
Browse content similar to Point Blank. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
TWO GUNSHOTS | 0:00:16 | 0:00:21 | |
'Cell. Prison cell. | 0:00:30 | 0:00:34 | |
'How did I get here?' | 0:00:34 | 0:00:37 | |
HARMONICA PLAYER: 'What do ya want?' | 0:00:37 | 0:00:41 | |
Walker, let's get out of here! I want to talk to you, Walker! | 0:00:44 | 0:00:50 | |
COME ON, WALKER ! | 0:00:50 | 0:00:54 | |
Listen to me, Walker! I need your help! | 0:00:56 | 0:01:01 | |
-I need help! -What're you doing? | 0:01:01 | 0:01:05 | |
'Walker, they use the prison. You know, it's closed. We just wait. | 0:01:06 | 0:01:14 | |
'We wait till they get it, then we take it from them...' | 0:01:15 | 0:01:20 | |
You take it. I'll get the lights. | 0:01:20 | 0:01:23 | |
-'You're my friend, Walker. -My friend. | 0:01:23 | 0:01:27 | |
-'I can't make it on my own. -Help my friend...' | 0:01:27 | 0:01:31 | |
-Help me, help me, help me! -What...? | 0:01:31 | 0:01:36 | |
I hear it! Early! | 0:01:36 | 0:01:38 | |
Hit 'em! | 0:01:39 | 0:01:42 | |
'I owe a bundle to some guys.' | 0:01:53 | 0:01:56 | |
They'll kill me if I don't get it! | 0:01:56 | 0:01:59 | |
HELICOPTER | 0:01:59 | 0:02:01 | |
'We just hit him on the head.' | 0:02:20 | 0:02:23 | |
It's simple! | 0:02:23 | 0:02:25 | |
Hey!! | 0:02:44 | 0:02:46 | |
Walker...! | 0:02:46 | 0:02:48 | |
-We made it! -We BLEW it! | 0:02:50 | 0:02:53 | |
'We blew it!' | 0:02:58 | 0:03:00 | |
-That's 10...20... -2,000 in 20s. | 0:03:02 | 0:03:06 | |
-Come on! -I'm trying to count! | 0:03:06 | 0:03:10 | |
Coming, Lynne? | 0:03:12 | 0:03:15 | |
-The boat won't be here for an hour. -Lynne? | 0:03:15 | 0:03:19 | |
-Darling? -It's not as much as I thought. | 0:03:19 | 0:03:24 | |
-Is it less than you need? -You better take care of your husband. | 0:03:24 | 0:03:30 | |
How'd we get into this mess? | 0:03:34 | 0:03:37 | |
I don't know. | 0:03:41 | 0:03:43 | |
Lynne. | 0:04:08 | 0:04:10 | |
Come here. | 0:04:12 | 0:04:14 | |
Take me away! | 0:04:27 | 0:04:30 | |
'Did it happen? | 0:04:41 | 0:04:44 | |
'A dream? | 0:04:44 | 0:04:46 | |
'A dream...' | 0:04:46 | 0:04:48 | |
GUIDE: 'Notice the treacherous currents around Alcatraz, rendering it virtually escape-proof. | 0:06:36 | 0:06:44 | |
'The water temperature is usually around 50 degrees. | 0:06:44 | 0:06:50 | |
'In its 29-year history, the thing that obsessed its prisoners and plagued its wardens was ESCAPE. | 0:06:50 | 0:06:57 | |
'In 1936, a prisoner was almost into the Bay... | 0:06:57 | 0:07:02 | |
'before he was discovered. | 0:07:02 | 0:07:05 | |
'In 1937, 2 men got off the island. | 0:07:05 | 0:07:09 | |
'Because of the dense fog, | 0:07:09 | 0:07:12 | |
'it is assumed that they drowned. | 0:07:12 | 0:07:16 | |
'On June 12th, 1962, three men dug their way out of the cell-block using small teaspoons. | 0:07:16 | 0:07:24 | |
'They managed to get off the island. They have never been heard of since.' | 0:07:24 | 0:07:31 | |
How did YOU make it, Walker? | 0:07:31 | 0:07:34 | |
'The historic "Battle of Alcatraz" | 0:07:34 | 0:07:38 | |
'took place in 1946, when 2 convicts took over the main cell block. | 0:07:38 | 0:07:43 | |
'They released the prisoners in the cells. | 0:07:43 | 0:07:47 | |
'They had nine hostages...' | 0:07:47 | 0:07:51 | |
Using the rock, for a drop. | 0:07:51 | 0:07:55 | |
Fuzz. | 0:07:55 | 0:07:57 | |
I'm Yost. | 0:07:57 | 0:08:00 | |
Are you making a charge? | 0:08:00 | 0:08:02 | |
No, no, no. I want something else. | 0:08:02 | 0:08:07 | |
'After the 48-hour break, 2 officers and three prisoners were dead.' | 0:08:10 | 0:08:16 | |
I, eh, I want the Organisation. | 0:08:17 | 0:08:20 | |
Your friend Reese? He's in the big time now. | 0:08:24 | 0:08:29 | |
Suits... | 0:08:29 | 0:08:31 | |
..penthouses. | 0:08:33 | 0:08:36 | |
He bought his way back in... | 0:08:36 | 0:08:38 | |
..with the money he stole from you. | 0:08:42 | 0:08:45 | |
'..indicates they were swept out | 0:08:48 | 0:08:52 | |
'to a watery grave.' | 0:08:52 | 0:08:55 | |
-93,000, wasn't it? -Ninety-three. | 0:08:57 | 0:09:01 | |
Ninety-three. | 0:09:01 | 0:09:03 | |
You want Reese, and I want the Organisation. | 0:09:03 | 0:09:08 | |
You understand? | 0:09:08 | 0:09:11 | |
I'm going to help you, and you're going to help me! | 0:09:14 | 0:09:19 | |
That's your wife's address in LA. Reese lives there, too. | 0:09:19 | 0:09:26 | |
'In 1854, the US Army began to fortify Alcatraz...' | 0:09:26 | 0:09:31 | |
