The Big Picture
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Transcript
| Line | From | To | |
|---|---|---|---|
This film contains some strong language. | 0:00:15 | 0:00:18 | |
BABY CRIES | 0:00:27 | 0:00:28 | |
BABY CRIES | 0:00:37 | 0:00:39 | |
CHILD GIGGLES | 0:01:18 | 0:01:19 | |
BABY CRIES | 0:01:39 | 0:01:40 | |
-Bonjour. -Bonjour. | 0:03:24 | 0:03:26 | |
PHONE VIBRATES | 0:08:28 | 0:08:29 | |
Oui? | 0:08:32 | 0:08:33 | |
Monsieur? | 0:09:08 | 0:09:09 | |
CAR HORN | 0:10:58 | 0:10:59 | |
FRONT DOOR OPENS | 0:12:18 | 0:12:19 | |
HE LAUGHS | 0:13:19 | 0:13:21 | |
Cloudy Bay. | 0:14:14 | 0:14:15 | |
Yeee-haa! | 0:14:24 | 0:14:27 | |
CHILD SCREAMS | 0:14:27 | 0:14:28 | |
Wow! | 0:15:15 | 0:15:16 | |
CHILD LAUGHS | 0:15:25 | 0:15:26 | |
Woo-hoo-hoo! | 0:15:26 | 0:15:29 | |
CHILD SQUEALS | 0:16:35 | 0:16:36 | |
CONVERSATION BECOMES MUFFLED | 0:19:49 | 0:19:51 | |
HE CHUCKLES | 0:21:14 | 0:21:15 | |
HE CHUCKLES | 0:21:47 | 0:21:49 | |
LAUGHTER | 0:22:07 | 0:22:08 | |
Sarah? | 0:22:43 | 0:22:44 | |
Sarah! | 0:22:45 | 0:22:47 | |
DOORBELL RINGS | 0:23:56 | 0:23:57 | |
Oui. | 0:24:59 | 0:25:00 | |
HE LAUGHS | 0:25:12 | 0:25:13 | |
THEY LAUGH | 0:26:13 | 0:26:14 | |
GLASS SMASHES | 0:26:53 | 0:26:54 | |
POLICE SIRENS | 0:29:27 | 0:29:29 | |
PHONE RINGS | 0:32:12 | 0:32:13 | |
Hello. | 0:32:28 | 0:32:29 | |
PHONE VIBRATES Oui? | 0:37:23 | 0:37:24 | |
CHILDREN LAUGH AND SHOUT | 0:37:50 | 0:37:51 | |
BABY CRIES | 0:39:10 | 0:39:11 | |
DIALOGUE SILENT | 0:40:01 | 0:40:03 | |
MUFFLED SPEECH | 0:40:41 | 0:40:42 | |
CAR HORN | 0:43:21 | 0:43:22 | |
DISTANT LAUGHTER | 0:43:45 | 0:43:46 | |
Salut. | 0:48:08 | 0:48:09 | |
Oui. | 0:48:12 | 0:48:13 | |
OK. | 0:48:29 | 0:48:30 | |
Ah! | 0:50:59 | 0:51:00 | |
INDISTINCT STATION ANNOUNCEMENTS | 0:53:02 | 0:53:03 | |
POLICE SIREN PASSES | 0:53:49 | 0:53:51 | |
Thank you. | 0:56:08 | 0:56:09 | |
Excuse me. | 0:56:22 | 0:56:23 | |
May I have a room, please? | 0:56:23 | 0:56:24 | |
SHE SOBS | 0:57:18 | 0:57:19 | |
SHE SOBS | 0:57:30 | 0:57:31 | |
RETCHING | 0:57:53 | 0:57:54 | |
You won't be bothered by tourists. | 1:00:38 | 1:00:40 | |
Summer or winter, it's the same here. | 1:00:40 | 1:00:42 | |
MAN SPEAKS SERBIAN | 1:00:46 | 1:00:48 | |
It's 100 Euros per month. | 1:00:48 | 1:00:50 | |
Plus 10 per cent agency fee. | 1:00:50 | 1:00:53 | |
But he doesn't want to rent it less than for six months, OK? | 1:00:53 | 1:00:58 | |
OK. | 1:00:58 | 1:00:59 | |
Zdravo. | 1:01:24 | 1:01:25 | |
Hello. | 1:01:25 | 1:01:26 | |
-Hello. -Hello. | 1:03:32 | 1:03:33 | |
Do you know where I can find an enlarger? | 1:03:33 | 1:03:36 | |
How much do they want to spend? | 1:03:36 | 1:03:38 | |
500. | 1:03:38 | 1:03:39 | |
I have an Axomat 4. It's second-hand but in very good condition. | 1:03:39 | 1:03:43 | |
OK. Lens? | 1:03:43 | 1:03:44 | |
-50 and 85. But I can show it to you. -Yes, please. | 1:03:44 | 1:03:48 | |
So here it is. | 1:03:54 | 1:03:55 | |
-Ah, the... -It's OK. | 1:03:58 | 1:04:00 | |
OK. | 1:04:00 | 1:04:01 | |
