
Browse content similar to Revolutionary Road. Check below for episodes and series from the same categories and more!
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This programme contains some strong language | 0:00:44 | 0:00:54 | |
MUSIC "The Gypsy" by The Ink Spots | 0:00:54 | 0:00:58 | |
# In a quaint caravan | 0:00:58 | 0:01:01 | |
# There's a lady they call the gypsy | 0:01:01 | 0:01:06 | |
# She can look in the future | 0:01:10 | 0:01:13 | |
# And drive away all your fears | 0:01:13 | 0:01:18 | |
# Everything will come right | 0:01:21 | 0:01:25 | |
# If you only believe | 0:01:25 | 0:01:28 | |
# The gypsy... # | 0:01:28 | 0:01:30 | |
So what do you do? | 0:01:33 | 0:01:34 | |
I'm studying to be an actress. You? | 0:01:34 | 0:01:38 | |
I'm a longshoreman. | 0:01:38 | 0:01:40 | |
-No, I mean, really. -I mean really, too. | 0:01:40 | 0:01:44 | |
Although starting Monday I'm doing something a little more glamorous. | 0:01:44 | 0:01:47 | |
-What's that? -Night cashier at the cafeteria. | 0:01:47 | 0:01:51 | |
I don't mean how you make money. I mean what are you interested in? | 0:01:51 | 0:01:56 | |
Honey, if I had the answer to that one, | 0:01:56 | 0:01:59 | |
I bet I'd bore us both to death in half an hour. | 0:01:59 | 0:02:03 | |
# Somebody else was kissing you | 0:02:03 | 0:02:09 | |
# But I'll go there again | 0:02:10 | 0:02:13 | |
# Cos I want to believe the gypsy | 0:02:13 | 0:02:21 | |
# That my lover is true | 0:02:21 | 0:02:25 | |
# And will come back to me some day... # | 0:02:25 | 0:02:30 | |
AUDIENCE APPLAUDS | 0:02:34 | 0:02:38 | |
Thank God that's over. | 0:02:41 | 0:02:43 | |
So much for the debut of The Laurel Players. | 0:02:43 | 0:02:48 | |
And she was very disappointing. | 0:02:48 | 0:02:50 | |
-Oh! Frank, very nice, Frank. -Thanks so much, Mrs Givings. | 0:02:56 | 0:03:01 | |
I can't tell you how much we enjoyed it. | 0:03:01 | 0:03:04 | |
-You have a very talented wife. -Well, I'll pass it along, huh? | 0:03:04 | 0:03:07 | |
SHE SOBS | 0:03:09 | 0:03:11 | |
-Frank! -Oh, hi. | 0:03:18 | 0:03:22 | |
She's in there. I'm about ready for that drink. | 0:03:22 | 0:03:25 | |
Couple of minutes. | 0:03:25 | 0:03:27 | |
April? Sweetheart? | 0:03:36 | 0:03:38 | |
-Hi. -Hi. -You about ready to leave? -Yeah. | 0:03:41 | 0:03:45 | |
I've just got to get this make-up off. | 0:03:45 | 0:03:49 | |
I guess it wasn't a... a triumph or anything, was it? | 0:03:53 | 0:04:00 | |
I guess not. I'll be ready in a minute. | 0:04:00 | 0:04:05 | |
Take your time. | 0:04:05 | 0:04:08 | |
Listen, would you do me a favour? | 0:04:08 | 0:04:11 | |
Milly and Shep wanted us to go out with them after. | 0:04:11 | 0:04:14 | |
Will you say we can't? Say it's because of the babysitter. | 0:04:14 | 0:04:17 | |
I already said that we could. I just saw them and said we would. | 0:04:17 | 0:04:21 | |
Would you mind going out again and saying you were mistaken? | 0:04:21 | 0:04:24 | |
-Don't you think that's a little rude? -Then I'll tell them myself. | 0:04:24 | 0:04:28 | |
OK, take it easy, all right? I'll tell them. | 0:04:28 | 0:04:32 | |
-I mean it, baby, you were the only person in that play. -Thank you. | 0:05:11 | 0:05:16 | |
I shouldn't have let you get mixed up in the damn thing, that's all. | 0:05:18 | 0:05:21 | |
All right. | 0:05:21 | 0:05:23 | |
A bunch of amateurs. You've studied, for Christ's sake - | 0:05:23 | 0:05:27 | |
-Could we stop talking about it now? -Sure. | 0:05:27 | 0:05:31 | |
I just don't want you feeling bad about it, that's all, | 0:05:31 | 0:05:34 | |
because it's not worth it. | 0:05:34 | 0:05:35 | |
-It's bad enough having to live out here amongst these people, let... -Yes. | 0:05:35 | 0:05:39 | |
-What did you say? -I said yes. All right, Frank. | 0:05:39 | 0:05:41 | |
Could you just stop talking about it before you drive me crazy, please? | 0:05:41 | 0:05:46 | |
What are you doing? | 0:05:50 | 0:05:51 | |
-April. Sweetheart, let's talk about this. -Please, don't do that. | 0:06:00 | 0:06:04 | |
-Come on, now. -Don't touch me. -April... | 0:06:04 | 0:06:08 | |
Just leave me alone! | 0:06:08 | 0:06:10 | |
OK. OK. | 0:06:17 | 0:06:19 | |
It strikes me there's a considerable amount of bullshit going on | 0:06:19 | 0:06:23 | |
and there's a few things I'd like to clear up, all right? | 0:06:23 | 0:06:27 | |
Number one. It's not my fault that the play was lousy, OK? | 0:06:27 | 0:06:31 | |
Number two, it sure as hell isn't my fault | 0:06:31 | 0:06:34 | |
that you didn't turn out to be an actress and the sooner you get over | 0:06:34 | 0:06:37 | |
that little piece of soap opera the better off we're both going to be. | 0:06:37 | 0:06:40 | |
Number three, I don't happen to fit the role | 0:06:40 | 0:06:43 | |
of dumb, insensitive, suburban husband. | 0:06:43 | 0:06:45 | |
You've been trying to lay that crap on me since we moved out here | 0:06:45 | 0:06:48 | |
and I'm damned if I'll wear it. Number four, April! | 0:06:48 | 0:06:52 | |
April! | 0:06:53 | 0:06:55 | |
April. | 0:06:56 | 0:06:58 | |
-What the hell are you doing? Get back in the car. -No. | 0:06:58 | 0:07:01 | |
-I will in a minute, just let me stand here for a second. -Goddamn it! | 0:07:01 | 0:07:05 | |
April. Can we please just get back in the car and talk about this | 0:07:09 | 0:07:12 | |
instead of running all over Route 12. | 0:07:12 | 0:07:14 | |
Haven't I made it clear I don't want to talk about it? | 0:07:14 | 0:07:17 | |
Jesus, I'm trying to be nice about this thing here. | 0:07:17 | 0:07:20 | |
How kind of you. How terribly, terribly kind of you. | 0:07:20 | 0:07:23 | |
I don't deserve this. | 0:07:23 | 0:07:25 | |
You're always so definite on the subject | 0:07:25 | 0:07:27 | |
-of what you do and don't deserve. -Wait a min... | 0:07:27 | 0:07:30 | |
Wait a goddamn... April, you listen to me. | 0:07:30 | 0:07:32 | |
This is one time you're not going to get away with twisting what I say. | 0:07:32 | 0:07:37 | |
This happens to be one goddamn time I know I'm not in the wrong here. | 0:07:37 | 0:07:40 | |
I wish you'd stayed home. | 0:07:40 | 0:07:42 | |
When you're like this, you're sick. I really mean that. You're sick! | 0:07:42 | 0:07:45 | |
-Do you know what you are? -What? -You're disgusting! | 0:07:45 | 0:07:48 | |
You don't fool me. Just because you got me in this little trap, | 0:07:48 | 0:07:52 | |
you think you can bully me into feeling what you want me to feel. | 0:07:52 | 0:07:55 | |
-You in a trap?! -Yes. Me, Frank, me. | 0:07:55 | 0:07:57 | |
Jesus Christ, don't make me laugh! | 0:07:57 | 0:07:59 | |
You pathetic, self-deluded little boy. | 0:07:59 | 0:08:02 | |
Look at you. Tell me how by any stretch of the imagination | 0:08:02 | 0:08:06 | |
you can call yourself a man. | 0:08:06 | 0:08:08 | |
Fuck... | 0:08:08 | 0:08:10 | |
Ow, Jesus Christ! | 0:08:13 | 0:08:16 | |
-Don't look at me like that, April. -Could we please go home now? | 0:08:29 | 0:08:34 | |
Fifteenth floor. | 0:10:35 | 0:10:36 | |
I'm going to need your help this morning, old scout. | 0:10:48 | 0:10:52 | |
For the next few hours you're to warn me of Bandy's every approach. | 0:10:52 | 0:10:57 | |
You may need to shield me from public view in the likely event I void my stomach. | 0:10:57 | 0:11:02 | |
-It's that bad. -Morning, Jack. | 0:11:02 | 0:11:05 | |
Nothing good about it, I assure you. | 0:11:06 | 0:11:08 | |
Of course I knew the moment you stepped off the train what you were looking for. | 0:11:29 | 0:11:32 | |
A small, remodelled barn or a carriage house. | 0:11:32 | 0:11:36 | |
I just hate to be the one to tell you that sort of thing isn't available any more. | 0:11:36 | 0:11:40 | |
But I don't want you to despair. | 0:11:40 | 0:11:43 | |
There is one place up here I want to show you. | 0:11:43 | 0:11:47 | |
Now of course it isn't very desirable at this end. | 0:11:47 | 0:11:51 | |
As you can see, Crawford Road is mostly these little cinder blocky, | 0:11:51 | 0:11:55 | |
pick-up trucky places. | 0:11:55 | 0:11:56 | |
Plumbers, carpenters, little local people of that sort. | 0:11:56 | 0:12:01 | |
But eventually it leads up to Revolutionary Road, | 0:12:01 | 0:12:04 | |
which is much nicer. | 0:12:04 | 0:12:05 | |
Now the place I want to show you is a sweet little house, | 0:12:05 | 0:12:09 | |
sweet little setting. | 0:12:09 | 0:12:10 | |
Simple clean lines, good lawns, marvellous for children. | 0:12:10 | 0:12:15 | |
It's just around this next curve. | 0:12:15 | 0:12:17 | |
Now you'll see it. | 0:12:17 | 0:12:20 | |
There. See the little white one? | 0:12:20 | 0:12:23 | |
Sweet, isn't it? | 0:12:23 | 0:12:25 | |
That perky way it sits there on its little slope. | 0:12:25 | 0:12:28 | |
Charming, isn't it? | 0:12:28 | 0:12:31 | |
Oh, yes. | 0:12:33 | 0:12:35 | |
You wanted to see me? | 0:12:44 | 0:12:46 | |
Came for you from Toledo this morning. The third one this month. | 0:12:46 | 0:12:49 | |
I thought I'd... | 0:12:49 | 0:12:50 | |
I'm not prepared to have this conversation again, you understand? | 0:12:50 | 0:12:55 | |
-I was literally just... -These folks in the provinces look up to us. | 0:12:55 | 0:12:58 | |
We need to be efficient, we can't have this back and forth. | 0:12:58 | 0:13:01 | |
It's just not efficient. Am I right? | 0:13:01 | 0:13:05 | |
Yes. | 0:13:05 | 0:13:06 | |
-What was that about? -Toledo. | 0:13:07 | 0:13:10 | |
Branch manager wants a revised brochure for the conference | 0:13:10 | 0:13:14 | |
on the Knox 500. | 0:13:14 | 0:13:15 | |
