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This film contains some strong language and scenes which some viewers may find disturbing. | 0:00:02 | 0:00:08 | |
WOMAN SPEAKING NATIVE LANGUAGE ON RADIO | 0:03:11 | 0:03:14 | |
What are they saying? | 0:03:16 | 0:03:18 | |
LAUGHS | 0:03:18 | 0:03:21 | |
-PRESENTER: -Hi to Christopher Williams from Dublin Centre. | 0:03:21 | 0:03:23 | |
He's a regular listener to the programme, | 0:03:23 | 0:03:25 | |
and he texted me a while ago, and he said, | 0:03:25 | 0:03:27 | |
"Any chance you might play a piece of music | 0:03:27 | 0:03:28 | |
"which Mary Coogan used | 0:03:28 | 0:03:30 | |
"as the signature tune to the Golden Era TV show?" | 0:03:30 | 0:03:34 | |
And tell me where... | 0:03:34 | 0:03:37 | |
Check out the 50th anniversary... | 0:03:37 | 0:03:38 | |
Is this what you used to listen to? | 0:03:38 | 0:03:40 | |
Yeah, of course, religiously. | 0:03:40 | 0:03:42 | |
LAUGHS | 0:03:42 | 0:03:43 | |
-WOMAN: -Come on, kids! | 0:03:44 | 0:03:46 | |
BELL RINGS | 0:03:46 | 0:03:47 | |
Get to class. | 0:03:47 | 0:03:49 | |
No running. Take it easy. | 0:03:49 | 0:03:50 | |
That's where I went to school. | 0:03:54 | 0:03:56 | |
Ah, bare feet and a slate | 0:03:56 | 0:03:58 | |
and a piece of chalk? | 0:03:58 | 0:04:00 | |
Yeah. Made a man out of me. | 0:04:00 | 0:04:02 | |
GIGGLING | 0:04:02 | 0:04:04 | |
Yeah, right. | 0:04:04 | 0:04:05 | |
Do you think we'll get broadband? | 0:04:07 | 0:04:09 | |
Yeah, I hope so. | 0:04:09 | 0:04:11 | |
LAUGHS | 0:04:39 | 0:04:43 | |
It needs a bit of work all right, hmm? | 0:04:43 | 0:04:46 | |
A bit? | 0:04:46 | 0:04:47 | |
We got time. | 0:04:47 | 0:04:50 | |
There's loads of room to extend. | 0:04:50 | 0:04:53 | |
Hey, come on. | 0:04:53 | 0:04:54 | |
Come see the outhouse. | 0:04:54 | 0:04:56 | |
Make a perfect studio for you. | 0:04:56 | 0:04:58 | |
I told you you'd love it. | 0:05:00 | 0:05:03 | |
What do you think? | 0:05:08 | 0:05:09 | |
Shay's done a good job. Do you like this colour? | 0:05:11 | 0:05:15 | |
Oh, my God. Look at the view. | 0:05:16 | 0:05:19 | |
This was mine. | 0:05:22 | 0:05:24 | |
It's perfect. | 0:05:43 | 0:05:46 | |
We love it. | 0:05:46 | 0:05:47 | |
Yeah. It will be. | 0:05:47 | 0:05:50 | |
I love you. | 0:05:50 | 0:05:51 | |
I love you. | 0:05:51 | 0:05:54 | |
Oh. | 0:05:54 | 0:05:55 | |
-What? -Funny. | 0:05:55 | 0:05:58 | |
This used to be mine and Cat's. | 0:06:19 | 0:06:22 | |
Thought I'd fix it up for our Bartholomew. | 0:06:22 | 0:06:24 | |
Ignatius? | 0:06:27 | 0:06:30 | |
All right, then, Daniel. | 0:06:30 | 0:06:32 | |
Come on, Daniel Conroy. | 0:06:32 | 0:06:35 | |
Oh, I thought we were getting everything new this time. | 0:06:42 | 0:06:45 | |
It'll be good as new, I promise. | 0:06:45 | 0:06:47 | |
HAMMER SCRAPING | 0:06:49 | 0:06:52 | |
CHIMES RINGING | 0:07:11 | 0:07:14 | |
GRAVEL CRUNCHING | 0:07:17 | 0:07:21 | |
CAR HORN HONKS | 0:07:21 | 0:07:24 | |
Hi. | 0:07:27 | 0:07:28 | |
I can't believe you're here. | 0:07:28 | 0:07:30 | |
Oh, it's so great to have you home. | 0:07:30 | 0:07:31 | |
Hi, Shay. | 0:07:31 | 0:07:33 | |
Hey, how are you? | 0:07:33 | 0:07:36 | |
Hello, Eva. | 0:07:36 | 0:07:38 | |
-Say hello to your Auntie Martha, Eva. -Hi. | 0:07:38 | 0:07:41 | |
Oh, my God. | 0:07:42 | 0:07:45 | |
Wow. | 0:07:45 | 0:07:46 | |
You two don't waste any time, do you? | 0:07:46 | 0:07:48 | |
Ah, it's lovely. | 0:07:49 | 0:07:52 | |
What's this? | 0:07:52 | 0:07:53 | |
It's Marty's. I love it. | 0:07:53 | 0:07:54 | |
I think it might be a bit dark for here, though. | 0:07:54 | 0:07:56 | |
Don't ask us. | 0:07:56 | 0:07:58 | |
Our walls are covered in finger paintings. | 0:07:58 | 0:08:00 | |
TAPPING AT WINDOW | 0:08:12 | 0:08:14 | |
SCREAMS | 0:08:14 | 0:08:15 | |
-CHILD: -Play with me. | 0:08:19 | 0:08:20 | |
CANS CLANKING | 0:08:24 | 0:08:26 | |
CHUCKLES | 0:08:39 | 0:08:40 | |
Hello. | 0:08:40 | 0:08:43 | |
Were you just banging on my window? | 0:08:43 | 0:08:45 | |
I'm Martha. | 0:08:49 | 0:08:50 | |
What's your name? | 0:08:52 | 0:08:54 | |
Daisy. | 0:08:58 | 0:09:00 | |
Hello, Daisy. | 0:09:00 | 0:09:02 | |
SCREAMS | 0:09:13 | 0:09:14 | |
-Away with you. -Stop it! | 0:09:14 | 0:09:15 | |
Get away from here. Stay away from here. | 0:09:15 | 0:09:19 | |
What are you doing? | 0:09:20 | 0:09:22 | |
Are you OK? | 0:09:22 | 0:09:24 | |
Did he hit you? | 0:09:24 | 0:09:25 | |
Daisy? | 0:09:25 | 0:09:26 | |
SCHOOL BELL RINGS | 0:09:28 | 0:09:31 | |
Good morning, all. | 0:09:42 | 0:09:43 | |
ALL: Morning, sir. | 0:09:43 | 0:09:45 | |
I'm Tomas Conroy. | 0:09:45 | 0:09:46 | |
You can call me "Tomas." | 0:09:46 | 0:09:47 | |
You can call me "Mr Conroy." | 0:09:47 | 0:09:50 | |
Just don't call me "Sir." | 0:09:50 | 0:09:51 | |
Are you married to Tomas Conroy? | 0:10:06 | 0:10:09 | |
Yes. Do you know him? | 0:10:09 | 0:10:12 | |
I heard he was teaching at his old school. | 0:10:12 | 0:10:14 | |
English. | 0:10:14 | 0:10:15 | |
We used to sit together at the back of the school bus. | 0:10:15 | 0:10:17 | |
I'm Orla Gannon, by the way. | 0:10:18 | 0:10:21 | |
-Martha. -And that's Lucy. | 0:10:21 | 0:10:23 | |
Are you sure you're not gonna go crazy here | 0:10:23 | 0:10:25 | |
after the bright lights of London? | 0:10:25 | 0:10:27 | |
I went crazy in London. | 0:10:30 | 0:10:32 | |
That's why we're here. | 0:10:32 | 0:10:34 | |
Great. | 0:10:34 | 0:10:36 | |
That's all perfectly normal. | 0:10:36 | 0:10:37 | |
Why don't you take a seat? | 0:10:37 | 0:10:39 | |
Anything in your family history I should know about? | 0:10:41 | 0:10:44 | |
My mother died of cancer when I was four. | 0:10:44 | 0:10:48 | |
You're young and healthy. There's nothing to worry about. | 0:10:48 | 0:10:50 | |
I have another baby. | 0:10:50 | 0:10:53 | |
Chloe. | 0:10:53 | 0:10:55 | |
Sorry, um... | 0:10:55 | 0:10:56 | |
She died when she was three weeks old, | 0:10:56 | 0:11:00 | |
sudden infant death syndrome. | 0:11:00 | 0:11:02 | |
Well, that wasn't your fault, pet. | 0:11:02 | 0:11:04 | |
When did it happen? | 0:11:04 | 0:11:05 | |
Two years ago. | 0:11:05 | 0:11:06 | |
I'm going to take really good care of you. | 0:11:06 | 0:11:09 | |
OK? | 0:11:09 | 0:11:10 | |
-MAN: -Evening. | 0:11:18 | 0:11:21 | |
Shay said he'd help me put a skylight in and a window. | 0:11:33 | 0:11:36 | |
You never mentioned Orla. | 0:11:36 | 0:11:39 | |
