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| Line | From | To | |
|---|---|---|---|
# We're on safari, beat the drum | 0:00:18 | 0:00:21 | |
# Go on safari to kingdom come | 0:00:21 | 0:00:23 | |
# Show her, show her, show her my boy | 0:00:23 | 0:00:26 | |
# Show her, show her, show her my boy | 0:00:26 | 0:00:29 | |
# I want a ticket to be free | 0:00:29 | 0:00:31 | |
# Give me that pass to liberty | 0:00:31 | 0:00:34 | |
# That's what they're getting That's what they're getting | 0:00:34 | 0:00:36 | |
# That's what they're getting now My boy. # | 0:00:36 | 0:00:39 | |
AFRICAN DRUMS BEAT | 0:00:41 | 0:00:43 | |
# We're on safari, hit that drum | 0:01:31 | 0:01:33 | |
# Go on safari to kingdom come | 0:01:33 | 0:01:36 | |
# Show her, show her, show her my boy | 0:01:36 | 0:01:39 | |
# Show her, show her, show her my boy | 0:01:39 | 0:01:42 | |
# I want a ticket to be free | 0:01:42 | 0:01:44 | |
# Give me that pass to liberty | 0:01:44 | 0:01:47 | |
# That's what they're getting That's what they're getting | 0:01:47 | 0:01:49 | |
# That's what they're getting now My boy | 0:01:49 | 0:01:52 | |
# Show her, show her, show her my boy | 0:01:52 | 0:01:54 | |
# Show her, show her, show her my boy | 0:01:56 | 0:01:58 | |
# Show her, my boy | 0:01:58 | 0:02:00 | |
# Show her, my boy. # | 0:02:00 | 0:02:02 | |
Daddy! Daddy! | 0:02:02 | 0:02:04 | |
Hiya, boy! | 0:02:04 | 0:02:06 | |
Buddy, buddy! | 0:02:06 | 0:02:09 | |
-Did you bring me a present? -Ah, I completely forgot. | 0:02:09 | 0:02:12 | |
Ah, you always say that, but you never do. | 0:02:12 | 0:02:15 | |
Ah, I know... | 0:02:15 | 0:02:17 | |
BOTH: An apple a day keeps the doctor away. | 0:02:17 | 0:02:19 | |
HE LAUGHS | 0:02:19 | 0:02:20 | |
-Jerusalem? -Bwana? -Shove off! -Jerusalem? Shove off! | 0:02:20 | 0:02:24 | |
THEY LAUGH OK, little brother! | 0:02:24 | 0:02:26 | |
This is my son, Kenny. Mr George Chasen, Mr Evans. | 0:02:26 | 0:02:29 | |
Hello, sir. How do you do, sir? | 0:02:29 | 0:02:31 | |
I wonder who this tank is for? | 0:02:31 | 0:02:33 | |
Tank?! | 0:02:33 | 0:02:34 | |
Does it fire? | 0:02:34 | 0:02:36 | |
Of course it does! | 0:02:36 | 0:02:37 | |
ENGINE STARTS | 0:02:37 | 0:02:39 | |
Daddy! | 0:02:39 | 0:02:41 | |
-Will you take me with you? -When you grow up. | 0:02:41 | 0:02:43 | |
I grew two whole inches last year. | 0:02:43 | 0:02:45 | |
But you haven't grown enough! | 0:02:45 | 0:02:47 | |
-Jeroge. -Yes, Bwana. | 0:02:49 | 0:02:50 | |
Be sure and take care of the little whip here. And his Aunty May. | 0:02:50 | 0:02:54 | |
-Bye, Kenny. -Bye! | 0:02:54 | 0:02:57 | |
THEY SHOUT IN SWAHILI | 0:03:01 | 0:03:04 | |
Bye! | 0:03:09 | 0:03:10 | |
Bye! | 0:03:10 | 0:03:12 | |
Golly! | 0:03:14 | 0:03:15 | |
ELEPHANT GROWLS | 0:03:15 | 0:03:17 | |
ELEPHANT TRUMPETS | 0:03:28 | 0:03:31 | |
ELEPHANT TRUMPETS | 0:03:43 | 0:03:45 | |
ELEPHANT TRUMPETS | 0:03:52 | 0:03:53 | |
(You have first go.) | 0:04:00 | 0:04:03 | |
HORN BEEPS | 0:04:03 | 0:04:04 | |
-It's a DC's car. He's way off his beat. -What does that mean? | 0:04:07 | 0:04:11 | |
It can only mean one thing. Trouble. | 0:04:11 | 0:04:13 | |
They are waiting, Bwana, waiting. | 0:04:25 | 0:04:28 | |
Calling Roy Shaw. Come in, Roy. This is Duffield. | 0:04:28 | 0:04:31 | |
The DC told me to call you. What's the problem? | 0:04:31 | 0:04:33 | |
Hello, Ken. | 0:04:33 | 0:04:35 | |
There's big trouble near Rumaruti. | 0:04:35 | 0:04:38 | |
White settler killed. They've never struck in that area before. | 0:04:38 | 0:04:41 | |
It's getting near your house and I thought you ought to know. | 0:04:41 | 0:04:44 | |
-Come along, Kenny. Time for bed. -Oh, no, Aunt May. Five more minutes. | 0:05:16 | 0:05:20 | |
You heard. | 0:05:20 | 0:05:21 | |
Batten the window catches, Jeroge. | 0:05:21 | 0:05:23 | |
Wambui, you bolt the door. | 0:05:23 | 0:05:25 | |
HE SCREAMS | 0:05:51 | 0:05:52 | |
Mau Mau! | 0:06:01 | 0:06:03 | |
Kenny, get out the back and hide. | 0:06:03 | 0:06:05 | |
-No, no... -Get out and hide! | 0:06:05 | 0:06:08 | |
GUNSHOTS | 0:06:12 | 0:06:14 | |
GUNSHOT, HE SCREAMS | 0:06:16 | 0:06:18 | |
GUNSHOT | 0:06:18 | 0:06:21 | |
GUNSHOTS | 0:06:28 | 0:06:30 | |
Kenny, I'm going round the back. Get some ammunition, Jeroge. Don't stand there! | 0:06:30 | 0:06:33 | |
GUNSHOT | 0:06:37 | 0:06:39 | |
Fire right back, Kenny! | 0:06:39 | 0:06:41 | |
GUNSHOTS | 0:06:41 | 0:06:44 | |
Open the other box! | 0:06:44 | 0:06:46 | |
GUNSHOTS | 0:06:48 | 0:06:50 | |
-I'm going round the back, Bwana! -Right. | 0:06:52 | 0:06:55 | |
GUNSHOTS | 0:06:55 | 0:06:56 | |
Jeroge! No! | 0:07:03 | 0:07:05 | |
HE SPEAKS SWAHILI | 0:07:44 | 0:07:47 | |
I wouldn't go inside if I were you. | 0:08:18 | 0:08:20 | |
Ken, one of your own men was responsible for this. | 0:09:29 | 0:09:32 | |
-A houseboy. Jeroge. -Jeroge? | 0:09:32 | 0:09:35 | |
We got it out of this wounded man down here, Ken. | 0:09:35 | 0:09:37 | |
Jeroge was one of their generals. | 0:09:37 | 0:09:39 | |
Jeroge?! | 0:09:39 | 0:09:41 | |
Ken, we'll clear up here. You go back to Nairobi. | 0:09:41 | 0:09:44 | |
And don't get any wrong ideas. Finding Jeroge is our job. | 0:09:44 | 0:09:47 | |
It was your job last night. | 0:09:47 | 0:09:50 | |
We'll get Jeroge, Ken. You've my word for it. | 0:09:50 | 0:09:52 | |
Where's my key? | 0:09:52 | 0:09:54 | |
-One of my boys will drive you back to Nairobi, Ken. Inspector? -Sir! | 0:09:54 | 0:09:58 | |
You mustn't go taking the law into your own hands. | 0:09:58 | 0:10:00 | |
I'm afraid you can't come back into the district until you have Jeroge under lock and key. | 0:10:00 | 0:10:05 | |
Inspector, | 0:10:12 | 0:10:14 | |
we better arrange to have his hunter's licence revoked. | 0:10:14 | 0:10:17 | |
That'll keep him in Nairobi until further notice. | 0:10:17 | 0:10:19 | |
That's the plane, all right. We still have time for another drink. | 0:10:30 | 0:10:33 | |
Good, I'll need it. I'm not looking forward to this much. | 0:10:33 | 0:10:36 | |
It's not your fault Duffield isn't available. | 0:10:36 | 0:10:38 | |
Sir Vincent must realise that. | 0:10:38 | 0:10:39 | |
I'm afraid Sir Vincent will only realise one thing - | 0:10:39 | 0:10:41 | |
I was sent here in advance to get him what he wanted, and I've lost his white hunter. | 0:10:41 | 0:10:45 | |
-Ah, Brian. -Hello, Vincent. Hi, Linda. -Hello, Brian. | 0:10:49 | 0:10:53 | |
This is Roy Shaw, of the African Hunters. | 0:10:53 | 0:10:55 | |
-Nice of you to meet us. My fiancee, Miss Latham. -How do you do? | 0:10:55 | 0:10:58 | |
Come on, the boys will take care of the customs. | 0:10:58 | 0:11:00 | |
-Did you have a nice trip? -I guess so - no clouds, no bumps, no sleep. | 0:11:02 | 0:11:06 | |
No comment, I told you I'm on holiday. By the way, | 0:11:06 | 0:11:09 | |
isn't it usual for my hunter to come and meet me? | 0:11:09 | 0:11:11 | |
Where's Duffield? | 0:11:11 | 0:11:12 | |
I'm afraid Duffield's out of the game for a bit. I've got another man for you. | 0:11:12 | 0:11:16 | |
Oh, what's this? | 0:11:16 | 0:11:17 | |
Brian, I thought you cabled me Duffield was contracted? | 0:11:17 | 0:11:20 | |
Well, it's not his fault and, anyway, the substitute is just as good. | 0:11:20 | 0:11:23 | |
I don't accept substitutes. | 0:11:23 | 0:11:25 | |