-I'll take it. -OK. | 1:04:01 | 1:04:04 | |
Is photography your hobby? | 1:04:04 | 1:04:05 | |
No, I get paid for it. | 1:04:05 | 1:04:08 | |
That's what I thought. | 1:04:08 | 1:04:10 | |
Er...so, this will be... | 1:04:10 | 1:04:12 | |
470 Euros, OK? | 1:04:12 | 1:04:15 | |
OK. | 1:04:15 | 1:04:16 | |
We accept credit cards, if you want... | 1:04:16 | 1:04:18 | |
No, no, I prefer cash. | 1:04:18 | 1:04:19 | |
You know, we have an amateur photographers' club here, | 1:04:19 | 1:04:22 | |
and we get together twice a month, | 1:04:22 | 1:04:24 | |
so it would be great if you'd come and talk about your work. | 1:04:24 | 1:04:28 | |
Yeah, sure. With pleasure. | 1:04:28 | 1:04:30 | |
But I'm very busy right now, you know, so...in a month or two. | 1:04:30 | 1:04:33 | |
Excellent. | 1:04:33 | 1:04:34 | |
Can you just tell me your name, please? | 1:04:34 | 1:04:36 | |
Kremer. | 1:04:37 | 1:04:38 | |
SHE SPEAKS SERBIAN | 1:06:20 | 1:06:22 | |
Er... | 1:06:29 | 1:06:31 | |
My husband. | 1:06:31 | 1:06:33 | |
SHE SPEAKS SERBIAN | 1:06:33 | 1:06:34 | |
He's outside. | 1:06:34 | 1:06:36 | |
Look. | 1:06:36 | 1:06:37 | |
BARTHOLOME CHUCKLES | 1:08:29 | 1:08:30 | |
PAUL LAUGHS | 1:08:45 | 1:08:46 | |
BARTHOLOME LAUGHS | 1:08:49 | 1:08:50 | |
BARTHOLOME LAUGHS | 1:09:31 | 1:09:33 | |
BARTHOLOME LAUGHS | 1:09:36 | 1:09:37 | |
KNOCK AT DOOR | 1:10:46 | 1:10:47 | |
Yes? | 1:10:52 | 1:10:53 | |
Follow me. | 1:10:53 | 1:10:54 | |
You know him? | 1:11:15 | 1:11:17 | |
Yes. | 1:11:17 | 1:11:19 | |
He gave us your address. | 1:11:19 | 1:11:20 | |
He say he lives here. Yes? | 1:11:22 | 1:11:24 | |
Yeah. | 1:11:24 | 1:11:25 | |
Yeah, yes. | 1:11:26 | 1:11:27 | |
POLICEMEN SPEAK SERBIAN | 1:11:29 | 1:11:32 | |
OK, OK. We leave him with you. | 1:11:38 | 1:11:41 | |
OK. | 1:11:42 | 1:11:43 | |
Is this yours? | 1:11:48 | 1:11:49 | |
Yes. | 1:11:50 | 1:11:52 | |
You're French? | 1:11:52 | 1:11:54 | |
Yeah. | 1:11:54 | 1:11:56 | |
Do you have vehicle documents? | 1:11:56 | 1:11:57 | |
HE GASPS | 1:11:57 | 1:11:59 | |
HE SIGHS | 1:12:02 | 1:12:03 | |
PHONE RINGS | 1:13:03 | 1:13:04 | |
Yes. | 1:13:22 | 1:13:24 | |
KNOCKS AT DOOR | 1:16:08 | 1:16:09 | |
BARTHOLOME CHUCKLES | 1:16:20 | 1:16:21 | |
BARTHOLOME LAUGHS | 1:17:31 | 1:17:32 | |
OK? | 1:18:56 | 1:18:57 | |
Er... | 1:19:23 | 1:19:24 | |
Oh no, Greg, please, I don't want my picture in the newspaper. | 1:20:06 | 1:20:09 | |
My parents thinks I work in the White House. | 1:20:09 | 1:20:12 | |
THEY LAUGH | 1:20:12 | 1:20:13 | |
THEY SPEAK SERBIAN | 1:20:14 | 1:20:15 | |
LAUGHTER | 1:20:15 | 1:20:18 | |
APPLAUSE | 1:20:18 | 1:20:19 | |
OK, OK... | 1:20:30 | 1:20:31 | |
We are very happy to have you here. | 1:20:34 | 1:20:36 | |
APPLAUSE | 1:20:36 | 1:20:37 | |
LAUGHTER | 1:20:40 | 1:20:42 | |
Oui. | 1:21:58 | 1:21:59 | |
I've been following your work for some time. | 1:22:51 | 1:22:54 | |
I didn't contact you right away. | 1:22:54 | 1:22:56 | |
When did you start publishing your portraits? | 1:22:56 | 1:22:58 | |
Three months ago, more or less. | 1:22:58 | 1:23:00 | |