"It's just not efficient, am I right?" | 0:13:15 | 0:13:19 | |
Sounds like a goody. | 0:13:19 | 0:13:21 | |
I don't even know what the Knox 500 does, do you? | 0:13:21 | 0:13:24 | |
Don't insult me. | 0:13:24 | 0:13:25 | |
If you look in the inactive file under SP-1109, | 0:13:39 | 0:13:44 | |
you'll find copies of all the stuff we sent to the agency. | 0:13:44 | 0:13:48 | |
That way we can trace the thing back to its, um, original sources. | 0:13:48 | 0:13:53 | |
Listen, I hope you weren't planning on having an early lunch. | 0:13:56 | 0:14:00 | |
No. I'm not really hungry. | 0:14:00 | 0:14:03 | |
-Good, I'll check on you later, all right? -OK. -OK. | 0:14:03 | 0:14:07 | |
You know something, Maureen? | 0:14:12 | 0:14:15 | |
You're lucky you met me. | 0:14:15 | 0:14:16 | |
Oh, how's that? | 0:14:18 | 0:14:19 | |
I think I can show you the ropes. | 0:14:21 | 0:14:23 | |
There's a certain art to survival at Knox. | 0:14:23 | 0:14:26 | |
Really. Let me show you what I mean. | 0:14:26 | 0:14:29 | |
Waiter. | 0:14:29 | 0:14:31 | |
Bring me the telephone, would you? And two more martinis. | 0:14:32 | 0:14:35 | |
Klondike 5-55-66, please. | 0:14:42 | 0:14:46 | |
Hello, Mrs Jorgensen. Frank Wheeler here. | 0:14:48 | 0:14:51 | |
I just wanted to let you know I've had to send Maureen Grube | 0:14:51 | 0:14:55 | |
down to Visual Aids for me. | 0:14:55 | 0:14:57 | |
I'll probably need her the rest of the afternoon, yes. | 0:14:57 | 0:15:01 | |
You too. Take care now. | 0:15:01 | 0:15:04 | |
I never even heard of Visual Aids. | 0:15:07 | 0:15:11 | |
Ah! That's because it doesn't exist. | 0:15:11 | 0:15:15 | |
Yoo-hoo! | 0:15:32 | 0:15:33 | |
Hi, Helen. Come on in. | 0:15:34 | 0:15:37 | |
Oh, I can't stay a minute. | 0:15:37 | 0:15:39 | |
I just wanted to bring these sedum plantings | 0:15:39 | 0:15:42 | |
for that messy patch down by the foot of the drive. | 0:15:42 | 0:15:45 | |
It's like the European houseleek, | 0:15:45 | 0:15:47 | |
only these have the most marvellous little yellow blossoms. | 0:15:47 | 0:15:50 | |
All it wants for the first few days is just a tiny dollop of water | 0:15:50 | 0:15:54 | |
and you'll find it absolutely thrives. | 0:15:54 | 0:15:56 | |
Thank you, Helen, that's so kind of you. | 0:15:56 | 0:15:59 | |
Would you like some coffee? | 0:15:59 | 0:16:02 | |
Is there something I can do for you, Helen? | 0:16:12 | 0:16:15 | |
Oh, I almost forgot. | 0:16:15 | 0:16:18 | |
There is one small favour I would like to ask. | 0:16:18 | 0:16:21 | |
It's about... | 0:16:21 | 0:16:23 | |
It's about my son, John. | 0:16:23 | 0:16:26 | |
He's been in the hospital. | 0:16:26 | 0:16:29 | |
I'm sorry. Is everything all right? | 0:16:29 | 0:16:32 | |
Actually, just for the time being, he's in Pleasant Brook... | 0:16:32 | 0:16:35 | |
..Psychiatric. | 0:16:35 | 0:16:36 | |
Oh. | 0:16:36 | 0:16:38 | |
Oh, I see. | 0:16:39 | 0:16:41 | |
It's nothing serious. | 0:16:41 | 0:16:43 | |
He's just got a little run-down. | 0:16:43 | 0:16:46 | |
Things can just get the better of us sometimes, don't you agree? | 0:16:46 | 0:16:49 | |
Yes. | 0:16:49 | 0:16:51 | |
Of course. | 0:16:51 | 0:16:53 | |
It's a marvellous facility. | 0:16:53 | 0:16:55 | |
And the treatments seem to be doing wonders for him. | 0:16:55 | 0:16:58 | |
Anyway, they said getting him out for an afternoon | 0:16:58 | 0:17:00 | |
might do him a little bit of good. | 0:17:00 | 0:17:03 | |
I think he finds my friends a little conventional, quite frankly. | 0:17:03 | 0:17:07 | |
I mean, he's travelled. | 0:17:07 | 0:17:09 | |
He has a PhD in mathematics. | 0:17:09 | 0:17:12 | |
I suppose you could say he's an intellectual. | 0:17:12 | 0:17:17 | |
It would do him a world of good to meet a young couple like you. | 0:17:17 | 0:17:20 | |
Well, we'd love to meet him. | 0:17:20 | 0:17:23 | |
Really? | 0:17:23 | 0:17:25 | |
Yes. We'd love to. | 0:17:25 | 0:17:28 | |
Thank you, dear. | 0:17:30 | 0:17:32 | |
Thank you. | 0:17:35 | 0:17:36 | |
Well, I must be off. | 0:17:39 | 0:17:42 | |
I remember the first day you came off the train. | 0:17:51 | 0:17:55 | |
You weren't like my other clients. You were different. | 0:17:55 | 0:17:58 | |
You just seemed...special. | 0:17:59 | 0:18:03 | |
Of course, you still are. | 0:18:07 | 0:18:10 | |
Remember, just a dollop. I must scoot. | 0:18:10 | 0:18:14 | |
Toodle-oo. | 0:18:14 | 0:18:16 | |
Bye. | 0:18:20 | 0:18:21 | |
I think you got me a little drunk. | 0:18:37 | 0:18:40 | |
You know what today is? | 0:18:47 | 0:18:49 | |
Monday. | 0:18:49 | 0:18:50 | |
It's my birthday. | 0:18:53 | 0:18:55 | |
I'm 30 years old today. | 0:18:55 | 0:18:58 | |
-Happy birthday. -Thank you. | 0:18:58 | 0:19:01 | |
What was the name of that department you made up again? | 0:19:07 | 0:19:12 | |
Visu... | 0:19:12 | 0:19:14 | |
Visual Aids. | 0:19:17 | 0:19:19 | |
What a joke. | 0:19:21 | 0:19:23 | |
What a joke! Oh, my... | 0:19:26 | 0:19:29 | |
-Do you want to hear a real joke? -Yes. | 0:19:32 | 0:19:35 | |
-My old man worked at Knox. -Yeah? | 0:19:37 | 0:19:41 | |
He was a salesman in Yonkers. | 0:19:41 | 0:19:44 | |
Oh. | 0:19:44 | 0:19:46 | |
Once a year, he used to take me to the city for lunch. | 0:19:46 | 0:19:51 | |
It was supposed to be a very special life advice sort of occasion. | 0:19:51 | 0:19:55 | |
-Nice. -No, not really. | 0:19:55 | 0:19:58 | |
I used to sit there and think, | 0:20:00 | 0:20:04 | |
"I hope to Christ I don't end up like you." | 0:20:04 | 0:20:07 | |
Now here I am, a 30-year-old Knox man. | 0:20:10 | 0:20:15 | |
Can you beat that? | 0:20:17 | 0:20:19 | |
I think I kind of lost you. | 0:20:20 | 0:20:23 | |
Your father worked for Knox. | 0:20:26 | 0:20:29 | |
I'm sorry, everything is just kind of... | 0:20:29 | 0:20:32 | |
..going out of focus. | 0:20:34 | 0:20:36 | |
(Why don't we get some air? You and me.) | 0:20:40 | 0:20:45 | |
'Is this you?' | 0:21:23 | 0:21:25 | |
Yeah. You been to Paris? | 0:21:27 | 0:21:30 | |
I've never really been anywhere. | 0:21:30 | 0:21:32 | |
Maybe I'll take you with me then. | 0:21:32 | 0:21:34 | |
I'm going back the first chance I get, I tell you. | 0:21:34 | 0:21:37 | |
People are alive there. Not like here. | 0:21:37 | 0:21:40 | |
All I know, April, is... | 0:21:48 | 0:21:50 | |
I want to feel things. | 0:21:50 | 0:21:54 | |
Really feel them. You know? | 0:21:54 | 0:21:57 | |
'How's that for an ambition?' | 0:21:59 | 0:22:01 | |
'Frank Wheeler.' | 0:22:02 | 0:22:04 | |
I think you're the most interesting person I've ever met. | 0:22:06 | 0:22:10 | |
Guess this wasn't what you had in mind when you went to work this morning, huh? | 0:22:16 | 0:22:20 | |
No, it certainly wasn't. | 0:22:20 | 0:22:22 | |
Do you have a cigarette, Frank? | 0:22:41 | 0:22:43 | |
Yeah, sure. | 0:22:45 | 0:22:46 | |
There you go. | 0:22:54 | 0:22:56 | |
Can I get you a drink or anything? | 0:22:58 | 0:23:00 | |
No, thanks, Maureen. Actually, it's getting kind of late. | 0:23:00 | 0:23:04 | |
I guess I'd better be cutting out. | 0:23:04 | 0:23:06 | |
Oh, gee. That's right. Did you miss your train? | 0:23:07 | 0:23:13 | |
It's all right, I'll catch the next one. | 0:23:13 | 0:23:15 | |
Listen...you were swell. | 0:23:17 | 0:23:20 | |
Take care now. | 0:23:26 | 0:23:28 | |
Frank. | 0:24:00 | 0:24:02 | |
Why are you all dressed up? | 0:24:02 | 0:24:05 | |
First of all, I missed you all day. I want to say I'm sorry. | 0:24:05 | 0:24:09 | |
I'm sorry for the way I've been since the play. | 0:24:09 | 0:24:12 | |
I'm sorry for everything. And I love you. | 0:24:12 | 0:24:15 | |
The rest can wait. | 0:24:18 | 0:24:19 | |
Now, you... | 0:24:19 | 0:24:21 | |
-..just wait here till I call you. OK? -OK. | 0:24:23 | 0:24:27 | |
All right, Frank, you can come in now. | 0:24:36 | 0:24:38 | |
SUPPRESSED CHILDREN'S LAUGHTER | 0:24:44 | 0:24:46 | |
(ALL) # Happy birthday to you | 0:24:52 | 0:24:55 | |
# Happy birthday to you | 0:24:55 | 0:24:58 | |
# Happy birthday dear Daddy | 0:24:58 | 0:25:03 | |
# Happy birthday to you. # | 0:25:03 | 0:25:06 | |
Happy birthday, darling. | 0:25:08 | 0:25:10 | |
-I love you, Daddy. -I love you, too. | 0:25:10 | 0:25:14 | |
< Frank. | 0:25:30 | 0:25:31 | |
Frank. I have had the most wonderful idea. | 0:25:37 | 0:25:42 | |
I've been thinking about it all day. | 0:25:42 | 0:25:44 | |
What's all this about? | 0:25:44 | 0:25:46 | |
You know how much money we have saved? | 0:25:46 | 0:25:48 | |
Enough to live on for six months without you earning a dime. | 0:25:48 | 0:25:51 | |
With the money we could get from the house and the car, longer than that. | 0:25:51 | 0:25:55 | |
What we could get for the house? | 0:25:55 | 0:25:57 | |
What are you talking about? Where are we going to live? | 0:25:57 | 0:26:01 | |
Paris. | 0:26:01 | 0:26:02 | |
What? | 0:26:02 | 0:26:04 | |
You always said it was the only place you'd ever been | 0:26:04 | 0:26:07 | |
that you wanted to go back to, the only place that was worth living. | 0:26:07 | 0:26:10 | |
Why don't we go there? | 0:26:10 | 0:26:11 | |
-You're serious? -Yes. | 0:26:11 | 0:26:14 | |
-What's stopping us? -What's stopping us? | 0:26:14 | 0:26:18 | |
I can think of a number of different things. | 0:26:18 | 0:26:20 | |
For example, what kind of job could I possibly get? | 0:26:20 | 0:26:23 | |
You won't be getting any kind of a job...because I will. | 0:26:23 | 0:26:28 | |
-Oh, right. -Don't laugh at me. Listen a minute. | 0:26:28 | 0:26:32 | |