-The fact is, Vincent... -The facts are perfectly plain, Brian. | 0:11:25 | 0:11:27 | |
You have, in common parlance, mucked things up again. | 0:11:27 | 0:11:30 | |
I'm getting a little tired of you as a lame dog. | 0:11:30 | 0:11:32 | |
The time rapidly approaches when I'll have to throw you to the wolves. | 0:11:32 | 0:11:35 | |
Oh, don't be so rough on Brian, Vincent. | 0:11:35 | 0:11:37 | |
I'm sure the other hunter is just as good. | 0:11:37 | 0:11:41 | |
Nobody is just as good, Linda. | 0:11:41 | 0:11:42 | |
When I choose a hunter, or a wife. | 0:11:42 | 0:11:45 | |
You should realise that. | 0:11:45 | 0:11:47 | |
You say the nicest and the nastiest things, Vincent. | 0:11:47 | 0:11:49 | |
I get so confused. | 0:11:49 | 0:11:51 | |
No, we don't want to hang about here. Brian... | 0:11:51 | 0:11:53 | |
find Duffield and bring him to the hotel at eight o'clock this evening. | 0:11:53 | 0:11:56 | |
See you later. | 0:11:56 | 0:11:58 | |
I told you before, I'm not interested. | 0:11:58 | 0:12:00 | |
I've got some unfinished business to take care of. | 0:12:00 | 0:12:03 | |
Ken, leave it alone. | 0:12:03 | 0:12:04 | |
You can't spend your whole life chasing after Jeroge. | 0:12:04 | 0:12:06 | |
It's more than a one-man job. | 0:12:06 | 0:12:08 | |
You're wasting your time, Roy. | 0:12:08 | 0:12:10 | |
I've made my last safari. | 0:12:10 | 0:12:13 | |
I was out in the bush looking after your client | 0:12:13 | 0:12:15 | |
when I should have been back home, looking after my kid. | 0:12:15 | 0:12:18 | |
Ken. Ken! | 0:12:18 | 0:12:20 | |
Your gun bearer's outside, says he's got a message. | 0:12:20 | 0:12:24 | |
-What did you find out? -Jeroge in country near Isiolo, Bwana. | 0:12:42 | 0:12:46 | |
How do you know this? | 0:12:46 | 0:12:47 | |
My own brother saw him. He say plenty police hunt Jeroge all the time. | 0:12:47 | 0:12:51 | |
You get Jerusalem and O'Keefe. | 0:12:53 | 0:12:55 | |
Tell them to be ready, we're going to leave any time. | 0:12:55 | 0:12:57 | |
-But, Bwana... -What's the matter with you? I thought you hated the Mau Mau?! | 0:12:57 | 0:13:00 | |
Kakora not scared, Bwana. | 0:13:00 | 0:13:02 | |
But district commissioner won't let Bwana into Isiolo. | 0:13:02 | 0:13:05 | |
You get the boys, I'll take care of the commissioner. | 0:13:05 | 0:13:07 | |
Yes, Bwana. | 0:13:07 | 0:13:08 | |
300 rounds at 3.75, that should be sufficient... | 0:13:11 | 0:13:13 | |
That'll do to get on with. | 0:13:13 | 0:13:15 | |
We can always send you out some more if you need it. | 0:13:15 | 0:13:17 | |
I'll call you up on the shortwave if I need it. | 0:13:17 | 0:13:19 | |
I want to go north with you tomorrow and use the ferry. | 0:13:19 | 0:13:21 | |
Don't be funny. You know that country's out of bounds to you. | 0:13:21 | 0:13:25 | |
I also know the police won't search your lorry. | 0:13:25 | 0:13:27 | |
You could have me and my boys in the tarp at the back. | 0:13:27 | 0:13:30 | |
I mustn't get... | 0:13:30 | 0:13:31 | |
You can't get Charley mixed up in this - he has a wife and kids. | 0:13:31 | 0:13:34 | |
I had a family once, remember? | 0:13:34 | 0:13:36 | |
If it'd help, it'd be different, but it won't. | 0:13:36 | 0:13:38 | |
Leave it to the police, Ken. | 0:13:38 | 0:13:40 | |
All you'll do is get yourself killed. | 0:13:40 | 0:13:42 | |
You'd be satisfied at that if you killed Jeroge at the same time. | 0:13:42 | 0:13:46 | |
There's Roy Shaw. | 0:13:47 | 0:13:49 | |
-Sir Vincent. Good evening. -ALL: Hello. | 0:13:49 | 0:13:52 | |
As Duffield didn't come to the hotel, I thought I'd come and look for him. | 0:13:52 | 0:13:55 | |
-Is he here? -He's at the bar. | 0:13:55 | 0:13:57 | |
Ken, Ken - Sir Vincent Brampton. | 0:13:57 | 0:13:59 | |
Ken Duffield. | 0:13:59 | 0:14:01 | |
-How are you? My fiancee, Miss Latham. -Hello. -Hello. | 0:14:01 | 0:14:03 | |
-Sinden. -Glad to meet you. | 0:14:03 | 0:14:05 | |
-Well, excuse me. -Duffield, you can spare a minute. | 0:14:06 | 0:14:10 | |
After all, I've travelled 4,000 miles for this safari. | 0:14:10 | 0:14:12 | |
Everyone in Kenya's travelled 4,000 miles - the only way to get here. | 0:14:12 | 0:14:15 | |
Some people had to travel ten. | 0:14:15 | 0:14:17 | |
Ah, Miss Latham's a fellow countrywoman of yours. | 0:14:17 | 0:14:19 | |
-Yes, I figured that out myself. -What do you drink, Sir Vincent? | 0:14:19 | 0:14:22 | |
Oh, no... Brian, you get the drinks. Let's sit down. | 0:14:22 | 0:14:25 | |
-What will you have, Mr Duffield? -Nothing, thanks. -Duffield...? | 0:14:25 | 0:14:28 | |
I came down here after a lion. | 0:14:28 | 0:14:30 | |
You got the wrong boy. | 0:14:30 | 0:14:33 | |
-I'm out of circulation. Roy should have told you. -That, he did. But I need you. | 0:14:33 | 0:14:37 | |
All you need's a licence. That'll cost you ten quid. | 0:14:37 | 0:14:39 | |
But I'm after a particular lion - Hatari. | 0:14:39 | 0:14:43 | |
Where did you hear about him? | 0:14:46 | 0:14:47 | |
Everywhere I've hunted, I've heard about Hatari. | 0:14:47 | 0:14:51 | |
You know you're taking on a champ? Even his name, Hatari, means danger. | 0:14:51 | 0:14:54 | |
He's the most vicious killer in this jungle. | 0:14:54 | 0:14:57 | |
That's enough for me, I'm going home. | 0:14:57 | 0:14:59 | |
-You staying, Vincent? -Yes. | 0:14:59 | 0:15:02 | |
-Cos I want him. -You think that's all it takes, eh? | 0:15:02 | 0:15:05 | |
Didn't you know? When Vincent wants anything, he always gets it. | 0:15:05 | 0:15:08 | |
That's right, Brian. | 0:15:08 | 0:15:10 | |
-Do you know where to find this lion? -Yes. | 0:15:10 | 0:15:13 | |
Trouble is, she was last seen in Mau Mau country. | 0:15:13 | 0:15:17 | |
-In Isiolo. -I'm not interested in local problems. I'm ready to go, Mr Duffield. Are you? | 0:15:17 | 0:15:21 | |
I'm ready. | 0:15:21 | 0:15:23 | |
There's one minor problem - the licence. | 0:15:23 | 0:15:25 | |
-I've got one. -I haven't. It's been revoked. | 0:15:25 | 0:15:29 | |
Of course, if anyone had any influence of any kind... | 0:15:29 | 0:15:32 | |
Brian, go to the governor and tell him I accept full responsibility for Mr Duffield, | 0:15:32 | 0:15:35 | |
and the safari will be in my charge and he will answer to me. | 0:15:35 | 0:15:38 | |
You can check rifles and equipment in the morning. | 0:15:38 | 0:15:40 | |
We'll leave at dawn the following day. | 0:15:40 | 0:15:42 | |
I'll check the rifles and equipment tonight. | 0:15:42 | 0:15:44 | |
We'll leave tomorrow. | 0:15:44 | 0:15:46 | |
Good night, gentlemen. | 0:15:46 | 0:15:47 | |
-Good night. -Good night. | 0:15:47 | 0:15:49 | |
Roy... I want to tell you something. | 0:15:49 | 0:15:52 | |
If I may make so bold, who will be late at home? | 0:15:52 | 0:15:55 | |
So my bush baby's made another friend? | 0:16:05 | 0:16:08 | |
-I'm not so sure! -Did he bite you? | 0:16:08 | 0:16:09 | |
I'd like you to meet your gun bearers - Kakora, O'Keefe, | 0:16:09 | 0:16:12 | |
-and Jackson, the tent boy. -Hello. | 0:16:12 | 0:16:15 | |
-Hey, what are you doing there? -Bwana Duffield tell me, "Take rubber dinghy." | 0:16:15 | 0:16:18 | |
Oh, all right, then. | 0:16:18 | 0:16:20 | |
And this villain is Jerusalem. | 0:16:20 | 0:16:21 | |
Camp cook and head boy. | 0:16:21 | 0:16:23 | |