FOOTSTEPS... | 0:09:31 | 0:09:35 | |
FOOTSTEPS... | 0:09:35 | 0:10:46 | |
Walker, Reese is gone. | 0:11:32 | 0:11:35 | |
Three months ago. | 0:11:35 | 0:11:38 | |
Gone. Cold. | 0:11:39 | 0:11:41 | |
Moved out. | 0:11:41 | 0:11:44 | |
Walker...I'm glad you're not dead. | 0:11:45 | 0:11:49 | |
It's true. I really am. | 0:11:50 | 0:11:52 | |
You ought to kill me. | 0:11:53 | 0:11:57 | |
Can't sleep... | 0:11:57 | 0:11:59 | |
Haven't slept. | 0:11:59 | 0:12:02 | |
Keep taking pills. | 0:12:02 | 0:12:04 | |
Dream about you | 0:12:04 | 0:12:08 | |
how good it must be, being dead. | 0:12:08 | 0:12:11 | |
Is it? | 0:12:13 | 0:12:15 | |
No, no, I can't! | 0:12:16 | 0:12:19 | |
I never had the courage. | 0:12:20 | 0:12:23 | |
This? | 0:12:26 | 0:12:29 | |
Payoff, I guess. | 0:12:29 | 0:12:31 | |
I really don't know where he is. | 0:12:32 | 0:12:35 | |
Money? | 0:12:43 | 0:12:45 | |
A guy brings it the first of every month thousand. | 0:12:46 | 0:12:50 | |
Thousand... | 0:12:52 | 0:12:55 | |
It's always a different guy. No contact with Mal. | 0:12:55 | 0:13:01 | |
Just couldn't make it with you, Walker. With him, it was...kind of fun. | 0:13:02 | 0:13:11 | |
Just drifted into it. | 0:13:13 | 0:13:16 | |
That night on Alcatraz... | 0:13:18 | 0:13:21 | |
I knew it was you I really wanted. | 0:13:22 | 0:13:25 | |
I found out too late. | 0:13:26 | 0:13:29 | |
'Do you remember when we met? | 0:13:41 | 0:13:44 | |
'The rain? | 0:13:46 | 0:13:48 | |
'You were a little drunk. | 0:14:01 | 0:14:03 | |
'So was I. | 0:14:03 | 0:14:06 | |
'Oh, you were funny when you were drunk. | 0:14:07 | 0:14:12 | |
'Strange, I don't remember very much, | 0:14:14 | 0:14:20 | |
'but, suddenly, | 0:14:20 | 0:14:22 | |
'we were together. | 0:14:22 | 0:14:25 | |
'It was wonderful at first. I loved you. | 0:14:25 | 0:14:30 | |
'Then Mal happened. You talked a lot about Mal. | 0:14:32 | 0:14:37 | |
'Mal Reese... He was very real for me, until I MET him. | 0:14:42 | 0:14:47 | |
'That night at the reunion, when you found Mal again and brought him home... | 0:14:47 | 0:14:55 | |
'Oh, the two of you together! | 0:14:57 | 0:15:00 | |
'Then it was the three of us. | 0:15:00 | 0:15:03 | |
'Laughing. | 0:15:03 | 0:15:05 | |
'It was... | 0:15:05 | 0:15:07 | |
'Oh, it was PERFECT. | 0:15:07 | 0:15:10 | |
'And I think I was happier then than at any other time. | 0:15:11 | 0:15:17 | |
'I seemed to be floating between the two of you. | 0:15:17 | 0:15:22 | |
'Suddenly, I began to drift to Mal. | 0:15:22 | 0:15:25 | |
'And I...I just went with it...' | 0:15:25 | 0:15:29 | |
'Lynne, come here.' | 0:20:56 | 0:20:59 | |
"HEARS" GUNSHOTS | 0:20:59 | 0:21:02 | |
KNOCK ON DOOR Hey, come on... | 0:21:05 | 0:21:09 | |
Hey...! W-who...!? | 0:21:09 | 0:21:12 | |
Arggh! | 0:21:12 | 0:21:14 | |
-Only Miss Walker, they said... -Only Miss Walker, they said. | 0:21:22 | 0:21:27 | |
-I gotta call them. -You gotta call them. -No...I can't. -You can't? | 0:21:27 | 0:21:33 | |
-They'll kill me. -They'll kill you? | 0:21:33 | 0:21:36 | |
-Big John'll kill me. -Big John? | 0:21:36 | 0:21:39 | |
John Stegman. | 0:21:39 | 0:21:41 | |
Big John's Car Lot. | 0:21:41 | 0:21:44 | |
..Stegman. | 0:21:46 | 0:21:48 | |
< What's the dog's name? < Nola. | 0:21:48 | 0:21:52 | |
< What's YOUR name? < Miss Stewart. | 0:21:52 | 0:21:57 | |
What do you think of the car? I like it very much. | 0:21:57 | 0:22:02 | |
< It's a good buy. | 0:22:02 | 0:22:04 | |
-Mr Stegman? -Yes, sir, that's for me! | 0:22:04 | 0:22:09 | |
-I'm looking for a car. -What have you in mind? | 0:22:09 | 0:22:14 | |
What about this one? | 0:22:17 | 0:22:20 | |
-Beautiful car. It costs a lot of money. -I GOT a lot of money. | 0:22:20 | 0:22:26 | |
By the way, I'm giving the car away. | 0:22:26 | 0:22:30 | |
-Somebody recommend you? -Mal Reese. | 0:22:30 | 0:22:34 | |
-Good... Eh, wanna take a spin? -OK. | 0:22:36 | 0:22:39 | |
Aren't you going to introduce this lovely lady to your boss? | 0:22:42 | 0:22:47 | |
This is my boss. Hello! How do you do. | 0:22:47 | 0:22:51 | |
Ready for a little spin? | 0:22:54 | 0:22:56 | |
She's already committed... Anywhere you say! | 0:22:56 | 0:23:00 | |
< Have you been to the casinos? < Let's go to the beach. | 0:23:00 | 0:23:05 | |
I'll be back in about 20 minutes. | 0:23:05 | 0:23:09 | |
For sure? Don't go away. No, sir... | 0:23:09 | 0:23:13 | |
-Fall in love? -Pretty nice rig. | 0:23:20 | 0:23:23 | |