Do you know what they pay for secretarial positions | 0:26:32 | 0:26:35 | |
-in government agencies in Europe? -I don't. | 0:26:35 | 0:26:37 | |
Listen, Frank, I'm serious. Do you think I'm kidding? | 0:26:37 | 0:26:40 | |
I just have a couple of questions. | 0:26:40 | 0:26:42 | |
For one thing, what exactly am I supposed to be doing | 0:26:42 | 0:26:45 | |
while you're out earning all this money? | 0:26:45 | 0:26:46 | |
Don't you see? That's the whole idea. | 0:26:46 | 0:26:51 | |
You'll do what you should have been allowed to do seven years ago. | 0:26:51 | 0:26:54 | |
You'll have time. For the first time in your life, you'll have time | 0:26:54 | 0:26:58 | |
to find out what it is you actually want to do. | 0:26:58 | 0:27:01 | |
And when you figure it out, | 0:27:01 | 0:27:03 | |
you'll have the time and the freedom to start doing it. | 0:27:03 | 0:27:06 | |
Sweetheart, it's just not very realistic, is all. | 0:27:09 | 0:27:12 | |
No, Frank. | 0:27:15 | 0:27:18 | |
This is what's unrealistic. | 0:27:18 | 0:27:20 | |
It's unrealistic for a man with a fine mind | 0:27:20 | 0:27:23 | |
to go on working year after year at a job he can't stand. | 0:27:23 | 0:27:27 | |
Coming home to a place he can't stand | 0:27:27 | 0:27:29 | |
to a wife who's equally unable to stand the same things. | 0:27:29 | 0:27:32 | |
Do you want to know the worst part? | 0:27:32 | 0:27:35 | |
Our whole existence here is based on this great premise | 0:27:36 | 0:27:40 | |
that we're special and superior to the whole thing. | 0:27:40 | 0:27:44 | |
But we're not. | 0:27:44 | 0:27:45 | |
We're just like everyone else. Look at us. | 0:27:45 | 0:27:50 | |
We've bought into the same ridiculous delusion, | 0:27:50 | 0:27:53 | |
this idea that you have to resign from life and settle down | 0:27:53 | 0:27:56 | |
the moment you have children. | 0:27:56 | 0:27:58 | |
And we've been punishing each other for it. | 0:27:58 | 0:28:01 | |
Listen. We decided to move out here. | 0:28:01 | 0:28:04 | |
No-one forced me to take the job at Knox. | 0:28:04 | 0:28:07 | |
Whoever said I was meant to be a big deal, anyway? | 0:28:07 | 0:28:09 | |
When I first met you there was nothing in the world you couldn't do or be. | 0:28:09 | 0:28:14 | |
When you first met me, I was a wise guy with a big mouth. | 0:28:14 | 0:28:16 | |
You were not! How can you even say that? | 0:28:16 | 0:28:19 | |
OK. So I'll have time. | 0:28:21 | 0:28:25 | |
And God knows, that's appealing. It's very appealing. | 0:28:25 | 0:28:29 | |
Everything you're saying makes sense if I had a talent, | 0:28:29 | 0:28:32 | |
-if I were a writer or an artist. -Frank, listen. | 0:28:32 | 0:28:35 | |
Listen to me. | 0:28:35 | 0:28:37 | |
It's what you are that's being stifled. | 0:28:37 | 0:28:39 | |
It's what you are that's being denied and denied | 0:28:39 | 0:28:42 | |
in this kind of life. | 0:28:42 | 0:28:44 | |
And what's that? | 0:28:46 | 0:28:48 | |
Don't you know? | 0:28:50 | 0:28:52 | |
You're the most beautiful and wonderful thing in the world. | 0:28:54 | 0:28:58 | |
You're a man. | 0:29:02 | 0:29:04 | |
(This is our chance, Frank.) | 0:29:20 | 0:29:24 | |
(This is our one chance.) | 0:29:24 | 0:29:27 | |
OK. | 0:29:31 | 0:29:33 | |
OK? | 0:29:37 | 0:29:38 | |
Why not? | 0:29:41 | 0:29:42 | |
Why the hell not? | 0:29:42 | 0:29:44 | |
MUSIC: "Count Every Star" by Donnie and the Dreamers | 0:29:53 | 0:29:57 | |
Morning, all. | 0:30:06 | 0:30:08 | |
-Morning. -Franklin, good to see your shining face. What's the news? | 0:30:08 | 0:30:12 | |
Fellas, I'm moving to Paris. | 0:30:12 | 0:30:16 | |
Indeed, and I'm moving to Tangiers. | 0:30:18 | 0:30:21 | |
Intra-company letter to Toledo. | 0:30:38 | 0:30:40 | |
Attention BF Chalmers, branch manager. | 0:30:40 | 0:30:45 | |
With regard to recent and repeated correspondence, | 0:30:45 | 0:30:50 | |
this is to advise that the matter | 0:30:50 | 0:30:52 | |
has been very satisfactorily taken in hand, period. Paragraph. | 0:30:52 | 0:30:57 | |
We wholly agree that the existing brochure is unsuitable. | 0:30:57 | 0:31:01 | |
To this end we have developed, quote... | 0:31:01 | 0:31:04 | |
.."Speaking of Production Control." | 0:31:09 | 0:31:12 | |
# Count every star In the midnight sky... # | 0:31:12 | 0:31:18 | |
Here you are, Mrs Wheeler. | 0:31:21 | 0:31:23 | |
These are the travellers' cheques you requested. | 0:31:23 | 0:31:25 | |
And your steamer reservations. | 0:31:25 | 0:31:29 | |
These I'll pass on to the embassy for you. | 0:31:29 | 0:31:32 | |
-Good luck. -Thank you. | 0:31:32 | 0:31:34 | |
September, October at the outside. | 0:31:37 | 0:31:41 | |
I just happen to think people are better off | 0:31:41 | 0:31:44 | |
doing some kind of work they actually like. | 0:31:44 | 0:31:47 | |
Right, yes. | 0:31:47 | 0:31:50 | |
I mean, assuming there is this true vocation waiting for you, | 0:31:50 | 0:31:55 | |
wouldn't you be just as likely to discover it here as there? | 0:31:55 | 0:32:01 | |
I don't think it's possible to discover anything on the 15th floor | 0:32:01 | 0:32:04 | |
of the Knox building. | 0:32:04 | 0:32:07 | |
And I don't think any of you do, either. | 0:32:07 | 0:32:10 | |
# Count every star In the midnight sky | 0:32:12 | 0:32:18 | |
# Count every rose, every firefly | 0:32:19 | 0:32:24 | |
# For that's how many times I've missed you | 0:32:26 | 0:32:33 | |
# Heaven knows I've missed you | 0:32:33 | 0:32:37 | |
# So count every leaf | 0:32:37 | 0:32:41 | |
# On a willow tree | 0:32:41 | 0:32:46 | |
# Count every wave | 0:32:46 | 0:32:49 | |
# On a stormy, stormy sea | 0:32:49 | 0:32:52 | |
# Count every star | 0:32:53 | 0:32:55 | |
# And darling, when you do | 0:32:55 | 0:32:59 | |
# You'll know the times I have cried for you. # | 0:32:59 | 0:33:10 | |
Daddy, will you read to us? | 0:33:10 | 0:33:12 | |
All...the way...to...here. | 0:33:12 | 0:33:17 | |
We have to take a big boat right across the sea to get there. | 0:33:17 | 0:33:21 | |
-But I won't know anybody there. -Oh, I know. Neither will I. | 0:33:21 | 0:33:26 | |
But remember how you felt when you started school? | 0:33:26 | 0:33:29 | |
Now look how many friends you have. | 0:33:29 | 0:33:31 | |
You'll never guess what they eat in Paris. | 0:33:31 | 0:33:35 | |
-You'll never guess. -What? | 0:33:35 | 0:33:38 | |
-Slimy snails. -Snails! | 0:33:38 | 0:33:40 | |
Slimy snails and icky frog's legs. | 0:33:40 | 0:33:43 | |
MIMICS TRUMPET IN TUNE WITH JAZZ MUSIC | 0:33:48 | 0:33:52 | |
-Milly. -Where are you, doll? | 0:33:55 | 0:33:58 | |
You better get changed, they'll be here soon. | 0:33:58 | 0:34:01 | |
Is that what you're wearing? | 0:34:01 | 0:34:03 | |
-Don't you like it? -Yeah. | 0:34:05 | 0:34:07 | |
You look great, doll. Guess I better haul ass. | 0:34:08 | 0:34:12 | |
Hiya, gang. | 0:34:29 | 0:34:30 | |
What you watching? | 0:34:35 | 0:34:36 | |
Shep! | 0:35:14 | 0:35:16 | |
I was calling you and calling you. | 0:35:17 | 0:35:20 | |
Hi. | 0:35:23 | 0:35:24 | |
Here we go. | 0:35:30 | 0:35:32 | |
Just a little something. | 0:35:32 | 0:35:35 | |
Ooh, those look great, I'm starving. | 0:35:35 | 0:35:38 | |
April. | 0:35:38 | 0:35:39 | |
I can't get over it. You look like the cat that ate the canary. | 0:35:39 | 0:35:43 | |
Do you have something to tell us? | 0:35:43 | 0:35:46 | |
Just a little bit of news? | 0:35:46 | 0:35:48 | |
Well, actually, Milly, we... we do have some important news. | 0:35:48 | 0:35:53 | |
I knew it. | 0:35:53 | 0:35:55 | |
Honey, why don't you tell them? | 0:35:55 | 0:35:57 | |
We're going to Europe. | 0:35:59 | 0:36:01 | |
To Paris. | 0:36:01 | 0:36:03 | |
To live. | 0:36:07 | 0:36:08 | |
-What? -When? | 0:36:11 | 0:36:14 | |
In September. | 0:36:14 | 0:36:16 | |
But what for? | 0:36:16 | 0:36:18 | |
What for? Well... | 0:36:18 | 0:36:20 | |
Well, because we've always wanted to. Because the kids are young enough. | 0:36:20 | 0:36:25 | |
Because it's beautiful. Shep, you've been there, you tell her. | 0:36:25 | 0:36:29 | |
Yeah, it's a great city. | 0:36:29 | 0:36:31 | |
When did you make this decision? | 0:36:39 | 0:36:41 | |
Um, about a week ago. It's hard to remember. | 0:36:41 | 0:36:44 | |
We just suddenly decided to go, that's all. | 0:36:44 | 0:36:47 | |
-About a week ago, you tell us now. -We had to get used to the idea. | 0:36:47 | 0:36:51 | |
What's the deal, Frank? You got a job over there or what? | 0:36:51 | 0:36:54 | |
No, not exactly. | 0:36:54 | 0:36:56 | |
What do you mean, "Not exactly"? | 0:36:56 | 0:36:59 | |
Frank won't be getting any kind of a job because I will. | 0:36:59 | 0:37:04 | |
So what are you going to do, Frank? | 0:37:07 | 0:37:09 | |
I'm going to study and I'm going to read. | 0:37:09 | 0:37:13 | |
I suppose I'm going to finally figure out what I want to do with my life. | 0:37:13 | 0:37:17 | |
While she supports you? | 0:37:17 | 0:37:19 | |
Yes. While she supports me. In the beginning. | 0:37:19 | 0:37:25 | |
You wouldn't believe what they pay for secretarial work | 0:37:25 | 0:37:28 | |
in those government agencies. | 0:37:28 | 0:37:30 | |
NATO and ECA and those places. | 0:37:30 | 0:37:33 | |
-The cost of living is dirt cheap. -So cheap. | 0:37:33 | 0:37:36 | |
The truth is, we just need something different. | 0:37:36 | 0:37:41 | |
We're not getting any younger and don't want life to just pass us by. | 0:37:41 | 0:37:44 | |
That's right. | 0:37:44 | 0:37:46 | |
Gee, it sounds wonderful, kids. | 0:37:46 | 0:37:50 | |
I mean it. | 0:37:50 | 0:37:52 | |