When he grows up, he'll be a bandleader. | 0:16:23 | 0:16:25 | |
-Glad to have you know me, ma'am. -Hello, Jerusalem. | 0:16:25 | 0:16:27 | |
Do you like music? | 0:16:27 | 0:16:29 | |
-Mm, not too loud. -Oh, I make it good and loud. | 0:16:29 | 0:16:32 | |
Real bebop. I'm some cat! | 0:16:32 | 0:16:34 | |
By Jupiter! | 0:16:34 | 0:16:36 | |
-HE PLAYS TRUMPET -Jerusalem... | 0:16:36 | 0:16:39 | |
Come on, Jerusalem. | 0:16:39 | 0:16:41 | |
-Tribe? -Luo. -Date of birth? | 0:16:41 | 0:16:43 | |
19... 1940, maybe. | 0:16:43 | 0:16:46 | |
Number of wives, four. | 0:16:47 | 0:16:49 | |
Now, five, Bwana. I've been in Nairobi two days. | 0:16:49 | 0:16:52 | |
You'll be smoking next(!) | 0:16:52 | 0:16:54 | |
200 shillings a month and a shilling a day pasha money when travelling. | 0:16:54 | 0:16:59 | |
Make a mark there, please. | 0:16:59 | 0:17:00 | |
Bwana, Jerusalem can write. | 0:17:00 | 0:17:03 | |
Next, please. | 0:17:17 | 0:17:19 | |
Tribe? | 0:17:21 | 0:17:22 | |
Kikuyu. Kakora knows me. | 0:17:22 | 0:17:24 | |
-He's my friend. -He's a good man, Bwana. | 0:17:24 | 0:17:26 | |
I know him a long time. | 0:17:26 | 0:17:28 | |
Sorry, only take men we know. Move on. | 0:17:28 | 0:17:30 | |
-Why so fussy? -Mau Mau's a disease. They come in all sizes, | 0:17:30 | 0:17:34 | |
from 8 to 80. | 0:17:34 | 0:17:36 | |
Kakora - tribe, Akamba. | 0:17:38 | 0:17:41 | |
One of these days, I'll put a mousetrap in my pocket. | 0:17:47 | 0:17:50 | |
HE LAUGHS | 0:17:50 | 0:17:51 | |
Bwana, this time, you take me. | 0:17:51 | 0:17:53 | |
I just hear you go out to safari again. Try me out, hey, Bwana? | 0:17:53 | 0:17:57 | |
I said, "Come back in ten years." | 0:17:57 | 0:17:58 | |
Come along when you're bigger. | 0:17:58 | 0:18:00 | |
Last year, you said pretty soon I'll be big boy. | 0:18:00 | 0:18:04 | |
But you're not big enough. Next year, maybe. | 0:18:04 | 0:18:07 | |
You really want to go, don't you? | 0:18:09 | 0:18:11 | |
Oh, yes, very bad. Me follow Bwana any place. | 0:18:11 | 0:18:14 | |
I'll fix it. | 0:18:14 | 0:18:16 | |
-Mr Duffield? -Yes. | 0:18:17 | 0:18:19 | |
Couldn't we take little... uh...what's-his-name with us? | 0:18:19 | 0:18:22 | |
We don't need him. | 0:18:22 | 0:18:24 | |
What's the matter with you? Don't you like kids? | 0:18:24 | 0:18:26 | |
Please, Bwana, please! Oh, please, Bwana. | 0:18:32 | 0:18:35 | |
Odongo... Hop in the truck! | 0:18:35 | 0:18:37 | |
HE LAUGHS | 0:18:37 | 0:18:39 | |
Thank you. | 0:18:40 | 0:18:42 | |
Thanks, Ken. I'd have lost that contract if you hadn't... | 0:18:42 | 0:18:44 | |
Save it, Roy. You know the only reason I took this job. | 0:18:44 | 0:18:48 | |
Oh, forget Jeroge, can't you?! | 0:18:48 | 0:18:50 | |
Could YOU? | 0:18:51 | 0:18:53 | |
All set. | 0:18:55 | 0:18:56 | |
Ready and waiting. What sort of animals do we shoot with this? | 0:18:56 | 0:19:00 | |
You can never tell what kind of animals you might run into. | 0:19:00 | 0:19:03 | |
Cart them up, boys. | 0:19:03 | 0:19:04 | |
Goodbye, Sir Vincent, and good luck. | 0:19:04 | 0:19:06 | |
# We're on safari, blow that horn | 0:19:09 | 0:19:11 | |
# And keep alert from dusk till dawn | 0:19:11 | 0:19:14 | |
# Show her, show her, show her my boy | 0:19:14 | 0:19:17 | |
# Show her, show her, show her my boy | 0:19:17 | 0:19:19 | |
# Through the bush, across the plain | 0:19:19 | 0:19:22 | |
# We'll soon be there and back again | 0:19:22 | 0:19:25 | |
# I'd like a friend on | 0:19:25 | 0:19:26 | |
# I'd like a friend on | 0:19:26 | 0:19:27 | |
# I'd like a friend on safari | 0:19:27 | 0:19:30 | |
# I saw a lion three mile long | 0:19:31 | 0:19:34 | |
# He rolled his eyes when I tried to run | 0:19:34 | 0:19:36 | |
# Show her, show her, show her my boy | 0:19:36 | 0:19:39 | |
# Show her, show her, show her my boy | 0:19:39 | 0:19:42 | |
# Three-mile lion after me | 0:19:42 | 0:19:45 | |
# But I rode home on a chimpanzee | 0:19:45 | 0:19:47 | |
# That big giraffe-ah | 0:19:47 | 0:19:48 | |
# He had to laugh-ah | 0:19:48 | 0:19:50 | |
# They're like a friend on safari | 0:19:50 | 0:19:52 | |
# We met a pretty, gay gazelle | 0:19:55 | 0:19:57 | |
# Who said her name was Lulu Belle | 0:19:57 | 0:20:00 | |
# Show her, show her, show her my boy | 0:20:00 | 0:20:03 | |
# Show her, show her, show her my boy | 0:20:03 | 0:20:05 | |
# Lulu Belle, she said, said she | 0:20:05 | 0:20:08 | |
# I want a trip to Gay Paris | 0:20:08 | 0:20:10 | |
# In an ostrich feather for sunny weather | 0:20:10 | 0:20:13 | |
# They're like a friend on safari | 0:20:13 | 0:20:16 | |
# We saw a big, grey crocodile | 0:20:18 | 0:20:21 | |
# Who met us with a juicy smile | 0:20:21 | 0:20:24 | |
# Show her, show her, show her my boy | 0:20:24 | 0:20:26 | |
# Show her, show her, show her my boy | 0:20:26 | 0:20:29 | |
# A starving hippopotamus | 0:20:29 | 0:20:32 | |
# Said he couldn't stand the fuss | 0:20:32 | 0:20:34 | |
# The elephant, he finds it handy | 0:20:34 | 0:20:37 | |
# To take his trunk on safari... # | 0:20:37 | 0:20:40 | |
What are they? | 0:20:40 | 0:20:42 | |
Flamingos. | 0:20:42 | 0:20:45 | |
You're not going to shoot them?! | 0:20:45 | 0:20:47 | |
-You watch them! -GUNSHOT | 0:20:47 | 0:20:49 | |
# Go blow that horn, we're on safari | 0:20:59 | 0:21:02 | |
# Blow it loud, never mind the key | 0:21:02 | 0:21:05 | |
# Show her, show her, show her my boy | 0:21:05 | 0:21:08 | |
# Show her, show her, show her my boy | 0:21:08 | 0:21:10 | |
# If you're not awake, my friend | 0:21:10 | 0:21:13 | |
# Then it will soon be journey's end. | 0:21:13 | 0:21:15 | |
# They're like a friend on They're like a friend on | 0:21:15 | 0:21:18 | |
# They're like a friend on safari | 0:21:18 | 0:21:20 | |
# Show her, show her, show her my boy | 0:21:20 | 0:21:23 | |
# Show her, show her, show her my boy, show her, my boy | 0:21:23 | 0:21:27 | |
# Show her, my boy. # | 0:21:27 | 0:21:30 | |
What brought you out here, Mr Duffield, an American in Kenya? | 0:21:40 | 0:21:44 | |
World War II, leftover. | 0:21:44 | 0:21:45 | |
In other words, "mind your own business." | 0:21:45 | 0:21:47 | |
I suppose it was a woman. | 0:21:47 | 0:21:50 | |
Ah, welcome to Africa - famed for its warm hospitality and healthy climate(!) | 0:21:52 | 0:21:56 | |
I don't think the climate's too healthy. Not now, anyway. | 0:21:56 | 0:21:58 | |
Oh, I have nothing to worry about. | 0:21:58 | 0:22:00 | |
In addition to you and Vincent, I have a BWH to look after me. | 0:22:00 | 0:22:03 | |
Big White Hunter. | 0:22:03 | 0:22:05 | |
Yeah, I almost figured it out myself. | 0:22:05 | 0:22:07 | |
Were you born friendly(?) | 0:22:07 | 0:22:10 | |
Or do we all get like you after a while out here? | 0:22:10 | 0:22:13 | |
You can never tell. | 0:22:13 | 0:22:15 | |
They say that Africa does strange things to people. | 0:22:15 | 0:22:18 | |
GUNSHOTS | 0:22:18 | 0:22:20 | |
Mau Mau? | 0:22:45 | 0:22:46 | |
Yes, gang of 30 up there. | 0:22:46 | 0:22:48 | |
THEY SPEAK SWAHILI | 0:22:50 | 0:22:52 | |
Ken, you know you're not allowed up here without your hunter's licence. | 0:23:02 | 0:23:06 | |
I got my licence back. | 0:23:06 | 0:23:08 | |
The man over there can vouch for me. He's got my papers. | 0:23:08 | 0:23:11 | |
I know you. | 0:23:39 | 0:23:41 | |
