 | 0:32:31 | |
My number's on there, and my address. | 0:32:31 | 0:32:34 | |
And I guess you know where I work, so... | 0:32:34 | 0:32:36 | |
DOOR BANGS | 0:32:44 | 0:32:46 | |
MAN: Repent, sinners! The day of the Lord is upon you. | 0:32:57 | 0:33:01 | |
Do you know that this is the day of the Lord? | 0:33:01 | 0:33:03 | |
The prophecy has been spoken. | 0:33:03 | 0:33:05 | |
Do you pray? Are you aware of your sins? | 0:33:05 | 0:33:09 | |
Come back and be aware. This is the day of the prophecy! | 0:33:09 | 0:33:12 | |
Hello. | 0:33:55 | 0:33:56 | |
No flowers? | 0:33:58 | 0:33:59 | |
She loved flowers, Michael. | 0:34:07 | 0:34:09 | |
Ian got married... | 0:34:24 | 0:34:27 | |
in a church with the full Monty. | 0:34:27 | 0:34:29 | |
Eugh! | 0:34:29 | 0:34:31 | |
Apparently, she's pregnant, his bride. | 0:34:31 | 0:34:34 | |
And what about this Michael? | 0:34:36 | 0:34:38 | |
What about him? | 0:34:40 | 0:34:42 | |
He sounds nice. | 0:34:42 | 0:34:44 | |
I don't know. | 0:34:44 | 0:34:46 | |
I usually pick arseholes. | 0:34:46 | 0:34:48 | |
Well, they can't all be arseholes. They just can't. | 0:34:49 | 0:34:52 | |
-I'm trying to take care of myself. -Right. | 0:34:53 | 0:34:55 | |
You do that a lot, don't you? | 0:34:57 | 0:34:59 | |
Fuck you, sailor! LAUGHS | 0:35:00 | 0:35:02 | |
CHILDREN CLAMOURING | 0:35:02 | 0:35:04 | |
Can I have sweets? | 0:35:04 | 0:35:07 | |
Let me see. | 0:35:07 | 0:35:09 | |
Hmm... | 0:35:09 | 0:35:10 | |
Ta-da! Whoo! | 0:35:11 | 0:35:14 | |
-What do you say? -One for you and one for you. | 0:35:14 | 0:35:18 | |
Not soap. | 0:35:18 | 0:35:20 | |
Big Soap. Big Soap. | 0:35:20 | 0:35:23 | |
Apparently, Big Tobacco and Big Fizzy Cola have formed this cartel | 0:35:23 | 0:35:29 | |
to start selling wait for it fruity flavoured oxygen. | 0:35:29 | 0:35:32 | |
In order to create a proper market for it, they've enlisted Big Soap. | 0:35:32 | 0:35:37 | |
Big Soap have flooded the environment with enough organophosphates | 0:35:37 | 0:35:41 | |
to temporarily disable your central nervous system. | 0:35:41 | 0:35:44 | |
That's why I've stopped washing... | 0:35:44 | 0:35:45 | |
in case you were wondering what the smell was. | 0:35:45 | 0:35:48 | |
You don't half talk some shite. | 0:35:49 | 0:35:51 | |
'Environmental groups are sure it's the start of an ecological apocalypse | 0:35:53 | 0:35:57 | |
'caused by pollution and genetically modified plants and hormones. | 0:35:57 | 0:36:01 | |
'Intelligence claims it's an attack on the free world. | 0:36:02 | 0:36:06 | |
'All indicators point to fundamentalists. | 0:36:06 | 0:36:08 | |
'The fundamentalists talk of God's punishment on a world of unbelievers... | 0:36:08 | 0:36:13 | |
'and promise that all pure people of the right faith | 0:36:13 | 0:36:15 | |
'will regain their sense of smell in the final days. | 0:36:15 | 0:36:18 | |
'Others talk of the degenerate capitalist system | 0:36:20 | 0:36:22 | |
'that has released a military virus to stimulate the economy. | 0:36:22 | 0:36:26 | |