-That really sounds wonderful. -Thank you, Milly. | 0:37:52 | 0:37:56 | |
-We'll certainly miss you both, won't we? Golly. -Sure. | 0:37:56 | 0:38:01 | |
-We'll miss you too. -Of course. | 0:38:01 | 0:38:03 | |
We should have a toast or something. To Paris! | 0:38:03 | 0:38:05 | |
-To Paris. -To Paris. -To Paris. | 0:38:05 | 0:38:07 | |
-Cheers. -Cheers. | 0:38:09 | 0:38:10 | |
You know what I think? | 0:38:23 | 0:38:25 | |
What? | 0:38:25 | 0:38:27 | |
I think this whole plan sounds a little immature. | 0:38:27 | 0:38:31 | |
Oh, God, I am so relieved. | 0:38:31 | 0:38:33 | |
Me, too. I was thinking that the whole time. | 0:38:35 | 0:38:38 | |
What kind of man is going to sit around in his bathrobe | 0:38:38 | 0:38:40 | |
picking his nose while his wife goes out and works? | 0:38:40 | 0:38:42 | |
I don't know, Shep, I just don't know. | 0:38:42 | 0:38:46 | |
Why are you crying? | 0:38:51 | 0:38:53 | |
What's the matter? | 0:38:56 | 0:38:57 | |
It's nothing. I'm just so relieved. | 0:39:02 | 0:39:05 | |
Shep. | 0:39:06 | 0:39:08 | |
Don't cry. Please. | 0:39:08 | 0:39:11 | |
It's all right, everything's going to be all right. | 0:39:11 | 0:39:14 | |
My God, their faces! | 0:39:16 | 0:39:18 | |
Oh, God! | 0:39:20 | 0:39:22 | |
Oh, God! | 0:39:23 | 0:39:25 | |
Do you know what this is like, April? Honestly. | 0:39:25 | 0:39:28 | |
Talking like this, the whole idea of going off to Europe this way. | 0:39:28 | 0:39:33 | |
This is the way I felt going up to the line the first time, in the war. | 0:39:33 | 0:39:38 | |
I was probably just as scared as everyone else | 0:39:38 | 0:39:41 | |
but inside I never felt better. | 0:39:41 | 0:39:43 | |
I felt...I felt alive, I felt full of blood. | 0:39:43 | 0:39:47 | |
I felt...everything just... everything seemed more real. | 0:39:47 | 0:39:51 | |
The guys in the uniforms, the snow on the fields, the trees | 0:39:51 | 0:39:54 | |
and all of us just walking. | 0:39:54 | 0:39:58 | |
I was scared, of course, but I just kept thinking, | 0:39:58 | 0:40:02 | |
"This is it. This is the truth." | 0:40:02 | 0:40:05 | |
I felt that way once, too. | 0:40:09 | 0:40:11 | |
When? | 0:40:11 | 0:40:14 | |
First time you made love to me. | 0:40:22 | 0:40:24 | |
Oh, April. | 0:40:28 | 0:40:29 | |
-What's up? -Bart Pollock's here. -He's in Bandy's office. | 0:41:33 | 0:41:37 | |
Big deal, huh? | 0:41:39 | 0:41:40 | |
BUZZING | 0:41:44 | 0:41:45 | |
Looks like he wants to talk to you. | 0:41:45 | 0:41:48 | |
Keep my name out of it. | 0:41:53 | 0:41:55 | |
Frank, good to see you. You know Bart Pollock? | 0:42:00 | 0:42:03 | |
Well, we've never met, but of... | 0:42:03 | 0:42:05 | |
Good to know you, Frank. "Speaking of Production Control?" | 0:42:05 | 0:42:10 | |
Frank, this is a crackerjack! | 0:42:12 | 0:42:18 | |
They are tickled to death in Toledo. | 0:42:20 | 0:42:23 | |
Really? | 0:42:30 | 0:42:31 | |
So this guy Pollock was perfect presidential material in the worst sense. | 0:42:31 | 0:42:37 | |
A million-dollar smile and about 3lb of muscle between the ears. | 0:42:37 | 0:42:41 | |
April, you should have heard this guy. | 0:42:41 | 0:42:43 | |
"Frank, this is a crackerjack." What a horse's ass. | 0:42:43 | 0:42:48 | |
Wish I'd seen his face when you told him you were leaving. | 0:42:48 | 0:42:52 | |
Yeah. | 0:42:52 | 0:42:54 | |
Here they come. | 0:43:00 | 0:43:02 | |
-Yoo-hoo! Sorry to be late. -You're not late. | 0:43:02 | 0:43:07 | |
-The traffic was terrible. -You didn't have to do that. | 0:43:07 | 0:43:10 | |
-Good to see you. -Wasn't it terrible? -Well, Route 12. | 0:43:10 | 0:43:13 | |
By the time they finish that stretch they'll have to start all over again. | 0:43:13 | 0:43:18 | |
You must be John. | 0:43:18 | 0:43:20 | |
Say hello, John. | 0:43:20 | 0:43:23 | |
Nice to meet you. Heard a lot about you. | 0:43:23 | 0:43:26 | |
Where are your darling children? | 0:43:26 | 0:43:28 | |
They're at a birthday party. Sorry they couldn't be here. | 0:43:28 | 0:43:32 | |
Don't worry, if I had a certified lunatic coming round | 0:43:32 | 0:43:35 | |
I'd probably get the kids out the way too. | 0:43:35 | 0:43:37 | |
Look at all this food. | 0:43:37 | 0:43:39 | |
You didn't have to go to any trouble for us. | 0:43:39 | 0:43:41 | |
Just some sandwiches. John, would you like a sandwich? | 0:43:41 | 0:43:46 | |
Helen has been talking it up about you people for months. | 0:43:46 | 0:43:49 | |
The nice young Wheelers on Revolutionary Road. | 0:43:49 | 0:43:52 | |
The nice young revolutionaries on Wheeler Road. | 0:43:52 | 0:43:56 | |
-Would anyone like some sherry? -Please don't bother, Frank. | 0:43:56 | 0:44:00 | |
I'd like some sherry. | 0:44:00 | 0:44:02 | |
And I'll drink Helen's, too, if she doesn't beat me to it. | 0:44:02 | 0:44:06 | |
Oh, but, you got a highball glass? | 0:44:06 | 0:44:08 | |
Put a couple of ice cubes in it, pour it up to the brim. | 0:44:08 | 0:44:12 | |
That's the way I like it. | 0:44:12 | 0:44:14 | |
I think I can handle that. | 0:44:14 | 0:44:16 | |
This egg salad is delicious, April. You must tell me how you fix it. | 0:44:21 | 0:44:26 | |
-You a lawyer, Frank? -No, I'm not. | 0:44:26 | 0:44:29 | |
I could use a lawyer. | 0:44:29 | 0:44:30 | |
-HOWARD: -Let's not get started again about the lawyer. | 0:44:30 | 0:44:32 | |
Couldn't you just sit there and eat your wonderful egg salad and quit horning in? | 0:44:32 | 0:44:38 | |
See, I've many questions to ask and I'm willing to pay for the answers. | 0:44:38 | 0:44:43 | |
I don't need to be told that a man who goes after his mother | 0:44:43 | 0:44:46 | |
with a coffee table is putting himself in a weak position legally. | 0:44:46 | 0:44:49 | |
That's obvious. | 0:44:49 | 0:44:50 | |
Come have a look out this fabulous picture window. | 0:44:50 | 0:44:54 | |
If he hits her with it and kills her that's a criminal case. | 0:44:54 | 0:44:57 | |
Look! The sun is coming out. | 0:44:57 | 0:44:58 | |
If all he does is break the table and give her some aggravation | 0:44:58 | 0:45:01 | |
and she goes to court over it that's a civil case. | 0:45:01 | 0:45:04 | |
Maybe we'll have a rainbow. Come have a look. | 0:45:04 | 0:45:06 | |
How about doing everybody a favour and shutting up? | 0:45:06 | 0:45:10 | |
-HOWARD: -Settle down now. | 0:45:10 | 0:45:12 | |
Maybe I can look into it. Recommend someone, what do you say? | 0:45:12 | 0:45:16 | |
Hmm. | 0:45:18 | 0:45:19 | |
So, what do you do, Frank? | 0:45:23 | 0:45:27 | |
I work at Knox Business Machines. | 0:45:27 | 0:45:30 | |
-You design the machines? -No. -Make them? Sell them? Repair them? | 0:45:30 | 0:45:35 | |
All these questions. | 0:45:35 | 0:45:37 | |
I help sell them, I guess. I work in the office. | 0:45:37 | 0:45:40 | |
Actually, it's... it's sort of a stupid job, really. | 0:45:40 | 0:45:44 | |
There's...nothing interesting about it at all. | 0:45:44 | 0:45:48 | |
What do you do it for, then? | 0:45:48 | 0:45:50 | |
Maybe Frank doesn't like being questioned. | 0:45:50 | 0:45:53 | |
OK, OK, OK, I know, it's none of my business. | 0:45:53 | 0:45:56 | |
And besides, I know the answer. | 0:45:56 | 0:45:59 | |
You want to play house, you got to have a job. | 0:45:59 | 0:46:01 | |
You want to play very nice house, very sweet house, | 0:46:01 | 0:46:04 | |
then you've got to have a job you don't like. | 0:46:04 | 0:46:07 | |
Anyone comes along and says, "What do you do it for?", | 0:46:07 | 0:46:09 | |
he's probably on a four-hour pass from the state funny farm. | 0:46:09 | 0:46:14 | |
All agreed? Ma? | 0:46:15 | 0:46:18 | |
-HOWARD: -Sorry, Frank. -Don't be. | 0:46:18 | 0:46:21 | |
Actually, John, I agree with everything you just said. | 0:46:21 | 0:46:24 | |
We both do, so I'm quitting the job in the fall. We're taking off. | 0:46:24 | 0:46:28 | |
We're moving to Paris. | 0:46:28 | 0:46:30 | |
Did you know about this, Ma? Wow. | 0:46:33 | 0:46:37 | |
How do you feel about that, Ma? | 0:46:37 | 0:46:40 | |
The nice young Wheelers... | 0:46:41 | 0:46:44 | |
The nice young Wheelers are taking off. | 0:46:45 | 0:46:50 | |
John, please. | 0:46:56 | 0:46:58 | |
Steady down, son. | 0:46:58 | 0:46:59 | |
John. John! How about some fresh air? What do you say? | 0:47:04 | 0:47:08 | |
If that's all right with you? | 0:47:08 | 0:47:10 | |
I don't know if it's such a good idea. | 0:47:10 | 0:47:12 | |
If John wants to, I don't see the harm. | 0:47:12 | 0:47:14 | |
-APRIL: -Good. -After you. | 0:47:14 | 0:47:17 | |
I hear you're a mathematician. | 0:47:20 | 0:47:23 | |
You hear wrong. It's all gone now. | 0:47:23 | 0:47:27 | |
-All gone? -You know what electrical shock treatments are? | 0:47:27 | 0:47:31 | |
Yes. Yes, I do. | 0:47:31 | 0:47:33 | |
I've had 37. | 0:47:33 | 0:47:35 | |
It's supposed to jolt out the emotional problems, | 0:47:38 | 0:47:41 | |
just jolted out the mathematics. | 0:47:41 | 0:47:44 | |
How awful. | 0:47:44 | 0:47:46 | |
How awful, why? | 0:47:46 | 0:47:47 | |
Because mathematics is so interesting? | 0:47:47 | 0:47:52 | |
No, the shocks must be awful. | 0:47:52 | 0:47:54 | |
Because it's awful not to be able to do what it is you want to do. | 0:47:54 | 0:47:58 | |
I think mathematics must be dull. | 0:47:58 | 0:48:01 | |
-I like your girl, Frank. -Me too. | 0:48:02 | 0:48:05 | |
So, what do a couple of people like you have to run away from? | 0:48:05 | 0:48:09 | |
-We're not running. -So what's in Paris? | 0:48:09 | 0:48:12 | |
-Different way of life. -Maybe we are running. | 0:48:12 | 0:48:15 | |