-Oh, you don't need that. -Most accidents happen within 3 miles from home. -True, true. | 0:23:25 | 0:23:32 | |
-What do you want for it? -See if you like it and we'll work out a deal. | 0:23:32 | 0:23:38 | |
Take a look right up that line and picture yourself driving it. | 0:23:41 | 0:23:47 | |
-Mind if I hear my commercial ? -No, go ahead. | 0:23:47 | 0:23:52 | |
-Stereo. Pretty good, huh? -Yeah. How's the power steering work? | 0:23:52 | 0:23:57 | |
Hey, get it over! Are you crazy...!? | 0:23:57 | 0:24:01 | |
SCREECHING | 0:24:01 | 0:24:03 | |
-Where's Reese!? -What are you doing to my car!? -What I did to your delivery boy! | 0:24:05 | 0:24:12 | |
-Tell me! -I can't! | 0:24:12 | 0:24:15 | |
Stop! | 0:24:18 | 0:24:20 | |
Stop! | 0:24:24 | 0:24:25 | |
Stop!! | 0:24:30 | 0:24:32 | |
-Who the hell ARE you!? -My name's Walker. Where's Reese? -I've got nothing to do with Reese! | 0:24:39 | 0:24:46 | |
I know about you! How's your wife (?) | 0:24:50 | 0:24:54 | |
-She's DEAD ! -And her sister? -Chris? What about her? | 0:24:56 | 0:25:01 | |
She's with Reese. He nailed both! | 0:25:08 | 0:25:11 | |
-How does that grab you (?) -Where's Reese!? | 0:25:14 | 0:25:19 | |
RADIO: Big John loves cars... | 0:25:19 | 0:25:22 | |
Get up! | 0:25:22 | 0:25:24 | |
-Where's Chris? -She runs a club. A place called the Movie House. | 0:25:26 | 0:25:32 | |
RADIO: You'll love my guarantees. Come on in to Big John's Car Lot. | 0:25:32 | 0:25:39 | |
You'll love my guarantee. You'll love my cars, at Big John's. | 0:25:39 | 0:25:44 | |
< ENGINE STARTS UP | 0:25:51 | 0:25:55 | |
-Did I exaggerate? -He did that, huh? -With me in it! | 0:26:23 | 0:26:28 | |
-You sure it was him? -It was him. -Tall, big man? -I KNOW him, Mal ! | 0:26:29 | 0:26:35 | |
-You didn't tell him anything? -Mal, would I tell him anything!? | 0:26:39 | 0:26:44 | |
-You sure? -YES ! -Then why didn't he kill you? -He killed the car! | 0:26:44 | 0:26:50 | |
-You give him a name...? -I told him you were in 'Frisco. -Smart boy. | 0:26:50 | 0:26:56 | |
-Just don't hold out on me! -You can trust me. | 0:26:58 | 0:27:03 | |
You had him and you let him go. Find him again. | 0:27:03 | 0:27:08 | |
-FIND him!? -Just do it! | 0:27:08 | 0:27:11 | |
-Aw, Mal, c'mon... -Shut UP ! | 0:27:11 | 0:27:14 | |
You find him, and you FINISH him. | 0:27:14 | 0:27:18 | |
BLARING "SCAT" SINGING: # Yah! Yah! Oh, yeah...! # | 0:27:20 | 0:27:25 | |
# OW ! All right! | 0:27:48 | 0:27:51 | |
# All right! All right now! | 0:27:55 | 0:27:59 | |
# Yeah yeah! Yea-eah! | 0:27:59 | 0:28:03 | |
# Come on, now, hit me, HIT me ! | 0:28:03 | 0:28:07 | |
# I said, "Yeah, yeah, YEAH ! # | 0:28:07 | 0:28:10 | |
-How are you, Sandy? -Walker! Are you still alive!? -How are you? | 0:28:13 | 0:28:19 | |
OW ! < OW ! | 0:28:19 | 0:28:22 | |
# YAH-HA-AH-HA-YAH-AH-YAH-HAHAHA ! # | 0:28:22 | 0:28:28 | |
-Where's Chris? -She's off tonight. | 0:28:30 | 0:28:32 | |
Write down her address for me, huh? | 0:28:32 | 0:28:35 | |
-Thought I'd see you. -Oh? Why? | 0:28:37 | 0:28:40 | |
Some guy asking for you. | 0:28:40 | 0:28:44 | |
# Yeah! YEAH ! < Yeah, yeah...# | 0:28:44 | 0:28:48 | |
-Is there another way out of this joint? -Back of the stage. | 0:28:48 | 0:28:53 | |
Thanks, Sandra... See you around, huh? | 0:28:53 | 0:28:58 | |
DO. | 0:28:58 | 0:29:00 | |
SCAT SINGING CONTINUES | 0:29:07 | 0:29:10 | |
# Yeah! Yeah! Yeah! Yeah! Yeah! # > | 0:29:38 | 0:29:41 | |
Walker! | 0:32:12 | 0:32:15 | |
Where's Reese? | 0:32:16 | 0:32:18 | |
Lynne said you were dead! | 0:32:22 | 0:32:25 | |
-She's dead. -Lynne...? | 0:32:25 | 0:32:30 | |
-You!? -No, her. Those! -I'm not sleeping. | 0:32:30 | 0:32:34 | |
-I heard you were running with Reese. -Well, you heard wrong. | 0:32:35 | 0:32:40 | |
-Does he want you? -Sure he does. | 0:32:40 | 0:32:43 | |
-Do YOU want HIM ? -He makes my flesh crawl! -I want him. | 0:32:43 | 0:32:48 | |
-You were the best thing about Lynne. -WHY don't you want him? | 0:32:51 | 0:32:56 | |
I don't want ANY of them, Walker. | 0:32:57 | 0:33:00 | |
-I was going with a guy owned a jazz club. -Yeah, the Movie House. | 0:33:01 | 0:33:08 | |
It was different then. Oh, it was a GOOD jazz club. | 0:33:08 | 0:33:13 | |
-The Organisation wanted to become his partner, and...eh... -And? | 0:33:13 | 0:33:21 | |
And he... | 0:33:21 | 0:33:23 | |
killed him... | 0:33:23 | 0:33:26 | |
I run it. I run the club now. | 0:33:28 | 0:33:31 | |