'And there are other theories.' | 0:36:28 | 0:36:30 | |
SHOUTING | 0:36:52 | 0:36:53 | |
-STEPHEN: -Wake up. There is so much hatred in the world! | 0:36:58 | 0:37:02 | |
There's so much hatred! | 0:37:02 | 0:37:04 | |
-Easy. -So much hatred in the world! | 0:37:04 | 0:37:06 | |
-They're fucking plotting against us. -Stephen, calm down. | 0:37:06 | 0:37:10 | |
They want to blow us up. They want to destroy us. | 0:37:10 | 0:37:12 | |
Fucking so much... | 0:37:13 | 0:37:16 | |
-So much hatred. -Ssh, ssh. | 0:37:16 | 0:37:18 | |
There. | 0:37:19 | 0:37:21 | |
So many sharp edges. So many sharp edges. | 0:37:21 | 0:37:25 | |
-That's OK. -Sharp things. | 0:37:25 | 0:37:27 | |
I've just given him as much sedative as I dare. | 0:37:27 | 0:37:29 | |
-So many sharp edges. -It'll kick in in a second. | 0:37:29 | 0:37:32 | |
So many sharp edges. | 0:37:32 | 0:37:34 | |
-Normally so soft. We are so soft. -It's all right. | 0:37:34 | 0:37:36 | |
DISTANT SHOUTS | 0:37:51 | 0:37:53 | |
PANTING | 0:38:25 | 0:38:27 | |
Hey, are you all right? | 0:38:27 | 0:38:29 | |
I can't die alone. | 0:38:29 | 0:38:31 | |
I'm here with you. I'm Barbara. | 0:38:31 | 0:38:33 | |
I work in research. | 0:38:33 | 0:38:35 | |
-I've seen you in the canteen. -That's how it'll end. | 0:38:35 | 0:38:37 | |
Without anybody loving me. | 0:38:37 | 0:38:39 | |
Come on, now, just calm down. | 0:38:40 | 0:38:42 | |
What's your name? | 0:38:42 | 0:38:44 | |
Oh, no. | 0:38:44 | 0:38:46 | |
See, the thing is, your body, OK? | 0:38:46 | 0:38:48 | |
It betrays... It betrays itself. | 0:38:48 | 0:38:50 | |
-Stop, Michael. -No, no, listen. | 0:38:50 | 0:38:52 | |
Your body, it takes away the colour of your skin. | 0:38:52 | 0:38:54 | |
And... And betrays your... your spirit. | 0:38:54 | 0:38:57 | |
Michael, stop. | 0:38:57 | 0:38:58 | |
Can I get some water over here? | 0:38:58 | 0:39:01 | |
That's OK, it's OK. | 0:39:01 | 0:39:02 | |
Pissing and bleeding and fucking pus is coming out of your ear! | 0:39:02 | 0:39:06 | |
-There's no pus. -I've seen it. I've seen it! | 0:39:06 | 0:39:08 | |
At the end, you're all alone. | 0:39:08 | 0:39:10 | |
Don't say that. | 0:39:10 | 0:39:11 | |
You die on your own and it gets all dark. | 0:39:11 | 0:39:13 | |
It's not true! Don't say that! You're not on your own! | 0:39:13 | 0:39:16 | |
You're not on your own! | 0:39:16 | 0:39:18 | |
All your body, it turns... it turns to fucking soup. | 0:39:18 | 0:39:22 | |
'First the terror.' | 0:39:22 | 0:39:23 | |
Don't leave me. Don't leave me, Michael. | 0:39:23 | 0:39:26 | |
Don't leave me. | 0:39:26 | 0:39:28 | |
'And then a moment of hunger.' | 0:39:30 | 0:39:32 | |
Oh, my God. What's happened? | 0:39:32 | 0:39:34 | |
Oh, my God, what's happened? What's happening? | 0:39:34 | 0:39:37 | |
HORN BLARES | 0:40:16 | 0:40:18 | |
GROANS | 0:41:21 | 0:41:23 | |
'This is how the sense of taste disappears from our world. | 0:41:52 | 0:41:55 | |
'They don't even have time to give the disease a name. | 0:42:01 | 0:42:03 | |
DOG BARKS IN DISTANCE | 0:42:05 | 0:42:07 | |