Orla? | 0:11:39 | 0:11:41 | |
Orla from the school bus. | 0:11:41 | 0:11:43 | |
Yeah, she broke my heart when I was 19. | 0:11:44 | 0:11:49 | |
That's when I came looking for you. | 0:11:55 | 0:11:58 | |
Hello! | 0:12:18 | 0:12:19 | |
BABY CRYING IN DISTANCE | 0:12:23 | 0:12:24 | |
INDISTINCT VOICES | 0:12:24 | 0:12:26 | |
(Daisy.) | 0:13:08 | 0:13:09 | |
SIGHS | 0:13:10 | 0:13:11 | |
Move away. | 0:13:18 | 0:13:19 | |
GIGGLING | 0:13:34 | 0:13:37 | |
Jack! Jack! | 0:14:36 | 0:14:39 | |
Jack! | 0:14:40 | 0:14:42 | |
No! | 0:14:44 | 0:14:46 | |
Jack! | 0:14:46 | 0:14:48 | |
No! | 0:14:52 | 0:14:54 | |
Oh, God. Oh. | 0:14:54 | 0:14:56 | |
No! Fuck! | 0:14:59 | 0:15:01 | |
SOBBING | 0:15:16 | 0:15:18 | |
Well, I think we're done for now. | 0:15:24 | 0:15:26 | |
OK, thanks. | 0:15:26 | 0:15:29 | |
Hey, Sergeant Riley says we can go. | 0:15:36 | 0:15:41 | |
What was the baby called? | 0:15:41 | 0:15:43 | |
Jack Gahan. | 0:15:43 | 0:15:46 | |
Come on. | 0:15:48 | 0:15:50 | |
No, I just want to be by myself for a minute. | 0:15:50 | 0:15:52 | |
Come on, Jen. | 0:16:14 | 0:16:16 | |
WOMAN SOBS | 0:16:21 | 0:16:23 | |
My boy, Jack. | 0:16:51 | 0:16:53 | |
I'm so sorry I left you. | 0:16:53 | 0:16:56 | |
Mummy, play with me. Play with me. | 0:16:56 | 0:16:59 | |
Daisy, don't touch. | 0:17:00 | 0:17:02 | |
-Play with me. -Don't. | 0:17:02 | 0:17:03 | |
SOBS | 0:17:03 | 0:17:06 | |
Daddy, play with me. | 0:17:09 | 0:17:12 | |
Please. | 0:17:12 | 0:17:14 | |
Jack's asleep. He can't play with me. | 0:17:14 | 0:17:18 | |
No-one will play with me. | 0:17:18 | 0:17:20 | |
Come here. | 0:17:50 | 0:17:52 | |
CANS CLANKING | 0:18:01 | 0:18:03 | |
MARTHA: Daisy? Daisy? | 0:18:03 | 0:18:06 | |
You'd better come down from there. | 0:18:06 | 0:18:09 | |
Poor old Mr Cryan, | 0:18:09 | 0:18:10 | |
he won't like you being up there, come on. | 0:18:10 | 0:18:12 | |
Daisy! Daisy, get down from there. | 0:18:12 | 0:18:14 | |
Daisy! | 0:18:14 | 0:18:16 | |
You're going to fall. | 0:18:16 | 0:18:18 | |
Daisy. | 0:18:18 | 0:18:19 | |
YELLING | 0:18:19 | 0:18:21 | |
What's happening? | 0:18:21 | 0:18:22 | |
Yeah, she seems fine. | 0:18:22 | 0:18:23 | |
-You, are you OK? -Martha, you OK? | 0:18:23 | 0:18:26 | |
I'm completely fine. | 0:18:26 | 0:18:27 | |
I just got a fright. She just jumped. | 0:18:27 | 0:18:29 | |
Away with you! | 0:18:29 | 0:18:31 | |
GIGGLES | 0:18:31 | 0:18:33 | |
I told you. She's crying for you. | 0:18:33 | 0:18:34 | |
Can't you hear it? | 0:18:34 | 0:18:35 | |
MAN: Jenny, don't listen to him. | 0:18:35 | 0:18:38 | |
It's not too late. | 0:18:38 | 0:18:40 | |
It's not too late to save her. | 0:18:40 | 0:18:41 | |
Shut your face, old man, or I'll shut it for you! | 0:18:41 | 0:18:44 | |
-Jimmy. -Hey, come on. | 0:18:44 | 0:18:47 | |
Come on, leave it. | 0:18:47 | 0:18:49 | |
Go home. | 0:18:49 | 0:18:50 | |
Come on, you. | 0:18:55 | 0:18:57 | |
BANGING ON DOOR | 0:19:17 | 0:19:18 | |
-MAN: -Tomas! | 0:19:18 | 0:19:19 | |
Tomas! | 0:19:19 | 0:19:20 | |
BANGING CONTINUES | 0:19:20 | 0:19:21 | |
Tomas, we need help! | 0:19:21 | 0:19:24 | |
Come on, Tomas! | 0:19:24 | 0:19:26 | |
-Water. We need... -Ah. | 0:19:26 | 0:19:28 | |
PEOPLE YELLING | 0:19:31 | 0:19:33 | |
Need more water! | 0:19:48 | 0:19:50 | |
More water! | 0:19:50 | 0:19:51 | |
Do you know where Daisy is, the little girl? | 0:19:51 | 0:19:53 | |
Daisy? | 0:19:53 | 0:19:55 | |
MEN SHOUTING | 0:20:00 | 0:20:01 | |
FAINT SCREAMING FROM CHILD | 0:20:01 | 0:20:04 | |
SCREAMING GETS LOUDER | 0:20:04 | 0:20:06 | |
She's hysterical. I can't tell if she's hurt. Call Dr Ferguson. | 0:20:11 | 0:20:14 | |
Can I help? I-I know her. | 0:20:14 | 0:20:16 | |
It's worth a shot. Just be careful. | 0:20:16 | 0:20:18 | |
Daisy? | 0:20:18 | 0:20:21 | |
Daisy, sweetheart, it's me, Martha. | 0:20:21 | 0:20:23 | |
Come on, sweetheart, come on. | 0:20:23 | 0:20:25 | |
DAISY SHRIEKS No, please. Turn it off. | 0:20:25 | 0:20:27 | |
-Sweetheart, come down. You're safe now. Come on. -Martha. | 0:20:27 | 0:20:29 | |
-Come on. -Martha. -Come on. | 0:20:29 | 0:20:32 | |
That's it, good girl. | 0:20:34 | 0:20:36 | |
It's OK. | 0:20:38 | 0:20:39 | |
Move along now, folks. Thanks, there's no more to be done. | 0:20:41 | 0:20:44 | |
Thanks. | 0:20:44 | 0:20:46 | |
SCREAMING | 0:20:46 | 0:20:47 | |
-UNEARTHLY: -Jenny! | 0:20:47 | 0:20:50 | |
-MR CRYAN: -You should have left her to burn. | 0:20:54 | 0:20:56 | |
Dia linn. | 0:21:01 | 0:21:03 | |
Dia linn. | 0:21:03 | 0:21:04 | |
Dia linn. | 0:21:04 | 0:21:05 | |
Now just take another deep breath in for me. | 0:21:05 | 0:21:08 | |
INHALES | 0:21:08 | 0:21:10 | |
Good girl. | 0:21:10 | 0:21:12 | |
Well, her lungs are clear, thank God. | 0:21:12 | 0:21:15 | |
She doesn't need to go to the hospital? | 0:21:15 | 0:21:17 | |
Ah, she's fine, just exhausted. | 0:21:17 | 0:21:19 | |
The social worker's going to be a couple of hours yet. | 0:21:19 | 0:21:21 | |
Maybe she could sleep here. | 0:21:21 | 0:21:23 | |
Of course. | 0:21:23 | 0:21:24 | |
Whatever's best for Daisy. | 0:21:24 | 0:21:26 | |
Let me take these off, because they're all dirty. Here. | 0:21:26 | 0:21:31 | |
Thank you. | 0:21:33 | 0:21:34 | |
Keep you nice and warm. | 0:21:34 | 0:21:37 | |
Here. | 0:21:37 | 0:21:38 | |
Yeah. You put your feet under there. | 0:21:41 | 0:21:43 | |
You keep warm. | 0:21:43 | 0:21:45 | |
What does "dia linn" mean? | 0:21:54 | 0:21:56 | |
"God be with us." | 0:21:57 | 0:21:58 | |
NOISE DOWNSTAIRS | 0:22:13 | 0:22:16 | |
RUSTLING | 0:22:20 | 0:22:23 | |
Jesus, Daisy. | 0:22:28 | 0:22:29 | |
Do you like porridge? | 0:22:30 | 0:22:32 | |
Here, let me cook it for you. Come on. | 0:22:32 | 0:22:34 | |
GASPS | 0:22:34 | 0:22:36 | |
Daisy? | 0:22:36 | 0:22:38 | |
SIGHS | 0:22:38 | 0:22:40 | |
Martha! | 0:22:40 | 0:22:41 | |
DAISY EATS NOISILY | 0:22:41 | 0:22:44 | |
Martha! | 0:22:46 | 0:22:48 | |
Morning, Mr Conroy. | 0:22:54 | 0:22:56 | |
I'm Margaret Lindsay | 0:22:56 | 0:22:57 | |
from the Western Health Service's social work department. | 0:22:57 | 0:23:00 | |
You have Daisy Gahan? | 0:23:00 | 0:23:01 | |
We do. | 0:23:01 | 0:23:02 | |
Is everything OK? | 0:23:02 | 0:23:03 | |
Ah, well, now it is. | 0:23:03 | 0:23:05 | |
Come on in. | 0:23:05 | 0:23:08 | |
Look, I can't find any extended family, | 0:23:13 | 0:23:15 | |