Oh, boy, do I pay! You know, I loved him. | 0:33:32 | 0:33:39 | |
-Why? -Pay. Gotta make a living. | 0:33:39 | 0:33:45 | |
The Organisation... | 0:33:45 | 0:33:47 | |
And Mal Reese... | 0:33:47 | 0:33:50 | |
What do you want from me, Walker? | 0:33:56 | 0:33:59 | |
Reese. He owes me money. | 0:34:01 | 0:34:04 | |
Lynne and money... | 0:34:04 | 0:34:07 | |
Let me fix your face. | 0:34:10 | 0:34:13 | |
-I've got an extra room. You can stay here if you want... -Reese! | 0:34:14 | 0:34:20 | |
I'll get 'im for you. | 0:34:20 | 0:34:23 | |
-Well? -Nothing. | 0:34:38 | 0:34:41 | |
I've had guys out all night looking for him. Not a sign. | 0:34:41 | 0:34:46 | |
Everything humanly possible, Mal. | 0:34:48 | 0:34:51 | |
See you at noon. | 0:35:34 | 0:35:36 | |
You, ah...ah... | 0:35:36 | 0:35:38 | |
Don't get lost. | 0:35:38 | 0:35:41 | |
INTERCOM BUZZES > | 0:35:47 | 0:35:49 | |
Yes? Yes, Mr Carter. > | 0:35:49 | 0:35:52 | |
You can go in now, Mr Reese. > | 0:35:52 | 0:35:55 | |
You can go in now, Mr Reese. | 0:35:56 | 0:35:59 | |
The usual formalities, Mr Reese. | 0:36:07 | 0:36:10 | |
There you go. | 0:36:11 | 0:36:13 | |
SECRETARY: Three copies to Santa Barbara... | 0:36:18 | 0:36:23 | |
I said TWO! | 0:36:23 | 0:36:26 | |
What the hell is it NOW, Reese!? | 0:36:30 | 0:36:33 | |
There's a lot at stake, Mr Carter. That's why I must... | 0:36:33 | 0:36:38 | |
Must!? | 0:36:38 | 0:36:40 | |
-I'd be grateful for any help. -You're trouble. I always said so. | 0:36:40 | 0:36:45 | |
I was against taking you back in, but I was over-ruled. | 0:36:45 | 0:36:50 | |
-Trouble always finds you out. -I'd appreciate anything you could do for me. | 0:36:50 | 0:36:57 | |
What's his name? | 0:36:59 | 0:37:01 | |
-Walker. -What's his FIRST name? | 0:37:01 | 0:37:04 | |
He never called himself anything but that. Not even his wife... | 0:37:04 | 0:37:09 | |
-Wife have something to do with his grudge? -Yeah. | 0:37:10 | 0:37:15 | |
Figures(!) | 0:37:15 | 0:37:18 | |
That mess you got us into last year that cost us 150,000 that's what Walker's here for, isn't it? | 0:37:23 | 0:37:31 | |
-Only 93,000 was his. -Only(?) | 0:37:31 | 0:37:35 | |
-What's the story? -A job, Mr Carter. You remember the Alcatraz run? | 0:37:35 | 0:37:42 | |
-I brought it into the Organisation. -He was one of the men you held up? | 0:37:42 | 0:37:47 | |
No. He was with me. | 0:37:47 | 0:37:50 | |
You took his share, too? | 0:37:50 | 0:37:53 | |
-I needed all of it to pay you back! -You took his share AND his wife. | 0:37:53 | 0:37:59 | |
-She still with you? -He killed her. -You shouldn't have left him alive. | 0:37:59 | 0:38:05 | |
-Does he know where you are? -No, but he's looking. -Fine. | 0:38:05 | 0:38:10 | |
I'll tell you what we'll do... | 0:38:10 | 0:38:13 | |
We'll let him know where you are. And then he'll come for you... | 0:38:15 | 0:38:21 | |
Won't he? | 0:38:21 | 0:38:23 | |
They're waiting. | 0:38:26 | 0:38:28 | |
It's a set-up. | 0:38:28 | 0:38:31 | |
-They want you to try and get him. -Where is he? -The Huntley. | 0:38:31 | 0:38:36 | |
'It's run by the Organisation.' | 0:38:36 | 0:38:39 | |
Where would he be? | 0:38:41 | 0:38:43 | |
-All the way up the penthouse. -Oh? | 0:38:43 | 0:38:46 | |
He always uses it. | 0:38:46 | 0:38:49 | |
-What's it like? -Fort Knox. | 0:38:49 | 0:38:52 | |
You've been there? | 0:38:52 | 0:38:55 | |
Once, to see Lynne. | 0:38:57 | 0:39:00 | |
-What's that, an apartment house? -Yeah. -Oh. -Residential. | 0:39:12 | 0:39:17 | |
That go to the top? | 0:39:25 | 0:39:28 | |
-There's another one, in the lobby, goes to the other penthouse. -They got two? | 0:39:28 | 0:39:35 | |
-What's the roof like? -Flat, open. | 0:39:36 | 0:39:39 | |
Look at it! There's men everywhere. You're gonna have a lot of trouble getting in. | 0:39:39 | 0:39:47 | |
But you'll never get OUT. | 0:39:47 | 0:39:50 | |
Well, he has to come out SOMETIME. | 0:40:14 | 0:40:17 | |
Yeah. | 0:40:17 | 0:40:19 | |
How bad does he want you, Chris? | 0:40:19 | 0:40:22 | |
-Oh, I don't know. Who knows. -YOU know. How bad? | 0:40:23 | 0:40:28 | |
Pretty bad, I guess. | 0:40:29 | 0:40:32 | |
Bad enough to let you into the Huntley? | 0:40:35 | 0:40:40 | |
-Why SHOULD I ? -Well, that's up to you. | 0:40:42 | 0:40:46 | |
Mr Reese, please. Right over there. | 0:41:21 | 0:41:24 | |
This way to heaven(!) | 0:41:27 | 0:41:30 | |
< We have a saying in Brazil... | 0:42:16 | 0:42:18 | |