Running from the hopeless emptiness of the whole life here, right? | 0:48:15 | 0:48:20 | |
The hopeless emptiness? | 0:48:20 | 0:48:22 | |
Now you've said it. | 0:48:25 | 0:48:27 | |
Plenty of people are on to the emptiness... | 0:48:27 | 0:48:31 | |
but it takes real guts to see the hopelessness. | 0:48:31 | 0:48:35 | |
Wow. | 0:48:39 | 0:48:40 | |
You know, he's the first person who seemed to know | 0:48:55 | 0:48:58 | |
what we were talking about. | 0:48:58 | 0:49:00 | |
That's true, isn't it? | 0:49:01 | 0:49:04 | |
Maybe we're just as crazy as he is. | 0:49:04 | 0:49:07 | |
If being crazy means living life as if it matters, | 0:49:07 | 0:49:11 | |
then I don't care if we're completely insane. | 0:49:11 | 0:49:14 | |
Do you? | 0:49:16 | 0:49:18 | |
No. | 0:49:21 | 0:49:22 | |
I love you so much. | 0:49:24 | 0:49:26 | |
Tell you something, Frank. | 0:49:36 | 0:49:39 | |
Ted Bandy, nice guy, real sport. | 0:49:39 | 0:49:41 | |
Good enough department head and all but I'm a little sore at him, | 0:49:41 | 0:49:45 | |
the way he's kept you under a bushel all these years. | 0:49:45 | 0:49:47 | |
-This place OK for you? -It's just fine, sir, just fine. | 0:49:47 | 0:49:51 | |
One thing interests me and one thing only. | 0:49:51 | 0:49:54 | |
Selling the electronic computer to the American businessman. | 0:49:54 | 0:49:57 | |
That's why I'm assembling a team. | 0:49:57 | 0:50:01 | |
Men like you. Not your average salesmen. | 0:50:01 | 0:50:04 | |
It will mean more money | 0:50:04 | 0:50:05 | |
and, I've got to be honest, maybe more of a time commitment. | 0:50:05 | 0:50:10 | |
But you'll be a part of something exciting, Wheeler. Computers. | 0:50:10 | 0:50:14 | |
Well, sir, sounds exciting. | 0:50:17 | 0:50:20 | |
-Bart. -Bart. | 0:50:20 | 0:50:22 | |
Bart, let me ask you a question. | 0:50:27 | 0:50:30 | |
Do you happen to remember an Earl Wheeler out of Yonkers? | 0:50:30 | 0:50:33 | |
Can't say that I do. Relation of yours? | 0:50:33 | 0:50:37 | |
My father. Worked as a salesman for Knox for almost 20 years. | 0:50:37 | 0:50:42 | |
Earl Wheeler? | 0:50:44 | 0:50:46 | |
Earl Wheeler? | 0:50:46 | 0:50:48 | |
There's no reason you'd remember him. | 0:50:50 | 0:50:53 | |
Well, I'm sure he was a good man. | 0:50:53 | 0:50:56 | |
Listen, Bart, there's... | 0:51:03 | 0:51:06 | |
there's something I should have mentioned earlier. | 0:51:06 | 0:51:10 | |
I'm going to be leaving the firm in the fall. | 0:51:10 | 0:51:12 | |
-Another outfit? -No, it's not another outfit. | 0:51:14 | 0:51:18 | |
Look, Frank, is it a question of money? | 0:51:18 | 0:51:21 | |
If it is there's no reason we can't get together... | 0:51:21 | 0:51:24 | |
I sure appreciate that, but no, it's not the money, it's... | 0:51:24 | 0:51:29 | |
Well, it's more of a... more of a personal thing. | 0:51:29 | 0:51:32 | |
I hope you understand. | 0:51:32 | 0:51:34 | |
A personal thing. | 0:51:34 | 0:51:36 | |
I see. Frank, let me tell you something my father told me. | 0:51:36 | 0:51:42 | |
A man only gets a couple of chances in life. | 0:51:42 | 0:51:46 | |
If he doesn't grab them by the balls, it won't be long | 0:51:46 | 0:51:48 | |
before he's sitting around wondering how he got to be second rate. | 0:51:48 | 0:51:53 | |
I guess so. | 0:51:58 | 0:51:59 | |
So do me a favour. | 0:52:00 | 0:52:02 | |
Sleep on it. | 0:52:02 | 0:52:04 | |
Discuss it with your wife. | 0:52:04 | 0:52:06 | |
Because, let's be honest, | 0:52:06 | 0:52:08 | |
where the hell would any of us be without our wives, anyway? | 0:52:08 | 0:52:11 | |
And Frank, in all sincerity, if you do decide to join us, | 0:52:14 | 0:52:17 | |
I believe it will be a thing you'll never regret. | 0:52:17 | 0:52:22 | |
And I believe something else, too. | 0:52:22 | 0:52:24 | |
I believe it'd be a fine memorial to your dad. | 0:52:24 | 0:52:28 | |
Think about it, Frank. Really think about it. | 0:52:30 | 0:52:33 | |
Knowing what you've got, comma, | 0:52:40 | 0:52:44 | |
knowing what you need, comma, | 0:52:44 | 0:52:48 | |
knowing what you can do without, dash, | 0:52:48 | 0:52:54 | |
that's Inventory Control. | 0:52:54 | 0:52:56 | |
"Knowing what you've got, comma, | 0:53:13 | 0:53:18 | |
"knowing what you need, comma, | 0:53:18 | 0:53:22 | |
"knowing what you can do without, dash, | 0:53:22 | 0:53:27 | |
"that's Inventory Control." | 0:53:27 | 0:53:31 | |
Hi, Frank. | 0:53:31 | 0:53:32 | |
Working late? | 0:53:34 | 0:53:36 | |
Yeah. | 0:53:36 | 0:53:38 | |
I got to dig myself out here. | 0:53:38 | 0:53:40 | |
I heard you were getting promoted. | 0:53:42 | 0:53:44 | |
Big-shot. | 0:53:45 | 0:53:47 | |
I guess your dad would have been real proud, huh? | 0:53:50 | 0:53:53 | |
Yeah, I guess so. | 0:54:01 | 0:54:03 | |
So maybe I should take you for a drink or something. | 0:54:12 | 0:54:16 | |
You know, celebrate. | 0:54:16 | 0:54:19 | |
Yeah, maybe. | 0:54:23 | 0:54:25 | |
I'll just get my things. | 0:54:29 | 0:54:31 | |
I'm going to bring my doll carriage and my three Easter rabbits | 0:54:39 | 0:54:43 | |
and all my dolls and my dollhouse and my crayons... | 0:54:43 | 0:54:46 | |
We could give the dollhouse to Madeleine. | 0:54:46 | 0:54:48 | |
I don't want to give it to Madeleine. | 0:54:48 | 0:54:50 | |
I already explained, big things will be hard to pack. | 0:54:50 | 0:54:53 | |
She can have my bear and my three Easter ra... | 0:54:53 | 0:54:55 | |
No, just the big things. Wouldn't you rather go outside and play? | 0:54:55 | 0:55:00 | |
Don't feel like it. | 0:55:00 | 0:55:01 | |
-You've been inside all day. -I don't feel like it. | 0:55:01 | 0:55:04 | |
Well, I don't feel like explaining everything 15 times to somebody | 0:55:04 | 0:55:08 | |
who's too bored and silly to listen. | 0:55:08 | 0:55:10 | |
-All right, April, what's the matter? -Nothing. | 0:55:17 | 0:55:19 | |
I don't believe you. Did something happen this morning? | 0:55:19 | 0:55:22 | |
Nothing happened today that I haven't known about for days. | 0:55:22 | 0:55:25 | |
What? | 0:55:25 | 0:55:27 | |
God, Frank, please don't look so dense. You mean you haven't guessed? | 0:55:27 | 0:55:31 | |
April, what are you talking about? | 0:55:31 | 0:55:34 | |
I'm pregnant, that's all. | 0:55:37 | 0:55:39 | |
Wh...What? | 0:55:41 | 0:55:43 | |
Frank, I meant to wait till the kids were in bed to tell you but I jus... | 0:55:43 | 0:55:47 | |
I've been pretty sure all week. | 0:55:47 | 0:55:48 | |
Today I went to the doctor and now I can't even pretend it's not true. | 0:55:48 | 0:55:52 | |
How long? | 0:55:52 | 0:55:54 | |
Ten weeks. | 0:55:54 | 0:55:56 | |
Ten weeks? | 0:55:58 | 0:55:59 | |
Ten weeks and you wait until now to tell me? | 0:55:59 | 0:56:02 | |
No, I thought... I don't know what I thought. | 0:56:02 | 0:56:06 | |
I'm sorry, Frank. I'm so sorry. | 0:56:06 | 0:56:08 | |
I know you are. All right? | 0:56:08 | 0:56:11 | |
But there are things we can do. | 0:56:11 | 0:56:13 | |
We don't have to let this stop us from going, do we? | 0:56:13 | 0:56:16 | |
Remember that girl at school I told you about? | 0:56:16 | 0:56:19 | |
As long as we take care of it before 12 weeks it's fine. | 0:56:19 | 0:56:23 | |
We've got to be together in this, Frank. | 0:56:23 | 0:56:26 | |
Well. | 0:56:29 | 0:56:31 | |
We'll figure it out. All right? | 0:56:31 | 0:56:34 | |
Come here. | 0:56:35 | 0:56:37 | |
Twelve weeks. We have time to decide, right? | 0:56:39 | 0:56:43 | |
Right. | 0:56:43 | 0:56:45 | |
I love you. | 0:56:46 | 0:56:47 | |
I love you, too. | 0:56:52 | 0:56:53 | |
So, Frank, how's work? Going to survive without you? | 0:57:36 | 0:57:40 | |
Actually, something kind of funny happened the other day. | 0:57:41 | 0:57:46 | |
I did some dumb little piece of work to get myself off the hook with Bandy | 0:57:46 | 0:57:51 | |
and suddenly I'm the bright young man. | 0:57:51 | 0:57:53 | |
-That's always the way, ain't it? -It's incredible. | 0:57:53 | 0:57:56 | |
I knocked this thing off in a couple of minutes and now they want me | 0:57:56 | 0:57:59 | |
-to join their team of specialist salesmen. -Morons. | 0:57:59 | 0:58:04 | |
Well, it would be funny if they weren't offering so much damn money. | 0:58:04 | 0:58:09 | |
So, are you tempted? | 0:58:13 | 0:58:15 | |
Well, it's just kind of ironic, don't you think? | 0:58:15 | 0:58:18 | |
I thought you turned the job down. | 0:58:40 | 0:58:43 | |
Well, not yet. | 0:58:43 | 0:58:45 | |
It's just an option, that's all. | 0:58:47 | 0:58:50 | |
With that kind of money, things could be different for us here. | 0:58:50 | 0:58:54 | |
We could get a better place, travel. | 0:58:54 | 0:58:57 | |
The point is, we could be happy here, at least for a while. | 0:58:57 | 0:59:00 | |
It is possible that Parisians aren't the only ones capable of leading interesting lives. | 0:59:00 | 0:59:05 | |
-So you've made up your mind? -No. | 0:59:05 | 0:59:08 | |
Like I said, it's just an option. That's all. | 0:59:08 | 0:59:11 | |
And supposing you're right? | 0:59:14 | 0:59:16 | |
You make all this money and we have this interesting life here. | 0:59:16 | 0:59:21 | |
Won't you still be wasting your life | 0:59:21 | 0:59:23 | |
toiling away at a job you find ridiculous? | 0:59:23 | 0:59:25 | |
Maybe we'll let that be my business. | 0:59:27 | 0:59:29 | |
-Your business? -It's too hot for this. I'm going to go get wet. | 0:59:29 | 0:59:33 | |
You don't want to go, do you? | 0:59:45 | 0:59:47 | |
-Come on, April, of course I do. -No, you don't. | 0:59:47 | 0:59:50 | |