and there's a dire shortage of foster carers available. | 0:23:15 | 0:23:18 | |
She's lucky to get a bed. | 0:23:18 | 0:23:19 | |
Maybe she could stay here for a couple of nights | 0:23:19 | 0:23:22 | |
until they find a foster family for her. | 0:23:22 | 0:23:24 | |
No, but, Martha, you're exhausted. | 0:23:24 | 0:23:26 | |
No, no, I'm fine. | 0:23:26 | 0:23:28 | |
It's Daisy that I'm worried about and her mental stability. | 0:23:28 | 0:23:31 | |
There are procedures to be followed. | 0:23:31 | 0:23:33 | |
You're not qualified, and she needs to be assessed. | 0:23:33 | 0:23:36 | |
Well, she clearly has difficulties. | 0:23:36 | 0:23:38 | |
I mean, do you think it's... | 0:23:38 | 0:23:39 | |
do you think it's possible | 0:23:39 | 0:23:41 | |
she has something like autism or something? | 0:23:41 | 0:23:43 | |
Maybe, she's just in shock after what she's seen. | 0:23:43 | 0:23:45 | |
I'm afraid I don't know. There's been no file on Daisy. | 0:23:45 | 0:23:48 | |
Yeah, but surely her school had some idea? | 0:23:48 | 0:23:50 | |
She never started school. | 0:23:50 | 0:23:51 | |
SIGHS | 0:23:51 | 0:23:53 | |
Look, can you get her things, and I'll take her now. | 0:23:53 | 0:23:55 | |
That's ridiculous. | 0:23:56 | 0:23:58 | |
-Come on, Daisy, love. -I'll get her things. | 0:23:58 | 0:24:01 | |
-Do you like ice-cream? What's your favourite? -SCREAMS | 0:24:01 | 0:24:03 | |
Come on now, Daisy. | 0:24:03 | 0:24:04 | |
Daisy, stop it now. | 0:24:04 | 0:24:06 | |
Daisy, you're all right. | 0:24:06 | 0:24:07 | |
Daisy, stop it! | 0:24:07 | 0:24:09 | |
Please, just leave her. | 0:24:09 | 0:24:10 | |
SCREAMS | 0:24:10 | 0:24:11 | |
Daisy, it's Martha. | 0:24:11 | 0:24:13 | |
Come on, Daisy. | 0:24:13 | 0:24:14 | |
Daisy, it's Martha. Come on. | 0:24:14 | 0:24:16 | |
Daisy, come on. | 0:24:16 | 0:24:18 | |
Come on. | 0:24:18 | 0:24:21 | |
That's it, good girl. | 0:24:21 | 0:24:24 | |
I mean, maybe, you know, | 0:24:24 | 0:24:26 | |
she could stay just for a couple of days | 0:24:26 | 0:24:27 | |
while you get a foster family for her? | 0:24:27 | 0:24:29 | |
I'll have to speak to my team leader but, yeah, | 0:24:29 | 0:24:32 | |
maybe for a couple of days till she's settled, | 0:24:32 | 0:24:35 | |
but I'll be back for her. | 0:24:35 | 0:24:37 | |
Here's my card if you need to contact me. | 0:24:37 | 0:24:39 | |
All right, thanks. | 0:24:39 | 0:24:41 | |
No-one's going to hurt you. | 0:24:45 | 0:24:47 | |
OK? | 0:24:48 | 0:24:49 | |
You're safe. | 0:24:49 | 0:24:50 | |
-RADIO: -Hopefully shining some light | 0:24:58 | 0:25:00 | |
on what seems to be a very common complaint... | 0:25:00 | 0:25:03 | |
TYRES SCREECH | 0:25:06 | 0:25:09 | |
TYRES SCREECH | 0:25:12 | 0:25:14 | |
TYRES SCREECH AND SQUEAL | 0:25:18 | 0:25:21 | |
CRASHING, GLASS SHATTERS | 0:25:22 | 0:25:24 | |
There was no sign of her in the house, not even a toy. | 0:25:48 | 0:25:51 | |
Looks like she's been living in the shed. | 0:25:51 | 0:25:55 | |
Has she said anything about what happened? | 0:25:55 | 0:25:57 | |
She hasn't said a word. | 0:25:57 | 0:25:59 | |
Do you think it was an accident? | 0:25:59 | 0:26:01 | |
Petrol all over the place. | 0:26:01 | 0:26:04 | |
Would have gone up like a bomb. | 0:26:04 | 0:26:06 | |
One of them could have caught fire. | 0:26:06 | 0:26:08 | |
The other one tries to help. | 0:26:08 | 0:26:10 | |
They catch fire too. | 0:26:10 | 0:26:12 | |
But what really bothers me | 0:26:14 | 0:26:17 | |
is why they built it in a fairy ring. | 0:26:17 | 0:26:21 | |
It wouldn't mean anything to them. | 0:26:21 | 0:26:23 | |
Yeah, but, Tomas, they could have built it anywhere. | 0:26:23 | 0:26:27 | |
And on Halloween night... | 0:26:27 | 0:26:31 | |
DAISY SCREAMS | 0:26:48 | 0:26:50 | |
I'm going to take her home, OK? | 0:26:55 | 0:26:56 | |
One of us should stay. | 0:26:56 | 0:26:59 | |
No, we love Daisy. | 0:27:19 | 0:27:22 | |
Smile at Daisy like you smile at Martha. | 0:27:22 | 0:27:25 | |
Yeah. | 0:27:28 | 0:27:30 | |
Tell Martha I sorted it, though. | 0:27:30 | 0:27:31 | |
I bought only the best. | 0:27:31 | 0:27:33 | |
-EVA SQUEALS: -Mine, my doll, mine! | 0:27:33 | 0:27:36 | |
That's grand, thanks. | 0:27:36 | 0:27:38 | |
Give me it. Give it. | 0:27:38 | 0:27:39 | |
-Give it! It's mine. -Oh. Daisy? | 0:27:39 | 0:27:42 | |
Will you give the doll back to Eva? | 0:27:42 | 0:27:45 | |
Eva, love, give Daisy the doll. | 0:27:45 | 0:27:47 | |
You promise to look after him, don't you, Daisy? | 0:27:47 | 0:27:49 | |
Say thank you, Daisy. | 0:27:49 | 0:27:50 | |
Come on, Eva. | 0:27:50 | 0:27:52 | |
So what shall we call him? | 0:27:57 | 0:27:59 | |
SCISSORS SNIPPING | 0:27:59 | 0:28:01 | |
Shall we call him Murgatroyd? | 0:28:01 | 0:28:04 | |
GIGGLES | 0:28:04 | 0:28:05 | |
No? | 0:28:05 | 0:28:07 | |
Bertie? | 0:28:07 | 0:28:09 | |
No. | 0:28:09 | 0:28:12 | |
I like Eddie. | 0:28:12 | 0:28:13 | |
Shall we call him Eddie? | 0:28:13 | 0:28:16 | |
OK. | 0:28:16 | 0:28:17 | |
I think it's time for Eddie to have a sleep now. | 0:28:17 | 0:28:19 | |
Put Eddie to bed? | 0:28:19 | 0:28:21 | |
Good night, Eddie. | 0:28:21 | 0:28:23 | |
DOLL CRIES | 0:28:23 | 0:28:25 | |
Would you like to tuck him in? | 0:28:25 | 0:28:27 | |
Here, there you go. | 0:28:27 | 0:28:28 | |
His new blanket. | 0:28:28 | 0:28:30 | |
Oh, no. | 0:28:35 | 0:28:37 | |
No, we mustn't do that. | 0:28:37 | 0:28:40 | |
If you look, the baby needs to be able to breathe, | 0:28:40 | 0:28:43 | |
so we pull the blanket back down and tuck him in. | 0:28:43 | 0:28:47 | |
He can breathe now. | 0:28:47 | 0:28:49 | |
I'm going to have a baby. | 0:28:49 | 0:28:51 | |
Feel my tummy. | 0:28:53 | 0:28:55 | |
Baby's saying, "Hello, Daisy." | 0:28:58 | 0:29:01 | |
INDISTINCT TALKING OVER POLICE RADIO | 0:29:04 | 0:29:06 | |
Well, how long did they say they're going to be? | 0:29:09 | 0:29:11 | |
"They didn't say." | 0:29:11 | 0:29:13 | |
Yeah, OK, we'll see. | 0:29:13 | 0:29:14 | |
-MAN: -Easy there with that rope, Jack. | 0:29:15 | 0:29:18 | |
Slowly, slowly, slowly. | 0:29:18 | 0:29:21 | |
I will do. | 0:29:22 | 0:29:24 | |
OK, thanks, bye. | 0:29:24 | 0:29:26 | |
OK? | 0:29:26 | 0:29:30 | |
Oh, Daisy. | 0:29:30 | 0:29:31 | |
That's kind. Thank you. | 0:29:31 | 0:29:34 | |
Martha. | 0:29:34 | 0:29:35 | |
Can you draw a green circle? | 0:29:35 | 0:29:37 | |
Margaret Lindsay's had an accident. | 0:29:40 | 0:29:44 | |