Do you think we'll lose our other senses too? | 0:42:30 | 0:42:32 | |
Smell and taste are related. | 0:42:36 | 0:42:38 | |
They're the two chemical senses. | 0:42:38 | 0:42:39 | |
So the other ones might be all right, then? | 0:42:41 | 0:42:44 | |
They might. | 0:42:44 | 0:42:45 | |
Just have to wait and see. | 0:42:45 | 0:42:47 | |
That's right, sailor. | 0:42:48 | 0:42:50 | |
And what happens if you're wrong? | 0:42:56 | 0:42:58 | |
(Then we're fucked.) | 0:43:05 | 0:43:07 | |
Hey. | 0:44:48 | 0:44:50 | |
Hi. | 0:44:50 | 0:44:51 | |
It's still out there. | 0:44:53 | 0:44:55 | |
What is? | 0:44:56 | 0:44:58 | |
The world. | 0:44:58 | 0:45:00 | |
What can you see? | 0:45:01 | 0:45:03 | |
People. | 0:45:03 | 0:45:05 | |
What are they doing? | 0:45:05 | 0:45:08 | |
They're heading off to work. | 0:45:08 | 0:45:10 | |
What should we do? | 0:45:13 | 0:45:15 | |
We go to work as well. | 0:45:18 | 0:45:20 | |
Do we kiss each other first... | 0:45:24 | 0:45:26 | |
Maybe. | 0:45:28 | 0:45:29 | |
..Say we'd like to see each other again? | 0:45:32 | 0:45:34 | |
We probably do. | 0:45:35 | 0:45:37 | |
Maybe even this evening. | 0:45:37 | 0:45:39 | |
Maybe. | 0:45:46 | 0:45:47 | |
And are we looking forward to that? | 0:45:49 | 0:45:51 | |
Yes! | 0:45:52 | 0:45:53 | |
I may not even have a job any more. | 0:46:02 | 0:46:04 | |
Forget it, Michael, we're closed. We're closed. | 0:46:09 | 0:46:11 | |
We'll open again. | 0:46:11 | 0:46:13 | |
People can't smell, they can't taste. | 0:46:13 | 0:46:15 | |
They're going to buy flour and fat. | 0:46:17 | 0:46:19 | |
That's all you need to survive. | 0:46:19 | 0:46:21 | |
Take a hit on that. Go on. Go on. | 0:46:23 | 0:46:25 | |
Drink that. | 0:46:26 | 0:46:27 | |
Now, that is damned expensive brandy. | 0:46:27 | 0:46:29 | |
Damned, damned expensive. | 0:46:29 | 0:46:31 | |
But you might as well drink surgical spirit or sniff glue. | 0:46:31 | 0:46:34 | |
It doesn't matter. | 0:46:34 | 0:46:36 | |
Flour and fat. | 0:46:36 | 0:46:38 | |
-And yet it does matter. -There's no difference. | 0:46:38 | 0:46:40 | |
No, I think you're wrong. | 0:46:40 | 0:46:42 | |
Life goes on. | 0:46:42 | 0:46:44 | |
EXHALES HEAVILY | 0:46:48 | 0:46:50 | |
They'll come back. | 0:46:51 | 0:46:52 | |
People will ask each other out to dinner again. | 0:46:52 | 0:46:54 | |
They'll toast each other while we take care of their needs. | 0:46:54 | 0:46:57 | |
-Yeah, and serve them flour and fat. -No, anything but flour and fat. | 0:46:57 | 0:47:01 | |
We'll be all right. | 0:47:07 | 0:47:09 | |
'Slowly things return to normal and life goes on. | 0:47:30 | 0:47:34 | |
'People do what they did before as best they can.' | 0:47:39 | 0:47:41 | |
CRUNCHES | 0:47:52 | 0:47:54 | |
CRUNCHES | 0:47:58 | 0:48:00 | |
'Within a few weeks, taste becomes a distant memory. | 0:48:01 | 0:48:05 | |
'And different sensations take its place.. | 0:48:05 | 0:48:08 | |
BAGPIPES PLAY | 0:48:08 | 0:48:10 | |
SIGHS | 0:48:23 | 0:48:24 | |
'In restaurants, it's all about offering another person dinner, | 0:48:30 | 0:48:34 | |