You've never tried at anything. | 0:59:50 | 0:59:52 | |
And if you don't try at anything, you can't fail. | 0:59:52 | 0:59:55 | |
What the hell do you mean I don't try? I support you, don't I? | 0:59:55 | 0:59:58 | |
I pay for this house, I work ten hours a day at a job | 0:59:58 | 1:00:01 | |
-I can't stand. -You don't have to. | 1:00:01 | 1:00:03 | |
Bullshit! I'm not happy about it, | 1:00:03 | 1:00:05 | |
but I have the backbone not to run away from my responsibilities. | 1:00:05 | 1:00:08 | |
It takes backbone to lead the life you want, Frank. | 1:00:08 | 1:00:12 | |
Where are you going? | 1:00:15 | 1:00:17 | |
If it's all right with you, April, I'm going to use the bathroom. OK? | 1:00:17 | 1:00:21 | |
What the hell are you going to do with this? | 1:00:48 | 1:00:50 | |
What do you think you're going to do? | 1:00:50 | 1:00:53 | |
-You're going to stop me? -Damn right, I am. -Go ahead and try. | 1:00:53 | 1:00:56 | |
-You do this and I swear to God... -You'll what? You'll leave me? | 1:00:56 | 1:01:00 | |
Is that a threat or a promise? | 1:01:00 | 1:01:02 | |
When did you buy this? How long have you had this? I want to know. | 1:01:02 | 1:01:05 | |
You really are being melodramatic about this whole thing. | 1:01:05 | 1:01:08 | |
As long as it's done in the first 12 weeks it's perfectly safe. | 1:01:08 | 1:01:12 | |
That's now! Don't I get a say? | 1:01:12 | 1:01:14 | |
Of course you do. It would be for you. Don't you see? | 1:01:14 | 1:01:17 | |
So you can have time, like we talked about. | 1:01:17 | 1:01:19 | |
How can it be for me when the thought of it makes my stomach turn over? | 1:01:19 | 1:01:23 | |
Then it's for me. Tell me we can have the baby in Paris, | 1:01:23 | 1:01:26 | |
tell me we can have a different life, | 1:01:26 | 1:01:28 | |
but don't make me stay here, please. | 1:01:28 | 1:01:30 | |
We can't have the baby in Paris. | 1:01:30 | 1:01:31 | |
Why not? I don't need everything we have here. | 1:01:31 | 1:01:35 | |
I don't care where we live. Who made these rules, anyway? | 1:01:35 | 1:01:38 | |
Look, the only reason we moved out here was because I got pregnant. | 1:01:39 | 1:01:45 | |
Then we had another child to prove the first one wasn't a mistake. | 1:01:45 | 1:01:48 | |
How long does it go on? | 1:01:48 | 1:01:49 | |
Frank, do you actually want another child? | 1:01:51 | 1:01:55 | |
Well, do you? | 1:01:55 | 1:01:57 | |
Come on, tell me. Tell me the truth, Frank. | 1:01:57 | 1:02:02 | |
Remember that? We used to live by it. | 1:02:02 | 1:02:05 | |
And you know what's so good about the truth? | 1:02:05 | 1:02:08 | |
Everyone knows what it is however long they've lived without it. | 1:02:08 | 1:02:12 | |
No-one forgets the truth, Frank. They just get better at lying. | 1:02:12 | 1:02:17 | |
So tell me. | 1:02:17 | 1:02:20 | |
Do you really want another child? | 1:02:20 | 1:02:22 | |
All I know is what I feel. | 1:02:24 | 1:02:25 | |
And anyone else in their right mind would feel the same way, April. | 1:02:28 | 1:02:33 | |
But I've had two children. | 1:02:33 | 1:02:35 | |
Doesn't that count in my favour? | 1:02:35 | 1:02:37 | |
Christ, the fact you even put it that way, | 1:02:37 | 1:02:40 | |
you make it seem as if having children is some sort of punishment. | 1:02:40 | 1:02:43 | |
I love my children, Frank. | 1:02:43 | 1:02:46 | |
And you're sure about that, huh? | 1:02:46 | 1:02:49 | |
What the hell is that supposed to mean? | 1:02:49 | 1:02:52 | |
April, you just said our daughter was a mistake. | 1:02:52 | 1:02:56 | |
How do I know you didn't try to get rid of her, | 1:02:56 | 1:02:58 | |
or Michael for that matter? | 1:02:58 | 1:02:59 | |
How do I know you didn't try to flush our entire family down the toilet? | 1:02:59 | 1:03:03 | |
That's not true. Of course I didn't. | 1:03:03 | 1:03:06 | |
But how do I know, April? | 1:03:06 | 1:03:07 | |
Stop, please, just stop, Frank. | 1:03:07 | 1:03:11 | |
April, a normal woman, a normal, sane mother | 1:03:11 | 1:03:15 | |
doesn't buy a piece of rubber tubing to give herself an abortion | 1:03:15 | 1:03:19 | |
so she can live out some kind of a goddamn fantasy! | 1:03:19 | 1:03:22 | |
Look. | 1:03:32 | 1:03:33 | |
All I'm saying is you don't seem entirely rational about this thing. | 1:03:33 | 1:03:38 | |
And I think it's about time we found somebody | 1:03:38 | 1:03:41 | |
to help make some sense of your life. | 1:03:41 | 1:03:43 | |
And the new job is going to pay for that, too? | 1:03:43 | 1:03:47 | |
April... | 1:03:49 | 1:03:52 | |
if you need a shrink it will be paid for. | 1:03:52 | 1:03:55 | |
Obviously. | 1:03:55 | 1:03:56 | |
OK. I guess there isn't much more to say then, is there? | 1:04:00 | 1:04:05 | |
So I guess Paris was a pretty childish idea, huh? | 1:04:13 | 1:04:17 | |
I guess maybe it was. | 1:04:22 | 1:04:24 | |
April. | 1:04:36 | 1:04:38 | |
We can be happy here. | 1:04:38 | 1:04:41 | |
I can make you happy here. | 1:04:42 | 1:04:44 | |
We've had a great couple of months, it doesn't need to end. | 1:04:44 | 1:04:48 | |
We're going to be OK. | 1:04:50 | 1:04:52 | |
I promise. | 1:04:53 | 1:04:56 | |
I hope so, Frank. | 1:04:58 | 1:05:00 | |
I really hope so. | 1:05:02 | 1:05:03 | |
Thank you for waiting. Mr Pollock will see you now. | 1:05:42 | 1:05:47 | |
Thanks a bunch. | 1:05:47 | 1:05:49 | |
Foiled by faulty contraception. | 1:05:59 | 1:06:01 | |
I can't say that I'm sorry. | 1:06:04 | 1:06:05 | |
You'd have been sorely missed in the old cubicle, I can tell you that. | 1:06:05 | 1:06:08 | |
Wouldn't have been the same without you. | 1:06:08 | 1:06:10 | |
Besides, we're... | 1:06:10 | 1:06:13 | |
Well... | 1:06:14 | 1:06:15 | |
What? | 1:06:17 | 1:06:18 | |
The plan always seemed a touch unrealistic, don't you think? | 1:06:19 | 1:06:24 | |
-I suppose it's none of my business. -No, I suppose it isn't. | 1:06:29 | 1:06:33 | |
Well. | 1:06:37 | 1:06:38 | |
They'll be celebrating in the secretarial pool. | 1:06:41 | 1:06:44 | |
SALESMEN SNIGGER | 1:06:45 | 1:06:47 | |
JAZZ MUSIC PLAYS | 1:06:58 | 1:07:00 | |
Hey, you remember the first time you brought us here? | 1:07:12 | 1:07:15 | |
Oh, absolutely. | 1:07:15 | 1:07:16 | |
You said it takes a special kind of taste to enjoy Vito's Log Cabin. | 1:07:16 | 1:07:20 | |
"It's so awful, it's kind of nice." | 1:07:20 | 1:07:23 | |
Look at me. | 1:07:26 | 1:07:28 | |
Just so happy. | 1:07:28 | 1:07:30 | |
The little gang is back together again. | 1:07:30 | 1:07:33 | |
SONG FINISHES | 1:07:35 | 1:07:37 | |
Hey, Europe's not going anywhere. | 1:07:44 | 1:07:48 | |
That's right. | 1:07:48 | 1:07:49 | |
April, honey, | 1:08:09 | 1:08:11 | |
how about a dance? | 1:08:11 | 1:08:13 | |
Not right now. Maybe later. | 1:08:15 | 1:08:17 | |
-I'll dance. -OK. | 1:08:17 | 1:08:21 | |
Guess she's still pretty blue about Paris, huh? | 1:08:34 | 1:08:36 | |
-Think she'll be OK? -Sure. | 1:08:36 | 1:08:40 | |
Give us girls a couple of days and we can get over anything. | 1:08:40 | 1:08:44 | |
Oh, Frank! | 1:08:45 | 1:08:47 | |
Frank. | 1:08:50 | 1:08:51 | |
Frank. Frank... | 1:08:53 | 1:08:56 | |
Are you OK? | 1:08:56 | 1:08:58 | |
Are you OK? Milly. | 1:08:58 | 1:09:00 | |
I'm so sorry. | 1:09:00 | 1:09:02 | |
Excuse me. | 1:09:02 | 1:09:04 | |
That's just great(!) | 1:09:07 | 1:09:09 | |
How the hell are we supposed to get out now? | 1:09:10 | 1:09:13 | |
Oh, boy. | 1:09:13 | 1:09:14 | |
Don't worry about it, Shep, we can wait. Really. | 1:09:16 | 1:09:19 | |
What about the sitter? | 1:09:19 | 1:09:21 | |
Why don't you drive Milly home, then go home yourself? | 1:09:21 | 1:09:25 | |
-Then Shep can take me home later. -That's fine by me. | 1:09:25 | 1:09:29 | |
OK, then. You'll be all right? | 1:09:29 | 1:09:34 | |
-Sure. -OK. | 1:09:34 | 1:09:36 | |
-Goodnight. -Goodnight. -Goodnight. -Feel better. | 1:09:37 | 1:09:41 | |
I'm sorry you're not going away any more. | 1:10:00 | 1:10:03 | |
I know it was important to you. | 1:10:03 | 1:10:05 | |
Don't take this wrong but... I've been there. | 1:10:07 | 1:10:11 | |
They don't have so much we don't have here. | 1:10:11 | 1:10:15 | |
It didn't have to be Paris. | 1:10:16 | 1:10:19 | |
You just...wanted out, huh? | 1:10:19 | 1:10:23 | |
I wanted in. | 1:10:23 | 1:10:24 | |
I just... I just wanted us to live again. | 1:10:28 | 1:10:32 | |
For years I thought we shared this secret. | 1:10:37 | 1:10:40 | |
That we would be wonderful in the world. | 1:10:43 | 1:10:45 | |
I didn't exactly know how but just... | 1:10:49 | 1:10:53 | |
just the possibility kept me hoping. | 1:10:53 | 1:10:55 | |
How pathetic is that? | 1:11:02 | 1:11:04 | |
So stupid. | 1:11:06 | 1:11:07 | |
To put all your hopes in a promise that was never made. | 1:11:09 | 1:11:15 | |
See, Frank knows. He knows what he wants. | 1:11:18 | 1:11:22 | |
He's found his place, he's just fine. | 1:11:22 | 1:11:24 | |
Married, two kids. | 1:11:25 | 1:11:27 | |
Should be enough. | 1:11:32 | 1:11:33 | |
It is for him. | 1:11:39 | 1:11:40 | |
And he's right. | 1:11:45 | 1:11:46 | |
We were never special, or destined, or anything at all. | 1:11:48 | 1:11:52 | |
Yes, you are. | 1:11:52 | 1:11:54 | |
You're... | 1:11:56 | 1:11:57 | |
..you're the Wheelers. | 1:11:58 | 1:12:00 | |
You're a terrific couple. Everybody says so. | 1:12:00 | 1:12:03 | |
I saw a whole other future. | 1:12:05 | 1:12:07 | |
I can't stop seeing it. | 1:12:10 | 1:12:12 | |
Can't leave. | 1:12:17 | 1:12:18 | |
Can't stay. | 1:12:20 | 1:12:22 | |