Social worker. | 0:29:44 | 0:29:46 | |
She's dead. | 0:29:49 | 0:29:50 | |
They, er, they want her to go to the care home. | 0:29:53 | 0:29:57 | |
Daisy? | 0:30:28 | 0:30:31 | |
Hello, I'm Tomas Conroy. | 0:30:54 | 0:30:56 | |
Tomas. | 0:30:56 | 0:30:57 | |
This is my wife, Martha. | 0:30:57 | 0:30:58 | |
Hello, this is Ciara. You're sharing a room with Ciara. | 0:30:58 | 0:31:02 | |
Hello, my name is Ciara. | 0:31:02 | 0:31:04 | |
-DAISY: -Mummy! Mummy! | 0:31:18 | 0:31:20 | |
'Mummy!' | 0:31:20 | 0:31:22 | |
MARTHA: Listen to this. | 0:31:59 | 0:32:01 | |
It says, "'Autism,' from 'auto' for 'self' or 'same,' | 0:32:01 | 0:32:06 | |
"the tendency to view life | 0:32:06 | 0:32:07 | |
"in terms of one's own needs and desires." | 0:32:07 | 0:32:09 | |
It says here they don't like to be touched. | 0:32:09 | 0:32:14 | |
Well, she touches me. | 0:32:14 | 0:32:16 | |
She looks me in the eye. | 0:32:16 | 0:32:18 | |
No, she doesn't look at me. | 0:32:20 | 0:32:22 | |
Ah, look at you. | 0:32:38 | 0:32:40 | |
Where you going? | 0:32:40 | 0:32:42 | |
I thought we might go for a little walk, maybe to the playground. | 0:32:42 | 0:32:45 | |
I need to finish this. | 0:32:45 | 0:32:48 | |
OK. | 0:32:48 | 0:32:49 | |
See you in a bit. | 0:32:49 | 0:32:50 | |
Hello. | 0:32:53 | 0:32:55 | |
Do you like living with Martha and Tomas? | 0:33:44 | 0:33:47 | |
Do you miss your mum and dad? | 0:33:49 | 0:33:52 | |
Would you like to sit down again, Daisy? | 0:33:56 | 0:34:00 | |
Do you remember anything about the fire? | 0:34:03 | 0:34:06 | |
It was hot, hot, hot, hot. | 0:34:06 | 0:34:11 | |
Daisy, did someone hurt you? | 0:34:13 | 0:34:15 | |
Who hurt you? | 0:34:17 | 0:34:21 | |
-WOMAN: -Well, you have a lovely home and a good support network, | 0:34:26 | 0:34:29 | |
and more importantly, Daisy seems very happy here. | 0:34:29 | 0:34:32 | |
Ah, ah, this is Tomas, my husband, who I was telling you about. | 0:34:34 | 0:34:37 | |
-Hello, Tomas. -Hello. | 0:34:37 | 0:34:38 | |
These ladies are from the Social Services. | 0:34:38 | 0:34:40 | |
Well, there should be no problem with the application, | 0:34:40 | 0:34:43 | |
-and we'll be in touch about her assessment. -OK. | 0:34:43 | 0:34:46 | |
-And lovely to meet you. -Lovely to meet you too. Thank you for coming. | 0:34:46 | 0:34:49 | |
-Thank you. -Very nice to meet you. | 0:34:49 | 0:34:52 | |
Bye. | 0:34:52 | 0:34:54 | |
MARTHA: Thank you for coming. | 0:34:58 | 0:34:59 | |
What's going on? | 0:35:07 | 0:35:09 | |
I've had to apply for us to foster Daisy. | 0:35:11 | 0:35:13 | |
-Do I have any say in this at all? -Yes, of course. | 0:35:15 | 0:35:17 | |
I mean, nothing's been decided yet. | 0:35:17 | 0:35:20 | |
You know, there's...there's still assessments to be made. | 0:35:20 | 0:35:23 | |
Tomas, she needs a family. | 0:35:23 | 0:35:25 | |
Is this about Chloe? | 0:35:25 | 0:35:26 | |
No, not at all, no. | 0:35:26 | 0:35:29 | |
This is about Daisy and what she needs. | 0:35:29 | 0:35:32 | |
She's happy here. | 0:35:34 | 0:35:37 | |
She makes me happy. I love her. | 0:35:37 | 0:35:39 | |
Hello? | 0:35:43 | 0:35:44 | |
Everybody, quiet, please. | 0:35:44 | 0:35:46 | |
Can everyone say hello to Daisy Gahan. | 0:35:50 | 0:35:55 | |
-ALL: -Hello, Daisy Gahan. | 0:35:55 | 0:35:58 | |
Two times two is four. | 0:36:01 | 0:36:03 | |
Two times three is six. | 0:36:03 | 0:36:06 | |
Two times four is eight... | 0:36:06 | 0:36:08 | |
GIGGLES | 0:36:28 | 0:36:29 | |
Look at me, Mummy. Look at me. | 0:36:57 | 0:36:59 | |
I'm a fairy. | 0:36:59 | 0:37:01 | |
Why lock it with your one inside? | 0:37:13 | 0:37:15 | |
Evening, Sean. | 0:37:17 | 0:37:18 | |
No-one mixes with that crowd and comes away unmarked. | 0:37:18 | 0:37:22 | |
Oh, for Christ's sake. | 0:37:22 | 0:37:24 | |
She has Martha bewitched. There'll be no room for your little one. | 0:37:24 | 0:37:27 | |
Stop it, Sean. That's enough. | 0:37:27 | 0:37:29 | |
I don't want you around the house, OK? | 0:37:31 | 0:37:33 | |
Whatever you do, don't say no to her. | 0:37:35 | 0:37:39 | |
GIGGLES | 0:37:43 | 0:37:45 | |
GIGGLING Rip it. | 0:37:58 | 0:38:01 | |
Come on. | 0:38:01 | 0:38:02 | |
Oh. | 0:38:05 | 0:38:07 | |
LAUGHTER | 0:38:07 | 0:38:10 | |
It's pretty, isn't it? Daisy chose it. | 0:38:13 | 0:38:15 | |
Do you like it? | 0:38:15 | 0:38:16 | |
Yeah, but this is the baby's room, isn't it? | 0:38:16 | 0:38:19 | |
No, the baby's going to sleep with us to start with, anyway. | 0:38:19 | 0:38:21 | |
Right. | 0:38:23 | 0:38:24 | |
Hey, take it easy. | 0:38:27 | 0:38:28 | |
-Let me do it. -Thank you. That bit up there. | 0:38:29 | 0:38:32 | |
KIDS SQUEALING | 0:38:36 | 0:38:37 | |
No, Eva, come back. | 0:38:45 | 0:38:48 | |
Go on, keep on going. | 0:38:48 | 0:38:51 | |
LAUGHTER | 0:38:55 | 0:38:58 | |
Hello. | 0:39:00 | 0:39:01 | |
Go on, that's right. Faster. | 0:39:06 | 0:39:08 | |
Come back. | 0:39:08 | 0:39:09 | |
-MUFFLED SPEECH -Do you want to have a go? | 0:39:31 | 0:39:33 | |
Oh, you dropped it. | 0:39:37 | 0:39:39 | |
Where's it gone? | 0:39:39 | 0:39:40 | |
Hello. Hello. Hello. | 0:39:40 | 0:39:43 | |
GIGGLES | 0:39:43 | 0:39:46 | |
AIR HISSES | 0:39:46 | 0:39:49 | |
DRYER WHIRRING | 0:39:55 | 0:39:58 | |
Cat? Cat? | 0:40:32 | 0:40:35 | |
Cat! | 0:40:35 | 0:40:36 | |
Huh? | 0:40:36 | 0:40:37 | |
Have you seen the girls? | 0:40:37 | 0:40:38 | |
Are they in the loo? | 0:40:38 | 0:40:40 | |
Daisy? | 0:40:40 | 0:40:42 | |
Daisy! | 0:40:44 | 0:40:45 | |
Oh, my God. | 0:40:45 | 0:40:46 | |
Help! Help! | 0:40:46 | 0:40:49 | |
She's down there! | 0:40:49 | 0:40:50 | |
Daisy, get off me! | 0:40:50 | 0:40:51 | |
Martha! | 0:40:51 | 0:40:53 | |
Stay down there! | 0:40:53 | 0:40:56 | |
Oh, my God. | 0:40:56 | 0:40:58 | |
Oh, my God! | 0:40:58 | 0:41:00 | |
She's a changeling. | 0:41:01 | 0:41:03 | |
SHE GAGS | 0:41:03 | 0:41:05 | |
How's Eva? | 0:41:05 | 0:41:06 | |
She's fine. | 0:41:06 | 0:41:07 | |
Can we just get in the car and go home? | 0:41:07 | 0:41:09 | |
Daisy, get in the car. | 0:41:09 | 0:41:11 | |
Tomas! | 0:41:11 | 0:41:13 | |
They're saying she's a changeling. | 0:41:16 | 0:41:17 | |
Oh, come on, it's bullshit. | 0:41:17 | 0:41:19 | |
It's superstitious bullshit. | 0:41:19 | 0:41:22 | |
Eva could have died in there. | 0:41:22 | 0:41:24 | |
Cat, it was my fault, and it was an accident. | 0:41:24 | 0:41:28 | |