You used to work on my farm at harvest time. | 0:23:42 | 0:23:44 | |
You're a friend of Jeroge's. | 0:23:45 | 0:23:47 | |
Duffield. Duffield! | 0:23:55 | 0:23:58 | |
-You knew that was the Mau Mau we heard. -That's right. | 0:23:58 | 0:24:01 | |
And you deliberately drove into it, endangering the lives of all of us. | 0:24:01 | 0:24:04 | |
Vincent, after what the inspector just told us, I wish... | 0:24:04 | 0:24:07 | |
Linda, I'll handle this. | 0:24:07 | 0:24:08 | |
I'm sorry about your misfortunes | 0:24:08 | 0:24:10 | |
but I can't concern myself with your personal feuds. | 0:24:10 | 0:24:13 | |
I appreciate your sympathy, Brampton. | 0:24:13 | 0:24:16 | |
But I haven't finished. | 0:24:16 | 0:24:17 | |
I engaged you as a hunter, nothing more. | 0:24:17 | 0:24:20 | |
When you've finished the job you can chase Jeroge or anything you like. | 0:24:20 | 0:24:23 | |
But until then, your one concern is to lead me to Hatari, is that clear? | 0:24:23 | 0:24:27 | |
-Very clear. -Because if it isn't clear and acceptable | 0:24:27 | 0:24:30 | |
you can leave for Nairobi with this officer now. | 0:24:30 | 0:24:33 | |
Come on, Ken. Why don't you give it up? | 0:24:33 | 0:24:36 | |
Give it up? You must be crazy. | 0:24:36 | 0:24:38 | |
Sir Vincent, from now on in, you got yourself a hired hand. | 0:24:40 | 0:24:43 | |
Let's go. | 0:24:44 | 0:24:45 | |
WHISTLE BLOWS IN RHYTHM | 0:24:57 | 0:25:00 | |
-Jambo, Chief. -Jambo, Bwana. | 0:25:15 | 0:25:18 | |
Duffield? What goes on here? | 0:25:26 | 0:25:30 | |
Ceremonial dance. One of the villagers was killed last night. | 0:25:30 | 0:25:33 | |
-The villager was killed by a lion. -What lion? Hatari? | 0:25:33 | 0:25:37 | |
I don't know whether it was Hatari or not. | 0:25:37 | 0:25:39 | |
But it was a big lion. A man-eater! | 0:25:39 | 0:25:42 | |
TRUMPET PLAYS | 0:25:58 | 0:26:00 | |
TRUMPET RESUMES | 0:26:08 | 0:26:11 | |
Jerusalem! | 0:26:21 | 0:26:23 | |
-Yes, Bwana? -You want me to lose all my clients? | 0:26:23 | 0:26:25 | |
-Oh, no, Bwana! -Better stop playing that horn! | 0:26:25 | 0:26:29 | |
Akora. | 0:26:31 | 0:26:32 | |
-Go tell the Masai chief I want to see him. He hates the Mau Mau as much as we do. -Yes, Bwana. | 0:26:36 | 0:26:40 | |
GUNSHOT RINGS OUT | 0:27:05 | 0:27:06 | |
-What's happening?! -I've just had a snake shot from over my head. | 0:27:10 | 0:27:13 | |
Snake! Ooh! | 0:27:13 | 0:27:15 | |
If you have to sleep in the afternoon it might be safer to do it inside your tent. | 0:27:15 | 0:27:19 | |
Duffield? It's your job, isn't it, to take care of your clients? | 0:27:19 | 0:27:22 | |
You know as well as I do you couldn't catch a cold from that snake. | 0:27:22 | 0:27:26 | |
-Ma'am Sharp, want something, please? -Oh, Odongo, you take very good care of me. | 0:27:29 | 0:27:33 | |
Bwana say, "I don't look after white ladies, it hurt my ears!" | 0:27:33 | 0:27:36 | |
Oh, did he? Well, that was nice of him. | 0:27:36 | 0:27:39 | |
Oh, yes! Bwana say all white ladies little silly in the head. | 0:27:39 | 0:27:44 | |
Oh, did he? | 0:27:44 | 0:27:45 | |
Well, maybe some of them. Go on. BOY LAUGHS | 0:27:45 | 0:27:49 | |
Can write my name, too. And sing God Save The Queen. You want to hear? | 0:27:49 | 0:27:52 | |
Not right now. Where do you learn all these things? | 0:27:52 | 0:27:55 | |
-At school. -Did they teach that there, too? | 0:27:55 | 0:27:57 | |
Oh, yes! Good people. | 0:27:57 | 0:27:59 | |
-Here, you go wash your tongue with soap. -Me?! -Yeah, you! | 0:27:59 | 0:28:02 | |
Don't they supply soap in this hotel? | 0:28:02 | 0:28:04 | |
-Huh? -Did you hear me properly, Mr Big White Hunter? | 0:28:04 | 0:28:07 | |
-Thanks! -You know what? Give me your hand. | 0:28:10 | 0:28:12 | |
THE BOY LAUGHS | 0:28:15 | 0:28:16 | |
-Here, wash your ears! -Me?! -Yeah, you! | 0:28:16 | 0:28:19 | |
THE BOY LAUGHS AGAIN | 0:28:21 | 0:28:23 | |
That scar above your... On your back... | 0:28:28 | 0:28:30 | |
Who did that? | 0:28:32 | 0:28:33 | |
A lioness? | 0:28:34 | 0:28:36 | |
Yes. | 0:28:36 | 0:28:37 | |
Whatever happened to her? | 0:28:37 | 0:28:39 | |
She's dead. | 0:28:39 | 0:28:41 | |
Ooh. | 0:28:41 | 0:28:43 | |
Well, that washes up THAT topic of conversation. | 0:28:43 | 0:28:46 | |
My ears is clean now, Bwana. | 0:28:48 | 0:28:50 | |
-Back to camp. Clean pants, clean shirt. -All right, Bwana, all right! | 0:28:50 | 0:28:54 | |
Big White Hunter, | 0:28:54 | 0:28:56 | |
here's your soap. | 0:28:56 | 0:28:57 | |
-Don't you want it? -Just drop it. | 0:28:59 | 0:29:02 | |
-Hm, you're just full of conversation, aren't you? -I'm not paid for conversation. | 0:29:03 | 0:29:08 | |
Look, why don't you take that chip off your shoulder? | 0:29:08 | 0:29:11 | |
I came here to apologise. | 0:29:11 | 0:29:13 | |
I'll remember that "don't you like kids?" crack till the day I die. | 0:29:14 | 0:29:18 | |
-It was a terrible thing to say. -There was no way for you to know. | 0:29:18 | 0:29:21 | |
I should've known. No man hates another man as you hate Jeroge without a reason. | 0:29:21 | 0:29:25 | |
You don't like us, do you? | 0:29:28 | 0:29:30 | |
I'm not paid to like you. | 0:29:31 | 0:29:33 | |
If it wasn't for the money, you wouldn't be here? | 0:29:33 | 0:29:35 | |
Let's put it this way... | 0:29:35 | 0:29:37 | |
I'm not here because of your beautiful blue eyes. | 0:29:37 | 0:29:40 | |
Look, I'm not making a pass at you. | 0:29:41 | 0:29:43 | |
Though I can see how you might think so. | 0:29:44 | 0:29:47 | |
Ex-chorus girl engaged to rich man meets big white hunter! How could you miss?! | 0:29:47 | 0:29:51 | |
But as hard as it may be for you to believe, I like Vincent. | 0:29:53 | 0:29:56 | |
And I enjoy being the future Lady Brampton. | 0:29:56 | 0:29:59 | |
Who are you kidding? | 0:30:00 | 0:30:02 | |
Outside of money, what's he got? | 0:30:02 | 0:30:04 | |
The best of everything. | 0:30:04 | 0:30:05 | |
The finest jade, beautiful tapestries, | 0:30:05 | 0:30:08 | |
and a wonderful collection of paintings. | 0:30:08 | 0:30:10 | |
Has he told you which wall he's going to hang you on yet? | 0:30:10 | 0:30:13 | |
Linda. It's time you came back and dressed for dinner. | 0:30:13 | 0:30:17 | |
It's nice of Duffield to look after Linda like that, isn't it? | 0:30:21 | 0:30:24 | |
SLOW JAZZ MUSIC PLAYS | 0:30:31 | 0:30:33 | |
HE CLEARS HIS THROAT | 0:30:36 | 0:30:37 | |
You wanted me, Bwana? | 0:30:38 | 0:30:40 | |
-We just wanted to say what a very good dinner it was. -Good, good! | 0:30:40 | 0:30:43 | |
-It was lovely. -It was cool... -Thank you. -In fact it was real good! -You think so? | 0:30:43 | 0:30:47 | |
Bwana! Maybe you think dinner so good, you give permission for a small practice? | 0:30:47 | 0:30:52 | |
-A few hot licks? Yeah? -HE LAUGHS | 0:30:52 | 0:30:55 | |
Maybe tomorrow...while we're far away from camp! | 0:30:55 | 0:30:58 | |
Exactly, Bwana! Thank you! | 0:30:58 | 0:31:00 | |
HYENA CALLS | 0:31:03 | 0:31:06 | |
HE LAUGHS | 0:31:10 | 0:31:11 | |
You got to get used to the hyenas in the jungle. | 0:31:11 | 0:31:14 | |
-I did, years ago. -That's all over. | 0:31:16 | 0:31:20 | |
By the way, I don't think I told you, Linda, | 0:31:20 | 0:31:22 | |
-how pretty you look in that dress. -Thank you. | 0:31:22 | 0:31:25 | |
Even if it is a little out of place here. | 0:31:25 | 0:31:28 | |