He said to go on up. | 0:42:18 | 0:42:21 | |
SPEAKS PORTUGUESE | 0:42:21 | 0:42:24 | |
So, you see, we have no worry in the world. | 0:42:24 | 0:42:29 | |
Why? That's a way of life. | 0:42:30 | 0:42:33 | |
Hello, Mal. | 0:42:37 | 0:42:39 | |
Go on in, honey. | 0:42:40 | 0:42:42 | |
-Are these all right? -Yeah, fine. Now tie yourselves up. | 0:42:53 | 0:42:58 | |
No, not individually together. | 0:43:06 | 0:43:09 | |
Well, Cinderella, I was beginning to think you'd never come for your shoe. | 0:43:15 | 0:43:22 | |
-Well, here I am. -What made you change your mind? | 0:43:22 | 0:43:27 | |
It's a woman's privilege. All good things come to those who wait. | 0:43:27 | 0:43:35 | |
Then I win first prize! | 0:43:38 | 0:43:41 | |
Scotch? | 0:43:42 | 0:43:44 | |
Scotch is fine. | 0:43:44 | 0:43:46 | |
Do you know how long I've been hung up on you? The first time I saw you, with Lynne. | 0:43:48 | 0:43:58 | |
-I've got some business to settle, then we'll go to New York. -Sure, Mal. | 0:44:07 | 0:44:13 | |
Give me the police! Emergency! Wait till they answer. | 0:44:13 | 0:44:18 | |
Help me, please! I-I'm being attacked! | 0:44:18 | 0:44:22 | |
Eh, Ferguson, 2291 Western. Across from the Huntley. | 0:44:22 | 0:44:27 | |
For God's sake, hurry up! | 0:44:27 | 0:44:30 | |
-Is that all right? -Fine, thank you. | 0:44:30 | 0:44:33 | |
Have you seen Lynne lately? | 0:44:40 | 0:44:43 | |
You know about her and me... | 0:44:43 | 0:44:46 | |
You girls oughta kiss and make up. | 0:44:46 | 0:44:51 | |
I haven't seen her... not since the two of you... | 0:44:51 | 0:44:56 | |
You ever meet Walker? | 0:44:58 | 0:45:00 | |
Oh, a couple of times. Didn't he die or something? | 0:45:00 | 0:45:06 | |
About a year ago. | 0:45:08 | 0:45:11 | |
SIREN WAILING | 0:45:34 | 0:45:36 | |
-What's going on? -It's OK, Mal. | 0:45:53 | 0:45:57 | |
It's across the way. > | 0:45:57 | 0:45:59 | |
It's across the way! | 0:45:59 | 0:46:02 | |
What goes? It's across the street. | 0:46:17 | 0:46:20 | |
It's all right, it's all right! | 0:46:22 | 0:46:24 | |
Well, what do we do? TELL him. | 0:46:46 | 0:46:50 | |
BYSTANDER: Two guys have been attacked. | 0:46:50 | 0:46:55 | |
Mike. Yeah? | 0:46:58 | 0:47:01 | |
Two clowns got held up. Is that all? Huh! | 0:47:01 | 0:47:06 | |
Mal, could we...close the curtains? | 0:47:16 | 0:47:20 | |
Sure. | 0:47:20 | 0:47:22 | |
It's a great view, but... | 0:47:25 | 0:47:28 | |
Get up! | 0:48:44 | 0:48:47 | |
-GUARD: You OK, Mal? -Yeah... | 0:49:06 | 0:49:09 | |
-What are you going to do...? -I want you to come with me, Mal. -What for? -I want my 93 grand. | 0:49:12 | 0:49:19 | |
-You don't stand a chance... -Mal! | 0:49:22 | 0:49:25 | |
Mal, wake up! Don't go to sleep! Let's go. | 0:49:27 | 0:49:33 | |
-Let me get dressed! -No. My money! -I gave it all to the Organisation. -Who has it? -There's no one man. | 0:49:33 | 0:49:41 | |
-There's always one man! -No, it's a big operation... | 0:49:41 | 0:49:46 | |
-Names, Mal, names! -Fairfax... | 0:49:48 | 0:49:51 | |
Brewster...kill me...Carter... come on, KILL me! | 0:49:51 | 0:49:58 | |
-Who do you work for? -Carter. Kill me! | 0:49:58 | 0:50:02 | |
-Where do I find him? -It won't do you any good! -Where!? | 0:50:02 | 0:50:07 | |
-I don't remember. -Where!? -The Stuart Building. | 0:50:07 | 0:50:13 | |
-He's got offices there the Multiplex Company. -What's to stop me getting him? | 0:50:13 | 0:50:20 | |
-No-one gets in without a search. -Worry about yourself, not me! | 0:50:20 | 0:50:26 | |
All right! I'll get it for you, but you've got to trust me... | 0:50:26 | 0:50:31 | |
Trust me... | 0:50:31 | 0:50:33 | |
You... You...! | 0:50:33 | 0:50:36 | |
You're my friend, Walker! | 0:50:36 | 0:50:39 | |
We'll do this one TOGETHER, Mal. | 0:50:39 | 0:50:42 | |
Sure we will, Walker! | 0:50:42 | 0:50:45 | |
Mal...? | 0:50:45 | 0:50:47 | |
SCREAMS | 0:50:55 | 0:50:58 | |
Drop it! | 0:51:38 | 0:51:41 | |
Don't shoot...! | 0:51:43 | 0:51:46 | |
Save me...! Don't shoot...! > | 0:51:46 | 0:51:49 | |
Don't shoot! I quit! > | 0:51:50 | 0:51:52 | |
POLICEMAN: Who're you trying to kill? | 0:51:52 | 0:51:56 | |
Ah, my knee! Stop! | 0:51:56 | 0:51:58 | |
Arggh! Take it easy! Stop! | 0:51:59 | 0:52:02 | |
My knee! | 0:52:06 | 0:52:08 | |
-I saw it. The ambulance, everything. -Yeah. He fell. | 0:53:17 | 0:53:22 | |
You should have KILLED him. | 0:53:22 | 0:53:25 | |
This money was Lynne's. Take it. | 0:53:25 | 0:53:28 | |