Cat? | 0:41:28 | 0:41:29 | |
Daisy, I asked you to get in the car. | 0:41:33 | 0:41:37 | |
Did you see what happened? | 0:41:37 | 0:41:39 | |
No, I didn't. | 0:41:39 | 0:41:40 | |
I left them alone for a minute. | 0:41:40 | 0:41:41 | |
It was an accident. | 0:41:41 | 0:41:43 | |
What happened, Daisy? | 0:41:43 | 0:41:45 | |
It was an accident. | 0:41:45 | 0:41:49 | |
Daisy! | 0:41:53 | 0:41:55 | |
-Daisy, I'm sorry! -Daisy! | 0:41:55 | 0:41:57 | |
Daisy! | 0:42:00 | 0:42:02 | |
Come on. | 0:42:17 | 0:42:19 | |
Come on, it's all right. | 0:42:21 | 0:42:25 | |
It's OK. | 0:42:25 | 0:42:27 | |
Baby's head is at the bottom, | 0:42:34 | 0:42:36 | |
but we're not able to tell if it's engaged or not yet. | 0:42:36 | 0:42:40 | |
Oh, look at him. | 0:42:40 | 0:42:41 | |
He's beautiful. | 0:42:41 | 0:42:43 | |
Hello, Daniel. | 0:42:43 | 0:42:46 | |
Hello. | 0:42:46 | 0:42:48 | |
Mr Cryan, are you in there? | 0:42:55 | 0:42:57 | |
LATCHES CLUNKING | 0:42:57 | 0:43:00 | |
Mr Cryan? | 0:43:00 | 0:43:02 | |
What happened to you? | 0:43:07 | 0:43:09 | |
She spat on me. | 0:43:09 | 0:43:11 | |
Who? | 0:43:11 | 0:43:12 | |
GIGGLING | 0:43:12 | 0:43:13 | |
W-what's that? | 0:43:13 | 0:43:15 | |
The tree? | 0:43:15 | 0:43:16 | |
You really, really should get that looked at. | 0:43:16 | 0:43:18 | |
I think it's infected. | 0:43:18 | 0:43:19 | |
Where's the girl? | 0:43:19 | 0:43:21 | |
DAISY CHANTS Ahh...ya... | 0:43:21 | 0:43:22 | |
Now, Daisy, go outside. | 0:43:22 | 0:43:23 | |
Please, wait for me outside. | 0:43:23 | 0:43:24 | |
Away! | 0:43:24 | 0:43:25 | |
Go on. It's only Daisy. | 0:43:25 | 0:43:26 | |
HE GASPS | 0:43:26 | 0:43:28 | |
DAISY GIGGLES | 0:43:29 | 0:43:31 | |
Away with you! | 0:43:31 | 0:43:33 | |
Mr Cryan, it's only Daisy. | 0:43:33 | 0:43:34 | |
Oh, God. | 0:43:34 | 0:43:35 | |
DAISY CHANTS | 0:43:35 | 0:43:37 | |
Oh, God. | 0:43:37 | 0:43:38 | |
-DAISY: -Boo! | 0:43:38 | 0:43:39 | |
-MR CRYAN: -Away! | 0:43:39 | 0:43:40 | |
DAISY GIGGLES | 0:43:40 | 0:43:41 | |
Oh, God. | 0:43:41 | 0:43:42 | |
I'll just go and phone Tomas, OK? | 0:43:42 | 0:43:45 | |
Oh, God, help us. Oh, God, help us. | 0:43:45 | 0:43:49 | |
Oh, God. | 0:43:49 | 0:43:51 | |
He's promised to see the doctor in the morning. | 0:44:09 | 0:44:12 | |
What about Daisy? | 0:44:19 | 0:44:20 | |
He thinks that she's a fairy changeling. | 0:44:23 | 0:44:26 | |
A fairy? | 0:44:26 | 0:44:28 | |
Yeah, that she's not human. | 0:44:28 | 0:44:32 | |
He's completely mad. | 0:44:32 | 0:44:34 | |
'It's not just him. | 0:44:49 | 0:44:51 | |
'I've seen the way people look at her. | 0:44:51 | 0:44:53 | |
'It's like they're afraid. | 0:44:53 | 0:44:56 | |
'It's a small place. | 0:44:56 | 0:44:58 | |
'Things don't change. | 0:44:58 | 0:45:01 | |
'People really believe that stuff.' | 0:45:01 | 0:45:03 | |
If they thought that Daisy was a fairy changeling... | 0:45:06 | 0:45:10 | |
..then Halloween is the one night of the year | 0:45:12 | 0:45:16 | |
when the door between this world and the next is open... | 0:45:16 | 0:45:20 | |
..and burning the changeling would force the fairies | 0:45:22 | 0:45:27 | |
to bring back their real daughter. | 0:45:27 | 0:45:29 | |
Then they're all crazy. | 0:45:32 | 0:45:34 | |
Forward, forward, forward. | 0:45:40 | 0:45:44 | |
Left a bit. Left a bit. | 0:45:44 | 0:45:45 | |
Right a bit. Right a bit. | 0:45:45 | 0:45:47 | |
Ta-da. | 0:45:47 | 0:45:49 | |
DAISY GIGGLES | 0:46:31 | 0:46:35 | |
BABY COOING | 0:47:02 | 0:47:03 | |
DOOR CLICKS OPEN | 0:47:03 | 0:47:05 | |
Hi. | 0:47:07 | 0:47:08 | |
Hiya. | 0:47:08 | 0:47:09 | |
Oh. | 0:47:11 | 0:47:14 | |
I'm glad you came. | 0:47:14 | 0:47:17 | |
I didn't think... | 0:47:17 | 0:47:20 | |
I... I don't blame you. | 0:47:20 | 0:47:22 | |
These things happen. | 0:47:22 | 0:47:24 | |
Yeah. | 0:47:24 | 0:47:26 | |
BABY COOS | 0:47:26 | 0:47:27 | |
Oh. | 0:47:27 | 0:47:29 | |
How are you feeling? | 0:47:31 | 0:47:33 | |
Numb from the waist down, thanks be to Christ. | 0:47:33 | 0:47:35 | |
I'm telling you, | 0:47:35 | 0:47:36 | |
take all the drugs you're offered. | 0:47:36 | 0:47:38 | |
Where's Tomas? | 0:47:38 | 0:47:39 | |
He's in the car with Daisy. | 0:47:39 | 0:47:42 | |
I thought it best. | 0:47:42 | 0:47:44 | |
Do you want to hold him? | 0:47:48 | 0:47:49 | |
OK. | 0:47:49 | 0:47:51 | |
Aw. | 0:47:54 | 0:47:58 | |
He's big. | 0:47:58 | 0:47:59 | |
You're telling me. | 0:47:59 | 0:48:00 | |
HE SIGHS | 0:48:09 | 0:48:10 | |
SIREN WAILS FAINTLY | 0:48:22 | 0:48:25 | |
Daisy? | 0:48:31 | 0:48:33 | |
HE EXHALES | 0:48:35 | 0:48:37 | |
Daisy? | 0:48:50 | 0:48:52 | |
SHE GASPS IN PAIN | 0:49:55 | 0:49:57 | |
Please. | 0:49:57 | 0:50:00 | |
Daisy. | 0:50:00 | 0:50:01 | |
SHE SHUDDERS | 0:50:03 | 0:50:04 | |
T-Tommy, get him for me, please. | 0:50:04 | 0:50:08 | |
Daisy. | 0:50:08 | 0:50:10 | |
Daisy, give me the baby. | 0:50:10 | 0:50:12 | |
Give me the baby. | 0:50:12 | 0:50:13 | |
There. | 0:50:13 | 0:50:14 | |
BABY SQUEALS | 0:50:14 | 0:50:15 | |
Shh! | 0:50:15 | 0:50:17 | |
Hey, I've got you. | 0:50:17 | 0:50:19 | |
Are you OK, sweetheart? | 0:50:19 | 0:50:21 | |
-Is he OK? -It's OK. | 0:50:21 | 0:50:23 | |
She was probably just trying to say hello. | 0:50:26 | 0:50:30 | |
She doesn't realise, does she, Tomas? | 0:50:30 | 0:50:34 | |
BABY CRYING | 0:50:34 | 0:50:35 | |
We'll go and sit in the car. | 0:50:35 | 0:50:38 | |
I'm sorry. | 0:50:38 | 0:50:39 | |
She doesn't mean any harm. | 0:50:39 | 0:50:40 | |
It's OK. | 0:50:40 | 0:50:42 | |
Come on, sweetheart. | 0:50:45 | 0:50:47 | |
He looks like Chloe. | 0:50:54 | 0:50:56 | |
The day she died, Martha held on to her. | 0:51:00 | 0:51:03 | |
She wouldn't let her go. | 0:51:04 | 0:51:06 | |
And at first, it was the right thing to do. | 0:51:13 | 0:51:16 | |
You know, the counsellors encouraged us to hold her, | 0:51:18 | 0:51:21 | |
to say goodbye. | 0:51:21 | 0:51:23 | |
But then Martha wouldn't eat. | 0:51:28 | 0:51:30 | |
She wouldn't talk. | 0:51:30 | 0:51:32 | |
I had to wait till she fell asleep | 0:51:39 | 0:51:41 | |
before I could take Chloe away. | 0:51:41 | 0:51:43 | |
HE SNIFFS | 0:51:45 | 0:51:47 | |
No. | 0:52:02 | 0:52:03 | |
Come on, sweetheart. | 0:52:03 | 0:52:06 | |
No. | 0:52:06 | 0:52:07 | |
It'll be fine. | 0:52:07 | 0:52:10 | |
Shall we do it another day? | 0:52:10 | 0:52:11 | |