I think I catch on. My first safari, you know. | 0:31:31 | 0:31:35 | |
Bwana? Boss-boss, nine o'clock. | 0:31:35 | 0:31:38 | |
He means they're calling me on the air. See you later. | 0:31:38 | 0:31:40 | |
HE TAPS OUT A CODE | 0:31:47 | 0:31:50 | |
-Can I come in and sit down? -There's only the bed. | 0:31:55 | 0:31:58 | |
Look, Junior, I didn't say "lie down". | 0:32:00 | 0:32:02 | |
Calling Nairobi? Hello, Nairobi? | 0:32:02 | 0:32:05 | |
Calling Roy. Come in, Roy, this is Ken Duffield. | 0:32:06 | 0:32:10 | |
'Hello, Ken. Hello, Ken. | 0:32:10 | 0:32:13 | |
'Now, this is important. Make sure you're on your own. | 0:32:13 | 0:32:16 | |
'Make sure there's no-one listening. | 0:32:17 | 0:32:19 | |
'Over.' | 0:32:19 | 0:32:21 | |
-OK, Roy, shoot. -'Hello, Ken. There's been a round-up of Mau Mau in Nairobi today. | 0:32:21 | 0:32:26 | |
'Hundreds of them have been questioned and they've found out something. | 0:32:26 | 0:32:30 | |
'One of your safari boys has taken the Mau Mau oath, over.' | 0:32:30 | 0:32:35 | |
That's impossible, Roy. These boys have been with me for years. | 0:32:35 | 0:32:40 | |
'Hello, Ken. We don't know which it is, so don't trust anyone. | 0:32:40 | 0:32:44 | |
'Be on your guard. Out.' | 0:32:44 | 0:32:45 | |
How will you find out who it is? | 0:32:49 | 0:32:51 | |
It's extremely important that no-one else hears about this. Do you understand? | 0:32:54 | 0:32:58 | |
I understand. | 0:33:00 | 0:33:01 | |
SHE SCREAMS Mau Mau! Do something! Argh! | 0:33:13 | 0:33:18 | |
Stop screaming. You might frighten them. | 0:33:18 | 0:33:20 | |
-Jambo! -Jambo, Bwana. | 0:33:23 | 0:33:25 | |
-Relax and rewind. They're our friends, can't you see? -Who are they? -They're Masai. | 0:33:25 | 0:33:30 | |
First time I was ever frightened out of a full bottle! | 0:33:31 | 0:33:34 | |
-See that everyone sleeps with their rifles tonight, you understand? -Yes, Bwana. | 0:33:36 | 0:33:40 | |
More Mau Mau scares? You know as well as I do they're not interested in strangers. | 0:33:40 | 0:33:43 | |
It's only setters they attack. | 0:33:43 | 0:33:45 | |
Maybe so... | 0:33:45 | 0:33:47 | |
But you're going to get a rifle just the same. | 0:33:47 | 0:33:49 | |
I suggest you sleep with them under your mattress. | 0:33:49 | 0:33:52 | |
If you lose them, it's £250 fine, plus six months in jail. | 0:33:52 | 0:33:55 | |
And that goes for little girls, too. | 0:33:55 | 0:33:57 | |
Don't worry about me. I'll just throw my bottle. | 0:33:57 | 0:34:00 | |
What did you find out? | 0:34:04 | 0:34:06 | |
Chief says Jeroge came near here three nights back. | 0:34:06 | 0:34:09 | |
Police had a big fight, took plenty of prisoners, but not Jeroge, Bwana. | 0:34:09 | 0:34:12 | |
-Jeroge get away. -Where is he? | 0:34:12 | 0:34:15 | |
No-one knows but he cannot be very far. | 0:34:15 | 0:34:17 | |
Jeroge won't get away from me this time. | 0:34:17 | 0:34:20 | |
Have the Chief in our trackers right away to look for him. | 0:34:20 | 0:34:23 | |
But how will you explain to the others why we stay here? | 0:34:23 | 0:34:26 | |
Bwana Vincent is in a big hurry to move on and find Hatari. | 0:34:26 | 0:34:28 | |
Tell the Chief to put on a lion-hunt tomorrow morning. That should keep him quiet for a day. | 0:34:28 | 0:34:33 | |
-Kakora? -What? | 0:34:34 | 0:34:36 | |
One of our boys is a Mau Mau. Do you know who it is? | 0:34:38 | 0:34:42 | |
-I thought I could trust every one of them. -You can trust me, Bwana. -I know that. | 0:34:43 | 0:34:49 | |
Thank you, Bwana. I'll keep my eyes open. | 0:34:49 | 0:34:51 | |
DRUMS BEAT | 0:34:58 | 0:35:01 | |
DRUMS CONTINUE THEIR RHYTHM | 0:35:15 | 0:35:18 | |
We're saved. It's remarkable. Nothing but spears. | 0:35:29 | 0:35:32 | |
Part of a ritual. | 0:35:32 | 0:35:34 | |
Till a Masai's killed a lion that way, he hasn't proved he's a man. | 0:35:38 | 0:35:41 | |
I can think of better ways. | 0:35:41 | 0:35:44 | |
-Go and see if the Chief has found out anything. -Yes, Bwana. | 0:35:48 | 0:35:50 | |
LIONESS GROWLS | 0:35:55 | 0:35:58 | |
DRUM BEATS SPEED UP | 0:36:13 | 0:36:16 | |
-CALLING AND WHOOPING FROM THE TRIBE -Let's go. -Why now? -Show's over. | 0:36:38 | 0:36:41 | |
Bwana? | 0:36:45 | 0:36:47 | |
-What did you find out? -Masai Chief say he find out Jeroge now hiding on Makoma Rock. | 0:36:48 | 0:36:52 | |
-It's about an hour from here. -Yes, Bwana. | 0:36:52 | 0:36:55 | |
If we leave now we can get back before they miss us. | 0:36:55 | 0:36:57 | |
RUSTLING FROM THE TREES | 0:37:17 | 0:37:20 | |
Bwana, fresh tracks. | 0:37:31 | 0:37:33 | |
He's probably in those rocks up there. | 0:37:37 | 0:37:39 | |
-Keep behind me. -Yes, Bwana. | 0:37:39 | 0:37:42 | |
WHISTLING | 0:37:46 | 0:37:47 | |
WHISTLING | 0:37:49 | 0:37:51 | |
THEY SPEAK IN SWAHILI | 0:38:00 | 0:38:03 | |
THEY SPEAK IN SWAHILI | 0:38:08 | 0:38:11 | |
EXCITED EXCHANGES IN SWAHILI | 0:38:14 | 0:38:17 | |
HE SHOUTS IN SWAHILI | 0:38:22 | 0:38:24 | |
(Wait! Don't fire!) | 0:38:43 | 0:38:45 | |
Get him! | 0:38:55 | 0:38:57 | |
GUNSHOT | 0:39:00 | 0:39:01 | |
GUNFIRE | 0:39:04 | 0:39:06 | |
You get back to camp. | 0:39:20 | 0:39:22 | |
He got away this time. | 0:39:27 | 0:39:29 | |
I'll get that filthy scum if it's the last thing I ever do. | 0:39:29 | 0:39:32 | |
Duffield. Duffield! | 0:39:41 | 0:39:43 | |
-Where have you been? -I was looking for Hatari. | 0:39:47 | 0:39:50 | |
I don't believe you. | 0:39:50 | 0:39:51 | |
This is your last safari, Duffield. A hunter that leaves his camp unprotected from Mau Mau men?! | 0:39:51 | 0:39:55 | |
Unprotected? You were here, weren't you? | 0:39:55 | 0:39:57 | |
Besides, I thought you weren't concerned with local problems. | 0:39:57 | 0:40:00 | |
I'm concerned with you doing what I tell you, you're under my orders. | 0:40:00 | 0:40:04 | |
Stop your squawking. You want Hatari, that's what you'll get. | 0:40:04 | 0:40:08 | |
-Ken, Mr Duffield. -Yeah? | 0:40:08 | 0:40:11 | |
Could I speak to you for a moment? | 0:40:12 | 0:40:14 | |
-What's your beef? -I'm frightfully sorry, but... | 0:40:16 | 0:40:20 | |
-Well, go on. -I've lost my rifle. -You what? -I left it on my bed. | 0:40:20 | 0:40:25 | |
This country sweats its guts out to keep arms from the Mau Mau, | 0:40:25 | 0:40:27 | |
you give it to them on a platter. | 0:40:27 | 0:40:29 | |
You miserable incompetent. Why didn't you tell me? | 0:40:29 | 0:40:33 | |
I don't mind you making a fool of yourself, | 0:40:33 | 0:40:36 | |
that's your function in life, but now you're making a fool of me. | 0:40:36 | 0:40:39 | |
Get back into your tent and stay there, | 0:40:39 | 0:40:41 | |
I'm sick to death of the sight of you. | 0:40:41 | 0:40:44 | |
Why don't you kick his teeth down his throat? | 0:40:49 | 0:40:51 | |
It's not as simple as that. Vincent's a killer. | 0:40:54 | 0:40:58 | |
Oh, no, nothing violent. | 0:40:58 | 0:41:00 | |
He's much more subtle than that. | 0:41:00 | 0:41:02 | |
He finds out your weaknesses, and he plays on them. | 0:41:02 | 0:41:07 | |
-You got any weaknesses, Duffield? -I'm loaded with them. | 0:41:07 | 0:41:11 | |
Not gambling, I hope. | 0:41:11 | 0:41:13 | |
Vincent loves gamblers. | 0:41:13 | 0:41:15 | |
He loves to help them. Help them dig a hole for themselves, | 0:41:15 | 0:41:18 | |