More, wasn't it? | 1:23:00 | 1:23:01 | |
Anyway, no matter. | 1:23:01 | 1:23:03 | |
I was let down by a sculptor who was due to exhibit here over a month. | 1:23:03 | 1:23:08 | |
I want to offer you his place. | 1:23:08 | 1:23:09 | |
OK. | 1:23:11 | 1:23:12 | |
Sit down, please. | 1:23:12 | 1:23:14 | |
Four weeks - is that enough for you to shoot new material? | 1:23:14 | 1:23:17 | |
We'll see. | 1:23:18 | 1:23:19 | |
I will pay for the printing and framing. | 1:23:21 | 1:23:24 | |
I think they will sell 550 a photo. | 1:23:24 | 1:23:28 | |
I take 50% on profit and 35% on royalties. | 1:23:28 | 1:23:32 | |
I'll start to consider it at 60/40 on sales and nothing on royalties. | 1:23:33 | 1:23:37 | |
Don't you think you're a tiny demanding | 1:23:39 | 1:23:41 | |
for someone who never exhibited? | 1:23:41 | 1:23:43 | |
You know my thinking. You have Ivana's number. Thank you. | 1:23:43 | 1:23:46 | |
PHONE RINGS | 1:24:02 | 1:24:04 | |
Oui? | 1:24:08 | 1:24:09 | |
Huh? | 1:24:17 | 1:24:18 | |
I don't want a single photo of me in the press. | 1:24:39 | 1:24:42 | |
This has got to be a joke. | 1:24:42 | 1:24:43 | |
No. | 1:24:43 | 1:24:44 | |
No no, no joke. | 1:24:44 | 1:24:46 | |
Give ma an explanation, at least. | 1:24:46 | 1:24:48 | |
It's...no reason. | 1:24:48 | 1:24:49 | |
I have decided the world doesn't need to see my little face, that's all. | 1:24:49 | 1:24:52 | |
The world? | 1:24:52 | 1:24:54 | |
Hey, hey, hey, hey, hold your horses. | 1:24:54 | 1:24:56 | |
Isn't that a little bit pretentious? | 1:24:56 | 1:24:58 | |
I don't care if people think I'm pretentious. | 1:24:59 | 1:25:01 | |
If they want my photos, they accept my conditions. | 1:25:01 | 1:25:04 | |
Anyway, if they don't, it doesn't matter. | 1:25:04 | 1:25:08 | |
OK. | 1:25:08 | 1:25:09 | |
I will see what I can do. | 1:25:10 | 1:25:12 | |
CAR HORNS | 1:25:23 | 1:25:24 | |
DOOR SLAMS | 1:26:07 | 1:26:08 | |
HE LAUGHS | 1:27:34 | 1:27:35 | |
CAR HORN | 1:28:05 | 1:28:06 | |
How are you? | 1:28:10 | 1:28:11 | |
Hello. | 1:28:12 | 1:28:13 | |
Oui. | 1:28:17 | 1:28:18 | |
I hope you won't leave the paper now you've become someone. | 1:29:49 | 1:29:53 | |
Now I've become someone... | 1:29:53 | 1:29:54 | |
I... | 1:29:59 | 1:30:00 | |
Sorry... | 1:30:42 | 1:30:43 | |
Let me introduce you to the elusive Gregoire Kremer. | 1:30:43 | 1:30:46 | |
-My wife, Svetlana. -Pleased to meet you. | 1:30:46 | 1:30:48 | |
Excuse me, I need him. | 1:30:48 | 1:30:49 | |
Sorry. | 1:30:49 | 1:30:50 | |
Gregoire Kremer. Robbie Nicholl. Gallery in London. | 1:30:52 | 1:30:56 | |
I love your work. To be honest, I'm awed. | 1:30:56 | 1:30:58 | |
It's been a long time since I've felt anything like this. | 1:30:58 | 1:31:00 | |
We'll start publicising the exhibition well in advance. | 1:31:00 | 1:31:03 | |
What do you mean? | 1:31:03 | 1:31:04 | |
The exhibition's coming to us in September. | 1:31:04 | 1:31:07 | |
He didn't know. We signed yesterday, I couldn't reach you. | 1:31:07 | 1:31:11 | |