Yeah. | 0:52:11 | 0:52:12 | |
Yeah? | 0:52:12 | 0:52:14 | |
Come on then. Come on then. | 0:52:14 | 0:52:18 | |
Hold my hand. | 0:52:20 | 0:52:21 | |
Come on, Roisin, good girl. | 0:52:21 | 0:52:25 | |
What would you like to do? | 0:52:25 | 0:52:26 | |
Would you like to do some painting? | 0:52:29 | 0:52:31 | |
Yeah. | 0:52:31 | 0:52:33 | |
When the bough breaks, the cradle will fall, | 0:52:34 | 0:52:37 | |
and down will come baby, cradle and all. | 0:52:37 | 0:52:42 | |
Baby is drowsing, cosy and fair. | 0:52:42 | 0:52:46 | |
Marty? | 0:52:46 | 0:52:48 | |
Marty, where are you? | 0:52:56 | 0:52:58 | |
Boo! | 0:53:17 | 0:53:18 | |
What's this? | 0:53:22 | 0:53:25 | |
Just having a bit of fun, that's all. | 0:53:25 | 0:53:27 | |
What the fuck... | 0:53:35 | 0:53:37 | |
What the fuck do you think you're doing? | 0:53:37 | 0:53:38 | |
I'm having a laugh. | 0:53:38 | 0:53:39 | |
What? A laugh, is it? | 0:53:39 | 0:53:40 | |
-Yes. -Is it? | 0:53:40 | 0:53:41 | |
-Yes. -Well, who's laughing, then? | 0:53:41 | 0:53:43 | |
I am. | 0:53:43 | 0:53:44 | |
Why are you afraid of her? | 0:53:44 | 0:53:45 | |
I'm not afraid of her. | 0:53:45 | 0:53:46 | |
Do you know what changelings really were? | 0:53:46 | 0:53:48 | |
Listen, they were the children that no-one wanted, OK? | 0:53:48 | 0:53:51 | |
They were the sick and the crippled, | 0:53:51 | 0:53:53 | |
you know, the ones who ate too much | 0:53:53 | 0:53:55 | |
when there wasn't enough food to go round. | 0:53:55 | 0:53:56 | |
Their parents didn't know what to do with them. | 0:53:56 | 0:53:58 | |
They wanted to get rid of them, | 0:53:58 | 0:53:59 | |
so they burned them or drowned them, | 0:53:59 | 0:54:01 | |
and they blame it on the fucking fairies. | 0:54:01 | 0:54:02 | |
Yeah? | 0:54:02 | 0:54:03 | |
Well, there's a tidy logic in that. | 0:54:03 | 0:54:06 | |
Tell me, Martha. | 0:54:06 | 0:54:09 | |
Tell me, what's... | 0:54:09 | 0:54:11 | |
What are we going to call him? | 0:54:11 | 0:54:12 | |
Who? | 0:54:12 | 0:54:13 | |
Come on, our baby. | 0:54:13 | 0:54:14 | |
Oh, don't change the subject. | 0:54:14 | 0:54:16 | |
Our baby, our baby boy. | 0:54:16 | 0:54:17 | |
I'm not changing the subject. | 0:54:17 | 0:54:18 | |
What are we going to call him, huh? | 0:54:18 | 0:54:19 | |
Have you even thought about it? | 0:54:19 | 0:54:20 | |
I mean, have you thought of even one name? | 0:54:20 | 0:54:22 | |
Have you? | 0:54:22 | 0:54:26 | |
You're completely obsessed with her. | 0:54:26 | 0:54:29 | |
Fuck you. | 0:54:37 | 0:54:38 | |
DOOR SLAMS SHUT | 0:54:46 | 0:54:48 | |
Hello, stranger. | 0:55:11 | 0:55:13 | |
Hey. | 0:55:13 | 0:55:15 | |
Where's Martha? | 0:55:15 | 0:55:16 | |
She's at home. | 0:55:16 | 0:55:18 | |
You want a drink? | 0:55:18 | 0:55:22 | |
I see you're making friends. | 0:55:22 | 0:55:25 | |
No-one wants to play with me. | 0:55:25 | 0:55:28 | |
It's your little fairy. | 0:55:28 | 0:55:30 | |
And Sean Cryan is terrified of her. | 0:55:30 | 0:55:33 | |
I mean, I don't believe a word of it. | 0:55:33 | 0:55:37 | |
But, really, what do you expect | 0:55:37 | 0:55:38 | |
if you let her run around town dressed like a fairy? | 0:55:38 | 0:55:40 | |
Come on, Tomo. | 0:55:42 | 0:55:44 | |
Think about it. | 0:55:44 | 0:55:46 | |
Honestly, it's hard enough bringing up your own kids. | 0:55:53 | 0:55:55 | |
Brian and I never got a break, and look where we ended up. | 0:55:55 | 0:55:59 | |
But to take on a child like that... | 0:55:59 | 0:56:01 | |
We haven't exactly taken her on. | 0:56:01 | 0:56:04 | |
Does Martha know that? | 0:56:04 | 0:56:06 | |
Do you want a lift? | 0:56:08 | 0:56:11 | |
Great. | 0:56:11 | 0:56:12 | |
You could have called when you went away... | 0:56:26 | 0:56:29 | |
..sent a note. | 0:56:31 | 0:56:33 | |
You made your choice. | 0:56:37 | 0:56:39 | |
SHE LAUGHS | 0:56:39 | 0:56:40 | |
Brian had a car. | 0:56:40 | 0:56:44 | |
THEY LAUGH | 0:56:44 | 0:56:47 | |
Yeah, Brian's car. | 0:56:47 | 0:56:49 | |
All you had to do was say something. | 0:56:54 | 0:56:57 | |
HE SIGHS | 0:57:03 | 0:57:06 | |
Tomas, Tomas, stop, stop. | 0:57:17 | 0:57:18 | |
You're drunk, and I'm stupid. | 0:57:22 | 0:57:25 | |
THEY SIGH | 0:57:25 | 0:57:27 | |
Oh, you love Martha. | 0:57:31 | 0:57:34 | |
SHE SIGHS | 0:57:34 | 0:57:36 | |
You look at her the way you used to look at me. | 0:57:36 | 0:57:39 | |
SHE CHUCKLES | 0:57:41 | 0:57:43 | |
You have to tell her how you feel. | 0:57:46 | 0:57:48 | |
Yeah. | 0:57:52 | 0:57:54 | |
ENGINE TURNING | 0:58:02 | 0:58:05 | |
KNOCKING AT DOOR | 0:58:25 | 0:58:27 | |
Do you want to play with us, Daisy? | 0:58:29 | 0:58:33 | |
Come on, Daisy, want to play with us? | 0:58:33 | 0:58:38 | |
DAISY GIGGLES | 0:58:38 | 0:58:40 | |
Come on, let's get her. | 0:58:49 | 0:58:52 | |
Stand still, or I'll shoot, Daisy. | 0:58:59 | 0:59:03 | |
Are you a fairy? | 0:59:03 | 0:59:04 | |
DAISY GIGGLES | 0:59:04 | 0:59:07 | |
She's warm. | 0:59:07 | 0:59:09 | |
Play with me. | 0:59:09 | 0:59:10 | |
ALL: No. | 0:59:10 | 0:59:11 | |
Play with me. Play with me. | 0:59:11 | 0:59:15 | |
No. | 0:59:15 | 0:59:17 | |
Play with me. | 0:59:17 | 0:59:18 | |
HE SCREAMS | 0:59:18 | 0:59:19 | |
Play with me. | 0:59:19 | 0:59:20 | |
Away with you. Quick. | 0:59:20 | 0:59:22 | |
Away, away! | 0:59:22 | 0:59:25 | |
Go home now! | 0:59:25 | 0:59:26 | |
-DAISY MIMICS HIM: -Go home now. | 0:59:26 | 0:59:28 | |
Go home now. | 0:59:28 | 0:59:29 | |
Go home now. | 0:59:29 | 0:59:31 | |
Go home now! Go home now! | 0:59:31 | 0:59:35 | |
Go home now! | 0:59:35 | 0:59:37 | |
None of the children turned up for school today. | 0:59:37 | 0:59:41 | |
The parents say they are keeping their kids at home | 0:59:41 | 0:59:43 | |
until Daisy is removed, | 0:59:43 | 0:59:45 | |
that she doesn't belong in the school. | 0:59:45 | 0:59:47 | |
I'm sorry. | 0:59:47 | 0:59:48 | |
I've never heard anything like it. | 0:59:48 | 0:59:50 | |
Hello? | 0:59:56 | 0:59:57 | |
Help, please. Help! | 0:59:57 | 0:59:59 | |
Daisy? | 1:00:05 | 1:00:07 | |
DOOR CLICKS SHUT | 1:00:26 | 1:00:29 | |
Why are you here? | 1:00:29 | 1:00:31 | |
Is Daisy sick? | 1:00:31 | 1:00:32 | |
I came to see how Lucy is. | 1:00:32 | 1:00:35 | |
It's meningitis. | 1:00:38 | 1:00:39 | |
-HE SIGHS -Oh. | 1:00:39 | 1:00:41 | |
They were all together, you know, yesterday, with Daisy. | 1:00:41 | 1:00:45 | |