and then when they're in so deep, there's no way out. | 0:41:18 | 0:41:22 | |
No honest way, that is. | 0:41:22 | 0:41:24 | |
He saves them. | 0:41:24 | 0:41:25 | |
On certain conditions. | 0:41:27 | 0:41:28 | |
-Anyway, I am sorry about that rifle. -Forget it. | 0:41:29 | 0:41:34 | |
Probably one of my own boys took it. | 0:41:34 | 0:41:36 | |
-Good night. -BIRD CALLS | 0:41:37 | 0:41:41 | |
Why don't you have one for the road? | 0:41:42 | 0:41:44 | |
You'd never get a job with the Dodgers. | 0:41:51 | 0:41:54 | |
-Bwana want anything? -No, thanks. | 0:42:00 | 0:42:02 | |
-Say, Odongo, did you fix this for me? -No, Msichana, | 0:42:04 | 0:42:08 | |
she fixed it. She think maybe Bwana be hungry. | 0:42:08 | 0:42:12 | |
That was very nice of her, wasn't it? | 0:42:12 | 0:42:15 | |
Bwana treat Msichana very bad. | 0:42:15 | 0:42:17 | |
-She fix nice drink, for Bwana. -I get it. | 0:42:17 | 0:42:21 | |
-Bwana stick big foot in big mouth. -That's right, big chump. | 0:42:21 | 0:42:24 | |
You, fresh kid! | 0:42:24 | 0:42:26 | |
THEY LAUGH | 0:42:26 | 0:42:28 | |
Can I have another one? The one you threw me is a bit muddy. | 0:42:48 | 0:42:51 | |
OK. You'll have to help yourself, though, I wasn't expecting company. | 0:42:56 | 0:43:00 | |
Did you get him? | 0:43:09 | 0:43:11 | |
No. He got away. | 0:43:11 | 0:43:14 | |
I'm sorry. | 0:43:17 | 0:43:20 | |
Did you ever play football? | 0:43:37 | 0:43:40 | |
No. | 0:43:42 | 0:43:43 | |
I thought that. | 0:43:45 | 0:43:47 | |
Your book. | 0:43:50 | 0:43:51 | |
Good night. | 0:43:56 | 0:43:58 | |
Good night. | 0:43:58 | 0:44:01 | |
Bwana, I can't find Jackson in camp. He must have stolen the rifle. | 0:44:44 | 0:44:48 | |
-He must be the Mau Mau. -First it's a Siroke, now it's Jackson. | 0:44:48 | 0:44:53 | |
All right, tell everyone to sleep with their clothes on. | 0:44:53 | 0:44:57 | |
Yes, Bwana. | 0:44:57 | 0:44:58 | |
-Lamps out. -What is it? | 0:45:03 | 0:45:04 | |
Bwana says everybody better get dressed. | 0:45:04 | 0:45:07 | |
Well, why? What's the trouble? | 0:45:07 | 0:45:09 | |
No trouble, but Bwana wants everybody keep eyes open. | 0:45:09 | 0:45:13 | |
All right, Kakora, thank you. | 0:45:13 | 0:45:16 | |
-Jackson? -He came back. I tried to hold him, but he got away. | 0:46:00 | 0:46:05 | |
I hurt him real bad, Bwana. I'm sorry. | 0:46:05 | 0:46:09 | |
-What the devil was that? -Jackson's escaped, he's a Mau Mau. | 0:46:11 | 0:46:14 | |
We've got to go after him. | 0:46:14 | 0:46:16 | |
-What is it? -I don't know. -Wasima, wasima! | 0:46:16 | 0:46:20 | |
Look, you and Odongo stay here in camp, take care of Miss Linda. | 0:46:20 | 0:46:23 | |
RADIO: 'Tomorrow's weather will be fine.' | 0:46:58 | 0:47:01 | |
'Good hunting, everybody, and good night.' | 0:47:01 | 0:47:03 | |
BIRD SQUAWKS | 0:47:51 | 0:47:52 | |
SHE SCREAMS | 0:48:56 | 0:48:59 | |
Golly, by golly! | 0:49:22 | 0:49:24 | |
Does it hurt? | 0:49:30 | 0:49:32 | |
HE GROANS | 0:49:32 | 0:49:34 | |
Msichana. | 0:49:34 | 0:49:35 | |
Don't worry, don't worry, you'll be all right. | 0:49:39 | 0:49:42 | |
-Linda. -Linda, are you all right? | 0:49:53 | 0:49:56 | |
It's a great time to start worrying about me. | 0:49:56 | 0:49:58 | |
You can't blame me if Duffield has Mau Mau... | 0:50:01 | 0:50:03 | |
-Vincent, this is no time to... -Why don't you shut up. | 0:50:03 | 0:50:06 | |
Can't you see she's hysterical! | 0:50:06 | 0:50:09 | |
Thought you'd gone off with the others. | 0:50:31 | 0:50:33 | |
No, Ken and Vincent agreed that I should stay here | 0:50:33 | 0:50:35 | |
and act as camp policeman. | 0:50:35 | 0:50:37 | |
Oh. Well, at least they're on the same side for once. | 0:50:37 | 0:50:40 | |
Well, I think for rather different reasons. | 0:50:40 | 0:50:42 | |
Sir Vincent wanted me to keep an eye on you. | 0:50:42 | 0:50:44 | |
Exactly what did you mean by THAT crack? | 0:50:45 | 0:50:47 | |
I think it's all this subversive talk | 0:50:47 | 0:50:49 | |
about the things Africa does to people. | 0:50:49 | 0:50:51 | |
Perhaps Vincent's worried | 0:50:51 | 0:50:53 | |
that you're beginning to see things straight for the first time. | 0:50:53 | 0:50:56 | |
-I know -I -am. | 0:50:56 | 0:50:57 | |
Have you ever tried saying what you mean without using double-talk? | 0:50:57 | 0:51:00 | |
All right. | 0:51:00 | 0:51:02 | |
Linda, you're a nice person. Very nice. | 0:51:02 | 0:51:05 | |
You ought to stay that way. | 0:51:05 | 0:51:06 | |
But you won't unless you get away from Vincent, and now. | 0:51:06 | 0:51:09 | |
Brian, I want to marry Vincent. Let's leave it like that. | 0:51:11 | 0:51:14 | |
All right. | 0:51:14 | 0:51:16 | |
-Now, why don't you go get me another drink? -Oh, Linda! | 0:51:16 | 0:51:19 | |
-Why not? You said I could handle my liquor well. -All right. | 0:51:19 | 0:51:22 | |
You're wasting your time putting out bait for Hatari. | 0:51:44 | 0:51:46 | |
-Only scavengers eat dead meat. -Bwana, come quick! | 0:51:46 | 0:51:49 | |
Look! | 0:51:53 | 0:51:55 | |
That's a big lion. | 0:51:57 | 0:51:59 | |
-Big enough to be Hatari? -Let's go see. | 0:51:59 | 0:52:02 | |
Memsahib! Memsahib! | 0:52:05 | 0:52:07 | |
Well, Odongo, what have you got to be so excited about? | 0:52:07 | 0:52:10 | |
-I catch big fish for Memsahib! -Really? Let me see. | 0:52:10 | 0:52:13 | |
Come here, I'll help you. Mm, let me look. | 0:52:13 | 0:52:16 | |
How nice, I think I'll try my hand at this. | 0:52:16 | 0:52:18 | |
Bwana say no go on the river, please! No, no, no, Memsahib! | 0:52:18 | 0:52:21 | |
Memsahib! Memsahib! | 0:52:21 | 0:52:24 | |
Memsahib! No, no, Memsahib! Memsahib! Memsahib! | 0:52:24 | 0:52:27 | |
Memsahib! | 0:52:27 | 0:52:29 | |
Bwana! Bwana! Bwana! Bwana! | 0:52:29 | 0:52:31 | |
-Memsahib go. Go fishing in the river. -Gone fishing?! | 0:52:31 | 0:52:34 | |
Linda! Linda, come back, you fool! Come back! | 0:52:43 | 0:52:47 | |
ELEPHANTS TRUMPET | 0:53:03 | 0:53:05 | |
LION ROARS | 0:53:30 | 0:53:32 | |
You haven't got a prayer at this distance. | 0:53:40 | 0:53:42 | |
I ought to know, I make these things. | 0:53:42 | 0:53:44 | |
That's what the telescopic sight's for. | 0:53:44 | 0:53:46 | |
I know, but if you miss, I've got to go in that bush and get him. | 0:53:46 | 0:53:48 | |
Don't worry, Duffield, I've come a long way for that lion. | 0:53:48 | 0:53:52 | |
I won't miss. | 0:53:52 | 0:53:54 | |
You brute! | 0:54:00 | 0:54:01 | |
-Oh, I'm sorry, Duffield. -That's great... | 0:54:01 | 0:54:04 | |
loverboy(!) | 0:54:04 | 0:54:06 | |
LION ROARS | 0:54:59 | 0:55:00 | |
LION ROARS | 0:55:28 | 0:55:30 | |
Ken! Ken! | 0:55:57 | 0:56:00 | |
-It's Linda. She's drifting down the river in the dinghy alone. -What?! | 0:56:03 | 0:56:07 | |
My wounded lion's in there, Linda can take care of herself. | 0:56:07 | 0:56:09 | |
ELEPHANTS TRUMPET | 0:56:12 | 0:56:14 | |
Help! | 0:57:42 | 0:57:43 | |
Oh, hurry up! | 0:57:49 | 0:57:51 | |
Help! | 0:57:57 | 0:57:59 | |
SHE SCREAMS | 0:57:59 | 0:58:00 | |
Was that the big white hunter? | 0:59:20 | 0:59:22 | |
Haven't you been in enough water for the last couple of days? | 0:59:22 | 0:59:25 | |
This is a bath. | 0:59:25 | 0:59:26 | |
You sent for me? | 0:59:26 | 0:59:29 | |
Yeah. | 0:59:29 | 0:59:30 | |