'letting yourself be waited on, | 0:48:34 | 0:48:37 | |
'listening to the trickle of wine and the clink of glasses.' | 0:48:37 | 0:48:41 | |
"Not only has the food received special attention, | 0:48:47 | 0:48:49 | |
"but also the temperature of the food and its consistency. | 0:48:49 | 0:48:53 | |
"And we tried it all, | 0:48:53 | 0:48:54 | |
"from the freezing cold to the scorching hot. | 0:48:54 | 0:48:58 | |
"It was dry, it was moist, it was crisp, | 0:48:58 | 0:49:01 | |
"it was spongy, it was crunchy and it was all at the highest level, | 0:49:01 | 0:49:06 | |
"up to and including the dessert... | 0:49:06 | 0:49:08 | |
"a light pudding with caramelised knots and a bright orange sorbet, | 0:49:08 | 0:49:13 | |
"and a dark blue... dark blue coulis on blackberries and blackcurrant." | 0:49:13 | 0:49:17 | |
Chew on that. | 0:49:17 | 0:49:20 | |
Great. | 0:49:20 | 0:49:21 | |
Life goes on. | 0:49:21 | 0:49:23 | |
My dad let me shave him once. | 0:49:32 | 0:49:33 | |
I was eight. | 0:49:35 | 0:49:37 | |
I managed to do it without a single scratch. | 0:49:37 | 0:49:39 | |
I was very proud. | 0:49:41 | 0:49:44 | |
And then... | 0:49:44 | 0:49:45 | |
he went to the sink and he shaved himself all over again | 0:49:45 | 0:49:48 | |
as if I hadn't been there. | 0:49:48 | 0:49:50 | |
I was devastated. | 0:49:52 | 0:49:54 | |
Your turn. | 0:49:56 | 0:49:58 | |
LAUGHS | 0:50:02 | 0:50:03 | |
Here, try. It's soft. | 0:50:17 | 0:50:19 | |
-Mmm. -Yeah? | 0:50:22 | 0:50:24 | |
Mmm! Mmm. | 0:50:24 | 0:50:26 | |
-Want to go dancing? -Sure. | 0:50:31 | 0:50:33 | |
-And get drunk? -Sure. | 0:50:33 | 0:50:34 | |
-And smoke cigarettes? -Always. | 0:50:34 | 0:50:36 | |
-There's still pleasures in the world, eh? -Let's have them. All of them. | 0:50:36 | 0:50:39 | |
Here. | 0:50:39 | 0:50:41 | |
GIGGLES | 0:50:41 | 0:50:43 | |
-Oh! -HE LAUGHS | 0:50:51 | 0:50:53 | |
I got soap in my eye! | 0:51:01 | 0:51:03 | |
Let's play a game, sailor. | 0:51:17 | 0:51:19 | |
What game? | 0:51:19 | 0:51:21 | |
It's called, "Make me special". | 0:51:21 | 0:51:23 | |
What are the rules? | 0:51:23 | 0:51:25 | |
Only one. | 0:51:25 | 0:51:26 | |
Just tell me something. | 0:51:26 | 0:51:28 | |
Something...? | 0:51:28 | 0:51:30 | |
Something other people don't know about you. | 0:51:30 | 0:51:33 | |
-Something secret. -Like what? | 0:51:33 | 0:51:35 | |
My sister's got two kids and sometimes I hate them. | 0:51:42 | 0:51:46 | |
I can't have children. | 0:51:58 | 0:51:59 | |
My ovaries are crippled. | 0:52:05 | 0:52:07 | |
My eggs are no good. | 0:52:07 | 0:52:09 | |
Because of not eating. | 0:52:10 | 0:52:12 | |
I pretend that I'm not that into them, that I have an interesting job. | 0:52:16 | 0:52:19 | |
Anyway... | 0:52:23 | 0:52:24 | |
..I can't have them. | 0:52:26 | 0:52:28 | |
Your turn. | 0:52:34 | 0:52:35 | |
I had a girlfriend. | 0:52:40 | 0:52:42 | |
You don't get this game, do you? | 0:52:42 | 0:52:44 | |
No, we had erm... a wedding planned. | 0:52:44 | 0:52:47 | |
And she got sick. | 0:52:49 | 0:52:52 | |