She turned on them. | 1:00:47 | 1:00:51 | |
Tell me why Daisy isn't sick too. | 1:00:51 | 1:00:54 | |
I don't know. | 1:00:54 | 1:00:55 | |
Oh, you don't believe this. | 1:00:57 | 1:00:58 | |
ALARMS BLARING | 1:00:58 | 1:00:59 | |
Oh. | 1:00:59 | 1:01:01 | |
What's happened? | 1:01:01 | 1:01:02 | |
Lucy? | 1:01:02 | 1:01:04 | |
I talked to the three of them. | 1:01:08 | 1:01:09 | |
They all said the same thing. | 1:01:09 | 1:01:12 | |
Maybe she didn't realise they were so close to the edge. | 1:01:12 | 1:01:16 | |
You need to keep a closer eye on Daisy. | 1:01:18 | 1:01:20 | |
THUNDER RUMBLES | 1:01:20 | 1:01:21 | |
"Fierce hatred of a fairy woman, | 1:01:24 | 1:01:27 | |
"and so bewildered and now staggering in her flight, | 1:01:27 | 1:01:30 | |
"she followed Tink to her doom." | 1:01:30 | 1:01:32 | |
Come on, it's bedtime now. | 1:01:32 | 1:01:35 | |
Night-night. | 1:01:39 | 1:01:40 | |
SHE KISSES DAISY | 1:01:40 | 1:01:41 | |
Love you. | 1:01:41 | 1:01:43 | |
DOOR CLICKS SHUT | 1:01:55 | 1:01:58 | |
What? | 1:02:00 | 1:02:01 | |
What is it? | 1:02:01 | 1:02:04 | |
Sergeant Riley came to see me today. | 1:02:05 | 1:02:08 | |
Apparently, Daisy thought it would be fun | 1:02:10 | 1:02:13 | |
to play catch at the cliffs | 1:02:13 | 1:02:16 | |
with Lucy and a couple of other kids. | 1:02:16 | 1:02:19 | |
They all have meningitis now, except Daisy. | 1:02:22 | 1:02:27 | |
SHE SCOFFS | 1:02:27 | 1:02:30 | |
What are you saying? | 1:02:30 | 1:02:31 | |
She's infected them? | 1:02:31 | 1:02:33 | |
No. | 1:02:33 | 1:02:34 | |
Well, what are you saying, then? | 1:02:37 | 1:02:38 | |
I don't want her in my life. | 1:02:38 | 1:02:40 | |
I don't want her in my family. | 1:02:40 | 1:02:43 | |
THUNDER RUMBLES | 1:02:43 | 1:02:44 | |
I'm saying she has to go. | 1:02:47 | 1:02:50 | |
I love you. | 1:02:53 | 1:02:54 | |
I miss you, come on. | 1:02:54 | 1:02:56 | |
Come on, you have to put him first. | 1:02:56 | 1:02:59 | |
There'll be no room for him when he comes. | 1:02:59 | 1:03:02 | |
Listen to me. Listen to me. | 1:03:02 | 1:03:04 | |
I don't care what's it called - | 1:03:04 | 1:03:05 | |
fucking fairies, autism, abuse, | 1:03:05 | 1:03:09 | |
whatever came first. | 1:03:09 | 1:03:11 | |
She's sucking everything out of us. | 1:03:11 | 1:03:12 | |
Mummy! | 1:03:12 | 1:03:14 | |
You have to choose. | 1:03:17 | 1:03:19 | |
Daisy, sweetheart, come on. | 1:03:22 | 1:03:23 | |
You've got to go back to bed. | 1:03:23 | 1:03:24 | |
Martha, my love, come on. | 1:03:24 | 1:03:26 | |
Don't do this. Don't do this, Martha. | 1:03:26 | 1:03:27 | |
Get off me, Tomas. | 1:03:27 | 1:03:30 | |
What are you doing? | 1:03:58 | 1:04:00 | |
It was dirty. | 1:04:00 | 1:04:01 | |
Oh, come on. Not all this again. | 1:04:05 | 1:04:06 | |
It's the middle of the night. | 1:04:06 | 1:04:08 | |
I've finished now. It's all done. | 1:04:08 | 1:04:10 | |
Come on, let's go to bed. | 1:04:10 | 1:04:13 | |
No, no, please, don't touch this. | 1:05:36 | 1:05:38 | |
Thank you, Daisy. | 1:05:38 | 1:05:40 | |
No. Please, don't touch that. | 1:05:46 | 1:05:47 | |
Put it back. | 1:05:47 | 1:05:49 | |
Tomas doesn't want us. | 1:05:51 | 1:05:53 | |
We're bad. | 1:05:53 | 1:05:55 | |
CANS CLANKING | 1:06:14 | 1:06:17 | |
Daisy! | 1:06:57 | 1:07:00 | |
CAR ENGINE RUMBLING | 1:07:00 | 1:07:03 | |
I can't find Daisy. | 1:07:08 | 1:07:10 | |
I've been looking everywhere for her. | 1:07:10 | 1:07:11 | |
I can't find her. | 1:07:11 | 1:07:12 | |
I'll bring you home. Bringing you home. | 1:07:12 | 1:07:13 | |
No, no, no, no, no, we've got to find her. | 1:07:13 | 1:07:15 | |
Come on, I'll call Riley. We'll find her. | 1:07:15 | 1:07:18 | |
HUMMING SOFTLY | 1:07:23 | 1:07:26 | |
La, ah, la. | 1:07:37 | 1:07:40 | |
GIGGLING | 1:07:44 | 1:07:46 | |
Daisy! | 1:07:48 | 1:07:51 | |
Daisy! | 1:07:51 | 1:07:52 | |
Daisy! | 1:07:52 | 1:07:53 | |
Daisy! | 1:07:56 | 1:07:59 | |
Daisy! | 1:08:10 | 1:08:12 | |
HE SHOUTS | 1:08:31 | 1:08:33 | |
Get back. | 1:08:33 | 1:08:34 | |
Go away, go away! | 1:08:34 | 1:08:36 | |
Away! | 1:08:46 | 1:08:47 | |
DAISY SCREAMS | 1:08:47 | 1:08:48 | |
MUFFLED SCREAMS | 1:08:48 | 1:08:49 | |
This way, come on. | 1:08:49 | 1:08:51 | |
DAISY SCREAMS | 1:08:51 | 1:08:53 | |
AGONISED SCREAMING | 1:09:00 | 1:09:03 | |
Sean, put it down. | 1:09:03 | 1:09:04 | |
-Daisy! -Leave it! | 1:09:04 | 1:09:05 | |
Help me! | 1:09:05 | 1:09:06 | |
DAISY YELLS | 1:09:06 | 1:09:07 | |
-Daddy! -SCREAMS | 1:09:07 | 1:09:08 | |
Grab my hand. | 1:09:08 | 1:09:09 | |
Grab my hand! Come on! | 1:09:09 | 1:09:12 | |
Burn her! | 1:09:12 | 1:09:13 | |
-Come on, grab it. -Help me! | 1:09:13 | 1:09:14 | |
Kill her! Kill... | 1:09:14 | 1:09:18 | |
Burn her! | 1:09:18 | 1:09:19 | |
Come on, Daisy. | 1:09:19 | 1:09:21 | |
-DAISY SCREAMS -I can't! | 1:09:21 | 1:09:23 | |
DAISY SCREAMS | 1:09:23 | 1:09:24 | |
Kill her! | 1:09:24 | 1:09:25 | |
You're OK. | 1:09:25 | 1:09:27 | |
HE SCREAMS | 1:09:27 | 1:09:30 | |
She should sleep till tomorrow afternoon. | 1:09:45 | 1:09:50 | |
It's not your fault, love. | 1:09:50 | 1:09:54 | |
No, I know. | 1:09:54 | 1:09:56 | |
It's this place. | 1:09:56 | 1:09:59 | |
I don't want to tell you what to do. | 1:09:59 | 1:10:02 | |
But she's not safe here. | 1:10:02 | 1:10:04 | |
But he's gone. | 1:10:04 | 1:10:06 | |
Cryan's dead. | 1:10:06 | 1:10:08 | |
And your baby? | 1:10:11 | 1:10:13 | |
Moving? Regular, vigorous? | 1:10:13 | 1:10:18 | |
Yeah. | 1:10:18 | 1:10:19 | |
You need to take care of yourself, Martha. | 1:10:19 | 1:10:22 | |
Good night now. | 1:10:24 | 1:10:26 | |
Good night, doctor. | 1:10:26 | 1:10:28 | |
MAN SPEAKING INDISTINCTLY OVER RADIO | 1:10:35 | 1:10:39 | |
I'm still at Tomas Conroy's. | 1:10:39 | 1:10:41 | |
I'll be back at the station later. | 1:10:41 | 1:10:43 | |
She's asleep. | 1:10:51 | 1:10:53 | |
Sergeant Riley was suggesting that Daisy | 1:11:08 | 1:11:10 | |
needs to be somewhere where they have experience. | 1:11:10 | 1:11:14 | |
You know, she needs counselling. | 1:11:14 | 1:11:17 | |
She needs proper support. | 1:11:17 | 1:11:19 | |
In a home? | 1:11:19 | 1:11:22 | |
She is not the problem. | 1:11:22 | 1:11:25 | |
Everybody else is the problem. | 1:11:25 | 1:11:27 | |
But you can't deny that she has problems. | 1:11:27 | 1:11:30 | |
And what about Eva, you know, Lucy, the kids? | 1:11:30 | 1:11:34 | |