Two things... | 0:59:30 | 0:59:31 | |
I wanted to thank you for today. | 0:59:31 | 0:59:33 | |
It's part of my job. | 0:59:33 | 0:59:35 | |
And I wanted to ask you... | 0:59:35 | 0:59:37 | |
could we go back? | 0:59:37 | 0:59:39 | |
Brampton gives the orders around here, you know that. | 0:59:39 | 0:59:43 | |
It's him I'm worried about. | 0:59:43 | 0:59:45 | |
This mania about killing a lion. | 0:59:45 | 0:59:49 | |
-Maybe it's because he's sick? -He's always been sick. | 0:59:49 | 0:59:53 | |
Only, out here you can see it much plainer. | 0:59:53 | 0:59:55 | |
Look, all I wanted to know was whether we could go back. | 0:59:55 | 0:59:59 | |
Go back to what? | 1:00:01 | 1:00:03 | |
Morning. What are you going to do? | 1:00:26 | 1:00:28 | |
I suppose you have to go after that lion again? | 1:00:28 | 1:00:30 | |
I have to - it's wounded. | 1:00:30 | 1:00:32 | |
What would happen if a hunter didn't follow up a wounded animal? | 1:00:32 | 1:00:35 | |
He'd lose his licence. | 1:00:35 | 1:00:37 | |
Are you feeling all right? | 1:00:39 | 1:00:41 | |
I'm perfectly all right. These are just a precaution. | 1:00:41 | 1:00:43 | |
You sure you don't want to go back? | 1:00:43 | 1:00:45 | |
I'll say when I want to go back. | 1:00:45 | 1:00:47 | |
OK, it's your funeral. | 1:00:47 | 1:00:49 | |
I have a feeling that you're not going to shoot that lion after all. | 1:00:49 | 1:00:52 | |
Where are you talking about? | 1:00:52 | 1:00:54 | |
Well, you heard what Ken said, didn't you? | 1:00:54 | 1:00:56 | |
Now it's wounded, it's HIS job. | 1:00:56 | 1:00:58 | |
-He said that, did he? -Yes. | 1:00:58 | 1:01:00 | |
Did he? | 1:01:03 | 1:01:05 | |
-Kakora? -Yes, Bwana. | 1:01:12 | 1:01:14 | |
-Tell Duffield I'm ready to go. -Yes, Bwana. | 1:01:14 | 1:01:17 | |
OK, let's go! | 1:01:41 | 1:01:43 | |
Haven't you messed things up enough already? | 1:01:45 | 1:01:48 | |
I can take care of the kill. | 1:01:48 | 1:01:50 | |
No, Duffield. I'LL take care of the kill. | 1:01:50 | 1:01:53 | |
LION ROARS | 1:02:14 | 1:02:16 | |
Bwana, Bwana! | 1:02:27 | 1:02:28 | |
SHRIEKING | 1:02:42 | 1:02:44 | |
RHINO SHRIEKS | 1:02:53 | 1:02:55 | |
GUN FIRES | 1:02:59 | 1:03:00 | |
SPEAKS SWAHILI | 1:03:37 | 1:03:40 | |
MUSIC: "Swing Low, Sweet Chariot" | 1:04:14 | 1:04:17 | |
Nuffield, tell him to stop that blasted trumpeting! | 1:04:36 | 1:04:39 | |
Sorry, but I want my men to forget what happened to Kakora. | 1:04:39 | 1:04:43 | |
Any objections? | 1:04:43 | 1:04:44 | |
No, give the boy's family whatever you think's right. | 1:04:44 | 1:04:47 | |
It's more than you've got or ever will have. | 1:04:47 | 1:04:49 | |
It was my fault that Kakora was killed. | 1:04:49 | 1:04:52 | |
It wasn't because my magazine was empty. | 1:04:52 | 1:04:54 | |
I knew from the first day I met you all, you'd be nothing but trouble. | 1:04:54 | 1:04:58 | |
I've had all I'm going to take. | 1:04:58 | 1:04:59 | |
You're leaving tomorrow morning for Nairobi. Got that? | 1:04:59 | 1:05:02 | |
Listen, Duffield. I've had enough of your insubordination. | 1:05:02 | 1:05:06 | |
This safari ends when I've finished off Hatari and not before. | 1:05:06 | 1:05:09 | |
But tomorrow morning at daybreak you're heading south to Nairobi, | 1:05:09 | 1:05:12 | |
-non-stop. -And how about you, our big white hunter? | 1:05:12 | 1:05:16 | |
Risking our neck so he can get his own revenge. What's he going to do? | 1:05:16 | 1:05:19 | |
I'm going to stay here and clean up the mess your loverboy left behind. | 1:05:19 | 1:05:23 | |
CALLS IN SWAHILI | 1:05:48 | 1:05:49 | |
Oh, it's you, Bwana. | 1:05:53 | 1:05:54 | |
How do you like my new hat? | 1:05:54 | 1:05:56 | |
Who sent you that? Hopper? | 1:05:58 | 1:05:59 | |
HE LAUGHS | 1:05:59 | 1:06:00 | |
Shh. Keep your eyes open. | 1:06:00 | 1:06:02 | |
OK, Bwana. | 1:06:02 | 1:06:03 | |
One for the road, Duffield? | 1:06:03 | 1:06:05 | |
Why don't you get some sleep? | 1:06:10 | 1:06:12 | |
Not yet. Not plastered enough. | 1:06:12 | 1:06:15 | |
Such stuff as dreams are made on. | 1:06:15 | 1:06:17 | |
Try a dream, Duffield - no extra charge. | 1:06:17 | 1:06:19 | |
No, thanks. | 1:06:19 | 1:06:21 | |
Good for you, Mr BWH. | 1:06:21 | 1:06:22 | |
I loathe people who don't know when they've had enough. | 1:06:22 | 1:06:26 | |
Hate to see me do this, don't you? Why? | 1:06:27 | 1:06:30 | |
Not your problem. | 1:06:30 | 1:06:32 | |
But I asked you. | 1:06:32 | 1:06:34 | |
Well, from where I stand, it don't exactly help the picture. | 1:06:34 | 1:06:38 | |
Funny. | 1:06:38 | 1:06:40 | |
From where I drink, it's always made the picture look much better. | 1:06:40 | 1:06:44 | |
Ken? | 1:06:46 | 1:06:47 | |
Sit down. Please. | 1:06:48 | 1:06:50 | |
This is the last time we'll ever see each other, alone. | 1:06:58 | 1:07:02 | |
I wanted you to know something. | 1:07:04 | 1:07:06 | |
This is the last drink I'll ever take. | 1:07:08 | 1:07:10 | |
I need it now so that I can blame it for what I'm going to say. | 1:07:10 | 1:07:14 | |
I love you, Ken. | 1:07:16 | 1:07:18 | |
I always will. | 1:07:19 | 1:07:21 | |
No need for you to say anything because this is all there is to it. | 1:07:23 | 1:07:27 | |
I've said it. I feel great for it. | 1:07:29 | 1:07:33 | |
I hope some day you'll get that hate out of your heart. | 1:07:35 | 1:07:39 | |
So you can say it to someone. | 1:07:40 | 1:07:43 | |
You need some sleep. | 1:07:52 | 1:07:54 | |
Bwana, Bwana! | 1:08:11 | 1:08:13 | |
Boss-boss! | 1:08:13 | 1:08:15 | |
Calling Roy Shaw. Come in, Roy. This is Duffield. | 1:08:18 | 1:08:20 | |
District Commissioner's orders - you've got to move camp. | 1:08:20 | 1:08:25 | |
200 Mau Mau broke jail this afternoon, | 1:08:25 | 1:08:28 | |
20 miles south of you at Isiolo. | 1:08:28 | 1:08:30 | |
And they're heading towards your area, | 1:08:30 | 1:08:33 | |
'probably to join up with Jeroge. | 1:08:33 | 1:08:36 | |
'Now, Ken, I know how you feel about Jeroge | 1:08:36 | 1:08:39 | |
'and why you're staying in that area. | 1:08:39 | 1:08:42 | |
'But my feeling is you should move north as soon as you can.' | 1:08:42 | 1:08:44 | |
-Hey! -Bwana? -Load the trucks, we're leaving right away. | 1:08:46 | 1:08:49 | |
OK, Bwana. Come on, trucks! | 1:08:49 | 1:08:51 | |
I say, Ken, what's happened? | 1:08:54 | 1:08:56 | |
I thought you said we weren't leaving until tomorrow morning? | 1:08:56 | 1:08:59 | |
I changed my mind. We're leaving now. | 1:08:59 | 1:09:01 | |
-Get your gear ready. -But why? | 1:09:01 | 1:09:03 | |
I'm not leaving here till we finish off Hatari. | 1:09:03 | 1:09:05 | |
Look, there's 200 Mau Mau riders somewhere on the loose. | 1:09:06 | 1:09:09 | |
I'm taking the safari out of here. If you want to stay, stay. | 1:09:09 | 1:09:13 | |
Odongo! Odongo! | 1:09:13 | 1:09:14 | |
You, there! Unload that truck! | 1:09:14 | 1:09:17 | |
I say when this safari leaves, not Duffield! | 1:09:17 | 1:09:19 | |
Sorry, Bwana. Can't do it. | 1:09:19 | 1:09:21 | |
Why aren't you dressed? | 1:09:27 | 1:09:28 | |
Why has everything changed? Why are we heading north? | 1:09:28 | 1:09:31 | |
200 reasons, all of them are Mau Mau. | 1:09:31 | 1:09:33 | |
But the Mau Mau and Jeroge are what you're after, | 1:09:33 | 1:09:35 | |
and you're giving it all up. Why? | 1:09:35 | 1:09:37 | |