She got really sick. | 0:52:52 | 0:52:55 | |
You could smell there was something wrong inside her, like something damp, | 0:52:55 | 0:52:59 | |
something from a basement. | 0:52:59 | 0:53:01 | |
I didn't stay with her. | 0:53:04 | 0:53:07 | |
I didn't look after her, I ran away. | 0:53:07 | 0:53:09 | |
I make myself go and visit her grave. | 0:53:13 | 0:53:15 | |
At first it was once a week and then maybe it was once a month | 0:53:15 | 0:53:18 | |
and now less. | 0:53:18 | 0:53:20 | |
I go there to feel guilty, you know? | 0:53:21 | 0:53:23 | |
I thought I would feel guilty for the rest of my life but... | 0:53:25 | 0:53:28 | |
..actually it's starting to fade. | 0:53:30 | 0:53:32 | |
-You're an arsehole? -I am. | 0:53:38 | 0:53:40 | |
It works. | 0:53:53 | 0:53:55 | |
It works. | 0:53:56 | 0:53:58 | |
You're making me yours. | 0:53:58 | 0:53:59 | |
-I'm an arsehole. -So am I. | 0:53:59 | 0:54:01 | |
A couple of arseholes. | 0:54:01 | 0:54:03 | |
Mr and Mrs Arsehole. | 0:54:04 | 0:54:06 | |
So this is the situation here in Bangkok, Thailand. | 0:54:30 | 0:54:34 | |
We call it Severe Hearing Loss Syndrome, | 0:54:34 | 0:54:36 | |
and we still do not know much about it. | 0:54:36 | 0:54:38 | |
Anger, rage, hate. | 0:54:38 | 0:54:40 | |
And then they go deaf. | 0:54:41 | 0:54:43 | |
And how does it spread? | 0:54:43 | 0:54:45 | |
I can't hear you very well, but I do not know what to do. Tell me what to do. | 0:54:49 | 0:54:53 | |
SOUND CUTS OUT AND DISTORTS | 0:54:53 | 0:54:54 | |
..standing there looking at me! | 0:54:54 | 0:54:56 | |
SOUND DISTORTION INCREASES | 0:54:56 | 0:54:58 | |
Why are you just looking at me? | 0:54:59 | 0:55:01 | |
DISTORTED SHOUTING | 0:55:01 | 0:55:03 | |
You help us now! | 0:55:03 | 0:55:05 | |
SOUNDS CUTS IN AND OUT | 0:55:05 | 0:55:07 | |
..help us now! | 0:55:07 | 0:55:09 | |
..send some help quick! | 0:55:09 | 0:55:12 | |
Send some help now! | 0:55:14 | 0:55:16 | |
I think it's OK to panic now. | 0:55:23 | 0:55:25 | |
'And that's basically what the world does. | 0:55:27 | 0:55:30 | |
'Severe Hearing Loss Syndrome. | 0:55:30 | 0:55:32 | |
'Spreads from Thailand, | 0:55:32 | 0:55:35 | |
'across India to China, | 0:55:35 | 0:55:37 | |
'Russia and beyond. | 0:55:37 | 0:55:39 | |
'Rage. | 0:56:14 | 0:56:15 | |
'Anger. | 0:56:15 | 0:56:16 | |
'Hatred. | 0:56:17 | 0:56:18 | |
'And then the loss of another sense. | 0:56:19 | 0:56:21 | |
'All the unaffected can do is wait.' | 0:56:30 | 0:56:33 | |
Ta-da. | 0:56:54 | 0:56:56 | |
-Can you still get film for those? -Yeah, I got some from my uncle. | 0:56:56 | 0:56:59 | |
CAMERA WHIRS | 0:56:59 | 0:57:01 | |
He was a collector. | 0:57:01 | 0:57:03 | |
What did he collect? | 0:57:03 | 0:57:06 | |
Polaroid cameras. | 0:57:06 | 0:57:08 | |
Here. | 0:57:10 | 0:57:12 | |
DISTANT SCREAMING | 0:57:17 | 0:57:19 | |
Incubation period is dropping all the time. It's down from 24 hours to about 11. | 0:57:30 | 0:57:34 | |
It's very aggressive. | 0:57:34 | 0:57:35 | |
-MOBILE RINGS -Yeah? | 0:57:35 | 0:57:37 | |