You died at Alcatraz all right. | 0:53:29 | 0:53:32 | |
-Goodbye, Walker. -Yeah, goodbye. | 0:53:32 | 0:53:35 | |
I'd like the number of the Multiplex Company, please. | 0:53:42 | 0:53:47 | |
If you want Carter, I can help you. | 0:53:47 | 0:53:50 | |
INDISTINCT CHATTER | 0:53:55 | 0:53:58 | |
-Mr Carter, I want something from you, too. -What? -My 93,000. -Yeah(?) -Yeah! It's my money! | 0:54:05 | 0:54:13 | |
-Fred, call me tomorrow? -Yes, you bet. | 0:54:13 | 0:54:16 | |
Luncheons, dinners... I'm getting fat! | 0:54:16 | 0:54:20 | |
-Any debt Reese has is his problem, not ours. -It's your problem now. | 0:54:20 | 0:54:26 | |
-You don't own the place(!) -Sorry. | 0:54:26 | 0:54:29 | |
Over here... | 0:54:29 | 0:54:31 | |
Don't monopolise him. | 0:54:31 | 0:54:34 | |
-Reese is... -Dead! They're scraping his body off the sidewalk. | 0:54:34 | 0:54:40 | |
-Then his debt died with him. -Wrong. It passed on to you. | 0:54:40 | 0:54:45 | |
-No-one would accept such a debt! -If you don't, I'll kill you. | 0:54:45 | 0:54:50 | |
MOUTHING SILENTLY | 0:54:52 | 0:54:54 | |
You don't know who you're dealing with! | 0:54:54 | 0:54:59 | |
I want my money in 12 hours. I'll tell YOU where to make the drop. | 0:54:59 | 0:55:04 | |
If you don't, you are dead. | 0:55:04 | 0:55:07 | |
I said NOBODY was to go up there! He could have done without a girl! | 0:55:09 | 0:55:14 | |
-Mal said to let her through... -Do you know what this is going to cost me to cover up!? | 0:55:14 | 0:55:21 | |
-She was Walker's sister-in-law! -We didn't know... -Well, HE did! | 0:55:21 | 0:55:28 | |
-(She was the Trojan Horse.) -What!? -I said, she was the Trojan Horse. | 0:55:28 | 0:55:33 | |
Trojan Horse...? | 0:55:33 | 0:55:36 | |
You're a smart boy, Stegman. | 0:55:36 | 0:55:38 | |
Come on, I want to talk to you. | 0:55:38 | 0:55:41 | |
-Get rid of them and bring the stuff. -Right... The door is this way(!) | 0:55:43 | 0:55:48 | |
-Know what I'm going to do about Walker? -Have him, eh...? -Wrong. | 0:55:48 | 0:55:53 | |
-Killing him is no longer economic. -What about the principle? -Profit is the only principle. | 0:55:53 | 0:56:01 | |
What are you gonna do? | 0:56:02 | 0:56:05 | |
-YOU'RE gonna do it. You're gonna pay Walker off. -Is this money...? | 0:56:05 | 0:56:11 | |
Ever been so close to so much? I made an agreement with Walker. | 0:56:11 | 0:56:16 | |
The storm drain, here... An open storm drain. | 0:56:17 | 0:56:23 | |
You go down and he'll collect. | 0:56:23 | 0:56:25 | |
-But why...eh...? -Why what? -Why me? -Cos you know what he looks like. | 0:56:25 | 0:56:32 | |
-W-when do you want me to go...? -NOW, Stegman. Use that door. | 0:56:35 | 0:56:41 | |
-Sure... -Eh, Stegman... | 0:56:41 | 0:56:44 | |
-Yes? -You WILL give it to him, won't you? | 0:56:44 | 0:56:49 | |
-Yes. -Good. You wouldn't try what Reese did, would you? | 0:56:49 | 0:56:54 | |
Can I help you? | 0:57:44 | 0:57:47 | |
-(Which door is he in?) -Behind me. | 0:58:00 | 0:58:04 | |
(OK, the buzzer.) | 0:58:04 | 0:58:07 | |
What are you doing here!? | 0:58:23 | 0:58:25 | |
I want my money! | 0:58:25 | 0:58:28 | |
It's all arranged as you wanted! | 0:58:28 | 0:58:31 | |
You're crazy, Walker! How can THIS help you!? | 0:58:33 | 0:58:38 | |
Let's go. | 0:58:38 | 0:58:40 | |
-I want you to pay me PERSONALLY. -You can't take me out of here in broad daylight! | 0:58:43 | 0:58:51 | |
-Things aren't done this way now... -It's a set-up. -I assure y... -Don't. | 0:59:31 | 0:59:38 | |
-You authorised the pay-off? -Yep. -What about Brewster? -Who told you about Brewster!? -Reese talked! | 1:00:00 | 1:00:08 | |
-We run things. -Nobody else? -No. -NO?! -Well, there's a money man... -What's his name?! | 1:00:08 | 1:00:16 | |
Fairfax! | 1:00:16 | 1:00:17 | |
-There's Stegman with your money. Go get it. -You go get it for me! | 1:00:19 | 1:00:24 | |
NO! It's all right! | 1:00:27 | 1:00:29 | |
-FAINTLY: -It's Carter! | 1:00:29 | 1:00:32 | |
-With that little thing!? -He was a good shot. | 1:02:44 | 1:02:48 | |
-Carter, Brewster, Fairfax. -Brewster's next. | 1:02:48 | 1:02:53 | |
-Where do I find him? -He's out of town. -When will he be back? -Tomorrow. He's got a meeting. | 1:02:53 | 1:03:01 | |
-I want him alone. -We can fix that. | 1:03:01 | 1:03:06 | |
-Where's the meeting? -At his house. -Where's his house? | 1:03:06 | 1:03:12 | |
We're here. This is it. | 1:03:14 | 1:03:17 | |
I said alone. | 1:03:17 | 1:03:20 | |