Because of my favourite football player. Now, get dressed. | 1:09:37 | 1:09:40 | |
I won't be five minutes. | 1:09:42 | 1:09:44 | |
-Bwana, come quick! -What's your problem? | 1:10:06 | 1:10:09 | |
Look! Look! | 1:10:09 | 1:10:10 | |
-Unpack my big expresser, 900 grain bullets. -Yes, Bwana. | 1:10:12 | 1:10:15 | |
-Patches and ropes! -Vincent gone? | 1:10:15 | 1:10:18 | |
Stupid fool's out in the jungle in the middle of the night. | 1:10:18 | 1:10:20 | |
He must be raving! Shall I come with you? | 1:10:20 | 1:10:22 | |
You stay here and keep your rifle in your hand. | 1:10:22 | 1:10:24 | |
Don't leave, no matter what happens. | 1:10:24 | 1:10:26 | |
Thanks. | 1:10:26 | 1:10:27 | |
If you want to stay alive, keep behind me. | 1:10:44 | 1:10:46 | |
LION ROARS | 1:10:49 | 1:10:51 | |
GUN FIRES | 1:10:58 | 1:11:00 | |
Brampton! Brampton! | 1:11:02 | 1:11:04 | |
Stay where you are, Duffield. > | 1:11:27 | 1:11:29 | |
Stay where you are or I'll shoot. | 1:11:32 | 1:11:34 | |
Take cover. He's crazy with fever. | 1:11:36 | 1:11:38 | |
Don't be a fool, Brampton. | 1:11:38 | 1:11:40 | |
Stay where you are, I say! The lion's mine. | 1:11:40 | 1:11:43 | |
GUN FIRES | 1:11:45 | 1:11:47 | |
Now do you believe that I mean what I say? | 1:11:47 | 1:11:50 | |
Nobody wants to stop you from killing that lion. | 1:11:50 | 1:11:53 | |
I only want to stop you from getting yourself killed. | 1:11:53 | 1:11:56 | |
Look. | 1:11:56 | 1:11:57 | |
GUN FIRES | 1:12:02 | 1:12:04 | |
Don't move, Brampton. | 1:12:31 | 1:12:33 | |
Do what I tell you. | 1:12:33 | 1:12:34 | |
What do you think you're trying now? | 1:12:34 | 1:12:37 | |
Brampton, there's a lion over your head | 1:12:37 | 1:12:40 | |
He's less than 20 feet away. | 1:12:40 | 1:12:42 | |
You can't fool me with that old trick! | 1:12:42 | 1:12:44 | |
When I give you the word, | 1:12:44 | 1:12:46 | |
turn and fire. | 1:12:46 | 1:12:47 | |
SHOOT! | 1:12:51 | 1:12:53 | |
GUN FIRES | 1:12:53 | 1:12:55 | |
GUN FIRES | 1:12:57 | 1:12:59 | |
Did I get him? | 1:13:03 | 1:13:04 | |
Did I get Hatari? | 1:13:04 | 1:13:07 | |
You got him. | 1:13:07 | 1:13:08 | |
Jerusalem! | 1:13:08 | 1:13:10 | |
-Bwana? -Stretcher! | 1:13:10 | 1:13:12 | |
OK, stretcher! | 1:13:13 | 1:13:14 | |
-I hope that's enough morphine to keep him out. -Will he live? | 1:13:18 | 1:13:22 | |
It all depends on how fast we get there. That means going south. | 1:13:22 | 1:13:25 | |
-You understand what that means, don't you? -I understand. | 1:13:25 | 1:13:28 | |
If there's no other way but to go through Mau Mau country, | 1:13:28 | 1:13:31 | |
hadn't we better stay here? | 1:13:31 | 1:13:33 | |
Sorry, old man. But we've got to take that chance. | 1:13:33 | 1:13:36 | |
Jerusalem, let's go! HE AGREES IN SWAHILI | 1:13:36 | 1:13:39 | |
-What is it? -I don't know. | 1:13:56 | 1:13:58 | |
Looks like the police. | 1:13:58 | 1:14:00 | |
We've been looking for Mau Mau. | 1:14:04 | 1:14:06 | |
Can you take us to the police station, please? | 1:14:06 | 1:14:08 | |
Hop in. Tell the others to get the truck. | 1:14:08 | 1:14:10 | |
GUNSHOT | 1:14:46 | 1:14:48 | |
GUNSHOT | 1:15:00 | 1:15:02 | |
HE SHOUTS IN SWAHILI | 1:15:12 | 1:15:15 | |
GUN FIRES | 1:15:28 | 1:15:30 | |
Hurry, Jerusalem! Bring that ammunition. Reload this. | 1:15:42 | 1:15:46 | |
Keep your heads down! | 1:15:52 | 1:15:54 | |
Fire! | 1:16:31 | 1:16:33 | |
-What are they waiting for, Captain? -Doctors. | 1:16:45 | 1:16:48 | |
-That won't be long. -How many casualties? | 1:16:48 | 1:16:50 | |
One boy killed, two very badly hurt, one askari dead. | 1:16:50 | 1:16:53 | |
Well, it could have been worse. | 1:16:53 | 1:16:56 | |
What about Nairobi, Ken? The radio? | 1:16:56 | 1:16:59 | |
Closed circuit. They don't open that unit until nine o'clock tonight. | 1:16:59 | 1:17:03 | |
-We'll tell them we're here, if we're still here. -Bwana? | 1:17:03 | 1:17:07 | |
THEY SPEAK SWAHILI | 1:17:07 | 1:17:09 | |
He's trying to get through for help. | 1:17:11 | 1:17:14 | |
GUNSHOT | 1:17:27 | 1:17:30 | |
HE SCREAMS | 1:17:30 | 1:17:33 | |
Where's Odongo? | 1:17:40 | 1:17:42 | |
-Isn't he with Jerusalem? -I haven't seen him anywhere. | 1:17:42 | 1:17:45 | |
-Jerusalem? -Could that kid be a Mau Mau after all? | 1:17:47 | 1:17:49 | |
Of course not. Not possibly. | 1:17:49 | 1:17:51 | |
You don't think so? I bet he thought the same about Jeroge. | 1:17:51 | 1:17:55 | |
Jerusalem! Get that tyre fixed! | 1:18:28 | 1:18:31 | |
I could probably get you all out of here on the truck | 1:18:31 | 1:18:34 | |
before they close in. | 1:18:34 | 1:18:35 | |
Brian, you drive. Jerusalem and O'Keefe will be with you. | 1:18:35 | 1:18:38 | |
-Where will you be? -When you get in, you send help back. | 1:18:38 | 1:18:40 | |
-That's your best idea? -That's it. -You'll have to do better. | 1:18:40 | 1:18:43 | |
Because if it's the end of the road... | 1:18:43 | 1:18:46 | |
so it's the end of the road. | 1:18:46 | 1:18:47 | |
Bwana, Bwana! Bwana! | 1:18:54 | 1:18:56 | |
HORN BEEPS | 1:19:00 | 1:19:02 | |
Bwana, Bwana! | 1:19:04 | 1:19:06 | |
HE SPEAKS SWAHILI | 1:19:06 | 1:19:09 | |
WHISTLES BLOW | 1:19:09 | 1:19:13 | |
HE SPEAKS SWAHILI | 1:19:36 | 1:19:40 | |
Don't waste any ammunition. | 1:19:59 | 1:20:01 | |
How is he? | 1:20:11 | 1:20:12 | |
-Get me out! -Vincent, lie down. -Get me out, did you hear? | 1:20:12 | 1:20:15 | |
Don't worry, I'll get you out of here. | 1:20:15 | 1:20:16 | |
If you don't get me out, I'm finished! | 1:20:16 | 1:20:18 | |
They're coming! | 1:20:26 | 1:20:28 | |
Get the car started, Brian. | 1:20:28 | 1:20:31 | |
GUNSHOT | 1:20:37 | 1:20:39 | |
-Ken! -No, I'm not going! | 1:20:42 | 1:20:44 | |
Ken, I'm not going! Ken! | 1:20:44 | 1:20:46 | |
GUNFIRE | 1:21:04 | 1:21:08 | |
SHE SCREAMS | 1:21:14 | 1:21:16 | |
GUNFIRE | 1:21:20 | 1:21:22 | |
That was close! There's one more chance, that truck up there. | 1:21:25 | 1:21:27 | |
-No, Ken, I won't go! -Go ahead, Linda, don't argue! | 1:21:27 | 1:21:30 | |
-No, Ken! -GUNFIRE | 1:21:30 | 1:21:33 | |
GUNFIRE | 1:21:40 | 1:21:43 | |
Get back! | 1:22:45 | 1:22:47 | |
THEY SHOUT IN SWAHILI | 1:23:19 | 1:23:22 | |
Bwana! Bwana! | 1:23:44 | 1:23:45 | |
Well! And where have you been? | 1:24:12 | 1:24:15 | |
I thought we lost you. | 1:24:15 | 1:24:17 | |
Bwana no lose Odongo. | 1:24:17 | 1:24:18 | |
Odongo save Bwana's life, like on every safari. | 1:24:18 | 1:24:22 | |
What about me? I thought you were going to always take care of me. | 1:24:22 | 1:24:26 | |
Bwana, he look after Memsahib. Bwana no more big champ. | 1:24:26 | 1:24:29 | |
HE LAUGHS | 1:24:36 | 1:24:39 | |
# We're on safari, beat the drum | 1:24:52 | 1:24:54 | |
# Go on safari to kingdom come | 1:24:54 | 1:24:57 | |
# Show her, show her, show her, my boy | 1:24:57 | 1:24:59 | |
# Show her, show her, show her, my boy | 1:24:59 | 1:25:02 | |
# If you're not awake, my friend | 1:25:02 | 1:25:05 | |
# Then it'll soon be journey's end. # | 1:25:05 | 1:25:08 | |
# Nataka kwenda, nataka kwenda | 1:25:08 | 1:25:10 | |
# Nataka kwenda safari | 1:25:10 | 1:25:13 | |
# Nataka kwenda, nataka kwenda | 1:25:13 | 1:25:16 | |
# Nataka kwenda safari | 1:25:16 | 1:25:18 | |
# Show her, my boy | 1:25:18 | 1:25:20 | |
# Show her, my boy. # | 1:25:20 | 1:25:24 |