WATER POURING | 1:11:40 | 1:11:41 | |
CUP BANGS ON TABLE | 1:11:41 | 1:11:45 | |
Look, nobody in this room | 1:11:45 | 1:11:46 | |
is saying that Daisy is a fairy changeling. | 1:11:46 | 1:11:50 | |
But I have no doubt that she is very troubled, | 1:11:50 | 1:11:53 | |
and she might be dangerous. | 1:11:53 | 1:11:55 | |
What have you seen her do? | 1:12:00 | 1:12:03 | |
Hey? | 1:12:03 | 1:12:05 | |
What's anybody seen her do? | 1:12:05 | 1:12:09 | |
I know that Daisy tried to smother her little brother | 1:12:09 | 1:12:13 | |
when he was a newborn. | 1:12:13 | 1:12:15 | |
Now, Jenny Gahan told me that, and I believed her. | 1:12:15 | 1:12:19 | |
And after that happened, | 1:12:22 | 1:12:24 | |
Jenny never left Daisy alone in the room with him again. | 1:12:24 | 1:12:28 | |
The day that she put him down for his nap, | 1:12:28 | 1:12:34 | |
she put a latch across his door. | 1:12:34 | 1:12:39 | |
Nobody else could have let him out of the room. | 1:12:39 | 1:12:42 | |
Nobody else could have taken him to the beach. | 1:12:42 | 1:12:48 | |
It had to be Daisy. | 1:12:48 | 1:12:51 | |
Now we need to think about what's best for Daisy. | 1:12:51 | 1:12:56 | |
OK? | 1:12:56 | 1:12:59 | |
I've contacted the health services. | 1:13:01 | 1:13:04 | |
They want to take her. | 1:13:04 | 1:13:06 | |
When? | 1:13:08 | 1:13:11 | |
When, when are they going to come and get her? | 1:13:11 | 1:13:13 | |
Do you think maybe that you could take her tonight? | 1:13:13 | 1:13:16 | |
No. No, no, no, no, no. | 1:13:16 | 1:13:18 | |
Martha, Martha, please. | 1:13:18 | 1:13:20 | |
After what she's been through tonight, | 1:13:20 | 1:13:22 | |
she just should sleep here. | 1:13:22 | 1:13:24 | |
You come back and get her in the morning. | 1:13:24 | 1:13:26 | |
OK? | 1:13:26 | 1:13:27 | |
Well, that seems fair enough. | 1:13:27 | 1:13:31 | |
I'll be back first thing. | 1:13:31 | 1:13:33 | |
BABY DOLL CRIES | 1:14:08 | 1:14:10 | |
TAPS SQUEAKING, WATER RUNNING | 1:14:10 | 1:14:13 | |
Everything's going to be all right. | 1:14:25 | 1:14:27 | |
There's something I have to do outside. | 1:14:32 | 1:14:35 | |
SANDPAPER SCRAPING | 1:14:55 | 1:14:58 | |
MELANCHOLY PIANO MUSIC | 1:15:07 | 1:15:10 | |
BABY DOLL CRIES | 1:15:34 | 1:15:37 | |
DOOR LATCHES CLANKING | 1:15:46 | 1:15:48 | |
DOOR CREAKS | 1:15:48 | 1:15:50 | |
Go back to bed. It's really, really late. | 1:15:53 | 1:15:56 | |
I want to stay with you, Mummy. | 1:15:56 | 1:15:58 | |
Please, let me stay with you. | 1:15:58 | 1:16:03 | |
WATER SLOSHING | 1:16:08 | 1:16:11 | |
Do you want a bath? | 1:16:12 | 1:16:16 | |
Come on. | 1:16:16 | 1:16:19 | |
There, sit down. | 1:16:23 | 1:16:27 | |
Tell me something, Daisy. | 1:16:29 | 1:16:31 | |
What happened to your little brother? | 1:16:31 | 1:16:34 | |
He drowned. | 1:16:34 | 1:16:36 | |
Did you take him swimming? | 1:16:38 | 1:16:41 | |
Did you wake him up from his nap? | 1:16:41 | 1:16:44 | |
Did you undo the latch on the door? | 1:16:44 | 1:16:48 | |
Latch on the door. | 1:16:48 | 1:16:50 | |
Did you? | 1:16:50 | 1:16:52 | |
Did you? | 1:16:52 | 1:16:54 | |
Remember that day with Cat and Eva at the pool? | 1:16:54 | 1:16:59 | |
Remember that day with Cat and Eva at the pool? | 1:16:59 | 1:17:03 | |
Did-did you push Eva into the water? | 1:17:03 | 1:17:08 | |
Daisy, look at me. | 1:17:13 | 1:17:17 | |
What happened to your mummy and daddy? | 1:17:17 | 1:17:20 | |
Play with me. | 1:17:20 | 1:17:22 | |
No, sweetheart, no. | 1:17:22 | 1:17:24 | |
Play with me. | 1:17:24 | 1:17:26 | |
WHISPERING What are you? | 1:17:29 | 1:17:34 | |
I'm a fairy. | 1:17:34 | 1:17:35 | |
I'm a fairy. | 1:17:37 | 1:17:38 | |
No, you're not. | 1:17:38 | 1:17:40 | |
No, no, don't. No, no, please. | 1:17:40 | 1:17:42 | |
No, no, no. | 1:17:42 | 1:17:43 | |
WHISPERING No, no, no. | 1:17:43 | 1:17:46 | |
# Rock-a-bye baby on the treetop | 1:17:46 | 1:17:49 | |
Daisy, sweetheart. Daisy. | 1:17:49 | 1:17:51 | |
Daisy, you're hurting me. | 1:17:51 | 1:17:53 | |
# When the wind blows, the cradle will rock | 1:17:53 | 1:17:55 | |
Please, Daisy, just let go. Daisy, you're hurting my tummy now. | 1:17:55 | 1:17:58 | |
Daisy, please. | 1:17:58 | 1:18:00 | |
YELLS | 1:18:00 | 1:18:01 | |
GASPS Oh, Daisy. | 1:18:01 | 1:18:03 | |
Ah. | 1:18:03 | 1:18:04 | |
Daisy. | 1:18:04 | 1:18:07 | |
Daisy! | 1:18:07 | 1:18:08 | |
Daisy, no! | 1:18:08 | 1:18:10 | |
No! | 1:18:10 | 1:18:13 | |
Daisy, let go, sweetheart! | 1:18:13 | 1:18:14 | |
Let go. | 1:18:14 | 1:18:16 | |
SOBBING | 1:18:16 | 1:18:18 | |
GASPING Daisy. | 1:18:18 | 1:18:21 | |
Daisy... | 1:18:21 | 1:18:24 | |
Daisy, get Tomas! | 1:18:24 | 1:18:26 | |
Daisy, get Tomas. | 1:18:26 | 1:18:28 | |
Please, please. | 1:18:28 | 1:18:30 | |
GASPING Daisy! | 1:18:30 | 1:18:33 | |
DRYER WHIRRING LOUDLY | 1:18:33 | 1:18:36 | |
WATER DRIPPING | 1:19:23 | 1:19:27 | |
Martha? | 1:19:27 | 1:19:30 | |
Oh, God, Jesus! | 1:19:30 | 1:19:32 | |
Oh, Jesus. Oh, Jesus. | 1:19:32 | 1:19:34 | |
Oh, no. | 1:19:34 | 1:19:37 | |
-Oh, no. -HE SOBS | 1:19:37 | 1:19:39 | |
-No! -SOBBING | 1:19:42 | 1:19:46 | |
Oh... | 1:19:46 | 1:19:48 | |
GASPING | 1:19:48 | 1:19:51 | |
SOBBING | 1:19:53 | 1:19:55 | |
# Rock-a-bye baby on the treetop | 1:19:55 | 1:20:00 | |
# When the wind blows, the cradle will rock | 1:20:00 | 1:20:05 | |
# When the bough breaks, the cradle will fall | 1:20:05 | 1:20:10 | |
# Out comes baby... | 1:20:10 | 1:20:11 | |
What have you done? | 1:20:11 | 1:20:13 | |
# And cradle and all | 1:20:13 | 1:20:16 | |
# Baby is drowsy, cosy, and fair | 1:20:16 | 1:20:18 | |
What have you done? | 1:20:18 | 1:20:20 | |
BABY COOING | 1:20:20 | 1:20:23 | |
Baby has to be able to breathe. | 1:20:36 | 1:20:38 | |
BABY CRIES | 1:20:55 | 1:20:58 | |
What should we call him? | 1:20:58 | 1:21:01 | |
BABY CONTINUES CRYING | 1:21:04 | 1:21:10 | |
Should we call him Bertie? | 1:21:10 | 1:21:13 | |
Eddie? | 1:21:13 | 1:21:15 | |
Daniel? | 1:21:15 | 1:21:17 | |
SHUSHING | 1:21:17 | 1:21:20 | |
Play with me. Play with me. | 1:21:35 | 1:21:40 | |
BABY DOLL CRIES | 1:21:44 | 1:21:47 | |
Can't breathe now. | 1:21:50 | 1:21:52 | |
# Rock-a-bye baby on the treetop | 1:21:56 | 1:22:01 | |
# When the wind blows, the cradle will rock | 1:22:01 | 1:22:05 | |
# When the bough breaks, the cradle will fall | 1:22:05 | 1:22:10 | |
# Out comes baby and cradle and all | 1:22:10 | 1:22:17 |