PAGER BLEEPS | 0:57:37 | 0:57:39 | |
Yeah, we stick with the 2006 plan. | 0:57:39 | 0:57:41 | |
-Stephen. -OK? | 0:57:41 | 0:57:44 | |
It's still valid. | 0:57:44 | 0:57:46 | |
Isolate the first ones, get ready for loads more. | 0:57:46 | 0:57:48 | |
They're saying a child was born in Berlin with all its senses. | 0:57:49 | 0:57:53 | |
There might be a chance of antibodies. | 0:57:53 | 0:57:55 | |
DISTANT SIRENS | 0:57:59 | 0:58:00 | |
-What's going on? -Somebody's infected on the third floor. | 0:58:00 | 0:58:03 | |
-They sealed it off. -Who owns this restaurant? | 0:58:03 | 0:58:05 | |
-Me. -You're shutting down. | 0:58:05 | 0:58:08 | |
-Give me a fucking break. -Everywhere is shutting down. | 0:58:08 | 0:58:11 | |
The council wants to hire you and your staff to cook for the quarantined. | 0:58:11 | 0:58:14 | |
Thousands are holed up in their homes, sports arenas. | 0:58:14 | 0:58:16 | |
They all need to be fed three times a day. | 0:58:16 | 0:58:18 | |
-Here's your menu and budget. -Municipal food? | 0:58:18 | 0:58:21 | |
Other restaurants will do it. If you don't want the job, just say no. | 0:58:21 | 0:58:24 | |
-That's all I need to hear, a no. -Aye, all right. We'll do it. | 0:58:24 | 0:58:27 | |
Aye, very moving. You'll have us in tears in a minute. | 0:58:27 | 0:58:31 | |
-Fuck you. -We're just trying to do our jobs. | 0:58:31 | 0:58:32 | |
-We're trying to keep things working. -Bouillon and fusilli? | 0:58:32 | 0:58:36 | |
-Make sure that pasta's al dente. -Fat and flour. | 0:58:36 | 0:58:39 | |
Fat and fucking flour. | 0:58:39 | 0:58:40 | |
POLICE RADIO IN DISTANCE | 0:58:52 | 0:58:54 | |
You're homeless. | 0:59:14 | 0:59:16 | |
Shit. | 0:59:16 | 0:59:17 | |
TANNOY: Stay away from anyone showing symptoms of aggression. | 0:59:17 | 0:59:20 | |
You can choose between a gym full of those not infected | 0:59:22 | 0:59:25 | |
out behind the bus station, or you can come home with me. | 0:59:25 | 0:59:28 | |
Tough one. | 0:59:30 | 0:59:31 | |
WOMAN SCREAMS | 0:59:33 | 0:59:35 | |
What? | 0:59:48 | 0:59:50 | |
CHURCH BELL CHIMES | 0:59:57 | 0:59:59 | |
Stay away from people showing symptoms of aggression. | 0:59:59 | 1:00:02 | |
MAN SHOUTING | 1:00:05 | 1:00:07 | |
WOMAN SCREAMS | 1:00:09 | 1:00:11 | |
CHIMES CONTINUE, DOG BARKS IN DISTANCE | 1:00:15 | 1:00:18 | |
BABY CRIES | 1:00:22 | 1:00:24 | |
CACOPHONY OF STREET SOUNDS MINGLING | 1:00:32 | 1:00:34 | |
EXHALES HEAVILY | 1:00:51 | 1:00:53 | |
BOTH LAUGH | 1:00:53 | 1:00:55 | |
Oh, Jesus. | 1:01:01 | 1:01:03 | |
So all of a sudden, we're living together. | 1:01:26 | 1:01:29 | |
Yeah. | 1:01:29 | 1:01:30 | |
Mr and Mrs Arsehole. | 1:01:30 | 1:01:32 | |
Hmm. | 1:01:32 | 1:01:33 | |
We could play "make me special" games. | 1:01:35 | 1:01:38 | |
We could play at lovers. | 1:01:39 | 1:01:41 | |
And we could fuck. | 1:01:42 | 1:01:44 | |
But you're just like all the others. | 1:01:48 | 1:01:50 | |
Don't you think that you matter, cos you don't. | 1:01:51 | 1:01:54 | |
You're nothing. | 1:01:54 | 1:01:55 | |
You are just passing time. | 1:01:55 | 1:01:57 | |