You should know I work hand in glove with the media. | 1:31:11 | 1:31:13 | |
That means a lot of interviews for you. | 1:31:13 | 1:31:15 | |
Can I borrow him for a moment, please? | 1:31:15 | 1:31:17 | |
What's that French agent's name? | 1:31:19 | 1:31:21 | |
Maire. Francis Maire. | 1:31:21 | 1:31:23 | |
Right. You know each other, apparently. | 1:31:23 | 1:31:25 | |
We will go to meet him together. He can't wait. | 1:31:25 | 1:31:27 | |
I'll be right there. | 1:31:30 | 1:31:31 | |
EXPLOSION | 1:33:26 | 1:33:27 | |
EXPLOSION | 1:33:41 | 1:33:42 | |
GLASS SMASHES | 1:33:52 | 1:33:53 | |
HE COUGHS | 1:33:53 | 1:33:54 | |
EXPLOSION | 1:33:56 | 1:33:57 | |
Excuse me, do you speak English? | 1:34:41 | 1:34:43 | |
-Excuse me, do you speak English? -Yeah. | 1:34:47 | 1:34:49 | |
HE LAUGHS | 1:34:49 | 1:34:51 | |
I'm looking for a ship. | 1:34:51 | 1:34:53 | |
Yeah. Working? | 1:34:53 | 1:34:54 | |
No, no. As a tourist. | 1:34:54 | 1:34:55 | |
-I'll pay for the trip. -When do you want to leave? | 1:34:55 | 1:34:57 | |
Any time. | 1:34:57 | 1:34:58 | |
Tonight, tomorrow... | 1:34:58 | 1:34:59 | |
Are you in trouble to be in such hurry? | 1:34:59 | 1:35:02 | |
No. Everything's regular, I have my passport. | 1:35:04 | 1:35:07 | |
-Yeah? -Yeah. -OK. | 1:35:07 | 1:35:09 | |
Ah...follow me. | 1:35:09 | 1:35:10 | |
HE SPEAKS SERBIAN | 1:35:12 | 1:35:13 | |
Euros. | 1:35:20 | 1:35:22 | |
500 now. | 1:35:22 | 1:35:23 | |
500 when you get off. | 1:35:24 | 1:35:25 | |
MUFFLED SHOUTING | 1:37:25 | 1:37:26 | |
SHOUTING CONTINUES | 1:37:29 | 1:37:31 | |
Ah! MAN SHOUTS | 1:37:51 | 1:37:53 | |
HE SCREAMS | 1:39:31 | 1:39:32 | |
SHOUTING IN SERBIAN | 1:39:38 | 1:39:39 | |
I won't say anything, OK? | 1:40:31 | 1:40:33 | |
No problem, look... | 1:40:33 | 1:40:35 | |
Look... | 1:40:35 | 1:40:36 | |
Look. | 1:40:37 | 1:40:38 | |
OK? | 1:40:38 | 1:40:39 | |
OK? | 1:40:41 | 1:40:43 | |
OK? No problem. | 1:40:43 | 1:40:44 | |
I won't say anything, OK, you understand? | 1:40:44 | 1:40:46 | |
I can pay, you have some money, no problem. | 1:40:46 | 1:40:49 | |
MAN SHOUTS | 1:40:49 | 1:40:50 | |
No! | 1:40:52 | 1:40:53 | |
SHOUTING IN SERBIAN | 1:40:53 | 1:40:55 | |
SHOUTING AND SCREAMING | 1:41:04 | 1:41:05 | |
No! | 1:41:08 | 1:41:09 | |
MUFFLED SHOUTING | 1:41:14 | 1:41:15 | |
SHOUTING AND SCREAMING | 1:41:18 | 1:41:19 | |
PAUL SCREAMS | 1:41:20 | 1:41:21 | |
HE GASPS FOR BREATH | 1:41:37 | 1:41:38 | |
HE SHOUTS | 1:41:50 | 1:41:51 | |
Ah! | 1:42:01 | 1:42:03 | |
Ah! | 1:42:03 | 1:42:04 | |
Ahh! | 1:42:04 | 1:42:05 | |
HE SHOUTS | 1:42:09 | 1:42:10 | |
VOICE SHOUTS IN REPLY | 1:42:18 | 1:42:20 | |
Ah! | 1:42:49 | 1:42:50 | |
Ah! | 1:42:53 | 1:42:54 | |
Come on! | 1:42:55 | 1:42:56 | |
THEY GASP FOR BREATH | 1:43:05 | 1:43:06 | |
OK... | 1:43:06 | 1:43:07 | |
OK... | 1:43:23 | 1:43:25 | |
You ok? You ok? | 1:43:25 | 1:43:26 | |
OK? | 1:43:26 | 1:43:27 | |
OK... | 1:43:27 | 1:43:28 | |
Mamma mia. | 1:44:02 | 1:44:03 | |
Subtitles for the deaf and hard of hearing by Red Bee Media Ltd | 1:44:57 | 1:45:00 |