Take it easy. You'll last longer! | 1:03:23 | 1:03:26 | |
Hello, Walker. | 1:04:12 | 1:04:15 | |
So they really got to you, huh? | 1:04:15 | 1:04:18 | |
I got well paid for fingering Reese. | 1:04:18 | 1:04:21 | |
-This place is like a morgue. I should have moved months ago. -This guy you went around with...? | 1:04:28 | 1:04:35 | |
He spent some time here, huh? | 1:04:35 | 1:04:38 | |
Yes. | 1:04:38 | 1:04:40 | |
A lot of this stuff was his. | 1:04:40 | 1:04:43 | |
So, what are you gonna do now? | 1:04:43 | 1:04:46 | |
I don't know. What about you? | 1:04:47 | 1:04:50 | |
Are you asking me out? | 1:04:55 | 1:04:58 | |
SHE LAUGHS QUIETLY | 1:05:04 | 1:05:07 | |
Walker? | 1:05:32 | 1:05:34 | |
Come on in. | 1:05:49 | 1:05:52 | |
-Whose is it? -Brewster's. The Organisation uses it for meetings. | 1:05:58 | 1:06:04 | |
Nobody LIVES in it, that's for sure! How do you know he won't show up!? | 1:06:04 | 1:06:10 | |
He WILL. | 1:06:10 | 1:06:12 | |
-Why am -I -here? -I thought you'd be safer with me. | 1:06:12 | 1:06:17 | |
-When do we expect our host? -Maybe not till morning. | 1:06:17 | 1:06:22 | |
-He won't pay you and you'll kill him! -This isn't a pitch(!) | 1:06:22 | 1:06:27 | |
-Forget it. -YOU forget it! | 1:06:30 | 1:06:33 | |
Good morning, Stevie(!) | 1:07:27 | 1:07:30 | |
Look, it wasn't Lois's idea, it was YOURS! | 1:07:31 | 1:07:36 | |
MAN ON TV: You figure this will get me over my neurotic inertia(?) | 1:07:36 | 1:07:46 | |
HE SWITCHES CHANNELS | 1:07:46 | 1:07:49 | |
MUSIC FROM TV | 1:07:49 | 1:07:52 | |
CHANGES CHANNEL AGAIN | 1:07:54 | 1:07:57 | |
Fabulous things happen when a girl uses Pond's beauty plan! | 1:07:57 | 1:08:02 | |
All I did was cream twice a night... | 1:08:02 | 1:08:05 | |
HE CHANGES CHANNEL AGAIN | 1:08:05 | 1:08:08 | |
< WHIRRING NOISES | 1:08:08 | 1:08:12 | |
RACKET OF EQUIPMENT... | 1:08:17 | 1:08:21 | |
SILENCE FALLS | 1:08:43 | 1:08:46 | |
MUSIC BLARING | 1:08:46 | 1:08:49 | |
MUSIC CONTINUES | 1:09:05 | 1:09:08 | |
SILENCE | 1:09:23 | 1:09:25 | |
CHRIS ON LOUDSPEAKER: You're a pathetic sight, Walker! | 1:09:35 | 1:09:40 | |
Chasing shadows! | 1:09:40 | 1:09:43 | |
You're played out. It's over! | 1:09:43 | 1:09:46 | |
You're finished! | 1:09:46 | 1:09:48 | |
What would you DO with the money? It wasn't yours in the first place. | 1:09:48 | 1:09:54 | |
Why don't you just lie down and die? | 1:09:54 | 1:09:57 | |
GUNSHOT | 1:11:39 | 1:11:41 | |
Goin' to work? Another day, another dollar. | 1:13:13 | 1:13:17 | |
-Welcome back, boss. -Bill. | 1:13:21 | 1:13:24 | |
-What do YOU want? -My money. | 1:13:26 | 1:13:29 | |
-What for? -Stegman. -He's nothing. Who killed Carter? | 1:13:29 | 1:13:34 | |
Bill, Bill, the briefcase. | 1:13:34 | 1:13:37 | |
-I -did. -Oh, YOU did, huh...? What happened? | 1:13:39 | 1:13:45 | |
Carter was where Walker should have been. You don't CARE, do you? | 1:13:47 | 1:13:52 | |
I love it! But you killed the man who was supposed to pay you(!) | 1:13:52 | 1:13:58 | |
-Well, who pays me!? -I can't hear ya! | 1:13:58 | 1:14:01 | |
-What about Walker? -What!? -He's still around. -The Organisation will take care of Walker. | 1:14:07 | 1:14:15 | |
He's a pro. Walker's beautiful. He's just tearing you apart. | 1:14:15 | 1:14:20 | |
-You coming with me? -Pass. | 1:14:22 | 1:14:25 | |
-I'll wait for Fairfax. HE'LL pay me. -All right. | 1:14:27 | 1:14:32 | |
If he doesn't, kill him, too(!) | 1:14:33 | 1:14:36 | |
Hey! | 1:15:21 | 1:15:23 | |
What's my last name? | 1:15:26 | 1:15:29 | |
What's my FIRST name? | 1:15:34 | 1:15:36 | |
Look at that hillside! Nobody did any watering or anything! | 1:16:00 | 1:16:06 | |
You tell people to do things and it makes no difference! | 1:16:09 | 1:16:14 | |
Just a minute... It's ice-cold, Bill! | 1:16:14 | 1:16:20 | |
Arggh! | 1:16:45 | 1:16:47 | |
Walker... Walker...! | 1:16:47 | 1:16:50 | |
-You're a very bad man, Walker! What do you want!? -My money. | 1:16:50 | 1:16:56 | |
-I want my 93 grand. -You threaten a financial structure like this for 93,000!? I don't believe you! | 1:16:56 | 1:17:04 | |
-What do you really want!? -My money. | 1:17:04 | 1:17:08 | |
My money! | 1:17:08 | 1:17:09 | |
Well, we're not gonna GIVE you any money! | 1:17:09 | 1:17:13 | |
Carter...! | 1:17:16 | 1:17:18 | |
-Who runs things? -Carter and I! ME. | 1:17:18 | 1:17:22 | |
-Will Fairfax pay me? -Fairfax is a man who signs cheques! | 1:17:22 | 1:17:27 | |