It's not difficult to understand. | 1:01:57 | 1:01:59 | |
It's just fucking. | 1:01:59 | 1:02:01 | |
And eating. And fat and flour. | 1:02:01 | 1:02:04 | |
You go out there, you lie down on your back and spread your legs. | 1:02:04 | 1:02:09 | |
Or take your profound conversations and your emotions and fuck off. | 1:02:09 | 1:02:13 | |
You're just a pair of ears and a mouth, | 1:02:15 | 1:02:17 | |
an arsehole and a cunt. | 1:02:17 | 1:02:19 | |
It might surprise you to know this but everyone else has that too. | 1:02:19 | 1:02:22 | |
A pair of ears and an arsehole. | 1:02:22 | 1:02:25 | |
Fat and fucking flour. | 1:02:25 | 1:02:27 | |
Nothing special about this one, | 1:02:27 | 1:02:29 | |
except that she's infertile. | 1:02:29 | 1:02:31 | |
Fat and flour. Fat and flour! | 1:02:31 | 1:02:34 | |
Fat and fucking flour! | 1:02:34 | 1:02:37 | |
Fat and fucking flour! | 1:02:37 | 1:02:39 | |
CLATTERING AND BANGING | 1:02:39 | 1:02:41 | |
Fat and flour! | 1:02:41 | 1:02:43 | |
Fat, fat, fucking flour! | 1:02:43 | 1:02:45 | |
HE YELLS | 1:02:48 | 1:02:50 | |
Aargh! Oh, God! | 1:03:03 | 1:03:05 | |
WOMAN SHOUTING | 1:03:05 | 1:03:07 | |
WOMEN SCREAMING | 1:03:17 | 1:03:19 | |
SCREAMING | 1:03:30 | 1:03:32 | |
MAN SCREAMS | 1:03:48 | 1:03:50 | |
YELLING | 1:03:55 | 1:03:56 | |
Let me in! Let me in! | 1:04:00 | 1:04:02 | |
Take me with you. Hey! | 1:04:02 | 1:04:04 | |
Hey! | 1:04:04 | 1:04:05 | |
Come on, let me in! | 1:04:05 | 1:04:07 | |
SOUNDLESS | 1:04:26 | 1:04:28 | |
SOUNDLESS | 1:04:43 | 1:04:45 | |
TYRES SCREECH | 1:05:13 | 1:05:15 | |
SUSAN: Hello? | 1:05:26 | 1:05:28 | |
Can you hear me? | 1:05:42 | 1:05:43 | |
Pardon? | 1:05:45 | 1:05:46 | |
Seen anyone else? | 1:05:50 | 1:05:51 | |
MOBILE PHONE BUZZES | 1:07:01 | 1:07:03 | |
-MICHAEL: -'I hope you can hear this. | 1:07:11 | 1:07:13 | |
'Whatever I Said to you, I didn't mean. | 1:07:14 | 1:07:17 | |
'It wasn't me. | 1:07:17 | 1:07:19 | |
'It was the disease.' | 1:07:19 | 1:07:22 | |
CLATTER | 1:07:22 | 1:07:23 | |
It was not you. | 1:07:28 | 1:07:30 | |
It was not you. | 1:07:30 | 1:07:32 | |
It's not me. | 1:07:32 | 1:07:34 | |
It's nobody. | 1:07:34 | 1:07:36 | |
Nothing. | 1:07:36 | 1:07:37 | |
Nobody's here. Nobody. | 1:07:37 | 1:07:39 | |
No. | 1:07:39 | 1:07:40 | |
Disease. Which disease? | 1:07:42 | 1:07:44 | |
Where is it? | 1:07:46 | 1:07:47 | |
Where are you hiding, you fucking cunt? | 1:07:47 | 1:07:50 | |
SOUNDLESS | 1:07:52 | 1:07:54 | |
Where are you? | 1:08:07 | 1:08:09 | |
-MICHAEL: -'I need you to come back to me.' | 1:08:09 | 1:08:11 | |
Take that... Nothing! CLATTERING | 1:08:11 | 1:08:14 | |
'I need you to believe me.' | 1:08:14 | 1:08:15 | |
SUSAN YELLS | 1:08:15 | 1:08:17 | |
'It's me.' | 1:08:19 | 1:08:21 | |
Why? Why? | 1:08:21 | 1:08:23 | |
-Why? -'It's me asking you to come back.' | 1:08:23 | 1:08:25 | |
Why, Why, why, why, why? | 1:08:25 | 1:08:27 | |
Why, Why? | 1:08:27 | 1:08:29 | |
-'I love you.' -You're all fucking liars! | 1:08:30 | 1:08:32 | |
SHE YELLS | 1:08:35 | 1:08:36 | |