No damn use to anyone. | 1:12:24 | 1:12:26 | |
JIVE MUSIC STARTS | 1:12:30 | 1:12:32 | |
Come on. | 1:12:34 | 1:12:35 | |
Let's do it. | 1:12:36 | 1:12:38 | |
MUSIC FADES OUT | 1:13:01 | 1:13:03 | |
-Let me take you somewhere. -No, just do it here. Now. | 1:13:45 | 1:13:49 | |
April. | 1:14:34 | 1:14:35 | |
This is what I've always wanted. | 1:14:38 | 1:14:40 | |
I love you. | 1:14:41 | 1:14:43 | |
Don't say that. | 1:14:43 | 1:14:45 | |
No, I mean it. | 1:14:47 | 1:14:49 | |
I love you. | 1:14:49 | 1:14:50 | |
Please, just... be quiet for a minute. | 1:14:50 | 1:14:54 | |
Then you can take me home. | 1:14:58 | 1:15:00 | |
It's beautiful out. | 1:15:49 | 1:15:50 | |
Yes, it is. | 1:15:52 | 1:15:53 | |
You know what today is? | 1:15:58 | 1:16:01 | |
It's 12 weeks. | 1:16:01 | 1:16:02 | |
That's right. | 1:16:02 | 1:16:04 | |
Look. | 1:16:06 | 1:16:09 | |
It's been kind of a crazy summer. | 1:16:09 | 1:16:11 | |
We've both been under a strain. | 1:16:11 | 1:16:13 | |
I understand why you're upset. | 1:16:13 | 1:16:15 | |
You know I'm not sleeping with you and you want to know why. | 1:16:15 | 1:16:20 | |
I'm sorry, Frank, but I just really don't feel like talking about it. | 1:16:20 | 1:16:26 | |
All right, then, what should we talk about, April? | 1:16:26 | 1:16:29 | |
Would it be all right if we didn't talk about anything? | 1:16:29 | 1:16:32 | |
Can't we just take each day as it comes and do the best we can | 1:16:32 | 1:16:36 | |
and not feel like we have to talk about everything all the time? | 1:16:36 | 1:16:39 | |
I don't think I'm suggesting that we talk about everything all the time. | 1:16:39 | 1:16:43 | |
My point is we've both been under a strain. | 1:16:43 | 1:16:46 | |
We ought to be helping each other out as much as we can right now. | 1:16:46 | 1:16:51 | |
God knows, my own behaviour has been pretty weird lately. | 1:16:51 | 1:16:55 | |
As a matter of fact, there is something I'd like to tell you about. | 1:16:57 | 1:17:01 | |
I've been with a girl a few times. | 1:17:02 | 1:17:05 | |
In the city. | 1:17:05 | 1:17:08 | |
A girl I hardly even know. | 1:17:08 | 1:17:11 | |
It's nothing to me. | 1:17:11 | 1:17:13 | |
But...but it's over now. | 1:17:13 | 1:17:16 | |
Really over. | 1:17:16 | 1:17:18 | |
And if I weren't sure of that I guess I could never have told you about it. | 1:17:18 | 1:17:22 | |
Why did you? | 1:17:27 | 1:17:28 | |
Baby, I don't know. | 1:17:28 | 1:17:30 | |
I think it's a simple case of wanting to be a man again | 1:17:31 | 1:17:34 | |
after all that abortion business. | 1:17:34 | 1:17:36 | |
Some kind of neurotic, irrational need to prove something... | 1:17:36 | 1:17:39 | |
No, I don't mean why did you have the girl. | 1:17:39 | 1:17:43 | |
I mean why did you tell me about it? | 1:17:43 | 1:17:45 | |
What do you mean? | 1:17:47 | 1:17:49 | |
I mean, what's the point? | 1:17:49 | 1:17:50 | |
Is it supposed to make me jealous or something? | 1:17:52 | 1:17:55 | |
Is it supposed to make me fall in love with you | 1:17:55 | 1:17:57 | |
or back into bed with you, or what? | 1:17:57 | 1:17:59 | |
I mean, what would you like me to say, Frank? | 1:17:59 | 1:18:04 | |
Why don't you say what you feel, April? | 1:18:05 | 1:18:07 | |
I don't feel anything. | 1:18:09 | 1:18:10 | |
In other words, you don't care what I do or who I fuck or anything? | 1:18:10 | 1:18:15 | |
No. | 1:18:19 | 1:18:20 | |
I guess that's right, I don't. | 1:18:20 | 1:18:22 | |
Fuck who you like. | 1:18:24 | 1:18:26 | |
April, don't you understand that I want you to care? | 1:18:26 | 1:18:29 | |
I know. I know you do. | 1:18:29 | 1:18:31 | |
And I suppose I would, if I loved you. | 1:18:31 | 1:18:34 | |
But I don't think I do any more and I only just figured that out. | 1:18:34 | 1:18:37 | |
And that's why I'd just as soon not do any talking right now. | 1:18:37 | 1:18:41 | |
Don't give me that shit, April. You know goddamn well you love me. | 1:18:41 | 1:18:45 | |
-You think so? -You know goddamn well. | 1:18:45 | 1:18:48 | |
Yoo-hoo. Anyone home? | 1:18:48 | 1:18:51 | |
I'm sorry dinner's late. Would anyone like another drink? | 1:18:55 | 1:18:59 | |
Don't worry. It's nice to just sit a bit and socialise. | 1:18:59 | 1:19:03 | |
You shouldn't have gone to all this trouble. | 1:19:03 | 1:19:05 | |
With all your packing and whatnot, you have a lot on your plate. | 1:19:05 | 1:19:08 | |
No pun intended. | 1:19:08 | 1:19:11 | |
-Actually, there's been a change of plans. -Oh? | 1:19:11 | 1:19:14 | |
I thought maybe it was obvious. April here is pregnant. | 1:19:14 | 1:19:18 | |
-HOWARD: -Congratulations! | 1:19:18 | 1:19:20 | |
April, I can't tell you how pleased I am. | 1:19:20 | 1:19:24 | |
Oh, but I expect you'll be needing a bigger house now, won't you? | 1:19:24 | 1:19:28 | |
-< -Hold on a second, Ma. I don't get this. | 1:19:28 | 1:19:31 | |
What's so obvious about it? | 1:19:31 | 1:19:34 | |
OK, she's pregnant. So what? Don't people have babies in Europe? | 1:19:34 | 1:19:38 | |
Suppose we just say that people anywhere aren't very well advised | 1:19:38 | 1:19:42 | |
to have babies unless they can afford them. | 1:19:42 | 1:19:45 | |
OK, it's a question of money. Money is a good reason. | 1:19:45 | 1:19:50 | |
But it's hardly ever the real reason. | 1:19:50 | 1:19:53 | |
What's the real reason? | 1:19:53 | 1:19:56 | |
Wife talk you out of it or what? | 1:19:57 | 1:19:59 | |
Little woman decides she isn't quite ready to quit playing house? | 1:19:59 | 1:20:03 | |
No, that's not it. | 1:20:04 | 1:20:06 | |
I can tell, she looks too tough and adequate as hell. | 1:20:06 | 1:20:10 | |
OK, then. | 1:20:11 | 1:20:13 | |
It must have been you. What happened? | 1:20:13 | 1:20:16 | |
-John, please, you're being very rude. -No, no. | 1:20:16 | 1:20:19 | |
What happened, Frank? | 1:20:19 | 1:20:21 | |
You get cold feet? You decide you're better off here after all? | 1:20:26 | 1:20:30 | |
You figure it's more comfy here, | 1:20:30 | 1:20:36 | |
in the old hopeless emptiness, after all? | 1:20:36 | 1:20:39 | |
Wow, that did it. Look at his face. | 1:20:42 | 1:20:44 | |
What's the matter, am I getting warm? | 1:20:44 | 1:20:46 | |
-All right, Son, I think we better... -You know something? | 1:20:46 | 1:20:50 | |
I wouldn't be surprised if he knocked her up on purpose, | 1:20:50 | 1:20:53 | |
just so he could spend his life hiding behind a maternity dress. | 1:20:53 | 1:20:56 | |
That way he'd never have to find out what he's really made of. | 1:20:56 | 1:20:59 | |
Now, look! I think that's just about enough out of you. | 1:20:59 | 1:21:04 | |
Who the hell do you think you are? | 1:21:04 | 1:21:06 | |
You come in here and say what ever crazy thing comes into your head. | 1:21:06 | 1:21:10 | |
I think it's about time somebody told you to keep your goddamn mouth shut. | 1:21:10 | 1:21:13 | |
-He's not well, Frank. -Not well, my ass! | 1:21:13 | 1:21:16 | |
I don't give a damn if he's sick, or well, or dead or alive. | 1:21:16 | 1:21:20 | |
He should keep his fucking opinions | 1:21:20 | 1:21:22 | |
in the fucking insane asylum where they belong! | 1:21:22 | 1:21:26 | |
-HOWARD: -Let's go, Son. -Come on, John. | 1:21:28 | 1:21:31 | |
Big man you got there, April. | 1:21:35 | 1:21:37 | |
Big family man. | 1:21:37 | 1:21:40 | |
I feel sorry for you. | 1:21:43 | 1:21:45 | |
Still, maybe you deserve each other. | 1:21:47 | 1:21:51 | |
I mean, the way you look right now | 1:21:51 | 1:21:54 | |
I'm beginning to feel sorry for him, too. | 1:21:54 | 1:21:57 | |
You must give him a pretty bad time | 1:21:57 | 1:21:59 | |
if making babies is the only way he can prove he's got a pair of balls. | 1:21:59 | 1:22:03 | |
-You fucking... -No, he's not well, Frank! | 1:22:03 | 1:22:08 | |
All right, John, let's get on out to the car now. | 1:22:19 | 1:22:22 | |
April, I'm sorry. I'm so sorry. | 1:22:28 | 1:22:32 | |
Right! Sorry, sorry. Sorry. | 1:22:32 | 1:22:36 | |
Oh, Ma, have I said I'm sorry enough times? Damn! | 1:22:36 | 1:22:40 | |
I am sorry, too. I'm just about the sorriest bastard I know. | 1:22:40 | 1:22:45 | |
But I don't have a whole hell of a lot to be glad about, do I? | 1:22:45 | 1:22:49 | |
But, hey, you know what? I'm glad about one thing. | 1:22:51 | 1:22:56 | |
You want to know what I'm glad about? | 1:22:56 | 1:23:00 | |
I'm glad I'm not going to be that kid. | 1:23:02 | 1:23:04 | |
OK, don't tell me. | 1:23:21 | 1:23:24 | |
Don't tell me, let me guess. | 1:23:25 | 1:23:28 | |
I made a disgusting spectacle of myself, right? | 1:23:28 | 1:23:31 | |
Right. | 1:23:33 | 1:23:34 | |
And everything that man said is true, is that what you're going to say? | 1:23:34 | 1:23:37 | |
Apparently I don't have to. You're saying it for me. | 1:23:37 | 1:23:41 | |
You're wrong, April. | 1:23:41 | 1:23:42 | |
Really? Why am I wrong? | 1:23:42 | 1:23:44 | |
Because the man is insane. He's fucking insane. | 1:23:44 | 1:23:47 | |
-Do you know what the definition of insanity is? -No, do you? | 1:23:47 | 1:23:51 | |
It's the inability to relate to another human being. | 1:23:51 | 1:23:54 | |
It's the inability to love. | 1:23:54 | 1:23:57 | |
APRIL LAUGHS | 1:23:57 | 1:24:01 | |
April. April. | 1:24:01 | 1:24:03 | |
April! | 1:24:03 | 1:24:05 | |
April! | 1:24:06 | 1:24:07 | |
The inabil... | 1:24:07 | 1:24:09 | |
The inability... | 1:24:09 | 1:24:11 | |
Oh, Frank, you really are a wonderful talker. | 1:24:11 | 1:24:15 | |
If black could be made into white by talking, | 1:24:15 | 1:24:18 | |