-Cash. -Nothing! Fairfax is dead. He just doesn't know it yet! | 1:17:27 | 1:17:34 | |
SOMEBODY'S gotta pay. | 1:17:34 | 1:17:36 | |
-Make a phone call. -Walker, it's a waste of time! | 1:17:41 | 1:17:45 | |
All right. | 1:17:51 | 1:17:53 | |
-< GUN CLICKS -I'm just getting a cigar out. | 1:17:53 | 1:17:58 | |
Cash(?) You think I can go to some hole in the wall, | 1:18:07 | 1:18:12 | |
take out 93,000 and peel it off for you(?) | 1:18:12 | 1:18:17 | |
-'Operator.' -Brewster Los Angeles. Get me Mr Fairfax. | 1:18:17 | 1:18:22 | |
This is a CORPORATION, Walker. | 1:18:22 | 1:18:25 | |
We deal in millions. We never see cash! I got 11 in my pocket! | 1:18:25 | 1:18:31 | |
-MAN ON PHONE: How are you? -I just got in. | 1:18:31 | 1:18:36 | |
-How's the weather? -OK. | 1:18:36 | 1:18:38 | |
Listen, I got a man named Walker with me. Says we owe him 93,000. | 1:18:38 | 1:18:44 | |
-Are you gonna say anything!? -What do you WANT me to say? | 1:18:46 | 1:18:52 | |
He says he's gonna shoot me | 1:18:53 | 1:18:56 | |
unless I pay him. | 1:18:56 | 1:18:58 | |
You know me better than that! | 1:18:58 | 1:19:01 | |
Wanna say a word? | 1:19:02 | 1:19:05 | |
-How much is Brewster worth to you? -Threatening calls don't impress me! | 1:19:05 | 1:19:12 | |
He's gettin' ready to shoot... | 1:19:16 | 1:19:19 | |
-Yes or no!? -Of course not! | 1:19:19 | 1:19:22 | |
Walker...? What's happened!? | 1:19:36 | 1:19:39 | |
Nothing. Where'd you come from!? | 1:19:39 | 1:19:42 | |
-I'm with him. -Oh, you're... | 1:19:42 | 1:19:45 | |
Walker, it, eh...occurred to me that...that, eh...we might still... | 1:19:53 | 1:19:58 | |
be able to do something for you... | 1:19:58 | 1:20:02 | |
I mean, get you the money... | 1:20:02 | 1:20:05 | |
But, eh, not here in Los Angeles... | 1:20:05 | 1:20:08 | |
There's still one set-up where large sums of money change hands: the Alcatraz run. | 1:20:08 | 1:20:16 | |
You remember it? | 1:20:16 | 1:20:19 | |
It's still there, once a week. | 1:20:19 | 1:20:21 | |
-Alcatraz. -The drop's changed, but the run is still the same. So... | 1:20:21 | 1:20:28 | |
If you wanna go to San Francisco... | 1:20:28 | 1:20:31 | |
Her, too. | 1:20:33 | 1:20:35 | |
I mean, anything you want. You can trust me, Walker. | 1:20:35 | 1:20:41 | |
There's supposed to be a light. I don't know exactly where it is, but it's up there. | 1:20:55 | 1:21:03 | |
Is that it? | 1:21:07 | 1:21:10 | |
All right, good. | 1:21:18 | 1:21:20 | |
-Just stay in the light. -What do you mean...? | 1:21:20 | 1:21:25 | |
-Nothing's gonna happen, is it(?) -No, just what I said will happen! | 1:21:25 | 1:21:31 | |
You're gonna get your money. | 1:21:31 | 1:21:34 | |
The whole thing's routine, Walker. | 1:21:37 | 1:21:40 | |
What are you looking for? There's nobody else here! | 1:21:48 | 1:21:53 | |
Walker...? | 1:21:56 | 1:21:59 | |
Walker!? | 1:21:59 | 1:22:01 | |
Walker? | 1:22:15 | 1:22:17 | |
HELICOPTER APPROACHING | 1:22:20 | 1:22:23 | |
Here it is. | 1:22:26 | 1:22:28 | |
Hey, Walker? Walker...? | 1:22:30 | 1:22:33 | |
It's coming in. Safe as a church. Your money. | 1:22:38 | 1:22:44 | |
What about your friend Fairfax? | 1:22:44 | 1:22:48 | |
-Fairfax is dead or he will be tomorrow. -It IS tomorrow. | 1:22:48 | 1:22:53 | |
-Gonna help me carry the box? -No. | 1:22:53 | 1:22:56 | |
Here's your money... | 1:23:49 | 1:23:51 | |
-GUNSHOT -AH...! | 1:23:51 | 1:23:54 | |
Walker...! Why did you... do that...!? Uhh...! | 1:23:57 | 1:24:03 | |
Walker didn't shoot you. | 1:24:07 | 1:24:10 | |
Fairfax... | 1:24:13 | 1:24:15 | |
This is Fairfax, Walker! Kill him! | 1:24:20 | 1:24:24 | |
You should've stayed an accountant. | 1:24:25 | 1:24:28 | |
Our deal's done, Walker. Brewster was the last one. | 1:24:32 | 1:24:38 | |
Huh(!) He thought he could take over from ME(!) | 1:24:38 | 1:24:43 | |
Hey, Walker... | 1:24:50 | 1:24:52 | |
Come on in with me. I've been looking YEARS for someone like you. | 1:24:55 | 1:25:01 | |
Well, come and get your money! | 1:25:07 | 1:25:10 | |
COME ON AND GET IT! | 1:25:12 | 1:25:15 | |
I PAY MY DEBTS! | 1:25:19 | 1:25:22 | |
Walker? | 1:25:24 | 1:25:26 | |
Walker!? | 1:25:29 | 1:25:31 | |
FOOTSTEPS > | 1:25:31 | 1:25:34 | |
Well? | 1:25:53 | 1:25:55 | |
WALKER! | 1:25:59 | 1:26:01 | |
THIS IS THE LAST TIME! | 1:26:05 | 1:26:09 | |
How d'ya like that!? | 1:26:18 | 1:26:20 | |
..I like it. | 1:26:20 | 1:26:23 | |
Leave it. | 1:26:30 | 1:26:32 | |
Subtitles by BBC, 1987 | 1:27:42 | 1:27:48 |