SOUNDLESS | 1:09:13 | 1:09:14 | |
SOUNDLESS | 1:10:03 | 1:10:05 | |
SOUNDLESS | 1:10:22 | 1:10:24 | |
SOUNDLESS | 1:11:31 | 1:11:33 | |
SOUNDLESS | 1:11:42 | 1:11:44 | |
SOUNDLESS | 1:12:13 | 1:12:15 | |
SOUNDLESS | 1:13:01 | 1:13:03 | |
'There are two movements now. | 1:13:04 | 1:13:07 | |
'There are the people who run through the streets, grabbing all they can. | 1:13:07 | 1:13:11 | |
'People who don't believe in anything but the end of the world. | 1:13:12 | 1:13:16 | |
'Then there's the other movement... | 1:13:19 | 1:13:21 | |
'farmers going out to milk their cows... | 1:13:21 | 1:13:25 | |
'..soldiers reporting for duty. | 1:13:25 | 1:13:27 | |
'Those who believe that life will go on somehow... | 1:13:35 | 1:13:38 | |
'..or just don't know what else to do.' | 1:13:40 | 1:13:42 | |
FAINT VIBRATIONS | 1:15:51 | 1:15:53 | |
FAINT REVERBERATIONS | 1:16:20 | 1:16:22 | |
FAINT THRUM OF VIBRATIONS | 1:16:30 | 1:16:32 | |
'People prepare for the worst... | 1:17:02 | 1:17:04 | |
'''..but hope for the best. | 1:17:07 | 1:17:09 | |
'They concentrate on the things that are important to them.' | 1:17:13 | 1:17:16 | |
SOUNDLESS | 1:17:16 | 1:17:18 | |
'All the things beyond fat and flour. | 1:17:29 | 1:17:32 | |
SOUNDLESS | 1:18:14 | 1:18:15 | |
'Once we thought of the ice age as something that crept up... | 1:18:41 | 1:18:45 | |
'glaciers slowly spreading... | 1:18:45 | 1:18:47 | |
'temperatures gradually dropping. | 1:18:47 | 1:18:50 | |
'But recently a number of intact mammoths have been discovered | 1:18:54 | 1:18:58 | |
'with stomachs full of undigested grass. | 1:18:58 | 1:19:00 | |
'The cold must have hit them like a blow from a club.' | 1:19:03 | 1:19:06 | |
DEEP RUMBLING | 1:19:09 | 1:19:11 | |
'That's how the darkness descends upon the world. | 1:19:18 | 1:19:21 | |
'But first the shining moments. | 1:19:37 | 1:19:39 | |
'A shared flinching of the brain's temporal lobe. | 1:19:50 | 1:19:53 | |
'A profound appreciation of what it means to be alive. | 1:20:20 | 1:20:23 | |
'But most of all, a shared urge to reach out to one another. | 1:20:36 | 1:20:38 | |
'To offer warmth... | 1:20:44 | 1:20:47 | |
'..understanding... | 1:20:48 | 1:20:51 | |
'..acceptance... | 1:20:52 | 1:20:54 | |
'..forgiveness... | 1:20:57 | 1:20:58 | |
'..love.' | 1:21:03 | 1:21:05 | |
SOUNDLESS | 1:21:26 | 1:21:28 | |
'It's dark now... | 1:23:11 | 1:23:14 | |
'but they feel each other's breath... | 1:23:14 | 1:23:16 | |
'and they know all they need to know. | 1:23:16 | 1:23:18 | |
'They kiss... | 1:23:19 | 1:23:21 | |
'and they feel each other's tears on their cheeks. | 1:23:21 | 1:23:24 | |
'And if there had been anybody left to see them, | 1:23:25 | 1:23:28 | |
'then they would look like normal lovers caressing each other's faces... | 1:23:28 | 1:23:33 | |
'..bodies close together... | 1:23:33 | 1:23:35 | |
'eyes closed... | 1:23:35 | 1:23:38 | |
'..oblivious to the world around them. | 1:23:38 | 1:23:41 | |
'Because that is how life goes on. | 1:23:41 | 1:23:43 | |
'Like that.' | 1:23:44 | 1:23:46 |