you'd be the man for the job. | 1:24:18 | 1:24:20 | |
So now I'm crazy because I don't love you. Is that the point? | 1:24:20 | 1:24:24 | |
No, wrong! You're not crazy and you do love me. That's the point, April. | 1:24:24 | 1:24:29 | |
But I don't. | 1:24:29 | 1:24:31 | |
I hate you. | 1:24:31 | 1:24:33 | |
You are just some boy who made me laugh at a party once | 1:24:33 | 1:24:36 | |
and now I loathe the sight of you. | 1:24:36 | 1:24:39 | |
In fact, if you come any closer, if you touch me or anything, | 1:24:39 | 1:24:42 | |
I think I'll scream. | 1:24:42 | 1:24:44 | |
Look, come on, stop this, April. | 1:24:44 | 1:24:47 | |
Fuck you, April! | 1:24:52 | 1:24:55 | |
Fuck you and all your hateful... | 1:24:55 | 1:24:57 | |
What are you going to do now? | 1:24:57 | 1:24:59 | |
Hit me to show me how much you love me? | 1:24:59 | 1:25:02 | |
I can't be bothered. | 1:25:02 | 1:25:04 | |
You're not worth the trouble it would take to hit you. | 1:25:04 | 1:25:06 | |
You're not worth the powder it would take to blow you up. | 1:25:06 | 1:25:09 | |
You are an empty, empty, hollow shell of a woman. | 1:25:09 | 1:25:14 | |
I mean, what the hell are you doing in my house if you hate me so much? | 1:25:14 | 1:25:19 | |
Why the hell are you married to me? | 1:25:19 | 1:25:21 | |
What the hell are you doing carrying my child? | 1:25:21 | 1:25:23 | |
Why didn't you get rid of it when you had the chance? | 1:25:23 | 1:25:26 | |
Because, listen to me, I've got news for you. | 1:25:26 | 1:25:29 | |
I wish to God that you had. | 1:25:29 | 1:25:31 | |
FRONT DOOR SLAMS | 1:25:57 | 1:25:59 | |
April. | 1:26:04 | 1:26:06 | |
April! | 1:26:07 | 1:26:09 | |
April! | 1:26:13 | 1:26:14 | |
April. | 1:26:19 | 1:26:21 | |
April. | 1:26:26 | 1:26:27 | |
April! | 1:26:28 | 1:26:30 | |
-April. -Stay away from me. | 1:26:38 | 1:26:40 | |
-April, listen. -Stay away from me. | 1:26:40 | 1:26:42 | |
Can't I even get away from you in the fucking woods? | 1:26:42 | 1:26:44 | |
I didn't mean that. Honestly, I didn't mean what I... | 1:26:44 | 1:26:47 | |
You're still talking. Isn't there any way to stop your talking? | 1:26:47 | 1:26:51 | |
I need to think. Can't you see that? I need to think. | 1:26:51 | 1:26:55 | |
Please come back to the house. What are you doing? | 1:26:57 | 1:26:59 | |
Do you want me to scream again? Because I will. I mean it. | 1:26:59 | 1:27:03 | |
OK. OK. | 1:27:11 | 1:27:13 | |
Good morning. | 1:30:38 | 1:30:39 | |
Good morning. | 1:30:41 | 1:30:43 | |
Would you like scrambled eggs or fried? | 1:30:44 | 1:30:47 | |
I don't know. | 1:30:52 | 1:30:54 | |
Doesn't really matter. | 1:30:54 | 1:30:55 | |
Scrambled, I guess, if it's easy. | 1:30:57 | 1:30:59 | |
Fine. | 1:30:59 | 1:31:01 | |
I'll have scrambled, too. | 1:31:01 | 1:31:03 | |
It's kind of nice having breakfast without the kids for a change, huh? | 1:31:58 | 1:32:01 | |
Yes. | 1:32:01 | 1:32:03 | |
I thought you'd probably want a good breakfast today. | 1:32:04 | 1:32:07 | |
It's kind of an important day for you, isn't it? | 1:32:07 | 1:32:10 | |
Isn't this the day you have your conference with Pollock? | 1:32:10 | 1:32:14 | |
Yes. Yes, that's right. | 1:32:16 | 1:32:18 | |
Big deal(!) | 1:32:20 | 1:32:22 | |
I imagine it is a pretty big deal. | 1:32:23 | 1:32:25 | |
For them, anyway. | 1:32:25 | 1:32:27 | |
What exactly do you think you'll be doing in your new job? | 1:32:28 | 1:32:32 | |
-You haven't really told me much about it. -Haven't I? | 1:32:32 | 1:32:36 | |
Well, I think this whole thing is about Knox getting ready to buy up | 1:32:39 | 1:32:42 | |
one of those really big computers. | 1:32:42 | 1:32:45 | |
Even bigger than the 500. | 1:32:45 | 1:32:46 | |
-Didn't I tell you about that? -No. | 1:32:47 | 1:32:51 | |
Why don't you tell me now? | 1:32:51 | 1:32:53 | |
Well. | 1:32:57 | 1:32:59 | |
Basically it's just a big, fast adding machine. | 1:32:59 | 1:33:04 | |
Only instead of mechanical parts, you see, | 1:33:06 | 1:33:09 | |
you've got... | 1:33:09 | 1:33:12 | |
thousands of individual vacuum tubes. | 1:33:12 | 1:33:15 | |
I see. | 1:33:25 | 1:33:27 | |
At least I think I see. | 1:33:33 | 1:33:36 | |
Yes, it's really kind of interesting, isn't it? | 1:33:39 | 1:33:42 | |
I don't know. | 1:33:45 | 1:33:46 | |
Yeah, I guess it is kind of interesting, in a way. | 1:33:49 | 1:33:52 | |
You should value what you do, Frank. | 1:33:56 | 1:33:58 | |
You're obviously good at it. | 1:34:00 | 1:34:02 | |
I guess I'd better be getting started. | 1:34:17 | 1:34:19 | |
Listen, though, April... | 1:34:26 | 1:34:28 | |
..this was really nice. | 1:34:31 | 1:34:33 | |
I mean, it was a swell breakfast, really. | 1:34:34 | 1:34:37 | |
I don't know when I've ever had a nicer breakfast. | 1:34:37 | 1:34:41 | |
Thank you. | 1:34:43 | 1:34:45 | |
I enjoyed it too. | 1:34:45 | 1:34:47 | |
And you don't... you don't hate me or anything? | 1:35:08 | 1:35:13 | |
No. | 1:35:14 | 1:35:17 | |
No, of course I don't. | 1:35:17 | 1:35:18 | |
Have a good day. | 1:35:28 | 1:35:29 | |
OK, then. | 1:35:36 | 1:35:39 | |
So long. | 1:35:39 | 1:35:41 | |
Hello. Milly? | 1:37:18 | 1:37:20 | |
Everything all right? | 1:37:21 | 1:37:23 | |
Well, no, I'm afraid I'm not feeling any better. That's why I called. | 1:37:24 | 1:37:30 | |
If it's not an inconvenience for you, this evening would be great. | 1:37:30 | 1:37:35 | |
What? | 1:37:35 | 1:37:36 | |
Oh, no. | 1:37:38 | 1:37:41 | |
No. | 1:37:41 | 1:37:42 | |
Not if they're outdoors playing. | 1:37:42 | 1:37:44 | |
Don't call them in. Just... | 1:37:48 | 1:37:50 | |
..give them each a kiss for me. | 1:37:52 | 1:37:55 | |
And tell them I... | 1:37:55 | 1:37:57 | |
Tell them... | 1:37:59 | 1:38:00 | |
Oh, you know. All right. All right. | 1:38:02 | 1:38:05 | |
Thank you, Milly. Bye. | 1:38:05 | 1:38:08 | |
(I think I need help.) | 1:41:31 | 1:41:34 | |
115 Revolutionary Road. | 1:41:34 | 1:41:38 | |
SIREN BLARES | 1:41:47 | 1:41:50 | |
-Frank. Tell you what happened? -Jesus Christ, Shep, I didn't... | 1:42:04 | 1:42:08 | |
Foetus was out before they got her here. | 1:42:10 | 1:42:13 | |
They had to operate to take out the... What do you call it? | 1:42:13 | 1:42:16 | |
The placenta? Now she's still bleeding. | 1:42:16 | 1:42:19 | |
They said she lost a lot of blood before the ambulance came. | 1:42:19 | 1:42:22 | |
Now they're trying to stop it. | 1:42:22 | 1:42:24 | |
He said a lot of things I didn't understand about capillaries. | 1:42:24 | 1:42:29 | |
He said that she's unconscious. | 1:42:29 | 1:42:31 | |
-Jesus. -OK, Frank, why don't you take a seat? | 1:42:33 | 1:42:36 | |
What the hell do I want to sit down for? | 1:42:36 | 1:42:38 | |
OK, Frank, just take it easy. | 1:42:38 | 1:42:41 | |
Take it easy. | 1:42:41 | 1:42:42 | |
Frank, have a cigarette. | 1:42:44 | 1:42:45 | |
She did it to herself, Shep. | 1:42:45 | 1:42:48 | |
She did it to herself. | 1:42:49 | 1:42:51 | |
Let me get you some coffee. | 1:42:58 | 1:42:59 | |
They were such wonderful people, weren't they, Shep? | 1:44:08 | 1:44:13 | |
It's just devastating. | 1:44:13 | 1:44:15 | |
Poor April. | 1:44:16 | 1:44:18 | |
Frank lives in the city now. Where is it that he works? | 1:44:20 | 1:44:24 | |
Bart Pollock Associates. | 1:44:24 | 1:44:26 | |
Computers. | 1:44:26 | 1:44:27 | |
Interesting firm. | 1:44:27 | 1:44:29 | |
Have you seen him since? | 1:44:29 | 1:44:32 | |
No, not back here. Too many memories, I think. | 1:44:32 | 1:44:36 | |
Shep has seen him in the city, haven't you, sweetie? | 1:44:36 | 1:44:39 | |
Frank is just devoted to those kids. | 1:44:39 | 1:44:42 | |
Every spare moment he has he spends with them. | 1:44:42 | 1:44:46 | |
Excuse me. | 1:45:01 | 1:45:02 | |
You all right? | 1:45:12 | 1:45:13 | |
I don't want to talk about the Wheelers any more. | 1:45:19 | 1:45:22 | |
OK. | 1:45:24 | 1:45:25 | |
We don't have to. | 1:45:27 | 1:45:28 | |
We don't have to. | 1:45:31 | 1:45:32 | |
-< -Daddy, watch. Watch, Daddy. | 1:46:13 | 1:46:16 | |
CHILD LAUGHS | 1:46:16 | 1:46:17 | |
HELEN: I can't tell you how pleased I am | 1:46:21 | 1:46:24 | |
about the little Revolutionary Road place, Howard. | 1:46:24 | 1:46:27 | |
And now whenever I drive past, it gives me such a lift | 1:46:27 | 1:46:30 | |
to see it all perked up and spanking clean again. | 1:46:30 | 1:46:33 | |
All the lights in all the windows. | 1:46:33 | 1:46:36 | |
And do you know I was just thinking, | 1:46:36 | 1:46:39 | |
I've loved that little house for years. | 1:46:39 | 1:46:41 | |
The Braces are the only really suitable people | 1:46:41 | 1:46:44 | |
I've ever found for it. Really nice, congenial people, I mean. | 1:46:44 | 1:46:48 | |
Well, except for the Wheelers, you mean. | 1:46:48 | 1:46:51 | |
I was very fond of the Wheelers. | 1:46:53 | 1:46:56 | |
They were a bit whimsical for my taste, a bit neurotic. | 1:46:56 | 1:47:00 | |
I never stressed it but they were often trying people to deal with, | 1:47:00 | 1:47:04 | |
in many ways. | 1:47:04 | 1:47:06 | |
And actually the main reason the little house was so hard to sell | 1:47:06 | 1:47:11 | |
was because they let it depreciate so dreadfully. | 1:47:11 | 1:47:14 | |
Warped window frames, wet cellar, | 1:47:14 | 1:47:17 | |
crayon marks all over the walls, | 1:47:17 | 1:47:20 | |
filthy smudges around the doorknobs... | 1:47:20 | 1:47:22 | |
HOWARD TURNS OFF HIS HEARING AID | 1:47:22 | 1:47:25 | |
Subtitles by IMS | 1:47:45 | 1:47:47 |